WEBVTT - Deep Cuts Horror Hit List #2 “Train To Busan”

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<v Speaker 1>Welcome everyone. It is Thursday, October thirtieth, and you are

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<v Speaker 1>listening to Amy and TJ.

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<v Speaker 2>And we are now in the final countdown to Halloween.

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<v Speaker 2>It is our Halloween Horror hit list and we are

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<v Speaker 2>already at number two.

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<v Speaker 1>You're feeling good about our choices.

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<v Speaker 3>We me already at it's been a month already at

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<v Speaker 3>it's blown by it. It hasn't flown. This has been

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<v Speaker 3>a long, hard haul. We have been, you know, to

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<v Speaker 3>just watch horror movies all day. It seems like, well.

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<v Speaker 1>We do every day.

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<v Speaker 3>It seems like it would put you in a down

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<v Speaker 3>a in a dark move. This is uplifting to us.

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<v Speaker 3>I always say hearing people screaming is like our white

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<v Speaker 3>noise in the house.

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<v Speaker 2>It is embarrassing sometimes though, if strangers are around, or

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<v Speaker 2>if someone's calling and they hear someone screaming in the background.

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<v Speaker 1>For us, it's.

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<v Speaker 3>Just a Tuesday that has absolutely happened on zoom calls

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<v Speaker 3>or something at the house. We're like, oh my god,

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<v Speaker 3>what's happening. It sounds like somebody's being murdered in the

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<v Speaker 3>second room. But no, this is great and we're at

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<v Speaker 3>number two. And this, folks, we will tell you right

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<v Speaker 3>now I am guarunteeing you will be crying in this movie.

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<v Speaker 3>I don't care who you are. There will be tears

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<v Speaker 3>in your eyes and at least one and possibly two

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<v Speaker 3>moments in this movie.

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<v Speaker 2>I have seen this movie personally, I mean at least

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<v Speaker 2>at least six or seven times. We just rewatched it

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<v Speaker 2>before we recorded this and once again, sobbing. Not just

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<v Speaker 2>a few tears wiping away, I mean just powerful, powerful acting,

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<v Speaker 2>powerful storytelling, all set in a zombie apocalypse.

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<v Speaker 3>And one more thing for you here, folks, how extraordinary

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<v Speaker 3>this movie is. You're gonna be crying. This movie is

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<v Speaker 3>so ub titled the entire time. It is not in English,

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<v Speaker 3>and the dubbing is not available or is it.

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<v Speaker 2>Well, it might be for some folks, but it isn't

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<v Speaker 2>on Netflix. Okay, you have to watch it with the subtitle, folks.

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<v Speaker 3>This is a special special movie.

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<v Speaker 2>It is our number two on our horror hit list,

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<v Speaker 2>and it is trained to Bussan And this is one

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<v Speaker 2>of the greatest horror films ever made ever, ever, and

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<v Speaker 2>it was released back in twenty sixteen. It's an hour

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<v Speaker 2>and fifty eight minutes, so it's on the longer side

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<v Speaker 2>of our horror movies. It's rated R. It fully fully

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<v Speaker 2>gets that rating for a lot of reasons.

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<v Speaker 3>It deserves it.

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<v Speaker 2>Yet but this synopsis is a man, his estranged daughter,

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<v Speaker 2>and other passengers become trapped on a speeding train during

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<v Speaker 2>a zombie outbreak in South Korea.

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<v Speaker 3>That is so simplistic. That is such a dumbing down

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<v Speaker 3>of how extraordinary this movie is. That is one hundred

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<v Speaker 3>percent accurate, but there is so much that goes into

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<v Speaker 3>every relationship, every moment, every scenario, and everything going on.

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<v Speaker 3>That synopsis is accurate, but doesn't do this movie justice.

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<v Speaker 2>That's right, And I feel like because of the foreign

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<v Speaker 2>language aspect of this film, perhaps a lot of folks

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<v Speaker 2>didn't necessarily.

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<v Speaker 1>Jump on this train or watch it.

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<v Speaker 2>Now that it's on Netflix, I feel like maybe more

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<v Speaker 2>of you might have seen it. But this has been

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<v Speaker 2>something I've been screaming from the rooftops.

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<v Speaker 1>Somehow I watched this movie.

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<v Speaker 2>I don't know how I heard word about it, but

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<v Speaker 2>I have been watching this movie for I feel like

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<v Speaker 2>almost a decade now since it came out.

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<v Speaker 3>I didn't realize it was sold until you just said it.

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<v Speaker 2>Yeah.

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<v Speaker 1>Realized yeah, yeah yeah.

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<v Speaker 2>And this was another one before people were so into

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<v Speaker 2>these types of films.

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<v Speaker 1>People were like, what what, what film were you talking about?

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<v Speaker 2>In fact, I believe that you watched this upon my recommendation,

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<v Speaker 2>and you were a little reticent.

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<v Speaker 3>Because I don't like subtitles. I hate, hate, hate, hate

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<v Speaker 3>hate subtitles. And I hate it when so many younger folks,

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<v Speaker 3>now certainly your daughter's generation, Sabine not so much, they

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<v Speaker 3>watch every movie with subtitles. On movies in English, they

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<v Speaker 3>want to read along while the movie's going. I hate that.

