WEBVTT - Halloween (1978)

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zef and Best

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<v Speaker 1>start changing it with the beck Del Cast. Hello, and

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<v Speaker 1>welcome to the Beachdel Cast. My name is Caitlin Darante.

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<v Speaker 1>My name is Jamie Loftus, and we talk about the

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<v Speaker 1>portrayal of women in movies all the time, but also

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<v Speaker 1>on this podcast, which is what it's about. H I thines,

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<v Speaker 1>this is our best interest. So good. It's Oh, it's

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<v Speaker 1>spooky sperience in this scary month. It's Halloween. We Uh

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<v Speaker 1>this was a requested episode, was it not? Yes? People? Actually,

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<v Speaker 1>I don't know if this if people wanted this one

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<v Speaker 1>or not, but there is a Halloween coming. Sorry, I

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<v Speaker 1>didn't want this. What you're getting it. It's a free product.

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<v Speaker 1>You know, you have to listen to it. We are

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<v Speaker 1>mostly doing this because of the Halloween film that is

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<v Speaker 1>opening tomorrow. Assuming you're listening to this on the day

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<v Speaker 1>that this podcast episode comes out. With Jamie Lae Curtis

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<v Speaker 1>herself the Queen. She's back Scream Queen Icon. She was

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<v Speaker 1>also in Scream Queen's Yeah Wild. Anyways, Caitlin, before we

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<v Speaker 1>get into it, do you have a plan for your

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<v Speaker 1>Halloween costumes this year? I have started doing a thing

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<v Speaker 1>where I dress up as my own couple's costume. Oh yes,

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<v Speaker 1>I was so. For example, last year, I was both

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<v Speaker 1>Marty McFly and his girlfriend Jennifer in one outfit. So

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<v Speaker 1>I think I'm going to do the same thing this

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<v Speaker 1>year with materials that I already have. I have everything

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<v Speaker 1>I need to do both a Wayne and Garth from

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<v Speaker 1>Wayne's World, so I might do that. That's great, that's inspired. Um,

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<v Speaker 1>and yeah, I'm just gonna that's gonna be my my

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<v Speaker 1>new thing because a few years before that, you know

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<v Speaker 1>how people will dress up like as catch up and Mustard,

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<v Speaker 1>while I dressed up it's just catch up. When years

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<v Speaker 1>was like, need no mustard, And then the following year,

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<v Speaker 1>I dressed up as a mustard and I said, I

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<v Speaker 1>don't need no ketchup. So and now I'm just combining. Basically,

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<v Speaker 1>I'm going to be single forever is the theme of

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<v Speaker 1>my costume. I am going to be the Bobba Duke.

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<v Speaker 1>I guess that's so, I'm gonna be Boba Duck. I'm

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<v Speaker 1>going to try really hard to be the perfect Boba Duke. Great, well,

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<v Speaker 1>that okay, So that conversation didn't pass the Bechdel test

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<v Speaker 1>because we talked about Marty McFly garth Algar, Bobba bobad

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<v Speaker 1>genderless icon. So yeah, I think that that's fair. So

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<v Speaker 1>part of that conversation passed. So we use the Bechdel

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<v Speaker 1>test as a way to initiate a larger conversation about

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<v Speaker 1>the representation of women in film. The Bechdel Test, of course,

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<v Speaker 1>for us, is a test that you apply to movies.

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<v Speaker 1>It requires that the movie has two named female identifying

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<v Speaker 1>characters who speak to each other about anything other than

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<v Speaker 1>a man for at least a two line exchange. For example,

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<v Speaker 1>Hey Caitlin, Hey Jamie, did you know that the Babba

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<v Speaker 1>Duke is a queer icon? I did know that. Excellent

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<v Speaker 1>and night passes alright, So well, without much further Ado,

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<v Speaker 1>let's let's get into it. I'm so excited to have

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<v Speaker 1>our guest with us today. She's absolutely wonderful. She has

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<v Speaker 1>a film critic and the host of the Switchblade Sisters podcast.

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<v Speaker 1>Please welcome, April Wolf, Hi, Welcome, thanks for being here.

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<v Speaker 1>Thank you for having me in this beautiful little studio.

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<v Speaker 1>Of course, is it spooky and he so spooky? You

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<v Speaker 1>guys should see what they did with the play everywhere.

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<v Speaker 1>But I think that's just you know, I like imagining

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<v Speaker 1>that you guys record like in a dingy basement somewhere.

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<v Speaker 1>We used to record in an old attic recorded at

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<v Speaker 1>meltdown back in the day, so you know, stinky attic

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<v Speaker 1>and now no not Yeah, that's our story. That's what

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<v Speaker 1>Oh what a story it is. Speaking of stories, let's

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<v Speaker 1>talk about the story of Halloween, the John Carpenter nine film.

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<v Speaker 1>Very smooth, thank you, that's you know me. I'm a

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<v Speaker 1>segue icon, okay, like the scooter, Yeah, you're like, people

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<v Speaker 1>are all about those bird scooters. I'm still rocking the

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<v Speaker 1>segirl Like honey, I just paid off my segway writing that. Um,

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<v Speaker 1>So April, tell us about your history, your relationship with

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<v Speaker 1>the film Halloween. Oh, I just fucking love it. Um

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<v Speaker 1>When did you first see it? When I was probably

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<v Speaker 1>too young to even remember that I was seeing it.

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<v Speaker 1>My family and I used to watch horror movies when

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<v Speaker 1>we were very very young and continued doing so, so

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<v Speaker 1>I am a horror queen. I really enjoyed the genre,

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<v Speaker 1>and um, I just remember it was very chilling. It

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<v Speaker 1>was one that's stuck with me in the same way

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<v Speaker 1>that Nightmare in Elm Street did. Those two are kind

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<v Speaker 1>of like paired up in my mind, even though they're very,

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<v Speaker 1>very different movies. So yeah, I've confused them before because

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<v Speaker 1>I wasn't sure if I had seen this movie or not.

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<v Speaker 1>It's funny, but people also confuse Friday. I had to

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<v Speaker 1>hear a very long conversation that I couldn't interrupt in

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<v Speaker 1>the theater where people will talk. We're talking about Jason

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<v Speaker 1>Vorhees and Halloween, and I was like, no, not Jason,

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<v Speaker 1>the test of your lifetime. It was just like, am

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<v Speaker 1>I going to be that person who's sitting by themselves

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<v Speaker 1>in the theater exactly? I didn't, So Jamie, what's your history?

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<v Speaker 1>I thought I had seen it, and I thought, but

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<v Speaker 1>this is again one of those movies that is so

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<v Speaker 1>known in the culture that there were certain scenes that

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<v Speaker 1>I was like, oh, I've seen that, but I hadn't

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<v Speaker 1>seen the whole movie. So I saw it, you know,

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<v Speaker 1>this morning. I saw it this morning and very good.

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<v Speaker 1>It's a scary fucking movie. It's like, yeah, it holds

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<v Speaker 1>up in terms of it was very scary. Yeah, I

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<v Speaker 1>liked it, and I like horror movies. I just um

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<v Speaker 1>get them confused. Sure, yeah, I mean was to confuse.

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<v Speaker 1>There's just like a lot of murders usually a man

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<v Speaker 1>in a mask, a mask, I mean, like they're very

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<v Speaker 1>different movies. It's always like, uh yeah, an angry man

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<v Speaker 1>with with a mask and also like a weirdly chill

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<v Speaker 1>sounding name every time you're like, oh, Michael. Yeah. And

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<v Speaker 1>also as a as a notorious collector of Michael's, this

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<v Speaker 1>one hit close to home. Sure sure, sure. My history

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<v Speaker 1>is I saw the original Halloween probably for the first

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<v Speaker 1>time in college when I was just you know, you're

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<v Speaker 1>collecting Michael's. I'm collecting having watched movies, you know, as

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<v Speaker 1>a film student. You know, I'm just get this one.

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<v Speaker 1>Got to catch them all, you know. But I didn't

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<v Speaker 1>watch it again, although I did see Halloween H two oh,

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<v Speaker 1>I think in high school. So bad movie. That's the

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<v Speaker 1>first one night and I haven't I haven't rewatched it

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<v Speaker 1>since then. And then I saw Halloween Resurrection in the

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<v Speaker 1>theaters with the couple of friends of mine in high school.

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<v Speaker 1>Really quick, where does the H two O come in? Well? Great,

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<v Speaker 1>question there is. I did not realize quite how extensive

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<v Speaker 1>the Halloween franchise was. But we've got this first, the

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<v Speaker 1>original one in nineteen seventy eight, Halloween two comes out

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<v Speaker 1>in eighty one, and we've got Halloween three, Season of

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<v Speaker 1>the Witch, and we've got Halloween four, Return of Michael

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<v Speaker 1>Myers in ninet, Halloween five from nineteen eighty nine, and

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<v Speaker 1>we've got Halloween The Curse of Michael Myers from nine.

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<v Speaker 1>I will admit that I've not seen them all up

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<v Speaker 1>to a point. I kind of was picking and choosing,

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<v Speaker 1>and we have I mean, we haven't even hit Halloween. No, no,

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<v Speaker 1>like this is a long way. God, Halloween. Is it

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<v Speaker 1>just a remake of the first one? But Underwater? Was

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<v Speaker 1>my couestion. Is it Titanic or is it not? Because

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<v Speaker 1>I will see it if it's the Titanic. There there

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<v Speaker 1>is a movie called ghost Ship, which I think is

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<v Speaker 1>the closest thing we'll get to a scary Titanic. Then

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<v Speaker 1>we've got Halloween h two. Oh colin twenty years later,

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<v Speaker 1>with Jamie Lee Curtis reprising her role as Laurie Strode,

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<v Speaker 1>but underwater, but underwater this time she's in Scooby. Then

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<v Speaker 1>in two thousand two, we've got Halloween Resurrection again featuring

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<v Speaker 1>Jamie Lee Curtis as her Laurie Strode character. And finally

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<v Speaker 1>we've got the Halloween Movie coming out in two thousand

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<v Speaker 1>eighteen with again Jamie Lee Curtis. And then that is

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<v Speaker 1>not even including the two reboots that Rob Zombie made.

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<v Speaker 1>I think we should forget about those. Yeah, I've heard

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<v Speaker 1>they're bad, but I know that Rob's alv fans just

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<v Speaker 1>love them because it's his style, and that's you know,

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<v Speaker 1>that's whatever you want. But for me, they're not part

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<v Speaker 1>of the franchise, and that's that's fine. You know, like

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<v Speaker 1>like them, but they're not part of this franchise. I

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<v Speaker 1>feel got it. So the Halloween franchise, it is fairly extensive,

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<v Speaker 1>but we're gonna we're focusing on just the first one

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<v Speaker 1>for this episode. So my my background with the film

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<v Speaker 1>isn't super you know, I've just seen it a couple

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<v Speaker 1>of times now. As I've said before, horror is not

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<v Speaker 1>my favorite genre. Not that I don't like it, it's

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<v Speaker 1>just that I feel like you're like Scarity qualifying that

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<v Speaker 1>for me, like no, no, it's okay. You can like it.

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<v Speaker 1>It's fine, No, I really my so slasher movies. I

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<v Speaker 1>tend not to like very much. The horror movies that

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<v Speaker 1>I like the most um usually more of a supernatural

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<v Speaker 1>devil component to them, like Rosemary's Baby and on the

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<v Speaker 1>Exorcist and like the Olmen. I like that kind of

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<v Speaker 1>sub genre of horror a lot more. April is Michael

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<v Speaker 1>Myers like in your Tops In terms of like a

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<v Speaker 1>horror movie villa, I mean, I guess there's a lot

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<v Speaker 1>of horror movie. Yeah. I think some people don't realize

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<v Speaker 1>how deep the horror genre is because they you know,

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<v Speaker 1>you really only see the top ones constantly. But I mean,

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<v Speaker 1>he's definitely a wonderful creation because he is such a

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<v Speaker 1>blank slate. And yeah, there's always going to be that

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<v Speaker 1>really beautiful sequence of a little boy in a clown

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<v Speaker 1>costume holding a bloody knife, which is you know, it's

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<v Speaker 1>a great idea for a murderer, you know. Yeah, I

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<v Speaker 1>love that scene because it keeps the camera keeps pulling

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<v Speaker 1>out and it's just his two parents standing on either

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<v Speaker 1>side of them, not reacting at all. They don't go

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<v Speaker 1>into the house to see her hands are in her

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<v Speaker 1>pockets like she's like again, you know, like we're on

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<v Speaker 1>that scene for like maybe ten seconds or more and

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<v Speaker 1>not doing anything, and it's like, are you going to

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<v Speaker 1>investigate why your six year old son is holding it

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<v Speaker 1>crane for a day? You know, you would buy that

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<v Speaker 1>crane per day shot, hold the shot as long as

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<v Speaker 1>you can't get that crane, Like, okay, kid, continue to

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<v Speaker 1>look baffled at what you've done that. Yeah, shall I

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<v Speaker 1>do the recap? Yeah? Yes, So we open on a

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<v Speaker 1>scene where this little boy stabs his sister to death.

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<v Speaker 1>Oh and not just his sister, his completely nick sister.

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<v Speaker 1>You know, when you're just chilling in your room totally

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<v Speaker 1>nude and your brother comes in and you're like, hey,

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<v Speaker 1>get out of here, and you don't make any effort.

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<v Speaker 1>You turn your tips towards him. You're like, hey, come on,

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<v Speaker 1>Like that was really funny. That's my first favorite male

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<v Speaker 1>gaze moment of the movie. And I was like, oh yeah,

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<v Speaker 1>when my child brother comes in and I just make

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<v Speaker 1>no effort to conceal my tips at all. Right, they're

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<v Speaker 1>really good tits though, too. I remember being like, oh shit,

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<v Speaker 1>I don't think I appreciated those when I was a kid.

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<v Speaker 1>Just beautiful if I had seen If I had seen

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<v Speaker 1>the movie when I was younger, they would have made

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<v Speaker 1>me feel bad because they're that good. Yeah, they're that good.

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<v Speaker 1>I would have taken it personally. Okay, So then um,

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<v Speaker 1>she dies and the reveal is that, oh, the person

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<v Speaker 1>who just slaughtered this young nude woman was a six

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<v Speaker 1>year old boy and her parents don't care. And then

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<v Speaker 1>we cut too. I believe it's fifteen years later. There

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<v Speaker 1>are a few medical personnel who go to this psychiatric

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<v Speaker 1>ward to move Michael Myers, the man that this little

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<v Speaker 1>murder kid grew up to be, but he has already

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<v Speaker 1>gotten out. He attacks the nurse and he steals their

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<v Speaker 1>car and escapes. So that would put Michael Myers in

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<v Speaker 1>his like early twenties. Yeah, yeah, you know, he's he's young,

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<v Speaker 1>yearning to be free, young buck. I could drink. Now

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<v Speaker 1>get this guy, and let's get this guy in night school.

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<v Speaker 1>We can turn this around. We should say that Donald

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<v Speaker 1>Pleasants is one of the Yes, he is the one

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<v Speaker 1>of my favorite actors of all time. So he plays

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<v Speaker 1>Dr Loomis. So Michael Myers is he's out on the town.

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<v Speaker 1>He's looking for a zomba class, and it is Halloween. Now. So,

0:13:14.800 --> 0:13:17.880
<v Speaker 1>then we meet Laurie Strode Jamie Lee Curtis's character. She

0:13:18.120 --> 0:13:20.880
<v Speaker 1>is a teenager. Her dad is trying to sell the

0:13:20.920 --> 0:13:24.719
<v Speaker 1>Myers house that we can assume has been abandoned for

0:13:24.800 --> 0:13:28.000
<v Speaker 1>quite some time. And throughout the day she starts seeing

0:13:28.520 --> 0:13:31.720
<v Speaker 1>this creepy guy in a mask who appears to be

0:13:31.840 --> 0:13:34.520
<v Speaker 1>stalking her. A few of her friends are around and

0:13:34.559 --> 0:13:37.600
<v Speaker 1>they don't really believe her. Um then we see Dr

0:13:37.720 --> 0:13:42.199
<v Speaker 1>Loomis notify the town sheriff who is also Annie, one

0:13:42.240 --> 0:13:45.600
<v Speaker 1>of Laurie's friends. That's her dad, and Dr Loomis is

0:13:45.600 --> 0:13:49.800
<v Speaker 1>all like Michael escaped and he's on the loose. Then

0:13:49.880 --> 0:13:53.840
<v Speaker 1>later that night, Lorie is babysitting for a little boy

0:13:54.120 --> 0:13:59.280
<v Speaker 1>and her friend Annie is also babysitting for another neighborhood girl.

0:13:59.320 --> 0:14:03.040
<v Speaker 1>There's a lot of different houses and babysitting situations, some real,

0:14:03.240 --> 0:14:06.440
<v Speaker 1>some real like questionable logic to get Annie out of

0:14:06.440 --> 0:14:10.400
<v Speaker 1>her clothes is given. I really liked that seeing Yeah,

0:14:10.520 --> 0:14:13.680
<v Speaker 1>I was like, wait a butter, She's like this is

0:14:13.720 --> 0:14:17.000
<v Speaker 1>a mess, strips nude and then there just happens to

0:14:17.040 --> 0:14:19.880
<v Speaker 1>be like a men's white dress shirt around where I'm

0:14:19.880 --> 0:14:24.880
<v Speaker 1>just like Lindsay's dad's shirt. She's like, I'm too much

0:14:24.880 --> 0:14:27.320
<v Speaker 1>of a hurry for pants. You know, she just can't.

