WEBVTT - Star Wars: Skeleton Crew Episode 7

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<v Speaker 1>Warning. Today's episode canad spoilers your Skeleton Crew episode seven,

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<v Speaker 1>the penultimate episode of season one of the Skeleton Crew,

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<v Speaker 1>so watch that before you listen to this. Hello, my

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<v Speaker 1>name is Jasoncepcion and I'm Merdy Night, and welcome back

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<v Speaker 1>to Extavision, the podcast where we dive deep is your

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<v Speaker 1>favorite shows, movies, comics and pop culture coming from my

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<v Speaker 1>art podcast where we're bringing you three episodes a week,

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<v Speaker 1>every Tuesday, every Thursday, with a third episode one of

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<v Speaker 1>the other days.

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<v Speaker 2>Yes, usually we have episodes every Tuesday, Wednesday, and Thursday,

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<v Speaker 2>but we're coming to you on a Friday today and

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<v Speaker 2>next Friday to cover Skeleton Crew. In fact, next week

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<v Speaker 2>we'll have something new for you on the feed every

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<v Speaker 2>single day. We'll have on normal episodes Tuesday and Thursday,

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<v Speaker 2>news drop on Wednesday, our reactions to Skeleton Crew finale

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<v Speaker 2>on Friday, but first a very special secret announcement on Monday.

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<v Speaker 2>And in today's episode, we're all about the airlock, stepping

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<v Speaker 2>out of it into a very scary ship filled with

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<v Speaker 2>pirates to talk about Skeleton Crew episode one oh seven.

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<v Speaker 3>We're going to be in so much trouble.

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<v Speaker 1>Up next airlock. First, before we get to episode seven,

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<v Speaker 1>the fires in Los Angeles are ongoing. I am Rosie,

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<v Speaker 1>you are still there. I have left because we were

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<v Speaker 1>kind of in between several fires in the East Side

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<v Speaker 1>and in Eco Park where we are, and the air

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<v Speaker 1>was just absolutely horrendous. Yeah, it is truly, like terrible.

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<v Speaker 1>What is happening. The amount of like just creative community

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<v Speaker 1>people who have like lost our homes, it's truly it's

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<v Speaker 1>just insane. So we're thinking about everybody there right now

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<v Speaker 1>and hope everybody's being safe. And then Magas started the fires. Okay,

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<v Speaker 1>episodes cut that out of.

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<v Speaker 2>It was.

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<v Speaker 1>From I've been hearing still hear it? Okay, Episode seven,

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<v Speaker 1>Skelet and crew were going to be in so much trouble.

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<v Speaker 1>We open in the woods on at Atten. It's nighttime,

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<v Speaker 1>very dark. The parents are setting up the device that

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<v Speaker 1>they had been kind of like scheming to make in

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<v Speaker 1>the previous episode that will allow them to communicate beyond

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<v Speaker 1>the barrier, which is a thing that is strictly forbidden.

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<v Speaker 1>You cannot do this, but they're doing it. So they're

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<v Speaker 1>trying to set it up, but then the security droid

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<v Speaker 1>show up and they're like, stop or you will be

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<v Speaker 1>stunned the parents. It's just a mad scramble. Now they're

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<v Speaker 1>running with the device to try and set it up

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<v Speaker 1>somewhere away from the droids, but they're getting dropped one

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<v Speaker 1>after another. Whim's dad gets a hold of it. After

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<v Speaker 1>Neil's mom gets dropped by a stun he makes a

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<v Speaker 1>break for it. He gets stunned. Now Farah under Secretary

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<v Speaker 1>Farah Fern's mom has it. She manages to evade the droids,

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<v Speaker 1>turn on the device, and it floats up into the atmosphere.

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<v Speaker 2>I just want to say, yeah, I just want to

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<v Speaker 2>say quickly, I'm very happy for these children, but also

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<v Speaker 2>like I'm gonna be working on it in therapy. Like

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<v Speaker 2>my parents would never get stunned for me. I just

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<v Speaker 2>feel like they got really good parents. I'm like, every

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<v Speaker 2>single parent got stunned, and I was like, Wow, you

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<v Speaker 2>guys would just take that for your kids.

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<v Speaker 3>I love that.

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<v Speaker 1>I think my mom would get stunned for me, But

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<v Speaker 1>I'm also pretty sure that she'd be more mad at

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<v Speaker 1>me than anything. Like I think she'd be like, fucking

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<v Speaker 1>stay there, stay in space, don't come back. Yeah you

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<v Speaker 1>did it. Meanwhile, the kids are traveling through hyperspace, discussing,

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<v Speaker 1>you know, just like how mad or not mad their

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<v Speaker 1>parents are going to be, what it's going to be

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<v Speaker 1>like when they go back, how boring it's going to be.

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<v Speaker 1>But also Wim is like, I should never have done this.

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<v Speaker 1>I should never have boarded this ship. I should never

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<v Speaker 1>have pressed the button that launched the ship. Neil and

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<v Speaker 1>Fern come up and they're like, no, it's come on,

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<v Speaker 1>it was fun. We had a great time. This was fun.

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<v Speaker 1>Come on, don't say that this was great. People did die.

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<v Speaker 3>They don't mention die, which I feel like Wim is

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<v Speaker 3>more aware of.

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<v Speaker 2>I feel like Wim used to be the whimsical, like.