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<v Speaker 1>I mean Game of Thrones.

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<v Speaker 2>It's helpful when you have strong accents, even when someone

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<v Speaker 2>speaking English, if it's Scottish or if it's a very

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<v Speaker 2>cockney accent. I appreciate a subtitle.

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<v Speaker 3>I hear that, But it doesn't matter what we're watching.

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<v Speaker 3>It can be as plain the English. It could be

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<v Speaker 3>whatever that what's that river show on Netflix? Something River,

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<v Speaker 3>Virgin River.

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<v Speaker 1>Virgin River is definitely Neflix.

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<v Speaker 3>Okay. I don't know why that one came to mind.

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<v Speaker 3>What I'm saying, the most American and American accent of movies,

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<v Speaker 3>they still turn on subtitles just to read. Why again, I.

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<v Speaker 2>Feel like you don't miss anything that way, and if

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<v Speaker 2>you get used to it, like The thing is, once

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<v Speaker 2>you start watching this film, oh I get it. You

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<v Speaker 2>you forget you're even reading it, but you're getting reinforced

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<v Speaker 2>with whatever's been said.

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<v Speaker 1>You don't miss anything.

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<v Speaker 3>You don't miss anything thing because the younger generation isn't

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<v Speaker 3>paying attention. Correct, they don't have this saying they're not

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<v Speaker 3>listening for new or okay, I'll get.

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<v Speaker 1>It's like a text message.

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<v Speaker 2>On top of it is the verbal kill, so that

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<v Speaker 2>they're reinforced. Their brain sees it and hears it, and

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<v Speaker 2>it's better that way because they're probably distracted doing something else.

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<v Speaker 3>But despite the point is despite all that, this movie

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<v Speaker 3>still plays.

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<v Speaker 2>Yes, and so the box office it did well ninety

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<v Speaker 2>five million worldwide. I think that's fairly significant for a

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<v Speaker 2>foreign Lange language film. Here, but the cast, you won't

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<v Speaker 2>know the name's gone you, but you will know his face.

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<v Speaker 2>If you love squid Games, that was your big moment

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<v Speaker 2>when you had already watched squid Games.

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<v Speaker 1>I think maybe.

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<v Speaker 2>Perhaps before you saw trained Bussan Oh yeah, and you

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<v Speaker 2>were like, oh.

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<v Speaker 1>My god, it's the guy for squid Games.

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<v Speaker 3>And this is the guy. Of course you all watch

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<v Speaker 3>squid Game. He's the recruiter. He's kind of the slick,

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<v Speaker 3>put together, buttoned up. He's almost sinister because he's so

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<v Speaker 3>calm in everything he does. But he's one of the

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<v Speaker 3>handsome in a suit recruiting people to be in the game.

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<v Speaker 3>And in this one he kind of is the same handsome,

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<v Speaker 3>put together guy a little colder, but he becomes your favorite.

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<v Speaker 2>Yes, he's the hedge fund manager who everyone loves to

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<v Speaker 2>hate in the movie but ends up being a huge.

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<v Speaker 1>Part of the heart of this movie.

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<v Speaker 2>Oh my god, I can watch this again right now,

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<v Speaker 2>The director yan saying, ho, I hope I said that right.

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<v Speaker 2>But Rotten Tomatoes, I have to say, agrees with us

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<v Speaker 2>on this one. The Rotten Tomatoes score among the highest

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<v Speaker 2>you will find, ninety five percent. That's among the critics.

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<v Speaker 2>The audience score not far below eighty nine percent. This

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<v Speaker 2>is one where the two really agree with each other.

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<v Speaker 2>And when you have such rave reviews, it's actually this

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<v Speaker 2>is one of the closest, this high up where the

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<v Speaker 2>audience and the critics agree that it is this good

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<v Speaker 2>of a.

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<v Speaker 1>Why do you love it?

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<v Speaker 3>We like zombie movies. If you're a Walking Dead fan,

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<v Speaker 3>those things, you know. The best one I could compare

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<v Speaker 3>this to is is World war Z if you're a

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<v Speaker 3>fan of that movie. And again, I get a little

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<v Speaker 3>turned off sometimes about the big disaster movies where the

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<v Speaker 3>the the emotional, the family dynamic is so central to

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<v Speaker 3>the story. But this is one that is there, like

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<v Speaker 3>there are several family dynamics and relationships that play out.

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<v Speaker 3>And again, a foreign language film, and it delivers. I'm

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<v Speaker 3>reading the emotion and I still feel everything.

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<v Speaker 1>This is a special movie, you know what was cool about?

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<v Speaker 1>Like you point that out.

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<v Speaker 2>I think sometimes in these apocalyptic movies they want to

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<v Speaker 2>create it's almost it almost feels this forced, unnatural bond

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<v Speaker 2>between people where you're just like, come on, come on,

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<v Speaker 2>stop it with the Pollyanna. Everything's like wonderful. We all

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<v Speaker 2>love each other so much, Cora.

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<v Speaker 3>That's it. It's not done well.

