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Speaker 1: He is drinks chess, motherfucking podcast man. He's a legendary

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Speaker 1: queens rapper. He ain't agreed as your boy in O

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Speaker 1: R E.

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Speaker 2: He's a Miami hip hop pioneer put up as DJ

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Speaker 2: E f N.

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Speaker 3: Together they drink it up with some of the biggest players,

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Speaker 3: you know what I mean.

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Speaker 4: And the most professional unprofessional podcast and your number one

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Speaker 4: source for drunk drinks Chess Mother Days New Year's c

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Speaker 4: that's it's.

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Speaker 1: Time for drink champs, drink up, motherfucker mother.

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Speaker 3: What it good?

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Speaker 1: Be hoping he winna should be This your boy in.

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Speaker 4: O R E? What up is dj E f N

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Speaker 4: And this is Midle Taman crazy War has drink chefs

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Speaker 4: made up now since twenty twelve, but it says he's

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Speaker 4: been since two thousand and three. He's a rappers, rapper,

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Speaker 4: a man's man, a fashion I can't I ain't gonna lie.

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Speaker 4: I seen them jump out the car just now. It's

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Speaker 4: like Modi Gamo. It's like that's Entre three thousand and

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Speaker 4: ODB Sun Together they are.

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Speaker 3: He's a legend, he's a classic.

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Speaker 4: And he said one of the best statements I think

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Speaker 4: I've ever heard in the past ten years. He said,

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Speaker 4: these young artists won't study the predecessors, the people that

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Speaker 4: came before them, but they'll put on a pair of Jordan's.

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Speaker 4: I thought that was the best way to describe.

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Speaker 3: This young generation.

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Speaker 4: So in case you don't know we're talking about, we're

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Speaker 4: talking about the one, the only, impeccable motherfucker day.

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Speaker 1: Now.

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Speaker 3: I remember when you.

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Speaker 4: First came out, and I remember me gravitating towards you,

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Speaker 4: and I remember me feeling like.

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Speaker 3: O dB energy. Right, what's you a fan of?

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Speaker 1: ODP?

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Speaker 3: Okay, okay, okay, So it makes sense, Yeah, definitely.

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Speaker 1: I mean when you're saying that, like, did you hit

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Speaker 1: the nail on the head?

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Speaker 4: Yeah, hell yeah, well so so yeah, let lets let's

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Speaker 4: take us to the beginning. Off, when did you start

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Speaker 4: making music when it because on the internet would be

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Speaker 4: googled it's at twenty twelve, but then they said you

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Speaker 4: was active since two thousand and three.

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Speaker 1: So let's break it down for the people. I mean,

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Speaker 1: you know, I'm my first time ever rapped was like kindergarten. Yeah,

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Speaker 1: my dad had took me the Fresh Fest.

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Speaker 3: We got the funk out of here Fresh.

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Speaker 4: It was like it was yeah, it.

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Speaker 1: Was like ll COOJ run DMC, and he said, I

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Speaker 1: didn't even watch the concert. I just started mimicking everything

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Speaker 1: they was doing on stage, you know, just started rapping.

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Speaker 1: Then like maybe like you know, I was in kindergarten,

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Speaker 1: so maybe like not too long after it was like

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Speaker 1: show and tail and I ain't had nothing to show

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Speaker 1: word Tael because so I just went up in front

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Speaker 1: of the class and I wrapped and all the kids

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Speaker 1: was just like clapped. They stood up and started clapping it.

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Speaker 1: So I was like, damn, It's the only thing I'm

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Speaker 1: good at. So I just kept it going.

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Speaker 3: You know.

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Speaker 4: Now, one thing I'm gonna be honest with you. Listening

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Speaker 4: to your music, the one thing that I regret is

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Speaker 4: that I didn't know you back thinks I wanted to

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Speaker 4: take an ecstasy and hang out.

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Speaker 1: I'm sorry, did I go too far your music?

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Speaker 3: And it's like you're talking about I'm not gonna lie

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Speaker 3: to you. It seemed like you was a super fun guy.

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Speaker 1: Or yeah, yeah, I mean you know now obviously I'm

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Speaker 1: I'm older now, man, so I've comed down a lot,

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Speaker 1: you know, but you know, trialing error, you know, so

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Speaker 1: I have my fun. The party is over now, party's

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Speaker 1: over now.

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Speaker 3: A different kind of party.

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Speaker 1: Yeah, So describe Detroit Detroit. Yes, for us, I mean Detroit's.

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Speaker 3: Hard man hard. I ain't gonna to you it was

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Speaker 3: just real hard. It wasn't really too many.

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Speaker 1: You know, I grew up in the nineties, so it

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Speaker 1: wasn't really too much. It wasn't even like no outlets

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Speaker 1: or nothing like that. Like even me for wanting to

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Speaker 1: be a rapper, you know, it wasn't like I can

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Speaker 1: go downtown and get a record deal.

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Speaker 3: It wasn't even like even with eminem being that you're

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Speaker 3: selling crack. So so for people who don't know, like.

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Speaker 4: Detroit at one point was the motor City, right, it

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Speaker 4: was like and then it's actual, yeah, I mean, and

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Speaker 4: then it just ends.

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Speaker 3: I remember, I think I told.

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Speaker 4: The story before, but I remember one time I was

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Speaker 4: in Detroit and I left the show and I remember

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Speaker 4: me going like back to the hotel and like for

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Speaker 4: the like the half of a mile going back to

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Speaker 4: the hotel, no lights was out. I mean, no lights

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Speaker 4: was on. It was just pitch black. And I was

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Speaker 4: just like, holy shit, and this is America. It's not

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Speaker 4: like back Dad or something. I don't know if back

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Speaker 4: Dad got lights or nothing. But to describe people to Detroit.

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Speaker 1: I mean it's it's like a lot of people you know,

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Speaker 1: earlier in like the sixties and stuff, because like a

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Speaker 1: lot of my family, they came from the South, so

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Speaker 1: a lot of people was moving from the South to

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Speaker 1: get those jobs to work at the Big three you know,

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Speaker 1: Chrysler GM for her and all that.

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Speaker 3: So their stable job.

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Speaker 1: Yeah, Like my grandma took care of my whole family

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Speaker 1: just from one GM job. You know, brought all her kids' houses,

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Speaker 1: you know, so we was all raised up through that.

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Speaker 3: So that was almost like the goal.

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Speaker 1: You know, you live in Detroit, you just want to

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Speaker 1: be able to get into one of those factories. But

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Speaker 1: then they start taking all those jobs out, you know,

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Speaker 1: and Eve, you know, like white Light happened. Like that's

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Speaker 1: what a lot of people don't understand. Like Michigan is great,

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Speaker 1: you know, Detrait just fucked up. And even though yeah Flint,

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Speaker 1: you know you still got like Pontiac you know, Inkster Ipsilanti,

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Speaker 1: like it's a lot of but that's still like you know,

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Speaker 1: like the most most most people like in Michigan. It's

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Speaker 1: like a lot of nice places still live.

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Speaker 4: You'll get a big massive for two million, Yeah, Yeah, it's.

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Speaker 3: The weather is That's the only thing.

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Speaker 1: You know. Michigan cold is different. As I got older, man,

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Speaker 1: I can't take it no more so where you live now?

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Speaker 1: And I live in Austin, Texas.

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Speaker 3: Austin, Texas, Oh ship is hot.

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Speaker 4: Yes, this makes some noise for you.

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Speaker 3: I mean they say keep Austin weird. So a lot

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Speaker 3: of people love men. Hold on, hold, I'm not gonna lie.

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Speaker 3: It's a music times.

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Speaker 5: Yeah.

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Speaker 3: Yeah. Are you the first black person that I know

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Speaker 3: that living in Austin. I'm flipping around.

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Speaker 4: Only two people I knew that lived in Phoenix, Arizona

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Speaker 4: was iced Ty and fucking DMX. So you are now

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Speaker 4: officially my Austin in Arizona too, right, Arizona? That semi

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Speaker 4: the bull, but we don't claim him. You should rights.

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Speaker 4: So let's talk about your relationship with Kendrick Lamar. You

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Speaker 4: you guys came up together, correct, you know sing?

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Speaker 2: Yeah?

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Speaker 3: Okay, let's break it down.

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Speaker 1: I feel like he's probably got it started a little

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Speaker 1: bit before me, like parts. I mean, you know, coming

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Speaker 1: from Detroit and coming from LA that's two different worlds.

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Speaker 1: You know, you're in Hollywood, you know, in just the

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Speaker 1: West coast alone, you know, just having that market. It's

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Speaker 1: a big you know, it's a bigger market, you know.

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Speaker 1: And then I really don't really fit in anywhere typical

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Speaker 1: Detroit rapper, you know. Yeah, like just with Midwest music

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Speaker 1: in general. So I just really didn't fit in anywhere.

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Speaker 1: But yeah, we always just being fans of each other,

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Speaker 1: you know. I feel like, kaya, yeah, it's like one

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Speaker 1: of the best rappers ever.

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Speaker 2: You know, where did you pull your influences from that

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Speaker 2: you think made you different than other artists are coming

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Speaker 2: out of your area.

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Speaker 1: Me, like, my favorite rapper ever is nice, you know,

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Speaker 1: but I feel like you always start you always when

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Speaker 1: you start rapping, you know, you always just try to

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Speaker 1: be who you like, you know, And so it was

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Speaker 1: a long time where I was just trying to rap

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Speaker 1: like him. But I started to discover like other hip

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Speaker 1: hop that wasn't being played on the radio and stuff

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Speaker 1: like that, you know. So I really got big into like,

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Speaker 1: you know, the whole like Death Chucks and like rockets

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Speaker 1: like Underground, but like one of my biggest influences like

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Speaker 1: Disney Rascal on the UK. So I got real heavy

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Speaker 1: into like UK grime stuff because you know, my dad

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Speaker 1: was a house DJ, so I grew up around electronic

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Speaker 1: music my whole life. Like we didn't even party the

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Speaker 1: like Top forty rap when you went out and Detroit,

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Speaker 1: we listened to like ghetto tech and like Underground Resistance

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Speaker 1: and stuff like that. So I always grew up on

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Speaker 1: like you know, ass and titties and shit like that.

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Speaker 1: That was my mixtapes, you know. So when I heard

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Speaker 1: like Disney Rascal, it was like hearing that grime shit.

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Speaker 1: It was like electric, you know, people rapping over like

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Speaker 1: more of electronic style beats and shit. I ain't never

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Speaker 1: heard nothing like that before. So when I heard that,

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Speaker 1: it was like a light bulb went off of my head,

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Speaker 1: like oh, so I just was studying his shit and

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Speaker 1: then just got more and more than like other UK

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Speaker 1: artists and shit like The Streets and Kano and so like.

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Speaker 1: UK definitely played a big role. Like it was even

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Speaker 1: to the point where I couldn't buy those albums in Detroit.

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Speaker 1: So I was coming out to New York and that

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Speaker 1: Tower and Times Square they had a UK section, So

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Speaker 1: I was like, I used to catch the greyhound bus

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Speaker 1: out here. I used to be working in Queens Wow,

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Speaker 1: and I used to catch the greyhound bus and as

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Speaker 1: soon as I got off the bus, I would go

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Speaker 1: raid the UK section and just grab mad CD's and shit.

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Speaker 4: You know, that's what's unique about you is me, And

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Speaker 4: you said something that's very similar is your favor You

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Speaker 4: sound nothing like your favorite artists.

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Speaker 3: My favorite artist is Granddaddy.

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Speaker 4: You and if you listen to me, listen to me,

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Speaker 4: you cannot understand how is that my favorite artist, which

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Speaker 4: lets me know that you, contrary a popular belief.

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Speaker 3: You might have belonged to the nineties.

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Speaker 1: Yeah, no, I definitely would say that. I mean, I

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Speaker 1: didn't really get no traction like that until I was thirty,

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Speaker 1: but I would admit that in my twenties, you know,

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Speaker 1: it was more so just rapping to try to get

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Speaker 1: a record deal. I still didn't find myself yet. It

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Speaker 1: didn't start working to me until I stopped giving the

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Speaker 1: funk about what other people thought about my music. You know,

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Speaker 1: like it because because the most you know, you play

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Speaker 1: your ship for your friends and shit, like man, that

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Speaker 1: shit sucks, you know what I'm saying, So you want

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Speaker 1: a big ship that they like. But once I got

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Speaker 1: you know, because I started to realize, like man, the

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Speaker 1: music I listened to and on TV or on the radio.

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Speaker 1: So I just started to pull my influences from that.

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Speaker 1: And it's like, you know, it's one thing to be

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Speaker 1: influenced from somebody, but you gotta remember that whole era,

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Speaker 1: early nineties, it was always about not biting, which is

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Speaker 1: what that was.

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Speaker 3: Like, one man, you're one of the most unique people

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Speaker 3: I've ever met.

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Speaker 1: Yeah, you couldn't bite, you know what I'm saying, which

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Speaker 1: which I feel like that's what played a lot into

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Speaker 1: what's going on in hip hop now, is we it's.

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Speaker 3: All our thoughts?

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Speaker 1: Yeah, because it was that whole era you couldn't bite,

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Speaker 1: and then it got to the point.

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Speaker 3: Where go ahead and bite everything.

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Speaker 1: You couldn't know, you couldn't be a player hater. So

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Speaker 1: then people just started being like, he ain't kind of soup,

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Speaker 1: but I ain't gonna say he ain't gonna be no hater,

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Speaker 1: you know what I'm saying. So then you couldn't be

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Speaker 1: a hater. You couldn't bite. And so now this is

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Speaker 1: where we're at now, you know. Yeah, Like the one

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Speaker 1: of the most things I hate when you get like

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Speaker 1: somebody like a lyrical rappers anybody, but I don't listen

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Speaker 1: to lyrical music.

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Speaker 3: You'd be like, what the you means?

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Speaker 1: You just don't want to hear nobody better than you.

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Speaker 1: You know, I never heard a body that was like

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Speaker 1: paying a basketball. But like, I don't like the niggas

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Speaker 1: that dun't you know. I really little role players, man

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Speaker 1: that just walks.

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Speaker 4: To it like that don't exist.

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Speaker 3: Yeah, the bitch players.

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Speaker 1: You know, no one.

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Speaker 3: Thinks like that. Now. Another thing that.

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Speaker 4: I relate to you is she was on an XXL cover, right,

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Speaker 4: and but you probably don't know, and I reiterated to

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Speaker 4: you that first cover of artists being on the cover together.

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Speaker 4: You know who's on the very first one.

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Speaker 3: I'm assuming you're gonna say you, of course, I'm gonna

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Speaker 3: say it was on a saurce.

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Speaker 4: Oh yeah, Elliott Wilson, I believe did it on the sauce.

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Speaker 4: Elliott Wilson left the source went to XXL and he

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Speaker 4: started the Freshman Class. So I was on the cover

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Speaker 4: when it wasn't even called the Freshman So. But but

255
00:12:21,520 --> 00:12:23,040
Speaker 4: looking at these people on the cover, can we reading

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Speaker 4: people the names that was on the cover.

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Speaker 1: I know, Iggy is there future?

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Speaker 3: Future? Wow? Machine Gun?

259
00:12:30,040 --> 00:12:33,280
Speaker 4: Kelly, Well you're not looking you got on your head,

260
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Speaker 4: all right?

261
00:12:33,520 --> 00:12:35,160
Speaker 3: Come on, you ain't that good? Who?

262
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Speaker 1: Machine Gun?

263
00:12:36,840 --> 00:12:37,720
Speaker 3: Kelly's on there? Yeah?

264
00:12:38,040 --> 00:12:39,280
Speaker 1: Iggy axel ya who?

265
00:12:39,280 --> 00:12:39,560
Speaker 2: I like?

266
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Speaker 3: I think's hard? Go ahead kid ink? Who else?

267
00:12:50,880 --> 00:12:51,040
Speaker 4: Joe?

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Speaker 3: How how does it feel?

269
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Speaker 2: Well?

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Speaker 3: That was a great time, but hear was that that

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Speaker 3: was twenty twelve.

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Speaker 1: I mean, it's cool to get a knowledge for something

273
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Speaker 1: like that, you know, right, So it's just you know,

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Speaker 1: everybody want to get their props, you know.

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Speaker 3: What, would y'all there together? Yeah?

276
00:13:06,120 --> 00:13:08,640
Speaker 1: Yeah, we did to shoot together and stuff, freestyle and

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Speaker 1: all that.

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Speaker 2: Yeah.

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Speaker 1: Yeah, but you know it, it still was like I

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Speaker 1: still just like I just don't fit in with it. Yeah.

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Speaker 1: I just felt just you know, I don't know.

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Speaker 2: It was high, yeah, but that's not what he mean.

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Speaker 3: But I just I don't know. I just didn't really.

284
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Speaker 1: But I was happy to get it, you know, but

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Speaker 1: I was just like, man, you know, I couldn't believe

286
00:13:32,520 --> 00:13:33,720
Speaker 1: it. It was like, dang, I don't know.

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Speaker 4: You know, is that your way of fitting in is

288
00:13:37,520 --> 00:13:38,880
Speaker 4: not feeling like you fit in?

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00:13:41,920 --> 00:13:42,400
Speaker 1: I guess.

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Speaker 3: I mean, I don't know. I just never really I

291
00:13:45,360 --> 00:13:46,320
Speaker 3: always just feel.

292
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Speaker 1: Like I'm too old for the young niggas and too

293
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Speaker 1: young for the old niggas. You know, I'm too black

294
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Speaker 1: for the white niggas, too white for the black niggas.

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Speaker 1: You know what I'm saying. It's like, so I just

296
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Speaker 1: never really.

297
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Speaker 3: I'm gonna be honest.

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Speaker 4: It makes a lot of sense, be honest with you.

299
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Speaker 3: For the same word.

300
00:14:05,320 --> 00:14:07,920
Speaker 4: I always say, I'm too Puertoweecan for the Puerto Ricans

301
00:14:07,840 --> 00:14:09,760
Speaker 4: and I'm too black for the black because I'm half

302
00:14:09,760 --> 00:14:12,440
Speaker 4: black and half put a week. But is that the

303
00:14:12,480 --> 00:14:13,840
Speaker 4: fense mechanism?

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00:14:13,920 --> 00:14:16,280
Speaker 1: I mean, yeah, you gotta you gotta have believe. But

305
00:14:16,360 --> 00:14:18,719
Speaker 1: I always still I always looked at it like shit,

306
00:14:18,760 --> 00:14:20,720
Speaker 1: these niggas can't fuck me on this rap ship. So

307
00:14:20,760 --> 00:14:23,240
Speaker 1: I always had that confidence aboutself, like I still could

308
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Speaker 1: rap better than now.

309
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Speaker 3: I really give a you.

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00:14:26,240 --> 00:14:28,360
Speaker 4: Now, I want to get to what I said in

311
00:14:28,400 --> 00:14:32,200
Speaker 4: the intro. I thought when I heard you say that

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00:14:32,240 --> 00:14:34,920
Speaker 4: on the Internet, when you said I don't understand how

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00:14:36,280 --> 00:14:39,640
Speaker 4: these young guys will go buy Jordan's if they won't

314
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Speaker 4: go Yeah.

315
00:14:40,360 --> 00:14:42,080
Speaker 1: Because my whole ship was because they always be like,

316
00:14:42,080 --> 00:14:45,120
Speaker 1: you know, just if it's newer, it's better. You just

317
00:14:45,160 --> 00:14:47,440
Speaker 1: don't get it kind of ship, you know. But it's

318
00:14:47,440 --> 00:14:49,680
Speaker 1: like your niggas ain't wearing Lebron's you know what I'm

319
00:14:49,680 --> 00:14:59,520
Speaker 1: saying that Steph Curry under arm, you know, switch your

320
00:14:59,520 --> 00:15:02,520
Speaker 1: ship up efforts. At the end of the day, I still,

321
00:15:03,240 --> 00:15:06,400
Speaker 1: you know, I don't want to know the negative to

322
00:15:06,440 --> 00:15:08,440
Speaker 1: be taken out of that, you know. I just really

323
00:15:08,520 --> 00:15:11,600
Speaker 1: wish that they would, you know. But it's all our

324
00:15:11,640 --> 00:15:16,160
Speaker 1: fault too though. Young niggas feel like niggas is hating

325
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Speaker 1: on them, and it's like, you know, but they get

326
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Speaker 1: to get old too.

327
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Speaker 3: So once they get.

328
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Speaker 4: That's what stupid age, you know what to get old.

329
00:15:29,320 --> 00:15:33,120
Speaker 4: I'm going I'm gonna take claim to this one. No

330
00:15:33,280 --> 00:15:35,920
Speaker 4: older person ever reached out to me when I was

331
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Speaker 4: in the game, so I didn't feel obligated to reach out.

332
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Speaker 3: To any young person. And by the way, that is

333
00:15:41,120 --> 00:15:41,600
Speaker 3: my fault.

334
00:15:41,960 --> 00:15:43,760
Speaker 4: I was supposed to be better than the people who

335
00:15:43,920 --> 00:15:48,040
Speaker 4: came before me, So I definitely gotta take because I

336
00:15:48,120 --> 00:15:51,120
Speaker 4: remember me, and I'm gonna be out front about it.

337
00:15:51,240 --> 00:15:55,080
Speaker 3: I remember me being like them old niggas. I haven't been.

338
00:15:55,000 --> 00:15:58,320
Speaker 4: Saying like that, so then I became the old nigga.

339
00:15:58,320 --> 00:15:59,480
Speaker 3: I was say, oh shit, I didn't even know.

340
00:15:59,440 --> 00:16:02,200
Speaker 1: That I came in. I ain't really come in until

341
00:16:02,240 --> 00:16:04,000
Speaker 1: I was thirty, so I came in with a chip

342
00:16:04,040 --> 00:16:06,120
Speaker 1: on my shoulder anyway, Like shy, your niggas been in

343
00:16:06,160 --> 00:16:08,000
Speaker 1: front on me. I'm like, you know what I'm saying.

344
00:16:08,040 --> 00:16:09,880
Speaker 1: So I had to chip on my shoulder anyway. But

345
00:16:10,440 --> 00:16:11,880
Speaker 1: I really do, like, I mean a lot of the

346
00:16:11,880 --> 00:16:13,040
Speaker 1: ship that your niggas is doing.

347
00:16:13,080 --> 00:16:16,160
Speaker 3: It's cool you listening to it. I listened to like

348
00:16:16,200 --> 00:16:17,120
Speaker 3: a lot of hyper pop.

