1 00:00:05,160 --> 00:00:07,400 Speaker 1: Hey, this is Annie and Samantha. I'm welcome to stuff 2 00:00:07,400 --> 00:00:09,520 Speaker 1: I've never told you a production of iHeartRadio. 3 00:00:18,720 --> 00:00:22,720 Speaker 2: And welcome. We are coming through with a spoiler Saturday, 4 00:00:23,720 --> 00:00:26,119 Speaker 2: because yes, this movie is anywhere, and it's kind of 5 00:00:26,160 --> 00:00:29,840 Speaker 2: bleeding over from November, because did we do want in 6 00:00:29,880 --> 00:00:31,640 Speaker 2: November any I can't remember. 7 00:00:31,360 --> 00:00:34,560 Speaker 1: We did it. Our booth and movie both got moved 8 00:00:34,560 --> 00:00:35,280 Speaker 1: to December. 9 00:00:35,760 --> 00:00:37,960 Speaker 2: We have a lot of content for y'all, which is great. 10 00:00:38,640 --> 00:00:41,159 Speaker 2: So that means we're going to bleed into December and 11 00:00:41,200 --> 00:00:43,880 Speaker 2: you know what, as it should be, as it should 12 00:00:43,880 --> 00:00:46,320 Speaker 2: be all of the year long. We should do more 13 00:00:46,320 --> 00:00:50,440 Speaker 2: and more Indigenous and Native content because we don't have enough, 14 00:00:50,960 --> 00:00:53,160 Speaker 2: which also holds us back because we can't find them, 15 00:00:53,440 --> 00:00:54,680 Speaker 2: which makes me sad. 16 00:00:55,320 --> 00:00:58,640 Speaker 1: Yeah, it's every year where we're trying to do content 17 00:00:58,760 --> 00:01:06,160 Speaker 1: for this time. It's depressing how difficult it can be. 18 00:01:05,280 --> 00:01:08,280 Speaker 2: Because we have very like specific standards, including you would 19 00:01:08,319 --> 00:01:11,160 Speaker 2: like to be We have to be obviously led by 20 00:01:11,360 --> 00:01:14,800 Speaker 2: Indigenous people, but people that are in our intersectional circle, 21 00:01:15,160 --> 00:01:18,320 Speaker 2: and so typically we do use women creators because there's 22 00:01:18,319 --> 00:01:20,880 Speaker 2: not enough women in this industry to begin with, if 23 00:01:20,880 --> 00:01:26,800 Speaker 2: not non binary, as well as people who are not 24 00:01:27,160 --> 00:01:27,920 Speaker 2: bad people. 25 00:01:30,000 --> 00:01:32,960 Speaker 1: We should genuinely, we should. 26 00:01:32,840 --> 00:01:36,640 Speaker 2: Be that, we should be an obvious but sometimes you 27 00:01:36,680 --> 00:01:39,160 Speaker 2: have to do some deep, deep research to hope that 28 00:01:39,160 --> 00:01:42,320 Speaker 2: they're okay people. But in this case, they are okay 29 00:01:42,319 --> 00:01:48,160 Speaker 2: people's And yes, we are excited to do a horror movie, 30 00:01:48,440 --> 00:01:51,960 Speaker 2: science fiction movie which is also a love letter to 31 00:01:52,080 --> 00:01:55,080 Speaker 2: a whole community that has not given its proper due 32 00:01:55,120 --> 00:01:58,120 Speaker 2: and spotlight and apparently a love letter to the thing 33 00:01:58,520 --> 00:02:01,680 Speaker 2: which my partner immediately called out when we started this movie. 34 00:02:01,680 --> 00:02:04,920 Speaker 1: By the way, yes, well yes, and they mentioned it. 35 00:02:05,320 --> 00:02:07,280 Speaker 1: I feel like a lot of horror movies these days 36 00:02:07,320 --> 00:02:09,280 Speaker 1: have has that one character that. 37 00:02:09,919 --> 00:02:11,160 Speaker 2: Knows horror movies. 38 00:02:11,280 --> 00:02:14,000 Speaker 1: Yes, and she was talking about the thing. She was 39 00:02:14,040 --> 00:02:15,320 Speaker 1: talking about all of it, and I. 40 00:02:15,280 --> 00:02:18,560 Speaker 3: Was like, yeah, I never seen it. I really like 41 00:02:18,639 --> 00:02:23,640 Speaker 3: the thing it is. It's creepy in the ending because 42 00:02:23,680 --> 00:02:27,120 Speaker 3: it's an ambiguous ending and it takes place in Antarctica, 43 00:02:27,320 --> 00:02:31,880 Speaker 3: so it's like isolated and the you know, kind of 44 00:02:31,880 --> 00:02:33,919 Speaker 3: that whole scary. 45 00:02:33,800 --> 00:02:37,000 Speaker 1: I don't know who's lying and who's not who No, like, 46 00:02:37,200 --> 00:02:40,440 Speaker 1: because it takes over people so you don't know, and 47 00:02:40,480 --> 00:02:45,119 Speaker 1: then uh it does. Yeah, it's just got. It does 48 00:02:45,160 --> 00:02:48,080 Speaker 1: have a lot of things that one of the scenes 49 00:02:48,120 --> 00:02:51,200 Speaker 1: that Jesse was describing at this movie about it. It 50 00:02:51,240 --> 00:02:52,880 Speaker 1: has a lot of special effects that at the time 51 00:02:52,919 --> 00:02:54,760 Speaker 1: I'm sure were amazing but now are kind of like 52 00:02:54,880 --> 00:03:00,119 Speaker 1: eighties te A lot of them are really good. But yeah, yeah. 53 00:03:00,040 --> 00:03:01,680 Speaker 2: You gotta remember the context of timing. 54 00:03:02,000 --> 00:03:02,639 Speaker 1: Yeah. 55 00:03:02,720 --> 00:03:04,480 Speaker 2: But the movie we're talking about, because I haven't said 56 00:03:04,520 --> 00:03:07,880 Speaker 2: it yet, is Slashback, which was released in twenty twenty 57 00:03:07,880 --> 00:03:10,720 Speaker 2: two at the South By Southwest Film Festival, Directed and 58 00:03:10,760 --> 00:03:15,920 Speaker 2: produced and written by Nila Enuxuk also Ryan Kavan. I 59 00:03:16,000 --> 00:03:18,680 Speaker 2: believe he also helped write this movie. But you know, 60 00:03:19,280 --> 00:03:22,840 Speaker 2: this is her baby, this is her thing, and she 61 00:03:23,200 --> 00:03:27,799 Speaker 2: was born in Iguluk and grew up in the Ikaluit area. 62 00:03:28,800 --> 00:03:33,280 Speaker 2: Go ahead, but this year indigenous languages are coming back, 63 00:03:33,320 --> 00:03:35,880 Speaker 2: thank goodness, but it is not as common, so getting 64 00:03:35,880 --> 00:03:39,640 Speaker 2: pronunciations can be difficult. Thank goodness. This stuff has more 65 00:03:39,640 --> 00:03:44,720 Speaker 2: pronunciations for me because the struggle is real. But apologies 66 00:03:44,800 --> 00:03:48,200 Speaker 2: if I do misspeak, and come back and let me know, 67 00:03:48,480 --> 00:03:50,400 Speaker 2: because I'm working on it, y'all. I'm working on it. 68 00:03:50,880 --> 00:03:53,480 Speaker 2: We are always working on it here. But yeah, So 69 00:03:54,000 --> 00:03:56,800 Speaker 2: though this is her first full length movie, she has 70 00:03:57,040 --> 00:04:00,560 Speaker 2: many other short films and documentaries under her name, including 71 00:04:00,880 --> 00:04:03,720 Speaker 2: some virtual reality work, which I feel like we need 72 00:04:03,760 --> 00:04:05,560 Speaker 2: to do an episode on because we haven't really talked 73 00:04:05,600 --> 00:04:08,440 Speaker 2: done or talked much about stuff like that. Have we. 74 00:04:08,440 --> 00:04:09,520 Speaker 2: We did that one, right. 75 00:04:09,640 --> 00:04:12,640 Speaker 1: We did. I can't remember the title. Oh no, but 76 00:04:12,720 --> 00:04:18,400 Speaker 1: we did one from another Indigenous creator that had just yes, 77 00:04:18,839 --> 00:04:19,600 Speaker 1: I remember that. 78 00:04:19,880 --> 00:04:21,240 Speaker 2: But we need to do We need to come back 79 00:04:21,279 --> 00:04:23,680 Speaker 2: to some more of these things. Excited to do so, 80 00:04:23,720 --> 00:04:26,840 Speaker 2: by the way, but back to this film. A Slashback 81 00:04:26,960 --> 00:04:30,120 Speaker 2: is a science fiction horror thriller movie that is centered 82 00:04:30,160 --> 00:04:33,800 Speaker 2: around the Canadian Indigenous community, or you know, as we 83 00:04:33,839 --> 00:04:36,240 Speaker 2: would say, they would not say it was Canadian because 84 00:04:36,240 --> 00:04:38,479 Speaker 2: in my mind I was like, oh, this is also 85 00:04:38,480 --> 00:04:41,080 Speaker 2: in Alaska, which they also don't recognize they being the 86 00:04:41,120 --> 00:04:43,800 Speaker 2: indigenous community because they are one group of people. And 87 00:04:43,839 --> 00:04:46,480 Speaker 2: I was like, yeah, that makes more sense. But for 88 00:04:46,560 --> 00:04:49,760 Speaker 2: this sake of just trying to understand geography, this is 89 00:04:49,800 --> 00:04:53,240 Speaker 2: the area that it is focused on, and it is 90 00:04:53,240 --> 00:04:57,360 Speaker 2: the community of pung Nantan Nanavut. And again I'm trying 91 00:04:57,400 --> 00:05:00,240 Speaker 2: to get this pronunciation right. In the movie, they say 92 00:05:00,279 --> 00:05:02,520 Speaker 2: paying a lot, so that's what we're going to refer 93 00:05:02,960 --> 00:05:05,760 Speaker 2: the area as. And it is an actual area apparently 94 00:05:05,800 --> 00:05:07,920 Speaker 2: made up of like seven to eight thousand people, and 95 00:05:07,960 --> 00:05:09,800 Speaker 2: we get to see a group of young girls who 96 00:05:09,800 --> 00:05:14,640 Speaker 2: come together to fight against some really gross creatures. Yeah, 97 00:05:14,920 --> 00:05:17,719 Speaker 2: like that's the best way, some really good visual effects. 98 00:05:18,160 --> 00:05:25,400 Speaker 2: Kind of a native Indigenous like take on the eighties, 99 00:05:25,440 --> 00:05:28,479 Speaker 2: not the eighties like of nineties girl Best Friend movies. 100 00:05:28,560 --> 00:05:30,039 Speaker 2: But they go do some venturing. 