1 00:00:00,160 --> 00:00:03,440 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,560 --> 00:00:08,559 Speaker 1: Weekly Zeitgeist. These are some of our favorite segments from 3 00:00:08,600 --> 00:00:17,759 Speaker 1: this week, all edited together into one NonStop infotainment last stravaganza. 4 00:00:18,360 --> 00:00:24,840 Speaker 1: Uh yeah, So, without further ado, here is the Weekly Zeitgeist. Really, 5 00:00:25,600 --> 00:00:28,960 Speaker 1: what is something from your search history? Um? Okay? So, 6 00:00:29,080 --> 00:00:33,559 Speaker 1: KIM Control Scouting was on the list. Also on the 7 00:00:33,640 --> 00:00:39,400 Speaker 1: list was Final Destination Composer because there was this, uh 8 00:00:39,600 --> 00:00:41,600 Speaker 1: it was a clip that I was looking for that 9 00:00:41,640 --> 00:00:45,960 Speaker 1: I vaguely remembered from a Final Destination DVD. Didn't remember 10 00:00:46,000 --> 00:00:48,720 Speaker 1: which DVD, but I was able to find it. There's 11 00:00:48,760 --> 00:00:52,000 Speaker 1: this really great I think that she composed most of 12 00:00:52,040 --> 00:00:55,040 Speaker 1: the Final Destination soundtracks, and I was really into those 13 00:00:55,080 --> 00:00:58,360 Speaker 1: movies growing up because they were just so nasty. This 14 00:00:58,440 --> 00:01:01,400 Speaker 1: is the Final Destination three a k a. The Tanning 15 00:01:01,480 --> 00:01:06,080 Speaker 1: Booth one, but it's it's the Final Destination Composer describing 16 00:01:06,080 --> 00:01:08,160 Speaker 1: her process, and I think they're like setting her up 17 00:01:08,200 --> 00:01:11,240 Speaker 1: to like really be like, so, you know, being a 18 00:01:11,319 --> 00:01:13,360 Speaker 1: musician is really hard. But what she does is she 19 00:01:13,440 --> 00:01:17,200 Speaker 1: has this like little like gross so meter, and she's like, 20 00:01:17,680 --> 00:01:20,960 Speaker 1: so when I'm writing for Final Destination three, there's like 21 00:01:21,920 --> 00:01:24,280 Speaker 1: there's a point where I say it's a little gross, 22 00:01:24,520 --> 00:01:27,240 Speaker 1: it's really gross, or it's like someone's on fire and 23 00:01:27,280 --> 00:01:29,680 Speaker 1: they're dying gross. And I just kind of figure out, 24 00:01:29,800 --> 00:01:32,280 Speaker 1: like if it's level one, two or three, and that's 25 00:01:32,280 --> 00:01:34,200 Speaker 1: how I write all the music. And she has this 26 00:01:34,319 --> 00:01:38,160 Speaker 1: little like hand drawn gross ometer that has like hand 27 00:01:38,240 --> 00:01:41,319 Speaker 1: drawn blood dripping of it, and she's like, and that's 28 00:01:41,360 --> 00:01:45,319 Speaker 1: really my whole process, and uh and it works, and 29 00:01:45,360 --> 00:01:47,840 Speaker 1: I was like, holy sh it, it made me laugh 30 00:01:48,400 --> 00:01:51,680 Speaker 1: so hard it holds up. I will I'll send the 31 00:01:51,680 --> 00:01:55,800 Speaker 1: clip because I like pulled it for posterity. She was 32 00:01:55,840 --> 00:01:59,360 Speaker 1: so straightforward. I I I appreciate that she's like, it's 33 00:01:59,400 --> 00:02:04,120 Speaker 1: not hard, just like girls and demystify something like composition 34 00:02:04,160 --> 00:02:06,920 Speaker 1: of a film score, where I think most people, like, 35 00:02:06,960 --> 00:02:08,639 Speaker 1: if you're not a musician, you're like, I don't even 36 00:02:08,680 --> 00:02:10,880 Speaker 1: know what these people fucking do. They sit down and 37 00:02:10,960 --> 00:02:14,200 Speaker 1: start writing notes on a fucking like what the funk? 38 00:02:14,240 --> 00:02:16,480 Speaker 1: How is it? And then but if you're a musician, 39 00:02:16,840 --> 00:02:18,640 Speaker 1: like you understand the process a little bit more, and 40 00:02:18,639 --> 00:02:20,120 Speaker 1: then for me as a music to hear her just 41 00:02:20,160 --> 00:02:23,639 Speaker 1: be like, nah, it's real simple. Man likes there's three 42 00:02:23,720 --> 00:02:27,280 Speaker 1: vibe levels and that sort of determines where I go 43 00:02:27,400 --> 00:02:30,360 Speaker 1: with it, Like, yes, she's simple perfect, she's so good. 44 00:02:30,480 --> 00:02:34,320 Speaker 1: Her name is Shirley Walker, and she died shortly after 45 00:02:34,440 --> 00:02:37,120 Speaker 1: the Final Destination three came out. She was like, she 46 00:02:37,280 --> 00:02:40,920 Speaker 1: set the tone for Final Destination and then she arrived 47 00:02:40,919 --> 00:02:44,080 Speaker 1: at her final destination I assumed peacefully and not like 48 00:02:44,080 --> 00:02:48,079 Speaker 1: a final destination, um, but like she uh it made 49 00:02:48,120 --> 00:02:51,320 Speaker 1: me laugh. Well, she was driving behind a tractor trailer 50 00:02:51,360 --> 00:02:53,840 Speaker 1: that was carrying a bunch of like logs, right and 51 00:02:53,919 --> 00:02:58,480 Speaker 1: rebar yeah, yeah, yeah, as peacefully as one and then 52 00:02:58,480 --> 00:03:01,800 Speaker 1: a thumb track, a thumbtack truck crash on the road 53 00:03:02,080 --> 00:03:08,000 Speaker 1: ahead of them. Anyway, she lived. She was like, so 54 00:03:08,080 --> 00:03:10,760 Speaker 1: then I like, this is the level three on the 55 00:03:10,800 --> 00:03:17,400 Speaker 1: gross her own system. But she did so many and 56 00:03:17,440 --> 00:03:19,960 Speaker 1: then I went down a Shirley Walker hole, like this 57 00:03:20,040 --> 00:03:23,120 Speaker 1: lady was so goddamn cool. She did like the score 58 00:03:23,240 --> 00:03:27,240 Speaker 1: for like Escape from l A and True Lies and 59 00:03:27,320 --> 00:03:30,680 Speaker 1: like all these fun movies. And she was like one 60 00:03:30,720 --> 00:03:34,760 Speaker 1: of the first prominent female film composers. And she worked 61 00:03:34,760 --> 00:03:36,800 Speaker 1: on a gross song at her system. I love her. 62 00:03:37,640 --> 00:03:41,480 Speaker 1: That's amazing. I love that especially like I would like 63 00:03:41,560 --> 00:03:45,920 Speaker 1: to view that next to another like a director's commentary 64 00:03:46,080 --> 00:03:50,560 Speaker 1: from those films, who's like being real pretentious and you're like, 65 00:03:50,640 --> 00:03:54,640 Speaker 1: well you see what she's just like, No, it's it's 66 00:03:54,720 --> 00:03:57,960 Speaker 1: Final Destiny. She was the music director for a Batman 67 00:03:58,080 --> 00:04:03,520 Speaker 1: the Animated series. Okay, yo her, I'm sorry. Her death 68 00:04:03,560 --> 00:04:09,280 Speaker 1: is tragic as I mean it was before. Yeah, but 69 00:04:09,320 --> 00:04:12,360 Speaker 1: like she she like passed away like eight months right 70 00:04:12,400 --> 00:04:17,039 Speaker 1: after her husband passed away. So yeah, anyway, rest in 71 00:04:17,040 --> 00:04:19,360 Speaker 1: power though. Oh and she wont She won an Emmy 72 00:04:19,400 --> 00:04:22,279 Speaker 1: for Batman the Animated Series. She's really cool. I don't know. 73 00:04:22,320 --> 00:04:24,280 Speaker 1: I feel like there's all these like stories like this 74 00:04:24,400 --> 00:04:27,239 Speaker 1: of like pioneers in fields that know whatever talks about 75 00:04:27,279 --> 00:04:29,640 Speaker 1: and then whenever you stumble across it, it's always the 76 00:04:29,720 --> 00:04:33,760 Speaker 1: coolest story of all time. I'm like, she's working worked 77 00:04:33,760 --> 00:04:35,680 Speaker 1: with Danny Elfman and then that's what she based the 78 00:04:35,680 --> 00:04:39,560 Speaker 1: Batman all the what the ah? This is good. She's awesome. 79 00:04:39,600 --> 00:04:43,320 Speaker 1: And so I'll post that clip of her explaining her 80 00:04:43,320 --> 00:04:48,040 Speaker 1: gross ometer composition system because it's great. We will put 81 00:04:48,080 --> 00:04:53,599 Speaker 1: that in the footnote. I respect Final Destination, the Final 82 00:04:53,640 --> 00:04:57,680 Speaker 1: Destination film franchise, like the same way that you respect 83 00:04:57,760 --> 00:05:01,640 Speaker 1: like a children's book author that just like taps into 84 00:05:02,400 --> 00:05:06,280 Speaker 1: the mind of a four year old because like, if 85 00:05:06,360 --> 00:05:10,560 Speaker 1: you had given me like limitless time to write a 86 00:05:10,640 --> 00:05:14,200 Speaker 1: movie when I was eleven years old, if like I 87 00:05:14,240 --> 00:05:17,000 Speaker 1: would have come up with the Final Destination, like best 88 00:05:17,040 --> 00:05:19,000 Speaker 1: case scenario, I would have come up with the Final 89 00:05:19,040 --> 00:05:26,280 Speaker 1: Destination movies. What if fortune Cookies were true? Yeah? Uh, 90 00:05:26,440 --> 00:05:29,200 Speaker 1: they totally nailed exactly what I was looking for in 91 00:05:29,320 --> 00:05:31,919 Speaker 1: movies when I was like, yeah, to this day, I 92 00:05:31,920 --> 00:05:35,080 Speaker 1: will not reach my hand into a sink like where 93 00:05:35,080 --> 00:05:39,360 Speaker 1: there's a garbage compactor, incinerator thing, blender, you know what 94 00:05:39,360 --> 00:05:43,880 Speaker 1: I mean, in syncorator without thinking of Final Destination. Yeah, 95 00:05:44,279 --> 00:05:47,720 Speaker 1: it's ridiculous. Final Destination three was I think the first 96 00:05:47,760 --> 00:05:50,440 Speaker 1: Final Destination I saw the one where everyone dies on 97 00:05:50,480 --> 00:05:54,839 Speaker 1: the fucking roller coaster and it's Mary Elizabeth Winstead is 98 00:05:54,880 --> 00:05:56,880 Speaker 1: the lead. Like, there's a bunch of people who ended 99 00:05:56,960 --> 00:05:59,920 Speaker 1: up getting famous, but in this one they're just beheaded 100 00:06:00,000 --> 00:06:05,320 Speaker 1: on a roller coaster. It's so funny, girls, it's so good. Yeah, 101 00:06:06,440 --> 00:06:12,320 Speaker 1: Amanda Crew is in Final Destination three. Who would have