WEBVTT - Someone tried to kill me!

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<v Speaker 1>How do everybody. Welcome to the Granger Smith Podcast. Thank

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<v Speaker 1>you for watching and listening. I'm grateful for this platform today.

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<v Speaker 1>Our show is brought to you by ship Station. And

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<v Speaker 1>here's your call to action, everybody right now. Granger Smith

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<v Speaker 1>Today's podcast is answering questions. I fielded a bunch of

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<v Speaker 1>them today off Instagram, and I love these kind I

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<v Speaker 1>love to be able to dive in and I don't

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<v Speaker 1>have any notes, so I'm not keeping notes here. I

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<v Speaker 1>feel like maybe the show in a way could be

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<v Speaker 1>better if I went through every question and wrote out

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<v Speaker 1>a little thesis and got it, you know, tried to

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<v Speaker 1>get real interesting with it. Maybe in a way on

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<v Speaker 1>some of these questions, they could be better. I could

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<v Speaker 1>answer them more concisely and give you specific answers. But

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<v Speaker 1>I think it's cool if I just wing it and

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<v Speaker 1>I read a question. I screenshoted to several of them.

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<v Speaker 1>If I just kind of wing it, read the question

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<v Speaker 1>and answer off the top of my head, as if

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<v Speaker 1>we're sitting in a living room together. That's the goal,

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<v Speaker 1>me and you sitting together. Maybe I'm driving, you're sitting

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<v Speaker 1>shotgun and we're just having a conversation. That's how I

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<v Speaker 1>want this to feel. Welcome to episode forty five the

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<v Speaker 1>Granger Smith Podcast, did Chide and d My Time and

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<v Speaker 1>so long line, fool of umping down on back, Crazy

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<v Speaker 1>cover Nation. I think it's fair to say before I start,

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<v Speaker 1>a lot of these questions are based on a new album.

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<v Speaker 1>There's a lot of questions about a new album, so

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<v Speaker 1>I'll try to answer those quickly. But there is a

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<v Speaker 1>new album from me coming out, and you guys are

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<v Speaker 1>gonna hear songs at the end of this month. August

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<v Speaker 1>the twenty eighth, You're gonna expect a couple of new

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<v Speaker 1>songs and then the rest of the album in September.

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<v Speaker 1>Also on that day, August twenty eighth, I will be

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<v Speaker 1>announcing the exact date in September that the album's gonna

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<v Speaker 1>come out, plus more. I can't tell you everything yet.

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<v Speaker 1>There's a lot I can't tell you yet, but there's

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<v Speaker 1>gonna be more after September, more songs, and I'll tell

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<v Speaker 1>you how. And so with that being said, I'll dive

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<v Speaker 1>into some of these questions. Is yee Fest still on

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<v Speaker 1>the radar after this new album? Ye Fest is a

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<v Speaker 1>concept that my brothers and I I have been wanting

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<v Speaker 1>to do for a long time where we could we

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<v Speaker 1>could brand a festival with music and theme it to

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<v Speaker 1>Yee Nation, where we have some of my maybe some

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<v Speaker 1>of my influencer buddies like Matt Character at Demo Ranch

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<v Speaker 1>and Lucker's TV and lake Fork Guy and Outlaw and

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<v Speaker 1>a bunch of these Matt Best like you know, like

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<v Speaker 1>some of these these crazy influencers that I'm in music

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<v Speaker 1>videos with and that some of them are on this

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<v Speaker 1>podcast with and we could all just have a big

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<v Speaker 1>Yege party, play music, have other bands, maybe like Mudding,

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<v Speaker 1>you know, bring your ATV and have like a Mudding

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<v Speaker 1>trail and it would be so fun. And we have

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<v Speaker 1>been putting this off for different reasons. Twenty nineteen had

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<v Speaker 1>a big turn for me in my personal life. Twenty twenty,

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<v Speaker 1>of course, concerts just are not happening that as far

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<v Speaker 1>as festivals are concerned because of COVID. So I would

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<v Speaker 1>really hope and expect you're gonna see a EEE fest

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<v Speaker 1>in twenty twenty one, I really hope. So there's a

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<v Speaker 1>couple of ways we could do it. We could do

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<v Speaker 1>multiple EEE fest where we do like an East Coast version,

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<v Speaker 1>a West Coast version, and something right in the middle

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<v Speaker 1>in the Midwest. Or we could just stick with something

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<v Speaker 1>in the Midwest and expect people to come around to

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<v Speaker 1>that and do it for multiple days. Comment below let

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<v Speaker 1>me know which one you would prefer. Will you consider

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<v Speaker 1>making a Christmas CD pretty please? Hashtag ee Yeah. I

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<v Speaker 1>screenshoted this one because I personally won't be making a

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<v Speaker 1>Christmas CD, at least not this year. But we have

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<v Speaker 1>been toying with the idea of Earl Divils Junior doing

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<v Speaker 1>a Christmas song or two or three four and we have.

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<v Speaker 1>I have a lot of Earl Christmas song ideas and

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<v Speaker 1>I think it would be so fun. So the reason

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<v Speaker 1>I screenshoted this and wanted to answer it is because

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<v Speaker 1>I would love for Earl to have a Christmas song.

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<v Speaker 1>I hope that you would too, So let me know

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<v Speaker 1>about that too. Ooh, this is a good one. This

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<v Speaker 1>is a good one. What is the most dangerous thing

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<v Speaker 1>you've done? I like that question? Strange, strange, but I

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<v Speaker 1>like it. I'm gonna I'm gonna. I'm gonna go in

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<v Speaker 1>modern history of myself and not go into the teenage

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<v Speaker 1>version of me that we all have. You know, a

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<v Speaker 1>long list of things we could We could say about

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<v Speaker 1>our teenage years, of dangerous things that we've done, but

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<v Speaker 1>then modern history for me, I would love to think.

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<v Speaker 1>I would love to think that the most dangerous thing

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<v Speaker 1>I've done has to involve me going to Iraq and

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<v Speaker 1>playing music. And we did this three times, and each

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<v Speaker 1>time we went, we would travel in helicopters, black Hawk helicopters.

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<v Speaker 1>We would take two black Hawk helicopters. One would have

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<v Speaker 1>me and the band and the other one would have

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<v Speaker 1>our cases and our guitars and gear and drums and

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<v Speaker 1>stuff like that, and we would be there for about

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<v Speaker 1>two weeks each trip, each of the tours, and we

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<v Speaker 1>would play about two shows a day for two weeks.

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<v Speaker 1>So do the math. Sometimes three shows, sometimes one show,

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<v Speaker 1>sometimes three, most of the time two. That's a lot

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<v Speaker 1>of shows. I don't even know exactly how many we played,

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<v Speaker 1>but every day we traveled, so that could be. It

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<v Speaker 1>could be. An average day would be like we're in

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<v Speaker 1>a FOB, a small fob forward operating base where people

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<v Speaker 1>haven't seen music in a while, and maybe they don't

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<v Speaker 1>even have a proper dining facility there, maybe they don't

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<v Speaker 1>even have a proper latrine. We saw some places that

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<v Speaker 1>just had tubes that literally PVC pipe tubes that went

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<v Speaker 1>into the ground and that's where you peede, and that's like,

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<v Speaker 1>that's what they had on base as far as latrine

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<v Speaker 1>was concerned. So we loved going to those kind of places.

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<v Speaker 1>So we would play a concert there right there in

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<v Speaker 1>the dirt, and then the helicopters would come in to

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<v Speaker 1>the LZ. They would pick us up and we would

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<v Speaker 1>go to another gig, and we would go to a

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<v Speaker 1>similar place and we would play the gig and then

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<v Speaker 1>we would stay there in tents. So we'd stay in

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<v Speaker 1>the tents. And then that's when it got weird because

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<v Speaker 1>sometimes depending on the flight schedule, because we were like

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<v Speaker 1>the obviously the last on the list of the logistics

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<v Speaker 1>of moving people around for these Blackhawks. So depending on

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<v Speaker 1>the flight schedule, sometimes our flight would leave at two am.

