WEBVTT - MY LADY'S SONG - Act 2

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<v Speaker 1>Act two, Sal and the young porn star have become friends,

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<v Speaker 1>and Sal feels obliged to protect her from Vince, who

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<v Speaker 1>now wants her dead because he knows Harrah betrayed him.

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<v Speaker 1>Vince is stuck between the code of the past and

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<v Speaker 1>a morality he never had to face again. Interior William

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<v Speaker 1>Pennhotel Lobby, Philly, early evening. Sala is at the check

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<v Speaker 1>in desk with the third assistant manager as a young

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<v Speaker 1>bell boy stands behind Sal with three pieces of luggage

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<v Speaker 1>on a cart. The young bell boy keeps looking at Hara,

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<v Speaker 1>who sits in a lobby chair with her legs crossed.

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<v Speaker 1>She deliberately enjoys exciting the young bellboy. Sal notices as

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<v Speaker 1>he fills out forms.

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<v Speaker 2>Would like a joining rooms and put it on the

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<v Speaker 2>company cart.

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<v Speaker 3>Sir, we have a suite available with the king size.

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<v Speaker 2>Did I ask for that?

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<v Speaker 1>The clerk winks.

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<v Speaker 4>The Uncle Charlie said, to give you the best, Sir,

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<v Speaker 4>I just thought you and your your niece would be

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<v Speaker 4>more in a suit, if you know what I mean.

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<v Speaker 2>Listen, assholes, She's not my niece. She's not my cousin.

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<v Speaker 2>She's not my hump for the night. She's my she's uh, look,

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<v Speaker 2>I'm a.

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<v Speaker 5>Driver, Yes, sir, Rooms one of five and.

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<v Speaker 1>The clerk hands the bellboy two room key cards. While

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<v Speaker 1>Sal waits for the credit card to go through, Haro

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<v Speaker 1>walks by the young bell boy on the way to

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<v Speaker 1>the elevator. She takes her key and calls out to Sal.

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<v Speaker 3>Oh, driver, have this boy bring my luggage up.

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<v Speaker 5>I'll tip him upstairs.

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<v Speaker 1>The elevator closes, and the bellboy moves toward the luggage cart.

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<v Speaker 1>Sal stops him and places a couple of bucks in

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<v Speaker 1>his jacket pocket. Sal grabs the key card and luggage cart.

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<v Speaker 2>Come back in about five years.

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<v Speaker 1>Kid Keeley Smith sings, I can't believe you're in love

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<v Speaker 1>with me. Interior Sal's hotel room. Evening, Sal comes out

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<v Speaker 1>of his bathroom. He wears a t shirt and has

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<v Speaker 1>a towel around his neck. He wipes his face. He

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<v Speaker 1>looks at the adjoining door and knocks. No answer. He

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<v Speaker 1>knocks again, then lowers the radio.

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<v Speaker 2>You want, Dinna, everything's on Vince. The restaurant room serves

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<v Speaker 2>anything you want. Just sign your name in your room number.

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<v Speaker 6>Parah.

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<v Speaker 2>You don't answer me, I gotta assume you're gone. And

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<v Speaker 2>if you're gone, I gotta call Uncle Charlie. I know

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<v Speaker 2>you don't want that.

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<v Speaker 1>Sal tries the door and it's locked.

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<v Speaker 2>Aarah Ara, do you hear me?

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<v Speaker 3>I hear you.

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<v Speaker 1>Sal sits in a chair, will leaf.

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<v Speaker 2>For Pittsburgh at nine am. I'll meet you in the lobby.

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<v Speaker 2>I hope a lot of shows. I mean that.

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<v Speaker 1>Sweet dreams flash Lata and Harah making love to the

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<v Speaker 1>John in the back of Sal's limo. Sal turns up

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<v Speaker 1>the radio and we hear Keeley Smith singing into big

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<v Speaker 1>white limo.

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<v Speaker 2>Night.

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<v Speaker 1>Uncle Charlie sits in a long white limo used for

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<v Speaker 1>the night out. He sits back with a Scotch and soda.

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<v Speaker 1>Charlie looks across at the John from the other night.

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<v Speaker 1>Senator Baxter, you want a blast?

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<v Speaker 7>Senator, No, thanks, Come on, we can celebrate your latest

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<v Speaker 7>starring role.

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<v Speaker 2>Your copy, Senator.

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<v Speaker 1>Uncle Charlie hands Baxter of VHS cassette.

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<v Speaker 6>What do you want?

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<v Speaker 2>Charlie?

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<v Speaker 6>Did I forget to say thanks? Well? Thanks for letting

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<v Speaker 6>me fuck those sluts in your fancy car or crawled

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<v Speaker 6>up your ass. I want this over watch. What you

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<v Speaker 6>wish for, you might just get it.

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<v Speaker 1>Charlie laughs as the door to limo opens and Vince

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<v Speaker 1>steps inside.

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<v Speaker 8>Ah, good evening, Senator. I hope Uncle Charlie here has

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<v Speaker 8>been good company in my absence.

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<v Speaker 6>He's a great conversationalist.

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<v Speaker 8>You tell you about my first hit. I was just

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<v Speaker 8>a kid, and Uncle Charlie here get to the point,

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<v Speaker 8>right to the point. I like that, all right. Let's

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<v Speaker 8>get to the point, Senator. I told you to never

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<v Speaker 8>never to call me while we're in the.

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<v Speaker 3>Who wrote this shit?

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<v Speaker 8>Right to the point. I liked that?

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<v Speaker 2>All right.

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<v Speaker 8>Let's get to the point, Senator, I told you never

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<v Speaker 8>never to call me while we're mediating the negotiations between

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<v Speaker 8>my union and the city. I gave you an order

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<v Speaker 8>and you didn't listen. That's the point.

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<v Speaker 6>You're good at giving orders. Let's knock off the cops

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<v Speaker 6>and wops. Bullshit.

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<v Speaker 2>What's the matter?

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<v Speaker 8>Didn't you like the movie uncle Charlie gave you.

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<v Speaker 6>I already got a copy from one of your sluts.

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<v Speaker 6>That's right. In other words, she is trying to fuck

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<v Speaker 6>us both. She says, I don't pay. She's got a

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<v Speaker 6>real surprise for me.

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<v Speaker 1>Baxter throws the cassette.

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<v Speaker 7>Vince, Charlie, this must be why Lotty didn't leave with

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<v Speaker 7>sal and.

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<v Speaker 3>The other one.

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<v Speaker 8>I already have a ton of film on you and

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<v Speaker 8>every other big shot in this city. I didn't have

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<v Speaker 8>to make a new one.

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<v Speaker 6>I didn't think you knew. That's why I'm here. This

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<v Speaker 6>is too cheap, even for you, chump change. It's a

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<v Speaker 6>matter of Vince can control your own people.

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<v Speaker 8>You just do your job at those negotiations. We'll take

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<v Speaker 8>care of this.

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<v Speaker 6>No e, Vince. This time you're gonna listen to me.

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<v Speaker 2>Eh.

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<v Speaker 8>And why should I do that?

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<v Speaker 6>Because I'm the only one in a position to help

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<v Speaker 6>you in your union. So you are going to do

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<v Speaker 6>as I say this time. I want to know what

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<v Speaker 6>the surprise is. I want every copy, and I want

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<v Speaker 6>those two sluts to be gone for good. That driver too.

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<v Speaker 7>The driver is my man, sold to a twelve year

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<v Speaker 7>stretch for us because.

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<v Speaker 6>He wouldn't talk, all right, But I want the tapes

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<v Speaker 6>and proof those girls being dead.

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<v Speaker 2>You got it?

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<v Speaker 3>Now get out.

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<v Speaker 1>As Baxter starts to exit the limo.

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<v Speaker 6>This kind of thing should be easy for you, Vince.

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<v Speaker 6>It'll feel like the old days when all you needed

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<v Speaker 6>was a little muscle and no brains.

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<v Speaker 1>Baxter exits.

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<v Speaker 2>I want lot of found Baxter.

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<v Speaker 8>Once proof She's dead and I want to give it

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<v Speaker 8>to him myself.

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<v Speaker 1>Punk interior front seat of Lincoln town car. Late morning,

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<v Speaker 1>Sal drives through Amish Country. Lena Horn sings stormy weather.

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<v Speaker 1>Para sits in the back as the beautiful countryside streams

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<v Speaker 1>by her window silence. Sal pulls over at the Amish

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<v Speaker 1>Country Eatery, promising a real Amish country breakfast. Exterior Amish

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<v Speaker 1>Country Eatery is seventy six late morning off root is

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<v Speaker 1>seventy six, near Somerset. There's a vegetable stand attached to

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<v Speaker 1>the eatery, Amish people as well as nicely dressed tourists mingle.

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<v Speaker 1>Sal gets out, and his black suit, white shirt, and

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<v Speaker 1>black tie help him blend into this stoic environment. Sal

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<v Speaker 1>opens the back door of the town car. Harah gets out,

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<v Speaker 1>looking more trashy than ever. Leather pants, stiletto heels, and

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<v Speaker 1>a sea through top. She heads for the eatey as

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<v Speaker 1>Sal looks to Heaven, then closes the door. An elderly

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<v Speaker 1>Amish couple exit the eatery and can't help but stare

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<v Speaker 1>at Hara. Hara stares back. Sal tips his chauffeur's hat,

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<v Speaker 1>then throws it through the driver's side, open window interior.

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<v Speaker 1>Amish country eatery continuous Sala and harra sit in a

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<v Speaker 1>wooden carved booth. An Amish waitress dressed in simple black

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<v Speaker 1>and white comes over.

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<v Speaker 3>Would THEE like our country morning meal for two?

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<v Speaker 2>I just have some of the Irish oat, milk, coffee.

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<v Speaker 3>And juice for THEE?

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<v Speaker 5>What's this the shit?

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<v Speaker 2>I'm sorry, she's from New York.

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<v Speaker 4>I want the thick slice French toast sausage with juice

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<v Speaker 4>and coffee.

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<v Speaker 5>Honey, you got a phone here?

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<v Speaker 1>Sorry?

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<v Speaker 5>We don't believe in them. What are you a wise ass?

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<v Speaker 2>Just get off breakfast and I'll explain it to her.

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<v Speaker 1>The waitress is obviously flustered as she goes to the

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<v Speaker 1>other waitresses at the register, and they whisper among themselves

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<v Speaker 1>as the order is placed.

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<v Speaker 5>It's the matter with these people.

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<v Speaker 2>They're are foreigners, not exactly, it's their religion. They don't

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<v Speaker 2>believe in modern things, computers and stuff. If it ain't

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<v Speaker 2>in the Bible, they don't use it.

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<v Speaker 3>Really, no shit.

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<v Speaker 5>How about you a gram? Their men have seen you before,

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<v Speaker 5>I doubt it.

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<v Speaker 2>No movies with or without sex.

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<v Speaker 5>No movies. Well, I guess they ain't missing.

