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Speaker 1: Welcome to episode five point thirty three of The Bobbycast

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Speaker 1: with Jay Rinshaw.

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Speaker 2: Who Jay is Chit? Jay created this character.

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Speaker 1: I guess he's not the only one. He talks about

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Speaker 1: his partner, but Jay is the person who plays Chit,

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Speaker 1: So Chit gets all the credit. Now, Chit is somebody

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Speaker 1: that I saw on TikTok and Eddie and I were

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Speaker 1: sending clips back and forth, and now he doesn't put

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Speaker 1: a video out that doesn't get millions and millions of views.

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Speaker 2: Mike, do you watch Chit?

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Speaker 3: Yeah? Stuff gets millions.

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Speaker 1: Instantly, instantly. Here is a clip of Chit from the

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Speaker 1: Is it the Chit Show? Yeah, it is called the

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Speaker 1: Chit Show like that Blank show has got to play

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Speaker 1: on that.

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Speaker 2: Okay, here we go. Here's a clip of Chit.

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Speaker 4: I said, is there a black person here?

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Speaker 5: Do you have a question?

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Speaker 2: Yeah?

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Speaker 4: Yeah, is there a black person here?

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Speaker 6: Chit? Why are you asking that?

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Speaker 4: Jane said there was one in here? Can bit check

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Speaker 4: there's a white person here too. I don't need one

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Speaker 4: of those.

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Speaker 6: Please stop what you're doing.

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Speaker 4: Watch the big Dan. I'm just trying to find the

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Speaker 4: black person here. Well you found her, Okay, you got

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Speaker 4: had today? Okay, can me see, let me set my spark.

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Speaker 4: Then down, Oh here it is?

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Speaker 2: Got it?

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Speaker 6: Shit? Are you saying? Is there a black purse in here?

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Speaker 4: Yeah? Success?

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Speaker 2: So here he is.

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Speaker 1: We talked about that, and then afterward we'll get into

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Speaker 1: because I've been watching now it's Charlie Crockett and Gavin

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Speaker 1: Atcock fighting with each other. There's a lot of like

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Speaker 1: funny beefs happening right now. And one of the things

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Speaker 1: that I get asked about most like what about this

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Speaker 1: beef you had with this person? So I'm just gonna

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Speaker 1: go down the list of people I've had beefs with

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Speaker 1: and talk about how it happened and where it is now.

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Speaker 2: So okay, here we go with the episode. Here is

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Speaker 2: Jay Renshaw. Hey Jay, good to see.

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Speaker 6: You, man, Hey, good to see you too.

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Speaker 1: We all we do all day is yeah, yeah, all day,

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Speaker 1: like for months. It doesn't matter where we are, that's

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Speaker 1: all we do. We come in and we do chit

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Speaker 1: and we're like going along.

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Speaker 2: Johns.

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Speaker 1: I mean, it has consumed us in ways that I

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Speaker 1: never thought I would have imagined. So, first of all,

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Speaker 1: congratulations because you have It's I have a lot of

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Speaker 1: questions about, like very granular questions about your success with

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Speaker 1: this character in.

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Speaker 2: That how long did you have Chit?

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Speaker 1: But how long ago did you create the first episode

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Speaker 1: and what was the expectation before you put it out?

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Speaker 6: Yeah, the first episode was created like two and a

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Speaker 6: half months ago now, and there was no expectation that

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Speaker 6: it would do anything close to what it did. It

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Speaker 6: was meant to be a one off. Kyle and I

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Speaker 6: the co creator of the show, Kyle Kennedy, we filmed

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Speaker 6: it just kind of a fun at Groundlings, which is

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Speaker 6: where we're both main company members, and the response was

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Speaker 6: nice enough that we did another one and then it

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Speaker 6: snowballed from there into what has become a full time commitment,

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Speaker 6: but one that we're grateful for.

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Speaker 1: So the first episode, at least the one that we

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Speaker 1: all should and I'm assuming is the black first episode?

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Speaker 2: Is there black person here? Is that the first one?

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Speaker 6: That's actually the seventh episode?

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Speaker 2: Wow? Yeah, okay, what was the very first one?

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Speaker 6: The very first one was me in the office as Chit,

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Speaker 6: of course, and I was typing nonsense into word. I

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Speaker 6: was just typing like gibberish, and Kyle was kind of

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Speaker 6: spying on me as my coworker, and he said, what

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Speaker 6: are you doing, and I said, working on the budget.

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Speaker 6: And it was a simple first one. I threw out

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Speaker 6: Subway too, like I wanted to go to Subway for lunch,

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Speaker 6: which became a recurring joke. But yeah, that laid the

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Speaker 6: groundwork for a character who thought that he was being helpful,

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Speaker 6: he was being a good employee, when really maybe that

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Speaker 6: wasn't the case.

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Speaker 2: So was the Black Purse episode the one that took

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Speaker 2: it to a different level?

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Speaker 6: Totally? Totally? Yeah. We had gained some traction with the

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Speaker 6: first six videos, like people were liking the character obviously

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Speaker 6: enough that Kyle and I decided to keep making them,

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Speaker 6: and then Black Purse took it to like the stratosphere

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Speaker 6: of like, oh okay, this is what a meme is,

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Speaker 6: and they're like, okay, So that's how most people found us.

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Speaker 6: And it's funny that most people think that's the first episode.

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Speaker 6: There's comments on that video multiple that'd say the one

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Speaker 6: that started it all, it's funny because it's not, but

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Speaker 6: it's for many people it was the start of their

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Speaker 6: journey with chit.

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Speaker 1: So was that, to you, guys the funniest one or

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Speaker 1: were you surprised that that's the one that people gravitated

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Speaker 1: to uh.

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Speaker 6: We thought that it was funny for sure. I remember

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Speaker 6: when I saw the final cut of it, I was like,

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Speaker 6: I think we did this the right way. I think

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Speaker 6: I think we hit it just right because it's a

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Speaker 6: little iffy. Of course, I mean, that's what makes it

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Speaker 6: so eral or titillating, is because it's a little edgy.

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Speaker 6: It's right on that sort of line. But I was like,

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Speaker 6: I think we I think we got this just right,

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Speaker 6: and sure enough it it seemed to resonate with p people.

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Speaker 6: But I think the funniest for us sometimes are actually

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Speaker 6: the ones that are slightly more character based. Black Persons

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Speaker 6: is very funny, and you see plenty of Chit's character,

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Speaker 6: but it's really it's really the bit of the wordplay

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Speaker 6: in that one that that works so well. But some

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Speaker 6: of the ones that I think we like the most

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Speaker 6: are the ones that showed Hit in his truest form.

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Speaker 1: The one that I was super surprised by because I

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Speaker 1: have questions about you specifically too, but the one I

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Speaker 1: was surprised by was you hanging from the bar and

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Speaker 1: just your abs like ripped.

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Speaker 2: Like people had to be so surprised that Chit was ripped.

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Speaker 6: They were. We were hopeful that that would be the

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Speaker 6: case because we wanted to play up at chits like duality.

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Speaker 6: There's two sides to him, and those two sides are

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Speaker 6: what keep people on their toes. You never really know

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Speaker 6: what he's going to do next, but there's a strange

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Speaker 6: capability to what seems like his relative ineptitude. He actually

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Speaker 6: is quite capable and actually excels in a lot of

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Speaker 6: areas you wouldn't expect, which I think makes them exciting.

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Speaker 1: I talk to a lot of artists and even myself included,

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Speaker 1: like why I moved to Nashville. I'm not from Nashville,

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Speaker 1: but you kind of have to move to this hub

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Speaker 1: in order to have a hub and a like a community,

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Speaker 1: a like minded community, a creative community. And so what

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Speaker 1: is your what is your story? Where did you grow up?

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Speaker 1: And I'm not sure if you if you grew up

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Speaker 1: in LA or not? And then if not, why did

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Speaker 1: why did you move? You did move to live in La?

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Speaker 2: You grew up in La?

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Speaker 6: I did not grow up in La. No, I lived

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Speaker 6: in I grew up in Indiana.

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Speaker 2: Okay, So so what's your La what's your moved to

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Speaker 2: LA story?

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Speaker 6: I moved to La when I was eighteen to pursue

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Speaker 6: acting and it's about as simple as that.

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Speaker 1: And did you have any because I've looked and I've

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Speaker 1: seen some of the things, mostly just on TikTok, when

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Speaker 1: it's like Jay Rinshaw in real life, like that's always

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Speaker 1: the bottom thing.

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Speaker 2: It's like clicking.

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Speaker 1: And I watched like little like appearances you had of

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Speaker 1: all different levels. Did you get yeah to doing what

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Speaker 1: you wanted to do ever, like on a massive scale

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Speaker 1: and it just didn't work out? Or did you have

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Speaker 1: certain things that you were like I'm so passionate about this.

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Speaker 1: I only want to write and create my own thing

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Speaker 1: until I get it.

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Speaker 6: I mean, I don't think I ever reached the level

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Speaker 6: of not I don't want to say fame at all,

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Speaker 6: but of awareness of me that people might have now

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Speaker 6: before this moment. There is some fun mini successes I

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Speaker 6: will say along the way, like getting roles in certain shows,

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Speaker 6: very small roles albeit but still you know, great fun.

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Speaker 6: But no, this is by far and away the most

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Speaker 6: attention I've received since moving to LA And I'm just hoping, Oh,

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Speaker 6: go ahead.

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Speaker 2: No, I'm sorry, I'm sorry, I'll just keep going.

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Speaker 6: Oh. I was just saying that you know, hopefully I

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Speaker 6: can translate to chit to other avenues as well, not

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Speaker 6: like I mean, I say, step away from the character

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Speaker 6: a little bit. Also keep pursuing projects as myself or

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Speaker 6: you know, as other roles, other characters I might create,

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Speaker 6: or other roles I might play.

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Speaker 1: Have you had companies come to you and just offer

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Speaker 1: you money now to put on a streaming service?

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Speaker 6: There have been some exciting offers, but nothing is final

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Speaker 6: and nothing is for certain. Right now, we're just all

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Speaker 6: I shouldn't even say offers. Really, it's been more discussions

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Speaker 6: so that the talks alone are thrilling enough for us

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Speaker 6: to even have the possibility of that to happen. But

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Speaker 6: right now, we're still so happy with the online audience

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Speaker 6: that we have because they're so interactive and they they

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Speaker 6: have such great comments and thoughts about the characters, and

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Speaker 6: we love seeing that in real time as we create

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Speaker 6: the show.

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Speaker 1: Yeah, we share every video, but for different reasons. Even

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Speaker 1: the video that wasn't a written as a sketch when

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Speaker 1: you're driving listening.

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Speaker 2: Yeah yeah, yeah, Like even that one has.

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Speaker 1: Been shared so many times, like within our group, are

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Speaker 1: you worried? And again I only think I think that's

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Speaker 1: and asked this question because you just said it. Are

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Speaker 1: you're not worried about being like Erkled?

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Speaker 2: Are you? Were you people only know you as Jit?

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Speaker 6: I mean, I think it's a distinct possibility, But I

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Speaker 6: think I'm trying to differentiate myself is from the character

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Speaker 6: as much as possible, and also in terms of like

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Speaker 6: interviews like this, where I do do it as myself

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Speaker 6: or you know, as opposed to the pee wee Herman,

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Speaker 6: where I would do it and completely in character. But

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Speaker 6: I could only be so lucky to be like ewe

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Speaker 6: Herman at the same time. So it's kind of it's

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Speaker 6: a win win, you know, it's But ideally, no, I

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Speaker 6: will be able to also pursue other projects as a

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Speaker 6: version closer to myself.

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Speaker 2: Were you a theater kid in high school?

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Speaker 6: No, not at all. No. I actually didn't pursue acting

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Speaker 6: of any kind until eighteen when I moved to LA So.

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Speaker 1: Why would you all of a sudden want to act?

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Speaker 1: Where did that come from?

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Speaker 6: I wish I knew. I wish I knew. It was

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Speaker 6: kind of just like this weird inkling urge that I

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Speaker 6: had at eighteen because I was going to go to college.

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Speaker 6: I was enrolled but I withdrew my enrollment the week before,

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Speaker 6: a week before orientation, and I just said, I gotta

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Speaker 6: go to LA and try this acting thing. So random,

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Speaker 6: I know, but I'm glad I did it.

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Speaker 1: So how long were you in California before you actually

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Speaker 1: had work as an artist and did you have to

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Speaker 1: have another job in order to supplement your income?

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Speaker 6: Yeah? I had several jobs, actually, but I never think

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Speaker 6: I don't think I ever hit a job, an acting job,

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Speaker 6: large enough to stop me from working other jobs. But yeah,

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Speaker 6: I worked at Starbucks early on, worked at I worked

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Speaker 6: as like the assistant in this furniture showroom that then

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Speaker 6: after working there for several years, they kind of transitioned

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Speaker 6: me into the marketing side, which was great. I love

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Speaker 6: that company. They're so nice. But yeah, just odd jobs

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Speaker 6: that didn't really align with any passion per se that

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Speaker 6: I had, but that were convenient or they worked around

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Speaker 6: the acting schedule of going to random auditions or Groundlings classes,

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Speaker 6: which became more and more dominant in my life as

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Speaker 6: the years went on.

