1 00:00:04,800 --> 00:00:04,920 Speaker 1: Up. 2 00:00:10,200 --> 00:00:27,880 Speaker 2: It's your modzillion pieces, would you do? Ladies and gentlemen, 3 00:00:27,920 --> 00:00:30,920 Speaker 2: Welcome to the Bananas Minneso. 4 00:00:32,000 --> 00:00:35,280 Speaker 1: We're doing another miniesot here comes like like a two 5 00:00:35,400 --> 00:00:38,839 Speaker 1: human cannon ball men and one human cannon ball cannon. 6 00:00:40,159 --> 00:00:42,440 Speaker 2: Who's first? You know that? And that's the question is 7 00:00:42,520 --> 00:00:45,879 Speaker 2: what is first considered when it's in a human cannibal? 8 00:00:45,920 --> 00:00:46,319 Speaker 3: Is it the. 9 00:00:46,280 --> 00:00:50,400 Speaker 2: Person closest to the explosion or the person who exits 10 00:00:50,479 --> 00:00:51,440 Speaker 2: the cannon first? 11 00:00:51,520 --> 00:00:54,120 Speaker 1: You know, I think the first person out will be 12 00:00:54,160 --> 00:00:56,240 Speaker 1: the one that actually reaches the net. I think the 13 00:00:56,320 --> 00:00:59,040 Speaker 1: second guy is just going to be flailing, So I'll 14 00:00:59,080 --> 00:01:01,760 Speaker 1: take I'll go second because you have a family, so 15 00:01:01,880 --> 00:01:02,840 Speaker 1: I'll take the risk. 16 00:01:03,040 --> 00:01:04,440 Speaker 3: You can be first man out. 17 00:01:04,720 --> 00:01:06,880 Speaker 2: I mean, I don't know that does also mean that 18 00:01:07,000 --> 00:01:10,360 Speaker 2: like you're your head or however we're stuffed in there. 19 00:01:11,040 --> 00:01:13,200 Speaker 2: You might just go right through me, do you know 20 00:01:13,240 --> 00:01:16,600 Speaker 2: what I mean? The explosion happens and your body just 21 00:01:16,680 --> 00:01:20,120 Speaker 2: goes through my body completely. Yeah, and you just come 22 00:01:20,160 --> 00:01:21,720 Speaker 2: out in a midst of Kurt. 23 00:01:22,319 --> 00:01:25,440 Speaker 1: Yeah, I'll just put on your clothes and pretend to 24 00:01:25,440 --> 00:01:28,400 Speaker 1: be you until your kids are in college. 25 00:01:28,720 --> 00:01:35,160 Speaker 2: They honestly will be so excited. Scotty came over socially 26 00:01:35,240 --> 00:01:39,039 Speaker 2: distanced and sat outside with us. Yes, the other day 27 00:01:39,600 --> 00:01:44,280 Speaker 2: for a couple hours, and afterwards the next day my 28 00:01:44,400 --> 00:01:48,640 Speaker 2: daughter was like, let's play Scottie and Olive. I'll be 29 00:01:48,840 --> 00:01:52,800 Speaker 2: Scottie and you're Olive and you sit there, and then 30 00:01:53,120 --> 00:01:56,200 Speaker 2: she would have to go, Olive, would you like to 31 00:01:56,240 --> 00:01:58,840 Speaker 2: see me ride my scooter? And I would be like, Scotti, 32 00:01:58,960 --> 00:02:01,080 Speaker 2: I would love to see you ride your scooter, and 33 00:02:01,080 --> 00:02:04,639 Speaker 2: then you're like, rider scooter. But it went on four 34 00:02:05,080 --> 00:02:06,000 Speaker 2: so long. 35 00:02:06,880 --> 00:02:09,840 Speaker 1: Well, I also can't take too much credit because I'm 36 00:02:09,840 --> 00:02:12,799 Speaker 1: probably one of like eight people she's seen in twenty twenty. 37 00:02:12,960 --> 00:02:16,520 Speaker 1: So I was just the most recent second man out 38 00:02:16,560 --> 00:02:18,000 Speaker 1: of the human cannonball cannon. 39 00:02:18,400 --> 00:02:20,760 Speaker 2: You're not one of eight people. You are one of 40 00:02:21,600 --> 00:02:23,040 Speaker 2: two people. 41 00:02:22,919 --> 00:02:23,760 Speaker 3: Please, here we go. 42 00:02:23,919 --> 00:02:28,160 Speaker 1: So the odds were in my favor this whole time. Yeah, 43 00:02:28,200 --> 00:02:31,520 Speaker 1: So Mini Sodes Bananimals. You guys, keep sending us to 44 00:02:31,560 --> 00:02:36,000 Speaker 1: your wonderful stories, your true stories from your life. Send 45 00:02:36,000 --> 00:02:39,040 Speaker 1: it to the Bananas Podcast on gmail dot com or 46 00:02:39,120 --> 00:02:41,480 Speaker 1: the Bananas Podcast. You can DM us, or you can 47 00:02:41,520 --> 00:02:44,280 Speaker 1: text it to me on the Bananas Phone, which I 48 00:02:44,320 --> 00:02:47,160 Speaker 1: think is two one three, two one four seven nine 49 00:02:47,200 --> 00:02:49,919 Speaker 1: seven to four, but we got some good ones. But honestly, Kurt, 50 00:02:49,960 --> 00:02:52,440 Speaker 1: I think you might need to go first because mine 51 00:02:53,120 --> 00:02:55,800 Speaker 1: is a longer one and I don't even have a 52 00:02:55,840 --> 00:02:58,480 Speaker 1: story to go, a personal story to go with it. 53 00:02:58,560 --> 00:03:00,600 Speaker 1: But it's so good that I feel like we should 54 00:03:00,600 --> 00:03:01,280 Speaker 1: go out online. 55 00:03:01,400 --> 00:03:04,359 Speaker 2: Here we go. So this one is coming in from 56 00:03:05,200 --> 00:03:09,919 Speaker 2: Instagram user Sally Laurie. Thank you Bis Sally. Here it 57 00:03:09,960 --> 00:03:13,720 Speaker 2: goes so bananas. This story is my weird personal experience 58 00:03:13,760 --> 00:03:17,640 Speaker 2: that has now become my go to icebreaker at parties 59 00:03:17,680 --> 00:03:20,920 Speaker 2: and other moments of awkward silence. I'm from the UK 60 00:03:21,080 --> 00:03:24,360 Speaker 2: and moved to Melbourne, Australia in twenty sixteen. While I 61 00:03:24,400 --> 00:03:26,800 Speaker 2: was still living in London, I went on a website 62 00:03:26,800 --> 00:03:30,040 Speaker 2: called flatmates dot com to line up some viewings for 63 00:03:30,200 --> 00:03:34,360 Speaker 2: spare rooms. Once I arrived twenty four hours after landing, 64 00:03:34,440 --> 00:03:37,040 Speaker 2: I got a reply from a nice girl from Brisbane 65 00:03:37,640 --> 00:03:41,160 Speaker 2: living in a nice Melbourne suburb. Easy, I thought, so 66 00:03:41,240 --> 00:03:43,600 Speaker 2: off I go and meet my first acquaintance. We hit 67 00:03:43,640 --> 00:03:45,920 Speaker 2: it off and the deal was done. Within a week. 68 00:03:45,960 --> 00:03:47,800 Speaker 2: I was moved in and we were getting along like 69 00:03:47,840 --> 00:03:50,520 Speaker 2: a house on fire over wine and cheese steaks. 