101 00:05:31,040 --> 00:05:37,360 Speaker 1: It's like the Thing meets the Goonies, but with indigenous. 102 00:05:37,080 --> 00:05:40,479 Speaker 2: Girls and which we love, which we love to see. 103 00:05:41,560 --> 00:05:44,240 Speaker 2: But yeah, so let's go ahead and get started with 104 00:05:44,360 --> 00:05:47,800 Speaker 2: the plot. I'm going to go quickly through and then 105 00:05:47,839 --> 00:05:50,080 Speaker 2: we'll talk to some themes and some ideas in some 106 00:05:50,120 --> 00:05:52,960 Speaker 2: of the interviews that they gave on this movie. So 107 00:05:53,000 --> 00:05:55,640 Speaker 2: the first scene is with Micah, one of the main 108 00:05:55,960 --> 00:05:58,120 Speaker 2: teen girls that we get to follow, and her father 109 00:05:58,200 --> 00:06:01,760 Speaker 2: teaching her lessons of her culture and her people, including 110 00:06:01,760 --> 00:06:05,400 Speaker 2: how to hunt and fish. Very cool scene. And I 111 00:06:05,400 --> 00:06:07,880 Speaker 2: should note I haven't seen any articles, and I'm sure 112 00:06:07,880 --> 00:06:09,599 Speaker 2: we should be able to find some soon because it 113 00:06:09,640 --> 00:06:12,320 Speaker 2: kind of just talked about their experience in filmmaking. But 114 00:06:12,400 --> 00:06:15,680 Speaker 2: the art, the writer, the director, Enuksuk made sure to 115 00:06:15,760 --> 00:06:20,560 Speaker 2: not only use mainly indigenous casts. Specifically from that area. 116 00:06:20,640 --> 00:06:24,400 Speaker 2: But also they used music, indigenous music, which was really fun, 117 00:06:24,680 --> 00:06:28,400 Speaker 2: as well as all of the writings for indigenous for 118 00:06:28,480 --> 00:06:32,400 Speaker 2: their culture as well as they made sure to speak it, 119 00:06:32,680 --> 00:06:35,000 Speaker 2: which I love that they used that language in there 120 00:06:35,080 --> 00:06:36,880 Speaker 2: in order to communicate with each other, to show that 121 00:06:36,920 --> 00:06:39,520 Speaker 2: it still existed and that it was still going strong. 122 00:06:39,720 --> 00:06:42,200 Speaker 2: So very heavily focused in the culture, and we love 123 00:06:42,240 --> 00:06:44,320 Speaker 2: to see that. And that's kind of how you begin, 124 00:06:44,480 --> 00:06:47,560 Speaker 2: is the story of her father and her doing something 125 00:06:47,600 --> 00:06:49,920 Speaker 2: that is traditional and something that has been passed down 126 00:06:50,120 --> 00:06:52,040 Speaker 2: and he is known as one of the best hunters 127 00:06:52,360 --> 00:06:55,680 Speaker 2: in the area, so we find out. But then we 128 00:06:55,800 --> 00:06:58,479 Speaker 2: jump into a scene with an im media attack of 129 00:06:58,520 --> 00:07:01,960 Speaker 2: a white scientist that being dry somewhere in the snow 130 00:07:02,040 --> 00:07:04,640 Speaker 2: by something in the snow, like you just see tentacles 131 00:07:04,760 --> 00:07:08,880 Speaker 2: pop out, yeah and blood splatter immediate. 132 00:07:09,680 --> 00:07:13,800 Speaker 1: Yeah. He was an interesting character in the one minute 133 00:07:13,840 --> 00:07:17,640 Speaker 1: he had on the ones talking to his gloves glove, 134 00:07:19,000 --> 00:07:24,960 Speaker 1: but he like face first and very unceremonious stuff, very 135 00:07:25,000 --> 00:07:28,840 Speaker 1: alien esque. Definitely definitely alien esque. 136 00:07:29,440 --> 00:07:31,760 Speaker 2: I did laugh at the talking to the glove scene 137 00:07:31,760 --> 00:07:33,600 Speaker 2: because I feel like that's something I would also do 138 00:07:33,760 --> 00:07:38,960 Speaker 2: being alone entirely in the snow isolated. You can't run 139 00:07:38,960 --> 00:07:42,640 Speaker 2: away from me. In fact, they can all right. Moving on, 140 00:07:42,800 --> 00:07:46,000 Speaker 2: and then we get to see out of that. We 141 00:07:46,040 --> 00:07:49,280 Speaker 2: are introduced to the main characters of the movie, Micah, Jesse, Lena, 142 00:07:49,440 --> 00:07:53,680 Speaker 2: and Oki and Micah's younger sister Are you and there 143 00:07:53,760 --> 00:07:56,280 Speaker 2: are going about their day, causing some trouble, wishing they 144 00:07:56,600 --> 00:07:58,960 Speaker 2: they didn't live there, you know, the teenage thing growing 145 00:07:59,040 --> 00:08:01,520 Speaker 2: up in a small area like, ugh, this place is off, 146 00:08:01,560 --> 00:08:04,400 Speaker 2: I can't wait to leave, have a feeling, That's what 147 00:08:04,440 --> 00:08:06,560 Speaker 2: they expressed. But you can tell they're the cool girls 148 00:08:07,720 --> 00:08:11,720 Speaker 2: running about doing their thing, chasing people down with bikes. Yes, 149 00:08:13,360 --> 00:08:16,080 Speaker 2: the girls wanting to do something that day, decided to 150 00:08:16,080 --> 00:08:18,400 Speaker 2: take their parents' boat, Mike's parents boat, and go out 151 00:08:18,440 --> 00:08:22,440 Speaker 2: to the mainland with a gun. Always good time, I guess, which, 152 00:08:22,480 --> 00:08:24,280 Speaker 2: by the way, my family just kind of did at 153 00:08:24,320 --> 00:08:26,960 Speaker 2: the own house shooting things. 154 00:08:27,720 --> 00:08:28,080 Speaker 1: Really. 155 00:08:28,840 --> 00:08:33,520 Speaker 2: Yeah, anyway, moving while they're there, they come across a 156 00:08:33,559 --> 00:08:37,720 Speaker 2: polar bear kind of except the bear looks different, and 157 00:08:37,800 --> 00:08:40,160 Speaker 2: after a very scary interaction and an attack on the 158 00:08:40,160 --> 00:08:43,560 Speaker 2: younger sister because I decided to come even though she 159 00:08:43,640 --> 00:08:45,800 Speaker 2: wasn't invited, and then she gets attacked by the bear, 160 00:08:45,960 --> 00:08:48,199 Speaker 2: which apparently she drove on the bike. She got there 161 00:08:48,240 --> 00:08:50,120 Speaker 2: really quickly. I feel like that's some dedication. 162 00:08:50,600 --> 00:08:52,679 Speaker 1: Yeah, she was determined not to be left out of 163 00:08:52,760 --> 00:08:53,080 Speaker 1: this name. 164 00:08:53,960 --> 00:08:56,760 Speaker 2: I don't blame her, but that's when she gets attacked. 165 00:08:57,440 --> 00:09:01,120 Speaker 2: After finally some like good shooting and screaming and leaving 166 00:09:01,160 --> 00:09:03,400 Speaker 2: in all of these things, they get back to their 167 00:09:03,400 --> 00:09:05,920 Speaker 2: home where they tell this ghost story and the girl, 168 00:09:06,000 --> 00:09:08,560 Speaker 2: by the way, I was covered in black blood. They're 169 00:09:08,600 --> 00:09:10,079 Speaker 2: all kind of creeped out and trying to figure out 170 00:09:10,080 --> 00:09:12,319 Speaker 2: what exactly was that because they know there wasn't something 171 00:09:12,960 --> 00:09:16,000 Speaker 2: There was something wrong here. There's something wrong with that bear. 172 00:09:16,640 --> 00:09:19,280 Speaker 1: Yeah, and they shot it twice. Uki shot it the 173 00:09:19,280 --> 00:09:23,240 Speaker 1: first time, then Micah shot it the second time, and 174 00:09:23,280 --> 00:09:27,559 Speaker 1: it just didn't seem that's right. Something was off about 175 00:09:27,600 --> 00:09:28,240 Speaker 1: it exactly. 176 00:09:28,400 --> 00:09:32,320 Speaker 2: Something was off. So Okiu talks of enough legends and 177 00:09:32,440 --> 00:09:35,480 Speaker 2: lords at this time about what they've seen, what they know, 178 00:09:35,679 --> 00:09:38,480 Speaker 2: Oh my god, what this is, and Micah dismisses it 179 00:09:38,520 --> 00:09:42,120 Speaker 2: as being silly and nonsense. And after a bit of 180 00:09:42,160 --> 00:09:45,400 Speaker 2: back and forth, because you know, Darre's Oki to go 181 00:09:45,520 --> 00:09:48,040 Speaker 2: back to prove that she is not scared, because they're like, nah, 182 00:09:48,040 --> 00:09:49,640 Speaker 2: you couldn't do it again, I dare you all these 183 00:09:49,720 --> 00:09:53,360 Speaker 2: things and of course challenge. Of course, this would lead 184 00:09:53,360 --> 00:09:56,240 Speaker 2: to the bigger moments of Okay killing a smaller creature 185 00:09:56,360 --> 00:09:59,280 Speaker 2: while they are covered a while there and then getting 186 00:09:59,320 --> 00:10:02,640 Speaker 2: covered by the blood as well, and making something angry 187 00:10:02,720 --> 00:10:06,160 Speaker 2: which seems to be something that they're attracted to they 188 00:10:06,160 --> 00:10:10,040 Speaker 2: can sense and find. And so when he comes back 189 00:10:10,080 --> 00:10:12,320 Speaker 2: to the community trying to tell them what's going on. 190 00:10:12,400 --> 00:10:14,200 Speaker 2: By the way, this happens at a party, and the 191 00:10:14,240 --> 00:10:16,240 Speaker 2: girls all went to trying to go and press one 192 00:10:16,240 --> 00:10:19,800 Speaker 2: boy Lena's got a crush trying to get to and 193 00:10:19,880 --> 00:10:21,640 Speaker 2: at the same time Micah is like, no, I don't care, 194 00:10:21,760 --> 00:10:25,120 Speaker 2: but putting on that perfume, doing her thing, you know 195 00:10:25,160 --> 00:10:28,040 Speaker 2: how we know? And then they all come back together 196 00:10:29,600 --> 00:10:32,880 Speaker 2: and Oki comes tell them I killed it. They're coming 197 00:10:33,000 --> 00:10:36,120 Speaker 2: they're aliens. Because she also sees this giant glob. 198 00:10:37,280 --> 00:10:41,960 Speaker 1: With tentacles like spaceship blob thing. Uh, that's so interesting. 