1 00:00:09,640 --> 00:00:13,920 Speaker 1: Come on, my contracted most to me from the upper side. 2 00:00:14,280 --> 00:00:19,960 Speaker 2: Toto into a really become a boot on Rester Taberlon way. 3 00:00:20,120 --> 00:00:24,360 Speaker 2: Sunday may get us in Santa Do you get down 4 00:00:24,400 --> 00:00:27,800 Speaker 2: to wed Easter Manica stame and sleep. 5 00:00:28,280 --> 00:00:29,600 Speaker 3: From the stard. 6 00:00:30,960 --> 00:00:33,879 Speaker 1: Be on a more bailing long stard. 7 00:00:35,680 --> 00:00:39,160 Speaker 4: Make on Sunday long the stars. 8 00:00:40,320 --> 00:00:42,559 Speaker 5: Looking on about Then. 9 00:00:43,280 --> 00:00:46,640 Speaker 6: That's all dumas. 10 00:00:54,080 --> 00:00:56,600 Speaker 7: Previously on General Hospital. 11 00:00:58,320 --> 00:01:01,040 Speaker 4: Wait, no, that's not right. 12 00:01:01,480 --> 00:01:03,040 Speaker 5: Sorry, I got confused. 13 00:01:03,400 --> 00:01:04,000 Speaker 6: Can we go again? 14 00:01:04,080 --> 00:01:09,160 Speaker 7: Because literally everyone is at the same hospital right now? 15 00:01:10,920 --> 00:01:12,000 Speaker 5: What is going on? 16 00:01:12,400 --> 00:01:12,560 Speaker 8: You know? 17 00:01:13,000 --> 00:01:13,920 Speaker 5: Let's start with Rout. 18 00:01:15,880 --> 00:01:18,480 Speaker 7: While he was recovering from a head injury, he discovered 19 00:01:18,480 --> 00:01:21,040 Speaker 7: that I Nacho, his father. 20 00:01:21,360 --> 00:01:26,760 Speaker 5: Was in bed next to him recovering from also a 21 00:01:26,880 --> 00:01:27,480 Speaker 5: head injury. 22 00:01:28,160 --> 00:01:31,959 Speaker 7: But our reunion wasn't sweet given that I have amnesia 23 00:01:32,319 --> 00:01:33,560 Speaker 7: and don't remember who I am. 24 00:01:34,640 --> 00:01:35,400 Speaker 8: What did I just say? 25 00:01:36,319 --> 00:01:40,039 Speaker 5: In a stunning turn of events, Esteilan has asked Estraya 26 00:01:40,319 --> 00:01:43,160 Speaker 5: to help him rescue Gabby, who also happens to be 27 00:01:43,480 --> 00:01:46,759 Speaker 5: at the same hospital. Seriously, what's up with his hospital? 28 00:01:47,000 --> 00:01:48,760 Speaker 5: Aren't there any other hospitals in Miami? 29 00:01:49,600 --> 00:01:52,960 Speaker 7: Now these two former enemies are gearing up for a 30 00:01:53,160 --> 00:01:55,000 Speaker 7: big rescue mission. 31 00:02:00,960 --> 00:02:05,320 Speaker 6: Ow ow can you school over? Oh I never thought 32 00:02:05,360 --> 00:02:07,240 Speaker 6: I'd be getting naked in a broom closet with you. 33 00:02:07,440 --> 00:02:09,120 Speaker 4: I promise you. This is not my idea of a 34 00:02:09,160 --> 00:02:11,440 Speaker 4: good time either, and believe me or not from closets. 35 00:02:11,880 --> 00:02:14,320 Speaker 6: Can you close your eyes, you matter, just face the wall. 36 00:02:14,360 --> 00:02:16,760 Speaker 4: I am gay, I am not trying to look at 37 00:02:17,680 --> 00:02:20,840 Speaker 4: your whatever. Okay, Now let's go over the black without 38 00:02:20,880 --> 00:02:22,720 Speaker 4: getting into the details of why Gouty is here. 39 00:02:23,080 --> 00:02:25,160 Speaker 6: You put her here, yes, okay I did. 40 00:02:25,160 --> 00:02:26,040 Speaker 4: But without getting into that. 41 00:02:26,160 --> 00:02:28,480 Speaker 3: Basically, she is being detained in a high security wing 42 00:02:28,600 --> 00:02:32,120 Speaker 3: of the hospital for the mentally unstable. 