0:14:28.040 --> 0:14:30.480
<v Speaker 1>She's so hardy she doesn't even put on pants. Silly

0:14:30.560 --> 0:14:32.800
<v Speaker 1>of the house. It's like, it's great. She gets stuck

0:14:32.800 --> 0:14:39.040
<v Speaker 1>in the window like Winnie the Pooh. It's crazy. It's yeah,

0:14:39.080 --> 0:14:42.640
<v Speaker 1>she's just like horny chaos that she's my favorite. I

0:14:42.760 --> 0:14:46.080
<v Speaker 1>really liked her. I was like, man, I would that's

0:14:46.440 --> 0:14:50.920
<v Speaker 1>that's who I wish I was in high school. So

0:14:50.960 --> 0:14:54.280
<v Speaker 1>their other friend, Linda is hanging out with her boyfriend.

0:14:54.800 --> 0:14:59.280
<v Speaker 1>So then Annie swings by with her child that she's babysitting,

0:14:59.320 --> 0:15:01.960
<v Speaker 1>and she's like, here, Laurie, take this kid. I have

0:15:02.000 --> 0:15:05.400
<v Speaker 1>to go have sex. No pants. No she's not with pants,

0:15:05.800 --> 0:15:10.040
<v Speaker 1>No questions about that, just yeah, Laurie says nothing. Lori's like,

0:15:10.400 --> 0:15:17.440
<v Speaker 1>that's my friend is no pants any but we love her.

0:15:18.720 --> 0:15:21.640
<v Speaker 1>So Annie leaves. She leaves to go hang out with

0:15:21.640 --> 0:15:24.680
<v Speaker 1>her boyfriend, but before she can get there, Michael Myers

0:15:24.800 --> 0:15:28.200
<v Speaker 1>gets her and he kills her. And then we moved

0:15:28.240 --> 0:15:32.760
<v Speaker 1>to Linda and Bob's area where they're hanging out, which

0:15:32.800 --> 0:15:35.360
<v Speaker 1>I think is either in Annie's house or the house

0:15:35.400 --> 0:15:37.720
<v Speaker 1>that Annie's supposed to be babysitting in it's at that

0:15:37.760 --> 0:15:42.000
<v Speaker 1>house because they like stumble into that house and the

0:15:42.080 --> 0:15:46.400
<v Speaker 1>start humping each other with the door unlocked, and then

0:15:46.640 --> 0:15:49.280
<v Speaker 1>they get the call that no one is coming back

0:15:49.320 --> 0:15:51.600
<v Speaker 1>after all, and I think that they decide to stay

0:15:51.680 --> 0:15:53.920
<v Speaker 1>right yeah, and then they're just like, let's get drunk,

0:15:54.680 --> 0:15:59.560
<v Speaker 1>like sleeping the people's like. Then another one of my

0:15:59.640 --> 0:16:02.560
<v Speaker 1>favorite it reacts and the whole You know, when you

0:16:02.600 --> 0:16:05.520
<v Speaker 1>know your boyfriend shows up at your door dressed as

0:16:05.800 --> 0:16:08.960
<v Speaker 1>a ghost with a sheet with glasses on over top

0:16:09.000 --> 0:16:12.200
<v Speaker 1>of it, and once again you whip your tits out

0:16:13.040 --> 0:16:17.160
<v Speaker 1>and you're like, you're like, oh my god, you like

0:16:17.280 --> 0:16:21.720
<v Speaker 1>what you see? I love God, which we should say

0:16:21.760 --> 0:16:23.800
<v Speaker 1>that actress is also one one of my favorite movies,

0:16:24.040 --> 0:16:28.200
<v Speaker 1>Rock and Roll High School. Yeah, she's the lead in

0:16:28.240 --> 0:16:31.200
<v Speaker 1>that movie. She's also in a recent episode We did

0:16:31.240 --> 0:16:36.560
<v Speaker 1>carry a Girl. Yes she is, she's the Sportyes she

0:16:36.720 --> 0:16:39.040
<v Speaker 1>She wore her hat to the audition and they were like, no,

0:16:39.120 --> 0:16:40.680
<v Speaker 1>that's who your characters and she's like, oh funk, I

0:16:40.720 --> 0:16:45.040
<v Speaker 1>want to play someone else. It's a very productive couple

0:16:45.040 --> 0:16:49.320
<v Speaker 1>of years for this lady. Yeah. So, uh, Linda and

0:16:49.480 --> 0:16:53.920
<v Speaker 1>her boyfriend have sex and then they get murdered whenever

0:16:53.960 --> 0:16:57.400
<v Speaker 1>Michael Myers comes in. They had sex after all, exactly, yeah,

0:16:57.560 --> 0:17:00.720
<v Speaker 1>we'll talk about that. Um. And then so Laurie goes

0:17:00.760 --> 0:17:03.880
<v Speaker 1>to investigate because she's like, hey, my friends aren't where

0:17:03.920 --> 0:17:06.720
<v Speaker 1>there said they're going to be, and she finds their

0:17:06.720 --> 0:17:11.399
<v Speaker 1>dead bodies. Then Michael Myers pops in. He's like hey,

0:17:11.440 --> 0:17:19.359
<v Speaker 1>and he cuts her arm. He's literally like hey, hey, yeah,

0:17:19.520 --> 0:17:22.920
<v Speaker 1>she's like, oh hey. They scuffle, she hurts her legs.

0:17:22.920 --> 0:17:25.679
<v Speaker 1>She she gets away, runs back to the house that

0:17:25.760 --> 0:17:30.119
<v Speaker 1>she's babysitting at. She's screaming, somebody please help me. Where's

0:17:30.240 --> 0:17:33.520
<v Speaker 1>Dr Loomis and all this we don't know. Then Michael

0:17:33.560 --> 0:17:36.280
<v Speaker 1>Myers comes into the house. He's trying to get her.

0:17:36.400 --> 0:17:38.919
<v Speaker 1>She's fighting back. She stabs him with a knitting needle.

0:17:39.160 --> 0:17:44.480
<v Speaker 1>He collapses. He seems dead, but he's not. Come on, Laurie,

0:17:44.520 --> 0:17:48.320
<v Speaker 1>that's not going to kill someone probably, So then she

0:17:48.400 --> 0:17:51.320
<v Speaker 1>like barricades herself in the closet. He's breaking in. She

0:17:51.400 --> 0:17:54.119
<v Speaker 1>pokes him in the eye with a clothes hanger. He

0:17:54.320 --> 0:17:58.520
<v Speaker 1>drops his knife. She stabs him. He collapses again, seeming dead,

0:17:58.600 --> 0:18:01.160
<v Speaker 1>but he's not because then gets back up, and then

0:18:01.359 --> 0:18:04.600
<v Speaker 1>there's one final struggle and then Dr Loomis comes in

0:18:04.880 --> 0:18:07.959
<v Speaker 1>shoots him. Michael Myers falls out the window and then

0:18:08.000 --> 0:18:09.840
<v Speaker 1>they're like, oh, we got him, but then when they

0:18:09.880 --> 0:18:16.120
<v Speaker 1>look outside, he's gone. And that's the end of the movie.

0:18:16.160 --> 0:18:21.040
<v Speaker 1>It is, so let's take a quick break and then

0:18:21.080 --> 0:18:30.520
<v Speaker 1>we'll come back to discuss, and we're back. So this

0:18:30.720 --> 0:18:35.600
<v Speaker 1>movie was co written and produced by a woman, Deborah Hill.

0:18:36.119 --> 0:18:40.040
<v Speaker 1>Um I believe John Carpenter's then girlfriend, later his wife,

0:18:40.080 --> 0:18:43.120
<v Speaker 1>and then even after that his ex wife. But it's

0:18:43.119 --> 0:18:46.639
<v Speaker 1>my understanding that she wrote a lot of the dialogue

0:18:46.720 --> 0:18:50.120
<v Speaker 1>for the women, while Carpenter wrote most of the dialogue

0:18:50.119 --> 0:18:52.520
<v Speaker 1>for the men. In April you I think no more

0:18:52.560 --> 0:18:56.959
<v Speaker 1>about this. So yeah, I believe that she was very

0:18:57.040 --> 0:18:59.920
<v Speaker 1>involved in the story structure. And if you watch the

0:19:00.080 --> 0:19:04.280
<v Speaker 1>movie very prominently, it says a Deborah Hill film, does

0:19:04.320 --> 0:19:07.520
<v Speaker 1>not say a John Carpenter film, because she was the producer.

0:19:07.600 --> 0:19:10.080
<v Speaker 1>So as the creative producer on this project, you know,

0:19:10.200 --> 0:19:14.120
<v Speaker 1>she was shepherding it all the way through. And it's

0:19:14.119 --> 0:19:18.159
<v Speaker 1>a weird thing to go into maybe like um freshman

0:19:18.240 --> 0:19:21.480
<v Speaker 1>year film classes or something where they're watching Halloween and

0:19:21.720 --> 0:19:24.919
<v Speaker 1>they talk about it as though it's a not Tours film,

0:19:24.960 --> 0:19:27.280
<v Speaker 1>and that's wonderful. And I love John Carpenter with all

0:19:27.280 --> 0:19:29.560
<v Speaker 1>of my heart. He's one of my favorite cranky assholes.

0:19:30.160 --> 0:19:33.399
<v Speaker 1>But this is a collaborative film, and so much of

0:19:33.440 --> 0:19:36.640
<v Speaker 1>his work was collaborative with Deborah Hill and with other

0:19:36.640 --> 0:19:39.480
<v Speaker 1>people as well. So it's it's a strange thing to

0:19:39.600 --> 0:19:42.720
<v Speaker 1>think that a woman was the driving force behind this

0:19:42.760 --> 0:19:47.040
<v Speaker 1>movie and helped him push it over the threshold. So

0:19:47.400 --> 0:19:51.760
<v Speaker 1>I hope people remember it as a Debora Hill film,

0:19:52.080 --> 0:19:56.560
<v Speaker 1>but they don't because because yeah, it's really interesting to

0:19:56.600 --> 0:19:58.920
<v Speaker 1>look at her New York Times obituary. She did die

0:19:59.480 --> 0:20:02.760
<v Speaker 1>very young. I think No. Five, yeah, and No. Five,

0:20:02.840 --> 0:20:07.679
<v Speaker 1>and she was only like fifty. So the headline of

0:20:07.720 --> 0:20:11.280
<v Speaker 1>her obituary says, you know, essentially the woman who helped

0:20:11.440 --> 0:20:15.639
<v Speaker 1>create Halloween. And it's real fucked up for me to

0:20:15.680 --> 0:20:19.200
<v Speaker 1>think that, like the story genesis actually might have been hers,

0:20:19.200 --> 0:20:21.280
<v Speaker 1>because if it says a Debris Hill film, she was

0:20:21.359 --> 0:20:26.000
<v Speaker 1>probably the one who was behind the right. Yeah, so yeah,

0:20:26.080 --> 0:20:29.120
<v Speaker 1>you know, she helped create it, you know, But that's

0:20:29.119 --> 0:20:32.240
<v Speaker 1>such a it's such a diminutive way of talking about

0:20:32.240 --> 0:20:35.760
<v Speaker 1>her role in this movie. And then the other John Carpenter,

0:20:36.359 --> 0:20:38.000
<v Speaker 1>But I guess. You know, it's one of those things

0:20:38.000 --> 0:20:40.560
<v Speaker 1>where headlines there are just like so and so's wife

0:20:40.680 --> 0:20:43.560
<v Speaker 1>does this, you know, Yeah, it's the his wife of

0:20:44.600 --> 0:20:49.560
<v Speaker 1>his wife. Yeah, it's that's really frustrating and disappoine I'm

0:20:49.560 --> 0:20:52.520
<v Speaker 1>saying she also was involved with The Fog, Escape from

0:20:52.520 --> 0:20:55.000
<v Speaker 1>New York and Escape from l A some of my

0:20:55.040 --> 0:20:59.440
<v Speaker 1>favorite films for sure. Well, poor went out for Deborah tonight.

0:20:59.520 --> 0:21:02.600
<v Speaker 1>That's so fucking frustrating. I love. One of my favorite

0:21:02.600 --> 0:21:05.600
<v Speaker 1>things is that she I hope that she came up

0:21:05.600 --> 0:21:09.600
<v Speaker 1>with the conkis to door storyline for the Fog. You

0:21:09.600 --> 0:21:11.560
<v Speaker 1>guys have ever seen that, It's just like I have

0:21:12.240 --> 0:21:17.479
<v Speaker 1>ghost conkyst doors are just like sure invading a radio station,

0:21:17.800 --> 0:21:22.800
<v Speaker 1>so wonderful. And yeah, I I feel like a woman

0:21:22.840 --> 0:21:25.520
<v Speaker 1>being a driving force behind this project does show at

0:21:25.680 --> 0:21:29.919
<v Speaker 1>a lot of points because because I do have a

0:21:29.920 --> 0:21:33.480
<v Speaker 1>lot of these horror movies of this era conflated, I

0:21:33.640 --> 0:21:37.640
<v Speaker 1>assumed that this movie was going to be less good

0:21:37.640 --> 0:21:40.400
<v Speaker 1>to women that and that the female characters in the story,

0:21:40.400 --> 0:21:43.200
<v Speaker 1>I guess we're going to be less active than they

0:21:43.400 --> 0:21:46.040
<v Speaker 1>than they ended up being. Because I think that I

0:21:46.080 --> 0:21:48.000
<v Speaker 1>mean a lot of horror movies that came out like

0:21:48.040 --> 0:21:50.000
<v Speaker 1>when I was in high school. First of all, they

0:21:50.000 --> 0:21:53.880
<v Speaker 1>were remix of a lot of these, and they were worse,

0:21:54.040 --> 0:21:57.720
<v Speaker 1>where like female characters were even less active, and there

0:21:57.760 --> 0:22:00.439
<v Speaker 1>was even more pressure for them to be you know,

0:22:00.600 --> 0:22:03.720
<v Speaker 1>scantily clad. And I mean, I guess, you know, Annie,

0:22:04.320 --> 0:22:08.040
<v Speaker 1>there there are some clear moments, but I I don't know,

0:22:08.080 --> 0:22:12.200
<v Speaker 1>I was flord. Something happened in the nineties and early

0:22:12.280 --> 0:22:15.439
<v Speaker 1>aughts that turned me off of a lot of horror films.

0:22:15.440 --> 0:22:17.080
<v Speaker 1>And it was really nice when I could find some

0:22:17.800 --> 0:22:20.560
<v Speaker 1>that kind of bucked those trends, some international movies that

0:22:20.600 --> 0:22:22.640
<v Speaker 1>had come around around that time that you know, we're

0:22:22.640 --> 0:22:24.919
<v Speaker 1>just a little bit different, or some indies, you know,

0:22:25.000 --> 0:22:28.120
<v Speaker 1>like the movie May came out around that time, Lucky

0:22:28.200 --> 0:22:31.320
<v Speaker 1>McKee's movie, and you know that's one where like a

0:22:31.359 --> 0:22:35.120
<v Speaker 1>woman is very very present and wonderful and so good

0:22:35.160 --> 0:22:39.280
<v Speaker 1>Angela Bettison, Anna Faris or in that one. Interesting. Yeah,

0:22:39.280 --> 0:22:41.040
<v Speaker 1>I feel like a lot of it kind of just

0:22:41.080 --> 0:22:44.720
<v Speaker 1>turned into this like torture porn genre of you know,

0:22:44.840 --> 0:22:48.800
<v Speaker 1>just like brutality with like no nuance almost, but again

0:22:48.840 --> 0:22:52.000
<v Speaker 1>I don't know enough about it's true, So really it

0:22:52.119 --> 0:22:54.800
<v Speaker 1>was a driving force in that and it's a really

0:22:54.800 --> 0:22:57.439
<v Speaker 1>interesting thing. I did interview one of the directors of

0:22:57.480 --> 0:23:00.920
<v Speaker 1>the Saw franchise, um Darren Bousman, who it's a really

0:23:01.040 --> 0:23:03.879
<v Speaker 1>kind person and you know, he owes a lot of

0:23:03.920 --> 0:23:06.840
<v Speaker 1>his career to Saw, but you know he's got children

0:23:06.880 --> 0:23:09.560
<v Speaker 1>now and he's like, I would never direct one of

0:23:09.600 --> 0:23:12.000
<v Speaker 1>those movies if I were the person that I am now.

