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Speaker 1: Hey disco's you can listen to an extended version of

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Speaker 1: this after party episode by becoming a member of Disgraceland

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Speaker 1: All Access. Just go to disgracelandpod dot com slash membership

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Speaker 1: for more details and to sign up. Hey guys, welcome

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Speaker 1: to Disgraceland, which is brought to you by Double Elvis.

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Speaker 1: This week, we have an episode on Marilyn Monroe in

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Speaker 1: the Disgraceland feed, and for our all Access members and

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Speaker 1: our Patreon and Apple subscription feeds, get ready for a

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Speaker 1: brand new episode from Soundgardens Chris Cornell that's coming next week,

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Speaker 1: So be sure to make sure that you're all signed

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Speaker 1: up for our all Access content either on Apple Podcasts

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Speaker 1: or on Patreon to hear that, along with other exclusive

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Speaker 1: episodes and exclusive content that we have going on over there.

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Speaker 1: Also over in the feed for the Singer's Talk. That's

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Speaker 1: the new show from my company Double Elvis in partnership

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Speaker 1: with Volume dot Com in which hosts Jason Thomas Gordon

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Speaker 1: talks with some of the most iconic singers about their voices.

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Speaker 1: We've got a brand new episode this week with mister

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Speaker 1: Simon Lebon of Duran Durant. I can't believe I just

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Speaker 1: said that. Third grade me is like, wait what who Simon?

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Speaker 1: Who the Duran? Duran guy? My name is Rio Hungry

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Speaker 1: like the wolf. Yes that guy. Go check that out. Hey, discos,

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Speaker 1: need a little more Disgraceland in your life, just to

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Speaker 1: touch to get you through. Yeah, me too. This is

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Speaker 1: the podcast that comes after the podcast. Welcome to Disgraceland,

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Speaker 1: the after Party. Welcome to the Disgraceland bonus episode, a

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Speaker 1: little thing we'd like to call the after party. This

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Speaker 1: is the show after the show, the party after the party,

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Speaker 1: the bridge to get you from one full episode of

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Speaker 1: Disgraceland to the other, the backyard to dig into the dirt.

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Speaker 1: On this episode, we are talking about Marilyn Monroe, the

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Speaker 1: sources that we use for our Marilyn Monroe episode, which

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Speaker 1: helped us on cover a wild story involving none other

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Speaker 1: than Frank Sinatra and Joe d That's Joe DiMaggio. That

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Speaker 1: story did not make the final cut of our full episode.

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Speaker 1: And of course we're also talking to you via voicemail

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Speaker 1: and text, and as always, we have a whole lot

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Speaker 1: of rosa. All right, disc goes, let's get into it.

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Speaker 2: All right.

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Speaker 1: I'm a Prince fan, but I never considered myself like

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Speaker 1: a super fan or anything like that. I didn't have

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Speaker 1: posters of prints up on my wall growing up like

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Speaker 1: I did of Madonna my dorm room. But that's another story.

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Speaker 1: You know. I wasn't particularly interested in Purple Rain. I mean,

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Speaker 1: I saw it, I don't even know that I had

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Speaker 1: an opinion about it really when I was a kid,

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Speaker 1: you know, I didn't own all of Prince's records. You know,

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Speaker 1: even as a young kid who was in a punk

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Speaker 1: rock and hardcore I think it was kind of subversive,

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Speaker 1: at least in my little niche scene to be into Prince.

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Speaker 1: Not that I didn't like Prince. I did like I

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Speaker 1: liked him, but I wasn't. My point is, I wasn't obsessed.

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Speaker 1: I didn't own all of his records. I didn't get

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Speaker 1: particularly excited when a Prince video came on MTV because

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Speaker 1: back then Prince was everywhere. It wasn't a rare occasion

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Speaker 1: to see a Prince video or to hear a Prince

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Speaker 1: song on the radio. He was Prince. He was like water,

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Speaker 1: essential and everywhere necessary. Sure, but he kind of took

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Speaker 1: him for granted then. When he died on April twenty first,

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Speaker 1: twenty sixteen. I felt fucked up over his death. Rock

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Speaker 1: just too strong of a word. I wrote down rocked

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Speaker 1: in the notes I was taken to sketch out what

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Speaker 1: I was going to say here. I wasn't rocked by it,

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Speaker 1: but it was a strange feeling. I was definitely affected

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Speaker 1: by it because, like I said, it was strange because

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Speaker 1: I wasn't a mega Prince fan or anything like that.

