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Speaker 1: So, do you guys have something pre show chatter wise

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Speaker 1: you want to talk about? I have something very briefly

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Speaker 1: if you want, great is an update on your urine room.

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Speaker 1: It is okay, it is. Let's take a moment to

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Speaker 1: hear the update on urinate on um so I can.

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Speaker 1: I can hear my own thoughts. I'm so happy. Have

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Speaker 1: either of you ever had water damage in your house

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Speaker 1: that has to have a water company come in to

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Speaker 1: fix it? No, but my mom has and I was

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Speaker 1: around for that. So they just they cut open your

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Speaker 1: walls and they take everything and then they put in

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Speaker 1: these giant bands in every room and these huge that

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Speaker 1: have to run twenty seven and we have them in

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Speaker 1: two different rooms of the house, going all day and

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Speaker 1: night long for the last four or five days. And

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Speaker 1: I had shut them off to do the podcast. And

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Speaker 1: it's just I'm probably not gonna say anything all day.

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Speaker 1: I'm just gonna sit and quietly listen to you speak,

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Speaker 1: because it's just being able to hear again is the

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Speaker 1: nicest thing. So you're gonna have to turn them back

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Speaker 1: on after the second they go back on the water.

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Speaker 1: Do they have to like were you talking about? Yeah?

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Speaker 1: And in the wall, Well, because I thought it went

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Speaker 1: under the house. It actually didn't. It turned out the

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Speaker 1: rain blew it through a bad window and through the roof,

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Speaker 1: so it soaked the carpet, and then the puddle sat

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Speaker 1: under the carpet, which then soaked up on the walls

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Speaker 1: because we didn't know what it was at first. So

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Speaker 1: now if you can see, it looks like it's just

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Speaker 1: whitest snow where my bookcases used to be back here,

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Speaker 1: like I'm actually shooting in like the middle of a blizzard. Um,

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Speaker 1: but it's they they the room is just ripped to shreds.

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Speaker 1: It's down to the studs all the way out there

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Speaker 1: with just all this equipment that I have to go

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Speaker 1: and turn on again. And then it's Sue and I

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Speaker 1: yelling at what do you want for dinner? Yeah, it

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Speaker 1: is insane. So I'm just very happy it's just silently.

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Speaker 1: Yeah hear what Now you just get to hear the

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Speaker 1: dulcet tones of right or strong and Daniel fishing. I

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Speaker 1: will hear those, either of you sleep with white noise.

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Speaker 1: No I sleep. I go to sleep listening to podcasts

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Speaker 1: or audio books, though so would that count because I

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Speaker 1: guess technically we go to sleep to mash Or Seinfeld. So,

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Speaker 1: I mean it's kind of white. I guess it's because

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Speaker 1: it's a focused noise. But you turn on the television

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Speaker 1: and fall asleep to it doesn't do our TVs on all.

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Speaker 1: I mean, I think I did that when I was younger,

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Speaker 1: but now I would just feel the pressure to stay awake,

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Speaker 1: like you have to keep your eyes open to see.

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Speaker 1: That's why we watch something that we know and if

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Speaker 1: and if one of us falls asleep and the TV

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Speaker 1: shuts itself off, occasionally one of us will wake back

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Speaker 1: up and turn it back on at like three o'clock

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Speaker 1: in the morning. So that is your version of white noise,

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Speaker 1: because you almost an't sleep. If you wake up and

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Speaker 1: notice it's off, You're like, well, now I can't sleep

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Speaker 1: without that noise running in the background. Feels very still.

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Speaker 1: It's like not having even when it's cold in our room,

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Speaker 1: which we like, we'll still have a fan on because

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Speaker 1: we need the air to move, it just feels very still.

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Speaker 1: So I guess there's probably people out there who fall

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Speaker 1: asleep to Boy's World that might be like they're like,

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Speaker 1: I would think, yeah, we have a really loud laugh

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Speaker 1: track on our show, do we do. Yeah, people of comment,

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Speaker 1: you've never heard that before. I've been like multiple people

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Speaker 1: say to me, you know, the Boyment's World laugh track

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Speaker 1: is extremely loud compared to other shows, which is funny.

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Speaker 1: I'm not even sure I've noticed the laugh track at

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Speaker 1: all in these episodes we've been watching. Yeah, I almost

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Speaker 1: feel like I've completely tuned them out. I have to agree,

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Speaker 1: I feel the same way. So I actually had a

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Speaker 1: comment about the audience with this episode. I was really

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Speaker 1: aware of the audience. Yeah, we'll get into it, but

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Speaker 1: like I felt the audience's presence. They gave two applause

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Speaker 1: moments that were really interesting and yeah, well we'll talk

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Speaker 1: about it. Because I was, I was really aware of

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Speaker 1: the audiences type. I was like, oh, this this show

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Speaker 1: was on fire. Yeah. I did notice there was like

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Speaker 1: a big clap in the one of the hallway scenes.

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Speaker 1: We can we'll talk about that, but speaking Blake, Blake

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Speaker 1: gets applause after you and then we'll get applause on online.

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Speaker 1: But they really lost it at me falling off the

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Speaker 1: chair in the beginning, Like, yeah, it's like that physical

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Speaker 1: humor like escalated on. So I was, yeah, it's so

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Speaker 1: funny thinking the same thing you set the tone for

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Speaker 1: kind of where we were going big the Yeah. Well,

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Speaker 1: speaking of audience, we recently got a comment from a

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Speaker 1: listener and it comes from her name was Peji and

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Speaker 1: Angela on Instagram and she said she was in the

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Speaker 1: studio audience for the live taping of Notorious, the episode

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Speaker 1: we recapped two weeks ago, and she remembers as a

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Speaker 1: core memory that writer and will sing the Animaniac's theme

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Speaker 1: song and stay by Lisa Lobe into the mic between scenes.

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Speaker 1: So she asked for confirmation that this is something you

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Speaker 1: guys did would have done, because she almost feels like

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Speaker 1: she makes it up. I don't know the animania X

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Speaker 1: theme song? What is the Animaniac themes? I think what

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Speaker 1: she's talking about? You sure she's not was Notorious? Was

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Speaker 1: Jason and Notorious? I think so? Yes? Okay, So you

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Speaker 1: sure she's not talking about Jason doing because he would

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Speaker 1: go up to the studio and do the United States, Canada, Mexico, Panama, Hate,

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Speaker 1: jamaicap Peru. He do that whole long Animaniac song. But

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Speaker 1: I don't know the I mean, I know the Animaniacs

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Speaker 1: theme song is like We're the animani but I don't

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Speaker 1: know it either. I mean, that's the most I know

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Speaker 1: of it. So I know the Tiny Tunes remember of

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Speaker 1: Tiny Tunes theme song, We're Tiny Carton. But I don't

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Speaker 1: know if I would have sung that and stay by

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Speaker 1: Lisa Lobe was that even out yet? I feel like

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Speaker 1: that I don't know, but I mean, I definitely loved

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Speaker 1: that song. I actually did an episode of that other podcast,

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Speaker 1: um the Sixties Songs to Define the Nineties. I told

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Speaker 1: you guys, I did an episode on Lisa Lobe. Um,

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Speaker 1: if anybody wants to go listen to all of my

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Speaker 1: thoughts about it's great songs. Stay yeah, so um so.

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Speaker 1: But I don't think I would have signed it because

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Speaker 1: I'm a horrible singer and I'm very insecure about singing.

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Speaker 1: So I mean, maybe she meant she might have meant

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Speaker 1: Jason doing that Animaniac song, because he would, you know Jason,

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Speaker 1: and he's gonna if there's a microphone around him, he's

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Speaker 1: gonna grab it and do whatever. I don't remember him

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Speaker 1: doing that, but yeah, that's definitely sounds more like adjacent

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Speaker 1: thing than I mean. I don't think I would have

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Speaker 1: grabbed a mike and sang well shoke for a couple

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Speaker 1: of seconds, but yeah, we're not We're not so sure

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Speaker 1: about that one. Angela. We were hoping to verify that

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Speaker 1: you were not making it up, but maybe you made

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Speaker 1: it up. The mystery not solved. I didn't. I mean,

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Speaker 1: did you guys interact with the audience that much? Yes?

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Speaker 1: I did you I didn't. I always kind of. I

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Speaker 1: would always talk with Mitch and then I talked with

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Speaker 1: the audience, and then when we started our dance, we

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Speaker 1: would do that thing that was like the last season.

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Speaker 1: I don't know if there's any I mean there's some footage,

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Speaker 1: but I don't know if there's any like the entire

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Speaker 1: dance that we did. I mean, we have some footage

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Speaker 1: because we used it in our video that we showed

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Speaker 1: at the end of the year. But again, I think

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Speaker 1: it was the do you guys want to tell people

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Speaker 1: about the dance? Um? Yea. How did the dance start?

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Speaker 1: Will was? It was something you started with him, and

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Speaker 1: so we would we would fake dance too. It started

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Speaker 1: with just the two of us fake dancing to a

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Speaker 1: Backstreet Boy song, which was I Want it that way right,

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Speaker 1: And then Matt Lawrence came in, who again, that was

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Speaker 1: a stupid addition, for a number of reasons, one because

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Speaker 1: he could actually sing and dance, and two because you

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Speaker 1: could see his abs through his trench coat, so it

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Speaker 1: was automatically made us all with bad and would actually

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Speaker 1: sing along with the track and sound good. And it

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Speaker 1: was just horrifying. And then Rider, you held out the

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Speaker 1: longest and then you saw us rehearsing one time, You're like, well,

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Speaker 1: we don't want to do that. So then we made

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Speaker 1: was that like, you guys, try and get me to

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Speaker 1: join in to do it. I say no, And then

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Speaker 1: I came bursting in halfway through the song yea, and

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Speaker 1: the culminated Ben's like taking a shirt off. And we

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Speaker 1: loved doing it. The audience loved it, and the crew

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Speaker 1: hadeed it was amazing. I hated it because they have

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Speaker 1: to pull everything to the side. It would be another

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Speaker 1: half an hour because by the time we got done

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Speaker 1: talking and singing and doing it, it was minutes on

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Speaker 1: show night where you know, everyone just wanted to shoot

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Speaker 1: and get home. So I'll be like, we're doing the

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Speaker 1: dance and every year and you look over in the

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Speaker 1: crew it was just like you sun these guys. Yeah,

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Speaker 1: so it was fun, but yeah, that was good. Well,

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Speaker 1: welcome to what I cannot dance stop. I can do

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Speaker 1: a lot of things really well. Sisode all you need

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Speaker 1: to see Welcome to Pod Meets World. I'm Daniel fisherl

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Speaker 1: I'm Rider Strong, and I'm will Fredell. So today we

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Speaker 1: are recapping season two episodes. Even Wake Up Little Corey.

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Speaker 1: It originally aired November four. The synopsis is that Corey

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Speaker 1: and Topanga accidentally spend the night at school while working

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Speaker 1: late on an assignment. In the morning, they find out

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Speaker 1: that the entire school thinks they slept together. Wow. Directed

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Speaker 1: by David Trayner, written by Jeff Minnell and Glenn Merser.

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Speaker 1: Guest starring Danny McNulty as Harvey Harley Kiner, Blake Soper

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Speaker 1: as Joey there At, and Bob Larkin as Janitor bud So.

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Speaker 1: Jumping into our recap, we start in Turner's classroom, and uh,

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Speaker 1: what should we talk about Turner's tie? Yes, yeah, but

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Speaker 1: I I have This is where the I want high

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Speaker 1: def cameras, Like our show was shot at such a

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Speaker 1: low resolution that I'm like squinting at the screen trying

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Speaker 1: to figure out what's on his tie, Like I couldn't

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Speaker 1: see what it is I thought it looked like Dominoes

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Speaker 1: with the APP symbol on it, like you know, like

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Speaker 1: it did. It was it kind of looked like an

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Speaker 1: AT squiggle on dominoes because they were like, you know,

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Speaker 1: rectangular shaped, and there were three of them. It doesn't

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Speaker 1: really make much sense. I don't know what it is,

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Speaker 1: but I don't think Southwestern style, you know, like just

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Speaker 1: like patterns, and I thought dominoes. So, but it could

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Speaker 1: be the AT symbol because the AD symbol was no, no,

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Speaker 1: it wasn't actually the AT symbol. It just looked like

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Speaker 1: a squared off version of the AT symbol, like if

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Speaker 1: the AT symbol could have like squared like rounded squared edges.

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Speaker 1: That's kind of what you're all paying attention to, not

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Speaker 1: the word sexy. I love that you've got sex, love,

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Speaker 1: and and and scan written on the board and everyone

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Speaker 1: in the classes at thirteen is asleep. I know that's

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Speaker 1: the point. I know, but even with set, I mean

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Speaker 1: that's the joke. As you walk into place, you go sex.

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Speaker 1: Now that I got your attention, Yeah you know, so

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Speaker 1: you got the sex and giant letters on the board.

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Speaker 1: I know, Uh so that's exactly right. Mr Turner is

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Speaker 1: teaching Shakespeare. He's writing Love, Sex, Slander on the chalkboard,

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Speaker 1: and the entire classes asleep. Mid lecture, Sean falls out

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Speaker 1: of his desk, dozing off, big laugh from the audience

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Speaker 1: for funny. Yeah, this is where the audience really goes

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Speaker 1: for it. I was like they were feeling us this night.

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Speaker 1: Ben really kicks me. Really, I don't know how we

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Speaker 1: got away with it. I was wondering it just looks

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Speaker 1: I watched it twice because I was like, obviously I

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Speaker 1: wasn't actually hurt, but he full on kicks me, And

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Speaker 1: I was like, was I wearing a pad or did

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Speaker 1: they add a sound effect after? That's probably sound sounds

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Speaker 1: like he really just goes for it. It looks like

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Speaker 1: he really goes for it. It's like that's cool, like it,

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Speaker 1: I mean, it's it makes the joke funnier. But I

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Speaker 1: was trying to figure out how we got away with that. Like,

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Speaker 1: I will guarantee, knowing you, even at that age you

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Speaker 1: said to men really kick me, Yeah, I would guarantee

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Speaker 1: that's what happens. He was pulling his punches, pulling his punches,

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Speaker 1: and at one time you just went kick me and

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Speaker 1: one which always hurt myself. Actually in the throat. Yeah,

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Speaker 1: you're that guy. So I'll go ahead and actually jumped

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Speaker 1: from the helicopter. Okay, let's do it a Tom Cruise.

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Speaker 1: That's that's always been your nickname. Uh so, I mean also,

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Speaker 1: I'm not gonna not mention so happy to see myself

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Speaker 1: back in Turner's classrooms arrived. I mean I was. I

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Speaker 1: was so happy. Um. Mr Turner defends much ado about

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Speaker 1: nothing but to Penga says they can't relate to the

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Speaker 1: characters in this book at all, and the class compares

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Speaker 1: the romance in Shakespeare to the juicier and more shocking

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Speaker 1: romance on TV like mel rose Place, which the minute

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Speaker 1: they said that reminded me of all the years that

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Speaker 1: all my friends at school were allowed to watch mel

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Speaker 1: rose Place and n O two one oh, and my

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Speaker 1: mom would not allow me to watch those shows. I

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Speaker 1: never I think by the time then I would have

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Speaker 1: been allowed to watch them, I had like outgrown the

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Speaker 1: idea of even caring. But I was just not allowed

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Speaker 1: to watch that stuff because my mom was like, again,

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Speaker 1: it's sexy. Every Wednesday night we get Taco Bell, Spencer

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Speaker 1: and I when we live together, we get Taco Bell

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Speaker 1: all far too much talk about and sit and watch

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Speaker 1: melrose Place. It was the great and I was like,

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Speaker 1: this shows the worst and by episode four you're like,

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Speaker 1: oh man, let's say I'm gonna do or whatever their

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Speaker 1: names were, it was, Yeah, it's you're sucked into this thing. Yeah.