70 00:03:50,680 --> 00:03:51,200 Speaker 3: Perfect. 71 00:03:51,320 --> 00:03:54,440 Speaker 2: Nothing can go wrong, expect cheese steaks in that moment. 72 00:03:54,760 --> 00:03:57,480 Speaker 3: Yeah, that's she's not from Philly, right, She's a brit So. 73 00:03:57,920 --> 00:04:01,600 Speaker 2: Cheese steaks is something for in Australia. I don't know. 74 00:04:02,880 --> 00:04:06,160 Speaker 2: Wine and cheese steaks don't necessarily seem Usually it's like 75 00:04:06,240 --> 00:04:08,279 Speaker 2: cheese steaks and a beer or a shot. 76 00:04:08,680 --> 00:04:09,760 Speaker 3: I think she's a poet. 77 00:04:09,840 --> 00:04:12,160 Speaker 1: I think she's just being creative and doing a little 78 00:04:12,200 --> 00:04:13,080 Speaker 1: poetic license. 79 00:04:13,320 --> 00:04:16,880 Speaker 2: I agree with you. One night on the TV, we 80 00:04:16,920 --> 00:04:21,080 Speaker 2: see an advert for an anniversary celebration of the kids 81 00:04:21,120 --> 00:04:25,240 Speaker 2: show Playschool Now. Weirdly enough, my aunt was a presenter 82 00:04:25,360 --> 00:04:28,120 Speaker 2: on the show back in the nineties. Once I tell 83 00:04:28,160 --> 00:04:31,200 Speaker 2: my new housemate this fact, she turns to me and 84 00:04:31,240 --> 00:04:34,360 Speaker 2: tells me that it's a small world because her mother's 85 00:04:34,400 --> 00:04:36,520 Speaker 2: cousin was married to said presenter. 86 00:04:37,120 --> 00:04:39,200 Speaker 3: Uh huh, so, so. 87 00:04:39,240 --> 00:04:42,480 Speaker 2: I have a small beautiful mind moment, and we both 88 00:04:42,520 --> 00:04:45,480 Speaker 2: spend a few moments in silence. After a couple of minutes, 89 00:04:45,520 --> 00:04:48,159 Speaker 2: we conclude that not only are we related, but we 90 00:04:48,240 --> 00:04:53,039 Speaker 2: are cousins and our grandmothers are sisters. Wow, there you go. 91 00:04:53,200 --> 00:04:57,080 Speaker 2: Somehow two cousins from twelve thousand miles apart, who had 92 00:04:57,080 --> 00:04:59,640 Speaker 2: never heard of one another, managed to end up living together. 93 00:05:00,120 --> 00:05:02,960 Speaker 2: Oh man, I love your podcast and take it with 94 00:05:03,000 --> 00:05:06,280 Speaker 2: me on Walks through the Bush snort, laughing among the 95 00:05:06,360 --> 00:05:07,159 Speaker 2: cuckoo bers. 96 00:05:07,600 --> 00:05:09,359 Speaker 3: Oh that's great, that's great. 97 00:05:09,480 --> 00:05:10,520 Speaker 2: That's a great story. 98 00:05:10,960 --> 00:05:13,760 Speaker 1: So she was watching a TV show she saw she said, 99 00:05:13,920 --> 00:05:15,560 Speaker 1: my my mom was on. 100 00:05:15,600 --> 00:05:19,080 Speaker 2: It was a presenter on the show. She said, my 101 00:05:19,200 --> 00:05:25,480 Speaker 2: mom's cousin was married to her. Huh yeah, interesting, crazy, right. 102 00:05:25,680 --> 00:05:27,760 Speaker 3: Yeah, it's that is. 103 00:05:28,440 --> 00:05:30,000 Speaker 1: It kind of makes sense to me in this weird 104 00:05:30,040 --> 00:05:32,960 Speaker 1: way because when I've always felt that there were like 105 00:05:33,480 --> 00:05:37,039 Speaker 1: twelve percent of people that any time I'm in any 106 00:05:37,080 --> 00:05:39,679 Speaker 1: country and I don't even need to talk to the person, 107 00:05:39,680 --> 00:05:41,359 Speaker 1: but I'll be in a cafe or I'll be in 108 00:05:41,360 --> 00:05:44,040 Speaker 1: a bar, and I'll usually i'd like to travel alone 109 00:05:44,080 --> 00:05:49,599 Speaker 1: as much as I can. I'll like make connections with 110 00:05:49,640 --> 00:05:51,880 Speaker 1: people that I don't know. But there's something that is 111 00:05:52,600 --> 00:05:54,919 Speaker 1: joining us, Like there is something and I'm not talking 112 00:05:54,920 --> 00:05:57,480 Speaker 1: like cosmic, but there's almost like it's all I think 113 00:05:57,480 --> 00:05:59,880 Speaker 1: it's probably genetic there, and it's in this case was 114 00:06:00,000 --> 00:06:02,159 Speaker 1: extremely genetic where you kind of look at somebody and 115 00:06:02,200 --> 00:06:04,520 Speaker 1: you laugh at the same thing, or you react the 116 00:06:04,560 --> 00:06:07,760 Speaker 1: same way, or you just notice them. And I've always 117 00:06:07,800 --> 00:06:10,560 Speaker 1: felt like and then sometimes you you know, you are 118 00:06:10,600 --> 00:06:13,120 Speaker 1: at a dinner party or you do meet those people 119 00:06:13,240 --> 00:06:15,440 Speaker 1: and then you kind of get along like you've been 120 00:06:15,480 --> 00:06:18,240 Speaker 1: friends for thirty years. It's a really weird phenomenon. 121 00:06:18,880 --> 00:06:22,360 Speaker 2: Oh yeah, there was. I have a very strange family, 122 00:06:22,400 --> 00:06:28,000 Speaker 2: as you know. But so my mom never knew who 123 00:06:28,080 --> 00:06:32,039 Speaker 2: her dad was. Oh really yeah, because my grandmother, my 124 00:06:32,080 --> 00:06:35,880 Speaker 2: mom's mom, she was a dancer, uh huh, and she 125 00:06:36,160 --> 00:06:41,840 Speaker 2: taught ballroom dancing on cruise ships, which and I have 126 00:06:41,880 --> 00:06:45,640 Speaker 2: a photographs from that time. Like it seems very glamorous 127 00:06:45,640 --> 00:06:48,320 Speaker 2: and everything, but as we know, as we know being 128 00:06:48,360 --> 00:06:51,720 Speaker 2: in the show business, Oh yeah, working cruise ships is 129 00:06:51,920 --> 00:06:55,920 Speaker 2: not a glamorous job. No, it is just a recipe 130 00:06:55,960 --> 00:07:02,520 Speaker 2: for going fucking insane. 