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<v Speaker 2>Much very self sufficient. Well nothing from the outside world.

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<v Speaker 5>How do you know about this stuff?

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<v Speaker 2>Limo drivers had a lot of time to read. We

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<v Speaker 2>know a lot of things.

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<v Speaker 3>Yeah, like what like?

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<v Speaker 2>I know that was no actor the other night. I

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<v Speaker 2>also know a lot of made a copy of the tapes?

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<v Speaker 5>How the hell do you know that?

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<v Speaker 1>Sal smiles, Para knows She's just confirmed his suspicions. Coffee

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<v Speaker 1>and juice comes. The waitress stares at Hara, who looks better?

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<v Speaker 3>You see something you want?

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<v Speaker 1>The waitress starts to say something, thinks better leaves a lot.

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<v Speaker 5>I didn't make no tape.

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<v Speaker 2>Fine to your funeral.

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<v Speaker 3>You're gonna let me call Latta from a payphone?

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<v Speaker 5>Why a payphone?

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<v Speaker 2>So it can't be traced to the car, not from

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<v Speaker 2>the hotel either. You go to the bathroom next time

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<v Speaker 2>we stop, and I can't tell what you're doing?

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<v Speaker 3>Thanks?

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<v Speaker 2>Are you gonna tell me what's going on?

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<v Speaker 3>Why should I? You already shown me?

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<v Speaker 5>Which Betty rather lion?

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<v Speaker 1>Another waitress arrives with Harah's big breakfast and a large

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<v Speaker 1>bowl of Irish oatmeal and syrup psal. She also stares

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<v Speaker 1>at Harah boom. The new waitress runs away. They eat

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<v Speaker 1>their breakfast.

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<v Speaker 2>It's not gonna be that easy to scare Vince away.

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<v Speaker 5>I can take care of myself.

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<v Speaker 2>What do you know about Vince.

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<v Speaker 4>I know he was a sleezy hood and now he's

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<v Speaker 4>a sleezy porno producer.

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<v Speaker 2>Years ago, Vince was instrumental in setting up a citywide

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<v Speaker 2>union in New York. That's his real power base. The

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<v Speaker 2>union label leader that Vince put into his office got

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<v Speaker 2>too big for his own good. Vince had him chopped

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<v Speaker 2>up at the twenty four pots, and he had his

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<v Speaker 2>pots kept fresh by storing them in a meat locker

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<v Speaker 2>every month for two years. When the union had their

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<v Speaker 2>monthly meeting, Vince melt them a different piece of this

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<v Speaker 2>guy's body, just so they shouldn't forget.

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<v Speaker 5>You should stay here with these people. You've been watching

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<v Speaker 5>too much TV.

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<v Speaker 1>Haarah goes back to eating her breakfast.

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<v Speaker 2>The last piece Vince had shipped was his heart. There

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<v Speaker 2>was a bite out of it.

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<v Speaker 1>Harrah swallows hard.

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<v Speaker 5>That where you learn how to use that razor cutting

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<v Speaker 5>up dead people?

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<v Speaker 2>No a chainsaw.

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<v Speaker 1>Haarrah drops her fork, realizing the seriousness of her situation.

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<v Speaker 1>Exterior I seventy six, Entering Pittsburgh early evening, Teresa Brewer

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<v Speaker 1>sings after You're gone, with Count Basie conducting. We see

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<v Speaker 1>what's left of the old steel mills, old Pittsburgh. We

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<v Speaker 1>travel around the new city, now geared for insurance and services.

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<v Speaker 1>We see the Lincoln Town Car enter the airport northwest

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<v Speaker 1>of the city. Interior front seat of Lincoln town Car continuous.

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<v Speaker 1>Sal is parked outside of American Airlines. He's alone. Parah

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<v Speaker 1>rushes up and jumps into the car.

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<v Speaker 3>She's not on the flight.

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<v Speaker 2>Then I'd say, you're in deep shifts.

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<v Speaker 5>He'll help me.

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<v Speaker 3>Please, Look, kid.

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<v Speaker 2>You don't cross a guy like Vince. I couldn't do

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<v Speaker 2>much even if I wanted to tell me.

0:11:27.800 --> 0:11:29.240
<v Speaker 3>Maybe I could just keep going.

0:11:29.600 --> 0:11:30.920
<v Speaker 5>I can get on a plane right now and go

0:11:30.920 --> 0:11:31.600
<v Speaker 5>to Europe or something.

0:11:31.760 --> 0:11:34.160
<v Speaker 2>Got a pass put call a lot again at our

0:11:34.200 --> 0:11:35.000
<v Speaker 2>New York number.

0:11:35.120 --> 0:11:36.520
<v Speaker 1>Haarrah grabs the car phone.

0:11:36.679 --> 0:11:39.920
<v Speaker 2>Not this phone, and not your cell. Vince will have

0:11:39.960 --> 0:11:43.440
<v Speaker 2>a lot of phone tops, so be careful. Only cash

0:11:43.520 --> 0:11:45.880
<v Speaker 2>at payphones and no using your own credit cards either

0:11:45.960 --> 0:11:46.480
<v Speaker 2>for anything.

0:11:46.880 --> 0:11:48.520
<v Speaker 1>Sal pulls out his cell phone.

0:11:48.720 --> 0:11:50.160
<v Speaker 5>Can't check into my credit cards.

0:11:51.200 --> 0:11:52.200
<v Speaker 2>Don't bet your life on that.

0:11:52.400 --> 0:11:53.880
<v Speaker 3>Who are you calling my mother?

0:11:54.280 --> 0:11:55.760
<v Speaker 2>I'm buying you one more day.

0:11:56.640 --> 0:11:59.920
<v Speaker 5>Sao thanks, I mean it don't thank me.

0:12:00.120 --> 0:12:02.680
<v Speaker 2>No skin off my nose probably won't do any good.

0:12:03.160 --> 0:12:04.560
<v Speaker 1>Haah. Exits the car.

0:12:04.800 --> 0:12:10.960
<v Speaker 2>Hello, Ma, Yeah, it's me. That's right, I'm on the

0:12:10.960 --> 0:12:13.600
<v Speaker 2>cough phone. My I have to talk to Tony. Put

0:12:13.600 --> 0:12:14.480
<v Speaker 2>me on hold and you could.

0:12:14.800 --> 0:12:19.280
<v Speaker 1>Interior Sal's Kitchen, benson Hurst, Brooklyn, continuous. Carmela is on

0:12:19.320 --> 0:12:21.800
<v Speaker 1>the phone with Sal. Donna is at the table having

0:12:21.840 --> 0:12:25.160
<v Speaker 1>a cup of coffee. I don't have to put nothing

0:12:25.240 --> 0:12:31.120
<v Speaker 1>on hold. Your nephew is right here. Yeah, I'll put

0:12:31.160 --> 0:12:31.440
<v Speaker 1>him on.

0:12:32.520 --> 0:12:34.880
<v Speaker 3>Anthony, it's your uncle Sal.

0:12:35.760 --> 0:12:38.520
<v Speaker 1>Anthony comes to the phone a pipe wrench in his hand.

0:12:39.040 --> 0:12:40.280
<v Speaker 5>Hey, uncle Sal, what's up?

0:12:41.400 --> 0:12:44.839
<v Speaker 1>And I'm fixing Grahma's garbage disposal. Interior front seat of

0:12:44.920 --> 0:12:46.439
<v Speaker 1>Lincoln Town Car continuous.

0:12:46.760 --> 0:12:48.480
<v Speaker 2>I want you to get the Queen's and call me,

0:12:48.760 --> 0:12:51.439
<v Speaker 2>not on the coll phone, from a bay phone. I'll

0:12:51.480 --> 0:12:52.360
<v Speaker 2>explain when you call.

0:12:53.080 --> 0:12:56.160
<v Speaker 1>Interior Seal's Kitchen, Bensonhurst, Brooklyn, continuous.

0:12:56.360 --> 0:12:58.880
<v Speaker 3>What's up a uncle? Nothing, Matt.

0:12:59.240 --> 0:13:01.160
<v Speaker 5>He just wants me to why are the stereo speakers

0:13:01.160 --> 0:13:01.600
<v Speaker 5>in his room?

0:13:01.679 --> 0:13:05.160
<v Speaker 3>It's so cheap, my brother? Hey, he knows what you

0:13:05.200 --> 0:13:06.600
<v Speaker 3>should learn about a dollar.

0:13:07.200 --> 0:13:11.360
<v Speaker 1>Interior front seat, Lincoln Town car continuous, sal turns up

0:13:11.360 --> 0:13:14.680
<v Speaker 1>the volume and Ella Fitzgerald sings, I'm just a lucky

0:13:14.760 --> 0:13:15.319
<v Speaker 1>sew and so.

0:13:16.760 --> 0:13:17.160
<v Speaker 5>Thanks.

0:13:17.840 --> 0:13:20.640
<v Speaker 2>Look, kids, I didn't do anything but get you one

0:13:20.679 --> 0:13:23.599
<v Speaker 2>more day. Don't count on me. I'm not putting my

0:13:23.640 --> 0:13:24.800
<v Speaker 2>head on the block for anyone.

0:13:25.240 --> 0:13:28.200
<v Speaker 3>Yeah, sure, I understand one question.

0:13:28.760 --> 0:13:30.880
<v Speaker 2>Why aren't these big shots worried about you having something

0:13:30.880 --> 0:13:32.080
<v Speaker 2>over them?

0:13:32.640 --> 0:13:34.000
<v Speaker 5>Did al Capone rob Banks?

0:13:34.440 --> 0:13:36.920
<v Speaker 4>I don't capond and rob Banks because he would have

0:13:36.920 --> 0:13:40.000
<v Speaker 4>been robbing his own money. Why kill the golden goose?

0:13:40.679 --> 0:13:42.480
<v Speaker 4>You have any idea what they pay vents to be

0:13:42.520 --> 0:13:44.800
<v Speaker 4>with a porn star. Next time you look at a

0:13:44.840 --> 0:13:49.320
<v Speaker 4>corporation's angle report, notice the limo service account. Believe me,

0:13:49.480 --> 0:13:52.760
<v Speaker 4>that's not for driving people to the airport or catering.

0:13:53.240 --> 0:13:54.920
<v Speaker 4>Check any senator's catering account.

0:13:55.200 --> 0:13:56.679
<v Speaker 3>My tax dollars got it.

0:13:57.080 --> 0:13:58.600
<v Speaker 5>Word gets out of a double cross, and.

0:13:58.600 --> 0:14:01.200
<v Speaker 2>It all ends the bombs are bigger crooks than I.

0:14:01.360 --> 0:14:03.680
<v Speaker 4>Last year when we almost had that garbage strike, the

0:14:03.720 --> 0:14:07.120
<v Speaker 4>two sides were so far apart. Vince arranged a little

0:14:07.120 --> 0:14:10.400
<v Speaker 4>party with the city controller and the union negotiators. Me

0:14:10.480 --> 0:14:12.800
<v Speaker 4>and Lata were there and a couple other girls. By

0:14:12.840 --> 0:14:15.320
<v Speaker 4>the time the night was over. Everyone was on the

0:14:15.400 --> 0:14:18.000
<v Speaker 4>same page. The city should give me a medal.

