Speaker 1: Act two, Sal and the young porn star have become friends,
Speaker 1: and Sal feels obliged to protect her from Vince, who
Speaker 1: now wants her dead because he knows Harrah betrayed him.
Speaker 1: Vince is stuck between the code of the past and
Speaker 1: a morality he never had to face again. Interior William
Speaker 1: Pennhotel Lobby, Philly, early evening. Sala is at the check
Speaker 1: in desk with the third assistant manager as a young
Speaker 1: bell boy stands behind Sal with three pieces of luggage
Speaker 1: on a cart. The young bell boy keeps looking at Hara,
Speaker 1: who sits in a lobby chair with her legs crossed.
Speaker 1: She deliberately enjoys exciting the young bellboy. Sal notices as
Speaker 1: he fills out forms.
Speaker 2: Would like a joining rooms and put it on the
Speaker 2: company cart.
Speaker 3: Sir, we have a suite available with the king size.
Speaker 2: Did I ask for that?
Speaker 1: The clerk winks.
Speaker 4: The Uncle Charlie said, to give you the best, Sir,
Speaker 4: I just thought you and your your niece would be
Speaker 4: more in a suit, if you know what I mean.
Speaker 2: Listen, assholes, She's not my niece. She's not my cousin.
Speaker 2: She's not my hump for the night. She's my she's uh, look,
Speaker 2: I'm a.
Speaker 5: Driver, Yes, sir, Rooms one of five and.
Speaker 1: The clerk hands the bellboy two room key cards. While
Speaker 1: Sal waits for the credit card to go through, Haro
Speaker 1: walks by the young bell boy on the way to
Speaker 1: the elevator. She takes her key and calls out to Sal.
Speaker 3: Oh, driver, have this boy bring my luggage up.
Speaker 5: I'll tip him upstairs.
Speaker 1: The elevator closes, and the bellboy moves toward the luggage cart.
Speaker 1: Sal stops him and places a couple of bucks in
Speaker 1: his jacket pocket. Sal grabs the key card and luggage cart.
Speaker 2: Come back in about five years.
Speaker 1: Kid Keeley Smith sings, I can't believe you're in love
Speaker 1: with me. Interior Sal's hotel room. Evening, Sal comes out
Speaker 1: of his bathroom. He wears a t shirt and has
Speaker 1: a towel around his neck. He wipes his face. He
Speaker 1: looks at the adjoining door and knocks. No answer. He
Speaker 1: knocks again, then lowers the radio.
Speaker 2: You want, Dinna, everything's on Vince. The restaurant room serves
Speaker 2: anything you want. Just sign your name in your room number.
Speaker 6: Parah.
Speaker 2: You don't answer me, I gotta assume you're gone. And
Speaker 2: if you're gone, I gotta call Uncle Charlie. I know
Speaker 2: you don't want that.
Speaker 1: Sal tries the door and it's locked.
Speaker 2: Aarah Ara, do you hear me?
Speaker 3: I hear you.
Speaker 1: Sal sits in a chair, will leaf.
Speaker 2: For Pittsburgh at nine am. I'll meet you in the lobby.
Speaker 2: I hope a lot of shows. I mean that.
Speaker 1: Sweet dreams flash Lata and Harah making love to the
Speaker 1: John in the back of Sal's limo. Sal turns up
Speaker 1: the radio and we hear Keeley Smith singing into big
Speaker 1: white limo.
Speaker 2: Night.
Speaker 1: Uncle Charlie sits in a long white limo used for
Speaker 1: the night out. He sits back with a Scotch and soda.
Speaker 1: Charlie looks across at the John from the other night.
Speaker 1: Senator Baxter, you want a blast?
Speaker 7: Senator, No, thanks, Come on, we can celebrate your latest
Speaker 7: starring role.
Speaker 2: Your copy, Senator.
Speaker 1: Uncle Charlie hands Baxter of VHS cassette.
Speaker 6: What do you want?
Speaker 2: Charlie?
Speaker 6: Did I forget to say thanks? Well? Thanks for letting
Speaker 6: me fuck those sluts in your fancy car or crawled
Speaker 6: up your ass. I want this over watch. What you
Speaker 6: wish for, you might just get it.
Speaker 1: Charlie laughs as the door to limo opens and Vince
Speaker 1: steps inside.
Speaker 8: Ah, good evening, Senator. I hope Uncle Charlie here has
Speaker 8: been good company in my absence.
Speaker 6: He's a great conversationalist.
Speaker 8: You tell you about my first hit. I was just
Speaker 8: a kid, and Uncle Charlie here get to the point,
Speaker 8: right to the point. I like that, all right. Let's
Speaker 8: get to the point, Senator. I told you to never
Speaker 8: never to call me while we're in the.
Speaker 3: Who wrote this shit?
Speaker 8: Right to the point. I liked that?
Speaker 2: All right.
Speaker 8: Let's get to the point, Senator, I told you never
Speaker 8: never to call me while we're mediating the negotiations between
Speaker 8: my union and the city. I gave you an order
Speaker 8: and you didn't listen. That's the point.
Speaker 6: You're good at giving orders. Let's knock off the cops
Speaker 6: and wops. Bullshit.
Speaker 2: What's the matter?
Speaker 8: Didn't you like the movie uncle Charlie gave you.
Speaker 6: I already got a copy from one of your sluts.
Speaker 6: That's right. In other words, she is trying to fuck
Speaker 6: us both. She says, I don't pay. She's got a
Speaker 6: real surprise for me.
Speaker 1: Baxter throws the cassette.
Speaker 7: Vince, Charlie, this must be why Lotty didn't leave with
Speaker 7: sal and.
Speaker 3: The other one.
Speaker 8: I already have a ton of film on you and
Speaker 8: every other big shot in this city. I didn't have
Speaker 8: to make a new one.
Speaker 6: I didn't think you knew. That's why I'm here. This
Speaker 6: is too cheap, even for you, chump change. It's a
Speaker 6: matter of Vince can control your own people.
Speaker 8: You just do your job at those negotiations. We'll take
Speaker 8: care of this.
Speaker 6: No e, Vince. This time you're gonna listen to me.
Speaker 2: Eh.
Speaker 8: And why should I do that?
Speaker 6: Because I'm the only one in a position to help
Speaker 6: you in your union. So you are going to do
Speaker 6: as I say this time. I want to know what
Speaker 6: the surprise is. I want every copy, and I want
Speaker 6: those two sluts to be gone for good. That driver too.
