WEBVTT - Split Screen

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<v Speaker 1>Come on, my contracted most to me from the upper side.

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<v Speaker 2>Toto into a really become a boot on Rester Taberlon way.

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<v Speaker 2>Sunday may get us in Santa Do you get down

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<v Speaker 2>to wed Easter Manica stame and sleep.

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<v Speaker 3>From the stard.

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<v Speaker 1>Be on a more bailing long stard.

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<v Speaker 4>Make on Sunday long the stars.

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<v Speaker 5>Looking on about Then.

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<v Speaker 6>That's all dumas.

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<v Speaker 7>Previously on General Hospital.

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<v Speaker 4>Wait, no, that's not right.

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<v Speaker 5>Sorry, I got confused.

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<v Speaker 6>Can we go again?

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<v Speaker 7>Because literally everyone is at the same hospital right now?

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<v Speaker 5>What is going on?

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<v Speaker 8>You know?

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<v Speaker 5>Let's start with Rout.

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<v Speaker 7>While he was recovering from a head injury, he discovered

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<v Speaker 7>that I Nacho, his father.

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<v Speaker 5>Was in bed next to him recovering from also a

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<v Speaker 5>head injury.

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<v Speaker 7>But our reunion wasn't sweet given that I have amnesia

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<v Speaker 7>and don't remember who I am.

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<v Speaker 8>What did I just say?

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<v Speaker 5>In a stunning turn of events, Esteilan has asked Estraya

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<v Speaker 5>to help him rescue Gabby, who also happens to be

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<v Speaker 5>at the same hospital. Seriously, what's up with his hospital?

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<v Speaker 5>Aren't there any other hospitals in Miami?

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<v Speaker 7>Now these two former enemies are gearing up for a

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<v Speaker 7>big rescue mission.

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<v Speaker 6>Ow ow can you school over? Oh I never thought

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<v Speaker 6>I'd be getting naked in a broom closet with you.

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<v Speaker 4>I promise you. This is not my idea of a

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<v Speaker 4>good time either, and believe me or not from closets.

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<v Speaker 6>Can you close your eyes, you matter, just face the wall.

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<v Speaker 4>I am gay, I am not trying to look at

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<v Speaker 4>your whatever. Okay, Now let's go over the black without

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<v Speaker 4>getting into the details of why Gouty is here.

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<v Speaker 6>You put her here, yes, okay I did.

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<v Speaker 4>But without getting into that.

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<v Speaker 3>Basically, she is being detained in a high security wing

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<v Speaker 3>of the hospital for the mentally unstable.

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<v Speaker 6>So you put her in the looney band, yes.

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<v Speaker 4>And they won't let anyone in who isn't cleared by security.

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<v Speaker 6>Okay, So what's the plan.

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<v Speaker 4>Well, that's where the made outfit comes in.

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<v Speaker 3>I know you were always complaining that whenever you were

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<v Speaker 3>in your maid outfit, everyone treated you like you were invisible,

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<v Speaker 3>So I figured it might work here.

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<v Speaker 6>That's your genius plan. You think I could just waltz

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<v Speaker 6>in near in the mad outfit and no would notice.

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<v Speaker 4>Do you have a better idea?

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<v Speaker 9>Not?

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<v Speaker 6>I have a better idea?

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<v Speaker 4>Made outfited is Look, if you get in trouble. Just say, ugh,

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<v Speaker 4>I've got a case of them mondays. People really hate that.

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<v Speaker 6>Case of the What am I fucking guardfield?

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<v Speaker 8>You know what?

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<v Speaker 6>Whatever? Once I'm in there, how am I supposed to

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<v Speaker 6>get around?

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<v Speaker 4>I will be waiting downstairs with the car running. If

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<v Speaker 4>you can make it to the elevators, I will get

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<v Speaker 4>you both out of here safely. If you can make

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<v Speaker 4>it to a window. No, that's not yes, just stick

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<v Speaker 4>with the elevators.