0:14:18.480 --> 0:14:20.400
<v Speaker 2>Well on behalf of the city of New York. I

0:14:20.520 --> 0:14:21.000
<v Speaker 2>thank you.

0:14:21.440 --> 0:14:22.600
<v Speaker 5>I'm a fucking patriot.

0:14:23.800 --> 0:14:28.400
<v Speaker 1>Interior hotel room in ERWINPA. Night, Hara is alone, looking

0:14:28.440 --> 0:14:31.680
<v Speaker 1>out the window at the small suburban town. Haro thinks

0:14:31.720 --> 0:14:35.240
<v Speaker 1>about what her life might have been. We hear Ella

0:14:35.280 --> 0:14:38.920
<v Speaker 1>Fitzgerald singing when sal enters with a brown paper bag.

0:14:39.360 --> 0:14:41.080
<v Speaker 1>Harah turns off the radio.

0:14:41.360 --> 0:14:42.880
<v Speaker 3>Where you been all night?

0:14:42.960 --> 0:14:46.080
<v Speaker 2>Drug store camel and these blank tapes back to my nephew.

0:14:46.400 --> 0:14:49.160
<v Speaker 2>He's going to remove them very carefully and replace them

0:14:49.160 --> 0:14:50.200
<v Speaker 2>with copies from the limo.

0:14:50.520 --> 0:14:51.800
<v Speaker 5>Where are you going to get the copies?

0:14:52.400 --> 0:14:54.960
<v Speaker 2>I did what you should have done. I covered my ass.

0:14:55.880 --> 0:14:57.120
<v Speaker 2>Who is that John anyway?

0:14:57.760 --> 0:15:01.000
<v Speaker 5>Senator Baxter, Shit.

0:15:02.320 --> 0:15:04.440
<v Speaker 2>A lot of left you out to dry.

0:15:04.680 --> 0:15:06.960
<v Speaker 5>We can use your copy. Tell Vince if anything happens

0:15:06.960 --> 0:15:08.120
<v Speaker 5>to me, those tapes will get out.

0:15:08.240 --> 0:15:11.480
<v Speaker 2>Are you kidding? Vince won't stand for that. He'd kill

0:15:11.520 --> 0:15:15.600
<v Speaker 2>you for laughs. Besides, these tapes don't hurt him directly.

0:15:16.080 --> 0:15:18.120
<v Speaker 5>Why don't your nephew just drop them off? Then it'll

0:15:18.120 --> 0:15:18.600
<v Speaker 5>be faster.

0:15:19.040 --> 0:15:21.680
<v Speaker 2>I don't want it to be faster. I also want

0:15:21.720 --> 0:15:24.760
<v Speaker 2>them to see the postmark. I'll wrap this so easy

0:15:24.800 --> 0:15:30.440
<v Speaker 2>to open one end. Jesus, I see the words there,

0:15:30.480 --> 0:15:34.200
<v Speaker 2>but they're not there. Okay, here we go. I don't

0:15:34.240 --> 0:15:35.800
<v Speaker 2>want it to be faster. I also want to see

0:15:35.800 --> 0:15:38.760
<v Speaker 2>the postmark. I'll wrap this so it's easy to open

0:15:38.800 --> 0:15:40.880
<v Speaker 2>from one end. I even made it look like a

0:15:40.880 --> 0:15:42.800
<v Speaker 2>lot of calls you. But first things first.

0:15:43.320 --> 0:15:44.680
<v Speaker 1>Seal picks up the phone.

0:15:44.880 --> 0:15:47.280
<v Speaker 2>I'm asking for the last time, do you have a

0:15:47.280 --> 0:15:48.640
<v Speaker 2>copy of the Limo tapes.

0:15:49.040 --> 0:15:50.440
<v Speaker 3>I don't don't lie to me.

0:15:51.040 --> 0:15:54.040
<v Speaker 1>I mean it so, I don't sell starts to dial.

0:15:54.840 --> 0:15:56.560
<v Speaker 5>It's just that I could sell hangs.

0:15:56.440 --> 0:15:58.640
<v Speaker 2>Up all right? If I call Charlie and find out

0:15:58.720 --> 0:16:01.640
<v Speaker 2>something I don't know. If you hold anything back, anything

0:16:01.680 --> 0:16:03.600
<v Speaker 2>that puts me in a wrong I'm gonna kill you

0:16:03.640 --> 0:16:05.680
<v Speaker 2>myself and for your body across Vince's desk.

0:16:06.520 --> 0:16:08.080
<v Speaker 5>It's more than just a tape of us.

0:16:08.920 --> 0:16:12.000
<v Speaker 4>A lot is a whiz at this computer editing digital shit.

0:16:12.160 --> 0:16:14.440
<v Speaker 5>She had it in college college.

0:16:14.920 --> 0:16:17.760
<v Speaker 4>Don't look surprised. Half the girls in porn started in college.

0:16:18.240 --> 0:16:20.680
<v Speaker 4>Got to pay off those college loans. Nothing for nothing

0:16:20.680 --> 0:16:22.320
<v Speaker 4>to me. I can't even stop the time for flashing

0:16:22.360 --> 0:16:24.320
<v Speaker 4>on the VCR. You know what I mean, go on

0:16:25.320 --> 0:16:27.080
<v Speaker 4>a lot. I had a lot of footage of Baxter,

0:16:27.200 --> 0:16:30.000
<v Speaker 4>you know, from TV. She even got some of her

0:16:30.000 --> 0:16:34.640
<v Speaker 4>own stuff. Baxter talking to these young exec types. Well,

0:16:35.080 --> 0:16:37.240
<v Speaker 4>some of those young guys were in the porn biz.

0:16:37.720 --> 0:16:39.880
<v Speaker 4>Baxter didn't even know he was filmed. I mean, how

0:16:39.960 --> 0:16:42.800
<v Speaker 4>could he with all the real cameras around. We film

0:16:42.920 --> 0:16:45.200
<v Speaker 4>us fucking the porn guys, and we at it Baxter

0:16:45.280 --> 0:16:49.000
<v Speaker 4>into the film with us fucking him. Get it looks

0:16:49.000 --> 0:16:50.680
<v Speaker 4>like Baxter is starring in a porno flick.

0:16:51.120 --> 0:16:51.840
<v Speaker 2>You're kidding me.

0:16:52.160 --> 0:16:56.000
<v Speaker 4>No, she even has a title, how to Get Elected?

0:16:57.040 --> 0:16:57.920
<v Speaker 5>Kind of catchy, right.

0:16:58.800 --> 0:17:00.720
<v Speaker 4>I'm sure she hasn't had time to finished editing it,

0:17:00.800 --> 0:17:02.200
<v Speaker 4>but that's the plan.

0:17:02.880 --> 0:17:05.920
<v Speaker 2>Jesus Christ, why would she do that? Wasn't the limo enough?

0:17:06.600 --> 0:17:09.840
<v Speaker 5>Now, who's being naive? He's a single guy in politics.

0:17:09.840 --> 0:17:11.080
<v Speaker 5>Sex with young girls would.

0:17:10.840 --> 0:17:15.000
<v Speaker 4>Probably work for him, But a porn movie, that's well.

0:17:15.040 --> 0:17:16.119
<v Speaker 2>That's as low as you can go.

0:17:16.920 --> 0:17:19.920
<v Speaker 5>Yeah, yeah, that's the way you feel. And why bother.

0:17:20.920 --> 0:17:22.960
<v Speaker 4>I'll just walk out of your life and take my chances.

0:17:22.960 --> 0:17:24.280
<v Speaker 4>I wouldn't want you to get dirty.

0:17:24.960 --> 0:17:28.440
<v Speaker 1>Harah goes to walk out as Sal starts dialing sit down.

0:17:28.800 --> 0:17:30.760
<v Speaker 2>Why should I If you want to stay alive, just

0:17:30.840 --> 0:17:34.199
<v Speaker 2>sit down and shut your mouth. Keep it shut, no

0:17:34.240 --> 0:17:36.000
<v Speaker 2>matter what you hear me say to Charlie. You got that,

0:17:37.080 --> 0:17:37.840
<v Speaker 2>you understand.

0:17:39.080 --> 0:17:42.199
<v Speaker 3>I understand, Charlie.

0:17:42.200 --> 0:17:45.879
<v Speaker 2>It's me the other broaden of a show. Look, Charlie,

0:17:45.920 --> 0:17:49.440
<v Speaker 2>there's more going on in Evince may know they make copies.

0:17:49.960 --> 0:17:54.000
<v Speaker 2>Tell me something we don't know. What you don't know is.

0:17:53.920 --> 0:17:58.360
<v Speaker 1>That Interior La Salle Limo Service Garage continuous. Uncle Charlie's

0:17:58.359 --> 0:17:59.280
<v Speaker 1>on the speakerphone.

0:17:59.440 --> 0:18:03.119
<v Speaker 2>Oh film the broad I'm driving Howard. She told me

0:18:03.680 --> 0:18:06.760
<v Speaker 2>she got scared shit when Lada didn't show. The whole

0:18:06.760 --> 0:18:07.800
<v Speaker 2>thing was a Lota's idea.

0:18:07.880 --> 0:18:10.200
<v Speaker 3>This one's the fat team, and you believe her.

0:18:10.640 --> 0:18:13.360
<v Speaker 1>Interior hotel room in Irwin, PA. Continuous.

0:18:13.520 --> 0:18:15.359
<v Speaker 2>I don't know. I mean she gave me her copy

0:18:15.400 --> 0:18:17.360
<v Speaker 2>the tape from the Limo. I'm gonna send him back

0:18:17.359 --> 0:18:19.760
<v Speaker 2>to overnight. Maam, I think she's too dumb.

0:18:19.800 --> 0:18:24.360
<v Speaker 1>The lot Haarra gives Salad dirty look. Interior La sal

0:18:24.440 --> 0:18:26.160
<v Speaker 1>Limo Service Office continuous.

0:18:27.080 --> 0:18:29.439
<v Speaker 6>Oh hey, how smart they gotta be to do what

0:18:29.480 --> 0:18:29.880
<v Speaker 6>they do.

0:18:30.480 --> 0:18:33.840
<v Speaker 2>Yeah, right, you got a lead on Lada. We're on it.

0:18:34.359 --> 0:18:36.439
<v Speaker 6>Look after your mail of tape.

0:18:36.480 --> 0:18:40.040
<v Speaker 7>You go on to Chicago, the rich Carlton on Pearson,

0:18:40.440 --> 0:18:41.920
<v Speaker 7>you stay there till you hear from me.

0:18:42.280 --> 0:18:45.240
<v Speaker 2>I want those tapes in Vince's hands. You got it.