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Speaker 1: I remember remember exactly where I was, which is also

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Speaker 1: saying something you know you tend to say, like yo,

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Speaker 1: people remember where they were when John F. Kennedy died,

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Speaker 1: or people remember where they were when nine to eleven happened.

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Speaker 1: I remember where I was when Prince died, which is

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Speaker 1: kind of bizarre.

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Speaker 3: I was.

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Speaker 1: I was on a treadmill at a downtown Boston Equinox

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Speaker 1: and they had CNN up there on the screen and

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Speaker 1: I was watching it. And I can't remember if it

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Speaker 1: was like came over on the crawl or a talking

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Speaker 1: head came on and told us about it. But pretty

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Speaker 1: soon after that news, I remember texting with my wife

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Speaker 1: and my mother in law about it. We were all sad,

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Speaker 1: and then, still on the treadmill, I put prints on

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Speaker 1: Spotify and I actually cried. Okay, I'm not saying that

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Speaker 1: to make myself seem more more relatable or anything like that.

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Speaker 1: I'm not a crier. Sure, I'm probably more sentimental than

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Speaker 1: I like to admit, but I'm not the type of

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Speaker 1: guy who breaks down easily sappy commercials on television, Father's

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Speaker 1: Day cards, rom coms, on planes with weird air pressure.

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Speaker 1: I hold together pretty good. So why the hell was

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Speaker 1: I crying because some pop star I didn't know kicked off?

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Speaker 1: And to be honest, I was barely crying. I mean,

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Speaker 1: I probably shed a tear to when doves cry on

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Speaker 1: Spotify or something when I was sweating it up on

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Speaker 1: the treadmill. But still it was enough to notice, which

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Speaker 1: is my point. When Marilyn Monroe died on August fourth,

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Speaker 1: nineteen sixty two, everybody noticed, and no doubt many cried.

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Speaker 1: Those who knew her, her exes Joe DiMaggio and Arthur

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Speaker 1: Miller for sure, her friends Peter Lawford, Dean Martin, perhaps

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Speaker 1: even the president at the time, John F. Kennedy and

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Speaker 1: his new Jersey Frank Sinatra. But make no mistake, America

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Speaker 1: cried as well when Marilyn Monroe died Marilyn Monroe's death

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Speaker 1: inspired not only the expected reaction from fans, everything from

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Speaker 1: earnest tributes to the Macobs celebrity death gockers, but it

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Speaker 1: inspired something else too, some strange mix of endless grief

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Speaker 1: and tribute. Marilyn Monroe's death inspired everyone from the grieving

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Speaker 1: public at large to Andy Warhol to Truman Capote, to

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Speaker 1: Elton John, to Madonna to Glenn Danzig, the countless culture

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Speaker 1: vultures and students, documentarians, and global celebrants of pop culture history.

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Speaker 1: Marilyn Monroe is, without a doubt, bigger after death than

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Speaker 1: she was during life. And I think it's because the

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Speaker 1: impact she made when she was alive was so huge,

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Speaker 1: so significant, that we refuse to let her die. From

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Speaker 1: Andy Warhol's portrait to Arthur Miller's essays, to Joe DiMaggio's

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Speaker 1: public tears, to Madonna's Material Girl, to Glenn Danzig's demanding

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Speaker 1: question to Elton John's tribute to modern day biopicks on Netflix,

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Speaker 1: Marilyn Monroe is here to stay. We refuse to let

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Speaker 1: her go, and again, it's because of what she did

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Speaker 1: when she was here, the films she made, the image

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Speaker 1: that she singed into our consciousness the path she blazed,

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Speaker 1: and make no bones about it. She was a feminist

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Speaker 1: trailblazer before the definition even existed. Marilyn Monroe's life, everything

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Speaker 1: about it, especially her death, as extraordinary as it was,

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Speaker 1: we see a part of us in it, or we

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Speaker 1: project some part of us onto it, onto her. I

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Speaker 1: can't put my finger on it other than to say

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Speaker 1: that we refuse to let her die. And I get

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Speaker 1: into what made Marilyn so extraordinary in this week's episode

