1 00:00:01,320 --> 00:00:04,240 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,400 --> 00:00:15,000 Speaker 1: of iHeartRadio, Hello and Happy Friday. Am Holly Fry and 3 00:00:15,040 --> 00:00:19,600 Speaker 1: I'm Tracy V. Wilson. We talked about shipwrecks, which are 4 00:00:19,680 --> 00:00:22,920 Speaker 1: often people's favorite stories, although I don't know how much 5 00:00:23,000 --> 00:00:27,680 Speaker 1: they'd love this one. It's a particularly gruesome one. It's grizzly, 6 00:00:27,920 --> 00:00:30,960 Speaker 1: it's rough, and I mean I cut for time a 7 00:00:31,000 --> 00:00:35,280 Speaker 1: lot of grizzly things. So yeah, and then we talked about, 8 00:00:35,320 --> 00:00:38,920 Speaker 1: you know, the aftermath of that shipwreck and Teyo Doorgerico, 9 00:00:39,000 --> 00:00:41,440 Speaker 1: who's work I'm in love with anyway, and got to 10 00:00:41,479 --> 00:00:44,400 Speaker 1: talk about him in his own little grizzly fascination with 11 00:00:44,479 --> 00:00:48,600 Speaker 1: this whole thing, yeah, which is a little bit yucky. Well, 12 00:00:48,640 --> 00:00:54,440 Speaker 1: I mean I understand like becoming kind of morbidly fixated 13 00:00:55,040 --> 00:00:58,720 Speaker 1: on something like this. Yeah, Like I'm sort of thinking 14 00:00:58,720 --> 00:01:05,160 Speaker 1: about how when the submersible imploded, Yeah, everybody wanted all 15 00:01:05,160 --> 00:01:07,920 Speaker 1: the details. Everyone wanted all the details. And then when 16 00:01:07,920 --> 00:01:14,400 Speaker 1: the hearings happened about the implosion of the submersible with 17 00:01:14,440 --> 00:01:16,680 Speaker 1: the Titan, is that what it was called, Like the 18 00:01:16,720 --> 00:01:20,119 Speaker 1: hearings happened, and like everyone wanted all the details from 19 00:01:20,160 --> 00:01:23,000 Speaker 1: the hearings. Not everyone obviously, we know what I mean, 20 00:01:23,080 --> 00:01:26,440 Speaker 1: and like, yeah, then you know documentary is about it people. 21 00:01:27,920 --> 00:01:34,600 Speaker 1: I feel like this, if the Medusa had happened now similarly, 22 00:01:34,680 --> 00:01:37,679 Speaker 1: would have been like a thing that everybody was fixated 23 00:01:37,720 --> 00:01:41,720 Speaker 1: on trying to detail of for sure. I mean it's 24 00:01:41,760 --> 00:01:47,960 Speaker 1: really interesting too because we do have very detailed survivor accounts. Right. 25 00:01:48,800 --> 00:01:52,360 Speaker 1: We didn't explicitly mention it in the episode, but we 26 00:01:52,480 --> 00:01:56,200 Speaker 1: did talk about there being counter accounts and whatnot and 27 00:01:56,240 --> 00:02:00,440 Speaker 1: people trying to put forth their own version of it events. 28 00:02:00,480 --> 00:02:03,240 Speaker 1: But like all of these accounts have been questioned in 29 00:02:03,360 --> 00:02:07,360 Speaker 1: terms of the bias of the narrative, Like there are 30 00:02:07,360 --> 00:02:14,840 Speaker 1: even people who have accused Couryer and Savignye of making 31 00:02:14,880 --> 00:02:17,880 Speaker 1: the raft sound worse than it was, even though everyone 32 00:02:18,480 --> 00:02:22,840 Speaker 1: found these men skin and bones like a absolute mess 33 00:02:23,639 --> 00:02:26,600 Speaker 1: when they finally were rescued, like there was no doubting 34 00:02:26,639 --> 00:02:29,240 