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<v Speaker 2>This is nuanced and it is real life. It's not perfect.

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<v Speaker 2>The relationships aren't great. And yet when you're forced to

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<v Speaker 2>actually recognize what's important and what's not, when everything else

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<v Speaker 2>is going to shit. I do love that in the

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<v Speaker 2>face of all the messiness of life, it all comes

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<v Speaker 2>together pretty succinctly.

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<v Speaker 1>I love that all right.

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<v Speaker 2>The critic consensus here it is trained to Bussan delivers

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<v Speaker 2>a thrillingly unique and purely entertaining take on the zombie genre,

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<v Speaker 2>with fully realized characters and plenty of social commentary to

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<v Speaker 2>underscore the bursts of skillfully staged action.

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<v Speaker 3>What was that part the first part you said, fully

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<v Speaker 3>realized characters, fully realized characters. I don't know how they

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<v Speaker 3>did it. I didn't realize it was happening, but I

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<v Speaker 3>cared so much about almost everybody I saw. There's even

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<v Speaker 3>a whole thing having to do with a youth baseball team.

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<v Speaker 3>Even I was caught up in their world and what

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<v Speaker 3>was happening to them, And oh, my god, and the

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<v Speaker 3>one kid that was kind of left behind on the

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<v Speaker 3>team and he had to see his teammates.

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<v Speaker 2>Oh, it was so odd. And again, in its messiness,

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<v Speaker 2>it wasn't. You didn't have characters who were good and

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<v Speaker 2>characters who were bad. You had everyone in between. And

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<v Speaker 2>I think that's why we all related with the folks

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<v Speaker 2>on the train, because there was something in all of them,

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<v Speaker 2>in all of us.

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<v Speaker 3>There was something imperfect in everybody. But then the same

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<v Speaker 3>thing that think, the thing they had in common, ends

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<v Speaker 3>up being the thing that brings them all together and

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<v Speaker 3>makes this work. Because of human story some of the

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<v Speaker 3>stuff we're talking about now, I didn't kind of piece

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<v Speaker 3>and put together until I'm talking it out with you.

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<v Speaker 3>But this is now of them thinking about it more

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<v Speaker 3>and more. This I don't know what award is one

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<v Speaker 3>and how that went. This is a special movie and

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<v Speaker 3>South Korean horror. If you get a chance to check

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<v Speaker 3>out any Korean horror movies, they know what they're doing.

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<v Speaker 1>Over it, they really do. It's so good. Even one

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<v Speaker 1>of our aforementioned.

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<v Speaker 2>Movies on the list, Cavin in the Woods, makes a

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<v Speaker 2>nod to Asian horror. They actually make a joke about

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<v Speaker 2>how they're usually so good at it. And they actually

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<v Speaker 2>showed some scenes of Asian horror in the Cabin in

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<v Speaker 2>the Woods, which is actually so funny because it does

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<v Speaker 2>it does almost pay homage to Asian horror in that movie.

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<v Speaker 2>It was a funny moment. Anyway, I digress. Here are

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<v Speaker 2>some of the critic reviews that some up what we

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<v Speaker 2>completely concur with. Trained to Busan is arguably the best

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<v Speaker 2>zombie apocalypse movie of all times. Yes, that is the

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<v Speaker 2>subgenre finds in Young saying Ho. That is the director's

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<v Speaker 2>mind mind blowing flick, the masterpiece it deserves. I can't

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<v Speaker 2>find a single flaw. It left me emotionally drained.

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<v Speaker 1>This is from a critic.

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<v Speaker 3>It the emotional part of it is unexpected because the

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<v Speaker 3>I think it's if you to take out the zombie stuff,

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<v Speaker 3>and if I was just watching this movie from some

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<v Speaker 3>of the emotional and the relationship standpoint, I wouldn't have

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<v Speaker 3>liked it because I don't go for a movie like that.

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<v Speaker 3>I don't want to it's not your jam. I don't

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<v Speaker 3>want to see drama and family drama and play on

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<v Speaker 3>pain and I don't want to see that ever, would

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<v Speaker 3>that would have been turned off. You put this in

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<v Speaker 3>the middle of a zombie apocalypse, and it makes that

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<v Speaker 3>story about the family relevant in a different way. It

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<v Speaker 3>makes it relatable even in a different way. Oh, I

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<v Speaker 3>can't say it enough. This should have been number one.

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<v Speaker 1>I know, No, no, Actually, it's so funny.

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<v Speaker 2>I was about to say, when I start reading the

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<v Speaker 2>rest of the critic reviews, we're gonna maybe regret our.

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<v Speaker 2>Oh no, our ranking. All right, here's the next one.

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<v Speaker 2>To your point, I would say the hardest part of

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<v Speaker 2>horror is to make the audience feel empathy. A good

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<v Speaker 2>horror story only feels horrifying if you feel it's being

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<v Speaker 2>done to someone you care about, and that's exactly what

0:12:09.960 --> 0:12:10.800
<v Speaker 2>this movie does.