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<v Speaker 1>Sometimes it would leave at like seven am. That was

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<v Speaker 1>mostly early morning, like six, seven, eight am, but sometimes

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<v Speaker 1>we didn't know. Sometimes it was a window, say of

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<v Speaker 1>midnight to three am. Be ready, So we would sleep

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<v Speaker 1>in our clothes with our bags and just lay on

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<v Speaker 1>our bags. And we learned, just like the Army did

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<v Speaker 1>there in the Marines, to fall asleep and lay on

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<v Speaker 1>the bag as a pillow and be ready. If you

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<v Speaker 1>hear the helicopter, they would wake us up say hey, birds,

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<v Speaker 1>you're rolling in. So with that, to get back to

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<v Speaker 1>the question, there's always a danger when you're flying that

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<v Speaker 1>much twice a day in helicopters in a war zone,

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<v Speaker 1>there's always just a certain amount of danger that goes

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<v Speaker 1>to that. Because we would ask them like how many

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<v Speaker 1>black Hawks go down ever in Iraq? I'm thinking maybe

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<v Speaker 1>one or two, and you'd hear about it on Fox news.

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<v Speaker 1>Now I was wrong. They go down a lot, and

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<v Speaker 1>our news media outlet's just don't report it. You just

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<v Speaker 1>don't because it's it's like it doesn't matter anymore to

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<v Speaker 1>the average civilian as far as a news cycle. So,

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<v Speaker 1>but they do go down a lot. And those those

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<v Speaker 1>men and women that fly those oh gosh, that is

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<v Speaker 1>a there's a lot of tough gigs out there, and

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<v Speaker 1>that's one of them that you don't think about us often.

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<v Speaker 1>Those pilots and those crew chiefs and everybody that flies

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<v Speaker 1>in those black Hawks. It's tough, man. They're like, they're

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<v Speaker 1>like the workhorses of the Middle East for American forces.

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<v Speaker 1>They're just going, going, going, and there's a lot of

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<v Speaker 1>danger to it. There was several times when we had

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<v Speaker 1>really close calls with with shoulder mounted rocket launcher, grenade launchers.

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<v Speaker 1>I can't even think of everything that there's a lot

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<v Speaker 1>of small armed guns that were shot at us. I

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<v Speaker 1>can't even think of everything that was that was fired

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<v Speaker 1>at us. But we got a little taste of a

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<v Speaker 1>lot of it, and we would have to shoot flares

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<v Speaker 1>out to distract. We would make all kinds of evase

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<v Speaker 1>of maneuvers. I learned really, really fast that those black

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<v Speaker 1>Hawks could maneuver like crazy. They just go up, you know,

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<v Speaker 1>and I mean it's no roller coaster can compare to

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<v Speaker 1>a black Hawk helicopter. It's like you're sitting there and

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<v Speaker 1>then in a fraction of a second, you're completely vertical

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<v Speaker 1>going straight up, and then it turns like this with

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<v Speaker 1>zero reaction time, and then you could be and there's

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<v Speaker 1>no doors, so you're just you know, you're completely sideways.

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<v Speaker 1>There's the desert right there. You're thank god you're strapped

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<v Speaker 1>in with these five point harness and then you're back

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<v Speaker 1>the other way and you don't even know that you're

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<v Speaker 1>being pursued by some enemy fighter that's trying to kill you.

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<v Speaker 1>So we had several of those experiences. And we also

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<v Speaker 1>had experiences where we actually played concerts and a mortar

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<v Speaker 1>we'd had incoming mortaround into the base and hit close

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<v Speaker 1>to where we were playing, because probably because they could

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<v Speaker 1>hear the music and the enemy could hear the music,

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<v Speaker 1>and we would have to go into a bunker and

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<v Speaker 1>then we'd have to wait for a long time in

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<v Speaker 1>these concrete bunkers for the all clear. All that being said,

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<v Speaker 1>I have to when I tell stories like this, I

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<v Speaker 1>have to say that I don't want to at all

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<v Speaker 1>tell a story like this and try to diminish or

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<v Speaker 1>raise myself on a pedestal of look how scary this was,

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<v Speaker 1>because there's men and women that do this daily. Is

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<v Speaker 1>part of their job, that's just what they do. And

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<v Speaker 1>so for me to come in and say I did

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<v Speaker 1>two weeks as nothing, So let me just throw this

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<v Speaker 1>out there that that was probably the most dangerous thing

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<v Speaker 1>I've done, is those series of shows, those series of travels,

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<v Speaker 1>But it does not compare to the people that actually

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<v Speaker 1>do it for a living, and that's part of their lives.

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<v Speaker 1>Because I remember when those when those black Hawks would

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<v Speaker 1>land and we would jump off, and we had to

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<v Speaker 1>jump off fast because their schedule was so tight there

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<v Speaker 1>to another mission. And I remember a couple of times

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<v Speaker 1>after these crazy maneuvers, after the crazy incoming and RPGs

0:14:09.280 --> 0:14:13.120
<v Speaker 1>are coming in and we're dropping flares, crazy maneuvers, they

0:14:13.200 --> 0:14:15.440
<v Speaker 1>drop us off. We get off on the LZ and

0:14:15.480 --> 0:14:18.880
<v Speaker 1>we're moving and I look back. Those birds are already gone.

0:14:19.280 --> 0:14:21.960
<v Speaker 1>They're going right back into Baghdad, right back into the

0:14:22.000 --> 0:14:26.880
<v Speaker 1>hell zone. And I'm just thinking, God bless them, man,

0:14:27.000 --> 0:14:29.520
<v Speaker 1>God bless them. They're just going right back where they

0:14:29.560 --> 0:14:36.200
<v Speaker 1>came from because that's their job. So yeah, I love

0:14:36.280 --> 0:14:42.720
<v Speaker 1>talking about that subject. And to Colin from Instagram, it's

0:14:42.760 --> 0:14:45.840
<v Speaker 1>probably the most dangerous thing I've done. I'm gonna take

0:14:45.880 --> 0:14:55.440
<v Speaker 1>quick break. This podcast is brought to you, guys by Features.

0:14:55.760 --> 0:14:59.200
<v Speaker 1>There's little things you could do in life that end

0:14:59.280 --> 0:15:02.480
<v Speaker 1>up these small all things that make a big difference.

0:15:02.520 --> 0:15:04.760
<v Speaker 1>Like if I'm making an album and I'm listening to

0:15:05.520 --> 0:15:09.480
<v Speaker 1>putting the song together and all the instrumentation, and it's

0:15:09.480 --> 0:15:11.760
<v Speaker 1>like it's not right, and then I find this one

0:15:11.800 --> 0:15:14.280
<v Speaker 1>little guitar part, this tiny little thing, and I change

0:15:14.280 --> 0:15:17.680
<v Speaker 1>that one little part, and suddenly the song comes together.

0:15:18.560 --> 0:15:21.840
<v Speaker 1>And that is how Features is. And their socks, they're

0:15:21.880 --> 0:15:24.920
<v Speaker 1>really good socks, and so changing your socks actually makes

0:15:24.920 --> 0:15:28.040
<v Speaker 1>a big difference. I mean, runners use them. They have

0:15:28.160 --> 0:15:32.240
<v Speaker 1>their new Elite Golf SOCKX that helps keep feet cool, dry,

0:15:32.720 --> 0:15:36.200
<v Speaker 1>blister free, rob providing a custom like fit that won't

0:15:36.240 --> 0:15:39.400
<v Speaker 1>bunch up or slip when you're doing your backswing or

0:15:39.400 --> 0:15:42.600
<v Speaker 1>when you're jogging on your on your daily walk. I'm

0:15:42.600 --> 0:15:45.840
<v Speaker 1>actually wearing them right now, and they they feel like

0:15:46.720 --> 0:15:50.400
<v Speaker 1>they're they're super thin, but they feel thick, if that

0:15:50.480 --> 0:15:53.960
<v Speaker 1>makes sense. They wrap around your feet and they they

0:15:54.000 --> 0:15:57.840
<v Speaker 1>create this texture that feels almost like you're wearing a

0:15:57.880 --> 0:16:01.920
<v Speaker 1>tennis shoe inside your tennis shoe without feeling like it's

0:16:01.960 --> 0:16:03.880
<v Speaker 1>even there at all because it's so thin. I don't

0:16:04.160 --> 0:16:05.840
<v Speaker 1>I'm not really sure how they do it, but it's

0:16:05.880 --> 0:16:10.000
<v Speaker 1>it's really amazing, and I'm wearing them right now. I

0:16:10.080 --> 0:16:15.200
<v Speaker 1>want to tell you guys that Feature socks will change

0:16:15.680 --> 0:16:19.880
<v Speaker 1>the way you feel about socks forever. And I haven't even.