Speaker 7: The driver is my man, sold to a twelve year
Speaker 7: stretch for us because.
Speaker 6: He wouldn't talk, all right, But I want the tapes
Speaker 6: and proof those girls being dead.
Speaker 2: You got it?
Speaker 3: Now get out.
Speaker 1: As Baxter starts to exit the limo.
Speaker 6: This kind of thing should be easy for you, Vince.
Speaker 6: It'll feel like the old days when all you needed
Speaker 6: was a little muscle and no brains.
Speaker 1: Baxter exits.
Speaker 2: I want lot of found Baxter.
Speaker 8: Once proof She's dead and I want to give it
Speaker 8: to him myself.
Speaker 1: Punk interior front seat of Lincoln town car. Late morning,
Speaker 1: Sal drives through Amish Country. Lena Horn sings stormy weather.
Speaker 1: Para sits in the back as the beautiful countryside streams
Speaker 1: by her window silence. Sal pulls over at the Amish
Speaker 1: Country Eatery, promising a real Amish country breakfast. Exterior Amish
Speaker 1: Country Eatery is seventy six late morning off root is
Speaker 1: seventy six, near Somerset. There's a vegetable stand attached to
Speaker 1: the eatery, Amish people as well as nicely dressed tourists mingle.
Speaker 1: Sal gets out, and his black suit, white shirt, and
Speaker 1: black tie help him blend into this stoic environment. Sal
Speaker 1: opens the back door of the town car. Harah gets out,
Speaker 1: looking more trashy than ever. Leather pants, stiletto heels, and
Speaker 1: a sea through top. She heads for the eatey as
Speaker 1: Sal looks to Heaven, then closes the door. An elderly
Speaker 1: Amish couple exit the eatery and can't help but stare
Speaker 1: at Hara. Hara stares back. Sal tips his chauffeur's hat,
Speaker 1: then throws it through the driver's side, open window interior.
Speaker 1: Amish country eatery continuous Sala and harra sit in a
Speaker 1: wooden carved booth. An Amish waitress dressed in simple black
Speaker 1: and white comes over.
Speaker 3: Would THEE like our country morning meal for two?
Speaker 2: I just have some of the Irish oat, milk, coffee.
Speaker 3: And juice for THEE?
Speaker 5: What's this the shit?
Speaker 2: I'm sorry, she's from New York.
Speaker 4: I want the thick slice French toast sausage with juice
Speaker 4: and coffee.
Speaker 5: Honey, you got a phone here?
Speaker 1: Sorry?
Speaker 5: We don't believe in them. What are you a wise ass?
Speaker 2: Just get off breakfast and I'll explain it to her.
Speaker 1: The waitress is obviously flustered as she goes to the
Speaker 1: other waitresses at the register, and they whisper among themselves
Speaker 1: as the order is placed.
Speaker 5: It's the matter with these people.
Speaker 2: They're are foreigners, not exactly, it's their religion. They don't
Speaker 2: believe in modern things, computers and stuff. If it ain't
Speaker 2: in the Bible, they don't use it.
Speaker 3: Really, no shit.
Speaker 5: How about you a gram? Their men have seen you before,
Speaker 5: I doubt it.
Speaker 2: No movies with or without sex.
Speaker 5: No movies. Well, I guess they ain't missing.
Speaker 2: Much very self sufficient. Well nothing from the outside world.
Speaker 5: How do you know about this stuff?
Speaker 2: Limo drivers had a lot of time to read. We
Speaker 2: know a lot of things.
Speaker 3: Yeah, like what like?
Speaker 2: I know that was no actor the other night. I
Speaker 2: also know a lot of made a copy of the tapes?
Speaker 5: How the hell do you know that?
Speaker 1: Sal smiles, Para knows She's just confirmed his suspicions. Coffee
Speaker 1: and juice comes. The waitress stares at Hara, who looks better?
Speaker 3: You see something you want?
Speaker 1: The waitress starts to say something, thinks better leaves a lot.
Speaker 5: I didn't make no tape.
Speaker 2: Fine to your funeral.
Speaker 3: You're gonna let me call Latta from a payphone?
Speaker 5: Why a payphone?
Speaker 2: So it can't be traced to the car, not from
Speaker 2: the hotel either. You go to the bathroom next time
Speaker 2: we stop, and I can't tell what you're doing?
Speaker 3: Thanks?
Speaker 2: Are you gonna tell me what's going on?
Speaker 3: Why should I? You already shown me?
Speaker 5: Which Betty rather lion?
Speaker 1: Another waitress arrives with Harah's big breakfast and a large
Speaker 1: bowl of Irish oatmeal and syrup psal. She also stares
Speaker 1: at Harah boom. The new waitress runs away. They eat
Speaker 1: their breakfast.
Speaker 2: It's not gonna be that easy to scare Vince away.
Speaker 5: I can take care of myself.
Speaker 2: What do you know about Vince.
Speaker 4: I know he was a sleezy hood and now he's
Speaker 4: a sleezy porno producer.
Speaker 2: Years ago, Vince was instrumental in setting up a citywide
Speaker 2: union in New York. That's his real power base. The
Speaker 2: union label leader that Vince put into his office got
Speaker 2: too big for his own good. Vince had him chopped
Speaker 2: up at the twenty four pots, and he had his
Speaker 2: pots kept fresh by storing them in a meat locker
Speaker 2: every month for two years. When the union had their
Speaker 2: monthly meeting, Vince melt them a different piece of this
Speaker 2: guy's body, just so they shouldn't forget.
Speaker 5: You should stay here with these people. You've been watching
Speaker 5: too much TV.
Speaker 1: Haarah goes back to eating her breakfast.
Speaker 2: The last piece Vince had shipped was his heart. There
Speaker 2: was a bite out of it.
Speaker 1: Harrah swallows hard.
Speaker 5: That where you learn how to use that razor cutting
Speaker 5: up dead people?
Speaker 2: No a chainsaw.
Speaker 1: Haarrah drops her fork, realizing the seriousness of her situation.
Speaker 1: Exterior I seventy six, Entering Pittsburgh early evening, Teresa Brewer
Speaker 1: sings after You're gone, with Count Basie conducting. We see
Speaker 1: what's left of the old steel mills, old Pittsburgh. We
Speaker 1: travel around the new city, now geared for insurance and services.
Speaker 1: We see the Lincoln Town Car enter the airport northwest
Speaker 1: of the city. Interior front seat of Lincoln town Car continuous.