199 00:10:43,400 --> 00:10:45,959 Speaker 2: And after the back and forth of like her lit 200 00:10:46,080 --> 00:10:49,360 Speaker 2: saying that she's lying, do you think gets attacked by 201 00:10:49,440 --> 00:10:51,240 Speaker 2: one of the cops who had just gotten killed by 202 00:10:51,240 --> 00:10:57,200 Speaker 2: this creature bare thing and now is wearing his skin loosely. 203 00:10:57,640 --> 00:11:00,520 Speaker 1: Yeah, it looks like a very bad Michael Myers. 204 00:11:00,600 --> 00:11:05,760 Speaker 2: Yeah yeah. And he's chasing after Oki and there's halting 205 00:11:05,880 --> 00:11:09,839 Speaker 2: ensues and everybody's running away and screaming. And this is 206 00:11:09,920 --> 00:11:13,280 Speaker 2: when Micah decides she has to help Oki and we 207 00:11:13,360 --> 00:11:15,679 Speaker 2: need to stop these creatures. This is our fall. We 208 00:11:15,760 --> 00:11:18,160 Speaker 2: got to do this thing. They try to call the cop. 209 00:11:18,240 --> 00:11:20,760 Speaker 2: The cop gets killed too. The chief we should never 210 00:11:20,760 --> 00:11:22,720 Speaker 2: see her again. I thought maybe we would see her skin. 211 00:11:24,320 --> 00:11:32,160 Speaker 2: It doesn't happen, no, no, yeah, yeah. And then the villager. 212 00:11:32,320 --> 00:11:34,319 Speaker 2: There was another villager who gets killed and is now 213 00:11:34,400 --> 00:11:37,160 Speaker 2: part of the skin army, which is what Lena calls them. 214 00:11:37,200 --> 00:11:39,080 Speaker 2: She's like, I'm just calling him skins. And then that's fair. 215 00:11:39,520 --> 00:11:43,400 Speaker 2: So Lena, Uki and Micah come together, like we're going 216 00:11:43,480 --> 00:11:46,280 Speaker 2: to go after these things. Let's go as they do. 217 00:11:46,840 --> 00:11:49,440 Speaker 2: My bad, it's actually Jesse, not Lena. I got them 218 00:11:49,480 --> 00:11:53,120 Speaker 2: confused because I had the other one. So Jesse is 219 00:11:53,160 --> 00:11:55,400 Speaker 2: the one that goes on the hunt with them, because 220 00:11:55,440 --> 00:11:58,000 Speaker 2: she is also the same one who has been like 221 00:11:58,640 --> 00:12:02,160 Speaker 2: no one's with the paying girls. Yeah, I love that. 222 00:12:03,000 --> 00:12:04,560 Speaker 2: And she's also the one that has to crush on 223 00:12:04,600 --> 00:12:06,599 Speaker 2: the dude who has the Honda, which I thought was 224 00:12:06,640 --> 00:12:08,640 Speaker 2: like maybe an product placement. 225 00:12:08,559 --> 00:12:12,360 Speaker 1: Because I did too, because later so Thomsy has this 226 00:12:12,480 --> 00:12:16,280 Speaker 1: kind of like for like r V Honda thing that's 227 00:12:16,320 --> 00:12:18,800 Speaker 1: the talk of the town. But then at the end, 228 00:12:19,240 --> 00:12:22,319 Speaker 1: some somebody else I think it's Micah's dad is wearing 229 00:12:22,320 --> 00:12:24,760 Speaker 1: a Honda, and I was like, is. 230 00:12:24,720 --> 00:12:35,160 Speaker 2: This I mean, you get your product? That's very specific 231 00:12:35,200 --> 00:12:38,280 Speaker 2: because I thought first one was a car. But yeah. 232 00:12:38,320 --> 00:12:42,640 Speaker 2: So we have Jesse going with uh Ouki and Micah 233 00:12:42,760 --> 00:12:46,400 Speaker 2: hunting after these things now and realizing they have to 234 00:12:46,400 --> 00:12:48,400 Speaker 2: get rid of it, and that the adults weren't going 235 00:12:48,480 --> 00:12:50,760 Speaker 2: to help because the adults were at their party and 236 00:12:50,800 --> 00:12:52,400 Speaker 2: they were dancing and having a good time and not 237 00:12:52,600 --> 00:12:56,960 Speaker 2: answering phones, and because this was the longest day of 238 00:12:57,000 --> 00:12:59,560 Speaker 2: the year, they were gonna be out for a while, 239 00:12:59,600 --> 00:13:01,360 Speaker 2: so they were going to have to handle this or 240 00:13:01,400 --> 00:13:04,600 Speaker 2: everybody was going to die. So we have Micah coming 241 00:13:04,679 --> 00:13:07,320 Speaker 2: and putting in her hunting skills to use and setting 242 00:13:07,320 --> 00:13:09,760 Speaker 2: a trap, which Uki was like, I will be the bait, 243 00:13:09,920 --> 00:13:12,040 Speaker 2: you know, because she has the show. She's bad, she 244 00:13:12,160 --> 00:13:15,360 Speaker 2: is bad, she's great, And they try to do a 245 00:13:15,360 --> 00:13:18,360 Speaker 2: whole trap, which I oh, puts Uki in danger. And 246 00:13:18,440 --> 00:13:22,079 Speaker 2: almost kills her, but thinking this, she's okay, and then 247 00:13:22,120 --> 00:13:25,560 Speaker 2: they realize, oh, they're at Micah's house. And as they 248 00:13:25,600 --> 00:13:28,240 Speaker 2: arrive with to Micah's house, they realize her father is there, 249 00:13:28,600 --> 00:13:32,400 Speaker 2: and out of nowhere here comes the Good, throwing her 250 00:13:32,440 --> 00:13:35,920 Speaker 2: across the room Micah and knocking her unconscious. When she 251 00:13:36,000 --> 00:13:38,800 Speaker 2: comes to, she sees that her dad's being attacked by 252 00:13:38,840 --> 00:13:41,400 Speaker 2: this monster, and we have a great back and forth 253 00:13:41,520 --> 00:13:44,280 Speaker 2: with her memories of everything he taught her and all 254 00:13:44,320 --> 00:13:45,960 Speaker 2: the things that she wanted about him, even though she 255 00:13:46,000 --> 00:13:49,959 Speaker 2: was ashamed of him previously because he was so country, 256 00:13:50,000 --> 00:13:51,560 Speaker 2: I think is the way she kind of put it. 257 00:13:52,160 --> 00:13:55,920 Speaker 2: And then they finally come together and killed this creature 258 00:13:56,520 --> 00:14:00,240 Speaker 2: as they do of course with a large machete like 259 00:14:00,679 --> 00:14:04,040 Speaker 2: sword thing that was passed down from generations from her 260 00:14:04,080 --> 00:14:07,400 Speaker 2: great grandfather, and they use it to kill this monster Rua. 261 00:14:08,600 --> 00:14:11,120 Speaker 2: And in the end we see they all come together 262 00:14:11,880 --> 00:14:14,520 Speaker 2: and she is more proud of her culture. Micah is, 263 00:14:14,880 --> 00:14:17,040 Speaker 2: and they open up a whole almost like a food 264 00:14:17,040 --> 00:14:22,000 Speaker 2: truck with her father and is very successful because everybody 265 00:14:22,040 --> 00:14:26,720 Speaker 2: loves country food. That's Thomas, he would say. And then 266 00:14:26,960 --> 00:14:30,320 Speaker 2: also reporters coming in to ask about these aliens. 267 00:14:31,640 --> 00:14:34,680 Speaker 1: Yes, and Oki being like I am, they answer my 268 00:14:34,760 --> 00:14:37,400 Speaker 1: questions for a fee, which I love. 269 00:14:38,000 --> 00:14:38,400 Speaker 3: I love that. 270 00:14:38,960 --> 00:14:48,560 Speaker 4: Yeah, let's get your money baby. 271 00:14:51,160 --> 00:14:55,160 Speaker 2: Yeah. So this is a really great movie, easy watch, 272 00:14:55,280 --> 00:14:58,720 Speaker 2: very short. It is interesting because if you read about 273 00:14:58,880 --> 00:15:00,920 Speaker 2: what they did, like I sai that they brought in 274 00:15:00,920 --> 00:15:04,720 Speaker 2: indigenous actors. They actually use the village people as a 275 00:15:04,720 --> 00:15:08,240 Speaker 2: part of the ensemble. And so they talked about how 276 00:15:08,360 --> 00:15:11,720 Speaker 2: it was kind of doing the acting workshops. They kind 277 00:15:11,760 --> 00:15:14,880 Speaker 2: of worked through this, so it gave opportunities to people 278 00:15:14,920 --> 00:15:18,520 Speaker 2: who wouldn't be in movies to be in movies. I 279 00:15:18,560 --> 00:15:20,760 Speaker 2: did see interviews with some of the young stars and 280 00:15:20,800 --> 00:15:22,720 Speaker 2: they're talking about this so exciting. I can't believe I 281 00:15:22,720 --> 00:15:25,720 Speaker 2: get to say I was in a movie. So I 282 00:15:25,720 --> 00:15:29,960 Speaker 2: would go in with It's not an Oscar nominated film, 283 00:15:30,240 --> 00:15:31,880 Speaker 2: but it is an enjoyable watch. 284 00:15:34,040 --> 00:15:36,920 Speaker 1: It is. It's a really it's a really fun watch. 285 00:15:37,000 --> 00:15:40,600 Speaker 1: I like the because you know, we love horror here 286 00:15:40,640 --> 00:15:43,920 Speaker 1: and it's not scary, like it has unsettling moments, but 287 00:15:43,960 --> 00:15:46,360 Speaker 1: I kind of like the fun. Yeah, the thing. It 288 00:15:46,400 --> 00:15:50,800 Speaker 1: was definitely an adventure, yes, and and you know we 289 00:15:50,880 --> 00:15:56,000 Speaker 1: love friendships amongst girls and women here. That was fun. 290 00:15:56,040 --> 00:15:59,520 Speaker 1: I have to say I was not. I you don't 291 00:15:59,560 --> 00:16:02,880 Speaker 1: have to lose any romantic tension for me, but I 292 00:16:02,960 --> 00:16:06,960 Speaker 1: was surprised that no, nothing came of that kind of 293 00:16:07,000 --> 00:16:08,480 Speaker 1: triangle that was happening. 