0:18:45.880 --> 0:18:48.440
<v Speaker 1>Charlie hangs up, then looks over to his desk where

0:18:48.520 --> 0:18:51.320
<v Speaker 1>Vince is sitting. Vince goes to the window, showing a

0:18:51.400 --> 0:18:54.960
<v Speaker 1>view of the huge garage at night. The long, dark garage,

0:18:55.000 --> 0:18:57.600
<v Speaker 1>with shafts of city light coming through the high small

0:18:57.600 --> 0:19:01.440
<v Speaker 1>windows above, gives the impression of a guic horror chamber.

0:19:01.920 --> 0:19:03.520
<v Speaker 6>You heard, I heard.

0:19:04.840 --> 0:19:07.800
<v Speaker 8>I think Sal's got the other end taken care of.

0:19:08.840 --> 0:19:11.600
<v Speaker 8>Right now, I want to entertain our friend, the Senator.

0:19:12.359 --> 0:19:15.720
<v Speaker 1>Vince grabs an old fashioned microphone off of Uncle Charlie's desk.

0:19:16.200 --> 0:19:20.720
<v Speaker 1>He speaks into the microphone, his voice echoing through the garage.

0:19:20.800 --> 0:19:21.920
<v Speaker 2>Well be right with.

0:19:21.960 --> 0:19:22.720
<v Speaker 8>You, Senator.

0:19:23.680 --> 0:19:27.880
<v Speaker 1>Camera pans the window to reveal Lada hanging by her

0:19:27.960 --> 0:19:31.080
<v Speaker 1>bound hands from a lift over a grease pit used

0:19:31.119 --> 0:19:34.159
<v Speaker 1>to work on the underbellies of the limos. Her feet

0:19:34.200 --> 0:19:36.720
<v Speaker 1>barely touched the edge as she leans out on a

0:19:36.760 --> 0:19:41.200
<v Speaker 1>forty five degree angle over the pit. Leo's mean looking dog,

0:19:41.400 --> 0:19:43.240
<v Speaker 1>chained to a steel ring at the other end of

0:19:43.280 --> 0:19:46.879
<v Speaker 1>the pit is jumping towards her. The Senator is seated

0:19:46.880 --> 0:19:51.879
<v Speaker 1>a few feet away, Leo standing over him. Interior hotel

0:19:51.960 --> 0:19:55.639
<v Speaker 1>room in ERWINPA. Night. Sal stares at the phone.

0:19:56.560 --> 0:19:57.920
<v Speaker 5>Well say something.

0:19:58.960 --> 0:20:01.399
<v Speaker 2>You got a couple of days, but your friend's going

0:20:01.440 --> 0:20:03.000
<v Speaker 2>to be real dead, real soon.

0:20:03.359 --> 0:20:06.639
<v Speaker 1>Flash in Sal's limo. Lada goes down on Baxter as

0:20:06.720 --> 0:20:11.560
<v Speaker 1>Harrah kisses him. Interior La Sal Limo Service garage, late night.

0:20:12.119 --> 0:20:14.280
<v Speaker 1>Vince and Uncle Charlie come out of the office and

0:20:14.320 --> 0:20:18.000
<v Speaker 1>walk towards Senator Baxter as Lota begs for her life.

0:20:18.320 --> 0:20:25.960
<v Speaker 3>Please Vince, Please, I'll do anything. I'll do anything you want.

0:20:26.320 --> 0:20:28.920
<v Speaker 1>Vince stops by Lada and takes an air hose from

0:20:28.960 --> 0:20:29.359
<v Speaker 1>the rack.

0:20:30.480 --> 0:20:36.120
<v Speaker 8>Lada, don't bother to say anything. Please, how's our senator doing?

0:20:37.000 --> 0:20:37.640
<v Speaker 6>Just fine?

0:20:37.960 --> 0:20:40.720
<v Speaker 8>You like my place, top of the line, strictly legal,

0:20:41.200 --> 0:20:44.520
<v Speaker 8>all right, Vince, Let's cut the edgarrell and post shit.

0:20:45.680 --> 0:20:47.919
<v Speaker 6>I see you got her now send her away with

0:20:48.040 --> 0:20:50.320
<v Speaker 6>Leo here and let me get back to what we

0:20:50.320 --> 0:20:50.720
<v Speaker 6>were gonna.

0:20:50.840 --> 0:20:53.359
<v Speaker 1>Baxter tries to stand, Leo pulls him down.

0:20:53.480 --> 0:20:55.520
<v Speaker 6>Get out. What the hell are you want it?

0:20:55.600 --> 0:20:57.920
<v Speaker 8>Proof, Senator? Now she's gonna be.

0:20:57.880 --> 0:20:59.200
<v Speaker 3>Dead, please.

0:21:01.200 --> 0:21:04.600
<v Speaker 1>Please, Vince smacks a Lota's face with the arrows.

0:21:05.160 --> 0:21:06.040
<v Speaker 2>You shut your mouth.

0:21:06.560 --> 0:21:10.200
<v Speaker 8>You dared to cross me, you worthless piece of shit.

0:21:11.160 --> 0:21:12.240
<v Speaker 2>I was gonna cut you in.

0:21:13.600 --> 0:21:15.240
<v Speaker 1>I was gonna give you the tapes.

0:21:15.440 --> 0:21:17.040
<v Speaker 6>Oh you were huh?

0:21:17.640 --> 0:21:19.959
<v Speaker 8>You were gonna give me a copy of the movie.

0:21:20.280 --> 0:21:21.280
<v Speaker 8>You was gonna edit?

0:21:22.000 --> 0:21:24.600
<v Speaker 3>Huh, huh, bitch.

0:21:25.520 --> 0:21:28.879
<v Speaker 1>Vince smacks her again. A lot of screams, the dog barks,

0:21:28.920 --> 0:21:31.920
<v Speaker 1>and the senator sweats as Uncle Charlie laughs.

0:21:32.119 --> 0:21:36.399
<v Speaker 7>I was a big surprise, an X rated movie starring you, Vince.

0:21:36.440 --> 0:21:38.320
<v Speaker 6>Do you have to what's the matter, Senator?

0:21:38.400 --> 0:21:40.119
<v Speaker 2>Why you don't want to get your hands dirty?

0:21:40.359 --> 0:21:40.639
<v Speaker 3>Vince?

0:21:40.760 --> 0:21:42.159
<v Speaker 2>The Senator wants you to stop.

0:21:42.480 --> 0:21:42.880
<v Speaker 3>Stop.

0:21:43.760 --> 0:21:46.480
<v Speaker 8>Well, that's up to Lata here, Lotta. I want you

0:21:46.520 --> 0:21:51.439
<v Speaker 8>to know that you are going to die. No, no, please,

0:21:51.760 --> 0:21:55.240
<v Speaker 8>I have no choice. Now you die easy or you

0:21:55.359 --> 0:21:55.920
<v Speaker 8>die hard.

0:21:56.040 --> 0:21:56.600
<v Speaker 2>Up to you.

0:21:57.560 --> 0:22:00.439
<v Speaker 8>Did you give a copy of the tape to Haarrah?

0:22:00.560 --> 0:22:00.760
<v Speaker 3>Yes?

0:22:00.880 --> 0:22:01.200
<v Speaker 2>Or no?

0:22:01.200 --> 0:22:02.000
<v Speaker 3>No?

0:22:02.000 --> 0:22:05.760
<v Speaker 1>No, Vince, only the one I sent back, Sir.

0:22:05.840 --> 0:22:08.000
<v Speaker 5>I didn't make any more copies. I didn't have any

0:22:08.080 --> 0:22:12.119
<v Speaker 5>time to do the editing I wanted, I swear no, Charlie.

0:22:12.480 --> 0:22:14.840
<v Speaker 1>Vince goes to a workbench and gets a matt knife

0:22:14.920 --> 0:22:18.560
<v Speaker 1>used for cutting engine hoses. Charlie directs his comments to

0:22:18.640 --> 0:22:20.080
<v Speaker 1>Lada and the Senator.

0:22:19.920 --> 0:22:21.600
<v Speaker 2>Sal got the copies from Hira.

0:22:22.119 --> 0:22:23.159
<v Speaker 6>He's mailing them.

0:22:23.000 --> 0:22:23.480
<v Speaker 3>Back to us.

0:22:23.560 --> 0:22:24.359
<v Speaker 2>That is not true.

0:22:24.440 --> 0:22:24.840
<v Speaker 3>I didn't.

0:22:25.240 --> 0:22:28.560
<v Speaker 1>This moves behind Lada. He pulls down her pants, exposing

0:22:28.600 --> 0:22:29.240
<v Speaker 1>her stomach.

0:22:30.119 --> 0:22:33.040
<v Speaker 8>Senator, you know how long a person's in testings are?

0:22:33.720 --> 0:22:35.280
<v Speaker 3>Huh? What are you doing?

0:22:35.560 --> 0:22:36.679
<v Speaker 2>He axked you a question.

0:22:38.280 --> 0:22:41.879
<v Speaker 6>I don't know. Twenty to twenty five feet something like that.

0:22:42.600 --> 0:22:46.280
<v Speaker 8>Hey, that's about right about as long as this air hose.

0:22:47.160 --> 0:22:48.240
<v Speaker 8>You're a very smart guy.

0:22:48.359 --> 0:22:49.240
<v Speaker 2>Isn't he a smart guy?

0:22:49.320 --> 0:22:49.480
<v Speaker 3>Oh?

0:22:49.520 --> 0:22:50.359
<v Speaker 2>He's very smart.

0:22:50.400 --> 0:22:51.040
<v Speaker 1>What are you gonna do?

0:22:51.200 --> 0:22:51.560
<v Speaker 3>Vince?

0:22:52.080 --> 0:22:54.959
<v Speaker 8>Vince, missus smart guy? You want to give one of

0:22:54.960 --> 0:22:58.880
<v Speaker 8>my whores her last thrill, and you want.

0:23:00.359 --> 0:23:06.280
<v Speaker 1>Anything? Charlie hits the senator answer no, Rince, no, as

0:23:06.320 --> 0:23:09.920
<v Speaker 1>you wish. Vince reaches around her and makes a horizontal

0:23:09.960 --> 0:23:13.720
<v Speaker 1>cut across Lota's lower stomach. He then reaches into her

0:23:13.760 --> 0:23:18.960
<v Speaker 1>stomach and slowly pulls out her intestines. Latta stops screaming

0:23:19.119 --> 0:23:21.800
<v Speaker 1>and hangs there and shot and looking at her intestines,

0:23:22.200 --> 0:23:25.959
<v Speaker 1>slowly falling out into the pit. The dog chained at

0:23:25.960 --> 0:23:28.920
<v Speaker 1>the other end of the pit goes wild. Vince tosses

0:23:28.960 --> 0:23:32.280
<v Speaker 1>the knife, then walks to the Senator, Lotta's blood on

0:23:32.320 --> 0:23:33.080
<v Speaker 1>his hands.