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<v Speaker 3>Oh, let's go on an adventure, what's the worst that

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<v Speaker 3>could happen?

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<v Speaker 2>But now he has seen the worst and he's like,

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<v Speaker 2>people die, that's the worst people do.

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<v Speaker 1>People get blown up, they get killed by like ship

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<v Speaker 1>cables as they snap. There's an ongoing war on one

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<v Speaker 1>of the other secret planets where we walk still on

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<v Speaker 1>a fucking raid. Yeah, it was crazy. Meanwhile on British

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<v Speaker 1>as Ship Brutus is like they the ship Brutus's pirate

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<v Speaker 1>ship arrives in orbit around a planet that looks like

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<v Speaker 1>a toxic soup. It looks very looks very dangerous to

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<v Speaker 1>enter the atmosphere. Definitely die, absolutely, And he's like. Brutus

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<v Speaker 1>is like, hey, John, what the fuck is this? Like

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<v Speaker 1>here's your coordinates and this does not look like any

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<v Speaker 1>kind of like yeah, treasure planet or anything. John is like, well,

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<v Speaker 1>come on, guys, like think about it. Of course the

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<v Speaker 1>planet is going to be disguised. Why would it not

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<v Speaker 1>be found by now unless it was disguised. And I'll

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<v Speaker 1>tell you what, I'll go down there. Sm thirty three

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<v Speaker 1>This is what the what are the captains? What attack

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<v Speaker 1>Renod's captain's logs say, and then SM thirty three like

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<v Speaker 1>does some limerick that's like yeah, that basically says at

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<v Speaker 1>ad In is disguised. So John's like, well, you know,

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<v Speaker 1>I'll go down there. Give me a ship. I'll go

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<v Speaker 1>down now. Brutus is like, well, hold on, you're not.

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<v Speaker 1>We'll send somebody in, but you're not going in and

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<v Speaker 1>then potentially absconding with like the treasure will send a guy. Uh,

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<v Speaker 1>they send a guy in and he immediately immediately, so

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<v Speaker 1>Jod is about to get thrown into the airlock like

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<v Speaker 1>he's Brutus has him by like the.

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<v Speaker 3>Super horizon like he's gonna die and.

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<v Speaker 1>He's they're gonna hit the button and send them out.

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<v Speaker 1>But then the kids come out of hyperspace right near

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<v Speaker 1>the pirate ship, and Jod, either thinking on his feet

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<v Speaker 1>or making you know, bullshitting by this by the skin

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<v Speaker 1>of his teeth, says, oh, yeah, here's you know what

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<v Speaker 1>it is. We need to get the kids ship because

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<v Speaker 1>the kid ship is somehow the key to getting into

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<v Speaker 1>at AT. More on that. After a word from our sponsors, yeah,

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<v Speaker 1>and we're back, the pirates are like, okay, this, we'll

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<v Speaker 1>go with this. They tractor beam the ship, the kids

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<v Speaker 1>hidden inside the ship make a stand. They grab Brutus

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<v Speaker 1>with like one of the big like cargo loading crane

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<v Speaker 1>arms from their You're.

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<v Speaker 3>In like a claw machine. Yeah, but when.

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<v Speaker 2>You pick someone up there obviously going to be like

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<v Speaker 2>brutalized and probably paralyzed by this klaw.

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<v Speaker 1>Also, this claw arm is like I wish the claw

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<v Speaker 1>machine at like Chuck E Cheese and various other establishments,

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<v Speaker 1>was as manipulatable as I was.

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<v Speaker 3>Going to dexterity.

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<v Speaker 1>It's incredible, Like they just snatch up Brutus, who immediately

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<v Speaker 1>goes very quiet. I think he's very quiet. Yeah, and

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<v Speaker 1>and the kids are like, hey, you know, let us

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<v Speaker 1>go release the tractor beam or else we will like

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<v Speaker 1>snap Brutus's spine. And again, Brutus has not spoken or

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<v Speaker 1>moved since, so I think it's he might be done.

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<v Speaker 1>But John is like, Okay, I know what to do.

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<v Speaker 1>He walks up to the crane and then just shoots Brutus,

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<v Speaker 1>which is incredibly shocking.

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<v Speaker 2>Incredibly shocking, incredibly brutal rip to the beautiful wolf captain. Yeah, Brutus,

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<v Speaker 2>I know that the monster fucker's out there. They were

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<v Speaker 2>loving him. I also just want to say fuck. They

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<v Speaker 2>somehow managed to still make this feel like a heel

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<v Speaker 2>time for John, even though we know that he has

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<v Speaker 2>been morally complex throughout We've seen him do lots of

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<v Speaker 2>terrible stuff. But this is the moment when he shoots

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<v Speaker 2>a guy in the head so that the kids lose leverage,

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<v Speaker 2>where you're like, oh, oh, this guy is like he

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<v Speaker 2>would kill these kids, absolutely, not accidentally, like he would

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<v Speaker 2>just kill them on purpose.

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<v Speaker 1>I mean, he's certainly threatened to do it, and I

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<v Speaker 1>think that at this point you kind of gotta take

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<v Speaker 1>him at his word. But John is in charge now,

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<v Speaker 1>John is in charge of the pirates and he orders

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<v Speaker 1>the pirate you know, like I guess by law of

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<v Speaker 1>by pirate law, he is now the pirate castic and

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<v Speaker 1>he orders the pirates on board to find the kids. Meanwhile,

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<v Speaker 1>the communicator device is finally like ascended through the toxic

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<v Speaker 1>soup into orbit and it begins its broadcast and it's

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<v Speaker 1>a beautiful, touching, heartfelt plea from the parents telling them

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<v Speaker 1>that like they're not in their children are not in trouble.