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Speaker 1: Yeah, how did you start there? Did you start and

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Speaker 1: just enroll and then work your way up? How long

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Speaker 1: did that take?

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Speaker 6: Yeah? I started at Groundings in twenty thirteen. You auditioned

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Speaker 6: to take classes there, which sounds so daunting, but the

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Speaker 6: audition is really just a good gauge of where you're

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Speaker 6: currently at so they know where best to place you.

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Speaker 6: And I went through that whole program, which does take

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Speaker 6: a while. I finished the main track before Sunday Company,

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Speaker 6: which I know you won't know what that is, but

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Speaker 6: it's a performance group at the end of the schooling

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Speaker 6: that is a new show every Sunday that you do.

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Speaker 6: You write and perform a new show every Sunday, So

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Speaker 6: it gets pretty tiring because you're just constantly churning out material.

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Speaker 6: But it's that type of training that has prepared me

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Speaker 6: and all of the other Groundlings for situations like this

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Speaker 6: where suddenly there's a very real demand for creative output

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Speaker 6: and luckily we have the training to meet it.

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Speaker 2: Did you do Chit like Pee Wee did, where his

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Speaker 2: was a stage show?

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Speaker 1: Obviously it was a sketch and turned into a stage

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Speaker 1: show before it turned into anything else. Were you doing

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Speaker 1: Chit as a character as part of that or did

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Speaker 1: it come after.

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Speaker 6: Chit never had his own stage show, but he definitely

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Speaker 6: was a character that I brought into several sketches throughout

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Speaker 6: my time at Groundlings. I've mentioned before that the do

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Speaker 6: it Ladies do it Ladies. One of the phrases that

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Speaker 6: it has that has become relatively viral was a sketch

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Speaker 6: that I did in Sunday Company, the program that I

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Speaker 6: was just talking about. It was a birthday card signing.

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Speaker 6: There were only two people in the sketch, so it

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Speaker 6: was just me and another person, And I think what

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Speaker 6: made the chit version partially so successful was that there

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Speaker 6: were more people to come on board and agree with

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Speaker 6: him that that it was a fun.

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Speaker 2: Saying what was your first paying job? In California, LA.

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Speaker 6: I worked at a workshop studio for casting director workshops

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Speaker 6: where a casting director would come and meet with about

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Speaker 6: thirty actors, give them advice, and then usually they would

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Speaker 6: see them perform a prepared piece of their choice. And

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Speaker 6: I was the reader at one of those, so I

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Speaker 6: would read with people with the audition sides that they

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Speaker 6: brought in for the casting director and it was very fun.

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Speaker 6: I mean, I got some FaceTime with casting directors. But

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Speaker 6: ultimately I think those places came under some legal trouble

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Speaker 6: because people viewed it as a little too much like

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Speaker 6: pay to play, so I think those were kind of disbanded,

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Speaker 6: and then I moved on to Starbucks.

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Speaker 2: What about audios were at Starbucks? What was the first

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Speaker 2: audition that you actually got.

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Speaker 6: Oh, the very first one. The very first one was

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Speaker 6: for a student film. Oh, actually it was also a

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Speaker 6: student film, but I'm thinking of a different one. But yeah,

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Speaker 6: I did a high school production. Even though I was

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Speaker 6: graduated from high school. I had moved to LA I

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Speaker 6: was eighteen, thinking like, Okay, I'm going to be a

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Speaker 6: serious actor, and the first thing I got was a

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Speaker 6: high school production of Raaldall's The land Lady. But I

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Speaker 6: will say that these high schoolers, it was a specifically

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Speaker 6: arts high school that was focused on film production, and

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Speaker 6: they had it together. They it was actually exciting, especially

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Speaker 6: also being in their age group, to just work with

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Speaker 6: people that were so inspired and so ready to produce.

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Speaker 6: So it was really fun. It was a lot of

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Speaker 6: fun to do that, even though it was a high school.

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Speaker 7: Let's take a quick pause for a message from our sponsor,

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Speaker 7: and we're back on the Bobby cast.

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Speaker 1: I was looking at some of your IMDb and curb

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Speaker 1: your enthusiasm. What was your role there?

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Speaker 6: Yeah, so my curb your enthusiasm. Role was I will

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Speaker 6: say cut a little bit, unfortunately from the final product,

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Speaker 6: because I did have a fun little part that didn't

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Speaker 6: see a light of day, sadly, but I am the

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Speaker 6: juror in the final trial that Larry goes two for

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Speaker 6: the finale, the season or series finale, and uh yeah,

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Speaker 6: I don't know how much I can say about about

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Speaker 6: the role that like wasn't shown, but all I'll say

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Speaker 6: is there was there was more to it that I

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Speaker 6: was pretty heartbroken was cut. So I ended up being

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Speaker 6: a little bit of a glorified extra there. But you know,

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Speaker 6: I'll take it for curb your enthusiasm.

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Speaker 1: So how much of your week now is dedicated to

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Speaker 1: it feels like you're doing the Sunday Show, but like

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Speaker 1: three times a week now like you have you've constantly created.

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Speaker 6: Yeah, yeah, no, it's one hundred percent of the time.

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Speaker 7: It is.

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Speaker 6: And then and like I said, we're so grateful for it.

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Speaker 6: It's such a creatively fulfilling thing. But yeah, it's a

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Speaker 6: it's churn, it's a grind.

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Speaker 2: As they say, what about the wig, is it is

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Speaker 2: it the same wig? Did you make the wig?

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Speaker 6: What wig?

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Speaker 2: Exactly? Yes, that's that's not really your hair is it?

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Speaker 6: No?

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Speaker 2: No, okay, and then I started to feel like I

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Speaker 2: insulted you. I was like, dude, my bad enough. You

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Speaker 2: just combed it forward, Okay, go ahead.

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Speaker 6: No, that's very much a wig. But it's a great wig,

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Speaker 6: and it was given to me by a friend who

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Speaker 6: actually now has his own social media following as Bistro Hoodie,

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Speaker 6: which is wildly popular. Drew Talbert. He gave me that

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Speaker 6: wig in like twenty eighteen, twenty nineteen, and it was

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Speaker 6: just for a show at Groundings. I don't even think

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Speaker 6: at that point it was meant for my Chit character.

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Speaker 6: I think I was using it for this other thing.

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Speaker 6: I had styled it differently. But I also I say

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Speaker 6: he gave it to me, but I think initially it

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Speaker 6: was the understanding was that I would give it back,

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Speaker 6: and then once COVID happened, it was like, this is

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Speaker 6: my wig now, right. But I'm glad I held on

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Speaker 6: to it because I ended up using it a ton

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Speaker 6: throughout my other shows at Groundlings, and then of course

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Speaker 6: it solidified itself as the Chit wig, and it's not

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Speaker 6: altered in any way. That is how the week came.

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Speaker 6: It looks like I would cut it myself, which is

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Speaker 6: how we came with the backstory for it. But yeah,

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Speaker 6: that's the leg.

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Speaker 1: Are you guys gritting out ideas and then eliminadeing them

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Speaker 1: each week? Like, what's the what's the process of a

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Speaker 1: single episode? I'm imagining though too, you're doing many episodes

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Speaker 1: at once, like different different stages.

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Speaker 6: Yeah. So we usually write, edit, and film two episodes

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Speaker 6: a week. So that's not to say it's the same

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Speaker 6: episode that we're writing and then filming that week. Sometimes

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Speaker 6: it is. Sometimes we decide that we like, we want

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Speaker 6: to insert this storyline piece into the narrative that we

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Speaker 6: have growing, so we do write and then film it

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Speaker 6: like say the next day or something. But most often

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Speaker 6: we've worked a little bit ahead that we're like filming

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Speaker 6: things that we've written the week prior, writing things for

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Speaker 6: the next week, editing things for the day the next

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Speaker 6: like upload day.

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Speaker 1: Whenever you introduce a character like the wrestler, which she's

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Speaker 1: you know, Chit's girlfriend, Yeah, do you have to go

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Speaker 1: and find someone specific like cast that spot within your

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Speaker 1: group or they're just friends or like peers that you

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Speaker 1: bring in to do it.

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Speaker 6: Yeah, Well that's where we're so lucky to be in

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Speaker 6: the Groundling's main company because we truly have our pick

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Speaker 6: of some of the most talented comedic actors in the world.

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Speaker 6: I would say, I mean, these people have had so

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Speaker 6: much training to do exactly this, so we can pick

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Speaker 6: from any of the I think there's thirty two of

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Speaker 6: us in the main company now, and we know that

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Speaker 6: they're going to deliver because they just get it. They

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Speaker 6: understand what we're going for. And they are friends as

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Speaker 6: well because we work so closely together. But even if

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Speaker 6: they weren't, I think that they would get the role

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Speaker 6: anyway because they're all so right on with what they do.

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Speaker 6: Their comedic instincts are so sharp.

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Speaker 1: What's been a thing about Chit that has resonated that

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Speaker 1: you didn't expect to like it? Maybe it was a throwaway,

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Speaker 1: but people have kind of gravitated to it.

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Speaker 6: I will say, typically, like the line success, I was

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Speaker 6: not expecting to uh hit so hard. I'm glad did,

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Speaker 6: but it was just that was to me. It was

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Speaker 6: a throwaway in Black Purse where I was like six

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Speaker 6: Hans and it it has like latched onto people, and

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Speaker 6: that's become one of his catchphrases, which I love. Now

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Speaker 6: I'm trying to think if there's anything on like a

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Speaker 6: larger scale, less like line oriented. I also, I don't know,

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Speaker 6: I think what's oh so go ahead?

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Speaker 2: No sorry?

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Speaker 1: I think that zoom delay causes to bump in each

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Speaker 1: other a little bit. But I also wonder like whenever

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Speaker 1: you pick things like red lobster or Subway, there has

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Speaker 1: to be conversations about why that's the perfect place for

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Speaker 1: that character, like how did you how did you land

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Speaker 1: on those places?

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Speaker 6: Yeah, I mean it's like a it's just like a

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Speaker 6: comedic rhythm. I think to the word like there's and

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Speaker 6: also just like the the public unders standing of what

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Speaker 6: the perception of that place is. It all just kind

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Speaker 6: of like both rhythmically and conceptually fits the mundanity of

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Speaker 6: that character. So if like, there's something about Subway to

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Speaker 6: me that seems so like regular life and not in

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Speaker 6: a bad way. I think a lot of people love Subway,

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Speaker 6: but there is something that seems like it's just part

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Speaker 6: of a routine by nature, And I think chit's life

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Speaker 6: in the office. Although he's had kind of an illustrious past,

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Speaker 6: maybe his life in the office seems so routine, but

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Speaker 6: it's the routine that he's thrilled by. It's the everyday

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Speaker 6: pedestrian things that actually thrill him that he that's why

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Speaker 6: he loves his life and loves going to work. So

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Speaker 6: I think that's what we're aiming for when we pick

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Speaker 6: those slightly boring perhaps details about his life, it's to

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Speaker 6: show that he actually finds great enjoyment in them, as

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Speaker 6: you should do.

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Speaker 1: You have something that you've written or some project that

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Speaker 1: you are super proud of that you're hoping gives you

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Speaker 1: the ability or the leverage for someone to read it

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Speaker 1: or to take it into production.

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Speaker 6: I have ideas. I have ideas. I don't think there's

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Speaker 6: one like other show that I or like episode like pilot.

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Speaker 6: I guess you would call it that I've finished, but

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Speaker 6: that's not ready for any any eyes yet. But there

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Speaker 6: are ideas. There are other ideas that I have that

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Speaker 6: I'm like, oh, you know, down the line, when I

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Speaker 6: have maybe a moment to think about something else, I

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Speaker 6: can flush that out a little bit more.

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Speaker 1: I've got two more questions than my buddy Eddie here,

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Speaker 1: who we always quote hit.

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Speaker 2: He's got a question or two. So great with with chit.

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Speaker 2: When you shoot the show, is it much longer? And

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Speaker 2: you edit it down or do you?

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Speaker 1: And is it all scripted and how much do people

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Speaker 1: just you know, get to try stuff out.

441
00:23:04,520 --> 00:23:07,040
Speaker 6: We always leave a little room for improv because that's

442
00:23:07,240 --> 00:23:09,880
Speaker 6: what we do at Groundlings. But the show is scripted,

443
00:23:10,040 --> 00:23:13,960
Speaker 6: and Kyle and I will write the episode beforehand. It's

444
00:23:14,040 --> 00:23:20,920
Speaker 6: usually around three to five pages anywhere in there. And yeah,

445
00:23:20,960 --> 00:23:24,520
Speaker 6: there's some minor deviation from the script at points, but

446
00:23:24,560 --> 00:23:30,119
Speaker 6: there's also some pretty tight like obviously punchline or like

447
00:23:30,240 --> 00:23:32,720
Speaker 6: joke rhythms that we do make sure that we hit,

448
00:23:32,960 --> 00:23:36,760
Speaker 6: especially in those awkward pauses that are pervasive throughout the series.