0:12:10.840 --> 0:12:14.199
<v Speaker 3>Well, I'm trying to think about other movies and that

0:12:14.280 --> 0:12:16.840
<v Speaker 3>whole premise it's happening to somebody you care about, you know,

0:12:17.000 --> 0:12:19.360
<v Speaker 3>that's not always there for me in a lot of

0:12:19.360 --> 0:12:19.920
<v Speaker 3>these movies.

0:12:20.200 --> 0:12:21.440
<v Speaker 1>Sometimes it's just fun.

0:12:22.160 --> 0:12:24.800
<v Speaker 2>Yeah, and you don't want to care about the person

0:12:24.840 --> 0:12:26.160
<v Speaker 2>because then it wouldn't be fun.

0:12:26.480 --> 0:12:30.240
<v Speaker 3>And there is I'm thinking about. To all of the

0:12:30.280 --> 0:12:33.079
<v Speaker 3>people in this movie, there's only one guy we probably

0:12:33.120 --> 0:12:35.560
<v Speaker 3>didn't care about. They'd even made a very good He

0:12:35.720 --> 0:12:37.640
<v Speaker 3>was over the top despicable.

0:12:37.400 --> 0:12:42.080
<v Speaker 2>But that actually elicited emotions that actually carried the film.

0:12:42.280 --> 0:12:44.800
<v Speaker 3>But it was that emotion at the time was useful

0:12:44.840 --> 0:12:47.160
<v Speaker 3>in the movie because we didn't have anywhere to direct it.

0:12:47.320 --> 0:12:49.680
<v Speaker 3>We didn't actually have an enemy in the movie. Even

0:12:49.720 --> 0:12:52.240
<v Speaker 3>the zombies. We can't be mad at. This just happened

0:12:52.240 --> 0:12:55.120
<v Speaker 3>to these people. There was only one guy, I would say,

0:12:55.120 --> 0:12:58.199
<v Speaker 3>as an antagonist in a zombie movie, right.

0:12:58.040 --> 0:13:01.760
<v Speaker 1>That is so true? Wow? All right, here's another one.

0:13:01.840 --> 0:13:07.280
<v Speaker 2>One of the most compelling, exciting, and captivating action horror

0:13:07.520 --> 0:13:11.280
<v Speaker 2>hybrids in years. It grabs the heart as well as

0:13:11.360 --> 0:13:18.360
<v Speaker 2>the soul speeding to a satisfying emotional climax. That's all

0:13:18.400 --> 0:13:21.240
<v Speaker 2>good here is I found a bad one among the critics.

0:13:21.400 --> 0:13:23.640
<v Speaker 2>You know what I was laughing at when you have

0:13:23.679 --> 0:13:28.720
<v Speaker 2>a movie that is this well reviewed and is this beloved. Honestly,

0:13:28.760 --> 0:13:30.760
<v Speaker 2>I think anyone who watches this film who I have

0:13:30.800 --> 0:13:33.760
<v Speaker 2>spoken to, doesn't just say I liked it or it

0:13:33.800 --> 0:13:37.320
<v Speaker 2>was good. They actually have an emotional connection to loving

0:13:37.360 --> 0:13:41.480
<v Speaker 2>this movie. So I always think it's funny when you've

0:13:41.480 --> 0:13:45.319
<v Speaker 2>got a critic who says something nonchalant or bad about something.

0:13:45.440 --> 0:13:47.120
<v Speaker 3>Don't annoy me with this. They have no.

0:13:47.160 --> 0:13:51.400
<v Speaker 2>Idea that everyone else loved it, and their comment stands

0:13:51.679 --> 0:13:55.360
<v Speaker 2>in the sea of a completely different climate.

0:13:56.400 --> 0:13:59.400
<v Speaker 1>No matter what angle you're looking at this from. We've

0:13:59.440 --> 0:14:00.000
<v Speaker 1>seen it before.

0:14:01.160 --> 0:14:04.760
<v Speaker 3>What this is fine? Fine?

0:14:04.840 --> 0:14:06.600
<v Speaker 1>That is hilarious to me.

0:14:06.840 --> 0:14:08.920
<v Speaker 2>And I wonder if that guy now or that gal

0:14:09.080 --> 0:14:16.240
<v Speaker 2>I don't know who wrote it, but now says maybe.

0:14:14.640 --> 0:14:17.560
<v Speaker 1>Maybe I was being a little too cynical.

0:14:17.720 --> 0:14:20.640
<v Speaker 3>We've seen that again. Those things are just dismissive. Yes,

0:14:20.680 --> 0:14:22.760
<v Speaker 3>it's a zombie movie. Have we seen one before? Yes?

0:14:22.800 --> 0:14:24.640
<v Speaker 3>Have we seen a family central to it? Yes? Have

0:14:24.720 --> 0:14:27.200
<v Speaker 3>we seen bad people behave in them? Yet we've seen

0:14:27.240 --> 0:14:29.400
<v Speaker 3>all of it done before. We've never seen it done

0:14:29.440 --> 0:14:31.760
<v Speaker 3>like this. And I know that I've seen a bunch

0:14:31.760 --> 0:14:32.920
<v Speaker 3>of movies, a lot of horror movies, a lot of

0:14:33.000 --> 0:14:34.840
<v Speaker 3>zombie movies. I haven't seen it done like this before.