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<v Speaker 10>This has to be a trap, because this is the

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<v Speaker 10>dumbest plan I've ever heard. If this goes south, I

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<v Speaker 10>swear on Nachal's grave, I will personally take your balls, tire.

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<v Speaker 6>Them together, and beat them with my foot. Okay, I

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<v Speaker 6>don't care.

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<v Speaker 4>If you are the main funny story about Nacho's grave.

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<v Speaker 4>Never mind, there's no time. Okay, nurse shift change is

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<v Speaker 4>happening for the next five minutes. This is your best shot.

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<v Speaker 6>Wait, you're not coming.

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<v Speaker 4>No, I'll be too suspicious. I am the mayor and

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<v Speaker 4>there's someone I need to see.

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<v Speaker 10>Oh sure, I'll just go into the scary h security,

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<v Speaker 10>crazy people worn by myself.

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<v Speaker 6>Great play step, It's.

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<v Speaker 4>The best I've got. Okay, take this trash can and

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<v Speaker 4>this thing with the broom and this bucket and put

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<v Speaker 4>water in it. Don't forget and stray. Yes, I'm sorry

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<v Speaker 4>for all of it. I know it doesn't change what

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<v Speaker 4>I've done, but I really am sorry.

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<v Speaker 5>M hm hm that's all I get.

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<v Speaker 2>I'm sorry today, all of it. I know it just checked,

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<v Speaker 2>but it up with your line cheating closeted ask. Okay,

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<v Speaker 2>you know what today I focused? Okay, don't be suspicious.

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<v Speaker 2>Don't be suspicious.

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<v Speaker 10>Oh hey girl, oh my god, did you make a

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<v Speaker 10>potato salad for the pot Look? That was so goad

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<v Speaker 10>A three bolts just on my grind.

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<v Speaker 6>You know, I do just no where to go work.

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<v Speaker 5>This is the same how mad am.

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<v Speaker 2>I gonna get past these doors. Maybe I'll bust some

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<v Speaker 2>moment with my tennis. Oh shit, someone's coming.

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<v Speaker 5>Oh no, no, no, no no, Can I help you? Oh?

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<v Speaker 5>Oh me?

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<v Speaker 6>I just let me check.

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<v Speaker 2>I just can't find my Let me look under my

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<v Speaker 2>pinky toes. Sometimes I get funny and I just put

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<v Speaker 2>my key card places. Nope, not there, I just I

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<v Speaker 2>can't find it.

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<v Speaker 3>Are you new here?

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<v Speaker 6>M and Nope?

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<v Speaker 10>I've been working here, but I just got transferred from

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<v Speaker 10>the maternity ward.

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<v Speaker 6>You know, with the babies.

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<v Speaker 2>You can't imagine how many spells were on that floor. Okay,

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<v Speaker 2>it's like a slipping slide. I'm just constantly mopping.

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<v Speaker 1>What's your name?

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<v Speaker 7>Me?

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<v Speaker 8>My name?

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<v Speaker 6>Oh lord, I forgot my own name.

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<v Speaker 2>I just that's just when I'm in the presence of

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<v Speaker 2>such distinguished gentlemen, I just forget things, you know, just

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<v Speaker 2>a case of the mondays.

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<v Speaker 5>I guess.

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<v Speaker 11>Right.

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<v Speaker 5>Okay, here, I'll swipe you in.

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<v Speaker 1>Thank you, doctor Warner.

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<v Speaker 6>Barner, doctor Barner.

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<v Speaker 1>Now, if you'll excuse me, I'm late for a wedding.

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<v Speaker 2>I can't believe that worked. Okay, Gabby, where are you killed?

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<v Speaker 2>Ten Barbara?

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<v Speaker 6>No crowder, this terrible essay?

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<v Speaker 2>No, where are you are? You are comprea Oh my god,

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<v Speaker 2>this is really happening. Okay, okay, girl, calm down.

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<v Speaker 5>Okay.

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<v Speaker 6>Deep breaths, deep breaths.