349
00:16:17,240 --> 00:16:19,800
Speaker 1: Now I don't really listen to I don't know what

350
00:16:19,800 --> 00:16:22,880
Speaker 1: that is, like a hundred gigs and like Frost Children.

351
00:16:23,040 --> 00:16:25,440
Speaker 4: Like I know what you Yeah, I don't know what.

352
00:16:25,520 --> 00:16:27,200
Speaker 1: I don't know. I think ever since I've been like

353
00:16:27,600 --> 00:16:29,800
Speaker 1: got like sober and ship, I just can't really listen

354
00:16:29,800 --> 00:16:31,800
Speaker 1: to like a nigga talking about fucking my bitch and

355
00:16:31,840 --> 00:16:34,760
Speaker 1: how much more money you got just that ship. I

356
00:16:34,760 --> 00:16:36,880
Speaker 1: ain't gonna shoot me. I ain't. I'm like, I ain't

357
00:16:36,880 --> 00:16:39,200
Speaker 1: got time of this ship doubles a lot of ship.

358
00:16:39,320 --> 00:16:41,160
Speaker 1: But now I was just like I can't really hear

359
00:16:41,200 --> 00:16:41,920
Speaker 1: that ship no more.

360
00:16:42,360 --> 00:16:44,760
Speaker 3: You heard your new album, Kanye, Yeah.

361
00:16:44,720 --> 00:16:46,560
Speaker 1: Yeah, check it out my homie j Pig on there

362
00:16:46,600 --> 00:16:48,640
Speaker 1: so yeah, yeah, but I can't say a lot of

363
00:16:48,720 --> 00:16:53,520
Speaker 1: mainstream stuff like that. Really, you know, take off my fancy, Okay,

364
00:16:53,640 --> 00:16:54,400
Speaker 1: I'll be honest.

365
00:16:55,000 --> 00:16:58,520
Speaker 3: And we noticed you got jeans on your your jacket.

366
00:16:59,400 --> 00:17:00,960
Speaker 1: Yeah, I mean that's a gene.

367
00:17:01,120 --> 00:17:02,280
Speaker 3: That's a real jump jacket.

368
00:17:02,960 --> 00:17:03,880
Speaker 1: I'm a jean jacket.

369
00:17:03,880 --> 00:17:08,639
Speaker 4: God said, we're gonna make a real jacket. Pull us on.

370
00:17:08,760 --> 00:17:11,600
Speaker 1: What is that? It's actually my homie done by Doug.

371
00:17:11,720 --> 00:17:14,080
Speaker 1: He does like custom pieces for me and stuff.

372
00:17:14,119 --> 00:17:17,560
Speaker 4: So definitely that's the most unique ship I've ever saw.

373
00:17:17,640 --> 00:17:20,240
Speaker 1: I mean you actually unsnapped this and zip these up

374
00:17:20,280 --> 00:17:21,760
Speaker 1: and make pins out of it if you want.

375
00:17:22,119 --> 00:17:25,040
Speaker 3: Oh ship, So what's his name? Done by Doug?

376
00:17:25,119 --> 00:17:25,440
Speaker 1: He's in.

377
00:17:31,440 --> 00:17:31,560
Speaker 2: Here?

378
00:17:31,640 --> 00:17:32,720
Speaker 1: What that's sewing machine?

379
00:17:32,760 --> 00:17:33,000
Speaker 2: Man?

380
00:17:33,520 --> 00:17:34,320
Speaker 1: That's machine?

381
00:17:34,520 --> 00:17:35,160
Speaker 3: So what? What?

382
00:17:35,160 --> 00:17:35,400
Speaker 1: What?

383
00:17:35,400 --> 00:17:36,960
Speaker 3: What made you want to get sober?

384
00:17:37,520 --> 00:17:37,600
Speaker 2: Like?

385
00:17:37,800 --> 00:17:39,800
Speaker 1: Oh, I was just taking it out. I was just

386
00:17:39,800 --> 00:17:41,760
Speaker 1: sucking up. I mean after a while, you know, you're

387
00:17:41,760 --> 00:17:44,040
Speaker 1: doing this ship for so long. You know a lot

388
00:17:44,080 --> 00:17:47,399
Speaker 1: of people don't really realize the root of it. You know,

389
00:17:47,600 --> 00:17:50,080
Speaker 1: you start getting sucked up. And it started out for fun.

390
00:17:50,320 --> 00:17:52,440
Speaker 1: You're just having fun with it. But then you find

391
00:17:52,440 --> 00:17:54,920
Speaker 1: yourself sucking doing blow, getting drunk drinking the.

392
00:17:54,840 --> 00:17:56,360
Speaker 3: Fifth day by yourself, and you're like.

393
00:17:56,280 --> 00:17:58,159
Speaker 1: Why am I really doing this? You know.

394
00:18:00,440 --> 00:18:07,080
Speaker 3: Blow part? So how do you have. And by the way,

395
00:18:07,400 --> 00:18:08,880
Speaker 3: I admire you, you know what I mean.

396
00:18:09,200 --> 00:18:10,960
Speaker 2: Congratulations on this gratulations.

397
00:18:11,080 --> 00:18:13,240
Speaker 1: I mean, it's almost been a year, so I'm still

398
00:18:13,800 --> 00:18:15,439
Speaker 1: a baby in it. But you know, so I'm not

399
00:18:15,480 --> 00:18:19,360
Speaker 1: being too overconfident. I just still take it day by day.

400
00:18:19,280 --> 00:18:22,280
Speaker 4: Because it's to each his own. But I want to

401
00:18:22,280 --> 00:18:25,280
Speaker 4: ask you, like, but because for people who probably need

402
00:18:26,080 --> 00:18:29,000
Speaker 4: what you went through, how do you still have fun?

403
00:18:30,080 --> 00:18:32,120
Speaker 3: I don't. I don't.

404
00:18:34,080 --> 00:18:36,280
Speaker 1: Like I mean, but I'm forty two years old. The

405
00:18:36,320 --> 00:18:38,800
Speaker 1: fund got to be done and you're gonna die, you

406
00:18:38,840 --> 00:18:41,199
Speaker 1: know what I'm saying. Like my fun was deadly, you

407
00:18:41,200 --> 00:18:44,080
Speaker 1: get what I So, I was like, you know, I

408
00:18:44,119 --> 00:18:46,560
Speaker 1: was like a living sky diver. You know what I'm saying.

409
00:18:46,840 --> 00:18:49,040
Speaker 1: You can't keep jumping out the plane every day, you know,

410
00:18:49,680 --> 00:18:51,760
Speaker 1: real you got to do it every blue moon and

411
00:18:51,840 --> 00:18:54,680
Speaker 1: be like, oh I live in I get while I'm

412
00:18:54,680 --> 00:18:56,520
Speaker 1: living you know Columbia.

413
00:18:56,960 --> 00:19:00,920
Speaker 4: No, That's what I'm saying.

414
00:19:00,960 --> 00:19:02,800
Speaker 1: It might be different if all something there right now,

415
00:19:03,160 --> 00:19:08,600
Speaker 1: But you beending on packs, motherfucker rapping with that ship down,

416
00:19:08,680 --> 00:19:10,080
Speaker 1: you know. But he was getting.

417
00:19:15,720 --> 00:19:17,119
Speaker 3: I feel like Drake Shafts. We just got to go

418
00:19:17,119 --> 00:19:18,600
Speaker 3: to Columbia, just one trip.

419
00:19:18,400 --> 00:19:21,280
Speaker 4: And just get it out of I already went and

420
00:19:21,600 --> 00:19:22,480
Speaker 4: I got out of my sister.

421
00:19:23,720 --> 00:19:27,920
Speaker 3: Let's go get let's go. What's your favorite place that

422
00:19:27,960 --> 00:19:28,520
Speaker 3: you've ever been to?

423
00:19:28,920 --> 00:19:31,159
Speaker 1: My favorite place I ever been to, or just in

424
00:19:31,280 --> 00:19:34,120
Speaker 1: general in general? Yeah, I mean, I mean just being

425
00:19:34,200 --> 00:19:36,760
Speaker 1: a fan of it. London, you know, Yeah, how was that?

426
00:19:37,640 --> 00:19:40,879
Speaker 3: A friend of the music? No, just London, shortitch, you know.

427
00:19:41,480 --> 00:19:43,760
Speaker 1: I mean, it's just just being such a fan of

428
00:19:43,800 --> 00:19:46,879
Speaker 1: the music, you know, and seeing, you know, what what

429
00:19:47,080 --> 00:19:49,399
Speaker 1: makes some tick and just that whole you know. So

430
00:19:49,880 --> 00:19:52,359
Speaker 1: I just like being But I like going places that

431
00:19:52,440 --> 00:19:55,679
Speaker 1: I'm really like. I used to take like I call

432
00:19:55,760 --> 00:19:58,800
Speaker 1: them like rapper vacations, you know, like any any style

433
00:19:58,840 --> 00:20:00,639
Speaker 1: of music that I was really too. I would just

434
00:20:00,720 --> 00:20:03,080
Speaker 1: go out into the city and just try to see

435
00:20:03,119 --> 00:20:05,680
Speaker 1: what makes them come up with that ship almost like

436
00:20:05,840 --> 00:20:08,240
Speaker 1: you know, like a backpacking adventure. Just go around, Like

437
00:20:08,320 --> 00:20:10,320
Speaker 1: I went to like Houston and just chilled out there

438
00:20:10,359 --> 00:20:12,480
Speaker 1: for a minute because I was just super into their ship.

439
00:20:12,560 --> 00:20:14,720
Speaker 3: So you get a tril Burger. No, that was way

440
00:20:14,760 --> 00:20:15,920
Speaker 3: before a Trilburgers, you know.

441
00:20:16,160 --> 00:20:19,080
Speaker 1: But just I hung out with Paul Wall you know, Okay,

442
00:20:19,200 --> 00:20:22,399
Speaker 1: and just yeah, So I like taking little trips like

443
00:20:22,440 --> 00:20:25,080
Speaker 1: that somewhere like New Orleans, you know, see the jazz

444
00:20:25,119 --> 00:20:27,920
Speaker 1: scene and shit like that, you know, or even Nashville

445
00:20:27,960 --> 00:20:29,639
Speaker 1: and just go fuck with some country shit, you know,

446
00:20:29,960 --> 00:20:33,000
Speaker 1: because I take influences from every genre of music and

447
00:20:33,080 --> 00:20:34,320
Speaker 1: I just mix it into my ship.

448
00:20:35,000 --> 00:20:35,440
Speaker 4: I love that.

449
00:20:35,800 --> 00:20:38,600
Speaker 3: I love that I can't just certain music.

450
00:20:38,640 --> 00:20:41,200
Speaker 1: I can't fuck with you like what I ain't gonna

451
00:20:41,200 --> 00:20:45,639
Speaker 1: say it, Oh okay, I mean I feel like I

452
00:20:45,760 --> 00:20:47,439
Speaker 1: feel like there's a lot of ship that I couldn't

453
00:20:47,480 --> 00:20:48,120
Speaker 1: get into when.

454
00:20:48,040 --> 00:20:48,600
Speaker 3: I was a kid.

455
00:20:48,720 --> 00:20:52,120
Speaker 1: But it's all about your ears maturing, Like even something

456
00:20:52,200 --> 00:20:52,920
Speaker 1: like country music.

457
00:20:53,000 --> 00:20:54,040
Speaker 3: You're like, man, I don't.

458
00:20:53,840 --> 00:20:55,879
Speaker 1: Get this ship. But like I been in Texas, you know.

459
00:20:56,560 --> 00:20:58,480
Speaker 2: It feels like everything has hip hopping in now, like

460
00:20:58,840 --> 00:20:59,959
Speaker 2: every genre has a hip.

461
00:21:00,359 --> 00:21:02,920
Speaker 1: I'll be liking that old foundational ship though. I like

462
00:21:03,000 --> 00:21:05,280
Speaker 1: doing my homework like that. But even now, I find

463
00:21:05,320 --> 00:21:08,240
Speaker 1: a beauty and country now just you know, when I

464
00:21:08,359 --> 00:21:10,080
Speaker 1: was drinking, you know, getting drunk and getting in the

465
00:21:10,200 --> 00:21:12,080
Speaker 1: uber coming back, they playing some countries, She's like, oh,

466
00:21:12,119 --> 00:21:13,640
Speaker 1: this nigga really talking some gangster ship.

467
00:21:13,960 --> 00:21:17,040
Speaker 4: Country music. Country musicry music is gainst the music on

468
00:21:17,080 --> 00:21:19,479
Speaker 4: the floor. Yeah, they be getting depressed and ship too,

469
00:21:19,600 --> 00:21:22,960
Speaker 4: and everybody cheats. The girl cheats in countries. Everybody girl

470
00:21:23,080 --> 00:21:23,919
Speaker 4: cheating country.

471
00:21:23,800 --> 00:21:25,600
Speaker 3: And they always getting drunk on the song, so they

472
00:21:25,720 --> 00:21:26,520
Speaker 3: be getting fucked up.

473
00:21:26,880 --> 00:21:29,880
Speaker 1: They talking about guns and they drinking hard.

474
00:21:29,960 --> 00:21:30,160
Speaker 4: Ship.

475
00:21:30,320 --> 00:21:37,119
Speaker 3: Yeah, what you like more performing or making the record?

476
00:21:37,240 --> 00:21:39,119
Speaker 1: I like making the record more. I'm more of a

477
00:21:39,200 --> 00:21:41,840
Speaker 1: writer than I am anything. The writing aspect is what

478
00:21:41,920 --> 00:21:43,959
Speaker 1: I'm in. That's why these motherfuckers be talking about Like, Man,

479
00:21:44,000 --> 00:21:45,960
Speaker 1: I don't be writing like motherfucker because you can't read.

480
00:21:46,640 --> 00:21:46,800
Speaker 4: Yea.

481
00:21:48,800 --> 00:21:50,600
Speaker 1: Yeah, niggas they've been in school, these niggas.

482
00:21:50,920 --> 00:21:53,440
Speaker 3: There's a lot of dumb rappers up. You know.

483
00:21:53,840 --> 00:21:56,800
Speaker 1: These niggas don't write because they can't read. So but

484
00:21:57,080 --> 00:21:59,760
Speaker 1: I like the writing part, man, because like there's nothing

485
00:21:59,760 --> 00:22:01,399
Speaker 1: better than you know, you write a song and you

486
00:22:01,480 --> 00:22:03,360
Speaker 1: record that shit and you just keep playing it back.

487
00:22:03,359 --> 00:22:04,920
Speaker 1: You're like, well, I'm about to kill these niggas and

488
00:22:05,000 --> 00:22:06,600
Speaker 1: this shit and you just get that vibe and then

489
00:22:06,720 --> 00:22:08,760
Speaker 1: so you know it, just see the end, Yeah, you

490
00:22:08,800 --> 00:22:11,080
Speaker 1: see the end result when you're on stage and you like,

491
00:22:11,119 --> 00:22:13,159
Speaker 1: I knew I was right this shit fire, you know.

492
00:22:13,359 --> 00:22:16,480
Speaker 1: So I like that part more than anything. It's like knowing,

493
00:22:16,560 --> 00:22:18,800
Speaker 1: like trusting your instinct like, man, I know I got

494
00:22:18,840 --> 00:22:19,240
Speaker 1: some shit.

495
00:22:19,359 --> 00:22:21,960
Speaker 4: You know what I'm saying is it haven't been a

496
00:22:22,040 --> 00:22:24,320
Speaker 4: time that you were wrong on the record all the.

497
00:22:24,359 --> 00:22:28,840
Speaker 1: Time over time, because I got a way more mature

498
00:22:28,880 --> 00:22:31,800
Speaker 1: than a mature here than an average listener. So the

499
00:22:31,880 --> 00:22:33,320
Speaker 1: ship that I can make and be like, oh this

500
00:22:33,359 --> 00:22:35,840
Speaker 1: shit crazy, you know what I'm saying. But the thing,

501
00:22:36,119 --> 00:22:38,280
Speaker 1: the good thing about that is that I make sure

502
00:22:38,320 --> 00:22:40,440
Speaker 1: that I feel like it stands the test of time.

503
00:22:40,560 --> 00:22:42,800
Speaker 1: You know, So shit could be like ten years later

504
00:22:42,880 --> 00:22:44,520
Speaker 1: you hear that ship and you're like, oh, this shits

505
00:22:44,560 --> 00:22:47,440
Speaker 1: still kind of crazy now, you know. So it's all

506
00:22:47,440 --> 00:22:49,640
Speaker 1: about just not trying to make something just so trendy

507
00:22:49,720 --> 00:22:52,040
Speaker 1: and just getting caught up and just making my own shit.

508
00:22:52,200 --> 00:22:52,359
Speaker 2: You know.

509
00:22:52,480 --> 00:22:53,960
Speaker 1: That's why I don't really feel like none of my

510
00:22:54,040 --> 00:22:55,200
Speaker 1: music really your age like that.

511
00:22:55,400 --> 00:22:55,560
Speaker 2: You know.

512
00:22:56,560 --> 00:22:59,240
Speaker 4: Let's talk about you got your own show, yeah, so

513
00:22:59,359 --> 00:23:00,120
Speaker 4: Downy Brown.

514
00:23:00,040 --> 00:23:02,560
Speaker 3: Yeah, the Danny Brown Show. What made you do that?

515
00:23:03,600 --> 00:23:06,240
Speaker 3: I was just friends with Time.

516
00:23:06,080 --> 00:23:09,840
Speaker 1: Sigura and he sounds rich. Yeah, he definitely is rich.

517
00:23:10,280 --> 00:23:13,160
Speaker 1: But are you guys doing together? No, I'm on his network.

518
00:23:13,280 --> 00:23:13,760
Speaker 3: Oh dope.

519
00:23:14,040 --> 00:23:16,080
Speaker 1: So I did his podcast and then he just was

520
00:23:16,280 --> 00:23:17,639
Speaker 1: he always used to. We used to talk on the

521
00:23:17,680 --> 00:23:19,119
Speaker 1: phone and stuff. He's always to telling me like, man,

522
00:23:19,160 --> 00:23:20,440
Speaker 1: you need to do you own podcasts.

523
00:23:20,480 --> 00:23:21,879
Speaker 4: Man is crazy.

524
00:23:21,880 --> 00:23:24,280
Speaker 1: And I was like, man, you know, anybody can just

525
00:23:24,320 --> 00:23:26,679
Speaker 1: set a camera up in a fucking room and started

526
00:23:26,720 --> 00:23:29,920
Speaker 1: talking ship on the podcast. But I was like, I

527
00:23:30,119 --> 00:23:32,000
Speaker 1: like the way they work, and you know, they got

528
00:23:32,040 --> 00:23:33,800
Speaker 1: a high production value and shit. So I was like,

529
00:23:33,880 --> 00:23:37,040
Speaker 1: if if I's a guy from Fool's Gold, no that's

530
00:23:37,080 --> 00:23:37,800
Speaker 1: a track.

531
00:23:39,640 --> 00:23:43,400
Speaker 3: Comedian. Yeah that's how you got through him? Yeah, yeah, yeah.

532
00:23:43,520 --> 00:23:44,920
Speaker 1: So I was just like, you know, I do it

533
00:23:45,000 --> 00:23:46,840
Speaker 1: if I do it with y'all, you know. And then

534
00:23:47,520 --> 00:23:49,359
Speaker 1: you know, I was dating a girl in Austin, so

535
00:23:49,480 --> 00:23:51,480
Speaker 1: I was going out there a lot seeing her, and

536
00:23:51,560 --> 00:23:53,080
Speaker 1: then he told me he was moving to Austin.

537
00:23:53,119 --> 00:23:54,800
Speaker 3: So I was like, fuck it, I'm moving to Austin too.

538
00:23:55,240 --> 00:23:56,920
Speaker 3: How did you guys connect? And we put it together.

539
00:23:57,119 --> 00:23:59,720
Speaker 1: I had just being a fan of his show, so

540
00:24:00,040 --> 00:24:01,399
Speaker 1: you know, he reached out to me, had me on

541
00:24:01,480 --> 00:24:03,000
Speaker 1: his show, and I did good on there. He was like, man,

542
00:24:03,000 --> 00:24:05,479
Speaker 1: you funny man, you should do this ship. And then

543
00:24:05,520 --> 00:24:06,760
Speaker 1: you know, they always tell me I need to be

544
00:24:06,840 --> 00:24:07,800
Speaker 1: doing comedy and ship.

545
00:24:07,880 --> 00:24:11,760
Speaker 3: But you know, I'm still comedians to be doing music, Yeah,

546
00:24:12,280 --> 00:24:15,040
Speaker 3: but we can't. I don't like sucking that ship.

547
00:24:15,480 --> 00:24:17,320
Speaker 4: You know how many comedians and music where you get

548
00:24:17,480 --> 00:24:18,960
Speaker 4: Jamie Fox bro got one.

549
00:24:19,680 --> 00:24:20,400
Speaker 3: That's that's enough.

550
00:24:20,480 --> 00:24:23,720
Speaker 1: I mean that party all the time, all the time.

551
00:24:23,920 --> 00:24:24,440
Speaker 3: That's enough.

552
00:24:25,520 --> 00:24:27,400
Speaker 1: But you know, comedy, man, you're gonna have to bond

553
00:24:27,480 --> 00:24:30,440
Speaker 1: for like ten years. Man, I boyd ten years in rap.

554
00:24:30,480 --> 00:24:32,200
Speaker 1: I ain't trying to go through that turmoil again.

555
00:24:33,119 --> 00:24:37,720
Speaker 3: But but y'all doing great, Yeah, doing great. I ain't

556
00:24:37,760 --> 00:24:38,080
Speaker 3: gonna lie.

557
00:24:38,119 --> 00:24:42,080
Speaker 1: I mean, but he just talked funny anyway, like he's

558
00:24:42,119 --> 00:24:42,600
Speaker 1: just say.

559
00:24:42,600 --> 00:24:45,080
Speaker 4: Nobody donand because you know, he used so much big words.

560
00:24:45,400 --> 00:24:47,080
Speaker 1: Yeah, be funny.

561
00:24:47,160 --> 00:24:49,200
Speaker 3: You don't want to stand the word he just used.

562
00:24:49,520 --> 00:24:52,280
Speaker 1: That was hard. So, I mean, but the thing is

563
00:24:52,320 --> 00:24:55,119
Speaker 1: about comedy. Ain't no ageism in that. So I decided

564
00:24:55,160 --> 00:24:57,240
Speaker 1: to do it when I'm fifty, you know that'd be

565
00:24:57,320 --> 00:24:57,680
Speaker 1: one thing.