0:14:34.920 --> 0:14:39.160
<v Speaker 2>Wow, we have been talking about Trained to Bison for

0:14:39.240 --> 0:14:41.520
<v Speaker 2>quite some time. We've got a few audience reviews because

0:14:41.560 --> 0:14:44.160
<v Speaker 2>I also just fell so validated by all of this.

0:14:44.760 --> 0:14:48.920
<v Speaker 2>By far, the most emotional and tear jerking zombie movie

0:14:48.960 --> 0:14:51.120
<v Speaker 2>I have ever seen, and easily one of the best

0:14:51.280 --> 0:14:52.800
<v Speaker 2>zombie movies ever.

0:14:52.600 --> 0:14:54.000
<v Speaker 1>Made ever period ever.

0:14:54.240 --> 0:14:58.520
<v Speaker 2>All Right, the perfect zombie date drama. If you were

0:14:58.560 --> 0:15:01.120
<v Speaker 2>not in tears or at least choked up by the end,

0:15:01.320 --> 0:15:04.240
<v Speaker 2>you need to call your doctor and have your meds checked. Yes,

0:15:05.560 --> 0:15:08.880
<v Speaker 2>and here's another one. An incredible film from start to finish.

0:15:08.960 --> 0:15:13.440
<v Speaker 2>This is filmmaking at its finest, combining genres seamlessly while

0:15:13.480 --> 0:15:18.360
<v Speaker 2>creating a heartfelt, character driven, socially intricate fable admits a

0:15:18.480 --> 0:15:22.640
<v Speaker 2>zombie breakout knockout performances from the entire cast as well,

0:15:22.800 --> 0:15:24.240
<v Speaker 2>especially the Little Girl.

0:15:24.800 --> 0:15:27.560
<v Speaker 1>It really doesn't get better than this.

0:15:28.160 --> 0:15:29.880
<v Speaker 3>And this is a two hour movie that doesn't feel

0:15:29.920 --> 0:15:30.400
<v Speaker 3>like it.

0:15:30.400 --> 0:15:32.720
<v Speaker 2>It's so true all right, you want you want to hear,

0:15:32.840 --> 0:15:35.680
<v Speaker 2>and then you want to hear the bad audience review

0:15:35.800 --> 0:15:39.560
<v Speaker 2>that I saw that I had to include because I

0:15:39.680 --> 0:15:43.760
<v Speaker 2>knew it would evoke an emotion. This film is an

0:15:43.920 --> 0:15:48.760
<v Speaker 2>absolute joke. It makes no sense whatsoever. First of all,

0:15:48.800 --> 0:15:50.680
<v Speaker 2>why did they cast a woman who is clearly in

0:15:50.720 --> 0:15:52.200
<v Speaker 2>her thirties to play a grandmother?

0:15:52.640 --> 0:15:53.640
<v Speaker 1>You did point that out.

0:15:54.480 --> 0:15:56.560
<v Speaker 3>And she's not even central to the movie. This is

0:15:56.600 --> 0:15:58.240
<v Speaker 3>the problem you have, okay, And.

0:15:58.160 --> 0:16:00.840
<v Speaker 2>Why on earth with this grandmother open a door to

0:16:00.920 --> 0:16:03.960
<v Speaker 2>a bunch of zombies. He's upset about a moment in

0:16:04.000 --> 0:16:06.520
<v Speaker 2>the movie. It's not even the biggest She's not even

0:16:06.560 --> 0:16:07.920
<v Speaker 2>a central character.

0:16:08.000 --> 0:16:09.000
<v Speaker 1>Right, he said.

0:16:09.040 --> 0:16:11.120
<v Speaker 2>Then there's this guy at the end who decides to

0:16:11.120 --> 0:16:13.600
<v Speaker 2>put his hand in the mouth of a zombie. Real

0:16:13.720 --> 0:16:17.360
<v Speaker 2>cinematic brilliance there, because, as everyone knows, the best way

0:16:17.400 --> 0:16:19.720
<v Speaker 2>to fight a biting zombie is literally to offer up

0:16:19.760 --> 0:16:20.760
<v Speaker 2>your own body part.

0:16:21.040 --> 0:16:23.560
<v Speaker 1>Genius. I'm sorry that part of the film is one

0:16:23.600 --> 0:16:26.560
<v Speaker 1>of the most emotional, amazing.

0:16:26.160 --> 0:16:29.760
<v Speaker 2>And critical incredible parts of the movie. And the fact

0:16:29.760 --> 0:16:31.720
<v Speaker 2>that I'm just the point is, when you read some

0:16:31.800 --> 0:16:36.480
<v Speaker 2>of these bad reviews, recognize that I'm sorry.

0:16:36.480 --> 0:16:37.920
<v Speaker 1>They just don't get it, and.

0:16:37.880 --> 0:16:39.840
<v Speaker 3>I encourage all of you not to be that person.

0:16:40.160 --> 0:16:43.320
<v Speaker 3>Don't be that contrarian this person. What is your problem

0:16:43.360 --> 0:16:45.320
<v Speaker 3>like that? That's something is going on with that person.