Speaker 1: Sal is parked outside of American Airlines. He's alone. Parah
Speaker 1: rushes up and jumps into the car.
Speaker 3: She's not on the flight.
Speaker 2: Then I'd say, you're in deep shifts.
Speaker 5: He'll help me.
Speaker 3: Please, Look, kid.
Speaker 2: You don't cross a guy like Vince. I couldn't do
Speaker 2: much even if I wanted to tell me.
Speaker 3: Maybe I could just keep going.
Speaker 5: I can get on a plane right now and go
Speaker 5: to Europe or something.
Speaker 2: Got a pass put call a lot again at our
Speaker 2: New York number.
Speaker 1: Haarrah grabs the car phone.
Speaker 2: Not this phone, and not your cell. Vince will have
Speaker 2: a lot of phone tops, so be careful. Only cash
Speaker 2: at payphones and no using your own credit cards either
Speaker 2: for anything.
Speaker 1: Sal pulls out his cell phone.
Speaker 5: Can't check into my credit cards.
Speaker 2: Don't bet your life on that.
Speaker 3: Who are you calling my mother?
Speaker 2: I'm buying you one more day.
Speaker 5: Sao thanks, I mean it don't thank me.
Speaker 2: No skin off my nose probably won't do any good.
Speaker 1: Haah. Exits the car.
Speaker 2: Hello, Ma, Yeah, it's me. That's right, I'm on the
Speaker 2: cough phone. My I have to talk to Tony. Put
Speaker 2: me on hold and you could.
Speaker 1: Interior Sal's Kitchen, benson Hurst, Brooklyn, continuous. Carmela is on
Speaker 1: the phone with Sal. Donna is at the table having
Speaker 1: a cup of coffee. I don't have to put nothing
Speaker 1: on hold. Your nephew is right here. Yeah, I'll put
Speaker 1: him on.
Speaker 3: Anthony, it's your uncle Sal.
Speaker 1: Anthony comes to the phone a pipe wrench in his hand.
Speaker 5: Hey, uncle Sal, what's up?
Speaker 1: And I'm fixing Grahma's garbage disposal. Interior front seat of
Speaker 1: Lincoln Town Car continuous.
Speaker 2: I want you to get the Queen's and call me,
Speaker 2: not on the coll phone, from a bay phone. I'll
Speaker 2: explain when you call.
Speaker 1: Interior Seal's Kitchen, Bensonhurst, Brooklyn, continuous.
Speaker 3: What's up a uncle? Nothing, Matt.
Speaker 5: He just wants me to why are the stereo speakers
Speaker 5: in his room?
Speaker 3: It's so cheap, my brother? Hey, he knows what you
Speaker 3: should learn about a dollar.
Speaker 1: Interior front seat, Lincoln Town car continuous, sal turns up
Speaker 1: the volume and Ella Fitzgerald sings, I'm just a lucky
Speaker 1: sew and so.
Speaker 5: Thanks.
Speaker 2: Look, kids, I didn't do anything but get you one
Speaker 2: more day. Don't count on me. I'm not putting my
Speaker 2: head on the block for anyone.
Speaker 3: Yeah, sure, I understand one question.
Speaker 2: Why aren't these big shots worried about you having something
Speaker 2: over them?
Speaker 5: Did al Capone rob Banks?
Speaker 4: I don't capond and rob Banks because he would have
Speaker 4: been robbing his own money. Why kill the golden goose?
Speaker 4: You have any idea what they pay vents to be
Speaker 4: with a porn star. Next time you look at a
Speaker 4: corporation's angle report, notice the limo service account. Believe me,
Speaker 4: that's not for driving people to the airport or catering.
Speaker 4: Check any senator's catering account.
Speaker 3: My tax dollars got it.
Speaker 5: Word gets out of a double cross, and.
Speaker 2: It all ends the bombs are bigger crooks than I.
Speaker 4: Last year when we almost had that garbage strike, the
Speaker 4: two sides were so far apart. Vince arranged a little
Speaker 4: party with the city controller and the union negotiators. Me
Speaker 4: and Lata were there and a couple other girls. By
Speaker 4: the time the night was over. Everyone was on the
Speaker 4: same page. The city should give me a medal.
Speaker 2: Well on behalf of the city of New York. I
Speaker 2: thank you.
Speaker 5: I'm a fucking patriot.
Speaker 1: Interior hotel room in ERWINPA. Night, Hara is alone, looking
Speaker 1: out the window at the small suburban town. Haro thinks
Speaker 1: about what her life might have been. We hear Ella
Speaker 1: Fitzgerald singing when sal enters with a brown paper bag.
Speaker 1: Harah turns off the radio.
Speaker 3: Where you been all night?
Speaker 2: Drug store camel and these blank tapes back to my nephew.
Speaker 2: He's going to remove them very carefully and replace them
Speaker 2: with copies from the limo.
Speaker 5: Where are you going to get the copies?
Speaker 2: I did what you should have done. I covered my ass.
Speaker 2: Who is that John anyway?
Speaker 5: Senator Baxter, Shit.
Speaker 2: A lot of left you out to dry.
Speaker 5: We can use your copy. Tell Vince if anything happens
Speaker 5: to me, those tapes will get out.
Speaker 2: Are you kidding? Vince won't stand for that. He'd kill
Speaker 2: you for laughs. Besides, these tapes don't hurt him directly.
Speaker 5: Why don't your nephew just drop them off? Then it'll
Speaker 5: be faster.
Speaker 2: I don't want it to be faster. I also want
Speaker 2: them to see the postmark. I'll wrap this so easy
Speaker 2: to open one end. Jesus, I see the words there,
Speaker 2: but they're not there. Okay, here we go. I don't
Speaker 2: want it to be faster. I also want to see
Speaker 2: the postmark. I'll wrap this so it's easy to open
Speaker 2: from one end. I even made it look like a
Speaker 2: lot of calls you. But first things first.
Speaker 1: Seal picks up the phone.
Speaker 2: I'm asking for the last time, do you have a
Speaker 2: copy of the Limo tapes.
Speaker 3: I don't don't lie to me.
Speaker 1: I mean it so, I don't sell starts to dial.
Speaker 5: It's just that I could sell hangs.
Speaker 2: Up all right? If I call Charlie and find out
Speaker 2: something I don't know. If you hold anything back, anything
Speaker 2: that puts me in a wrong I'm gonna kill you
Speaker 2: myself and for your body across Vince's desk.