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Speaker 1: that we did on Marilyn Monroe, and in part two

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Speaker 1: that's coming next week. I get fully into her death

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Speaker 1: and the conspiracy theories surrounding her cause of death. But

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Speaker 1: back to Prince. Prince's death affected me not because of Prince,

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Speaker 1: but because I was still grieving the death of my

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Speaker 1: sister from a few years earlier. I was projecting my

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Speaker 1: loss onto the loss of a figure that I didn't know,

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Speaker 1: because suddenly that was an option, an emotional convenience that

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Speaker 1: my subconscious took advantage of. Grief will out itself one

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Speaker 1: way or another. There's no burying it. But I wonder,

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Speaker 1: as a culture, what did we project onto Marilyn Monroe

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Speaker 1: after she died, and what do we collectively continue to

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Speaker 1: project onto her? And why do we refuse to let

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Speaker 1: her die? They say that you die twice, once when

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Speaker 1: you actually kick off, when your death happens, and again

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Speaker 1: when the last person on earth who remembers you dies,

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Speaker 1: and then your memory is completely gone, and by that measure,

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Speaker 1: Marilyn Monroe will live forever immortal. Which celebrity passings though?

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Speaker 1: Which ones hit you the hardest? And why can you

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Speaker 1: put your finger on it? I mean, you don't have

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Speaker 1: to tell me why, you don't have to overshare, but

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Speaker 1: I'm interested. I'm interested to know if you can connect

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Speaker 1: the psychological thoughts between why, I don't know, Tom Petty

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Speaker 1: or David Bowie or somebody you've never met in your life,

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Speaker 1: why their death has affected you so much? Who was it?

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Speaker 1: Was it Marilyn Monroe? Was it Prince? Was it Tom Petty?

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Speaker 2: Was it?

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Speaker 1: Elvis Presley, Steve Albini, Kurkobe and Roger Corbyn? Let me

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Speaker 1: know six one seven nine oh six six sixty three

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Speaker 1: eight to let me know via voicemail and text. I

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Speaker 1: want to know which celebrity deaths affected you the most,

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Speaker 1: and if you feel like sharing, go ahead and tell

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Speaker 1: me why. I'll be back in a flash. All right, Sources, sources, sources.

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Speaker 1: You guys want to know about the sources because you're

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Speaker 1: you're massive readers, you're massive consumers of culture, just as

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Speaker 1: I am, and you may perhaps want to go a

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Speaker 1: little deeper than we did on your own time in

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Speaker 1: learning about these episodes subjects. So here we go. Let's

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Speaker 1: talk for a minute about the sources that we use

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Speaker 1: for this week's episode on Marilyn Monroe. Now, there are

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Speaker 1: a lot, as you can imagine, a ton a ton

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Speaker 1: of books out there on Marilyn Monroe, but I read

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Speaker 1: two of them for my research. Two biographies that is.

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Speaker 1: The first is Marilyn Monroe, a biography by Donald Spotto,

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Speaker 1: which is just fucking great, just an incredible biography. It

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Speaker 1: was somewhat controversial, and it was one of these things

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Speaker 1: where I can't remember when the book was published, but

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Speaker 1: there was enough time between when it was published and

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Speaker 1: when I read it that when I was figuring out

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Speaker 1: if I was going to use this book as a

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Speaker 1: bit of research, I went and I looked at what

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Speaker 1: some of the more quote unquote controversial elements of the

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Speaker 1: book were, and to be honest, I think they had

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Speaker 1: to do with her death. I can't remember right off

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Speaker 1: the top of my head. And then I did a

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Speaker 1: little research on my own to see, you know, you know,

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Speaker 1: were they actually controversial? Were they were these really sort

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Speaker 1: of like you know, misinformation or whatever your zeitgeisty term

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Speaker 1: is for inconvenient truths. I went and I looked it up,

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Speaker 1: and a lot of it was just bullshit. And it

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Speaker 1: was clear to me that what he was, what the

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Speaker 1: author was being called out for was disingenuous and just

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Speaker 1: kind of click baity, and I figured this was a

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Speaker 1: book that many people had gotten behind and it was

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Speaker 1: one that was worth reading, and boy, oh boy, it was.