566
00:24:57,760 --> 00:25:00,800
Speaker 3: But you're right now, you're gonna try and do this, Yeah, definitely.

567
00:25:00,840 --> 00:25:02,080
Speaker 3: I mean, I feel like you gotta.

568
00:25:02,440 --> 00:25:05,040
Speaker 1: When I got like these top tier motherfuckers keep coming

569
00:25:05,080 --> 00:25:06,560
Speaker 1: to me like, man, you funny as fuck. You need

570
00:25:06,600 --> 00:25:08,480
Speaker 1: to do comedy to do comedy, you know, so you

571
00:25:08,560 --> 00:25:11,440
Speaker 1: can't keep having motherfuckers that do that ship tell you

572
00:25:11,440 --> 00:25:12,640
Speaker 1: you need to be doing that ship.

573
00:25:12,920 --> 00:25:13,919
Speaker 3: Just not take their advice.

574
00:25:14,000 --> 00:25:14,159
Speaker 2: You know.

575
00:25:14,840 --> 00:25:18,000
Speaker 4: I was at Dave Chappelle yesterday and I was telling

576
00:25:18,119 --> 00:25:20,639
Speaker 4: him how happy I was that comedy is in a

577
00:25:20,720 --> 00:25:22,639
Speaker 4: turmoil right now. It was like because I was like,

578
00:25:23,359 --> 00:25:25,359
Speaker 4: I just want to pool to the world that not

579
00:25:25,480 --> 00:25:26,400
Speaker 4: only rappers beef.

580
00:25:27,080 --> 00:25:27,960
Speaker 1: I was like, I liked it.

581
00:25:28,080 --> 00:25:29,919
Speaker 3: You can know the fuckers always be beefing.

582
00:25:30,000 --> 00:25:33,600
Speaker 1: Though it was behind the scene, Yah, yeah, you be

583
00:25:33,760 --> 00:25:34,440
Speaker 1: a green room.

584
00:25:34,520 --> 00:25:37,240
Speaker 4: I was so loud laughing. It was like, yo, what's

585
00:25:37,280 --> 00:25:39,399
Speaker 4: wrong with you? In fact, Joe, I was like, I

586
00:25:39,760 --> 00:25:43,000
Speaker 4: like the comedians on beefing fuck that y'all goals guard

587
00:25:43,080 --> 00:25:45,800
Speaker 4: each other. And David was laughing at me, but I

588
00:25:46,000 --> 00:25:46,200
Speaker 4: like that.

589
00:25:46,800 --> 00:25:49,280
Speaker 1: Yeah, it's always competition with them. You be in the

590
00:25:49,720 --> 00:25:52,399
Speaker 1: green rooms, man, the motherfucker's always talking about each other.

591
00:25:52,480 --> 00:25:53,479
Speaker 3: So this ain't nothing new.

592
00:25:53,840 --> 00:25:57,040
Speaker 4: So if you was the host a comedy show, where

593
00:25:57,040 --> 00:25:57,800
Speaker 4: would you hold it at?

594
00:25:58,359 --> 00:25:59,960
Speaker 3: If I was the host of Comedy Team, I mean

595
00:26:00,119 --> 00:26:01,200
Speaker 3: to do your.

596
00:26:01,080 --> 00:26:02,760
Speaker 4: Own cop your first stand, and where would you want

597
00:26:02,760 --> 00:26:03,000
Speaker 4: to do it that?

598
00:26:03,080 --> 00:26:05,239
Speaker 1: I mean obviously Austin, because that's where it's cracking. At

599
00:26:05,359 --> 00:26:07,320
Speaker 1: You know, they obviously having like a Detroit.

600
00:26:07,400 --> 00:26:08,439
Speaker 4: I thought you would have said Detroit.

601
00:26:08,640 --> 00:26:11,399
Speaker 1: Detroit's a different type of comedy, you know, because I

602
00:26:11,480 --> 00:26:13,720
Speaker 1: mean they're gonna heckle you and ship man niggas don't

603
00:26:13,720 --> 00:26:14,200
Speaker 1: know how to act.

604
00:26:14,320 --> 00:26:17,159
Speaker 3: You know, In Austin, they gonna have a little respect.

605
00:26:17,320 --> 00:26:19,400
Speaker 1: You know, they know you're just trying to work it out.

606
00:26:20,160 --> 00:26:21,399
Speaker 4: You're trying to work it out, you.

607
00:26:21,440 --> 00:26:27,800
Speaker 1: Know, Austin, Austin out there, you know, so I ain't

608
00:26:27,800 --> 00:26:28,399
Speaker 1: got time for that.

609
00:26:29,280 --> 00:26:29,960
Speaker 3: I ain't gonna like it.

610
00:26:30,040 --> 00:26:35,679
Speaker 1: You up everything he just said, got another trick there.

611
00:26:36,520 --> 00:26:39,359
Speaker 1: Holy Austin is having like a comedy renaissance right now.

612
00:26:39,440 --> 00:26:42,280
Speaker 1: You know, everybody's moving there to do comedy. You go

613
00:26:42,400 --> 00:26:44,200
Speaker 1: out every night, you're seeing crazy ship.

614
00:26:44,280 --> 00:26:46,640
Speaker 3: You know, every time I went to Austin, my sneakers

615
00:26:46,680 --> 00:26:48,560
Speaker 3: came back. You never want you never want to go

616
00:26:48,600 --> 00:26:49,640
Speaker 3: to South Myselfwest.

617
00:26:50,240 --> 00:26:53,240
Speaker 4: It's not don't want to because my sneakers. They always

618
00:26:53,280 --> 00:26:54,160
Speaker 4: step on my sneakers.

619
00:26:54,400 --> 00:26:57,080
Speaker 1: I actually wore some dead stock phone posits one time

620
00:26:57,119 --> 00:26:58,960
Speaker 1: and the soul came off because it was so hot.

621
00:27:00,840 --> 00:27:02,480
Speaker 1: It was like, fuck, that's why you can't be wearing

622
00:27:02,520 --> 00:27:03,920
Speaker 1: these nineteen ninety eight sneakers.

623
00:27:04,560 --> 00:27:05,960
Speaker 4: You know what I'm saying, it's the best year of

624
00:27:06,000 --> 00:27:06,879
Speaker 4: my life ninety ninety eight.

625
00:27:07,000 --> 00:27:11,000
Speaker 3: Oh yeah, my favorite, yeah of my life nineteen ninety eight. Okay,

626
00:27:11,400 --> 00:27:14,320
Speaker 3: moving on, let me get some give me flowers, man,

627
00:27:14,440 --> 00:27:15,320
Speaker 3: Oh yes, I'll show.

628
00:27:15,359 --> 00:27:18,399
Speaker 4: It's about giving people they flowers while they can smell them,

629
00:27:18,880 --> 00:27:20,920
Speaker 4: they thought where they can think them, and they drinks

630
00:27:20,920 --> 00:27:21,760
Speaker 4: when they can drink them.

631
00:27:21,880 --> 00:27:23,639
Speaker 3: So we wanted to give you face to face man.

632
00:27:23,800 --> 00:27:29,960
Speaker 1: Man. Man Snoop Dogg.

633
00:27:29,880 --> 00:27:31,560
Speaker 4: Said it's better than a Grammy because it comes from

634
00:27:31,600 --> 00:27:33,800
Speaker 4: his own people. You rolled this ship out of this

635
00:27:34,160 --> 00:27:35,359
Speaker 4: This is a good blunt.

636
00:27:35,280 --> 00:27:39,440
Speaker 1: But no motherfuckers need to give you your flowers. Brother,

637
00:27:40,960 --> 00:27:43,000
Speaker 1: I'm gonna tell you how, man, you changed a lot

638
00:27:43,040 --> 00:27:45,040
Speaker 1: of shit man when you first came around, because you

639
00:27:45,160 --> 00:27:45,639
Speaker 1: you changed the.

640
00:27:45,640 --> 00:27:47,560
Speaker 3: Whole perception of what the New York graphic could be.

641
00:27:47,720 --> 00:27:51,400
Speaker 1: Everybody thought, even though I hate that term lyrical miracle ship, yep,

642
00:27:51,480 --> 00:27:53,480
Speaker 1: but you came in with a whole different perspective. I

643
00:27:53,520 --> 00:27:55,399
Speaker 1: feel like these you was the first nigga with the

644
00:27:55,520 --> 00:27:57,359
Speaker 1: ad libs and shit. You know what I'm saying, Like

645
00:27:57,480 --> 00:27:58,359
Speaker 1: you see a lot of.

646
00:28:00,119 --> 00:28:03,320
Speaker 3: Come behind me. That's a fact. And guess what I

647
00:28:03,440 --> 00:28:04,280
Speaker 3: brung Pharrell.

648
00:28:04,480 --> 00:28:08,239
Speaker 4: I brung on all of your godfathers, because Farrell has

649
00:28:08,240 --> 00:28:10,920
Speaker 4: a whole generation of people and I'm very proud of

650
00:28:11,280 --> 00:28:14,600
Speaker 4: even though I don't. I don't and I brong Swiss

651
00:28:14,600 --> 00:28:17,880
Speaker 4: to be too scot Stores. But I don't exactly love

652
00:28:17,960 --> 00:28:21,400
Speaker 4: the cowboy gear the Cowboys ship.

653
00:28:21,480 --> 00:28:23,480
Speaker 1: I mean me be personally. I was in Texas and

654
00:28:23,600 --> 00:28:28,200
Speaker 1: everything you in Austin, I was wearing the Cowboys ship Cowboy,

655
00:28:28,600 --> 00:28:31,000
Speaker 1: but then the cartail Nigga started pulling up on who

656
00:28:31,080 --> 00:28:33,200
Speaker 1: you work with? I'm like, oh, ship, this ship dangerous?

657
00:28:33,320 --> 00:28:39,960
Speaker 1: Like yeah, it's like man, I was like, I had

658
00:28:40,000 --> 00:28:40,640
Speaker 1: to stop doing this.

659
00:28:41,800 --> 00:28:42,440
Speaker 4: That's crazy.

660
00:28:42,600 --> 00:28:45,400
Speaker 3: Yeah, yeah, holy movie.

661
00:28:46,280 --> 00:28:48,880
Speaker 1: I didn't know you up, Like, why does Nigga wearing

662
00:28:48,880 --> 00:28:49,959
Speaker 1: this cowboy sit everywhere?

663
00:28:50,000 --> 00:28:50,080
Speaker 2: Man?

664
00:28:50,120 --> 00:28:51,920
Speaker 1: Who you work with? I'm like, ship, Nigga, I just

665
00:28:51,960 --> 00:28:52,880
Speaker 1: thought it looked cool.

666
00:28:53,920 --> 00:28:56,840
Speaker 3: Yo, Hippop.

667
00:29:00,040 --> 00:29:03,240
Speaker 4: I know it sounds like a cliche question, but I

668
00:29:03,360 --> 00:29:05,240
Speaker 4: want to ask, do you ever think hip hop would

669
00:29:05,240 --> 00:29:06,360
Speaker 4: be as big as it is?

670
00:29:07,960 --> 00:29:09,920
Speaker 3: She said you forty two? You have to you're around?

671
00:29:10,080 --> 00:29:12,720
Speaker 1: Yeah, I mean is it?

672
00:29:12,840 --> 00:29:13,400
Speaker 4: Do? Like?

673
00:29:13,480 --> 00:29:16,480
Speaker 1: I feel like we take it's like a one step forward,

674
00:29:16,560 --> 00:29:18,120
Speaker 1: two steps back kind of thing, you.

675
00:29:18,200 --> 00:29:23,880
Speaker 4: Know, no, financially it's huge, but could it be could

676
00:29:23,880 --> 00:29:24,320
Speaker 4: it be better?

677
00:29:24,440 --> 00:29:26,480
Speaker 1: But they always putting the money in the wrong pockets,

678
00:29:26,720 --> 00:29:27,760
Speaker 1: you know, because.

679
00:29:27,560 --> 00:29:29,800
Speaker 4: You know what, you know what, I even look at

680
00:29:29,840 --> 00:29:33,000
Speaker 4: afro beats and reggae's on, I all look at it

681
00:29:33,080 --> 00:29:34,320
Speaker 4: as versions.

682
00:29:34,040 --> 00:29:34,480
Speaker 3: Of hip hop.

683
00:29:34,600 --> 00:29:37,320
Speaker 1: Yeah, I mean far as the influence then, yeah, I mean,

684
00:29:37,440 --> 00:29:39,960
Speaker 1: but niggas is always cool, you know, so they always

685
00:29:39,960 --> 00:29:40,680
Speaker 1: gonna bite the ship.

686
00:29:40,800 --> 00:29:43,960
Speaker 3: I mean, you know, but I don't know, man, I think.

687
00:29:45,680 --> 00:29:49,600
Speaker 1: I just wish it was more emphasis on creativity than

688
00:29:49,680 --> 00:29:52,080
Speaker 1: anything else, you know, like because right now it's just

689
00:29:52,200 --> 00:29:53,120
Speaker 1: like copy and paste.

690
00:29:53,840 --> 00:29:54,000
Speaker 2: You know.

691
00:29:54,520 --> 00:29:56,600
Speaker 1: You see some shit work, like all right, I'm doing

692
00:29:56,640 --> 00:29:59,280
Speaker 1: that ship too, didn't work, And then niggas don't even

693
00:29:59,480 --> 00:30:00,360
Speaker 1: you know, he needs.

694
00:30:00,240 --> 00:30:01,960
Speaker 3: To be more gatekeeping around his motherfucker.

695
00:30:02,600 --> 00:30:04,719
Speaker 4: When when you have the regions losing their sound, that's

696
00:30:04,760 --> 00:30:05,160
Speaker 4: a problem.

697
00:30:05,280 --> 00:30:08,320
Speaker 1: Yeah, everybody looked the same, everybody talks, you know what.

698
00:30:08,600 --> 00:30:10,760
Speaker 4: You could hear the same sound here and go to

699
00:30:11,040 --> 00:30:12,760
Speaker 4: Asia in here and hear the same sound.

700
00:30:12,800 --> 00:30:12,920
Speaker 1: You know.

701
00:30:13,000 --> 00:30:15,320
Speaker 4: I gotta, I gotta, I gotta agree with you. In totality,

702
00:30:16,560 --> 00:30:18,200
Speaker 4: there was an area in New York where New York

703
00:30:18,320 --> 00:30:20,000
Speaker 4: was trying to sound like the South, and I could

704
00:30:20,120 --> 00:30:22,920
Speaker 4: not stand it. I could not stand I just I

705
00:30:23,080 --> 00:30:24,360
Speaker 4: even did it. I mean, but you said I got

706
00:30:24,400 --> 00:30:24,920
Speaker 4: a call.

707
00:30:25,560 --> 00:30:27,200
Speaker 3: I'm so disappointed in myself.

708
00:30:27,240 --> 00:30:29,400
Speaker 1: It's still certain places that stick to their guns, like

709
00:30:29,480 --> 00:30:32,960
Speaker 1: you go to like Louisiana or like Memphis. You know,

710
00:30:33,120 --> 00:30:37,760
Speaker 1: they still gonna do they ship, you know, but large sale.

711
00:30:38,000 --> 00:30:40,240
Speaker 1: To be honest, that's just the Internet though. The Internet

712
00:30:40,360 --> 00:30:42,960
Speaker 1: just made the world smaller, you know, and.

713
00:30:43,000 --> 00:30:44,560
Speaker 2: It brought a lot of people who probably wouldn't have

714
00:30:44,560 --> 00:30:45,560
Speaker 2: been artists into the fold.

715
00:30:45,720 --> 00:30:47,840
Speaker 1: Yeah. Yeah, a lot of motherfuckers don't even know why

716
00:30:47,840 --> 00:30:51,160
Speaker 1: they rap. They just like fuck it, man, this shit cool, I'm.

717
00:30:51,040 --> 00:30:51,400
Speaker 3: Gonna do this.

718
00:30:51,480 --> 00:30:54,040
Speaker 2: It's like I just like everybody's an influencer now that

719
00:30:54,120 --> 00:30:56,040
Speaker 2: everybody was a rapper at one point, and that's the

720
00:30:56,160 --> 00:30:58,000
Speaker 2: same things because continues that cycle.

721
00:30:58,600 --> 00:31:03,200
Speaker 4: Yeah, I remember being a rapper was cool. Now being

722
00:31:03,240 --> 00:31:06,280
Speaker 4: a rapper is like so yeah, Like I remember I

723
00:31:06,320 --> 00:31:07,760
Speaker 4: could get pulled over and say I'm a rapper.

724
00:31:07,840 --> 00:31:09,120
Speaker 3: I'm almost embarrassed to say it.

725
00:31:09,560 --> 00:31:16,640
Speaker 1: Yeah drunk, Yeah, like I don't want to say I'm

726
00:31:16,640 --> 00:31:19,240
Speaker 1: a rapper. Like, pull you over if you say drugs,

727
00:31:19,480 --> 00:31:20,920
Speaker 1: because all of the thing, like if you got to

728
00:31:20,960 --> 00:31:23,240
Speaker 1: tell somebody you're a rapper? Are you really a rapper?

729
00:31:26,360 --> 00:31:26,560
Speaker 4: Yeah?

730
00:31:27,000 --> 00:31:30,040
Speaker 3: Like so you know, it's just like one of those things.

731
00:31:30,080 --> 00:31:32,280
Speaker 1: But to be honest, I still I do like the

732
00:31:32,360 --> 00:31:34,520
Speaker 1: fact because as a person that took me so long

733
00:31:34,560 --> 00:31:37,400
Speaker 1: to get into it, you know how easy and not

734
00:31:37,480 --> 00:31:40,520
Speaker 1: saying it's easy, but you know, you can make some

735
00:31:40,600 --> 00:31:44,360
Speaker 1: ship and the people fun with it. You own, you know,

736
00:31:44,680 --> 00:31:47,640
Speaker 1: so you ain't got to go through all these pipelines

737
00:31:47,680 --> 00:31:49,520
Speaker 1: and ship like that how it used to be before,

738
00:31:49,560 --> 00:31:49,720
Speaker 1: you know.

739
00:31:50,600 --> 00:31:52,400
Speaker 4: So I do like that part of it, you know,

740
00:31:53,960 --> 00:31:58,160
Speaker 4: I tell you, I tell you I come from the

741
00:31:58,320 --> 00:32:03,960
Speaker 4: error where I'm forty six. I come from the era

742
00:32:04,080 --> 00:32:07,120
Speaker 4: where you couldn't get to London unless you brung London

743
00:32:07,200 --> 00:32:07,920
Speaker 4: your record.

744
00:32:08,720 --> 00:32:11,920
Speaker 3: There was no email, there was no like, you couldn't

745
00:32:11,920 --> 00:32:12,400
Speaker 3: break into it.

746
00:32:13,240 --> 00:32:16,960
Speaker 4: In order to break into a country, a city, a town,

747
00:32:17,080 --> 00:32:20,040
Speaker 4: you had to actually physically be there. So nowadays you

748
00:32:20,080 --> 00:32:22,160
Speaker 4: could just you could just literally press one button and

749
00:32:22,240 --> 00:32:24,080
Speaker 4: that shit would be in London, that would be in Japan,

750
00:32:24,160 --> 00:32:25,719
Speaker 4: that should have been duce off Germany.

751
00:32:28,440 --> 00:32:29,360
Speaker 3: What do you think about that?

752
00:32:30,160 --> 00:32:33,680
Speaker 1: I mean, I love that in some sense because, like me,

753
00:32:33,840 --> 00:32:36,800
Speaker 1: a person that wanted to do a particular style and

754
00:32:37,200 --> 00:32:39,160
Speaker 1: you know, had this idea in my head and I

755
00:32:39,320 --> 00:32:42,080
Speaker 1: was able to work with like a London producer shots

756
00:32:42,120 --> 00:32:43,680
Speaker 1: out to Paul Waite. I worked with him for like

757
00:32:43,760 --> 00:32:46,200
Speaker 1: ten years where I even met him. Wow, you know

758
00:32:46,720 --> 00:32:49,760
Speaker 1: you worked with him before you met Yeah, just emails, Oh,

759
00:32:50,200 --> 00:32:52,080
Speaker 1: just send me a pack of beats and we did.

760
00:32:52,200 --> 00:32:55,120
Speaker 1: Like you know, he on every album I've made since

761
00:32:55,160 --> 00:32:58,160
Speaker 1: I've been around, you know, So just being able to

762
00:32:58,560 --> 00:33:00,640
Speaker 1: connect with somebody that I still I felt like we

763
00:33:00,800 --> 00:33:03,600
Speaker 1: had that same ear with music, you know, more so

764
00:33:03,800 --> 00:33:05,960
Speaker 1: than me just having to work with a motherfucker that's

765
00:33:06,000 --> 00:33:07,920
Speaker 1: around the corner from me that you know, couldn't even

766
00:33:08,000 --> 00:33:09,760
Speaker 1: understand the type of shit that I'm into, you know.

767
00:33:10,680 --> 00:33:13,360
Speaker 1: So for that part, yeah, definitely helped make my music better.

768
00:33:13,760 --> 00:33:16,440
Speaker 2: But that's different from what you're saying, because the network

769
00:33:16,520 --> 00:33:18,320
Speaker 2: is dope that you can network with anybody around the

770
00:33:18,360 --> 00:33:21,600
Speaker 2: world that's beautiful and create those connections and relationships you're

771
00:33:21,640 --> 00:33:23,760
Speaker 2: saying about selling the record at the same time that

772
00:33:23,880 --> 00:33:26,480
Speaker 2: one record that's being pressed and is going across the world,

773
00:33:26,640 --> 00:33:28,520
Speaker 2: there's a million records at the same time going across

774
00:33:28,600 --> 00:33:31,240
Speaker 2: the world. It's different from building relationships to just trying

775
00:33:31,280 --> 00:33:34,560
Speaker 2: to get it out to people. It's just oversaturated.

776
00:33:34,720 --> 00:33:37,080
Speaker 1: Yeah, I agree, you know, so I'm saying that is

777
00:33:37,320 --> 00:33:38,880
Speaker 1: what I was saying, is the good part of that,

778
00:33:39,200 --> 00:33:41,800
Speaker 1: and I think that's kind of the bad part if

779
00:33:41,840 --> 00:33:42,240
Speaker 1: it is.

780
00:33:42,280 --> 00:33:43,959
Speaker 2: The relationship building to be able to talk to anybody

781
00:33:43,960 --> 00:33:45,120
Speaker 2: around the world and connect.

