1 00:00:06,680 --> 00:00:10,320 Speaker 1: I just would go the other way. 2 00:00:10,640 --> 00:00:12,160 Speaker 2: Okay, I'm gonna take these up. 3 00:00:13,960 --> 00:00:14,720 Speaker 1: I would go there. 4 00:00:14,960 --> 00:00:18,720 Speaker 3: I understand what you're saying, yeah, but I just I 5 00:00:18,920 --> 00:00:20,520 Speaker 3: kind of feel the exact opposite. 6 00:00:20,640 --> 00:00:22,400 Speaker 1: I'm not trying to be combative. 7 00:00:21,960 --> 00:00:27,800 Speaker 2: But well I don't right right now, I don't understand 8 00:00:28,920 --> 00:00:32,400 Speaker 2: where you I can't really like fair where you could 9 00:00:32,440 --> 00:00:35,280 Speaker 2: be coming from. But I'm interested in being sort of 10 00:00:35,280 --> 00:00:37,479 Speaker 2: walked through it. And I'm listening. 11 00:00:37,520 --> 00:00:40,800 Speaker 3: Okay, yeah, great, I'm and I'm happy that this is 12 00:00:40,840 --> 00:00:44,559 Speaker 3: how we hold these conversations now on like how it 13 00:00:44,640 --> 00:00:47,320 Speaker 3: was before. Are you scream and stump your feet and 14 00:00:47,360 --> 00:00:52,600 Speaker 3: shut down every voice that was not your own? I 15 00:00:52,600 --> 00:00:55,360 Speaker 3: think every I think literally every show and movie should 16 00:00:55,360 --> 00:00:58,840 Speaker 3: have a spider man in it. That that's like my like, 17 00:00:59,080 --> 00:01:02,360 Speaker 3: I know you're saying that there's I guess too many 18 00:01:02,480 --> 00:01:03,040 Speaker 3: for you. 19 00:01:03,120 --> 00:01:06,880 Speaker 1: But I'm going, well, think about how many spiders there are. 20 00:01:07,000 --> 00:01:08,920 Speaker 2: Here's what I'm like, you know what I mean. But 21 00:01:09,040 --> 00:01:13,679 Speaker 2: here's what I'm willing to be walked through you saying. 22 00:01:14,520 --> 00:01:16,560 Speaker 2: It can be you said just a minute ago, it 23 00:01:16,560 --> 00:01:19,959 Speaker 2: can be a little spider man. And so that's and 24 00:01:20,000 --> 00:01:23,280 Speaker 2: so that's what I'm curious, and by a little Spider Man. 25 00:01:23,360 --> 00:01:24,839 Speaker 2: What do you mean like subtext? 26 00:01:25,319 --> 00:01:27,840 Speaker 3: It does not have to be in the text. The 27 00:01:27,959 --> 00:01:30,760 Speaker 3: subtext can be that there's a little bit of Spider Man. 28 00:01:30,840 --> 00:01:35,039 Speaker 3: Spider Man you never see, we never mentioned, but there 29 00:01:35,280 --> 00:01:39,760 Speaker 3: is a Spider Man informing people's actions, informing. 30 00:01:39,360 --> 00:01:42,320 Speaker 2: Can you give me an example. 31 00:01:42,520 --> 00:01:45,920 Speaker 3: Of a show that you don't think should have lost 32 00:01:46,319 --> 00:01:52,720 Speaker 3: lost perfect Spider Man was flying the plade, But give 33 00:01:52,760 --> 00:01:56,000 Speaker 3: me an example of how that will be articulated in 34 00:01:56,080 --> 00:02:00,320 Speaker 3: a way that nobody Well, what if I tell what 35 00:02:00,480 --> 00:02:03,080 Speaker 3: if I told you that in the show Spider Man 36 00:02:03,200 --> 00:02:04,360 Speaker 3: had been flying the plane? 37 00:02:05,800 --> 00:02:09,840 Speaker 2: Okay, but who the plane had a pilot. 38 00:02:09,919 --> 00:02:13,080 Speaker 3: Certainly we don't meet the pilot, We don't talk about 39 00:02:13,120 --> 00:02:15,720 Speaker 3: the pilot. The pilot does not exist within the show. 40 00:02:15,880 --> 00:02:19,799 Speaker 3: But certainly, some supernatural things are happening, some unusual things 41 00:02:19,800 --> 00:02:22,320 Speaker 3: are happening, kind of like the things that happen around 42 00:02:22,320 --> 00:02:23,000 Speaker 3: Spider Man. 43 00:02:23,240 --> 00:02:26,919 Speaker 2: I don't really think it's supernatural what's happening to Spider Man. 44 00:02:26,919 --> 00:02:29,720 Speaker 2: It's all very scientifically explained. 45 00:02:29,760 --> 00:02:33,560 Speaker 3: Okay, Okay, Well, so some might even say that about 46 00:02:33,600 --> 00:02:36,800 Speaker 3: a lot of what happened. And last, certainly, anyone who 47 00:02:36,800 --> 00:02:39,880 Speaker 3: worked for the Dharma project thought they were participating a 48 00:02:39,880 --> 00:02:40,760 Speaker 3: scientific venture. 49 00:02:41,280 --> 00:02:45,200 Speaker 2: Okay, all right, I guess this is in the field. 50 00:02:45,240 --> 00:02:49,760 Speaker 2: I was thinking I was going to be engaging. It's 51 00:02:49,760 --> 00:02:52,400 Speaker 2: effectively there's a multiverse no one, but no one says 52 00:02:52,440 --> 00:02:55,639 Speaker 2: that Spider Man was No one says that Spider Man 53 00:02:55,800 --> 00:02:57,000 Speaker 2: was flying the plane. 54 00:02:58,400 --> 00:03:00,240 Speaker 3: What I'm saying is that's a show where you would 55 00:03:00,240 --> 00:03:03,280 Speaker 3: have a little Spider Man where it's not so it's 56 00:03:03,320 --> 00:03:04,160 Speaker 3: not articulated. 57 00:03:04,240 --> 00:03:09,200 Speaker 4: Okay, sorry, do you have a I'll be honest, I'm sold. 58 00:03:10,320 --> 00:03:12,040 Speaker 4: I'm sort of sold on the Spider Man. 59 00:03:12,480 --> 00:03:13,919 Speaker 2: Now that he wants to disagree with me. 60 00:03:14,000 --> 00:03:15,440 Speaker 4: Well, it's not it's not personal. 61 00:03:15,840 --> 00:03:17,880 Speaker 2: I meanwhile, on the front end of this, when I 62 00:03:17,919 --> 00:03:20,400 Speaker 2: was actually really looking for some. 63 00:03:20,240 --> 00:03:22,919 Speaker 4: Support, I wasn't sure. 64 00:03:22,960 --> 00:03:25,200 Speaker 2: Like I'm new here, I've never done a show in 65 00:03:25,240 --> 00:03:27,560 Speaker 2: the studio before, I already jump in on this stuff. 66 00:03:27,639 --> 00:03:30,320 Speaker 2: Only when it's time to I. 67 00:03:30,280 --> 00:03:32,520 Speaker 1: Know you're on my side. It's like, weird about that. 68 00:03:32,600 --> 00:03:34,639 Speaker 4: Yeah, I don't know why you turn I don't. 69 00:03:34,720 --> 00:03:35,280 Speaker 2: I just like. 70 00:03:37,920 --> 00:03:39,440 Speaker 1: I was a toxic person. 71 00:03:39,560 --> 00:03:42,160 Speaker 4: Spider Man like something to me. 72 00:03:42,400 --> 00:03:48,520 Speaker 2: I've always like, I've always felt like only Zoom shows 73 00:03:49,680 --> 00:03:53,400 Speaker 2: for us, that that's its own beast. I think it's 74 00:03:53,080 --> 00:03:56,800 Speaker 2: its own type of courage to do our show only 75 00:03:56,840 --> 00:03:58,160 Speaker 2: on zoom right. 76 00:03:58,400 --> 00:03:59,600 Speaker 4: It's the only way I've known. 77 00:03:59,760 --> 00:04:04,080 Speaker 2: But Kevin said something about in email it to like 78 00:04:04,080 --> 00:04:07,960 Speaker 2: like set up this record that like you were, you 79 00:04:07,960 --> 00:04:10,080 Speaker 2: were ready to come into the studio, but first you 80 00:04:10,120 --> 00:04:12,200 Speaker 2: had to deep piss your panties. 81 00:04:14,160 --> 00:04:14,400 Speaker 1: That. 82 00:04:14,840 --> 00:04:19,600 Speaker 3: Yeah, so I my eyes didn't even really perceive that. 83 00:04:19,839 --> 00:04:22,520 Speaker 1: I didn't email like now that you're saying. I did 84 00:04:22,560 --> 00:04:24,359 Speaker 1: see it, but I just went right over it, like 85 00:04:24,360 --> 00:04:25,880 Speaker 1: this is just a Kevin Well. 86 00:04:26,120 --> 00:04:29,240 Speaker 4: To be clear, I didn't reply all because I thought 87 00:04:29,360 --> 00:04:31,520 Speaker 4: that was going to remain between Kevin and I. I 88 00:04:31,560 --> 00:04:35,920 Speaker 4: didn't expect this to become a sort of group discussion. 89 00:04:36,000 --> 00:04:39,880 Speaker 4: And I feel like you're lashing out again because. 90 00:04:39,560 --> 00:04:43,720 Speaker 2: Of the actually I'm trying to give you. 91 00:04:43,760 --> 00:04:46,719 Speaker 3: Who can I this doesn't feel like because I just 92 00:04:46,760 --> 00:04:48,720 Speaker 3: got fucking thumped. 93 00:04:50,560 --> 00:04:52,960 Speaker 4: You got whooped, and now you want me to be 94 00:04:53,000 --> 00:04:56,159 Speaker 4: embarrassed about deep pissing my panties and I won't be 95 00:04:56,839 --> 00:04:59,839 Speaker 4: now Now, yes, I did send that to Kevin, but 96 00:04:59,839 --> 00:05:00,599 Speaker 4: but but no. 97 00:05:00,680 --> 00:05:03,239 Speaker 3: I mean what I mean, he's fresh as a Daisy's 98 00:05:04,240 --> 00:05:05,640 Speaker 3: just take a monute to figure out work? 99 00:05:06,200 --> 00:05:10,720 Speaker 2: What is that process? What's involved? And because said it 100 00:05:10,760 --> 00:05:12,640 Speaker 2: would take five days. 101 00:05:12,960 --> 00:05:15,280 Speaker 1: Sure, Okay, so first just wring them out and throw 102 00:05:15,320 --> 00:05:15,719 Speaker 1: them back on. 103 00:05:15,960 --> 00:05:17,520 Speaker 4: First of all, you got to piss your panties. 104 00:05:18,120 --> 00:05:22,200 Speaker 2: Okay, you can't where you begin. You can't deep his pannies. 105 00:05:22,240 --> 00:05:25,000 Speaker 4: You can deep hiss pannies before you've pissed your panti 106 00:05:25,720 --> 00:05:27,880 Speaker 4: And so you're gonna want to piss your panties. Okay, 107 00:05:27,960 --> 00:05:31,200 Speaker 4: you're gonna want to dry those things out, but that 108 00:05:31,279 --> 00:05:34,560 Speaker 4: doesn't get the piss out. Drive them first, dry them first, 109 00:05:35,120 --> 00:05:38,920 Speaker 4: you want you want them to be essentially more pissed 110 00:05:38,960 --> 00:05:40,360 Speaker 4: than Yeah, this. 111 00:05:40,440 --> 00:05:44,200 Speaker 2: Is interesting because if you do uh like out to. 112 00:05:44,320 --> 00:05:49,679 Speaker 4: Dryers, like more options, I think. I think obviously the 113 00:05:49,680 --> 00:05:51,680 Speaker 4: the tumble dry version of it. 114 00:05:51,560 --> 00:05:54,000 Speaker 2: Is more so you're putting them in the dryer, there's. 115 00:05:53,760 --> 00:05:56,920 Speaker 4: More odor with them to dry. You want to hang 116 00:05:56,960 --> 00:05:57,760 Speaker 4: them out if you. 117 00:05:57,720 --> 00:05:59,120 Speaker 1: Want to, Yeah, you can hang them, put them on 118 00:05:59,160 --> 00:05:59,960 Speaker 1: the old clothes. 