Speaker 1: that they had been through this terrible ordeal, But there 35 00:02:29,280 --> 00:02:33,760 Speaker 1: are still people that question the accuracy of their version 36 00:02:33,800 --> 00:02:40,280 Speaker 1: of events. Yeah. Yeah, I was struck by just the 37 00:02:40,520 --> 00:02:46,640 Speaker 1: kid falling overboard near the beginning, and how people still 38 00:02:46,639 --> 00:02:50,679 Speaker 1: fall off ships today and it can be really hard 39 00:02:50,680 --> 00:02:53,320 Speaker 1: to find people because ships move fast. Here are on 40 00:02:53,360 --> 00:02:57,200 Speaker 1: a ship. You see somebody fall overboard, you need to 41 00:02:57,280 --> 00:03:00,400 Speaker 1: point at them and look at them and el to 42 00:03:00,520 --> 00:03:04,160 Speaker 1: someone else that someone has gone over, Like don't take 43 00:03:04,200 --> 00:03:08,040 Speaker 1: your eyes off them. Yeah, don't break your visual line. Yeah, 44 00:03:08,080 --> 00:03:11,280 Speaker 1: avoid it because it's really hard to find people in 45 00:03:11,320 --> 00:03:13,600 Speaker 1: the ocean. So like, it doesn't surprise me at all 46 00:03:13,680 --> 00:03:17,320 Speaker 1: that they couldn't find them and they had to give up. Yeah, 47 00:03:17,360 --> 00:03:20,519 Speaker 1: me either. It's just heartbreaking though, Like the many things 48 00:03:20,520 --> 00:03:22,760 Speaker 1: that happen on this whole thing, the one thing that 49 00:03:23,080 --> 00:03:27,360 Speaker 1: is I think really compelling about the various survivor accounts, 50 00:03:29,320 --> 00:03:32,240 Speaker 1: right like Charlotte Picard's account, which she wrote a little 51 00:03:32,240 --> 00:03:34,120 Speaker 1: bit later down the road. She didn't write it right 52 00:03:34,160 --> 00:03:36,480 Speaker 1: after they were rescued because she was still quite young. 53 00:03:36,520 --> 00:03:41,200 Speaker 1: Then really does validate the experience of like the crew 54 00:03:41,240 --> 00:03:44,720 Speaker 1: member's account. M And it's good because it's from a 55 00:03:44,880 --> 00:03:47,040 Speaker 1: very different point of view, you know what I mean. 56 00:03:47,080 --> 00:03:49,560 Speaker 1: It's like one of the wealthier families that was going 57 00:03:49,640 --> 00:03:56,000 Speaker 1: to be part of this like new you know, poorly intended, 58 00:03:56,080 --> 00:03:58,760 Speaker 1: but you know, this new colony set up for her 59 00:03:58,840 --> 00:04:02,160 Speaker 1: to be like, oh yes, we all recognized that Chow 60 00:04:02,200 --> 00:04:05,600 Speaker 1: Marae was like dicey as hell was very good. It 61 00:04:05,640 --> 00:04:08,000 Speaker 1: made it seem not just like people that were maybe 62 00:04:08,240 --> 00:04:11,880 Speaker 1: bristling against command or you know, not right, like for 63 00:04:11,920 --> 00:04:13,920 Speaker 1: her to also be like he trusted this guy that 64 00:04:14,000 --> 00:04:16,960 Speaker 1: we all knew was a crazy loser, Like we knew 65 00:04:17,040 --> 00:04:20,800 Speaker 1: he did not have any kind of actual information or expertise, 66 00:04:20,880 --> 00:04:22,839 Speaker 1: but he trusted him even though we all were like, 67 00:04:22,839 --> 00:04:25,840 Speaker 1: what are you doing. Yeah, that's the other thing that 68 00:04:26,160 --> 00:04:28,479 Speaker 1: really really gets me in this and