0:23:33.800 --> 0:23:36.240
<v Speaker 6>Rince, Hope, could you what's the matter?

0:23:36.359 --> 0:23:41.040
<v Speaker 8>Mister smart guy? You wanted it dead, you gave me orders.

0:23:42.400 --> 0:23:46.000
<v Speaker 8>It'll take hours this way. I thought it would give

0:23:46.040 --> 0:23:49.720
<v Speaker 8>you a kick like your other hobby, fucking porno stone.

0:23:51.960 --> 0:23:54.919
<v Speaker 1>Prince, Rince, stop this, Charlie smiles.

0:23:55.200 --> 0:23:56.600
<v Speaker 6>I think he's gonna throw up.

0:23:56.720 --> 0:24:01.359
<v Speaker 8>All right, Senator, I'll end it quicker you, Leo.

0:24:02.119 --> 0:24:04.040
<v Speaker 1>Leo goes to the end of the grease pit where

0:24:04.040 --> 0:24:07.320
<v Speaker 1>the dog is and unfastens the chain holding back the dog.

0:24:07.760 --> 0:24:13.040
<v Speaker 1>The dog runs to the intestines and starts eating them.

0:24:13.200 --> 0:24:16.119
<v Speaker 1>Vin stands face to face with the senator during the

0:24:16.160 --> 0:24:19.560
<v Speaker 1>following dialogue. Lotta is in the background, streaming at the

0:24:19.600 --> 0:24:22.040
<v Speaker 1>top of her lungs as we hear the sound of

0:24:22.080 --> 0:24:23.080
<v Speaker 1>the dog chewing.

0:24:25.960 --> 0:24:29.160
<v Speaker 8>You ever talk to me again like that? You ever

0:24:29.200 --> 0:24:31.320
<v Speaker 8>talk to me again like you did the other night,

0:24:31.880 --> 0:24:34.200
<v Speaker 8>and what I do to you will make this look

0:24:34.359 --> 0:24:38.920
<v Speaker 8>like a sundnight picnic. Now you are going to mediate

0:24:38.960 --> 0:24:42.800
<v Speaker 8>the union contract talks the way I say, Isn't that right?

0:24:42.920 --> 0:24:43.320
<v Speaker 2>Senator?

0:24:43.320 --> 0:24:51.400
<v Speaker 1>Thea my god answer, yes, yes, A lot of screaming stops.

0:24:52.720 --> 0:24:58.679
<v Speaker 8>If you don't, I'll skin you alive, right, Uncle Jarley, Yes.

0:24:58.600 --> 0:24:59.200
<v Speaker 6>See who will?

0:24:59.520 --> 0:25:01.600
<v Speaker 7>And Dan, I'll have me get shoes made out of

0:25:01.600 --> 0:25:02.040
<v Speaker 7>your skin.

0:25:02.840 --> 0:25:05.720
<v Speaker 8>So with each step I take, I'll be crushing you

0:25:05.800 --> 0:25:10.200
<v Speaker 8>like the nothing you are. Charlie, let the smart man

0:25:10.280 --> 0:25:13.080
<v Speaker 8>enjoy the rest of the show and you drive him

0:25:13.080 --> 0:25:14.720
<v Speaker 8>home while Leo cleans up.

0:25:15.040 --> 0:25:15.639
<v Speaker 7>You got it.

0:25:16.520 --> 0:25:19.400
<v Speaker 1>Vince grabs the Senator's face with the bloody hands.

0:25:19.560 --> 0:25:21.919
<v Speaker 2>I almost hope you fuck up again.

0:25:22.880 --> 0:25:27.600
<v Speaker 1>We hear Dinah Shore singing sentimental journey as Vince slowly

0:25:27.760 --> 0:25:33.080
<v Speaker 1>walks away. We see Senator Baxter's face with Latta's blood

0:25:33.080 --> 0:25:36.919
<v Speaker 1>on it. We see Lada suspended from the lift and

0:25:37.000 --> 0:25:39.720
<v Speaker 1>the dog jumping up trying to reach the rest of

0:25:39.720 --> 0:25:45.919
<v Speaker 1>her intestines hanging exterior post office, Irwin, Pa. Early morning.

0:25:46.560 --> 0:25:49.359
<v Speaker 1>Dinah Shore sings as Haarrah drops a letter into a

0:25:49.400 --> 0:25:53.040
<v Speaker 1>mailbox outside the post office. She runs back to the car,

0:25:53.240 --> 0:25:56.359
<v Speaker 1>leans against it and lights a cigarette. She looks across

0:25:56.400 --> 0:25:58.639
<v Speaker 1>the street to see a greyhound bus pull up to

0:25:58.680 --> 0:26:02.080
<v Speaker 1>a station. Sal comes out of the post office, gets

0:26:02.119 --> 0:26:04.760
<v Speaker 1>in the car and shuts the radio. Just as Dinah

0:26:04.800 --> 0:26:07.199
<v Speaker 1>finishes her song, Parrah gets in.

0:26:07.560 --> 0:26:10.280
<v Speaker 2>You'll have it by tomorrow morning at ten noon the latest.

0:26:10.560 --> 0:26:14.520
<v Speaker 2>Then what they buy it, you'll be okay. If they don't,

0:26:15.240 --> 0:26:18.960
<v Speaker 2>I can't do anymore. I wonder where that bus is going.

0:26:20.080 --> 0:26:21.600
<v Speaker 2>What if I got on and didn't get off till

0:26:21.640 --> 0:26:25.400
<v Speaker 2>it stopped? Before you do? You better cut your hair,

0:26:25.560 --> 0:26:27.080
<v Speaker 2>diet and change those clothes.

0:26:27.320 --> 0:26:30.120
<v Speaker 4>You really got to hang up about my appearance, don't you.

0:26:30.119 --> 0:26:31.360
<v Speaker 2>You'll need new papers too.

0:26:31.720 --> 0:26:33.760
<v Speaker 5>I know I know where to now.

0:26:34.440 --> 0:26:37.119
<v Speaker 2>We go to Chicago, just like they want. They won't

0:26:37.119 --> 0:26:39.960
<v Speaker 2>do anything until they have those tapes. Then they'll give

0:26:39.960 --> 0:26:41.399
<v Speaker 2>me the word and what to do next.

0:26:42.240 --> 0:26:44.320
<v Speaker 5>What if they want me dead, Vince.

0:26:44.080 --> 0:26:46.439
<v Speaker 2>Won't ask me to do that. They'll send somebody. Then

0:26:46.920 --> 0:26:49.560
<v Speaker 2>then you sneak out of your room. I wake up.

0:26:49.600 --> 0:26:52.399
<v Speaker 2>You're gone. I don't know where. Ask the nyclerk to

0:26:52.400 --> 0:26:54.680
<v Speaker 2>call you a cab to the airport to cover my ass.

0:26:55.119 --> 0:26:57.159
<v Speaker 2>You take another cab from the airport to Greyhound to

0:26:57.200 --> 0:26:59.840
<v Speaker 2>cover your ass. Either way, I'm out of after this.

0:27:00.720 --> 0:27:03.560
<v Speaker 5>If inspies what you said that I know nothing.

0:27:05.040 --> 0:27:06.800
<v Speaker 2>Then I take you to LA so you could be

0:27:06.800 --> 0:27:08.680
<v Speaker 2>a big star in your chosen profession.

0:27:09.480 --> 0:27:13.520
<v Speaker 3>It's a job, some job, Look, it's what I do,

0:27:14.160 --> 0:27:16.159
<v Speaker 3>It's what you do, It's your life.

0:27:16.680 --> 0:27:20.200
<v Speaker 1>Flash Haraah looking straight at camera while astride the Senator.

0:27:20.400 --> 0:27:25.240
<v Speaker 1>She throws a seductive kiss to camera. Exterior I seventy

0:27:25.280 --> 0:27:28.640
<v Speaker 1>six to I eighty ninety Pit to Chicago, Day to Night.

0:27:29.280 --> 0:27:32.159
<v Speaker 1>Peggy Lee sings The Lady is a tramp over The

0:27:32.200 --> 0:27:36.280
<v Speaker 1>following silent scene Haah sitting in the front alongside Sal

0:27:36.359 --> 0:27:40.240
<v Speaker 1>and considering the situation, they have an animated conversation. We

0:27:40.359 --> 0:27:44.880
<v Speaker 1>see Harah laughing. Indiana goes by. In the background, Sal

0:27:45.000 --> 0:27:48.800
<v Speaker 1>points out things to Harah. Twilight then darkness. As we

0:27:48.960 --> 0:27:52.320
<v Speaker 1>enter the Windy City the Ritz Carlton on Pearson. As

0:27:52.359 --> 0:27:55.719
<v Speaker 1>they enter Chicago, we hear in voiceover.

0:27:55.680 --> 0:27:57.680
<v Speaker 2>Did you really think you could blackmail Vince?

0:27:58.160 --> 0:28:00.399
<v Speaker 4>Lata wasn't going a blackmail Vince. He was going to

0:28:00.440 --> 0:28:02.840
<v Speaker 4>set Vince up and get a nice reward from the Senator.

0:28:02.960 --> 0:28:03.440
<v Speaker 2>You're kidding.

0:28:04.160 --> 0:28:06.000
<v Speaker 4>She was going to tell the Senator that the movie

0:28:06.040 --> 0:28:08.800
<v Speaker 4>was Vince's idea, that Vince was going to blackmail him,

0:28:08.840 --> 0:28:10.320
<v Speaker 4>and then she was going to give him the tape

0:28:10.359 --> 0:28:12.920
<v Speaker 4>of the porn foot. The Senator gets rid of Vince

0:28:13.119 --> 0:28:14.320
<v Speaker 4>and she gets a reward.

0:28:14.640 --> 0:28:17.159
<v Speaker 2>Two big problems with that One, Vince always plays by

0:28:17.160 --> 0:28:18.520
<v Speaker 2>the rules. Everyone knows that.

0:28:18.640 --> 0:28:20.840
<v Speaker 5>A real man of honor in his world.

0:28:21.040 --> 0:28:25.600
<v Speaker 2>Yes, and two, Vince is not the Senator's boy. The

0:28:25.680 --> 0:28:28.679
<v Speaker 2>Senator is Vince's boy. Whenever there's a problem, the Senator

0:28:28.720 --> 0:28:30.439
<v Speaker 2>comes to him, not the other way around.

0:28:31.080 --> 0:28:31.879
<v Speaker 3>Now you tell me.

0:28:32.480 --> 0:28:36.800
<v Speaker 1>Peggy Lee continues singing, The lady is a trap. Interior

0:28:36.880 --> 0:28:40.760
<v Speaker 1>hallway room, Ritz, Carlton, Hotel night. The bell boy puts

0:28:40.800 --> 0:28:42.880
<v Speaker 1>the bags down in front of a hotel room door.