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Speaker 1: A lot of Shakespeare, by the way, at these schools,

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Speaker 1: lots of Shakespeare being taught. Yeah, this is our third Shakespeare,

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Speaker 1: third or four. Yeah, where it's it's there's They teach

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Speaker 1: a lot of Shakespeare. I also think that Willie Shakes,

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Speaker 1: which is what I call him, would would have constantly

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Speaker 1: loved being compared to Melrose Place. Yeah and why and

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Speaker 1: yeah exactly. I think he'd love that. So well. Mr

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Speaker 1: Turner sees the point, the classes point, and they he

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Speaker 1: assigns a video report using the modern medium of television.

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Speaker 1: Sean compares it to a documentary and says his uncle

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Speaker 1: was once in a documentary where they put a big

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Speaker 1: blue dot over his face and changed his voice. So smart,

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Speaker 1: so funny. Yeah, yeah, crazy family. We're developing this ongoing joke,

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Speaker 1: but I like it. I think this is I think

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Speaker 1: this is a fun I love the jokes about the

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Speaker 1: different uncles. Yeah, so yeah, I don't know. I think

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Speaker 1: I thought my mom's smoking when she was pregnant from

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Speaker 1: a little dark Did you like it? I was like, God,

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Speaker 1: this is twisted. But the uncle thing I think is hysterical.

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Speaker 1: Like I I we could just keep creating and you know,

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Speaker 1: fictional uncles. I wonder how long we're gonna keep doing that?

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Speaker 1: Do we ever meet any of my uncle's? We met

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Speaker 1: my parents, obviously, but I don't think I ever had

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Speaker 1: an uncle on the show like we did meet one

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Speaker 1: uncle had because all the guy in the Camel Flat

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Speaker 1: with the he I forget the actor's name, but you

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Speaker 1: also did a very famous signfill episode and you meet

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Speaker 1: him at the trailer park. But I don't know if

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Speaker 1: that's an uncle or just somebody who lives at the

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Speaker 1: trailer park. So curious. I mean, we definitely have a

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Speaker 1: Thanksgiving episode at the trailer park, but I think that

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Speaker 1: that was with Ethan's family, right, I don't know, man,

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Speaker 1: it's yeah. So Mr Turner asked the class to pair up,

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Speaker 1: and of course, Corey and Sean looked to each other

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Speaker 1: like they're obvious partners. But then Turner explains it has

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Speaker 1: to be boy girls so they can interview their friends

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Speaker 1: and family, and then Corey into Panga Laka, which I

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Speaker 1: thought was a very cute little moment between the two

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Speaker 1: of them, back to paying us back. It feels like it's,

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Speaker 1: you know, finally continuing what was set up in the

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Speaker 1: first season. It's great. Yeah, does anybody remember was there

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Speaker 1: any sort of like set up for us about like, hey, guys,

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Speaker 1: we're doing a big episode about sex. Did anybody do

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Speaker 1: you guys remember getting any sort of like no, no,

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Speaker 1: I don't either anything not telling us, They're not going

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Speaker 1: to tell us. Who's no, I think anything. The big

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Speaker 1: thing about this episode was that we were going to

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Speaker 1: be doing a documentary style show, like if anything, I

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Speaker 1: remember episodes where we did that, because there's another episode

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Speaker 1: where I'm like getting out of the shower and Ben's

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Speaker 1: filming me, and we did in the first season two

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Speaker 1: there was will make that face. You remember that. There's

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Speaker 1: there's multiple episodes where we did this sort of style

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Speaker 1: where like, and I think it was because it was new,

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Speaker 1: you know, the whole idea of like filming each other

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Speaker 1: and everybody can have a camera. Um, And what was

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Speaker 1: so funny about this episode as I realized this episode

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Speaker 1: is a precursor to The Office or those mockumentary shows,

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Speaker 1: like there's a lot of talking head jokes in this

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Speaker 1: episode where it's just like here's an interview, um, and

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Speaker 1: I was like, oh, this has become a standard form.

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Speaker 1: At the time, it was really weird um. And to

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Speaker 1: me it fell kind of jarring watching show when did

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Speaker 1: come out, because like, oh my god. Ben was the

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Speaker 1: one who introduced me to Waiting for Government and we

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Speaker 1: went to his houfit during lunch one day to watch

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Speaker 1: it because we had a big break in the middle

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Speaker 1: of the day and Ben was like, you've never seen

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Speaker 1: Waiting for Government and made me watch it and it was,

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Speaker 1: you know, instantly one of my favorite movies of all time.

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Speaker 1: And then Ben and I never stopped quoting it for

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Speaker 1: seven years. Appoint me to the world so funny. So

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Speaker 1: we continue into Mr Turner's classroom. Mr Feenie walks in

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Speaker 1: and asks Turner was the best I know. Uh so

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Speaker 1: I love that we are now just the show is

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Speaker 1: really leaning into the idea that this is the new

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Speaker 1: relationship between them, where Mr Turner comes up with a

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Speaker 1: fun idea and Phoenie tries to ruin the day and

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Speaker 1: say like, that's just not the way things should be

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Speaker 1: done and there's this fun dynamic between the two of them.

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Speaker 1: It's really great. I like it, but we're like six

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Speaker 1: episodes in and it's been done three times. Turner is

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Speaker 1: going to do something and Phoenie is gonna say no,

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Speaker 1: and then they're gonna find out Turner was right at

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Speaker 1: the end. It's like, how many times can they do?

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Speaker 1: I like the tension, but I mean to like the

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Speaker 1: resolution every time. It's like, are we just learning? Because

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Speaker 1: I mean we talked about this with the Mr. Jod episode.

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Speaker 1: I'm not quite clear on what we're learning, Like, I'm

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Speaker 1: not quite clear like who's right? And I don't know.

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Speaker 1: It feels messy to me. It doesn't feel like I

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Speaker 1: don't know. It feels like they're they're they're creating this

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Speaker 1: tension because it is burned to watch these characters vie

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Speaker 1: with one another, but there's no resolution, so it doesn't like,

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Speaker 1: I guess in a way, I wish somebody could be

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Speaker 1: right more. I wish Bill had a better argument, or

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Speaker 1: Tony had a better argument, and one of them actually

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Speaker 1: one one of these argument instead, it's like and then

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Speaker 1: it all works out kind of because of not because

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Speaker 1: of anything they do like it's always because of something

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Speaker 1: Corey does or right, but I think it's ultimately student exactly.

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Speaker 1: That's what I was going to say, is that ultimately

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Speaker 1: what they're arguing over is if given a lot of freedom,

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Speaker 1: will kids do the right thing? And Mr Feenie wants

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Speaker 1: to air on the side of don't give them the

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Speaker 1: chance to fail, even though truthfully Phoene is an unconventional

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Speaker 1: teacher too. That's the part that doesn't make it. The

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Speaker 1: first season sets up females this like Svengali Whizard behind

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Speaker 1: the Curtain, where he lets life experience dictate more than

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Speaker 1: that that's more important to I mean e when you

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Speaker 1: think about the geography episode, like he's willing to tank

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Speaker 1: the entire geography quiz to teach Corey this great life lesson.

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Speaker 1: So it's it's kind of a false to me, it's

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Speaker 1: a false echonomy between him and Turner just for the

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Speaker 1: sake of storyline. There's there's no way with the way

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Speaker 1: they set him up, and not to go back episodes,

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Speaker 1: but there's no way, for instance, with the way they

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Speaker 1: set him up that Mr Feenie would not understand the

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Speaker 1: benefits of possibly reading a comic book, right He just

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Speaker 1: would he'd get that you were reading and you were

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Speaker 1: learning about mythology, and you would turn it into an

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Speaker 1: entirely new lesson. So I get where they're going with this.

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Speaker 1: But when it started with this again and Phoene walks

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Speaker 1: in the room and again I love seeing Tony and

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Speaker 1: Bill on screen together. I think that's why they kept

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Speaker 1: doing this is because, yeah, Bill saying what's up is

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Speaker 1: one of the funniest things, Like you just want to

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Speaker 1: see Mr Poe turn Yeah. But again it's like, oh, here,

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Speaker 1: you're doing this thing and you're old school and I'm

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Speaker 1: new school, and it's not gonna work. It's like, Okay,

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Speaker 1: this is the same freaking thing again for like the

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Speaker 1: third time out of But if you take yourself out

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Speaker 1: of being a forty something your old adult critiquing it

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Speaker 1: from the standpoint of story and plot and what each

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Speaker 1: character is doing, and you just watch it as a

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Speaker 1: teen or a tween, and you go, yeah, the old

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Speaker 1: guy and the young guy. Of course they're gonna have

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Speaker 1: you know, so I can if you suspend your disbelief

390
00:19:52,560 --> 00:19:56,159
Speaker 1: and decide, even though it's a little has a shaky foundation,

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Speaker 1: you love seeing the two of them together. They're fantastic

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Speaker 1: together and and seeing them have conflict and seeing them

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Speaker 1: have tension is funny. So I agree. I totally agree

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Speaker 1: with what you're saying, and I think we just need

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Speaker 1: to look at it, like, you know, I don't know

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Speaker 1: what the alternative. I mean, I wish there was, like

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Speaker 1: like writer said, if if they could have real conflict

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Speaker 1: and one of them be right and one of them

399
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Speaker 1: be wrong. But going back to one of the things

400
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Speaker 1: we always loved about boy Meat's World in season one

401
00:20:23,680 --> 00:20:25,760
Speaker 1: is that life is a lot of gray area, and

402
00:20:25,800 --> 00:20:28,200
Speaker 1: Boy Meat's World was really good about showing like your

403
00:20:28,280 --> 00:20:30,959
Speaker 1: teacher and your dad can both have very valid points

404
00:20:31,040 --> 00:20:33,720
Speaker 1: and they have totally opposite ends of the spectrum. So

405
00:20:33,920 --> 00:20:35,920
Speaker 1: we're still kind of writing that line see the see

406
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Speaker 1: the critique, But I actually still really just enjoy their

407
00:20:39,160 --> 00:20:41,280
Speaker 1: conflict and their energy together. I think they could have

408
00:20:41,280 --> 00:20:42,840
Speaker 1: written to it. I think I think you could have

409
00:20:42,840 --> 00:20:45,200
Speaker 1: had Tony literally say like, George, is this going to

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Speaker 1: be every weekend with something? And you tell me that

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Speaker 1: it's bad? Yeah, probably, and you walked out and you

412
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Speaker 1: get a big joke on it. I mean, like you

413
00:20:50,359 --> 00:20:52,720
Speaker 1: could have done something like that. So again, I I

414
00:20:52,800 --> 00:20:56,280
Speaker 1: get we're We're trying not to dash everything, of course,

415
00:20:56,320 --> 00:20:58,520
Speaker 1: but it's like, by the time you seem the same

416
00:20:58,520 --> 00:21:02,760
Speaker 1: story nine times, let's see how to helps. I'm curious.

417
00:21:01,000 --> 00:21:07,560
Speaker 1: I really liked was amazing in this episode. This episode

418
00:21:07,560 --> 00:21:12,359
Speaker 1: fell fast and engaging, and yeah, I really love the

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Speaker 1: pacing of this episode. Just I felt they could have

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Speaker 1: done this a little better well as predicted. Phoenie says,

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Speaker 1: the halls are talking about his video assignment to the class,

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Speaker 1: and he doesn't seem very happy. He seems to know

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Speaker 1: about the thanks Turner is doing. Within how a second,

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Speaker 1: That's what I was gonna say. I feel like the

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Speaker 1: classroom may be bugged. And he's just wait, he's just

426
00:21:33,119 --> 00:21:37,040
Speaker 1: watching and waiting to pop in there. So uh. Phoene

427
00:21:37,160 --> 00:21:39,720
Speaker 1: says he's giving his students video cameras to talk about

428
00:21:39,800 --> 00:21:41,960
Speaker 1: sex and that's growing up way too fast and it

429
00:21:42,080 --> 00:21:44,920
Speaker 1: is not a teacher's place, and Phoenie wants Turner to

430
00:21:44,960 --> 00:21:47,879
Speaker 1: teach them strictly the book and to avoid talking about sex.

431
00:21:48,080 --> 00:21:50,399
Speaker 1: Turner says it's just a little project. It'll be fine,

432
00:21:50,680 --> 00:21:55,280
Speaker 1: and Phoenie compares it to Dr Frankenstein's little project Great

433
00:21:56,080 --> 00:21:59,200
Speaker 1: and then we are from the POV of Corey's camera.

434
00:21:59,320 --> 00:22:01,680
Speaker 1: The project is out underway. Corey and to Panga are

435
00:22:01,680 --> 00:22:05,600
Speaker 1: reporting from the hallway to report on the romance at school,

436
00:22:05,920 --> 00:22:08,360
Speaker 1: and it is right here. When I noticed I had

437
00:22:08,400 --> 00:22:14,240
Speaker 1: a cold during that I did wrote that down. I

438
00:22:14,320 --> 00:22:18,960
Speaker 1: was like it was and I was like, oh my god,

439
00:22:19,040 --> 00:22:23,560
Speaker 1: she is sick. I for sure had a cold, which

440
00:22:23,600 --> 00:22:27,880
Speaker 1: is unbelievable because I currently have a cold while we're

441
00:22:27,920 --> 00:22:31,600
Speaker 1: talking about this episode again. Can you believe that I

442
00:22:31,640 --> 00:22:33,600
Speaker 1: had a cold at fourteen and I have one now.

443
00:22:33,880 --> 00:22:36,200
Speaker 1: I meant that you seem to getting colds a lot

444
00:22:36,280 --> 00:22:39,439
Speaker 1: this year. Luckily, the last cold was at the end

445
00:22:39,440 --> 00:22:41,400
Speaker 1: of last year. This is my first cold of this year.

446
00:22:41,400 --> 00:22:43,920
Speaker 1: But I will say worst cold I've had in five

447
00:22:43,960 --> 00:22:48,159
Speaker 1: to ten years. Really sound really things. Still showed up

448
00:22:48,160 --> 00:22:51,120
Speaker 1: to do the pod. The show must go on. I'll

449
00:22:51,119 --> 00:22:53,399
Speaker 1: be honest. I've missed you guys. I've missed doing it.

450
00:22:53,440 --> 00:22:56,720
Speaker 1: We've had a little bit of a break, and I

451
00:22:57,080 --> 00:22:59,840
Speaker 1: not just missed you guys and doing the pod. I

452
00:23:00,520 --> 00:23:02,760
Speaker 1: one night was putting the kids to bed and thought,

453
00:23:03,359 --> 00:23:04,840
Speaker 1: I said, I don't have an episode of Boy Meets

454
00:23:04,880 --> 00:23:08,359
Speaker 1: World to watch for the pot. I wish I had

455
00:23:08,359 --> 00:23:10,119
Speaker 1: an episode to watch. I mean, I could have watched it,

456
00:23:10,119 --> 00:23:11,720
Speaker 1: but then that you know, would have defeated the purpose.

457
00:23:11,760 --> 00:23:13,959
Speaker 1: But I did. I felt like I wish I had.

458
00:23:14,000 --> 00:23:15,600
Speaker 1: I wish I had that to do so anyway I would,

459
00:23:15,720 --> 00:23:18,760
Speaker 1: I wouldn't have missed it today, just very quickly about

460
00:23:18,800 --> 00:23:21,600
Speaker 1: the showing you and coming into the camera. This is

461
00:23:21,600 --> 00:23:23,960
Speaker 1: how I know I'm getting old. It took about fifteen

462
00:23:24,000 --> 00:23:26,280
Speaker 1: seconds for me to get nauseous from watching the camera.