0:16:45.320 --> 0:16:47.960
<v Speaker 3>I'm serious. That is not being critical of a movie

0:16:48.040 --> 0:16:51.480
<v Speaker 3>and the creative licenses. You are just being a contrarian

0:16:51.560 --> 0:16:54.520
<v Speaker 3>trying to find a reason to pick and to find

0:16:54.520 --> 0:16:56.800
<v Speaker 3>something negative. Yes, what do they say, if you want

0:16:56.840 --> 0:16:59.160
<v Speaker 3>to find something positive, you can If you want to

0:16:59.160 --> 0:17:02.680
<v Speaker 3>find something negative, you can do that too. That I hate. Look,

0:17:02.680 --> 0:17:04.040
<v Speaker 3>this is not even about the movie. Now I'm going

0:17:04.080 --> 0:17:07.560
<v Speaker 3>off on something else. Why be that person be critical?

0:17:07.640 --> 0:17:09.720
<v Speaker 3>It wasn't for me. I didn't like the choice they

0:17:09.720 --> 0:17:12.000
<v Speaker 3>made doing here being sarcacic. Maybe they're trying to be

0:17:12.040 --> 0:17:14.160
<v Speaker 3>funny and sarcastic. I'm taking it too seriously, But too

0:17:14.200 --> 0:17:17.879
<v Speaker 3>often we see this attitude where our only reaction to

0:17:18.000 --> 0:17:20.560
<v Speaker 3>things is to be a contrariant or to be outraged.

0:17:21.160 --> 0:17:25.479
<v Speaker 2>Why exactly? I mean, this is not a bad day

0:17:25.520 --> 0:17:27.040
<v Speaker 2>because this movie is amazing.

0:17:26.800 --> 0:17:29.720
<v Speaker 3>Or having a bad life or whatever, but projecting onto

0:17:29.880 --> 0:17:32.399
<v Speaker 3>a film, whatever's going on with you? And you don't

0:17:32.440 --> 0:17:36.280
<v Speaker 3>sound legit. You're disqualified from the conversation by what you

0:17:36.440 --> 0:17:36.879
<v Speaker 3>just added.

0:17:37.040 --> 0:17:40.280
<v Speaker 2>I think the interesting thing about that is it does

0:17:40.480 --> 0:17:45.040
<v Speaker 2>offer a glimpse into other negative comments about any subject

0:17:45.080 --> 0:17:46.959
<v Speaker 2>you want to talk about in life, and it's just

0:17:47.000 --> 0:17:50.879
<v Speaker 2>a reminder not to take comments so seriously.

0:17:50.920 --> 0:17:52.600
<v Speaker 1>All Right, when we come back, we're.

0:17:52.440 --> 0:17:55.920
<v Speaker 2>Gonna reiterate why this movie made our list to it's for,

0:17:55.960 --> 0:17:59.959
<v Speaker 2>it's not for food, drink pairing, and where to watch it.

0:18:09.400 --> 0:18:14.840
<v Speaker 2>Continuing our conversation about our number two on our horror hitless,

0:18:14.880 --> 0:18:18.080
<v Speaker 2>we are talking about Trained to Busan and why it

0:18:18.240 --> 0:18:21.119
<v Speaker 2>made our list. I mean, this is a movie that

0:18:21.280 --> 0:18:24.639
<v Speaker 2>keeps you on the edge of your seat, just with

0:18:24.720 --> 0:18:27.880
<v Speaker 2>the action and the horror and the who's gonna die next,

0:18:27.920 --> 0:18:28.720
<v Speaker 2>who's going to live?

0:18:29.280 --> 0:18:32.280
<v Speaker 1>That kind of thing? But my god, the heart.

0:18:32.840 --> 0:18:38.439
<v Speaker 2>I dare anyone to watch this film and not be

0:18:38.640 --> 0:18:42.080
<v Speaker 2>moved at the end in ways that you couldn't expect.

0:18:45.080 --> 0:18:47.520
<v Speaker 3>No, you get caught up and get emotional, and sometimes

0:18:47.520 --> 0:18:50.560
<v Speaker 3>in a lot of horror movies, this is, uh, this

0:18:50.680 --> 0:18:54.040
<v Speaker 3>one's different. And again I am saying to you, I

0:18:54.240 --> 0:18:56.760
<v Speaker 3>guarantee you will be in tears at the end of

0:18:56.800 --> 0:18:57.960
<v Speaker 3>this I don't care who you are.

0:18:58.480 --> 0:19:00.000
<v Speaker 1>Yeah, and that's not.

0:19:01.400 --> 0:19:04.119
<v Speaker 2>And that's not even something you expected when I first

0:19:04.200 --> 0:19:06.840
<v Speaker 2>watched this movie. I had no idea, and I did

0:19:06.880 --> 0:19:09.160
<v Speaker 2>I fully explain to you when you watched it what

0:19:09.200 --> 0:19:12.000
<v Speaker 2>you were going to feel. Maybe I wasn't sure how

0:19:12.040 --> 0:19:13.720
<v Speaker 2>you were going to take it because of the whole

0:19:14.880 --> 0:19:15.800
<v Speaker 2>subtitles thing.