0:28:43.160 --> 0:28:45.480
<v Speaker 1>He's about to open it when Sal stops him with

0:28:45.520 --> 0:28:47.959
<v Speaker 1>a tip. Peggy Lee stops, singing.

0:28:48.280 --> 0:28:49.440
<v Speaker 2>Thanks, I'll take her from here.

0:28:49.840 --> 0:28:53.560
<v Speaker 1>Thank you, sir, He smiles broadly. Pleasure to meet you,

0:28:53.640 --> 0:28:57.760
<v Speaker 1>mis reems, Yeah, the same. The bellboy exits.

0:28:58.200 --> 0:28:59.720
<v Speaker 2>You take my room, I'll take yours.

0:29:00.360 --> 0:29:01.480
<v Speaker 5>Why I don't want you?

0:29:01.640 --> 0:29:04.520
<v Speaker 2>Just do as I say. I'll get your bags.

0:29:05.520 --> 0:29:08.440
<v Speaker 1>Sal and Harah enter the hotel room. Sal puts down

0:29:08.440 --> 0:29:10.960
<v Speaker 1>the bags and sits by the desk as Hara lays

0:29:11.040 --> 0:29:11.840
<v Speaker 1>down on the bed.

0:29:12.040 --> 0:29:14.320
<v Speaker 2>Now, tomorrow morning, I have to go someplace alone. You

0:29:14.360 --> 0:29:14.880
<v Speaker 2>just stay here.

0:29:14.960 --> 0:29:16.000
<v Speaker 5>Why can't I go with you?

0:29:16.240 --> 0:29:17.200
<v Speaker 2>It's a personal thing.

0:29:17.280 --> 0:29:18.440
<v Speaker 5>You're setting me up, aren't you.

0:29:19.360 --> 0:29:20.360
<v Speaker 2>It's not that at all.

0:29:20.880 --> 0:29:22.320
<v Speaker 5>This is where they told you to leave me.

0:29:22.760 --> 0:29:24.600
<v Speaker 2>How could you say that after I put my ass

0:29:24.600 --> 0:29:25.360
<v Speaker 2>on a line for you?

0:29:25.480 --> 0:29:27.600
<v Speaker 5>All Right, you insult me, I insult you. Now tell

0:29:27.640 --> 0:29:28.320
<v Speaker 5>me what's going on.

0:29:29.920 --> 0:29:33.480
<v Speaker 2>I have a son. What I have a son who

0:29:33.480 --> 0:29:35.880
<v Speaker 2>lives just outside the city here. I'd like to see him.

0:29:36.600 --> 0:29:38.960
<v Speaker 2>Just be for a couple hours. You'll be safe.

0:29:39.280 --> 0:29:40.800
<v Speaker 5>Safe, they know I'm here.

0:29:41.440 --> 0:29:43.000
<v Speaker 2>How about I bring you to a nice restaurant in

0:29:43.000 --> 0:29:43.440
<v Speaker 2>the morning.

0:29:43.520 --> 0:29:44.760
<v Speaker 5>How about you bring me with you.

0:29:44.840 --> 0:29:45.880
<v Speaker 2>That wouldn't be a good idea.

0:29:46.000 --> 0:29:47.840
<v Speaker 4>Oh, I guess it wouldn't look good. Hi, your son

0:29:48.040 --> 0:29:49.200
<v Speaker 4>seeing you with someone like me?

0:29:49.600 --> 0:29:51.440
<v Speaker 3>That, ain't it fine?

0:29:51.600 --> 0:29:54.480
<v Speaker 5>I owe you one, So just dump me off somewhere anywhere.

0:29:54.840 --> 0:29:55.680
<v Speaker 2>You got it wrong.

0:29:56.080 --> 0:29:58.000
<v Speaker 3>Don't bother kid.

0:29:58.040 --> 0:30:01.920
<v Speaker 2>Listen, it's not you when they set me up. My

0:30:01.960 --> 0:30:04.720
<v Speaker 2>wife left me. Not that I blame him. I haven't

0:30:04.760 --> 0:30:07.800
<v Speaker 2>seen my son since he was twelve years old. He's

0:30:07.800 --> 0:30:09.560
<v Speaker 2>older than you now. I tried to write him while

0:30:09.600 --> 0:30:12.240
<v Speaker 2>I was in prison. He never answered. I wrote him

0:30:12.240 --> 0:30:15.080
<v Speaker 2>when I got out, but nothing ever came back. He's

0:30:15.120 --> 0:30:17.120
<v Speaker 2>married now, and I'd like to give it one last shot.

0:30:17.160 --> 0:30:19.479
<v Speaker 2>I'd like to know what it's like to talk with

0:30:19.560 --> 0:30:20.200
<v Speaker 2>my son again.

0:30:21.720 --> 0:30:24.200
<v Speaker 5>On the level. You ain't bullshitting.

0:30:25.400 --> 0:30:26.560
<v Speaker 2>I wouldn't know how to do that.

0:30:28.040 --> 0:30:29.320
<v Speaker 5>Just drop me wherever you want.

0:30:31.440 --> 0:30:33.120
<v Speaker 2>Okay, how about you come? You wait in the car,

0:30:34.040 --> 0:30:36.160
<v Speaker 2>whatever you say, I'll knock on the door at night.

0:30:37.000 --> 0:30:40.400
<v Speaker 1>Sal rises to leave and Harah leans into his arms.

0:30:41.360 --> 0:30:44.160
<v Speaker 5>Thanks Sal, thanks for everything.

0:30:44.880 --> 0:30:48.760
<v Speaker 1>Sal hugs her back. Then let's go and exits. Haarrah

0:30:48.800 --> 0:30:53.360
<v Speaker 1>turns on the radio and we hear Strip Club Disco Interior,

0:30:53.440 --> 0:30:56.840
<v Speaker 1>Private Eye Club. Late morning, Uncle Charlie and Leo sit

0:30:56.880 --> 0:30:58.440
<v Speaker 1>at the bar as a young girl is in the

0:30:58.440 --> 0:31:02.040
<v Speaker 1>middle of her audition as a strip. Anthony, carrying the

0:31:02.080 --> 0:31:05.560
<v Speaker 1>mailed tapes, walks in. He has a hard time taking

0:31:05.560 --> 0:31:06.800
<v Speaker 1>his eyes off the young girl.

0:31:07.440 --> 0:31:09.840
<v Speaker 2>Well, Anthony, what are you doing here?

0:31:10.480 --> 0:31:10.680
<v Speaker 3>Hi?

0:31:10.840 --> 0:31:14.520
<v Speaker 5>Uncle Charlie, Uncle SAAL's anthey's to me. I'm supposed to

0:31:14.520 --> 0:31:15.200
<v Speaker 5>hand them to Vince.

0:31:16.760 --> 0:31:17.480
<v Speaker 3>Mister DeLaura.

0:31:17.840 --> 0:31:19.719
<v Speaker 6>Why you send them to you? I don't know.

0:31:20.560 --> 0:31:24.520
<v Speaker 1>Vince walks in behind Anthony because he's smart.

0:31:25.520 --> 0:31:29.000
<v Speaker 3>Hi, mister DeLaura, my uncle Sal says, to give these

0:31:29.000 --> 0:31:29.200
<v Speaker 3>to you.

0:31:29.760 --> 0:31:32.440
<v Speaker 1>Vince looks at the postmark and slides it to Charlie

0:31:32.440 --> 0:31:34.440
<v Speaker 1>as Anthony keeps looking at the stripper.

0:31:35.240 --> 0:31:39.160
<v Speaker 8>It's from Pittsburgh, you know. What's in this package?

0:31:39.640 --> 0:31:42.600
<v Speaker 3>To quote my uncle Sal, I don't know, and I

0:31:42.600 --> 0:31:43.080
<v Speaker 3>don't want to.

0:31:43.880 --> 0:31:47.640
<v Speaker 1>Vince and Charlie laugh. Vince puts an arm around Anthony.

0:31:48.840 --> 0:31:50.120
<v Speaker 6>That's the right answer, kid.

0:31:51.760 --> 0:31:52.560
<v Speaker 8>How would you like.

0:31:52.560 --> 0:31:57.360
<v Speaker 2>To know her? How would I like to her?

0:31:58.240 --> 0:31:59.960
<v Speaker 5>I'd love to, but Uncle Sall would kill me.

0:32:00.560 --> 0:32:04.720
<v Speaker 1>Vince peels off a bill and puts it in Anthony's pocket.

0:32:05.960 --> 0:32:09.680
<v Speaker 8>When you graduate college, you come see me. I got

0:32:09.720 --> 0:32:11.680
<v Speaker 8>a great graduation gift for you.

0:32:12.040 --> 0:32:13.440
<v Speaker 1>Vince nods towards the girl.

0:32:13.720 --> 0:32:16.320
<v Speaker 3>Eh, thanks, mister DeLaura.

0:32:16.680 --> 0:32:18.840
<v Speaker 5>You'll be seeing me, yes, sir.

0:32:19.360 --> 0:32:21.160
<v Speaker 1>He leaves good kid.

0:32:21.680 --> 0:32:23.120
<v Speaker 6>So what about the girl?

0:32:24.200 --> 0:32:24.760
<v Speaker 8>Send leo.

0:32:26.040 --> 0:32:27.120
<v Speaker 6>Sal thinks she's clean.

0:32:27.720 --> 0:32:31.040
<v Speaker 8>I want to send another message to our smart senator.

0:32:32.000 --> 0:32:34.480
<v Speaker 9>What if Sal tries to stop me?

0:32:34.800 --> 0:32:35.960
<v Speaker 3>He won't, But.

0:32:36.040 --> 0:32:36.720
<v Speaker 2>What if he does?

0:32:37.720 --> 0:32:39.720
<v Speaker 8>Sal would never be that stupid.

0:32:40.240 --> 0:32:42.360
<v Speaker 6>He treats these horse like there was his own. What

0:32:42.440 --> 0:32:43.200
<v Speaker 6>if he tries?

0:32:43.640 --> 0:32:48.040
<v Speaker 8>If sALS tries, he will Yeah, I wouldn't bet on

0:32:48.080 --> 0:32:50.400
<v Speaker 8>that little respect?

0:32:50.440 --> 0:32:53.320
<v Speaker 2>Would do you some good? Trust me on this.

0:32:53.480 --> 0:32:56.040
<v Speaker 7>And Sull's not one of these stumble bumps and knocked

0:32:56.040 --> 0:32:58.160
<v Speaker 7>out in a ring. I mean, he knows more ways

0:32:58.200 --> 0:33:00.600
<v Speaker 7>to put you away than anyone I ever met. And

0:33:00.720 --> 0:33:03.200
<v Speaker 7>I should know because I taught him.

0:33:04.520 --> 0:33:04.920
<v Speaker 6>That's so.

0:33:06.080 --> 0:33:08.520
<v Speaker 8>Look, if Sal tries to stop you, you have my

0:33:08.640 --> 0:33:10.520
<v Speaker 8>permission to try and kill me.