463
00:23:27,840 --> 00:23:32,199
Speaker 1: Always been that way. You can do a shaky camp footage, No,

464
00:23:32,280 --> 00:23:35,359
Speaker 1: but that's just not liking it this. I was like, oh, actually,

465
00:23:35,720 --> 00:23:40,160
Speaker 1: like actually got naut Yeah, I mean, I love the energy,

466
00:23:40,200 --> 00:23:42,119
Speaker 1: but I was like, oh, I'm old. This is I

467
00:23:42,160 --> 00:23:44,679
Speaker 1: thought it was hysterical by the like third time, the

468
00:23:44,760 --> 00:23:47,119
Speaker 1: camera pans to the left and like for the reason

469
00:23:47,119 --> 00:23:49,600
Speaker 1: and Corey's running around, I was like, oh, right, they

470
00:23:49,640 --> 00:23:53,600
Speaker 1: can't go anywhere else because if we turned around, there's

471
00:23:53,640 --> 00:23:56,840
Speaker 1: no walls there, there's just the studio audience. So I

472
00:23:56,880 --> 00:23:59,040
Speaker 1: just love It's the most sitcom thing ever that there's

473
00:23:59,040 --> 00:24:01,240
Speaker 1: nowhere to go. It's like early we can only point

474
00:24:01,440 --> 00:24:04,640
Speaker 1: one direction. Corey keeps running through the halls, but he's

475
00:24:04,680 --> 00:24:06,960
Speaker 1: only going to the left and then back to the right. Now,

476
00:24:09,320 --> 00:24:12,080
Speaker 1: you know this was done, even the moving camera stuff,

477
00:24:12,080 --> 00:24:13,960
Speaker 1: and everything was done in front of the audience, right,

478
00:24:14,320 --> 00:24:16,280
Speaker 1: I don't think so. I think it was. I don't

479
00:24:16,280 --> 00:24:19,199
Speaker 1: remember it was Okay, I didn't remember. I would have

480
00:24:19,240 --> 00:24:22,040
Speaker 1: assumed that they did. They appreciate they pre taped it.

481
00:24:22,119 --> 00:24:26,200
Speaker 1: I don't know. Yeah, I'm pretty sure we did it. Yeah,

482
00:24:26,280 --> 00:24:29,640
Speaker 1: this time it would have been a camera on someone's shoulder,

483
00:24:29,720 --> 00:24:32,119
Speaker 1: and I'm pretty sure we did it in front of

484
00:24:32,119 --> 00:24:35,320
Speaker 1: the audience because I have, um, I have memories of

485
00:24:35,400 --> 00:24:38,760
Speaker 1: like saying that line where I go, well, some people say,

486
00:24:38,880 --> 00:24:41,160
Speaker 1: you know sex screen anywhere or anytime, like I have,

487
00:24:41,440 --> 00:24:44,480
Speaker 1: I have a feeling. So we would have needed the

488
00:24:44,480 --> 00:24:46,280
Speaker 1: playback of all and they would have had to have

489
00:24:46,400 --> 00:24:49,879
Speaker 1: edited all the playback for the for the final scene,

490
00:24:50,040 --> 00:24:52,040
Speaker 1: so we would have we we pre type taped everything.

491
00:24:52,040 --> 00:24:54,520
Speaker 1: There's almost no doubt in my mind that we we

492
00:24:54,560 --> 00:24:56,800
Speaker 1: had to have pre because they have to have picked

493
00:24:56,840 --> 00:25:00,440
Speaker 1: the takes to then use for the playback later. Yeah,

494
00:25:00,520 --> 00:25:01,919
Speaker 1: you know what, And you know what because what I

495
00:25:01,920 --> 00:25:04,280
Speaker 1: was going to say is I have memories of being

496
00:25:04,560 --> 00:25:07,240
Speaker 1: hyper aware of how the audience reacted to me talking

497
00:25:07,320 --> 00:25:10,000
Speaker 1: about sex because like me actually saying the word sex

498
00:25:10,200 --> 00:25:12,720
Speaker 1: was like a big deal in my mind. Do you

499
00:25:12,760 --> 00:25:15,720
Speaker 1: remember that about this week? I do. I remember it

500
00:25:15,800 --> 00:25:18,840
Speaker 1: being like like I can't believe I'm going to talk

501
00:25:18,960 --> 00:25:23,199
Speaker 1: about sucks and people. It's so funny because you know,

502
00:25:23,240 --> 00:25:27,440
Speaker 1: we've we've obviously belabored this point to death about about

503
00:25:27,440 --> 00:25:29,760
Speaker 1: how you know, we aged up our show and all

504
00:25:29,760 --> 00:25:33,600
Speaker 1: this stuff. I like, I really like talking about it,

505
00:25:33,680 --> 00:25:36,600
Speaker 1: super frankly, you know, like like this this is better

506
00:25:36,680 --> 00:25:39,000
Speaker 1: to me than like the making out and like bearing

507
00:25:39,040 --> 00:25:41,600
Speaker 1: off and all this sort of sexy stuff. I like,

508
00:25:41,840 --> 00:25:44,160
Speaker 1: it's really to me. It's like a really cool thing

509
00:25:44,200 --> 00:25:46,920
Speaker 1: to hit it head on. What's what also was interesting

510
00:25:47,200 --> 00:25:49,919
Speaker 1: is when we choose to actually say the word, and

511
00:25:49,920 --> 00:25:52,200
Speaker 1: when we don't, Like, did you guys notice that? Well?

512
00:25:52,240 --> 00:25:54,679
Speaker 1: I think it's when what which? Who? Who's saying it?

513
00:25:54,800 --> 00:25:57,320
Speaker 1: Who's saying it? Because like, you can say it. But

514
00:25:57,359 --> 00:26:00,240
Speaker 1: then we go to Mr Turner and Corey he's like

515
00:26:00,280 --> 00:26:03,360
Speaker 1: absolutely actually confronting him have you had sex? He can't say,

516
00:26:03,480 --> 00:26:06,440
Speaker 1: He's like, have you actually? You know the other thing right,

517
00:26:06,480 --> 00:26:08,640
Speaker 1: because it probably would have been uncomfortable for a kid

518
00:26:08,680 --> 00:26:11,600
Speaker 1: to be asking a teacher have you had sex? So

519
00:26:11,640 --> 00:26:14,360
Speaker 1: he has to imply the question. Doesn't he also not

520
00:26:14,520 --> 00:26:17,800
Speaker 1: say it when he's talking to Joey, I think he

521
00:26:17,880 --> 00:26:20,840
Speaker 1: also doesn't say it. Then I think it's that it's

522
00:26:20,920 --> 00:26:27,159
Speaker 1: Corey but him. I think it's Corey who's who is

523
00:26:27,480 --> 00:26:28,960
Speaker 1: He does say it to his parents, and he know

524
00:26:29,080 --> 00:26:31,840
Speaker 1: he spells it out. I need you guys to be

525
00:26:31,960 --> 00:26:36,200
Speaker 1: mature about this. We're talking about s e X. Does

526
00:26:36,200 --> 00:26:38,000
Speaker 1: he say it at all? I don't think he. I mean,

527
00:26:38,040 --> 00:26:40,520
Speaker 1: I mean yeah, because no, because then in the in

528
00:26:40,640 --> 00:26:43,280
Speaker 1: it later when he apologizes in the video, he goes

529
00:26:43,359 --> 00:26:45,640
Speaker 1: the other thing and and maybe I would have had

530
00:26:45,680 --> 00:26:48,240
Speaker 1: some experience with that person who I didn't have that

531
00:26:48,320 --> 00:26:51,159
Speaker 1: experience with. So I honestly and I think it's I

532
00:26:51,160 --> 00:26:56,600
Speaker 1: think it's a deliberate character choice that this character the

533
00:26:56,640 --> 00:26:59,520
Speaker 1: whole idea is that he's not there yet, it's new

534
00:26:59,600 --> 00:27:02,280
Speaker 1: to him. The world is rolling over him. And of

535
00:27:02,320 --> 00:27:05,520
Speaker 1: course Tapanga, who has already and you know, talked about

536
00:27:05,520 --> 00:27:08,760
Speaker 1: being comfortable with her body and and that she would

537
00:27:08,760 --> 00:27:12,040
Speaker 1: be like sex sex totally fine that you know, But

538
00:27:12,119 --> 00:27:14,360
Speaker 1: for little Danielle, I was like, I can't believe it.

539
00:27:14,560 --> 00:27:16,800
Speaker 1: I'm gonna be talking about sex in front of people

540
00:27:17,680 --> 00:27:20,080
Speaker 1: that also you know what, if everything was pre taped.

541
00:27:20,160 --> 00:27:21,960
Speaker 1: It also makes sense as to what you were saying

542
00:27:21,960 --> 00:27:24,280
Speaker 1: earlier writer about the reaction from the audience, because they

543
00:27:24,320 --> 00:27:26,880
Speaker 1: only saw it once, so they didn't get they didn't

544
00:27:26,880 --> 00:27:28,360
Speaker 1: have to sit there and watch it over and over

545
00:27:28,359 --> 00:27:30,280
Speaker 1: and over again. So they watched it one time, and

546
00:27:30,320 --> 00:27:32,320
Speaker 1: that's why the reaction was so fresh and so big,

547
00:27:32,920 --> 00:27:34,919
Speaker 1: because we know by take four they'd be kind of

548
00:27:34,960 --> 00:27:36,840
Speaker 1: fake laughing or what you know, that kind of stuff.

549
00:27:36,880 --> 00:27:38,680
Speaker 1: So they obviously saw it one time and moved on.

550
00:27:38,760 --> 00:27:43,480
Speaker 1: But because we have our second NYPD Blue reference, it

551
00:27:43,560 --> 00:27:46,320
Speaker 1: was the biggest, was the biggest show. Again, That's what

552
00:27:46,119 --> 00:27:49,719
Speaker 1: I wanted to comment on. It's like it looms so large,

553
00:27:50,160 --> 00:27:53,600
Speaker 1: and I wonder if it has lasted for people the same.

554
00:27:53,720 --> 00:27:56,560
Speaker 1: I don't think it can you can you even get it?

555
00:27:56,680 --> 00:27:59,760
Speaker 1: I mean, can you watch people seping What happened is

556
00:27:59,800 --> 00:28:02,840
Speaker 1: like Sopranos came out in late nineties, early odds and

557
00:28:02,920 --> 00:28:05,480
Speaker 1: just changed the game for everybody. So it still talks

558
00:28:05,480 --> 00:28:09,680
Speaker 1: about the Sopranos, but actually the Sopranos, you know, NYPD

559
00:28:09,840 --> 00:28:12,240
Speaker 1: Blue walks, so the Sopranos could run. You know. It's

560
00:28:12,280 --> 00:28:15,520
Speaker 1: like like it really is. It's it was a groundbreaking

561
00:28:15,520 --> 00:28:17,679
Speaker 1: show at the time, and I've never seen an episode,

562
00:28:17,680 --> 00:28:19,520
Speaker 1: so I don't know, but if it was interesting to

563
00:28:19,520 --> 00:28:21,760
Speaker 1: me that it's just didn't last. I mean, here we

564
00:28:21,800 --> 00:28:24,720
Speaker 1: are doing a prewatch show boy. Betore's world in some

565
00:28:24,720 --> 00:28:30,040
Speaker 1: ways has lasted more an longer and had If you

566
00:28:30,040 --> 00:28:34,439
Speaker 1: want to see some phenomenal close face acting, David Caruso

567
00:28:34,480 --> 00:28:37,240
Speaker 1: and NYPD Blue will close face act better than anybody

568
00:28:38,080 --> 00:28:41,240
Speaker 1: right here. He's right here. On the other persons, Oh,

569
00:28:41,280 --> 00:28:44,520
Speaker 1: he's right there. Okay, speaking of did you didn't make

570
00:28:44,560 --> 00:28:47,000
Speaker 1: you uncomfortable to have close ups on our show? Like?

571
00:28:47,080 --> 00:28:49,840
Speaker 1: It made me extremely uncomfortable to see people's face, well,

572
00:28:49,880 --> 00:28:52,959
Speaker 1: my own face this close. It's like, never get this

573
00:28:53,000 --> 00:28:55,080
Speaker 1: close and exacting in this episode. This is the first

574
00:28:55,080 --> 00:28:57,920
Speaker 1: time we've ever had close ups, and I was frankly

575
00:28:58,000 --> 00:29:01,640
Speaker 1: very uncomfortable with No. I didn't, I didn't notice that

576
00:29:01,720 --> 00:29:05,080
Speaker 1: it didn't make me uncomfortable. Did you like your performance

577
00:29:05,080 --> 00:29:12,000
Speaker 1: in this episode? Because your performance is great? Thanks guys,

578
00:29:12,240 --> 00:29:15,640
Speaker 1: it's not. There were moments, there were moments that I

579
00:29:15,920 --> 00:29:18,120
Speaker 1: that where I felt more comfortable and I was like, hey,

580
00:29:18,120 --> 00:29:19,920
Speaker 1: that's decent, and I'll show you. I'll tell you where

581
00:29:19,920 --> 00:29:21,960
Speaker 1: they were when we get to them. But no, I

582
00:29:22,000 --> 00:29:23,720
Speaker 1: wasn't gonna harp on it because no one wants to

583
00:29:23,760 --> 00:29:26,520
Speaker 1: hear me complain. But um no, when I finally have

584
00:29:26,600 --> 00:29:28,800
Speaker 1: a performance that's good, you'll know because I'll come out

585
00:29:28,880 --> 00:29:31,560
Speaker 1: here with like confetti and throw But no, it was

586
00:29:32,040 --> 00:29:33,680
Speaker 1: thank you. That's very sweet of you. I'll tell you

587
00:29:33,680 --> 00:29:35,200
Speaker 1: where the moments were that I thought I was decent.

588
00:29:35,280 --> 00:29:37,400
Speaker 1: But the rest of the time I can I can

589
00:29:37,440 --> 00:29:43,280
Speaker 1: tell that I was nervous and honestly, I hear myself now. Um,

590
00:29:43,520 --> 00:29:45,280
Speaker 1: I don't say it in Michael's voice. I say it

591
00:29:45,320 --> 00:29:49,280
Speaker 1: in my voice. But I go, Danielle, slowed down, Slow down?

592
00:29:49,520 --> 00:29:52,280
Speaker 1: Why why are you racing through things? That's my biggest

593
00:29:52,320 --> 00:29:55,320
Speaker 1: complaint about my performance is not not living in the

594
00:29:55,360 --> 00:29:58,520
Speaker 1: moment or you know, facial reactions or any of that.

595
00:29:59,240 --> 00:30:03,720
Speaker 1: It's just too fat. That's perfect episode. I'm so curious

596
00:30:03,720 --> 00:30:06,400
Speaker 1: when you think you learned how to act like where

597
00:30:06,400 --> 00:30:08,680
Speaker 1: it's going to be well to me, it's like you've

598
00:30:09,160 --> 00:30:11,320
Speaker 1: you've ad as a presence. I don't you know, Like

599
00:30:12,120 --> 00:30:14,480
Speaker 1: I mean, it's hard. It's hard to judge acting, you know,

600
00:30:14,560 --> 00:30:17,520
Speaker 1: especially for kids like I don't know, like I I

601
00:30:17,800 --> 00:30:20,640
Speaker 1: you seem and I've said this before, you seem so confident,

602
00:30:21,240 --> 00:30:25,240
Speaker 1: like and that presence is very hard for a thirteen

603
00:30:25,320 --> 00:30:28,600
Speaker 1: year old girl to have and you have it, and

604
00:30:28,640 --> 00:30:30,680
Speaker 1: so like that is the accomplishment, you know, that is

605
00:30:30,720 --> 00:30:33,680
Speaker 1: like the defining characteristic of Topanga. That like, even when

606
00:30:33,680 --> 00:30:35,840
Speaker 1: we have guest stars, like they may be good, but

607
00:30:35,880 --> 00:30:38,400
Speaker 1: they don't have that like poise that you bring to

608
00:30:38,480 --> 00:30:41,600
Speaker 1: this which is essential to the character. And it makes

609
00:30:41,600 --> 00:30:43,800
Speaker 1: it so I mean, it makes it possible for you

610
00:30:43,840 --> 00:30:46,160
Speaker 1: to be like take me Cory, which we get into later,

611
00:30:46,280 --> 00:30:48,920
Speaker 1: and and for you to make you were uncomfortable because

612
00:30:49,160 --> 00:30:51,360
Speaker 1: this woman, this this child is a woman. You know

613
00:30:51,400 --> 00:30:54,120
Speaker 1: that this person is like very like I don't know.