0:16:19.920 --> 0:16:22.720
<v Speaker 1>I haven't even. I have like four pair of these,

0:16:22.960 --> 0:16:27.440
<v Speaker 1>and I haven't. I reluctant to even wash them because

0:16:27.480 --> 0:16:30.240
<v Speaker 1>they're so they're so comfortable all the time, and they

0:16:31.240 --> 0:16:33.520
<v Speaker 1>the next day when I find them, I'm like, I'm

0:16:33.520 --> 0:16:35.760
<v Speaker 1>wearing those again. I'm not going back to the old ones.

0:16:36.560 --> 0:16:38.480
<v Speaker 1>Here's your call to action. You can get ten dollars

0:16:38.480 --> 0:16:40.640
<v Speaker 1>off your first pair of features when you use the

0:16:40.680 --> 0:16:46.240
<v Speaker 1>code Grainger at feature dot com. That's features dot com

0:16:46.840 --> 0:16:49.720
<v Speaker 1>f E E T U R E S d O

0:16:49.920 --> 0:16:53.080
<v Speaker 1>T dot com promo code Granger for ten dollars off

0:16:53.320 --> 0:16:59.440
<v Speaker 1>your first pair of features. I love answering these questions

0:16:59.440 --> 0:17:02.440
<v Speaker 1>for you guys, And here's one that says, have you

0:17:02.480 --> 0:17:06.479
<v Speaker 1>ever thought about coming to Canada's prairies. I know you

0:17:06.480 --> 0:17:09.800
<v Speaker 1>have a lot of fans here, and I screenshot of

0:17:09.840 --> 0:17:12.520
<v Speaker 1>this because I was like, we've played Canada a lot

0:17:12.880 --> 0:17:15.840
<v Speaker 1>and I've never heard, specifically someone say, have you ever

0:17:15.880 --> 0:17:20.440
<v Speaker 1>thought about coming to Canada's prairies. I actually don't even Jeff,

0:17:20.480 --> 0:17:25.600
<v Speaker 1>I don't even know what that means. I mean, I'm

0:17:25.640 --> 0:17:31.720
<v Speaker 1>assuming you're talking east of Calgary. When the mountains start,

0:17:31.760 --> 0:17:33.960
<v Speaker 1>You're talking about going east where the prairies are? You

0:17:34.000 --> 0:17:37.520
<v Speaker 1>guys got to help me with this. But regardless, Jeff,

0:17:37.640 --> 0:17:42.399
<v Speaker 1>we love playing Canada. Some of my favorite fans. I

0:17:42.400 --> 0:17:45.040
<v Speaker 1>feel like we've played coast to coast in Canada. Not

0:17:45.200 --> 0:17:47.359
<v Speaker 1>nearly enough, but we have played coast to coast on

0:17:47.400 --> 0:17:51.040
<v Speaker 1>several tours, and so, yes, Buddy, count me in for

0:17:51.119 --> 0:17:56.320
<v Speaker 1>Canada's Prairies. Here's a question that says, is there gonna

0:17:56.359 --> 0:18:03.000
<v Speaker 1>be Earl Dibbles junior songs on this new album? Yes, Buddy, Yes, Yes.

0:18:03.080 --> 0:18:07.840
<v Speaker 1>The So the album as a whole, there's a lot

0:18:07.840 --> 0:18:11.080
<v Speaker 1>of songs on it. There's going to be three Earl

0:18:11.119 --> 0:18:15.159
<v Speaker 1>Devils junior features. I'll go ahead and tell you now

0:18:15.200 --> 0:18:19.119
<v Speaker 1>two of them. This is exclusive podcast information two of

0:18:19.160 --> 0:18:23.639
<v Speaker 1>them are just Earl, so it's like your typical earl

0:18:23.680 --> 0:18:25.800
<v Speaker 1>like you did City Boy, Stuck and Comfortable Song and

0:18:27.080 --> 0:18:31.040
<v Speaker 1>Countryble We Love and America Don't Tread on Me Is.

0:18:31.119 --> 0:18:35.560
<v Speaker 1>There's two of those, and then there's one where he's

0:18:35.600 --> 0:18:38.639
<v Speaker 1>with Granger with me. It's always weird speaking third person,

0:18:38.680 --> 0:18:42.359
<v Speaker 1>but when he's with me, like in Holler when he

0:18:42.400 --> 0:18:45.440
<v Speaker 1>comes in at the bridge. You're gonna learn a lot

0:18:45.480 --> 0:18:51.720
<v Speaker 1>more about this in the next month, but dude, I'm excited.

0:18:52.400 --> 0:18:55.840
<v Speaker 1>Earl songs are always so fun immediately to add them

0:18:55.840 --> 0:18:59.400
<v Speaker 1>to a show, a live concert, it's because we could.

0:18:59.760 --> 0:19:02.040
<v Speaker 1>They're There's so many other songs that really depend on

0:19:02.080 --> 0:19:03.639
<v Speaker 1>if the crowd knows them and if the crowd is

0:19:03.680 --> 0:19:05.600
<v Speaker 1>going to sing along, if they're familiar with the new

0:19:05.640 --> 0:19:07.760
<v Speaker 1>song yet. But Earl doesn't matter. Like we could play

0:19:07.760 --> 0:19:10.440
<v Speaker 1>an Earl song tomorrow. You've never heard it, we've never

0:19:10.480 --> 0:19:12.680
<v Speaker 1>played it, and it's just going to work. So I'm

0:19:12.680 --> 0:19:14.720
<v Speaker 1>really excited about that. And as far as a live

0:19:14.760 --> 0:19:21.920
<v Speaker 1>show is concerned, here's a question from Holden Anderson. It says,

0:19:23.200 --> 0:19:27.800
<v Speaker 1>what is the most you've missed out from being Let

0:19:27.800 --> 0:19:29.960
<v Speaker 1>me read this again, what is the most you have

0:19:30.240 --> 0:19:35.800
<v Speaker 1>missed from being out on tour, And I'm assuming what

0:19:35.920 --> 0:19:37.560
<v Speaker 1>is the most you've missed from being out on tour.

0:19:37.560 --> 0:19:41.000
<v Speaker 1>I'm assuming you're talking about the stuff at home, Like

0:19:41.040 --> 0:19:44.639
<v Speaker 1>what have I had to skip because I'm on the

0:19:44.720 --> 0:19:48.359
<v Speaker 1>road touring and that is that has always been a

0:19:48.359 --> 0:19:52.120
<v Speaker 1>struggle with not only me but my band and crew.

0:19:52.440 --> 0:19:58.240
<v Speaker 1>It's a sacrifice we make. And there is a Garth

0:19:58.280 --> 0:20:03.640
<v Speaker 1>Brooks song called not Lament. It's an unknown album cut

0:20:03.680 --> 0:20:07.880
<v Speaker 1>song night Writer's Lament and a man I've always loved

0:20:07.880 --> 0:20:10.720
<v Speaker 1>that song because it just talks about this cowboy that's

0:20:11.640 --> 0:20:16.040
<v Speaker 1>that's out on on on a drive with his few

0:20:16.119 --> 0:20:20.040
<v Speaker 1>cowboy loner buddies, and he gets a letter from home

0:20:21.200 --> 0:20:25.800
<v Speaker 1>and he reads it and the letter talks about his

0:20:25.880 --> 0:20:30.640
<v Speaker 1>old girl is now married and she's doing great, and man,

0:20:30.720 --> 0:20:32.800
<v Speaker 1>you really you really missed the boat when you didn't

0:20:32.800 --> 0:20:37.639
<v Speaker 1>come back, and and you get all you get this

0:20:37.720 --> 0:20:40.880
<v Speaker 1>sad feeling like, man, he sacrificed a really cool life

0:20:40.960 --> 0:20:43.879
<v Speaker 1>and a really cool girl all for this life is

0:20:43.920 --> 0:20:47.160
<v Speaker 1>being a cowboy. But then when he gets to the bridge,

0:20:47.359 --> 0:20:51.000
<v Speaker 1>it says, ah, but they've never seen the northern lights,

0:20:51.440 --> 0:20:54.480
<v Speaker 1>They've never seen a hawk on the wind. They've never

0:20:54.480 --> 0:20:57.200
<v Speaker 1>spent spring in the Great Divide, and they've never heard

0:20:57.240 --> 0:21:01.960
<v Speaker 1>Old camp Cookie sing. And it gives me chills just

0:21:01.960 --> 0:21:05.320
<v Speaker 1>thinking about it. It's like you sacrifice such a normal

0:21:05.400 --> 0:21:07.960
<v Speaker 1>life to be on the road, but there's certain things

0:21:07.960 --> 0:21:10.600
<v Speaker 1>you get out of it that are worth it. And

0:21:10.640 --> 0:21:12.560
<v Speaker 1>that's the way I feel about touring. I've missed a

0:21:12.640 --> 0:21:16.000
<v Speaker 1>lot in my life. I've had to sacrifice a lot,

0:21:17.240 --> 0:21:19.840
<v Speaker 1>but it's not all in vain. Like if it was

0:21:19.880 --> 0:21:22.280
<v Speaker 1>in vain, I wouldn't do it anymore. I would quit.