782
00:33:45,680 --> 00:33:48,280
Speaker 4: Now we always talk about this on the show. Is

783
00:33:49,480 --> 00:33:52,120
Speaker 4: in the nineties, we couldn't send people emails. We couldn't

784
00:33:53,080 --> 00:33:54,400
Speaker 4: What we had to do was we had to bring

785
00:33:55,200 --> 00:33:57,920
Speaker 4: a two inch rail to your studio session. Do you

786
00:33:58,000 --> 00:34:00,640
Speaker 4: think the music is better because people were in the

787
00:34:00,680 --> 00:34:03,080
Speaker 4: studio together as opposed to people sitting features.

788
00:34:04,840 --> 00:34:08,640
Speaker 1: I think the music was better because limitations breed creativity,

789
00:34:09,440 --> 00:34:12,200
Speaker 1: and now you can fucking everything is just so easy

790
00:34:12,280 --> 00:34:14,080
Speaker 1: to do with even just like the drum machines.

791
00:34:14,120 --> 00:34:15,120
Speaker 3: Motherfucker's gotten now.

792
00:34:15,160 --> 00:34:17,680
Speaker 1: Like the type of ship you know, like the type

793
00:34:17,719 --> 00:34:20,239
Speaker 1: of ship Dyla was doing, or like Primo and all

794
00:34:20,280 --> 00:34:22,080
Speaker 1: these type of motherfuckers, you know, the type of beats

795
00:34:22,120 --> 00:34:24,520
Speaker 1: they've just making. Back then, man, they was really having

796
00:34:24,560 --> 00:34:27,200
Speaker 1: to be like scientists, like real like genius to be

797
00:34:27,320 --> 00:34:29,839
Speaker 1: making these fucking beats. And now you know, you can

798
00:34:29,960 --> 00:34:32,960
Speaker 1: just fucking get fucking VSTs and Pugins, you.

799
00:34:33,120 --> 00:34:33,400
Speaker 2: Know, and.

800
00:34:34,920 --> 00:34:36,680
Speaker 3: All that ship is just right there for you for

801
00:34:36,760 --> 00:34:37,160
Speaker 3: the take it.

802
00:34:37,239 --> 00:34:37,359
Speaker 4: Man.

803
00:34:37,440 --> 00:34:40,560
Speaker 1: So I think limitations breed creativity. So the type of

804
00:34:40,600 --> 00:34:43,839
Speaker 1: ship motherfuckers like, imagine them bomb squad beats and ship

805
00:34:43,960 --> 00:34:46,719
Speaker 1: like that, and the ship like Beasties was doing and ship,

806
00:34:46,840 --> 00:34:49,920
Speaker 1: you know, likefuckers ain't even working that hard to make

807
00:34:50,000 --> 00:34:55,040
Speaker 1: no music, you know what I'm yeah, they they ain't

808
00:34:55,040 --> 00:34:57,080
Speaker 1: putting that much work in, you know. And then you

809
00:34:57,640 --> 00:35:00,680
Speaker 1: just the point of having studio time. Now fuckers recording

810
00:35:00,680 --> 00:35:03,239
Speaker 1: shit in their bedrooms. You know that that's why these

811
00:35:03,320 --> 00:35:06,360
Speaker 1: motherfuckers don't rack, I mean don't write. You know, before

812
00:35:06,400 --> 00:35:08,360
Speaker 1: you had to have that ship, you know, you cording

813
00:35:08,440 --> 00:35:09,960
Speaker 1: on the tape, you had to fuck up. You know,

814
00:35:10,000 --> 00:35:11,640
Speaker 1: you got to do the whole verse back. It wasn't

815
00:35:11,680 --> 00:35:14,360
Speaker 1: no punching in and all that ship. Man, So to

816
00:35:14,600 --> 00:35:18,880
Speaker 1: be a rapper is way easier now. You know, what

817
00:35:19,040 --> 00:35:22,239
Speaker 1: do you fabulous and os having comming? What do you

818
00:35:22,320 --> 00:35:25,280
Speaker 1: mean knaves and fabulous having come? I mean I wouldn't

819
00:35:25,280 --> 00:35:33,359
Speaker 1: know what got your teeth fix? Oh yeah yeah, kill test?

820
00:35:33,960 --> 00:35:34,719
Speaker 3: What made you do that?

821
00:35:35,480 --> 00:35:37,200
Speaker 4: I mean he was a health thinner that was like

822
00:35:37,320 --> 00:35:39,759
Speaker 4: kind of like your signature. Yeah, like when people saw

823
00:35:39,840 --> 00:35:41,440
Speaker 4: you that you had to missing too from there and

824
00:35:41,520 --> 00:35:44,400
Speaker 4: it was like similar to nas like like I remember

825
00:35:44,760 --> 00:35:46,920
Speaker 4: Chip too smile. He even said it in the record

826
00:35:47,120 --> 00:35:48,480
Speaker 4: and Fab the same way.

827
00:35:48,680 --> 00:35:50,799
Speaker 3: So what made you say, you know what, really your

828
00:35:50,880 --> 00:35:51,279
Speaker 3: health thing?

829
00:35:51,360 --> 00:35:53,719
Speaker 1: Because I didn't have those top teeth for so long.

830
00:35:53,960 --> 00:35:57,000
Speaker 1: You know, you're constantly biting ship. Your bottom is working

831
00:35:57,080 --> 00:36:00,560
Speaker 1: way harder than your top, and your bottom don't supposed

832
00:36:00,560 --> 00:36:02,120
Speaker 1: to be biting ship, you know what I'm saying.

833
00:36:02,719 --> 00:36:04,479
Speaker 3: So my Dinners was telling me like, now you're about

834
00:36:04,480 --> 00:36:05,320
Speaker 3: to lose your whole.

835
00:36:05,200 --> 00:36:07,440
Speaker 1: Fucking bottom row. You keep going like this, man, you

836
00:36:07,520 --> 00:36:09,239
Speaker 1: gotta do you gotta get you some choppers up in

837
00:36:09,320 --> 00:36:12,160
Speaker 1: that motherfucker man. So I just had to do it.

838
00:36:12,320 --> 00:36:16,200
Speaker 3: Man, you know you're happy with him. I mean, it

839
00:36:16,360 --> 00:36:16,840
Speaker 3: is what it is.

840
00:36:16,960 --> 00:36:19,160
Speaker 1: I mean, I can honestly say. I mean, I guess

841
00:36:19,239 --> 00:36:21,240
Speaker 1: I was gonna do something for you motherfucker self esteem.

842
00:36:21,280 --> 00:36:22,680
Speaker 1: It was a time I likee you know, you walk

843
00:36:22,760 --> 00:36:24,759
Speaker 1: up on a bitch, they be like, you know, might

844
00:36:24,800 --> 00:36:26,400
Speaker 1: get a little flavor as soon as I talked to

845
00:36:26,600 --> 00:36:32,879
Speaker 1: like what you know, So yeah, like damn start trying

846
00:36:32,880 --> 00:36:34,880
Speaker 1: to say gangs and ship like I got pistol whooped,

847
00:36:34,920 --> 00:36:38,319
Speaker 1: you know, came down on.

848
00:36:38,320 --> 00:36:40,319
Speaker 3: The rebound wrong in the mouth.

849
00:36:41,239 --> 00:36:44,160
Speaker 1: You know you gotta Yeah, that's how. But then I

850
00:36:44,200 --> 00:36:44,480
Speaker 1: got hit.

851
00:36:44,520 --> 00:36:47,080
Speaker 3: I got hit by car Oh wow in the KFC

852
00:36:47,280 --> 00:36:47,759
Speaker 3: parking lot.

853
00:36:49,239 --> 00:36:52,440
Speaker 4: See Centis Man in check. I can't see Sentis Man

854
00:36:52,520 --> 00:36:54,839
Speaker 4: in check. You know he does sacrifice for your chicken

855
00:36:54,920 --> 00:36:58,720
Speaker 4: wings fives. But yeah, you know, ask for Christy.

856
00:36:59,080 --> 00:37:00,960
Speaker 3: I'm an original guy. I'm original too.

857
00:37:01,080 --> 00:37:01,279
Speaker 1: Yeah.

858
00:37:02,239 --> 00:37:04,239
Speaker 3: But yeah, it just was a health thing. I mean,

859
00:37:05,040 --> 00:37:06,920
Speaker 3: you know, and you got it.

860
00:37:07,520 --> 00:37:13,280
Speaker 4: So now one thing about you. Hair color changes. Sometimes

861
00:37:13,360 --> 00:37:16,360
Speaker 4: we see you a green, sometimes we see you a blonde.

862
00:37:16,440 --> 00:37:19,120
Speaker 4: Sometimes it's just it's just what what what?

863
00:37:19,280 --> 00:37:19,320
Speaker 2: What?

864
00:37:19,880 --> 00:37:20,719
Speaker 1: What is this?

865
00:37:21,000 --> 00:37:23,800
Speaker 3: You have a hairstylist or this is you? Are you

866
00:37:23,880 --> 00:37:24,760
Speaker 3: your own stylists?

867
00:37:25,400 --> 00:37:28,080
Speaker 1: Yeah? In some sense, yes, But I don't know. I

868
00:37:28,200 --> 00:37:30,320
Speaker 1: just think, you know, a lot of people they just

869
00:37:30,400 --> 00:37:33,680
Speaker 1: get caught up. I think a lot of people be scared.

870
00:37:33,800 --> 00:37:35,360
Speaker 1: They look in the mirror and they just be happy

871
00:37:35,400 --> 00:37:37,080
Speaker 1: with what they see. Maybe I'm not happy with what

872
00:37:37,160 --> 00:37:38,640
Speaker 1: I see all the time. I need to change this

873
00:37:38,719 --> 00:37:41,680
Speaker 1: ship up so I never keep the same hairstyle. Like

874
00:37:41,800 --> 00:37:44,560
Speaker 1: some people think I got like a personality disorder or something. Man, Like,

875
00:37:44,600 --> 00:37:47,160
Speaker 1: I'm never happy with myself, so I've always tried to.

876
00:37:47,160 --> 00:37:47,759
Speaker 4: Fix some ship.

877
00:37:48,440 --> 00:37:50,000
Speaker 1: But no, I just, you know, or a lot of

878
00:37:50,040 --> 00:37:51,800
Speaker 1: people just get comfortable with the way they look. I

879
00:37:51,960 --> 00:37:54,440
Speaker 1: just think I'm never really comfortable, or I'm just not

880
00:37:54,880 --> 00:37:56,320
Speaker 1: scared to take chances, you know.

881
00:37:57,239 --> 00:38:01,360
Speaker 4: No, I think I think that's what's unique about you

882
00:38:01,840 --> 00:38:02,440
Speaker 4: is the weedu.

883
00:38:03,040 --> 00:38:05,719
Speaker 3: No, Okay, I love weed, I just can't smoke it, man,

884
00:38:06,200 --> 00:38:09,160
Speaker 3: we right, Nah what I thought you got your vapor?

885
00:38:09,880 --> 00:38:10,080
Speaker 1: Nah?

886
00:38:10,280 --> 00:38:10,480
Speaker 4: Man?

887
00:38:10,800 --> 00:38:13,600
Speaker 1: I mean when I went to rehab, it wasn't no

888
00:38:13,719 --> 00:38:15,960
Speaker 1: intentions on me to stop smoking weed, you know.

889
00:38:16,040 --> 00:38:17,000
Speaker 3: Because I love the weed.

890
00:38:17,080 --> 00:38:20,359
Speaker 1: But I just had to realize, Man, my weed bone

891
00:38:20,360 --> 00:38:22,719
Speaker 1: connected to my drinking bone. My drinking bone connected to

892
00:38:22,800 --> 00:38:25,239
Speaker 1: my coke bone. You know, my coke bone connected to

893
00:38:25,320 --> 00:38:27,720
Speaker 1: my nig bone. And it's just it's just a gateway

894
00:38:27,800 --> 00:38:29,719
Speaker 1: for everything. So I ain't a lot.

895
00:38:29,760 --> 00:38:32,760
Speaker 3: I felt like that was the hooklive.

896
00:38:32,760 --> 00:38:35,320
Speaker 1: We're going to make a record out of that. So

897
00:38:35,480 --> 00:38:37,319
Speaker 1: I just got to give up everything. I even quit

898
00:38:37,360 --> 00:38:39,960
Speaker 1: smoking cigarettes, man, And I was in a Newport pack

899
00:38:40,000 --> 00:38:42,759
Speaker 1: of day. You know, I ain't gonna lose one of

900
00:38:42,840 --> 00:38:44,759
Speaker 1: those just like you yeah kind of thing.

901
00:38:45,360 --> 00:38:45,520
Speaker 2: You know.

902
00:38:45,600 --> 00:38:46,400
Speaker 3: I had a Newport.

903
00:38:46,520 --> 00:38:48,120
Speaker 5: Yeah, I know, I know.

904
00:38:49,040 --> 00:38:50,840
Speaker 3: No, honest, I'll be honest with you.

905
00:38:51,040 --> 00:38:53,600
Speaker 4: That was probably the most ignorant thing I've ever done.

906
00:38:54,560 --> 00:38:58,160
Speaker 4: And I'm gonna tell you something because it really held Newport.

907
00:38:58,840 --> 00:39:01,360
Speaker 4: So I went in up elevator and I'm with this

908
00:39:01,520 --> 00:39:04,560
Speaker 4: rich white lady that, by the way, we still live

909
00:39:04,600 --> 00:39:07,840
Speaker 4: in the same facility. And I got in the elevator

910
00:39:08,120 --> 00:39:13,160
Speaker 4: and she looks at it. She's like, she's disgusting, and

911
00:39:13,280 --> 00:39:18,480
Speaker 4: I'm like, without without no like knowledge, I just opened

912
00:39:18,560 --> 00:39:20,279
Speaker 4: it up and I grabbed a cigarette out and I

913
00:39:20,360 --> 00:39:23,239
Speaker 4: put it. She was like, should have never gave you

914
00:39:23,320 --> 00:39:31,279
Speaker 4: niggas money. I was the most ignorant. You know how

915
00:39:31,320 --> 00:39:34,880
Speaker 4: they say you ever spend like dumb money. That was

916
00:39:34,920 --> 00:39:37,040
Speaker 4: probably the dumbest money I've ever spent in my life.

917
00:39:37,360 --> 00:39:42,399
Speaker 3: But though it was time, I killed it. I don't want.

918
00:39:44,040 --> 00:39:45,880
Speaker 4: Time at the time.

919
00:39:48,239 --> 00:39:51,239
Speaker 3: You in the jury. I'm more of a watch guy.

920
00:39:51,560 --> 00:39:53,279
Speaker 3: What watches are you into?

921
00:39:54,560 --> 00:39:56,520
Speaker 1: I always, you know, wanted like I used to be

922
00:39:56,680 --> 00:39:59,040
Speaker 1: really into like vendage, Rolex vintage.

923
00:39:59,239 --> 00:40:00,880
Speaker 3: Yeah, like know, like I used to.

924
00:40:00,880 --> 00:40:03,960
Speaker 1: Get like you know, like I was really into like collecting.

925
00:40:04,120 --> 00:40:09,440
Speaker 1: You know, if you like certain businesses like Domino's.

926
00:40:11,280 --> 00:40:11,440
Speaker 3: Like that.

927
00:40:11,719 --> 00:40:13,200
Speaker 1: So I was like ship like that. But then I

928
00:40:13,320 --> 00:40:15,759
Speaker 1: just started to realize that you can't even go to

929
00:40:15,840 --> 00:40:18,440
Speaker 1: the Rolex store in Bio Rolex. They won't say, oh

930
00:40:18,480 --> 00:40:20,360
Speaker 1: no niggas, no Rolex you know what I'm saying. So

931
00:40:20,440 --> 00:40:22,840
Speaker 1: it's like most of these niggas just wearing secondhand Rolexes.

932
00:40:23,280 --> 00:40:25,239
Speaker 1: So then I just stopped being in the Rolexes. And

933
00:40:25,400 --> 00:40:28,279
Speaker 1: just so now I'm more of a Brightling guy because

934
00:40:28,320 --> 00:40:30,120
Speaker 1: I understand. I mean, you're going to watch that do

935
00:40:30,280 --> 00:40:33,480
Speaker 1: some ship. Brightland's really going through wars and ship.

936
00:40:33,280 --> 00:40:35,960
Speaker 3: You know, you can't die with a Brightling on They'll

937
00:40:36,000 --> 00:40:36,360
Speaker 3: finding you.

938
00:40:36,520 --> 00:40:40,879
Speaker 1: Yeah, So like Brightlan's now like tag Hewers okay, wow

939
00:40:41,600 --> 00:40:42,640
Speaker 1: to no type of watches.

940
00:40:42,760 --> 00:40:47,279
Speaker 4: Okay, yeah, I ain't gonna lie grand Listen, I'm trying

941
00:40:47,280 --> 00:40:48,160
Speaker 4: to get into Grand Sago.

942
00:40:48,239 --> 00:40:50,680
Speaker 3: I'm trying to go to Japan. Yeah, that's what That's

943
00:40:50,719 --> 00:40:51,799
Speaker 3: what this interview should have been.

944
00:40:51,840 --> 00:40:53,560
Speaker 1: We should have interviewed you in Japan. I've never been

945
00:40:53,600 --> 00:40:56,040
Speaker 1: in Japan, man, I mean I always used to look

946
00:40:56,040 --> 00:40:57,879
Speaker 1: at those places like I ain't want to go because

947
00:40:57,920 --> 00:41:00,640
Speaker 1: I couldn't smoke. But nonsense, I'm like I'm with it.

948
00:41:01,920 --> 00:41:03,560
Speaker 1: So I turned on a lot of ship just because

949
00:41:03,560 --> 00:41:05,440
Speaker 1: I yeah a lot.

950
00:41:05,560 --> 00:41:08,920
Speaker 3: Yeah, I didn't even look at it like that.

951
00:41:09,040 --> 00:41:09,200
Speaker 2: You know.

952
00:41:09,360 --> 00:41:12,680
Speaker 4: It was with in Japan for damn a month, eight

953
00:41:12,760 --> 00:41:15,440
Speaker 4: ball and mj G Compona and over eight ball and

954
00:41:15,560 --> 00:41:18,879
Speaker 4: MJG did a fucking tour in Japan for a whole

955
00:41:18,960 --> 00:41:22,480
Speaker 4: month and Instagram was not so we we actually have

956
00:41:22,680 --> 00:41:23,920
Speaker 4: no like we got.

957
00:41:23,800 --> 00:41:25,400
Speaker 3: Like two pictures, no proof of it.

958
00:41:25,520 --> 00:41:28,840
Speaker 4: There's no proof but aoy MJG obviously no. And we

959
00:41:29,000 --> 00:41:35,480
Speaker 4: want to give the invitation to a boln Yo. But

960
00:41:35,800 --> 00:41:40,279
Speaker 4: I'm gonna be honest with you. I was always, uh,

961
00:41:41,239 --> 00:41:47,840
Speaker 4: you know, pause attracted to you because to me, you

962
00:41:48,120 --> 00:41:51,919
Speaker 4: have what O dB has had And what are saying

963
00:41:51,960 --> 00:41:53,719
Speaker 4: about that is like it's like that I don't give

964
00:41:53,760 --> 00:41:56,560
Speaker 4: a fuck attitude, right, It's like you fuck with me

965
00:41:56,960 --> 00:41:59,160
Speaker 4: or you don't. And guess what, I'm okay with that,

966
00:41:59,760 --> 00:42:03,600
Speaker 4: and that to me, it's dope because most people want

967
00:42:03,760 --> 00:42:04,759
Speaker 4: people to fuck with them.

968
00:42:05,960 --> 00:42:06,880
Speaker 3: Is that something that you.

969
00:42:07,520 --> 00:42:11,920
Speaker 4: Did or you ploted, or that's something that yeah constantly

970
00:42:12,040 --> 00:42:13,120
Speaker 4: or that's something that just comes.

971
00:42:12,960 --> 00:42:14,799
Speaker 1: With I think this shit that just happens in your

972
00:42:14,840 --> 00:42:16,680
Speaker 1: life will kind of make you like that. And like

973
00:42:16,719 --> 00:42:19,799
Speaker 1: I said, I didn't really get started in this shit

974
00:42:19,920 --> 00:42:21,600
Speaker 1: till I was like thirty body, and I didn't give

975
00:42:21,600 --> 00:42:23,759
Speaker 1: a fuck about what nobody thought, you know, after all

976
00:42:23,800 --> 00:42:25,279
Speaker 1: the shit that I've been through to get to where

977
00:42:25,280 --> 00:42:27,000
Speaker 1: I was at. So I think it's just more so

978
00:42:27,640 --> 00:42:29,360
Speaker 1: about that. But even like you said, that could be

979
00:42:29,400 --> 00:42:32,120
Speaker 1: a defense mechanism in some sense too, because everybody want

980
00:42:32,200 --> 00:42:35,279
Speaker 1: people to like them, you know, you know, but it's

981
00:42:35,320 --> 00:42:37,000
Speaker 1: just like, I don't know, I just don't give a fuck.

982
00:42:37,440 --> 00:42:39,879
Speaker 1: I just really I like what I like, and that's

983
00:42:39,960 --> 00:42:42,400
Speaker 1: what it is, you know, I can't really you know,

984
00:42:42,520 --> 00:42:44,680
Speaker 1: I think that's the problem, like just not people.

985
00:42:44,920 --> 00:42:45,560
Speaker 3: You know what I'm saying.

986
00:42:45,640 --> 00:42:47,959
Speaker 1: People really care about what other people think, and shit,

987
00:42:48,200 --> 00:42:51,520
Speaker 1: you know what I'm saying. And probably that's why I

988
00:42:51,640 --> 00:42:53,960
Speaker 1: was probably drinking and shit and getting fucked up so

989
00:42:54,080 --> 00:42:57,080
Speaker 1: much as a way to fit in or feeling so

990
00:42:57,320 --> 00:42:59,640
Speaker 1: awkward being in public and shit like that, you know.

991
00:43:00,040 --> 00:43:03,080
Speaker 1: I mean, I wasn't comfortable with myself right type shit.

992
00:43:03,160 --> 00:43:03,320
Speaker 2: You know.

993
00:43:03,680 --> 00:43:06,279
Speaker 3: Nah, But that's what makes you And and again.