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<v Speaker 9>Well I could really work at the maternity ward, that's

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<v Speaker 9>what to pritty. Here we go, Hello, I don't need

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<v Speaker 9>my room, so.

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<v Speaker 6>Just leave me alone.

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<v Speaker 5>Gabby.

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<v Speaker 6>You must be.

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<v Speaker 1>I don't know where you get off, but you must

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<v Speaker 1>be new. So let me make things clear. I don't

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<v Speaker 1>need my room cleaned. And I bit a finger off

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<v Speaker 1>the last guy who tried to trick me into taking medication.

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<v Speaker 7>So back off.

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<v Speaker 1>Also, that made out of it looks ridiculous. Take your

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<v Speaker 1>ass back to party city where you belong.

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<v Speaker 6>Gabby, don't you recognize me?

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<v Speaker 2>Look?

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<v Speaker 6>Look it's Doris. I'm here to take you home.

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<v Speaker 1>Wait what, oh my god?

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<v Speaker 8>No?

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<v Speaker 1>Wait? Really, yes, Doris?

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<v Speaker 5>Is it really you?

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<v Speaker 1>Yes? No, no, no, this is a trick. They druged

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<v Speaker 1>me again.

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<v Speaker 6>Help he Gabby, shut up, shut up, shut up, shut up.

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<v Speaker 6>You're not drunk.

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<v Speaker 1>It's really me. Oh no, no, no, I'm seeing things again.

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<v Speaker 6>Gabby, look at me.

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<v Speaker 9>It's me.

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<v Speaker 6>It's Doris. See yeah, Oh my god, Doris.

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<v Speaker 5>Oh is it you? Yes?

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<v Speaker 2>Really you?

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<v Speaker 4>Yes?

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<v Speaker 9>Oh oh.

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<v Speaker 1>You look exactly the same.

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<v Speaker 6>Well, you know, my vision got bad. I got glasses now, but.

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<v Speaker 1>Oh I love the glasses. It's like you rebranded, but

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<v Speaker 1>it's still you.

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<v Speaker 2>I love this.

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<v Speaker 11>Oh.

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<v Speaker 1>I'm just so glad to see you. How long has

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<v Speaker 1>it been since we saw each other?

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<v Speaker 6>Six years?

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<v Speaker 5>Oh? Wow?

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<v Speaker 1>Six years Jesus Christ.

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<v Speaker 6>Oh man, it's so good to see you. Thinking about you,

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<v Speaker 6>it's all that's kept me going in here.

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<v Speaker 1>But wait, you shouldn't have come here. They're never going

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<v Speaker 1>to let me leave here, not after what I've seen.

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<v Speaker 6>Gabby, what did you see?

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<v Speaker 5>Yeah, that's what we're all all dying to know. Gobby,

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<v Speaker 5>what did you see?

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<v Speaker 7>No? No, no, wait, wait, wait wait wait, don't trance,

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<v Speaker 7>just cut the music, cut the wait, Come on, I

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<v Speaker 7>need to know what she saw.

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<v Speaker 11>Damn it can come in yep, doors open worth holding Well.

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<v Speaker 11>He went down to the cafeteria with his friend his goms.

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<v Speaker 11>Some gangster looking guy took my damn pinky.

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<v Speaker 4>Toes or are you hungry? Should I get you something?

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<v Speaker 3>Uh?

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<v Speaker 11>Nah, it's okay. I appreciate that. And I asked the

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<v Speaker 11>kid to bring me back some some popcorn shrimp, you know,

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<v Speaker 11>like shrimp.

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<v Speaker 4>Uh?

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<v Speaker 11>I think I know what I like. Man, I like

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<v Speaker 11>popcorn shrimp.

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<v Speaker 3>Right, Yes, these shoes you must have on your tastes.

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<v Speaker 5>I guess.

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<v Speaker 4>Don't worry.

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<v Speaker 3>I'm sure he will get back to normal soon.

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<v Speaker 11>I hate to break it to your pal, but I'm

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<v Speaker 11>not so sure. The doctor says, it hit to my

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<v Speaker 11>nogg and was pretty bad. Might have messed up my

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<v Speaker 11>memory for good, and so you might be stuck with

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<v Speaker 11>that and stuck with me like this.