294 00:16:09,560 --> 00:16:12,440 Speaker 2: I also really loved the fact that he was so useless, 295 00:16:12,560 --> 00:16:15,520 Speaker 2: Like he tried to help in the end, but the 296 00:16:15,560 --> 00:16:20,200 Speaker 2: actuality was that he was very useless and he knew it, 297 00:16:20,240 --> 00:16:24,720 Speaker 2: and yeah, like it really was kind of cute on 298 00:16:24,840 --> 00:16:28,960 Speaker 2: that level. I think one of the things that we 299 00:16:29,000 --> 00:16:31,920 Speaker 2: will get into about this is that they made sure 300 00:16:32,040 --> 00:16:34,960 Speaker 2: not to make it heavy handed in that they didn't 301 00:16:34,960 --> 00:16:37,880 Speaker 2: want too political of messages, even though it could be 302 00:16:37,920 --> 00:16:40,720 Speaker 2: seen as that, which makes me sad because I feel 303 00:16:40,760 --> 00:16:44,400 Speaker 2: like the lot of the it could be both ways. 304 00:16:44,440 --> 00:16:48,240 Speaker 2: Where we see films that have such opportunities to educate, 305 00:16:48,880 --> 00:16:52,200 Speaker 2: I feel like they have to hold back because they 306 00:16:52,240 --> 00:16:54,520 Speaker 2: have to they want to be a little more mainstream, 307 00:16:54,920 --> 00:16:58,280 Speaker 2: or being told by studios that they can't do too much, 308 00:16:58,640 --> 00:17:00,400 Speaker 2: or the fact that they don't. It's like I wish 309 00:17:00,440 --> 00:17:02,160 Speaker 2: it didn't have to be that they people would just 310 00:17:02,240 --> 00:17:05,239 Speaker 2: naturally want to research it after the fact instead of 311 00:17:05,400 --> 00:17:07,159 Speaker 2: you know what I mean, like and let them have 312 00:17:07,200 --> 00:17:09,480 Speaker 2: the fun times like this's this double edged sort of like, man, 313 00:17:09,560 --> 00:17:11,720 Speaker 2: this is an interesting place to be because we don't 314 00:17:11,760 --> 00:17:14,880 Speaker 2: have enough of this type of content to begin with 315 00:17:15,280 --> 00:17:17,080 Speaker 2: to get that education, and so it's kind of like 316 00:17:17,119 --> 00:17:18,560 Speaker 2: you either have to try to stick it all in 317 00:17:19,359 --> 00:17:22,159 Speaker 2: and hope that people will stay around or that or 318 00:17:22,240 --> 00:17:24,600 Speaker 2: make it as fun as possible in order to let 319 00:17:24,760 --> 00:17:27,080 Speaker 2: you know, like to also stick around. So there's just 320 00:17:27,640 --> 00:17:29,880 Speaker 2: layers of so many things, especially as a filmmaker who 321 00:17:29,960 --> 00:17:32,120 Speaker 2: you know, talks about her love for et as well 322 00:17:32,160 --> 00:17:35,560 Speaker 2: as the thing and loving horror and these types of films, 323 00:17:35,640 --> 00:17:37,560 Speaker 2: and really want to do that with these group of 324 00:17:37,560 --> 00:17:42,119 Speaker 2: girls also having a responsibility and just that conversation alone 325 00:17:42,119 --> 00:17:46,520 Speaker 2: about accepting yourself and your identity as teenagers in an 326 00:17:46,560 --> 00:17:49,399 Speaker 2: indigenous community and try not to be too heavy handed 327 00:17:49,440 --> 00:17:55,040 Speaker 2: on them to carry out these emotional tolls for themselves. 328 00:17:55,040 --> 00:17:57,680 Speaker 2: But that's a lot to it. So let's go ahead 329 00:17:57,720 --> 00:17:59,760 Speaker 2: and jump into themes or at least things that I 330 00:17:59,760 --> 00:18:01,720 Speaker 2: saw about the film that we should talk about, because 331 00:18:02,440 --> 00:18:04,359 Speaker 2: they feel like I just throw around the word themes 332 00:18:04,520 --> 00:18:08,240 Speaker 2: like this is not theme, but I'm gonna talk about it. Yeah, 333 00:18:08,760 --> 00:18:10,520 Speaker 2: let's do it. So obviously we want to talk about 334 00:18:10,520 --> 00:18:13,080 Speaker 2: the Inuit culture and some of the folklore. Of course, 335 00:18:13,160 --> 00:18:15,840 Speaker 2: like they they mentioned at least two or three different 336 00:18:15,920 --> 00:18:18,919 Speaker 2: lures that they have in there. Have we talked about 337 00:18:18,960 --> 00:18:21,520 Speaker 2: some of these? I don't know if we've actually talked 338 00:18:21,560 --> 00:18:24,439 Speaker 2: about Inuit folklore. 339 00:18:24,920 --> 00:18:25,960 Speaker 1: I don't believe. 340 00:18:26,200 --> 00:18:26,280 Speaker 4: So. 341 00:18:26,720 --> 00:18:29,600 Speaker 1: I think we've talked about things that were adjacent, Yeah, 342 00:18:29,760 --> 00:18:32,240 Speaker 1: kind of similar stories, but not specifically this. 343 00:18:32,480 --> 00:18:35,679 Speaker 2: Yeah, there was a lot of conversation about like taking 344 00:18:35,720 --> 00:18:39,360 Speaker 2: over bodies and using people's bodies. Again, I guess that's 345 00:18:39,400 --> 00:18:44,000 Speaker 2: the thing about the thing. Yeah, right, so that was 346 00:18:44,119 --> 00:18:46,960 Speaker 2: really interesting in their conversation and then also just being 347 00:18:47,040 --> 00:18:50,080 Speaker 2: exasperated because they didn't want to think it's real, but 348 00:18:50,119 --> 00:18:52,399 Speaker 2: at the same time it kind of was real in 349 00:18:52,440 --> 00:18:53,160 Speaker 2: a different way. 350 00:18:53,720 --> 00:18:58,600 Speaker 1: Yeah, Because one of the big the big points of 351 00:18:58,840 --> 00:19:04,400 Speaker 1: tension in the movie is between Uki and Micah. Micah 352 00:19:04,480 --> 00:19:08,879 Speaker 1: is like embarrassed by in that culture. She thinks it's silly, 353 00:19:09,720 --> 00:19:12,280 Speaker 1: whereas Uki's very proud. She's the one that's like, I 354 00:19:12,440 --> 00:19:15,600 Speaker 1: like living here, and so they're kind of opposites in 355 00:19:15,640 --> 00:19:19,720 Speaker 1: that way. And when Uki comes back after seeing the 356 00:19:19,760 --> 00:19:25,080 Speaker 1: spaceship is like, congratulations, you won. It wasn't what I 357 00:19:25,160 --> 00:19:28,840 Speaker 1: said it was in our folkal orates aliens. 358 00:19:30,040 --> 00:19:32,280 Speaker 2: The character was quite funny. I think their friendship was 359 00:19:32,320 --> 00:19:36,119 Speaker 2: interesting because it's also talked about how they grow, yeah, 360 00:19:36,240 --> 00:19:39,560 Speaker 2: from each other and then with each other, but we'll 361 00:19:39,560 --> 00:19:42,680 Speaker 2: talk more about that. But also the lifestyle. I think 362 00:19:42,720 --> 00:19:46,600 Speaker 2: that was something that was important for in Asook to 363 00:19:46,960 --> 00:19:49,720 Speaker 2: talk about and to show off. Even though this wasn't 364 00:19:49,760 --> 00:19:52,240 Speaker 2: her village that she grew up in, she knew the 365 00:19:52,240 --> 00:19:55,000 Speaker 2: community in itself and wanted to highlight the community itself. 366 00:19:55,040 --> 00:19:58,119 Speaker 2: The beautiful shots of them been on the boat and 367 00:19:58,280 --> 00:20:00,200 Speaker 2: going by the like glaciers and such. I was like, 368 00:20:00,200 --> 00:20:03,480 Speaker 2: oh my god, yeah that I never in my mind 369 00:20:03,600 --> 00:20:06,160 Speaker 2: has that gone in my head as a possibility, even 370 00:20:06,200 --> 00:20:09,800 Speaker 2: though obviously people live that. In my mind, it's not 371 00:20:09,840 --> 00:20:13,520 Speaker 2: a real everyday thing, and it was for them in 372 00:20:13,560 --> 00:20:15,320 Speaker 2: this moment, and they're so bored of it. I'm like, 373 00:20:15,400 --> 00:20:19,160 Speaker 2: I guess we all feel that way from wherever we're from, because, like, again, 374 00:20:19,320 --> 00:20:21,600 Speaker 2: my hometown now that I grew up in is a 375 00:20:21,600 --> 00:20:23,840 Speaker 2: big tourist site and it's crowded all the time because 376 00:20:23,840 --> 00:20:25,760 Speaker 2: people want to go up there to see the leaves 377 00:20:25,880 --> 00:20:31,760 Speaker 2: the country. Yeah, the apples and the apples and the 378 00:20:31,760 --> 00:20:35,320 Speaker 2: foothills of the mountains. But I do find that interesting also, 379 00:20:35,400 --> 00:20:37,720 Speaker 2: like the conversation about like hunting and how important that 380 00:20:37,840 --> 00:20:39,680 Speaker 2: is and how much of a legend that people see 381 00:20:39,720 --> 00:20:42,000 Speaker 2: it as, where Mike I took that for granted because 382 00:20:42,040 --> 00:20:43,960 Speaker 2: she was supposed to be with her father but so 383 00:20:44,080 --> 00:20:46,679 Speaker 2: embarrassed because he was selling off the things that he 384 00:20:46,720 --> 00:20:51,639 Speaker 2: had hunted, which is of pride for so many, including Thomas, 385 00:20:51,880 --> 00:20:54,160 Speaker 2: who was like, Oh, that's your Your dad's super cool. 386 00:20:54,600 --> 00:20:57,120 Speaker 2: You think you guys could teach me? And she's like. 387 00:21:00,200 --> 00:21:03,920 Speaker 1: Yeah, and then she made fun of his mom's art. 388 00:21:04,560 --> 00:21:07,200 Speaker 2: He liked HER's like, why are you liking her? Dude? 389 00:21:07,320 --> 00:21:08,280 Speaker 3: Yeah? 390 00:21:08,720 --> 00:21:11,199 Speaker 1: Yeah, she really had a lot to work for. 391 00:21:11,280 --> 00:21:15,159 Speaker 2: She did, She really did. But I found that interesting 392 00:21:15,200 --> 00:21:19,040 Speaker 2: also because we've talked about how I love that they 