994
00:43:07,680 --> 00:43:10,640
Speaker 4: Because I like, I'm forty six and you say you

995
00:43:10,760 --> 00:43:13,520
Speaker 4: for forty two, and but you're still part of the

996
00:43:13,600 --> 00:43:19,080
Speaker 4: younger generation, right, which is crazy, right, But it always

997
00:43:19,160 --> 00:43:23,080
Speaker 4: seemed like it always just seemed like you didn't want.

998
00:43:22,920 --> 00:43:25,920
Speaker 1: To co sign. I mean I did though, I mean

999
00:43:26,000 --> 00:43:28,120
Speaker 1: I was with Yao. Okay, I feel like Yah, I

1000
00:43:28,160 --> 00:43:28,880
Speaker 1: love it. I love that.

1001
00:43:29,239 --> 00:43:31,359
Speaker 3: I read that. We got to talk about that. Yeah,

1002
00:43:31,640 --> 00:43:33,840
Speaker 3: Yayo was the first person that it was in the

1003
00:43:33,920 --> 00:43:34,560
Speaker 3: Queens studio.

1004
00:43:34,920 --> 00:43:38,520
Speaker 1: I mean I was recording in Queens for years before.

1005
00:43:38,719 --> 00:43:40,000
Speaker 3: And then Yaloe tried to sign you.

1006
00:43:40,239 --> 00:43:43,600
Speaker 1: No, YAlO was he's actually, I mean the engineer that

1007
00:43:43,680 --> 00:43:46,080
Speaker 1: worked at that studio shots out the Door Boy. He

1008
00:43:46,239 --> 00:43:49,200
Speaker 1: had came to Detroit with Yoyo when Yo was shooting

1009
00:43:49,239 --> 00:43:52,160
Speaker 1: at Swat Movie and they had, you know, they needed

1010
00:43:52,200 --> 00:43:53,640
Speaker 1: some weed and all that shit, you know, so they

1011
00:43:53,719 --> 00:43:56,160
Speaker 1: hit me up and I came through and then he

1012
00:43:56,320 --> 00:43:57,800
Speaker 1: just like, you know, my man rapping shit too, and

1013
00:43:58,000 --> 00:43:59,120
Speaker 1: it was like, let me see some shit, and I

1014
00:43:59,160 --> 00:44:01,920
Speaker 1: showed him my video real and he just blacked out.

1015
00:44:02,000 --> 00:44:03,600
Speaker 1: He tried to sign you A fifty trying to sign

1016
00:44:03,840 --> 00:44:07,239
Speaker 1: I mean he just was like fifty. He just was like, man,

1017
00:44:07,320 --> 00:44:09,800
Speaker 1: you're leaving with me now? Like I literally left with

1018
00:44:10,160 --> 00:44:12,400
Speaker 1: he was like go packing ship. I left with Yo

1019
00:44:12,640 --> 00:44:15,120
Speaker 1: like the next day, and I was with him uh,

1020
00:44:15,280 --> 00:44:17,319
Speaker 1: but like I mean, it was I want to say,

1021
00:44:17,360 --> 00:44:20,480
Speaker 1: like I lived with him, like the whole summer kind

1022
00:44:20,520 --> 00:44:20,799
Speaker 1: of ship.

1023
00:44:21,560 --> 00:44:21,719
Speaker 2: You know.

1024
00:44:22,920 --> 00:44:23,560
Speaker 3: That's crazy.

1025
00:44:23,719 --> 00:44:26,759
Speaker 4: Yeah, that's crazy. What would life be like if you

1026
00:44:26,840 --> 00:44:28,319
Speaker 4: think you were signed the fifty right now?

1027
00:44:28,600 --> 00:44:33,040
Speaker 1: I wouldn't be here right now. No, I'd be like

1028
00:44:33,160 --> 00:44:35,279
Speaker 1: the rest of the motherfuckers signed that.

1029
00:44:36,239 --> 00:44:37,839
Speaker 3: I don't know what that good or bad?

1030
00:44:38,560 --> 00:44:40,960
Speaker 1: Yeah, I mean he had a lot of artists that

1031
00:44:41,160 --> 00:44:45,200
Speaker 1: soup't talking about, like the Gumbers, but like the other

1032
00:44:45,640 --> 00:44:46,560
Speaker 1: other motherfuckers.

1033
00:44:46,600 --> 00:44:49,719
Speaker 4: Man, I ain't gonna lie to you, you know. You know,

1034
00:44:49,880 --> 00:44:53,640
Speaker 4: fifties first feature was me. His first two features was

1035
00:44:53,800 --> 00:44:55,120
Speaker 4: me and Component and r Jega.

1036
00:44:55,920 --> 00:44:59,440
Speaker 3: And for me to go from that to see him

1037
00:44:59,520 --> 00:45:03,560
Speaker 3: and niece France, I cried.

1038
00:45:04,320 --> 00:45:08,040
Speaker 4: I cried watching him and Buster Rhymes performed and Buster

1039
00:45:08,160 --> 00:45:09,840
Speaker 4: called me and I don't know if you guys know Buster,

1040
00:45:10,640 --> 00:45:14,319
Speaker 4: but Buster what you for? I was like, Yeah, it's overwhelmed,

1041
00:45:14,480 --> 00:45:19,160
Speaker 4: like watching somebody like I Saider, you know, busting my brother.

1042
00:45:19,680 --> 00:45:21,520
Speaker 3: I mean, I've seen fifty come up. I was his

1043
00:45:21,640 --> 00:45:22,360
Speaker 3: first feature.

1044
00:45:22,760 --> 00:45:25,520
Speaker 4: And to see that ship and to see every generation,

1045
00:45:26,239 --> 00:45:30,600
Speaker 4: every race in Nice France, it was just so overwhelming

1046
00:45:30,640 --> 00:45:32,400
Speaker 4: for me. I was just like yo, I had to believe,

1047
00:45:33,280 --> 00:45:35,239
Speaker 4: you know what I mean, Like, because I'm proud of

1048
00:45:35,320 --> 00:45:36,600
Speaker 4: hip hop? Are you proud of hip hop?

1049
00:45:36,800 --> 00:45:37,759
Speaker 1: Like that? Yeah?

1050
00:45:38,360 --> 00:45:41,200
Speaker 4: Okay, definitely. What's your proudest moment in hip hop?

1051
00:45:41,640 --> 00:45:46,000
Speaker 1: My proudest moment, I don't know. I wouldn't say I've

1052
00:45:46,880 --> 00:45:47,600
Speaker 1: achieved it yet.

1053
00:45:47,680 --> 00:45:49,040
Speaker 3: Really I loved it.

1054
00:45:49,120 --> 00:45:50,879
Speaker 1: I would say I still got a lot of shit

1055
00:45:50,960 --> 00:45:53,080
Speaker 1: that I want to do, you know. I mean, you know,

1056
00:45:53,360 --> 00:45:57,879
Speaker 1: I feel like, I mean, just me being here, being

1057
00:45:57,920 --> 00:46:00,440
Speaker 1: able like that kid was in fucking kingdo Garden, like

1058
00:46:00,480 --> 00:46:02,320
Speaker 1: I want to be a rapper, so you just make it.

1059
00:46:02,400 --> 00:46:04,239
Speaker 3: In general, I'm just proud of myself for that.

1060
00:46:04,640 --> 00:46:05,279
Speaker 1: You know, yot.

1061
00:46:05,280 --> 00:46:10,719
Speaker 4: God damn, I love that grip. God comes to you

1062
00:46:11,520 --> 00:46:17,399
Speaker 4: when God says, Danny Brown, I want you to make

1063
00:46:17,520 --> 00:46:24,919
Speaker 4: one record save your life. Other than this, Danny Brown,

1064
00:46:24,920 --> 00:46:29,120
Speaker 4: You're going to hell. I'm gonna give you one producer,

1065
00:46:29,680 --> 00:46:33,480
Speaker 4: and I'm gonna give you one feature. Who is the

1066
00:46:33,560 --> 00:46:38,839
Speaker 4: producer you're picking? And who is that feature? Anybody dead,

1067
00:46:39,080 --> 00:46:43,720
Speaker 4: all alive? You can pick ball all the other grade.

1068
00:46:44,280 --> 00:46:46,160
Speaker 1: I mean, the producer will probably be Jay Diller.

1069
00:46:46,520 --> 00:46:47,160
Speaker 3: I love this.

1070
00:46:47,320 --> 00:46:49,879
Speaker 1: This motherfucker's too hip hop, so it'll be probabed. I'll

1071
00:46:49,880 --> 00:46:52,040
Speaker 1: probably have to go with Jay Diller. I mean, if

1072
00:46:52,080 --> 00:46:54,239
Speaker 1: I have to pick a fe it would be I

1073
00:46:54,239 --> 00:46:55,920
Speaker 1: wouldn't want a feature. I w want a ship. I'm

1074
00:46:55,960 --> 00:46:58,080
Speaker 1: saving my life, fuck that. But if I got to

1075
00:46:58,080 --> 00:47:00,600
Speaker 1: pick a feature, I'll probably probably would have to be Knives,

1076
00:47:00,600 --> 00:47:02,719
Speaker 1: because that's what the one person that inspired me to

1077
00:47:02,800 --> 00:47:03,239
Speaker 1: want to do it.

1078
00:47:03,360 --> 00:47:05,560
Speaker 4: You know, it's two things. I lost on you tonight.

1079
00:47:07,600 --> 00:47:10,120
Speaker 4: I bet that you will be on time. He was

1080
00:47:10,160 --> 00:47:11,920
Speaker 4: fifteen minutes late throwing it out there.

1081
00:47:12,040 --> 00:47:14,200
Speaker 1: Oh that wasn't my thought. I'm always on time.

1082
00:47:14,960 --> 00:47:17,480
Speaker 3: I'm always on time. I bet that you will be

1083
00:47:17,560 --> 00:47:19,280
Speaker 3: on time. I lost.

1084
00:47:19,960 --> 00:47:22,279
Speaker 4: And I bet that the feature that you will pick.

1085
00:47:23,320 --> 00:47:26,600
Speaker 4: Do you know what feature I threw? I thought you

1086
00:47:26,640 --> 00:47:28,120
Speaker 4: would pick Beyonce for some reason.

1087
00:47:28,960 --> 00:47:29,960
Speaker 1: I mean, of course you.

1088
00:47:30,000 --> 00:47:30,799
Speaker 3: Want to get that hook.

1089
00:47:31,280 --> 00:47:33,880
Speaker 1: But I felt like, I feel like, I don't know

1090
00:47:33,960 --> 00:47:37,920
Speaker 1: why I feel like. I mean, in my head, I

1091
00:47:38,000 --> 00:47:39,520
Speaker 1: was like, oh, yeah, I do need that hook. Man,

1092
00:47:39,560 --> 00:47:41,080
Speaker 1: I gotta get that one.

1093
00:47:41,520 --> 00:47:42,040
Speaker 3: Who got it?

1094
00:47:42,239 --> 00:47:44,239
Speaker 1: You got to get that heavenly voice on the hook.

1095
00:47:44,280 --> 00:47:45,560
Speaker 1: But I mean, at the end of the day, man,

1096
00:47:45,600 --> 00:47:49,040
Speaker 1: like I said, Knives was like the one rapper that

1097
00:47:49,160 --> 00:47:51,359
Speaker 1: I was just like, fuck, I would never be this good,

1098
00:47:51,520 --> 00:47:54,360
Speaker 1: you know that just humble you type shit, you know,

1099
00:47:54,600 --> 00:47:56,560
Speaker 1: and then to see what how he's still doing it

1100
00:47:56,719 --> 00:47:59,960
Speaker 1: now that inspires me like I can't I can't stop.

1101
00:48:00,080 --> 00:48:02,879
Speaker 1: I gotta keep going no matter what. Man like, because

1102
00:48:02,880 --> 00:48:04,320
Speaker 1: at the end of the day, I look at it like,

1103
00:48:04,600 --> 00:48:05,640
Speaker 1: you know, I'm like a vessel.

1104
00:48:06,200 --> 00:48:06,360
Speaker 4: You know.

1105
00:48:06,960 --> 00:48:08,479
Speaker 1: I don't know how I come up with this ship.

1106
00:48:08,800 --> 00:48:12,520
Speaker 1: You know, this is a god given talent. So when

1107
00:48:12,600 --> 00:48:15,399
Speaker 1: God decides when this ship stopped, I can't never say

1108
00:48:15,440 --> 00:48:15,799
Speaker 1: I quit.

1109
00:48:15,920 --> 00:48:17,200
Speaker 3: I can't never say I give up.

1110
00:48:17,960 --> 00:48:22,040
Speaker 4: You ever met Yeah, okay, we're at the subscriber. How

1111
00:48:22,080 --> 00:48:23,239
Speaker 4: did you act as you fan out?

1112
00:48:23,920 --> 00:48:25,520
Speaker 1: I think I bugged him out because I was talking

1113
00:48:25,520 --> 00:48:26,480
Speaker 1: about doing coke and ship.

1114
00:48:27,080 --> 00:48:27,279
Speaker 4: You know.

1115
00:48:27,960 --> 00:48:37,000
Speaker 1: He was like, he's like you Like, he was like,

1116
00:48:37,440 --> 00:48:38,400
Speaker 1: described situation.

1117
00:48:38,560 --> 00:48:38,840
Speaker 3: Please.

1118
00:48:38,920 --> 00:48:44,080
Speaker 1: It was that massippeal massive office. Yeah, yeah, what happens.

1119
00:48:44,480 --> 00:48:46,560
Speaker 1: We were just you know, just kicking it. I mean,

1120
00:48:46,600 --> 00:48:50,000
Speaker 1: you know you just came in to him and said, no, no,

1121
00:48:51,160 --> 00:48:53,960
Speaker 1: what it was. His homie was with him and they

1122
00:48:54,080 --> 00:48:57,160
Speaker 1: he know, we know, like some people together type ship.

1123
00:48:57,239 --> 00:48:58,920
Speaker 1: You know. I was in the bathroom. He was like, yo,

1124
00:48:59,000 --> 00:49:01,800
Speaker 1: we went to coach. I was like Oh yeah, that

1125
00:49:01,880 --> 00:49:04,040
Speaker 1: was that. I was in that bitch doing coke and

1126
00:49:04,200 --> 00:49:05,600
Speaker 1: it was just that kind of ship. It was just

1127
00:49:06,000 --> 00:49:07,839
Speaker 1: you know what it was, to be honest, I used

1128
00:49:07,880 --> 00:49:10,440
Speaker 1: to take so much fucking adderall at that time. And

1129
00:49:10,560 --> 00:49:13,400
Speaker 1: if you take adderall, you just talk too much. You

1130
00:49:13,480 --> 00:49:16,440
Speaker 1: don't really have to Cocaine's front like cousin. Yeah, when

1131
00:49:16,480 --> 00:49:18,200
Speaker 1: you throw some, when you throw some liquor on it,

1132
00:49:18,960 --> 00:49:23,319
Speaker 1: I mean it's.

1133
00:49:21,360 --> 00:49:22,520
Speaker 3: One next pert.

1134
00:49:22,680 --> 00:49:22,960
Speaker 2: It's like.

1135
00:49:24,520 --> 00:49:24,799
Speaker 3: It's like.

1136
00:49:26,280 --> 00:49:30,839
Speaker 1: Nothing, to be honest, it's more closer to meth. Yeah,

1137
00:49:30,880 --> 00:49:33,200
Speaker 1: it's like one property away from meth. But when you

1138
00:49:33,400 --> 00:49:35,719
Speaker 1: drink with adderall, it does turn it to like coke.

1139
00:49:36,160 --> 00:49:39,880
Speaker 4: Okay, okay, I'm sorry. I just got to ask you

1140
00:49:40,040 --> 00:49:41,520
Speaker 4: never did math fuck?

1141
00:49:41,640 --> 00:49:44,320
Speaker 1: No, okay, I mean ship all to fake Molly I

1142
00:49:44,440 --> 00:49:50,680
Speaker 1: used to take. I probably did you tell her that

1143
00:49:50,800 --> 00:49:52,719
Speaker 1: money I probably was doing in the States. You know,

1144
00:49:53,400 --> 00:49:56,080
Speaker 1: I ain't realize who real Molly was to fucking going

1145
00:49:56,160 --> 00:50:00,640
Speaker 1: to Europe, to Amsterdam, no, London, really really, you know,

1146
00:50:00,760 --> 00:50:03,759
Speaker 1: you get that fucking crystal ship out hearing ship. Then

1147
00:50:03,880 --> 00:50:05,800
Speaker 1: night out there, they just gave me a bag of powder.

1148
00:50:05,840 --> 00:50:08,840
Speaker 1: I'm like, what's this powder ship? You know it? And

1149
00:50:08,960 --> 00:50:11,320
Speaker 1: they gave me that powder ship, and I fucking I

1150
00:50:11,440 --> 00:50:13,279
Speaker 1: licked my finger and hit that ship and they think,

1151
00:50:13,320 --> 00:50:14,960
Speaker 1: I know, the whole bag was off, and I was like,

1152
00:50:15,000 --> 00:50:16,840
Speaker 1: what the fox did all of it?

1153
00:50:18,040 --> 00:50:18,200
Speaker 2: You know?

1154
00:50:18,640 --> 00:50:20,600
Speaker 1: I just did all of it. And they came back

1155
00:50:20,640 --> 00:50:22,759
Speaker 1: to me like, man, you got some of that money? Mind.

1156
00:50:22,840 --> 00:50:24,200
Speaker 1: I'm like, they call it, man, do you got some

1157
00:50:24,280 --> 00:50:25,759
Speaker 1: more of that money? Man? I'm like, shop, I did

1158
00:50:25,840 --> 00:50:27,280
Speaker 1: it like you did the whole ground.

1159
00:50:28,160 --> 00:50:31,200
Speaker 3: You gonna you fucked mine? I was. I was fucked up.

1160
00:50:32,719 --> 00:50:34,960
Speaker 4: That was a great I can't do it.

1161
00:50:35,760 --> 00:50:41,120
Speaker 1: I was trying the whole the whole ground money like, yeah, man,

1162
00:50:41,640 --> 00:50:42,640
Speaker 1: I thought I sucked it up.

1163
00:50:45,800 --> 00:50:47,920
Speaker 3: Next thing, I know, I just started going cookie monster.

1164
00:50:48,400 --> 00:50:51,000
Speaker 1: Couldn't stay sting there A bit a hole in my lip.

1165
00:50:52,719 --> 00:50:55,480
Speaker 3: I ain't gonna lie because this sounds so fucked up and.

1166
00:50:59,719 --> 00:51:03,640
Speaker 1: Up like that. I know. I'm proud of you.

1167
00:51:03,800 --> 00:51:05,239
Speaker 4: It's just I wish I could have hung out with

1168
00:51:05,320 --> 00:51:07,759
Speaker 4: the older version at some point.

1169
00:51:07,960 --> 00:51:10,239
Speaker 1: It was fun or I would have got on your

1170
00:51:10,280 --> 00:51:13,600
Speaker 1: goddamn nerves. You like, I can't take this ship. I

1171
00:51:13,600 --> 00:51:16,319
Speaker 1: would have been cool with both, could have been cool both.

1172
00:51:16,760 --> 00:51:23,319
Speaker 4: So you being from Detroit, we just had been Zeno

1173
00:51:23,400 --> 00:51:28,480
Speaker 4: on our show, been Zeno and Eminem. I don't know

1174
00:51:28,600 --> 00:51:29,640
Speaker 4: what their problem.

1175
00:51:29,800 --> 00:51:35,880
Speaker 3: I don't get it. Whose side are you on?

1176
00:51:36,239 --> 00:51:38,799
Speaker 1: I mean, I'm obviously gonna ride with my city. I'm

1177
00:51:38,800 --> 00:51:40,000
Speaker 1: an Eminem guy anyway.

1178
00:51:40,080 --> 00:51:46,239
Speaker 4: I mean, you know, yes, I respect that. Okay, moving on, But.

1179
00:51:46,280 --> 00:51:48,520
Speaker 1: I still remember the almighty r s Old days, you.

1180
00:51:51,920 --> 00:51:54,239
Speaker 3: Know, yeah, because we had a wild one. This is

1181
00:51:54,280 --> 00:51:57,799
Speaker 3: a wild one. Yeah, it's a crazy one. He think

1182
00:51:57,880 --> 00:52:00,719
Speaker 3: the trailer. The trailer is nothing. It's a tip of

1183
00:52:00,760 --> 00:52:02,520
Speaker 3: sized bird. It's so wild one, so old.

1184
00:52:02,800 --> 00:52:05,360
Speaker 4: But it's that he mentioned on my R so they

1185
00:52:05,400 --> 00:52:05,719
Speaker 4: came out.

1186
00:52:06,400 --> 00:52:06,839
Speaker 1: That's the thing.

1187
00:52:07,960 --> 00:52:11,160
Speaker 3: I feel like I'm hip hop his story in man. Yes, yes,

1188
00:52:13,080 --> 00:52:14,320
Speaker 3: let's too quick time with slid.

1189
00:52:14,680 --> 00:52:15,080
Speaker 1: Let's do it.

1190
00:52:15,160 --> 00:52:16,000
Speaker 3: Can you explain him?

1191
00:52:17,239 --> 00:52:19,680
Speaker 1: I watched this show. I know what it is. I

1192
00:52:19,760 --> 00:52:20,800
Speaker 1: watched this ship every.

1193
00:52:20,640 --> 00:52:25,200
Speaker 4: Saturday to drink for you, Sonny drinking from wait, hold on,

1194
00:52:25,239 --> 00:52:27,359
Speaker 4: hold on, hold on, look Danny Brown, listen, you can

1195
00:52:27,400 --> 00:52:28,160
Speaker 4: look around the room.

1196
00:52:28,400 --> 00:52:30,480
Speaker 3: Who do you want to be your destinated drinker? I mean,

1197
00:52:30,520 --> 00:52:32,040
Speaker 3: I wouldn't want to do that to nobody.

1198
00:52:32,120 --> 00:52:35,560
Speaker 4: You know, you can't train over there too? To tell

1199
00:52:35,640 --> 00:52:37,120
Speaker 4: me the trainer over there? You can have him be

1200
00:52:37,200 --> 00:52:41,959
Speaker 4: a destinated drinker. He may whoever want to drink, man sort,

1201
00:52:43,719 --> 00:52:46,520
Speaker 4: you know, but give Timey a drink if Tommy want

1202
00:52:46,520 --> 00:52:51,440
Speaker 4: to drink. Okay, so you don't. He don't got to

1203
00:52:51,440 --> 00:52:53,160
Speaker 4: explain the rules because he said, you know the rules,

1204
00:52:54,000 --> 00:52:54,359
Speaker 4: all right.