43 00:02:32,280 --> 00:02:35,200 Speaker 6: So you put her in the looney band, yes. 44 00:02:35,160 --> 00:02:37,720 Speaker 4: And they won't let anyone in who isn't cleared by security. 45 00:02:39,880 --> 00:02:41,080 Speaker 6: Okay, So what's the plan. 46 00:02:41,480 --> 00:02:44,880 Speaker 4: Well, that's where the made outfit comes in. 47 00:02:45,880 --> 00:02:48,320 Speaker 3: I know you were always complaining that whenever you were 48 00:02:48,360 --> 00:02:52,200 Speaker 3: in your maid outfit, everyone treated you like you were invisible, 49 00:02:52,400 --> 00:02:55,320 Speaker 3: So I figured it might work here. 50 00:02:55,919 --> 00:02:58,720 Speaker 6: That's your genius plan. You think I could just waltz 51 00:02:58,760 --> 00:03:00,640 Speaker 6: in near in the mad outfit and no would notice. 52 00:03:00,840 --> 00:03:01,840 Speaker 4: Do you have a better idea? 53 00:03:02,120 --> 00:03:02,160 Speaker 9: Not? 54 00:03:02,320 --> 00:03:03,160 Speaker 6: I have a better idea? 55 00:03:03,360 --> 00:03:06,239 Speaker 4: Made outfited is Look, if you get in trouble. Just say, ugh, 56 00:03:07,120 --> 00:03:10,360 Speaker 4: I've got a case of them mondays. People really hate that. 57 00:03:10,480 --> 00:03:13,200 Speaker 6: Case of the What am I fucking guardfield? 58 00:03:13,680 --> 00:03:13,959 Speaker 8: You know what? 59 00:03:14,120 --> 00:03:16,519 Speaker 6: Whatever? Once I'm in there, how am I supposed to 60 00:03:16,560 --> 00:03:16,960 Speaker 6: get around? 61 00:03:17,200 --> 00:03:19,799 Speaker 4: I will be waiting downstairs with the car running. If 62 00:03:19,840 --> 00:03:22,960 Speaker 4: you can make it to the elevators, I will get 63 00:03:23,000 --> 00:03:24,800 Speaker 4: you both out of here safely. If you can make 64 00:03:24,840 --> 00:03:28,119 Speaker 4: it to a window. No, that's not yes, just stick 65 00:03:28,160 --> 00:03:28,800 Speaker 4: with the elevators. 66 00:03:29,040 --> 00:03:30,560 Speaker 10: This has to be a trap, because this is the 67 00:03:30,639 --> 00:03:33,840 Speaker 10: dumbest plan I've ever heard. If this goes south, I 68 00:03:33,880 --> 00:03:37,800 Speaker 10: swear on Nachal's grave, I will personally take your balls, tire. 69 00:03:37,640 --> 00:03:40,160 Speaker 6: Them together, and beat them with my foot. Okay, I 70 00:03:40,200 --> 00:03:40,640 Speaker 6: don't care. 71 00:03:40,560 --> 00:03:43,320 Speaker 4: If you are the main funny story about Nacho's grave. 72 00:03:44,160 --> 00:03:46,920 Speaker 4: Never mind, there's no time. Okay, nurse shift change is 73 00:03:47,000 --> 00:03:49,640 Speaker 4: happening for the next five minutes. This is your best shot. 74 00:03:50,000 --> 00:03:50,880 Speaker 6: Wait, you're not coming. 75 00:03:51,320 --> 00:03:53,680 Speaker 4: No, I'll be too suspicious. I am the mayor and 76 00:03:53,920 --> 00:03:55,160 Speaker 4: there's someone I need to see. 77 00:03:55,320 --> 00:03:57,760 Speaker 10: Oh sure, I'll just go into the scary h security, 78 00:03:57,800 --> 00:03:59,280 Speaker 10: crazy people worn by myself. 79 00:03:59,520 --> 00:04:01,040 Speaker 6: Great play step, It's. 80 00:04:00,920 --> 00:04:04,560 Speaker 4: The best I've got. Okay, take this trash can and 81 00:04:04,760 --> 00:04:08,640 Speaker 4: this thing with the broom and this bucket and put 82 00:04:08,720 --> 00:04:13,000 Speaker 4: water in it. Don't forget and stray. Yes, I'm sorry 83 00:04:14,920 --> 00:04:17,880 Speaker 4: for all of it. I know it doesn't change what 84 00:04:17,920 --> 00:04:19,559 Speaker 4: I've done, but I really am sorry. 