0:33:10.720 --> 0:33:11.920
<v Speaker 1>Yeah, you try.

0:33:12.240 --> 0:33:14.680
<v Speaker 7>You want to bring an extra set of boxing gloves.

0:33:15.640 --> 0:33:18.840
<v Speaker 8>You think too much of us, Bump, But only if

0:33:19.840 --> 0:33:23.120
<v Speaker 8>if he tries to protect the girl, which he won't.

0:33:24.160 --> 0:33:29.200
<v Speaker 1>Interior Hallway, Ritz Carlton Hotel, Chicago, nine am. Sal knocks

0:33:29.200 --> 0:33:32.520
<v Speaker 1>on Harrah's door. The door opens and Harris stands there.

0:33:32.800 --> 0:33:35.680
<v Speaker 1>Her hair is dyed back to its natural color. She

0:33:35.800 --> 0:33:39.320
<v Speaker 1>wears a very conservative navy blue pantsuit with a basic

0:33:39.360 --> 0:33:42.880
<v Speaker 1>white blouse. For the first time, she wears no makeup.

0:33:43.280 --> 0:33:46.800
<v Speaker 1>She's the daughter. Anyone would be proud of the child.

0:33:46.960 --> 0:33:48.160
<v Speaker 1>Sal never got to.

0:33:48.160 --> 0:33:53.960
<v Speaker 4>Know you look you look very nice suits from the

0:33:53.960 --> 0:33:54.960
<v Speaker 4>hotel boutique.

0:33:55.800 --> 0:33:56.600
<v Speaker 2>You look special.

0:33:57.240 --> 0:34:00.240
<v Speaker 5>Don't get any ideas I just did this case.

0:34:00.240 --> 0:34:02.440
<v Speaker 4>I have to run for my life. This has nothing

0:34:02.440 --> 0:34:04.760
<v Speaker 4>to do with senior kidder anything like that.

0:34:05.440 --> 0:34:09.560
<v Speaker 1>Haarrah exits and Sal smiles and follows her. Eda James

0:34:09.600 --> 0:34:14.359
<v Speaker 1>sings a Sunday Kind of Love. Exterior black Lincoln town

0:34:14.480 --> 0:34:18.440
<v Speaker 1>Car late morning traveling. Eda sings as Sal drives the

0:34:18.480 --> 0:34:21.600
<v Speaker 1>town car along the Great Lake towards glen Coe, Illinois.

0:34:22.160 --> 0:34:24.360
<v Speaker 1>As we get to the instrumental portion of the song,

0:34:24.520 --> 0:34:26.799
<v Speaker 1>we hear the following voiceover.

0:34:27.680 --> 0:34:31.320
<v Speaker 3>Sal what'd you go to prison for running hot diamonds?

0:34:31.320 --> 0:34:32.000
<v Speaker 5>Diamonds?

0:34:32.120 --> 0:34:34.680
<v Speaker 2>Really, I'd pick up a truckload of fish packed in

0:34:34.760 --> 0:34:36.920
<v Speaker 2>ice and bring them to Saint Louis. We'd let the

0:34:36.960 --> 0:34:38.719
<v Speaker 2>ice melt and there with a dime.

0:34:39.080 --> 0:34:41.239
<v Speaker 5>That's funny, hot ice on ice.

0:34:41.640 --> 0:34:43.640
<v Speaker 2>They must have wondered why we were still using ice

0:34:43.640 --> 0:34:46.880
<v Speaker 2>inside a refrigerated truck. They got me on the fence,

0:34:46.920 --> 0:34:49.720
<v Speaker 2>you know, Sid halts Vin set them up in your business.

0:34:49.760 --> 0:34:51.000
<v Speaker 3>A vattled Perver was.

0:34:51.000 --> 0:34:52.000
<v Speaker 5>A big time fence.

0:34:52.880 --> 0:34:56.720
<v Speaker 1>Interior front seat of Lincoln town car continuous. Haara sits

0:34:56.719 --> 0:34:59.120
<v Speaker 1>in the back, but the window between them is open.

0:34:59.520 --> 0:35:02.520
<v Speaker 1>They talk like father and daughter out for a Sunday drive.

0:35:03.000 --> 0:35:03.680
<v Speaker 2>One of the best.

0:35:03.880 --> 0:35:06.080
<v Speaker 4>Oh I know him. All Vince's girls know him. Most

0:35:06.120 --> 0:35:09.000
<v Speaker 4>of us started there. Runs that big club in Saint Louke.

0:35:09.320 --> 0:35:09.960
<v Speaker 2>Vince owns it.

0:35:10.320 --> 0:35:11.160
<v Speaker 5>Sick old dude.

0:35:11.440 --> 0:35:14.400
<v Speaker 2>Yeah, well, we took a twelve rep because he wouldn't

0:35:14.400 --> 0:35:15.160
<v Speaker 2>turn over who.

0:35:15.040 --> 0:35:20.239
<v Speaker 3>He was working for twelve years. Serve date still thought

0:35:20.239 --> 0:35:20.840
<v Speaker 3>why they owe you?

0:35:20.880 --> 0:35:23.840
<v Speaker 2>Because he stood up and not much choice really, I

0:35:24.000 --> 0:35:26.520
<v Speaker 2>rat and I'm dead. Had too much family to accept

0:35:26.560 --> 0:35:27.799
<v Speaker 2>any witness protection. Shit.

0:35:28.560 --> 0:35:30.480
<v Speaker 5>You could be a fucking orphan and you just stood up.

0:35:30.520 --> 0:35:32.480
<v Speaker 3>Don't bullshit me, kid, do me a favor.

0:35:33.040 --> 0:35:36.759
<v Speaker 2>Don't curse? What why you look far too pretty? I

0:35:36.760 --> 0:35:38.359
<v Speaker 2>have that kind of talk coming out of your mouth.

0:35:39.320 --> 0:35:44.040
<v Speaker 1>Harah's taken aback by the honest compliment. Exterior black Lincoln

0:35:44.120 --> 0:35:47.040
<v Speaker 1>town Car, late night, Edi sings as we see the

0:35:47.040 --> 0:35:50.160
<v Speaker 1>town car drive through a very nice suburb north of Chicago.

0:35:50.680 --> 0:35:54.680
<v Speaker 1>The car parks along a beautiful street, Park Avenue, glen Coe, Illinois.

0:35:55.040 --> 0:36:00.480
<v Speaker 1>We hear the following conversation in voiceover, that's set the street.

0:36:01.400 --> 0:36:02.600
<v Speaker 5>He must do pretty good.

0:36:02.520 --> 0:36:04.920
<v Speaker 2>Your son, some kind of finanswer?

0:36:04.960 --> 0:36:07.359
<v Speaker 3>Were counting interior.

0:36:06.920 --> 0:36:10.319
<v Speaker 1>Back seat Lincoln town Car, continuous from the back seat.

0:36:10.480 --> 0:36:16.600
<v Speaker 2>Kids two, I think yeah too, Grandpa. I got a question,

0:36:17.840 --> 0:36:19.479
<v Speaker 2>Why did you and law to ask me to drive?

0:36:20.400 --> 0:36:23.600
<v Speaker 4>You always treated us right, never asked us those stupid

0:36:23.680 --> 0:36:24.640
<v Speaker 4>sex questions.

0:36:24.840 --> 0:36:26.600
<v Speaker 2>I'm supposed to ask sex questions?

0:36:26.760 --> 0:36:28.440
<v Speaker 5>No, not how to?

0:36:28.680 --> 0:36:31.399
<v Speaker 4>But like, do I enjoy it when we shoot? What's

0:36:31.440 --> 0:36:33.680
<v Speaker 4>my favorite position? When did I start?

0:36:33.760 --> 0:36:34.760
<v Speaker 5>You know that kind of stuff.

0:36:34.840 --> 0:36:36.560
<v Speaker 2>Hey, that's your business, not mine.

0:36:37.000 --> 0:36:39.799
<v Speaker 5>Well, that's what We figured about you, We figured we

0:36:39.800 --> 0:36:40.400
<v Speaker 5>was safe with you.

0:36:41.280 --> 0:36:43.160
<v Speaker 1>Harah notices something through the window.

0:36:43.320 --> 0:36:44.360
<v Speaker 5>Oh, here comes somebody.

0:36:44.520 --> 0:36:47.400
<v Speaker 1>The black minivan turns into the driveway. A couple in

0:36:47.440 --> 0:36:50.439
<v Speaker 1>their late twenties exit the front seat. A young boy

0:36:50.440 --> 0:36:53.000
<v Speaker 1>of about six jumps out of the back seat. The

0:36:53.080 --> 0:36:55.120
<v Speaker 1>mother takes a two year old out of a child's

0:36:55.160 --> 0:36:58.040
<v Speaker 1>seat in the back. The mother and two children head

0:36:58.040 --> 0:37:00.839
<v Speaker 1>for the front door and immediately enter the house as

0:37:00.880 --> 0:37:02.560
<v Speaker 1>the father removes some packages.

0:37:03.360 --> 0:37:04.840
<v Speaker 2>Must have went to church church.

0:37:04.920 --> 0:37:06.280
<v Speaker 5>You gotta be shitting.

0:37:05.960 --> 0:37:12.040
<v Speaker 2>Me, Hey, sorry, right out of Norman Rockwell? Who never mind?

0:37:12.760 --> 0:37:14.160
<v Speaker 5>Well do it?

0:37:14.719 --> 0:37:17.640
<v Speaker 1>Sal just sits there watching his son and his family

0:37:17.719 --> 0:37:20.040
<v Speaker 1>go into their nice, upper middle class home.

0:37:20.280 --> 0:37:21.640
<v Speaker 5>Ain't you gonna go talk to your son?

0:37:21.680 --> 0:37:23.840
<v Speaker 2>What the hell we come all this way for to

0:37:23.880 --> 0:37:25.040
<v Speaker 2>see where I don't belong?

0:37:25.480 --> 0:37:26.320
<v Speaker 3>That's crazy?

0:37:27.640 --> 0:37:32.360
<v Speaker 4>I mean, Oh yeah, I get you.

0:37:34.440 --> 0:37:37.279
<v Speaker 5>Sal's anything I can do?

0:37:37.960 --> 0:37:40.520
<v Speaker 2>Yeah, when I get up tomorrow you'll be long gone.

0:37:40.840 --> 0:37:45.279
<v Speaker 3>Understand understood? Sal?

0:37:45.360 --> 0:37:47.439
<v Speaker 5>You you want me to drive?

0:37:48.239 --> 0:37:50.320
<v Speaker 2>No, I'm the driver.

0:37:51.560 --> 0:37:56.640
<v Speaker 1>Long pause before Sal starts the music. Edda James continues singing.

0:37:57.239 --> 0:38:00.600
<v Speaker 1>The window goes up, the car pulls away, and we

0:38:00.640 --> 0:38:03.680
<v Speaker 1>see Sal's son looking out the front Bay window, A

0:38:03.840 --> 0:38:08.439
<v Speaker 1>little boy comes up to him. Exterior black Lincoln town Car,

0:38:08.520 --> 0:38:12.120
<v Speaker 1>Late afternoon. Eda James sings a Sunday kind of love.