0:21:22.960 --> 0:21:27.080
<v Speaker 1>But there's there's things that we get. There's smiles that

0:21:27.119 --> 0:21:29.600
<v Speaker 1>we see, There's there's hugs that we're able to give.

0:21:30.920 --> 0:21:37.560
<v Speaker 1>There's lives that we can foreseeably change with music and

0:21:37.600 --> 0:21:42.240
<v Speaker 1>with touring, and we're making memories. All those helicopter stories.

0:21:42.240 --> 0:21:45.399
<v Speaker 1>I just told you that that doesn't happen without touring.

0:21:45.400 --> 0:21:48.800
<v Speaker 1>If I'm if I'm safe and i'm home and I'm

0:21:49.000 --> 0:21:54.119
<v Speaker 1>living my safe, little predictable life, I don't have those stories.

0:21:54.480 --> 0:21:58.040
<v Speaker 1>I don't have a potential to make someone smile on

0:21:58.080 --> 0:22:01.919
<v Speaker 1>a bad day, bring someone out of a place that

0:22:01.960 --> 0:22:03.840
<v Speaker 1>they didn't want to be, in a dark place that

0:22:04.240 --> 0:22:08.400
<v Speaker 1>been only a music concert on the Saturday Night could

0:22:08.440 --> 0:22:12.199
<v Speaker 1>have brought. And this is not at all bragging on me.

0:22:12.359 --> 0:22:15.320
<v Speaker 1>It's a testament to what music and live music and

0:22:15.359 --> 0:22:19.800
<v Speaker 1>touring does. All that being said, buddy, holding your question,

0:22:21.600 --> 0:22:23.720
<v Speaker 1>what is the most you have missed from being out

0:22:23.760 --> 0:22:28.840
<v Speaker 1>on tour? Man, I've missed. I've missed countless birthdays for

0:22:29.000 --> 0:22:33.399
<v Speaker 1>my kids, my wife, I've missed anniversaries. I've missed every

0:22:33.480 --> 0:22:37.200
<v Speaker 1>single wedding from everybody you could possibly imagine that I've

0:22:37.200 --> 0:22:41.199
<v Speaker 1>had from high school and college, and we all have

0:22:41.680 --> 0:22:46.280
<v Speaker 1>and that has just been part of that's been part

0:22:46.280 --> 0:22:48.800
<v Speaker 1>of the sacrifice. We just don't go to weddings because

0:22:48.840 --> 0:22:52.280
<v Speaker 1>weddings are on Saturday nights and we're playing. That's when

0:22:52.280 --> 0:22:55.720
<v Speaker 1>we're making money, that's when we work. That in comparison,

0:22:56.240 --> 0:23:01.440
<v Speaker 1>Saturday night to me is your Monday afternoon. Like that's

0:23:01.480 --> 0:23:03.760
<v Speaker 1>your work day, that's the day you gotta go. You

0:23:03.760 --> 0:23:06.200
<v Speaker 1>gotta go to work, you got to clock in on Monday.

0:23:06.840 --> 0:23:09.000
<v Speaker 1>That's just when you go. I gotta clock in on

0:23:09.040 --> 0:23:16.359
<v Speaker 1>Saturday night. And with that, my choice is I'd say, hey,

0:23:16.720 --> 0:23:21.240
<v Speaker 1>sorry tour, sorry band, sorry crew. I got a buddy

0:23:21.359 --> 0:23:23.879
<v Speaker 1>from college and he's getting married, and I'm going to

0:23:23.960 --> 0:23:28.840
<v Speaker 1>go be at that wedding, and some of you listening

0:23:29.280 --> 0:23:31.399
<v Speaker 1>might think, well, that would be the noble thing to do.

0:23:31.640 --> 0:23:34.320
<v Speaker 1>That's your buddy, But where do you draw the line

0:23:34.480 --> 0:23:38.359
<v Speaker 1>and where do I say I have an obligation with

0:23:38.480 --> 0:23:40.640
<v Speaker 1>my band and crew to play this show or with

0:23:40.680 --> 0:23:45.360
<v Speaker 1>my fans to play this show. At what point do

0:23:45.400 --> 0:23:48.080
<v Speaker 1>I start saying no to a buddy or at what

0:23:48.200 --> 0:23:50.760
<v Speaker 1>level of friendship does he need to be if I'm

0:23:50.760 --> 0:23:54.160
<v Speaker 1>going to say yes to his wedding man Johnny Wazenski,

0:23:54.240 --> 0:23:57.159
<v Speaker 1>my bass player, I missed his wedding because we had

0:23:57.200 --> 0:23:58.480
<v Speaker 1>a show that night and we had to get a

0:23:58.480 --> 0:24:02.200
<v Speaker 1>fill in bass player. I'm not trying to be mean,

0:24:02.320 --> 0:24:08.639
<v Speaker 1>are are cynical or crude by any means. That's just

0:24:08.680 --> 0:24:12.760
<v Speaker 1>what we signed up for. And we don't skip. We

0:24:12.840 --> 0:24:15.959
<v Speaker 1>don't skip touring to stay home and go to birthday

0:24:15.960 --> 0:24:19.320
<v Speaker 1>parties and weddings. Now, all that being said, we try

0:24:19.359 --> 0:24:22.639
<v Speaker 1>our hardest to be as present as possible when we

0:24:22.680 --> 0:24:25.399
<v Speaker 1>are home and when we are with our friends and

0:24:25.560 --> 0:24:27.639
<v Speaker 1>make up for it. And when my kid has a

0:24:27.640 --> 0:24:31.240
<v Speaker 1>birthday on a Thursday night and I'm gone, when I'm

0:24:31.240 --> 0:24:33.879
<v Speaker 1>come home Sunday, we're doing a birthday party and we're

0:24:33.920 --> 0:24:35.920
<v Speaker 1>gonna make it big and we're gonna make it special.

0:24:36.240 --> 0:24:39.640
<v Speaker 1>And I'm gonna FaceTime on that Thursday, and I'm gonna

0:24:39.800 --> 0:24:42.040
<v Speaker 1>send them secret notes that they're hidden in the room

0:24:42.040 --> 0:24:44.720
<v Speaker 1>that they're gonna find under their pillow. I'm going to

0:24:45.359 --> 0:24:47.639
<v Speaker 1>I'm going to go try to go an extra mile

0:24:48.080 --> 0:24:52.040
<v Speaker 1>on those days to make up for it. But unfortunately

0:24:52.040 --> 0:24:57.880
<v Speaker 1>that's part of the sacrifice. That's a good question. Here,

0:24:57.920 --> 0:25:04.240
<v Speaker 1>here's one speaking of cowboys. When are you coming to Wyoming? Buddy?

0:25:04.600 --> 0:25:08.000
<v Speaker 1>If you're listening to this in real time on Monday,

0:25:08.000 --> 0:25:10.720
<v Speaker 1>when this podcast comes out, I'm coming to Wyoming Thursday.

0:25:11.640 --> 0:25:13.720
<v Speaker 1>In three days, I'll be driving to Wyoming. So we're

0:25:13.720 --> 0:25:17.480
<v Speaker 1>going Cheyenne this coming Thursday. So we are touring here

0:25:17.480 --> 0:25:19.800
<v Speaker 1>and there. It's sparse, but we are here and there.