393 00:21:19,080 --> 00:21:22,240 Speaker 2: were doing that with a young girl, that he was 394 00:21:22,280 --> 00:21:24,879 Speaker 2: teaching her that. And maybe it's because they didn't have 395 00:21:24,960 --> 00:21:27,439 Speaker 2: a son. I don't think they had a son. I 396 00:21:27,440 --> 00:21:29,560 Speaker 2: think they had two young other younger sisters, right, she 397 00:21:29,560 --> 00:21:32,000 Speaker 2: had two younger sisters and she was the eldest, and 398 00:21:32,040 --> 00:21:34,119 Speaker 2: he was teaching all these things and she was supposed 399 00:21:34,119 --> 00:21:38,120 Speaker 2: to help, but like she was taught to shoot a gun, 400 00:21:38,200 --> 00:21:40,320 Speaker 2: she was taught to like go and fish and hunt 401 00:21:40,359 --> 00:21:43,040 Speaker 2: and bait and all these things, and so it really 402 00:21:43,080 --> 00:21:46,160 Speaker 2: brought into that lifestyle for her, even though she didn't 403 00:21:46,200 --> 00:21:48,320 Speaker 2: love it. It was interesting also look back and forth 404 00:21:48,359 --> 00:21:51,800 Speaker 2: about the technology because I didn't and this is twenty 405 00:21:52,160 --> 00:21:55,040 Speaker 2: one when they were talking about about data and all 406 00:21:55,080 --> 00:21:57,480 Speaker 2: these things, and we have talked about the accessibility that 407 00:21:57,520 --> 00:22:01,399 Speaker 2: doesn't happen in a lot of these areas, not because 408 00:22:01,440 --> 00:22:04,320 Speaker 2: they can't have it because the US or whatever colonial 409 00:22:04,520 --> 00:22:08,920 Speaker 2: like colonized imperial system has taken over won't grant them that. 410 00:22:08,960 --> 00:22:11,359 Speaker 2: And just recently I watched the TikTok And not to 411 00:22:11,440 --> 00:22:16,080 Speaker 2: say that all they're all like not given modern technologies, 412 00:22:16,119 --> 00:22:19,040 Speaker 2: but the fact is they're not given federal funding to 413 00:22:19,119 --> 00:22:22,320 Speaker 2: get a lot of these technologies, including just electricity and 414 00:22:22,359 --> 00:22:25,960 Speaker 2: all of those things not electricity but like but you 415 00:22:26,000 --> 00:22:28,280 Speaker 2: know what I mean, setups to be a part of 416 00:22:28,320 --> 00:22:30,240 Speaker 2: the grid. They're the first people to be cut off, 417 00:22:30,720 --> 00:22:32,239 Speaker 2: it's likely to be able to afford it, and they 418 00:22:32,240 --> 00:22:35,080 Speaker 2: are not given any kind of breaks because the government 419 00:22:35,080 --> 00:22:39,399 Speaker 2: won't recognize them in so many ways. So like it 420 00:22:39,640 --> 00:22:41,760 Speaker 2: it's all of these levels of like, oh oh yeah, 421 00:22:41,800 --> 00:22:44,040 Speaker 2: I kind of forget this as well, and they are 422 00:22:44,080 --> 00:22:45,720 Speaker 2: further out, like they do talk about how they're in 423 00:22:45,720 --> 00:22:48,760 Speaker 2: the Arctic. They keep going At one point of the 424 00:22:48,760 --> 00:22:51,959 Speaker 2: line is if we keep going up, we go to 425 00:22:52,000 --> 00:22:54,560 Speaker 2: a different place. And and then Mike, Mike I says, 426 00:22:54,600 --> 00:22:56,159 Speaker 2: you go, if you keep going north, you're going to 427 00:22:56,280 --> 00:23:00,480 Speaker 2: eventually go south, Like that's that what's her comment? Yes, 428 00:23:01,520 --> 00:23:07,119 Speaker 2: not wrong, but there was an interesting conversation in that lifestyle. Also, again, 429 00:23:07,520 --> 00:23:09,800 Speaker 2: I think it's really important that they actually shot in 430 00:23:09,880 --> 00:23:12,720 Speaker 2: paying with the people of the village and again a 431 00:23:12,880 --> 00:23:16,960 Speaker 2: mainly Inuit cast. She really thought that was important. I 432 00:23:17,040 --> 00:23:20,840 Speaker 2: was telling Annie that they flew in fifty beds because 433 00:23:20,880 --> 00:23:24,239 Speaker 2: there was not enough housing for the crew, so they 434 00:23:24,280 --> 00:23:27,119 Speaker 2: had to fly in beds and have them in the 435 00:23:27,200 --> 00:23:29,680 Speaker 2: schools to stay in there. Because it's not a large 436 00:23:29,720 --> 00:23:31,919 Speaker 2: area I think they said again seven to eight thousand 437 00:23:31,920 --> 00:23:35,760 Speaker 2: people in population, and so they were like, oh, okay, 438 00:23:35,760 --> 00:23:38,080 Speaker 2: we got to make do. And they would come together 439 00:23:38,119 --> 00:23:41,200 Speaker 2: and have acting workshops together with the crew. They would 440 00:23:41,200 --> 00:23:44,280 Speaker 2: come together and have they said, kind of like counseling sessions. 441 00:23:44,320 --> 00:23:45,959 Speaker 2: But then also they would go out on the boats 442 00:23:46,240 --> 00:23:48,600 Speaker 2: and teach them different areas and show them places to 443 00:23:48,640 --> 00:23:50,280 Speaker 2: go and where they should and shouldn't go like it 444 00:23:50,280 --> 00:23:53,280 Speaker 2: was a whole lesson for her as well as the 445 00:23:53,359 --> 00:23:56,480 Speaker 2: crew from the village. So I love every bed of 446 00:23:56,520 --> 00:23:58,879 Speaker 2: that and I wanted to put this line in. So 447 00:23:58,920 --> 00:24:04,720 Speaker 2: there was interview that this person did, scriptmag dot Com 448 00:24:04,720 --> 00:24:07,080 Speaker 2: did and they asked, you know, what is something that 449 00:24:07,119 --> 00:24:09,080 Speaker 2: you hope the audience takes and the young girl who 450 00:24:09,119 --> 00:24:12,480 Speaker 2: plays Micah Tasiana, she says, I really hope that the 451 00:24:12,520 --> 00:24:14,679 Speaker 2: audience will get a sense of what it's like to 452 00:24:14,720 --> 00:24:17,320 Speaker 2: live in the Arctic and the lifestyle that we live 453 00:24:17,400 --> 00:24:19,760 Speaker 2: as Inuit in nanea of it. And I really thought 454 00:24:19,760 --> 00:24:22,760 Speaker 2: it was interesting that this young girl wanted people to 455 00:24:22,840 --> 00:24:25,200 Speaker 2: see what it was like for them and how why 456 00:24:25,240 --> 00:24:27,239 Speaker 2: that was important for her, which I was really I 457 00:24:27,280 --> 00:24:30,000 Speaker 2: love that. I love that aspect of wanting to share 458 00:24:30,040 --> 00:24:34,080 Speaker 2: culture and be made known, as well as like again, 459 00:24:34,280 --> 00:24:38,160 Speaker 2: them actually doing the script, them actually writing in their language, 460 00:24:38,200 --> 00:24:40,399 Speaker 2: them actually speaking in their language. I think is so 461 00:24:40,440 --> 00:24:42,600 Speaker 2: important because this is part of like when we talked 462 00:24:42,640 --> 00:24:46,240 Speaker 2: about preservation and because there weren't access to this, this 463 00:24:46,280 --> 00:24:48,359 Speaker 2: is a small bit of preservation that they get to 464 00:24:48,400 --> 00:24:50,919 Speaker 2: have and we get to have of a culture that 465 00:24:51,040 --> 00:24:56,080 Speaker 2: is so easily unlikely to be forgotten, if not completely 466 00:24:57,280 --> 00:25:03,760 Speaker 2: destroyed because of supremacy whites. But yeah, those lines are 467 00:25:03,800 --> 00:25:06,639 Speaker 2: really cute. Again, they do have a few interviews and 468 00:25:06,680 --> 00:25:09,240 Speaker 2: a few highlights with the three of them, the director 469 00:25:09,480 --> 00:25:12,960 Speaker 2: and the young girl who plays Okay and the young 470 00:25:12,960 --> 00:25:14,880 Speaker 2: girl who plays Micah. So those are some really cute 471 00:25:14,920 --> 00:25:19,040 Speaker 2: interviews and interesting to see in their conversations. Y'all should 472 00:25:19,040 --> 00:25:21,840 Speaker 2: go check that out to learn more about that. In 473 00:25:21,920 --> 00:25:23,679 Speaker 2: that same point, we kind of already talked about it, 474 00:25:23,760 --> 00:25:27,080 Speaker 2: but wanting to be normal and not a native team 475 00:25:27,119 --> 00:25:30,080 Speaker 2: like not being native in that level of like filling 476 00:25:30,440 --> 00:25:33,520 Speaker 2: at the point they keep saying paying is so ghetto. 477 00:25:34,880 --> 00:25:37,560 Speaker 2: I guess so yet just because they felt like they 478 00:25:37,600 --> 00:25:41,800 Speaker 2: didn't have everything that everyone they saw everyone else they 479 00:25:41,840 --> 00:25:46,760 Speaker 2: thought everyone else had again talking about how Lena gets 480 00:25:46,760 --> 00:25:50,199 Speaker 2: to go to pretty much white city, like white predominantly 481 00:25:50,200 --> 00:25:52,119 Speaker 2: white city, and she gets to go there every summer. 482 00:25:52,320 --> 00:25:55,639 Speaker 2: She gets unlimited data, all of these different things. She 483 00:25:55,640 --> 00:25:56,920 Speaker 2: also gets to punish the most. 484 00:25:57,160 --> 00:26:01,520 Speaker 1: Yeah, she's her parents very careful watch her and ground 485 00:26:01,560 --> 00:26:02,440 Speaker 1: her very easily. 486 00:26:03,160 --> 00:26:06,280 Speaker 2: She's like, I'm getting so much trouble really so to 487 00:26:06,400 --> 00:26:08,000 Speaker 2: be fun, I mean like they almost. 488 00:26:07,760 --> 00:26:10,359 Speaker 1: Died, I mean she did get in so much trouble. 