614
00:30:54,280 --> 00:30:57,920
Speaker 1: To me, I has to have to have a certain

615
00:30:58,000 --> 00:31:01,080
Speaker 1: presence to be gone for so all episodes and then

616
00:31:01,160 --> 00:31:04,560
Speaker 1: come back and it's like you've never left. And so

617
00:31:04,720 --> 00:31:07,800
Speaker 1: that to me was amazing. Thank you both, And I

618
00:31:07,840 --> 00:31:11,400
Speaker 1: will I will say I actually I agree with that.

619
00:31:11,760 --> 00:31:16,480
Speaker 1: I definitely feel like to Panga is a presence. When

620
00:31:16,560 --> 00:31:21,000
Speaker 1: she's there, everything feels different and you're aware that she's there,

621
00:31:21,280 --> 00:31:24,240
Speaker 1: and to a certain extent, you don't want to take

622
00:31:24,240 --> 00:31:26,240
Speaker 1: your eyes off of her. As a character, like you

623
00:31:26,400 --> 00:31:28,760
Speaker 1: are then is bouncing around you. You can feel like

624
00:31:28,800 --> 00:31:31,440
Speaker 1: a great when he comes to life with you. You know,

625
00:31:31,520 --> 00:31:34,000
Speaker 1: it's like that presence is just it's such a great

626
00:31:34,040 --> 00:31:37,360
Speaker 1: dynamic and that's only possible because of your presence as

627
00:31:37,560 --> 00:31:41,320
Speaker 1: as an actual human being, your presence um. So that, yeah,

628
00:31:41,400 --> 00:31:44,600
Speaker 1: to me, that is enough of an accomplishment. Thanks guys.

629
00:31:44,640 --> 00:31:57,560
Speaker 1: Now I'm gonna cry. So we enter Corey Vision. I

630
00:31:57,560 --> 00:31:59,600
Speaker 1: can't believe we're just like in the second scene here. Okay.

631
00:31:59,600 --> 00:32:04,960
Speaker 1: So we into Vision and he's bringing style to the

632
00:32:04,960 --> 00:32:07,600
Speaker 1: project and to Panga is playing the news reporter. The

633
00:32:07,640 --> 00:32:10,040
Speaker 1: schoolbell rings and everyone leaves and no one ends up

634
00:32:10,040 --> 00:32:12,240
Speaker 1: in the hall. So Corey asks to Panga what she

635
00:32:12,400 --> 00:32:14,600
Speaker 1: thinks about sex? Does he say it there? I wonder

636
00:32:14,600 --> 00:32:18,200
Speaker 1: if he says it there? Okay, I don't know either.

637
00:32:18,240 --> 00:32:20,120
Speaker 1: I'm gonna go I'm gonna I'm gonna go back and check,

638
00:32:20,160 --> 00:32:22,920
Speaker 1: because I do feel like maybe he does ask her directly,

639
00:32:23,000 --> 00:32:24,560
Speaker 1: well what do you think about sex? And that may

640
00:32:24,560 --> 00:32:27,520
Speaker 1: be the only time he says it, and she says, well,

641
00:32:27,600 --> 00:32:29,920
Speaker 1: sex is a goal for boys, it's something thereafter and

642
00:32:29,920 --> 00:32:32,120
Speaker 1: they don't know why. Corey then says he has to

643
00:32:32,160 --> 00:32:34,080
Speaker 1: wake up the audience and he starts yelling about a

644
00:32:34,120 --> 00:32:37,760
Speaker 1: car chase. Corey's camera ends up on Joey the Rat,

645
00:32:37,800 --> 00:32:41,480
Speaker 1: who is exiting the boy's bathroom, and Corey asks him

646
00:32:41,480 --> 00:32:48,960
Speaker 1: what he thinks of sex exactly it's now a bathroom,

647
00:32:50,160 --> 00:32:53,920
Speaker 1: and Joey says sex is beautiful, especially in a monogamous

648
00:32:53,960 --> 00:32:57,239
Speaker 1: loving relationship like marriage, and then jokes if he can

649
00:32:57,280 --> 00:33:00,560
Speaker 1: say hi to his kids and walks back into the bathroom.

650
00:33:02,600 --> 00:33:05,800
Speaker 1: Right gives him applause, which is so cool. It made

651
00:33:05,800 --> 00:33:07,920
Speaker 1: me think a couple of things. Uh well, first of all,

652
00:33:07,960 --> 00:33:10,840
Speaker 1: where's Ethan? I thank you? Not in this episode. It's

653
00:33:11,040 --> 00:33:15,720
Speaker 1: very he must have had another job or we talked

654
00:33:15,720 --> 00:33:18,320
Speaker 1: about again. We talked about the fact that when Danielle

655
00:33:18,360 --> 00:33:22,360
Speaker 1: is in episodes, budget budget would have to they would

656
00:33:22,400 --> 00:33:25,120
Speaker 1: have to. So you've got Harley, You've got Janitor, Bud,

657
00:33:25,200 --> 00:33:27,600
Speaker 1: you've got all the end there's probably one guest star

658
00:33:27,680 --> 00:33:32,000
Speaker 1: too many, and it's like But the other thing that

659
00:33:32,040 --> 00:33:35,240
Speaker 1: this applause with with or with Blake's moment here made

660
00:33:35,280 --> 00:33:38,120
Speaker 1: me think is that our episodes have have been airing

661
00:33:38,480 --> 00:33:40,640
Speaker 1: like the audience likes him, like they know who he is,

662
00:33:40,720 --> 00:33:42,880
Speaker 1: so they're they're like willing to go with this character

663
00:33:43,320 --> 00:33:45,200
Speaker 1: in a way that they probably wouldn't have, you know,

664
00:33:45,200 --> 00:33:47,120
Speaker 1: an episode or two earlier. So it's just cool to

665
00:33:47,120 --> 00:33:49,040
Speaker 1: see that Blake is already like part of the cast

666
00:33:49,040 --> 00:33:53,200
Speaker 1: and the audience loves him and he is hysterical. Oh,

667
00:33:53,200 --> 00:33:56,080
Speaker 1: he's so funny. He's so present to you notice like

668
00:33:56,120 --> 00:34:00,840
Speaker 1: all these little like facial like faces he's making even that. Yeah,

669
00:34:00,880 --> 00:34:03,320
Speaker 1: he's just such a good actor and he's so in

670
00:34:03,400 --> 00:34:06,520
Speaker 1: it and committed to this character. And you know what's

671
00:34:06,520 --> 00:34:10,239
Speaker 1: what's funny is it's not Blake's way. Like I don't

672
00:34:10,239 --> 00:34:12,800
Speaker 1: think people would know this, but when Blake is off camera,

673
00:34:12,840 --> 00:34:15,440
Speaker 1: he's not He doesn't make these faces, and he didn't

674
00:34:15,600 --> 00:34:18,040
Speaker 1: like he didn't hold his hand under his chin. But

675
00:34:18,080 --> 00:34:21,319
Speaker 1: he's doing a real character from start to finish, and

676
00:34:21,360 --> 00:34:23,960
Speaker 1: like the second the cameras were offered, we'd stop rehearsing.

677
00:34:24,200 --> 00:34:27,160
Speaker 1: He would just be back to didn't have that accent normal.

678
00:34:27,239 --> 00:34:29,200
Speaker 1: It's so funny. And like I think it was Will

679
00:34:29,239 --> 00:34:31,080
Speaker 1: who had pointed it out that there's like such a

680
00:34:31,160 --> 00:34:35,920
Speaker 1: musicality to the way he says everything. It's amazing, gorgeous,

681
00:34:35,760 --> 00:34:44,600
Speaker 1: it's so like he's amazing. So then to Panga interviews Sean,

682
00:34:44,719 --> 00:34:47,920
Speaker 1: who says love is the most amazing, rare and precious

683
00:34:47,960 --> 00:34:50,239
Speaker 1: thing in the world. To Panga asks if he's ever

684
00:34:50,280 --> 00:34:52,680
Speaker 1: fallen in love and he says five times a day.

685
00:34:53,040 --> 00:34:56,840
Speaker 1: This is a big jef. Yes, it is, but I

686
00:34:56,920 --> 00:34:58,640
Speaker 1: never knew what it was from. I was like, why

687
00:34:58,719 --> 00:35:01,560
Speaker 1: was I talking to camera? Why wo to Panga interview?

688
00:35:01,560 --> 00:35:03,240
Speaker 1: And me I couldn't remember it. So now it finally

689
00:35:03,280 --> 00:35:04,839
Speaker 1: makes sense because you know, a lot of people have

690
00:35:05,000 --> 00:35:08,120
Speaker 1: sent this one. It's very memified. People love it. I

691
00:35:09,080 --> 00:35:10,920
Speaker 1: have always seen it and know exactly which one it's

692
00:35:10,960 --> 00:35:13,880
Speaker 1: from because I remember doing it. Um. I also remember

693
00:35:14,040 --> 00:35:16,319
Speaker 1: doing it mostly because I think this may be the

694
00:35:16,400 --> 00:35:21,080
Speaker 1: first time I'm ever on screen with just Sean um.

695
00:35:21,120 --> 00:35:24,160
Speaker 1: You know, obviously it's supposed to be Corey behind the camera,

696
00:35:24,440 --> 00:35:26,520
Speaker 1: but I remember when we were shooting it being like,

697
00:35:26,600 --> 00:35:29,520
Speaker 1: this is fun. I'm working just with writer, like I'm

698
00:35:29,640 --> 00:35:33,200
Speaker 1: doing something kind of alone with Sean. So I always

699
00:35:33,200 --> 00:35:35,880
Speaker 1: remembered it from you know, also, this episode is a

700
00:35:35,920 --> 00:35:38,799
Speaker 1: big Topanga episode, so that's it's It's a thing that's

701
00:35:38,880 --> 00:35:41,360
Speaker 1: very salient in my mind as being like, you know,

702
00:35:41,480 --> 00:35:43,200
Speaker 1: this was this was like I remember a lot of

703
00:35:43,239 --> 00:35:46,200
Speaker 1: moments from this. That's cool. Yeah, I don't remember any

704
00:35:46,200 --> 00:35:49,360
Speaker 1: of it. My clothing is really horrible in this episode.

705
00:35:49,640 --> 00:35:53,520
Speaker 1: I'm just gonna make that blankets. Oh my god, I

706
00:35:53,680 --> 00:35:56,560
Speaker 1: just have like even this this outfit for this scene.

707
00:35:56,600 --> 00:35:58,000
Speaker 1: It's like a weird vet. I don't know. It's like

708
00:35:58,600 --> 00:36:02,800
Speaker 1: somehow they went back to multi multi layering and big

709
00:36:02,840 --> 00:36:05,600
Speaker 1: shirts with like sleeves that go like their short sleeves

710
00:36:05,600 --> 00:36:07,840
Speaker 1: and they go past my elbow. It's a lot of

711
00:36:07,880 --> 00:36:12,279
Speaker 1: that in the quarters in the US, when when you

712
00:36:12,320 --> 00:36:14,319
Speaker 1: do that with pants where they're halfway between your knee

713
00:36:14,360 --> 00:36:16,920
Speaker 1: and your ankle, you call them chance. I don't know

714
00:36:16,960 --> 00:36:21,239
Speaker 1: what the shirt version is wrong, sleep short sleeve. I'm

715
00:36:21,280 --> 00:36:29,200
Speaker 1: not sure. We'll we'll figure it at least sleeps. So

716
00:36:29,320 --> 00:36:31,919
Speaker 1: Harley pushes Sean out of the way and threatens Corey

717
00:36:31,960 --> 00:36:34,359
Speaker 1: about shooting a documentary in his halls without paying him

718
00:36:34,400 --> 00:36:36,640
Speaker 1: a fee, and Corey offers to put him in the

719
00:36:36,680 --> 00:36:39,239
Speaker 1: documentary as a trade off, and he said, oh, he

720
00:36:39,239 --> 00:36:43,399
Speaker 1: does say it here. Think of it Sex starring Harley Kiner.

721
00:36:44,719 --> 00:36:48,440
Speaker 1: Harley is interviewed in the leather jacket and sunglasses. So

722
00:36:49,920 --> 00:36:54,759
Speaker 1: that's his cool style, man, he probably, Yeah, I don't know.

723
00:36:54,880 --> 00:36:59,080
Speaker 1: He obviously really loved that style as a character. Um,

724
00:36:59,120 --> 00:37:00,799
Speaker 1: and I thought it was so that he like got

725
00:37:00,800 --> 00:37:02,920
Speaker 1: all dolled up to be in this documentary and then

726
00:37:02,920 --> 00:37:05,640
Speaker 1: that he gets asked a question and he freezes up

727
00:37:05,680 --> 00:37:07,880
Speaker 1: and he forces Joey back in the frame to answer

728
00:37:07,920 --> 00:37:11,440
Speaker 1: for him. And then Tapanga tries to turn the camera

729
00:37:11,480 --> 00:37:13,719
Speaker 1: on Corey, but he refuses, saying he's a behind the

730
00:37:13,719 --> 00:37:16,640
Speaker 1: camera guy and she doesn't have his vision to Panga

731
00:37:16,680 --> 00:37:19,239
Speaker 1: asks Mr Feeney his opinion on sex, and he says,

732
00:37:19,680 --> 00:37:23,359
Speaker 1: not on school property, and also be careful with that

733
00:37:23,440 --> 00:37:27,640
Speaker 1: valuable equipment, and then Corey asks Mr Turner, yes, it will.

734
00:37:27,680 --> 00:37:29,520
Speaker 1: You know what's so funny is that I didn't remember

735
00:37:29,520 --> 00:37:33,200
Speaker 1: that that came back, and I said to producer Jensen

736
00:37:33,200 --> 00:37:37,520
Speaker 1: car husband of this podcast, I said, um, huh do

737
00:37:37,600 --> 00:37:41,040
Speaker 1: you think he said that? Like? And it was also

738
00:37:41,080 --> 00:37:44,839
Speaker 1: supposed to be a double meaning like like a double

739
00:37:45,320 --> 00:37:48,839
Speaker 1: for the audience, But I didn't remember. Maybe maybe part

740
00:37:48,840 --> 00:37:50,160
Speaker 1: of me remembered it. But then when it came back,

741
00:37:50,160 --> 00:37:55,440
Speaker 1: I was like, the globe rolling over Corey in the

742
00:37:55,480 --> 00:38:00,680
Speaker 1: beginning is like the world crushing. Yes, gosh, I'm so

743
00:38:00,760 --> 00:38:02,879
Speaker 1: glad you pointed that out. Yeah, I wanted to point

744
00:38:02,880 --> 00:38:06,080
Speaker 1: that out to everybody. Thank you. Also, no sex on

745
00:38:06,120 --> 00:38:10,040
Speaker 1: school grounds, but people making out all over the like

746
00:38:11,360 --> 00:38:13,120
Speaker 1: just tongue deep in each other. And He's like, why

747
00:38:13,160 --> 00:38:18,279
Speaker 1: would I break that up? He's got layers, man, He's

748
00:38:18,320 --> 00:38:21,960
Speaker 1: got layers. He does. So Corey asks Mr Turner what's

749
00:38:22,000 --> 00:38:24,640
Speaker 1: more important love or sex? And Turner says love is

750
00:38:24,680 --> 00:38:27,320
Speaker 1: the most important thing in the world and that it

751
00:38:27,400 --> 00:38:29,560
Speaker 1: is the only thing that makes sex worth having, And

752
00:38:29,560 --> 00:38:31,399
Speaker 1: then Corey asks him if he's ever been in love

753
00:38:31,440 --> 00:38:34,120
Speaker 1: and he says no, but it'll happen for me someday.