0:25:22.240 --> 0:25:27.520
<v Speaker 1>Iceberg ask, what kind of music making software do you use?

0:25:27.720 --> 0:25:32.920
<v Speaker 1>And I'm assuming you're talking about recording. You say music

0:25:33.000 --> 0:25:37.400
<v Speaker 1>making software, I'm assuming you're talking about audio recording software,

0:25:37.960 --> 0:25:42.520
<v Speaker 1>and that is pro Tools. It's what I'm using right

0:25:42.600 --> 0:25:45.399
<v Speaker 1>now for this podcast. Directly behind this camera, I'm running

0:25:45.400 --> 0:25:48.040
<v Speaker 1>my laptop and I'm running pro Tools, and it's recording

0:25:48.200 --> 0:25:52.440
<v Speaker 1>this microphone into pro Tools. It is a software recording

0:25:54.400 --> 0:25:59.560
<v Speaker 1>that I have used since two thousand and three. I

0:25:59.600 --> 0:26:04.760
<v Speaker 1>believe I've used pro Tools for seventeen years, y'all. I

0:26:04.880 --> 0:26:06.960
<v Speaker 1>was using it when it was old and black and white,

0:26:07.080 --> 0:26:09.760
<v Speaker 1>and it was great back then. I was going to say,

0:26:10.000 --> 0:26:12.080
<v Speaker 1>when it's old, black and white, not that good, but hey,

0:26:12.119 --> 0:26:15.600
<v Speaker 1>it was great in comparison, Like it was always, it's

0:26:15.640 --> 0:26:19.840
<v Speaker 1>always been top of the line, you know, cutting edge technology.

0:26:20.040 --> 0:26:24.800
<v Speaker 1>It's always it's always been very user friendly, which is

0:26:24.960 --> 0:26:26.880
<v Speaker 1>what I love about pro Tools. But if you guys

0:26:26.880 --> 0:26:29.760
<v Speaker 1>are thinking about it, it's kind of the industry standard too.

0:26:30.359 --> 0:26:34.560
<v Speaker 1>There's just a few others that people use, and the

0:26:34.560 --> 0:26:37.680
<v Speaker 1>industry standard is typically pro Tools. So if I'm recording

0:26:37.680 --> 0:26:40.040
<v Speaker 1>in pro Tools, I could send it to a buddy

0:26:40.240 --> 0:26:42.240
<v Speaker 1>who's going to put a guitar down in pro Tools,

0:26:42.280 --> 0:26:43.720
<v Speaker 1>and I could send it to my other buddy who's

0:26:43.720 --> 0:26:45.960
<v Speaker 1>going to mix it in pro Tools, and my other

0:26:45.960 --> 0:26:49.600
<v Speaker 1>buddy who's going to edit in pro Tools. So most

0:26:49.600 --> 0:26:53.360
<v Speaker 1>people use. It's industry standard, and if it's not, if

0:26:53.359 --> 0:26:55.879
<v Speaker 1>someone's not using it, you could easily bounce down to

0:26:55.920 --> 0:26:59.919
<v Speaker 1>wave files and send them that for the software that

0:27:00.040 --> 0:27:03.479
<v Speaker 1>they're using. But I'm a big, big advocate for it,

0:27:03.800 --> 0:27:05.840
<v Speaker 1>and I've used it for seventeen years and a lot

0:27:05.880 --> 0:27:08.880
<v Speaker 1>of albums. Every album you've ever heard, every vocal you've

0:27:08.920 --> 0:27:12.520
<v Speaker 1>ever heard has come from my computer on pro Tools,

0:27:13.480 --> 0:27:25.840
<v Speaker 1>different versions. Here's one. I'm take a break in a minute,

0:27:25.880 --> 0:27:27.480
<v Speaker 1>and so I don't want to get into this is

0:27:27.520 --> 0:27:29.800
<v Speaker 1>a good one. Both of these back to back are good.

0:27:30.200 --> 0:27:33.119
<v Speaker 1>So here's Mike. He says, when are the new songs

0:27:33.160 --> 0:27:38.280
<v Speaker 1>coming out? So I'll reiterate one more time that the

0:27:38.320 --> 0:27:41.320
<v Speaker 1>album is coming out in September. There will meet, there

0:27:41.359 --> 0:27:44.119
<v Speaker 1>will be more after that. That announcement's coming on August

0:27:44.200 --> 0:27:47.520
<v Speaker 1>the twenty eighth, where you're going to get two new

0:27:47.680 --> 0:27:50.679
<v Speaker 1>songs on August the twenty eighth, and then you'll on

0:27:50.720 --> 0:27:53.400
<v Speaker 1>that same day you'll get the announcement of how and

0:27:53.480 --> 0:27:56.080
<v Speaker 1>why and when the rest of the music is coming.

0:27:58.119 --> 0:28:02.960
<v Speaker 1>Joe says, will your new album have any previously released singles?

0:28:04.040 --> 0:28:08.960
<v Speaker 1>Much love this bump, Joe. It will have one song

0:28:09.480 --> 0:28:13.360
<v Speaker 1>on the digital that you know, and that's that's why

0:28:13.359 --> 0:28:16.399
<v Speaker 1>I love Dirt Roads. So that will be the only

0:28:16.440 --> 0:28:20.119
<v Speaker 1>song on the digital release. That's Spotify and Apple Music

0:28:20.160 --> 0:28:25.840
<v Speaker 1>and Pandora and all the other digital platforms. Uh, that

0:28:25.920 --> 0:28:28.040
<v Speaker 1>will only have that's why I love Dirt Roads, that

0:28:28.080 --> 0:28:33.159
<v Speaker 1>you know, but the physical, the actual CD which is

0:28:33.200 --> 0:28:37.399
<v Speaker 1>not coming out yet, it's that's that's a little bit

0:28:37.480 --> 0:28:45.400
<v Speaker 1>later announcement that come soon that will have Holler and

0:28:45.480 --> 0:28:48.040
<v Speaker 1>that's why I love Dirt Roads featuring Leathan Warlick on

0:28:48.480 --> 0:28:51.200
<v Speaker 1>the CD. So the CD will have all of that.

0:28:51.240 --> 0:28:56.800
<v Speaker 1>We'll have all the new songs plus those. So we

0:28:56.800 --> 0:28:58.640
<v Speaker 1>didn't think you needed to get it on did you

0:28:58.680 --> 0:29:01.040
<v Speaker 1>didn't didn't need it to get anything that existed already

0:29:01.040 --> 0:29:03.920
<v Speaker 1>on digital because you're already having digitals right there. But

0:29:04.160 --> 0:29:06.800
<v Speaker 1>for the collector's item, which is basically what CDs are

0:29:06.800 --> 0:29:10.440
<v Speaker 1>these days, are collector's items, it'll have some extra stuff.

0:29:11.200 --> 0:29:13.240
<v Speaker 1>I'm going to get to some of these ooh, these

0:29:13.280 --> 0:29:23.080
<v Speaker 1>deeper ones quick bread. This episode's brought to you, guys

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<v Speaker 1>Com slash Granger. I want to get into a deeper

0:31:16.440 --> 0:31:22.560
<v Speaker 1>question here, and it says, how do you deal with

0:31:22.600 --> 0:31:28.040
<v Speaker 1>a negative review from the media? Yeye from New Zealand.