489 00:26:11,040 --> 00:26:14,359 Speaker 1: Even before the dying, she got grounded for a month. 490 00:26:14,480 --> 00:26:18,840 Speaker 2: It was like, that's dang. I thought this was interesting 491 00:26:18,960 --> 00:26:23,400 Speaker 2: comment from the director, and it suck. She talks about 492 00:26:23,440 --> 00:26:27,119 Speaker 2: how teenager dynamics were for her and why it was 493 00:26:27,160 --> 00:26:30,440 Speaker 2: interesting in trying to relay this without having too much 494 00:26:30,440 --> 00:26:33,919 Speaker 2: emotional work from the actors. She says, and certainly talking 495 00:26:33,960 --> 00:26:36,440 Speaker 2: in the inspiration for that really did come from teenagers, 496 00:26:36,480 --> 00:26:38,320 Speaker 2: and the dynamics of the teenagers. So she would sit 497 00:26:38,400 --> 00:26:40,280 Speaker 2: and talk with them about what they wanted to do 498 00:26:40,320 --> 00:26:42,960 Speaker 2: that day in acting or how they wanted to write 499 00:26:42,960 --> 00:26:45,679 Speaker 2: the script, but then also my experience as an end 500 00:26:45,720 --> 00:26:48,639 Speaker 2: up teenager processing how that worked, how that fit in 501 00:26:48,680 --> 00:26:51,480 Speaker 2: with my identity and what shame I had carried and 502 00:26:51,520 --> 00:26:53,399 Speaker 2: how do I process that? And I could see in 503 00:26:53,400 --> 00:26:55,479 Speaker 2: the language of some of the cast members that they 504 00:26:55,520 --> 00:26:58,320 Speaker 2: carried some shame as well, And so we'd have conversations 505 00:26:58,359 --> 00:27:00,320 Speaker 2: about it and what does it mean when we say, oh, 506 00:27:00,359 --> 00:27:03,000 Speaker 2: that's so INOK, and we mean it in a negative way, 507 00:27:03,359 --> 00:27:06,119 Speaker 2: and how do we shift that to being we're using 508 00:27:06,119 --> 00:27:08,920 Speaker 2: prideful language when we were talking about where we come from. 509 00:27:09,440 --> 00:27:12,399 Speaker 2: So I could absolutely see that She actually had that scene. 510 00:27:12,400 --> 00:27:14,400 Speaker 2: She had that scene with the teenagers coming together again, 511 00:27:14,480 --> 00:27:17,080 Speaker 2: pang is so ghetto. That's some you know, stuff like 512 00:27:17,160 --> 00:27:23,120 Speaker 2: dismissing legends or thoughts or ideas and trying to fit 513 00:27:23,200 --> 00:27:25,520 Speaker 2: in in what they think is the standard, which is 514 00:27:25,560 --> 00:27:29,760 Speaker 2: white standards, and then understanding later that it's not badge 515 00:27:29,800 --> 00:27:34,479 Speaker 2: when again Micah comes in ready to go, just like 516 00:27:34,680 --> 00:27:38,919 Speaker 2: hating on everything from Thomas's home, whether it was the painting, 517 00:27:38,920 --> 00:27:40,960 Speaker 2: whether it was about the cooking, whether it was about 518 00:27:41,040 --> 00:27:44,560 Speaker 2: any of these things that had anything of ink or 519 00:27:44,600 --> 00:27:49,720 Speaker 2: Inuit cultural relevance, that she really pushed back on because 520 00:27:49,720 --> 00:27:51,760 Speaker 2: she hated it so much in her mind, like it 521 00:27:51,840 --> 00:27:53,959 Speaker 2: just was so much lesser than what she wanted to be. 522 00:27:54,280 --> 00:27:57,159 Speaker 2: And I found that interesting again also doing that in 523 00:27:57,200 --> 00:28:01,879 Speaker 2: a way to emotionally guard them. Well, I think, you know, 524 00:28:01,880 --> 00:28:05,359 Speaker 2: it's really about how that was important to her and 525 00:28:05,400 --> 00:28:08,000 Speaker 2: how important it is that they didn't do too much 526 00:28:08,800 --> 00:28:10,560 Speaker 2: to weigh that on these young kids. And then she 527 00:28:10,600 --> 00:28:13,280 Speaker 2: also talked about the younger, younger kids even you know, 528 00:28:14,280 --> 00:28:16,440 Speaker 2: and how they would hear that and I'll that would 529 00:28:16,480 --> 00:28:18,359 Speaker 2: relate to them and whether like they would take that 530 00:28:18,400 --> 00:28:21,080 Speaker 2: on as a part of their identity too, just hearing 531 00:28:21,119 --> 00:28:23,800 Speaker 2: that even though they're trying to push back against it. 532 00:28:23,840 --> 00:28:27,240 Speaker 2: So a lot of understanding in that one a theme 533 00:28:27,440 --> 00:28:30,000 Speaker 2: or an idea from the movie. Of course it's very blip. 534 00:28:30,080 --> 00:28:33,080 Speaker 2: Is the colonialization of it all of course, aliens coming 535 00:28:33,119 --> 00:28:35,600 Speaker 2: down to try to take over. I mean, this feels 536 00:28:35,640 --> 00:28:40,760 Speaker 2: pretty obvious in itself. But she actually actually talked about 537 00:28:40,840 --> 00:28:42,320 Speaker 2: she did not want to do too much on it. 538 00:28:42,360 --> 00:28:45,520 Speaker 2: She didn't want to add too much on this. She says, 539 00:28:45,560 --> 00:28:48,520 Speaker 2: she didn't really want to have it be heavy handed. Again, 540 00:28:48,560 --> 00:28:50,480 Speaker 2: she felt like that was too much responsibility for the 541 00:28:50,520 --> 00:28:54,840 Speaker 2: young teenagers to carry in this conversation as well, but 542 00:28:54,920 --> 00:28:57,200 Speaker 2: a small understanding of what it felt like and having 543 00:28:57,840 --> 00:28:59,840 Speaker 2: to defend the land by using their knowledge and their 544 00:28:59,880 --> 00:29:02,440 Speaker 2: own teaching. So she did it without doing it and 545 00:29:02,480 --> 00:29:05,040 Speaker 2: not being heavy handed in anything. Again, we have this 546 00:29:05,640 --> 00:29:10,040 Speaker 2: heavy layer of like wanting to talk about all of 547 00:29:10,080 --> 00:29:12,760 Speaker 2: these amazing things that have happened in the indigenous culture, 548 00:29:12,840 --> 00:29:16,400 Speaker 2: but oftentimes it is overshadowed by like the pity porn 549 00:29:16,480 --> 00:29:19,920 Speaker 2: level of white saburism, level of people wanting to be like, oh, 550 00:29:20,160 --> 00:29:21,960 Speaker 2: tell me the SOB story so I can feel sorry 551 00:29:21,960 --> 00:29:23,680 Speaker 2: for you, or all these things, and that kind of 552 00:29:23,720 --> 00:29:27,200 Speaker 2: takes away from the celebration of it all or the 553 00:29:27,240 --> 00:29:30,400 Speaker 2: adventure of like this type of storytelling. So there's all 554 00:29:30,400 --> 00:29:33,680 Speaker 2: these levels that you have to figure out and accept 555 00:29:33,840 --> 00:29:38,680 Speaker 2: and appreciate as the native story person tells you. So 556 00:29:38,720 --> 00:29:40,840 Speaker 2: I feel like that's that level. But there, it's still there. 557 00:29:41,840 --> 00:29:45,840 Speaker 1: It's still there. So when when Micah is finally like, 558 00:29:46,040 --> 00:29:48,560 Speaker 1: let's go kill these monsters, she puts on a coat 559 00:29:48,640 --> 00:29:52,120 Speaker 1: that says no no Justice on stolen Land or something 560 00:29:52,240 --> 00:29:54,560 Speaker 1: like that. And then at the end when it has 561 00:29:54,640 --> 00:29:58,120 Speaker 1: the title card show up in the credits, it says 562 00:29:58,360 --> 00:30:00,320 Speaker 1: slash back and then eclipse and it says land back. 563 00:30:10,960 --> 00:30:14,160 Speaker 1: I also thought it was interesting that because so often 564 00:30:14,360 --> 00:30:17,000 Speaker 1: horror movies it is the people of color the first 565 00:30:17,000 --> 00:30:22,760 Speaker 1: to go, and they're never like mentioned or thought of again. Uh, 566 00:30:22,800 --> 00:30:25,560 Speaker 1: but you know, you got your your white scientist, a 567 00:30:25,600 --> 00:30:31,360 Speaker 1: person of authority, who dies very again unceremoniously, and then 568 00:30:31,440 --> 00:30:35,200 Speaker 1: you have the white cop who is clearly like the 569 00:30:35,280 --> 00:30:39,160 Speaker 1: race is just looking to mess with these kids. Yeah, 570 00:30:39,200 --> 00:30:41,680 Speaker 1: and then you have the indigenous cop who they respect 571 00:30:41,720 --> 00:30:43,680 Speaker 1: much more, and she's the one that unfortunately dies and 572 00:30:43,720 --> 00:30:46,240 Speaker 1: you ever see again. But when the white cop dies 573 00:30:46,400 --> 00:30:49,320 Speaker 1: also a figure of authority. It's sort of a right 574 00:30:49,920 --> 00:30:50,640 Speaker 1: a throwaway. 575 00:30:51,040 --> 00:30:52,960 Speaker 2: Absolutely. I did love the coat and I'm like, okay, 576 00:30:53,000 --> 00:30:55,719 Speaker 2: and then they put on the the makeup, those ceremonial 577 00:30:55,760 --> 00:30:58,520 Speaker 2: markings to show that they're there to fight, that they're warriors. 