1205
00:52:54,960 --> 00:52:58,480
Speaker 3: I take it. I take a shot, yes, tupacer d

1206
00:52:58,640 --> 00:52:59,920
Speaker 3: m X TUPAC.

1207
00:53:01,280 --> 00:53:03,680
Speaker 1: And I mean just because you know his influence of

1208
00:53:03,719 --> 00:53:05,919
Speaker 1: what he's done so far. I mean, you wouldn't get.

1209
00:53:05,960 --> 00:53:08,640
Speaker 3: X without pop. That's fucking that was a great explanation,

1210
00:53:08,840 --> 00:53:09,000
Speaker 3: you know.

1211
00:53:10,000 --> 00:53:11,840
Speaker 1: I mean, And plus this with the message he was

1212
00:53:11,880 --> 00:53:13,560
Speaker 1: putting out there, you know, even though Pak was going

1213
00:53:13,640 --> 00:53:16,480
Speaker 1: wild and ship, but niggas ain't making no dear mamas

1214
00:53:16,520 --> 00:53:19,960
Speaker 1: now making no fucking Brendan baby and none of that

1215
00:53:20,040 --> 00:53:20,520
Speaker 1: ship now.

1216
00:53:20,680 --> 00:53:22,799
Speaker 3: So I mean the closest we got is k dot,

1217
00:53:23,000 --> 00:53:23,880
Speaker 3: you know, just.

1218
00:53:23,960 --> 00:53:26,560
Speaker 1: Talking with that fucking social commentary and that message, and

1219
00:53:27,160 --> 00:53:29,800
Speaker 1: you know so and then I still I feel like

1220
00:53:30,080 --> 00:53:32,080
Speaker 1: once a year I get a fucking POC deep dive

1221
00:53:32,160 --> 00:53:33,719
Speaker 1: where I go back and then you find some shit,

1222
00:53:33,840 --> 00:53:36,920
Speaker 1: Like recently I found the demo versions of Macabelly.

1223
00:53:37,320 --> 00:53:39,440
Speaker 3: I was like, fuck its motherfucker.

1224
00:53:39,520 --> 00:53:41,600
Speaker 1: And then people be fronting on pac man, everybody be

1225
00:53:41,640 --> 00:53:43,800
Speaker 1: always talking about Pak wasn't lyrical and ship like that

1226
00:53:43,960 --> 00:53:48,319
Speaker 1: you tripping man Pack was rapping motherfucker's under the table man.

1227
00:53:48,520 --> 00:53:51,640
Speaker 1: Yeah he was Ye had wordplay like it was just

1228
00:53:52,000 --> 00:53:54,560
Speaker 1: he had her all man. He was a songwriter.

1229
00:53:54,840 --> 00:53:59,600
Speaker 3: Yeah, he was Ye Nas or kissed Nas and.

1230
00:53:59,680 --> 00:54:03,279
Speaker 1: That's it's just because Kiss ain't got no better album

1231
00:54:03,360 --> 00:54:05,759
Speaker 1: the Madic. You know, I think Kiss would say that

1232
00:54:05,920 --> 00:54:08,719
Speaker 1: if we go sixteen for sixteen. I'm pretty sure Kiss,

1233
00:54:09,080 --> 00:54:11,800
Speaker 1: you know, do his ship. But I mean I was

1234
00:54:11,880 --> 00:54:14,520
Speaker 1: just got that classic album man, and to me, you

1235
00:54:14,640 --> 00:54:18,520
Speaker 1: got more than that. I mean it was written, you know.

1236
00:54:19,560 --> 00:54:23,239
Speaker 1: I fucking love Godson. I fucking love the Street Disciple.

1237
00:54:23,400 --> 00:54:24,319
Speaker 1: I love all that ship.

1238
00:54:24,440 --> 00:54:27,160
Speaker 3: Man, you're from Queens Lost Ta Yeah.

1239
00:54:27,200 --> 00:54:28,480
Speaker 1: The fucking original version.

1240
00:54:28,560 --> 00:54:30,319
Speaker 4: I love the fact that you're from Detroit and saying

1241
00:54:30,320 --> 00:54:31,759
Speaker 4: that because that's how exactly how I feel.

1242
00:54:31,880 --> 00:54:34,440
Speaker 3: Yeah, I love that. I meant, too many motherfuckers better than.

1243
00:54:34,440 --> 00:54:36,560
Speaker 4: Nons though ain't too motherfuckers better than not. And that's

1244
00:54:36,600 --> 00:54:44,440
Speaker 4: my friend, my motherfucker Kendrick or Cole Kendrick. I mean,

1245
00:54:44,480 --> 00:54:47,120
Speaker 4: he made the Pamper Butterfly man like, and that was

1246
00:54:47,200 --> 00:54:47,400
Speaker 4: like that.

1247
00:54:47,480 --> 00:54:51,480
Speaker 3: That's the album. With him in the van, the White House,

1248
00:54:51,560 --> 00:54:51,880
Speaker 3: and ship.

1249
00:54:52,120 --> 00:54:54,319
Speaker 4: Oh okay, in the city.

1250
00:54:54,480 --> 00:54:57,920
Speaker 1: Okay, I mean that's just because I mean, he just

1251
00:54:58,000 --> 00:55:00,239
Speaker 1: take it too far, man, you know what I'm saying. Yeah,

1252
00:55:00,360 --> 00:55:04,560
Speaker 1: like anybody that put that much effort into the fucking music, man, like,

1253
00:55:04,640 --> 00:55:06,719
Speaker 1: he just really take it. But he's just like you

1254
00:55:06,800 --> 00:55:10,040
Speaker 1: could just some motherfucker is just naturally gifted. Like I

1255
00:55:10,120 --> 00:55:12,279
Speaker 1: feel like Cole worked hard to get where he at.

1256
00:55:12,640 --> 00:55:15,520
Speaker 1: He studied hard, he rapped hard. He I feel like

1257
00:55:15,600 --> 00:55:17,719
Speaker 1: Couz was just born with that ship man, Like, you

1258
00:55:17,760 --> 00:55:21,400
Speaker 1: can't take this. Did you just say, Jake Coley? I like, no,

1259
00:55:21,480 --> 00:55:24,080
Speaker 1: I feel like cold he did his ten thousand hours

1260
00:55:25,680 --> 00:55:26,040
Speaker 1: Kate Out.

1261
00:55:26,040 --> 00:55:28,520
Speaker 3: I feel like he just was born like that. Okay,

1262
00:55:29,440 --> 00:55:31,520
Speaker 3: so you picked Kendrick, Yeah, I picked Kate Out all day.

1263
00:55:31,920 --> 00:55:36,239
Speaker 4: Okay for real? Oh, Kanye, I.

1264
00:55:36,280 --> 00:55:38,160
Speaker 1: Gotta go with my Filipinos, man, I'm gonna go with

1265
00:55:38,320 --> 00:55:40,080
Speaker 1: for real man for Filipino.

1266
00:55:40,800 --> 00:55:43,719
Speaker 3: Yeah, man, I'm sure it makes sense to me.

1267
00:55:43,840 --> 00:55:46,799
Speaker 4: Yeah, you freestyled that you made that up just now?

1268
00:55:47,360 --> 00:55:54,000
Speaker 4: I mean that motherfucker would Williams.

1269
00:55:54,600 --> 00:56:02,200
Speaker 3: Oh, well, my Filipinos find out it got listen. I'm

1270
00:56:02,239 --> 00:56:02,640
Speaker 3: not I'm not.

1271
00:56:02,760 --> 00:56:06,480
Speaker 4: I'm not I was thinking that he isn't know it

1272
00:56:06,560 --> 00:56:09,520
Speaker 4: was a Filipino and the crew man with my Filipinos.

1273
00:56:09,600 --> 00:56:14,839
Speaker 1: Man, I love your racist. I'm not going.

1274
00:56:16,440 --> 00:56:18,880
Speaker 4: I'm not hitting for real Farrell plugging me in with

1275
00:56:18,960 --> 00:56:21,719
Speaker 4: the rich Milly. So until he does that, I'm not

1276
00:56:21,880 --> 00:56:22,600
Speaker 4: gonna bother him.

1277
00:56:23,360 --> 00:56:24,200
Speaker 3: I will not hit him.

1278
00:56:24,800 --> 00:56:27,000
Speaker 4: Forrell is one of the greatest producers on I don't.

1279
00:56:26,800 --> 00:56:27,719
Speaker 1: Really love to work with him.

1280
00:56:27,760 --> 00:56:29,919
Speaker 4: Man, he never worked world. I can see that club.

1281
00:56:30,320 --> 00:56:32,720
Speaker 3: I can see it follow me on Twitter.

1282
00:56:32,840 --> 00:56:33,480
Speaker 1: So maybe.

1283
00:56:35,320 --> 00:56:40,680
Speaker 3: So if you met for Bro, I seen him one

1284
00:56:40,760 --> 00:56:41,560
Speaker 3: time and I think.

1285
00:56:41,480 --> 00:56:43,839
Speaker 1: I probably weared him outcause I couldn't start following him around.

1286
00:56:43,880 --> 00:56:45,120
Speaker 3: But it was about mistake.

1287
00:56:46,520 --> 00:56:48,640
Speaker 4: Mistake because he just had an order around him.

1288
00:56:48,680 --> 00:56:48,839
Speaker 3: Man.

1289
00:56:48,960 --> 00:56:52,040
Speaker 1: I couldn't glow and I just I wasn't mean to

1290
00:56:52,160 --> 00:56:54,600
Speaker 1: do it. I just couldn't. I couldn't stop myself, just

1291
00:56:54,800 --> 00:56:56,719
Speaker 1: like I just was drawing to the nick man. I

1292
00:56:56,840 --> 00:56:58,759
Speaker 1: was like everywhere he went, I was like, ship, I'm

1293
00:56:58,800 --> 00:57:01,239
Speaker 1: going ye. It was like I could It was like

1294
00:57:01,320 --> 00:57:03,319
Speaker 1: a I don't know, like a Kendrick Spard or something.

1295
00:57:03,360 --> 00:57:03,440
Speaker 3: Man.

1296
00:57:03,480 --> 00:57:05,080
Speaker 1: I couldn't stop following a nigga around.

1297
00:57:11,480 --> 00:57:14,239
Speaker 3: I said this earlier, but you keep it too.

1298
00:57:15,239 --> 00:57:18,120
Speaker 1: I love I couldn't stop following a nigga.

1299
00:57:18,160 --> 00:57:18,320
Speaker 3: Bed.

1300
00:57:18,600 --> 00:57:20,360
Speaker 1: I know it's like, what the roll with this nigga?

1301
00:57:21,400 --> 00:57:23,000
Speaker 1: But I couldn't stop following the nigga.

1302
00:57:23,040 --> 00:57:25,200
Speaker 4: Be I can't lie to you can't keep it too.

1303
00:57:25,760 --> 00:57:29,720
Speaker 4: I love that you, but he actually is that guy

1304
00:57:29,800 --> 00:57:31,200
Speaker 4: like you gravitate towards him.

1305
00:57:31,280 --> 00:57:33,640
Speaker 1: I couldn't stop it was I wasn't doing it on purpose.

1306
00:57:33,920 --> 00:57:35,720
Speaker 3: How about three two thousands have you ever made?

1307
00:57:35,720 --> 00:57:37,760
Speaker 1: I wish I wish man because I would love to

1308
00:57:37,760 --> 00:57:40,320
Speaker 1: have a conversation with him. Man. I've learned so much

1309
00:57:40,320 --> 00:57:42,800
Speaker 1: from him. He's like the same thing with Niles too.

1310
00:57:43,200 --> 00:57:45,440
Speaker 1: But it might have been like every time in my

1311
00:57:45,480 --> 00:57:47,080
Speaker 1: life when I was just talking like Motherfucker's, Like I

1312
00:57:47,120 --> 00:57:49,000
Speaker 1: don't want to listen to motherfucker's lyricals and ship like.

1313
00:57:49,040 --> 00:57:50,600
Speaker 1: There was a time in my life I just couldn't

1314
00:57:50,600 --> 00:57:52,320
Speaker 1: really listen to Drake because I was like, man, he's

1315
00:57:52,320 --> 00:57:57,480
Speaker 1: too good man ship man. If it was anybody that

1316
00:57:57,720 --> 00:57:59,520
Speaker 1: like as much as I loved nas, if it was

1317
00:57:59,560 --> 00:58:01,480
Speaker 1: anybody I could be like, I wish I could rap

1318
00:58:01,560 --> 00:58:02,240
Speaker 1: like that, it'll be.

1319
00:58:02,280 --> 00:58:05,320
Speaker 3: Him Andre and you never met him.

1320
00:58:05,480 --> 00:58:08,640
Speaker 4: No, Damn, I ain't gonna lie I would pay people

1321
00:58:09,360 --> 00:58:13,919
Speaker 4: to see the moment you and Andre three thousand smack fix.

1322
00:58:14,200 --> 00:58:16,920
Speaker 1: I would love, Man. I would y'all gonna have on

1323
00:58:17,000 --> 00:58:17,920
Speaker 1: something crazy.

1324
00:58:20,080 --> 00:58:21,000
Speaker 3: Be a fashion statement?

1325
00:58:21,040 --> 00:58:21,439
Speaker 2: For sure.

1326
00:58:22,680 --> 00:58:25,520
Speaker 4: It's gonna be like it's gonna be a GQ session

1327
00:58:25,560 --> 00:58:27,520
Speaker 4: with with either one of y'all planning it.

1328
00:58:27,680 --> 00:58:28,520
Speaker 3: Yeah, definitely is.

1329
00:58:28,520 --> 00:58:30,800
Speaker 1: A huge influence on me, man, and I swear to God,

1330
00:58:31,080 --> 00:58:32,880
Speaker 1: this is where I feel like it's gonna happen.

1331
00:58:33,520 --> 00:58:37,160
Speaker 4: Just just roll with me with the rumor they're gonna

1332
00:58:37,160 --> 00:58:46,400
Speaker 4: be in Utah, Utah with the Mormons or Missouri. It's

1333
00:58:46,440 --> 00:58:50,120
Speaker 4: gonna be like a weird place. He's gonna have on

1334
00:58:50,240 --> 00:58:59,400
Speaker 4: pink socks and you're gonna have one orange hair orange.

1335
00:58:59,760 --> 00:59:01,280
Speaker 4: I was trying to get orange for a minute, so

1336
00:59:01,400 --> 00:59:02,480
Speaker 4: it's not it's not too far.

1337
00:59:04,440 --> 00:59:10,000
Speaker 1: Yeah you might. I can see me doing orange one day.

1338
00:59:10,280 --> 00:59:13,840
Speaker 4: Okay, let's keep going QuickTime Slot Future Young Thug.

1339
00:59:14,800 --> 00:59:19,200
Speaker 1: Future that nigga said, don't my mama, I don't need

1340
00:59:19,240 --> 00:59:22,120
Speaker 1: a bed. I'm sleeping on the floor. Everything he said that, I.

1341
00:59:22,280 --> 00:59:29,840
Speaker 3: Was like, he said, he didn't be God, damn it.

1342
00:59:30,280 --> 00:59:41,040
Speaker 3: I'm doing wu tanger n w a wang damn he said.

1343
00:59:41,200 --> 00:59:43,200
Speaker 1: And I would think I mean, to be honest, you know,

1344
00:59:43,840 --> 00:59:45,880
Speaker 1: yeah it's just Woo tang Man, because.

1345
00:59:48,440 --> 00:59:49,480
Speaker 3: Yeah, it's just Woo Tanger.

1346
00:59:49,600 --> 00:59:52,120
Speaker 1: I mean, I mean in my head, I kind of

1347
00:59:52,160 --> 00:59:55,320
Speaker 1: feel like, you know, n w A there's two albums

1348
00:59:55,440 --> 00:59:58,040
Speaker 1: is kind of like you know better than like Wool

1349
00:59:58,080 --> 01:00:00,960
Speaker 1: albums in some sense. But I feel like a lot

1350
01:00:01,040 --> 01:00:03,200
Speaker 1: of n w A ship was like a lot of

1351
01:00:03,280 --> 01:00:04,959
Speaker 1: like Bomb Squad influence ship.

1352
01:00:05,440 --> 01:00:08,320
Speaker 3: So it was like I had like did you say.

1353
01:00:09,200 --> 01:00:11,560
Speaker 4: No, I don't Maybe when i Q left and he

1354
01:00:11,640 --> 01:00:13,120
Speaker 4: did the America's most Yeah.

1355
01:00:13,000 --> 01:00:14,920
Speaker 1: Like no, I feel like the first like straight out

1356
01:00:14,920 --> 01:00:15,360
Speaker 1: of continent.

1357
01:00:15,400 --> 01:00:17,960
Speaker 3: All that kind of was like bomb Squad type ship

1358
01:00:18,080 --> 01:00:22,440
Speaker 3: to me, didn't Bomb Squad come after? No? Well up

1359
01:00:22,880 --> 01:00:24,080
Speaker 3: ice C went to New York.

1360
01:00:24,280 --> 01:00:28,640
Speaker 1: No, no, no, that's public that's why the same time,

1361
01:00:28,760 --> 01:00:30,600
Speaker 1: but Matt so much when you went over there, but

1362
01:00:30,600 --> 01:00:31,160
Speaker 1: I don't.

1363
01:00:31,400 --> 01:00:33,160
Speaker 3: Check what you're Strada compon came.

1364
01:00:33,240 --> 01:00:35,080
Speaker 1: I mean, just me, that's that's what kind of I don't.

1365
01:00:35,080 --> 01:00:37,160
Speaker 4: I don't. I don't hear that in the production personally.

1366
01:00:37,560 --> 01:00:39,120
Speaker 1: I mean the second album when they was you know,

1367
01:00:39,200 --> 01:00:41,280
Speaker 1: niggas always getting into something ship like that kind of

1368
01:00:41,320 --> 01:00:43,000
Speaker 1: that's when they got more on the wist Coast ship.

1369
01:00:43,080 --> 01:00:45,480
Speaker 2: But I do feel that they were they were they

1370
01:00:45,520 --> 01:00:47,440
Speaker 2: were like the same group from a different spectrum.

1371
01:00:47,480 --> 01:00:50,440
Speaker 1: Yeah yeah, public, Yeah, I like, you know, I got that.

1372
01:00:50,840 --> 01:00:52,920
Speaker 1: But when Wu Tang, I never heard nothing like that

1373
01:00:53,000 --> 01:00:55,200
Speaker 1: before in my life. Okay, you know that's the reason

1374
01:00:55,200 --> 01:00:55,760
Speaker 1: why I'm saying that.

1375
01:00:55,840 --> 01:00:59,520
Speaker 4: Do you know what Strada Compson? What about public enemies?

1376
01:00:59,560 --> 01:00:59,760
Speaker 3: First?

1377
01:01:00,400 --> 01:01:03,479
Speaker 4: And so let me ask you my favorite Danny Brown.

1378
01:01:03,520 --> 01:01:06,960
Speaker 4: Let me ask you my favorite con argument on Dream Champs.

1379
01:01:07,240 --> 01:01:10,360
Speaker 4: He hates it, maybe I hate it. I think you

1380
01:01:10,440 --> 01:01:14,280
Speaker 4: hate it Ice Cube or Big Smalls.

1381
01:01:17,080 --> 01:01:18,880
Speaker 1: I think you know, it's easy to be like Biggie

1382
01:01:18,880 --> 01:01:21,840
Speaker 1: because a lot of motherfuckers don't really remember like Cube

1383
01:01:22,280 --> 01:01:23,120
Speaker 1: and this whole ship.

1384
01:01:23,280 --> 01:01:23,760
Speaker 3: But it's like.

1385
01:01:26,200 --> 01:01:29,440
Speaker 1: Biggie ain't have that much time, you know, right, and

1386
01:01:29,680 --> 01:01:33,960
Speaker 1: then always one thing, always try to think about. It's

1387
01:01:34,000 --> 01:01:36,600
Speaker 1: like what was the message he was putting out too?

1388
01:01:36,760 --> 01:01:36,920
Speaker 2: You know?

1389
01:01:37,640 --> 01:01:39,800
Speaker 1: And Cube had a lot of social commentary, ship and

1390
01:01:39,920 --> 01:01:41,880
Speaker 1: ship and a lot of shit you can learn from

1391
01:01:42,000 --> 01:01:44,680
Speaker 1: and just you know, so I'm gonna have to pick Cube,

1392
01:01:46,120 --> 01:01:46,360
Speaker 1: you know.

1393
01:01:47,120 --> 01:01:47,720
Speaker 3: Are you happy?

1394
01:01:50,560 --> 01:01:52,560
Speaker 4: Y'all? Flip that whole discussion.

1395
01:01:54,200 --> 01:01:56,560
Speaker 2: You ask me who my favorite artist was, and I said,

1396
01:01:56,600 --> 01:02:00,240
Speaker 2: I just happen to say Cuban and you know, yeah,

1397
01:02:00,400 --> 01:02:01,160
Speaker 2: I remember saying that.

1398
01:02:02,000 --> 01:02:04,120
Speaker 4: By the way, that's the quietest I've ever been on

1399
01:02:04,280 --> 01:02:08,640
Speaker 4: drink temps is because I'm still up in the air.

1400
01:02:08,840 --> 01:02:10,240
Speaker 4: That is a great fucking But.

1401
01:02:10,280 --> 01:02:12,240
Speaker 1: Don't get me wrong, Biggie is still one of the

1402
01:02:12,320 --> 01:02:17,120
Speaker 1: best to do it. You know, from the time from

1403
01:02:17,160 --> 01:02:19,000
Speaker 1: his age to me, the argument would be, who's better?

1404
01:02:19,040 --> 01:02:20,120
Speaker 1: Is Cube scarface?

1405
01:02:21,440 --> 01:02:23,880
Speaker 3: If you're going to lyrics for lyrics, yeah, that's the one.

1406
01:02:23,960 --> 01:02:26,720
Speaker 1: I would be like, I can't, I can't really, you know,

1407
01:02:26,800 --> 01:02:29,080
Speaker 1: you take a shot for that. If you were still drinking.

1408
01:02:29,720 --> 01:02:31,400
Speaker 3: Nah man, I'm saying Cube.

1409
01:02:31,560 --> 01:02:35,360
Speaker 1: You're still saying yeah because que because you were talking about.