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Speaker 1: I right. The second was Marilyn Monroe, a biography by

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Speaker 1: Barbara Lemming. That was another one that helped, Like, you know,

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Speaker 1: I like we've mentioned this before. I like getting a

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Speaker 1: couple of different perspectives on the subject, not just reading

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Speaker 1: one biography. Then we're just kind of we're just boxing

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Speaker 1: ourselves into someone else's point of view. And when you

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Speaker 1: want to paint a full picture and you want to

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Speaker 1: create your old editorial point of view, you need multiple sources.

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Speaker 1: So those are the two on Maryland. The two sort

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Speaker 1: of conventional biographies that I read the other. The other

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Speaker 1: thing that the other book that I read was more

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Speaker 1: of a quote unquote conversational portrait to chapter in Truman

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Speaker 1: Capote's book Music for Chameleons that's taken from a conversation

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Speaker 1: that Truman had with his friend Marilyn Monroe, which was

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Speaker 1: super helpful to help us build the character of Marilyn.

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Speaker 1: To get Truman Capoti a friend of hers point of view.

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Speaker 1: He nails Marilyn's voice, he nails her phrasing, and like

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Speaker 1: unlike any other writer that I've ever come across, there

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Speaker 1: any other sort of you know, semi fictional depiction of

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Speaker 1: Marilyn Monroe. And I just love, as you guys know,

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Speaker 1: I love Truman Capote's writing. So Music for Chameleons, it's

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Speaker 1: a great book. Go find that it's gold. And it

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Speaker 1: was certainly gold when we were trying to get the

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Speaker 1: right perspective on Marilyn Monroe in order to cover her

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Speaker 1: correctly in these full episodes that we're releasing. Okay, but

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Speaker 1: back to the biographies, that really helped illustrate what a

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Speaker 1: force of nature Marilyn Monroe was usually serious she was

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Speaker 1: about her career, and that really struck me. It really

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Speaker 1: lot about it, just superficially we have I would think,

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Speaker 1: well I had. Anyways, I don't want to speak for you, guys.

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Speaker 1: I had this image of Marilyn Monroe as not being

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Speaker 1: a particularly serious artist, but she was. She became a

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Speaker 1: movie star largely to escape her impoverished and violent world,

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Speaker 1: her violent upbringing. I should say that she grew up

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Speaker 1: in and yes, she was often an emotional mess. She

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Speaker 1: was often depressed, she was often fucked up on drugs.

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Speaker 1: But this was a time when a person in Marilyn

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Speaker 1: Monroe's situation, somebody who was breaking the mold, somebody who

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Speaker 1: had become such a mega star off the heels of

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Speaker 1: a really fucked up childhood without hardly any family support

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Speaker 1: or any emotional support. Marilyn Monroe did not have the

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Speaker 1: tools to deal with everything that was going on in

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Speaker 1: both her career and in her life. If she were

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Speaker 1: an artist today, it would be an entirely different story.

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Speaker 1: This was not an arrow when things like anxiety and

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Speaker 1: depression were openly discussed and managed. You had to manage

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Speaker 1: that shit on your own. And yeah, self medication was

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Speaker 1: part of it, and I completely sympathize and empathized with

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Speaker 1: Marilyn Monroe. Nobody was in the position that she was in.

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Speaker 1: To judge her for her drug use, to judge her

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Speaker 1: for how she handled the men in her life, to

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Speaker 1: judge her for how she let the men in her

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Speaker 1: life handle her is entirely fucked up from the position

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Speaker 1: that we now sit in, or as men, that we

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Speaker 1: could have sat in when she was alive. Like I said,

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Speaker 1: a completely unique experience. You know, Marilyn Monroe was a smart, savvy,

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Speaker 1: incredibly savvy, not just artists, but just human and you

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Speaker 1: know that whole like you know, gentlemen preferred blondes and

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Speaker 1: that happy birthday, mister President. All that was that was

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Speaker 1: a parody of herself, a parody of the image that

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Speaker 1: she created, the image that she created to attain success,

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Speaker 1: an image that, as you know, if you've listened to

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Speaker 1: the episode Studio Heads of twentieth Century Fox thought was

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Speaker 1: going to be ruined forever when nude photos from her

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Speaker 1: from her early modeling career were leaked just as she

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Speaker 1: started to become famous in Hollywood. Now, the executives, the suits,

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Speaker 1: the studio heads, they wanted her to deny that that

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Speaker 1: was actually her in the photographs. She realized how stupid

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Speaker 1: that would be, given that there were actual pictures of

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Speaker 1: her in the photographs. The photographs were of her. That

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Speaker 1: is what I'm trying to say is you can't deny photographs. Okay,

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Speaker 1: So she didn't. She copped to it. She leaned into it.