578 00:30:58,600 --> 00:31:01,200 Speaker 2: It was beautiful. I loved everything about it. Again, coming 579 00:31:01,200 --> 00:31:03,560 Speaker 2: back with it, you don't with the girls from paying, 580 00:31:03,680 --> 00:31:06,719 Speaker 2: I'm like, yeah, go ahead, ladies love these So definitely 581 00:31:06,800 --> 00:31:08,600 Speaker 2: had a lot of shoutow. I mean, the entire movie 582 00:31:08,640 --> 00:31:12,280 Speaker 2: is definitely a love letter again to the Inuit culture, 583 00:31:12,560 --> 00:31:15,960 Speaker 2: specifically in this part, and I loved everything about that. 584 00:31:16,080 --> 00:31:18,560 Speaker 2: So it is it's like it's there, but it's definitely 585 00:31:18,600 --> 00:31:22,400 Speaker 2: not petty worn. It's definitely not for you to be like, ah, 586 00:31:22,560 --> 00:31:24,240 Speaker 2: this makes me feel better about my life type of 587 00:31:24,240 --> 00:31:26,720 Speaker 2: such a way. So I do love and appreciate that, 588 00:31:26,800 --> 00:31:29,200 Speaker 2: and that's hard to do. And then of course we 589 00:31:29,240 --> 00:31:32,400 Speaker 2: have the friendships we have, you know, I love. I 590 00:31:32,440 --> 00:31:34,400 Speaker 2: don't know what it is about this, like four to 591 00:31:34,520 --> 00:31:37,240 Speaker 2: five group girls who just hold on strong. That really 592 00:31:37,280 --> 00:31:40,600 Speaker 2: is a magic number if you can have it, and 593 00:31:40,600 --> 00:31:42,600 Speaker 2: they're all like there for each other even though they're 594 00:31:42,600 --> 00:31:46,400 Speaker 2: all very different. You know, I gotta love it. 595 00:31:46,480 --> 00:31:52,120 Speaker 1: Yeah, Yeah, I kind of like how it opens when 596 00:31:52,160 --> 00:31:56,120 Speaker 1: you meet Uki. She's sort of bullying the younger she's 597 00:31:56,200 --> 00:32:00,440 Speaker 1: tricky Mike's younger sister into like helping her her by 598 00:32:00,440 --> 00:32:03,720 Speaker 1: a phone with her saved up money, and so it's 599 00:32:03,760 --> 00:32:06,080 Speaker 1: sort of setting her up to be like a villain 600 00:32:06,240 --> 00:32:08,480 Speaker 1: or something. And then you like come to find out 601 00:32:08,560 --> 00:32:12,960 Speaker 1: they're good and Mica just like caught up with her 602 00:32:12,960 --> 00:32:14,760 Speaker 1: on the bike and said give her back the money. 603 00:32:14,880 --> 00:32:17,080 Speaker 1: But I kind of liked how it was a little 604 00:32:17,720 --> 00:32:20,240 Speaker 1: It was a little messy, right, their friend their friend 605 00:32:20,280 --> 00:32:23,600 Speaker 1: group was a little messy, but they did stick with 606 00:32:23,640 --> 00:32:28,760 Speaker 1: each other when an apology was needed and apology was given. Yeah, yeah, 607 00:32:28,760 --> 00:32:31,120 Speaker 1: but that did make me laugh because I was not 608 00:32:31,200 --> 00:32:32,240 Speaker 1: expecting that at all. 609 00:32:32,280 --> 00:32:33,920 Speaker 2: But then she took the money back again to be like, 610 00:32:33,960 --> 00:32:36,760 Speaker 2: you can hang with us. 611 00:32:38,400 --> 00:32:40,680 Speaker 1: It was a very d and d character where they 612 00:32:40,720 --> 00:32:42,840 Speaker 1: have that one trait that they're always going to try 613 00:32:42,840 --> 00:32:44,160 Speaker 1: to steal money from you or something. 614 00:32:44,880 --> 00:32:48,080 Speaker 2: Deals andins like the ending with her and the reporter 615 00:32:48,200 --> 00:32:51,840 Speaker 2: as well. Yeah, I also love that I figures out 616 00:32:51,840 --> 00:32:53,560 Speaker 2: that she can be friends with the other girls and 617 00:32:53,600 --> 00:32:55,960 Speaker 2: it takes a little I thought that was a really 618 00:32:56,040 --> 00:32:58,480 Speaker 2: cute scene because I didn't exactly know. Like at the beginning, 619 00:32:58,520 --> 00:32:59,520 Speaker 2: she's like, why don't you go hang out with the 620 00:32:59,520 --> 00:33:01,760 Speaker 2: people you're all She's like, I don't they wish like 621 00:33:01,800 --> 00:33:03,840 Speaker 2: the type of thing, and then you realize it's because 622 00:33:03,840 --> 00:33:06,960 Speaker 2: they don't. They didn't know each other, and so they 623 00:33:06,960 --> 00:33:09,320 Speaker 2: were just weirded out by each other. And then they 624 00:33:09,320 --> 00:33:10,760 Speaker 2: can be like, why didn't you want to hang out 625 00:33:10,760 --> 00:33:13,600 Speaker 2: with me? Why didn't? Now they're friends. I was like, oh, 626 00:33:13,640 --> 00:33:15,520 Speaker 2: and so she gets to start her own little group 627 00:33:15,560 --> 00:33:18,520 Speaker 2: of girlfriends and I'm like, oh, yeah, that's what we've 628 00:33:18,520 --> 00:33:19,440 Speaker 2: been waiting for. 629 00:33:20,320 --> 00:33:22,800 Speaker 1: That was cute because they both were kind of intimidated 630 00:33:22,800 --> 00:33:23,360 Speaker 1: by each other. 631 00:33:23,640 --> 00:33:26,080 Speaker 2: They just stared at each other side eye was perfect. Honestly, 632 00:33:26,120 --> 00:33:29,760 Speaker 2: they sided each other perfectly. They're like yeah, but then 633 00:33:29,760 --> 00:33:31,560 Speaker 2: they went through this thing and then they decided they 634 00:33:31,560 --> 00:33:33,280 Speaker 2: would be friends. I thought that was very cute. But 635 00:33:33,320 --> 00:33:35,520 Speaker 2: you know, I love these little lines like they say 636 00:33:35,520 --> 00:33:38,040 Speaker 2: they talk about they can be annoying. They're like, I'm 637 00:33:38,080 --> 00:33:40,160 Speaker 2: sorry I was mean because she was michael was mean, 638 00:33:40,520 --> 00:33:45,120 Speaker 2: Like she was real mean, like unnecessarily mean to Uki 639 00:33:45,680 --> 00:33:48,920 Speaker 2: to a certain degree. But then when Micah finally comes 640 00:33:48,960 --> 00:33:52,400 Speaker 2: back and apologizes because honestly they are the opposites because 641 00:33:52,480 --> 00:33:55,040 Speaker 2: Uki has come already and settled into her who she 642 00:33:55,200 --> 00:33:56,840 Speaker 2: was and proud of who she was and loving who 643 00:33:56,840 --> 00:33:59,880 Speaker 2: she is and her culture and the place that lived, 644 00:34:00,160 --> 00:34:02,880 Speaker 2: and Michaeh was all the opposite of everything to that 645 00:34:02,960 --> 00:34:04,880 Speaker 2: and not wanting to learn about legends. It's kind of 646 00:34:04,880 --> 00:34:08,480 Speaker 2: like when people grow up, when when friendships grow up 647 00:34:08,480 --> 00:34:11,200 Speaker 2: and your maturity changes, so the things that you loved 648 00:34:11,239 --> 00:34:13,279 Speaker 2: as a kid you no longer love, and so when 649 00:34:13,280 --> 00:34:16,760 Speaker 2: that separation happens, it feels like the friendship kind of fades. 650 00:34:16,960 --> 00:34:19,480 Speaker 2: That kind of was that kind of setting, except Michael 651 00:34:19,560 --> 00:34:22,560 Speaker 2: was much meaner about it, I think, But then I 652 00:34:22,560 --> 00:34:24,560 Speaker 2: did love that they she comes back to apologize, but like, 653 00:34:24,600 --> 00:34:29,640 Speaker 2: but you know you're annoying. Yeah, both things can be true. 654 00:34:30,080 --> 00:34:34,919 Speaker 1: Both can be true. I love you, but you really get. 655 00:34:37,160 --> 00:34:39,480 Speaker 2: You also used to tell lies and big story too. 656 00:34:39,719 --> 00:34:41,680 Speaker 2: You just happened to be telling the truth this time. 657 00:34:42,160 --> 00:34:43,080 Speaker 2: You also like to. 658 00:34:43,440 --> 00:34:47,600 Speaker 4: Like embellish your story, So both of those things can 659 00:34:47,680 --> 00:34:48,680 Speaker 4: be a true. 660 00:34:48,760 --> 00:34:51,200 Speaker 1: Yes, both can't exist, but. 661 00:34:51,120 --> 00:34:53,080 Speaker 2: I love that. And then we have Jesse being the 662 00:34:53,120 --> 00:34:56,560 Speaker 2: in between for all everybody until the boy came in 663 00:34:57,520 --> 00:35:02,120 Speaker 2: The Thomas I was like, Okay, they really squashed that 664 00:35:02,160 --> 00:35:02,840 Speaker 2: pretty quickly. 665 00:35:03,600 --> 00:35:06,080 Speaker 1: They did. And again, like I said at the top, 666 00:35:07,800 --> 00:35:11,400 Speaker 1: I wasn't I thought, I don't, you don't owe me 667 00:35:11,480 --> 00:35:14,640 Speaker 1: any resolution on that. But I was surprised that because 668 00:35:14,719 --> 00:35:17,759 Speaker 1: they were like, no, we're not going to argue about 669 00:35:17,800 --> 00:35:23,160 Speaker 1: this friends first over this guy. I guess maybe it's 670 00:35:23,200 --> 00:35:26,160 Speaker 1: because I'm queer. I don't know what. I was like, 671 00:35:26,200 --> 00:35:28,960 Speaker 1: what if she's actually what if Mike is actually into 672 00:35:29,040 --> 00:35:33,600 Speaker 1: a girl? Because she's always denying, like who the perfume 673 00:35:33,719 --> 00:35:41,000 Speaker 1: is for? I was like maybe because they never confirmed anything. 674 00:35:41,640 --> 00:35:43,560 Speaker 1: Jesse definitely liked. 675 00:35:44,000 --> 00:35:47,200 Speaker 2: Yes, Jesse was all about Thomas y, but that thing 676 00:35:47,520 --> 00:35:49,920 Speaker 2: in the end, when they realized he was really useless, 677 00:35:50,840 --> 00:35:57,520 Speaker 2: they kind of let him go. My assumption is like, okay, 678 00:35:57,680 --> 00:36:02,000 Speaker 2: we don't need you. You went away. You wouldn't let 679 00:36:02,080 --> 00:36:06,399 Speaker 2: us use the Honda, right, come on, man, come on? 680 00:36:08,719 --> 00:36:11,000 Speaker 2: Which was the whole I put this as a bros 681 00:36:11,040 --> 00:36:15,280 Speaker 2: before host thing. I was like, yeah, m hmm, yeah, 682 00:36:15,480 --> 00:36:18,799 Speaker 2: we love it, we love that. And then again like 683 00:36:18,840 --> 00:36:21,200 Speaker 2: the friendship that they're very strong coming out together being 684 00:36:21,280 --> 00:36:24,880 Speaker 2: warriors no one with the girls from paying. I loved 685 00:36:25,160 --> 00:36:28,560 Speaker 2: that they kept saying that towards the end because they 686 00:36:28,560 --> 00:36:32,960 Speaker 2: are ready to defend each other as well as as 687 00:36:32,960 --> 00:36:35,600 Speaker 2: well as their home from these invaders. 