131 00:07:00,279 --> 00:07:02,720 Speaker 1: And sort of a drunk floating orgy too, Like it 132 00:07:02,800 --> 00:07:04,800 Speaker 1: is sort of yeah, yeah, you have fun. 133 00:07:04,920 --> 00:07:06,520 Speaker 2: I mean that's the thing. It's like a drunk floating 134 00:07:06,600 --> 00:07:10,480 Speaker 2: orgy that gets old within like one month after you've 135 00:07:10,520 --> 00:07:14,960 Speaker 2: done your fifth trip to the Bahamas where you you 136 00:07:14,960 --> 00:07:16,640 Speaker 2: don't even get off the boat. You just like stay 137 00:07:16,680 --> 00:07:18,240 Speaker 2: in your room and like sleep through it. 138 00:07:18,600 --> 00:07:20,200 Speaker 3: Did you ever do that? Did you ever do stand up? 139 00:07:20,280 --> 00:07:22,000 Speaker 1: Or did you do improv, Like I know a lot 140 00:07:22,000 --> 00:07:26,040 Speaker 1: of improv teams go on like touring improv cruise ships. 141 00:07:26,040 --> 00:07:26,640 Speaker 3: That seems no. 142 00:07:26,960 --> 00:07:31,559 Speaker 2: I have done a cruise which was only like five days, 143 00:07:31,600 --> 00:07:33,040 Speaker 2: do you know what I mean? Where like we were 144 00:07:33,080 --> 00:07:36,360 Speaker 2: just doing comedy every night. It was part of a 145 00:07:36,600 --> 00:07:40,600 Speaker 2: Max Fun cruise, which was which was super fun and 146 00:07:40,640 --> 00:07:42,720 Speaker 2: had a great but also like by the end of 147 00:07:42,760 --> 00:07:44,640 Speaker 2: the fifth day, I was like, I gotta get the 148 00:07:44,840 --> 00:07:47,920 Speaker 2: fuck Okay. 149 00:07:48,000 --> 00:07:50,560 Speaker 3: So, anyways, your mom didn't know who her dad. 150 00:07:50,480 --> 00:07:54,960 Speaker 2: Was, didn't know her dad was. Then my mom meet 151 00:07:55,240 --> 00:07:59,119 Speaker 2: she re meets a high school sweetheart when she's sixty five. 152 00:07:59,240 --> 00:08:02,160 Speaker 2: She ends up getting married to that guy. He is 153 00:08:02,200 --> 00:08:08,480 Speaker 2: really into genealogy. He goes and finds who her dad is. Cool, 154 00:08:08,520 --> 00:08:12,200 Speaker 2: and then they have like a short correspondence before he dies. 155 00:08:13,120 --> 00:08:15,600 Speaker 2: But she finds out that she has like a sister 156 00:08:15,760 --> 00:08:18,800 Speaker 2: who's alive. They exchanged some letters. This is when my 157 00:08:18,840 --> 00:08:22,160 Speaker 2: mom is like sixty eight or something. And then I 158 00:08:22,280 --> 00:08:23,680 Speaker 2: was flying to LA because I was living in New 159 00:08:23,720 --> 00:08:26,040 Speaker 2: York times flying to LA and my Mom's emailing me. 160 00:08:26,120 --> 00:08:28,000 Speaker 2: She's like, you have a cousin. He lives in LA. 161 00:08:28,120 --> 00:08:30,400 Speaker 2: I want you to go meet him. And I was 162 00:08:30,440 --> 00:08:35,720 Speaker 2: like there's no way that I am not interested in 163 00:08:35,760 --> 00:08:39,800 Speaker 2: meeting some random cousin. Yes, and then she just like 164 00:08:39,920 --> 00:08:42,400 Speaker 2: she knows, she knows that I'm like not responding, so 165 00:08:42,440 --> 00:08:47,240 Speaker 2: then she just like emails him and emails me and says, like, 166 00:08:47,480 --> 00:08:49,160 Speaker 2: Kurt's going to be in town. You guys should hang out. 167 00:08:49,160 --> 00:08:55,120 Speaker 2: And then Barbara, I know, right, He immediately reaches out 168 00:08:55,280 --> 00:08:59,120 Speaker 2: and and I ended up going. He turns out he's 169 00:08:59,120 --> 00:09:01,520 Speaker 2: a surfer. We end up going surfing together, We end 170 00:09:01,600 --> 00:09:05,400 Speaker 2: up hanging out. He's fucking awesome. We're now super super close. 171 00:09:05,520 --> 00:09:06,480 Speaker 3: Oh that's amazing. 172 00:09:06,840 --> 00:09:08,800 Speaker 2: Yeah, and now that you know, my mom's gone, like, 173 00:09:08,840 --> 00:09:10,920 Speaker 2: it's really amazing. He you know, he lives right down 174 00:09:10,960 --> 00:09:12,240 Speaker 2: the street. He just had a kid. 175 00:09:12,760 --> 00:09:15,040 Speaker 1: I guess, do you remember you telling me that you 176 00:09:15,120 --> 00:09:18,040 Speaker 1: surfed with a cousin. I do remember that, but I 177 00:09:18,040 --> 00:09:20,280 Speaker 1: didn't know the situation. It would be so funny if 178 00:09:20,280 --> 00:09:25,480 Speaker 1: he was like like a props comic, like a kind 179 00:09:25,480 --> 00:09:28,200 Speaker 1: of a failed like Reno level props comic, and you 180 00:09:28,320 --> 00:09:30,560 Speaker 1: just were like, I love the guy, good surfer, but 181 00:09:30,679 --> 00:09:32,440 Speaker 1: god damn his comedy is terrible. 182 00:09:34,040 --> 00:09:34,640 Speaker 3: That's cool. 183 00:09:35,040 --> 00:09:38,960 Speaker 1: When I moved to New York, I met you about 184 00:09:38,960 --> 00:09:41,079 Speaker 1: a year or so in and when I moved to 185 00:09:41,080 --> 00:09:43,280 Speaker 1: New York, somebody said something to me. They were like, 186 00:09:43,360 --> 00:09:46,480 Speaker 1: New York's a really great city because every person you 187 00:09:46,520 --> 00:09:49,120 Speaker 1: meet has a different career, and every person you meet 188 00:09:49,160 --> 00:09:52,600 Speaker 1: could be like a master at that career. So they 189 00:09:52,600 --> 00:09:57,640 Speaker 1: were like, hey, there's restauranteurs, there's ballerinas, there's architects, there's actors, 190 00:09:57,760 --> 00:10:00,560 Speaker 1: there's financiers, there's banker, you know, there's everything. 