known? Yeah, Yo, 102 00:06:12,680 --> 00:06:18,000 Speaker 1: she's a fucking legend. She worked with everyone, and based 103 00:06:18,040 --> 00:06:21,320 Speaker 1: on how her credits are working, I'm I'm gonna presume 104 00:06:21,360 --> 00:06:22,880 Speaker 1: she had a lot to do with a lot of 105 00:06:22,880 --> 00:06:25,880 Speaker 1: these scores because whenever, like you have Hans Zimmer or 106 00:06:25,960 --> 00:06:29,080 Speaker 1: like these other people, it's very collaborative. I mean, I 107 00:06:29,120 --> 00:06:30,680 Speaker 1: mean early on a lot of them are doing a 108 00:06:30,680 --> 00:06:33,240 Speaker 1: lot of composition. But like at this level, she was 109 00:06:33,720 --> 00:06:39,240 Speaker 1: worked with Danny Elfman on Dick Tracy Edwards Scissor Hands, dude, 110 00:06:39,520 --> 00:06:42,880 Speaker 1: fucking Hans Zimmer on Bird onto Wire here most of 111 00:06:42,920 --> 00:06:48,200 Speaker 1: these yeah, yeah, fucking worked on this is this is 112 00:06:48,240 --> 00:06:51,320 Speaker 1: what a league of their own toys, radio Flyer with 113 00:06:51,360 --> 00:06:57,240 Speaker 1: Hans Zimmer renaissance. But okay, you know what, Okay, when 114 00:06:57,279 --> 00:07:00,880 Speaker 1: she died, she had like what it wasn't At the 115 00:07:00,960 --> 00:07:04,200 Speaker 1: time of her death, Shirley Walker had scored more major 116 00:07:04,360 --> 00:07:09,320 Speaker 1: studio motion pictures than any other American woman. She's a badass, 117 00:07:09,400 --> 00:07:12,840 Speaker 1: She's cool. So that's a that was a fun way 118 00:07:12,880 --> 00:07:15,520 Speaker 1: to learn about Shirley. Highly recommend going down the Shirley 119 00:07:15,560 --> 00:07:19,280 Speaker 1: hole because like she's conducting, like like when these some 120 00:07:19,360 --> 00:07:21,200 Speaker 1: of these credits, at the very least, she was the 121 00:07:21,240 --> 00:07:26,560 Speaker 1: conductor when they were recording these scores, conducting the orchestra whatever. 122 00:07:27,160 --> 00:07:38,520 Speaker 1: Man fucking backdrafts. And she only lived to be a 123 00:07:38,560 --> 00:07:44,160 Speaker 1: sixty one legend legend DJ justin just putting the chat. 124 00:07:44,440 --> 00:07:48,200 Speaker 1: A detail that I will not be able to unknown 125 00:07:48,400 --> 00:07:52,720 Speaker 1: is that his best friend's parents house had an automatic 126 00:07:52,880 --> 00:07:58,440 Speaker 1: garbage disposal unit in their sink. No, that is with 127 00:07:58,520 --> 00:08:01,680 Speaker 1: a motion sensor, Like I think it must have not 128 00:08:01,800 --> 00:08:04,200 Speaker 1: like sensed when there was food to chop up. But 129 00:08:04,240 --> 00:08:06,440 Speaker 1: could you imagine if like the sensor was off a 130 00:08:06,480 --> 00:08:13,280 Speaker 1: little bit. Is also one more thing, just so you know, 131 00:08:13,920 --> 00:08:17,720 Speaker 1: bucking a goofy movie. She did a goofy movie. She 132 00:08:17,960 --> 00:08:23,600 Speaker 1: conducted and orchestrated the score. She's she's just and she's 133 00:08:23,640 --> 00:08:26,640 Speaker 1: like just a mom. She's like, listen, it's not hard. 134 00:08:27,080 --> 00:08:30,320 Speaker 1: It was a final destination score. I'm surely walker. Like 135 00:08:30,360 --> 00:08:32,640 Speaker 1: I do difficult things all the time. This is not 136 00:08:32,679 --> 00:08:35,320 Speaker 1: one of them. I just love it. She's like I 137 00:08:35,320 --> 00:08:39,160 Speaker 1: did Edwards scissor Hands. You fuck with Yeah, you're working 138 00:08:39,200 --> 00:08:47,400 Speaker 1: around with final destination. This is a check to me. Okay, dude, arachnophobia. 139 00:08:47,800 --> 00:08:51,800 Speaker 1: I love it. Child's play too. Where was it? Where 140 00:08:51,920 --> 00:08:55,240 Speaker 1: was it? Sureley? She she really was the moment. She 141 00:08:55,440 --> 00:08:59,040 Speaker 1: was the moment for decades. One of the tools that 142 00:08:59,160 --> 00:09:04,040 Speaker 1: was aided specifically for the scoring God this is the 143 00:09:04,040 --> 00:09:09,040 Speaker 1: gros soometer. I had to pause because you can't see 144 00:09:09,040 --> 00:09:11,040 Speaker 1: the video. I'm just playing it for everybody. It is 145 00:09:11,120 --> 00:09:14,400 Speaker 1: such it is like a remarkable piece, like back when 146 00:09:14,400 --> 00:09:16,280 Speaker 1: you used to do like a book report project and 147 00:09:16,320 --> 00:09:18,560 Speaker 1: you have to be like an accompany like art piece 148 00:09:18,640 --> 00:09:22,319 Speaker 1: with it. This grossometer is one of the greatest handmade 149 00:09:22,520 --> 00:09:27,600 Speaker 1: things I've ever seen in my life. But we thought 150 00:09:27,600 --> 00:09:35,040 Speaker 1: that grossometer was far more elegant. Did the artworker correct 151 00:09:35,080 --> 00:09:37,959 Speaker 1: and we would uh let the orchestra know what the 152 00:09:38,200 --> 00:09:41,560 Speaker 1: grosso rating was. So this one was like it about 153 00:09:41,559 --> 00:09:44,360 Speaker 1: as sixty as it was filmed, but I challenged the 154 00:09:44,440 --> 00:09:47,520 Speaker 1: orchestra to bring it up with their performance to and 155 00:09:47,880 --> 00:09:50,800 Speaker 1: a at least an eight. And I think the performance 156 00:09:50,960 --> 00:09:56,080 Speaker 1: really we were close to a hundred on that. The 157 00:09:56,160 --> 00:10:00,000 Speaker 1: level one is boobs and burns, Level two is dismember, 158 00:10:00,000 --> 00:10:03,680 Speaker 1: fer mint and wiggly guts, and level three is blood 159 00:10:03,720 --> 00:10:13,040 Speaker 1: spatter and brain matter. Wow, I hadn't even like, I 160 00:10:13,080 --> 00:10:16,000 Speaker 1: guess that makes sense, but like burns would seem to 161 00:10:16,000 --> 00:10:19,720 Speaker 1: be almost as bad as blood spatter. But no, I 162 00:10:19,760 --> 00:10:24,840 Speaker 1: guess not like visceral when you're watching something happened, I mean, 163 00:10:25,160 --> 00:10:28,839 Speaker 1: she she would know. I guess she's yeah, she did 164 00:10:28,880 --> 00:10:33,400 Speaker 1: Final Destinations one through three. What is something from your 165 00:10:33,400 --> 00:10:36,680 Speaker 1: search history that is revealing about who you are what 166 00:10:36,800 --> 00:10:40,240 Speaker 1: you're up to? Alright, so here's here's something that's I'm 167 00:10:40,240 --> 00:10:42,959 Speaker 1: getting back into video games. This isn't exciting or phone 168 00:10:43,080 --> 00:10:46,040 Speaker 1: or anything or funny. I'm sorry. He's like, guys, I'm 169 00:10:46,080 --> 00:10:47,960 Speaker 1: not here to make y'all chuckle today. I'm here to 170 00:10:48,000 --> 00:10:52,960 Speaker 1: talk serious ship. I've just started playing seven years late 171 00:10:53,040 --> 00:10:56,679 Speaker 1: The Last of Us, and you know what, you know, 172 00:10:57,040 --> 00:11:00,120 Speaker 1: Like when I was younger, in my younger days, when 173 00:11:00,160 --> 00:11:01,960 Speaker 1: my brain was a little more sharp, it was it 174 00:11:02,040 --> 00:11:06,360 Speaker 1: was operating on all levels. Uh, I would I wouldn't 175 00:11:06,400 --> 00:11:09,160 Speaker 1: go to the internet for walkthroughs or things like that. 176 00:11:10,160 --> 00:11:12,400 Speaker 1: But that, man, I'm thirty four years old. My brain, 177 00:11:12,559 --> 00:11:14,120 Speaker 1: I'm like, I ain't got time to be sitting up 178 00:11:14,120 --> 00:11:16,800 Speaker 1: here waiting, like trying to find a goddamn dumpster to 179 00:11:16,840 --> 00:11:18,319 Speaker 1: pull over to a wall if I don't know where 180 00:11:18,360 --> 00:11:20,640 Speaker 1: it is. So I'll be hitting these walkthroughs up. I'll 181 00:11:20,640 --> 00:11:22,640 Speaker 1: be hitting these walkthroughs up and be like, all right, 182 00:11:22,720 --> 00:11:25,160 Speaker 1: Last of Us and I don't know what the chapters 183 00:11:25,160 --> 00:11:28,040 Speaker 1: are called. I'd just be like Last of Us uh, 184 00:11:28,280 --> 00:11:31,080 Speaker 1: stuck in dirty water and then like find what I need, 185 00:11:32,960 --> 00:11:34,800 Speaker 1: but I needed it, come up and I find it, 186 00:11:35,000 --> 00:11:37,720 Speaker 1: and it's always the simplest ship and be like, oh yeah, 187 00:11:37,800 --> 00:11:41,079 Speaker 1: I walked past that like forty times. But yeah, man, 188 00:11:41,200 --> 00:11:43,520 Speaker 1: it's it's a fun it's a great game walk throughs, 189 00:11:43,559 --> 00:11:45,439 Speaker 1: you know, because and you know, back in our days, 190 00:11:45,800 --> 00:11:49,680 Speaker 1: the book version the Prima guides that put out for 191 00:11:49,720 --> 00:11:52,160 Speaker 1: a video game, I might also going to the library 192 00:11:52,320 --> 00:11:56,360 Speaker 1: to fuck borrow like how to Ship. Yeah, yeah, you 193 00:11:56,440 --> 00:11:58,520 Speaker 1: used to have to buy books for the game we 194 00:11:58,640 --> 00:12:01,200 Speaker 1: walked through back all day, I don't know, or you 195 00:12:01,240 --> 00:12:02,439 Speaker 1: do the thing where like used to go to a 196 00:12:02,480 --> 00:12:04,560 Speaker 1: bookstore and treat the bookstore like the internet. We're like, 197 00:12:04,559 --> 00:12:06,600 Speaker 1: I'm not gonna buy it, but I'm sitting here. I'll 198 00:12:06,600 --> 00:12:09,920 Speaker 1: write everything down and then I'm gonna leave. Uh there's 199 00:12:09,960 --> 00:12:11,680 Speaker 1: that too, But yeah, The Last of Us is one 200 00:12:11,720 --> 00:12:14,959 Speaker 1: of those games that really I see, like I totally 201 00:12:15,000 --> 00:12:17,760 Speaker 1: get the walk through ship because it's so intense at times, 202 00:12:17,920 --> 00:12:20,640 Speaker 1: like it doesn't exactly like you don't come into the 203 00:12:20,679 --> 