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Speaker 1: She refused to be shamed by the thing, and she

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Speaker 1: used it to her advantage. She used it to flex

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Speaker 1: her power, and she got more powerful after this happened.

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Speaker 1: It was almost like a you know, it wasn't as

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Speaker 1: contrived as the Kim Kardashian sex tape, but it was

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Speaker 1: one of those things where it just enhanced the whole

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Speaker 1: aura and myth that was being built of Marilyn Monroe

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Speaker 1: at the time, and it made her one of the biggest,

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Speaker 1: if not the biggest icons living icons in the history

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Speaker 1: of entertainment. She became huge, a huge phenomenon. So, you know,

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Speaker 1: I asked this question earlier this week over on Instagram,

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Speaker 1: But what do you think is Marilyn Monroe the biggest

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Speaker 1: icon in the history of entertainment? Now that sounds like

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Speaker 1: a massive question to ask, but it doesn't. It doesn't

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Speaker 1: scare me because who else are we talking about? People

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Speaker 1: are gonna say James Dean, But I don't think James

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Speaker 1: Dean even comes close. Yeah, maybe his image, maybe it's

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Speaker 1: as iconic, but that's just the image, the lasting effect

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Speaker 1: as an artist, I don't know. Maybe James Dean does

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Speaker 1: on actors, but it doesn't seem to be as widespread, right.

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Speaker 1: I think if you walk just to random people on

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Speaker 1: the street and you know this country or another country,

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Speaker 1: and held up a picture of Marilyn Monroe in a

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Speaker 1: picture of James Dean, I think more people would be

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Speaker 1: able to recognize who Marilyn Monroe was. But I don't know.

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Speaker 1: Elvis Presley, Michael Jackson. I don't think Brando comes close.

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Speaker 1: I don't think Liz Taylor comes close. Maybe Michael Jordan.

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Speaker 1: Maybe Michael Jordan, who's the biggest icon you can think

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Speaker 1: of in the history of entertainment, And we can throw

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Speaker 1: sports figures in here as well. Has anyone else captured

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Speaker 1: the public's imagination for such a long period of time

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Speaker 1: like Marilyn Monroe has? Does the mystery around Marilyn Monroe's

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Speaker 1: death contribute to our fascination? These are all questions that

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Speaker 1: this fascinating subject prompts for us let me know your

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Speaker 1: thoughts six one seven nine oh six six six three eight.

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Speaker 1: And speaking of Merily Monroe's death, we're gonna get into

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Speaker 1: more detail on that with part two of the episode

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Speaker 1: that is coming up next week. It'll be the next

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Speaker 1: thing that hits your feed after the archive Rewind episode

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Speaker 1: that's coming tomorrow. Okay, So six one seven nine oh

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Speaker 1: six six six three eight, that's how you get in

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Speaker 1: touch with me, text, voicemail. Got two questions we're asking

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Speaker 1: this week. Number One, which celebrity death hit you the hardest?

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Speaker 1: Number two, who is the biggest icon in the history

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Speaker 1: of entertainment? Is it Marilyn Monroe? You can call me

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Speaker 1: six one seven nine oh six six six three eight,

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Speaker 1: leave me a voicemail, send me a text, and we

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Speaker 1: will answer those questions next week in the After Party

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Speaker 1: Bonus episode. But right now we're going to dive into

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Speaker 1: some answers from you guys on last week's questions. Let's

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Speaker 1: check out this voicemail here from the four one OHO.

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Speaker 1: This is a response to the William S Burrows episode

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Speaker 1: that we released last week.

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Speaker 4: Hey Jake, this is ad from the four one oh

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Speaker 4: Colin to let you know about two run ins I

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Speaker 4: had with William S. Burrow's Lawrence Kansas in Thank You

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Speaker 4: eighty six or eighty seven. The first was at a

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Speaker 4: small theater when Burrows entered inexplicably with an entourage of

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Speaker 4: small town farm grandpa and grandma types and sat in

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Speaker 4: the reserve brough right in front of me. My friends

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Speaker 4: and I later had the chance to chat with him

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Speaker 4: at the after party. The next time was about two

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Speaker 4: weeks later, when was in line ahead of me buying cigarettes.