449
00:23:37,160 --> 00:23:40,680
Speaker 6: Those are all like very intentional and almost like timed

450
00:23:40,840 --> 00:23:45,640
Speaker 6: to a t because it's just the right level of cringe,

451
00:23:45,720 --> 00:23:49,600
Speaker 6: I guess, the right level of awkward office interaction. Yes,

452
00:23:49,640 --> 00:23:53,080
Speaker 6: they're scripted, and I forget the other part of your question.

453
00:23:53,119 --> 00:23:53,480
Speaker 6: I'm sorry.

454
00:23:53,800 --> 00:23:55,399
Speaker 2: Are they much longer and you edit out some of

455
00:23:55,400 --> 00:23:55,880
Speaker 2: the parts?

456
00:23:56,200 --> 00:23:59,720
Speaker 6: Oh? No, no, they are. They're scripted to what they

457
00:24:00,240 --> 00:24:03,680
Speaker 6: almost always ended up being. There's a very occasion we've

458
00:24:03,720 --> 00:24:06,879
Speaker 6: cut like a joke at the top or the bottom

459
00:24:06,920 --> 00:24:09,359
Speaker 6: of the sketch if it's not needed, like or like

460
00:24:09,359 --> 00:24:11,720
Speaker 6: the blackout of the sketch. Gets shortened a little bit,

461
00:24:11,760 --> 00:24:16,280
Speaker 6: but otherwise, so far at least we've shot what we've

462
00:24:16,280 --> 00:24:18,600
Speaker 6: written and uploaded what we've shot.

463
00:24:19,160 --> 00:24:22,199
Speaker 1: My final question is is there an expiration in mind

464
00:24:22,400 --> 00:24:25,000
Speaker 1: of either a number of episodes or how long you

465
00:24:25,000 --> 00:24:25,840
Speaker 1: want to do the series?

466
00:24:28,320 --> 00:24:32,480
Speaker 6: Nothing definitive right now. I think, you know, it depends

467
00:24:32,840 --> 00:24:35,439
Speaker 6: what kind of keeps happening behind the scenes with like

468
00:24:35,560 --> 00:24:39,040
Speaker 6: other larger scale production ideas for the show, you know,

469
00:24:39,320 --> 00:24:43,439
Speaker 6: we might have to balance a little bit better what

470
00:24:43,520 --> 00:24:47,800
Speaker 6: we can do online as well. But right now we're

471
00:24:47,840 --> 00:24:51,240
Speaker 6: working on I guess what some people might call like

472
00:24:51,320 --> 00:24:55,400
Speaker 6: a season one if you will, and we're approaching this

473
00:24:56,280 --> 00:25:01,480
Speaker 6: I think pretty exciting narrative arc that that some people

474
00:25:01,560 --> 00:25:07,760
Speaker 6: might view as like a conclusion of the season. But

475
00:25:08,280 --> 00:25:10,480
Speaker 6: who knows. I mean, they are all such short episodes

476
00:25:10,480 --> 00:25:13,280
Speaker 6: it's hard to even call them episodes. But in the

477
00:25:13,359 --> 00:25:16,720
Speaker 6: online world, it feels like we are, you know, getting

478
00:25:16,800 --> 00:25:21,119
Speaker 6: close to what might be a fun Daniel Mont, I

479
00:25:21,160 --> 00:25:25,480
Speaker 6: guess for the first season, we'll see the audience might

480
00:25:25,480 --> 00:25:28,760
Speaker 6: be like whatever, this feels the same, but we've we've

481
00:25:28,800 --> 00:25:30,160
Speaker 6: put a lot of effort behind it.

482
00:25:30,840 --> 00:25:32,240
Speaker 8: Yeah, this is more of a jay.

483
00:25:32,440 --> 00:25:32,840
Speaker 4: How's it going.

484
00:25:32,880 --> 00:25:37,520
Speaker 8: I'm ready more of a technical question of you guys

485
00:25:37,560 --> 00:25:39,440
Speaker 8: do a great job of making it look like it's

486
00:25:39,480 --> 00:25:42,000
Speaker 8: just a cell phone and you're just shooting it. Yeah,

487
00:25:42,040 --> 00:25:44,600
Speaker 8: you know, back and forth it is. That's my question.

488
00:25:44,800 --> 00:25:46,720
Speaker 8: Is it just a cell phone?

489
00:25:47,040 --> 00:25:52,000
Speaker 6: Yep, that's Kyle's phone, and he has some like apps

490
00:25:52,040 --> 00:25:58,000
Speaker 6: that he uses to improve the production quality. And Kyle

491
00:25:58,040 --> 00:26:00,320
Speaker 6: has gotten like better and better at like the sort

492
00:26:00,320 --> 00:26:04,199
Speaker 6: of tech aspect of it and also just the actual filming.

493
00:26:04,200 --> 00:26:06,119
Speaker 6: I mean that is it's an art in itself, the

494
00:26:06,119 --> 00:26:10,040
Speaker 6: way that he's gotten so good at pacing his like

495
00:26:10,080 --> 00:26:13,520
Speaker 6: whippans and all of that. We do try and like

496
00:26:13,600 --> 00:26:16,240
Speaker 6: beat those out before we start filming because we know

497
00:26:16,320 --> 00:26:19,399
Speaker 6: we need to capture certain expressions. But even then, the

498
00:26:19,440 --> 00:26:21,480
Speaker 6: actual act of doing it is a talent that he

499
00:26:21,600 --> 00:26:23,640
Speaker 6: is really cultivated in this process.

500
00:26:23,880 --> 00:26:27,840
Speaker 8: And he's actually talking while he's filming, yeah.

501
00:26:27,640 --> 00:26:29,400
Speaker 6: Which makes it all the more impressive because he has

502
00:26:29,440 --> 00:26:33,960
Speaker 6: to remember his lines, he has to remember the exact

503
00:26:33,960 --> 00:26:36,639
Speaker 6: blocking of what other people are going to do to

504
00:26:36,720 --> 00:26:39,880
Speaker 6: be able to catch it. And yeah, he's a multitasker

505
00:26:39,960 --> 00:26:40,359
Speaker 6: for sure.

506
00:26:40,680 --> 00:26:43,720
Speaker 8: What about your eyes, Like the glasses that you wear,

507
00:26:44,040 --> 00:26:46,280
Speaker 8: like they make your eyes look so big? Does it

508
00:26:46,359 --> 00:26:49,040
Speaker 8: hurt shooting a segment after you're done.

509
00:26:49,040 --> 00:26:51,560
Speaker 6: You like you were the first person actually to ask that,

510
00:26:51,640 --> 00:26:53,880
Speaker 6: which is so funny because they do a little bit

511
00:26:54,080 --> 00:26:57,840
Speaker 6: they at first, I will say, it was more noticeable

512
00:26:57,880 --> 00:27:00,240
Speaker 6: to me, like I would take them off after and

513
00:27:00,240 --> 00:27:02,560
Speaker 6: I'd be like, oh, well, I probably should have had

514
00:27:02,560 --> 00:27:06,040
Speaker 6: some breaks there. But now I'm a little bit more

515
00:27:06,040 --> 00:27:10,119
Speaker 6: conscious of taking them off once cut is called, just

516
00:27:10,119 --> 00:27:12,320
Speaker 6: to give my eyes constant breaks. But I will say

517
00:27:12,320 --> 00:27:16,680
Speaker 6: the concerting thing is that I don't notice the difference anymore,

518
00:27:16,800 --> 00:27:19,520
Speaker 6: which when I first put them on at the beginning,

519
00:27:19,560 --> 00:27:23,080
Speaker 6: I'd be like, oh, everything's blurry, and now it's not

520
00:27:23,200 --> 00:27:25,240
Speaker 6: very blurry when I put the glasses on, which I think.

521
00:27:25,160 --> 00:27:26,200
Speaker 1: Is a bad size.

522
00:27:26,520 --> 00:27:29,760
Speaker 6: Yeah, I think that means my eyes are changing. But

523
00:27:31,000 --> 00:27:32,080
Speaker 6: anything for comedy.

524
00:27:33,040 --> 00:27:34,960
Speaker 1: So final before we let you go, But did you

525
00:27:35,000 --> 00:27:37,679
Speaker 1: ever did you think about doing a chit channel and

526
00:27:37,760 --> 00:27:41,600
Speaker 1: not putting on Jay Renshaw TikTok? Or was it always

527
00:27:41,600 --> 00:27:42,840
Speaker 1: you were just going to do it on yours?

528
00:27:44,480 --> 00:27:46,760
Speaker 6: You know? I wish I could say there was that

529
00:27:46,880 --> 00:27:50,720
Speaker 6: much forethought, but no one, none of us expected it

530
00:27:50,160 --> 00:27:55,200
Speaker 6: to do what it did, So there wasn't the anticipation

531
00:27:55,760 --> 00:27:58,159
Speaker 6: really that there would ever be a chit show like

532
00:27:58,240 --> 00:28:01,560
Speaker 6: there is now, so putting it on Mine or Kyle

533
00:28:01,560 --> 00:28:05,800
Speaker 6: putting it on his Instagram, we just thought, let's just

534
00:28:05,840 --> 00:28:09,800
Speaker 6: get this out there. And now it might seem like

535
00:28:09,840 --> 00:28:13,040
Speaker 6: it a smarter plan to have it be like on

536
00:28:13,080 --> 00:28:15,920
Speaker 6: like a chit show platform, but it's on Mine for whatever,

537
00:28:16,800 --> 00:28:21,440
Speaker 6: for whatever time it's going now, so I think we're

538
00:28:21,840 --> 00:28:25,200
Speaker 6: prioritizing the consistency for viewers of like it's been here,

539
00:28:25,320 --> 00:28:28,520
Speaker 6: it's staying here. You don't have to worry about finding

540
00:28:28,520 --> 00:28:30,400
Speaker 6: it somewhere else, at least for the time being.

541
00:28:30,760 --> 00:28:34,600
Speaker 1: Well, congratulations, it's super inspiring to creatives to see you

542
00:28:34,760 --> 00:28:38,120
Speaker 1: just make something, put it and let it organically be

543
00:28:38,320 --> 00:28:41,080
Speaker 1: seen and found because it is quality work. I think

544
00:28:41,080 --> 00:28:42,880
Speaker 1: a lot of people at times will feel like that

545
00:28:43,000 --> 00:28:46,560
Speaker 1: can't happen because there's a system that's against them, and

546
00:28:46,600 --> 00:28:49,440
Speaker 1: I think you have proven otherwise that if it's good,

547
00:28:49,520 --> 00:28:52,800
Speaker 1: it can be found, and if it's good and done consistently,

548
00:28:52,880 --> 00:28:53,840
Speaker 1: it can blow up.

549
00:28:53,880 --> 00:28:56,120
Speaker 2: So it's very inspiring. So congratulations, Well.

550
00:28:55,960 --> 00:28:58,120
Speaker 6: Thank you so much. Yeah. I was off of social

551
00:28:58,160 --> 00:29:01,240
Speaker 6: media for the last decade and it was only Kyle

552
00:29:01,280 --> 00:29:02,920
Speaker 6: that convinced me to come back. On and shoot a

553
00:29:02,960 --> 00:29:05,480
Speaker 6: few videos with him, and thank god he dance.

554
00:29:05,720 --> 00:29:08,000
Speaker 1: Well we're big fans, yay, So yeah, thank you, and

555
00:29:08,320 --> 00:29:10,000
Speaker 1: you've also given us something new to quote because it

556
00:29:10,000 --> 00:29:12,560
Speaker 1: was borat like twenty years. We finally get to do

557
00:29:12,640 --> 00:29:16,480
Speaker 1: something else. So yeah, Jay, have a great day, good luck.

558
00:29:16,520 --> 00:29:18,479
Speaker 1: Can't wait to see what the future holds for you. Man,

559
00:29:18,800 --> 00:29:20,280
Speaker 1: super talented and thanks for the time.

560
00:29:20,520 --> 00:29:22,160
Speaker 6: Thank you so much. It was great talking to you.

561
00:29:22,240 --> 00:29:24,440
Speaker 2: All right, Jca, buddy, all right, I'll see you.

562
00:29:25,440 --> 00:29:37,920
Speaker 9: The Bobby Cast will be right back. This is the

563
00:29:37,920 --> 00:29:38,680
Speaker 9: Bobby Cast.

564
00:29:39,360 --> 00:29:39,600
Speaker 2: Okay.

565
00:29:39,640 --> 00:29:41,760
Speaker 1: I wanted to spend a few minutes talking about beefs

566
00:29:41,760 --> 00:29:44,560
Speaker 1: and country music because I love them. I think they're

567
00:29:44,640 --> 00:29:47,320
Speaker 1: hilarious because they really don't matter. It's just something fun

568
00:29:47,360 --> 00:29:49,680
Speaker 1: to look at. The one right now that has me

569
00:29:49,800 --> 00:29:56,160
Speaker 1: laughing is Gavin Adcock in the world. I'll say this

570
00:29:56,240 --> 00:29:59,760
Speaker 1: about Gavin Adcock that I've met Gavin I Cock a

571
00:29:59,760 --> 00:30:04,920
Speaker 1: couple times. I'm as parents really nice guys going off

572
00:30:04,960 --> 00:30:08,000
Speaker 1: on everybody, just in like real life and human life.