0:31:29.520 --> 0:31:33.120
<v Speaker 1>I need to say, first of all, media is not

0:31:33.320 --> 0:31:42.000
<v Speaker 1>really really. Then the negativity is more from social media,

0:31:42.400 --> 0:31:46.480
<v Speaker 1>from people you know, commenting hate on social media, and

0:31:46.520 --> 0:31:49.280
<v Speaker 1>it's even that is rare, And I maybe it's rare

0:31:49.280 --> 0:31:51.040
<v Speaker 1>because I don't look for it and I don't want

0:31:51.080 --> 0:31:53.800
<v Speaker 1>to deal with it. I just try to skip over

0:31:53.840 --> 0:31:59.720
<v Speaker 1>it and I don't see especially in country music, there's

0:31:59.720 --> 0:32:02.080
<v Speaker 1>a lot that there's not a lot of negative reviews

0:32:02.080 --> 0:32:05.120
<v Speaker 1>in the media because everyone pretty much plays nice or

0:32:05.120 --> 0:32:06.680
<v Speaker 1>they just don't talk about it at all. It's like

0:32:06.680 --> 0:32:08.720
<v Speaker 1>the old grandma saying, if you don't have anything nice

0:32:08.720 --> 0:32:14.440
<v Speaker 1>to say, don't say anything at all. But I can't

0:32:14.480 --> 0:32:17.640
<v Speaker 1>I'd be lying to if I didn't say that there

0:32:17.640 --> 0:32:22.480
<v Speaker 1>are times when I make a post or put out

0:32:22.480 --> 0:32:27.240
<v Speaker 1>a video, or put out a song and scroll past

0:32:27.800 --> 0:32:31.640
<v Speaker 1>good comments looking for a bad one. And I don't

0:32:31.680 --> 0:32:34.880
<v Speaker 1>know what it is about human nature that makes us

0:32:35.480 --> 0:32:39.440
<v Speaker 1>want to look for a fight or drive around looking

0:32:39.480 --> 0:32:41.880
<v Speaker 1>for looking for trouble. This is basically what it is

0:32:41.880 --> 0:32:44.239
<v Speaker 1>when you're on social media just scrolling, you're basically that's

0:32:44.240 --> 0:32:47.080
<v Speaker 1>the old days, are driving around looking for trouble. And

0:32:47.560 --> 0:32:49.200
<v Speaker 1>I don't know what it is about human nature that

0:32:49.280 --> 0:32:55.520
<v Speaker 1>makes you makes that that little bit of that little

0:32:55.720 --> 0:32:57.479
<v Speaker 1>the little spark in the brain that goes, so I'm

0:32:57.480 --> 0:33:00.880
<v Speaker 1>gonna find something bad, like, oh, one good, one good,

0:33:00.880 --> 0:33:03.520
<v Speaker 1>one good, one good, this is the worst all perfect.

0:33:03.680 --> 0:33:06.320
<v Speaker 1>Was this guy saying what he's saying about how bad

0:33:06.360 --> 0:33:12.680
<v Speaker 1>this song is. It takes practice to get away from that,

0:33:12.840 --> 0:33:15.200
<v Speaker 1>to get out of that habit, to try to avoid that,

0:33:16.520 --> 0:33:19.760
<v Speaker 1>but needless to say, it does happen. So I took

0:33:19.840 --> 0:33:24.280
<v Speaker 1>this this little poster off my brother's wall next door,

0:33:25.200 --> 0:33:27.760
<v Speaker 1>and it's kind of hard to read because it's gold

0:33:27.840 --> 0:33:33.680
<v Speaker 1>and it's it's got glares on it. But Theodore Roosevelt,

0:33:33.760 --> 0:33:36.239
<v Speaker 1>who I've spoken about many times in this podcast, who

0:33:36.320 --> 0:33:38.440
<v Speaker 1>I have tattooed on my arm, dear mighty things, on

0:33:38.440 --> 0:33:41.960
<v Speaker 1>my left arm. He speaks to that. He speaks to

0:33:42.040 --> 0:33:45.480
<v Speaker 1>your question, dude, He speaks to exactly what you're saying,

0:33:45.520 --> 0:33:48.360
<v Speaker 1>how do you deal with a negative review? And this

0:33:48.440 --> 0:33:51.280
<v Speaker 1>is what Theodore Roosevelt would say. It's called it was

0:33:51.320 --> 0:33:54.280
<v Speaker 1>a speech made, and the speech has been commonly titled

0:33:54.280 --> 0:33:57.200
<v Speaker 1>the Man in the Arena, And it says, it is

0:33:57.280 --> 0:34:01.000
<v Speaker 1>not the critic who counts, not the man who points

0:34:01.040 --> 0:34:04.440
<v Speaker 1>out how the strong man stumbles, or where the doer

0:34:04.560 --> 0:34:08.280
<v Speaker 1>of deeds could have done them better. The credit belongs

0:34:08.320 --> 0:34:11.400
<v Speaker 1>to the man that's actually in the arena, whose face

0:34:11.480 --> 0:34:16.239
<v Speaker 1>is marred by dust and sweat and blood, who strives valiantly,

0:34:17.000 --> 0:34:21.799
<v Speaker 1>who errs, who comes short again and again, because there

0:34:21.840 --> 0:34:26.600
<v Speaker 1>is no effort without error and shortcoming. But who does

0:34:26.680 --> 0:34:31.560
<v Speaker 1>actually strive to do the deeds, who does great enthusiasms,

0:34:31.600 --> 0:34:34.960
<v Speaker 1>the great devotions, who spins himself in a worthy cause,

0:34:35.040 --> 0:34:39.200
<v Speaker 1>who at the best knows in the end the triumph

0:34:39.480 --> 0:34:43.280
<v Speaker 1>of high achievement, and who, at the worst, if he fails,

0:34:44.200 --> 0:34:47.360
<v Speaker 1>at least he fails, why daring greatly so that his

0:34:47.480 --> 0:34:51.080
<v Speaker 1>place shall never be with those cold and timid souls

0:34:51.520 --> 0:34:57.160
<v Speaker 1>who know neither victory nor defeat. Good Old Teddy. I

0:34:57.200 --> 0:35:00.400
<v Speaker 1>could not have said that any better. So how do

0:35:00.440 --> 0:35:03.080
<v Speaker 1>you deal with a negative review? You know, listen to

0:35:03.080 --> 0:35:05.360
<v Speaker 1>it unless they're in the arena with you, blood, sweat

0:35:05.360 --> 0:35:07.560
<v Speaker 1>and tears, fighting right there alongside of you. Those are

0:35:07.560 --> 0:35:10.040
<v Speaker 1>the people you listen to. You can name those people,

0:35:10.080 --> 0:35:12.319
<v Speaker 1>each of you on this podcast listening and me, we

0:35:12.360 --> 0:35:16.800
<v Speaker 1>could all name on one or two hands the people

0:35:16.800 --> 0:35:19.680
<v Speaker 1>that are in the arena with us, fighting our battle

0:35:19.719 --> 0:35:23.160
<v Speaker 1>with us, right and if you're not, if you're not there,

0:35:23.800 --> 0:35:25.520
<v Speaker 1>So say, for instance, me if I put out a

0:35:25.520 --> 0:35:29.200
<v Speaker 1>song and there's some random dude up high in the

0:35:29.239 --> 0:35:33.160
<v Speaker 1>bleacher seats, and the analogy of the arena, the gladiator arena,

0:35:33.200 --> 0:35:35.880
<v Speaker 1>as Roosevelt was thinking, there's a dude up in the

0:35:35.880 --> 0:35:39.719
<v Speaker 1>nosebleeds and he goes, oh, I don't like it. I

0:35:39.760 --> 0:35:42.520
<v Speaker 1>can't hear you. I can't hear you down here because

0:35:42.560 --> 0:35:45.520
<v Speaker 1>I'm fighting a battle and the floor of the arena

0:35:46.560 --> 0:35:49.480
<v Speaker 1>and there's men that want to kill me, and we're

0:35:49.520 --> 0:35:52.520
<v Speaker 1>all fighting and sweating and bleeding, and there's a few

0:35:52.560 --> 0:35:55.240
<v Speaker 1>guys with me here fighting with me. We got swords

0:35:55.239 --> 0:35:58.600
<v Speaker 1>and shields, and you know, but that guy, those Bleeds

0:35:58.640 --> 0:36:01.880
<v Speaker 1>who just came in to watch the fight. I'm sorry, dude,

0:36:02.040 --> 0:36:04.319
<v Speaker 1>I'm I can't listen to you. I can't. I can't

0:36:04.360 --> 0:36:09.160
<v Speaker 1>even hear you. So that's not me. That's not a singer,

0:36:09.800 --> 0:36:13.360
<v Speaker 1>that's not a country singer. Or this is life. This

0:36:13.520 --> 0:36:16.359
<v Speaker 1>is so many things in life. This can apply you,

0:36:16.440 --> 0:36:18.960
<v Speaker 1>name it, plug it in. It applies to you in

0:36:19.000 --> 0:36:26.480
<v Speaker 1>your life. Boom the next one. Do you ever struggle

0:36:26.480 --> 0:36:31.759
<v Speaker 1>with self confidence? Yes? Yes, that's an easy answer. That's

0:36:31.800 --> 0:36:34.719
<v Speaker 1>an easy question, easy answer, But it's much more complicated

0:36:34.800 --> 0:36:38.320
<v Speaker 1>than that. Do you ever struggle with self confidence? Daily?