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Speaker 4: He got multiple taps of Jetan and player's navy cuts

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Speaker 4: and seemed to fit. They ran out of three castles

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Speaker 4: and thanks for the great show. I'm a long time listener.

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Speaker 4: Talk to you later.

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Speaker 1: By four one. Oh, I appreciate it. Thank you for

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Speaker 1: the call. I love that you went to an after

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Speaker 1: party with William S Burrows. This one from the three

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Speaker 1: one six hitting us up in regards to our serial

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Speaker 1: killer conversation from the last couple of weeks.

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Speaker 3: Oh, chass chasing from Kansas, and you were talking about s.

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Speaker 2: A serial killer and I'm taking Leonard co Kim.

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Speaker 3: He has a.

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Speaker 2: Beautiful, scary faced boy. A lot of the songs for

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Speaker 2: a natural foreign killers, I think. I guess it's just

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Speaker 2: a voice.

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Speaker 1: That Leonard Cohen as a serial killer. Never thought of

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Speaker 1: that one, but that's what happens when we do two

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Speaker 1: calls from Kansas in uh In uh In, one after party,

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Speaker 1: this one from the nine oh four.

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Speaker 3: Hey, Jake, I don't know if we're past this conversation

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Speaker 3: or not, but I know you were talking about the

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Speaker 3: greatest folk artists, and definitely among one of the greatest

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Speaker 3: in my opinion, Pete Seeger.

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Speaker 1: Pete Seeger. Pete Seeger is one of those artists who

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Speaker 1: I think had he died earlier and didn't live the long,

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Speaker 1: full life that he lived, I think he'd be he'd

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Speaker 1: be more uh well, I guess iconic, it seems to

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Speaker 1: be the word of the episode. But he lived along

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Speaker 1: full life and he obviously touched a lot of people.

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Speaker 1: I actually think there's a Pete Seeger episode there. I

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Speaker 1: think telling the story of Newport Folk, which you're about

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Speaker 1: to hear from the perspective of Bob Dylan and the

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Speaker 1: Bob Dylan episode that we have coming up, but I

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Speaker 1: think telling it from the perspective of Pete Seeger would

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Speaker 1: be very very interesting. So maybe We'll get into that

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Speaker 1: at some point, but for right now, let's get into

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Speaker 1: some texts, and this one from the nine to seven

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Speaker 1: zero regards to the serial killer conversation, You guys won't

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Speaker 1: let this one die, this question die? Which was which

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Speaker 1: artist out there do you think could which artists out

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Speaker 1: that gives you serial killer vibes? Who is it?

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Speaker 4: Who?

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Speaker 1: Amongst them? Which musician? And nine seven oh rights? And

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Speaker 1: has anyone looked into Burt bacharak very smooth, handsome and

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Speaker 1: a little creepy. Also collaborated with Elvis Costello, perhaps not

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Speaker 1: their only collaboration. Does collaborating with Elvis Costello make you

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Speaker 1: a serial killer? I don't think so. I don't think

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Speaker 1: Burt Bacharach was a serial killer. I think Burt Bacharach

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Speaker 1: was pretty on the level. I mentioned in last week's

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Speaker 1: after party that I thought William S Burrows was overrated

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Speaker 1: as a writer. The eight four to seven rights in overrated, overrated,

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Speaker 1: without a doubt. It's Kurt Cobain. He was a fraud

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Speaker 1: and left this earth before it was discovered. What a talentless,

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Speaker 1: whiny d bag he was? Whoa eight four seven We're

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Speaker 1: all entitled to our opinions unless they're completely fucking wrong

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Speaker 1: like yours is. I'm joking, you know not. Yeah, whatever

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Speaker 1: you can think we want about Kurt Cobain, I disagree,

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Speaker 1: Uh talentless. Come on, man, come on, six one two

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Speaker 1: rights in Hey, your content is incredible. Thanks for all

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Speaker 1: your effort. Just want you to know what's appreciated. Well,

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Speaker 1: thank you, six to one to two. And I want