0:19:16.480 --> 0:19:18.639
<v Speaker 3>Oh yeah, I wasn't. That's just me.

0:19:18.880 --> 0:19:19.919
<v Speaker 1>You had no expectations.

0:19:19.920 --> 0:19:21.959
<v Speaker 3>It's just me. Yeah, I expected not to like it

0:19:21.960 --> 0:19:23.600
<v Speaker 3>because I don't like reading subtitles.

0:19:25.160 --> 0:19:27.080
<v Speaker 1>And at the end you were wiping tears.

0:19:27.200 --> 0:19:29.760
<v Speaker 3>Oh yeah, this is I'm guaranteeing everybody will be in tears.

0:19:29.800 --> 0:19:31.720
<v Speaker 3>I am guaranteed. Go ahead, take it as a challenge.

0:19:31.720 --> 0:19:33.439
<v Speaker 3>I don't give a damn. You will be in tears.

0:19:33.520 --> 0:19:34.959
<v Speaker 3>You don't have to come back and were you're going

0:19:35.000 --> 0:19:36.720
<v Speaker 3>to write in say no, I wasn't in tears, TJ,

0:19:36.800 --> 0:19:40.120
<v Speaker 3>Yes you were. You're gonna be lying, all right.

0:19:40.160 --> 0:19:41.600
<v Speaker 1>So who this movie is for?

0:19:41.920 --> 0:19:46.280
<v Speaker 2>I think if you are somebody who knows you love

0:19:46.359 --> 0:19:49.840
<v Speaker 2>to be invested, If you love to watch a movie

0:19:49.840 --> 0:19:52.960
<v Speaker 2>and be invested in who lives, who dies, in the characters,

0:19:53.200 --> 0:19:54.120
<v Speaker 2>and that's your jam.

0:19:54.280 --> 0:19:56.000
<v Speaker 1>This is your movie.

0:19:56.160 --> 0:19:59.880
<v Speaker 2>Also, if you like action, if you like a thrilling

0:20:00.040 --> 0:20:03.399
<v Speaker 2>horror movie where you are literally on a ride with

0:20:03.480 --> 0:20:06.719
<v Speaker 2>the characters. This is a movie for you. It's action packed,

0:20:07.040 --> 0:20:11.960
<v Speaker 2>it's heartfelt, there are real scares and thrills in it,

0:20:12.040 --> 0:20:16.320
<v Speaker 2>and it gets you talking and thinking about your own life.

0:20:16.359 --> 0:20:19.040
<v Speaker 2>I mean this really, I feel like this runs the

0:20:19.119 --> 0:20:23.439
<v Speaker 2>gamut from horror movie fans to folks who love movies

0:20:23.480 --> 0:20:28.480
<v Speaker 2>with intention and purpose and thought provoking, even emotion provoking movies.

0:20:28.520 --> 0:20:31.000
<v Speaker 3>This has all rom com This is the only person

0:20:31.119 --> 0:20:33.400
<v Speaker 3>is not for if you're a rom com fans. Really,

0:20:33.440 --> 0:20:35.440
<v Speaker 3>that's the only element it doesn't have in there and

0:20:35.520 --> 0:20:39.440
<v Speaker 3>has mystery, action, excitement, drama, all these things. But yeah,

0:20:39.440 --> 0:20:42.240
<v Speaker 3>it's there's a I'm trying to think of even a

0:20:42.240 --> 0:20:44.480
<v Speaker 3>comedic moment. I think they might have been won or

0:20:44.520 --> 0:20:47.520
<v Speaker 3>here randomly, but not. It was this was. This is intense.

0:20:47.640 --> 0:20:50.200
<v Speaker 2>And that little girl, I don't think we've spoken enough

0:20:50.240 --> 0:20:54.399
<v Speaker 2>about how much of a scene stealer, heart stealer she is.

0:20:54.920 --> 0:20:58.600
<v Speaker 2>She reminded me of Sabine from the moment I watched

0:20:58.600 --> 0:21:01.760
<v Speaker 2>this movie. I Sabine was a little three year old

0:21:02.000 --> 0:21:05.840
<v Speaker 2>girl when this movie was out. And the lead little girl,

0:21:05.880 --> 0:21:07.399
<v Speaker 2>what is she in this movie?

0:21:07.520 --> 0:21:09.600
<v Speaker 3>Six six seven sols?

0:21:09.720 --> 0:21:13.080
<v Speaker 2>Yeah, there's a facial expression she makes throughout that reminded

0:21:13.119 --> 0:21:15.679
<v Speaker 2>me of Sabine from the moment I watched this, and

0:21:15.720 --> 0:21:19.080
<v Speaker 2>we should watch it with her when it's appropriate, because

0:21:19.520 --> 0:21:21.800
<v Speaker 2>I wonder if she could see herself in this movie.

0:21:22.200 --> 0:21:26.720
<v Speaker 2>There's a quiet strength and sweetness about her that reminds

0:21:26.720 --> 0:21:27.000
<v Speaker 2>me of.