119 00:05:59,800 --> 00:06:01,000 Speaker 4: Then on the clothes. 120 00:06:03,000 --> 00:06:06,280 Speaker 1: Quagmire. Oh has access to your panties when they're on 121 00:06:06,360 --> 00:06:11,560 Speaker 1: the open like that? Well, yeah, that's a hazard. 122 00:06:12,800 --> 00:06:15,120 Speaker 3: I was gonna say, if you try to wah, it's 123 00:06:15,160 --> 00:06:16,960 Speaker 3: interesting if you try to just wash them right away 124 00:06:17,000 --> 00:06:20,560 Speaker 3: while they're still wet, No way to differentiate between the 125 00:06:20,600 --> 00:06:22,120 Speaker 3: warm water you're cleaning them. 126 00:06:22,000 --> 00:06:23,120 Speaker 1: With and the piss itself. 127 00:06:23,120 --> 00:06:24,240 Speaker 4: That's why you want to dry them. 128 00:06:24,839 --> 00:06:27,880 Speaker 1: Yeah, dry them first. 129 00:06:28,360 --> 00:06:31,120 Speaker 4: You gotta know how pissed they actually were. And so 130 00:06:31,240 --> 00:06:36,320 Speaker 4: you try them first, and then you watch and you repeat, 131 00:06:36,720 --> 00:06:39,960 Speaker 4: you repeat until you get them back to normal. 132 00:06:40,120 --> 00:06:42,680 Speaker 3: So that's all it is, is washing. But it is 133 00:06:42,720 --> 00:06:45,240 Speaker 3: five to seven days. There's no step that's at all 134 00:06:45,279 --> 00:06:48,800 Speaker 3: surprising in there. I guess the slight order change maybe. 135 00:06:48,520 --> 00:06:51,800 Speaker 2: From what I would have made. It's longer, it's happening 136 00:06:51,839 --> 00:06:54,160 Speaker 2: more than I thought it. Well, you're doing much. It's 137 00:06:54,240 --> 00:06:55,080 Speaker 2: just laundry. 138 00:06:55,160 --> 00:06:56,880 Speaker 4: You're doing. Laundry is laundry. 139 00:06:57,080 --> 00:06:59,599 Speaker 1: You don't just in between sounds like laundry. 140 00:07:00,240 --> 00:07:00,280 Speaker 2: En. 141 00:07:01,000 --> 00:07:03,200 Speaker 4: You gotta do your whites, then you do your panties, 142 00:07:03,839 --> 00:07:04,120 Speaker 4: you know. 143 00:07:04,279 --> 00:07:06,919 Speaker 2: Okay, so yours, your panties are not white. It's what 144 00:07:07,000 --> 00:07:15,360 Speaker 2: we've just from that, Okay, got it. Well, it's wonderful 145 00:07:15,440 --> 00:07:18,600 Speaker 2: to have you here in such an exciting time and 146 00:07:18,640 --> 00:07:21,640 Speaker 2: for you to be here in person, to be in 147 00:07:21,680 --> 00:07:25,560 Speaker 2: the Langston business. We have a TV show, we have 148 00:07:25,640 --> 00:07:27,160 Speaker 2: a special come on. 149 00:07:27,680 --> 00:07:35,000 Speaker 1: We have podcast to podcast podcast tour, podcast tour. There's 150 00:07:35,040 --> 00:07:36,640 Speaker 1: still no still no way for. 151 00:07:36,680 --> 00:07:40,560 Speaker 4: Us to do it. Yeah, sorry, fellas, it's uh, we 152 00:07:40,640 --> 00:07:41,920 Speaker 4: haven't opened it up yet. 153 00:07:41,760 --> 00:07:44,560 Speaker 1: But okay, all right, but just keep me in mind. 154 00:07:46,040 --> 00:07:49,520 Speaker 4: No, absolutely, you're you'll be in you'll be in there. 155 00:07:49,720 --> 00:07:50,200 Speaker 1: Okay. 156 00:07:50,480 --> 00:07:55,800 Speaker 2: How open? How opened up will it have to be 157 00:07:55,800 --> 00:08:00,160 Speaker 2: before we should start looking at like putting ourselves out there? 158 00:08:00,160 --> 00:08:02,080 Speaker 3: That's a great question, because there seems like there's a 159 00:08:02,120 --> 00:08:03,680 Speaker 3: couple of layers before you get to me. 160 00:08:04,040 --> 00:08:06,880 Speaker 4: Yeah, there are some other white people. I think that 161 00:08:07,080 --> 00:08:13,120 Speaker 4: even if we opened it up, would be more obvious. Yeah, which, 162 00:08:13,240 --> 00:08:16,280 Speaker 4: which that's no fault of your own. There's there's nothing 163 00:08:16,320 --> 00:08:18,600 Speaker 4: you can do about that. You can't change and you 164 00:08:18,640 --> 00:08:19,400 Speaker 4: shouldn't change. 165 00:08:19,440 --> 00:08:21,600 Speaker 3: Okay, all right, but yeah, because I was about to 166 00:08:21,640 --> 00:08:23,080 Speaker 3: start taking drastic. 167 00:08:25,560 --> 00:08:26,960 Speaker 1: There's no upside there. 168 00:08:28,280 --> 00:08:29,120 Speaker 2: Where are we going? 169 00:08:29,920 --> 00:08:36,960 Speaker 4: Oh we're hitting them all. Chicago, Detroit, d C, Atlanta, Dallas, Houston, Austin, 170 00:08:38,679 --> 00:08:42,200 Speaker 4: the rest, Seattle, Portland, Los Angeles, New York. 171 00:08:42,440 --> 00:08:43,200 Speaker 2: That's crazy. 172 00:08:43,480 --> 00:08:44,840 Speaker 4: Yeah, I'm missing some. 173 00:08:45,000 --> 00:08:45,480 Speaker 1: But but. 174 00:08:47,000 --> 00:08:49,160 Speaker 4: Denver, that's right. 175 00:08:50,520 --> 00:08:53,320 Speaker 2: Are you going to do kind of like, uh, like, 176 00:08:53,360 --> 00:08:55,000 Speaker 2: what's what's up? Oh? 177 00:08:55,120 --> 00:08:56,840 Speaker 1: You got, you got in town? 178 00:08:57,280 --> 00:09:00,559 Speaker 2: You got I'm trying to I'm just trying to figure. 179 00:09:03,160 --> 00:09:07,240 Speaker 3: Oh yeah, yeah, yeah, where are the sex clubs? 180 00:09:07,240 --> 00:09:07,760 Speaker 4: Clubs? 181 00:09:07,920 --> 00:09:11,120 Speaker 1: Right? You gotta you got you gotta, you gotta say 182 00:09:11,160 --> 00:09:12,960 Speaker 1: to the city that you'll be inside it. 183 00:09:13,120 --> 00:09:19,880 Speaker 3: Yeah, that ship is fucking devilish because it's technically you 184 00:09:20,000 --> 00:09:21,440 Speaker 3: are just not saying anything. 185 00:09:21,679 --> 00:09:23,760 Speaker 1: I love stuff like this. I can get away with 186 00:09:23,840 --> 00:09:25,000 Speaker 1: being so nasty. 187 00:09:26,559 --> 00:09:29,400 Speaker 3: But it's like, but it's when you try to pin 188 00:09:29,520 --> 00:09:33,800 Speaker 3: me down. This is like, you know, it's some it's 189 00:09:33,920 --> 00:09:41,520 Speaker 3: uh sort of like negative gatekeeping, but it's more of 190 00:09:41,640 --> 00:09:49,679 Speaker 3: like a erotic kind of fishing. Uh, it's like what 191 00:09:49,840 --> 00:09:51,840 Speaker 3: it's it's a trojan horse or something. 192 00:09:51,920 --> 00:09:53,480 Speaker 1: You know, It's it's tricky. 193 00:09:53,559 --> 00:09:55,839 Speaker 2: The worst case scenario. People tell you, like what food 194 00:09:55,920 --> 00:09:59,880 Speaker 2: is good and stuff? Yeah, that can be nice. 195 00:10:00,120 --> 00:10:02,680 Speaker 4: It you're getting great tapas or you're getting a sex club. 196 00:10:03,160 --> 00:10:06,599 Speaker 2: You're tapas with obviously like a huge bone on what 197 00:10:07,640 --> 00:10:12,520 Speaker 2: you get harder you're trying to Yeah, you're trying to 198 00:10:12,520 --> 00:10:12,960 Speaker 2: get off. 199 00:10:13,240 --> 00:10:14,720 Speaker 1: It's either tapas or topless. 200 00:10:16,080 --> 00:10:16,640 Speaker 4: There it is. 201 00:10:18,559 --> 00:10:19,080 Speaker 1: I don't know. 202 00:10:19,200 --> 00:10:21,760 Speaker 4: That might have bumped you up a spot on getting Yeah. 203 00:10:21,559 --> 00:10:24,400 Speaker 3: I gotta gotta get myself in there, and just like 204 00:10:24,520 --> 00:10:27,120 Speaker 3: I know you got your process, but I would like to. 205 00:10:27,080 --> 00:10:29,760 Speaker 1: Be on the list. 206 00:10:30,280 --> 00:10:32,839 Speaker 2: Well, like we're saying, there's a lot going on in 207 00:10:32,880 --> 00:10:39,880 Speaker 2: your in your world right now. You're a recurring regular. 208 00:10:40,320 --> 00:10:41,240 Speaker 2: What are we know? 209 00:10:41,480 --> 00:10:46,720 Speaker 1: What's contractual? A regular? 210 00:10:47,000 --> 00:10:47,800 Speaker 2: Which episode? 211 00:10:47,920 --> 00:10:49,280 Speaker 1: A senior in both of them? 212 00:10:49,440 --> 00:10:52,040 Speaker 2: Which episode I'm in there? Did you sub out on? 213 00:10:52,280 --> 00:10:53,920 Speaker 1: Yeah? Where when they bench you? 214 00:10:54,240 --> 00:10:54,360 Speaker 5: Uh? 215 00:10:55,080 --> 00:11:00,000 Speaker 4: I think around uh three five ish? 216 00:10:59,800 --> 00:11:01,679 Speaker 1: Okay, So coming up quick, coming up. 217 00:11:02,120 --> 00:11:04,440 Speaker 4: All right, we're gonna skip me a few times, and 218 00:11:04,480 --> 00:11:06,320 Speaker 4: then but I come back and then I have I 219 00:11:06,320 --> 00:11:09,320 Speaker 4: have a couple of big ones. Then yeah, yeah, oh 220 00:11:09,360 --> 00:11:12,120 Speaker 4: I'm in the closer. I make I make the clothes. 221 00:11:12,640 --> 00:11:15,760 Speaker 1: Well, they tease us a little bit. Huh yeah, you 222 00:11:15,960 --> 00:11:17,520 Speaker 1: just get a little taste. 223 00:11:17,600 --> 00:11:19,640 Speaker 4: They take me away, and you're like, I wonder if 224 00:11:19,640 --> 00:11:22,000 Speaker 4: they guy's coming beck, I don't know if he'll be 225 00:11:22,040 --> 00:11:22,680 Speaker 4: here anymore? 226 00:11:23,960 --> 00:11:24,680 Speaker 1: Bring that back? 227 00:11:24,840 --> 00:11:27,520 Speaker 3: And the past app comes by your group of five, 228 00:11:27,600 --> 00:11:30,520 Speaker 3: but they're like three of the items, and. 229 00:11:30,440 --> 00:11:32,120 Speaker 1: You go like, I wonder if we'll see that tray again. 