191 00:10:01,000 --> 00:10:02,040 Speaker 3: And that kind of stuck with me. 192 00:10:02,080 --> 00:10:05,080 Speaker 1: And I was single when I moved there, and I 193 00:10:05,160 --> 00:10:07,679 Speaker 1: remember I was like, I'm going to try to date 194 00:10:08,000 --> 00:10:11,320 Speaker 1: types of like careers, like not just like different types 195 00:10:11,320 --> 00:10:14,080 Speaker 1: of people, but like I've never I was coming from 196 00:10:14,200 --> 00:10:17,200 Speaker 1: college in Atlanta. I'd never dated somebody that worked on 197 00:10:17,240 --> 00:10:20,400 Speaker 1: Wall Street. And I'd never dated an actress before, and 198 00:10:20,440 --> 00:10:22,839 Speaker 1: so kind of as I was just going out and 199 00:10:22,880 --> 00:10:25,160 Speaker 1: meeting people before all the dating apps, just kind of 200 00:10:25,280 --> 00:10:28,120 Speaker 1: meeting people through friends and parties and bars and stuff, 201 00:10:28,640 --> 00:10:30,560 Speaker 1: I know, you know, you met some of them, Like 202 00:10:30,720 --> 00:10:32,520 Speaker 1: I was dating an architect for a while that I 203 00:10:32,559 --> 00:10:33,720 Speaker 1: think you met a couple of times. 204 00:10:33,720 --> 00:10:35,880 Speaker 3: And but you I was telling you this. 205 00:10:36,760 --> 00:10:40,679 Speaker 1: And I'd met a dancer, like a modern dancer, and 206 00:10:40,720 --> 00:10:44,160 Speaker 1: you were like, be be careful, and I was like, 207 00:10:44,160 --> 00:10:44,719 Speaker 1: what do you meet? 208 00:10:45,840 --> 00:10:46,679 Speaker 3: Yeah, and you were like. 209 00:10:46,760 --> 00:10:51,120 Speaker 1: Dancers express their emotions with their bodies and when they 210 00:10:51,160 --> 00:10:54,680 Speaker 1: get drunk, it all comes out. And I was like, 211 00:10:54,960 --> 00:10:56,880 Speaker 1: it was like really good advice, but I didn't really 212 00:10:56,920 --> 00:10:58,920 Speaker 1: know what you're talking about. So I went on a 213 00:10:59,000 --> 00:11:01,360 Speaker 1: date with this person and she was very nice, and 214 00:11:01,400 --> 00:11:05,560 Speaker 1: she invited me to her dance performance and I go 215 00:11:06,160 --> 00:11:10,480 Speaker 1: and for one full hour without music, she pretends to 216 00:11:10,480 --> 00:11:15,040 Speaker 1: be a bird. She alone on stage in a black 217 00:11:15,040 --> 00:11:18,280 Speaker 1: box theater somewhere in the West Village. I'm sitting there 218 00:11:18,320 --> 00:11:21,959 Speaker 1: with fourteen people that I've never met, you know, art 219 00:11:21,960 --> 00:11:25,360 Speaker 1: world people, and she pokes her head out like a 220 00:11:25,520 --> 00:11:28,640 Speaker 1: like a flamingo or a crane or something, and then 221 00:11:28,760 --> 00:11:31,000 Speaker 1: struts out with her arms behind her and her chest 222 00:11:31,080 --> 00:11:35,320 Speaker 1: sort of out on her toes, and everybody's like pretending 223 00:11:36,040 --> 00:11:39,640 Speaker 1: to like it, pretending like it's really good, and I'm like, 224 00:11:39,840 --> 00:11:40,920 Speaker 1: I've made a huge mistake. 225 00:11:41,200 --> 00:11:42,240 Speaker 3: There will be no third date. 226 00:11:42,559 --> 00:11:44,840 Speaker 1: But then it goes for about twenty five more minutes 227 00:11:44,880 --> 00:11:47,040 Speaker 1: of just her posing like a bird in different parts 228 00:11:47,040 --> 00:11:49,160 Speaker 1: of the stage, no words, and then music. 229 00:11:48,960 --> 00:11:51,480 Speaker 3: Starts and I'm like, here we go. 230 00:11:51,679 --> 00:11:55,480 Speaker 2: This is now it's going to be like, we're really 231 00:11:55,559 --> 00:11:56,960 Speaker 2: going to get to a story now. 232 00:11:58,000 --> 00:11:59,920 Speaker 1: I was like, Oh, this is about to get I'm like, 233 00:12:00,240 --> 00:12:03,600 Speaker 1: on the other dancers, let's see some like West Indian Parade. 234 00:12:03,360 --> 00:12:04,960 Speaker 2: Let's see some bird dance. 235 00:12:05,640 --> 00:12:08,719 Speaker 1: The music lasts about one minute, goes off, and then 236 00:12:08,840 --> 00:12:11,680 Speaker 1: just silence for another thirty five minutes of her pretending 237 00:12:11,679 --> 00:12:13,160 Speaker 1: to be a bird, and I kept thinking. 238 00:12:13,160 --> 00:12:14,840 Speaker 3: I was like, I didn't know you that well. We 239 00:12:14,840 --> 00:12:17,079 Speaker 3: were new friends, and I just kept being like, I 240 00:12:17,080 --> 00:12:18,800 Speaker 3: should have listened to that guy said he knew what 241 00:12:18,840 --> 00:12:19,440 Speaker 3: he was talking about. 