0:38:12.640 --> 0:38:15.399
<v Speaker 1>The town car drives along the lake like before, only

0:38:15.440 --> 0:38:18.920
<v Speaker 1>in the other direction. Late afternoon turns to twilight, and

0:38:18.920 --> 0:38:21.839
<v Speaker 1>then finally, the big city lights of Chicago at night

0:38:22.120 --> 0:38:27.840
<v Speaker 1>fill the background. Interior Sal's hotel room, Chicago evening. We

0:38:27.960 --> 0:38:31.120
<v Speaker 1>hear Sal open his hotel room door. He enters and

0:38:31.200 --> 0:38:33.640
<v Speaker 1>throws his jacket on the bed, goes to the dresser

0:38:33.640 --> 0:38:37.400
<v Speaker 1>and throws down his keys, places his wallet, chains.

0:38:37.600 --> 0:38:43.560
<v Speaker 2>Sorry, chains, Sorry, that's another story.

0:38:45.600 --> 0:38:45.960
<v Speaker 1>Sorry.

0:38:46.080 --> 0:38:46.640
<v Speaker 2>He enters.

0:38:47.440 --> 0:38:50.080
<v Speaker 1>He enters and throws his jacket on the bed, goes

0:38:50.120 --> 0:38:54.320
<v Speaker 1>to the dresser and throws down his keys, places his wallet, change,

0:38:54.520 --> 0:38:58.480
<v Speaker 1>smokes handkerchief, and combs on the dresser. He stares into

0:38:58.480 --> 0:39:01.359
<v Speaker 1>the mirror as the song ends. It looks like he's

0:39:01.400 --> 0:39:04.279
<v Speaker 1>about to punch the mirror when Leo's face comes up

0:39:04.280 --> 0:39:07.560
<v Speaker 1>behind him. Sal turns, Jesus.

0:39:07.200 --> 0:39:12.239
<v Speaker 9>Christ, Relax, Oh man, don't have a heart attack. They

0:39:12.280 --> 0:39:15.200
<v Speaker 9>told me this was Harry's rue. No, why would they

0:39:15.239 --> 0:39:15.480
<v Speaker 9>do that.

0:39:15.800 --> 0:39:17.800
<v Speaker 2>I don't tax that pete brain of yours. They just

0:39:17.840 --> 0:39:20.640
<v Speaker 2>got the rooms mixed up she's across the hall. I

0:39:20.680 --> 0:39:23.480
<v Speaker 2>help myself to a drink. I mean, I don't give

0:39:23.520 --> 0:39:25.759
<v Speaker 2>a shit if you mind. What are you doing here?

0:39:26.120 --> 0:39:28.920
<v Speaker 1>Sal pours himself a Scotch and hangs onto the bottle.

0:39:31.880 --> 0:39:33.040
<v Speaker 6>What am I doing here?

0:39:34.000 --> 0:39:36.080
<v Speaker 9>I came to Chicago for the wind. What am I

0:39:36.160 --> 0:39:38.640
<v Speaker 9>doing here? I came to do the girl. I mean,

0:39:38.680 --> 0:39:40.239
<v Speaker 9>seeing she don't have a stomach for that kind of

0:39:40.280 --> 0:39:43.200
<v Speaker 9>stuff anymore. They're waiting on my call.

0:39:43.560 --> 0:39:45.359
<v Speaker 2>And I told Vince she had nothing to do with this.

0:39:47.480 --> 0:39:49.960
<v Speaker 9>I don't know from what you said. I only know

0:39:50.000 --> 0:39:53.160
<v Speaker 9>what Vince said. It was the other one, Lada. I

0:39:53.200 --> 0:39:53.680
<v Speaker 9>don't care.

0:39:53.800 --> 0:39:56.920
<v Speaker 2>Harra's a good kid. She's a slut, and you're an asshole.

0:39:57.000 --> 0:39:58.919
<v Speaker 9>Look, I don't care if she was a fucking nun.

0:39:59.360 --> 0:40:01.759
<v Speaker 9>She gets that the Vince in a hat box. You

0:40:01.840 --> 0:40:04.359
<v Speaker 9>try to stop me, Vince says, I send you back

0:40:04.440 --> 0:40:05.000
<v Speaker 9>the same way.

0:40:05.120 --> 0:40:06.120
<v Speaker 2>Vince would never say that.

0:40:07.239 --> 0:40:10.960
<v Speaker 1>The great Sal the bob, wise up.

0:40:11.880 --> 0:40:14.799
<v Speaker 2>You're useless to him. Now, don't fuck with me, little man.

0:40:14.920 --> 0:40:16.120
<v Speaker 2>I'm not in the mood right now.

0:40:16.400 --> 0:40:18.000
<v Speaker 6>Ah, what's the matter.

0:40:18.600 --> 0:40:19.839
<v Speaker 2>She stopped giving you a head.

0:40:20.719 --> 0:40:23.680
<v Speaker 9>You're pissing me off, Leo, And I'm really fucking scared

0:40:23.880 --> 0:40:24.480
<v Speaker 9>you should be.

0:40:24.760 --> 0:40:27.719
<v Speaker 6>How does that sweet think taste? Huh hhmm. Maybe I'll

0:40:27.800 --> 0:40:29.040
<v Speaker 6>just uh, maybe I'll.

0:40:28.920 --> 0:40:30.520
<v Speaker 2>Try a little before I carve him up.

0:40:30.719 --> 0:40:33.840
<v Speaker 6>Don't even why you gonna try and stop me.

0:40:34.040 --> 0:40:35.200
<v Speaker 2>Maybe I'll do just that.

0:40:35.600 --> 0:40:38.720
<v Speaker 1>Sal takes the scotch bottle and smacks Leo across the face.

0:40:39.120 --> 0:40:41.280
<v Speaker 1>His razor comes out of his sleeve and he swipes

0:40:41.280 --> 0:40:43.880
<v Speaker 1>at Leo's face, but Leo blocks the razor with his

0:40:44.040 --> 0:40:47.600
<v Speaker 1>arm and we see his jacket rip. Leo grabs Sal's

0:40:47.680 --> 0:40:49.799
<v Speaker 1>arm with one head and punches him with the other,

0:40:50.200 --> 0:40:54.400
<v Speaker 1>sending Sal over the couch and sending the razor flying. Leo,

0:40:54.520 --> 0:40:56.680
<v Speaker 1>with his bloodied face, looks at Sal.

0:40:58.880 --> 0:40:59.960
<v Speaker 2>Oh, I'm gonna enjoy it.

0:41:00.840 --> 0:41:04.040
<v Speaker 1>Leo rushes towards Sal, who takes a swing and Leo

0:41:04.160 --> 0:41:06.960
<v Speaker 1>blocks it like the professional fighter he once was, and

0:41:07.040 --> 0:41:10.959
<v Speaker 1>gives two hard ones to Sal's stomach. Sal buckles over,

0:41:11.440 --> 0:41:13.799
<v Speaker 1>Leo straightens him up and gives him one more to

0:41:13.840 --> 0:41:17.560
<v Speaker 1>the face, knocking Sal onto the bed. Leo stands over

0:41:17.680 --> 0:41:21.000
<v Speaker 1>Sal and takes out his pistol, putting it in Sal's face.

0:41:21.080 --> 0:41:21.840
<v Speaker 2>What are you waiting for?

0:41:22.120 --> 0:41:22.239
<v Speaker 9>Sal?

0:41:23.480 --> 0:41:24.640
<v Speaker 2>This is way too easy?

0:41:25.120 --> 0:41:27.839
<v Speaker 1>Leo tosses the pistol on the couch and pulls Sal

0:41:28.000 --> 0:41:30.040
<v Speaker 1>up by the collar and hits him in the face.

0:41:30.520 --> 0:41:31.280
<v Speaker 1>Hits him again.

0:41:32.800 --> 0:41:34.960
<v Speaker 2>I'm gonna beat you good before I put a round

0:41:34.960 --> 0:41:37.840
<v Speaker 2>through that big fucking round through gos fuck cue.

0:41:38.320 --> 0:41:41.440
<v Speaker 1>Leo pulls Sal again. This time Sal comes up with

0:41:41.520 --> 0:41:43.480
<v Speaker 1>the phone that was on the nightstand next to the

0:41:43.520 --> 0:41:47.720
<v Speaker 1>bed and slams Leo's face. Sal hets Leo again before

0:41:47.800 --> 0:41:51.600
<v Speaker 1>Leo wrestles the phone away. Sal falls back and grabs

0:41:51.600 --> 0:41:54.800
<v Speaker 1>the pen that was next to the phone. Leo, in rage,

0:41:54.960 --> 0:41:58.200
<v Speaker 1>picks up Sal in a bear hug, crushing Sal near

0:41:58.280 --> 0:42:03.280
<v Speaker 1>to death. These two bloody faces are now face to face.

0:42:04.200 --> 0:42:07.320
<v Speaker 1>Sal reaches around Leo's head with his left arm, holding

0:42:07.400 --> 0:42:10.560
<v Speaker 1>Leo's head still. Sal takes the pen in his right

0:42:10.560 --> 0:42:14.720
<v Speaker 1>hand and rams it into Leo's left ear. Leo drops

0:42:14.760 --> 0:42:19.120
<v Speaker 1>Sal and staggers like a drunk, his equilibrium gone. Leo's

0:42:19.120 --> 0:42:24.240
<v Speaker 1>eyes are wide open, but he can't see. I can't see,

0:42:24.560 --> 0:42:25.320
<v Speaker 1>I can't see.

0:42:25.360 --> 0:42:25.960
<v Speaker 2>I'm right here.

0:42:26.000 --> 0:42:26.840
<v Speaker 3>You're blind. Fuck.

0:42:27.360 --> 0:42:30.920
<v Speaker 1>Leo in complete rage runs at Sal, who steps aside,

0:42:30.960 --> 0:42:35.640
<v Speaker 1>and Leo crashes into the window. Sal lifts Leo's feet

0:42:35.680 --> 0:42:38.359
<v Speaker 1>and helps him out the rest of the way, we

0:42:38.440 --> 0:42:41.400
<v Speaker 1>hear Leo scream all the way down to his death.

0:42:41.440 --> 0:42:47.480
<v Speaker 1>In the alley below exterior Ali outside Chicago Hotel. Continuous

0:42:48.200 --> 0:42:50.760
<v Speaker 1>light over the back door leading to the kitchen allows

0:42:50.840 --> 0:42:54.600
<v Speaker 1>us to see Leo's body on the dumpster below. Blood

0:42:54.719 --> 0:43:01.279
<v Speaker 1>pours from Leo's ear. Nancy Wilson sings Bewitched end of

0:43:01.360 --> 0:43:11.440
<v Speaker 1>a tu you work