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Speaker 1: you to know that we have a whole crew over

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Speaker 1: here who help out engineers, writers, not just me and

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Speaker 1: the microphone. So lots of folks at Double Elvis, and

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Speaker 1: they're gonna be like to hear that you appreciate what

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Speaker 1: they do. Six one seven nine oh six six six

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Speaker 1: three eight. Hit me up. I want to hear which

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Speaker 1: celebrity's death impacted you the most. I want to hear

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Speaker 1: your opinion on if marily Monroe is the greatest icon

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Speaker 1: of all time. Six one seven nine oh sixty six

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Speaker 1: six three eight voicemail and texts back in a flash.

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Speaker 1: All right, we are back. But if you want to

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Speaker 1: be really back, like so so so back, then you've

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Speaker 1: got to become a member of Disgraceland All Access. That

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Speaker 1: is where our all access discos are right now, Okay,

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Speaker 1: they're getting an extra poor if you will. They're getting

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Speaker 1: a little sidecar to their martini that they ordered. They

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Speaker 1: saddled up to the bar just like you, but they

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Speaker 1: happen to know the bartender. They happened to perhaps give

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Speaker 1: that bartender a little extra of a tip when they

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Speaker 1: got their last drink. And now they've got their cocktail

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Speaker 1: sitting there in front of them. But then the bartender

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Speaker 1: comes back and he slides up just a little side cards.

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Speaker 1: It's another little it's a little glass, or perhaps it's

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Speaker 1: in one of those tiny little tumblers, and in it

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Speaker 1: is the remnants, the extra, the good stuff from the

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Speaker 1: cocktail mix that ended up in his martini glass. But

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Speaker 1: now there's that little sidecar, that little bit of extra

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Speaker 1: that just makes the whole thing just that much more

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Speaker 1: worth it. The bartender gives him a wink, walks away.

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Speaker 1: There you go. Okay, that's what disgraces on all accesses.

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Speaker 1: That's our sidecar. That is where our all access discos

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Speaker 1: are right now, getting, like I said, the extra pore

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Speaker 1: over in the after party. Some bonus content, more content,

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Speaker 1: more on Marilyn Monroe, more on whoever we're discussing this week. Okay,

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Speaker 1: in particular this week over in the All Access part

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Speaker 1: of the after Party, we are discussing story involving Marilyn Monroe,

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Speaker 1: Frank Sinatra, and Joe DiMaggio in a Private Investigator. All

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Speaker 1: Access is also where you're going to find one exclusive,

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00:25:08,400 --> 00:25:13,040
Speaker 1: fully scripted episode of Disgraceland each month, like next week's

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00:25:13,040 --> 00:25:16,680
Speaker 1: brand new exclusive episode on Chris Cornell from Soundgarden from

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00:25:16,720 --> 00:25:21,400
Speaker 1: Audio Slave. Okay, plus Wait, Mother Lovebone two plus other

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00:25:21,440 --> 00:25:25,000
Speaker 1: episodes just waiting for You. Sorry did I say Mother Lovebone?

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00:25:25,040 --> 00:25:26,880
Speaker 1: I meant Temple of the Dog. You know what I meant?

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00:25:27,040 --> 00:25:29,640
Speaker 1: Plus other episodes just waiting for you on Hunter s Thompson,

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00:25:29,840 --> 00:25:32,280
Speaker 1: Basquiat and Lane Staley, And did I mention that it's

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00:25:32,320 --> 00:25:36,440
Speaker 1: ad free? It's ad free. You're getting that little sidecar, right,

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00:25:36,560 --> 00:25:39,200
Speaker 1: You're getting the sidecar, and then you're getting a full

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00:25:39,320 --> 00:25:42,720
Speaker 1: a whole other cocktail later that you weren't even planning on.

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00:25:42,760 --> 00:25:44,840
Speaker 1: That one's coming to you. And then by the way,

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00:25:45,040 --> 00:25:48,440
Speaker 1: it's they're both ad free. Okay, all right? The entire

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00:25:48,480 --> 00:25:51,479
Speaker 1: Disgraceland catalog that is all one hundred and seventy five

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00:25:51,520 --> 00:25:55,119
Speaker 1: episodes in county. So how do you get all this awesomeness.