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<v Speaker 1>They love them very much and they just want them

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<v Speaker 1>to come home. And also here's the instructions on how

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<v Speaker 1>exactly to come home. And that's very faithful because like

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<v Speaker 1>the pirates are watching this as well.

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<v Speaker 2>I do feel like that they didn't think that because

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<v Speaker 2>like anyone could find this.

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<v Speaker 1>That was a little bit like how are they is

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<v Speaker 1>it just like a broadband, like everybody in the area

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<v Speaker 1>is getting them?

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<v Speaker 3>We see it.

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<v Speaker 2>Also like it's this I want to know. I wanted

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<v Speaker 2>like a really intricate, like weird nonfiction style book about

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<v Speaker 2>Star Wars hologram technology.

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<v Speaker 3>Because it's just everywhere.

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<v Speaker 2>It's everywhere they're using it, whether it's secret they're using it,

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<v Speaker 2>whether they're you know, having a conversation between two very

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<v Speaker 2>famous politicians. They're using it on a USB drive to

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<v Speaker 2>get Obi Wan Kenobi to come and help you. Like

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<v Speaker 2>it's just everywhere, and I was, you know, a great

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<v Speaker 2>use of it here, But I want to know, like

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<v Speaker 2>how does it work and what was the exact plan here?

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<v Speaker 2>Like how did they know the kids were gonna be

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<v Speaker 2>able to see it? And did it just broadcast to

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<v Speaker 2>every ship because in that case, I guess they could

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<v Speaker 2>have said it to maybe just broadcast if it found

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<v Speaker 2>the Onyx cinder.

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<v Speaker 1>We could also go we could be yeah, but they

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<v Speaker 1>don't know about the Onyx cinder right now.

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<v Speaker 3>That's true.

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<v Speaker 1>I guess we could well. But then again, as is

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<v Speaker 1>explained later by s F thirty three, tax stole a

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<v Speaker 1>ship from at Atton, So somehow, I guess they could

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<v Speaker 1>know that that was an at Aton ship that was

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<v Speaker 1>hidden and broadcast on Here's you want to get Here's

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<v Speaker 1>my super Like there's no basis for this, but I'm

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<v Speaker 1>going to get extremely nerdy because they've been cut off

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<v Speaker 1>from galactic society for like a couple of centuries maybe

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<v Speaker 1>or for a long time, one hundred years or more.

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<v Speaker 1>They're using like an old technology that most ships wouldn't

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<v Speaker 1>read anymore because it's like a two hundred year old

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<v Speaker 1>signal or something like. That's my completely bullshit Reason's a

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<v Speaker 1>good idea to do this, Okay, So whim now attempts

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<v Speaker 1>to retake the ship that the attempt lasts about five seconds.

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<v Speaker 3>My poor beautiful women.

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<v Speaker 1>What a courageous young man he is. But he is

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<v Speaker 1>like nine, so that's not going to go well against

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<v Speaker 1>like a crew of hardened adult pirates. But here's the issue.

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<v Speaker 1>Because Jod has laid to Brutus's ship, the captain c

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<v Speaker 1>of the Mintship, the kid Ship is currently up for grabs,

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<v Speaker 1>meaning SM thirty three's loyalty is currently up for grabs.

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<v Speaker 1>So there follows a quick like merry go round of claims.

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<v Speaker 1>Jod claims the ship, but then Fern is like, I

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<v Speaker 1>unclaim Jod's claim and I reclaim the ship for kids only.

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<v Speaker 1>I love that, like, And then Sir three is like,

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<v Speaker 1>you know what, that sounds pretty? That's close.

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<v Speaker 2>He says, close enough, baby, and then just punches John

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<v Speaker 2>in the face, which I adored.

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<v Speaker 3>I love that.

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<v Speaker 1>Jod goes out cold. The rest of the pirates get

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<v Speaker 1>laid the fuck out, and the kids go to fly home,

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<v Speaker 1>so they take off from the landing bay of the

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<v Speaker 1>pirate ship under a hail of blaster fire Jod. I

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<v Speaker 1>will say, It's unclear where Jod is at this moment,

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<v Speaker 1>but you feel like.

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<v Speaker 3>YO might think he's not on the ship, right he

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<v Speaker 3>that he.

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<v Speaker 1>Got thrown off with the other pirates, and that like

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<v Speaker 1>somehow he's there, and maybe he's in one of the

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<v Speaker 1>craft that went in pursuit of the kids. Anyway, they

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<v Speaker 1>go flying down through the toxic soup, past all like

0:13:13.760 --> 0:13:16.600
<v Speaker 1>the planetary defenses that don't attack them but look really

0:13:16.679 --> 0:13:19.080
<v Speaker 1>really scary and are certainly blowing up all the other

0:13:19.160 --> 0:13:23.160
<v Speaker 1>little pirate attack craft around them. Kids watching more people

0:13:23.240 --> 0:13:24.679
<v Speaker 1>die as this happens.