we mentioned it 69 00:04:28,520 --> 00:04:30,960 Speaker 1: a little bit, but there were so many people saying 70 00:04:31,080 --> 00:04:36,880 Speaker 1: to chow marae, yo, we're in trouble, Like I am 71 00:04:37,000 --> 00:04:41,080 Speaker 1: a you know, lifelong sailor. I have been on a 72 00:04:41,120 --> 00:04:44,000 Speaker 1: lot of ships. I'm telling you right now, we're in trouble, 73 00:04:44,040 --> 00:04:47,960 Speaker 1: and him going, no, we're not. My friend Reshore says fine, 74 00:04:48,400 --> 00:04:54,400 Speaker 1: We're not fine. I'm like, you know, in a world 75 00:04:54,440 --> 00:04:59,360 Speaker 1: where people are disregarding experts in things in favor of 76 00:04:59,600 --> 00:05:03,239 Speaker 1: their own opinions being made into what they think is fact. 77 00:05:03,320 --> 00:05:05,680 Speaker 1: It was a little a bit of a gut punch 78 00:05:05,680 --> 00:05:09,040 Speaker 1: at times in some of those accounts. I also feel 79 00:05:09,080 --> 00:05:13,520 Speaker 1: like I've obviously never been in a situation like this 80 00:05:13,800 --> 00:05:17,320 Speaker 1: where we were on a ship with people's lives in 81 00:05:17,360 --> 00:05:20,400 Speaker 1: our hands at all. Right, My jobs have always been 82 00:05:21,120 --> 00:05:26,600 Speaker 1: way more inconsequential in terms of the chair, in terms 83 00:05:26,640 --> 00:05:30,120 Speaker 1: of life and limb. But I have one thousand percent 84 00:05:30,200 --> 00:05:34,279 Speaker 1: and had many occasions where there was a decision being 85 00:05:34,320 --> 00:05:38,640 Speaker 1: made or a change being contemplated, and a lot of 86 00:05:38,640 --> 00:05:41,120 Speaker 1: people have been like, hey, this is a bad idea 87 00:05:41,240 --> 00:05:45,359 Speaker 1: and here's why, and that was like just not listened 88 00:05:45,400 --> 00:05:49,839 Speaker 1: to or heard. Yeah, yeah, it stinks. One thing that 89 00:05:49,880 --> 00:05:55,200 Speaker 1: I did not include that is also harrowing. Even after 90 00:05:56,360 --> 00:06:01,120 Speaker 1: the raft group was rescued and they were put aboard 91 00:06:01,160 --> 00:06:04,760 Speaker 1: the Argus, the Argus was still carrying people from the boats, 92 00:06:04,800 --> 00:06:08,880 Speaker 1: the other lifeboats, so it was quite crowded and some 93 00:06:08,960 --> 00:06:11,680 Speaker 1: of them had to sleep in like these makeshift quarters 94 00:06:12,240 --> 00:06:17,279 Speaker 1: that were like down in the you know, lower parts 95 00:06:17,279 --> 00:06:20,159 Speaker 1: of the ship. There was actually a fire on board 96 00:06:21,360 --> 00:06:24,480 Speaker 1: that threatened their lives, and like they mentioned in the 97 00:06:25,520 --> 00:06:28,080 Speaker 1: crew account, like so they we kind of got saved 98 00:06:28,080 --> 00:06:30,400 Speaker 1: twice because some of their crew was on it and 99 00:06:30,440 --> 00:06:33,120 Speaker 1: like put out the fires. But they were literally not 100 00:06:33,320 --> 00:06:36,760 Speaker 1: put in like cushy, Oh my gosh, you've been through 101 00:06:36,800 --> 00:06:39,680 Speaker 1: so much, like let's make sure you're taking care of conditions. 