85 00:04:20,520 --> 00:04:23,160 Speaker 5: M hm hm that's all I get. 86 00:04:32,920 --> 00:04:35,560 Speaker 2: I'm sorry today, all of it. I know it just checked, 87 00:04:35,560 --> 00:04:39,880 Speaker 2: but it up with your line cheating closeted ask. Okay, 88 00:04:40,000 --> 00:04:42,920 Speaker 2: you know what today I focused? Okay, don't be suspicious. 89 00:04:42,960 --> 00:04:43,880 Speaker 2: Don't be suspicious. 90 00:04:44,320 --> 00:04:47,120 Speaker 10: Oh hey girl, oh my god, did you make a 91 00:04:47,200 --> 00:04:50,119 Speaker 10: potato salad for the pot Look? That was so goad 92 00:04:50,320 --> 00:04:53,440 Speaker 10: A three bolts just on my grind. 93 00:04:53,480 --> 00:04:56,440 Speaker 6: You know, I do just no where to go work. 94 00:04:56,560 --> 00:04:58,480 Speaker 5: This is the same how mad am. 95 00:04:58,520 --> 00:05:00,960 Speaker 2: I gonna get past these doors. Maybe I'll bust some 96 00:05:01,040 --> 00:05:04,040 Speaker 2: moment with my tennis. Oh shit, someone's coming. 97 00:05:04,160 --> 00:05:08,000 Speaker 5: Oh no, no, no, no no, Can I help you? Oh? 98 00:05:08,400 --> 00:05:08,680 Speaker 5: Oh me? 99 00:05:09,120 --> 00:05:11,360 Speaker 6: I just let me check. 100 00:05:11,440 --> 00:05:13,840 Speaker 2: I just can't find my Let me look under my 101 00:05:13,960 --> 00:05:16,280 Speaker 2: pinky toes. Sometimes I get funny and I just put 102 00:05:16,360 --> 00:05:19,760 Speaker 2: my key card places. Nope, not there, I just I 103 00:05:19,800 --> 00:05:20,360 Speaker 2: can't find it. 104 00:05:20,960 --> 00:05:21,760 Speaker 3: Are you new here? 105 00:05:22,120 --> 00:05:24,320 Speaker 6: M and Nope? 106 00:05:24,480 --> 00:05:28,080 Speaker 10: I've been working here, but I just got transferred from 107 00:05:28,120 --> 00:05:29,159 Speaker 10: the maternity ward. 108 00:05:29,279 --> 00:05:30,200 Speaker 6: You know, with the babies. 109 00:05:31,000 --> 00:05:33,279 Speaker 2: You can't imagine how many spells were on that floor. Okay, 110 00:05:33,839 --> 00:05:36,279 Speaker 2: it's like a slipping slide. I'm just constantly mopping. 111 00:05:38,240 --> 00:05:38,840 Speaker 1: What's your name? 112 00:05:39,080 --> 00:05:39,120 Speaker 7: Me? 113 00:05:40,200 --> 00:05:40,600 Speaker 8: My name? 114 00:05:43,360 --> 00:05:44,920 Speaker 6: Oh lord, I forgot my own name. 115 00:05:45,000 --> 00:05:46,960 Speaker 2: I just that's just when I'm in the presence of 116 00:05:47,040 --> 00:05:50,280 Speaker 2: such distinguished gentlemen, I just forget things, you know, just 117 00:05:50,320 --> 00:05:51,279 Speaker 2: a case of the mondays. 118 00:05:51,279 --> 00:05:51,880 Speaker 5: I guess. 119 00:05:53,400 --> 00:05:53,560 Speaker 11: Right. 120 00:05:53,960 --> 00:05:57,200 Speaker 5: Okay, here, I'll swipe you in. 121 00:05:57,560 --> 00:05:59,839 Speaker 1: Thank you, doctor Warner. 122 00:06:00,160 --> 00:06:01,520 Speaker 6: Barner, doctor Barner. 123 00:06:01,600 --> 00:06:04,000 Speaker 1: Now, if you'll excuse me, I'm late for a wedding. 124 00:06:07,880 --> 00:06:11,919 Speaker 2: I can't believe that worked. Okay, Gabby, where are you killed? 125 00:06:12,000 --> 00:06:13,320 Speaker 2: Ten Barbara? 