230 00:11:32,200 --> 00:11:34,440 Speaker 4: I wonder if I get some of those meatballs, And 231 00:11:34,440 --> 00:11:36,079 Speaker 4: then you get some meatballs. 232 00:11:36,160 --> 00:11:37,760 Speaker 1: Yeah, you'll get You'll get the meatballs. 233 00:11:38,320 --> 00:11:41,640 Speaker 2: And the conversation we're having is what's next? What comes 234 00:11:41,679 --> 00:11:44,160 Speaker 2: after this? We're just doing English teacher. 235 00:11:44,400 --> 00:11:50,160 Speaker 3: Well, especially especially, they made it a fatal error in 236 00:11:50,320 --> 00:11:53,720 Speaker 3: not locking you in as a regular, as a recurring, 237 00:11:53,760 --> 00:11:56,400 Speaker 3: you have so much freedom to operate. 238 00:11:56,200 --> 00:11:59,439 Speaker 4: And that's the that's the key. That's why we hire 239 00:11:59,440 --> 00:12:06,440 Speaker 4: our lawyers and our agents to preserve our freedom. 240 00:12:05,160 --> 00:12:09,360 Speaker 1: And so and so. You basically now can move anywhere 241 00:12:09,400 --> 00:12:11,000 Speaker 1: you want. You're holding all the cards. 242 00:12:11,600 --> 00:12:13,560 Speaker 2: And when they come back to you, you're gonna they're 243 00:12:13,559 --> 00:12:15,760 Speaker 2: gonna go squeeze. 244 00:12:15,840 --> 00:12:17,480 Speaker 4: Yeah, he'll squeeze. 245 00:12:17,480 --> 00:12:18,160 Speaker 1: They'll beg. 246 00:12:19,080 --> 00:12:21,880 Speaker 4: They'll beg and I'll say they will, won't they. 247 00:12:24,520 --> 00:12:25,880 Speaker 2: They will learn m. 248 00:12:28,320 --> 00:12:29,720 Speaker 1: Mister leverage and. 249 00:12:29,840 --> 00:12:32,080 Speaker 4: Mister leverage is what they'll be calling me. 250 00:12:32,320 --> 00:12:37,560 Speaker 2: Oh yeah. And the conversations we're having are about what 251 00:12:37,360 --> 00:12:39,920 Speaker 2: what like what we're just kind of thrown into this 252 00:12:40,040 --> 00:12:43,960 Speaker 2: with the English teacher he's teaching, and it's like, wait 253 00:12:44,000 --> 00:12:45,800 Speaker 2: a minute, wait a minute, like what. 254 00:12:46,080 --> 00:12:48,320 Speaker 1: Well, you don't just start as an English teacher? 255 00:12:48,440 --> 00:12:50,480 Speaker 2: Yeah, oh yeah, no. 256 00:12:50,360 --> 00:12:53,120 Speaker 4: It starts with a hot shower and then he's teaching English. 257 00:12:53,200 --> 00:12:56,839 Speaker 2: That's and what but what about like even before that, 258 00:12:57,880 --> 00:12:59,400 Speaker 2: like what even before. 259 00:12:59,080 --> 00:13:02,520 Speaker 4: The shower, before he took that shower, what was before 260 00:13:02,520 --> 00:13:03,439 Speaker 4: he got that job? 261 00:13:03,559 --> 00:13:04,640 Speaker 2: What was going on? 262 00:13:04,800 --> 00:13:06,640 Speaker 4: Oh? These are good questions. 263 00:13:06,760 --> 00:13:10,240 Speaker 2: We're talking about the thing that's being bandied about is 264 00:13:12,040 --> 00:13:13,559 Speaker 2: young English teacher. 265 00:13:14,920 --> 00:13:16,880 Speaker 4: Okay, and. 266 00:13:18,240 --> 00:13:24,720 Speaker 2: What I'm hearing is young English podcast university teacher. 267 00:13:25,280 --> 00:13:25,839 Speaker 4: Well what what? 268 00:13:25,840 --> 00:13:26,040 Speaker 2: What? 269 00:13:26,040 --> 00:13:26,360 Speaker 4: What? What? 270 00:13:26,200 --> 00:13:26,559 Speaker 2: What? What? 271 00:13:27,280 --> 00:13:30,480 Speaker 1: It's it's it's education. We're already in the realm of education. 272 00:13:30,800 --> 00:13:32,120 Speaker 1: First of all, the English teacher. 273 00:13:31,920 --> 00:13:35,359 Speaker 3: Had to get an education degree somewhere. 274 00:13:35,440 --> 00:13:39,520 Speaker 1: Maybe maybe when they were younger, maybe at podcast Universe. 275 00:13:39,559 --> 00:13:43,400 Speaker 2: And the podcast university brand is insane right now. Oh dude, 276 00:13:43,480 --> 00:13:46,640 Speaker 2: God has been going to the institution that we set 277 00:13:46,720 --> 00:13:47,319 Speaker 2: up together. 278 00:13:48,120 --> 00:13:50,720 Speaker 3: By the way, we're dealing with woke politics, which what 279 00:13:50,920 --> 00:13:54,839 Speaker 3: other better venue is there for that than podcast? 280 00:13:54,960 --> 00:13:58,440 Speaker 4: It's it's where it's thriving the most. That would say. 281 00:13:58,880 --> 00:14:01,920 Speaker 2: Then our podcast University t shirt is in our top 282 00:14:01,960 --> 00:14:06,800 Speaker 2: fifteen bestsellers. And Kevin also, this is also an email 283 00:14:06,840 --> 00:14:09,280 Speaker 2: that I got from Kevin about he is going to 284 00:14:09,360 --> 00:14:11,440 Speaker 2: cut you in on the because you've been there for 285 00:14:11,480 --> 00:14:14,160 Speaker 2: every episode we've done for podcasting. He is going to 286 00:14:14,840 --> 00:14:15,440 Speaker 2: the t shirt. 287 00:14:16,000 --> 00:14:18,079 Speaker 1: The Tony hawk one touched on it a little. 288 00:14:18,640 --> 00:14:21,520 Speaker 2: Okay, Well, Tony has already been cut in, so now 289 00:14:21,560 --> 00:14:22,920 Speaker 2: it's just Tony. 290 00:14:24,160 --> 00:14:26,560 Speaker 1: Tony got a lot off the top. 291 00:14:26,680 --> 00:14:30,000 Speaker 3: So we're just approaching the point where we would start 292 00:14:30,000 --> 00:14:31,560 Speaker 3: to see some of the money from it, and we 293 00:14:31,600 --> 00:14:32,400 Speaker 3: are going to share it. 294 00:14:32,360 --> 00:14:35,080 Speaker 4: With you and Tony. It's mostly going to Tony at 295 00:14:35,080 --> 00:14:35,480 Speaker 4: this point. 296 00:14:35,600 --> 00:14:37,160 Speaker 1: Tony yea, but that name. 297 00:14:37,280 --> 00:14:39,920 Speaker 3: And you know, Kevin gave me a picture they have 298 00:14:40,000 --> 00:14:42,160 Speaker 3: him skateboarding with his kid in the nineties. 299 00:14:44,960 --> 00:14:47,040 Speaker 1: You ever get your algorithm says like, hey. 300 00:14:47,240 --> 00:14:57,160 Speaker 2: Remember this, Kevin says he's cutting you in the It's 301 00:14:57,240 --> 00:15:00,800 Speaker 2: going to be on the twenty never of never wearing Whoa, 302 00:15:01,400 --> 00:15:05,200 Speaker 2: which is right around the corner. So is it neverary? 303 00:15:05,240 --> 00:15:07,800 Speaker 2: I mean it's like it's almost never, it's never already. 304 00:15:07,880 --> 00:15:08,640 Speaker 2: Yeah that. 305 00:15:11,000 --> 00:15:13,680 Speaker 4: I'm gonna be honest. That sounds uh, that sounds shitty. 306 00:15:13,760 --> 00:15:15,200 Speaker 4: That doesn't sound like I'm gonna get You. 307 00:15:15,120 --> 00:15:18,600 Speaker 2: Can put it up CBS, and they've already got the 308 00:15:18,680 --> 00:15:23,160 Speaker 2: neverary stuff, like the Nebruary the decorations is like already 309 00:15:23,600 --> 00:15:24,040 Speaker 2: up there. 310 00:15:24,280 --> 00:15:26,400 Speaker 4: Nebruary can't Yeah, they don't even. 311 00:15:26,400 --> 00:15:29,280 Speaker 2: Wait for the season to get CBS. 312 00:15:29,280 --> 00:15:30,800 Speaker 1: Looks like that. You go to write a man, it 313 00:15:30,840 --> 00:15:34,560 Speaker 1: looks like some a looter came through nothing. There's nothing 314 00:15:34,640 --> 00:15:37,840 Speaker 1: on the damn shelves. I'll tell I guess people just 315 00:15:37,880 --> 00:15:39,320 Speaker 1: take whatever they want from writing. 316 00:15:39,520 --> 00:15:43,320 Speaker 3: It's just good to hear CBS still has their Neverruary decorations. 317 00:15:44,280 --> 00:15:47,240 Speaker 2: Well, that is what a neverary decoration is. It's like 318 00:15:47,280 --> 00:15:52,640 Speaker 2: an empty we're saying, Okay, there's nothing there either, but 319 00:15:53,400 --> 00:15:57,320 Speaker 2: that's because that's that's your neverary. 320 00:15:57,440 --> 00:15:59,600 Speaker 1: But that yeah, that's that's fucking sick. 321 00:16:00,200 --> 00:16:02,520 Speaker 3: So you will be cut in on that ship and 322 00:16:03,440 --> 00:16:04,520 Speaker 3: look forward to that check. 323 00:16:04,800 --> 00:16:06,840 Speaker 1: And the other thing you're getting cut in on is like, 324 00:16:06,960 --> 00:16:08,280 Speaker 1: we're gonna be doing. 325 00:16:08,080 --> 00:16:12,760 Speaker 3: This podcast University, Young English Teach podcast University. 326 00:16:13,560 --> 00:16:16,760 Speaker 2: Yeah, Now, what we have to figure out is how 327 00:16:17,120 --> 00:16:22,600 Speaker 2: the Young English Teacher is played by someone who was 328 00:16:22,720 --> 00:16:26,000 Speaker 2: already in the show playing a different character. 329 00:16:26,320 --> 00:16:29,840 Speaker 1: Right, Well, the first thing we noticed they probably can't 330 00:16:29,880 --> 00:16:30,920 Speaker 1: be a regular. 331 00:16:31,640 --> 00:16:33,800 Speaker 4: Right, you're not locking me down on regular. 332 00:16:34,440 --> 00:16:39,160 Speaker 2: How we're gonna do a show where the main character 333 00:16:39,200 --> 00:16:44,600 Speaker 2: in the title is recurring. It's gonna be so big 334 00:16:44,640 --> 00:16:50,040 Speaker 2: out for a couple episodes. We gotta figure this out, 335 00:16:50,840 --> 00:16:53,000 Speaker 2: but we will. 336 00:16:53,480 --> 00:16:57,800 Speaker 4: The young we're imagining Allah, Young Sheldon Alae, Young. 337 00:16:57,680 --> 00:17:01,640 Speaker 1: Rock a couple of times with shows. 338 00:17:02,160 --> 00:17:08,360 Speaker 3: Yeah, well hey young sher Lock Holmes, Okay, yeah, Young 339 00:17:08,400 --> 00:17:10,800 Speaker 3: Indiana Jones, they've done that, right. 340 00:17:10,720 --> 00:17:14,640 Speaker 2: Yeah, or put junior at the end like James Bond Junior. 341 00:17:14,640 --> 00:17:20,280 Speaker 2: So English podcast US teacher junior. Okay, do both young 342 00:17:20,400 --> 00:17:23,440 Speaker 2: Junior young at the beginning, you j junior at the 343 00:17:23,560 --> 00:17:24,520 Speaker 2: young Iron Young. 