573
00:30:08,280 --> 00:30:12,240
Speaker 1: Really nice guy, kind guy like yes sir, yes, ma'am.

574
00:30:12,600 --> 00:30:16,720
Speaker 1: His parents were as normal as could be. Because of

575
00:30:16,760 --> 00:30:19,800
Speaker 1: my experiences with Gavin Adcock, I like Gavin Adcock. Yeah,

576
00:30:19,880 --> 00:30:23,479
Speaker 1: like his music fine, but as a person because I

577
00:30:23,520 --> 00:30:26,479
Speaker 1: only know how he treats the people that are around

578
00:30:26,520 --> 00:30:29,040
Speaker 1: when I'm there. Uh So I like Gavin Adcock. I

579
00:30:29,080 --> 00:30:30,960
Speaker 1: don't know the people mostly he's been fighting with, but

580
00:30:31,840 --> 00:30:37,360
Speaker 1: Gavin Adcock and Charlie Charlie Crockett. Recently they've been added

581
00:30:37,360 --> 00:30:41,960
Speaker 1: a little bit. Gavin Adcock and Beyonce and Beyonce's fans, they've.

582
00:30:41,800 --> 00:30:42,400
Speaker 2: Been at a little bit.

583
00:30:42,440 --> 00:30:44,360
Speaker 1: Gavin ad Cock and Nickelbacks Sound Guy been out of

584
00:30:44,680 --> 00:30:46,960
Speaker 1: Gavin ad Cock is up for a fight, and a

585
00:30:46,960 --> 00:30:49,400
Speaker 1: lot of people are like, well, it's publicity. I do

586
00:30:49,440 --> 00:30:52,440
Speaker 1: think that's a big part of it, but it's working.

587
00:30:53,080 --> 00:30:55,440
Speaker 1: So when you insult something and go he's only doing

588
00:30:55,440 --> 00:31:00,120
Speaker 1: it for publicity, Yet he's getting all the publicity. It's working.

589
00:31:01,560 --> 00:31:02,520
Speaker 2: You have to understand.

590
00:31:02,600 --> 00:31:05,320
Speaker 1: I've been in so many of these in different ways

591
00:31:05,320 --> 00:31:07,480
Speaker 1: at different levels that I just think they're funny.

592
00:31:07,480 --> 00:31:08,480
Speaker 2: And I think if you were to put any of

593
00:31:08,520 --> 00:31:09,960
Speaker 2: these two humans together in the same.

594
00:31:09,880 --> 00:31:12,600
Speaker 1: Room, they're going to be like nah, yeah, they're not

595
00:31:12,600 --> 00:31:15,040
Speaker 1: actually going to come to blows with each other because

596
00:31:15,080 --> 00:31:16,000
Speaker 1: it's theatrics.

597
00:31:16,720 --> 00:31:20,080
Speaker 2: It really is just theatrics. You may be irritated, because

598
00:31:20,080 --> 00:31:20,920
Speaker 2: I've been irritated in.

599
00:31:20,840 --> 00:31:22,600
Speaker 1: Some of these that I've been in, although I'm not

600
00:31:22,640 --> 00:31:26,480
Speaker 1: in any now like active beefs, which is why I

601
00:31:26,520 --> 00:31:27,840
Speaker 1: felt like it would be a good time to talk

602
00:31:27,840 --> 00:31:30,320
Speaker 1: about some of these. So I've not gone over this

603
00:31:30,680 --> 00:31:32,920
Speaker 1: with Mike or with Brandon, who are here but Mike

604
00:31:33,000 --> 00:31:36,320
Speaker 1: when I say beefs or over the years, I've been

605
00:31:36,320 --> 00:31:38,600
Speaker 1: in random fights with a lot of people who what

606
00:31:38,680 --> 00:31:39,400
Speaker 1: comes to mind first?

607
00:31:39,480 --> 00:31:40,720
Speaker 3: Number one Florida Georgia Line.

608
00:31:40,840 --> 00:31:42,880
Speaker 2: Okay, I'll go to Florida Georgia Line first.

609
00:31:43,080 --> 00:31:44,600
Speaker 1: And here's a little picture of them on the screen

610
00:31:44,640 --> 00:31:46,920
Speaker 1: in case you've never not seen what these guys look like.

611
00:31:47,720 --> 00:31:52,880
Speaker 1: This is my recollection of my fight with Florida Georgia Line.

612
00:31:53,800 --> 00:31:57,040
Speaker 2: One day I was living downtown. I'm running.

613
00:31:57,520 --> 00:31:59,040
Speaker 1: This is at a very brief period in my life

614
00:31:59,040 --> 00:32:03,040
Speaker 1: where I ran I'm running and my phone gets like

615
00:32:03,080 --> 00:32:06,520
Speaker 1: three text messages going, Florida Georgia Line's talking about you

616
00:32:06,560 --> 00:32:10,000
Speaker 1: on satellite radio, and I thought, oh, that's cool. I'd

617
00:32:10,040 --> 00:32:13,440
Speaker 1: only been in Nashville for five years, and that's a

618
00:32:13,440 --> 00:32:15,040
Speaker 1: long time, but at this point I've been here for

619
00:32:15,400 --> 00:32:18,200
Speaker 1: twelve and I was like, well, that's interesting.

620
00:32:18,240 --> 00:32:20,160
Speaker 2: I wonder what they're saying, and so I hit one

621
00:32:20,160 --> 00:32:21,200
Speaker 2: of my back I was like, what's going on.

622
00:32:21,240 --> 00:32:26,960
Speaker 1: They said, well, Tyler Hubbard is talking about you, and

623
00:32:28,240 --> 00:32:30,200
Speaker 1: I think saying like you're a liar and that you

624
00:32:30,280 --> 00:32:34,000
Speaker 1: put the signs up downtown. And I was like, well,

625
00:32:34,040 --> 00:32:36,040
Speaker 1: that's interesting because I did put the signs up. And

626
00:32:36,080 --> 00:32:38,560
Speaker 1: if we do a quick reversal here A long time ago,

627
00:32:38,600 --> 00:32:41,080
Speaker 1: when I first started in Nashville, it was going horribly

628
00:32:41,560 --> 00:32:43,960
Speaker 1: because I was so different than anything else that had

629
00:32:44,040 --> 00:32:48,280
Speaker 1: existed here in the media space. And then I was

630
00:32:48,280 --> 00:32:51,080
Speaker 1: put on all these markets all over the country and

631
00:32:51,120 --> 00:32:53,680
Speaker 1: so they removed other shows and it was just a

632
00:32:53,680 --> 00:32:57,640
Speaker 1: lot of negativity. So it was all negative, and I thought,

633
00:32:57,680 --> 00:32:59,440
Speaker 1: what can I do strategically to change the negativity?

634
00:32:59,480 --> 00:33:01,160
Speaker 2: And I and you can look this up online.

635
00:33:01,280 --> 00:33:03,920
Speaker 1: I bought these massive billboards in Nashville and didn't tell

636
00:33:03,960 --> 00:33:05,920
Speaker 1: anybody I was buying them, and the signs just said

637
00:33:05,920 --> 00:33:07,160
Speaker 1: go away, Bobby Bones.

638
00:33:07,840 --> 00:33:10,320
Speaker 2: And it worked in.

639
00:33:10,360 --> 00:33:13,080
Speaker 1: That new started to cover it, My company started.

640
00:33:12,880 --> 00:33:14,360
Speaker 2: To cover it. Nobody on the show knew that I

641
00:33:14,360 --> 00:33:14,800
Speaker 2: bought them.

642
00:33:14,840 --> 00:33:17,680
Speaker 1: I learned how to create like a basically a shell

643
00:33:17,720 --> 00:33:19,760
Speaker 1: company to buy them. So it couldn't be tracked back

644
00:33:19,800 --> 00:33:22,320
Speaker 1: to me. And what happened with those signs? You had

645
00:33:22,360 --> 00:33:24,400
Speaker 1: people see the signs and go one.

646
00:33:24,880 --> 00:33:25,840
Speaker 2: Who is Bobby Bones?

647
00:33:26,840 --> 00:33:28,720
Speaker 1: Like that was a big part of it, because you

648
00:33:28,760 --> 00:33:30,680
Speaker 1: see a random sign where no one's taking credit for

649
00:33:30,760 --> 00:33:32,040
Speaker 1: it and says, go away, Bobby Bones.

650
00:33:32,080 --> 00:33:32,600
Speaker 2: You're like, who is?

651
00:33:32,840 --> 00:33:34,000
Speaker 1: If you didn't know who I was, and a lot

652
00:33:34,040 --> 00:33:36,320
Speaker 1: of people didn't, it's like, who is Bobby Bones? The

653
00:33:36,400 --> 00:33:38,560
Speaker 1: other one is a group of people going why are

654
00:33:38,600 --> 00:33:41,760
Speaker 1: they being mean to him? And the other one was like,

655
00:33:41,840 --> 00:33:43,920
Speaker 1: I agree, go away Bobby Bones. So he had these

656
00:33:44,000 --> 00:33:47,600
Speaker 1: three groups of people. And I never admitted that I

657
00:33:47,640 --> 00:33:51,160
Speaker 1: put the signs up, because had I admitted I put

658
00:33:51,200 --> 00:33:53,800
Speaker 1: the signs up, nobody would have cared. It had been stunt,

659
00:33:54,320 --> 00:33:56,040
Speaker 1: and I love a good pr stunt.

660
00:33:56,320 --> 00:33:57,840
Speaker 2: Now, I later admitted it.

661
00:33:57,800 --> 00:34:01,520
Speaker 1: When I put it in my book, bare admitted it.

662
00:34:01,520 --> 00:34:03,719
Speaker 1: I just told the story about it, and the New

663
00:34:03,800 --> 00:34:07,840
Speaker 1: York No, the Washington Post read the book early and

664
00:34:07,880 --> 00:34:10,560
Speaker 1: wrote a story about it saying and that was fine

665
00:34:10,560 --> 00:34:11,880
Speaker 1: because it wasn't the book. And I gave them the

666
00:34:11,880 --> 00:34:14,600
Speaker 1: book saying that I was the one responsible for it,

667
00:34:14,640 --> 00:34:17,399
Speaker 1: and everyone's pissed, like my company was pissed because they

668
00:34:17,400 --> 00:34:19,960
Speaker 1: were trying to figure out who had put the billboards up,

669
00:34:19,960 --> 00:34:21,480
Speaker 1: like there were thoughts off its a record label, it

670
00:34:21,480 --> 00:34:22,720
Speaker 1: was different artists.

671
00:34:23,239 --> 00:34:25,720
Speaker 2: But I did it all. It's awesome.

672
00:34:25,800 --> 00:34:28,040
Speaker 1: I'm still so proud of that because I was able

673
00:34:28,080 --> 00:34:31,160
Speaker 1: to keep it quiet for so long, like all of

674
00:34:31,239 --> 00:34:32,959
Speaker 1: like the stuff that's happened in the awards or whatever,

675
00:34:33,000 --> 00:34:35,080
Speaker 1: that's all fun and it's awesome. But that's one of

676
00:34:35,080 --> 00:34:37,439
Speaker 1: the things I'm most proud of is pulling that off

677
00:34:37,520 --> 00:34:39,719
Speaker 1: because I had to do multiple things.

678
00:34:39,719 --> 00:34:40,759
Speaker 2: I had to learn a lot to do it.

679
00:34:41,040 --> 00:34:44,560
Speaker 1: And then I don't tell secrets, and it was my secret,

680
00:34:44,719 --> 00:34:47,280
Speaker 1: and if I told one person, it could have snuck

681
00:34:48,000 --> 00:34:51,279
Speaker 1: little mice, little mice just feeding it to people, so

682
00:34:51,600 --> 00:34:54,560
Speaker 1: that gets out. I was responsible for it getting out,

683
00:34:54,600 --> 00:34:56,200
Speaker 1: even in the end, so I didn't have any problem

684
00:34:56,280 --> 00:34:57,880
Speaker 1: with people talking about it because I'm the one that

685
00:34:57,920 --> 00:35:00,120
Speaker 1: did it. I'm the one that put it out. So

686
00:35:00,120 --> 00:35:04,560
Speaker 1: apparently they go on satellite radio and they're like, Bobby Man,

687
00:35:04,560 --> 00:35:09,000
Speaker 1: he's jerk, he puts up that sign. I had no

688
00:35:09,080 --> 00:35:12,160
Speaker 1: beef with these guys, and so I was like, all right,

689
00:35:12,640 --> 00:35:15,520
Speaker 1: I'll mix it up. This is free press. So I

690
00:35:15,560 --> 00:35:17,000
Speaker 1: go on the show, and I don't even remember I

691
00:35:17,000 --> 00:35:18,640
Speaker 1: like called him out. I think I just started making

692
00:35:18,680 --> 00:35:20,400
Speaker 1: fun of them a lot, which was pretty easy to

693
00:35:20,440 --> 00:35:22,520
Speaker 1: do at the time because they had gotten so famous.