126 00:06:13,720 --> 00:06:16,679 Speaker 6: No crowder, this terrible essay? 127 00:06:17,240 --> 00:06:21,080 Speaker 2: No, where are you are? You are comprea Oh my god, 128 00:06:21,160 --> 00:06:23,360 Speaker 2: this is really happening. Okay, okay, girl, calm down. 129 00:06:23,400 --> 00:06:23,599 Speaker 5: Okay. 130 00:06:23,680 --> 00:06:25,520 Speaker 6: Deep breaths, deep breaths. 131 00:06:30,960 --> 00:06:32,560 Speaker 9: Well I could really work at the maternity ward, that's 132 00:06:32,600 --> 00:06:59,400 Speaker 9: what to pritty. Here we go, Hello, I don't need 133 00:06:59,480 --> 00:07:00,320 Speaker 9: my room, so. 134 00:07:00,520 --> 00:07:01,520 Speaker 6: Just leave me alone. 135 00:07:03,400 --> 00:07:03,760 Speaker 5: Gabby. 136 00:07:04,760 --> 00:07:05,279 Speaker 6: You must be. 137 00:07:06,839 --> 00:07:08,640 Speaker 1: I don't know where you get off, but you must 138 00:07:08,680 --> 00:07:11,560 Speaker 1: be new. So let me make things clear. I don't 139 00:07:11,680 --> 00:07:15,760 Speaker 1: need my room cleaned. And I bit a finger off 140 00:07:15,800 --> 00:07:19,520 Speaker 1: the last guy who tried to trick me into taking medication. 141 00:07:20,160 --> 00:07:21,480 Speaker 7: So back off. 142 00:07:22,480 --> 00:07:26,600 Speaker 1: Also, that made out of it looks ridiculous. Take your 143 00:07:26,720 --> 00:07:29,440 Speaker 1: ass back to party city where you belong. 144 00:07:30,120 --> 00:07:32,000 Speaker 6: Gabby, don't you recognize me? 145 00:07:32,200 --> 00:07:32,400 Speaker 2: Look? 146 00:07:32,560 --> 00:07:35,200 Speaker 6: Look it's Doris. I'm here to take you home. 147 00:07:37,640 --> 00:07:39,360 Speaker 1: Wait what, oh my god? 148 00:07:39,840 --> 00:07:39,880 Speaker 8: No? 149 00:07:40,560 --> 00:07:42,880 Speaker 1: Wait? Really, yes, Doris? 150 00:07:43,600 --> 00:07:44,200 Speaker 5: Is it really you? 151 00:07:44,600 --> 00:07:50,119 Speaker 1: Yes? No, no, no, this is a trick. They druged 152 00:07:50,120 --> 00:07:50,440 Speaker 1: me again. 153 00:07:51,000 --> 00:07:55,560 Speaker 6: Help he Gabby, shut up, shut up, shut up, shut up. 154 00:07:55,600 --> 00:07:56,240 Speaker 6: You're not drunk. 155 00:07:56,360 --> 00:08:02,960 Speaker 1: It's really me. Oh no, no, no, I'm seeing things again. 156 00:08:03,000 --> 00:08:03,920 Speaker 6: Gabby, look at me. 157 00:08:04,360 --> 00:08:04,720 Speaker 9: It's me. 158 00:08:05,040 --> 00:08:09,280 Speaker 6: It's Doris. See yeah, Oh my god, Doris. 159 00:08:10,160 --> 00:08:11,720 Speaker 5: Oh is it you? Yes? 160 00:08:12,000 --> 00:08:12,400 Speaker 2: Really you? 161 00:08:13,120 --> 00:08:13,320 Speaker 4: Yes? 162 00:08:13,840 --> 00:08:15,920 Speaker 9: Oh oh. 163 00:08:17,640 --> 00:08:19,600 Speaker 1: You look exactly the same. 164 00:08:20,120 --> 00:08:22,680 Speaker 6: Well, you know, my vision got bad. I got glasses now, but. 165 00:08:22,880 --> 00:08:26,640 Speaker 1: Oh I love the glasses. It's like you rebranded, but 166 00:08:26,800 --> 00:08:27,440 Speaker 1: it's still you. 167 00:08:27,920 --> 00:08:28,520 Speaker 2: I love this. 168 00:08:29,320 --> 00:08:29,440 Speaker 11: Oh. 169 00:08:29,480 --> 00:08:33,280 Speaker 1: I'm just so glad to see you. How long has 170 00:08:33,320 --> 00:08:34,719 Speaker 1: it been since we saw each other? 171 00:08:35,320 --> 00:08:35,920 Speaker 6: Six years? 