102 00:06:39,720 --> 00:06:42,120 Speaker 1: It was literally like, there's a corner over there by 103 00:06:42,120 --> 00:06:44,480 Speaker 1: the boiler. You could probably curl up over there if 104 00:06:44,520 --> 00:06:50,160 Speaker 1: you want, like these poor men. It's interesting that book 105 00:06:50,160 --> 00:06:52,719 Speaker 1: that we mentioned by Jonathan Miles, if you want an 106 00:06:52,800 --> 00:06:57,200 Speaker 1: in depth dig in on that. I was kind of 107 00:06:57,320 --> 00:06:59,719 Speaker 1: using that to triangulate, Like I was going off a 108 00:06:59,720 --> 00:07:02,120 Speaker 1: lot of the coryar and seven year and the Charlotte 109 00:07:02,120 --> 00:07:05,080 Speaker 1: Pcard accounts, and then I would triangulate with that and 110 00:07:05,120 --> 00:07:07,800 Speaker 1: be like, is he interpreting this the same way I am, 111 00:07:07,920 --> 00:07:10,560 Speaker 1: so that I would like kind of get like the 112 00:07:10,600 --> 00:07:13,640 Speaker 1: whole thing with guns versus cannons. That book says it's 113 00:07:13,640 --> 00:07:16,240 Speaker 1: canons that they were trying to shoot off and that 114 00:07:16,280 --> 00:07:18,560 Speaker 1: didn't have powder, but I don't. I said that was 115 00:07:18,600 --> 00:07:20,720 Speaker 1: one of the things that I was looking at. But 116 00:07:21,160 --> 00:07:24,600 Speaker 1: one of the big things that he points out is 117 00:07:24,640 --> 00:07:32,120 Speaker 1: that there had been prior to this instances of shipwrecks 118 00:07:32,320 --> 00:07:37,560 Speaker 1: or similarly harrowing circumstances where people had turned to cannibalism 119 00:07:37,600 --> 00:07:40,520 Speaker 1: to survive, and how there was like this precedent that like, 120 00:07:40,800 --> 00:07:43,400 Speaker 1: obviously that's not great, but people give a little bit 121 00:07:43,400 --> 00:07:46,880 Speaker 1: of grace understanding the situation. But I think that too 122 00:07:47,040 --> 00:07:51,760 Speaker 1: added this whole other layer of like grim fascination to 123 00:07:51,840 --> 00:07:56,120 Speaker 1: the whole thing. Yeah. Yeah, And even in the coryar 124 00:07:56,160 --> 00:07:59,800 Speaker 1: and seven year account, there's a really really upsetting passage 125 00:08:00,680 --> 00:08:06,360 Speaker 1: where they talk about having to survive off of the 126 00:08:06,400 --> 00:08:10,120 Speaker 1: body of a person who had been holding their hands 127 00:08:10,160 --> 00:08:13,960 Speaker 1: like two days earlier, and it's just so upsetting. Yeah, 128 00:08:14,040 --> 00:08:15,960 Speaker 1: like that he was one of their crewmates that was like, 129 00:08:16,000 --> 00:08:17,600 Speaker 1: we're going to get through this. We're going to you 130 00:08:17,640 --> 00:08:19,800 Speaker 1: know that they were all trying to and it didn't 131 00:08:19,840 --> 00:08:32,560 Speaker 1: work out. There's an interesting story here about Jericho and 132 00:08:32,679 --> 00:08:35,000 Speaker 1: abolition that I also didn't get into because he was 133 00:08:35,040 --> 00:08:43,480 Speaker 1: an abolitionist. And what's very interesting is his choice because 134 00:08:43,480 --> 00:08:46,600 Speaker 1: he did study this whole case so in depth, as 135 00:08:46,640 --> 00:08:49,719 Speaker 1: we noted, he talked to the survivors, he made diagrams 136 00:08:49,720 --> 00:08:51,920 Speaker 1: of the rafts, so he understood what he needed to paint. 