0:23:12.320 --> 0:23:14.760
<v Speaker 1>You know, I'm not sure if I would. I'm not

0:23:14.840 --> 0:23:17.080
<v Speaker 1>comfortable with it. I'm not I don't want to put

0:23:17.119 --> 0:23:19.600
<v Speaker 1>that into the world, you know. So he's like a

0:23:19.640 --> 0:23:22.800
<v Speaker 1>weird thing that happened and in that time period. That's

0:23:22.800 --> 0:23:25.560
<v Speaker 1>so interesting that he went on record as well, well,

0:23:25.600 --> 0:23:28.439
<v Speaker 1>well link that to that interview too, because that is

0:23:28.920 --> 0:23:30.520
<v Speaker 1>I think kind of like cool of him to to

0:23:30.640 --> 0:23:34.119
<v Speaker 1>cop to as well. Interesting. You know, everyone outgrows some

0:23:34.200 --> 0:23:36.880
<v Speaker 1>of their their old desires, their old things that they

0:23:36.880 --> 0:23:39.800
<v Speaker 1>wanted to make, and you feel like it's childish and

0:23:39.840 --> 0:23:41.439
<v Speaker 1>you're you know, you're kind of caught up in like

0:23:41.480 --> 0:23:43.800
<v Speaker 1>this is the zeitgeist of what was going on in horror.

0:23:43.840 --> 0:23:46.560
<v Speaker 1>Then sure, kind of going off of that, that was

0:23:46.720 --> 0:23:48.800
<v Speaker 1>the reason I wasn't, I mean, part of the reason

0:23:48.840 --> 0:23:51.040
<v Speaker 1>I'm not that into horror movies because I you know,

0:23:51.200 --> 0:23:53.520
<v Speaker 1>wasn't allowed to watch any of them growing up. But

0:23:53.600 --> 0:23:56.119
<v Speaker 1>the reason I wasn't allowed to watch them wasn't because

0:23:56.160 --> 0:23:58.920
<v Speaker 1>of the fact that they were scary. It was because

0:23:59.080 --> 0:24:02.159
<v Speaker 1>of the torture are elements to it, where I remember

0:24:02.200 --> 0:24:05.960
<v Speaker 1>my mom was very turned off by the like sexualized

0:24:06.000 --> 0:24:08.119
<v Speaker 1>elements of the movies that we're coming out. Then I

0:24:08.160 --> 0:24:11.800
<v Speaker 1>think that the Final Destination franchise also kind of fell

0:24:11.840 --> 0:24:14.639
<v Speaker 1>into that category as it went on for me. I

0:24:14.680 --> 0:24:18.359
<v Speaker 1>like those movies. Yeah, jeff I mean Jeffrey Riddick, like

0:24:18.400 --> 0:24:20.760
<v Speaker 1>a gay black man, created one of the most successful

0:24:20.880 --> 0:24:24.760
<v Speaker 1>franchises in horror history. And I am a very big

0:24:24.800 --> 0:24:29.440
<v Speaker 1>fan of the first few Destinations, like really big fan

0:24:29.480 --> 0:24:32.560
<v Speaker 1>of them. I saw three first, and I have such

0:24:32.560 --> 0:24:35.679
<v Speaker 1>a the roller Coaster one. I think that the first one.

0:24:35.720 --> 0:24:40.760
<v Speaker 1>I I love three and our producer Sophie really was

0:24:40.960 --> 0:24:44.679
<v Speaker 1>what an iconic movie. I really loved the roller Coaster

0:24:44.720 --> 0:24:46.960
<v Speaker 1>one stuck with me for years, like that was so

0:24:47.040 --> 0:24:54.200
<v Speaker 1>the tanning bed, Yeah, they're electrocuted. Oh my god, it's horrible.

0:24:54.280 --> 0:24:57.840
<v Speaker 1>I mean we're not even talking about the lumber whatever

0:24:57.960 --> 0:25:00.440
<v Speaker 1>coming off of the back of the truck going through

0:25:01.359 --> 0:25:07.080
<v Speaker 1>to OK. We got to talk about Halloween. But but

0:25:07.480 --> 0:25:09.480
<v Speaker 1>all I have to say, you know, Halloween is marketably

0:25:09.520 --> 0:25:13.240
<v Speaker 1>different from for sure and the early two thousands. So

0:25:13.400 --> 0:25:18.600
<v Speaker 1>Halloween is not the first slasher movie. There's some kind

0:25:18.600 --> 0:25:20.760
<v Speaker 1>of debate as to what it is. But but Halloween

0:25:20.920 --> 0:25:25.639
<v Speaker 1>is credited as ushering in the popularity of the slasher

0:25:25.840 --> 0:25:29.520
<v Speaker 1>sub genre because this was a huge box office hit.

0:25:29.600 --> 0:25:33.480
<v Speaker 1>It had a low budget if I think around dollars,

0:25:33.520 --> 0:25:37.679
<v Speaker 1>and it grossed seventy million in the box office, you know,

0:25:37.920 --> 0:25:43.120
<v Speaker 1>super popular. Really helped usher in the slasher sub genre,

0:25:43.359 --> 0:25:45.400
<v Speaker 1>and it made Jamie Lee Curtis. That was like her

0:25:45.440 --> 0:25:48.439
<v Speaker 1>first Scream queen role. I don't think a lot of

0:25:48.440 --> 0:25:51.280
<v Speaker 1>people understand when they try to copy these kinds of movies.

0:25:51.320 --> 0:25:54.159
<v Speaker 1>They don't understand what the key to success was in

0:25:54.240 --> 0:25:56.359
<v Speaker 1>the first one. Like I do think that, you know,

0:25:56.400 --> 0:25:58.320
<v Speaker 1>when you're looking at Nightmare on Elm Street, I think

0:25:58.359 --> 0:26:01.640
<v Speaker 1>that that's a really great six us full kind of slasher,

0:26:02.000 --> 0:26:05.800
<v Speaker 1>you know, rip off in some ways of these slightly

0:26:05.840 --> 0:26:11.040
<v Speaker 1>earlier ones, because there is a very interesting and enigmatic killer,

0:26:11.320 --> 0:26:14.560
<v Speaker 1>you know, and it's very creative, and you know, you

0:26:14.600 --> 0:26:17.800
<v Speaker 1>look at this as a precursor to any other slasher

0:26:17.880 --> 0:26:21.639
<v Speaker 1>and you're like, wow, this is extremely creative. Um, and

0:26:21.640 --> 0:26:24.679
<v Speaker 1>now it's just been done so many times. Yeah. And

0:26:24.720 --> 0:26:27.000
<v Speaker 1>also I didn't know. I didn't know the origin story

0:26:27.119 --> 0:26:29.639
<v Speaker 1>of Michael Myers, but just the fact that he was

0:26:29.680 --> 0:26:33.080
<v Speaker 1>originally among memonies, not this like abstract monster that you

0:26:33.119 --> 0:26:36.919
<v Speaker 1>don't know where he came from. He literally came from

0:26:37.040 --> 0:26:39.480
<v Speaker 1>the same suburb where he's now. I don't know. That's

0:26:39.640 --> 0:26:43.399
<v Speaker 1>that makes it scarier, just like for sure. Yeah, so

0:26:43.480 --> 0:26:47.000
<v Speaker 1>I want to talk about the brutalization of women in

0:26:47.040 --> 0:26:51.399
<v Speaker 1>horror movies. So what are you talking about? I don't sorry,

0:26:51.400 --> 0:26:54.240
<v Speaker 1>I made a mistake to um, I'll just go home.

0:26:55.480 --> 0:27:00.000
<v Speaker 1>So horror as a genre, as with all genres, there

0:27:00.000 --> 0:27:04.919
<v Speaker 1>are certain genre specific tropes that revolve around gender, and

0:27:05.040 --> 0:27:09.520
<v Speaker 1>many of those tropes mean a misguided or damaging portrayal

0:27:09.600 --> 0:27:13.639
<v Speaker 1>of women. But horror especially, I think it's worth talking

0:27:13.640 --> 0:27:19.760
<v Speaker 1>about because unlike say, action adventure, fantasy sci fi movies,

0:27:19.800 --> 0:27:23.040
<v Speaker 1>where women are generally sidelined and not allowed to participate

0:27:23.200 --> 0:27:26.919
<v Speaker 1>much in the story, horror movies, especially slashers and probably

0:27:26.920 --> 0:27:30.639
<v Speaker 1>other subgenres, generally allow women to be much more active

0:27:30.680 --> 0:27:34.080
<v Speaker 1>participants in the story. But this means that they are

0:27:34.080 --> 0:27:39.160
<v Speaker 1>also often very heavily brutalized. So I want to kind

0:27:39.160 --> 0:27:42.720
<v Speaker 1>of break down the people who get attacked in this

0:27:42.800 --> 0:27:46.760
<v Speaker 1>movie by gender. So the first thing we see is

0:27:47.119 --> 0:27:52.160
<v Speaker 1>the Myers teen girl at the very beginning being brutally stabbed. Look, yeah,

0:27:52.240 --> 0:27:55.600
<v Speaker 1>look at my tids, little brother. She's proud of them.

0:27:56.040 --> 0:28:04.880
<v Speaker 1>She is like eight year old packing the clown mask shot. Yeah,

0:28:05.000 --> 0:28:06.760
<v Speaker 1>but I do have to say the clown masks shot

0:28:06.800 --> 0:28:10.040
<v Speaker 1>actually does obscure some of the tips. It's it's a

0:28:10.080 --> 0:28:13.040
<v Speaker 1>weird thing, like it's less lurid than it would be.

0:28:13.880 --> 0:28:20.720
<v Speaker 1>Just it also makes you think that he's much taller. Yeah. Anyways, right,

0:28:21.000 --> 0:28:25.159
<v Speaker 1>um So, then her boyfriend leaves before the stabbing happened,

0:28:25.200 --> 0:28:29.639
<v Speaker 1>so he escapes the brutality. There the nurse outside of

0:28:29.680 --> 0:28:33.080
<v Speaker 1>the hospital that she and Dr Lomas go too, she

0:28:33.160 --> 0:28:36.159
<v Speaker 1>gets attacked, not killed, but Michael Myers does kind of

0:28:36.200 --> 0:28:40.040
<v Speaker 1>like struggle with her. Meanwhile, Dr Loomis is not attacked,

0:28:40.520 --> 0:28:44.600
<v Speaker 1>so so far it's two women and no men. Like that.

0:28:44.600 --> 0:28:46.280
<v Speaker 1>That woman never shows up in the movie again because

0:28:46.320 --> 0:28:49.000
<v Speaker 1>she's like, no, fuck this, you guys do like I am,

0:28:49.200 --> 0:28:54.440
<v Speaker 1>like I'm getting transferred. This is fucking not okay. Good

0:28:54.480 --> 0:29:01.240
<v Speaker 1>for her up. Nurse Betty is who she became. I

0:29:01.240 --> 0:29:04.480
<v Speaker 1>would watch that TV show, watch that sitcom. Isn't there

0:29:04.480 --> 0:29:08.560
<v Speaker 1>a movie called Nurse Betty did? Yeah with them? She

0:29:08.600 --> 0:29:10.920
<v Speaker 1>has amnesia. She seems like a murder and then has

0:29:10.960 --> 0:29:16.479
<v Speaker 1>amnesia about it. Literally this movie. Okay, okay, yeah, Nurse Betty. Okay.

0:29:16.680 --> 0:29:20.160
<v Speaker 1>Next thing we see is a dead man's body by

0:29:20.200 --> 0:29:23.440
<v Speaker 1>a red truck. He's already dead. There's no woman present,

0:29:23.520 --> 0:29:25.680
<v Speaker 1>so we don't see a man attacked, but we do

0:29:25.760 --> 0:29:29.520
<v Speaker 1>see his dead body. Next thing is Annie getting strangled

0:29:29.560 --> 0:29:32.040
<v Speaker 1>in the car and then her neck is slashed by

0:29:32.200 --> 0:29:36.760
<v Speaker 1>Michael Myers. Annie's boyfriend Paul, however, is not present, so

0:29:36.880 --> 0:29:40.000
<v Speaker 1>he is not attacked too bad. Maybe he had pants

0:29:40.840 --> 0:29:47.680
<v Speaker 1>kind of lens um. Then we see Linda get attacked

0:29:47.680 --> 0:29:51.760
<v Speaker 1>and strangled, and then her boyfriend Bob also gets strangled

0:29:51.760 --> 0:29:54.440
<v Speaker 1>and then stabbed, so finally there's a We see a

0:29:54.520 --> 0:29:58.560
<v Speaker 1>man crucified teen boy as well, and then at the

0:29:58.640 --> 0:30:03.120
<v Speaker 1>very end, Laurie is repeatedly attacked by Michael Myers, but

0:30:03.200 --> 0:30:07.200
<v Speaker 1>there's no sort of male counterpart there for him to

0:30:07.200 --> 0:30:11.600
<v Speaker 1>be attacked, so it's essentially five women we see attacked

0:30:11.640 --> 0:30:16.160
<v Speaker 1>in the movie and only one man we see being

0:30:16.320 --> 0:30:21.760
<v Speaker 1>brutalized April. This is not an unusual ratio, is it? Or?

0:30:21.880 --> 0:30:24.720
<v Speaker 1>Or is it? No? Now, I mean there's usually I

0:30:24.760 --> 0:30:28.360
<v Speaker 1>mean you might say it's like if there are seven people,

0:30:28.360 --> 0:30:30.720
<v Speaker 1>who's usually four women and three men. You know, there's

0:30:30.720 --> 0:30:34.040
<v Speaker 1>always at least one more woman who's who's separate, and

0:30:34.080 --> 0:30:36.680
<v Speaker 1>she's usually like the slut, you know, and it's great.

0:30:37.000 --> 0:30:40.960
<v Speaker 1>She's like the most charismatic character and everyone's like, oh,

0:30:41.040 --> 0:30:43.840
<v Speaker 1>she's definitely dying Paras Hulton and the House of Wax.

0:30:44.040 --> 0:30:47.240
<v Speaker 1>Oh my god, yeah, is the one I got to

0:30:47.240 --> 0:30:49.560
<v Speaker 1>do for that. Yeah, let's I guess I have seen

0:30:49.560 --> 0:30:52.600
<v Speaker 1>a lot of these things. Um, yeah, I liked. I

0:30:53.280 --> 0:30:55.920
<v Speaker 1>did like the skanky ones of the early and mid auts.

0:30:56.280 --> 0:30:59.200
<v Speaker 1>Those are most of the ones that I saw. Five

0:30:59.600 --> 0:31:04.440
<v Speaker 1>right well to that point. Of the women who are

0:31:04.840 --> 0:31:08.240
<v Speaker 1>attacked and killed, certainly in this movie and in many,

0:31:08.320 --> 0:31:11.840
<v Speaker 1>if not most slasher movies, all those women are sexualized

0:31:11.840 --> 0:31:15.520
<v Speaker 1>in some way. Where the Meyers girl at the beginning

0:31:15.920 --> 0:31:18.000
<v Speaker 1>is seen making out with a boy and then presumably

0:31:18.040 --> 0:31:20.880
<v Speaker 1>they have sex, and then she is stabbed. Annie is

0:31:20.920 --> 0:31:22.840
<v Speaker 1>on her way to have sex with Paul. We see

0:31:22.840 --> 0:31:26.120
<v Speaker 1>her undressed because of the butter, she apparently spills all

0:31:26.120 --> 0:31:30.080
<v Speaker 1>over her clothes mad. She gets so mad about the

0:31:30.080 --> 0:31:32.680
<v Speaker 1>whole butter situation. I'm like, Okay, it seems like there's

0:31:32.680 --> 0:31:34.960
<v Speaker 1>a lot of metaphors in this movie, like what's the butter?

0:31:35.600 --> 0:31:43.040
<v Speaker 1>It's like I spilled loop all over myself? Oh no,

0:31:44.080 --> 0:31:47.920
<v Speaker 1>um and the and then Linda has sex with Bob

0:31:48.040 --> 0:31:53.400
<v Speaker 1>and then gets strangled to death. So because and we've

0:31:53.520 --> 0:31:55.680
<v Speaker 1>hinted at this before, we've talked about this before, I

0:31:55.680 --> 0:31:58.160
<v Speaker 1>think on the Friday the thirteenth episode, and it's worth

0:31:58.200 --> 0:32:01.520
<v Speaker 1>going into a lot more on this episode because Laurie

0:32:01.560 --> 0:32:05.840
<v Speaker 1>Strode is, you know, the virgin type. She ends up

0:32:05.880 --> 0:32:09.600
<v Speaker 1>being the final girl where while she is attacked by

0:32:09.640 --> 0:32:13.320
<v Speaker 1>the killer she survives. Well. I think there's a lot

0:32:13.440 --> 0:32:18.200
<v Speaker 1>of indicators attached to Laurie's character that, from my read

0:32:18.240 --> 0:32:21.880
<v Speaker 1>of it, went even beyond her being the virgin where

0:32:22.360 --> 0:32:24.760
<v Speaker 1>and it's kind of all the classic indicators. But you know,

0:32:24.800 --> 0:32:26.640
<v Speaker 1>at the beginning, we find out that she's very into

0:32:26.680 --> 0:32:29.040
<v Speaker 1>her studies and she like gives a funk that she

0:32:29.160 --> 0:32:31.840
<v Speaker 1>forgot her chem book and everyone else was like whatever,

0:32:32.080 --> 0:32:36.880
<v Speaker 1>where you know butter? And she instead of hanging out

0:32:36.920 --> 0:32:41.200
<v Speaker 1>with boys, she's doing a very maternal activity. She's taking

0:32:41.240 --> 0:32:45.840
<v Speaker 1>care of children. Uh, she is. She's she's knitting, you guys,

0:32:45.880 --> 0:32:50.040
<v Speaker 1>Like she actually brings her knitting materials with her her.