172 00:08:36,120 --> 00:08:37,200 Speaker 5: Oh? Wow? 173 00:08:37,760 --> 00:08:39,640 Speaker 1: Six years Jesus Christ. 174 00:08:40,360 --> 00:08:44,760 Speaker 6: Oh man, it's so good to see you. Thinking about you, 175 00:08:45,600 --> 00:08:47,439 Speaker 6: it's all that's kept me going in here. 176 00:08:47,960 --> 00:08:50,319 Speaker 1: But wait, you shouldn't have come here. They're never going 177 00:08:50,360 --> 00:08:52,960 Speaker 1: to let me leave here, not after what I've seen. 178 00:08:54,800 --> 00:08:55,960 Speaker 6: Gabby, what did you see? 179 00:08:58,679 --> 00:09:01,560 Speaker 5: Yeah, that's what we're all all dying to know. Gobby, 180 00:09:01,679 --> 00:09:02,520 Speaker 5: what did you see? 181 00:09:03,000 --> 00:09:04,880 Speaker 7: No? No, no, wait, wait, wait wait wait, don't trance, 182 00:09:04,960 --> 00:09:08,760 Speaker 7: just cut the music, cut the wait, Come on, I 183 00:09:09,800 --> 00:09:11,280 Speaker 7: need to know what she saw. 184 00:09:12,640 --> 00:09:30,360 Speaker 11: Damn it can come in yep, doors open worth holding Well. 185 00:09:30,880 --> 00:09:34,920 Speaker 11: He went down to the cafeteria with his friend his goms. 186 00:09:35,960 --> 00:09:39,520 Speaker 11: Some gangster looking guy took my damn pinky. 187 00:09:39,280 --> 00:09:42,720 Speaker 4: Toes or are you hungry? Should I get you something? 188 00:09:43,320 --> 00:09:43,440 Speaker 3: Uh? 189 00:09:44,480 --> 00:09:48,920 Speaker 11: Nah, it's okay. I appreciate that. And I asked the 190 00:09:49,000 --> 00:09:52,640 Speaker 11: kid to bring me back some some popcorn shrimp, you know, 191 00:09:52,800 --> 00:09:53,240 Speaker 11: like shrimp. 192 00:09:53,880 --> 00:09:54,000 Speaker 4: Uh? 193 00:09:55,280 --> 00:09:58,719 Speaker 11: I think I know what I like. Man, I like 194 00:09:58,840 --> 00:09:59,560 Speaker 11: popcorn shrimp. 195 00:10:00,160 --> 00:10:04,280 Speaker 3: Right, Yes, these shoes you must have on your tastes. 196 00:10:04,320 --> 00:10:04,640 Speaker 5: I guess. 197 00:10:05,040 --> 00:10:05,520 Speaker 4: Don't worry. 198 00:10:05,520 --> 00:10:07,040 Speaker 3: I'm sure he will get back to normal soon. 199 00:10:08,520 --> 00:10:10,840 Speaker 11: I hate to break it to your pal, but I'm 200 00:10:10,960 --> 00:10:14,760 Speaker 11: not so sure. The doctor says, it hit to my 201 00:10:14,920 --> 00:10:19,599 Speaker 11: nogg and was pretty bad. Might have messed up my 202 00:10:19,720 --> 00:10:23,079 Speaker 11: memory for good, and so you might be stuck with 203 00:10:23,160 --> 00:10:26,760 Speaker 11: that and stuck with me like this. 204 00:10:28,760 --> 00:10:32,120 Speaker 3: Well, I guess we'll just have to get to know 205 00:10:32,200 --> 00:10:32,520 Speaker 3: each other. 206 00:10:32,640 --> 00:10:33,040 Speaker 4: All over. 207 00:10:34,440 --> 00:10:39,480 Speaker 11: I'm sorry. I know that must be disappointed. You were 208 00:10:39,520 --> 00:10:43,719 Speaker 11: pretty excited to find me. Well, with all the hand 209 00:10:43,840 --> 00:10:48,640 Speaker 11: kissing and such. Appreciate it. I guess we used to 210 00:10:48,679 --> 00:10:52,679 Speaker 11: be pretty close. You could say that, so I'm assuming 211 00:10:53,160 --> 00:10:54,120 Speaker 11: you and I were. 212 00:10:56,760 --> 00:10:59,480 Speaker 4: You know, you know. 213 00:11:01,800 --> 00:11:04,880 Speaker 3: It was complicated. We were just friends for a long time, 214 00:11:05,800 --> 00:11:08,599 Speaker 3: best friends. Then we started working together, and then it 215 00:11:08,800 --> 00:11:12,320 Speaker 3: was more and we had so much fun. We had 216 00:11:12,320 --> 00:11:16,480 Speaker 3: all these inside jokes, and you could always make me 217 00:11:16,600 --> 00:11:17,840 Speaker 3: feel like I could do anything. 