137 00:08:52,320 --> 00:08:55,559 Speaker 1: But he made a very deliberate choice in changing up 138 00:08:55,640 --> 00:08:59,600 Speaker 1: the details of what went on when he created his painting, 139 00:09:00,160 --> 00:09:02,720 Speaker 1: which is that in the painting raft of the Medusa, 140 00:09:03,240 --> 00:09:06,760 Speaker 1: there are three black men on the raft. There was 141 00:09:06,880 --> 00:09:12,120 Speaker 1: only one black man on the raft, and that has 142 00:09:12,559 --> 00:09:17,679 Speaker 1: long been perceived as part of his effort to draw 143 00:09:17,720 --> 00:09:21,679 Speaker 1: attention to the need for abolition, and as we said, 144 00:09:21,720 --> 00:09:26,680 Speaker 1: he was planning to do a large scale painting, possibly 145 00:09:26,679 --> 00:09:31,080 Speaker 1: as big as this one, about the slave trade. So 146 00:09:31,200 --> 00:09:33,880 Speaker 1: that was kind of an interesting, yeah, interesting thing. And 147 00:09:33,920 --> 00:09:36,959 Speaker 1: he had actually hired a model. I didn't write it down, 148 00:09:37,000 --> 00:09:39,600 Speaker 1: and I don't remember where he was from, but he 149 00:09:39,720 --> 00:09:43,320 Speaker 1: hired a black man to model for him, who is 150 00:09:43,360 --> 00:09:45,080 Speaker 1: the model of two of the people on the boat, 151 00:09:45,120 --> 00:09:46,880 Speaker 1: but like they're at different angles, so it doesn't look 152 00:09:46,920 --> 00:09:50,559 Speaker 1: like a repeat person. But that was kind of interesting, 153 00:09:50,840 --> 00:09:55,400 Speaker 1: just an interesting detail about him. Yeah, there's another interesting 154 00:09:55,440 --> 00:10:01,760 Speaker 1: thing about his son. Okay, So he and Alexandrine had 155 00:10:01,800 --> 00:10:08,600 Speaker 1: this son that was surrendered as unknown parents, but of 156 00:10:08,640 --> 00:10:13,040 Speaker 1: course people knew and when Jericho and some people had 157 00:10:13,040 --> 00:10:15,880 Speaker 1: clearly kept up with what was going on with that boy. 158 00:10:15,960 --> 00:10:20,160 Speaker 1: Because when Jericho knew that he was dying, he made 159 00:10:20,200 --> 00:10:23,319 Speaker 1: his will, and he made his will so that his father, 160 00:10:23,400 --> 00:10:28,240 Speaker 1: who was still alive, would inherit everything. But his father 161 00:10:28,559 --> 00:10:33,120 Speaker 1: in turn made a new will of his own where 162 00:10:33,160 --> 00:10:36,920 Speaker 1: everything that Jericho had willed him went to that boy. Oh, 163 00:10:38,040 --> 00:10:41,480 Speaker 1: so that even though there had been a disconnect, he 164 00:10:41,640 --> 00:10:45,600 Speaker 1: still got his father's legacy, which is kind of cool. Yeah, 165 00:10:45,840 --> 00:10:48,439 Speaker 1: it's a cool little trip. There is a very sad 166 00:10:48,520 --> 00:10:55,000 Speaker 1: detail about Coriard that was also fascinating to me. Okay, 167 00:10:55,520 --> 00:10:58,480 Speaker 1: as we said seven year, it seemed like wanted to 168 00:10:58,520 --> 00:11:01,560 Speaker 1: not even though he was he was a participant in 169 00:11:01,600 --> 00:11:05,199 Speaker 1: the multiple editions of the book that kept being published 170 00:11:05,280 --> 00:11:08,000 Speaker 1: year after year after year, but he just was not 171 00:11:08,320 --> 00:11:10,920 Speaker 1: as like, he did not get as politically active as 172 00:11:10,960 --> 00:11:13,800 