Speaker 5: It's more than just a tape of us.
Speaker 4: A lot is a whiz at this computer editing digital shit.
Speaker 5: She had it in college college.
Speaker 4: Don't look surprised. Half the girls in porn started in college.
Speaker 4: Got to pay off those college loans. Nothing for nothing
Speaker 4: to me. I can't even stop the time for flashing
Speaker 4: on the VCR. You know what I mean, go on
Speaker 4: a lot. I had a lot of footage of Baxter,
Speaker 4: you know, from TV. She even got some of her
Speaker 4: own stuff. Baxter talking to these young exec types. Well,
Speaker 4: some of those young guys were in the porn biz.
Speaker 4: Baxter didn't even know he was filmed. I mean, how
Speaker 4: could he with all the real cameras around. We film
Speaker 4: us fucking the porn guys, and we at it Baxter
Speaker 4: into the film with us fucking him. Get it looks
Speaker 4: like Baxter is starring in a porno flick.
Speaker 2: You're kidding me.
Speaker 4: No, she even has a title, how to Get Elected?
Speaker 5: Kind of catchy, right.
Speaker 4: I'm sure she hasn't had time to finished editing it,
Speaker 4: but that's the plan.
Speaker 2: Jesus Christ, why would she do that? Wasn't the limo enough?
Speaker 5: Now, who's being naive? He's a single guy in politics.
Speaker 5: Sex with young girls would.
Speaker 4: Probably work for him, But a porn movie, that's well.
Speaker 2: That's as low as you can go.
Speaker 5: Yeah, yeah, that's the way you feel. And why bother.
Speaker 4: I'll just walk out of your life and take my chances.
Speaker 4: I wouldn't want you to get dirty.
Speaker 1: Harah goes to walk out as Sal starts dialing sit down.
Speaker 2: Why should I If you want to stay alive, just
Speaker 2: sit down and shut your mouth. Keep it shut, no
Speaker 2: matter what you hear me say to Charlie. You got that,
Speaker 2: you understand.
Speaker 3: I understand, Charlie.
Speaker 2: It's me the other broaden of a show. Look, Charlie,
Speaker 2: there's more going on in Evince may know they make copies.
Speaker 2: Tell me something we don't know. What you don't know is.
Speaker 1: That Interior La Salle Limo Service Garage continuous. Uncle Charlie's
Speaker 1: on the speakerphone.
Speaker 2: Oh film the broad I'm driving Howard. She told me
Speaker 2: she got scared shit when Lada didn't show. The whole
Speaker 2: thing was a Lota's idea.
Speaker 3: This one's the fat team, and you believe her.
Speaker 1: Interior hotel room in Irwin, PA. Continuous.
Speaker 2: I don't know. I mean she gave me her copy
Speaker 2: the tape from the Limo. I'm gonna send him back
Speaker 2: to overnight. Maam, I think she's too dumb.
Speaker 1: The lot Haarra gives Salad dirty look. Interior La sal
Speaker 1: Limo Service Office continuous.
Speaker 6: Oh hey, how smart they gotta be to do what
Speaker 6: they do.
Speaker 2: Yeah, right, you got a lead on Lada. We're on it.
Speaker 6: Look after your mail of tape.
Speaker 7: You go on to Chicago, the rich Carlton on Pearson,
Speaker 7: you stay there till you hear from me.
Speaker 2: I want those tapes in Vince's hands. You got it.
Speaker 1: Charlie hangs up, then looks over to his desk where
Speaker 1: Vince is sitting. Vince goes to the window, showing a
Speaker 1: view of the huge garage at night. The long, dark garage,
Speaker 1: with shafts of city light coming through the high small
Speaker 1: windows above, gives the impression of a guic horror chamber.
Speaker 6: You heard, I heard.
Speaker 8: I think Sal's got the other end taken care of.
Speaker 8: Right now, I want to entertain our friend, the Senator.
Speaker 1: Vince grabs an old fashioned microphone off of Uncle Charlie's desk.
Speaker 1: He speaks into the microphone, his voice echoing through the garage.
Speaker 2: Well be right with.
Speaker 8: You, Senator.
Speaker 1: Camera pans the window to reveal Lada hanging by her
Speaker 1: bound hands from a lift over a grease pit used
Speaker 1: to work on the underbellies of the limos. Her feet
Speaker 1: barely touched the edge as she leans out on a
Speaker 1: forty five degree angle over the pit. Leo's mean looking dog,
Speaker 1: chained to a steel ring at the other end of
Speaker 1: the pit is jumping towards her. The Senator is seated
Speaker 1: a few feet away, Leo standing over him. Interior hotel
Speaker 1: room in ERWINPA. Night. Sal stares at the phone.
Speaker 5: Well say something.
Speaker 2: You got a couple of days, but your friend's going
Speaker 2: to be real dead, real soon.
Speaker 1: Flash in Sal's limo. Lada goes down on Baxter as
Speaker 1: Harrah kisses him. Interior La Sal Limo Service garage, late night.
Speaker 1: Vince and Uncle Charlie come out of the office and
Speaker 1: walk towards Senator Baxter as Lota begs for her life.
Speaker 3: Please Vince, Please, I'll do anything. I'll do anything you want.
Speaker 1: Vince stops by Lada and takes an air hose from
Speaker 1: the rack.
Speaker 8: Lada, don't bother to say anything. Please, how's our senator doing?
Speaker 6: Just fine?
Speaker 8: You like my place, top of the line, strictly legal,
Speaker 8: all right, Vince, Let's cut the edgarrell and post shit.
Speaker 6: I see you got her now send her away with
Speaker 6: Leo here and let me get back to what we
Speaker 6: were gonna.
Speaker 1: Baxter tries to stand, Leo pulls him down.
Speaker 6: Get out. What the hell are you want it?
Speaker 8: Proof, Senator? Now she's gonna be.
Speaker 3: Dead, please.
Speaker 1: Please, Vince smacks a Lota's face with the arrows.
Speaker 2: You shut your mouth.
Speaker 8: You dared to cross me, you worthless piece of shit.
Speaker 2: I was gonna cut you in.
Speaker 1: I was gonna give you the tapes.
Speaker 6: Oh you were huh?
Speaker 8: You were gonna give me a copy of the movie.
Speaker 8: You was gonna edit?
Speaker 3: Huh, huh, bitch.