694
00:35:22,640 --> 00:35:24,080
Speaker 2: You could do easy characters of them.

695
00:35:24,239 --> 00:35:27,160
Speaker 1: Anybody that gets wildly famous, it's easy to do characters

696
00:35:27,160 --> 00:35:29,279
Speaker 1: because they're everywhere and whatever they're doing that's working is

697
00:35:29,280 --> 00:35:33,600
Speaker 1: now it's so existent that it's easy to mock, like

698
00:35:33,640 --> 00:35:36,200
Speaker 1: the you know, you get so big that there ends

699
00:35:36,239 --> 00:35:39,759
Speaker 1: up being hate. That's coldplay, that's nickelback, that's you can

700
00:35:39,800 --> 00:35:40,319
Speaker 1: go down the line.

701
00:35:40,360 --> 00:35:41,440
Speaker 2: And it was Florida Georgia Line.

702
00:35:41,280 --> 00:35:43,560
Speaker 1: Because they got so famous, so it was easy. But

703
00:35:43,600 --> 00:35:46,600
Speaker 1: they came at me first, and it was a gift.

704
00:35:46,640 --> 00:35:48,040
Speaker 1: It was a little basket. It was the front door.

705
00:35:48,040 --> 00:35:49,839
Speaker 1: Open it up like one of the baskets sometimes it's

706
00:35:49,840 --> 00:35:51,400
Speaker 1: a baby in there. It was not. It was a

707
00:35:51,440 --> 00:35:54,880
Speaker 1: gift of Florida Georgia Line coming at me and so

708
00:35:55,360 --> 00:35:58,680
Speaker 1: forever for a couple of years, it's just like, give

709
00:35:58,680 --> 00:35:59,240
Speaker 1: me the opportunity.

710
00:35:59,239 --> 00:36:00,560
Speaker 2: I'm gonna take a shot him on the air.

711
00:36:00,600 --> 00:36:02,799
Speaker 1: Once they had taken a couple of shots at me,

712
00:36:02,960 --> 00:36:05,000
Speaker 1: and it was just fun to me because it wasn't personal.

713
00:36:05,400 --> 00:36:06,799
Speaker 1: But i'd put him on the spot and made him

714
00:36:06,800 --> 00:36:08,839
Speaker 1: donate to charity. I don't remember what the charity was,

715
00:36:10,160 --> 00:36:12,120
Speaker 1: but I remember doing that and they were like, yeah,

716
00:36:12,120 --> 00:36:14,239
Speaker 1: we're in. They came on to like I remember once

717
00:36:14,320 --> 00:36:17,000
Speaker 1: Brian Kelly brought a picture he painted, like squashing the

718
00:36:17,040 --> 00:36:18,080
Speaker 1: Beef to Vague.

719
00:36:18,120 --> 00:36:19,480
Speaker 2: I don't even know where that painting is. I didn't

720
00:36:19,480 --> 00:36:20,319
Speaker 2: think I ever brought it home.

721
00:36:21,320 --> 00:36:23,680
Speaker 3: I don'd to charity. I don't know.

722
00:36:24,080 --> 00:36:26,520
Speaker 2: I don't know, but it's it's all a cartoon to me.

723
00:36:27,160 --> 00:36:30,160
Speaker 1: So we have this fight and then it's like I

724
00:36:30,200 --> 00:36:33,560
Speaker 1: got tired of it because you can only like beat

725
00:36:33,600 --> 00:36:35,359
Speaker 1: on the same drum for so long till people get

726
00:36:35,360 --> 00:36:37,160
Speaker 1: tired of the sound. And also it wasn't that interesting

727
00:36:37,160 --> 00:36:40,120
Speaker 1: to me anymore. And then they like broke up and

728
00:36:40,160 --> 00:36:42,319
Speaker 1: I had a couple good experiences with Tyler after that.

729
00:36:42,680 --> 00:36:43,959
Speaker 2: And so it was all good.

730
00:36:45,080 --> 00:36:50,840
Speaker 1: And then Tyler comes on the Bobby Cast this podcast,

731
00:36:51,920 --> 00:36:54,239
Speaker 1: and he was going solo at the time, like right

732
00:36:54,280 --> 00:36:55,880
Speaker 1: before maybe he'd had a song out, but it was

733
00:36:55,960 --> 00:36:56,399
Speaker 1: new in that.

734
00:36:58,440 --> 00:36:59,279
Speaker 2: He's saying some.

735
00:36:59,200 --> 00:37:03,799
Speaker 1: Stuff about his role in Florida Georgia line, and I

736
00:37:03,840 --> 00:37:08,160
Speaker 1: think Brian Kelly got low upset by it. So Brian Kelly,

737
00:37:08,520 --> 00:37:11,440
Speaker 1: the other guy that the guy that doesn't sing, calls

738
00:37:11,520 --> 00:37:13,360
Speaker 1: Mike and is like, I want to come on the podcast,

739
00:37:13,600 --> 00:37:16,560
Speaker 1: calls me, called me from Summer Slam at I remember

740
00:37:16,600 --> 00:37:18,280
Speaker 1: him calling. I can barely hear him on the phone

741
00:37:18,520 --> 00:37:21,920
Speaker 1: because he's at Summer Slam in the stadium. Yeah, and

742
00:37:21,960 --> 00:37:24,120
Speaker 1: it's like people yelling, and he's like, I want to

743
00:37:24,160 --> 00:37:26,680
Speaker 1: come on tell my side. And I'm like, well, we're

744
00:37:26,760 --> 00:37:29,160
Speaker 1: gonna leave town, but if you want to come and

745
00:37:29,239 --> 00:37:32,640
Speaker 1: do this, I will stay in for like six eight

746
00:37:32,680 --> 00:37:35,080
Speaker 1: hours extra, We'll do studio and then I'll leave. He's

747
00:37:35,120 --> 00:37:39,160
Speaker 1: like yeah, and then he gets on the phone calls

748
00:37:39,160 --> 00:37:41,840
Speaker 1: me that night and tells me everything that I'm like

749
00:37:42,320 --> 00:37:44,360
Speaker 1: save for the interview, but he was talking we hated

750
00:37:44,400 --> 00:37:44,879
Speaker 1: each other.

751
00:37:45,280 --> 00:37:47,520
Speaker 2: We would go walk to fist fight down a dirt road.

752
00:37:47,560 --> 00:37:50,960
Speaker 1: It was all this stuff, and I'm like, dude, just

753
00:37:50,960 --> 00:37:52,799
Speaker 1: say it on a microphone because in real life, like,

754
00:37:52,840 --> 00:37:53,399
Speaker 1: I don't care.

755
00:37:54,600 --> 00:37:56,560
Speaker 2: I don't have any interest in being other people's business.

756
00:37:58,080 --> 00:38:00,160
Speaker 1: So it's day of and Mike and I I have

757
00:38:00,239 --> 00:38:02,960
Speaker 1: like totally altered our schedule, ready to go.

758
00:38:03,680 --> 00:38:05,640
Speaker 2: He is at and then he calls Mike, day up

759
00:38:05,640 --> 00:38:06,280
Speaker 2: and says what.

760
00:38:06,840 --> 00:38:08,399
Speaker 3: He'd like to wait until he puts that new music.

761
00:38:08,440 --> 00:38:09,480
Speaker 2: I don't want to do what you want to do

762
00:38:09,480 --> 00:38:09,879
Speaker 2: new music.

763
00:38:09,920 --> 00:38:11,719
Speaker 1: And I'm like, dude, that's the biggest crock of crap

764
00:38:11,800 --> 00:38:13,880
Speaker 1: because I told you we were staying, we were going

765
00:38:13,960 --> 00:38:14,839
Speaker 1: to do this just for you.

766
00:38:14,840 --> 00:38:15,920
Speaker 2: You had called to do it.

767
00:38:16,280 --> 00:38:18,560
Speaker 1: And then he just quits and at least say you

768
00:38:18,560 --> 00:38:19,960
Speaker 1: have COVID or something. I don't even know I have

769
00:38:20,000 --> 00:38:20,799
Speaker 1: COVID existed yet.

770
00:38:20,800 --> 00:38:22,200
Speaker 3: Then I think, so, yeah.

771
00:38:22,080 --> 00:38:23,920
Speaker 1: Just say something, don't be like you know what, I

772
00:38:24,000 --> 00:38:25,760
Speaker 1: want to wait for a better promotional opportunity.

773
00:38:25,920 --> 00:38:27,879
Speaker 3: I got diarrhea or something bad move.

774
00:38:28,400 --> 00:38:31,080
Speaker 1: So I was pissed, almost like you had me stay here,

775
00:38:32,360 --> 00:38:34,279
Speaker 1: we set up the studio, we block other things out,

776
00:38:34,320 --> 00:38:36,759
Speaker 1: and then you canceled day of with it. So I

777
00:38:36,840 --> 00:38:39,520
Speaker 1: just went on the air and told that story. And

778
00:38:39,560 --> 00:38:41,560
Speaker 1: it was right around the time that I was doing

779
00:38:42,200 --> 00:38:44,439
Speaker 1: some stand up shows, getting ready to go out on tour,

780
00:38:45,040 --> 00:38:46,480
Speaker 1: and I was doing this thing where if I like

781
00:38:46,520 --> 00:38:50,319
Speaker 1: hosted the CMAS, what my h well, my jokes would

782
00:38:50,320 --> 00:38:53,000
Speaker 1: have been roast. And I did a joke about Fudruck.

783
00:38:53,200 --> 00:38:55,640
Speaker 1: I did a joke sau Florida, Georgia line if you're

784
00:38:55,680 --> 00:38:58,120
Speaker 1: big fans of them, you can see Tyler Hubbardy's out

785
00:38:58,120 --> 00:39:00,960
Speaker 1: opening with Keith Urban looking for Brian Kelly.

786
00:39:01,440 --> 00:39:04,160
Speaker 2: He's a Fuddruckers something like that, something like that.

787
00:39:05,640 --> 00:39:09,280
Speaker 1: So he goes on social media and it's and decides

788
00:39:09,320 --> 00:39:12,000
Speaker 1: to like come back at me, and then he calls

789
00:39:12,040 --> 00:39:13,560
Speaker 1: me back and he goes, you know who always hated you?

790
00:39:13,600 --> 00:39:16,319
Speaker 1: Tyler Hubb throws Tyler back under the bus. He goes,

791
00:39:16,360 --> 00:39:18,239
Speaker 1: Tyler Hubbard was the one that was always talking crap

792
00:39:18,280 --> 00:39:19,719
Speaker 1: about you, And I'm like.

793
00:39:19,760 --> 00:39:20,880
Speaker 2: Dude, I don't care anymore.

794
00:39:22,160 --> 00:39:24,759
Speaker 1: And also, you screwed us, you cost me time man

795
00:39:24,800 --> 00:39:28,680
Speaker 1: money and then you and so yeah, like I'm not

796
00:39:28,680 --> 00:39:31,560
Speaker 1: really angry. It's I have no beef with Tyler. I

797
00:39:31,600 --> 00:39:33,319
Speaker 1: don't have any beef with BKA either. I'm not gonna

798
00:39:33,320 --> 00:39:36,319
Speaker 1: do anything with them. But he tried to throw Tyler

799
00:39:36,400 --> 00:39:40,839
Speaker 1: under the bus again to get whatever weirdness was with.

800
00:39:40,840 --> 00:39:42,360
Speaker 2: Us to go away.

801
00:39:42,400 --> 00:39:43,960
Speaker 1: It was like he was trading that, I'll give you

802
00:39:44,000 --> 00:39:49,719
Speaker 1: some news on Tyler Hubbard. Yeah yeah, so yeah, that

803
00:39:49,840 --> 00:39:52,160
Speaker 1: was that one. That's a fun one. That's a fun one.

804
00:39:52,200 --> 00:39:52,960
Speaker 1: That makes me laugh.

805
00:39:53,040 --> 00:39:54,840
Speaker 3: He fitsts fighting down a dirt road. I want that.

806
00:39:57,200 --> 00:39:58,960
Speaker 1: Because he for sure was like telling me everything. And

807
00:39:58,960 --> 00:40:01,160
Speaker 1: I had him on speakerphone because I was just sitting there,

808
00:40:01,200 --> 00:40:02,520
Speaker 1: and you know how somebody just keeps talking. You put

809
00:40:02,520 --> 00:40:04,600
Speaker 1: on speaker on you're like, oh my god, and my

810
00:40:04,600 --> 00:40:06,640
Speaker 1: wife walks up while he's on speaker and it's like,

811
00:40:06,640 --> 00:40:07,120
Speaker 1: what are you doing?

812
00:40:07,120 --> 00:40:07,719
Speaker 2: I hit on mute.

813
00:40:07,760 --> 00:40:09,839
Speaker 1: I was like, BK's talking all.