754
00:38:34,239 --> 00:38:37,400
Speaker 1: And then Corey says, well, if you've never been in love,

755
00:38:37,600 --> 00:38:42,200
Speaker 1: have you ever you know, done the other thing? And

756
00:38:42,239 --> 00:38:43,920
Speaker 1: then he said because you know, if not, then it

757
00:38:43,920 --> 00:38:47,160
Speaker 1: wouldn't have been any good. And Turner abruptly ends the interview, saying,

758
00:38:47,200 --> 00:38:53,960
Speaker 1: who are you, Mike Wallace? I think I think for

759
00:38:54,040 --> 00:38:57,520
Speaker 1: some reason, it's a Christmas tie in this episode. In

760
00:38:57,560 --> 00:39:01,839
Speaker 1: the scene, really Tony's got something. It looks very very

761
00:39:01,920 --> 00:39:07,600
Speaker 1: Christmas e So it's just kind of seven so we

762
00:39:07,640 --> 00:39:09,759
Speaker 1: would have been No, it's too early for I'm just

763
00:39:09,800 --> 00:39:11,960
Speaker 1: saying it looked very Christmasy. Go back and check it out.

764
00:39:12,280 --> 00:39:13,719
Speaker 1: I will. I'll go back and check it out when

765
00:39:13,760 --> 00:39:17,560
Speaker 1: I count how many times Ben says sex. Back at home,

766
00:39:17,800 --> 00:39:21,160
Speaker 1: Eric tells Corey and the camera that he's very romantic

767
00:39:21,239 --> 00:39:23,840
Speaker 1: and single, and he makes a flea to the camera

768
00:39:23,920 --> 00:39:33,080
Speaker 1: to any woman watching. Oh, well, you're so funny, I think, Sonny, Dad,

769
00:39:33,360 --> 00:39:37,000
Speaker 1: my dad. This is the episode my dad. If anybody

770
00:39:37,040 --> 00:39:40,480
Speaker 1: knows my dad retired, you know captain in the Navy Reserves,

771
00:39:40,719 --> 00:39:42,959
Speaker 1: is a lawyer. He's eighty four years old. He still

772
00:39:42,960 --> 00:39:46,360
Speaker 1: works twelve hours a day. There is nothing stage parent

773
00:39:46,520 --> 00:39:50,200
Speaker 1: about my dad at all. My dad saw this episode

774
00:39:50,320 --> 00:39:52,879
Speaker 1: where the only line I had was like this one

775
00:39:52,920 --> 00:39:57,600
Speaker 1: small scene and was livid. He was convinced that I

776
00:39:57,680 --> 00:40:01,680
Speaker 1: was going to be written off the show because he

777
00:40:01,760 --> 00:40:04,279
Speaker 1: saw the like Harley character coming in. He's like this

778
00:40:04,320 --> 00:40:06,680
Speaker 1: new young teacher. They're taking the show another way, and

779
00:40:06,719 --> 00:40:09,680
Speaker 1: in his head, this was the culmination, and he did

780
00:40:09,719 --> 00:40:12,759
Speaker 1: something he'd never done before. He called my agent. He's

781
00:40:12,800 --> 00:40:17,600
Speaker 1: told I called your agent, can only have because of

782
00:40:17,640 --> 00:40:20,040
Speaker 1: this episode. He's because that was the only part I

783
00:40:20,080 --> 00:40:22,759
Speaker 1: had was this small and I'm going Dad, there's some

784
00:40:22,800 --> 00:40:26,200
Speaker 1: episode during a lot, there's some of your means you win,

785
00:40:26,400 --> 00:40:29,839
Speaker 1: your dad wins the stage parents, my parents, I mean,

786
00:40:30,360 --> 00:40:34,239
Speaker 1: called my agent, my dad, my dad. He doesn't do

787
00:40:34,440 --> 00:40:37,200
Speaker 1: any about the lawyer big guns. He's just like, you've

788
00:40:37,200 --> 00:40:39,960
Speaker 1: got called is going to have more lines. And it

789
00:40:40,040 --> 00:40:42,520
Speaker 1: was my dad telling my and then my agent going like,

790
00:40:42,600 --> 00:40:45,120
Speaker 1: you know this attorney Fordell because nobody calls my dad

791
00:40:45,120 --> 00:40:49,240
Speaker 1: Gary attorney Fordell. You can't, you know, you gotta It's okay,

792
00:40:49,320 --> 00:40:51,319
Speaker 1: it's fine, some are gonna be bigger some respect. But

793
00:40:51,320 --> 00:40:52,960
Speaker 1: to this day he talks about it's like I was

794
00:40:53,000 --> 00:40:55,319
Speaker 1: convinced you were going to be Chucky Cunningham's right off

795
00:40:55,440 --> 00:41:01,640
Speaker 1: that show. I'm not sure Michael, because Michae would have

796
00:41:01,680 --> 00:41:03,360
Speaker 1: been like, don't worry about He's get the two episodes

797
00:41:03,360 --> 00:41:06,560
Speaker 1: from that. We're gonna make him switcht um. Yeah. So

798
00:41:06,600 --> 00:41:08,640
Speaker 1: it was again, I never had a problem with it,

799
00:41:08,680 --> 00:41:11,359
Speaker 1: but my this this was the episode that my dad

800
00:41:11,480 --> 00:41:14,600
Speaker 1: like lost it. It was amazing. And what's amazing about

801
00:41:14,600 --> 00:41:17,759
Speaker 1: it is that you actually steal the whole scene even

802
00:41:17,800 --> 00:41:20,360
Speaker 1: though you're only in this one scene. It's the parents

803
00:41:20,360 --> 00:41:22,359
Speaker 1: are barely in the episode, and I mean, they've got

804
00:41:22,400 --> 00:41:25,440
Speaker 1: some stuff to do, but it's it's it's about learning

805
00:41:25,480 --> 00:41:28,280
Speaker 1: about sex. At thirteen. That's what the episode is about.

806
00:41:28,800 --> 00:41:36,520
Speaker 1: So yes, okay, what is Betsy's tie thing? Awesome? What

807
00:41:37,080 --> 00:41:41,040
Speaker 1: is I literally was like, is it a pen bow tie? Like?

808
00:41:41,080 --> 00:41:43,799
Speaker 1: I didn't I've never seen the name. They haven't. It's

809
00:41:43,800 --> 00:41:47,160
Speaker 1: not there is a name. It's not a Belie or whatever.

810
00:41:47,200 --> 00:41:50,399
Speaker 1: It's a balerro, not a balerro. That's a guy. That's

811
00:41:50,400 --> 00:41:55,040
Speaker 1: the like there's a western tie thing where it's like

812
00:41:55,120 --> 00:41:57,480
Speaker 1: that I think that men wear right like with not

813
00:41:57,560 --> 00:42:00,319
Speaker 1: an ask a class. This was I was. I was

814
00:42:00,440 --> 00:42:03,399
Speaker 1: staring at it looked like a pin, like a lapel pin.

815
00:42:04,440 --> 00:42:09,279
Speaker 1: And then but then holding boat tie yeah, out of metal, fascinating.

816
00:42:09,520 --> 00:42:11,160
Speaker 1: And then I just was like noticing that her and

817
00:42:11,280 --> 00:42:14,080
Speaker 1: Rusty like they the way they're dressed is like like

818
00:42:14,160 --> 00:42:17,279
Speaker 1: they work in offices or well, didn't we learn that

819
00:42:17,280 --> 00:42:19,800
Speaker 1: Betsy is a galerus. Yes, now she runs a gallery,

820
00:42:19,800 --> 00:42:22,400
Speaker 1: I guess, and he's the manager of the Glassy store,

821
00:42:22,440 --> 00:42:24,319
Speaker 1: so he would be dressed up. I guess he would be.

822
00:42:24,360 --> 00:42:28,280
Speaker 1: He would have like a tie on at least I'm sure. Also,

823
00:42:28,520 --> 00:42:30,319
Speaker 1: maybe they were aware they were going to go on

824
00:42:30,440 --> 00:42:33,680
Speaker 1: camera for Corey's project. You know, it's possible that they

825
00:42:33,680 --> 00:42:36,279
Speaker 1: may have been like, let's I don't know. It just

826
00:42:36,320 --> 00:42:39,440
Speaker 1: felt it just felt different than season one, where they

827
00:42:39,520 --> 00:42:42,920
Speaker 1: really emphasized their blue collar status, like, you know, especially

828
00:42:42,920 --> 00:42:44,640
Speaker 1: when we had all those other characters coming in and

829
00:42:44,640 --> 00:42:47,120
Speaker 1: they're like, oh, they're rich and they are whatever. In

830
00:42:47,160 --> 00:42:49,960
Speaker 1: this case, I don't know, it's just interesting they you know,

831
00:42:50,040 --> 00:42:53,440
Speaker 1: especially guess Betsy. She just looks like she's more professional

832
00:42:53,480 --> 00:42:54,960
Speaker 1: than she was in the first season. I want to

833
00:42:54,960 --> 00:42:57,799
Speaker 1: know the name of that thing she's wearing. I know, Well,

834
00:42:58,200 --> 00:43:00,319
Speaker 1: we'll look it up. Okay, well we can, also, asks

835
00:43:00,320 --> 00:43:05,960
Speaker 1: Sarah when she comes on the show. Keep all the

836
00:43:06,320 --> 00:43:08,799
Speaker 1: producer Jensen car Husband of this podcast, Will you start

837
00:43:08,800 --> 00:43:12,840
Speaker 1: a list? Everything gets producer Jenson car Usband of this

838
00:43:12,880 --> 00:43:16,120
Speaker 1: podcast So now onto his parents, Corey asks them their

839
00:43:16,160 --> 00:43:19,200
Speaker 1: feelings on sex. Amy says sex is like voting. It's

840
00:43:19,239 --> 00:43:21,760
Speaker 1: a privilege that you use when you're old enough. Alan

841
00:43:21,800 --> 00:43:24,200
Speaker 1: agrees and says, you just go behind a curtain, you

842
00:43:24,280 --> 00:43:26,279
Speaker 1: do your thing, and then you do it again four

843
00:43:26,400 --> 00:43:33,680
Speaker 1: years later. And then we are in the school video

844
00:43:33,800 --> 00:43:37,600
Speaker 1: room and will you got applause to yes, you pop

845
00:43:37,640 --> 00:43:39,440
Speaker 1: back in when I pop back in and kind of

846
00:43:39,440 --> 00:43:42,480
Speaker 1: grab it was like, oh my god. The audience was

847
00:43:42,520 --> 00:43:45,200
Speaker 1: just loving our show. Yeah again, And it's because I

848
00:43:45,200 --> 00:43:46,840
Speaker 1: think you're right. We pre taped all this stuff so

849
00:43:46,880 --> 00:43:48,680
Speaker 1: they get to see it once they pop through. Its

850
00:43:48,719 --> 00:43:53,040
Speaker 1: high energy and well I think I think writer falling

851
00:43:53,040 --> 00:43:54,680
Speaker 1: out of the chair in the classroom would have been

852
00:43:54,680 --> 00:43:57,000
Speaker 1: in front of the studio audience. So literally kick started

853
00:43:57,000 --> 00:43:59,680
Speaker 1: them into like this is going to be funny. But

854
00:43:59,760 --> 00:44:02,160
Speaker 1: this is also this this whole sequence is where I've

855
00:44:02,320 --> 00:44:03,960
Speaker 1: had the thought. I was like, oh, this is this

856
00:44:04,000 --> 00:44:07,440
Speaker 1: feels like an office episode, your Parks and Wreck episode,

857
00:44:07,440 --> 00:44:10,759
Speaker 1: you know that mockumentary style. We were we were ahead

858
00:44:10,760 --> 00:44:23,200
Speaker 1: of the curve, guys. Uh So, Corey and Topanga are

859
00:44:23,280 --> 00:44:25,760
Speaker 1: editing their documentary and Corey is messing with the edits

860
00:44:25,800 --> 00:44:29,400
Speaker 1: to make it seem like Topanga saying she loves sex anywhere, anytime.

861
00:44:29,760 --> 00:44:31,920
Speaker 1: To Panga calls her mom to say she's at Corey's

862
00:44:31,920 --> 00:44:33,960
Speaker 1: house and we'll eat dinner there, which is a lie.

863
00:44:34,080 --> 00:44:37,880
Speaker 1: And I was like, whoa, yeah like that, Like you

864
00:44:37,960 --> 00:44:41,879
Speaker 1: lied so quick and easy, You're done a thousand times before. Yeah,

865
00:44:41,920 --> 00:44:44,239
Speaker 1: to Penga's line to her mom all the time with

866
00:44:44,320 --> 00:44:46,799
Speaker 1: the phone that is readily available in the editing room

867
00:44:46,840 --> 00:44:48,480
Speaker 1: and in the middle of everybody. Of course, well, of

868
00:44:48,520 --> 00:44:50,680
Speaker 1: course this is a professional news studio. You never know

869
00:44:50,719 --> 00:44:54,160
Speaker 1: when you're going to get the the immediate nine one

870
00:44:54,160 --> 00:44:58,200
Speaker 1: one of editing update. Yeah, you're gonna get this like

871
00:44:58,280 --> 00:45:01,399
Speaker 1: thirty second video is going to take all tonight. But

872
00:45:01,560 --> 00:45:04,200
Speaker 1: it also isn't completely unrealistic because you had to deal

873
00:45:04,200 --> 00:45:09,920
Speaker 1: with those tapes. Because anything it was to go back

874
00:45:09,960 --> 00:45:13,160
Speaker 1: in this. When I first started doing like directing stuff

875
00:45:13,200 --> 00:45:15,040
Speaker 1: when I was a teenager, that's how you did it.

876
00:45:15,040 --> 00:45:17,040
Speaker 1: I mean the stubby the world was ended. It was like, yeah,

877
00:45:17,040 --> 00:45:19,200
Speaker 1: tape to tape and you would have like all these

878
00:45:19,239 --> 00:45:22,600
Speaker 1: systems of different decks and like to test every edit

879
00:45:22,640 --> 00:45:24,600
Speaker 1: before you could record off to it. It was like

880
00:45:24,760 --> 00:45:29,120
Speaker 1: such a oh my god, kids kids these days, it

881
00:45:29,200 --> 00:45:31,160
Speaker 1: was such they do it on their phones. It was

882
00:45:31,200 --> 00:45:34,120
Speaker 1: such a process. So I think your phone was punch button.

883
00:45:34,280 --> 00:45:38,120
Speaker 1: It wasn't rotary, which is good. The then Corey calls

884
00:45:38,160 --> 00:45:40,080
Speaker 1: Amy to say that Corey is at to Panga's house,

885
00:45:40,120 --> 00:45:41,960
Speaker 1: but he messes it up. He says He's at Corey's

886
00:45:42,000 --> 00:45:45,440
Speaker 1: house to Panga, takes the phone, fixes it, and then

887
00:45:45,480 --> 00:45:47,560
Speaker 1: they go back to editing and Sean is on screen

888
00:45:47,600 --> 00:45:50,000
Speaker 1: saying that love is cool, especially when she likes you

889
00:45:50,360 --> 00:45:52,760
Speaker 1: more than you like her, because then she'll pay for stuff.

890
00:45:53,000 --> 00:45:58,680
Speaker 1: To Penga is disgusted and Corey first like Sean's poor. Yeah,

891
00:45:59,000 --> 00:46:01,120
Speaker 1: but also even if you're an poor I could totally

892
00:46:01,160 --> 00:46:03,279
Speaker 1: see a guy being like, yeah, I get her to

893
00:46:03,320 --> 00:46:06,040
Speaker 1: pay for stuff for you. It's cool. Why not an

894
00:46:07,160 --> 00:46:10,040
Speaker 1: Um and Coreys that's my best friend. They watch a

895
00:46:10,120 --> 00:46:13,200
Speaker 1: video of to pangas Michael, I'm sorry to rub in

896
00:46:13,239 --> 00:46:16,319
Speaker 1: your hands together and going He's like literally doing a

897
00:46:16,840 --> 00:46:24,160
Speaker 1: Michael Michael note right, that is a definitely Michael's exactly

898
00:46:24,960 --> 00:46:27,000
Speaker 1: do it this way? And Ben did it? Rob your

899
00:46:27,000 --> 00:46:30,879
Speaker 1: hands together and say it like there's such a Michael. Yes,

900
00:46:30,960 --> 00:46:33,480
Speaker 1: you're right, Okay, did it bother you guys? Did you

901
00:46:33,520 --> 00:46:37,399
Speaker 1: catch the big mistake when you were when we when

902
00:46:37,440 --> 00:46:40,480
Speaker 1: we're showing the television screen and with Janitor Bud, you

903
00:46:40,520 --> 00:46:44,680
Speaker 1: can see extras passing behind the TV. So what that

904
00:46:44,719 --> 00:46:48,080
Speaker 1: means is that they shot the insert of the television

905
00:46:48,160 --> 00:46:50,480
Speaker 1: in the hallway while we were shooting in another seat,

906
00:46:50,960 --> 00:46:52,640
Speaker 1: which makes no sense because it's supposed to be a

907
00:46:52,640 --> 00:46:55,200
Speaker 1: close up of the TV in the a V. But

908
00:46:55,280 --> 00:46:58,560
Speaker 1: you can see an extra passed behind the TV, and

909
00:46:58,560 --> 00:47:00,640
Speaker 1: I was like, whoa, why why it was their person

910
00:47:00,680 --> 00:47:07,520
Speaker 1: in there? Makes no sense that this. I don't know.