0:21:27.240 --> 0:21:29.840
<v Speaker 3>She's the best actor in the movie. Without a doubt,

0:21:29.920 --> 0:21:31.320
<v Speaker 3>she's the best actor in this Little Girl.

0:21:31.359 --> 0:21:33.639
<v Speaker 1>It's remarkable what she's able to pull off. So in

0:21:33.680 --> 0:21:35.000
<v Speaker 1>the Who's it Not for?

0:21:35.440 --> 0:21:38.159
<v Speaker 2>It's funny because I had written if you don't like

0:21:38.200 --> 0:21:42.919
<v Speaker 2>to read subtitles or foreign films, but that doesn't actually

0:21:42.960 --> 0:21:45.400
<v Speaker 2>apply because you were in that category, and I think

0:21:45.400 --> 0:21:47.560
<v Speaker 2>it's still for you. I think this is for everybody.

0:21:48.000 --> 0:21:51.439
<v Speaker 2>And if you're going to be cynical or want to

0:21:51.440 --> 0:21:52.919
<v Speaker 2>be a contrarian, maybe not for you.

0:21:52.960 --> 0:21:54.960
<v Speaker 1>But other than that, this movie is for you.

0:21:55.040 --> 0:21:56.639
<v Speaker 3>The horror is extreme, though you need to be aware

0:21:56.680 --> 0:22:00.560
<v Speaker 3>though that it is very violent. You have zombies people

0:22:00.600 --> 0:22:02.639
<v Speaker 3>and eating people essentially, so it is foun correct.

0:22:02.640 --> 0:22:04.840
<v Speaker 2>And in the food drink pairing, I would say avoid

0:22:05.080 --> 0:22:08.679
<v Speaker 2>anything like pizza or stew or anything that just you

0:22:08.680 --> 0:22:11.560
<v Speaker 2>wouldn't want to eat while you're a meat while you're

0:22:11.680 --> 0:22:13.760
<v Speaker 2>watching this, but I would I was gonna say go

0:22:13.840 --> 0:22:15.639
<v Speaker 2>with the South Korea thing. You could go for some

0:22:15.720 --> 0:22:19.520
<v Speaker 2>bulgogie or some chicken and fries, some beer. Korean South

0:22:19.600 --> 0:22:22.000
<v Speaker 2>Koreans love their beer, so all of that would be fun.

0:22:22.080 --> 0:22:25.080
<v Speaker 2>So that would be one idea to pair it with.

0:22:25.200 --> 0:22:28.880
<v Speaker 2>But honestly, this is just a fun, popcorn intensity, full

0:22:28.880 --> 0:22:31.760
<v Speaker 2>intensity kind of a movie. You can just whatever action

0:22:32.000 --> 0:22:35.080
<v Speaker 2>movie food pairing you'd put it with. This is the

0:22:35.119 --> 0:22:37.760
<v Speaker 2>movie for you, and you can watch this on Netflix.

0:22:38.000 --> 0:22:41.600
<v Speaker 2>So yes, just be prepared for subtitles no dubbing on

0:22:41.640 --> 0:22:45.480
<v Speaker 2>Netflix right now. But it's easy to watch and man,

0:22:45.600 --> 0:22:47.439
<v Speaker 2>I don't think you'll regret it for one second.

0:22:48.119 --> 0:22:51.520
<v Speaker 3>No, you have to watch this movie. Maybe out of

0:22:51.520 --> 0:22:53.280
<v Speaker 3>all the movies we have, this might be my number

0:22:53.280 --> 0:22:56.120
<v Speaker 3>one recommendation, even though it's not number one. If there's

0:22:56.160 --> 0:22:58.320
<v Speaker 3>one you have to watch that is going to get

0:22:58.720 --> 0:23:01.520
<v Speaker 3>everybody that I don't think is going to be controversial,

0:23:02.200 --> 0:23:04.480
<v Speaker 3>like everybody is going to feel this movie.

0:23:04.600 --> 0:23:05.800
<v Speaker 1>Yes, agreed? All right?

0:23:05.840 --> 0:23:10.480
<v Speaker 2>So speaking of number one, Yes, that is our next episode.

0:23:11.000 --> 0:23:16.719
<v Speaker 2>Halloween is tomorrow. How would you tease this movie?

0:23:16.760 --> 0:23:20.440
<v Speaker 3>Babe? Shockingly, the one we recommend on Halloween is probably

0:23:20.480 --> 0:23:26.120
<v Speaker 3>the one with the fewest jumps scares and gore, and

0:23:26.560 --> 0:23:30.120
<v Speaker 3>it happens to be rated PG thirteen. Wow.

0:23:30.280 --> 0:23:31.520
<v Speaker 1>How's that for a tease?

0:23:31.640 --> 0:23:35.880
<v Speaker 2>And we still assure you this is given a lot

0:23:35.880 --> 0:23:39.240
<v Speaker 2>of thought and a lot of time, our number one

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<v Speaker 2>movie in our Halloween Horror hit list, and without everyone,

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<v Speaker 2>I'm may be Robock alongside TJ.

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<v Speaker 1>Holmes. We will talk to you soon.