344 00:17:25,840 --> 00:17:27,320 Speaker 1: Remember and then he got older. 345 00:17:27,440 --> 00:17:30,600 Speaker 2: It should have been young Sheldon Junior, Young she Junior 346 00:17:31,320 --> 00:17:38,800 Speaker 2: Young Sheldon. So let's but let's get to episode one. 347 00:17:39,440 --> 00:17:42,440 Speaker 2: We're just gonna knock it out right away. Answer everyone's questions. 348 00:17:42,600 --> 00:17:46,159 Speaker 2: Just jump in. It's what's the English teacher's name. 349 00:17:47,560 --> 00:17:48,119 Speaker 4: In the show? 350 00:17:48,480 --> 00:17:50,160 Speaker 2: And this is my favorite thing to do. 351 00:17:53,840 --> 00:17:55,120 Speaker 1: The character. 352 00:17:55,760 --> 00:18:00,960 Speaker 4: What is this motherfucker's name? Frankly I, I haven't committed 353 00:18:01,000 --> 00:18:06,360 Speaker 4: it to memory. I no longer. Yeah, Evan Evan name, 354 00:18:06,440 --> 00:18:09,760 Speaker 4: he got it. His name is Evan. What a great 355 00:18:09,800 --> 00:18:14,280 Speaker 4: show in so young Evan. 356 00:18:15,119 --> 00:18:22,000 Speaker 2: Junior, Young Evan Junior, and it's you on screen. You're 357 00:18:22,480 --> 00:18:26,119 Speaker 2: a child version of Evan. 358 00:18:26,320 --> 00:18:29,720 Speaker 4: And are we doing this the irishman c g I 359 00:18:29,920 --> 00:18:30,680 Speaker 4: or we we. 360 00:18:30,600 --> 00:18:32,440 Speaker 1: Don't have access to that CGI? 361 00:18:32,720 --> 00:18:33,640 Speaker 4: Okay, we do. 362 00:18:33,640 --> 00:18:38,679 Speaker 3: Have a more affordable CGI. That's a little different it. 363 00:18:41,119 --> 00:18:42,720 Speaker 3: Remember when they would there would be. 364 00:18:42,680 --> 00:18:44,159 Speaker 1: A filter you could put on a photo where it 365 00:18:44,200 --> 00:18:45,480 Speaker 1: sort of looked like it was painted. 366 00:18:47,119 --> 00:18:53,840 Speaker 4: It looks like that, just a soft sort of brushing. 367 00:18:54,160 --> 00:18:55,680 Speaker 1: Yeah, I'm like a little like. 368 00:18:55,680 --> 00:18:59,800 Speaker 2: A little more like lightly yossified. M m all right, 369 00:19:01,119 --> 00:19:05,920 Speaker 2: and so you're you're showing up a light yossification. 370 00:19:07,440 --> 00:19:12,239 Speaker 3: You're on campus, so tasteful just to say, people at 371 00:19:12,320 --> 00:19:14,920 Speaker 3: this point aren't saying, Okay, that's the young version of 372 00:19:14,960 --> 00:19:17,680 Speaker 3: Evan the English Teacher, but we. 373 00:19:17,680 --> 00:19:19,720 Speaker 2: Do need them to get there. So someone's gonna have 374 00:19:19,760 --> 00:19:22,040 Speaker 2: to yell with your name. 375 00:19:22,200 --> 00:19:28,520 Speaker 4: Right because they're they're still remembering this character older and 376 00:19:28,560 --> 00:19:31,560 Speaker 4: as a completely different And I would say. 377 00:19:31,440 --> 00:19:34,840 Speaker 2: That we're not much older. No, I don't know what 378 00:19:35,160 --> 00:19:37,719 Speaker 2: you know. You've been using filters on zoom or something. 379 00:19:40,040 --> 00:19:42,720 Speaker 2: I was thinking we were dealing with a very very 380 00:19:42,760 --> 00:19:51,680 Speaker 2: young Yes, and while I think you're younger then bj A, 381 00:19:53,280 --> 00:19:55,720 Speaker 2: we are gonna we are gonna need to like really 382 00:19:55,720 --> 00:19:57,600 Speaker 2: sell to like you're you're like a kid. 383 00:19:58,040 --> 00:20:01,440 Speaker 3: We needed to be yes, more more youthful than what 384 00:20:01,560 --> 00:20:05,320 Speaker 3: we are experiencing right now in this exact moment. Yeah, 385 00:20:06,800 --> 00:20:09,000 Speaker 3: And I think to make that juxtaposition really work, I 386 00:20:09,000 --> 00:20:11,200 Speaker 3: have an idea because we are going into the past 387 00:20:11,240 --> 00:20:13,240 Speaker 3: and we are kind of dealing with how education has 388 00:20:13,359 --> 00:20:16,280 Speaker 3: changed the school. Obviously, the English teacher is at there's 389 00:20:16,320 --> 00:20:19,920 Speaker 3: a lot of like modern kind of you know, more 390 00:20:20,000 --> 00:20:20,879 Speaker 3: rambunctious kids. 391 00:20:20,920 --> 00:20:26,359 Speaker 1: But what if what's the old headmaster, like a very old. 392 00:20:26,520 --> 00:20:29,000 Speaker 2: Just to sell how old you know school? 393 00:20:29,520 --> 00:20:31,760 Speaker 3: Just so that when they say young man, or when 394 00:20:31,760 --> 00:20:36,200 Speaker 3: they say young Evan Junior, that it that it doesn't 395 00:20:36,400 --> 00:20:38,440 Speaker 3: feel like he's Why would he call him that? 396 00:20:38,480 --> 00:20:39,120 Speaker 1: He's not that much? 397 00:20:39,200 --> 00:20:43,479 Speaker 4: I like that because because the older your counterpart is, 398 00:20:43,880 --> 00:20:45,120 Speaker 4: the younger you are. 399 00:20:45,960 --> 00:20:49,719 Speaker 1: That yeah, that that don't really help. Yeah, my giant, 400 00:20:49,760 --> 00:20:50,800 Speaker 1: I mean it's my giant. 401 00:20:50,960 --> 00:20:55,480 Speaker 4: Sure, yeah, yeah, Okay, because Dumbledore was one hundred and 402 00:20:55,600 --> 00:20:56,680 Speaker 4: like forty eight. 403 00:20:57,200 --> 00:20:59,520 Speaker 2: And he made all those seem like little kids. 404 00:21:00,080 --> 00:21:03,879 Speaker 4: N Yeah, as a result, is young too because Dumbledore 405 00:21:03,960 --> 00:21:04,440 Speaker 4: is so old. 406 00:21:04,480 --> 00:21:05,840 Speaker 1: Yeah yeah yeah. 407 00:21:05,880 --> 00:21:07,040 Speaker 2: And now everyone's dead. 408 00:21:07,280 --> 00:21:08,320 Speaker 4: Now they're all dead. 409 00:21:11,080 --> 00:21:26,760 Speaker 1: And they all die. They went the way of Dobby. 410 00:21:17,920 --> 00:21:27,399 Speaker 2: The famously dead canonically. So and so someone off screen 411 00:21:27,480 --> 00:21:35,640 Speaker 2: is like Evan Jr. And you say, yeah, we're gonna 412 00:21:35,680 --> 00:21:39,359 Speaker 2: need you to be able to react, and then hey, 413 00:21:39,359 --> 00:21:44,000 Speaker 2: Evan Junior, Okay. 414 00:21:44,960 --> 00:21:46,080 Speaker 1: That was kind of. 415 00:21:46,000 --> 00:21:48,320 Speaker 2: An in between version where it seemed. 416 00:21:47,920 --> 00:21:52,679 Speaker 1: Like you heard it was a huge step forward and. 417 00:21:52,720 --> 00:21:56,560 Speaker 2: That someone was could potentially you can have been reacting 418 00:21:56,600 --> 00:21:59,440 Speaker 2: to someone talking to you, but with a little bit 419 00:21:59,480 --> 00:22:02,239 Speaker 2: of confused usion that I don't think exactly. I think 420 00:22:02,280 --> 00:22:03,199 Speaker 2: it's actually hurting. 421 00:22:03,680 --> 00:22:06,160 Speaker 1: Yeah, that it was a phrase that you had never 422 00:22:06,240 --> 00:22:06,960 Speaker 1: heard before. 423 00:22:07,160 --> 00:22:07,840 Speaker 4: I need to be more. 424 00:22:09,880 --> 00:22:10,720 Speaker 2: You gotta be your. 425 00:22:10,640 --> 00:22:12,680 Speaker 1: Name for to work, I think. 426 00:22:12,760 --> 00:22:14,240 Speaker 4: So, Okay, try that one more time. 427 00:22:14,280 --> 00:22:19,359 Speaker 2: Okay, hey, young Evan, that's good. That's good. And that 428 00:22:19,520 --> 00:22:21,359 Speaker 2: was actually like a little kid as well. 429 00:22:21,600 --> 00:22:22,400 Speaker 4: Yeah dude. 430 00:22:23,160 --> 00:22:26,600 Speaker 3: So but but you're say, we do this stuff a 431 00:22:26,640 --> 00:22:30,119 Speaker 3: lot when we try to like coach people through various 432 00:22:30,160 --> 00:22:31,679 Speaker 3: scenarios and get a performance. 433 00:22:32,640 --> 00:22:33,639 Speaker 1: I think that's the. 434 00:22:33,520 --> 00:22:39,400 Speaker 3: Fastest anyone has ever achieved a satisfying version of what 435 00:22:39,400 --> 00:22:39,879 Speaker 3: we needed. 436 00:22:40,040 --> 00:22:42,280 Speaker 2: Or I'll say it's either the first time or we 437 00:22:42,359 --> 00:22:45,720 Speaker 2: never get there. It's never the second time like that. 438 00:22:45,280 --> 00:22:46,520 Speaker 2: But that was special. 439 00:22:46,920 --> 00:22:51,000 Speaker 4: There's the reason I'm recurring fellas. 440 00:22:49,600 --> 00:22:50,320 Speaker 1: No kidding. 441 00:22:51,920 --> 00:22:55,040 Speaker 2: So, but I think you're right that the person calling 442 00:22:55,080 --> 00:23:00,359 Speaker 2: the name should be the old head they gotta and 443 00:23:00,400 --> 00:23:02,879 Speaker 2: then we're like sounding even younger when we get to 444 00:23:03,119 --> 00:23:04,600 Speaker 2: that's me, right. 445 00:23:04,680 --> 00:23:09,800 Speaker 1: Could be like the crypt keeper Okay, yeah, I'm just 446 00:23:09,840 --> 00:23:12,920 Speaker 1: trying to think of who's old who reads very old? 447 00:23:13,160 --> 00:23:17,240 Speaker 2: Okay, and so is the crypt keeper delivering kind of 448 00:23:17,280 --> 00:23:24,159 Speaker 2: a sexual and some sort of singer. Yes, like that 449 00:23:24,480 --> 00:23:28,439 Speaker 2: also incorporates horror elements. 450 00:23:28,920 --> 00:23:32,600 Speaker 4: Well, that's so the crypt Keeper is still the crypt Keeper. 451 00:23:33,080 --> 00:23:35,399 Speaker 3: Well, it's hard because they're supposed to be the dean 452 00:23:35,520 --> 00:23:37,320 Speaker 3: of young podcast University. 453 00:23:38,560 --> 00:23:40,440 Speaker 1: The universe should be young as well. 454 00:23:41,359 --> 00:23:45,320 Speaker 3: So it like I wouldn't expect the crypt Keeper to 455 00:23:45,400 --> 00:23:49,000 Speaker 3: have that job. He's got a pretty demanding job already. 