911
00:47:07,520 --> 00:47:10,080
Speaker 1: We'll see if any of our listeners noticed it, but

912
00:47:10,320 --> 00:47:12,600
Speaker 1: for sure somebody did. I did not notice it. That's

913
00:47:12,600 --> 00:47:15,239
Speaker 1: so funny. Um so to Panga says she just needs

914
00:47:15,280 --> 00:47:17,600
Speaker 1: a little ten minute rest. Corey says he'll work on

915
00:47:17,600 --> 00:47:19,759
Speaker 1: the project, and then later that night, we're in the

916
00:47:19,760 --> 00:47:22,359
Speaker 1: Matthews living room. Amy is worried that she hasn't heard

917
00:47:22,360 --> 00:47:24,480
Speaker 1: from Corey and she tries to call to Penga's parents,

918
00:47:24,520 --> 00:47:26,799
Speaker 1: but they're not picking up. Alan jokes that the kids

919
00:47:26,920 --> 00:47:31,200
Speaker 1: might be voting which died. This is the one time

920
00:47:31,200 --> 00:47:33,480
Speaker 1: the audience did not get it, and I was like,

921
00:47:33,600 --> 00:47:36,480
Speaker 1: that's actually a funny I thought it was a great

922
00:47:36,480 --> 00:47:38,520
Speaker 1: call back, but the audience didn't get it, and I

923
00:47:38,520 --> 00:47:42,040
Speaker 1: had this thought, maybe it's maybe it's because the earlier

924
00:47:42,120 --> 00:47:44,440
Speaker 1: voting joke was a playback. They only heard it once, right,

925
00:47:44,760 --> 00:47:46,839
Speaker 1: do you know what I mean? And it didn't land

926
00:47:46,920 --> 00:47:49,239
Speaker 1: because then this would have been like three scenes later

927
00:47:49,760 --> 00:47:51,279
Speaker 1: and they had only just watched it once on A

928
00:47:51,680 --> 00:47:55,279
Speaker 1: so I don't know. I was like, why, yeah, because

929
00:47:55,280 --> 00:47:57,719
Speaker 1: it's a really funny callback and it didn't get a

930
00:47:57,760 --> 00:48:00,560
Speaker 1: laugh at all. I was like, oh, poor Rusty, Joys

931
00:48:00,560 --> 00:48:02,440
Speaker 1: didn't go with him. They were they were given will applause,

932
00:48:02,480 --> 00:48:05,120
Speaker 1: Blake applause, and then crickets. And to your point about

933
00:48:05,120 --> 00:48:07,120
Speaker 1: the noticing the laugh track, why wouldn't they have given

934
00:48:07,200 --> 00:48:09,640
Speaker 1: Rusty a laugh with a laugh track? Right? Michael used

935
00:48:09,640 --> 00:48:11,480
Speaker 1: to always say, have a button that thinks you're hysterical,

936
00:48:12,040 --> 00:48:16,200
Speaker 1: So why exactly? Uh So, Then the next morning we're

937
00:48:16,200 --> 00:48:18,480
Speaker 1: in the Matthews living room at seven am. Allan fell

938
00:48:18,480 --> 00:48:21,080
Speaker 1: asleep on the couch and Amy comes downstairs looking for Corey.

939
00:48:21,239 --> 00:48:23,160
Speaker 1: Allen says he's sure he's in his room, but then

940
00:48:23,160 --> 00:48:24,640
Speaker 1: he doesn't know for sure, so he says, wait, let

941
00:48:24,640 --> 00:48:27,239
Speaker 1: me go check. And then the school hallway and the

942
00:48:27,320 --> 00:48:29,640
Speaker 1: video room Janitor Bud runs into Mr Feenie in the

943
00:48:29,680 --> 00:48:33,520
Speaker 1: hallway and pulls him into the video room. How Bill

944
00:48:33,840 --> 00:48:36,640
Speaker 1: Bill is such a good actor, just the way he

945
00:48:36,800 --> 00:48:38,799
Speaker 1: turns to look at Janitor, but you just know he

946
00:48:38,840 --> 00:48:43,719
Speaker 1: can't there, Like I just saw the entire history of

947
00:48:43,800 --> 00:48:47,920
Speaker 1: like Feenie having to deal with Bud every day years

948
00:48:48,080 --> 00:48:52,440
Speaker 1: just in he was like, yes, Jennitor, but he was

949
00:48:52,480 --> 00:48:55,120
Speaker 1: like the face he says he's turning to him is great,

950
00:48:56,080 --> 00:48:58,319
Speaker 1: so good. I was like, I I want to see

951
00:48:58,320 --> 00:49:00,960
Speaker 1: more of this dynamic, which of course we do, but man,

952
00:49:01,600 --> 00:49:03,479
Speaker 1: I just died. I was like, of course Bill gave

953
00:49:03,520 --> 00:49:07,480
Speaker 1: this whole back story that he can't stand him, I know,

954
00:49:07,560 --> 00:49:09,320
Speaker 1: And you can say there's I think it's later or

955
00:49:09,320 --> 00:49:12,000
Speaker 1: maybe it already happened where he goes not you where

956
00:49:12,000 --> 00:49:15,440
Speaker 1: he's such a disgust in his voice. But it's just

957
00:49:15,719 --> 00:49:17,600
Speaker 1: so yeah, I love that they I love that he

958
00:49:17,640 --> 00:49:19,279
Speaker 1: can't stand him and Janitor, but by the way, is

959
00:49:19,320 --> 00:49:23,400
Speaker 1: completely oblivious to it. Yes, yeah, still writing, still writing adults,

960
00:49:23,440 --> 00:49:25,560
Speaker 1: really well, Still writing adults really well. We have the

961
00:49:25,600 --> 00:49:27,640
Speaker 1: whole other thing going on, which is great. So he

962
00:49:27,680 --> 00:49:29,719
Speaker 1: pulls Mr Feenie into the video room to see Corey

963
00:49:29,719 --> 00:49:32,200
Speaker 1: into Penga sleeping on the floor together, and he says,

964
00:49:32,239 --> 00:49:35,560
Speaker 1: I tried poking them with my mop, and then I wondered,

965
00:49:35,600 --> 00:49:38,439
Speaker 1: maybe Janitor Bud is the Phoenie narc who's always running

966
00:49:38,480 --> 00:49:40,920
Speaker 1: in there telling him what what turners doing in the classroom,

967
00:49:42,200 --> 00:49:45,880
Speaker 1: coming to let him know. So Mr Feenie wakes them

968
00:49:45,960 --> 00:49:48,120
Speaker 1: up and says they have a lot of explaining to do,

969
00:49:48,800 --> 00:49:51,560
Speaker 1: and then we are in Mr Finie's office. Phoenie is

970
00:49:51,600 --> 00:49:53,560
Speaker 1: on the phone with Amy, telling her that the kids

971
00:49:53,560 --> 00:49:55,880
Speaker 1: are okay. Corey says he needs to get home and

972
00:49:55,880 --> 00:49:57,919
Speaker 1: he needs to shower, but Phoenie tells him to sit

973
00:49:58,400 --> 00:50:02,440
Speaker 1: and he explains that there are consequences. Corey realizes Mr

974
00:50:02,520 --> 00:50:06,160
Speaker 1: Feenie thinks they slept together. Corey cannot believe it, and

975
00:50:06,160 --> 00:50:09,719
Speaker 1: Topanga explains what actually happened. Mr Finie is going to

976
00:50:09,719 --> 00:50:12,000
Speaker 1: think of a punishment, and I love that joke. Ray says,

977
00:50:12,040 --> 00:50:18,120
Speaker 1: this requires swift and decisive action. Um I figure out

978
00:50:18,160 --> 00:50:22,440
Speaker 1: what that is? Uh? And Topanga asks Mr Feenie if

979
00:50:22,480 --> 00:50:26,320
Speaker 1: they can keep what happened between them, and Foenie agrees,

980
00:50:26,560 --> 00:50:28,920
Speaker 1: but as Tapanga walks out, I noticed that Feenie like

981
00:50:29,680 --> 00:50:31,160
Speaker 1: I had. I don't think I ever thought about it

982
00:50:31,200 --> 00:50:33,719
Speaker 1: at the time, But the reaction Foenie has after we

983
00:50:33,800 --> 00:50:36,840
Speaker 1: walk out could have been taken as just gosh, what

984
00:50:36,880 --> 00:50:39,279
Speaker 1: am I going to do with the situation or what

985
00:50:39,400 --> 00:50:43,720
Speaker 1: I felt like watching it? How naive that she thinks

986
00:50:44,560 --> 00:50:46,680
Speaker 1: this is not that this is something that is not

987
00:50:46,719 --> 00:50:49,000
Speaker 1: going to be everywhere like wildfire. And I don't think

988
00:50:49,040 --> 00:50:50,880
Speaker 1: I ever thought about it that way. That he is

989
00:50:50,960 --> 00:50:54,279
Speaker 1: already disappointed because this is the kind of thing that

990
00:50:54,320 --> 00:51:06,720
Speaker 1: you can't control exactly. So we are in the school hallway,

991
00:51:06,760 --> 00:51:09,320
Speaker 1: Corey and Tapeanga come around the corner and everyone starts

992
00:51:09,360 --> 00:51:12,279
Speaker 1: clapping for them. Shawan says Corey is a god for

993
00:51:12,360 --> 00:51:14,719
Speaker 1: spending the night with Topanga, and Corey says all they

994
00:51:14,760 --> 00:51:17,200
Speaker 1: did was edit, and Sean says, call it whatever you want,

995
00:51:17,200 --> 00:51:19,839
Speaker 1: but you're the man, Harley, and I know every one

996
00:51:19,880 --> 00:51:21,640
Speaker 1: of these extras. By the way, now I know every

997
00:51:21,680 --> 00:51:23,440
Speaker 1: single one. We've talked about this and there's not a

998
00:51:23,480 --> 00:51:26,720
Speaker 1: face that I don't recognize perfectly inclutting. The guy right behind,

999
00:51:26,800 --> 00:51:29,960
Speaker 1: I think you writer who was from France, so he

1000
00:51:30,040 --> 00:51:33,200
Speaker 1: had the big French accent and was always there and

1001
00:51:33,280 --> 00:51:35,120
Speaker 1: the nicest guy in the world. He was one of

1002
00:51:35,160 --> 00:51:37,200
Speaker 1: the stand ins on Trojan War, like this guy. I

1003
00:51:37,400 --> 00:51:39,080
Speaker 1: worked with this guy in multiple occasions and he was

1004
00:51:39,120 --> 00:51:41,239
Speaker 1: just and I saw. I was like, there's the French kid. Yeah,

1005
00:51:41,320 --> 00:51:43,279
Speaker 1: I know all these all these extras. Now it's great.

1006
00:51:44,000 --> 00:51:46,600
Speaker 1: So Harley and Joey stopped Cory and proudly asked if

1007
00:51:46,600 --> 00:51:49,640
Speaker 1: Corey slept with Topanga, and Corey stumbles, but when asked

1008
00:51:49,640 --> 00:51:52,600
Speaker 1: if he's the man or not. He alludes to the

1009
00:51:52,680 --> 00:51:56,799
Speaker 1: idea that yeah, he is the man, and Harley says,

1010
00:51:56,880 --> 00:51:59,799
Speaker 1: let's go celebrate, and then as a spray pean Kim,

1011
00:52:00,000 --> 00:52:05,520
Speaker 1: I guess they're going to go grig stuff. Yeah, like

1012
00:52:05,600 --> 00:52:11,440
Speaker 1: you do bathroom, Yeah, something in the bathroom, and you

1013
00:52:11,440 --> 00:52:14,640
Speaker 1: know to Penga is watching this the whole time from

1014
00:52:14,719 --> 00:52:18,359
Speaker 1: leaning up against the lockers. She hears this conversation from

1015
00:52:18,360 --> 00:52:21,040
Speaker 1: Afar and two of the older extras look to Panga

1016
00:52:21,120 --> 00:52:24,640
Speaker 1: up and down, and she storms off. And Mr Turner

1017
00:52:24,680 --> 00:52:27,440
Speaker 1: has also watched this whole thing go down. And then

1018
00:52:27,520 --> 00:52:31,600
Speaker 1: Phoenie pulls Turner into his classroom. Phoenie says Turner's project

1019
00:52:31,680 --> 00:52:34,520
Speaker 1: is out of control, just like he predicted. Phoenie says,

1020
00:52:34,560 --> 00:52:37,200
Speaker 1: the attitude of sex hasn't changed for four hundred years.

1021
00:52:37,200 --> 00:52:39,960
Speaker 1: He gave them an assignment, then he left them unsupervised.

1022
00:52:40,280 --> 00:52:43,319
Speaker 1: Turner says he trusts them and the assignment isn't in yet.

1023
00:52:43,600 --> 00:52:45,719
Speaker 1: Phoenie says it was a terrible assignment and he should

1024
00:52:45,719 --> 00:52:48,080
Speaker 1: have nipped it in the bud, and Janitor Budd says

1025
00:52:48,360 --> 00:52:54,080
Speaker 1: what Pey says, so you not you? It's like this

1026
00:52:54,200 --> 00:52:56,759
Speaker 1: had to come from rehearsal right, like why would you?

1027
00:52:57,360 --> 00:52:59,960
Speaker 1: I think they probably saw the way that Bill reacts

1028
00:53:00,000 --> 00:53:01,800
Speaker 1: it to Janitor Budd in that earlier scene, and we're like,

1029
00:53:01,840 --> 00:53:03,560
Speaker 1: this is a great dynamic. We gonna bring this back.

1030
00:53:04,000 --> 00:53:06,120
Speaker 1: And then found a way to just insert this one

1031
00:53:06,200 --> 00:53:07,960
Speaker 1: joke and I was like, why is Janitor Bud in

1032
00:53:07,960 --> 00:53:10,080
Speaker 1: this scene? And I was like, wow, just for that joke,

1033
00:53:10,120 --> 00:53:13,920
Speaker 1: we're going to the Yeah, I know, I thought it

1034
00:53:14,000 --> 00:53:16,839
Speaker 1: was funny. And again to writer's point, Bill just so

1035
00:53:16,920 --> 00:53:22,040
Speaker 1: sells I hate you. And just then we're in the

1036
00:53:22,080 --> 00:53:24,680
Speaker 1: Matthews kitchen. Corey is grounded, but Sean comes in and

1037
00:53:24,719 --> 00:53:27,160
Speaker 1: asks if he can sneak away because everyone is waiting

1038
00:53:27,200 --> 00:53:29,600
Speaker 1: for him at Chubby's. They're all saying he's a god.

1039
00:53:29,920 --> 00:53:33,240
Speaker 1: Corey explains he's under twenty four hour surveillance. Alan walks

1040
00:53:33,239 --> 00:53:36,080
Speaker 1: in and asks why Corey is a god. Sean lies

1041
00:53:36,120 --> 00:53:38,920
Speaker 1: and says it's because of how well Corey was raised,

1042
00:53:39,239 --> 00:53:43,360
Speaker 1: and then makes a joke were just out of control.