814
00:40:09,719 --> 00:40:11,480
Speaker 2: This crap about Tyler Hubbard, Like I care, like, do

815
00:40:11,520 --> 00:40:13,680
Speaker 2: it on them? And she was like, okay, good luck.

816
00:40:13,800 --> 00:40:14,879
Speaker 2: All right. So there's that one.

817
00:40:15,239 --> 00:40:19,680
Speaker 1: So FGLBK, there's one. Do you have another one you

818
00:40:19,719 --> 00:40:20,200
Speaker 1: want to know about?

819
00:40:20,560 --> 00:40:20,880
Speaker 3: Yeah?

820
00:40:21,640 --> 00:40:22,080
Speaker 1: I don't care.

821
00:40:22,120 --> 00:40:23,760
Speaker 3: Oh, Casey Musgraves, good one.

822
00:40:24,560 --> 00:40:25,120
Speaker 2: This one's my.

823
00:40:25,120 --> 00:40:30,040
Speaker 1: Fault, and i'd like to I am a massive case

824
00:40:30,440 --> 00:40:32,640
Speaker 1: mus Graves fan, like one of my favorite artists of

825
00:40:32,640 --> 00:40:33,040
Speaker 1: all time.

826
00:40:35,800 --> 00:40:37,000
Speaker 2: It all went back to.

827
00:40:37,400 --> 00:40:43,720
Speaker 1: A CMA or ACM radio.

828
00:40:44,440 --> 00:40:46,239
Speaker 2: We set up on like a radio row, and all

829
00:40:46,239 --> 00:40:48,360
Speaker 2: these artists come by. Now.

830
00:40:48,760 --> 00:40:52,239
Speaker 1: I mentioned earlier that it was brutal for me the

831
00:40:52,239 --> 00:40:54,320
Speaker 1: first couple of years because I was different than anything

832
00:40:54,360 --> 00:40:56,600
Speaker 1: else that this city in this format had ever seen,

833
00:40:56,640 --> 00:40:58,160
Speaker 1: because I refused to wear a cowboy hat and a

834
00:40:58,160 --> 00:41:00,719
Speaker 1: belt buckle. And there are different version of country. I

835
00:41:00,840 --> 00:41:04,640
Speaker 1: was trailer trash country. I was white guy trailer park country.

836
00:41:04,680 --> 00:41:06,560
Speaker 1: I wasn't cowboy country, and I didn't fake it. And

837
00:41:06,600 --> 00:41:08,399
Speaker 1: also I have a lot of hip hop, a lot

838
00:41:08,400 --> 00:41:11,239
Speaker 1: of alternative, a lot of country influences in my life,

839
00:41:11,280 --> 00:41:13,120
Speaker 1: Like I grew up in the country and listen to

840
00:41:13,120 --> 00:41:14,960
Speaker 1: country talking about where I was from. But how I

841
00:41:15,040 --> 00:41:18,320
Speaker 1: felt being like an angsty teen was more alternative space.

842
00:41:18,680 --> 00:41:19,799
Speaker 2: And I was a big hip hop guy.

843
00:41:19,880 --> 00:41:21,640
Speaker 1: I went to a school that wasn't all white, so

844
00:41:22,400 --> 00:41:25,040
Speaker 1: also had digital music like Napster existed. So I had

845
00:41:25,040 --> 00:41:27,480
Speaker 1: all these influences on me, and I didn't care to

846
00:41:27,520 --> 00:41:29,840
Speaker 1: come in and fake it, which is what everybody wanted

847
00:41:29,880 --> 00:41:31,759
Speaker 1: me to do, but I wouldn't do it.

848
00:41:32,120 --> 00:41:33,680
Speaker 2: And it was so anti me.

849
00:41:34,800 --> 00:41:37,680
Speaker 1: I felt so attacked in so many ways from the industry,

850
00:41:37,800 --> 00:41:40,919
Speaker 1: from a certain sect of artists that I then put

851
00:41:40,920 --> 00:41:45,000
Speaker 1: the razor blades up, and anybody that even was having

852
00:41:45,040 --> 00:41:46,680
Speaker 1: like a slightly bad day, I thought they were being

853
00:41:46,719 --> 00:41:48,160
Speaker 1: disrespectful and just shot their head off.

854
00:41:48,320 --> 00:41:50,440
Speaker 2: This is like the first three years.

855
00:41:51,080 --> 00:41:54,080
Speaker 1: And so what I like about Casey a lot is

856
00:41:54,120 --> 00:41:56,319
Speaker 1: also I think what got us into the fight is

857
00:41:56,360 --> 00:42:01,000
Speaker 1: that I'm hyper sensitive because there like articles and like

858
00:42:01,080 --> 00:42:05,560
Speaker 1: radio trade magazines talking garbage. I'll never make it. And

859
00:42:05,600 --> 00:42:08,080
Speaker 1: at the time, ratings weren't great the first couple of years.

860
00:42:08,760 --> 00:42:12,680
Speaker 1: How it was a mistake, how record labels are trying

861
00:42:12,719 --> 00:42:17,040
Speaker 1: to get me pushed out on on and so Casey's

862
00:42:17,120 --> 00:42:20,160
Speaker 1: nobs and again that's one of my favorite things about her,

863
00:42:20,160 --> 00:42:26,080
Speaker 1: Like she is and she wasn't fake, and she wasn't

864
00:42:26,120 --> 00:42:26,960
Speaker 1: like over the top nice.

865
00:42:26,960 --> 00:42:27,880
Speaker 2: So I took that as.

866
00:42:28,320 --> 00:42:32,600
Speaker 1: All right, you're being mean, blades up and it was

867
00:42:32,640 --> 00:42:35,839
Speaker 1: a bad mix that day, and so I just got

868
00:42:35,880 --> 00:42:37,480
Speaker 1: pissed off about it on the air, and I was like,

869
00:42:37,920 --> 00:42:42,600
Speaker 1: you treat people bad. But I was completely at fault

870
00:42:42,880 --> 00:42:47,440
Speaker 1: because had I not been wildly triggered by the Nashville

871
00:42:47,520 --> 00:42:48,040
Speaker 1: we'll call it.

872
00:42:47,960 --> 00:42:50,080
Speaker 2: The machine, I think it just would have been amazing.

873
00:42:50,640 --> 00:42:51,759
Speaker 2: So that's on me.

874
00:42:52,640 --> 00:42:54,920
Speaker 1: I also didn't know that Casey was nobs. She was

875
00:42:55,000 --> 00:42:57,479
Speaker 1: kind of a new artist, but it didn't matter.

876
00:42:57,719 --> 00:43:01,640
Speaker 2: That's on me. But yeah, anybody that came near.

877
00:43:01,480 --> 00:43:03,839
Speaker 1: Me at that time bowl in a china shop, I'm

878
00:43:03,880 --> 00:43:05,320
Speaker 1: about to run through you because.

879
00:43:05,080 --> 00:43:06,120
Speaker 2: I don't want you, boy, take I don't.

880
00:43:06,239 --> 00:43:09,000
Speaker 1: I was so triggered and so sensitive about everything at

881
00:43:09,000 --> 00:43:10,839
Speaker 1: that time, so there's that one.

882
00:43:10,920 --> 00:43:11,480
Speaker 2: Boom.

883
00:43:11,960 --> 00:43:14,600
Speaker 7: Let's take a quick pause for a message from our sponsor,

884
00:43:23,440 --> 00:43:25,640
Speaker 7: and we're back on the Bobby Cast.

885
00:43:26,160 --> 00:43:30,120
Speaker 2: I got into a fight once with Craig Campbell. Really

886
00:43:32,080 --> 00:43:32,759
Speaker 2: you don't remember that one?

887
00:43:32,800 --> 00:43:33,520
Speaker 3: No, I don't remember that.

888
00:43:34,080 --> 00:43:36,640
Speaker 1: It's very short lived and we've been way cool since.

889
00:43:37,560 --> 00:43:40,479
Speaker 1: But Craig Campbell has that song Keith Them Kisses Coming.

890
00:43:41,480 --> 00:43:43,680
Speaker 1: I like Craig a lot now. I liked Craig a

891
00:43:43,680 --> 00:43:47,319
Speaker 1: lot then, but we were doing like covers and Eddie

892
00:43:47,360 --> 00:43:49,359
Speaker 1: and I were playing on these covers and we did

893
00:43:50,239 --> 00:43:56,640
Speaker 1: Craig Campbell featuring the Raging Idiots It will Never be Royal, Yeah,

894
00:43:56,719 --> 00:43:58,520
Speaker 1: Lord Royals, and Craig covered it, and I thought it'd

895
00:43:58,560 --> 00:44:01,920
Speaker 1: be a super interesting cover because he's so country, and

896
00:44:02,000 --> 00:44:03,640
Speaker 1: so we did it and put it out, and like

897
00:44:03,680 --> 00:44:06,080
Speaker 1: TMZ had this very brief thing where they had a

898
00:44:06,160 --> 00:44:08,440
Speaker 1: Nashville office and they would go down and try to

899
00:44:08,480 --> 00:44:09,680
Speaker 1: like get all the country starts. And they went to

900
00:44:09,719 --> 00:44:12,839
Speaker 1: Craig Campbell and they were like your song Royals, great job,

901
00:44:12,880 --> 00:44:14,600
Speaker 1: and He's like, yeah, I just thought we'd do it

902
00:44:14,600 --> 00:44:15,000
Speaker 1: one day.

903
00:44:15,080 --> 00:44:18,000
Speaker 2: And I got so offended that he didn't credit me, because.

904
00:44:17,800 --> 00:44:19,680
Speaker 1: I'm the one that was like, dude, let's do this song.

905
00:44:19,800 --> 00:44:23,919
Speaker 1: I'll record it again. It lasted like one day because

906
00:44:23,920 --> 00:44:24,360
Speaker 1: I went on the air.

907
00:44:24,440 --> 00:44:27,080
Speaker 2: I was like, he didn't come up with the idea, and.

908
00:44:27,040 --> 00:44:28,320
Speaker 1: Then he was like, yeah, my bad. I should have

909
00:44:28,320 --> 00:44:29,920
Speaker 1: said you guys came up with it. They got in

910
00:44:29,920 --> 00:44:32,200
Speaker 1: my face and I reacted. So that that was a

911
00:44:32,200 --> 00:44:35,400
Speaker 1: brief blip. I had a blip with Caine, really well

912
00:44:35,480 --> 00:44:37,040
Speaker 1: Caine that I got into a big Twitter fight on

913
00:44:37,080 --> 00:44:38,880
Speaker 1: the air one morning, way early.

914
00:44:39,280 --> 00:44:41,959
Speaker 2: And I think Cain is actually a friend now Kane Brown.

915
00:44:42,400 --> 00:44:45,360
Speaker 1: Caane Brown is my friend, but when Caane Brown started,

916
00:44:48,200 --> 00:44:49,440
Speaker 1: we were both much younger.

917
00:44:49,480 --> 00:44:50,800
Speaker 2: He's far younger.

918
00:44:51,440 --> 00:44:54,279
Speaker 1: I didn't know Kane and I think we were doing

919
00:44:54,320 --> 00:44:56,640
Speaker 1: like a Christmas show or something, and Caine came in

920
00:44:56,920 --> 00:45:00,520
Speaker 1: and there was like no room for anybody to do

921
00:45:00,640 --> 00:45:02,399
Speaker 1: like this charity show. We were playing like a bar

922
00:45:02,520 --> 00:45:07,760
Speaker 1: or something, and I think we were like arguing over

923
00:45:07,840 --> 00:45:10,680
Speaker 1: who got what chair. It was something so stupid like

924
00:45:10,719 --> 00:45:12,640
Speaker 1: that that I took it to air. I think it

925
00:45:12,640 --> 00:45:14,520
Speaker 1: was slicking for someone to talk about and Kane started

926
00:45:14,520 --> 00:45:16,600
Speaker 1: tweeting back at me and we kind of got into

927
00:45:16,640 --> 00:45:20,120
Speaker 1: it online and then we were both like and I

928
00:45:20,160 --> 00:45:21,880
Speaker 1: got a shoutut kanecause he's much younger than I am

929
00:45:21,920 --> 00:45:24,000
Speaker 1: and much more more sure than I am. So but

930
00:45:24,080 --> 00:45:25,960
Speaker 1: Kane and I got into it for just a minute.

931
00:45:26,400 --> 00:45:28,279
Speaker 1: But love Kane now. But also I can get over

932
00:45:28,360 --> 00:45:29,799
Speaker 1: some of these too. That's what I like to say

933
00:45:30,239 --> 00:45:30,920
Speaker 1: Aaron Watson.

934
00:45:31,520 --> 00:45:32,080
Speaker 3: I remember that.

935
00:45:32,320 --> 00:45:36,839
Speaker 1: Yeah, So Aaron Watson who I do like now. And

936
00:45:36,920 --> 00:45:38,799
Speaker 1: Aaron Watson does a great job on social media now,

937
00:45:38,880 --> 00:45:41,640
Speaker 1: especially on TikTok. He does like Tailgate Talks, funny guy,

938
00:45:42,400 --> 00:45:45,640
Speaker 1: big Texas country artist came by the studio one day.