00:12:22,600 Speaker 1: same feeling like a call of duty. We're like, yeah, 204 00:12:22,640 --> 00:12:24,200 Speaker 1: funk that, what's good. It's the Last of Us. I'm 205 00:12:24,200 --> 00:12:27,160 Speaker 1: here to do ship, and then you're like, oh no, yeah, 206 00:12:27,200 --> 00:12:31,800 Speaker 1: the the deck is completely stacked against me and yeah, yeah, 207 00:12:32,080 --> 00:12:35,800 Speaker 1: and I'm not clever, so I need I need that help. 208 00:12:35,840 --> 00:12:37,240 Speaker 1: I need the help. But I'm almost there. I'm at 209 00:12:37,240 --> 00:12:39,559 Speaker 1: the last chapter, so I'm excited to finish it out 210 00:12:39,600 --> 00:12:43,439 Speaker 1: and beat it all and then by last of us two. Yeah, 211 00:12:44,080 --> 00:12:47,640 Speaker 1: my search history is absolutely riddled with a much lamber 212 00:12:47,800 --> 00:12:50,920 Speaker 1: version of that, where it's looking up cross word answers 213 00:12:51,080 --> 00:12:54,600 Speaker 1: just like a crossword puzzle. Yeah, wait, how do you 214 00:12:54,600 --> 00:12:58,000 Speaker 1: do that? You just literally searched the clue. Yeah, and 215 00:12:58,040 --> 00:13:01,760 Speaker 1: there's there's all sorts of websites for like hours after 216 00:13:01,800 --> 00:13:04,520 Speaker 1: the New York Times puts its cross word up. You 217 00:13:04,559 --> 00:13:09,160 Speaker 1: can they websites that are just on that ship. Um, 218 00:13:09,320 --> 00:13:12,400 Speaker 1: but yeah, I'm not. I am ashamed. I should say, 219 00:13:12,840 --> 00:13:16,280 Speaker 1: don't be ashamed. How the hell you supposed to know everything? 220 00:13:16,800 --> 00:13:19,080 Speaker 1: What's a four letters? Don't? But I don't know a 221 00:13:19,280 --> 00:13:22,040 Speaker 1: single one of them. I just loved them all up. 222 00:13:22,360 --> 00:13:24,679 Speaker 1: And then I'm like, hey, and show it to my 223 00:13:24,840 --> 00:13:28,040 Speaker 1: dad and she's like, I don't care. Jack's phone bill 224 00:13:28,200 --> 00:13:30,760 Speaker 1: from all the crossword game puzzle games that he uses, 225 00:13:30,800 --> 00:13:36,160 Speaker 1: but he just buys the hint packs. So he's like, yeah, 226 00:13:36,679 --> 00:13:39,600 Speaker 1: I haven't gotten a single one, and uh a long time, 227 00:13:39,640 --> 00:13:41,160 Speaker 1: and why do it? It's more fun. You just hit 228 00:13:41,280 --> 00:13:44,640 Speaker 1: press hint, hint, hint, hint, and you know you type it, 229 00:13:44,679 --> 00:13:46,640 Speaker 1: you type. So you're still doing some work. You're still 230 00:13:46,640 --> 00:13:51,079 Speaker 1: doing your thing, you know, And I respect I respect it, Maurice. 231 00:13:51,120 --> 00:13:56,160 Speaker 1: What is something you think is overrated? Oh? My god? Um, 232 00:13:56,280 --> 00:14:00,040 Speaker 1: the Coming to America sequel. Oh is it bad? It 233 00:14:00,679 --> 00:14:04,560 Speaker 1: so bad? And the thing about it is that it 234 00:14:04,600 --> 00:14:09,040 Speaker 1: didn't have to be bad, I think. You know. Of course, 235 00:14:09,040 --> 00:14:11,040 Speaker 1: there's all this stuff about reboots and people want to 236 00:14:11,040 --> 00:14:14,080 Speaker 1: bring back these sort of you know, very popular franchises 237 00:14:14,120 --> 00:14:18,080 Speaker 1: from before, and the movie does some things around. Well, 238 00:14:18,200 --> 00:14:20,560 Speaker 1: let me be completely honest, they do a lot of 239 00:14:20,600 --> 00:14:24,600 Speaker 1: ship around the old movie. It's almost like they had 240 00:14:24,600 --> 00:14:27,440 Speaker 1: an intern right down every catchphrase that has caught off 241 00:14:28,360 --> 00:14:32,600 Speaker 1: in the past thirty years and just like through darts 242 00:14:32,640 --> 00:14:34,800 Speaker 1: at a board to figure out where it could go 243 00:14:34,840 --> 00:14:36,880 Speaker 1: into the movie. Off the top of my mind, do 244 00:14:36,960 --> 00:14:43,600 Speaker 1: we get in the face, uh, something like that chocolate yes, 245 00:14:43,680 --> 00:14:51,640 Speaker 1: sexual chocolate days. Yeah, that's literally is there a yes? 246 00:14:52,960 --> 00:14:56,560 Speaker 1: I mean I think the fact that a large part 247 00:14:56,560 --> 00:15:00,480 Speaker 1: of the premises based on date rape, uh rather casually, 248 00:15:00,520 --> 00:15:04,040 Speaker 1: So I should mention what is a is a harbinger 249 00:15:04,160 --> 00:15:07,480 Speaker 1: for just how off tone the rest of the movie 250 00:15:08,160 --> 00:15:12,080 Speaker 1: kind of is. It's it's star studded cast. Don't get 251 00:15:12,080 --> 00:15:16,000 Speaker 1: me wrong, what's what's the snipes? Tiana Taylor, anybody great cast? 252 00:15:16,880 --> 00:15:21,200 Speaker 1: Horrible plot? Kenya Burrows wrote it, So it's coming to America, 253 00:15:21,320 --> 00:15:27,920 Speaker 1: ish right, that's what it. Part of me like was really, look, 254 00:15:27,960 --> 00:15:29,720 Speaker 1: I knew it came out, but part of me was like, 255 00:15:30,000 --> 00:15:32,400 Speaker 1: I don't want to watch it and it not hit 256 00:15:32,480 --> 00:15:35,840 Speaker 1: the same and me just ruined my weekend. It's not 257 00:15:35,840 --> 00:15:38,400 Speaker 1: gonna hit the same. I don't care how many edibles 258 00:15:38,440 --> 00:15:40,640 Speaker 1: you take, how many joys you smoke, it's not going 259 00:15:40,680 --> 00:15:43,480 Speaker 1: to hit the same because the first I say that 260 00:15:43,520 --> 00:15:45,160 Speaker 1: from personal experience, but it's just not going to hit 261 00:15:45,160 --> 00:15:50,000 Speaker 1: the same. There are there are laughs, though I've heard 262 00:15:50,040 --> 00:15:52,040 Speaker 1: there are laughs like that. I mean, it's a it's 263 00:15:52,040 --> 00:15:57,560 Speaker 1: a comedy, so ostensibly there are laughs, but actually, yeah, 264 00:15:58,240 --> 00:16:00,200 Speaker 1: is this okay? But is there are there other talking 265 00:16:00,200 --> 00:16:02,000 Speaker 1: a wrong? There's some people that saw it that loved it. 266 00:16:02,080 --> 00:16:07,680 Speaker 1: I mean, suspend disbelief and plot holes and flimsy characterization 267 00:16:08,040 --> 00:16:10,880 Speaker 1: it's probably a very funny movie. I'm not saying you 268 00:16:10,920 --> 00:16:12,920 Speaker 1: have to go into it like thinking about it. But 269 00:16:12,960 --> 00:16:16,320 Speaker 1: it's also just not that good, right. I mean, the 270 00:16:16,320 --> 00:16:18,440 Speaker 1: original was r This is a PG. Thirteen, so that 271 00:16:18,520 --> 00:16:19,800 Speaker 1: kind of gives you a bit of a sense of 272 00:16:20,720 --> 00:16:23,720 Speaker 1: how toned down some things are. It's just not that good. 273 00:16:24,640 --> 00:16:27,960 Speaker 1: I mean I saw like a clip, yeah, I saw 274 00:16:28,000 --> 00:16:29,800 Speaker 1: a clip that they put on a social like the 275 00:16:29,800 --> 00:16:32,280 Speaker 1: barber shop and seeing all those characters come back, and 276 00:16:32,320 --> 00:16:37,240 Speaker 1: my first thought was like, yeah, they're still alive, and 277 00:16:37,320 --> 00:16:41,080 Speaker 1: also they didn't age because their old. But then you 278 00:16:41,120 --> 00:16:44,360 Speaker 1: look at looking Semi and the chem and you're like, 279 00:16:44,680 --> 00:16:49,280 Speaker 1: motherfucker's got right, and the barbers are the same age, 280 00:16:49,360 --> 00:16:53,600 Speaker 1: they're still at the same shop. Like gentrification hasn't wiped 281 00:16:53,640 --> 00:16:57,720 Speaker 1: all of that. It's He's like, my Browns don't. And 282 00:16:57,800 --> 00:16:59,760 Speaker 1: I was like, Okay, I get it, get some gentrification 283 00:16:59,800 --> 00:17:02,440 Speaker 1: hum were in there, but it's it's not It's not good. 284 00:17:02,720 --> 00:17:05,240 Speaker 1: Is Kenn Barris from New York Because it's a very 285 00:17:05,280 --> 00:17:08,399 Speaker 1: New York movie. I don't know the first one at 286 00:17:08,480 --> 00:17:11,600 Speaker 1: least it was like a very l a I think, yeah, 287 00:17:11,640 --> 00:17:14,240 Speaker 1: I mean, come on, man, but they bring back pretty 288 00:17:14,320 --> 00:17:19,800 Speaker 1: much every character except for Lisa's sister and Samuel L. Jackson. 289 00:17:20,560 --> 00:17:22,720 Speaker 1: Other than that, I think every other character from the 290 00:17:22,720 --> 00:17:25,280 Speaker 1: movie is probably in there. I don't think. I don't 291 00:17:25,280 --> 00:17:27,240 Speaker 1: think the deadbeat landlord isn't. No, he's not in it. 292 00:17:27,280 --> 00:17:31,280 Speaker 1: But no, no, Eric Wassal is not in Okay, and 293 00:17:31,400 --> 00:17:35,120 Speaker 1: he made some interview about why he was not going 294 00:17:35,200 --> 00:17:37,640 Speaker 1: to be a part of it or whatever. But it's 295 00:17:37,640 --> 00:17:40,040 Speaker 1: probably for the best given how bad the movie is, 296 00:17:40,320 --> 00:17:44,040 Speaker 1: right right, right, Yeah, I mean Darryl was like, you know, 297 00:17:44,119 --> 00:17:47,320 Speaker 1: the iconic bad guy, you know, with his soul glow 298 00:17:47,320 --> 00:17:50,680 Speaker 1: and he's getting his Jerry Crawl juice all over the couch. Yeah, 299 00:17:51,400 --> 00:17:55,200 Speaker 1: those those kinds of jokes do not exist in this movie, right, 300 00:17:55,200 --> 00:17:58,960 Speaker 1: because those are like super on point that so you're 301 00:17:59,000 --> 00:18:01,359 Speaker 1: saying it kind of just got overly broad or something 302 00:18:01,400 --> 00:18:04,480 Speaker 1: like you just say, they introduced a lot of new characters. 