1043
00:53:43,640 --> 00:53:45,560
Speaker 1: I wanted to ask you, what's the ring you're wearing?

1044
00:53:45,680 --> 00:53:48,000
Speaker 1: Did you notice your ring? No? Did I have a ring?

1045
00:53:48,120 --> 00:53:51,600
Speaker 1: You're wearing a ring on your right ring finger, and

1046
00:53:51,680 --> 00:53:53,560
Speaker 1: it looked like, did you used to have a ring

1047
00:53:53,640 --> 00:53:57,880
Speaker 1: that was a heart inside of a like heart inside

1048
00:53:57,880 --> 00:53:59,680
Speaker 1: of a thing like this. No, the only ring I

1049
00:53:59,760 --> 00:54:03,640
Speaker 1: room remember was just it was I think on X

1050
00:54:03,760 --> 00:54:07,520
Speaker 1: is that the the like a black stone. It was

1051
00:54:07,560 --> 00:54:10,719
Speaker 1: just a circle. It was just a circle like black stone. Yeah,

1052
00:54:11,000 --> 00:54:14,040
Speaker 1: I look like a silver pre dated boy Meat's world.

1053
00:54:14,080 --> 00:54:16,800
Speaker 1: I don't remember I ever starting to become in full effect.

1054
00:54:16,840 --> 00:54:19,399
Speaker 1: It gets crazy by about like seasons four or five.

1055
00:54:19,480 --> 00:54:22,760
Speaker 1: But we're we're getting there. We're just starting with the drugs.

1056
00:54:24,520 --> 00:54:26,560
Speaker 1: If it was my ring, because I mean I remember

1057
00:54:26,640 --> 00:54:29,320
Speaker 1: I definitely wore my own necklace for years on the show,

1058
00:54:29,719 --> 00:54:31,520
Speaker 1: multiple necklaces for years in the show. There was a

1059
00:54:31,560 --> 00:54:33,920
Speaker 1: silver one for my girlfriend, and then there was like

1060
00:54:33,960 --> 00:54:36,719
Speaker 1: a blue I think it was like a homemade beating

1061
00:54:36,800 --> 00:54:39,320
Speaker 1: one from a girlfriend that I wore and a picture

1062
00:54:39,360 --> 00:54:41,520
Speaker 1: of it. It's not great, No, it's actually terrible. I

1063
00:54:42,560 --> 00:54:44,360
Speaker 1: it looked more silver, It didn't look a like a

1064
00:54:44,520 --> 00:54:47,160
Speaker 1: like on X. So well, if it was my own, yeah,

1065
00:54:47,200 --> 00:54:49,360
Speaker 1: I mean I'm trying to think, would they have given

1066
00:54:49,400 --> 00:54:51,600
Speaker 1: me a ring? Maybe you might have asked for one.

1067
00:54:51,800 --> 00:54:54,359
Speaker 1: Did you did you weld it yourself? That's pot Did

1068
00:54:54,360 --> 00:54:57,840
Speaker 1: you smell the metal smelt it? Huh, whoever smelled it

1069
00:54:57,880 --> 00:55:03,160
Speaker 1: dealt it? Rider. I did have a ring when I

1070
00:55:03,200 --> 00:55:05,040
Speaker 1: was a kid. I don't know where it came from,

1071
00:55:05,080 --> 00:55:07,600
Speaker 1: but I'm remembering. I have a vision of it in

1072
00:55:07,640 --> 00:55:09,400
Speaker 1: my head. So if it was my ring, that's the

1073
00:55:09,400 --> 00:55:10,759
Speaker 1: only one I ever. I don't think I would have

1074
00:55:10,800 --> 00:55:13,880
Speaker 1: asked for a ring. Um, But yeah, I don't. I

1075
00:55:14,440 --> 00:55:19,520
Speaker 1: have to say that Rusty walking into the kitchen just

1076
00:55:19,760 --> 00:55:24,720
Speaker 1: came off to me like super pissed and it worked

1077
00:55:24,880 --> 00:55:28,279
Speaker 1: like it was just no nonsense. Why why is he

1078
00:55:28,320 --> 00:55:30,600
Speaker 1: the man? Shot like it was. I felt like I

1079
00:55:30,680 --> 00:55:34,279
Speaker 1: was a little kid again and dad was kissed. He

1080
00:55:34,400 --> 00:55:37,520
Speaker 1: was so good that just his face, I mean it

1081
00:55:37,640 --> 00:55:40,080
Speaker 1: was there was nothing sitcom about that moment. To me,

1082
00:55:40,120 --> 00:55:44,239
Speaker 1: it was he walked in and he was angry. I

1083
00:55:44,320 --> 00:55:47,120
Speaker 1: felt right like I loved that. That that that in

1084
00:55:47,320 --> 00:55:50,880
Speaker 1: the sense of like Corey getting in trouble is great

1085
00:55:51,000 --> 00:55:54,759
Speaker 1: because it right like this is it's really serious to

1086
00:55:54,920 --> 00:55:57,760
Speaker 1: be spreading rumors or to taking credit for having sex

1087
00:55:57,840 --> 00:56:01,680
Speaker 1: Attam like that's crazy. But man, Rusty just that, just

1088
00:56:01,800 --> 00:56:04,720
Speaker 1: with that look in that one line, I was like shrunk.

1089
00:56:04,760 --> 00:56:07,240
Speaker 1: I was like, oh man, he's pissed. And I also

1090
00:56:07,320 --> 00:56:10,279
Speaker 1: like that in this case it is Alan and not

1091
00:56:10,400 --> 00:56:14,439
Speaker 1: Amy that it's it's there's no atta boy, there's none

1092
00:56:14,440 --> 00:56:18,680
Speaker 1: of it. It is it is Dad is overhearing oh

1093
00:56:18,800 --> 00:56:22,080
Speaker 1: excuse me. Yeah. And it's such a great contrast because

1094
00:56:22,120 --> 00:56:24,719
Speaker 1: you know, the people plotting and calling him the man

1095
00:56:25,000 --> 00:56:27,560
Speaker 1: Sean being all stoked on it like it did bother me.

1096
00:56:27,719 --> 00:56:31,200
Speaker 1: I was watching this episode. Great, Oh that sucks. It's

1097
00:56:31,280 --> 00:56:34,160
Speaker 1: very real. It's very real, and it is even his

1098
00:56:34,200 --> 00:56:37,080
Speaker 1: response little like little kids, when when you're a young man,

1099
00:56:37,520 --> 00:56:39,239
Speaker 1: it would always be like, oh, yeah, I slept her here,

1100
00:56:39,280 --> 00:56:40,839
Speaker 1: and it's like, because you fell asleep next to her,

1101
00:56:40,840 --> 00:56:43,319
Speaker 1: that's such a an excuse you that that kids would

1102
00:56:43,320 --> 00:56:47,280
Speaker 1: make like, well, technically you would hear that kind of stuff.

1103
00:56:47,320 --> 00:56:49,520
Speaker 1: I thought all of this was done very real, and

1104
00:56:49,560 --> 00:56:51,880
Speaker 1: it was just the way he sold it just that

1105
00:56:51,960 --> 00:56:54,920
Speaker 1: was nuts to me. Yeah that yeah, so you're right.

1106
00:56:54,920 --> 00:56:57,880
Speaker 1: That was a great moment. Um Corey explains to his

1107
00:56:57,960 --> 00:57:00,560
Speaker 1: dad that people think more happened with Tapanga than really did.

1108
00:57:00,640 --> 00:57:03,280
Speaker 1: Alan asks if he cleared it up, and Corey admits

1109
00:57:03,320 --> 00:57:05,920
Speaker 1: he didn't because even his bullies want to take pictures

1110
00:57:05,920 --> 00:57:08,800
Speaker 1: with him now, and then Amy enters to tell Corey

1111
00:57:08,840 --> 00:57:11,600
Speaker 1: that to Pengga's in the other room, and he asks

1112
00:57:11,600 --> 00:57:13,560
Speaker 1: if he can she could lie and say he's not there,

1113
00:57:13,640 --> 00:57:16,000
Speaker 1: But to Peanga walks in and Alan and Amy leave

1114
00:57:16,160 --> 00:57:18,840
Speaker 1: just to make this harder on Corey. To Penga says

1115
00:57:18,880 --> 00:57:21,880
Speaker 1: she's not doing great, but she heard Corey is doing fine.

1116
00:57:22,280 --> 00:57:25,040
Speaker 1: And then Corey begins to defend himself, saying the rumor

1117
00:57:25,160 --> 00:57:26,640
Speaker 1: is just something that's going to go away in a

1118
00:57:26,640 --> 00:57:29,000
Speaker 1: few days. It's just talk, not a not a big deal.

1119
00:57:29,440 --> 00:57:32,400
Speaker 1: And to Penga says, you want me, Corey, then take me.

1120
00:57:32,640 --> 00:57:35,080
Speaker 1: Everyone already thinks you did it, so go ahead and

1121
00:57:35,120 --> 00:57:39,640
Speaker 1: do it. Was it really was like intense again. So

1122
00:57:39,960 --> 00:57:44,920
Speaker 1: I remember the rehearsal for this scene and the and

1123
00:57:44,960 --> 00:57:46,880
Speaker 1: the taping of it because this was a scene that

1124
00:57:46,960 --> 00:57:52,120
Speaker 1: was really important to Michael, and Michael had of the

1125
00:57:52,400 --> 00:57:55,320
Speaker 1: very specific way he wanted me to do this. He did,

1126
00:57:55,480 --> 00:58:01,000
Speaker 1: and I remember learning the lesson, the acting lesson about um,

1127
00:58:01,160 --> 00:58:04,360
Speaker 1: don't be angry. Angry is the easiest thing you could

1128
00:58:04,400 --> 00:58:07,320
Speaker 1: go to don't play angry, because I was playing it angry.

1129
00:58:07,360 --> 00:58:09,800
Speaker 1: It was coming across as angry. And he explained to me,

1130
00:58:09,920 --> 00:58:14,200
Speaker 1: how if somebody is you know, angry and they're flying

1131
00:58:14,240 --> 00:58:17,320
Speaker 1: off the handle. It's not nearly as scary as somebody

1132
00:58:17,360 --> 00:58:21,120
Speaker 1: who's in full control of themselves and is really locking

1133
00:58:21,160 --> 00:58:25,240
Speaker 1: eyes with you and challenging you. And I remember being

1134
00:58:25,280 --> 00:58:27,880
Speaker 1: a little overwhelmed by what was being asked of me,

1135
00:58:28,000 --> 00:58:30,840
Speaker 1: because already, as I've talked about, I was such a

1136
00:58:31,000 --> 00:58:35,040
Speaker 1: sheltered kind of naive kid. I was just amazed that

1137
00:58:35,080 --> 00:58:36,960
Speaker 1: I was getting to even say the word sex on

1138
00:58:36,960 --> 00:58:40,240
Speaker 1: a set, much less having an episode b about whether

1139
00:58:40,320 --> 00:58:42,880
Speaker 1: or not t Penga did have sex with someone. And

1140
00:58:42,920 --> 00:58:46,760
Speaker 1: then the idea of offering yourself to somebody in a

1141
00:58:46,800 --> 00:58:48,880
Speaker 1: way of like, well, then let's just do it, if

1142
00:58:48,920 --> 00:58:51,040
Speaker 1: that's what you want to do. Um. It was I

1143
00:58:51,080 --> 00:58:53,240
Speaker 1: remember thinking, I don't know that I have it in

1144
00:58:53,320 --> 00:58:56,000
Speaker 1: me too. I I don't fully I couldn't possibly fully

1145
00:58:56,120 --> 00:58:59,120
Speaker 1: understand what was being asked of me, but I also

1146
00:58:59,320 --> 00:59:02,600
Speaker 1: really did understand how I needed to play it, like

1147
00:59:03,080 --> 00:59:07,200
Speaker 1: with the confidence of if you're the man, then be

1148
00:59:07,560 --> 00:59:13,320
Speaker 1: the freaking man. Yeah. Um. And so I could see like,

1149
00:59:13,520 --> 00:59:15,960
Speaker 1: this is one of the times where when she's saying

1150
00:59:16,000 --> 00:59:17,560
Speaker 1: that to him, you want me to take me? And

1151
00:59:17,600 --> 00:59:20,000
Speaker 1: I could I could see in my little Danielle Head

1152
00:59:20,040 --> 00:59:21,680
Speaker 1: being like, oh, I'm nervous, and I was kind of

1153
00:59:21,680 --> 00:59:24,360
Speaker 1: maybe racing through it a little bit, but come across

1154
00:59:24,400 --> 00:59:30,600
Speaker 1: this nervous ground and it's shocking in the best possible

1155
00:59:30,600 --> 00:59:33,320
Speaker 1: way because it's like, you know, you were in this

1156
00:59:33,400 --> 00:59:37,640
Speaker 1: sort of like Corey mindset of like, you know, maybe

1157
00:59:37,680 --> 00:59:39,160
Speaker 1: he can get away with this, maybe he's not really

1158
00:59:39,160 --> 00:59:41,480
Speaker 1: in trouble, and okay, maybe his parents are mad at him,

1159
00:59:41,480 --> 00:59:43,840
Speaker 1: but Sean still likes him. And then when you make

1160
00:59:43,880 --> 00:59:47,280
Speaker 1: it personal and about like basically your honor, you know,

1161
00:59:47,440 --> 00:59:51,439
Speaker 1: or like it's wonderful, and it's like it's yeah, it's

1162
00:59:51,720 --> 00:59:54,080
Speaker 1: it's not even about other people, it's about Yeah, it's

1163
00:59:54,120 --> 00:59:56,440
Speaker 1: about could you have done this to me? Well? And

1164
00:59:56,520 --> 00:59:59,280
Speaker 1: that's the part that I was like, yeah, that was good.

1165
00:59:59,320 --> 01:00:01,120
Speaker 1: So when to pay it tells Corey she wants her

1166
01:00:01,160 --> 01:00:03,440
Speaker 1: good name back. Corey jokes that Topanga isn't really a

1167
01:00:03,440 --> 01:00:06,040
Speaker 1: great name to begin with, and Topanga says that she

1168
01:00:06,120 --> 01:00:08,160
Speaker 1: used to think of him as, I know, great joke,

1169
01:00:08,680 --> 01:00:10,240
Speaker 1: she used to think of him as a good friend,

1170
01:00:11,360 --> 01:00:14,320
Speaker 1: and now she just doesn't like him, and I in

1171
01:00:14,400 --> 01:00:19,760
Speaker 1: that moment, I was like, man, that well, yeah, it's

1172
01:00:19,800 --> 01:00:22,000
Speaker 1: I mean that's it's like, I can't believe you did

1173
01:00:22,000 --> 01:00:23,600
Speaker 1: this to me. We were friends. How could you? How

1174
01:00:23,640 --> 01:00:25,400
Speaker 1: could you do this? I mean, if that's all you

1175
01:00:25,400 --> 01:00:27,200
Speaker 1: can say is how could you even think of doing

1176
01:00:27,200 --> 01:00:28,760
Speaker 1: this to me as a friend of mine? And that

1177
01:00:28,800 --> 01:00:31,920
Speaker 1: came across and it was that that was a I

1178
01:00:31,960 --> 01:00:35,520
Speaker 1: thought from Rusty walking in and actually the whole scene,

1179
01:00:35,560 --> 01:00:37,120
Speaker 1: even with Rider coming in case you think the scene

1180
01:00:37,160 --> 01:00:39,160
Speaker 1: is going to go one way, and then Rusty walks

1181
01:00:39,160 --> 01:00:41,040
Speaker 1: in and takes it somewhere completely different, and then you

1182
01:00:41,080 --> 01:00:42,640
Speaker 1: walk in and take it to a whole another level.

1183
01:00:42,840 --> 01:00:45,480
Speaker 1: This is the whole scene was just riveting all the

1184
01:00:45,480 --> 01:00:47,960
Speaker 1: way through. Was so well written, it was so well acted.