Speaker 1: Courard and whatnot. So I feel like I don't have 173 00:11:13,840 --> 00:11:16,120 Speaker 1: as much information about what his life turned out to be. 174 00:11:16,200 --> 00:11:22,040 Speaker 1: But apparently Coriard had gotten married, clearly adored his wife, 175 00:11:22,040 --> 00:11:25,560 Speaker 1: but he did this very weird thing after his wife 176 00:11:25,600 --> 00:11:29,679 Speaker 1: died where he had like a dress mannequin that he 177 00:11:29,800 --> 00:11:33,640 Speaker 1: kept in his room and he changed her clothes like 178 00:11:33,679 --> 00:11:36,440 Speaker 1: with his wife's clothes all the time, Okay, because he 179 00:11:36,559 --> 00:11:39,559 Speaker 1: just wanted to feel like she was close to him. Yeah. 180 00:11:39,720 --> 00:11:42,720 Speaker 1: And it's so sort of odd and a little like 181 00:11:42,920 --> 00:11:45,920 Speaker 1: from a Hitchcock film and an also sort of endearing 182 00:11:46,000 --> 00:11:50,200 Speaker 1: in a strange way. Well, based on the gruesomeness of 183 00:11:50,240 --> 00:11:53,480 Speaker 1: the episode. When you started describing this, I took it 184 00:11:53,520 --> 00:11:55,719 Speaker 1: to a very different You were worried that it was 185 00:11:55,760 --> 00:11:57,360 Speaker 1: going to be a different thing. Yeah, Yeah, And when 186 00:11:57,360 --> 00:11:59,760 Speaker 1: you said benign in that regard. It hurts no one, 187 00:12:00,280 --> 00:12:05,320 Speaker 1: you said, clothes, I was relieved this is not the 188 00:12:05,360 --> 00:12:07,000 Speaker 1: cook to thief his wife and her lover in any 189 00:12:07,080 --> 00:12:10,280 Speaker 1: kind of way. Yeah. Yeah, it's so sweet and sad 190 00:12:10,320 --> 00:12:12,960 Speaker 1: and a little creepy, but also I can understand it. 191 00:12:13,480 --> 00:12:15,959 Speaker 1: Mm hmmm. I don't know. I just he did not 192 00:12:16,080 --> 00:12:19,040 Speaker 1: have an easy life, and like there was I mean, 193 00:12:19,200 --> 00:12:22,400 Speaker 1: he got called in front of the court so many 194 00:12:22,520 --> 00:12:28,199 Speaker 1: times for you know, his treasonous printings. Like his life 195 00:12:28,280 --> 00:12:31,000 Speaker 1: was not easy and he clearly. I mean, that's the 196 00:12:31,040 --> 00:12:33,600 Speaker 1: thing that isn't talked about much in any of these 197 00:12:33,679 --> 00:12:37,000 Speaker 1: even though it's discussed in some ways, but not at 198 00:12:37,000 --> 00:12:41,160 Speaker 1: the depth that we would understand it today. These people 199 00:12:41,200 --> 00:12:46,360 Speaker 1: that survive this experience like trauma that will change your 200 00:12:46,400 --> 00:12:50,560 Speaker 1: brain mm hmm. And like there isn't a ton of 201 00:12:50,600 --> 00:12:57,200 Speaker 1: discussion about their mental condition and their mental health in 202 00:12:57,240 --> 00:13:01,440 Speaker 1: the years that follow. But that's where I really like, 203 00:13:02,880 --> 00:13:06,280 Speaker 1: that whole three years in prison and then you get 204 00:13:06,280 --> 00:13:10,920 Speaker 1: to go live your life in the country. I'm like, cool, cool, cool. 205 00:13:11,280 --> 00:13:14,240 Speaker 1: There are other people that are never gonna outlive like 206 00:13:14,320 --> 00:13:18,160 Speaker 1: the hell you put them through, right, Because sometimes inept 