0:13:24.400 --> 0:13:26.640
<v Speaker 2>And the US this is like they are really getting

0:13:26.679 --> 0:13:31.800
<v Speaker 2>the true Star Wars galaxy experience up close.

0:13:32.000 --> 0:13:35.199
<v Speaker 1>Baby. Finally they get through the toxic soup and there

0:13:35.200 --> 0:13:40.080
<v Speaker 1>it is at Aton, looking great and beautiful. The at

0:13:40.240 --> 0:13:42.920
<v Speaker 1>navigation grid takes over, so SM thirty three is like

0:13:42.960 --> 0:13:46.839
<v Speaker 1>no longer piling the ship. It's being landed by the

0:13:47.320 --> 0:13:52.120
<v Speaker 1>planet's own defense grid, at which point we realize Jod

0:13:52.320 --> 0:13:55.920
<v Speaker 1>somehow is still on board. I don't did they leave

0:13:56.000 --> 0:13:58.000
<v Speaker 1>him on board did he sneak back on board after

0:13:58.520 --> 0:13:59.920
<v Speaker 1>but I think he's snuck.

0:14:00.280 --> 0:14:03.040
<v Speaker 2>So we saw them flying away and he kind of

0:14:03.160 --> 0:14:05.199
<v Speaker 2>ran afterwards after them.

0:14:05.200 --> 0:14:07.560
<v Speaker 3>But I'm guessing, yeah, somehow you know this man.

0:14:07.440 --> 0:14:11.160
<v Speaker 1>He like Jedi jumped, Jedi jumped.

0:14:11.200 --> 0:14:13.640
<v Speaker 3>He had a secret hat he went through.

0:14:13.679 --> 0:14:15.560
<v Speaker 2>We don't know, but it will be interesting to see

0:14:15.600 --> 0:14:18.440
<v Speaker 2>if they touch on that or if this will become

0:14:18.960 --> 0:14:24.440
<v Speaker 2>like the famous Tyler Perry movie starring none other than

0:14:24.560 --> 0:14:28.240
<v Speaker 2>Cookie from Empire, where everyone wants to know how did she.

0:14:28.200 --> 0:14:30.440
<v Speaker 3>Get back on the boat again? Is this gonna be

0:14:30.480 --> 0:14:32.320
<v Speaker 3>our version of that? Is this gonna be how did he.

0:14:32.280 --> 0:14:34.080
<v Speaker 2>Get back on the ship? I don't know what we'll

0:14:34.080 --> 0:14:37.320
<v Speaker 2>have to see, so yeah, I'm interested. But he did

0:14:37.320 --> 0:14:39.760
<v Speaker 2>get back. That's not looking good for the kids.

0:14:40.120 --> 0:14:45.280
<v Speaker 1>So he immediately decapitates SM thirty three with his lightsaber,

0:14:45.760 --> 0:14:49.120
<v Speaker 1>rip to that droid. The rats inside his head are fine,

0:14:49.240 --> 0:14:54.800
<v Speaker 1>but still, and then he takes he would be absolutely

0:14:55.000 --> 0:15:00.440
<v Speaker 1>terrifyingly takes the kid's prisoner, and.

0:15:01.880 --> 0:15:04.360
<v Speaker 2>Oh yeah, because he chomps him, chomps off SM's head

0:15:04.360 --> 0:15:06.400
<v Speaker 2>with a lightsaber and he's like, guys.

0:15:06.360 --> 0:15:09.920
<v Speaker 1>Yes, and he's like you you're gonna follow my lead?

0:15:10.280 --> 0:15:14.520
<v Speaker 1>You're gonna do what I say or I am gonna

0:15:14.600 --> 0:15:16.120
<v Speaker 1>kill your parents when I get to.

0:15:16.080 --> 0:15:20.000
<v Speaker 3>That into tiny pieces about.

0:15:19.760 --> 0:15:23.320
<v Speaker 1>The most awful thing that I think you could hear,

0:15:23.600 --> 0:15:27.720
<v Speaker 1>so Jod truly an unbelievable heel turn. We're gonna do

0:15:27.760 --> 0:15:30.000
<v Speaker 1>a heel turn and get more money for the show

0:15:30.160 --> 0:15:49.920
<v Speaker 1>back after this word from our sponsors, and we're back. Okay,

0:15:49.960 --> 0:15:52.840
<v Speaker 1>the ship lands and there's this really cool system I

0:15:52.840 --> 0:15:58.200
<v Speaker 1>guess by which ship's arriving to like load up on coins,

0:15:59.160 --> 0:16:04.440
<v Speaker 1>go get taken directly down to like the mint itself. Yeah,

0:16:04.440 --> 0:16:08.120
<v Speaker 1>through like this elevator that takes you from the planet service.

0:16:08.120 --> 0:16:10.720
<v Speaker 1>So they land and then the ship gets taken out

0:16:11.360 --> 0:16:15.840
<v Speaker 1>to the mint. Jod makes up the story about being

0:16:15.840 --> 0:16:18.560
<v Speaker 1>a representative from the Republic that who I guess is

0:16:18.640 --> 0:16:21.280
<v Speaker 1>scheduled to arrive at someone, which is hilarious.

0:16:20.800 --> 0:16:24.640
<v Speaker 2>Because it's like droids don't give him like improv propt

0:16:25.080 --> 0:16:27.240
<v Speaker 2>like this man does not need them, like ask can

0:16:27.280 --> 0:16:29.760
<v Speaker 2>you get an idea or something like.