0:36:39.680 --> 0:36:41.799
<v Speaker 1>I wake up in the morning and I deal with it,

0:36:41.920 --> 0:36:44.160
<v Speaker 1>and there's there's voices in my head in the morning

0:36:44.160 --> 0:36:45.680
<v Speaker 1>when the first thing I gonna wake up says you're

0:36:45.719 --> 0:36:48.160
<v Speaker 1>not good enough today. You're not good enough to be

0:36:48.160 --> 0:36:50.480
<v Speaker 1>where you are. You think you have a podcast? What

0:36:50.600 --> 0:36:53.160
<v Speaker 1>a joke? If you have you heard Joe Rogan. You

0:36:53.239 --> 0:36:55.800
<v Speaker 1>know how many followers he has, how many listeners? Yours

0:36:55.880 --> 0:36:59.320
<v Speaker 1>is a joke. You're not good enough? Why would anyone

0:36:59.760 --> 0:37:01.719
<v Speaker 1>this podcast thing is going to go away. You got

0:37:01.719 --> 0:37:04.319
<v Speaker 1>a couple sponsors on this episode. Good for you, it's

0:37:04.320 --> 0:37:06.160
<v Speaker 1>gonna go away. You probably won't have them next week.

0:37:07.280 --> 0:37:10.560
<v Speaker 1>This goes on and on and on until you learn

0:37:10.880 --> 0:37:14.319
<v Speaker 1>to silence that internal voice. And as we spoke about

0:37:14.320 --> 0:37:18.200
<v Speaker 1>the critic and the last question, the biggest critic is yourself.

0:37:18.960 --> 0:37:20.600
<v Speaker 1>And you got to beat yourself. You got to be

0:37:20.600 --> 0:37:23.239
<v Speaker 1>better than you were yesterday. And a lot of times

0:37:23.280 --> 0:37:26.840
<v Speaker 1>that silencing that voice that wants to tell you you're

0:37:26.920 --> 0:37:30.480
<v Speaker 1>not good enough. So it's a daily struggle. It's a

0:37:30.520 --> 0:37:32.920
<v Speaker 1>daily struggle to not scroll through Instagram and look for

0:37:32.960 --> 0:37:36.560
<v Speaker 1>negative comments. It's a daily struggle to silence the voice

0:37:36.560 --> 0:37:39.120
<v Speaker 1>that wants to tell me that I'm not good enough

0:37:39.160 --> 0:37:41.600
<v Speaker 1>to be here, I'm not good enough. I struggled for

0:37:41.640 --> 0:37:45.360
<v Speaker 1>a long time, and I think I could honestly say

0:37:46.200 --> 0:37:48.640
<v Speaker 1>I probably probably not. I probably can't say this yet,

0:37:49.080 --> 0:37:51.120
<v Speaker 1>but I did struggle. And I remember the first time

0:37:51.280 --> 0:37:53.040
<v Speaker 1>I felt this feeling. It was when I was going

0:37:53.080 --> 0:37:55.560
<v Speaker 1>to Texas A and M and I had a song

0:37:56.200 --> 0:38:01.400
<v Speaker 1>that was that was locally popular called we Bleed, and

0:38:01.480 --> 0:38:03.799
<v Speaker 1>it was about the school, Texas A and M University,

0:38:04.360 --> 0:38:08.000
<v Speaker 1>and it went it went a little bit viral back then.

0:38:08.000 --> 0:38:11.839
<v Speaker 1>It was in two thousand and six enough that I

0:38:11.920 --> 0:38:14.960
<v Speaker 1>was able to move some product, move some songs. The

0:38:14.960 --> 0:38:19.000
<v Speaker 1>little albums EP and then I was able to sell

0:38:19.040 --> 0:38:22.239
<v Speaker 1>tickets at concerts and get a bunch of people there,

0:38:22.640 --> 0:38:24.239
<v Speaker 1>as opposed to the old days when it was like

0:38:24.320 --> 0:38:26.800
<v Speaker 1>forty people. I could actually go in a couple of

0:38:26.840 --> 0:38:29.760
<v Speaker 1>times and see a see if four or five hundred people.

0:38:30.719 --> 0:38:34.160
<v Speaker 1>And I remember being out there knowing that I had

0:38:34.280 --> 0:38:37.960
<v Speaker 1>we Bleed Maroon. That was the reason they came. They

0:38:38.000 --> 0:38:40.800
<v Speaker 1>came because I was the guy that sang we Bleed Maroon?

0:38:42.600 --> 0:38:44.360
<v Speaker 1>How do you think that makes me feel? On every

0:38:44.360 --> 0:38:49.200
<v Speaker 1>other song I sing that night? Completely self conscious? All

0:38:49.239 --> 0:38:52.480
<v Speaker 1>I'm thinking is A, I got to hurry up and

0:38:52.480 --> 0:38:55.319
<v Speaker 1>get the we Bleed Maroon? And B what am I

0:38:55.360 --> 0:38:57.560
<v Speaker 1>going to do after that song's over? Like? How am

0:38:57.560 --> 0:38:59.040
<v Speaker 1>I going to end the show? If that's the song

0:38:59.080 --> 0:39:02.280
<v Speaker 1>they came to hear. So it was a huge struggle,

0:39:02.760 --> 0:39:05.080
<v Speaker 1>and I would think about it song after song. I'd

0:39:05.080 --> 0:39:07.520
<v Speaker 1>be thinking, no one wants to hear this song. I'm sucking.

0:39:07.880 --> 0:39:10.719
<v Speaker 1>I'm not worthy of all these people being here. I'm

0:39:10.719 --> 0:39:13.200
<v Speaker 1>disappointing them. I know it. I'm disappointing these people. They

0:39:13.200 --> 0:39:15.640
<v Speaker 1>came to hear one song, and now I'm disappointing them

0:39:15.680 --> 0:39:19.680
<v Speaker 1>with all the others Instead I could have been replacing

0:39:19.719 --> 0:39:21.680
<v Speaker 1>those thoughts with all Right, I'm gonna try to win

0:39:21.719 --> 0:39:23.960
<v Speaker 1>these people over. They came to hear one song. I'm

0:39:23.960 --> 0:39:25.600
<v Speaker 1>gonna try to win them over with another song that

0:39:25.640 --> 0:39:27.359
<v Speaker 1>they don't even know. Then they'll leave here a fan

0:39:27.400 --> 0:39:30.160
<v Speaker 1>of that song. But I would be lying if I

0:39:30.200 --> 0:39:33.160
<v Speaker 1>said the voice that won those conversations in my head

0:39:33.560 --> 0:39:36.600
<v Speaker 1>was typically the voice that said, you are not worthy

0:39:36.640 --> 0:39:39.560
<v Speaker 1>to be here. You're disappointing these people. You're better hurry

0:39:39.560 --> 0:39:43.840
<v Speaker 1>to get to we believe Maroon, and I still feel

0:39:43.840 --> 0:39:46.760
<v Speaker 1>that voice. It's gotten a lot better, a lot better.

0:39:47.440 --> 0:39:49.400
<v Speaker 1>I would say ninety five percent of the shows I

0:39:49.440 --> 0:39:52.640
<v Speaker 1>play now I'm able to enjoy them and play them

0:39:52.680 --> 0:39:54.880
<v Speaker 1>song by song and actually enjoy the moment and be

0:39:55.080 --> 0:39:56.680
<v Speaker 1>in the moment with my band and be in the

0:39:56.680 --> 0:39:59.240
<v Speaker 1>moment with the fans. But they're still that five percent.

0:40:00.200 --> 0:40:02.839
<v Speaker 1>I'm in a bigger show, or it's a TV show,

0:40:02.920 --> 0:40:07.960
<v Speaker 1>or it's a big arena show than I think. I

0:40:08.840 --> 0:40:11.200
<v Speaker 1>got lucky. I just got lucky. I locked my way

0:40:11.200 --> 0:40:14.120
<v Speaker 1>into the show, and I just tricked them. I tricked

0:40:14.160 --> 0:40:16.160
<v Speaker 1>these people into thinking that they should be here to

0:40:16.200 --> 0:40:19.319
<v Speaker 1>hear me, But then they're really going to be disappointed

0:40:19.320 --> 0:40:21.560
<v Speaker 1>and probably end up filing out one by one as

0:40:21.560 --> 0:40:24.719
<v Speaker 1>soon as they realized the jokes on them. I just

0:40:24.840 --> 0:40:27.239
<v Speaker 1>trick I'm a con artist and I tricked them into

0:40:27.239 --> 0:40:31.239
<v Speaker 1>coming to this show. So so yeah, I know that's

0:40:31.280 --> 0:40:34.960
<v Speaker 1>a long answer. But do I struggle with self confidence? Absolutely?