303 00:18:05,000 --> 00:18:07,760 Speaker 1: There is a lot of it was filmed I think 304 00:18:07,760 --> 00:18:13,840 Speaker 1: in Rick Ross's mansion. Um is that like a joke. 305 00:18:15,119 --> 00:18:17,359 Speaker 1: It's not a joke, it's not a it's like the 306 00:18:17,440 --> 00:18:21,879 Speaker 1: literal musician rapper Rick Ross in his mansion, like whoa 307 00:18:22,440 --> 00:18:26,520 Speaker 1: because of like COVID things. No, this was this movie 308 00:18:26,560 --> 00:18:28,800 Speaker 1: was supposed to come out in they've sat on it 309 00:18:28,800 --> 00:18:32,800 Speaker 1: for like a whole year. Wow. Man, that that is 310 00:18:32,840 --> 00:18:36,840 Speaker 1: a real bummer to me that Frankie Faisan doesn't come 311 00:18:36,840 --> 00:18:40,640 Speaker 1: back as the deadbeat landlord because real like people who 312 00:18:40,680 --> 00:18:43,000 Speaker 1: really like coming to America, Like those are some of 313 00:18:43,480 --> 00:18:46,320 Speaker 1: those are some of my favorite lines where it's like, yeah, 314 00:18:46,320 --> 00:18:49,119 Speaker 1: it's a real ship, you love it. And and the 315 00:18:49,440 --> 00:18:51,600 Speaker 1: reason that I the reason I'm saying it's overrated because 316 00:18:51,600 --> 00:18:54,240 Speaker 1: like I see a lot of promotion around and I'm 317 00:18:54,240 --> 00:18:56,480 Speaker 1: seeing a lot of interviews around it, I'm not seeing 318 00:18:56,520 --> 00:18:59,800 Speaker 1: a lot of good I mean Twitter people on Twitter like, 319 00:18:59,800 --> 00:19:02,960 Speaker 1: oh this is hilarious. It's not a good movie. Yeah, 320 00:19:03,080 --> 00:19:05,119 Speaker 1: I mean it seems like everything when you even just 321 00:19:05,119 --> 00:19:09,040 Speaker 1: search review like it's universally it's like either tepid or 322 00:19:09,240 --> 00:19:12,600 Speaker 1: they're slamming it. So yeah, lots of musical performances for 323 00:19:12,600 --> 00:19:14,679 Speaker 1: some reason, which are not really I mean, there are 324 00:19:14,880 --> 00:19:16,879 Speaker 1: musical performances in the first movie, of course, you know 325 00:19:17,040 --> 00:19:18,760 Speaker 1: she's your pen to be all that, you know, soul 326 00:19:18,800 --> 00:19:22,200 Speaker 1: glow theme, of course, but like Gladys Night does a 327 00:19:22,280 --> 00:19:30,639 Speaker 1: rendition of Midnight Train to Zamunda. That's like why description. 328 00:19:32,040 --> 00:19:34,200 Speaker 1: That's the second detail in a row that I'm like, 329 00:19:34,240 --> 00:19:40,880 Speaker 1: why is he making ship up slander? This is all 330 00:19:40,960 --> 00:19:44,520 Speaker 1: made up? And and the thing is like the of course, 331 00:19:44,600 --> 00:19:46,480 Speaker 1: like the Queen to Be song that I think, like 332 00:19:46,520 --> 00:19:49,800 Speaker 1: the Chancellor, one of the consorts sing is in the credits. 333 00:19:50,400 --> 00:19:52,760 Speaker 1: It's not even in the actual movie. It's in the credits, 334 00:19:53,200 --> 00:19:56,840 Speaker 1: sung by John Legends pretty well, but it's in the credits. Yeah, 335 00:19:57,119 --> 00:19:58,840 Speaker 1: it's just not I think it's one of the things too, 336 00:19:58,880 --> 00:20:01,119 Speaker 1: like are we like, because we we're so close to 337 00:20:01,160 --> 00:20:03,760 Speaker 1: the original thing too, where do you think it will 338 00:20:03,840 --> 00:20:05,720 Speaker 1: invite a new audience? Because I know it's I feel 339 00:20:05,720 --> 00:20:07,320 Speaker 1: like it sounds like how I would feel like when 340 00:20:07,320 --> 00:20:08,960 Speaker 1: the Star Wars prequels came on, like they didn't need 341 00:20:08,960 --> 00:20:11,320 Speaker 1: to funk with it, like that they has something going. 342 00:20:11,920 --> 00:20:17,919 Speaker 1: But I just think the comedy was perhaps edgier. I 343 00:20:18,000 --> 00:20:20,400 Speaker 1: think that's true of a lot of comedy, Like when 344 00:20:20,400 --> 00:20:23,080 Speaker 1: you go back and watch some of the like True 345 00:20:23,119 --> 00:20:26,240 Speaker 1: Lies is one that like when you when you go 346 00:20:26,280 --> 00:20:28,720 Speaker 1: back and watch that, like there's no way they have 347 00:20:28,840 --> 00:20:32,959 Speaker 1: that build built back in character saying asked like a 348 00:20:33,000 --> 00:20:38,880 Speaker 1: ten year old boy, like in a modern movie. Yeah, 349 00:20:39,160 --> 00:20:43,399 Speaker 1: like the get yeah, it's the nineties, man, because it 350 00:20:43,480 --> 00:20:46,520 Speaker 1: was basically we turned up the eighties even hotter, but 351 00:20:46,560 --> 00:20:51,440 Speaker 1: like did it was some like nice sheen and CT effects. Basically, yeah, 352 00:20:51,440 --> 00:20:54,200 Speaker 1: it felt like there was more sort of picking at 353 00:20:54,720 --> 00:20:57,200 Speaker 1: black culture. I think a little bit because the dichotomy 354 00:20:57,240 --> 00:21:00,240 Speaker 1: that's set up in Coming to America is like rich 355 00:21:00,280 --> 00:21:05,000 Speaker 1: affluent Africans meet regular people from New York and it's 356 00:21:05,040 --> 00:21:09,240 Speaker 1: coming to America, coming to America. That's another reason why 357 00:21:09,240 --> 00:21:12,480 Speaker 1: it's bad. Um sort of does this like weird Connecticut 358 00:21:12,560 --> 00:21:16,080 Speaker 1: Yankee and King Arthur's Court kind of thing with with 359 00:21:16,280 --> 00:21:19,880 Speaker 1: a Keem's bastard son. I mean, I'm ruining the plot 360 00:21:19,880 --> 00:21:22,560 Speaker 1: a little bit, but like it's not good. It's just 361 00:21:22,640 --> 00:21:25,720 Speaker 1: not good. All right, let's take a quick break. We'll 362 00:21:25,760 --> 00:21:38,920 Speaker 1: be right back, and we're back. What is What's something 363 00:21:38,960 --> 00:21:42,880 Speaker 1: you think is underrated? Getting out of bed before four pm? 364 00:21:42,920 --> 00:21:46,800 Speaker 1: I think, uh, you know, I think I feel like 365 00:21:47,000 --> 00:21:50,160 Speaker 1: just people should try it. I've been doing this thing 366 00:21:50,240 --> 00:21:53,680 Speaker 1: where I I opened my eyes. I wake up at 367 00:21:54,440 --> 00:21:58,000 Speaker 1: nine thirty every day probably beautiful. I'm not out of 368 00:21:58,040 --> 00:22:01,919 Speaker 1: bed until until four thirties. Sometimes I just stare at 369 00:22:01,920 --> 00:22:04,959 Speaker 1: the ceiling, look at my phone and then um, and 370 00:22:05,000 --> 00:22:07,400 Speaker 1: then and that's my whole day. I start my day. 371 00:22:07,600 --> 00:22:12,040 Speaker 1: This is the earliest I've been out of bed, and 372 00:22:12,040 --> 00:22:14,520 Speaker 1: and we're honored that you would do that for us. Yeah, 373 00:22:14,600 --> 00:22:19,560 Speaker 1: you know, I almost canceled because like it's getting a 374 00:22:19,640 --> 00:22:23,960 Speaker 1: little bit before four would be right there, you know. Yeah, yeah, 375 00:22:24,240 --> 00:22:26,280 Speaker 1: what time you go to sleep? Let me see I 376 00:22:26,280 --> 00:22:32,560 Speaker 1: wake up at nine, so eight. Yeah, it's really sleeping 377 00:22:32,560 --> 00:22:39,240 Speaker 1: from eight to four. I wouldn't call it sleep. It's 378 00:22:39,280 --> 00:22:42,320 Speaker 1: more like I ruminate. It's a deep state of rumination 379 00:22:42,680 --> 00:22:47,879 Speaker 1: from eight to four infects essential dread, looking directly and ceiling. Yeah, 380 00:22:48,000 --> 00:22:50,800 Speaker 1: you know, just pondering and pondering is a good word 381 00:22:50,840 --> 00:22:55,760 Speaker 1: for it. Postulating, right right, Um, yeah, sleep is not sleep. 382 00:22:55,840 --> 00:23:00,879 Speaker 1: Is the least of my worries. It's yeah, thank your 383 00:23:00,920 --> 00:23:04,320 Speaker 1: pick at the moment. Yeah, I was just in in 384 00:23:04,600 --> 00:23:08,640 Speaker 1: researching this daylight savings article. Like one of the arguments 385 00:23:08,680 --> 00:23:11,399 Speaker 1: against changing it is that kids will have to go 386 00:23:11,440 --> 00:23:14,760 Speaker 1: to school in the in the dark if we don't 387 00:23:14,800 --> 00:23:18,360 Speaker 1: like do the daylight savings thing. Okay, well, if you're 388 00:23:18,359 --> 00:23:20,840 Speaker 1: familiar with the American education system, you know these kids 389 00:23:20,840 --> 00:23:24,879 Speaker 1: are already in the dark. Based on our history books. 390 00:23:24,920 --> 00:23:28,400 Speaker 1: Everyone has been in the dark filmy. Sometimes you gotta 391 00:23:28,440 --> 00:23:31,840 Speaker 1: open your third eye. Children. That's also a made up 392 00:23:31,840 --> 00:23:34,320 Speaker 1: problem because kids shouldn't have to go to school at 393 00:23:34,400 --> 00:23:37,040 Speaker 1: like six in the morning every morning, like they should 394 00:23:37,440 --> 00:23:40,000 Speaker 1: like doctors say, they should be going to school late, 395 00:23:40,280 --> 00:23:45,919 Speaker 1: like lemane. Yeah, it's like how far are we going 396 00:23:45,960 --> 00:23:48,600 Speaker 1: to go to the that we we have to shelter 397 00:23:48,760 --> 00:23:53,040 Speaker 1: kids from the concept of nighttime, Like yeah, okay, you 398 00:23:53,080 --> 00:23:54,880 Speaker 1: can see the sun when it's down, but it's got 399 00:23:54,880 --> 00:23:57,720 Speaker 1: to be at six in the morning. You gotta you know, 400 00:23:57,800 --> 00:24:01,960 Speaker 1: you gotta slowly intry use kids to it, you know. Yeah, 401 00:24:02,040 --> 00:24:03,679 Speaker 1: they got to know it's coming out in a in 402 00:24:03,760 --> 00:24:07,520 Speaker 1: a half hour or so. Oh man, I mean, hey, 403 00:24:07,560 --> 00:24:10,119 Speaker 1: we made it with daylight savings. We were fucked about 404 00:24:10,200 --> 00:24:14,919 Speaker 1: by this unpredictable timeline that we call our time system 405 00:24:15,000 --> 00:24:17,720 Speaker 1: or whatever this is. But the time system yet yeah, 406 00:24:17,760 --> 00:24:20,679 Speaker 1: the time system. Yeah. But yeah, just like what they 407 00:24:20,680 --> 00:24:23,119 Speaker 1: said was the other thing we always because we've brought 408 00:24:23,119 --> 00:24:25,840 Speaker 1: this up on the show before, like there's more car accidents, 409 00:24:25,880 --> 00:24:28,640 Speaker 1: people getting just it's just it's just doesn't help anybody, 410 00:24:28,640 --> 00:24:32,439 Speaker 1: Like there's physical ramifications that play out statistically when you 411 00:24:32,480 --> 00:24:35,439 Speaker 1: do this ship. Yeah, we're adaptable. We'll we'll figure it 412 00:24:35,440 --> 00:24:37,880 Speaker 1: out if it's happening slowly over the course of time. 413 00:24:37,960 --> 00:24:40,880 Speaker 1: But why why like just throw a curveball at us 414 00:24:40,880 --> 00:24:43,040 Speaker 1: in the middle of the year. Yeah. Also, we're not 415 00:24:43,080 --> 00:24:47,640 Speaker 1: all farmers. We're not We're like mostly not farmers. Uh yeah, 416 00:24:47,680 --> 00:24:52,320 Speaker 1: that's yeah. Like statistically, statistically, if you look at the numbers, 417 00:24:52,640 --> 00:24:55,720 Speaker 1: a number of people who are not farmers, pretty there's 418 00:24:55,760 --> 00:24:58,679 Speaker 1: so many of them, most of them these days, so 419 00:24:58,720 --> 00:25:00,960 Speaker 1: many people not and you hate to see it. You 420 00:25:01,000 --> 00:25:05,120 Speaker 1: hate to see it. We're losing God and farm You know, 421 00:25:05,440 --> 00:25:07,840 Speaker 1: people talk about white people is the majority all the time, 422 00:25:07,880 --> 00:25:09,400 Speaker 1: but you know, if you look at the numbers, it's 423 00:25:09,440 --> 00:25:16,119 Speaker 1: really people from farming out farming, non farmers. Kenny, what 424 00:25:16,240 --> 00:25:18,600 Speaker 1: is something you think is overrated? I feel like the 425 00:25:18,640 --> 00:25:22,320 Speaker 1: impact of Twitter. That's something I've learned. Like things keep 426 00:25:22,320 --> 00:25:24,679 Speaker 1: happening on Twitter and I'm like, oh my god, and 427 00:25:24,680 --> 00:25:26,560 Speaker 1: then I'll talk to someone that's not on there and 428 00:25:26,560 --> 00:25:30,200 Speaker 1: they're like, what are you talking about? No one knows. 429 00:25:30,800 --> 00:25:32,920 Speaker 1: I went on the road last fall and I was like, 430 00:25:32,920 --> 00:25:35,159 Speaker 1: I had all these jokes about stuff on Twitter, and 431 00:25:35,200 --> 00:25:37,119 Speaker 1: people in Ohio we're looking at me like I was 432 00:25:37,680 --> 00:25:39,919 Speaker 1: from a different planet. They were like, we don't we 433 00:25:39,960 --> 00:25:43,520 Speaker 1: watched the local news. What is this. Mr potato heads 434 00:25:43,920 --> 00:25:45,760 Speaker 1: has a gender? What are you talking about? You know, 435 00:25:46,000 --> 00:25:48,320 Speaker 1: you know when no one cares about people on Twitter 436 00:25:48,359 --> 00:25:51,280 Speaker 1: talking about and so um and like this whole thing 437 00:25:51,320 --> 00:25:54,080 Speaker 1: is to be like cancel culture. It's like, yeah, you're 438 00:25:54,119 --> 00:25:57,560 Speaker 1: canceled on Twitter to like two thousand people that don't 439 00:25:57,640 --> 00:26:01,240 Speaker 1: leave their house. No one cares. Everyone's fine, you know. Yeah, 440 00:26:01,359 --> 00:26:04,600 Speaker 1: it's interesting to see that the difference of like how 441 00:26:04,800 --> 00:26:07,879 Speaker 1: people look at the things that are happening on Twitter 442 00:26:07,960 --> 00:26:10,680 Speaker 1: as it relates to like outside I r L reality 443 00:26:10,760 --> 00:26:14,080 Speaker 1: and the stark contrast in it is really something. I 444 00:26:14,080 --> 00:26:16,840 Speaker 1: think it really you think it's really good to like 445 00:26:16,920 --> 00:26:20,000 Speaker 1: embrace the fact how overrated is in the context of 446 00:26:20,040 --> 00:26:23,320 Speaker 1: if you have like social media induced anxiety, Like if 447 00:26:23,359 --> 00:26:25,760 Speaker 1: you're on Twitter and you you start being like, oh shoot, 448 00:26:25,760 --> 00:26:28,400 Speaker 1: I'm doom scrolling. I think the world's wanted get off 449 00:26:28,400 --> 00:26:30,239 Speaker 1: that ship for a second and remind yourself you live 450 00:26:30,240 --> 00:26:32,479 Speaker 1: in the real world and go talk to people like 451 00:26:32,520 --> 00:26:35,879 Speaker 1: in your community, Like that's that's the realist ship to Twitter, 452 00:26:35,960 --> 00:26:37,879 Speaker 1: you have, like because those are people you will rely 453 00:26:38,000 --> 00:26:42,000 Speaker 1: on at some point, not fucking avatars who are like, right, well, 454 00:26:42,040 --> 00:26:44,399 Speaker 1: that's like another thing I learned that tour I was 455 00:26:44,440 --> 00:26:45,840 Speaker 1: in the middle of the country and if you like 456 00:26:45,920 --> 00:26:48,719 Speaker 1: read Twitter, everyone in the middle of the country is 457 00:26:48,880 --> 00:26:51,520 Speaker 1: a racist idiot and you like go out thinking that 458 00:26:51,640 --> 00:26:54,840 Speaker 1: and then you do shows and people are like thanks 459 00:26:54,880 --> 00:26:57,280 Speaker 1: for talking about that stuff or I don't know, it's 460 00:26:57,320 --> 00:26:59,760 Speaker 1: just like it's not as stark, it's not as black 461 00:26:59,760 --> 00:27:03,639 Speaker 1: and Twitter makes life. Yeah, it definitely helps contribute to 462 00:27:03,680 --> 00:27:06,840 Speaker 1: that cruel world syndrome that people can get and I 463 00:27:06,840 --> 00:27:09,640 Speaker 1: think especially when in a year like the last one 464 00:27:09,680 --> 00:27:12,840 Speaker 1: we've had where we've unfortunately not had the ability to 465 00:27:12,880 --> 00:27:15,760 Speaker 1: go out into physical space that much and connect with 466 00:27:15,840 --> 00:27:19,320 Speaker 1: people on that level. Yeah, that's that's a good point 467 00:27:19,320 --> 00:27:22,119 Speaker 1: of too. Why the trauma of this year is like 468 00:27:22,160 --> 00:27:24,520 Speaker 1: part of it is induced by the media we consume, 469 00:27:24,600 --> 00:27:28,160 Speaker 1: whether that's broadcast media or social media. Yeah. I feel 470 00:27:28,200 --> 00:27:31,959 Speaker 1: like Twitter's uh use right now is to like bubble 471 00:27:32,080 --> 00:27:36,320 Speaker 1: up stories that then the mainstream media might find useful. 472 00:27:36,800 --> 00:27:39,720 Speaker 1: Like the Dr Seuss thing, uh that we're going to 473 00:27:39,800 --> 00:27:44,560 Speaker 1: talk about later would have in any you know, ordinary universe, 474 00:27:44,640 --> 00:27:49,359 Speaker 1: been a story that just existed on Twitter. But because 475 00:27:49,640 --> 00:27:53,960 Speaker 1: the Fox News kind of ecosphere needed a story to 476 00:27:54,640 --> 00:27:57,320 Speaker 1: focus on and drown out another story they didn't want 477 00:27:57,359 --> 00:27:59,680 Speaker 1: to talk about. It became like a thing that I 478 00:27:59,720 --> 00:28:03,320 Speaker 1: feel everybody's heard about, right, and I think yeah. To 479 00:28:03,359 --> 00:28:06,080 Speaker 1: your point though, to Jack of like surfacing stories, it's 480 00:28:06,119 --> 00:28:10,520 Speaker 1: like depending on the ideological bend of something, It's like 481 00:28:11,080 --> 00:28:14,800 Speaker 1: it's basically ground zero for the culture wars. Like all 482 00:28:14,840 --> 00:28:18,199 Speaker 1: the culture war stories are mostly extracted from Twitter on 483 00:28:18,280 --> 00:28:21,399 Speaker 1: some level, like aside from like policy things, but there 484 00:28:21,440 --> 00:28:23,000 Speaker 1: are a lot of things that are coming out of 485 00:28:23,080 --> 00:28:27,040 Speaker 1: discourse on Twitter that then evolved into some larger culture 486 00:28:27,080 --> 00:28:31,040 Speaker 1: war point. And then you have doctor Stuits that's gotten canceled, 487 00:28:31,160 --> 00:28:34,000 Speaker 1: and it's like because one person pointed out some shit 488 00:28:34,080 --> 00:28:36,840 Speaker 1: about it earlier and that tweet blew up and that 489 00:28:36,840 --> 00:28:39,440 Speaker 1: that that that that, so there drowns out the good part, 490 00:28:39,520 --> 00:28:42,360 Speaker 1: like because also there's been some great things. Like to 491 00:28:42,400 --> 00:28:45,160 Speaker 1: your point about bubbling stories, I don't think police brutality 492 00:28:45,200 --> 00:28:47,560 Speaker 1: gets the traction that it has gotten without social media, 493 00:28:47,600 --> 00:28:50,880 Speaker 1: without Twitter, without real time. But then everybody wants to 494 00:28:50,920 --> 00:28:53,360 Speaker 1: be involved, and so people start bubbling up their story 495 00:28:53,400 --> 00:28:55,680 Speaker 1: and it's like, not, now, let's can we focus on 496 00:28:56,120 --> 00:28:58,120 Speaker 1: Can I focus on this I don't need to know. 497 00:28:58,200 --> 00:29:02,800 Speaker 1: I don't need to talk about dr suits. Yeah, last night, 498 00:29:03,040 --> 00:29:07,000 Speaker 1: as we all hopefully know by now to I guess, uh, 499 00:29:07,120 --> 00:29:12,760 Speaker 1: Saturday night, Sunday morning, the clocks uh sprung forward. We 500 00:29:12,880 --> 00:29:16,280 Speaker 1: lost now asleep, so it means the sun will be 501 00:29:16,320 --> 00:29:20,680 Speaker 1: setting later, it'll be rising later. But that's okay because 502 00:29:20,720 --> 00:29:24,360 Speaker 1: the days are going to get longer. There's some momentum 503 00:29:24,600 --> 00:29:32,360 Speaker 1: happening in Washington for legislation to basically never do basically 504 00:29:32,400 --> 00:29:35,800 Speaker 1: never fall back to standard time like what. So basically 505 00:29:35,840 --> 00:29:38,680 Speaker 1: the way the schedule