1410
01:02:35,680 --> 01:02:39,080
Speaker 2: Wherever you at when you put it Standard Compton, then

1411
01:02:39,080 --> 01:02:42,640
Speaker 2: you put America's Most Wanted the certificate kill that will

1412
01:02:42,880 --> 01:02:45,440
Speaker 2: like that album run and then never mind when he

1413
01:02:45,520 --> 01:02:47,600
Speaker 2: goes into movies and he does other things, but like

1414
01:02:48,000 --> 01:02:49,560
Speaker 2: that album room right there is crazy.

1415
01:02:49,720 --> 01:02:52,320
Speaker 1: And then it was just totally like a representation that

1416
01:02:52,480 --> 01:02:54,400
Speaker 1: like where they was from on the West Coast and ship,

1417
01:02:54,480 --> 01:02:55,880
Speaker 1: like you listen to a cube at me like this

1418
01:02:56,040 --> 01:02:56,960
Speaker 1: is what la this is?

1419
01:02:57,120 --> 01:02:57,760
Speaker 3: This is that ship?

1420
01:02:57,880 --> 01:03:00,400
Speaker 1: You know with Biggie, it was Jerry girl, don't get

1421
01:03:00,440 --> 01:03:02,360
Speaker 1: me wrong. Like Biggie had the bops, he had the

1422
01:03:02,440 --> 01:03:05,720
Speaker 1: bang and he was a lyrical motherfucker too. But it

1423
01:03:05,880 --> 01:03:07,360
Speaker 1: was just like, I still just got to go back

1424
01:03:07,400 --> 01:03:08,920
Speaker 1: to what was the message he was putting out?

1425
01:03:09,480 --> 01:03:09,640
Speaker 2: You know?

1426
01:03:09,920 --> 01:03:12,760
Speaker 4: And I love the fact that it's territorial to a

1427
01:03:12,880 --> 01:03:15,640
Speaker 4: certain extent, meaning that if you're from New York, I

1428
01:03:15,720 --> 01:03:18,800
Speaker 4: don't think anybody everyone from New York will will.

1429
01:03:18,840 --> 01:03:19,520
Speaker 3: Back Tony A.

1430
01:03:19,880 --> 01:03:24,480
Speaker 4: Yeah, anybody from the Midwest or the West Coast will

1431
01:03:24,520 --> 01:03:29,480
Speaker 4: also agree with EFM. But sometimes it is territorial and

1432
01:03:29,520 --> 01:03:31,520
Speaker 4: this sometimes it's just preference.

1433
01:03:31,960 --> 01:03:33,840
Speaker 3: See, I'm in the middle from Detroit, so I ain't

1434
01:03:34,240 --> 01:03:38,480
Speaker 3: can't and Detroit is considered the Midwest, Okay, so I

1435
01:03:38,560 --> 01:03:39,680
Speaker 3: can't pick aside, you know.

1436
01:03:39,840 --> 01:03:42,400
Speaker 1: But I just always when I try to rank M

1437
01:03:42,480 --> 01:03:44,680
Speaker 1: season ship, I just always be like, man, but what

1438
01:03:44,880 --> 01:03:45,520
Speaker 1: was the message?

1439
01:03:45,560 --> 01:03:45,720
Speaker 2: You know?

1440
01:03:46,400 --> 01:03:47,160
Speaker 1: What was they trying to?

1441
01:03:47,200 --> 01:03:50,440
Speaker 3: Iun smoke, Okay, what they putting out?

1442
01:03:50,520 --> 01:03:53,040
Speaker 1: You know what I'm saying. And Cube, he just had

1443
01:03:53,080 --> 01:03:56,720
Speaker 1: a lot of social commentary in this shit. Let's go

1444
01:03:57,920 --> 01:04:01,280
Speaker 1: eminem or MGK, come on, man, you're trying to be funny.

1445
01:04:01,080 --> 01:04:02,560
Speaker 3: Now, Yeah, That's why.

1446
01:04:04,440 --> 01:04:06,280
Speaker 1: I mean of course it's gonna be m you know.

1447
01:04:06,720 --> 01:04:08,880
Speaker 1: I mean, if we wouldn't get a M G K,

1448
01:04:08,960 --> 01:04:11,680
Speaker 1: if it wouldn't for him, you know what, no white

1449
01:04:11,720 --> 01:04:15,000
Speaker 1: boys coming around, you know, yeah, but for him like that,

1450
01:04:15,240 --> 01:04:18,320
Speaker 1: you know. And I mean we had third base.

1451
01:04:21,520 --> 01:04:22,120
Speaker 3: Don't forget.

1452
01:04:25,080 --> 01:04:31,360
Speaker 4: Every last for Jersey or something, Beastie boys, even Vanilla Ice.

1453
01:04:31,600 --> 01:04:34,439
Speaker 4: I rolled playing for Vanilla Ice. We got his phone number.

1454
01:04:34,480 --> 01:04:36,000
Speaker 4: He gave us the fake phone number. Let's big U

1455
01:04:36,080 --> 01:04:36,560
Speaker 4: Vanilla Ice.

1456
01:04:37,400 --> 01:04:42,160
Speaker 1: I want to do drink champs at all. He was like, Nah, my.

1457
01:04:42,240 --> 01:04:47,120
Speaker 3: Favorite white boy rapper is LP so killing Mike lp Yeah,

1458
01:04:47,320 --> 01:04:48,000
Speaker 3: oh hell yeah.

1459
01:04:48,640 --> 01:04:50,600
Speaker 4: So I'm not gonna lie because if we just have

1460
01:04:51,480 --> 01:04:55,960
Speaker 4: let me just say this. I didn't defend Eminem as

1461
01:04:56,040 --> 01:05:01,360
Speaker 4: much as I can, but my favorite white rapper of

1462
01:05:01,480 --> 01:05:03,160
Speaker 4: all times, it's Eminem.

1463
01:05:03,400 --> 01:05:03,720
Speaker 1: I can't.

1464
01:05:03,760 --> 01:05:04,880
Speaker 3: I can't deny that at all.

1465
01:05:06,000 --> 01:05:06,360
Speaker 1: I can't.

1466
01:05:07,120 --> 01:05:09,800
Speaker 4: And you know, Zino's my brother. I love him, so

1467
01:05:09,960 --> 01:05:12,040
Speaker 4: Zeno kept you know, bating me is like you really

1468
01:05:12,160 --> 01:05:14,280
Speaker 4: like em And I'm like yeah, and you know he

1469
01:05:14,400 --> 01:05:16,760
Speaker 4: has his his his thing whatever. But the thing about

1470
01:05:16,800 --> 01:05:19,320
Speaker 4: it is, I don't think I like Eminem because he's white.

1471
01:05:20,200 --> 01:05:23,200
Speaker 4: I like Eminem because I like Eminem. That's it, Like, like,

1472
01:05:23,520 --> 01:05:26,920
Speaker 4: that's it that I knew what he was trying to

1473
01:05:26,960 --> 01:05:30,440
Speaker 4: bake me into doing. But no, it's not I like

1474
01:05:30,560 --> 01:05:34,960
Speaker 4: him because he's white. I like him because I like syllables.

1475
01:05:35,040 --> 01:05:36,280
Speaker 1: I like what you put mother.

1476
01:05:37,400 --> 01:05:38,600
Speaker 3: Rappers, rappers type ship.

1477
01:05:38,720 --> 01:05:41,240
Speaker 1: You know what I'm saying. You you understand how difficult

1478
01:05:41,280 --> 01:05:42,760
Speaker 1: it is to do what he do when you do

1479
01:05:42,920 --> 01:05:45,760
Speaker 1: this ship. You know, so that motherfuckers always trying to

1480
01:05:45,800 --> 01:05:48,160
Speaker 1: talk Ship. Be like, Man, we don't hear no Eminem

1481
01:05:48,160 --> 01:05:49,720
Speaker 1: in the club, Nigga, you still go to the club,

1482
01:05:50,120 --> 01:05:54,160
Speaker 1: I don't or anything like, you know, you hear Eminem

1483
01:05:54,240 --> 01:05:57,040
Speaker 1: at fucking football games and stadiums.

1484
01:05:56,480 --> 01:05:58,680
Speaker 4: And ship, like the look on Spotify. Eminem is still

1485
01:05:59,400 --> 01:06:01,400
Speaker 4: one fuck artists listen to.

1486
01:06:01,560 --> 01:06:03,040
Speaker 1: At the end of the day, no one could take

1487
01:06:03,320 --> 01:06:05,800
Speaker 1: what he's done for the white boy rappers at the

1488
01:06:05,880 --> 01:06:07,920
Speaker 1: end of the day. Man, it wouldn't be your niggas

1489
01:06:07,920 --> 01:06:11,000
Speaker 1: to be nice. So many fucking Eminem clones and and

1490
01:06:11,080 --> 01:06:12,720
Speaker 1: Ship and you know, you know.

1491
01:06:12,800 --> 01:06:16,080
Speaker 4: Why I wanted to defend Eminem. And it's not against Vinzino,

1492
01:06:16,120 --> 01:06:18,160
Speaker 4: but I wanted to defend the Eminem. It's because I

1493
01:06:18,240 --> 01:06:20,200
Speaker 4: hate when people say, you know, he's nice for a

1494
01:06:20,240 --> 01:06:20,680
Speaker 4: white guy.

1495
01:06:21,000 --> 01:06:22,680
Speaker 1: No, he was better than the niggas when he first

1496
01:06:22,720 --> 01:06:23,080
Speaker 1: came out.

1497
01:06:23,160 --> 01:06:25,680
Speaker 4: That's got cracking because you know, look, you know what

1498
01:06:25,760 --> 01:06:28,200
Speaker 4: they used to do. He's nice for a Puerto Rican

1499
01:06:29,600 --> 01:06:32,600
Speaker 4: What the fuck do you mean? No, he's nice for

1500
01:06:32,680 --> 01:06:35,520
Speaker 4: a Latino. So I didn't like that, and then I

1501
01:06:35,640 --> 01:06:38,600
Speaker 4: realized white people have been going through that same ship

1502
01:06:39,520 --> 01:06:44,600
Speaker 4: for years. He's nice for a white guy. No, man,

1503
01:06:44,920 --> 01:06:47,520
Speaker 4: that's that you got to be nice because you're nice.

1504
01:06:47,880 --> 01:06:49,720
Speaker 1: It's like saying it's English.

1505
01:06:49,760 --> 01:06:50,560
Speaker 3: And by the way, by the.

1506
01:06:50,560 --> 01:06:55,280
Speaker 4: Way, I used the version nice. These these young kids

1507
01:06:55,320 --> 01:06:56,920
Speaker 4: just like, what the fuck is back in the.

1508
01:06:58,880 --> 01:07:05,520
Speaker 3: In the nineties, you say nice, you're l you're el Okay, moving.

1509
01:07:05,360 --> 01:07:09,320
Speaker 6: On, Babyface Ray or Skill a Baby. Oh this is

1510
01:07:09,360 --> 01:07:16,280
Speaker 6: a Detroit shit. Yeah, uh, it might be a shot

1511
01:07:16,360 --> 01:07:19,000
Speaker 6: for this one. Okay, I would take a shot because

1512
01:07:19,040 --> 01:07:19,760
Speaker 6: I'm gonna say.

1513
01:07:19,680 --> 01:07:22,880
Speaker 4: Like, you want a shot, I love No, No, I'm

1514
01:07:22,880 --> 01:07:24,080
Speaker 4: saying this is a shot.

1515
01:07:24,240 --> 01:07:24,480
Speaker 3: This is.

1516
01:07:26,680 --> 01:07:29,360
Speaker 1: I like a sponsor over there. This would be the

1517
01:07:29,440 --> 01:07:31,040
Speaker 1: first shot. This would be the first shot. And on

1518
01:07:31,160 --> 01:07:35,040
Speaker 1: the reason because I'm gonna say, because Skill a Baby

1519
01:07:35,160 --> 01:07:37,800
Speaker 1: is like a real rapper. He could wrap his ass

1520
01:07:37,840 --> 01:07:41,200
Speaker 1: off Okay, but I really love baby Face Ray because

1521
01:07:41,240 --> 01:07:43,840
Speaker 1: he's representing the side of Detrait that motherfuckers.

1522
01:07:43,320 --> 01:07:45,000
Speaker 3: Ain't really seen. And what side is that?

1523
01:07:45,080 --> 01:07:46,560
Speaker 1: And that's just like because a lot of people there's

1524
01:07:46,600 --> 01:07:48,960
Speaker 1: more people in Detroit, like people come to Detray. Everybody

1525
01:07:49,000 --> 01:07:51,880
Speaker 1: try to be too over gangster and you know, or

1526
01:07:52,000 --> 01:07:54,520
Speaker 1: you're just super backpacked out. But it's just like cool

1527
01:07:54,560 --> 01:07:57,360
Speaker 1: last fly niggas, you know, they're just like the chill

1528
01:07:57,480 --> 01:08:00,080
Speaker 1: you know, the regular cool niggas, and you know, he

1529
01:08:00,160 --> 01:08:02,400
Speaker 1: fresh and funck with bitches, you know, And I feel

1530
01:08:02,440 --> 01:08:04,840
Speaker 1: like that side of the trade never really been represented

1531
01:08:04,920 --> 01:08:07,640
Speaker 1: and he coming through with that ship man, So yeah,

1532
01:08:07,680 --> 01:08:10,120
Speaker 1: I'm gonna say that's a shot on that one. But

1533
01:08:10,240 --> 01:08:13,080
Speaker 1: Skill the baby is like he's a dope rapper in

1534
01:08:13,160 --> 01:08:15,640
Speaker 1: the sense of like he could have been cracking in

1535
01:08:15,760 --> 01:08:17,560
Speaker 1: any time period.

1536
01:08:17,360 --> 01:08:20,680
Speaker 3: Of Detroit rap type shit. Like he literally literally could

1537
01:08:20,720 --> 01:08:24,840
Speaker 3: rap his ass off, you know. Okay, moving on, biz

1538
01:08:24,960 --> 01:08:25,800
Speaker 3: Mark hell o dB.

1539
01:08:27,800 --> 01:08:30,160
Speaker 1: I mean, you don't get an ODB without biz Marquis.

1540
01:08:30,240 --> 01:08:35,000
Speaker 1: But just because biz Marquy don't got a better album

1541
01:08:35,120 --> 01:08:41,880
Speaker 1: than Dirties, So I'm gonna have to say dirty, I

1542
01:08:41,960 --> 01:08:44,040
Speaker 1: can respect that well, he said, bis Monkey don't have

1543
01:08:44,120 --> 01:08:48,640
Speaker 1: a better album, man, then what than any of dirty albums.

1544
01:08:49,960 --> 01:08:50,519
Speaker 4: Up in the air.

1545
01:08:51,560 --> 01:08:52,960
Speaker 3: I want to say that to the fans.

1546
01:08:53,120 --> 01:08:54,120
Speaker 1: I know they're gonna kill me.

1547
01:08:55,400 --> 01:08:59,720
Speaker 4: That is his. But by the way, I've never heard that,

1548
01:09:00,920 --> 01:09:03,120
Speaker 4: So I want to say this is clearly on Danny

1549
01:09:03,160 --> 01:09:10,320
Speaker 4: Brown because I can't definitively defend. I can't. Can you

1550
01:09:10,560 --> 01:09:13,600
Speaker 4: look finished commuting? I can see I can see you

1551
01:09:13,640 --> 01:09:16,120
Speaker 4: want to change something. No, that first o dB album

1552
01:09:16,280 --> 01:09:19,400
Speaker 4: is so solid man. Yeah, and I like Nigga please

1553
01:09:19,479 --> 01:09:24,240
Speaker 4: too though, you know so, but I get it, you know,

1554
01:09:24,360 --> 01:09:26,280
Speaker 4: but you got to remember, man, biz Markey came out.

1555
01:09:26,320 --> 01:09:28,120
Speaker 4: I was still like a kid too, so my ear

1556
01:09:28,240 --> 01:09:32,000
Speaker 4: was mature. Nis wasn't you wasn't books pict bookers came up.

1557
01:09:32,000 --> 01:09:34,519
Speaker 2: Business so important to culture, like what he brought to

1558
01:09:34,560 --> 01:09:36,559
Speaker 2: the table. Yeah, it was a game changer.

1559
01:09:36,920 --> 01:09:37,720
Speaker 4: Yeah, that's this.

1560
01:09:37,880 --> 01:09:40,879
Speaker 3: This is this is a great conversation. Out Cast U GK.

1561
01:09:42,400 --> 01:09:42,960
Speaker 4: Take a shot.

1562
01:09:43,400 --> 01:09:47,640
Speaker 1: No, out Cast album run is crazy. You know. It

1563
01:09:47,720 --> 01:09:50,160
Speaker 1: ain't too many people that got four albums back to

1564
01:09:50,240 --> 01:09:52,120
Speaker 1: back like that, you know, U GK.

1565
01:09:52,280 --> 01:09:55,280
Speaker 3: They really didn't have that much time. You know, they

1566
01:09:55,400 --> 01:09:57,759
Speaker 3: really just get the knowledge of the game. It's crazy.

1567
01:09:57,800 --> 01:10:00,679
Speaker 1: You know they really just got them too, has got four,

1568
01:10:00,880 --> 01:10:04,040
Speaker 1: so I'm gonna have to say, I mean, the argument

1569
01:10:04,080 --> 01:10:06,120
Speaker 1: would have been hard of it was my deep outcast.

1570
01:10:06,720 --> 01:10:10,720
Speaker 1: That's when I'm like, ah, I really can't really, you know,

1571
01:10:10,960 --> 01:10:12,360
Speaker 1: because they both got footed me.

1572
01:10:12,479 --> 01:10:18,880
Speaker 3: They tied. You got the next one. Go ahead, This

1573
01:10:19,000 --> 01:10:21,600
Speaker 3: motherfucker's sucking me up with his asses. Carris Won to

1574
01:10:21,720 --> 01:10:22,120
Speaker 3: rock Kim.

1575
01:10:24,760 --> 01:10:27,040
Speaker 1: I mean, Carris One had more output. And then it's

1576
01:10:27,040 --> 01:10:29,360
Speaker 1: gonna go back to the argument that I say, what

1577
01:10:29,479 --> 01:10:31,200
Speaker 1: was the message you're putting out? Now? We know rock

1578
01:10:31,240 --> 01:10:34,559
Speaker 1: Kim is the guy, and you know he never song

1579
01:10:34,600 --> 01:10:37,840
Speaker 1: about something basis, but I mean Carris One is the

1580
01:10:37,880 --> 01:10:42,040
Speaker 1: teacher though, you know. So it's like, I mean, I

1581
01:10:42,160 --> 01:10:44,719
Speaker 1: know rock Kim is the type shit, but he stopped.

1582
01:10:45,280 --> 01:10:48,439
Speaker 1: You know, he didn't have that much output like Carris One.

1583
01:10:48,520 --> 01:10:52,280
Speaker 1: But don't get me wrong, I feel like, I mean,

1584
01:10:53,280 --> 01:10:57,040
Speaker 1: it's one song, like rock Kim got a better song

1585
01:10:57,160 --> 01:10:59,720
Speaker 1: than Carris One ever made. I feel like, you know, like,

1586
01:10:59,760 --> 01:11:02,720
Speaker 1: don't sweat the technique. I don't feel like nothing is

1587
01:11:03,000 --> 01:11:06,360
Speaker 1: kind of better than that ship. Yeah, Jews, no, the Ledge,

1588
01:11:06,400 --> 01:11:08,479
Speaker 1: all that ship. But I just gotta pick care of

1589
01:11:08,520 --> 01:11:13,000
Speaker 1: as one just because he's the teacher man, Like I

1590
01:11:13,200 --> 01:11:15,120
Speaker 1: like that, just the message he put out, you know,

1591
01:11:15,320 --> 01:11:17,360
Speaker 1: but who knows, you know, Kim to God. It's like

1592
01:11:18,720 --> 01:11:23,280
Speaker 1: we would have loved to see five rockim albums ghost

1593
01:11:23,320 --> 01:11:27,360
Speaker 1: Face or Ray Kwan ghost Face man. And don't get

1594
01:11:27,360 --> 01:11:32,200
Speaker 1: me wrong, I mean he just because Ray I mean

1595
01:11:32,240 --> 01:11:38,800
Speaker 1: immobilarity kind of just that's where the argument got to be.

1596
01:11:38,920 --> 01:11:42,200
Speaker 1: Like just with Iron Man and Supreme Clientele alone is

1597
01:11:42,320 --> 01:11:44,800
Speaker 1: like the best back to back and in the whole

1598
01:11:44,880 --> 01:11:47,519
Speaker 1: wo tang to be honest, you know. So Yeah, and

1599
01:11:47,680 --> 01:11:49,720
Speaker 1: ghost Face out somebody that I super looked up.

1600
01:11:49,680 --> 01:11:53,800
Speaker 4: To face versus I never used. It's on your beat

1601
01:11:53,920 --> 01:11:56,640
Speaker 4: high damn, why are you looking at me like you

1602
01:11:56,720 --> 01:12:03,479
Speaker 4: don't know? Yeah, well, can you pull up that fucking verse?

1603
01:12:04,960 --> 01:12:06,960
Speaker 4: You don't think you got it? You're a foul magga.

1604
01:12:07,080 --> 01:12:09,240
Speaker 1: And it's the same thing like I was saying about Andre,

1605
01:12:09,479 --> 01:12:12,040
Speaker 1: like like I wish I could rap like ghost Face,

1606
01:12:12,080 --> 01:12:14,800
Speaker 1: you know, and ghost Face. I love this style too,

1607
01:12:15,080 --> 01:12:17,360
Speaker 1: Like even with the clothing ship Like as far as

1608
01:12:17,400 --> 01:12:20,680
Speaker 1: fashion clos hell, yeah, I was I was dying the

1609
01:12:20,760 --> 01:12:23,479
Speaker 1: ships and all that ship. Yeah, fucking them up with

1610
01:12:23,520 --> 01:12:25,320
Speaker 1: the R I T. Doll a type of ship man.

1611
01:12:26,600 --> 01:12:29,120
Speaker 1: We used to put white white shoe polish on the soul,

1612
01:12:29,200 --> 01:12:31,720
Speaker 1: that turning ice blue. God damn, we was doing all

1613
01:12:31,760 --> 01:12:32,040
Speaker 1: type of.

1614
01:12:32,479 --> 01:12:33,040
Speaker 3: With the clerks.

1615
01:12:33,439 --> 01:12:39,400
Speaker 4: Motherfucker's soul is crazy. All right, movies Juice or Boys

1616
01:12:39,479 --> 01:12:39,840
Speaker 4: in the Hood.