0:32:50.120 --> 0:32:52.600
<v Speaker 1>The two weapons she uses are a knitting needle and

0:32:52.600 --> 0:32:55.080
<v Speaker 1>a clothes hanger, so she's using I think we were

0:32:55.080 --> 0:32:58.640
<v Speaker 1>talking about this recently, like just domestic kind of feminine

0:32:58.640 --> 0:33:01.480
<v Speaker 1>weapons to attack this man, which I thought was kind

0:33:01.520 --> 0:33:05.320
<v Speaker 1>of like cool and an interesting I mean, she is

0:33:05.400 --> 0:33:08.880
<v Speaker 1>kind of she's resourceful, but it also does mean that, Yeah,

0:33:08.920 --> 0:33:10.600
<v Speaker 1>we were talking about on the Raiders of the Last

0:33:10.640 --> 0:33:12.840
<v Speaker 1>Dark episode where Mary and Raven would right. The one

0:33:12.840 --> 0:33:15.400
<v Speaker 1>weapon she uses is a frying pan to like hit

0:33:15.400 --> 0:33:18.760
<v Speaker 1>a guy over the head with, which is another domestic item.

0:33:18.840 --> 0:33:21.800
<v Speaker 1>It's an observation of something I think. I mean, there's

0:33:21.840 --> 0:33:24.240
<v Speaker 1>different ways to look at it where you know it

0:33:24.400 --> 0:33:27.720
<v Speaker 1>could be used to her advantage of Like, yes, she's resourceful,

0:33:27.720 --> 0:33:31.080
<v Speaker 1>she's using what's around um and she's not I guess

0:33:31.640 --> 0:33:35.200
<v Speaker 1>taking the mass like the masculine whatever phalic item to

0:33:35.280 --> 0:33:37.760
<v Speaker 1>turn it on a man. And you know she's using

0:33:37.960 --> 0:33:41.320
<v Speaker 1>the feminine objects that are around her. I don't, I

0:33:41.400 --> 0:33:44.160
<v Speaker 1>don't know, I can I can see that both ways,

0:33:44.200 --> 0:33:47.240
<v Speaker 1>but there's and then she's dressed differently than every other

0:33:47.280 --> 0:33:51.120
<v Speaker 1>woman in the movie too big baggy sweaters, really cool

0:33:51.120 --> 0:33:54.160
<v Speaker 1>penny loafers. Though I really like I'm like really into

0:33:54.160 --> 0:33:56.520
<v Speaker 1>her style. I like and he's my favorite, but I

0:33:56.560 --> 0:34:00.520
<v Speaker 1>liked the look. That was a good look. They bought

0:34:00.520 --> 0:34:03.320
<v Speaker 1>her wardrobe at j C. Penny. Is some trivia that

0:34:03.360 --> 0:34:08.279
<v Speaker 1>I read does not surprise me. And I also am

0:34:08.320 --> 0:34:11.759
<v Speaker 1>a Penny kid. So all of my clothes from like

0:34:11.920 --> 0:34:16.839
<v Speaker 1>ages I think five till eighteen were bought at j C. Penny. Yeah,

0:34:17.000 --> 0:34:19.360
<v Speaker 1>I think that we got my clothes at Marshals and

0:34:19.400 --> 0:34:21.839
<v Speaker 1>they had bought it from j C. Penny. So it's

0:34:21.880 --> 0:34:24.560
<v Speaker 1>like last season J Cure. Sure, but you know it

0:34:24.640 --> 0:34:28.399
<v Speaker 1>trickles down. Uh So. Kind of looking at this from

0:34:28.440 --> 0:34:31.920
<v Speaker 1>a screenwriting perspective, I do have a master's screen in

0:34:32.040 --> 0:34:34.040
<v Speaker 1>screenwriting from Boston University. I hate to bring it up,

0:34:34.040 --> 0:34:39.440
<v Speaker 1>but I think there is a very specific reason the

0:34:39.440 --> 0:34:41.759
<v Speaker 1>slasher movies like this have a lot of women in

0:34:41.800 --> 0:34:45.960
<v Speaker 1>them as the main characters. Because filmmakers of horror movies

0:34:46.000 --> 0:34:49.600
<v Speaker 1>are going to use whatever tools they can to heighten

0:34:49.920 --> 0:34:54.680
<v Speaker 1>and amplify the horror, and they think that it's scarier

0:34:54.760 --> 0:34:58.000
<v Speaker 1>when a woman gets attacked, because women are perceived as

0:34:58.000 --> 0:35:02.960
<v Speaker 1>being weaker by society, so brutalizing women has a greater

0:35:03.239 --> 0:35:06.719
<v Speaker 1>like emotional impact on the audience. Well, I also, I mean,

0:35:07.320 --> 0:35:10.240
<v Speaker 1>I also think that it's just in the world more

0:35:10.719 --> 0:35:15.200
<v Speaker 1>likely that men are attacking women for reasons that are

0:35:15.239 --> 0:35:19.880
<v Speaker 1>deep seated women don't fully understand than than the reverse. Well,

0:35:19.920 --> 0:35:22.840
<v Speaker 1>there's also the I mean, this is a biblical story construction.

0:35:22.880 --> 0:35:26.000
<v Speaker 1>I think people forget that horror movies are actually drawn

0:35:26.120 --> 0:35:29.839
<v Speaker 1>from very deep, long histories. Um. And so even if

0:35:29.840 --> 0:35:32.279
<v Speaker 1>you look at Night of the Hunter, for instance, that

0:35:32.440 --> 0:35:36.279
<v Speaker 1>is you know, really kind of beautiful fairy tale of

0:35:36.320 --> 0:35:40.799
<v Speaker 1>an early horror film, and it is also one where

0:35:40.920 --> 0:35:43.960
<v Speaker 1>women who feel sexual are the ones who are murdered.

0:35:44.440 --> 0:35:47.359
<v Speaker 1>And it's also you know, a comment on what that

0:35:47.480 --> 0:35:50.840
<v Speaker 1>is on the Killer and you know, talking about God

0:35:50.960 --> 0:35:53.320
<v Speaker 1>talking to him and telling him to do these things.

0:35:53.840 --> 0:35:55.920
<v Speaker 1>And in the same way you can see a little

0:35:55.920 --> 0:35:59.920
<v Speaker 1>bit about Michael Meyer perhaps having someone kind of talking

0:36:00.040 --> 0:36:02.239
<v Speaker 1>to him and telling to him that this is a

0:36:02.360 --> 0:36:06.200
<v Speaker 1>moral thing and that morally these people are bad. And

0:36:06.280 --> 0:36:09.360
<v Speaker 1>so it is to me it's always been very very biblical,

0:36:09.440 --> 0:36:12.440
<v Speaker 1>And I was raised Roman Catholic and we love horror movies.

0:36:12.920 --> 0:36:15.560
<v Speaker 1>It is about us. It is about us. It's like

0:36:15.640 --> 0:36:18.319
<v Speaker 1>our story where we're like, oh, yeah, that's so fucked up,

0:36:18.400 --> 0:36:21.480
<v Speaker 1>let's watch this, you know, and um, you know, you

0:36:21.520 --> 0:36:25.160
<v Speaker 1>can see that that trajectory from the earliest of horror

0:36:25.200 --> 0:36:29.920
<v Speaker 1>films of morality and women and um sexuality and who

0:36:29.920 --> 0:36:33.640
<v Speaker 1>gets punished and who isn't sure you know, watching something

0:36:33.680 --> 0:36:36.879
<v Speaker 1>like this where women are brutalized in some ways, it's

0:36:37.320 --> 0:36:39.960
<v Speaker 1>you know, reinforcing what I was taught as a child,

0:36:40.000 --> 0:36:43.480
<v Speaker 1>you know, about about that morality. And then also it

0:36:43.640 --> 0:36:48.239
<v Speaker 1>is circumventing it because there there is one woman who survives,

0:36:48.480 --> 0:36:52.520
<v Speaker 1>you know, and there is you know, yeah, it's it's

0:36:52.560 --> 0:36:55.240
<v Speaker 1>never like all good or all bad, you know. Sure,

0:36:55.280 --> 0:36:59.279
<v Speaker 1>a few different interpretations. I did some research afterwards just

0:36:59.320 --> 0:37:02.239
<v Speaker 1>to sure that I was that my reading of it

0:37:02.280 --> 0:37:05.319
<v Speaker 1>was sort of tracking, because you know, the morality play

0:37:05.440 --> 0:37:09.600
<v Speaker 1>elements of it seemed to read very clearly, where it

0:37:09.640 --> 0:37:13.760
<v Speaker 1>also didn't resonate with me on first viewing that there's

0:37:13.760 --> 0:37:16.319
<v Speaker 1>an implication at least that the reason because I was like,

0:37:16.360 --> 0:37:19.600
<v Speaker 1>why does Michael Myers kill his sister? Like, but I

0:37:19.640 --> 0:37:21.759
<v Speaker 1>didn't figure that out the first time, and then went

0:37:21.800 --> 0:37:23.480
<v Speaker 1>back and watched that scene again to be like, did

0:37:23.480 --> 0:37:25.960
<v Speaker 1>I miss something? I think the implication and then I

0:37:26.040 --> 0:37:29.640
<v Speaker 1>sort of checked this against other stuff is that he's

0:37:29.719 --> 0:37:33.920
<v Speaker 1>upset that she is in you know, like engaging in

0:37:34.280 --> 0:37:38.279
<v Speaker 1>sexual whatever instead of taking care of him, instead of

0:37:38.280 --> 0:37:41.000
<v Speaker 1>paying attention to him. And so it's his anger at

0:37:41.040 --> 0:37:46.680
<v Speaker 1>her sexuality versus taking care of him that motivates that killing,

0:37:47.400 --> 0:37:50.960
<v Speaker 1>which helps me out a lot with not justifying but

0:37:51.080 --> 0:37:54.359
<v Speaker 1>what is motivating the other Like it makes him so

0:37:54.440 --> 0:38:01.160
<v Speaker 1>mad when teenage women are sexual because they're not babysitting him, right,

0:38:01.640 --> 0:38:03.840
<v Speaker 1>But then I I was I think he's an in

0:38:03.920 --> 0:38:07.880
<v Speaker 1>cell and he's absolutely if only he just had that

0:38:08.080 --> 0:38:13.120
<v Speaker 1>terrifying internet community to go to at that time. And

0:38:13.160 --> 0:38:16.200
<v Speaker 1>then but then John Carpenter and it's again it's like

0:38:16.200 --> 0:38:18.600
<v Speaker 1>I wish I knew what Deborah Hill thought about this,

0:38:18.680 --> 0:38:22.600
<v Speaker 1>because Carpenter later went on the record is saying he

0:38:22.640 --> 0:38:26.000
<v Speaker 1>doesn't think Halloween is a morality play at all, and

0:38:26.080 --> 0:38:28.760
<v Speaker 1>he says people who say that completely missed the point

0:38:29.320 --> 0:38:33.360
<v Speaker 1>and then says quote the one okay, and his readom

0:38:33.360 --> 0:38:37.439
<v Speaker 1>like did you see your own movie? He says, uh,

0:38:37.760 --> 0:38:40.360
<v Speaker 1>quote the one girl who is the most sexually uptight,

0:38:40.440 --> 0:38:43.160
<v Speaker 1>just keeps stabbing this guy with a long knife. She's

0:38:43.200 --> 0:38:46.240
<v Speaker 1>the most sexually frustrated. She's the one that's killed him,

0:38:46.280 --> 0:38:48.319
<v Speaker 1>not because she's a virgin, but because of all that

0:38:48.440 --> 0:38:51.879
<v Speaker 1>sexually repressed energy starts coming out. She uses all those

0:38:51.880 --> 0:38:59.880
<v Speaker 1>phallic symbols on the guy. So that isn't that so too? Yeah? Also,

0:39:01.000 --> 0:39:04.120
<v Speaker 1>this happens a lot where critics of horror movies will

0:39:04.120 --> 0:39:07.440
<v Speaker 1>be like, the fallace is the knife and the thing,

0:39:07.480 --> 0:39:10.279
<v Speaker 1>and I don't really get I mean, I get why

0:39:10.320 --> 0:39:13.840
<v Speaker 1>this happens, but equating stabbing someone to death with a

0:39:13.920 --> 0:39:17.840
<v Speaker 1>knife and equating that too, I think that's a giant

0:39:17.920 --> 0:39:22.520
<v Speaker 1>clip personally, Like, you're just killing someone with a gigantic

0:39:23.320 --> 0:39:30.399
<v Speaker 1>Why are we equating penis vagina heteronormative penetrative sex? Why

0:39:30.480 --> 0:39:33.520
<v Speaker 1>does that get? I know why, But why does it

0:39:33.520 --> 0:39:37.720
<v Speaker 1>get equated with stabbing someone and murdering someone to death? Oh? Boy?

0:39:37.840 --> 0:39:40.200
<v Speaker 1>I mean I mean that maybe it's too much. Yeah,

0:39:42.360 --> 0:39:45.040
<v Speaker 1>you know, it's just like, don't sexualize my knife. My

0:39:45.120 --> 0:39:48.120
<v Speaker 1>knife is my knife just for murder, not don't gender

0:39:48.160 --> 0:39:51.280
<v Speaker 1>my knife. Um, guns are pretty clear, those are pretty

0:39:51.280 --> 0:40:00.920
<v Speaker 1>obviously penises when they come and they kill had Um,

0:40:01.000 --> 0:40:03.919
<v Speaker 1>we gotta take a quick break, but we'll come back

0:40:04.400 --> 0:40:12.680
<v Speaker 1>for more. And we're back. Can we talk a little

0:40:12.719 --> 0:40:17.880
<v Speaker 1>bit about the Final Girl trope? Because okay, no, I

0:40:17.880 --> 0:40:22.319
<v Speaker 1>mean you're this is, this is. We've only talked about

0:40:22.320 --> 0:40:26.840
<v Speaker 1>the Final Girl trope once last year when we did Friday.

0:40:28.000 --> 0:40:30.560
<v Speaker 1>So we'll talk about what it is and then we're

0:40:30.960 --> 0:40:33.920
<v Speaker 1>I'm very interested in what your read of it is

0:40:33.920 --> 0:40:35.839
<v Speaker 1>because I'm sure there's a whole secret history we don't

0:40:35.840 --> 0:40:39.959
<v Speaker 1>know about. Yeah. So um. It has become such an

0:40:40.040 --> 0:40:44.759
<v Speaker 1>easily recognizable trope that other horror movies have been referencing

0:40:44.760 --> 0:40:47.560
<v Speaker 1>it for a couple of decades now, Like in Screaming

0:40:47.600 --> 0:40:50.000
<v Speaker 1>gets talked about a lot, it gets alluded to in

0:40:50.120 --> 0:40:52.719
<v Speaker 1>Cabin in the Woods. There's even a movie called The

0:40:52.840 --> 0:40:55.080
<v Speaker 1>Final Girls that came out in two thousand fifteen, which

0:40:55.120 --> 0:40:59.640
<v Speaker 1>I did see in theaters brag um. But there's also

0:40:59.680 --> 0:41:02.600
<v Speaker 1>another movie called Just Final Girl came out like a

0:41:02.719 --> 0:41:07.120
<v Speaker 1>year after that. The trope is that the kind of virginal,

0:41:07.440 --> 0:41:12.480
<v Speaker 1>studious good girl who is among the cast of peers

0:41:12.560 --> 0:41:16.040
<v Speaker 1>who are are much more sexual than she is. She's

0:41:16.040 --> 0:41:20.000
<v Speaker 1>the one who gets away, She escapes and or defeats

0:41:20.239 --> 0:41:24.200
<v Speaker 1>the killer. Basically, she's the last survivor left alive after

0:41:24.239 --> 0:41:28.080
<v Speaker 1>the killer has murdered everybody else live long enough to

0:41:28.160 --> 0:41:33.719
<v Speaker 1>fuck baby? Can't I virgin? Right? So that's the thing

0:41:33.800 --> 0:41:39.239
<v Speaker 1>you behind that right there? Are Yep, I've read feminist

0:41:39.400 --> 0:41:46.080
<v Speaker 1>arguments for and against this trope and slasher movies in general.

0:41:46.480 --> 0:41:51.120
<v Speaker 1>But yeah, I'm curious to hear your take. It's something

0:41:51.120 --> 0:41:52.840
<v Speaker 1>that I've had to talk about so much then, like,

0:41:52.880 --> 0:41:55.680
<v Speaker 1>what have I not said before? Because if you're a

0:41:55.719 --> 0:41:58.839
<v Speaker 1>woman who is in horror, who likes horror, that's kind

0:41:58.840 --> 0:42:01.040
<v Speaker 1>of the first thing that people wanted to talk about. Um.