456 00:23:49,119 --> 00:23:52,240 Speaker 4: Well, his show has been off the air for some time. 457 00:23:52,320 --> 00:23:55,480 Speaker 2: You know, this is a long time ago, unfortunately, so 458 00:23:55,520 --> 00:23:57,880 Speaker 2: he is actually at the top of his game. 459 00:23:58,160 --> 00:24:00,560 Speaker 4: Is the peak of the Keeper show. 460 00:24:01,800 --> 00:24:04,480 Speaker 3: That's when they were like, this is just a TV show, 461 00:24:04,480 --> 00:24:07,960 Speaker 3: this should be moved. Yeah, it was Bordella, it was 462 00:24:08,040 --> 00:24:08,840 Speaker 3: demon nighted. 463 00:24:10,280 --> 00:24:13,840 Speaker 2: So canonically he is he's the headmaster of podcast University, 464 00:24:13,920 --> 00:24:16,359 Speaker 2: but he is also one of the most famous people 465 00:24:16,480 --> 00:24:22,960 Speaker 2: on Earth at this time, so he and he's head mastered. Okay, 466 00:24:23,800 --> 00:24:29,960 Speaker 2: what did he sound like? Yeah, okay, that's good. 467 00:24:30,160 --> 00:24:34,920 Speaker 4: Wow, that's me. 468 00:24:40,080 --> 00:24:41,000 Speaker 1: What he saying to you. 469 00:24:41,440 --> 00:24:44,160 Speaker 2: He's not used to having a scene partner as well, 470 00:24:44,240 --> 00:24:47,840 Speaker 2: so when we when we actually get into the skeel, 471 00:24:48,040 --> 00:24:50,520 Speaker 2: he needs to get his ship off. 472 00:24:50,840 --> 00:24:53,440 Speaker 4: Yeah, he's monologue for a long time. 473 00:24:53,560 --> 00:24:57,920 Speaker 2: Yes, and you you really feel that when we're putting 474 00:24:57,960 --> 00:25:00,000 Speaker 2: him in a situation where you have to act against, 475 00:25:00,440 --> 00:25:03,159 Speaker 2: he's gonna be facing straight to camera. He's he's going 476 00:25:03,240 --> 00:25:04,320 Speaker 2: to be acting like you weren't there. 477 00:25:04,560 --> 00:25:07,600 Speaker 4: What scares me is that he also is going to 478 00:25:07,680 --> 00:25:11,040 Speaker 4: be that way on set, That's what I'm saying, where 479 00:25:11,040 --> 00:25:13,760 Speaker 4: he's going to like talk to me privately and say, hey, 480 00:25:13,760 --> 00:25:16,640 Speaker 4: you're stepping on my ship and I've been I've been 481 00:25:16,640 --> 00:25:18,960 Speaker 4: doing this a long time. I'm the fucking crip keeper, 482 00:25:19,000 --> 00:25:21,560 Speaker 4: you know. Yeah, so grab me up and yes, I 483 00:25:21,600 --> 00:25:22,640 Speaker 4: won't know who to tell. 484 00:25:22,720 --> 00:25:27,159 Speaker 2: And with always with like a a skeletal grin, like 485 00:25:27,280 --> 00:25:30,200 Speaker 2: he's having fun even as he is blaboring you. 486 00:25:31,200 --> 00:25:33,520 Speaker 3: That can be the scariest part of the address down 487 00:25:33,560 --> 00:25:34,399 Speaker 3: by the crypt Keeper. 488 00:25:34,520 --> 00:25:38,760 Speaker 4: Yes, how do you get lunch after that? You know? Yeah, 489 00:25:38,880 --> 00:25:42,080 Speaker 4: Crafty gets a little more uncomfortable with Yes, when you're 490 00:25:42,080 --> 00:25:44,120 Speaker 4: worried you're going to bump into the cryptkeeper and he's 491 00:25:44,119 --> 00:25:45,600 Speaker 4: gonna he's gonna yell at you again. 492 00:25:45,680 --> 00:25:48,600 Speaker 1: Yes, you find yourself avoiding some of the snacks. 493 00:25:50,760 --> 00:25:51,800 Speaker 4: That's exactly right. 494 00:25:51,680 --> 00:25:55,560 Speaker 2: And you're tired, like you can see it on camera. 495 00:25:55,960 --> 00:25:59,000 Speaker 3: Yeah, crashing I'm dying by Carrot stick, but the crip 496 00:25:59,119 --> 00:26:00,800 Speaker 3: keepers always got to bony hands. 497 00:26:00,880 --> 00:26:04,400 Speaker 4: He's yelling at grabbing me, and then then the director 498 00:26:04,440 --> 00:26:07,800 Speaker 4: has given notes and and they're all feeling like they're 499 00:26:07,840 --> 00:26:10,520 Speaker 4: they're stacking on top of one another. So the cripkeeper 500 00:26:10,640 --> 00:26:14,040 Speaker 4: as a as a as a headmaster scares me a 501 00:26:14,080 --> 00:26:14,480 Speaker 4: little bit. 502 00:26:15,760 --> 00:26:19,080 Speaker 3: Yeah, well, the cripkeeper is supposed to scare you, so 503 00:26:19,400 --> 00:26:23,040 Speaker 3: that's actually a good thing. But we didn't have Look, 504 00:26:23,119 --> 00:26:25,160 Speaker 3: we have we don't have any you know, we don't 505 00:26:25,200 --> 00:26:27,720 Speaker 3: have anyone locked yet. Yeah, I mean, so that would 506 00:26:27,760 --> 00:26:31,480 Speaker 3: be honestly a get for us, and we should have 507 00:26:31,520 --> 00:26:35,080 Speaker 3: a contingency if there's someone else old sure, Joe Biden, 508 00:26:35,160 --> 00:26:35,560 Speaker 3: I guess. 509 00:26:37,280 --> 00:26:39,840 Speaker 2: But we could also be pretty back a little bit 510 00:26:39,880 --> 00:26:44,560 Speaker 2: with like we've got we've got the headmaster. But on 511 00:26:45,280 --> 00:26:49,960 Speaker 2: English Teacher, he's got his friend too, so maybe he 512 00:26:50,600 --> 00:26:52,840 Speaker 2: have like his friend and what's the friends made. 513 00:26:53,760 --> 00:27:05,160 Speaker 4: In the in the show? Yeah, that English currently he's 514 00:27:05,200 --> 00:27:06,480 Speaker 4: got a lot of friends, folks. 515 00:27:07,000 --> 00:27:08,600 Speaker 2: Okay, that's right, that's why. 516 00:27:11,119 --> 00:27:14,280 Speaker 4: Marquee Mark marquis Yeah Mark there. 517 00:27:14,800 --> 00:27:18,119 Speaker 2: I mean, we did have a very famous marquee John Patton. 518 00:27:18,200 --> 00:27:18,760 Speaker 2: He's great. 519 00:27:18,920 --> 00:27:20,480 Speaker 4: Yeah, I know. The human name. 520 00:27:22,640 --> 00:27:24,720 Speaker 3: Is that the friend is the character not human on 521 00:27:24,760 --> 00:27:29,080 Speaker 3: the show, because that would be actually a big breaking 522 00:27:29,119 --> 00:27:30,560 Speaker 3: news for us. 523 00:27:31,320 --> 00:27:35,359 Speaker 2: We I mean, the get ahead of that one. At 524 00:27:35,440 --> 00:27:39,479 Speaker 2: the time the crip Keeper was very famous. Was like 525 00:27:39,800 --> 00:27:42,520 Speaker 2: we've had we had multiple famous Marquis at that time. 526 00:27:43,119 --> 00:27:46,240 Speaker 2: That was one of the only times we've had to Marquee. 527 00:27:46,280 --> 00:27:47,960 Speaker 1: We were so rich with in the game we have 528 00:27:48,080 --> 00:27:48,960 Speaker 1: seen like it would. 529 00:27:48,720 --> 00:27:51,760 Speaker 2: Never end Mark and Post, Yeah, is what we were 530 00:27:51,800 --> 00:27:54,119 Speaker 2: working with then. So now it's really kind of like 531 00:27:54,240 --> 00:27:57,160 Speaker 2: our choice, except for only one of them is alive. 532 00:27:57,240 --> 00:27:58,960 Speaker 2: So it is going to have to be Mark Wahlberg. 533 00:27:59,040 --> 00:28:01,760 Speaker 1: Back then we had Mark Post. Now we're post Marquee. 534 00:28:04,280 --> 00:28:13,439 Speaker 2: And it's true, so it's Wahlberg. It's gonna have to 535 00:28:13,520 --> 00:28:19,280 Speaker 2: be who is who is your friend? Marquee also at 536 00:28:19,280 --> 00:28:21,240 Speaker 2: the at the height of his powers. 537 00:28:20,840 --> 00:28:23,600 Speaker 4: In this famously easy to work with moment. 538 00:28:24,040 --> 00:28:32,200 Speaker 2: Yes, yes, look, that'll be another at least as far. 539 00:28:32,119 --> 00:28:37,000 Speaker 1: As the kindness radiating off this will are you? I 540 00:28:37,960 --> 00:28:40,160 Speaker 1: I don't know if we want to get into this. 541 00:28:40,360 --> 00:28:47,600 Speaker 1: Are you currently prayed up? I don't have the okay, okay, 542 00:28:47,880 --> 00:28:49,160 Speaker 1: but that's fine. 543 00:28:49,000 --> 00:28:51,800 Speaker 4: But I'm aware of it and it is in my queue. 544 00:28:52,400 --> 00:28:54,320 Speaker 1: Okay, you got plenty of. 545 00:28:55,840 --> 00:28:58,640 Speaker 2: Days. I'm just going nuts in the store. 546 00:28:58,920 --> 00:29:03,640 Speaker 3: Can you believe the freaking a level of uh detail 547 00:29:03,680 --> 00:29:06,160 Speaker 3: you go into make an application. I want to get 548 00:29:06,200 --> 00:29:08,840 Speaker 3: a preyed up app, and I need to give them 549 00:29:08,840 --> 00:29:15,200 Speaker 3: my grandma social Security numbers, bank account, the the process 550 00:29:15,280 --> 00:29:19,080 Speaker 3: now to get onder these apps, you need an app 551 00:29:19,240 --> 00:29:21,080 Speaker 3: for everything. 552 00:29:21,520 --> 00:29:26,120 Speaker 5: I'm not allowed to buy sneakers without uh nineteen different 553 00:29:26,280 --> 00:29:31,120 Speaker 5: passwords and I gotta give them, you know, my uh 554 00:29:31,640 --> 00:29:35,200 Speaker 5: my sister's monthly cycle or something. 555 00:29:35,280 --> 00:29:37,560 Speaker 1: I mean, this this stuff is insane. 556 00:29:38,240 --> 00:29:40,760 Speaker 4: It is so invasive. 557 00:29:41,040 --> 00:29:43,280 Speaker 1: I mean, we used to have privacy. 558 00:29:44,240 --> 00:29:48,560 Speaker 3: Yes, technology has made some things easier, but at what cow. 559 00:29:48,960 --> 00:29:53,400 Speaker 4: A your sister cycle? I would say, yeah? 560 00:29:53,440 --> 00:29:56,920 Speaker 2: And I don't filter the kids filtered that parents are. 561 00:30:01,160 --> 00:30:03,800 Speaker 2: I feel like I used to be ahead of the 562 00:30:04,000 --> 00:30:06,840 Speaker 2: like the the child proofing that my parents were doing 563 00:30:06,880 --> 00:30:09,720 Speaker 2: on my phone. There they've gotten. 564 00:30:09,720 --> 00:30:12,320 Speaker 4: So damn you can't get past. 565 00:30:14,080 --> 00:30:17,360 Speaker 2: I fel like freaking Indiana Joe's It's like another there's 566 00:30:17,400 --> 00:30:19,720 Speaker 2: another freaking thing I gotta do now. 567 00:30:20,720 --> 00:30:21,800 Speaker 1: That's fucking. 