939
00:45:46,320 --> 00:45:47,600
Speaker 1: Some of this is gonna be blurred to me. I

940
00:45:47,640 --> 00:45:50,480
Speaker 1: remember he called our producer sweetheart. I don't know if

941
00:45:50,480 --> 00:45:54,840
Speaker 1: I wasn't there, or if we were doing the show

942
00:45:55,040 --> 00:45:56,880
Speaker 1: and he didn't get in. I don't know what the

943
00:45:56,960 --> 00:45:59,440
Speaker 1: deal was, but she was so offended that he was like,

944
00:45:59,440 --> 00:46:02,480
Speaker 1: here's my seat, sweetheart. This was one of those times

945
00:46:02,640 --> 00:46:04,319
Speaker 1: where I just had the people on my team and

946
00:46:04,360 --> 00:46:05,440
Speaker 1: she was so offended by it.

947
00:46:05,880 --> 00:46:09,120
Speaker 2: All Right, I'm in, then I gotta defend you.

948
00:46:09,600 --> 00:46:11,520
Speaker 1: Even though I knew where his heart was, and his

949
00:46:11,520 --> 00:46:12,560
Speaker 1: heart wasn't at a bad place.

950
00:46:12,600 --> 00:46:14,200
Speaker 2: His heart was grew up in a small Texas town

951
00:46:14,719 --> 00:46:18,960
Speaker 2: and called women's sweetheart.

952
00:46:19,200 --> 00:46:23,560
Speaker 1: Now that's not my vernacular to call women, but it

953
00:46:23,560 --> 00:46:25,239
Speaker 1: was a Leana ar Old producer, and he were like,

954
00:46:25,280 --> 00:46:27,239
Speaker 1: here's my CD suite. And she was so offended that

955
00:46:27,320 --> 00:46:31,120
Speaker 1: I was like fine, and so I just went on

956
00:46:31,160 --> 00:46:32,880
Speaker 1: her team. I would I don't think I would do

957
00:46:32,920 --> 00:46:36,680
Speaker 1: that today. And I don't think he had any any

958
00:46:36,719 --> 00:46:39,200
Speaker 1: hate in his heart or any insulting in his mind

959
00:46:39,200 --> 00:46:40,799
Speaker 1: when he said that, do you.

960
00:46:41,120 --> 00:46:42,000
Speaker 3: No, I don't think so.

961
00:46:42,239 --> 00:46:43,640
Speaker 2: I think that was one that I.

962
00:46:43,880 --> 00:46:48,160
Speaker 1: Just blew up because one I wanted her to felt

963
00:46:48,200 --> 00:46:50,560
Speaker 1: like she was being defended, and two I was probably

964
00:46:50,640 --> 00:46:52,800
Speaker 1: low on content that day.

965
00:46:53,120 --> 00:46:54,040
Speaker 3: I mean that blew up.

966
00:46:54,120 --> 00:46:55,960
Speaker 1: It blew up, It blew up. And Aaron and I

967
00:46:56,000 --> 00:46:58,480
Speaker 1: are cool now for sure, but that one blew up

968
00:46:58,480 --> 00:47:00,520
Speaker 1: pretty good. But I liked it. I liked it that

969
00:47:00,600 --> 00:47:01,040
Speaker 1: it blew up.

970
00:47:01,040 --> 00:47:03,520
Speaker 3: I'd say, worthy of the making it a big deal.

971
00:47:04,320 --> 00:47:06,680
Speaker 2: Say that again, it's worthy to making a big deal.

972
00:47:07,160 --> 00:47:08,200
Speaker 3: What all happened from it?

973
00:47:08,280 --> 00:47:08,440
Speaker 1: Oh?

974
00:47:08,520 --> 00:47:11,920
Speaker 2: Yeah, yeah, I know it. It was worth it. Another

975
00:47:11,960 --> 00:47:13,080
Speaker 2: one's Neil Patrick Harris.

976
00:47:14,400 --> 00:47:15,520
Speaker 3: No idea about this one.

977
00:47:15,840 --> 00:47:19,319
Speaker 2: After I went Dancing with the Stars, he dm me like,

978
00:47:19,360 --> 00:47:23,240
Speaker 2: you you're you suck. You didn't deserve to win what

979
00:47:23,600 --> 00:47:24,600
Speaker 2: out of nowhere?

980
00:47:26,040 --> 00:47:28,480
Speaker 3: And I was like, doogie howser DMed you?

981
00:47:28,640 --> 00:47:30,840
Speaker 1: He did, And so I went on the air with

982
00:47:30,880 --> 00:47:32,440
Speaker 1: it and I was like, Neil Patrick Harris was coming

983
00:47:32,480 --> 00:47:34,960
Speaker 1: at me for winning Dancing with the Stars. Apparently he

984
00:47:35,040 --> 00:47:37,719
Speaker 1: was friends with one of the people that was also

985
00:47:37,760 --> 00:47:39,560
Speaker 1: on the show and was just taking it out on me.

986
00:47:40,360 --> 00:47:41,759
Speaker 2: And so I replied back and I was nice, and

987
00:47:41,760 --> 00:47:43,040
Speaker 2: I was like, are you for real?

988
00:47:43,080 --> 00:47:43,759
Speaker 1: It's like a joke.

989
00:47:43,800 --> 00:47:44,480
Speaker 2: Are you doing a bit?

990
00:47:44,880 --> 00:47:45,479
Speaker 3: Thank you?

991
00:47:45,760 --> 00:47:48,680
Speaker 2: Yeah? And it was a back and forth for a second.

992
00:47:48,719 --> 00:47:52,640
Speaker 1: Then he ended up replying to that little back and

993
00:47:52,680 --> 00:47:54,799
Speaker 1: forth like three weeks later. I was like, hey, sorry

994
00:47:54,840 --> 00:47:56,800
Speaker 1: about that. I was just a little little upset that

995
00:47:56,840 --> 00:47:57,480
Speaker 1: my friend lost.

996
00:47:57,520 --> 00:47:58,879
Speaker 3: You think it's one of those things where he typed

997
00:47:58,920 --> 00:48:00,000
Speaker 3: in his phone not meeting to say.

998
00:48:00,000 --> 00:48:03,880
Speaker 1: And then actually, I don't know, but I thought it

999
00:48:03,960 --> 00:48:07,000
Speaker 1: was so funny that Neil Patrick Harris was so affected

1000
00:48:07,040 --> 00:48:09,719
Speaker 1: by Dancing with the Stars. But then I realized that

1001
00:48:10,000 --> 00:48:12,040
Speaker 1: one of the people that he knew was on it.

1002
00:48:12,080 --> 00:48:15,120
Speaker 1: But even then, like, I didn't do anything to win

1003
00:48:15,200 --> 00:48:16,799
Speaker 1: except do what you're supposed to do to win. It

1004
00:48:16,840 --> 00:48:20,360
Speaker 1: wasn't like I manipulated anything, you cheated yeah.

1005
00:48:19,960 --> 00:48:22,560
Speaker 3: So, but yeah, no, he broke someone's leg or something.

1006
00:48:23,400 --> 00:48:26,279
Speaker 2: The Neil Patrick Harris one's kind of funny. That's one.

1007
00:48:27,040 --> 00:48:31,440
Speaker 1: A recent one's with Dasha. Oh yeah, very BK, like

1008
00:48:32,880 --> 00:48:36,879
Speaker 1: very BK like where it was an interview set up.

1009
00:48:37,160 --> 00:48:39,040
Speaker 1: She canceled day of like right before and we're like, hey,

1010
00:48:39,040 --> 00:48:40,160
Speaker 1: don't you don't want to do this interview this day?

1011
00:48:40,160 --> 00:48:40,640
Speaker 2: You don't want to do it.

1012
00:48:40,640 --> 00:48:41,120
Speaker 1: You don't want to do it?

1013
00:48:41,160 --> 00:48:42,719
Speaker 2: Yeah, yeah, yeah, you don't want to do it.

1014
00:48:43,440 --> 00:48:45,480
Speaker 1: The thing is about this one is I have somebody

1015
00:48:45,480 --> 00:48:47,279
Speaker 1: on the inside I don't want to say who it is,

1016
00:48:47,320 --> 00:48:48,840
Speaker 1: and somebody in the inside hit me up before the

1017
00:48:48,880 --> 00:48:51,279
Speaker 1: cancel cancelation. It was like, hey, Dasha was going to

1018
00:48:51,360 --> 00:48:54,040
Speaker 1: cancel and she's not sick and she just doesn't want

1019
00:48:54,040 --> 00:48:54,680
Speaker 1: to do it today, but.

1020
00:48:54,640 --> 00:48:55,440
Speaker 2: They're gonna make it thing.

1021
00:48:55,640 --> 00:48:57,400
Speaker 1: And then Mike kids me up an hour later, Hey

1022
00:48:57,480 --> 00:48:59,440
Speaker 1: Dash is sick, and I was like I just got

1023
00:48:59,480 --> 00:49:00,680
Speaker 1: a call going she's gonna.

1024
00:49:00,480 --> 00:49:01,440
Speaker 2: Do this and she's not sick.

1025
00:49:01,680 --> 00:49:07,080
Speaker 1: So hmmm. I don't like it. I don't like how

1026
00:49:07,120 --> 00:49:10,840
Speaker 1: made me feel. I think there could have been better

1027
00:49:10,880 --> 00:49:14,640
Speaker 1: ways to do it. But what is your what has

1028
00:49:14,680 --> 00:49:15,000
Speaker 1: your had?

1029
00:49:15,000 --> 00:49:17,200
Speaker 5: That all lines up because we actually moved that one twice.

1030
00:49:17,200 --> 00:49:18,839
Speaker 5: That was the second time we had moved it. Yeah,

1031
00:49:18,880 --> 00:49:20,560
Speaker 5: so it kind of lines up with what I know

1032
00:49:21,480 --> 00:49:24,560
Speaker 5: and yeah, another like wait till new music type things.

1033
00:49:24,840 --> 00:49:26,759
Speaker 1: Yeah, and you know what, when she doesn't need me,

1034
00:49:26,920 --> 00:49:27,799
Speaker 1: nobody needs me.

1035
00:49:28,040 --> 00:49:28,640
Speaker 2: I know that.

1036
00:49:28,960 --> 00:49:31,960
Speaker 1: I think it can be advantageous to come on to

1037
00:49:32,040 --> 00:49:33,680
Speaker 1: the radio show where this podcast. I think it could

1038
00:49:33,680 --> 00:49:36,799
Speaker 1: be as advantageous anything else. But nobody needs me, so

1039
00:49:36,840 --> 00:49:39,880
Speaker 1: I don't have that. So she doesn't need me. I

1040
00:49:39,880 --> 00:49:42,920
Speaker 1: don't need her, and I don't like that relationship. I

1041
00:49:42,920 --> 00:49:43,880
Speaker 1: don't like being lied to.

1042
00:49:44,320 --> 00:49:47,319
Speaker 2: So we're good.

1043
00:49:47,480 --> 00:49:49,520
Speaker 5: But the annoying part for me is they reached out

1044
00:49:49,640 --> 00:49:51,600
Speaker 5: to me about having her on and even I was

1045
00:49:51,640 --> 00:49:53,279
Speaker 5: like I don't know about this, and I was like,

1046
00:49:53,560 --> 00:49:54,799
Speaker 5: you know what, it might be good to have her

1047
00:49:54,800 --> 00:49:56,160
Speaker 5: on and let's see what she says.

1048
00:49:56,040 --> 00:49:56,600
Speaker 2: The second time.

1049
00:49:56,680 --> 00:49:58,319
Speaker 5: Yeah, And I was like, okay, like I'll see what

1050
00:49:58,360 --> 00:50:01,040
Speaker 5: happens here. And then for them of that, it's like

1051
00:50:01,080 --> 00:50:02,239
Speaker 5: we didn't even ask for.

1052
00:50:02,200 --> 00:50:02,799
Speaker 3: Her to come on.

1053
00:50:02,880 --> 00:50:04,759
Speaker 1: I know, then I gotta but I got a call

1054
00:50:04,800 --> 00:50:06,439
Speaker 1: before the backout though was the hard part.

1055
00:50:06,520 --> 00:50:08,680
Speaker 2: Hard part, like she's gonna cancel, she's gonna say she's sick.

1056
00:50:08,680 --> 00:50:10,200
Speaker 1: She's not sick, just so you know, because I know

1057
00:50:10,280 --> 00:50:12,080
Speaker 1: this is the second time you booked it. And then

1058
00:50:12,120 --> 00:50:15,359
Speaker 1: I thought maybe she won't like hey man, Dash's out?

1059
00:50:15,600 --> 00:50:16,359
Speaker 2: Oh is she.

1060
00:50:18,320 --> 00:50:19,200
Speaker 1: Dash? She doesn't need me.

1061
00:50:19,600 --> 00:50:20,480
Speaker 2: I don't need Dasha.

1062
00:50:20,640 --> 00:50:24,640
Speaker 1: The world's fine without our union. I think the world

1063
00:50:24,719 --> 00:50:28,840
Speaker 1: is just fine without our union. Another one is Mojo

1064
00:50:29,000 --> 00:50:29,759
Speaker 1: the radio guy.