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00:25:55,119 --> 00:25:57,840
Speaker 1: While you just go to disgracelandpod dot com slash membership

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00:25:57,920 --> 00:26:00,600
Speaker 1: to sign up. It's just five bucks a month, even less,

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00:26:00,600 --> 00:26:02,359
Speaker 1: if you sign up for an annual membership. You can

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00:26:02,400 --> 00:26:05,239
Speaker 1: sign up right now via Apple Podcasts or Patreon, the

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00:26:05,240 --> 00:26:07,360
Speaker 1: only difference being that if you sign up for Patreon,

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00:26:07,560 --> 00:26:09,720
Speaker 1: you're also going to get immediate access to an always

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00:26:09,760 --> 00:26:13,439
Speaker 1: on chat featuring yours truly as well as your fellow discos. Okay,

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00:26:13,520 --> 00:26:16,360
Speaker 1: the whole community's over there, we're all talking. It's pretty cool,

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00:26:16,520 --> 00:26:19,639
Speaker 1: got a bit, but the only thing we're missing is you.

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00:26:19,720 --> 00:26:22,600
Speaker 1: So get in here. Okay, go to disgrace lampod dot

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00:26:22,640 --> 00:26:25,440
Speaker 1: com slash membership to sign up right now, All right,

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00:26:25,600 --> 00:26:41,720
Speaker 1: back in flash, All right, let's recap shalloy number one.

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00:26:41,760 --> 00:26:43,879
Speaker 1: There's more after party for you to listen to right now.

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00:26:43,960 --> 00:26:45,680
Speaker 1: All you got to do is go to disgrace lampod

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00:26:45,720 --> 00:26:47,960
Speaker 1: dot com slash membership and sign up to become an

456
00:26:48,040 --> 00:26:50,560
Speaker 1: all access member. But if that ain't your bag, the

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00:26:50,640 --> 00:26:53,720
Speaker 1: number two right now in your feed. This week's episode

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00:26:53,760 --> 00:26:57,480
Speaker 1: on Marilyn Monroe coming tomorrow from the archive. A rewind

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00:26:57,520 --> 00:27:00,960
Speaker 1: episode on Tom Petty all right, number four next week

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00:27:01,000 --> 00:27:04,080
Speaker 1: in the Disgrace land Feed, Part two of our Marilyn

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00:27:04,160 --> 00:27:07,399
Speaker 1: Monroe story. Number five. My number is six one, seven,

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00:27:07,520 --> 00:27:09,760
Speaker 1: nine oh six sixty six three eight, call me on

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Speaker 1: the telephone or text me. And last, remember, no one

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00:27:12,920 --> 00:27:14,919
Speaker 1: cares about the music that you love more than you do.

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00:27:15,080 --> 00:27:18,040
Speaker 1: And well, that is a disgrace. Now my moment of

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00:27:18,080 --> 00:27:20,560
Speaker 1: bliss in honor of this week's episode on Marilyn Monroe.

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00:27:20,600 --> 00:27:23,320
Speaker 1: The Billboard's best selling popular retail records for the week

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00:27:23,359 --> 00:27:25,879
Speaker 1: that Marilyn and Joe Demaggio were married the week of

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00:27:26,000 --> 00:27:32,720
Speaker 1: January ninth, nineteen fifty four. Number one, Oh My by

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00:27:32,800 --> 00:27:38,240
Speaker 1: Eddie Fisher, Number two, Rags to Riches by Tony Bennett,

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00:27:39,119 --> 00:27:46,000
Speaker 1: number three, That's a Moore Dean Martin number four, Changing Partners,

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00:27:46,600 --> 00:27:55,240
Speaker 1: Patty Page number five, Ricochet Teresa Brewer number six, Stranger

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00:27:55,400 --> 00:28:03,359
Speaker 1: in Paradise Tony Bennett number seven, Stranger in Paradise four Aces,

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00:28:04,000 --> 00:28:08,760
Speaker 1: number eighty five, EBI Frank chackis Field by Eddie Fisher,

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00:28:08,840 --> 00:28:13,560
Speaker 1: number nine, six, Old Mind chop Et cal Right Tony Bennet,

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00:28:13,920 --> 00:28:21,680
Speaker 1: number ten, That my Necesster That Paradise Tony Mars number one.

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Speaker 1: Fisher Quit talking and start mixing