works, there's four months out of 506 00:29:38,720 --> 00:29:42,040 Speaker 1: the year where we are on standard time. The rest 507 00:29:42,080 --> 00:29:46,080 Speaker 1: of the year we're on daylight savings time. So we're 508 00:29:46,120 --> 00:29:49,880 Speaker 1: currently on daylight savings time right now, and that is 509 00:29:50,440 --> 00:29:54,200 Speaker 1: the time that is basically made the most sense for 510 00:29:54,240 --> 00:29:58,360 Speaker 1: the modern world. And the idea would basically be to 511 00:29:58,400 --> 00:30:01,720 Speaker 1: get rid of standard time, which I guess would just 512 00:30:01,760 --> 00:30:05,360 Speaker 1: mean making daily saving time standard time. But the point 513 00:30:05,480 --> 00:30:08,880 Speaker 1: is we only use standard time for four months out 514 00:30:08,880 --> 00:30:11,800 Speaker 1: of the year anyways, not that many people really use it. 515 00:30:12,440 --> 00:30:16,400 Speaker 1: It's actually counterproductive. I guess, let's to allow farmers to 516 00:30:16,440 --> 00:30:20,920 Speaker 1: wake up earlier. See this big farmer agenda again, we 517 00:30:20,960 --> 00:30:23,960 Speaker 1: already give them the upper house of our fucking legislature, 518 00:30:24,240 --> 00:30:29,720 Speaker 1: Like why do we need to but yeah, like why 519 00:30:29,800 --> 00:30:34,520 Speaker 1: is it called standard? Yeah? See that's what's sucking people up. Yeah. 520 00:30:35,160 --> 00:30:37,560 Speaker 1: Also like hearing it be like, you know, nobody even 521 00:30:37,560 --> 00:30:40,680 Speaker 1: fucking uses standard time. It's like that conceptually, it's just 522 00:30:40,720 --> 00:30:42,480 Speaker 1: so weird to even think about, Like, no, I don't 523 00:30:42,560 --> 00:30:46,280 Speaker 1: use that time like for a month, time for four months, 524 00:30:46,320 --> 00:30:49,880 Speaker 1: You're just like floating through a like a formless fourth dimension. 525 00:30:51,360 --> 00:30:54,960 Speaker 1: I don't funk with standard time. Yeah, I'm not really 526 00:30:55,000 --> 00:30:57,400 Speaker 1: on a schedule, bro. You know, it's like I spend 527 00:30:57,400 --> 00:31:01,080 Speaker 1: all four months on po Mr burns. He's blowing and 528 00:31:02,560 --> 00:31:06,800 Speaker 1: don't be afraid. So they first introduced daylight savings time 529 00:31:07,200 --> 00:31:09,920 Speaker 1: in World War One and then brought it back during 530 00:31:09,920 --> 00:31:13,800 Speaker 1: World War Two, and it was to save fuel. And 531 00:31:13,840 --> 00:31:16,880 Speaker 1: it's like, you know, we it's not like we're living 532 00:31:16,920 --> 00:31:20,400 Speaker 1: through an existential disaster right now. That would be nice 533 00:31:20,440 --> 00:31:25,480 Speaker 1: to save energy and stop like stop burning as much fuel. Now, 534 00:31:25,680 --> 00:31:28,240 Speaker 1: it's like, let's just go back to that ship like 535 00:31:28,320 --> 00:31:31,760 Speaker 1: I mean we are, but more long term. Yeah, no, 536 00:31:31,920 --> 00:31:33,880 Speaker 1: that's what I'm saying, Like that's what we need to do. 537 00:31:34,040 --> 00:31:36,840 Speaker 1: We need to like this would say it so it 538 00:31:36,880 --> 00:31:39,640 Speaker 1: would save energy. One of the one of the big 539 00:31:39,800 --> 00:31:44,680 Speaker 1: reasons that people point out for like let's keep doing 540 00:31:44,920 --> 00:31:47,120 Speaker 1: doing it the way we've been doing it is that 541 00:31:47,240 --> 00:31:49,720 Speaker 1: kids would have to go to school in the dark, 542 00:31:50,080 --> 00:31:52,520 Speaker 1: and like that can be dangerous. Just make kids go 543 00:31:52,560 --> 00:31:56,239 Speaker 1: to school later, Like what that? That's another thing that 544 00:31:56,320 --> 00:31:58,920 Speaker 1: has been studied by science, and it's like, yo, this 545 00:31:59,000 --> 00:32:01,640 Speaker 1: is this would be much better. They did a study 546 00:32:01,680 --> 00:32:05,160 Speaker 1: where they moved the kids starting minutes and they were 547 00:32:05,200 --> 00:32:10,520 Speaker 1: like healthier, happier, better at school, Like what the fuck? 548 00:32:10,920 --> 00:32:13,240 Speaker 1: Also stopped sheltering your kids so much they were going 549 00:32:13,280 --> 00:32:15,640 Speaker 1: to have to experience nighttime at some point. Maybe it'll 550 00:32:15,680 --> 00:32:17,480 Speaker 1: be good for them to go to school before the 551 00:32:17,520 --> 00:32:21,320 Speaker 1: cops wake up. You know, it could be in and 552 00:32:21,320 --> 00:32:23,920 Speaker 1: out before all the srrows get there. I mean, what 553 00:32:23,960 --> 00:32:26,760 Speaker 1: the fund is the Okay, I get it is. I 554 00:32:26,760 --> 00:32:30,960 Speaker 1: guess it's so dark or whatever. But it's the more 555 00:32:31,000 --> 00:32:34,840 Speaker 1: you started saying all these arguments about going against why 556 00:32:34,920 --> 00:32:37,440 Speaker 1: we still keep it, I'm like, yeah, what what really 557 00:32:37,600 --> 00:32:41,200 Speaker 1: was the point of it all? And like with school, yeah, 558 00:32:41,240 --> 00:32:45,120 Speaker 1: it absolutely should start later, regardless of the daylight savings. 559 00:32:45,920 --> 00:32:49,080 Speaker 1: Because I ask any teacher ask any person who had 560 00:32:49,120 --> 00:32:53,920 Speaker 1: been in high school, junior high, I could never fucking 561 00:32:54,000 --> 00:32:57,240 Speaker 1: stay awake because I'm like already even going through adolescents, 562 00:32:57,240 --> 00:32:58,920 Speaker 1: my bodies doing all kinds of crazy shit. I'm trying 563 00:32:58,920 --> 00:33:03,120 Speaker 1: to grow, and top of that, I'm like I can barely, 564 00:33:03,680 --> 00:33:05,560 Speaker 1: Like I would need nine hours of sleep so to 565 00:33:05,600 --> 00:33:07,200 Speaker 1: wake up like a sixth story to try and make 566 00:33:07,240 --> 00:33:10,880 Speaker 1: class that that I'm already walking in like ship, yeah kids, 567 00:33:11,400 --> 00:33:15,120 Speaker 1: yeah yeah. I pulled the study about waking up later 568 00:33:15,320 --> 00:33:17,600 Speaker 1: from a study that had nothing to do with daylight 569 00:33:17,640 --> 00:33:21,600 Speaker 1: savings time. It was just about, like the American Academy 570 00:33:21,600 --> 00:33:23,960 Speaker 1: of Pediatrics is just like, you know, we need to 571 00:33:24,000 --> 00:33:26,720 Speaker 1: start sending kids to school later. We are making them 572 00:33:26,720 --> 00:33:31,320 Speaker 1: sick by like waking them up this early. So that's 573 00:33:31,360 --> 00:33:34,000 Speaker 1: just a benefit. Let him stare at the ceiling until 574 00:33:34,040 --> 00:33:38,200 Speaker 1: four pm. Thank you, thank you, thank you. Thought leader 575 00:33:38,360 --> 00:33:41,200 Speaker 1: on sleep science. But like, wait, because what are they 576 00:33:41,240 --> 00:33:44,280 Speaker 1: saying the standards should be for a school, like for 577 00:33:44,320 --> 00:33:48,080 Speaker 1: school to start? Uh? They did forty five minutes later. 578 00:33:48,960 --> 00:33:52,680 Speaker 1: So they just studied like a shift from UH in 579 00:33:52,840 --> 00:33:55,520 Speaker 1: one school district and moved it back forty five minutes 580 00:33:55,880 --> 00:34:00,600 Speaker 1: and saw improved sleep reductions and tardiness, dramatic improved mints 581 00:34:00,640 --> 00:34:05,560 Speaker 1: to behavior problems, like dramatic improvements to behavior problems. And 582 00:34:05,640 --> 00:34:09,960 Speaker 1: so they issued a recommendation that no school start earlier 583 00:34:09,960 --> 00:34:12,560 Speaker 1: than eight thirty, no middle or high school, because that's 584 00:34:12,600 --> 00:34:16,640 Speaker 1: when like people start getting weird. Yeah, yeah, things, things 585 00:34:16,640 --> 00:34:19,120 Speaker 1: start getting a little weird. Although I don't know why, 586 00:34:19,160 --> 00:34:22,960 Speaker 1: Like why send kids so early in the first place, 587 00:34:22,960 --> 00:34:25,319 Speaker 1: is just because like parents, I guess, go to work 588 00:34:25,400 --> 00:34:27,600 Speaker 1: so early, and so they need to drop their kids off. 589 00:34:27,800 --> 00:34:29,839 Speaker 1: Just let parents come to work a little bit later, 590 00:34:29,920 --> 00:34:33,160 Speaker 1: you assholes, Like what the fun or fucking work less? 591 00:34:33,280 --> 00:34:35,719 Speaker 1: How about that we've all found out people don't need 592 00:34:35,760 --> 00:34:39,319 Speaker 1: to be working all these hours they work. But look 593 00:34:39,400 --> 00:34:43,160 Speaker 1: now we're describing some fucking comi utopia now, and like, 594 00:34:43,239 --> 00:34:45,839 Speaker 1: get your head out, jack, because that ain't never happening here. 595 00:34:46,120 --> 00:34:51,799 Speaker 1: This comy utopia is being forwarded by uh, super progressive 596 00:34:52,280 --> 00:34:57,080 Speaker 1: left winger Marco Rubio. But he's driving a lot of that. 597 00:34:57,200 --> 00:34:59,680 Speaker 1: I think he's just like, maybe we should just let 598 00:35:00,239 --> 00:35:03,800 Speaker 1: loves only work on ship that like doesn't really matter 599 00:35:04,120 --> 00:35:07,480 Speaker 1: and is de politicized maybe as good ideas on on 600 00:35:07,560 --> 00:35:11,040 Speaker 1: other ship. But he's always been on this you're right, right, well, 601 00:35:11,080 --> 00:35:13,600 Speaker 1: because can you imagine though, just because Marco Rubio is like, 602 00:35:13,640 --> 00:35:16,279 Speaker 1: now you got like Chuck Schumer being like, oh this 603 00:35:16,400 --> 00:35:20,680 Speaker 1: is this is racism. I think they've I think they've 604 00:35:20,719 --> 00:35:24,360 Speaker 1: got like a bipartisan commission. Fortunately, yeah, thank god. I 605 00:35:24,400 --> 00:35:29,120 