242 00:12:19,440 --> 00:12:23,040 Speaker 1: I should have listened, like guys, and I politely excused 243 00:12:23,080 --> 00:12:26,000 Speaker 1: myself from future dating my god. 244 00:12:27,040 --> 00:12:32,840 Speaker 2: Yeah, yeah. I had my very good friend dated a 245 00:12:32,840 --> 00:12:35,319 Speaker 2: modern dancer for like ten years, and I saw I've seen. 246 00:12:35,160 --> 00:12:37,040 Speaker 3: A lot of modern I think that's what it was. 247 00:12:37,160 --> 00:12:39,439 Speaker 2: Yeah, he's seen a lot a lot of modern dance 248 00:12:39,600 --> 00:12:42,000 Speaker 2: and him and one thing I did realize about it 249 00:12:42,000 --> 00:12:45,000 Speaker 2: because I always would go just being like, this is 250 00:12:45,120 --> 00:12:50,560 Speaker 2: so unaccessible to a person who isn't a dancer. I 251 00:12:50,600 --> 00:12:52,240 Speaker 2: don't understand why they're doing it, do you know what 252 00:12:52,280 --> 00:12:54,640 Speaker 2: I mean? Like, it's literally just for other dancers to 253 00:12:54,640 --> 00:12:57,840 Speaker 2: watch this and be like that was a great you know, 254 00:12:58,880 --> 00:13:03,880 Speaker 2: until I saw like one performance that was again as 255 00:13:03,880 --> 00:13:06,559 Speaker 2: a I think as as a comedy writers, I think 256 00:13:06,600 --> 00:13:09,200 Speaker 2: we all want things to like connect up, makes sense 257 00:13:09,240 --> 00:13:09,600 Speaker 2: and have. 258 00:13:09,520 --> 00:13:10,800 Speaker 3: A call back, Oh that's interesting. 259 00:13:10,880 --> 00:13:14,360 Speaker 2: Yeah, And oftentimes in that modern dance there is that 260 00:13:14,480 --> 00:13:17,679 Speaker 2: is not it is literally like enjoy these moments of beauty. 261 00:13:18,600 --> 00:13:22,439 Speaker 2: And then I finally saw one a performance that blew 262 00:13:22,760 --> 00:13:24,480 Speaker 2: that I was just like, oh, like it was it 263 00:13:24,520 --> 00:13:26,360 Speaker 2: was an hour long and it felt like it was 264 00:13:26,400 --> 00:13:29,840 Speaker 2: five minutes. And afterwards I was just like filled with 265 00:13:29,880 --> 00:13:34,200 Speaker 2: emotions I couldn't explain. But that was one, yeah, out 266 00:13:34,200 --> 00:13:38,640 Speaker 2: of no shit twenty five performances that I had gone to. 267 00:13:38,880 --> 00:13:42,040 Speaker 1: Oh we love dancers, don't worry, we're we're not coming 268 00:13:42,080 --> 00:13:44,360 Speaker 1: down on all dancers. It's not at all thing. And 269 00:13:44,400 --> 00:13:46,640 Speaker 1: I did see one two once. Ryan Ross, who was 270 00:13:46,640 --> 00:13:48,480 Speaker 1: a great dancer, took me to a big thing and 271 00:13:48,920 --> 00:13:52,320 Speaker 1: these four younger dancers passed an older woman. She never 272 00:13:52,360 --> 00:13:54,480 Speaker 1: touched the ground during the entire dance. They just kept 273 00:13:54,520 --> 00:13:56,560 Speaker 1: holding her and passing her over their bodies and limbs, 274 00:13:56,559 --> 00:13:59,000 Speaker 1: and she was really elegant and beautiful, probably in her 275 00:13:59,040 --> 00:14:01,400 Speaker 1: seventies or eighties. And I was crying the entire time. 276 00:14:01,440 --> 00:14:05,520 Speaker 1: It was so powerful and beautiful. I totally understood dance. 277 00:14:06,600 --> 00:14:08,920 Speaker 1: You were a river dancer for a minute there too, So. 278 00:14:09,160 --> 00:14:14,120 Speaker 2: Oh yeah, Irish step danced for oh god, eight years 279 00:14:14,160 --> 00:14:17,400 Speaker 2: of my life. Hate it, almost every minute of it. 280 00:14:17,679 --> 00:14:20,440 Speaker 2: That was the one thing where I did it. I 281 00:14:20,600 --> 00:14:23,520 Speaker 2: just did it because my mom wanted me to for 282 00:14:23,760 --> 00:14:28,200 Speaker 2: so many years, so many years. But yeah, I do 283 00:14:28,280 --> 00:14:31,720 Speaker 2: think the modern dance is a lot like improv, where 284 00:14:31,840 --> 00:14:37,520 Speaker 2: it is the overwhelming majority of it is inaccessible and masturbatory. 285 00:14:37,600 --> 00:14:38,760 Speaker 2: But then when you see. 286 00:14:38,560 --> 00:14:40,600 Speaker 3: The good stuff, it's mind blowing. 287 00:14:41,160 --> 00:14:43,200 Speaker 2: It's really it kind of changes your life. 288 00:14:43,480 --> 00:14:44,960 Speaker 3: Support the arts. We love the arts. 289 00:14:44,960 --> 00:14:47,200 Speaker 2: Support the arts. Go go go, Scottie. 290 00:14:47,560 --> 00:14:50,120 Speaker 1: Okay, so jump in as I go, Kurt, because I, 291 00:14:50,280 --> 00:14:52,520 Speaker 1: like I said, it didn't even strike anything to me. 292 00:14:52,600 --> 00:14:55,000 Speaker 1: It's the This is the most complete one we've ever 293 00:14:55,040 --> 00:14:59,040 Speaker 1: been sent. This was sent in from Kimberly Rapo. I 294 00:14:59,080 --> 00:15:01,040 Speaker 1: believe it's Rapo Rippo. 295 00:15:01,360 --> 00:15:02,880 Speaker 3: Ah. She gmailed it to us. 296 00:15:02,880 --> 00:15:04,840 Speaker 1: Thank you, thank you, Hey, guys, I can't tell you 297 00:15:04,880 --> 00:15:08,680 Speaker 1: how much the stories of New Jersey Insanity bring back 298 00:15:08,720 --> 00:15:11,480 Speaker 1: memories growing up in southern New Jersey, graduating in nineteen 299 00:15:11,520 --> 00:15:15,120 Speaker 1: eighty five. We've done it all, Action Park, Wildwood Nights, 300 00:15:15,120 --> 00:15:18,040 Speaker 1: Great Adventure, Caltown Rodeo, the Mart. Although we had no 301 00:15:18,160 --> 00:15:21,880 Speaker 1: Action Park, Missapps. I have a Great Adventure Safari story. 302 00:15:22,280 --> 00:15:25,000 Speaker 1: I think when we had Atsuko on and you've told 303 00:15:25,040 --> 00:15:27,760 Speaker 1: some too. We had the baboons that grabbed the chainsaw 304 00:15:27,880 --> 00:15:29,560 Speaker 1: story in a previous episode. 305 00:15:30,080 --> 00:15:31,400 Speaker 3: So we first visit. 306 00:15:31,280 --> 00:15:33,440 Speaker 1: A Great Adventure in the summer of nineteen seventy five, 307 00:15:33,480 --> 00:15:36,040 Speaker 1: before anyone realized that driving through a safari in your 308 00:15:36,120 --> 00:15:38,560 Speaker 1: car was not a good idea. 309 00:15:39,680 --> 00:15:41,800 Speaker 3: We packed it. Yeah, it's a horrible idea. 310 00:15:41,800 --> 00:15:44,800 Speaker 1: Even We packed a picnic lunch with enough food for 311 00:15:44,920 --> 00:15:47,320 Speaker 1: lunch and dinner. It was a glorious summer day, probably 312 00:15:47,360 --> 00:15:49,560 Speaker 1: ninety degrees. We were going to do the safari and 313 00:15:49,600 --> 00:15:52,600 Speaker 1: the amusement park. The whole family was stuffed. I love 314 00:15:52,640 --> 00:15:55,800 Speaker 1: this was stuffed into a nineteen seventy three Malibu wagon. 