1065
00:50:29,960 --> 00:50:31,000
Speaker 3: Oh yeah, this.

1066
00:50:30,960 --> 00:50:34,959
Speaker 1: One still pisses me off, just because it's about Saint

1067
00:50:35,040 --> 00:50:36,560
Speaker 1: Jude and cancer kids.

1068
00:50:37,960 --> 00:50:39,239
Speaker 2: Well, I don't know three four years ago.

1069
00:50:39,600 --> 00:50:41,440
Speaker 5: I don't remember many years ago more than that you think,

1070
00:50:41,440 --> 00:50:42,640
Speaker 5: so I say it was pre COVID.

1071
00:50:42,800 --> 00:50:44,600
Speaker 2: Do you know why he came at me for this,

1072
00:50:44,680 --> 00:50:45,360
Speaker 2: because I do not.

1073
00:50:46,400 --> 00:50:49,120
Speaker 1: I don't know what the motivation was other than jealousy.

1074
00:50:49,640 --> 00:50:50,800
Speaker 3: I think it came out of nowhere.

1075
00:50:50,840 --> 00:50:52,040
Speaker 2: Really, all I know.

1076
00:50:52,120 --> 00:50:54,520
Speaker 1: Is this dude named Mojo who does radio and Detroit

1077
00:50:54,600 --> 00:50:56,680
Speaker 1: was on saying I only work with Saint Jude so

1078
00:50:56,719 --> 00:51:01,120
Speaker 1: I can get the credit for it. And that's tough

1079
00:51:01,200 --> 00:51:03,680
Speaker 1: to hear because I don't wear that on my sleeve.

1080
00:51:04,239 --> 00:51:07,080
Speaker 1: I'm not the Saint Jude guy who goes around talking

1081
00:51:07,080 --> 00:51:09,399
Speaker 1: about it all the time whenever it's time to talk

1082
00:51:09,440 --> 00:51:09,839
Speaker 1: about it.

1083
00:51:10,520 --> 00:51:13,960
Speaker 2: Because here's the reason. One.

1084
00:51:14,280 --> 00:51:15,759
Speaker 1: I was in the hospital a bunch as a kid,

1085
00:51:16,120 --> 00:51:21,600
Speaker 1: and without the help of freaking medicaid or government help.

1086
00:51:22,480 --> 00:51:24,319
Speaker 2: Is that Medicare or Medicare, it's medicaid.

1087
00:51:24,000 --> 00:51:26,160
Speaker 3: Right, Medicare, Medicaid, yeah.

1088
00:51:26,000 --> 00:51:27,040
Speaker 2: Whatever, whichever one.

1089
00:51:28,000 --> 00:51:29,880
Speaker 1: And then like people at church, like people taking care

1090
00:51:29,920 --> 00:51:31,239
Speaker 1: of me. I wouldn't have been able to be in

1091
00:51:31,239 --> 00:51:33,040
Speaker 1: the hospital and get it paid for and get out

1092
00:51:33,080 --> 00:51:34,520
Speaker 1: and it can. Almost died when I was a kid,

1093
00:51:35,280 --> 00:51:36,719
Speaker 1: So that was it. I know what it's like to

1094
00:51:36,760 --> 00:51:40,000
Speaker 1: be in the hospital and depend on other people, and

1095
00:51:40,040 --> 00:51:41,160
Speaker 1: that's what Saint Jude does.

1096
00:51:41,520 --> 00:51:44,520
Speaker 2: Two, I've been there. It's pretty close, and they take

1097
00:51:44,600 --> 00:51:45,680
Speaker 2: kids from all over.

1098
00:51:47,200 --> 00:51:50,000
Speaker 1: And there was already a relationship with country music, and

1099
00:51:50,040 --> 00:51:53,399
Speaker 1: so I kind of jumped in on that and grew

1100
00:51:53,400 --> 00:51:53,799
Speaker 1: it from that.

1101
00:51:53,840 --> 00:51:55,160
Speaker 2: So it was all these things combined.

1102
00:51:55,960 --> 00:51:58,080
Speaker 1: But I'm never the guy who's like, celebrate me because

1103
00:51:58,080 --> 00:52:01,440
Speaker 1: of what I've done with hospital and to hear that,

1104
00:52:01,560 --> 00:52:05,520
Speaker 1: because I purposefully don't do that. Also, there are a

1105
00:52:05,560 --> 00:52:07,680
Speaker 1: few organizations we work with and I really separate them

1106
00:52:07,719 --> 00:52:09,640
Speaker 1: out because if I'm talking about three things at once,

1107
00:52:10,200 --> 00:52:13,799
Speaker 1: nobody hears one single thing. You hear nothing, So it's

1108
00:52:13,840 --> 00:52:16,960
Speaker 1: like there are specific times where I'm doing military stuff,

1109
00:52:17,560 --> 00:52:19,560
Speaker 1: where I'm doing Saint Jude, where I'm doing animals, those

1110
00:52:19,640 --> 00:52:21,880
Speaker 1: like the three things that I do the most, and

1111
00:52:21,960 --> 00:52:25,520
Speaker 1: so yeah, Mojo is like he only I remember being

1112
00:52:25,560 --> 00:52:27,600
Speaker 1: shocked by that because there are reasons where I think

1113
00:52:27,640 --> 00:52:29,719
Speaker 1: it's okay for people not to like me because I

1114
00:52:29,760 --> 00:52:32,279
Speaker 1: have bold opinions or I've just created a bold opinion

1115
00:52:32,280 --> 00:52:34,360
Speaker 1: because I need some content for that day. But this

1116
00:52:34,520 --> 00:52:37,000
Speaker 1: was out of nowhere, and so I went right at

1117
00:52:37,040 --> 00:52:40,080
Speaker 1: him and I was like you, And I don't know

1118
00:52:40,080 --> 00:52:41,840
Speaker 1: if he ever apologized, I don't know.

1119
00:52:42,200 --> 00:52:43,080
Speaker 2: I thought it was such a.

1120
00:52:43,040 --> 00:52:47,680
Speaker 1: Low class move that if he did, I don't think

1121
00:52:47,719 --> 00:52:49,439
Speaker 1: that I would have been like, oh, I get it, man.

1122
00:52:49,920 --> 00:52:51,959
Speaker 1: I just have been like, you know, we're probably better.

1123
00:52:52,400 --> 00:52:55,000
Speaker 1: This union is probably better not being created.

1124
00:52:55,840 --> 00:52:56,480
Speaker 2: But that's what I.

1125
00:52:56,440 --> 00:52:59,520
Speaker 1: Remember about it, is not even being hurt by it,

1126
00:52:59,520 --> 00:53:01,279
Speaker 1: because I'm not hurt because I know why I do

1127
00:53:01,360 --> 00:53:04,360
Speaker 1: what I do, so I'm not hurt by it. But

1128
00:53:04,400 --> 00:53:06,120
Speaker 1: I was like, why would somebody even do it? Was

1129
00:53:06,160 --> 00:53:09,600
Speaker 1: there are eighty four things to attack me over that

1130
00:53:09,760 --> 00:53:10,200
Speaker 1: is not one.

1131
00:53:10,239 --> 00:53:11,760
Speaker 3: It's not like you have it in like your Instagram.

1132
00:53:11,840 --> 00:53:13,520
Speaker 1: I don't like you don't have anything.

1133
00:53:13,560 --> 00:53:14,040
Speaker 2: You have nothing.

1134
00:53:14,040 --> 00:53:15,560
Speaker 1: You can't even find it unless you go on like

1135
00:53:15,600 --> 00:53:20,600
Speaker 1: Google search it and it. Yeah, that one, that's the

1136
00:53:20,719 --> 00:53:23,520
Speaker 1: only one that I think kind of pissed me off

1137
00:53:23,920 --> 00:53:26,200
Speaker 1: because I did not understand where it was coming from,

1138
00:53:26,480 --> 00:53:29,040
Speaker 1: and it was something that was like such a sensitive

1139
00:53:29,040 --> 00:53:33,400
Speaker 1: thing to like create drama over. I like the people

1140
00:53:33,400 --> 00:53:35,919
Speaker 1: on a show, I know them, they're great. I got

1141
00:53:35,920 --> 00:53:38,319
Speaker 1: no use for him, but I thought that was dirt

1142
00:53:38,360 --> 00:53:38,839
Speaker 1: dirt ball.

1143
00:53:40,120 --> 00:53:42,720
Speaker 2: I think that's the most dirt ball of all of them.

1144
00:53:42,840 --> 00:53:45,600
Speaker 1: So that being said, if we go back to our

1145
00:53:45,800 --> 00:53:51,479
Speaker 1: original concept here of beefs are funny, I think Gavin

1146
00:53:51,520 --> 00:53:54,319
Speaker 1: Icock fighting with everybody is hilarious. There was a scene

1147
00:53:54,320 --> 00:53:55,680
Speaker 1: in Commando back in the day, I don't know that

1148
00:53:55,880 --> 00:53:57,719
Speaker 1: on Swartzenegger where he's in them all and he's fighting

1149
00:53:57,719 --> 00:53:59,480
Speaker 1: everybody off on like eight guards get on him and

1150
00:53:59,520 --> 00:54:01,399
Speaker 1: he's he's underneath them and he.

1151
00:54:01,400 --> 00:54:02,560
Speaker 2: Throws them all off of him.

1152
00:54:02,800 --> 00:54:05,120
Speaker 1: That's how I've picked her Gavin Adcock right now. I'm

1153
00:54:05,160 --> 00:54:06,759
Speaker 1: not even saying he's right or he's wrong.

1154
00:54:06,840 --> 00:54:09,680
Speaker 2: I don't care. It's all theatrics and it's hilarious.

1155
00:54:10,200 --> 00:54:11,239
Speaker 1: So that's up.

1156
00:54:11,280 --> 00:54:12,960
Speaker 2: That's what's up. Thought I would address the beefs here

1157
00:54:13,000 --> 00:54:13,960
Speaker 2: on this.

1158
00:54:13,520 --> 00:54:15,760
Speaker 3: This version, we'll have a Commando reference.

1159
00:54:15,840 --> 00:54:17,040
Speaker 2: That's a good one.

1160
00:54:17,719 --> 00:54:19,880
Speaker 1: And also when I do one of those Q and

1161
00:54:19,920 --> 00:54:22,799
Speaker 1: a's where it's like ask me anything, everybody's always like,

1162
00:54:22,840 --> 00:54:26,120
Speaker 1: what's the who's the beef with? And so I can

1163
00:54:26,160 --> 00:54:29,240
Speaker 1: just point him to this episode. Now, there are people

1164
00:54:29,400 --> 00:54:33,640
Speaker 1: that I in country that I am fighting with now,

1165
00:54:33,640 --> 00:54:36,480
Speaker 1: but it's like personal, so it's not even a beef.

1166
00:54:36,520 --> 00:54:38,560
Speaker 1: It's like real things happen in real life, so that's

1167
00:54:38,560 --> 00:54:39,240
Speaker 1: not even a beef.

1168
00:54:39,640 --> 00:54:42,480
Speaker 2: So if it's not known, it's not a beef, right.

1169
00:54:42,600 --> 00:54:43,080
Speaker 3: Yeah, yeah.

1170
00:54:43,600 --> 00:54:46,160
Speaker 1: Otherwise it's like a friend you fight with. All Right,

1171
00:54:46,360 --> 00:54:48,560
Speaker 1: that's it now. I thank you guys for being here.

1172
00:54:49,000 --> 00:54:51,880
Speaker 1: Please share this with your friends on your Instagram story.

1173
00:54:52,239 --> 00:54:54,279
Speaker 2: It helps us a ton. I hope you have a

1174
00:54:54,280 --> 00:54:55,319
Speaker 2: great rest of the week.

1175
00:54:55,440 --> 00:54:57,920
Speaker 1: Next week on the podcast, we have Dirk Spentley coming

1176
00:54:58,000 --> 00:55:01,799
Speaker 1: up Tuesday, excellent. We did an hour with Dirks and

1177
00:55:01,840 --> 00:55:05,760
Speaker 1: then on Thursday or Friday Friday Friday, the ting Tings

1178
00:55:06,320 --> 00:55:08,520
Speaker 1: and the teen Things were in Spain when I talked

1179
00:55:08,520 --> 00:55:11,799
Speaker 1: to them, and ting Tings have the first song shut

1180
00:55:11,880 --> 00:55:14,040
Speaker 1: Up and let Me Go, But the real one is

1181
00:55:14,200 --> 00:55:17,120
Speaker 1: they call me say danam they call me stay. See

1182
00:55:17,160 --> 00:55:20,080
Speaker 1: that's not my name, Dantam, that's not my name. So

1183
00:55:20,239 --> 00:55:22,359
Speaker 1: ten tings next week. Thank you guys, and we will

1184
00:55:22,400 --> 00:55:23,040
Speaker 1: see you guys soon.

1185
00:55:23,040 --> 00:55:26,920
Speaker 7: Bye Blady, Thanks for listening to a Bobby Cast production.