0:42:01.080 --> 0:42:04.719
<v Speaker 1>Annabella got herself into some trouble recently, director of a

0:42:04.760 --> 0:42:08.200
<v Speaker 1>movie called The Love which because she said that she

0:42:08.280 --> 0:42:12.239
<v Speaker 1>thinks that the Final Girls bullshit. UM, And it's Uh,

0:42:12.280 --> 0:42:15.760
<v Speaker 1>it's one of those things where are women who are

0:42:15.800 --> 0:42:18.160
<v Speaker 1>talking about the Final Girl and embracing the Final Girl.

0:42:18.239 --> 0:42:22.880
<v Speaker 1>Are they participating in their own you know, patriarchal destruction

0:42:23.280 --> 0:42:25.920
<v Speaker 1>or are they actually doing something that is feminist? And

0:42:26.000 --> 0:42:29.480
<v Speaker 1>I don't think that there's any one answer to to that. Um.

0:42:29.520 --> 0:42:32.480
<v Speaker 1>The way that I think about it is, um, something

0:42:32.600 --> 0:42:35.560
<v Speaker 1>that women have not had that many movies that we

0:42:35.640 --> 0:42:37.719
<v Speaker 1>get to see ourselves in right. And so one of

0:42:37.719 --> 0:42:40.120
<v Speaker 1>the reasons why I was always gravitating towards horror was

0:42:40.120 --> 0:42:43.200
<v Speaker 1>because you actually saw a female character, at least one generally,

0:42:43.200 --> 0:42:45.920
<v Speaker 1>who was very well developed. Um, and so it's like, okay,

0:42:45.920 --> 0:42:48.200
<v Speaker 1>great and she you know, often very strong, that kind

0:42:48.200 --> 0:42:50.960
<v Speaker 1>of thing. And in the same way that gay people

0:42:50.960 --> 0:42:54.560
<v Speaker 1>and people of color have had to kind of reinterpret

0:42:54.800 --> 0:42:58.520
<v Speaker 1>movies for their own use and their own instruction and

0:42:58.560 --> 0:43:02.080
<v Speaker 1>their own kind of like piece of mind. There you go.

0:43:02.520 --> 0:43:04.520
<v Speaker 1>I mean, that's the thing. It's like, we find what

0:43:04.560 --> 0:43:07.160
<v Speaker 1>we want in movies. And I think that it's completely

0:43:07.200 --> 0:43:10.880
<v Speaker 1>okay to look at a movie like you know, Halloween

0:43:10.880 --> 0:43:14.319
<v Speaker 1>and say, I idolize Jamie Lee Curtis's character in this

0:43:14.400 --> 0:43:17.520
<v Speaker 1>Laurie Strode, because you know, she survived and she's a

0:43:17.520 --> 0:43:21.319
<v Speaker 1>great character. She's got some texture and she's interesting. And

0:43:21.360 --> 0:43:23.920
<v Speaker 1>to say that that's something that you can exalt. And

0:43:23.960 --> 0:43:26.960
<v Speaker 1>I'm also okay with Annabeller saying that it's bullshit. You know.

0:43:27.040 --> 0:43:29.880
<v Speaker 1>I think that I think that you you look for

0:43:30.040 --> 0:43:33.160
<v Speaker 1>things that you want to be in film, even if

0:43:33.160 --> 0:43:36.480
<v Speaker 1>they're not quite there. Um. Some obviously are better than others.

0:43:36.480 --> 0:43:39.000
<v Speaker 1>I do think that Halloween has some interesting characters who

0:43:39.040 --> 0:43:43.200
<v Speaker 1>I love. I love sluts movies. I love them so much.

0:43:43.480 --> 0:43:47.319
<v Speaker 1>They're so fund annie. And that's one of another thing

0:43:47.320 --> 0:43:49.759
<v Speaker 1>where like in a horror movies, you only get to

0:43:49.800 --> 0:43:52.080
<v Speaker 1>see sluts in horror movies like kind of like fully,

0:43:52.200 --> 0:43:54.520
<v Speaker 1>kind of like self actualized, like this is who I am.

0:43:54.600 --> 0:43:56.560
<v Speaker 1>Of course, they get murdered, and I try not to

0:43:56.600 --> 0:43:59.279
<v Speaker 1>think about that, but I love their characters so much

0:43:59.360 --> 0:44:02.400
<v Speaker 1>and I love spending time with them. Um and so

0:44:02.560 --> 0:44:04.600
<v Speaker 1>you just have kind of have to look past some

0:44:04.719 --> 0:44:08.319
<v Speaker 1>other things and to enjoy what you want from it.

0:44:08.520 --> 0:44:13.319
<v Speaker 1>I definitely agree that it's a matter of examining each

0:44:13.480 --> 0:44:18.320
<v Speaker 1>individual movie and looking at how it decides to portray

0:44:18.560 --> 0:44:22.080
<v Speaker 1>the female characters, how it kind of comes about the

0:44:22.120 --> 0:44:26.200
<v Speaker 1>final girl scenario thing. It's not. I don't think the

0:44:26.280 --> 0:44:30.320
<v Speaker 1>idea of the final Girl is inherently good or bad.

0:44:30.360 --> 0:44:32.560
<v Speaker 1>I think it's just a matter of, Okay, how does

0:44:32.600 --> 0:44:35.040
<v Speaker 1>this movie, how do you handle it, and how how

0:44:35.040 --> 0:44:37.200
<v Speaker 1>do you interpret it as it plays out on screen?

0:44:37.400 --> 0:44:40.760
<v Speaker 1>In each individual movie, there's a I mean and and

0:44:41.080 --> 0:44:43.719
<v Speaker 1>I've like tempted to give Debra Hill most of the

0:44:43.760 --> 0:44:46.440
<v Speaker 1>credit for the parts of these movies that of this

0:44:46.520 --> 0:44:50.440
<v Speaker 1>movie specifically, that might kind of bug me, or I

0:44:50.520 --> 0:44:52.880
<v Speaker 1>might roll my eyes at another horror movies that I

0:44:52.920 --> 0:44:57.000
<v Speaker 1>didn't in this particular one. But one of the reasons

0:44:57.280 --> 0:44:59.920
<v Speaker 1>this movie was like still kind of scary to me

0:45:00.080 --> 0:45:04.479
<v Speaker 1>was it's like great use of voyeuristic shots because there's

0:45:04.640 --> 0:45:07.080
<v Speaker 1>so I mean, like that's worth A lot of the

0:45:07.120 --> 0:45:10.560
<v Speaker 1>horror comes from before people die. For minutes you're seeing

0:45:10.880 --> 0:45:14.719
<v Speaker 1>you're in the predators mask, or you're right behind him

0:45:14.760 --> 0:45:19.160
<v Speaker 1>and you're you're watching you know, you're watching Annie inexplicably

0:45:19.320 --> 0:45:21.480
<v Speaker 1>strip of nude in someone else's kitchen and put on

0:45:21.520 --> 0:45:25.520
<v Speaker 1>a dad's shirt or just stuff like that that plays

0:45:25.560 --> 0:45:28.160
<v Speaker 1>so well, especially when I was younger and still living

0:45:28.160 --> 0:45:30.760
<v Speaker 1>in the suburbs, of like the feeling of being watched

0:45:31.200 --> 0:45:35.280
<v Speaker 1>by a masked man when you're just trying to do

0:45:35.280 --> 0:45:37.120
<v Speaker 1>do your fucking thing, which I don't know, Like I

0:45:37.160 --> 0:45:39.160
<v Speaker 1>definitely had some peeping toms when I was a kid,

0:45:39.960 --> 0:45:42.319
<v Speaker 1>Like they were gross and my my stepdad had to

0:45:42.400 --> 0:45:45.320
<v Speaker 1>chase them away from the window, Like it was just weird.

0:45:45.800 --> 0:45:47.839
<v Speaker 1>That's the kind of thing that's like extremely you know,

0:45:47.920 --> 0:45:51.920
<v Speaker 1>resonant for a lot of suburban We had girls we

0:45:51.960 --> 0:45:56.360
<v Speaker 1>had like a closed shade rule after like six pm,

0:45:56.719 --> 0:46:00.279
<v Speaker 1>all shades to be closed once like me and my

0:46:00.360 --> 0:46:04.120
<v Speaker 1>cousin's hit Puberty. It was just like by towels over

0:46:04.160 --> 0:46:06.560
<v Speaker 1>the just in case. You know, like well because you

0:46:06.600 --> 0:46:08.759
<v Speaker 1>can see the shadows. That was an issue in my

0:46:08.840 --> 0:46:11.560
<v Speaker 1>neighborhood where we were closing the shade but you could

0:46:11.560 --> 0:46:14.200
<v Speaker 1>still see the silhouettes and the shadows, and that was

0:46:14.239 --> 0:46:19.080
<v Speaker 1>also not good. So the peepers was stay peeping in silhouette.

0:46:19.120 --> 0:46:22.719
<v Speaker 1>They would be old timey peeping and uh, and so

0:46:22.760 --> 0:46:25.280
<v Speaker 1>you had to like go the next So it does resonate,

0:46:25.760 --> 0:46:28.240
<v Speaker 1>it does, and you know, there's it's an interesting thing

0:46:28.360 --> 0:46:31.319
<v Speaker 1>that they have scenes of Annie just doing laundry like

0:46:31.400 --> 0:46:34.239
<v Speaker 1>that's just the and you're like, but you just know

0:46:34.520 --> 0:46:37.680
<v Speaker 1>that he's out there somewhere when she couldn't watch whose

0:46:37.719 --> 0:46:40.680
<v Speaker 1>You're like, oh, she's dead, but then she's not. Then

0:46:40.719 --> 0:46:44.799
<v Speaker 1>the then then Lindsay the kid who for oh like

0:46:44.880 --> 0:46:47.920
<v Speaker 1>a large portion of her time on screen is catatonic

0:46:48.000 --> 0:46:50.719
<v Speaker 1>watching the thing, which that was really funny. That was

0:46:50.760 --> 0:46:54.719
<v Speaker 1>something because we're recording an episode on Scream tomorrow and uh,

0:46:55.120 --> 0:46:57.759
<v Speaker 1>something that showed up in this movie. And then in

0:46:58.000 --> 0:47:01.480
<v Speaker 1>Scream as well as like they're watching horror like this

0:47:01.560 --> 0:47:03.799
<v Speaker 1>is this horror movie takes place in a world where

0:47:03.800 --> 0:47:08.000
<v Speaker 1>horror movies already exist, which to me seems like why

0:47:08.040 --> 0:47:11.279
<v Speaker 1>they kept cutting back to the thing and you know,

0:47:11.360 --> 0:47:14.399
<v Speaker 1>kind of referencing stuff like that, which I think does

0:47:14.640 --> 0:47:17.680
<v Speaker 1>something to like strengthen the characters within the world, because

0:47:17.680 --> 0:47:19.840
<v Speaker 1>it's like, you know, it's it's so frustrating when you

0:47:19.880 --> 0:47:22.680
<v Speaker 1>see a character go into the place they shouldn't be

0:47:22.680 --> 0:47:24.520
<v Speaker 1>going into, and it's like, have you ever seen a

0:47:24.560 --> 0:47:26.600
<v Speaker 1>horror movie before? So a movie going out of its

0:47:26.600 --> 0:47:28.560
<v Speaker 1>way to be like, no, they've seen a horror movie before.

0:47:29.160 --> 0:47:32.279
<v Speaker 1>I appreciate that. Yeah, I do find out fascinating. And

0:47:32.280 --> 0:47:34.480
<v Speaker 1>there's definitely a lot more we can say about that

0:47:34.560 --> 0:47:38.400
<v Speaker 1>when we talk about Scream. But um, one of the

0:47:38.440 --> 0:47:42.160
<v Speaker 1>things I wanted to point out about Laurie's Strode as

0:47:42.640 --> 0:47:45.760
<v Speaker 1>the you know, final girl, as the as the remaining

0:47:46.360 --> 0:47:50.839
<v Speaker 1>survivor of this movie, is that we see her fight back.

0:47:50.960 --> 0:47:54.040
<v Speaker 1>She as we talked about, uses a few different weapons.

0:47:54.080 --> 0:47:58.080
<v Speaker 1>She is many toning up a fight, she's running away,

0:47:58.320 --> 0:48:01.920
<v Speaker 1>she's screaming for help. People are like bystandering the funk

0:48:01.960 --> 0:48:04.879
<v Speaker 1>out of that situation and ignoring her. There's a moment

0:48:04.960 --> 0:48:08.440
<v Speaker 1>she gets Tommy's attention by throwing the plant up at

0:48:08.440 --> 0:48:10.879
<v Speaker 1>his window, and she just like get the funk down,

0:48:11.040 --> 0:48:14.840
<v Speaker 1>which is also a questionable decision, but whatever. She's like,

0:48:14.960 --> 0:48:18.120
<v Speaker 1>let's get into the house where there's children. Um. Yeah,

0:48:18.440 --> 0:48:21.200
<v Speaker 1>but she does not think. She's not thinking. I mean

0:48:21.280 --> 0:48:24.879
<v Speaker 1>she's there's like a fight or flight situation going on,

0:48:25.000 --> 0:48:28.600
<v Speaker 1>and then it is I did find myself frustrated at times,

0:48:28.680 --> 0:48:30.680
<v Speaker 1>and maybe this is unfair of me because I have

0:48:30.760 --> 0:48:33.480
<v Speaker 1>not been in a situation where I've been chased by

0:48:34.000 --> 0:48:37.359
<v Speaker 1>a murderous, crazy person with a knife. You gotta try it,

0:48:37.400 --> 0:48:41.640
<v Speaker 1>but yeah, you can pay to get that done. I'm

0:48:41.680 --> 0:48:46.439
<v Speaker 1>just like people love experiences. It's experienced. But I was like,

0:48:46.760 --> 0:48:49.200
<v Speaker 1>she stabs the guy with a knitting needle and then

0:48:49.200 --> 0:48:51.560
<v Speaker 1>she just like collapses on the couch for a while.

0:48:52.040 --> 0:48:54.160
<v Speaker 1>The knife is right there, she drops it and it's

0:48:54.160 --> 0:48:56.520
<v Speaker 1>just like, no, like kill him some more like make

0:48:56.560 --> 0:48:59.840
<v Speaker 1>sure he's dead. Uh. And then so I was like frustrated.

0:48:59.840 --> 0:49:02.320
<v Speaker 1>But so I was like if I was in her shoes,

0:49:02.360 --> 0:49:05.759
<v Speaker 1>I would probably not be thinking clearly either. It's not

0:49:05.840 --> 0:49:08.800
<v Speaker 1>easy to kill a person, as it turns out movies

0:49:08.880 --> 0:49:10.760
<v Speaker 1>kind of make it seem as though it is easy

0:49:10.840 --> 0:49:13.120
<v Speaker 1>to kill someone to like get even if someone's trying

0:49:13.160 --> 0:49:16.960
<v Speaker 1>to hurt you. Having to hurt someone else in that way,

0:49:17.000 --> 0:49:20.120
<v Speaker 1>it's extremely difficult, for sure. I thought of that as well,

0:49:20.160 --> 0:49:21.719
<v Speaker 1>But then I was like, oh, it's probably like a

0:49:21.800 --> 0:49:25.520
<v Speaker 1>character thing, like they wouldn't want the leading lady to

0:49:25.520 --> 0:49:29.520
<v Speaker 1>to kill someone too hard or like or go quote

0:49:29.560 --> 0:49:34.000
<v Speaker 1>unquote overboard with like you know, forties stab wounds. Right,

0:49:34.840 --> 0:49:36.520
<v Speaker 1>that would have ended it right there, which I think

0:49:36.600 --> 0:49:40.200
<v Speaker 1>might be because Magic, well, yeah, because he keeps coming

0:49:40.200 --> 0:49:43.399
<v Speaker 1>back for all the sequels, even apparently if you're mentally ill,

0:49:43.560 --> 0:49:49.640
<v Speaker 1>you also are, yes, which is just a whole other thing, right,

0:49:50.080 --> 0:49:53.120
<v Speaker 1>If only that'd be, I'd be well, I think that

0:49:53.360 --> 0:49:57.480
<v Speaker 1>is why the thing happens at the end where Dr

0:49:57.640 --> 0:50:00.160
<v Speaker 1>Loomis is the one who kind of swoops in, and

0:50:00.200 --> 0:50:05.280
<v Speaker 1>I would argue saves Lorie by shooting Michael Myers, And yeah,

0:50:05.320 --> 0:50:08.799
<v Speaker 1>so I would have rather that not have had to

0:50:09.160 --> 0:50:12.360
<v Speaker 1>happen where a man kind of comes in and saves

0:50:12.400 --> 0:50:16.040
<v Speaker 1>the woman. I think it could have easily been that Lori,

0:50:16.280 --> 0:50:22.000
<v Speaker 1>who would have been perfectly justified, and she she had

0:50:22.040 --> 0:50:25.120
<v Speaker 1>it but yeah, Dr Limas comes in, shoots him and

0:50:25.120 --> 0:50:28.120
<v Speaker 1>then he falls out the window. Michael Myers disappears and

0:50:28.200 --> 0:50:30.440
<v Speaker 1>you know he's waiting for production to start on this