Speaker 1: mean this just feels like because everything is so partisan. Yeah, 606 00:35:29,320 --> 00:35:31,760 Speaker 1: I cannot wait for all the for all the liberals 607 00:35:31,760 --> 00:35:34,680 Speaker 1: to be like, you know, black people would thrive more 608 00:35:34,719 --> 00:35:38,879 Speaker 1: in in standard time, yeah they're black? Like what what 609 00:35:39,200 --> 00:35:42,359 Speaker 1: you noticed? Productivity and African Americans rises for four months 610 00:35:42,360 --> 00:35:45,640 Speaker 1: a year. What do you think that comes from? Uh? 611 00:35:46,360 --> 00:35:54,520 Speaker 1: Not thanks coach Sabant over here. But like, yeah, dude, 612 00:35:54,520 --> 00:35:57,880 Speaker 1: my fun high school started at seven. I was walking 613 00:35:57,880 --> 00:36:03,080 Speaker 1: into that dead yeah shit, yeah, I had totally forgotten 614 00:36:03,080 --> 00:36:05,200 Speaker 1: how early school was until I had kids, and then 615 00:36:05,239 --> 00:36:08,000 Speaker 1: I was like, what the funk? Like they even go late, 616 00:36:08,080 --> 00:36:11,000 Speaker 1: like they get there at eight thirty, but like that's 617 00:36:11,040 --> 00:36:14,160 Speaker 1: still like fucking early. And then they get out at 618 00:36:14,239 --> 00:36:16,640 Speaker 1: like the kids in the upper school get out of 619 00:36:16,680 --> 00:36:19,759 Speaker 1: like to thirty or like three o'clock. It's like, why 620 00:36:19,760 --> 00:36:22,399 Speaker 1: are we doing? Why did we just shift everything way 621 00:36:22,480 --> 00:36:25,360 Speaker 1: the funk forward? Like you know what though, it's because 622 00:36:25,360 --> 00:36:27,520 Speaker 1: of way it's set up though, though, is like that 623 00:36:27,600 --> 00:36:30,600 Speaker 1: allows us in our like puberty adolescent teen years to 624 00:36:30,680 --> 00:36:35,400 Speaker 1: really funk up and make mistakes without because life bigan 625 00:36:35,520 --> 00:36:38,799 Speaker 1: for me at two pm. That's where I was. That's 626 00:36:38,840 --> 00:36:43,040 Speaker 1: where my education funck is started for But that's probably 627 00:36:43,080 --> 00:36:46,960 Speaker 1: also why like sports, like sports is another big argument 628 00:36:47,040 --> 00:36:50,080 Speaker 1: for why we need because like kids would have to 629 00:36:50,719 --> 00:36:53,200 Speaker 1: like it wastes energy to have to light a football 630 00:36:53,280 --> 00:36:56,480 Speaker 1: field for practice or whatever, so kids would have to 631 00:36:56,600 --> 00:36:59,440 Speaker 1: leave school a little bit early to play sports. But 632 00:36:59,560 --> 00:37:02,960 Speaker 1: like that, it's just like, first of all, kids don't 633 00:37:02,960 --> 00:37:05,240 Speaker 1: need to play sports if they're getting out in there, 634 00:37:05,320 --> 00:37:08,480 Speaker 1: Like family is already off of work when they're getting 635 00:37:08,480 --> 00:37:11,280 Speaker 1: out of school. So like, yeah, I don't know. Also, 636 00:37:11,400 --> 00:37:14,680 Speaker 1: maybe uh, spend that money on things that enrich kids 637 00:37:14,760 --> 00:37:16,960 Speaker 1: lives as opposed to like the other ship you're spending 638 00:37:17,280 --> 00:37:20,400 Speaker 1: money on. You know, maybe lighting a football field is 639 00:37:20,400 --> 00:37:23,000 Speaker 1: a little bit more beneficial to that kid's life than 640 00:37:23,200 --> 00:37:26,239 Speaker 1: uh than fucking having the cops at the school, you know, 641 00:37:26,800 --> 00:37:31,520 Speaker 1: or like food or food or food, Like, there's an 642 00:37:31,520 --> 00:37:34,040 Speaker 1: amount of poverty that's being experienced by students too. It's 643 00:37:34,080 --> 00:37:38,920 Speaker 1: like but I I just in general, like I know 644 00:37:39,040 --> 00:37:41,080 Speaker 1: so many people who and I don't know if it 645 00:37:41,160 --> 00:37:44,919 Speaker 1: was because of the pandemic, but this this year, when 646 00:37:45,280 --> 00:37:48,839 Speaker 1: daylight saving or I guess standard time hit, it just 647 00:37:48,880 --> 00:37:51,520 Speaker 1: seemed like the sun was going down at fucking noon, 648 00:37:51,880 --> 00:37:54,960 Speaker 1: like it was just going down so early this winter. 649 00:37:55,480 --> 00:37:57,879 Speaker 1: I think just because everybody was kind of an oblique mood, 650 00:37:58,000 --> 00:38:03,200 Speaker 1: it just like, uh piled on. But fuck yeah, I 651 00:38:03,239 --> 00:38:06,120 Speaker 1: think time was just moving different. I don't know what happened. 652 00:38:06,120 --> 00:38:08,359 Speaker 1: I don't know if I don't know if time got 653 00:38:08,400 --> 00:38:12,319 Speaker 1: like a big check. Time was just acting different. Time 654 00:38:12,360 --> 00:38:15,319 Speaker 1: is definitely hitting different right now. Time was like, yeah, 655 00:38:15,360 --> 00:38:17,160 Speaker 1: I got a new whip, I got a new baby, mama, 656 00:38:17,160 --> 00:38:20,680 Speaker 1: I got all the time, Like damn, time slowed down, Like, bro, 657 00:38:20,760 --> 00:38:23,799 Speaker 1: why are you? Why are you acting different? Man? You 658 00:38:23,880 --> 00:38:27,680 Speaker 1: know me, it's me just cashed out my whole daylight savings, 659 00:38:29,160 --> 00:38:32,880 Speaker 1: you know what I mean. There there's a BuzzFeed quiz 660 00:38:33,640 --> 00:38:39,160 Speaker 1: uh that claims with a lot of confidence that they're 661 00:38:39,160 --> 00:38:41,560 Speaker 1: going to tell you how old you are based on 662 00:38:42,200 --> 00:38:46,879 Speaker 1: your food preferences. Just picking sixty fucking items off a list. 663 00:38:47,040 --> 00:38:49,600 Speaker 1: They're saying, we'll fucking will zero in on your asp 664 00:38:49,680 --> 00:38:51,759 Speaker 1: No one, if you like just pick and just click 665 00:38:51,800 --> 00:38:54,480 Speaker 1: what you like off the sixty itemn you motherfucker, and 666 00:38:54,480 --> 00:38:56,680 Speaker 1: will know what carbon nature as, will cut you a 667 00:38:56,680 --> 00:38:59,080 Speaker 1: half and count the rings. So I just want to 668 00:38:59,120 --> 00:39:01,640 Speaker 1: first allowed people to know what's on this list, because 669 00:39:01,640 --> 00:39:04,160 Speaker 1: it's interesting the way they're trying to triangulate things. The 670 00:39:04,280 --> 00:39:08,320 Speaker 1: first thirty are definitely like young people dishes asai e bowls, 671 00:39:08,600 --> 00:39:15,840 Speaker 1: avocado toast, impossible, burger chrone, nut, kombucha, charcoal ice cream, Okay, 672 00:39:15,840 --> 00:39:18,839 Speaker 1: find Zoodle's cold press juice, you get it. And then 673 00:39:19,200 --> 00:39:21,680 Speaker 1: the next list is more like, okay, let's see how 674 00:39:21,800 --> 00:39:26,640 Speaker 1: how old you are with it, ambrosia meat loaf, fig rolls, 675 00:39:27,120 --> 00:39:29,239 Speaker 1: butter pecan ice cream, which I was like, well, hold on, 676 00:39:29,360 --> 00:39:31,320 Speaker 1: don't act like there's an age too. Butter that that 677 00:39:31,360 --> 00:39:36,520 Speaker 1: ship is, Yeah, what the cold slab, potato salad, fruitcake, liquorice, jello, oatmeal, 678 00:39:36,600 --> 00:39:39,680 Speaker 1: raisin brand ship like that. So I went through, I 679 00:39:39,719 --> 00:39:43,759 Speaker 1: clicked what I like, and I will report that with 680 00:39:44,000 --> 00:39:47,439 Speaker 1: near I will be thirty seven this year. It said 681 00:39:47,480 --> 00:39:50,479 Speaker 1: I I am thirty eight years old, and it got 682 00:39:50,520 --> 00:39:52,680 Speaker 1: me within two years. I said I was thirty eight 683 00:39:52,719 --> 00:39:55,560 Speaker 1: and I'm forty so and I got me with him four, 684 00:39:55,600 --> 00:39:57,440 Speaker 1: I said I was thirty eight. I'm thirty four, but 685 00:39:57,480 --> 00:40:01,120 Speaker 1: I'm an old soul. See damn we're so we're all 686 00:40:01,360 --> 00:40:04,960 Speaker 1: we all plucked in at thirty eight. Yeah. Maybe that's 687 00:40:05,040 --> 00:40:08,200 Speaker 1: just what. Maybe it's just like this. Our average readership 688 00:40:08,320 --> 00:40:11,359 Speaker 1: is thirty eight years old. Just tell everybody there thirty eight. 689 00:40:11,719 --> 00:40:15,120 Speaker 1: I just did a I just did an experiment where 690 00:40:15,160 --> 00:40:17,480 Speaker 1: I picked none on the first screen and picked like 691 00:40:17,960 --> 00:40:20,760 Speaker 1: the ones that I chose from the second screen. Uh, 692 00:40:20,760 --> 00:40:24,880 Speaker 1: and it said I was fifty ah and the wording 693 00:40:24,920 --> 00:40:27,640 Speaker 1: we were close, weren't we? If not, there's probably a 694 00:40:27,680 --> 00:40:30,120 Speaker 1: food or two you checked off that you don't actually 695 00:40:30,200 --> 00:40:36,839 Speaker 1: like what alright? I guess like there was a couple 696 00:40:36,880 --> 00:40:40,520 Speaker 1: of like a clear trap. It was like jello molds, 697 00:40:40,840 --> 00:40:45,440 Speaker 1: and it's like, okay, you're just trying to hard hard candies, 698 00:40:45,760 --> 00:40:48,760 Speaker 1: Like come on, that's that's you know what. They almost 699 00:40:48,760 --> 00:40:50,360 Speaker 1: caught me though, because I was thinking, because I like, 700 00:40:50,520 --> 00:40:55,360 Speaker 1: I was like, well, what kind you know, like jolly ranchers, 701 00:40:55,400 --> 00:40:58,080 Speaker 1: I like fucking blow pops. But they made it look 702 00:40:58,160 --> 00:41:01,400 Speaker 1: like the Grandma Grandpa Indie dish that never that you 703 00:41:01,440 --> 00:41:03,759 Speaker 1: were always disappointed. You pull the candy out of as 704 00:41:03,760 --> 00:41:06,920 Speaker 1: a kid, and the jello is actually just jello. It's 705 00:41:06,960 --> 00:41:09,600 Speaker 1: not jello molds, but they do use a picture that 706 00:41:09,640 --> 00:41:11,960 Speaker 1: looks like the old ask jello molds from like a 707 00:41:12,000 --> 00:41:17,840 Speaker 1: seventies cookbook. Pretzels is an old person food. Nah, I 708 00:41:17,840 --> 00:41:21,359 Speaker 1: mean pretzels, I think is it's timeless, timeless they're times. Yes, 709 00:41:22,080 --> 00:41:25,680 Speaker 1: grapefruit juices in the old person category. I'm assuming because 710 00:41:25,719 --> 00:41:30,640 Speaker 1: it's with all the it's with like tapioca pudding. Pudding 711 00:41:30,840 --> 00:41:33,240 Speaker 1: is like, that's that's what they served the people whose 712 00:41:33,520 --> 00:41:37,239 Speaker 1: whose teeth have failed them clicked, I clicked it. I 713 00:41:37,280 --> 00:41:44,359 Speaker 1: like tapioca, but I love it so good. Well, all right, 714 00:41:44,400 --> 00:41:46,640 Speaker 1: so maybe you did right. Yeah, y'all take the quiz 715 00:41:46,640 --> 00:41:49,840 Speaker 1: to let us know how accurate is. Yeah, I'm curious 716 00:41:49,880 --> 00:41:52,000 Speaker 1: if like, I'm wonder if you know. I'm sure there's 717 00:41:52,000 --> 00:41:54,399 Speaker 1: some data nerd there who knows that there's probably ones 718 00:41:54,440 --> 00:41:57,480 Speaker 1: that are really loaded, you know what I mean, that 719 00:41:57,520 --> 00:42:00,720 Speaker 1: will swing the age at certain points. So do some sleuthing. 