0:16:31.400 --> 0:16:36.080
<v Speaker 4>Yeah, I actually think world building wise, I think this

0:16:36.240 --> 0:16:38.680
<v Speaker 4>is the most interesting part is that there is a

0:16:39.280 --> 0:16:42.200
<v Speaker 4>representative from the Republic.

0:16:42.440 --> 0:16:45.120
<v Speaker 3>Who knows that and still like this who knows they're

0:16:45.200 --> 0:16:47.880
<v Speaker 3>making these old galactic credits.

0:16:48.280 --> 0:16:52.040
<v Speaker 2>I think that is very interesting because what is this

0:16:52.200 --> 0:16:55.320
<v Speaker 2>feeding into the economy of the rest of the galaxy.

0:16:55.560 --> 0:16:59.080
<v Speaker 3>But yeah, droids, don't don't do it. Don't just be

0:16:59.160 --> 0:17:00.520
<v Speaker 3>tell asking this question.

0:17:01.440 --> 0:17:03.560
<v Speaker 1>Let's do our fucking jobs like drawids.

0:17:04.240 --> 0:17:04.680
<v Speaker 3>Okay.

0:17:04.880 --> 0:17:07.960
<v Speaker 2>Also, with the droids being such a big part, and

0:17:08.000 --> 0:17:10.240
<v Speaker 2>we've seen them, you know, stunning the parents doing everything else,

0:17:10.680 --> 0:17:14.000
<v Speaker 2>what is the likelihood of a kind of you know,

0:17:14.160 --> 0:17:20.520
<v Speaker 2>time variance authority reveal that actually there's no one in

0:17:20.600 --> 0:17:22.520
<v Speaker 2>charge about and it's all droids.

0:17:22.720 --> 0:17:27.840
<v Speaker 1>I think that that might be. I like that read it's.

0:17:27.119 --> 0:17:28.399
<v Speaker 3>Pretty high likelihood.

0:17:28.640 --> 0:17:31.439
<v Speaker 1>It certainly seems like nobody is able to tell the

0:17:31.480 --> 0:17:34.399
<v Speaker 1>droids what to do, while the droids meanwhile in this

0:17:34.640 --> 0:17:37.960
<v Speaker 1>very automated way or telling everybody what to do, don't

0:17:38.520 --> 0:17:41.199
<v Speaker 1>broadcast any signals, don't do this, don't do that, and

0:17:41.280 --> 0:17:43.920
<v Speaker 1>even under Secretary of Pharaoh doesn't seem to have any

0:17:44.000 --> 0:17:48.600
<v Speaker 1>juice over there. It's very interesting. So Jod and the

0:17:48.680 --> 0:17:52.520
<v Speaker 1>kids go down to the mint. Jod is like, hey,

0:17:52.560 --> 0:17:55.719
<v Speaker 1>I got to make a phone call to my uh

0:17:55.880 --> 0:18:00.960
<v Speaker 1>you know, just like my other ship. Just let that thrived,

0:18:01.080 --> 0:18:03.480
<v Speaker 1>And the droids are like, well, you can't make calls.

0:18:04.480 --> 0:18:07.280
<v Speaker 1>That's not allowed. You can speak to a supervisor. So

0:18:07.400 --> 0:18:09.960
<v Speaker 1>here maybe they're you know, I wonder they.

0:18:09.960 --> 0:18:15.160
<v Speaker 2>Mean the supervisor like manager, the kind of like we

0:18:15.200 --> 0:18:20.600
<v Speaker 2>hear allegedly the supervisor's voice here, voice by Stephen fry Right.

0:18:21.119 --> 0:18:23.320
<v Speaker 2>I don't know if that means he's gonna be the supervisor.

0:18:23.440 --> 0:18:25.160
<v Speaker 2>I feel like that was more of like a kind

0:18:25.160 --> 0:18:28.440
<v Speaker 2>of when you're in a supermarket and they're like, hello,

0:18:28.920 --> 0:18:32.960
<v Speaker 2>lost child, alert, could you please come to Aisle nine?

0:18:33.320 --> 0:18:36.400
<v Speaker 2>Like didn't feel like I was hearing the real guy. Yeah,

0:18:36.680 --> 0:18:38.760
<v Speaker 2>but I don't think John wants to see that man.

0:18:38.840 --> 0:18:41.320
<v Speaker 2>That's my biggest feeling. I don't think he should be.

0:18:41.400 --> 0:18:43.800
<v Speaker 1>But he pretends like, yeah, I'm gonna speak to the

0:18:43.800 --> 0:18:46.840
<v Speaker 1>supervisor while let me see the calls. So they go

0:18:46.880 --> 0:18:50.560
<v Speaker 1>to the vault and it is like full to the

0:18:50.600 --> 0:18:56.840
<v Speaker 1>fucking top with stacks and stacks and stacks, huge stacks

0:18:56.880 --> 0:19:02.320
<v Speaker 1>of golden credit coins and they apparently is only one

0:19:02.480 --> 0:19:07.639
<v Speaker 1>of over a thousand other vaults. Jod legitimately falls to

0:19:07.720 --> 0:19:09.880
<v Speaker 1>his knees and weeps at the same.