315 00:15:55,920 --> 00:15:58,200 Speaker 1: I was eight, my sister Yvonne was four, and we 316 00:15:58,200 --> 00:16:02,480 Speaker 1: were in the Cargo area. Grandmam, grandpap Hesse and Aunt 317 00:16:02,560 --> 00:16:04,720 Speaker 1: Sue were in the back seat, Mom dad and baby 318 00:16:04,760 --> 00:16:07,320 Speaker 1: sister in the front seat. I mean, that is such 319 00:16:07,320 --> 00:16:10,120 Speaker 1: a seventies thing too, Just be packed in like sardines. 320 00:16:10,880 --> 00:16:12,840 Speaker 1: I'm going to keep the short as possible, but honestly, 321 00:16:13,520 --> 00:16:16,880 Speaker 1: the stupidity of my stepfather Jim Hesse exhibited on that 322 00:16:16,960 --> 00:16:17,920 Speaker 1: day is astounding. 323 00:16:18,360 --> 00:16:20,520 Speaker 2: I love the call out of the full first and 324 00:16:20,640 --> 00:16:24,560 Speaker 2: last year. There's no sparing Jim Hesse's feelings on this one. 325 00:16:24,800 --> 00:16:26,960 Speaker 1: No, and there shouldn't be. Okay, so here we go. 326 00:16:27,200 --> 00:16:30,200 Speaker 1: The Safari had signs everywhere, do not stop moving, do 327 00:16:30,320 --> 00:16:32,720 Speaker 1: not roll down your windows, don't feed the animals. The 328 00:16:32,760 --> 00:16:36,720 Speaker 1: list goes on his first oh man, Jim Hess. His 329 00:16:36,800 --> 00:16:38,880 Speaker 1: first great idea was to roll down the windows. 330 00:16:38,600 --> 00:16:39,560 Speaker 3: And feed the ostriches. 331 00:16:40,240 --> 00:16:42,120 Speaker 1: After it nearly took off his hand, Jim thought it 332 00:16:42,160 --> 00:16:44,040 Speaker 1: would be cool for his seventy year old parents to 333 00:16:44,080 --> 00:16:46,320 Speaker 1: lower their windows so they could get a better look. 334 00:16:46,640 --> 00:16:48,440 Speaker 3: The bird reaches two feet. 335 00:16:48,200 --> 00:16:50,360 Speaker 1: Into the car, promptly try to rip my Grandma's hair 336 00:16:50,400 --> 00:16:53,680 Speaker 1: out of her head. She's in the middle seat trying 337 00:16:53,680 --> 00:16:55,760 Speaker 1: to protect in her head and face, and my Grandpap 338 00:16:55,800 --> 00:16:59,000 Speaker 1: starts throat punching it. Aunt Sue is whacking it in 339 00:16:59,000 --> 00:17:01,800 Speaker 1: the head. Everyone is screaming. The bird is pecking at 340 00:17:01,840 --> 00:17:04,440 Speaker 1: anything that moves. They roll up the window on the 341 00:17:04,480 --> 00:17:07,520 Speaker 1: Ostrich's neck and start driving away until it pulls loose 342 00:17:07,840 --> 00:17:10,680 Speaker 1: dab open the window. He lets it go and the 343 00:17:10,720 --> 00:17:12,080 Speaker 1: ostriche runs away. 344 00:17:13,400 --> 00:17:14,040 Speaker 3: Great start. 345 00:17:14,160 --> 00:17:17,720 Speaker 2: I am so happy to have someone have a worse 346 00:17:17,760 --> 00:17:20,800 Speaker 2: story than my Ostrich story. I always felt like I 347 00:17:20,880 --> 00:17:23,240 Speaker 2: killed an Ostrich. I feel like I did nothing to 348 00:17:23,280 --> 00:17:23,840 Speaker 2: an Ostrich. 349 00:17:24,280 --> 00:17:25,840 Speaker 3: Yeah, compared to Jim Hessey. 350 00:17:26,359 --> 00:17:30,240 Speaker 1: Uh yeah, so then who wants to go see a 351 00:17:30,280 --> 00:17:33,480 Speaker 1: lion up close? Well, I guess we didn't learn our 352 00:17:33,560 --> 00:17:36,240 Speaker 1: lesson the first time. He stops the car, takes out 353 00:17:36,240 --> 00:17:38,400 Speaker 1: one of our roast beef sandwiches and pushes it out 354 00:17:38,400 --> 00:17:42,040 Speaker 1: the window. You cannot truly appreciate the size of a 355 00:17:42,080 --> 00:17:44,800 Speaker 1: lion until it was standing on two feet, paws on 356 00:17:44,840 --> 00:17:48,400 Speaker 1: the side plates against the glass, licking the windows, trying 357 00:17:48,400 --> 00:17:50,840 Speaker 1: to smell What else is in the car? Did I 358 00:17:50,960 --> 00:17:54,160 Speaker 1: mention he had friends? There are now two more lions 359 00:17:54,200 --> 00:17:56,480 Speaker 1: and one is blocking the front of the car. Jim 360 00:17:56,520 --> 00:17:59,160 Speaker 1: decides to open his mom's window with the baby sister 361 00:17:59,240 --> 00:18:01,680 Speaker 1: on her lap, to off another sandwich out and get 362 00:18:01,680 --> 00:18:05,000 Speaker 1: the lions to move. I mean, this guy's amazing. He 363 00:18:05,040 --> 00:18:08,639 Speaker 1: throws the car into gear and nothing. The car had 364 00:18:08,680 --> 00:18:10,680 Speaker 1: an electrical module problem. 365 00:18:10,840 --> 00:18:11,399 Speaker 3: It died. 366 00:18:11,840 --> 00:18:14,679 Speaker 1: Nothing worked. We're trapped in a dark brown car, windows 367 00:18:14,760 --> 00:18:17,040 Speaker 1: rolled up, no ace, surrounded by lions, and they know. 368 00:18:17,040 --> 00:18:18,439 Speaker 3: We have food. 369 00:18:19,160 --> 00:18:21,640 Speaker 1: Panic starts to set in as the temperature rises over 370 00:18:21,680 --> 00:18:27,240 Speaker 1: one hundred degrees. Luckily, I mean this is the midpoint Kurt. Luckily, 371 00:18:27,320 --> 00:18:29,600 Speaker 1: after ten minutes or so, a Safari keeper comes by 372 00:18:29,600 --> 00:18:31,720 Speaker 1: in a zebra truck with a cattle pusher on the front. 