0:50:30.480 --> 0:50:34.759
<v Speaker 1>sequel whatever. But um yeah, he zaps over to like

0:50:34.800 --> 0:50:38.080
<v Speaker 1>a meeting. He's like, sorry, I got a development meeting. Um,

0:50:38.480 --> 0:50:40.040
<v Speaker 1>but we don't have to say that. Like, this is

0:50:40.160 --> 0:50:42.400
<v Speaker 1>kind of before we were getting like a lot of

0:50:42.400 --> 0:50:46.040
<v Speaker 1>horror movies that add sequels like in that period. So

0:50:46.080 --> 0:50:48.600
<v Speaker 1>it was a very brave thing of them to do narratively,

0:50:48.640 --> 0:50:50.799
<v Speaker 1>to be like, let's set up a sequel, because like,

0:50:51.160 --> 0:50:52.880
<v Speaker 1>was this going to be a sure hit? You know,

0:50:53.000 --> 0:50:56.080
<v Speaker 1>they didn't know. So having that kind of unresolved thing

0:50:56.120 --> 0:50:57.640
<v Speaker 1>in the end of this film is also, I have

0:50:57.760 --> 0:51:02.440
<v Speaker 1>to say, very fucking weird. Yeah all right. Um. I

0:51:02.480 --> 0:51:07.680
<v Speaker 1>also wanted to talk about the whiteness of horror movies

0:51:08.400 --> 0:51:13.640
<v Speaker 1>because maybe until very recently and even now, most slasher

0:51:13.880 --> 0:51:18.280
<v Speaker 1>films have a cast that is all or predominantly white,

0:51:19.000 --> 0:51:22.520
<v Speaker 1>as Jada Pinkett Smith's character in Scream Too, which I

0:51:22.640 --> 0:51:27.280
<v Speaker 1>recently rewatched, as she says the horror genre is historical

0:51:27.360 --> 0:51:31.240
<v Speaker 1>for excluding the African American element, and she says about

0:51:31.280 --> 0:51:34.399
<v Speaker 1>the slasher movie she's about to see in theaters is

0:51:34.440 --> 0:51:37.920
<v Speaker 1>a dumbass white movie about some dumbass white girls getting

0:51:37.960 --> 0:51:42.719
<v Speaker 1>their white asses cut the funk up. So that that's

0:51:42.719 --> 0:51:46.160
<v Speaker 1>pretty well sum up what a lot of slasher movies are. Um,

0:51:46.200 --> 0:51:48.680
<v Speaker 1>if there are people of color in the cast of

0:51:48.920 --> 0:51:51.720
<v Speaker 1>a slasher movie, they are often the first to die,

0:51:52.520 --> 0:51:57.200
<v Speaker 1>and they almost never survive until the end. And I

0:51:57.239 --> 0:51:58.560
<v Speaker 1>was kind of I was trying to do some reading

0:51:58.600 --> 0:52:00.799
<v Speaker 1>up about this and was sort of like trying to

0:52:00.880 --> 0:52:03.880
<v Speaker 1>make sense of why this is and and what are

0:52:03.880 --> 0:52:06.480
<v Speaker 1>the implications of this? And I think it's part of

0:52:06.480 --> 0:52:11.200
<v Speaker 1>it is that stories about rich tract of white women

0:52:11.640 --> 0:52:15.600
<v Speaker 1>are very sensationalized in the media, either in horror movies

0:52:15.800 --> 0:52:17.959
<v Speaker 1>or in the news. I mean, like think of John

0:52:17.960 --> 0:52:21.960
<v Speaker 1>Beny Ramsey and how we're still talking about that when

0:52:21.960 --> 0:52:26.520
<v Speaker 1>it's like her brother talking about Sorry, I mean, I

0:52:26.560 --> 0:52:30.000
<v Speaker 1>have seen every single everything pretty. And then when you

0:52:30.000 --> 0:52:33.640
<v Speaker 1>think about like the most famous serial killers, they are

0:52:33.760 --> 0:52:41.160
<v Speaker 1>the ones who generally targeted young white women. We started

0:52:41.160 --> 0:52:45.560
<v Speaker 1>to keep poking holes, right, So sorry barbaratus is the

0:52:45.560 --> 0:52:50.640
<v Speaker 1>exception to every role the golden standard. But story, real

0:52:50.640 --> 0:52:54.360
<v Speaker 1>life stories about women of color being killed are largely

0:52:54.440 --> 0:52:57.520
<v Speaker 1>ignored by the media. They don't get nearly as much

0:52:57.640 --> 0:53:01.840
<v Speaker 1>press coverage. And I don't know if slasher movies excluding

0:53:01.880 --> 0:53:06.160
<v Speaker 1>people of color from their stories is active commentary on that.

0:53:06.280 --> 0:53:09.160
<v Speaker 1>I don't think so. I think white people just don't

0:53:09.200 --> 0:53:12.360
<v Speaker 1>think about it. Yeah, I mean, we're talking about slashers

0:53:12.360 --> 0:53:15.480
<v Speaker 1>proliferating in the nineteen eighties when we also had um

0:53:15.560 --> 0:53:20.640
<v Speaker 1>John god sorry, what's his name, sixteen candles John Hughes.

0:53:20.640 --> 0:53:22.480
<v Speaker 1>So you've got John Hughes on this kind of like

0:53:22.680 --> 0:53:25.080
<v Speaker 1>family friendly type of thing, and he's doing the same thing,

0:53:25.120 --> 0:53:27.520
<v Speaker 1>and slashers are doing the same thing. The nineteen eighties

0:53:27.640 --> 0:53:30.800
<v Speaker 1>was the time of like flipped up collar assholes just

0:53:31.000 --> 0:53:34.680
<v Speaker 1>like you know heroes as heroes like you know, running wild,

0:53:34.800 --> 0:53:37.480
<v Speaker 1>They're the center of the story, They're the center of everything.

0:53:37.520 --> 0:53:40.120
<v Speaker 1>Even though that was, you know, the nineteen eighties, if

0:53:40.160 --> 0:53:42.799
<v Speaker 1>you look at the economics of that time, that's that's

0:53:43.120 --> 0:53:47.360
<v Speaker 1>representative of a very very small small number of people.

0:53:48.080 --> 0:53:54.080
<v Speaker 1>Reagan era movies are so fucking weird, fucking Reagan dude.

0:53:54.440 --> 0:53:58.080
<v Speaker 1>Although I love Land of Confusion video that Genesis, it

0:53:58.120 --> 0:54:02.040
<v Speaker 1>was so good, I would also guess that it was

0:54:02.120 --> 0:54:05.719
<v Speaker 1>just literally lack of thought. The closest I could get

0:54:05.920 --> 0:54:11.480
<v Speaker 1>was there representing like upper middle suburbia which probably wasn't

0:54:11.880 --> 0:54:16.120
<v Speaker 1>as accessible to non white people in this time. But

0:54:16.440 --> 0:54:19.520
<v Speaker 1>there's never I mean, there's no excuse to I feel

0:54:19.520 --> 0:54:24.440
<v Speaker 1>like this is probably across all genres at this time. UM, April,

0:54:24.480 --> 0:54:28.880
<v Speaker 1>have you found that that has changed significantly over time

0:54:29.080 --> 0:54:34.120
<v Speaker 1>or has has there been any progress whatsoever. It's weird.

0:54:34.160 --> 0:54:37.200
<v Speaker 1>You're seeing a lot of films that are UM, a

0:54:37.239 --> 0:54:41.279
<v Speaker 1>lot of directors, people of color specifically, who are kind

0:54:41.320 --> 0:54:44.040
<v Speaker 1>of in development on features right now, people who have

0:54:44.080 --> 0:54:47.480
<v Speaker 1>had shorts horror shorts or sci fi shorts that are

0:54:47.480 --> 0:54:49.600
<v Speaker 1>screening at festivals right now. And you see that and

0:54:49.640 --> 0:54:53.640
<v Speaker 1>you're saying, oh, that's the next generation. Um. When Tales

0:54:53.680 --> 0:54:57.160
<v Speaker 1>from the Hood came out, Rusty Kundiff's anthology horror, that

0:54:57.239 --> 0:54:59.680
<v Speaker 1>was one of the few that kind of really spoke

0:54:59.719 --> 0:55:02.000
<v Speaker 1>to that. Then you've got also um lepricn in the Hood,

0:55:02.000 --> 0:55:04.840
<v Speaker 1>and then it's follow up also embraced you know, African

0:55:04.880 --> 0:55:07.680
<v Speaker 1>American actors and you know, gave people their own slasher

0:55:07.719 --> 0:55:09.319
<v Speaker 1>And I have to say, Lepricon the Hood is one

0:55:09.320 --> 0:55:12.319
<v Speaker 1>of my favorite movies. I haven't seen. It is so

0:55:12.320 --> 0:55:15.719
<v Speaker 1>wonderful and there's actually some really interesting performances and those

0:55:15.760 --> 0:55:19.000
<v Speaker 1>are really amazing movies, but they're also quite rare. There's

0:55:19.000 --> 0:55:23.080
<v Speaker 1>a woman who runs a website actually called Grave Shift Sisters.

0:55:23.320 --> 0:55:26.080
<v Speaker 1>Graveyard Shift Sisters, that's what it is, and that's UM

0:55:26.080 --> 0:55:29.360
<v Speaker 1>specifically developed to talk about women of color in horror,

0:55:29.880 --> 0:55:32.840
<v Speaker 1>and so people are interested in that. Graveyard Shift Sisters

0:55:32.880 --> 0:55:35.080
<v Speaker 1>has some really interesting essays and kind of digs in

0:55:35.120 --> 0:55:38.520
<v Speaker 1>to find not just the women of color in features,

0:55:38.560 --> 0:55:41.200
<v Speaker 1>but in the shorts that you know, from those directors

0:55:41.200 --> 0:55:43.560
<v Speaker 1>who might go on to make these features. So it's

0:55:43.600 --> 0:55:46.280
<v Speaker 1>it's very fun to see that everyone checked that outs

0:55:46.280 --> 0:55:49.400
<v Speaker 1>so cool tweet out that link. That's awesome. When I

0:55:49.440 --> 0:55:52.400
<v Speaker 1>mean this is sort of casa because we're covering a

0:55:52.440 --> 0:55:54.520
<v Speaker 1>lot of movies this month that came out in the seventies.

0:55:54.560 --> 0:55:57.640
<v Speaker 1>We just did carry. Not only is it an all

0:55:57.719 --> 0:56:01.120
<v Speaker 1>white cast, but in terms of the women that we see,

0:56:01.520 --> 0:56:07.080
<v Speaker 1>there's no range of body types at which is you know,

0:56:07.320 --> 0:56:10.879
<v Speaker 1>almost goes without saying, but there it is. There. It is. Yes,

0:56:11.400 --> 0:56:16.960
<v Speaker 1>um also as per usual and extremely hetero movie, not

0:56:16.960 --> 0:56:19.920
<v Speaker 1>not a glimpse of queerness. Bapa Duke isn't anywhere to

0:56:19.960 --> 0:56:23.080
<v Speaker 1>be seen. Where's the Baba Duke in Halloween? He just

0:56:23.080 --> 0:56:27.319
<v Speaker 1>shows up. He's like, hey, Michael mis is like, that's

0:56:27.320 --> 0:56:31.600
<v Speaker 1>my line. Queerness in norror movies is also its own thing,

0:56:31.680 --> 0:56:34.160
<v Speaker 1>because you know, you do have some really wonderful kind

0:56:34.200 --> 0:56:36.880
<v Speaker 1>of lesbian vampire films that have been made, but then

0:56:36.920 --> 0:56:39.480
<v Speaker 1>you also have you know, like Buffalo Bill and Silence

0:56:39.480 --> 0:56:42.799
<v Speaker 1>and the Lambs, which is a construction that trans people

0:56:42.840 --> 0:56:46.120
<v Speaker 1>have had problems with, you know, for but also some

0:56:46.160 --> 0:56:49.959
<v Speaker 1>people have embraced him because of or her. I don't

0:56:50.000 --> 0:56:53.080
<v Speaker 1>I don't remember like what we would refer gender. Well,

0:56:53.160 --> 0:56:56.560
<v Speaker 1>that's because I think the movie misrepresents the trans experience

0:56:56.640 --> 0:56:59.040
<v Speaker 1>so much that it's hard to interpret what exactly they're

0:56:59.160 --> 0:57:01.799
<v Speaker 1>going for. Ye, And so yeah, there's you know, like

0:57:01.840 --> 0:57:06.440
<v Speaker 1>these lines between again, are you we rewriting it to

0:57:06.520 --> 0:57:09.040
<v Speaker 1>embrace this person because we don't see this person and

0:57:09.080 --> 0:57:11.759
<v Speaker 1>to kind of envelope them in our love and be like, oh,

0:57:11.800 --> 0:57:14.000
<v Speaker 1>I have empathy for you. I have sympathy for you

0:57:14.000 --> 0:57:16.240
<v Speaker 1>because I understand it was so difficult or something. So

0:57:16.520 --> 0:57:18.480
<v Speaker 1>you know, Buffalo Bill is a really we you know,

0:57:18.600 --> 0:57:21.360
<v Speaker 1>weird example to put into that, but you know, um,

0:57:21.400 --> 0:57:23.600
<v Speaker 1>there is a really great article that my friend Jordan's

0:57:23.680 --> 0:57:27.360
<v Speaker 1>Cruciola wrote for Vulture that is like fifty of the

0:57:27.400 --> 0:57:29.880
<v Speaker 1>best queer horror films, and I would highly suggest that

0:57:29.920 --> 0:57:34.960
<v Speaker 1>people check that out. Interesting, And you're you hit on

0:57:35.040 --> 0:57:39.040
<v Speaker 1>this point very briefly about Michael Myers and sort of

0:57:39.080 --> 0:57:42.720
<v Speaker 1>the way that horror movies deal with mental illnesses there

0:57:43.320 --> 0:57:45.040
<v Speaker 1>could you expand on that a little bit. I'm really

0:57:45.080 --> 0:57:48.360
<v Speaker 1>interested in that side of it, and it's, um, the

0:57:48.400 --> 0:57:52.440
<v Speaker 1>exploitation of mental illness in horror movies is something I've

0:57:52.440 --> 0:57:54.720
<v Speaker 1>thought about for a very long time. I am a

0:57:54.720 --> 0:57:57.800
<v Speaker 1>person who I would say is like mentally well now,

0:57:58.320 --> 0:58:01.280
<v Speaker 1>you know, but I've obviously, you know, being a woman,

0:58:02.080 --> 0:58:05.520
<v Speaker 1>have had my bouts with i'm sure my own mental illness.

0:58:05.560 --> 0:58:08.320
<v Speaker 1>So it's something that I even wrote an article about

0:58:08.360 --> 0:58:12.000
<v Speaker 1>this where I interviewed a few schizophrenic men about schizophrenia

0:58:12.080 --> 0:58:14.560
<v Speaker 1>portrayed in horror films to talk about how they get

0:58:14.560 --> 0:58:16.840
<v Speaker 1>that experience wrong or right. And it's something where we're

0:58:16.840 --> 0:58:19.080
<v Speaker 1>just trying to exploit what we think it is. You know,

0:58:19.080 --> 0:58:21.520
<v Speaker 1>there aren't many people who actually know what mental illnesses,

0:58:21.560 --> 0:58:24.000
<v Speaker 1>and I think that that's something that we're more careful

0:58:24.040 --> 0:58:27.440
<v Speaker 1>about now. But damn, we didn't fuck it up for

0:58:27.480 --> 0:58:30.400
<v Speaker 1>so many years, you know, And it's a it's a

0:58:30.680 --> 0:58:33.000
<v Speaker 1>I'm trying to even think about ones that get it right,

0:58:33.440 --> 0:58:36.240
<v Speaker 1>but there's always something that you can pick apart about it,

0:58:36.320 --> 0:58:39.400
<v Speaker 1>you know. Well, in this movie, it's um, I mean,

0:58:39.480 --> 0:58:43.400
<v Speaker 1>I am not a therapist or psychiatrist, so I can't

0:58:43.440 --> 0:58:49.960
<v Speaker 1>really properly diagnosed Michael Myers. Yes, but he has some

0:58:50.080 --> 0:58:53.640
<v Speaker 1>sort of some sort of psychosis is what he seems

0:58:53.680 --> 0:58:57.720
<v Speaker 1>to have, dissociative I I don't want to even pin

0:58:57.840 --> 0:59:01.800
<v Speaker 1>it to a specific mental illness, right. His doctor is like, nope,

0:59:01.800 --> 0:59:04.760
<v Speaker 1>just pure evil, and you're like, yeah, so you know,

0:59:04.960 --> 0:59:12.480
<v Speaker 1>if your doctor so it's pleasant. Right, So it's basically

0:59:12.560 --> 0:59:16.680
<v Speaker 1>equating mental illness with evil. I mean, I think it's

0:59:16.680 --> 0:59:22.800
<v Speaker 1>a pretty free which doesn't set a good precedent. I

0:59:22.840 --> 0:59:25.120
<v Speaker 1>just remembered Black Swan, I think is one that actually

0:59:25.120 --> 0:59:28.560
<v Speaker 1>does get a kind of mental illness corrected. So I

0:59:28.560 --> 0:59:31.720
<v Speaker 1>need to rewatch that. Um. I think it's an interesting

0:59:31.760 --> 0:59:35.800
<v Speaker 1>depiction that even most most ballerinas who suffered with issues,

0:59:36.120 --> 0:59:38.040
<v Speaker 1>we're just like, oh no, no, he gets it. This

0:59:38.080 --> 0:59:40.800
<v Speaker 1>is right. This is like it feels, you know, like

0:59:40.840 --> 0:59:43.920
<v Speaker 1>you're just depressed and you're really love that movie. It's

0:59:43.960 --> 0:59:47.280
<v Speaker 1>so good. I really really love that movie. But yeah,

0:59:47.480 --> 0:59:52.000
<v Speaker 1>horror movies mishandle a lot of things a lot of

0:59:52.000 --> 0:59:57.080
<v Speaker 1>the time, often specifically the portrayal of mental illness, the

0:59:57.120 --> 1:00:01.360
<v Speaker 1>representation of the trans experience, and then it ends up

1:00:01.760 --> 1:00:06.520
<v Speaker 1>perpetuating the stigma against mental illness and society it creates

1:00:06.560 --> 1:00:09.760
<v Speaker 1>more transpanic things like that. So and that's why, I mean,

1:00:09.880 --> 1:00:15.520
<v Speaker 1>I think that even with genre movies, it's useful because

1:00:15.560 --> 1:00:19.720
<v Speaker 1>it's easier to spot this stuff because they're like campiness

1:00:19.720 --> 1:00:22.120
<v Speaker 1>and being over the magnified, right, Like, I think this

1:00:22.160 --> 1:00:25.800
<v Speaker 1>stuff is present in all movies, like any drama that

1:00:25.840 --> 1:00:28.400
<v Speaker 1>came out, and I'm sure that these same elements are present,

1:00:28.480 --> 1:00:30.920
<v Speaker 1>but because everything's turned up to an eleven, it's that

1:00:31.080 --> 1:00:33.040
<v Speaker 1>much more clear that when you look at it, what

1:00:33.200 --> 1:00:35.720
<v Speaker 1>is it forty years later now you're like, oh, this

1:00:35.880 --> 1:00:39.360
<v Speaker 1>couldn't be more obvious, when at the time that I don't.