0:19:09.920 --> 0:19:13.080
<v Speaker 2>And lets himself get as Joe as super producer Joelle said,

0:19:13.440 --> 0:19:17.000
<v Speaker 2>like baptized by the credits that he's falling over his head.

0:19:17.320 --> 0:19:20.000
<v Speaker 3>I'm like, again, this is an issue with the droids. Guys,

0:19:20.000 --> 0:19:20.480
<v Speaker 3>this is not.

0:19:20.520 --> 0:19:25.080
<v Speaker 1>Normal behavior, don't you do we have to suspect this.

0:19:26.520 --> 0:19:27.920
<v Speaker 3>A serious situation.

0:19:28.200 --> 0:19:31.120
<v Speaker 2>Yeah, you should be able to do like a read

0:19:31.200 --> 0:19:33.240
<v Speaker 2>of his body with like a predator style thing and

0:19:33.280 --> 0:19:36.679
<v Speaker 2>be like, this guy's too excitience, Like this seems seems

0:19:36.720 --> 0:19:37.800
<v Speaker 2>like pirate behaviors.

0:19:37.880 --> 0:19:43.200
<v Speaker 1>Yeah, like why is the Galactic rep doing like microderm

0:19:43.240 --> 0:19:49.560
<v Speaker 1>abrasion with credits? Like what is crazing crying on his

0:19:49.720 --> 0:19:56.159
<v Speaker 1>knees like looking the coins like this seems suspicious. Meanwhile,

0:19:56.400 --> 0:19:59.280
<v Speaker 1>the parents come down, they reunite with their children. It's

0:19:59.359 --> 0:20:06.240
<v Speaker 1>this oneonderful, great moment that is ended when Jod ignites

0:20:06.280 --> 0:20:11.840
<v Speaker 1>his lightsaber in what can only feel like an incredibly

0:20:11.960 --> 0:20:14.520
<v Speaker 1>ominous yeah, ominous threat.

0:20:14.680 --> 0:20:17.160
<v Speaker 2>I also thought this was really cool because obviously John's

0:20:17.200 --> 0:20:20.720
<v Speaker 2>lightsaber is blue, but we get the scary lighting of

0:20:20.760 --> 0:20:23.680
<v Speaker 2>it that's more in line of what we usually see

0:20:23.680 --> 0:20:26.639
<v Speaker 2>with sits. So I kind of like this space that

0:20:26.680 --> 0:20:30.080
<v Speaker 2>we're in where it's like, honestly, if you're facing down

0:20:30.119 --> 0:20:32.720
<v Speaker 2>somebody with a lightsaber, it doesn't matter what color it is,

0:20:33.080 --> 0:20:35.320
<v Speaker 2>because they could take you out, whereas usually, you know,

0:20:35.400 --> 0:20:38.720
<v Speaker 2>someone like Whim would believe that this is like a

0:20:38.840 --> 0:20:40.359
<v Speaker 2>proof of somebody's goodness.

0:20:41.080 --> 0:20:42.680
<v Speaker 3>So yeah, very interesting.

0:20:43.240 --> 0:20:47.040
<v Speaker 1>The show continues to be wonderful. Any thoughts on where

0:20:47.080 --> 0:20:48.119
<v Speaker 1>we end up?

0:20:48.480 --> 0:20:50.879
<v Speaker 3>Okay, So I do want to talk about.

0:20:51.280 --> 0:20:58.040
<v Speaker 2>One of our most prolific comic Discord users is Alex,

0:20:58.080 --> 0:21:01.159
<v Speaker 2>who goes by Giant Asian Man and the Discord and

0:21:02.400 --> 0:21:05.800
<v Speaker 2>his brother had a theory about the finale which I love,

0:21:06.320 --> 0:21:09.199
<v Speaker 2>which is that Jod ends up sealed in one of

0:21:09.240 --> 0:21:12.480
<v Speaker 2>the vaults. I love, meaning that he gets the treasure,

0:21:12.600 --> 0:21:17.080
<v Speaker 2>but obviously very Greek myth very Greek myth thrones too,

0:21:18.160 --> 0:21:21.440
<v Speaker 2>and also I like this. In the episode, they say

0:21:21.480 --> 0:21:24.920
<v Speaker 2>that there is one one hundred and thirty nine remaining

0:21:25.040 --> 0:21:28.880
<v Speaker 2>vaults and if they lock Jord in one of them,

0:21:29.400 --> 0:21:32.679
<v Speaker 2>Alex's brother pointed out that there will be one thousand,

0:21:32.760 --> 0:21:37.080
<v Speaker 2>one hundred and thirty eight remaining vaults like t x thhs,

0:21:39.040 --> 0:21:41.960
<v Speaker 2>which is like a nice George George Lucas reference. I

0:21:42.000 --> 0:21:45.760
<v Speaker 2>thought that was an interesting one. Heidi, who runs our Discord,

0:21:45.800 --> 0:21:48.600
<v Speaker 2>who's amazing. She is still very much on the Jod

0:21:48.720 --> 0:21:52.240
<v Speaker 2>is not a Jedi thing. She thinks that's going to

0:21:52.280 --> 0:21:54.600
<v Speaker 2>be a big reveal because she again said the shackles

0:21:54.600 --> 0:21:57.119
<v Speaker 2>he got out of were metal, some kind of like

0:21:57.280 --> 0:22:02.600
<v Speaker 2>magneto esque powers or at least three strong magnets and

0:22:02.640 --> 0:22:04.439
<v Speaker 2>there is Again Heidi also brought this up.