Speaker 1: Vince smacks her again. A lot of screams, the dog barks,
Speaker 1: and the senator sweats as Uncle Charlie laughs.
Speaker 7: I was a big surprise, an X rated movie starring you, Vince.
Speaker 6: Do you have to what's the matter, Senator?
Speaker 2: Why you don't want to get your hands dirty?
Speaker 3: Vince?
Speaker 2: The Senator wants you to stop.
Speaker 3: Stop.
Speaker 8: Well, that's up to Lata here, Lotta. I want you
Speaker 8: to know that you are going to die. No, no, please,
Speaker 8: I have no choice. Now you die easy or you
Speaker 8: die hard.
Speaker 2: Up to you.
Speaker 8: Did you give a copy of the tape to Haarrah?
Speaker 3: Yes?
Speaker 2: Or no?
Speaker 3: No?
Speaker 1: No, Vince, only the one I sent back, Sir.
Speaker 5: I didn't make any more copies. I didn't have any
Speaker 5: time to do the editing I wanted, I swear no, Charlie.
Speaker 1: Vince goes to a workbench and gets a matt knife
Speaker 1: used for cutting engine hoses. Charlie directs his comments to
Speaker 1: Lada and the Senator.
Speaker 2: Sal got the copies from Hira.
Speaker 6: He's mailing them.
Speaker 3: Back to us.
Speaker 2: That is not true.
Speaker 3: I didn't.
Speaker 1: This moves behind Lada. He pulls down her pants, exposing
Speaker 1: her stomach.
Speaker 8: Senator, you know how long a person's in testings are?
Speaker 3: Huh? What are you doing?
Speaker 2: He axked you a question.
Speaker 6: I don't know. Twenty to twenty five feet something like that.
Speaker 8: Hey, that's about right about as long as this air hose.
Speaker 8: You're a very smart guy.
Speaker 2: Isn't he a smart guy?
Speaker 3: Oh?
Speaker 2: He's very smart.
Speaker 1: What are you gonna do?
Speaker 3: Vince?
Speaker 8: Vince, missus smart guy? You want to give one of
Speaker 8: my whores her last thrill, and you want.
Speaker 1: Anything? Charlie hits the senator answer no, Rince, no, as
Speaker 1: you wish. Vince reaches around her and makes a horizontal
Speaker 1: cut across Lota's lower stomach. He then reaches into her
Speaker 1: stomach and slowly pulls out her intestines. Latta stops screaming
Speaker 1: and hangs there and shot and looking at her intestines,
Speaker 1: slowly falling out into the pit. The dog chained at
Speaker 1: the other end of the pit goes wild. Vince tosses
Speaker 1: the knife, then walks to the Senator, Lotta's blood on
Speaker 1: his hands.
Speaker 6: Rince, Hope, could you what's the matter?
Speaker 8: Mister smart guy? You wanted it dead, you gave me orders.
Speaker 8: It'll take hours this way. I thought it would give
Speaker 8: you a kick like your other hobby, fucking porno stone.
Speaker 1: Prince, Rince, stop this, Charlie smiles.
Speaker 6: I think he's gonna throw up.
Speaker 8: All right, Senator, I'll end it quicker you, Leo.
Speaker 1: Leo goes to the end of the grease pit where
Speaker 1: the dog is and unfastens the chain holding back the dog.
Speaker 1: The dog runs to the intestines and starts eating them.
Speaker 1: Vin stands face to face with the senator during the
Speaker 1: following dialogue. Lotta is in the background, streaming at the
Speaker 1: top of her lungs as we hear the sound of
Speaker 1: the dog chewing.
Speaker 8: You ever talk to me again like that? You ever
Speaker 8: talk to me again like you did the other night,
Speaker 8: and what I do to you will make this look
Speaker 8: like a sundnight picnic. Now you are going to mediate
Speaker 8: the union contract talks the way I say, Isn't that right?
Speaker 2: Senator?
Speaker 1: Thea my god answer, yes, yes, A lot of screaming stops.
Speaker 8: If you don't, I'll skin you alive, right, Uncle Jarley, Yes.
Speaker 6: See who will?
Speaker 7: And Dan, I'll have me get shoes made out of
Speaker 7: your skin.
Speaker 8: So with each step I take, I'll be crushing you
Speaker 8: like the nothing you are. Charlie, let the smart man
Speaker 8: enjoy the rest of the show and you drive him
Speaker 8: home while Leo cleans up.
Speaker 7: You got it.
Speaker 1: Vince grabs the Senator's face with the bloody hands.
Speaker 2: I almost hope you fuck up again.
Speaker 1: We hear Dinah Shore singing sentimental journey as Vince slowly
Speaker 1: walks away. We see Senator Baxter's face with Latta's blood
Speaker 1: on it. We see Lada suspended from the lift and
Speaker 1: the dog jumping up trying to reach the rest of
Speaker 1: her intestines hanging exterior post office, Irwin, Pa. Early morning.
Speaker 1: Dinah Shore sings as Haarrah drops a letter into a
Speaker 1: mailbox outside the post office. She runs back to the car,
Speaker 1: leans against it and lights a cigarette. She looks across
Speaker 1: the street to see a greyhound bus pull up to
Speaker 1: a station. Sal comes out of the post office, gets
Speaker 1: in the car and shuts the radio. Just as Dinah
Speaker 1: finishes her song, Parrah gets in.
Speaker 2: You'll have it by tomorrow morning at ten noon the latest.
Speaker 2: Then what they buy it, you'll be okay. If they don't,
Speaker 2: I can't do anymore. I wonder where that bus is going.
Speaker 2: What if I got on and didn't get off till
Speaker 2: it stopped? Before you do? You better cut your hair,
Speaker 2: diet and change those clothes.
Speaker 4: You really got to hang up about my appearance, don't you.
Speaker 2: You'll need new papers too.
Speaker 5: I know I know where to now.
Speaker 2: We go to Chicago, just like they want. They won't
Speaker 2: do anything until they have those tapes. Then they'll give
Speaker 2: me the word and what to do next.
Speaker 5: What if they want me dead, Vince.
Speaker 2: Won't ask me to do that. They'll send somebody. Then
Speaker 2: then you sneak out of your room. I wake up.
Speaker 2: You're gone. I don't know where. Ask the nyclerk to
Speaker 2: call you a cab to the airport to cover my ass.
Speaker 2: You take another cab from the airport to Greyhound to
Speaker 2: cover your ass. Either way, I'm out of after this.
Speaker 5: If inspies what you said that I know nothing.