218 00:11:17,960 --> 00:11:21,559 Speaker 11: And well, that doesn't say so complicated. 219 00:11:23,000 --> 00:11:28,240 Speaker 3: I was married and our kids were dating, and I 220 00:11:28,400 --> 00:11:32,080 Speaker 3: was an idiot. I couldn't see how much you meant 221 00:11:32,160 --> 00:11:35,360 Speaker 3: to me. I was so worried about what people would say. 222 00:11:36,000 --> 00:11:39,640 Speaker 3: I just thought you would always be there. There are 223 00:11:39,679 --> 00:11:41,880 Speaker 3: a lot of things I wish I had said back then, 224 00:11:45,120 --> 00:11:46,080 Speaker 3: the sales and tits. 225 00:11:46,920 --> 00:11:48,720 Speaker 4: Seems like you're a man of few words now. 226 00:11:50,320 --> 00:11:56,600 Speaker 11: There's not much of a talker. That's true. You could 227 00:11:56,920 --> 00:12:03,760 Speaker 11: try what to say stuff you wished, he said. I know, 228 00:12:03,880 --> 00:12:04,640 Speaker 11: it's not the same. 229 00:12:05,800 --> 00:12:07,640 Speaker 4: It's so weird thing's talking to you. 230 00:12:07,760 --> 00:12:08,680 Speaker 3: Look, you're a stranger. 231 00:12:09,720 --> 00:12:09,920 Speaker 11: I know. 232 00:12:11,600 --> 00:12:13,199 Speaker 3: No one in the world knows me better than you. 233 00:12:14,880 --> 00:12:18,839 Speaker 3: You knew me better. I know you don't know me 234 00:12:19,000 --> 00:12:24,360 Speaker 3: at all. How can you be lonely sitting next to 235 00:12:24,480 --> 00:12:25,040 Speaker 3: the love. 236 00:12:25,040 --> 00:12:25,680 Speaker 4: Of your life. 237 00:12:27,880 --> 00:12:32,960 Speaker 11: I know what it's like to be lonely. I've been 238 00:12:33,000 --> 00:12:36,960 Speaker 11: in this hospital for six weeks, not knowing my own name, 239 00:12:37,480 --> 00:12:40,080 Speaker 11: no one to talk to, not one visitor. 240 00:12:40,800 --> 00:12:42,200 Speaker 2: It's not easy for me either. 241 00:12:43,040 --> 00:12:47,200 Speaker 11: Talking about me. You're talking about my life, but might 242 00:12:47,240 --> 00:12:50,280 Speaker 11: as well be reading me a book, singing me a song. 243 00:12:53,160 --> 00:12:53,640 Speaker 4: How about this. 244 00:12:54,840 --> 00:12:57,800 Speaker 11: I can't promise you will ever be as close as 245 00:12:57,880 --> 00:13:01,439 Speaker 11: we used to be. I'm not gonna lie, but I 246 00:13:01,520 --> 00:13:05,840 Speaker 11: could use a friend, someone to talk to. I don't 247 00:13:05,920 --> 00:13:09,079 Speaker 11: have much to add to the conversation, seeing is how, 248 00:13:09,400 --> 00:13:12,480 Speaker 11: I got no memories to share. But I'm a good listener. 249 00:13:13,360 --> 00:13:16,240 Speaker 11: And I've been watching ted Lasso, which kind of explains 250 00:13:16,280 --> 00:13:21,920 Speaker 11: this accent. And I wouldn't mind you being honest with me. 251 00:13:22,679 --> 00:13:24,680 Speaker 11: I promise I won't judge. 