1:00:39.440 --> 1:00:41.240
<v Speaker 1>I don't know, yeah, just like the values of the

1:00:41.320 --> 1:00:44.240
<v Speaker 1>society are turned up to an eleven, and so I

1:00:44.280 --> 1:00:46.280
<v Speaker 1>don't know. I mean, it's helpful to look at movies

1:00:46.320 --> 1:00:49.680
<v Speaker 1>like this now into some degree because you don't have

1:00:49.760 --> 1:00:52.480
<v Speaker 1>to dig that deep to find to find out what

1:00:52.480 --> 1:00:54.600
<v Speaker 1>what is, what's going on. But there's also I mean,

1:00:54.800 --> 1:00:56.480
<v Speaker 1>I'm actually I'm like looking at my phone trying to

1:00:56.480 --> 1:00:59.280
<v Speaker 1>find this. But there's some listeners of my podcast who

1:00:59.320 --> 1:01:03.120
<v Speaker 1>are making a trans vampire zombie movie, I think, and

1:01:03.360 --> 1:01:05.120
<v Speaker 1>they were doing a go fund me and I can't

1:01:05.160 --> 1:01:07.960
<v Speaker 1>find what it is. If I can, we would love

1:01:08.000 --> 1:01:10.120
<v Speaker 1>to Yeah, we would love to see, but you share it.

1:01:10.520 --> 1:01:12.280
<v Speaker 1>That's one of the things that I'm really excited about

1:01:12.400 --> 1:01:14.240
<v Speaker 1>for horror and the futures. You know. I go to

1:01:14.280 --> 1:01:17.440
<v Speaker 1>these film fests and I see like Quarterly Fargiat's Revenge

1:01:17.520 --> 1:01:19.800
<v Speaker 1>movie and it is a rape prevenge movie that is

1:01:19.800 --> 1:01:22.520
<v Speaker 1>done in a way that I've never seen before, and

1:01:22.560 --> 1:01:26.040
<v Speaker 1>it is just like chills of you know, this woman

1:01:26.160 --> 1:01:29.520
<v Speaker 1>destroying these people, and but there's also a motion to it.

1:01:29.600 --> 1:01:32.360
<v Speaker 1>You know, there's like inner interiority, and there's character and

1:01:32.400 --> 1:01:35.920
<v Speaker 1>there's you know, and I'm excited about you know, Julie

1:01:36.000 --> 1:01:39.600
<v Speaker 1>Ducarnell's Raw, which is one of the best coming of

1:01:39.600 --> 1:01:42.080
<v Speaker 1>age sexuality movies that I've seen, and it is a

1:01:42.080 --> 1:01:44.560
<v Speaker 1>perfect movie. I will go on record as a perfect

1:01:44.560 --> 1:01:47.480
<v Speaker 1>movie thirty years from now. You will ask me April,

1:01:47.720 --> 1:01:49.520
<v Speaker 1>was this really a perfect movie? I'll say it is

1:01:49.560 --> 1:01:52.160
<v Speaker 1>still a perfect movie. I guarantee you. It's one of

1:01:52.200 --> 1:01:58.160
<v Speaker 1>Aristotle's picks too. Yeah, we keep getting a recommendations. Yeah. Um.

1:01:58.240 --> 1:02:01.920
<v Speaker 1>Does anyone have any other final thought about Halloween as

1:02:01.960 --> 1:02:05.880
<v Speaker 1>it pertains to the treatment of women and just speaking

1:02:05.920 --> 1:02:10.360
<v Speaker 1>to the movie in general, still scary and weirdly as

1:02:10.400 --> 1:02:13.400
<v Speaker 1>I think sort of genre films tend to be an

1:02:13.560 --> 1:02:17.440
<v Speaker 1>education on the values of that time in a pretty

1:02:17.600 --> 1:02:20.160
<v Speaker 1>tight hour and a half, which I always appreciate. Yeah,

1:02:20.160 --> 1:02:22.600
<v Speaker 1>I'm just like, oh great, I love this. It's like

1:02:22.720 --> 1:02:26.560
<v Speaker 1>under an I was like, we're out of here is great? Um. Yeah,

1:02:26.640 --> 1:02:28.760
<v Speaker 1>And I just want to say, like, in keeping with

1:02:28.840 --> 1:02:30.800
<v Speaker 1>something that we had brought up Earli, where there are

1:02:30.840 --> 1:02:33.720
<v Speaker 1>more women who are, you know, killed in these movies.

1:02:33.960 --> 1:02:35.880
<v Speaker 1>I do think that one of the reasons why is

1:02:35.920 --> 1:02:39.160
<v Speaker 1>because women just make they actually make better characters. And

1:02:39.200 --> 1:02:42.560
<v Speaker 1>I'm like, they are different, And there's there's something about

1:02:42.720 --> 1:02:45.880
<v Speaker 1>like getting to know someone before they're murdered, because it

1:02:45.920 --> 1:02:48.160
<v Speaker 1>makes you cringe. You're like, oh my god, oh my god. No.

1:02:48.320 --> 1:02:50.640
<v Speaker 1>So there's something about like and I'm thinking about the

1:02:50.640 --> 1:02:52.920
<v Speaker 1>screenplays that I've written, like the horror screenplays, and I

1:02:52.920 --> 1:02:55.560
<v Speaker 1>do have more women in mine who get killed, but

1:02:55.600 --> 1:02:57.920
<v Speaker 1>it's just because I have more women characters because I

1:02:57.960 --> 1:03:01.200
<v Speaker 1>actually enjoy writing them more, and I think they reveal

1:03:01.240 --> 1:03:04.120
<v Speaker 1>their emotions and theirselves so quickly on screen in a

1:03:04.160 --> 1:03:07.080
<v Speaker 1>way that men it takes like much longer to get

1:03:07.160 --> 1:03:10.520
<v Speaker 1>them to come out and years long. Yeah, yeah, exactly.

1:03:10.520 --> 1:03:13.160
<v Speaker 1>It's like the economy of having women characters is also

1:03:13.200 --> 1:03:15.120
<v Speaker 1>I think something that speaks to to horror like that

1:03:15.200 --> 1:03:19.040
<v Speaker 1>people understand that they do make good characters. So for sure. Yeah,

1:03:19.080 --> 1:03:21.480
<v Speaker 1>I think one of the reasons that I'm not super

1:03:21.520 --> 1:03:26.800
<v Speaker 1>fond of the slasher sub genre is the very prominent

1:03:27.400 --> 1:03:32.120
<v Speaker 1>brutalization of women. But it is a sub genre where

1:03:32.200 --> 1:03:37.360
<v Speaker 1>there's mostly women present in the story and participating, and yes,

1:03:37.440 --> 1:03:41.560
<v Speaker 1>some of them get brutally killed, and it's hard to watch,

1:03:41.720 --> 1:03:46.640
<v Speaker 1>but we see a lot of granted it as mostly

1:03:47.400 --> 1:03:52.520
<v Speaker 1>young white women who by Western beauty standards, are attractive,

1:03:53.440 --> 1:03:57.680
<v Speaker 1>but it has produced some interesting characters. Um. I think

1:03:57.920 --> 1:04:01.800
<v Speaker 1>there's a reason that the lore E Strode character keeps

1:04:01.920 --> 1:04:04.600
<v Speaker 1>showing up in these movies and people are really excited

1:04:04.600 --> 1:04:07.600
<v Speaker 1>about this, so shots out Jamie Lake Curtis, she just

1:04:08.320 --> 1:04:10.600
<v Speaker 1>is she's great. Yeah, she's great. Big fan of her.

1:04:10.600 --> 1:04:12.760
<v Speaker 1>I mean it's like she's got some pretty good jeans.

1:04:13.160 --> 1:04:19.680
<v Speaker 1>Janet Lee True and um Curtis, Uh Curtis, thank you.

1:04:19.880 --> 1:04:26.120
<v Speaker 1>Couldn't come by it more. Honestly loved Freaky Friday. Yes,

1:04:26.240 --> 1:04:31.040
<v Speaker 1>her loved Friday. Freaky. If it paved the way for

1:04:31.160 --> 1:04:33.960
<v Speaker 1>Freaky Friday to happen in two thousand and three, I

1:04:34.000 --> 1:04:36.400
<v Speaker 1>have to support it. I can't a good conscience not

1:04:38.040 --> 1:04:41.760
<v Speaker 1>But yeah, I still have mixed feelings about this genre.

1:04:42.040 --> 1:04:45.640
<v Speaker 1>This movie I think is scary. It's well crafted, it's

1:04:45.640 --> 1:04:49.880
<v Speaker 1>well shot, it's well acted. There's more nuance to it

1:04:50.080 --> 1:04:53.520
<v Speaker 1>than a lot of slasher movies that showed up in

1:04:53.560 --> 1:04:58.560
<v Speaker 1>its wake. But I'm rarely going to watch a slasher

1:04:58.680 --> 1:05:03.760
<v Speaker 1>movie and feel empowered unless there was And maybe there

1:05:03.840 --> 1:05:08.080
<v Speaker 1>is an example of this where the killer is a

1:05:08.120 --> 1:05:11.160
<v Speaker 1>woman who kills a bunch of men. It's called the

1:05:11.200 --> 1:05:14.880
<v Speaker 1>Witch who Came from the Sea, and it's a great

1:05:14.880 --> 1:05:16.840
<v Speaker 1>I've got the Blue ray if you need to borrow it. Okay,

1:05:16.960 --> 1:05:18.760
<v Speaker 1>I think it's worth buying the Blue Ray. It's also

1:05:18.840 --> 1:05:21.240
<v Speaker 1>very hard to find, and it is a woman who

1:05:21.280 --> 1:05:24.920
<v Speaker 1>cuts off dicks. Yes, so, and it's beautiful. It's a

1:05:24.920 --> 1:05:30.520
<v Speaker 1>beautiful film. It's so gorgeous and trippy and wonderful. Nineteen seventies.

1:05:30.720 --> 1:05:35.200
<v Speaker 1>Oh wa era, Yeah, that's amazing. Okay, so slad. There

1:05:35.240 --> 1:05:39.800
<v Speaker 1>are slasher films that are easily read as feminist films.

1:05:40.080 --> 1:05:45.600
<v Speaker 1>There are This one I would say is very feminist film. Yeah,

1:05:45.600 --> 1:05:49.600
<v Speaker 1>there's there's some gray areas. Yes, mistakes were made, stakes

1:05:49.640 --> 1:05:52.760
<v Speaker 1>were made. Oh, one last thing for anyone who's keeping

1:05:52.840 --> 1:05:57.880
<v Speaker 1>track of what my name Caitlin Darante anagrams too relevant

1:05:57.920 --> 1:06:02.200
<v Speaker 1>to this movie. Caitlin Durante and ams to Lorie can't

1:06:02.400 --> 1:06:07.000
<v Speaker 1>die t N, as in Lorie can't die die misspelled,

1:06:07.040 --> 1:06:09.480
<v Speaker 1>it's just d I without the e, and then t

1:06:09.760 --> 1:06:13.880
<v Speaker 1>N obviously stands for tonight, So Lorie can't die tonight. Wow,

1:06:15.760 --> 1:06:19.160
<v Speaker 1>wish't you you have such an anagrammable name? Thank you

1:06:19.200 --> 1:06:22.680
<v Speaker 1>so much, thanks Mom and dad for I'm sure that's

1:06:22.720 --> 1:06:25.320
<v Speaker 1>why they Yeah, they're like, uh, we could name her

1:06:25.480 --> 1:06:31.000
<v Speaker 1>like you know, joey um? Shall we? Uh? Does this

1:06:31.200 --> 1:06:39.440
<v Speaker 1>film pass the vectal test three one? Yes, especially at

1:06:39.480 --> 1:06:42.520
<v Speaker 1>the beginning, Yes, a lot. While the women are still alive,

1:06:42.880 --> 1:06:45.360
<v Speaker 1>other women are still alive. They're talking about a lot

1:06:45.360 --> 1:06:48.160
<v Speaker 1>of books stuff. They're talking about a dance they're going

1:06:48.240 --> 1:06:51.040
<v Speaker 1>to go to, their talking about how Lorie doesn't have

1:06:51.200 --> 1:06:55.280
<v Speaker 1>anything to do that night and why it's like, oh, duh,

1:06:55.840 --> 1:07:00.920
<v Speaker 1>you're a virgin. Therefore you are not busy that the

1:07:00.960 --> 1:07:06.360
<v Speaker 1>line of latches, visions are just they're just waiting, they're

1:07:06.400 --> 1:07:12.360
<v Speaker 1>hanging out. They're talking about weed, weed stuff. Yeah, so

1:07:12.720 --> 1:07:15.280
<v Speaker 1>it was great and again shouts out to Debra Hill,

1:07:15.320 --> 1:07:17.720
<v Speaker 1>because you know what chances are if it was just

1:07:18.280 --> 1:07:20.280
<v Speaker 1>you can always tell, and we talked about this in

1:07:20.280 --> 1:07:23.720
<v Speaker 1>the Carry episode two. You can always tell when a

1:07:23.800 --> 1:07:25.919
<v Speaker 1>group of men are trying to write what they think

1:07:26.000 --> 1:07:30.360
<v Speaker 1>teenage girls sound like, because it's insane, just like Uncanny Valley,

1:07:30.400 --> 1:07:33.120
<v Speaker 1>full on polar express, like what are what has happening?

1:07:33.920 --> 1:07:37.640
<v Speaker 1>It's just insane. So but but the dialegue between the

1:07:37.680 --> 1:07:40.160
<v Speaker 1>women here, you know, it's like not they're not talking

1:07:40.160 --> 1:07:43.040
<v Speaker 1>about heavy hitting stuff, but there you know, they're typical

1:07:43.200 --> 1:07:47.640
<v Speaker 1>teenage girl talk tracked for me, Yeah, for sure. Shall

1:07:47.800 --> 1:07:50.480
<v Speaker 1>we rate the movie on our nipple scale? Let's do it.