568 00:30:23,000 --> 00:30:23,280 Speaker 2: Dude. 569 00:30:23,400 --> 00:30:25,800 Speaker 1: And these apps, there's so many apps. 570 00:30:27,760 --> 00:30:31,040 Speaker 4: Why why why why why did why are they still 571 00:30:31,040 --> 00:30:32,080 Speaker 4: putting the filter on. 572 00:30:32,000 --> 00:30:35,960 Speaker 2: Your on your because I've been using my imagination to 573 00:30:36,000 --> 00:30:42,920 Speaker 2: consider more things porno than we're traditionally considered. 574 00:30:44,880 --> 00:30:49,200 Speaker 4: Okay, you you were introduced to a palette of porno 575 00:30:49,880 --> 00:30:50,680 Speaker 4: and then said. 576 00:30:50,520 --> 00:30:53,680 Speaker 2: And then I was introduced to it was like the 577 00:30:53,880 --> 00:30:55,680 Speaker 2: with with these filters. 578 00:30:56,560 --> 00:30:58,520 Speaker 4: Of course I managed that let you dry out a 579 00:30:58,520 --> 00:30:58,960 Speaker 4: little bit. 580 00:30:59,160 --> 00:31:05,000 Speaker 3: Yeah, basically figured out to become arousing. And then they're 581 00:31:05,080 --> 00:31:07,640 Speaker 3: managing to sniff out at each time. You know, it's 582 00:31:07,640 --> 00:31:10,520 Speaker 3: whack a mole with this guy, whack of something and 583 00:31:11,680 --> 00:31:14,160 Speaker 3: he he will decide that. 584 00:31:14,520 --> 00:31:17,320 Speaker 2: Does scout for me. That's that's fine. You don't have 585 00:31:17,400 --> 00:31:22,000 Speaker 2: to totally gets a job done for me. That's how 586 00:31:22,160 --> 00:31:24,160 Speaker 2: powerful my imagination has become. 587 00:31:24,360 --> 00:31:27,000 Speaker 3: And they did things popping out of a hole, getting 588 00:31:27,120 --> 00:31:28,400 Speaker 3: mop knock him back in. 589 00:31:28,920 --> 00:31:30,479 Speaker 2: It can't be anything else to me. 590 00:31:30,640 --> 00:31:32,360 Speaker 4: Don't get me off this couch too soon. 591 00:31:33,080 --> 00:31:37,640 Speaker 3: Yeah, it's it's it's all titillating, isn't it. 592 00:31:39,560 --> 00:31:45,200 Speaker 2: And so Markie Mark is there, Hey young, that's me 593 00:31:46,600 --> 00:31:50,800 Speaker 2: very good, very good, And so we'll we'll just kind 594 00:31:50,840 --> 00:31:55,280 Speaker 2: of wheel the crypt. The cryptkeeper obviously is only from 595 00:31:55,280 --> 00:31:57,280 Speaker 2: the mid section up. 596 00:31:57,480 --> 00:32:00,520 Speaker 4: Oh, he's even in his height. He never is able 597 00:32:00,560 --> 00:32:02,280 Speaker 4: to just walk on his own. 598 00:32:02,640 --> 00:32:05,200 Speaker 2: That's all he is. He's just on a roll, you know, 599 00:32:05,280 --> 00:32:07,000 Speaker 2: like the thing they used to roll the TV in 600 00:32:07,120 --> 00:32:09,720 Speaker 2: at the school. He's just on top of one of those. 601 00:32:09,880 --> 00:32:11,480 Speaker 2: So he's gonna still be going. 602 00:32:11,240 --> 00:32:20,600 Speaker 3: Inside of coffin regularly. And I believe his backstory is 603 00:32:20,640 --> 00:32:25,280 Speaker 3: that he wanted gender equality and magicians sawing people in half. Oh, 604 00:32:25,320 --> 00:32:27,000 Speaker 3: and he was like, why has it always got to 605 00:32:27,040 --> 00:32:32,000 Speaker 3: be a chick? And so he you know, really fought 606 00:32:32,040 --> 00:32:33,680 Speaker 3: hard for the right to get sawed and half. 607 00:32:33,760 --> 00:32:37,240 Speaker 1: And something went wrong, so he is stuck like. 608 00:32:37,320 --> 00:32:40,320 Speaker 4: And is And when you say something went wrong, is 609 00:32:40,360 --> 00:32:43,960 Speaker 4: that what killed him or is that just how he 610 00:32:44,000 --> 00:32:44,480 Speaker 4: became What. 611 00:32:44,560 --> 00:32:51,160 Speaker 2: Killed him was then his fight over putting ramps basically everywhere. 612 00:32:51,200 --> 00:32:54,960 Speaker 2: He actually went a little too far on require since 613 00:32:55,000 --> 00:32:57,480 Speaker 2: he was just a tour sho like really putting ramps 614 00:32:57,520 --> 00:33:00,440 Speaker 2: all over the place. So now being stationed area is 615 00:33:00,600 --> 00:33:04,440 Speaker 2: just no longer an option. Okay, Like it's pretty like 616 00:33:04,520 --> 00:33:06,120 Speaker 2: the school you're going to be in is pretty much 617 00:33:06,120 --> 00:33:06,760 Speaker 2: all ramped. 618 00:33:06,800 --> 00:33:08,400 Speaker 1: Too many rams, So we're. 619 00:33:08,240 --> 00:33:10,920 Speaker 2: Just going to have to get him as he's he's 620 00:33:10,960 --> 00:33:15,640 Speaker 2: kind which is helpful because of the monologue. So we'll 621 00:33:15,680 --> 00:33:17,200 Speaker 2: just hope we catch it when we get the. 622 00:33:17,280 --> 00:33:19,400 Speaker 3: We may want to get Tony Hawk involved again to 623 00:33:19,480 --> 00:33:21,479 Speaker 3: be the camera man because he can just kind of 624 00:33:21,520 --> 00:33:26,480 Speaker 3: glide along Okay, yeah, of a halfpipe or something going. 625 00:33:26,640 --> 00:33:30,360 Speaker 4: You can put you can put a rope on Tony Hawk, 626 00:33:31,080 --> 00:33:35,760 Speaker 4: tie it to the crypt Keeper's uh cart, yes, and 627 00:33:35,800 --> 00:33:38,480 Speaker 4: then he can do straight down the barreroom. 628 00:33:38,680 --> 00:33:42,960 Speaker 2: Yeah. He would effectively be sketching m h sketching the 629 00:33:42,960 --> 00:33:44,320 Speaker 2: Cripkeepers rolling coffin. 630 00:33:45,480 --> 00:33:45,760 Speaker 4: Yeah. 631 00:33:45,960 --> 00:33:47,920 Speaker 1: Yeah, that's powerful. 632 00:33:48,200 --> 00:33:51,640 Speaker 4: I'll be honest, this is very powerful. I feel like 633 00:33:51,680 --> 00:33:53,440 Speaker 4: I'm watching The Cryptkeeper. 634 00:33:54,600 --> 00:33:57,200 Speaker 1: Like it's as much about young Evan. 635 00:33:56,360 --> 00:34:02,520 Speaker 2: It's a Cripkeeper episode that Mark Mark is like guests staring. 636 00:34:02,960 --> 00:34:04,760 Speaker 3: I don't think it will be better, but man, it 637 00:34:04,800 --> 00:34:08,520 Speaker 3: looked fun seeing you try that young that Marky Mark voice. 638 00:34:09,800 --> 00:34:11,480 Speaker 1: I think I'd also like to try it. 639 00:34:15,440 --> 00:34:17,680 Speaker 2: That's not right, No, I think that was better. It 640 00:34:17,760 --> 00:34:21,239 Speaker 2: was breathier. Yeah, that's good. 641 00:34:22,040 --> 00:34:22,239 Speaker 1: Good. 642 00:34:22,480 --> 00:34:23,200 Speaker 4: Yeah, nice. 643 00:34:23,560 --> 00:34:26,399 Speaker 1: Well I was inspired by him for mine. 644 00:34:26,440 --> 00:34:28,839 Speaker 2: He was a little younger. He wasn't like, he wasn't 645 00:34:28,920 --> 00:34:31,239 Speaker 2: quite as windy as as he might now. 646 00:34:32,440 --> 00:34:35,719 Speaker 4: Not the happening more the the Marky Mark. 647 00:34:35,640 --> 00:34:43,200 Speaker 2: Era not happen when he diaries. Yeah. Yeah, so we 648 00:34:43,200 --> 00:34:47,960 Speaker 2: were rounding out our cast. Uh, there's all I mean, 649 00:34:48,640 --> 00:34:49,880 Speaker 2: there's a female character. 650 00:34:51,560 --> 00:34:54,400 Speaker 1: Guy, We've got to get that name. 651 00:35:03,840 --> 00:35:08,400 Speaker 4: Just says a wonderful character. 652 00:35:08,719 --> 00:35:09,880 Speaker 2: Wonderful character. 653 00:35:10,239 --> 00:35:17,160 Speaker 4: Gwen, Gwen, No, Glenn Robinson Gwen. 654 00:35:17,560 --> 00:35:19,799 Speaker 2: Okay, well it does seem like this could be an 655 00:35:19,800 --> 00:35:22,440 Speaker 2: opportunity to get a little spider man. 656 00:35:22,560 --> 00:35:23,399 Speaker 1: Well, yes, I. 657 00:35:23,360 --> 00:35:28,040 Speaker 2: Mean Gwen's already here, Gwen is here, Gwen Stacy is 658 00:35:28,080 --> 00:35:28,879 Speaker 2: a spider man. 659 00:35:29,360 --> 00:35:37,640 Speaker 4: Yep, uh so, but maybe Gwen Stacy famously teenaged. But now, 660 00:35:38,400 --> 00:35:40,640 Speaker 4: oh well she's a friend and she's young. 661 00:35:40,680 --> 00:35:44,279 Speaker 2: She's a friend, she's young, and so she can be 662 00:35:44,320 --> 00:35:46,640 Speaker 2: a youngcast University English teacher. 663 00:35:47,239 --> 00:35:51,520 Speaker 3: Surprise when the parts of the show work, just just 664 00:35:51,600 --> 00:35:54,000 Speaker 3: as we move forward through this, like there's a lot 665 00:35:54,040 --> 00:35:56,279 Speaker 3: of kind of gaps to fill in still and I 666 00:35:56,360 --> 00:35:57,760 Speaker 3: just think we can't be like shocked. 667 00:35:57,760 --> 00:36:00,799 Speaker 1: Everything can work. 668 00:36:01,040 --> 00:36:03,880 Speaker 4: Yeah, okay, I got you, thank. 669 00:36:03,680 --> 00:36:05,799 Speaker 2: You, and this will also I'll just say, speaking of 670 00:36:06,960 --> 00:36:12,480 Speaker 2: things working, this is a good opportunity to put our 671 00:36:12,520 --> 00:36:17,200 Speaker 2: campus to work, because, like we negotiate a thing where 672 00:36:17,239 --> 00:36:23,920 Speaker 2: the studio is paying location fees for the campus. They 673 00:36:23,960 --> 00:36:27,920 Speaker 2: have to dig it out because right now it's it's 674 00:36:29,040 --> 00:36:35,520 Speaker 2: the muck. We got someone's gotta dig this muck out. 675 00:36:36,080 --> 00:36:39,600 Speaker 3: No, we really need I mean just at some point 676 00:36:39,760 --> 00:36:42,279 Speaker 3: I think we need a helicopter to drop a whole 677 00:36:42,320 --> 00:36:45,000 Speaker 3: load of kitty litter on something. 678 00:36:45,800 --> 00:36:48,200 Speaker 1: What's happening at this point? 