688 00:36:36,600 --> 00:36:37,080 Speaker 1: Mm hmmm. 689 00:36:37,640 --> 00:36:43,359 Speaker 2: They're all very cute. Do we see Jesse at the end, 690 00:36:46,000 --> 00:36:48,040 Speaker 2: at the very end, Yeah, you know when they do. 691 00:36:48,160 --> 00:36:49,839 Speaker 2: One month later, I. 692 00:36:49,760 --> 00:36:51,359 Speaker 1: Don't think in the one month later she was the 693 00:36:51,360 --> 00:36:55,000 Speaker 1: one that was there. She went with my get to 694 00:36:55,040 --> 00:36:57,080 Speaker 1: the house when her dad is being protected and helped 695 00:36:57,840 --> 00:36:58,680 Speaker 1: the bookcase officer. 696 00:36:58,760 --> 00:37:01,640 Speaker 2: I couldn't remember, Like, we don't get an update on 697 00:37:01,719 --> 00:37:04,000 Speaker 2: where she is or Lena. 698 00:37:04,239 --> 00:37:07,560 Speaker 1: Yeah, I think it's just Uki and Mike and her dad. 699 00:37:08,360 --> 00:37:12,600 Speaker 2: Interesting, which comes to one of the other themes family 700 00:37:12,960 --> 00:37:16,719 Speaker 2: and like family and community and a whole culture her 701 00:37:17,200 --> 00:37:20,160 Speaker 2: really like trying to figure out her place with her 702 00:37:20,239 --> 00:37:25,040 Speaker 2: dad and the fact that though he's quiet now, there 703 00:37:25,120 --> 00:37:29,240 Speaker 2: was an interesting like she does kind of like briefly 704 00:37:29,320 --> 00:37:34,080 Speaker 2: mentions the kids talking about their families, like alcoholism or 705 00:37:34,440 --> 00:37:38,200 Speaker 2: not being there or hating certain points to their family 706 00:37:38,280 --> 00:37:41,439 Speaker 2: life again like when they drink too much. He's mean, 707 00:37:42,040 --> 00:37:43,799 Speaker 2: he does these things. And I thought that was an 708 00:37:43,840 --> 00:37:47,440 Speaker 2: interesting moment because I think she couldn't. She didn't want 709 00:37:47,480 --> 00:37:50,560 Speaker 2: to walk away from that reality that does happen so often, 710 00:37:52,200 --> 00:37:53,760 Speaker 2: but at the same time she didn't want to focus 711 00:37:53,800 --> 00:37:56,759 Speaker 2: on it either, and then also having her dad who 712 00:37:56,800 --> 00:37:58,680 Speaker 2: is not a part of that at all, and coming 713 00:37:58,719 --> 00:38:02,319 Speaker 2: back and not showing any of those things, which I 714 00:38:02,320 --> 00:38:06,440 Speaker 2: found interesting as well. We also love Grandma. We just 715 00:38:06,480 --> 00:38:09,920 Speaker 2: wanted to dance. She just loves to dance. 716 00:38:11,160 --> 00:38:13,360 Speaker 1: Yeah, but she doesn't have a babysitter, so. 717 00:38:13,600 --> 00:38:16,840 Speaker 2: Didn't have a bit. All she wanted to do was dance. 718 00:38:16,960 --> 00:38:20,640 Speaker 2: I wanted Grandma to go dancing. She was ready, she was, 719 00:38:21,239 --> 00:38:23,319 Speaker 2: and she might have been a little tipsy from the 720 00:38:23,320 --> 00:38:24,359 Speaker 2: way they described her. 721 00:38:25,120 --> 00:38:31,040 Speaker 1: Yes, yes, already, mm hmm, longest day of the ear. 722 00:38:31,320 --> 00:38:34,920 Speaker 2: Look, Grandma, Grandma needed a dance. But it was interesting 723 00:38:34,920 --> 00:38:37,440 Speaker 2: that she did kind of point that out in the 724 00:38:37,480 --> 00:38:39,880 Speaker 2: script and then they kind of bypassed and then just 725 00:38:39,880 --> 00:38:42,720 Speaker 2: talking about just adults, what it seems like to kids 726 00:38:42,840 --> 00:38:43,920 Speaker 2: when adults get together. 727 00:38:44,600 --> 00:38:44,960 Speaker 1: Yeah. 728 00:38:45,520 --> 00:38:46,919 Speaker 2: I did find that interesting too. 729 00:38:48,040 --> 00:38:54,480 Speaker 1: Yeah. Well, and it's always funny to me when you're 730 00:38:54,520 --> 00:38:58,920 Speaker 1: watching something that's clearly meant for kind of a younger audience, 731 00:39:00,280 --> 00:39:02,880 Speaker 1: and if the reality, if we applied reality to it, 732 00:39:02,920 --> 00:39:06,279 Speaker 1: you'd be like, what are their parents? Where are their parents? 733 00:39:06,920 --> 00:39:10,359 Speaker 1: But I love how often it's because hocus Pocus has 734 00:39:10,400 --> 00:39:13,320 Speaker 1: this too. They're out partying at our community event. 735 00:39:16,719 --> 00:39:19,759 Speaker 2: There's nowhere to be seen. I also know where all 736 00:39:19,800 --> 00:39:22,520 Speaker 2: the other kids are. But we have to remember there's 737 00:39:22,560 --> 00:39:26,800 Speaker 2: only two of these creatures. Weirdly, these are really bad aliens. 738 00:39:26,840 --> 00:39:28,520 Speaker 2: They don't know how to do this right apparently. 739 00:39:29,840 --> 00:39:34,560 Speaker 4: Yeah, two, they were not gonna two and they can 740 00:39:34,640 --> 00:39:37,759 Speaker 4: only attract their like they can only get Well, they 741 00:39:37,760 --> 00:39:39,759 Speaker 4: did kill things that didn't have blood on them, but 742 00:39:39,880 --> 00:39:42,239 Speaker 4: they only go after things after the fact with. 743 00:39:43,360 --> 00:39:45,360 Speaker 2: A confusion will be a confusion. 744 00:39:46,160 --> 00:39:50,080 Speaker 1: Well, we don't, you know, we may never know where. 745 00:39:52,239 --> 00:39:53,680 Speaker 2: They the blob win away. 746 00:39:53,680 --> 00:39:55,279 Speaker 1: Are they going to come back or we don't know. 747 00:39:55,560 --> 00:39:58,839 Speaker 2: We don't know, but it is interesting to see, like 748 00:39:59,000 --> 00:40:02,080 Speaker 2: we get to see that respect the father daughter relationship 749 00:40:02,800 --> 00:40:07,200 Speaker 2: growing and loving her, loving what to do what she 750 00:40:07,320 --> 00:40:11,000 Speaker 2: does now, or helping her dad be successful now in 751 00:40:11,040 --> 00:40:14,040 Speaker 2: a way and not feeling ashamed, and then coming together 752 00:40:14,040 --> 00:40:16,719 Speaker 2: as a community and embracing the community as well as 753 00:40:16,719 --> 00:40:20,240 Speaker 2: they thrive. So yeah, I think this is a really 754 00:40:20,280 --> 00:40:23,759 Speaker 2: cute film. I want more like it. So I hope 755 00:40:23,760 --> 00:40:28,319 Speaker 2: you know, continues with these types of films. I would 756 00:40:28,360 --> 00:40:31,160 Speaker 2: love the fact again that she centered it on a 757 00:40:31,200 --> 00:40:33,520 Speaker 2: specific village in a community, and I hope that happens 758 00:40:33,560 --> 00:40:37,680 Speaker 2: again because it's really interesting to see. I feel like 759 00:40:37,880 --> 00:40:40,279 Speaker 2: we got to see a perspective that we would never 760 00:40:41,680 --> 00:40:44,719 Speaker 2: in any other moments, Like this is not your typical TV. 761 00:40:44,800 --> 00:40:46,800 Speaker 2: This is like you know, where we are used to 762 00:40:46,840 --> 00:40:50,200 Speaker 2: seeing setups of like New York City or like maybe 763 00:40:50,239 --> 00:40:53,319 Speaker 2: you're the Appalachians, Like we've seen that, it's time. It's 764 00:40:53,360 --> 00:40:55,000 Speaker 2: time to see this different perspective. 765 00:40:56,200 --> 00:41:00,759 Speaker 1: Yes, absolutely, this was a really fun and I enjoyed it. 766 00:41:01,760 --> 00:41:04,680 Speaker 1: So listeners, please let us know if you have any 767 00:41:04,680 --> 00:41:06,480 Speaker 1: thoughts on this movie. Please go check it out if 768 00:41:06,520 --> 00:41:09,360 Speaker 1: you haven't seen it, and then let us know or 769 00:41:10,239 --> 00:41:14,120 Speaker 1: let us know if you have any suggestions, always happy 770 00:41:14,120 --> 00:41:16,560 Speaker 1: to hear those. You can email us at Hello at 771 00:41:16,600 --> 00:41:18,640 Speaker 1: stuff Whenever Told You dot com. You can find us 772 00:41:18,680 --> 00:41:20,680 Speaker 1: on blue Sky at one Stuff Podcasts, or on Instagram 773 00:41:20,680 --> 00:41:23,040 Speaker 1: and TikTok at stuff I Never Told You. We're also 774 00:41:23,120 --> 00:41:25,280 Speaker 1: on YouTube. We have some new merchandise at coom Bureau 775 00:41:25,400 --> 00:41:27,000 Speaker 1: and we have book you can get wherever you get 776 00:41:27,040 --> 00:41:30,000 Speaker 1: your bucks. Thanks as always too, our super produced Christine, 777 00:41:30,000 --> 00:41:32,680 Speaker 1: our executive dus to My and a contributor Joey THI 778 00:41:32,960 --> 00:41:35,759 Speaker 1: you and thanks to you for listening stuff never told you. 779 00:41:35,800 --> 00:41:37,400 Speaker 1: Protection of my Heart Radio form a podcast or my 780 00:41:37,400 --> 00:41:39,600 Speaker 1: heart Radio. You can check out the heart Radio appple podcast, 781 00:41:39,680 --> 00:41:41,160 Speaker 1: or wherever you listen to your favorite shows.