Speaker 2: Then I take you to LA so you could be
Speaker 2: a big star in your chosen profession.
Speaker 3: It's a job, some job, Look, it's what I do,
Speaker 3: It's what you do, It's your life.
Speaker 1: Flash Haraah looking straight at camera while astride the Senator.
Speaker 1: She throws a seductive kiss to camera. Exterior I seventy
Speaker 1: six to I eighty ninety Pit to Chicago, Day to Night.
Speaker 1: Peggy Lee sings The Lady is a tramp over The
Speaker 1: following silent scene Haah sitting in the front alongside Sal
Speaker 1: and considering the situation, they have an animated conversation. We
Speaker 1: see Harah laughing. Indiana goes by. In the background, Sal
Speaker 1: points out things to Harah. Twilight then darkness. As we
Speaker 1: enter the Windy City the Ritz Carlton on Pearson. As
Speaker 1: they enter Chicago, we hear in voiceover.
Speaker 2: Did you really think you could blackmail Vince?
Speaker 4: Lata wasn't going a blackmail Vince. He was going to
Speaker 4: set Vince up and get a nice reward from the Senator.
Speaker 2: You're kidding.
Speaker 4: She was going to tell the Senator that the movie
Speaker 4: was Vince's idea, that Vince was going to blackmail him,
Speaker 4: and then she was going to give him the tape
Speaker 4: of the porn foot. The Senator gets rid of Vince
Speaker 4: and she gets a reward.
Speaker 2: Two big problems with that One, Vince always plays by
Speaker 2: the rules. Everyone knows that.
Speaker 5: A real man of honor in his world.
Speaker 2: Yes, and two, Vince is not the Senator's boy. The
Speaker 2: Senator is Vince's boy. Whenever there's a problem, the Senator
Speaker 2: comes to him, not the other way around.
Speaker 3: Now you tell me.
Speaker 1: Peggy Lee continues singing, The lady is a trap. Interior
Speaker 1: hallway room, Ritz, Carlton, Hotel night. The bell boy puts
Speaker 1: the bags down in front of a hotel room door.
Speaker 1: He's about to open it when Sal stops him with
Speaker 1: a tip. Peggy Lee stops, singing.
Speaker 2: Thanks, I'll take her from here.
Speaker 1: Thank you, sir, He smiles broadly. Pleasure to meet you,
Speaker 1: mis reems, Yeah, the same. The bellboy exits.
Speaker 2: You take my room, I'll take yours.
Speaker 5: Why I don't want you?
Speaker 2: Just do as I say. I'll get your bags.
Speaker 1: Sal and Harah enter the hotel room. Sal puts down
Speaker 1: the bags and sits by the desk as Hara lays
Speaker 1: down on the bed.
Speaker 2: Now, tomorrow morning, I have to go someplace alone. You
Speaker 2: just stay here.
Speaker 5: Why can't I go with you?
Speaker 2: It's a personal thing.
Speaker 5: You're setting me up, aren't you.
Speaker 2: It's not that at all.
Speaker 5: This is where they told you to leave me.
Speaker 2: How could you say that after I put my ass
Speaker 2: on a line for you?
Speaker 5: All Right, you insult me, I insult you. Now tell
Speaker 5: me what's going on.
Speaker 2: I have a son. What I have a son who
Speaker 2: lives just outside the city here. I'd like to see him.
Speaker 2: Just be for a couple hours. You'll be safe.
Speaker 5: Safe, they know I'm here.
Speaker 2: How about I bring you to a nice restaurant in
Speaker 2: the morning.
Speaker 5: How about you bring me with you.
Speaker 2: That wouldn't be a good idea.
Speaker 4: Oh, I guess it wouldn't look good. Hi, your son
Speaker 4: seeing you with someone like me?
Speaker 3: That, ain't it fine?
Speaker 5: I owe you one, So just dump me off somewhere anywhere.
Speaker 2: You got it wrong.
Speaker 3: Don't bother kid.
Speaker 2: Listen, it's not you when they set me up. My
Speaker 2: wife left me. Not that I blame him. I haven't
Speaker 2: seen my son since he was twelve years old. He's
Speaker 2: older than you now. I tried to write him while
Speaker 2: I was in prison. He never answered. I wrote him
Speaker 2: when I got out, but nothing ever came back. He's
Speaker 2: married now, and I'd like to give it one last shot.
Speaker 2: I'd like to know what it's like to talk with
Speaker 2: my son again.
Speaker 5: On the level. You ain't bullshitting.
Speaker 2: I wouldn't know how to do that.
Speaker 5: Just drop me wherever you want.
Speaker 2: Okay, how about you come? You wait in the car,
Speaker 2: whatever you say, I'll knock on the door at night.
Speaker 1: Sal rises to leave and Harah leans into his arms.
Speaker 5: Thanks Sal, thanks for everything.
Speaker 1: Sal hugs her back. Then let's go and exits. Haarrah
Speaker 1: turns on the radio and we hear Strip Club Disco Interior,
Speaker 1: Private Eye Club. Late morning, Uncle Charlie and Leo sit
Speaker 1: at the bar as a young girl is in the
Speaker 1: middle of her audition as a strip. Anthony, carrying the
Speaker 1: mailed tapes, walks in. He has a hard time taking
Speaker 1: his eyes off the young girl.
Speaker 2: Well, Anthony, what are you doing here?
Speaker 3: Hi?
Speaker 5: Uncle Charlie, Uncle SAAL's anthey's to me. I'm supposed to
Speaker 5: hand them to Vince.
Speaker 3: Mister DeLaura.
Speaker 6: Why you send them to you? I don't know.
Speaker 1: Vince walks in behind Anthony because he's smart.
Speaker 3: Hi, mister DeLaura, my uncle Sal says, to give these
Speaker 3: to you.
Speaker 1: Vince looks at the postmark and slides it to Charlie
Speaker 1: as Anthony keeps looking at the stripper.
Speaker 8: It's from Pittsburgh, you know. What's in this package?
Speaker 3: To quote my uncle Sal, I don't know, and I
Speaker 3: don't want to.
Speaker 1: Vince and Charlie laugh. Vince puts an arm around Anthony.
Speaker 6: That's the right answer, kid.
Speaker 8: How would you like.
Speaker 2: To know her? How would I like to her?
Speaker 5: I'd love to, but Uncle Sall would kill me.
Speaker 1: Vince peels off a bill and puts it in Anthony's pocket.