720 00:42:00,760 --> 00:42:03,800 Speaker 1: I'll get back to us. Yeah, meat Loaf definitely pulled 721 00:42:03,840 --> 00:42:05,600 Speaker 1: me up like five years because I checked the ship 722 00:42:05,640 --> 00:42:07,400 Speaker 1: out of meat Loaf. Yeah, but definitely like, oh, so 723 00:42:07,480 --> 00:42:10,480 Speaker 1: you're seventy we thought you were. But there's like so 724 00:42:10,520 --> 00:42:14,440 Speaker 1: many like new spins on meat loaf out there, like 725 00:42:14,520 --> 00:42:18,640 Speaker 1: in the on the blah, you know, the food bugs 726 00:42:18,760 --> 00:42:22,200 Speaker 1: that I could see that being popular. One whole milk 727 00:42:22,400 --> 00:42:26,200 Speaker 1: makes me old still then you know, call me Moses. 728 00:42:26,440 --> 00:42:31,319 Speaker 1: Dairy makes you old jack any dairy? Come on, that's 729 00:42:31,680 --> 00:42:33,919 Speaker 1: the older I get, the less dare I can take. 730 00:42:34,040 --> 00:42:37,239 Speaker 1: So um damn take that. Take that. Let's take a 731 00:42:37,440 --> 00:42:50,520 Speaker 1: quick break. We'll be right back and we're back. What 732 00:42:50,760 --> 00:42:54,200 Speaker 1: is what's something that you think is underrated? Oh uh? 733 00:42:54,719 --> 00:42:58,719 Speaker 1: One thing that is underrated is buying door to door truros. 734 00:42:59,640 --> 00:43:02,880 Speaker 1: This is I first experienced with there. This ended up 735 00:43:02,880 --> 00:43:07,240 Speaker 1: being a bizarre situation. But like my landlord was having 736 00:43:07,920 --> 00:43:12,839 Speaker 1: some stuff dropped off at our apartment and was like, hey, 737 00:43:13,120 --> 00:43:15,279 Speaker 1: someone's going to be dropping off some stuff. And I 738 00:43:15,360 --> 00:43:18,600 Speaker 1: was like, okay, no problem. And then the guy got 739 00:43:18,640 --> 00:43:21,400 Speaker 1: there and he was just like he dropped off it 740 00:43:21,480 --> 00:43:23,719 Speaker 1: was like cleaning something. I don't know, it was some 741 00:43:23,800 --> 00:43:28,280 Speaker 1: landlord ship. And then the guy was like, by the way, 742 00:43:28,400 --> 00:43:31,239 Speaker 1: do you guys want turros? And I was like, what 743 00:43:31,280 --> 00:43:34,640 Speaker 1: do you mean? And and and then we were like 744 00:43:34,680 --> 00:43:37,560 Speaker 1: talking to him for ten minutes about his churro business, 745 00:43:38,080 --> 00:43:39,839 Speaker 1: and he was like, you know, I'm trying to get 746 00:43:39,840 --> 00:43:41,960 Speaker 1: to gluten free. I'm not quite a gluten free, but 747 00:43:42,000 --> 00:43:44,480 Speaker 1: I am at dairy free, and like he just and 748 00:43:44,480 --> 00:43:46,240 Speaker 1: then he was like, I could come back in twenty 749 00:43:46,239 --> 00:43:50,520 Speaker 1: minutes with like a shipload of turos. And we were 750 00:43:50,560 --> 00:43:52,680 Speaker 1: like okay. And then so if you live in l 751 00:43:52,719 --> 00:43:55,399 Speaker 1: A and you want these turos, I'll plug him. It's 752 00:43:55,480 --> 00:44:00,720 Speaker 1: at hippie turros and at hippie churros they're not gluten 753 00:44:00,760 --> 00:44:05,240 Speaker 1: free yet, but they are dairy free. And there I've 754 00:44:05,320 --> 00:44:08,799 Speaker 1: been lunching on them for a whole day, and it 755 00:44:08,840 --> 00:44:12,560 Speaker 1: was it was not how I expected that delivery from 756 00:44:12,600 --> 00:44:15,120 Speaker 1: my landlord to go, but I was. It was the 757 00:44:15,160 --> 00:44:17,719 Speaker 1: first human interaction I've had in several days, and it 758 00:44:17,760 --> 00:44:20,759 Speaker 1: went so well because it because then I got a 759 00:44:20,760 --> 00:44:25,439 Speaker 1: bunch of delicious, reasonably prized truro's straight to my door. 760 00:44:25,880 --> 00:44:29,320 Speaker 1: Sounds like like a scene from how To with John Wilson. 761 00:44:31,280 --> 00:44:34,080 Speaker 1: And then my landlord had someone drop stuff off and 762 00:44:34,160 --> 00:44:36,839 Speaker 1: we talked and it turns out he wanted to talk 763 00:44:36,880 --> 00:44:43,080 Speaker 1: a lot about so they're pretty good. And then you 764 00:44:43,120 --> 00:44:45,000 Speaker 1: guys like, yeah, I got him to almost they're not 765 00:44:45,000 --> 00:44:47,600 Speaker 1: gluten free, but they're dairy free. That was the fourth 766 00:44:47,640 --> 00:44:50,080 Speaker 1: time he said that in the in ten minutes. If 767 00:44:50,120 --> 00:44:51,880 Speaker 1: it had been I mean, it's like because it's like 768 00:44:51,920 --> 00:44:54,160 Speaker 1: I do have time. If it were safe, it would 769 00:44:54,160 --> 00:44:56,120 Speaker 1: have been fun to invite him in and be like, 770 00:44:56,600 --> 00:44:59,440 Speaker 1: what's your story now? Because he was wearing like sunglasses 771 00:44:59,480 --> 00:45:05,680 Speaker 1: that were the shape of stars and they had yellow lenses, 772 00:45:05,800 --> 00:45:08,439 Speaker 1: and I was like this, this guy's a business man, 773 00:45:08,520 --> 00:45:16,480 Speaker 1: he's dealing. Guy's wearing a heart star shaped sunglasses. I'm like, 774 00:45:16,600 --> 00:45:19,960 Speaker 1: I better take this guy seriously. And um, I I 775 00:45:20,000 --> 00:45:23,840 Speaker 1: can vouch for the turos. They're delicious, loving them and 776 00:45:23,920 --> 00:45:25,640 Speaker 1: what what kind of cut are you getting off of 777 00:45:25,680 --> 00:45:29,799 Speaker 1: these turo recognitions that I'm just I just love a 778 00:45:29,880 --> 00:45:34,160 Speaker 1: local business and I love an assertive person showing up. 779 00:45:35,040 --> 00:45:38,040 Speaker 1: I feel like I would not have gotten to that 780 00:45:38,120 --> 00:45:41,400 Speaker 1: point in the conversation, So I really I want to 781 00:45:41,480 --> 00:45:45,920 Speaker 1: figure out how to like have that John Wilson Jamie 782 00:45:45,960 --> 00:45:50,640 Speaker 1: loftus like finding out what's interesting about people. I would 783 00:45:50,680 --> 00:45:55,919 Speaker 1: I would just I would just be It's not that 784 00:45:56,320 --> 00:46:00,400 Speaker 1: I'm not like mean, I'm just like so avoid and 785 00:46:00,480 --> 00:46:02,799 Speaker 1: like shut off that I would never be able to 786 00:46:02,840 --> 00:46:05,720 Speaker 1: get to the point of him offering to sell me turrows. 787 00:46:05,840 --> 00:46:08,720 Speaker 1: I think you just got to say yes to life. 788 00:46:09,840 --> 00:46:13,040 Speaker 1: The man shows up in the star shaped sunglasses, you 789 00:46:13,120 --> 00:46:19,319 Speaker 1: say tell me more, say less? Yeah, that man, And 790 00:46:19,400 --> 00:46:22,040 Speaker 1: now I'm like, does my landlord know him? Is it 791 00:46:22,280 --> 00:46:26,080 Speaker 1: like I don't I wasn't clear on like that. I 792 00:46:26,120 --> 00:46:30,200 Speaker 1: don't know. It's like yeah, but my contacted her and 793 00:46:30,239 --> 00:46:33,640 Speaker 1: she was just like, oh uh, you didn't eat those turros. 794 00:46:34,880 --> 00:46:37,120 Speaker 1: That's It's like the ring. It's that seven days to 795 00:46:37,160 --> 00:46:43,040 Speaker 1: lift ship at Hippie Turo. If you want some delicious 796 00:46:43,040 --> 00:46:46,960 Speaker 1: groovy turros, that's how they advertise themselves, delicious groovy turros. 797 00:46:47,000 --> 00:46:49,160 Speaker 1: You're plugging is so hard. I feel like what you 798 00:46:49,200 --> 00:46:51,000 Speaker 1: did was take a first bite in front of him 799 00:46:51,040 --> 00:46:54,759 Speaker 1: that you didn't like, and you're like, oh, why these 800 00:46:54,760 --> 00:47:01,120 Speaker 1: are good? Oh I'm going on a podcast tomorrow actually, 801 00:47:01,160 --> 00:47:04,920 Speaker 1: where I'm gonna tell people about it. How much you 802 00:47:04,920 --> 00:47:10,560 Speaker 1: know I swear star Star It's okay, brou bro Alright, 803 00:47:10,800 --> 00:47:14,680 Speaker 1: that's gonna do it. For this week's weekly Zeite, guys, 804 00:47:14,800 --> 00:47:18,640 Speaker 1: please like and review the show. If you like the show, 805 00:47:19,200 --> 00:47:23,600 Speaker 1: uh means the world to Miles. He needs your validation. Folks, 806 00:47:24,200 --> 00:47:27,279 Speaker 1: I hope you're having a great weekend and I will 807 00:47:27,280 --> 00:48:15,840 Speaker 1: talk to you Monday. By H. S. S Factor and 808 00:48:16,440 --> 00:48:17,400 Speaker 1: Actors