0:22:04.480 --> 0:22:06.040
<v Speaker 3>This is a popular theory.

0:22:06.080 --> 0:22:09.200
<v Speaker 2>Is that the supervisor is tac rennot and I think

0:22:09.200 --> 0:22:12.840
<v Speaker 2>if they wanted to have Stephen Frye as an actual character.

0:22:12.880 --> 0:22:16.080
<v Speaker 3>They could definitely lean into that.

0:22:16.200 --> 0:22:19.400
<v Speaker 2>I still want it to be Nil's like, not Nil's mom,

0:22:19.400 --> 0:22:21.639
<v Speaker 2>Whim's mom, though I love Nil's mom, so if she

0:22:21.760 --> 0:22:24.240
<v Speaker 2>was secretly a supervisor, I'd be happy to What about you,

0:22:24.280 --> 0:22:26.560
<v Speaker 2>what are your like top three things you want to

0:22:26.600 --> 0:22:28.000
<v Speaker 2>see or think are going to happen.

0:22:28.240 --> 0:22:33.360
<v Speaker 1>I do like the idea that Atten is populated by

0:22:33.400 --> 0:22:38.080
<v Speaker 1>the offspring of pirates who don't know where they came from,

0:22:38.359 --> 0:22:41.520
<v Speaker 1>who don't know that that's what they are, they're a former,

0:22:42.280 --> 0:22:50.080
<v Speaker 1>because I we don't usually see integrated like human and

0:22:50.359 --> 0:22:57.760
<v Speaker 1>alien species in this kind of grouping that are just

0:22:57.840 --> 0:23:00.199
<v Speaker 1>kind of like working and living together in a just

0:23:00.200 --> 0:23:01.120
<v Speaker 1>find chill way.

0:23:01.119 --> 0:23:03.639
<v Speaker 2>You see like a suburb and way, yeah, yeah, you

0:23:03.720 --> 0:23:05.400
<v Speaker 2>see it like military.

0:23:05.280 --> 0:23:09.080
<v Speaker 1>Market or military structures or you see it in Cantinas.

0:23:09.560 --> 0:23:12.679
<v Speaker 1>But it I think there's a world in which I

0:23:12.760 --> 0:23:15.560
<v Speaker 1>love the idea that Tak is the Supervisor and that

0:23:15.640 --> 0:23:19.720
<v Speaker 1>he landed here with his crew, and that they this

0:23:19.960 --> 0:23:25.000
<v Speaker 1>is their horde, and they created this story so that

0:23:25.119 --> 0:23:28.760
<v Speaker 1>the horde would remain safe, that oh, we're actually we're legit.

0:23:28.880 --> 0:23:32.400
<v Speaker 1>We're working for the we're working for the Republic. And

0:23:33.240 --> 0:23:37.199
<v Speaker 1>they had some kind of secret code where other pirates

0:23:38.200 --> 0:23:42.359
<v Speaker 1>uh that were aligned with Tac or that were part

0:23:42.400 --> 0:23:44.240
<v Speaker 1>of his crew, when they would go out and find

0:23:44.280 --> 0:23:47.760
<v Speaker 1>more loot in order to land, they'd be like, oh,

0:23:47.760 --> 0:23:50.240
<v Speaker 1>we're We're from the Republic.

0:23:50.600 --> 0:23:51.280
<v Speaker 3>That makes sense.

0:23:51.800 --> 0:23:53.399
<v Speaker 2>I do want to shout out one other theory that

0:23:53.440 --> 0:23:58.120
<v Speaker 2>I really like from the discord, which is Whack Whack said, yeah,

0:23:58.160 --> 0:24:00.240
<v Speaker 2>a lot of these people are probably pirates or the

0:24:00.280 --> 0:24:03.520
<v Speaker 2>sentence of pirates. But also they mentioned a really cool

0:24:03.560 --> 0:24:06.480
<v Speaker 2>theory where the supervisor is Tac as a droid with

0:24:06.520 --> 0:24:10.119
<v Speaker 2>an uploaded consciousness. Oh yeah, I like that sm three

0:24:10.160 --> 0:24:12.960
<v Speaker 2>to three was actually Tack all along because he knows

0:24:13.000 --> 0:24:15.720
<v Speaker 2>all the rules. He is the one who can get

0:24:15.720 --> 0:24:17.840
<v Speaker 2>people on and off at at and so I think

0:24:17.840 --> 0:24:20.240
<v Speaker 2>those are some cool things. I think what's really wild

0:24:20.960 --> 0:24:24.680
<v Speaker 2>is that they could do a million things with this show.

0:24:24.760 --> 0:24:28.440
<v Speaker 2>I'm just really interested because if they land the finale,

0:24:29.000 --> 0:24:30.760
<v Speaker 2>this could be up there with like one of the

0:24:30.760 --> 0:24:32.720
<v Speaker 2>best seasons of Star Wars TV. Oh.

0:24:32.760 --> 0:24:36.760
<v Speaker 1>I completely I completely agree. It's it's been tremendously fun.

0:24:36.840 --> 0:24:40.359
<v Speaker 1>And I think it's also a genre, this kind of

0:24:40.400 --> 0:24:45.560
<v Speaker 1>like younger fan genre that is right for approaches like this.