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<v Speaker 3>Well, I guess we'll just have to get to know

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<v Speaker 3>each other.

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<v Speaker 4>All over.

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<v Speaker 11>I'm sorry. I know that must be disappointed. You were

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<v Speaker 11>pretty excited to find me. Well, with all the hand

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<v Speaker 11>kissing and such. Appreciate it. I guess we used to

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<v Speaker 11>be pretty close. You could say that, so I'm assuming

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<v Speaker 11>you and I were.

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<v Speaker 4>You know, you know.

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<v Speaker 3>It was complicated. We were just friends for a long time,

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<v Speaker 3>best friends. Then we started working together, and then it

0:11:08.800 --> 0:11:12.320
<v Speaker 3>was more and we had so much fun. We had

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<v Speaker 3>all these inside jokes, and you could always make me

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<v Speaker 3>feel like I could do anything.

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<v Speaker 11>And well, that doesn't say so complicated.

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<v Speaker 3>I was married and our kids were dating, and I

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<v Speaker 3>was an idiot. I couldn't see how much you meant

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<v Speaker 3>to me. I was so worried about what people would say.

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<v Speaker 3>I just thought you would always be there. There are

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<v Speaker 3>a lot of things I wish I had said back then,

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<v Speaker 3>the sales and tits.

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<v Speaker 4>Seems like you're a man of few words now.

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<v Speaker 11>There's not much of a talker. That's true. You could

0:11:56.920 --> 0:12:03.760
<v Speaker 11>try what to say stuff you wished, he said. I know,

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<v Speaker 11>it's not the same.

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<v Speaker 4>It's so weird thing's talking to you.

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<v Speaker 3>Look, you're a stranger.

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<v Speaker 11>I know.

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<v Speaker 3>No one in the world knows me better than you.

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<v Speaker 3>You knew me better. I know you don't know me

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<v Speaker 3>at all. How can you be lonely sitting next to

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<v Speaker 3>the love.

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<v Speaker 4>Of your life.

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<v Speaker 11>I know what it's like to be lonely. I've been

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<v Speaker 11>in this hospital for six weeks, not knowing my own name,

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<v Speaker 11>no one to talk to, not one visitor.

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<v Speaker 2>It's not easy for me either.

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<v Speaker 11>Talking about me. You're talking about my life, but might

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<v Speaker 11>as well be reading me a book, singing me a song.

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<v Speaker 4>How about this.

0:12:54.840 --> 0:12:57.800
<v Speaker 11>I can't promise you will ever be as close as

0:12:57.880 --> 0:13:01.439
<v Speaker 11>we used to be. I'm not gonna lie, but I

0:13:01.520 --> 0:13:05.840
<v Speaker 11>could use a friend, someone to talk to. I don't

0:13:05.920 --> 0:13:09.079
<v Speaker 11>have much to add to the conversation, seeing is how,

0:13:09.400 --> 0:13:12.480
<v Speaker 11>I got no memories to share. But I'm a good listener.

0:13:13.360 --> 0:13:16.240
<v Speaker 11>And I've been watching ted Lasso, which kind of explains

0:13:16.280 --> 0:13:21.920
<v Speaker 11>this accent. And I wouldn't mind you being honest with me.

0:13:22.679 --> 0:13:24.680
<v Speaker 11>I promise I won't judge.

0:13:25.000 --> 0:13:31.719
<v Speaker 4>I would like that, not your I've missed you so much. Well,

0:13:36.480 --> 0:13:39.680
<v Speaker 4>I'm sorry. I hate that was like with hug you.

0:13:42.200 --> 0:13:50.920
<v Speaker 11>Okay, you're you're very friendly. No, it's okay. It sounds

0:13:50.960 --> 0:13:56.520
<v Speaker 11>like we've done more than hug in the past. So, uh,

0:13:57.559 --> 0:13:59.960
<v Speaker 11>what's the big secret? The thing you were talking about

0:14:00.160 --> 0:14:03.320
<v Speaker 11>with the kid, the one you're trying to make up

0:14:03.360 --> 0:14:03.520
<v Speaker 11>for it.