Speaker 8: When you graduate college, you come see me. I got
Speaker 8: a great graduation gift for you.
Speaker 1: Vince nods towards the girl.
Speaker 3: Eh, thanks, mister DeLaura.
Speaker 5: You'll be seeing me, yes, sir.
Speaker 1: He leaves good kid.
Speaker 6: So what about the girl?
Speaker 8: Send leo.
Speaker 6: Sal thinks she's clean.
Speaker 8: I want to send another message to our smart senator.
Speaker 9: What if Sal tries to stop me?
Speaker 3: He won't, But.
Speaker 2: What if he does?
Speaker 8: Sal would never be that stupid.
Speaker 6: He treats these horse like there was his own. What
Speaker 6: if he tries?
Speaker 8: If sALS tries, he will Yeah, I wouldn't bet on
Speaker 8: that little respect?
Speaker 2: Would do you some good? Trust me on this.
Speaker 7: And Sull's not one of these stumble bumps and knocked
Speaker 7: out in a ring. I mean, he knows more ways
Speaker 7: to put you away than anyone I ever met. And
Speaker 7: I should know because I taught him.
Speaker 6: That's so.
Speaker 8: Look, if Sal tries to stop you, you have my
Speaker 8: permission to try and kill me.
Speaker 1: Yeah, you try.
Speaker 7: You want to bring an extra set of boxing gloves.
Speaker 8: You think too much of us, Bump, But only if
Speaker 8: if he tries to protect the girl, which he won't.
Speaker 1: Interior Hallway, Ritz Carlton Hotel, Chicago, nine am. Sal knocks
Speaker 1: on Harrah's door. The door opens and Harris stands there.
Speaker 1: Her hair is dyed back to its natural color. She
Speaker 1: wears a very conservative navy blue pantsuit with a basic
Speaker 1: white blouse. For the first time, she wears no makeup.
Speaker 1: She's the daughter. Anyone would be proud of the child.
Speaker 1: Sal never got to.
Speaker 4: Know you look you look very nice suits from the
Speaker 4: hotel boutique.
Speaker 2: You look special.
Speaker 5: Don't get any ideas I just did this case.
Speaker 4: I have to run for my life. This has nothing
Speaker 4: to do with senior kidder anything like that.
Speaker 1: Haarrah exits and Sal smiles and follows her. Eda James
Speaker 1: sings a Sunday Kind of Love. Exterior black Lincoln town
Speaker 1: Car late morning traveling. Eda sings as Sal drives the
Speaker 1: town car along the Great Lake towards glen Coe, Illinois.
Speaker 1: As we get to the instrumental portion of the song,
Speaker 1: we hear the following voiceover.
Speaker 3: Sal what'd you go to prison for running hot diamonds?
Speaker 5: Diamonds?
Speaker 2: Really, I'd pick up a truckload of fish packed in
Speaker 2: ice and bring them to Saint Louis. We'd let the
Speaker 2: ice melt and there with a dime.
Speaker 5: That's funny, hot ice on ice.
Speaker 2: They must have wondered why we were still using ice
Speaker 2: inside a refrigerated truck. They got me on the fence,
Speaker 2: you know, Sid halts Vin set them up in your business.
Speaker 3: A vattled Perver was.
Speaker 5: A big time fence.
Speaker 1: Interior front seat of Lincoln town car continuous. Haara sits
Speaker 1: in the back, but the window between them is open.
Speaker 1: They talk like father and daughter out for a Sunday drive.
Speaker 2: One of the best.
Speaker 4: Oh I know him. All Vince's girls know him. Most
Speaker 4: of us started there. Runs that big club in Saint Louke.
Speaker 2: Vince owns it.
Speaker 5: Sick old dude.
Speaker 2: Yeah, well, we took a twelve rep because he wouldn't
Speaker 2: turn over who.
Speaker 3: He was working for twelve years. Serve date still thought
Speaker 3: why they owe you?
Speaker 2: Because he stood up and not much choice really, I
Speaker 2: rat and I'm dead. Had too much family to accept
Speaker 2: any witness protection. Shit.
Speaker 5: You could be a fucking orphan and you just stood up.
Speaker 3: Don't bullshit me, kid, do me a favor.
Speaker 2: Don't curse? What why you look far too pretty? I
Speaker 2: have that kind of talk coming out of your mouth.
Speaker 1: Harah's taken aback by the honest compliment. Exterior black Lincoln
Speaker 1: town Car, late night, Edi sings as we see the
Speaker 1: town car drive through a very nice suburb north of Chicago.
Speaker 1: The car parks along a beautiful street, Park Avenue, glen Coe, Illinois.
Speaker 1: We hear the following conversation in voiceover, that's set the street.
Speaker 5: He must do pretty good.
Speaker 2: Your son, some kind of finanswer?
Speaker 3: Were counting interior.
Speaker 1: Back seat Lincoln town Car, continuous from the back seat.
Speaker 2: Kids two, I think yeah too, Grandpa. I got a question,
Speaker 2: Why did you and law to ask me to drive?
Speaker 4: You always treated us right, never asked us those stupid
Speaker 4: sex questions.
Speaker 2: I'm supposed to ask sex questions?
Speaker 5: No, not how to?
Speaker 4: But like, do I enjoy it when we shoot? What's
Speaker 4: my favorite position? When did I start?
Speaker 5: You know that kind of stuff.
Speaker 2: Hey, that's your business, not mine.
Speaker 5: Well, that's what We figured about you, We figured we
Speaker 5: was safe with you.
Speaker 1: Harah notices something through the window.
Speaker 5: Oh, here comes somebody.
Speaker 1: The black minivan turns into the driveway. A couple in
Speaker 1: their late twenties exit the front seat. A young boy
Speaker 1: of about six jumps out of the back seat. The
Speaker 1: mother takes a two year old out of a child's
Speaker 1: seat in the back. The mother and two children head
Speaker 1: for the front door and immediately enter the house as
Speaker 1: the father removes some packages.
Speaker 2: Must have went to church church.
Speaker 5: You gotta be shitting.
Speaker 2: Me, Hey, sorry, right out of Norman Rockwell? Who never mind?
Speaker 5: Well do it?
Speaker 1: Sal just sits there watching his son and his family
Speaker 1: go into their nice, upper middle class home.
Speaker 5: Ain't you gonna go talk to your son?
Speaker 2: What the hell we come all this way for to
Speaker 2: see where I don't belong?