0:24:45.760 --> 0:24:49.679
<v Speaker 1>It's been it's been tremendously fun. I do like the

0:24:49.760 --> 0:24:54.280
<v Speaker 1>idea that TAC is like an uploaded like an Arnim

0:24:54.400 --> 0:25:03.879
<v Speaker 1>Zola style, Like, yeah, Rosie, do you think you know? Obviously,

0:25:03.960 --> 0:25:06.240
<v Speaker 1>if we get a second season of Skeleton Crew, which

0:25:06.240 --> 0:25:09.120
<v Speaker 1>feels like it could happen, we'll see these characters again.

0:25:09.359 --> 0:25:11.800
<v Speaker 1>But do you think there's what are the chances we

0:25:11.840 --> 0:25:16.920
<v Speaker 1>ever see these characters matriculate into like the broader ip

0:25:17.160 --> 0:25:18.720
<v Speaker 1>proper Ahsoka style.

0:25:19.240 --> 0:25:22.240
<v Speaker 2>So I will say I do think they did enough

0:25:22.880 --> 0:25:27.560
<v Speaker 2>good character act a casting. For example, I don't know

0:25:27.600 --> 0:25:30.119
<v Speaker 2>what's gonna happen in the finale, but Jod feels like

0:25:30.200 --> 0:25:33.080
<v Speaker 2>it would be very easy to see him in any

0:25:33.119 --> 0:25:34.280
<v Speaker 2>other project.

0:25:34.520 --> 0:25:35.720
<v Speaker 3>He's a pirate.

0:25:35.840 --> 0:25:39.000
<v Speaker 2>Characters are very easy to have around in the Galactic Empire.

0:25:39.000 --> 0:25:40.920
<v Speaker 2>I'm sure people would love to see jud Law bring

0:25:40.960 --> 0:25:44.560
<v Speaker 2>back this character that one feels easily transitionable for me.

0:25:44.880 --> 0:25:46.960
<v Speaker 3>I love the kids. Is it likely we're going to

0:25:47.040 --> 0:25:47.760
<v Speaker 3>see them all again?

0:25:48.680 --> 0:25:53.199
<v Speaker 2>Probably not in like a big adventure way, but I

0:25:53.280 --> 0:25:55.840
<v Speaker 2>definitely could imagine that we would like see Neil again

0:25:56.280 --> 0:25:57.080
<v Speaker 2>in a scene.

0:25:57.119 --> 0:25:59.880
<v Speaker 1>I could see that, I complie, I think we could.

0:26:00.400 --> 0:26:02.160
<v Speaker 1>I think we could see KB again too.

0:26:02.359 --> 0:26:02.600
<v Speaker 3>Yeah.

0:26:02.760 --> 0:26:05.480
<v Speaker 2>KB is definitely a breakout character in this for me,

0:26:05.640 --> 0:26:07.879
<v Speaker 2>that would be really really cool to see her again.

0:26:08.320 --> 0:26:11.720
<v Speaker 3>Also, I think that realistically, I.

0:26:11.720 --> 0:26:14.560
<v Speaker 2>Do think that Whim's dad is one of the most

0:26:14.560 --> 0:26:18.240
<v Speaker 2>interesting characters in this, And I think that seeing Wendell

0:26:18.400 --> 0:26:22.840
<v Speaker 2>potentially show up elsewhere if he decides that him and

0:26:22.880 --> 0:26:25.200
<v Speaker 2>Wim are going to leave the planet or whatever ends

0:26:25.280 --> 0:26:29.080
<v Speaker 2>up in the finale, I could see a world where

0:26:29.119 --> 0:26:31.199
<v Speaker 2>it feels to me like this is more likely that

0:26:31.240 --> 0:26:33.080
<v Speaker 2>they're going to carry over than say.

0:26:33.160 --> 0:26:34.440
<v Speaker 3>Characters from The Acolyte.

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<v Speaker 2>Yeah, sorry to Sex, Sorry Jacinto, I would love to

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<v Speaker 2>see you again anytime.

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<v Speaker 3>And Star Wars or not you know well.

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<v Speaker 1>Coming up on Tuesday, we're heading to Pekola Stan one

0:26:45.880 --> 0:26:50.440
<v Speaker 1>last time to cover the finale of James Gun's Creature Commandos,

0:26:50.520 --> 0:26:52.800
<v Speaker 1>and on Thursday, we're diving into a few comic res

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<v Speaker 1>for James Gunn's other huge title we expect to be

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<v Speaker 1>huge title this year, Superman coming July twenty two, And

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<v Speaker 1>next Friday, we'll react to the finale of The Skeleton Crew.

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<v Speaker 1>Episode eight of Skeleton Crew. I cannot believe it. That's

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<v Speaker 1>it for this episode.

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<v Speaker 2>Thanks for listening, Yes, and just remember check your feed

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<v Speaker 2>on Monday for a very special announcement.

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<v Speaker 1>X ray Vision is hosted by Jason Kitsumsion and Rosie

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<v Speaker 1>Knight and is a production of iHeart Podcasts. Our executive

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<v Speaker 1>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

0:27:32.200 --> 0:27:36.960
<v Speaker 1>is a Boo Zafar. Our producers are Carmen Laurent and

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<v Speaker 1>Mia Taylor. Our theme song is by Brian Basquez.

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<v Speaker 2>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

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<v Speaker 2>and Heidi Our discoord Moderata