252 00:13:25,000 --> 00:13:31,719 Speaker 4: I would like that, not your I've missed you so much. Well, 253 00:13:36,480 --> 00:13:39,680 Speaker 4: I'm sorry. I hate that was like with hug you. 254 00:13:42,200 --> 00:13:50,920 Speaker 11: Okay, you're you're very friendly. No, it's okay. It sounds 255 00:13:50,960 --> 00:13:56,520 Speaker 11: like we've done more than hug in the past. So, uh, 256 00:13:57,559 --> 00:13:59,960 Speaker 11: what's the big secret? The thing you were talking about 257 00:14:00,160 --> 00:14:03,320 Speaker 11: with the kid, the one you're trying to make up 258 00:14:03,360 --> 00:14:03,520 Speaker 11: for it. 259 00:14:03,640 --> 00:14:05,280 Speaker 3: Now, it's kind of a long story. 260 00:14:06,160 --> 00:14:10,640 Speaker 11: Well I could use one of those. I don't have 261 00:14:10,800 --> 00:14:12,600 Speaker 11: any of my own. Well I. 262 00:14:15,000 --> 00:14:17,920 Speaker 3: It all starts with one person, a woman. 263 00:14:18,760 --> 00:14:21,640 Speaker 4: She is the reason I am in this home. Miss. 264 00:14:23,600 --> 00:14:27,800 Speaker 4: Her name is Victoria the Burner, and she is in 265 00:14:28,000 --> 00:14:32,400 Speaker 4: thea the goddamn. 266 00:14:36,960 --> 00:14:41,400 Speaker 5: Oh yeah, y'all do s We're finally getting the story. 267 00:14:43,440 --> 00:14:46,320 Speaker 5: No no, no, no, no, no, no no wait wait no, 268 00:14:46,640 --> 00:14:50,640 Speaker 5: not the credits music. I before to a woman, digo, no, look, 269 00:14:50,680 --> 00:14:52,000 Speaker 5: I need a story. 270 00:14:53,320 --> 00:14:53,520 Speaker 4: Man. 271 00:15:01,080 --> 00:15:04,000 Speaker 8: The Princess of salth Beach Season two was produced by 272 00:15:04,080 --> 00:15:09,360 Speaker 8: Sonoro in partnership with Arhartsmichael Tura Network. Created and directed 273 00:15:09,440 --> 00:15:13,800 Speaker 8: by Jazmine Romero, Written by Jasmine Romero with help from 274 00:15:13,840 --> 00:15:18,920 Speaker 8: Menissa Hendrix, Produced by Luis Eduardo Castillo, Executive produced by 275 00:15:19,040 --> 00:15:23,600 Speaker 8: Jasmine Romero. Executive produced by conaal Bayne and Jessel Bansis 276 00:15:23,680 --> 00:15:28,280 Speaker 8: for IHIG and Camilla Victoriano and Josha Weinstein for Sonoro. 277 00:15:28,920 --> 00:15:36,840 Speaker 8: Performances in this episode by Vanni Pino ex Maiyo Traulis Person, 278 00:15:37,600 --> 00:15:43,200 Speaker 8: Brent Harvey and Pearl Chin our production manager Is, Kennsa 279 00:15:43,360 --> 00:15:48,080 Speaker 8: Childis Recording engineering and sound design by Luin Nirigoyen and 280 00:15:48,160 --> 00:15:51,840 Speaker 8: Juan Diaz, with help from Cassandra Tinajo and Andres Bayena. 281 00:15:52,440 --> 00:15:57,360 Speaker 8: Casting a coordination by Kennca Chaidis, Angeli Martinez, Alex Gonzalez 282 00:15:57,480 --> 00:16:01,680 Speaker 8: and Andres Childis. Theme song and original music by Rodrigo 283 00:16:01,760 --> 00:16:06,360 Speaker 8: Garcia Rodes Theme song performed by Jaffet, Samajoa and Carol 284 00:16:06,440 --> 00:16:10,840 Speaker 8: velasco voices. Recorded at the Invisible Studios in Los Angeles, 285 00:16:11,040 --> 00:16:14,280 Speaker 8: the Relic Room in New York, and the Hollowod Halls Importland, 286 00:16:14,720 --> 00:16:20,120 Speaker 8: with engineering by Charles Carroll, David Wilson, Neil Wagenson, Sam Bear, 287 00:16:20,760 --> 00:16:25,600 Speaker 8: Brett Tubin, and Justin Phelps. With special thanks to Heronimo 288 00:16:25,640 --> 00:16:26,040 Speaker 8: A Villa