679 00:36:48,400 --> 00:36:50,520 Speaker 2: Everything we've been saying about the muck is going to 680 00:36:50,560 --> 00:36:54,200 Speaker 2: stop rising. We gotta throw that whole idea out of 681 00:36:54,239 --> 00:36:57,680 Speaker 2: the window. Must happen happening, that the muck is going 682 00:36:57,760 --> 00:36:58,600 Speaker 2: to keep rising. 683 00:36:59,440 --> 00:37:03,920 Speaker 3: When the wool pond was empty, I thought, Okay, the 684 00:37:03,960 --> 00:37:08,040 Speaker 3: campus is too dry, but it had somehow gotten into 685 00:37:08,080 --> 00:37:11,960 Speaker 3: the dry parts to just make it all muck everywhere. 686 00:37:12,040 --> 00:37:13,959 Speaker 4: Oops, all is what we're doing. 687 00:37:14,040 --> 00:37:18,120 Speaker 2: Yeah, Yeah, most schools barely have any muck. It's not 688 00:37:18,200 --> 00:37:20,840 Speaker 2: even like the Cereal where like there's some of the 689 00:37:20,880 --> 00:37:23,799 Speaker 2: little areas there. Yeah, most schools, like you can't even 690 00:37:23,840 --> 00:37:25,200 Speaker 2: find muck if you're looking for. 691 00:37:25,239 --> 00:37:27,879 Speaker 4: It's never for the schools that I've been to, it's 692 00:37:27,920 --> 00:37:29,320 Speaker 4: never been a selling point. 693 00:37:30,040 --> 00:37:31,880 Speaker 1: And I'll take some ownership of obviously. 694 00:37:31,920 --> 00:37:34,200 Speaker 3: I was the one who went no foundation on the 695 00:37:34,239 --> 00:37:37,040 Speaker 3: buildings because I just thought, you're never. 696 00:37:36,920 --> 00:37:39,160 Speaker 4: Using that that Yeah, it doesn't even come up. 697 00:37:39,360 --> 00:37:42,400 Speaker 3: Yeah, but but it well, and it's not they're not 698 00:37:42,440 --> 00:37:46,080 Speaker 3: gonna come up because they're they're going down, Yeah, the buildings. 699 00:37:46,080 --> 00:37:47,560 Speaker 1: I've been singing into the muck. 700 00:37:49,040 --> 00:37:53,600 Speaker 2: So whatever, it's it ate those things like that and 701 00:37:53,680 --> 00:37:57,400 Speaker 2: that that's a that's a blessing. And you know, I 702 00:37:57,440 --> 00:38:00,560 Speaker 2: do find myself missing when we had it was they 703 00:38:00,600 --> 00:38:05,200 Speaker 2: were bores. They were like, yeah, kind of there's. 704 00:38:05,000 --> 00:38:07,280 Speaker 1: Like a type hybrid creature. 705 00:38:07,480 --> 00:38:07,840 Speaker 2: Yeah. 706 00:38:07,920 --> 00:38:12,000 Speaker 4: Yeah, there were a lot of wild uh animals. 707 00:38:11,400 --> 00:38:17,680 Speaker 2: Creatures bare they got eated. Yeah. No. And it wasn't 708 00:38:17,719 --> 00:38:20,920 Speaker 2: that they just got like submerge or whatever it ate 709 00:38:21,120 --> 00:38:22,680 Speaker 2: them it. 710 00:38:22,440 --> 00:38:25,120 Speaker 1: Yeah, because I was like, oh, these things just seeing. 711 00:38:24,840 --> 00:38:27,160 Speaker 3: How adaptable they were prior because some of them had 712 00:38:27,200 --> 00:38:30,120 Speaker 3: become aquatic are they were in the pond, So I 713 00:38:30,160 --> 00:38:32,160 Speaker 3: was like, well, they're just gonna grow gills and become 714 00:38:32,280 --> 00:38:35,720 Speaker 3: kind of muckroster. But you know, it was a relief 715 00:38:35,760 --> 00:38:37,759 Speaker 3: to hear how painful it was for them to be 716 00:38:38,360 --> 00:38:41,319 Speaker 3: absorbed into the muck and that they really got their 717 00:38:41,360 --> 00:38:46,359 Speaker 3: bones crunched up by you know, a living muck or. 718 00:38:46,280 --> 00:38:48,279 Speaker 2: It's like a bunch. This is why I can't really 719 00:38:48,280 --> 00:38:52,000 Speaker 2: figure out. It's not just like one muck, you know 720 00:38:52,040 --> 00:38:56,200 Speaker 2: what I mean, It's like a bunch of it's it's 721 00:38:56,280 --> 00:39:00,600 Speaker 2: like a lot of things MUCKs to get ether a 722 00:39:00,680 --> 00:39:04,520 Speaker 2: multitude of mugs, right, I guess right, it's a muck 723 00:39:04,800 --> 00:39:12,040 Speaker 2: nest monster. Yeah that's right, Yeah, fuck nest monster and 724 00:39:12,120 --> 00:39:15,520 Speaker 2: none of that. Like we put the this is what sucks. 725 00:39:15,560 --> 00:39:18,400 Speaker 1: We could get f X stuff clean up the muck. 726 00:39:18,239 --> 00:39:19,640 Speaker 2: If we could get them to dig it out of 727 00:39:19,760 --> 00:39:23,319 Speaker 2: even just litter on it. Because we can't, we put 728 00:39:23,320 --> 00:39:26,439 Speaker 2: the animal on the T shirt. 729 00:39:26,680 --> 00:39:32,560 Speaker 4: And made it such a senature shirt. Yeah muck, it 730 00:39:32,640 --> 00:39:36,800 Speaker 4: doesn't show up and certainly not live muck. How do 731 00:39:36,840 --> 00:39:39,080 Speaker 4: you communicate living muck or no? 732 00:39:39,200 --> 00:39:41,560 Speaker 3: I mean you can make the shirt sort of camo colored, 733 00:39:41,600 --> 00:39:47,200 Speaker 3: which I guess the muck is cam. We tried, like, 734 00:39:47,640 --> 00:39:50,000 Speaker 3: you know, we're not West Point, what are we doing? 735 00:39:50,200 --> 00:39:50,439 Speaker 2: Yeah? 736 00:39:50,480 --> 00:39:53,839 Speaker 3: I feel like Point probably kicked my happy meal ass 737 00:39:53,920 --> 00:39:55,719 Speaker 3: up and down Main Street for that one. 738 00:39:57,000 --> 00:39:58,120 Speaker 1: Yeah, I can't do it. 739 00:39:58,960 --> 00:40:02,080 Speaker 2: There was like we we tried, like from the belly 740 00:40:02,080 --> 00:40:05,000 Speaker 2: button down, it's kind of muck color. But number one, 741 00:40:05,040 --> 00:40:07,040 Speaker 2: it's like a different color every time you look at it. 742 00:40:07,160 --> 00:40:10,400 Speaker 2: You can't get this thing. It's still color wise. 743 00:40:10,280 --> 00:40:14,040 Speaker 1: Yeah, make up your mind muck and uh. 744 00:40:14,560 --> 00:40:17,360 Speaker 2: Number two that was people were like trying to rescue 745 00:40:17,400 --> 00:40:20,280 Speaker 2: each other it's bringing out the best in our students. 746 00:40:20,280 --> 00:40:20,839 Speaker 2: I'll say that. 747 00:40:21,040 --> 00:40:21,960 Speaker 4: Yeah, you know what. 748 00:40:22,160 --> 00:40:25,719 Speaker 3: Yeah, it's like, look to the helpers, like the people 749 00:40:25,800 --> 00:40:26,879 Speaker 3: running towards the muck. 750 00:40:27,080 --> 00:40:31,040 Speaker 4: I haven't. I admittedly haven't been checking in obviously as 751 00:40:31,120 --> 00:40:34,640 Speaker 4: much as I should, you know, And I'm sorry about that. 752 00:40:34,640 --> 00:40:38,280 Speaker 2: That's and that was fine, you know, from a revenue 753 00:40:38,280 --> 00:40:41,279 Speaker 2: for the revenue on the T shirts perspective, that was 754 00:40:41,400 --> 00:40:45,359 Speaker 2: working Kevin at least Kevin was like, let's like, let's 755 00:40:45,440 --> 00:40:48,520 Speaker 2: lean into this. Yeah, I'm not what he doesn't know more, 756 00:40:49,400 --> 00:40:50,800 Speaker 2: but it will hurt us. 757 00:40:51,120 --> 00:40:55,200 Speaker 4: Yeah, so the muck is eating the students. 758 00:40:55,440 --> 00:40:58,360 Speaker 2: About any done yet? Like all past tense it ate 759 00:40:58,400 --> 00:41:01,000 Speaker 2: everything bikes, yes. 760 00:41:01,600 --> 00:41:03,040 Speaker 1: My bike, your bike? 761 00:41:03,400 --> 00:41:05,000 Speaker 2: Yeah? 762 00:41:05,400 --> 00:41:10,239 Speaker 1: Fuck muck food, God, damn muk food. 763 00:41:10,360 --> 00:41:13,560 Speaker 4: And and the only up to this point solution that 764 00:41:13,600 --> 00:41:15,919 Speaker 4: we've landed on is kitty litter. 765 00:41:16,040 --> 00:41:19,640 Speaker 1: Kitty litter. Yeah, ideally pretty litter to tie in with 766 00:41:19,680 --> 00:41:23,080 Speaker 1: our sponsorship. Okay, yeah, sure, ads for pretty litter. 767 00:41:23,160 --> 00:41:25,080 Speaker 2: That would be huge. We well, we. 768 00:41:25,160 --> 00:41:26,920 Speaker 1: See what color it turns, even if the muck just 769 00:41:26,960 --> 00:41:27,560 Speaker 1: eats the litter. 770 00:41:27,640 --> 00:41:30,200 Speaker 3: We can see what changes color and find out if 771 00:41:30,200 --> 00:41:32,640 Speaker 3: it's like you know, muck has too much alkaline and 772 00:41:32,680 --> 00:41:33,720 Speaker 3: it's or something. 773 00:41:34,160 --> 00:41:37,080 Speaker 4: Is this is this nasty muck or is this healthy muck? 774 00:41:37,480 --> 00:41:37,680 Speaker 2: Well? 775 00:41:37,800 --> 00:41:40,040 Speaker 3: Yeah, I mean I got a guess, but it still 776 00:41:40,080 --> 00:41:42,640 Speaker 3: be good to get some information. 777 00:41:44,920 --> 00:41:51,560 Speaker 2: And if we could get the whichever, the studio, FEMA, whatever, 778 00:41:51,920 --> 00:41:54,400 Speaker 2: we get them to use the coat, use our code. 779 00:41:54,440 --> 00:41:59,680 Speaker 2: The boys when they buy it's had a government contract. 780 00:42:00,080 --> 00:42:05,000 Speaker 3: Huh yeah, the Department of Defense or whatever. 781 00:42:05,360 --> 00:42:10,120 Speaker 4: That's what makes these deals. Yeah, is that you you 782 00:42:10,160 --> 00:42:12,560 Speaker 4: don't know what they're allowed if are they allowed to 783 00:42:12,640 --> 00:42:13,440 Speaker 4: use the code. 784 00:42:13,280 --> 00:42:17,640 Speaker 2: Or not it where's where do they enter the code? 785 00:42:17,680 --> 00:42:23,479 Speaker 3: The boys on this giant government contract could be really 786 00:42:23,520 --> 00:42:24,200 Speaker 3: fucking cool. 787 00:42:24,280 --> 00:42:26,200 Speaker 4: That would be huge for you guys. 788 00:42:26,680 --> 00:42:27,120 Speaker 1: Yeah. 789 00:42:27,320 --> 00:42:31,080 Speaker 3: Yeah, it's just talking about this muck is getting me 790 00:42:31,160 --> 00:42:32,520 Speaker 3: so bummed out. 791 00:42:33,440 --> 00:42:37,960 Speaker 4: Yeah, it really does seem like maybe the crypt keeper 792 00:42:38,280 --> 00:42:41,959 Speaker 4: is the only person who can survive there. 