1:07:50.880 --> 1:07:53.560
<v Speaker 1>We've got a nipple scale. It's zero to five nipples,

1:07:53.600 --> 1:07:57.880
<v Speaker 1>where we rate based on its portrayal of women. I

1:07:58.840 --> 1:08:00.640
<v Speaker 1>this is a tricky one for me, as I'm still

1:08:00.880 --> 1:08:03.240
<v Speaker 1>not putting it up against other horror films, are just

1:08:03.280 --> 1:08:06.560
<v Speaker 1>all films in general, because that's also a yeah. I

1:08:07.160 --> 1:08:11.720
<v Speaker 1>don't know. I think you kind of have to compare

1:08:11.720 --> 1:08:16.720
<v Speaker 1>it to other films of this specific genre, because if

1:08:16.720 --> 1:08:19.679
<v Speaker 1>we're putting it up against all movies, where most movies

1:08:19.840 --> 1:08:24.160
<v Speaker 1>don't brutally murder, you know, four different women, it's not

1:08:24.160 --> 1:08:29.040
<v Speaker 1>fair to can't be genres to every single yeah yeah,

1:08:29.240 --> 1:08:33.600
<v Speaker 1>so yeah, just putting it up against other slashers, but

1:08:33.760 --> 1:08:36.599
<v Speaker 1>keeping in mind that it is a movie that exists

1:08:36.640 --> 1:08:41.680
<v Speaker 1>within the whole, you know, umbrella of American film. I

1:08:41.760 --> 1:08:45.880
<v Speaker 1>guess I'm gonna land on like a two and a half,

1:08:47.040 --> 1:08:50.120
<v Speaker 1>which might seem low, it might seem high. I don't

1:08:50.240 --> 1:08:56.479
<v Speaker 1>know what I feel, because we do see the Laurie

1:08:56.560 --> 1:09:03.360
<v Speaker 1>Strode character is through resourcefulness she is able to escape

1:09:03.560 --> 1:09:06.720
<v Speaker 1>from uh certain death. She does have to have a

1:09:06.760 --> 1:09:08.639
<v Speaker 1>man kind of come in and save her at the end,

1:09:09.000 --> 1:09:14.599
<v Speaker 1>but overall, the development of the characters is I would say, again,

1:09:14.680 --> 1:09:18.160
<v Speaker 1>compared to other movies of this genre, I would say

1:09:18.200 --> 1:09:22.120
<v Speaker 1>it's pretty strong. Although her close friend Annie is very

1:09:22.160 --> 1:09:24.759
<v Speaker 1>mean to her a lot of the time, that seems

1:09:25.160 --> 1:09:31.840
<v Speaker 1>realistic for summer here because like sisterly different times, like

1:09:31.840 --> 1:09:34.400
<v Speaker 1>when they're talking about their plans for that night and

1:09:34.520 --> 1:09:37.280
<v Speaker 1>he's like, oh good, I've got three choices. Watch the

1:09:37.360 --> 1:09:40.800
<v Speaker 1>kids sleep, listen to Lynda, screw around, or talk to

1:09:40.880 --> 1:09:42.800
<v Speaker 1>you Lori. And it's like, oh, I was talking to

1:09:42.840 --> 1:09:47.040
<v Speaker 1>your good friend Lorie as unappealing as the other two options.

1:09:47.080 --> 1:09:50.880
<v Speaker 1>So that's not nice. I mean, to be fair, Lorie.

1:09:51.360 --> 1:09:54.560
<v Speaker 1>She literally cops her. She's like, I'm never doing anything,

1:09:55.040 --> 1:09:58.400
<v Speaker 1>so like not your first choice for a hang the

1:09:58.400 --> 1:10:00.679
<v Speaker 1>one who's like, yeah, no, I'm not up to anything

1:10:00.720 --> 1:10:05.040
<v Speaker 1>at any time, Like you're not my first call. Because

1:10:05.160 --> 1:10:09.200
<v Speaker 1>childhood there's only so many options. You're just the suburbs,

1:10:09.280 --> 1:10:12.000
<v Speaker 1>you know. I was that boring friend to many where

1:10:12.000 --> 1:10:14.080
<v Speaker 1>it's like, well she's you know, she's a she's a

1:10:14.080 --> 1:10:17.280
<v Speaker 1>good last pick because she'll be around. Yeah, they're right,

1:10:17.960 --> 1:10:19.519
<v Speaker 1>you guys want to come over and watch a movie.

1:10:20.400 --> 1:10:22.680
<v Speaker 1>My mom's got the hot glue gone out, Like that's me.

1:10:23.400 --> 1:10:27.840
<v Speaker 1>That was me, So yeah, I mean I think that

1:10:27.960 --> 1:10:32.600
<v Speaker 1>because this movie, I would say, handles, you know, the

1:10:32.960 --> 1:10:37.280
<v Speaker 1>nuance of of being a teen young woman in a

1:10:37.360 --> 1:10:41.760
<v Speaker 1>slasher movie better than other movies of its genre, but

1:10:41.880 --> 1:10:44.320
<v Speaker 1>also still requires that a bunch of women get killed

1:10:44.360 --> 1:10:48.080
<v Speaker 1>because they wanted to have sex. So yeah, I'm gonna

1:10:48.120 --> 1:10:49.840
<v Speaker 1>land right in the middle on a two and a half.

1:10:50.160 --> 1:10:53.280
<v Speaker 1>I'll give two to Laurie Strode and I will give

1:10:53.520 --> 1:10:58.760
<v Speaker 1>my half nip to the lack of understanding and the

1:10:58.880 --> 1:11:05.920
<v Speaker 1>misrepresentation of mental illness in horror movies. Fundip. I'm a

1:11:05.960 --> 1:11:08.679
<v Speaker 1>two for this one. Um not because I didn't enjoy

1:11:08.720 --> 1:11:11.519
<v Speaker 1>the movie and I see a lot of value in it.

1:11:11.720 --> 1:11:13.080
<v Speaker 1>And this is again, it's like, I would love to

1:11:13.160 --> 1:11:15.479
<v Speaker 1>watch this movie in a group and you know all

1:11:15.520 --> 1:11:18.040
<v Speaker 1>that stuff, but I would kind of argue that we

1:11:18.080 --> 1:11:20.799
<v Speaker 1>actually don't know these women very well. I like them all,

1:11:21.120 --> 1:11:25.960
<v Speaker 1>and I love Annie's character especially. I like Linda's character.

1:11:26.160 --> 1:11:30.080
<v Speaker 1>I like that they are openly sexual. Obviously they're punished

1:11:30.080 --> 1:11:32.400
<v Speaker 1>for it. That goes out saying for a lot of

1:11:32.400 --> 1:11:34.960
<v Speaker 1>these movies. But I can't name a second thing about

1:11:35.040 --> 1:11:39.280
<v Speaker 1>them really other than maybe they have a boyfriend, So

1:11:39.360 --> 1:11:43.160
<v Speaker 1>I don't know that. Actually, Linda says totally a lot,

1:11:43.720 --> 1:11:47.080
<v Speaker 1>so that's her thing. Two things seventeen years of Life

1:11:47.120 --> 1:11:51.200
<v Speaker 1>has a boyfriend, says totally loves beer, loves drinking and driving.

1:11:52.040 --> 1:11:55.360
<v Speaker 1>There's given the amount of time, because it is like

1:11:55.680 --> 1:11:59.519
<v Speaker 1>impressive and cool how much screen time women take up

1:11:59.640 --> 1:12:02.679
<v Speaker 1>in this movie. But given the amount of time they're

1:12:02.800 --> 1:12:06.080
<v Speaker 1>especially like long scenes we have with these women, I

1:12:06.120 --> 1:12:08.600
<v Speaker 1>do wish that there was a little bit more we

1:12:08.640 --> 1:12:10.639
<v Speaker 1>knew about it, because it's not like they're not there enough.

1:12:11.200 --> 1:12:13.040
<v Speaker 1>So I think, and and then I mean sort of

1:12:13.080 --> 1:12:16.320
<v Speaker 1>all the stuff we hit already. That is also a

1:12:16.320 --> 1:12:21.040
<v Speaker 1>criticism of the time in history, of the heteronormativity, of

1:12:21.160 --> 1:12:25.400
<v Speaker 1>the all whiteness of sort of what is almost expected

1:12:25.960 --> 1:12:29.280
<v Speaker 1>in in a movie of this time, and in the

1:12:29.360 --> 1:12:33.439
<v Speaker 1>mental illness stigma. I think it is. It isn'teresting. I

1:12:33.520 --> 1:12:38.439
<v Speaker 1>like the idea behind Michael Myers a lot where it's like,

1:12:38.479 --> 1:12:42.599
<v Speaker 1>this is a villain who hates women, and that's I'm

1:12:42.600 --> 1:12:45.320
<v Speaker 1>not saying that's good, but I am saying that there's

1:12:45.360 --> 1:12:49.120
<v Speaker 1>a lot of heroes in movies who hate women. Um

1:12:49.200 --> 1:12:53.360
<v Speaker 1>So in terms of like someone who's openly hateful of women,

1:12:53.680 --> 1:12:58.080
<v Speaker 1>at least it's pretty well understood that he is bad.

1:12:58.920 --> 1:13:02.680
<v Speaker 1>So thumbs up for that, Yeah, to to for me,

1:13:02.720 --> 1:13:05.400
<v Speaker 1>and give one to Laurie Strode, and give one Annie.

1:13:05.640 --> 1:13:08.240
<v Speaker 1>She she's just she's I want to be her friend.

1:13:08.720 --> 1:13:10.640
<v Speaker 1>She's so cool. I don't think she would have hung

1:13:10.680 --> 1:13:19.680
<v Speaker 1>out with me. She would have guarantee it. I'm what

1:13:19.760 --> 1:13:22.280
<v Speaker 1>about you. I'm going to go three, just because of

1:13:22.320 --> 1:13:24.920
<v Speaker 1>the kind of depth I have of knowledge of other

1:13:25.000 --> 1:13:29.360
<v Speaker 1>slashers and the more lured way in which these murders

1:13:29.360 --> 1:13:33.040
<v Speaker 1>are generally filmed. There's no, for instance, a knife kind

1:13:33.080 --> 1:13:35.920
<v Speaker 1>of lingering on a woman's naked belly or something like that.

1:13:36.080 --> 1:13:38.760
<v Speaker 1>There are there are different things that happen in slashers,

1:13:38.760 --> 1:13:41.720
<v Speaker 1>and I would say, this is actually quite tame. You know.

1:13:41.760 --> 1:13:43.760
<v Speaker 1>This is almost like the Hitchcock version of it, where

1:13:43.760 --> 1:13:47.040
<v Speaker 1>you never see the stab kind of thing, and that's, um,

1:13:47.080 --> 1:13:49.800
<v Speaker 1>that's just very different. I mean, I remember there are

1:13:49.960 --> 1:13:51.439
<v Speaker 1>movie scripts that I was reading when I was in

1:13:51.439 --> 1:13:54.599
<v Speaker 1>development horror films where it was just like a man

1:13:55.160 --> 1:13:57.880
<v Speaker 1>rapes a woman as he pulls out her spine, you know,

1:13:58.280 --> 1:14:01.200
<v Speaker 1>and we're looking at this and and those terms were

1:14:01.240 --> 1:14:02.880
<v Speaker 1>like I would say, like, that's you know, like the

1:14:02.920 --> 1:14:06.599
<v Speaker 1>real gross part, right, and then this is just it's

1:14:06.600 --> 1:14:09.680
<v Speaker 1>it's not as bad filmically, you know, it's it's the

1:14:09.720 --> 1:14:13.840
<v Speaker 1>cinematography is is much more tasteful, and the representation of

1:14:13.840 --> 1:14:16.240
<v Speaker 1>that is much more tasteful if you can be tasteful

1:14:16.280 --> 1:14:21.639
<v Speaker 1>about playing a woman. I don't know, but it's it's

1:14:21.680 --> 1:14:25.120
<v Speaker 1>it's it's almost like not over the top, and that's

1:14:25.120 --> 1:14:27.400
<v Speaker 1>something that I appreciate and I and I think that

1:14:27.439 --> 1:14:29.960
<v Speaker 1>you know what you're talking about with the fear coming

1:14:30.000 --> 1:14:34.240
<v Speaker 1>from the possibility of these murders is much more kind

1:14:34.240 --> 1:14:38.000
<v Speaker 1>of tangible and interesting to me. So yeah, three nips

1:14:38.640 --> 1:14:41.439
<v Speaker 1>for me? Would you like to give them too? I

1:14:41.479 --> 1:14:44.120
<v Speaker 1>gotta say, just like given to my three girls, right,

1:14:44.600 --> 1:14:47.799
<v Speaker 1>one for Linda, one for Annie, and one for Lorie.

1:14:48.880 --> 1:14:56.240
<v Speaker 1>Friends forever, friends, forever until in the next dimension. Maybe. Yeah. Well, April,

1:14:56.280 --> 1:15:00.280
<v Speaker 1>thank you so much for being here and educating us too,

1:15:00.280 --> 1:15:03.360
<v Speaker 1>because we we truly haven't explored this genre very much

1:15:03.760 --> 1:15:06.200
<v Speaker 1>on this show, So thank you so much. Thanks for

1:15:06.240 --> 1:15:08.320
<v Speaker 1>having me. Guys, where can we Where can we find you?

1:15:08.360 --> 1:15:10.599
<v Speaker 1>On on the webs? Well you can look for me

1:15:10.920 --> 1:15:13.880
<v Speaker 1>my maximum fun show called Switchblade Sisters, and on Who

1:15:13.920 --> 1:15:17.280
<v Speaker 1>Shot You Pod? And then um, you know, I write,

1:15:17.400 --> 1:15:23.519
<v Speaker 1>I write everywhere, It's true, everywhere it's yes, read April's stuff. Yes, Well,

1:15:23.680 --> 1:15:26.080
<v Speaker 1>we'll link to a lot of everything we discussed in

1:15:26.080 --> 1:15:28.880
<v Speaker 1>the show. Today as well, and you can follow us

1:15:28.920 --> 1:15:33.720
<v Speaker 1>at Bactel Cast on Twitter, Instagram, Facebook. You can subscribe

1:15:33.760 --> 1:15:37.360
<v Speaker 1>to our patreon ak Matreon, which is five dollars a

1:15:37.360 --> 1:15:40.040
<v Speaker 1>month and it gets you two bonus episodes every single month.

1:15:40.200 --> 1:15:44.560
<v Speaker 1>Really good month. This month we've got Bob, who was

1:15:44.760 --> 1:15:48.839
<v Speaker 1>noticeably absent from the film Halloween, and my new favorite critics,

1:15:48.880 --> 1:15:52.320
<v Speaker 1>it's the new Alpha Bollina Is. Didn't see the Baba

1:15:52.360 --> 1:15:54.800
<v Speaker 1>Duke in this. I think Alpha Billina would have. I

1:15:55.000 --> 1:15:59.439
<v Speaker 1>actually he was Michael Myers. We don't know, we don't know,

1:15:59.680 --> 1:16:07.800
<v Speaker 1>and early part I know, um so early role for him.

1:16:07.840 --> 1:16:09.760
<v Speaker 1>You know, he's still scraping around. People don't want to

1:16:09.760 --> 1:16:11.240
<v Speaker 1>see his face yet because it's just the world not

1:16:11.280 --> 1:16:15.800
<v Speaker 1>ready right. So anyways, people you know Indiana Johnes is

1:16:15.800 --> 1:16:17.760
<v Speaker 1>his first credited role, but it's just really the first

1:16:17.760 --> 1:16:21.080
<v Speaker 1>time you see face yea, yeah, yeah, so yeah. You

1:16:21.080 --> 1:16:24.799
<v Speaker 1>can go to um patreon dot com, backslash Bechtel Cast

1:16:24.920 --> 1:16:30.080
<v Speaker 1>to become a matron quick plug about our East Coast tour.

1:16:30.640 --> 1:16:34.679
<v Speaker 1>We're going to be in a few cities starting November three.

1:16:34.680 --> 1:16:38.800
<v Speaker 1>We're going to be in Philadelphia, Pennsylvania. On November four,

1:16:38.920 --> 1:16:41.479
<v Speaker 1>we're going to be in Washington, d C. And on

1:16:41.560 --> 1:16:43.760
<v Speaker 1>November five, we're going to be in New York City

1:16:43.800 --> 1:16:46.920
<v Speaker 1>as a part of the New York Comedy Festival. More

1:16:46.920 --> 1:16:50.120
<v Speaker 1>details about the movies, recovering guests, venues, and how to

1:16:50.120 --> 1:16:52.760
<v Speaker 1>get tickets go to bectel cast dot com. Go to

1:16:52.840 --> 1:16:57.320
<v Speaker 1>our live appearances tab and we'll have information there. You

1:16:57.360 --> 1:17:00.960
<v Speaker 1>can also check our Twitter and Facebook will besting the links,

1:17:01.000 --> 1:17:03.519
<v Speaker 1>so if you live in or near any of those studies,

1:17:03.880 --> 1:17:07.760
<v Speaker 1>we hope to see you there. Also go to t

1:17:07.960 --> 1:17:12.480
<v Speaker 1>public dot com slash the Bechdel Cast. Some special Halloween

1:17:12.560 --> 1:17:15.400
<v Speaker 1>designs will be loose by the time this word. Hey,

1:17:15.439 --> 1:17:19.280
<v Speaker 1>you want a feminist icon beetlejuice shirt, It's there, Like

1:17:19.360 --> 1:17:23.960
<v Speaker 1>it or not. It's available for a limited time only. Uh.

1:17:24.000 --> 1:17:26.639
<v Speaker 1>And we have our of course, our classic feminist icon

1:17:26.720 --> 1:17:31.160
<v Speaker 1>queer icon uh and other designs there. Um, all right,

1:17:31.520 --> 1:17:34.439
<v Speaker 1>how does the music again? Already? Forget? Oh? I was like,

1:17:34.520 --> 1:17:43.479
<v Speaker 1>do do do do? That's absolutely wrong. Bye bye