373 00:18:31,760 --> 00:18:33,800 Speaker 1: After pulling up to Jim and chewing them out, he 374 00:18:33,840 --> 00:18:36,959 Speaker 1: says he'll push us out of the park. Miraculously, the 375 00:18:37,000 --> 00:18:40,240 Speaker 1: car starts with the push. Now I'm not a genius, 376 00:18:40,280 --> 00:18:42,400 Speaker 1: but one would think let's get out of here asap 377 00:18:42,440 --> 00:18:45,159 Speaker 1: and go to an auto shop. Nope, we continue on 378 00:18:45,160 --> 00:18:49,200 Speaker 1: the Safari drive. A large brown bear cousin to the grizzly, 379 00:18:49,280 --> 00:18:53,080 Speaker 1: is kicked back in a watering hole. Super Genius stops 380 00:18:53,119 --> 00:18:55,879 Speaker 1: the car again because hey, we have more food. He 381 00:18:56,040 --> 00:18:58,760 Speaker 1: rolls down the window all the way again. He asks 382 00:18:58,760 --> 00:19:01,640 Speaker 1: in a Yogi voice, Hey, Booboo, you want a sandwich 383 00:19:01,680 --> 00:19:05,679 Speaker 1: from our picnic baskets, at which point he throws up 384 00:19:05,720 --> 00:19:09,000 Speaker 1: peeb and Jay as close to the bear as possible. 385 00:19:09,400 --> 00:19:12,280 Speaker 1: This guy is such a hero. Booboo straws out of 386 00:19:12,280 --> 00:19:15,120 Speaker 1: the water enjoys a snack, then charges the car, stands up, 387 00:19:15,160 --> 00:19:17,600 Speaker 1: hands on the riff, and starts rocking the wagon, trying 388 00:19:17,600 --> 00:19:20,880 Speaker 1: to shake more food out. More panic and screaming. Jim 389 00:19:20,920 --> 00:19:23,000 Speaker 1: throws the car into gear and you guessed it. Nothing 390 00:19:23,119 --> 00:19:26,720 Speaker 1: happens now as we've been snacking and eating hogies during 391 00:19:26,760 --> 00:19:30,159 Speaker 1: the ride, I'm guessing we smell like a giant picnic basket. 392 00:19:30,359 --> 00:19:33,000 Speaker 1: Booba's claws are longer than my fingers, and he slides 393 00:19:33,040 --> 00:19:34,960 Speaker 1: them over the close window to grab the edge and 394 00:19:35,000 --> 00:19:36,840 Speaker 1: starts pulling the window down. 395 00:19:37,119 --> 00:19:38,359 Speaker 3: Oh, we all. 396 00:19:38,280 --> 00:19:41,359 Speaker 1: Look in horror as the crank starts to turn. Now 397 00:19:41,400 --> 00:19:43,600 Speaker 1: he has the window down about four inches and is 398 00:19:43,600 --> 00:19:47,280 Speaker 1: stuffing his face and sniffing Grandpap who is trying to 399 00:19:47,320 --> 00:19:49,919 Speaker 1: stop the crank from moving. So the grandfather is holding 400 00:19:50,000 --> 00:19:54,920 Speaker 1: the window crawling. My mom's sister and I are all crying. 401 00:19:55,000 --> 00:19:56,720 Speaker 1: Ivan and I are trapped in the back where there's 402 00:19:56,760 --> 00:19:59,080 Speaker 1: no possible way out of a hatchback or the windows. 403 00:19:59,200 --> 00:20:01,920 Speaker 1: The bear house is pause ready to rip the window off, 404 00:20:02,119 --> 00:20:04,920 Speaker 1: and Aunt Sue, a nurse, remains calm, bless her heart. 405 00:20:05,680 --> 00:20:07,720 Speaker 1: Rolling down her window on the opposite side of the wagon, 406 00:20:07,800 --> 00:20:10,680 Speaker 1: she tosses our lunches out of her window, bangs on 407 00:20:10,720 --> 00:20:14,359 Speaker 1: the roof with the last HOGI and gets Booboo to 408 00:20:14,440 --> 00:20:18,440 Speaker 1: leave my father's window. Oh and the father's window could 409 00:20:18,440 --> 00:20:22,440 Speaker 1: be rolled shut. So we are still trapped in the 410 00:20:22,480 --> 00:20:24,640 Speaker 1: sweltering dead car, but at least the bears other things 411 00:20:24,680 --> 00:20:27,199 Speaker 1: to do. The Safari guy shows up again in a 412 00:20:27,320 --> 00:20:30,880 Speaker 1: Zebra truck. This guy, and it's a new Jersey guy 413 00:20:31,000 --> 00:20:33,960 Speaker 1: makes it so much better now he is really pissed. 414 00:20:34,320 --> 00:20:37,000 Speaker 1: With another push, the car restarts. He follows us to 415 00:20:37,040 --> 00:20:40,520 Speaker 1: the where the babboons are. He tells Jim, do not 416 00:20:41,000 --> 00:20:43,600 Speaker 1: take the car on the open road, go through the 417 00:20:43,640 --> 00:20:46,320 Speaker 1: caged area that is protected from the babboons in case 418 00:20:46,359 --> 00:20:52,600 Speaker 1: you have more problems. Safari guy leaves, assuming Jim will 419 00:20:52,600 --> 00:20:56,119 Speaker 1: make the right decision, but my no at all. Stepfather 420 00:20:56,240 --> 00:20:59,280 Speaker 1: turns the car off and on announces hey, it's working fine, 421 00:20:59,640 --> 00:21:02,720 Speaker 1: and as we all yell, let's just go, let's go please, 422 00:21:03,440 --> 00:21:06,520 Speaker 1: he turns and takes the outside route because you know 423 00:21:07,280 --> 00:21:11,440 Speaker 1: he knows best. Oh my gosh, oh the other and 424 00:21:11,520 --> 00:21:13,199 Speaker 1: she has a little side note here. Mind you, we 425 00:21:13,240 --> 00:21:15,119 Speaker 1: lived less than an hour away, and it's not like 426 00:21:15,119 --> 00:21:16,000 Speaker 1: we couldn't come back. 427 00:21:16,000 --> 00:21:17,240 Speaker 3: On any other day. 428 00:21:18,880 --> 00:21:20,639 Speaker 1: As you guys probably know, the wild animal is a 429 00:21:20,680 --> 00:21:24,560 Speaker 1: great adventure. Baboons are the worst. They did not know, 430 00:21:24,720 --> 00:21:27,280 Speaker 1: Kurt and I do no. By now we look like 431 00:21:27,280 --> 00:21:30,600 Speaker 1: a glazed donut. Various Hogi sandwiches and assorted snacks have 432 00:21:30,640 --> 00:21:33,080 Speaker 1: been slid down our windows. We could barely see out 433 00:21:33,080 --> 00:21:35,400 Speaker 1: the sides and the muddy Paul Prince and saliva were 434 00:21:35,400 --> 00:21:38,439 Speaker 1: blocking them. Babboons instantly jumped on her car like a 435 00:21:38,440 --> 00:21:41,399 Speaker 1: piranha feeding frenzy. They wanted food, they could smell it, 436 00:21:41,400 --> 00:21:43,359 Speaker 1: and they were gonna get it. They broke off a 437 00:21:43,440 --> 00:21:46,000 Speaker 1: side mirror and ripped off a wiper, but then we 438 00:21:46,000 --> 00:21:48,720 Speaker 1: were out of food. There were three got onto the 439 00:21:48,800 --> 00:21:51,600 Speaker 1: roof in the middle of our hood. A female baboon 440 00:21:51,800 --> 00:21:53,919 Speaker 1: sat on the hood and gave birth. 