1185
01:00:48,520 --> 01:00:51,040
Speaker 1: Everything about it was personal too. It's to Penga and

1186
01:00:51,120 --> 01:00:53,280
Speaker 1: Corey talking to each other. You know, it's not in

1187
01:00:53,320 --> 01:00:56,200
Speaker 1: the school hallway. It's not classroom, it's not about other people.

1188
01:00:56,240 --> 01:00:59,040
Speaker 1: It's like her coming to him face to face. It's

1189
01:00:59,120 --> 01:01:01,600
Speaker 1: such a valuable moment. I mean, it's a valuable lesson.

1190
01:01:01,680 --> 01:01:04,200
Speaker 1: And that's just really well executed. And Wright, You're right

1191
01:01:04,280 --> 01:01:06,720
Speaker 1: that joke of the some might argued bang is not

1192
01:01:06,760 --> 01:01:09,320
Speaker 1: the great It's the perfect place for a joke for

1193
01:01:09,320 --> 01:01:12,560
Speaker 1: Corey to try one more time to add some levity

1194
01:01:12,600 --> 01:01:14,520
Speaker 1: to the scene. See if we can joke about this,

1195
01:01:14,600 --> 01:01:16,360
Speaker 1: and she just will not let him off the hook,

1196
01:01:16,440 --> 01:01:19,800
Speaker 1: which is great. And the who thing Michael used to

1197
01:01:19,800 --> 01:01:22,440
Speaker 1: always say to me, don't ever play angry. If you

1198
01:01:22,480 --> 01:01:25,960
Speaker 1: have to play angry, play drunk. That's what he would

1199
01:01:25,960 --> 01:01:27,560
Speaker 1: always say to me. If you have to play angry,

1200
01:01:27,560 --> 01:01:30,680
Speaker 1: play drunk, that's weird. I mean, I definitely, I've definitely

1201
01:01:30,840 --> 01:01:34,840
Speaker 1: heard many times over uh in different acting contexts like

1202
01:01:34,920 --> 01:01:37,200
Speaker 1: you don't you can't play anchor, like it's such an

1203
01:01:37,240 --> 01:01:41,280
Speaker 1: amateur acting than to play anger, because what anger is

1204
01:01:41,280 --> 01:01:44,120
Speaker 1: is usually a reaction to being hurt exactly, and so

1205
01:01:44,320 --> 01:01:45,960
Speaker 1: you have to focus you know, as an actor, you

1206
01:01:46,000 --> 01:01:48,920
Speaker 1: focus on being hurt, or you focus on what you

1207
01:01:48,960 --> 01:01:51,360
Speaker 1: want from the other person, or you know, you don't

1208
01:01:51,400 --> 01:01:57,360
Speaker 1: focus on presenting anger is so clearly it's also never funny.

1209
01:01:57,600 --> 01:01:59,960
Speaker 1: That's the thing. Anger. You can't pull off. Anger is funny.

1210
01:02:00,160 --> 01:02:02,760
Speaker 1: It doesn't, it doesn't work. You can you can, I

1211
01:02:02,800 --> 01:02:06,240
Speaker 1: think I think I think it's the point of the

1212
01:02:06,320 --> 01:02:09,439
Speaker 1: drunk joke or the drunk note you is that that's

1213
01:02:09,440 --> 01:02:11,920
Speaker 1: the way to make angry funny, because I don't think

1214
01:02:11,960 --> 01:02:14,160
Speaker 1: it's angry. I can see you as Eric in later

1215
01:02:14,240 --> 01:02:17,000
Speaker 1: seasons being like, what do you mean like getting into

1216
01:02:17,040 --> 01:02:20,240
Speaker 1: this again? That's not anger, It's not you know, that's

1217
01:02:20,320 --> 01:02:22,760
Speaker 1: that's playing the emotion of anger, if there is such

1218
01:02:22,760 --> 01:02:25,040
Speaker 1: a thing, because you're it's more a reaction of being hurt.

1219
01:02:26,000 --> 01:02:30,080
Speaker 1: Everyone's opinions. No, there's not, Daniel just right or things.

1220
01:02:30,080 --> 01:02:32,240
Speaker 1: Maybe angry could be funny, and you are saying that,

1221
01:02:32,280 --> 01:02:35,520
Speaker 1: maybe angry is just not the thing that's actually making

1222
01:02:35,560 --> 01:02:37,680
Speaker 1: I'll try and think of a time when anger is funny.

1223
01:02:37,920 --> 01:02:40,080
Speaker 1: Actually okay, when actually playing angry is funny, because there's

1224
01:02:40,120 --> 01:02:43,320
Speaker 1: I mean, I think, no, yeah, I think Will Ferrell's

1225
01:02:43,400 --> 01:02:46,880
Speaker 1: entire career he's not. But I don't think he's playing angry.

1226
01:02:47,160 --> 01:02:49,760
Speaker 1: I think his hit his bit with like what what

1227
01:02:49,880 --> 01:02:53,200
Speaker 1: started his career as his SNL audition was him doing

1228
01:02:53,240 --> 01:02:56,240
Speaker 1: the parent trying to cook barbecue, trying to like take

1229
01:02:56,280 --> 01:02:59,080
Speaker 1: burgers kids. I guess I guess what I would say

1230
01:02:59,120 --> 01:03:02,640
Speaker 1: then is act the actual emotion of what anger would

1231
01:03:02,640 --> 01:03:06,640
Speaker 1: be does never come off as funny. Taking that and

1232
01:03:06,680 --> 01:03:10,200
Speaker 1: putting the twist on it to make it comedic, but

1233
01:03:10,240 --> 01:03:15,280
Speaker 1: then it's not anger. You're taking it too, you know, Yes,

1234
01:03:15,400 --> 01:03:19,280
Speaker 1: it's you're not actually angry at the person, because that's

1235
01:03:19,320 --> 01:03:22,200
Speaker 1: not Yeah, I'm gonna push us. I'm gonna push us.

1236
01:03:22,200 --> 01:03:24,360
Speaker 1: We gotta get back to this room. We can, we

1237
01:03:24,360 --> 01:03:25,920
Speaker 1: can get back to you guys having a debate at

1238
01:03:25,960 --> 01:03:29,840
Speaker 1: dinner Mr Turner's classroom. With the assignment done, Mr Turner

1239
01:03:29,920 --> 01:03:32,720
Speaker 1: is putting Corey, putting in Corey into pengas tape. Harley

1240
01:03:32,760 --> 01:03:34,960
Speaker 1: comes in to watch because he's in the film, and

1241
01:03:35,080 --> 01:03:37,280
Speaker 1: Mr Feeney comes in to stop the class from watching

1242
01:03:37,280 --> 01:03:40,160
Speaker 1: the tape. Mr Turner says he hasn't seen what he's

1243
01:03:40,200 --> 01:03:43,760
Speaker 1: going to play um and that, but Corey says that

1244
01:03:43,800 --> 01:03:46,520
Speaker 1: they should play it. I didn't get any of that. Yeah,

1245
01:03:46,760 --> 01:03:51,760
Speaker 1: why is Harley in this classroom? Like, No, it's just

1246
01:03:52,120 --> 01:03:55,600
Speaker 1: I mean, I get the I know. It was just

1247
01:03:55,800 --> 01:04:01,120
Speaker 1: so we could highlight coreries apology. In other words, that

1248
01:04:01,200 --> 01:04:03,760
Speaker 1: he's it's it's it has to be as public as possible, right, right,

1249
01:04:03,760 --> 01:04:06,520
Speaker 1: he has to everyone who's made a comment about it

1250
01:04:06,640 --> 01:04:09,200
Speaker 1: knows that it was no longer true exactly because it

1251
01:04:09,320 --> 01:04:12,120
Speaker 1: Harley wasn't there. There could be the implication that maybe

1252
01:04:12,120 --> 01:04:14,120
Speaker 1: Corey is going to keep the lie going with the

1253
01:04:14,120 --> 01:04:17,720
Speaker 1: bullies in order to have Stan, so we have to

1254
01:04:17,760 --> 01:04:20,200
Speaker 1: bring him in, and it just felt forced to me.

1255
01:04:20,520 --> 01:04:23,160
Speaker 1: I didn't actually in this whole scene where it's like

1256
01:04:23,680 --> 01:04:27,000
Speaker 1: Mr Turner hasn't watched the tape Tapanca hasn't watched the

1257
01:04:27,040 --> 01:04:29,560
Speaker 1: tape of her own project, Like it all just felt

1258
01:04:29,600 --> 01:04:31,920
Speaker 1: like such a stretch to get to this sort of

1259
01:04:31,920 --> 01:04:34,600
Speaker 1: public apology moment. And I totally get why it had

1260
01:04:34,640 --> 01:04:37,320
Speaker 1: to happen this way, but it felt really forced to

1261
01:04:37,360 --> 01:04:40,520
Speaker 1: me and artificial. And I actually really felt the opposite

1262
01:04:40,520 --> 01:04:43,240
Speaker 1: about the Danny stuff. I thought, oh, interesting, like what

1263
01:04:43,320 --> 01:04:46,040
Speaker 1: an easy way to make sure he hears the apology.

1264
01:04:46,160 --> 01:04:48,400
Speaker 1: He was all excited. The reason he was even he

1265
01:04:48,520 --> 01:04:50,600
Speaker 1: didn't beat up Cory or take a fee, was because

1266
01:04:50,600 --> 01:04:51,920
Speaker 1: he was like, you're going to be the star of

1267
01:04:52,000 --> 01:04:55,280
Speaker 1: my film. And so I could see that that character

1268
01:04:55,440 --> 01:04:57,080
Speaker 1: being like I'm going to be the star. I'm gonna

1269
01:04:57,080 --> 01:05:00,400
Speaker 1: see here's my screen debut. Then when I needed as

1270
01:05:00,400 --> 01:05:02,000
Speaker 1: a button at the end of the scene where he's like,

1271
01:05:02,080 --> 01:05:03,960
Speaker 1: I know you could have had more me or whatever.

1272
01:05:04,000 --> 01:05:05,479
Speaker 1: You know, if he just made a comment to Corey

1273
01:05:05,520 --> 01:05:07,120
Speaker 1: that I'd be because you never see any one Harley

1274
01:05:07,200 --> 01:05:09,680
Speaker 1: is here and its and it brings it back full circle,

1275
01:05:09,760 --> 01:05:12,959
Speaker 1: but you know you can't because the handshake is so great.

1276
01:05:13,000 --> 01:05:15,200
Speaker 1: The friend's friend is obviously the way to end the scene,

1277
01:05:15,360 --> 01:05:17,200
Speaker 1: but maybe it should have been a line earlier where

1278
01:05:17,240 --> 01:05:19,800
Speaker 1: he like storms out because he's upset, like he got

1279
01:05:19,800 --> 01:05:21,800
Speaker 1: cut or something, you know, like there's there's a better

1280
01:05:21,880 --> 01:05:24,440
Speaker 1: way to keep Harley there. I think. I love how

1281
01:05:24,440 --> 01:05:26,440
Speaker 1: the teachers are. I think are scared of Harley two.

1282
01:05:26,480 --> 01:05:32,960
Speaker 1: And they didn't even mention anything like actually, it's very nineties,

1283
01:05:32,960 --> 01:05:35,160
Speaker 1: though every every nineties movie always ended with the big

1284
01:05:35,160 --> 01:05:37,080
Speaker 1: apology in front of the classroom or in front of

1285
01:05:37,120 --> 01:05:40,200
Speaker 1: it was always very nineties to do that. So the

1286
01:05:40,200 --> 01:05:42,480
Speaker 1: tape shows a couple of interviews they filmed with a

1287
01:05:42,480 --> 01:05:44,280
Speaker 1: lot of the importance put on love and sex, and

1288
01:05:44,320 --> 01:05:46,400
Speaker 1: then it cuts to a video of Corey in the

1289
01:05:46,480 --> 01:05:49,760
Speaker 1: kitchen explaining he doesn't have any experience with sex, even

1290
01:05:49,760 --> 01:05:52,720
Speaker 1: though some people think he does, and he then apologizes

1291
01:05:52,760 --> 01:05:56,120
Speaker 1: to t Peanga and Pheny realizes the project is working.

1292
01:05:56,200 --> 01:06:01,040
Speaker 1: He's shocked. Mr Turner says he's shocked too, and Tapanga

1293
01:06:01,120 --> 01:06:04,000
Speaker 1: turns around and Corey asks if they are friends, and

1294
01:06:04,120 --> 01:06:08,040
Speaker 1: they shake hands on their friendship, which is just a

1295
01:06:08,160 --> 01:06:11,160
Speaker 1: very sweet ver very nice. And then we're in the

1296
01:06:11,200 --> 01:06:14,720
Speaker 1: school hallway. Corey interviews Harley, who explains his reality is

1297
01:06:14,720 --> 01:06:17,880
Speaker 1: a moonlit night in the back of his impaula with

1298
01:06:17,920 --> 01:06:21,000
Speaker 1: a girl whispering in his ear. Hey, you question my

1299
01:06:21,080 --> 01:06:24,160
Speaker 1: singer aunts. Of course he has an impaula. Of course

1300
01:06:24,160 --> 01:06:28,600
Speaker 1: he does love it. It's funny. Well, that's good, and

1301
01:06:28,640 --> 01:06:30,720
Speaker 1: that's the end of our episode. I really liked this one.

1302
01:06:31,160 --> 01:06:36,920
Speaker 1: I did to everybody like this episode except my dad. Yeah, sorry,

1303
01:06:36,960 --> 01:06:41,240
Speaker 1: Attorney Fordell. Well, thank you guys for joining us for

1304
01:06:41,280 --> 01:06:43,240
Speaker 1: this episode of Pod Meets World. As always, you can

1305
01:06:43,280 --> 01:06:45,560
Speaker 1: follow us on Instagram pod Meets World Show. You can

1306
01:06:45,560 --> 01:06:47,920
Speaker 1: send us your emails pod meets World Show at gmail

1307
01:06:47,960 --> 01:06:54,040
Speaker 1: dot com and we have merch I see March pod

1308
01:06:54,040 --> 01:06:56,560
Speaker 1: meets World Show dot com and please join us for

1309
01:06:56,560 --> 01:06:59,560
Speaker 1: the next episode. Recap of season two, episode eight, band

1310
01:06:59,640 --> 01:07:04,120
Speaker 1: on the one which aired November eleven. I think that's

1311
01:07:04,160 --> 01:07:09,280
Speaker 1: the episode where we get for guitars. Yes, yes, the

1312
01:07:09,320 --> 01:07:11,040
Speaker 1: only way to make a true sound for a band.

1313
01:07:11,200 --> 01:07:14,120
Speaker 1: And is that Adam Scott's first episode. He's going to

1314
01:07:14,160 --> 01:07:18,880
Speaker 1: be senior Adam Scott's first episode. SI. So yeah, we'll

1315
01:07:18,920 --> 01:07:21,480
Speaker 1: see you all next time. Writer send us out We

1316
01:07:21,560 --> 01:07:25,720
Speaker 1: Love You All, pod dismissed. Pod Meets World is an

1317
01:07:25,720 --> 01:07:28,440
Speaker 1: I heeart podcast produced and hosted by Daniel Fishel, Will

1318
01:07:28,480 --> 01:07:32,040
Speaker 1: Fernell and Wryder Strong executive producers, Jensen Carp and Amy

1319
01:07:32,080 --> 01:07:36,200
Speaker 1: Sugarman Executive in charge of production, Danielle Romo, producer and editor,

1320
01:07:36,280 --> 01:07:40,120
Speaker 1: Tara suit Box producer, Jackie Rodriguez, engineer and Boy Meets

1321
01:07:40,160 --> 01:07:42,920
Speaker 1: World super fan Easton Allen. Our theme song is by

1322
01:07:43,000 --> 01:07:45,920
Speaker 1: Kyle Morton of Typhoon. You can follow us on Instagram

1323
01:07:45,960 --> 01:07:48,520
Speaker 1: at Pod meets World Show or send us an email

1324
01:07:48,680 --> 01:07:52,240
Speaker 1: at pod Meats World Show at gmail dot com.