793 00:42:42,680 --> 00:42:44,520 Speaker 2: Oh gosh. 794 00:42:44,719 --> 00:42:49,400 Speaker 3: New insurance doesn't cover muck like that's not seen as 795 00:42:50,680 --> 00:42:52,560 Speaker 3: anything under their It's not. 796 00:42:52,760 --> 00:42:54,839 Speaker 2: Like because it's not an act of God. 797 00:42:55,080 --> 00:42:58,240 Speaker 1: Yes it's not. And it's not really like a natural 798 00:42:58,280 --> 00:42:59,279 Speaker 1: disaster either. 799 00:43:00,080 --> 00:43:02,919 Speaker 4: Well, may I ask where where did the mo come from? 800 00:43:02,960 --> 00:43:04,760 Speaker 4: If not God? 801 00:43:06,239 --> 00:43:07,799 Speaker 1: Oh wow, wow? 802 00:43:07,920 --> 00:43:08,720 Speaker 2: The insurance company? 803 00:43:08,760 --> 00:43:11,080 Speaker 3: You sure you're not on that preyed up app I 804 00:43:11,120 --> 00:43:19,759 Speaker 3: actually think you're you're spitting right now. Yes, uh, apparently 805 00:43:20,120 --> 00:43:25,080 Speaker 3: us like something we did, you know what they say? 806 00:43:27,520 --> 00:43:31,600 Speaker 3: I think I would being pretty normal around campus. 807 00:43:31,920 --> 00:43:36,520 Speaker 2: We so like one experiment, like I think we talked 808 00:43:36,600 --> 00:43:38,680 Speaker 2: maybe we talked about this in the last episode. I 809 00:43:38,680 --> 00:43:45,319 Speaker 2: forget exactly, but there was an effort to do funny lunches. Yes, 810 00:43:45,360 --> 00:43:51,000 Speaker 2: that podcast University, and we talked about on Wednesdays, we 811 00:43:51,080 --> 00:43:56,879 Speaker 2: can have Marin aerosauce when you are in school, you're 812 00:43:57,000 --> 00:44:02,680 Speaker 2: entering your Marin era and something. The rest We're like, 813 00:44:02,719 --> 00:44:04,319 Speaker 2: we don't just want to have to just be like 814 00:44:04,560 --> 00:44:08,400 Speaker 2: blood tomatoes AND's like a little basic like put onion 815 00:44:08,440 --> 00:44:13,160 Speaker 2: in there, whatever, Like we want this really pop off. 816 00:44:13,320 --> 00:44:18,359 Speaker 4: It's got the signature. 817 00:44:16,760 --> 00:44:25,160 Speaker 2: Yes exactly, something a little caustic, exact, some loose cat yes, 818 00:44:25,760 --> 00:44:29,160 Speaker 2: but also that you can keep coming back to every 819 00:44:29,320 --> 00:44:35,040 Speaker 2: week for multiple decades. That's what That's what we wanted 820 00:44:35,080 --> 00:44:36,120 Speaker 2: to get from this sauce. 821 00:44:36,200 --> 00:44:38,960 Speaker 4: We needed the sauce to lock the gates. 822 00:44:38,960 --> 00:44:42,319 Speaker 2: That yes, yes, and that and effectively that is what 823 00:44:42,480 --> 00:44:46,080 Speaker 2: happened the I mean, there were a few steps in 824 00:44:46,120 --> 00:44:49,440 Speaker 2: between it, but we make the sauce and the gates 825 00:44:49,440 --> 00:44:52,239 Speaker 2: had to be locked before they they were consumed like 826 00:44:52,320 --> 00:44:55,200 Speaker 2: everything else. That was when we had to lock everything 827 00:44:55,239 --> 00:44:56,279 Speaker 2: alive inside. 828 00:44:56,640 --> 00:44:59,640 Speaker 4: Well, this is progress. We know the exact source now 829 00:45:00,080 --> 00:45:04,920 Speaker 4: it isn't just the sauce. 830 00:45:03,600 --> 00:45:05,080 Speaker 2: That kind of like you said something else. 831 00:45:08,440 --> 00:45:12,240 Speaker 4: My pronun not always English is in my first language. 832 00:45:13,400 --> 00:45:15,880 Speaker 2: But the recipe we didn't, we didn't write it. Now 833 00:45:16,760 --> 00:45:17,200 Speaker 2: we got. 834 00:45:17,239 --> 00:45:22,799 Speaker 1: Suffalo bill from silence of the Lamb's ordering sauce. I 835 00:45:22,840 --> 00:45:25,480 Speaker 1: want the jack shorsh. 836 00:45:25,920 --> 00:45:29,239 Speaker 2: We got the recipe from some book that had a 837 00:45:29,280 --> 00:45:30,920 Speaker 2: big blinking eye of the flood. 838 00:45:33,560 --> 00:45:35,840 Speaker 4: And this is this was a fleshy eye. 839 00:45:35,920 --> 00:45:39,680 Speaker 1: This is fleshy eye. Fleshy eye. 840 00:45:40,640 --> 00:45:42,160 Speaker 2: Let me think. I guess it was pretty plea. 841 00:45:42,400 --> 00:45:45,359 Speaker 3: Yeah, as I look back, the whole rest of the 842 00:45:45,400 --> 00:45:52,040 Speaker 3: cover was flesh. 843 00:45:49,239 --> 00:45:52,200 Speaker 2: And so in that sense, the eye was the least fleshy. 844 00:45:52,480 --> 00:45:55,400 Speaker 1: The I itself was actually the only non flesh item. 845 00:45:55,440 --> 00:45:57,200 Speaker 1: Although I guess that is a fleshy eye. 846 00:45:58,960 --> 00:46:03,760 Speaker 4: I try, uh, obviously, to support you. We're in business together. 847 00:46:03,840 --> 00:46:05,040 Speaker 1: I try to support any guys. 848 00:46:06,840 --> 00:46:14,680 Speaker 4: That's what I think. Maybe that was a mistaken. 849 00:46:13,360 --> 00:46:18,960 Speaker 2: Use a recipe, Okay, fleshy fresh fleshy. 850 00:46:18,600 --> 00:46:21,080 Speaker 4: Book with a non fleshy eye feels. 851 00:46:20,719 --> 00:46:23,320 Speaker 1: Like, Okaysen go off a cliff. 852 00:46:25,640 --> 00:46:29,960 Speaker 4: I just think that we go off that cliff. I 853 00:46:30,040 --> 00:46:34,240 Speaker 4: just think that maybe that's not the way to solve 854 00:46:34,640 --> 00:46:37,719 Speaker 4: a basic problem, like making marin aerosauce. 855 00:46:38,280 --> 00:46:40,240 Speaker 3: Yeah, but you so you would just want the regular 856 00:46:40,280 --> 00:46:42,800 Speaker 3: tomatoes and there's no edge to it or whatever. 857 00:46:42,920 --> 00:46:46,680 Speaker 1: What would you do just like add like chili powder 858 00:46:46,760 --> 00:46:49,319 Speaker 1: or something. Yeah, I think, well that could have been good. 859 00:46:49,400 --> 00:46:50,840 Speaker 1: Chili powder and marion airosauce. 860 00:46:50,960 --> 00:46:51,960 Speaker 4: Dan, it's pretty good. 861 00:46:52,160 --> 00:46:55,600 Speaker 2: And this coming from the guy whose family called me 862 00:46:55,880 --> 00:46:57,560 Speaker 2: just before the show to say, how why don't keep 863 00:46:57,600 --> 00:46:59,640 Speaker 2: him a little longer so he doesn't make dinner tonight? 864 00:47:02,800 --> 00:47:07,640 Speaker 2: Is that that each individual member of your family everyone show. 865 00:47:07,520 --> 00:47:10,239 Speaker 4: And they said, whatever you do, don't let him make us. 866 00:47:10,520 --> 00:47:12,360 Speaker 2: It wasn't whatever you do. It was more of a 867 00:47:12,440 --> 00:47:16,000 Speaker 2: why don't you like we don't really know each other. 868 00:47:16,320 --> 00:47:19,160 Speaker 3: If the episode runs a little bit long so Langston 869 00:47:19,239 --> 00:47:24,319 Speaker 3: can't make dinner, you'll hear no complaints from from us 870 00:47:24,360 --> 00:47:29,319 Speaker 3: here at home. His family, Every family member says it. 871 00:47:30,040 --> 00:47:32,600 Speaker 1: So they called you, there's got notes on our recipe. 872 00:47:32,760 --> 00:47:34,360 Speaker 3: But it's like, maybe you could have used a fleshy 873 00:47:34,400 --> 00:47:35,440 Speaker 3: eye on some of the meals. 874 00:47:35,520 --> 00:47:37,400 Speaker 1: Yeah, because then at least then. 875 00:47:39,200 --> 00:47:40,960 Speaker 4: I don't know they would have died in the mug. 876 00:47:41,120 --> 00:47:44,160 Speaker 3: Well, yeah, I mean yeah, I don't want to say 877 00:47:44,880 --> 00:47:46,799 Speaker 3: our version. I'm not going to say yeah. I'm not 878 00:47:46,840 --> 00:47:49,680 Speaker 3: going to say I don't want anyone else to die 879 00:47:49,680 --> 00:47:50,160 Speaker 3: in the muck. 880 00:47:51,760 --> 00:47:52,880 Speaker 4: We're just both wrong. 881 00:47:53,880 --> 00:47:56,920 Speaker 1: I think that's right. I think like you're sitting here 882 00:47:57,120 --> 00:47:58,359 Speaker 1: and you're throwing. 883 00:47:58,080 --> 00:48:00,680 Speaker 3: Stones, and well we're here to inform me of is 884 00:48:00,800 --> 00:48:02,280 Speaker 3: your house happens to be glass? 885 00:48:02,360 --> 00:48:07,520 Speaker 4: Sir? Who? All right, Well, I let me be the 886 00:48:07,520 --> 00:48:10,560 Speaker 4: first to apologize. I'm gonna beat the ship out of 887 00:48:10,560 --> 00:48:16,280 Speaker 4: my family. Know that when I get home, everybody's getting 888 00:48:16,360 --> 00:48:21,480 Speaker 4: hit in the face. I'm gonna hit them because of 889 00:48:21,520 --> 00:48:22,920 Speaker 4: what you just told me. 890 00:48:23,320 --> 00:48:27,360 Speaker 2: And I'm sorry. 891 00:48:27,640 --> 00:48:31,879 Speaker 1: Okay, yeah, longer. Yeah, maybe I'm inventing the dinner part of. 892 00:48:31,840 --> 00:48:38,080 Speaker 2: It because he doesn't they don't want him to make dinner. 893 00:48:38,680 --> 00:48:41,440 Speaker 3: Yeah, I had just felt that, Yeah, that was an 894 00:48:41,440 --> 00:48:43,160 Speaker 3: assumption he must be a bad cook. 895 00:48:44,960 --> 00:48:47,160 Speaker 1: But I'm going, oh, that's a pretty big leap actually 896 00:48:47,239 --> 00:48:47,520 Speaker 1: to make. 897 00:48:47,800 --> 00:48:48,960 Speaker 4: Yeah, that doesn't make sense to me. 898 00:48:49,120 --> 00:48:52,479 Speaker 2: Yeah, Yeah, what's the what's the first show on the tour? 899 00:48:53,840 --> 00:48:56,759 Speaker 4: D C We're going to d C first and foremost. 900 00:48:57,000 --> 00:49:01,880 Speaker 2: Yeah, okay, yeah, and UH nation's capital and what's it? 901 00:49:01,960 --> 00:49:02,680 Speaker 2: What's the venue? 902 00:49:03,960 --> 00:49:09,320 Speaker 4: Oh boy, by what do you want me to remember? 903 00:49:09,400 --> 00:49:09,680 Speaker 1: Stuff?