0:40:35.080 --> 0:40:43.520
<v Speaker 1>I do. What life advice would you give to a

0:40:43.600 --> 0:40:47.480
<v Speaker 1>young adult that you wished you knew you would have known?

0:40:48.239 --> 0:40:50.200
<v Speaker 1>Let me read that again. Messed that up? What life

0:40:50.239 --> 0:40:53.080
<v Speaker 1>advice would you give to a young adult that you

0:40:53.200 --> 0:41:04.719
<v Speaker 1>wished you would have known? Question by Sierra. And It's

0:41:04.760 --> 0:41:07.839
<v Speaker 1>taken me a lot of years to realize that there's

0:41:07.880 --> 0:41:17.719
<v Speaker 1>a story worth reading, worth understanding in the Bible. And

0:41:17.800 --> 0:41:20.480
<v Speaker 1>some of you are going to might maybe be repulsed

0:41:20.480 --> 0:41:25.000
<v Speaker 1>by that answer, some of you might agree with that answer,

0:41:25.040 --> 0:41:28.200
<v Speaker 1>and some of you, who I'm probably speaking to, I hope,

0:41:28.760 --> 0:41:34.239
<v Speaker 1>are wondering what that means and maybe intrigued by that.

0:41:35.520 --> 0:41:37.160
<v Speaker 1>And I would have to say because a lot of

0:41:37.160 --> 0:41:38.640
<v Speaker 1>these questions too were like, Hey, are you going to

0:41:38.680 --> 0:41:41.799
<v Speaker 1>do Amber Dozer devotionals every Sunday morning? Are you going

0:41:41.880 --> 0:41:44.720
<v Speaker 1>to do that? And I'm still really in a place

0:41:44.760 --> 0:41:48.319
<v Speaker 1>of figuring out my rhythm right now with this. But

0:41:49.400 --> 0:41:51.640
<v Speaker 1>the truth of the matter is I became a devotional

0:41:51.760 --> 0:41:53.799
<v Speaker 1>junkie a little bit, and I felt like I got

0:41:53.840 --> 0:41:59.480
<v Speaker 1>too much into reading Christian devotionals and hearing these beautiful

0:41:59.600 --> 0:42:02.840
<v Speaker 1>verses and a beautiful explanation of the verse and a

0:42:02.880 --> 0:42:05.600
<v Speaker 1>way that that could applied to my life at the time.

0:42:06.239 --> 0:42:08.520
<v Speaker 1>And I think that's great. But I became a junkie

0:42:08.640 --> 0:42:11.560
<v Speaker 1>about it, and I read every morning and that's what

0:42:11.680 --> 0:42:14.000
<v Speaker 1>I read, that was the extent of it, instead of

0:42:14.040 --> 0:42:18.319
<v Speaker 1>actually getting into the Scripture itself and digging in. And

0:42:18.360 --> 0:42:22.520
<v Speaker 1>when I did that, I stopped devotionals. I stopped the

0:42:22.560 --> 0:42:28.359
<v Speaker 1>influence from man altogether, from preachers and worship leaders and

0:42:28.640 --> 0:42:32.000
<v Speaker 1>devotionals and books and podcasts, and I got away from

0:42:32.040 --> 0:42:35.800
<v Speaker 1>all of it, and I just went into the word itself,

0:42:35.920 --> 0:42:40.040
<v Speaker 1>the Scripture itself. Starting at the beginning, I actually read

0:42:40.040 --> 0:42:45.759
<v Speaker 1>the complete New Testament, first discovered all the beauty of

0:42:45.800 --> 0:42:48.759
<v Speaker 1>the New Testament, all the missing pieces. I heard it

0:42:48.800 --> 0:42:52.600
<v Speaker 1>described one time. It's like a beautiful scripture is like

0:42:52.640 --> 0:42:55.239
<v Speaker 1>a pearl, and you hold it out in front of you, Oh,

0:42:55.280 --> 0:42:58.680
<v Speaker 1>God so loved the world, or you have these beautiful

0:42:58.719 --> 0:43:01.840
<v Speaker 1>verses and it's a beautiful pearl. But then when you

0:43:01.880 --> 0:43:05.400
<v Speaker 1>read it all in context and read why for instance,

0:43:05.480 --> 0:43:09.680
<v Speaker 1>John said three sixteen, and why Paul said all the

0:43:09.680 --> 0:43:15.200
<v Speaker 1>beautiful things he says in Romans and Corinthians, you you

0:43:15.920 --> 0:43:19.920
<v Speaker 1>feel the entire string of all the pearls laid out

0:43:19.960 --> 0:43:21.640
<v Speaker 1>in front of you, and it all just makes sense.

0:43:21.640 --> 0:43:24.879
<v Speaker 1>And so that's been my journey for a while now.

0:43:24.960 --> 0:43:31.400
<v Speaker 1>For this whole year, it's just been avoiding devotionals. And

0:43:33.000 --> 0:43:36.480
<v Speaker 1>it's not that I avoid sermons and preachers, but I

0:43:36.840 --> 0:43:42.839
<v Speaker 1>I start. I start with me and the own word

0:43:42.880 --> 0:43:45.919
<v Speaker 1>and my my own interpretation of the word that I'm

0:43:45.920 --> 0:43:47.759
<v Speaker 1>reading right there in the Bible. So now I'm in

0:43:47.760 --> 0:43:51.520
<v Speaker 1>the Old Testament, for example, and I'm like, wow, this

0:43:51.640 --> 0:43:53.719
<v Speaker 1>is all like all the dots are going to have

0:43:54.640 --> 0:43:57.120
<v Speaker 1>I've gone to Sunday School since i was a little kid. Guys,

0:43:57.560 --> 0:43:59.640
<v Speaker 1>but I know all the stories. I know no one

0:43:59.719 --> 0:44:01.839
<v Speaker 1>they are. I know Moses and the Ten Commandments. I

0:44:01.880 --> 0:44:05.520
<v Speaker 1>know these stories. But when you connect them and you

0:44:05.600 --> 0:44:08.520
<v Speaker 1>create the timeline and you read it as an adult,

0:44:09.440 --> 0:44:13.879
<v Speaker 1>and you read it without someone preaching in your ear

0:44:14.120 --> 0:44:18.440
<v Speaker 1>or without a devotional telling you to turn to this page,

0:44:18.520 --> 0:44:21.840
<v Speaker 1>you just start and it's like, oh my god, this

0:44:21.920 --> 0:44:25.680
<v Speaker 1>story is literally, Oh my god, this story is amazing

0:44:26.320 --> 0:44:32.720
<v Speaker 1>and it's changing my life again. I feel I feel

0:44:32.760 --> 0:44:37.000
<v Speaker 1>like I have died and I've been reborn literally, And

0:44:37.040 --> 0:44:41.480
<v Speaker 1>so I'll get I'll get way more into that, and

0:44:41.520 --> 0:44:43.920
<v Speaker 1>as i continue down that path, I'll kind of pull

0:44:44.000 --> 0:44:46.920
<v Speaker 1>more of those little those little pieces out For you, guys,

0:44:48.080 --> 0:44:51.200
<v Speaker 1>these are awesome questions. Thank you for asking them. If

0:44:51.239 --> 0:44:53.279
<v Speaker 1>you have a question, go to your social media of

0:44:53.400 --> 0:44:56.960
<v Speaker 1>choice and hashtag Granger Smith Podcast. Ask me the question.

0:44:57.200 --> 0:44:59.879
<v Speaker 1>I'll search for it, find it. I'll have guests too

0:45:00.120 --> 0:45:02.479
<v Speaker 1>coming up soon, and so much more to talk about

0:45:02.480 --> 0:45:06.400
<v Speaker 1>with this new album. Love you guys, appreciate you listening.

0:45:07.200 --> 0:45:07.839
<v Speaker 1>See you next time.