Speaker 3: That's crazy?
Speaker 4: I mean, Oh yeah, I get you.
Speaker 5: Sal's anything I can do?
Speaker 2: Yeah, when I get up tomorrow you'll be long gone.
Speaker 3: Understand understood? Sal?
Speaker 5: You you want me to drive?
Speaker 2: No, I'm the driver.
Speaker 1: Long pause before Sal starts the music. Edda James continues singing.
Speaker 1: The window goes up, the car pulls away, and we
Speaker 1: see Sal's son looking out the front Bay window, A
Speaker 1: little boy comes up to him. Exterior black Lincoln town Car,
Speaker 1: Late afternoon. Eda James sings a Sunday kind of love.
Speaker 1: The town car drives along the lake like before, only
Speaker 1: in the other direction. Late afternoon turns to twilight, and
Speaker 1: then finally, the big city lights of Chicago at night
Speaker 1: fill the background. Interior Sal's hotel room, Chicago evening. We
Speaker 1: hear Sal open his hotel room door. He enters and
Speaker 1: throws his jacket on the bed, goes to the dresser
Speaker 1: and throws down his keys, places his wallet, chains.
Speaker 2: Sorry, chains, Sorry, that's another story.
Speaker 1: Sorry.
Speaker 2: He enters.
Speaker 1: He enters and throws his jacket on the bed, goes
Speaker 1: to the dresser and throws down his keys, places his wallet, change,
Speaker 1: smokes handkerchief, and combs on the dresser. He stares into
Speaker 1: the mirror as the song ends. It looks like he's
Speaker 1: about to punch the mirror when Leo's face comes up
Speaker 1: behind him. Sal turns, Jesus.
Speaker 9: Christ, Relax, Oh man, don't have a heart attack. They
Speaker 9: told me this was Harry's rue. No, why would they
Speaker 9: do that.
Speaker 2: I don't tax that pete brain of yours. They just
Speaker 2: got the rooms mixed up she's across the hall. I
Speaker 2: help myself to a drink. I mean, I don't give
Speaker 2: a shit if you mind. What are you doing here?
Speaker 1: Sal pours himself a Scotch and hangs onto the bottle.
Speaker 6: What am I doing here?
Speaker 9: I came to Chicago for the wind. What am I
Speaker 9: doing here? I came to do the girl. I mean,
Speaker 9: seeing she don't have a stomach for that kind of
Speaker 9: stuff anymore. They're waiting on my call.
Speaker 2: And I told Vince she had nothing to do with this.
Speaker 9: I don't know from what you said. I only know
Speaker 9: what Vince said. It was the other one, Lada. I
Speaker 9: don't care.
Speaker 2: Harra's a good kid. She's a slut, and you're an asshole.
Speaker 9: Look, I don't care if she was a fucking nun.
Speaker 9: She gets that the Vince in a hat box. You
Speaker 9: try to stop me, Vince says, I send you back
Speaker 9: the same way.
Speaker 2: Vince would never say that.
Speaker 1: The great Sal the bob, wise up.
Speaker 2: You're useless to him. Now, don't fuck with me, little man.
Speaker 2: I'm not in the mood right now.
Speaker 6: Ah, what's the matter.
Speaker 2: She stopped giving you a head.
Speaker 9: You're pissing me off, Leo, And I'm really fucking scared
Speaker 9: you should be.
Speaker 6: How does that sweet think taste? Huh hhmm. Maybe I'll
Speaker 6: just uh, maybe I'll.
Speaker 2: Try a little before I carve him up.
Speaker 6: Don't even why you gonna try and stop me.
Speaker 2: Maybe I'll do just that.
Speaker 1: Sal takes the scotch bottle and smacks Leo across the face.
Speaker 1: His razor comes out of his sleeve and he swipes
Speaker 1: at Leo's face, but Leo blocks the razor with his
Speaker 1: arm and we see his jacket rip. Leo grabs Sal's
Speaker 1: arm with one head and punches him with the other,
Speaker 1: sending Sal over the couch and sending the razor flying. Leo,
Speaker 1: with his bloodied face, looks at Sal.
Speaker 2: Oh, I'm gonna enjoy it.
Speaker 1: Leo rushes towards Sal, who takes a swing and Leo
Speaker 1: blocks it like the professional fighter he once was, and
Speaker 1: gives two hard ones to Sal's stomach. Sal buckles over,
Speaker 1: Leo straightens him up and gives him one more to
Speaker 1: the face, knocking Sal onto the bed. Leo stands over
Speaker 1: Sal and takes out his pistol, putting it in Sal's face.
Speaker 2: What are you waiting for?
Speaker 9: Sal?
Speaker 2: This is way too easy?
Speaker 1: Leo tosses the pistol on the couch and pulls Sal
Speaker 1: up by the collar and hits him in the face.
Speaker 1: Hits him again.
Speaker 2: I'm gonna beat you good before I put a round
Speaker 2: through that big fucking round through gos fuck cue.
Speaker 1: Leo pulls Sal again. This time Sal comes up with
Speaker 1: the phone that was on the nightstand next to the
Speaker 1: bed and slams Leo's face. Sal hets Leo again before
Speaker 1: Leo wrestles the phone away. Sal falls back and grabs
Speaker 1: the pen that was next to the phone. Leo, in rage,
Speaker 1: picks up Sal in a bear hug, crushing Sal near
Speaker 1: to death. These two bloody faces are now face to face.
Speaker 1: Sal reaches around Leo's head with his left arm, holding
Speaker 1: Leo's head still. Sal takes the pen in his right
Speaker 1: hand and rams it into Leo's left ear. Leo drops
Speaker 1: Sal and staggers like a drunk, his equilibrium gone. Leo's
Speaker 1: eyes are wide open, but he can't see. I can't see,
Speaker 1: I can't see.
Speaker 2: I'm right here.
Speaker 3: You're blind. Fuck.
Speaker 1: Leo in complete rage runs at Sal, who steps aside,
Speaker 1: and Leo crashes into the window. Sal lifts Leo's feet
Speaker 1: and helps him out the rest of the way, we
Speaker 1: hear Leo scream all the way down to his death.
Speaker 1: In the alley below exterior Ali outside Chicago Hotel. Continuous
Speaker 1: light over the back door leading to the kitchen allows
Speaker 1: us to see Leo's body on the dumpster below. Blood
Speaker 1: pours from Leo's ear. Nancy Wilson sings Bewitched end of
Speaker 1: a tu you work