441 00:21:59,200 --> 00:22:01,560 Speaker 2: Oh is that what I expected? 442 00:22:01,760 --> 00:22:06,560 Speaker 3: No, it gets met and this story is incredible. Kim. 443 00:22:07,000 --> 00:22:09,160 Speaker 1: Yeah, on the middle of roof, a female baboon sat 444 00:22:09,240 --> 00:22:11,639 Speaker 1: and gave a birth, which grossed out my eight year 445 00:22:11,640 --> 00:22:13,520 Speaker 1: old self and my four year old sister. Jim was 446 00:22:13,640 --> 00:22:16,560 Speaker 1: nice enough to let her finish before attempting to leave. 447 00:22:16,880 --> 00:22:20,320 Speaker 1: The employees had to fight off babboons as we tried 448 00:22:20,359 --> 00:22:22,840 Speaker 1: to leave the park. I'd like to say the story 449 00:22:22,920 --> 00:22:25,919 Speaker 1: ends there, but no, here's the end. Instead of driving 450 00:22:25,920 --> 00:22:28,040 Speaker 1: straight home, we decided to stop in the parking lot 451 00:22:28,080 --> 00:22:29,200 Speaker 1: for much needed drink. 452 00:22:29,440 --> 00:22:31,280 Speaker 3: The car never restarted again. 453 00:22:31,480 --> 00:22:33,480 Speaker 1: It was after one in the morning when we finally 454 00:22:33,520 --> 00:22:36,320 Speaker 1: got towed and got home. It took me ten years 455 00:22:36,320 --> 00:22:39,000 Speaker 1: to visit the amusement park again. My own children are 456 00:22:39,000 --> 00:22:41,439 Speaker 1: grown and have never been. They know the story and 457 00:22:41,480 --> 00:22:44,360 Speaker 1: are perfectly happy just to go to a zoo. Love 458 00:22:44,400 --> 00:22:46,840 Speaker 1: you guys a bunch. Keep up the good work, Kim Rappo, 459 00:22:47,040 --> 00:22:51,080 Speaker 1: stuck in your Kim. That is an amazing story. Also, 460 00:22:51,720 --> 00:22:56,760 Speaker 1: I can I can imagine Yeah a full a movie, 461 00:22:56,800 --> 00:23:00,440 Speaker 1: like a movie that is all set just inside the Yes. 462 00:23:01,359 --> 00:23:04,000 Speaker 2: That would be an amazing movie. Like the first act 463 00:23:04,080 --> 00:23:06,439 Speaker 2: is them driving too great adventure. You get all the 464 00:23:06,480 --> 00:23:09,400 Speaker 2: set up and everything, and then boom we're launched into 465 00:23:09,400 --> 00:23:12,440 Speaker 2: Act two. All of Act two is there in the park. 466 00:23:12,560 --> 00:23:16,240 Speaker 2: And then the fact the birth of the Yes three. 467 00:23:16,400 --> 00:23:17,280 Speaker 3: We have a birth of. 468 00:23:17,520 --> 00:23:19,399 Speaker 2: The fucking Act three. It's beautiful. 469 00:23:19,680 --> 00:23:21,680 Speaker 1: I know it's a movie. That's why I said I 470 00:23:21,680 --> 00:23:23,880 Speaker 1: didn't even have a story. I was for like two days. 471 00:23:23,880 --> 00:23:26,560 Speaker 1: I was like, I don't have anything that relates to 472 00:23:26,600 --> 00:23:29,240 Speaker 1: this at all. It's just so complete. There's nothing that 473 00:23:30,119 --> 00:23:32,760 Speaker 1: really amazing. God, that's such a good one. 474 00:23:32,960 --> 00:23:34,880 Speaker 2: We should ask Kim if we can write that movie. 475 00:23:35,320 --> 00:23:37,560 Speaker 1: Yeah, we should, Kim. We might be emailing you back. 476 00:23:37,600 --> 00:23:39,920 Speaker 1: We have our email and there is a movie in there. 477 00:23:40,080 --> 00:23:42,960 Speaker 2: It really is. Well Scotty, we did it again, buddy. 478 00:23:42,880 --> 00:23:43,520 Speaker 3: We did it. 479 00:23:43,680 --> 00:23:46,199 Speaker 1: Thank you to all our lovely and beautiful bananimals. The 480 00:23:46,320 --> 00:23:49,520 Speaker 1: end is coming soon. Say keep your heads up, stay 481 00:23:49,600 --> 00:23:51,200 Speaker 1: positive wherever you are. 482 00:23:52,040 --> 00:23:56,080 Speaker 2: And we'll talk to you soon. Bananas Bananas. 483 00:24:02,560 --> 00:24:05,320 Speaker 3: This has been an exactly right production. 484 00:24:05,040 --> 00:24:08,480 Speaker 2: Produced and engineered by Katie Levine, theme music by Kahan, 485 00:24:08,760 --> 00:24:11,080 Speaker 2: and all of our artwork is done by Travis Millard. 486 00:24:11,320 --> 00:24:14,000 Speaker 1: You can follow us on Instagram at the Bananas Podcast, 487 00:24:14,040 --> 00:24:16,199 Speaker 1: where we post stories every day and things that we 488 00:24:16,280 --> 00:24:17,720 Speaker 1: don't cover on the podcast. 489 00:24:18,119 --> 00:24:21,320 Speaker 2: Listen, subscribe, and please leave us a review on Apple podcast, 490 00:24:21,359 --> 00:24:23,320 Speaker 2: Stitcher or wherever you get your podcast. 491 00:24:23,600 --> 00:24:26,679 Speaker 1: And if you're interested in advertising on bananas, please email 492 00:24:26,760 --> 00:24:29,680 Speaker 1: us at the Bananas Podcast at gmail dot com. That's 493 00:24:29,840 --> 00:24:46,560 Speaker 1: the Bananas Podcast at gmail dot com.