207 00:13:18,160 --> 00:13:20,679 Speaker 1: people don't actually get as punished as they should be, 208 00:13:21,080 --> 00:13:29,640 Speaker 1: which is frustrating to all of us. Anyway, I'm fascinated 209 00:13:29,679 --> 00:13:31,800 Speaker 1: by this case, and we'll probably keep reading more things 210 00:13:31,800 --> 00:13:35,960 Speaker 1: about it because I can't stop because I'm fascinated. And 211 00:13:36,040 --> 00:13:38,040 Speaker 1: also the art. And I will say, if you get 212 00:13:38,040 --> 00:13:41,000 Speaker 1: a chance to go to the loop and you see 213 00:13:41,000 --> 00:13:43,880 Speaker 1: this piece of art, it will rock you back. It 214 00:13:43,960 --> 00:13:49,160 Speaker 1: is so striking and so moving and also just huge. Listen, 215 00:13:49,240 --> 00:13:51,719 Speaker 1: I'm a girl who loves huge art. I love it, 216 00:13:52,200 --> 00:13:54,960 Speaker 1: and so this is very much up. Anyway. I remember 217 00:13:55,000 --> 00:13:59,160 Speaker 1: studying this in high school and being like, what is that? Like? 218 00:13:59,200 --> 00:14:01,640 Speaker 1: I immediately was obsessed with it in my r glasses. 219 00:14:02,200 --> 00:14:04,000 Speaker 1: So I'm glad I got a chance to talk about 220 00:14:04,040 --> 00:14:07,880 Speaker 1: it because it's very good. And then you find out 221 00:14:07,880 --> 00:14:11,240 Speaker 1: why it's so good, and it's like, ooh, still really good. 222 00:14:11,640 --> 00:14:13,400 Speaker 1: So now I want to go back to Paris just 223 00:14:13,440 --> 00:14:16,160 Speaker 1: to see it again, because it's been a minute. That's 224 00:14:16,160 --> 00:14:18,720 Speaker 1: what's up. May we never live through such heroic moments. 225 00:14:18,800 --> 00:14:21,840 Speaker 1: That's a good wish we all have goodness. Yeah, if 226 00:14:21,880 --> 00:14:24,160 Speaker 1: you are coming up on your weekend where you have 227 00:14:24,240 --> 00:14:27,200 Speaker 1: time off, I hope that quite the opposite happens that 228 00:14:27,240 --> 00:14:30,760 Speaker 1: you have delightful moments, and you have time of joy 229 00:14:30,920 --> 00:14:34,880 Speaker 1: and laughter and rest and relaxation and hopefully fun with 230 00:14:34,920 --> 00:14:38,400 Speaker 1: your friends or whoever's close to you, And that you 231 00:14:38,800 --> 00:14:40,760 Speaker 1: pet a kiddy if that's your thing, and that you 232 00:14:40,800 --> 00:14:44,120 Speaker 1: eat delicious stuff. Maybe have some cake. Cake is delicious. 233 00:14:44,800 --> 00:14:46,480 Speaker 1: If it's not your weekend coming up, I bet you 234 00:14:46,520 --> 00:14:49,760 Speaker 1: could still sneak a piece of cake in there, or 235 00:14:49,800 --> 00:14:52,560 Speaker 1: whatever it is that you eat that makes you feel 236 00:14:52,680 --> 00:14:56,280 Speaker 1: very happy and that delights your palette. We will be 237 00:14:56,680 --> 00:14:59,080 Speaker 1: right back here tomorrow with a classic episode, and then 238 00:14:59,120 --> 00:15:07,200 Speaker 1: on Monday we will have something brand new. Stuff you 239 00:15:07,280 --> 00:15:10,360 Speaker 1: missed in History Class is a production of iHeartRadio. For 240 00:15:10,480 --> 00:15:14,920 Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 241 00:15:15,000 --> 00:15:17,040 Speaker 1: or wherever you listen to your favorite shows.