0:14:03.640 --> 0:14:05.280
<v Speaker 3>Now, it's kind of a long story.

0:14:06.160 --> 0:14:10.640
<v Speaker 11>Well I could use one of those. I don't have

0:14:10.800 --> 0:14:12.600
<v Speaker 11>any of my own. Well I.

0:14:15.000 --> 0:14:17.920
<v Speaker 3>It all starts with one person, a woman.

0:14:18.760 --> 0:14:21.640
<v Speaker 4>She is the reason I am in this home. Miss.

0:14:23.600 --> 0:14:27.800
<v Speaker 4>Her name is Victoria the Burner, and she is in

0:14:28.000 --> 0:14:32.400
<v Speaker 4>thea the goddamn.

0:14:36.960 --> 0:14:41.400
<v Speaker 5>Oh yeah, y'all do s We're finally getting the story.

0:14:43.440 --> 0:14:46.320
<v Speaker 5>No no, no, no, no, no, no no wait wait no,

0:14:46.640 --> 0:14:50.640
<v Speaker 5>not the credits music. I before to a woman, digo, no, look,

0:14:50.680 --> 0:14:52.000
<v Speaker 5>I need a story.

0:14:53.320 --> 0:14:53.520
<v Speaker 4>Man.

0:15:01.080 --> 0:15:04.000
<v Speaker 8>The Princess of salth Beach Season two was produced by

0:15:04.080 --> 0:15:09.360
<v Speaker 8>Sonoro in partnership with Arhartsmichael Tura Network. Created and directed

0:15:09.440 --> 0:15:13.800
<v Speaker 8>by Jazmine Romero, Written by Jasmine Romero with help from

0:15:13.840 --> 0:15:18.920
<v Speaker 8>Menissa Hendrix, Produced by Luis Eduardo Castillo, Executive produced by

0:15:19.040 --> 0:15:23.600
<v Speaker 8>Jasmine Romero. Executive produced by conaal Bayne and Jessel Bansis

0:15:23.680 --> 0:15:28.280
<v Speaker 8>for IHIG and Camilla Victoriano and Josha Weinstein for Sonoro.

0:15:28.920 --> 0:15:36.840
<v Speaker 8>Performances in this episode by Vanni Pino ex Maiyo Traulis Person,

0:15:37.600 --> 0:15:43.200
<v Speaker 8>Brent Harvey and Pearl Chin our production manager Is, Kennsa

0:15:43.360 --> 0:15:48.080
<v Speaker 8>Childis Recording engineering and sound design by Luin Nirigoyen and

0:15:48.160 --> 0:15:51.840
<v Speaker 8>Juan Diaz, with help from Cassandra Tinajo and Andres Bayena.

0:15:52.440 --> 0:15:57.360
<v Speaker 8>Casting a coordination by Kennca Chaidis, Angeli Martinez, Alex Gonzalez

0:15:57.480 --> 0:16:01.680
<v Speaker 8>and Andres Childis. Theme song and original music by Rodrigo

0:16:01.760 --> 0:16:06.360
<v Speaker 8>Garcia Rodes Theme song performed by Jaffet, Samajoa and Carol

0:16:06.440 --> 0:16:10.840
<v Speaker 8>velasco voices. Recorded at the Invisible Studios in Los Angeles,

0:16:11.040 --> 0:16:14.280
<v Speaker 8>the Relic Room in New York, and the Hollowod Halls Importland,

0:16:14.720 --> 0:16:20.120
<v Speaker 8>with engineering by Charles Carroll, David Wilson, Neil Wagenson, Sam Bear,

0:16:20.760 --> 0:16:25.600
<v Speaker 8>Brett Tubin, and Justin Phelps. With special thanks to Heronimo

0:16:25.640 --> 0:16:26.040
<v Speaker 8>A Villa