1617
01:12:41,160 --> 01:12:43,880
Speaker 1: I'm like, I'm going back to the message. So Boys

1618
01:12:43,920 --> 01:12:47,040
Speaker 1: in the Hood was more of like a social movies.

1619
01:12:47,720 --> 01:12:49,719
Speaker 1: Juice is really like a fucking nigga horror.

1620
01:12:49,560 --> 01:12:50,599
Speaker 3: Movie, you know what I'm saying.

1621
01:12:51,000 --> 01:12:54,479
Speaker 1: You like like Jason running around, you know what I'm saying.

1622
01:12:54,560 --> 01:12:56,679
Speaker 3: But with Boys in the Hood, just that whole ship.

1623
01:12:56,800 --> 01:13:00,320
Speaker 4: You know, if Ricky Riggy Riggy died, we were out

1624
01:13:00,320 --> 01:13:00,519
Speaker 4: of it.

1625
01:13:00,760 --> 01:13:00,960
Speaker 2: Yeah.

1626
01:13:01,080 --> 01:13:04,040
Speaker 1: Yeah, But I gravitated to like the father trying to

1627
01:13:04,320 --> 01:13:06,360
Speaker 1: steer a son on the right path and get them

1628
01:13:06,360 --> 01:13:07,920
Speaker 1: away from that ship, you know, because a lot of

1629
01:13:07,960 --> 01:13:09,600
Speaker 1: niggas ain't grow up with dads and shit, do you

1630
01:13:09,600 --> 01:13:11,880
Speaker 1: know what I'm saying. So I feel like that was

1631
01:13:12,000 --> 01:13:14,040
Speaker 1: like that that speech he had with his son, you

1632
01:13:14,120 --> 01:13:16,320
Speaker 1: know what I'm saying, Like, my dad ain't never had

1633
01:13:16,320 --> 01:13:18,639
Speaker 1: a sex talk with me. I've seen that shit. Boys

1634
01:13:18,680 --> 01:13:19,400
Speaker 1: in the Hood, you know.

1635
01:13:21,320 --> 01:13:24,240
Speaker 3: Yeah, Monique.

1636
01:13:28,400 --> 01:13:33,040
Speaker 1: Or Dal Hughley Comedians, Yeah, oh, I mean Dal Hugley,

1637
01:13:33,960 --> 01:13:35,720
Speaker 1: you know, but that's just because you know, you do

1638
01:13:35,800 --> 01:13:38,000
Speaker 1: it more, you know, I mean, it's just more. I mean,

1639
01:13:38,120 --> 01:13:40,800
Speaker 1: Monique is just more like on some acting shit, and

1640
01:13:40,920 --> 01:13:42,960
Speaker 1: you know you can't take that away from her, you know.

1641
01:13:43,439 --> 01:13:45,360
Speaker 1: But as far as like getting on stage and shit,

1642
01:13:45,439 --> 01:13:47,320
Speaker 1: I mean, of course it's gonna be deal hugely.

1643
01:13:47,240 --> 01:13:52,120
Speaker 3: Okay, next all Premordyla Dla Man.

1644
01:13:53,479 --> 01:13:55,080
Speaker 1: And I mean, the only reason I'm gonna say that

1645
01:13:55,160 --> 01:13:57,599
Speaker 1: is because I know a lot of people always arguing

1646
01:13:57,640 --> 01:14:00,680
Speaker 1: and ship about, but people got understand man, man, the

1647
01:14:00,760 --> 01:14:03,000
Speaker 1: ship that Deler was doing. Man, they still talk about

1648
01:14:03,080 --> 01:14:04,640
Speaker 1: and do shit to this day. Like I was in

1649
01:14:04,760 --> 01:14:08,439
Speaker 1: fucking Sweeten one time, and like a fucking five star restaurant.

1650
01:14:08,520 --> 01:14:11,439
Speaker 1: They was playing fucking slim village instrumentals, you know what

1651
01:14:11,520 --> 01:14:14,759
Speaker 1: I'm saying. And just with him making that Donuts album

1652
01:14:15,160 --> 01:14:18,800
Speaker 1: that was pretty much like our version of jazz. Ain't

1653
01:14:18,840 --> 01:14:21,719
Speaker 1: nobody else got that shit like that, Like you can't

1654
01:14:21,880 --> 01:14:23,800
Speaker 1: just make a fucking album and then it's talking to

1655
01:14:23,880 --> 01:14:26,479
Speaker 1: you through the music through the beats like he's doing

1656
01:14:26,600 --> 01:14:28,680
Speaker 1: so much shit man like, and he's home team for you.

1657
01:14:29,000 --> 01:14:31,200
Speaker 1: I mean yeah, but even without that, like cause I

1658
01:14:31,280 --> 01:14:33,000
Speaker 1: mean it was so long that I didn't even know

1659
01:14:33,080 --> 01:14:35,920
Speaker 1: that Dealer Ship was Dtray shit. When that ship first

1660
01:14:35,960 --> 01:14:38,040
Speaker 1: came out of like tribing all that shit, I was like, man,

1661
01:14:38,080 --> 01:14:38,960
Speaker 1: that's some New York shit.

1662
01:14:39,400 --> 01:14:39,560
Speaker 2: You know.

1663
01:14:39,680 --> 01:14:41,400
Speaker 1: I always thought that shit was like New York shit

1664
01:14:41,439 --> 01:14:43,400
Speaker 1: didn't so I was like older and shit, and I

1665
01:14:43,520 --> 01:14:46,200
Speaker 1: was like, oh, this shit really some Detray shit. You know,

1666
01:14:46,280 --> 01:14:47,840
Speaker 1: cause I heard Slum Village when I was a kid.

1667
01:14:47,960 --> 01:14:50,840
Speaker 1: But I was too immature to even understand that shit. Man, Like,

1668
01:14:50,880 --> 01:14:55,080
Speaker 1: these niggas ain't shooting nobody or nothing. I ain't getting high, man,

1669
01:14:55,920 --> 01:14:59,600
Speaker 1: I can't get jiggy with this shit. But then what

1670
01:14:59,680 --> 01:15:01,759
Speaker 1: I grew, well, do you know I understood the genius

1671
01:15:01,840 --> 01:15:09,760
Speaker 1: and the music, you know, ship, podcasts of radio, I

1672
01:15:09,840 --> 01:15:13,840
Speaker 1: mean podcasts, I mean, because the radio got too many rules.

1673
01:15:14,560 --> 01:15:16,760
Speaker 1: You gotta listen to what another motherfucker tell you do

1674
01:15:16,840 --> 01:15:18,560
Speaker 1: it what you can't talk about this and that and

1675
01:15:18,600 --> 01:15:22,639
Speaker 1: that and this podcasting, this fucking this niggas going rogue.

1676
01:15:23,920 --> 01:15:28,120
Speaker 2: You know what I'm saying, Yea, you know they're trying

1677
01:15:28,120 --> 01:15:30,879
Speaker 2: to put rules on everything podcast over the years.

1678
01:15:31,479 --> 01:15:35,040
Speaker 1: Sponsors and ship coming and you know, but I mean,

1679
01:15:35,400 --> 01:15:37,080
Speaker 1: this is like one of the illest mediums. To be

1680
01:15:37,200 --> 01:15:39,639
Speaker 1: creative is to have We always looked at a motherfucker

1681
01:15:39,720 --> 01:15:41,840
Speaker 1: like Nora as an entertaining as motherfuckers. So to be

1682
01:15:41,880 --> 01:15:43,880
Speaker 1: able to see this motherfucker talk ship every week, it

1683
01:15:43,960 --> 01:15:45,160
Speaker 1: is like, that's a fucking blessing.

1684
01:15:45,240 --> 01:15:48,040
Speaker 4: Man, God damn this this motherfu I love this motherfucker.

1685
01:15:48,680 --> 01:15:50,960
Speaker 4: I ain't gonna you know, what's the crazy ship?

1686
01:15:52,160 --> 01:15:52,320
Speaker 3: Man?

1687
01:15:53,640 --> 01:16:02,200
Speaker 1: You got hash in her? Yeah, I ass live.

1688
01:16:05,920 --> 01:16:06,360
Speaker 3: Let me tell you.

1689
01:16:08,320 --> 01:16:11,640
Speaker 4: So many times I meet people that think they know me,

1690
01:16:12,960 --> 01:16:15,640
Speaker 4: and this is probably one of the first times that

1691
01:16:15,920 --> 01:16:16,479
Speaker 4: I think.

1692
01:16:16,360 --> 01:16:18,600
Speaker 1: I know you, Okay, you know what I mean, Like,

1693
01:16:18,680 --> 01:16:19,400
Speaker 1: I think I know you.

1694
01:16:19,680 --> 01:16:21,960
Speaker 4: I know, I think this is our first time. Yea, yeah,

1695
01:16:22,000 --> 01:16:25,320
Speaker 4: it's our first time. Mean, but me being a fan

1696
01:16:25,479 --> 01:16:29,760
Speaker 4: of how you navigate through this industry, I feel like

1697
01:16:29,880 --> 01:16:31,360
Speaker 4: I know you know what I'm saying.

1698
01:16:31,760 --> 01:16:32,160
Speaker 1: I'm saying.

1699
01:16:32,400 --> 01:16:34,360
Speaker 4: So I see people that come up to me and

1700
01:16:34,400 --> 01:16:35,799
Speaker 4: they'll be like, yo, episode sixteen.

1701
01:16:35,840 --> 01:16:36,000
Speaker 2: You know.

1702
01:16:36,800 --> 01:16:38,840
Speaker 4: I just look at them motherfuckers like I don't know

1703
01:16:38,880 --> 01:16:42,080
Speaker 4: what the episode whatever, but they know me.

1704
01:16:42,920 --> 01:16:44,080
Speaker 3: And that's how I feel about you.

1705
01:16:44,400 --> 01:16:46,720
Speaker 1: Just in case you know that, I mean, Doug, I

1706
01:16:46,800 --> 01:16:52,439
Speaker 1: really feel like y'all raised me. Man. Queen's and janug and.

1707
01:16:55,160 --> 01:16:55,679
Speaker 3: About the music.

1708
01:16:55,760 --> 01:16:59,320
Speaker 1: And man, I grew up like like y'all like my

1709
01:16:59,439 --> 01:17:02,000
Speaker 1: dad had me at sixteen, you know what I'm saying.

1710
01:17:02,680 --> 01:17:05,639
Speaker 3: So I had a young pops you know, was busting

1711
01:17:05,720 --> 01:17:06,120
Speaker 3: us early.

1712
01:17:06,240 --> 01:17:07,760
Speaker 1: Yeah, he had four kids by the time he was

1713
01:17:07,800 --> 01:17:08,240
Speaker 1: twenty one.

1714
01:17:09,240 --> 01:17:12,840
Speaker 4: Your dad was all hit him ripping.

1715
01:17:12,640 --> 01:17:15,599
Speaker 3: Everything, uh, brand new being a trip called.

1716
01:17:15,520 --> 01:17:18,920
Speaker 1: Quest, Trip Car Quest, I mean the same ship. I

1717
01:17:19,000 --> 01:17:23,960
Speaker 1: mean you know, I mean yeah, because Trip just it

1718
01:17:24,080 --> 01:17:26,040
Speaker 1: was just too much involved with them, man, you know,

1719
01:17:26,240 --> 01:17:28,759
Speaker 1: and then you know Q Tips like my big homie

1720
01:17:28,800 --> 01:17:31,280
Speaker 1: man Trap is like you know, that's like my mentors

1721
01:17:31,320 --> 01:17:31,639
Speaker 1: and ship.

1722
01:17:31,720 --> 01:17:32,320
Speaker 3: You know what I'm saying.

1723
01:17:32,400 --> 01:17:34,519
Speaker 1: So I can't go against the grain with that, but

1724
01:17:34,600 --> 01:17:36,519
Speaker 1: I could. I could just really just because me I'm

1725
01:17:36,560 --> 01:17:39,200
Speaker 1: a rap nigga. So you know you had Tip in

1726
01:17:39,400 --> 01:17:42,560
Speaker 1: Fife and besides Pooba, man, I really do.

1727
01:17:46,280 --> 01:17:49,719
Speaker 4: I'll tell you a funny story about Fife though. I said,

1728
01:17:51,240 --> 01:17:54,200
Speaker 4: Laurie know this and Laurie know that, but no Gat

1729
01:17:54,280 --> 01:17:57,479
Speaker 4: Wow because Lorid Buck that. But I was giving respect

1730
01:17:58,080 --> 01:18:03,760
Speaker 4: to bon No this that Jack and Rap and five Dogs.

1731
01:18:03,520 --> 01:18:04,680
Speaker 3: See me, kid you not?

1732
01:18:05,720 --> 01:18:09,720
Speaker 4: And he was like, I'm gonna get you back. I

1733
01:18:09,840 --> 01:18:12,760
Speaker 4: was like, this is bigger and he was. That's how

1734
01:18:12,840 --> 01:18:17,160
Speaker 4: much competitive person he was. You can tell because he

1735
01:18:17,280 --> 01:18:19,080
Speaker 4: took it like I took his line and made it

1736
01:18:19,200 --> 01:18:22,080
Speaker 4: better as opposed to that's I was trying to big

1737
01:18:22,200 --> 01:18:24,439
Speaker 4: him up and I never got to fix that situation.

1738
01:18:24,920 --> 01:18:26,280
Speaker 3: So Fife died.

1739
01:18:27,120 --> 01:18:30,240
Speaker 1: That's crazy though, thinking like I was like, is going

1740
01:18:30,320 --> 01:18:30,800
Speaker 1: to diss me?

1741
01:18:31,479 --> 01:18:32,040
Speaker 4: You bet him?

1742
01:18:32,479 --> 01:18:35,479
Speaker 3: He no, it wasn't. He thought he was biting.

1743
01:18:35,840 --> 01:18:37,640
Speaker 4: No, he thought that I took his ship and I

1744
01:18:37,720 --> 01:18:45,720
Speaker 4: didn't like kind of like, okay, I was like, but

1745
01:18:45,960 --> 01:18:46,240
Speaker 4: I was.

1746
01:18:46,600 --> 01:18:48,479
Speaker 3: You took it like and I did it better, right,

1747
01:18:48,560 --> 01:18:49,280
Speaker 3: and that's why you matter.

1748
01:18:49,360 --> 01:18:51,840
Speaker 4: He's like, no, you bet my ship. You know what,

1749
01:18:52,000 --> 01:18:54,280
Speaker 4: I'm gonna let you ride with that. He could have

1750
01:18:54,400 --> 01:18:56,160
Speaker 4: took it like that. He could have, but it was

1751
01:18:56,280 --> 01:18:58,160
Speaker 4: like respectful.

1752
01:18:58,439 --> 01:18:59,080
Speaker 3: I'm sure it was.

1753
01:19:00,560 --> 01:19:03,080
Speaker 4: I'm gonna take one of your lines and I'm going

1754
01:19:03,160 --> 01:19:04,679
Speaker 4: to do the same exact ship.

1755
01:19:04,720 --> 01:19:07,240
Speaker 3: And I was like, no, you're letting your fight though,

1756
01:19:07,680 --> 01:19:09,080
Speaker 3: like I was showing respect.

1757
01:19:09,240 --> 01:19:12,360
Speaker 1: He was just like there's some old school rules, man,

1758
01:19:12,840 --> 01:19:13,160
Speaker 1: that's all.

1759
01:19:13,600 --> 01:19:14,520
Speaker 3: He was competitive.

1760
01:19:15,640 --> 01:19:17,320
Speaker 4: If it was to ever do a versus, who would

1761
01:19:17,360 --> 01:19:19,320
Speaker 4: you want to do a versus against?

1762
01:19:21,400 --> 01:19:23,120
Speaker 1: I don't know if they can do no verses me.

1763
01:19:23,240 --> 01:19:25,200
Speaker 1: You have to be like, I don't know, man, I

1764
01:19:25,320 --> 01:19:28,519
Speaker 1: sit in my own class. It ain't no, he got

1765
01:19:28,640 --> 01:19:31,800
Speaker 1: fucking problems and all that ship he got drakes can't

1766
01:19:31,800 --> 01:19:34,080
Speaker 1: get that ship man. He gotta be like some real

1767
01:19:34,200 --> 01:19:38,280
Speaker 1: alternative rap ship like you know, nah man, he got

1768
01:19:38,360 --> 01:19:40,200
Speaker 1: fucking outcast songs and ship man.

1769
01:19:40,640 --> 01:19:42,720
Speaker 3: Okay, no, it ain't.

1770
01:19:43,520 --> 01:19:46,559
Speaker 1: He gonna bust my ass man like LP like he's

1771
01:19:46,600 --> 01:19:48,880
Speaker 1: done too much ship man. He got fucking cannibal ox

1772
01:19:48,960 --> 01:19:51,679
Speaker 1: ship he can start to a producer. You know, there's

1773
01:19:51,720 --> 01:19:54,080
Speaker 1: so much ship you done done producing wise man.

1774
01:19:54,080 --> 01:19:57,120
Speaker 3: Like that's so who would you want to go against?

1775
01:19:58,040 --> 01:19:59,000
Speaker 3: I wouldn't want to do that.

1776
01:19:59,080 --> 01:20:01,680
Speaker 1: Ship many don't want to. I mean fucking versus here.

1777
01:20:01,680 --> 01:20:05,200
Speaker 1: I don't battle your ass. If anything, get over the corner,

1778
01:20:05,320 --> 01:20:07,400
Speaker 1: no beat, no nothing, then to see who gonna win.

1779
01:20:07,560 --> 01:20:10,439
Speaker 1: You know, fuck your song what you want to on

1780
01:20:10,520 --> 01:20:10,920
Speaker 1: the corner.

1781
01:20:11,320 --> 01:20:17,720
Speaker 5: I mean, whoever think they want it? Because I think

1782
01:20:17,760 --> 01:20:29,400
Speaker 5: of somebody space ghosts purpose.

1783
01:20:29,560 --> 01:20:31,519
Speaker 1: I mean, he's a crazy motherfucker. Man, I don't know.

1784
01:20:31,560 --> 01:20:33,519
Speaker 1: I wouldn't even want I mean, you know, I take

1785
01:20:33,600 --> 01:20:35,240
Speaker 1: him to a therapist before I do anything.

1786
01:20:39,320 --> 01:20:41,760
Speaker 4: Show you badass man.

1787
01:20:42,080 --> 01:20:43,920
Speaker 1: It's only two rappers I think, fucking me like that,

1788
01:20:43,960 --> 01:20:47,000
Speaker 1: and that's Kate I Ner Sweatshirt. So anybody else, I'm

1789
01:20:47,000 --> 01:20:51,519
Speaker 1: gonna give him the business. I like, I like, so

1790
01:20:51,680 --> 01:20:55,479
Speaker 1: anybody else they get in the business. Anybody else, Yeah,

1791
01:20:55,640 --> 01:20:58,040
Speaker 1: I mean besides oh Jesus over me, but my pure

1792
01:20:58,080 --> 01:20:58,880
Speaker 1: group of my class.

1793
01:20:59,080 --> 01:21:01,559
Speaker 3: Yeah, I think I Nigga from the Sexel Couple could

1794
01:21:01,600 --> 01:21:01,800
Speaker 3: get it.

1795
01:21:02,000 --> 01:21:03,840
Speaker 4: I mean, that's Kelly could get it.

1796
01:21:04,439 --> 01:21:09,160
Speaker 7: Actually, I mean, like I said, Action Bronston can get it.

1797
01:21:09,320 --> 01:21:13,040
Speaker 1: Actually a bad motherfucker though, But yeah, Freddy ain't my class.

1798
01:21:13,080 --> 01:21:15,880
Speaker 3: Freddie for me, man, you know.

1799
01:21:16,040 --> 01:21:18,040
Speaker 1: And Freddy Due he bust ass though every time I've

1800
01:21:18,080 --> 01:21:19,240
Speaker 1: been on the song with him, he got me.

1801
01:21:19,360 --> 01:21:23,040
Speaker 3: So what Freddy get Yeah, that's big of you to say.

1802
01:21:23,600 --> 01:21:23,840
Speaker 1: I know.

1803
01:21:24,040 --> 01:21:25,840
Speaker 3: I mean, nigga, you rap, you know what's up?

1804
01:21:25,880 --> 01:21:26,000
Speaker 5: Man?

1805
01:21:26,040 --> 01:21:27,680
Speaker 1: That's one thing I hate about these motherfuckers. You know

1806
01:21:27,720 --> 01:21:28,600
Speaker 1: what the mofucker got you?

1807
01:21:28,680 --> 01:21:28,880
Speaker 2: You know?

1808
01:21:30,240 --> 01:21:33,880
Speaker 3: Okay, Mob deeper Mop my deep.

1809
01:21:35,320 --> 01:21:38,479
Speaker 1: And it's just I mean, I feel like, like I said,

1810
01:21:38,560 --> 01:21:42,920
Speaker 1: Mob to me, got four, Mop got two. So and

1811
01:21:43,080 --> 01:21:46,600
Speaker 1: I love the Warriors. Warriors is like, you know, but

1812
01:21:47,040 --> 01:21:49,320
Speaker 1: I still even go to on like the beat making

1813
01:21:49,360 --> 01:21:51,960
Speaker 1: tip like Havoc is like one of my favorite producers ever,

1814
01:21:52,080 --> 01:21:54,760
Speaker 1: you know, and you know Phizy get busy too though,

1815
01:21:54,840 --> 01:21:57,960
Speaker 1: But you know, I just like my mob is like

1816
01:21:58,000 --> 01:22:00,160
Speaker 1: and Prodigy is like one of my favorite rappers ever. Know,

1817
01:22:00,720 --> 01:22:03,320
Speaker 1: so fine, I always gonna ride with Queens. I think

1818
01:22:04,360 --> 01:22:08,640
Speaker 1: I expect you moving on immediately. Let's go Exhibit A ra.

1819
01:22:11,960 --> 01:22:12,559
Speaker 4: West Coast.

1820
01:22:13,280 --> 01:22:16,479
Speaker 1: I think raz Cast is a better rapper, but Exhibit

1821
01:22:16,560 --> 01:22:21,719
Speaker 1: had a better album. Forty Days and Forty Nights. By

1822
01:22:21,760 --> 01:22:27,120
Speaker 1: the way, that video might be the best, the best one. Yeah, Paparazzi, paparakki.

1823
01:22:28,479 --> 01:22:31,679
Speaker 2: Yeah, they shot, they they made it forward, but everything

1824
01:22:31,800 --> 01:22:32,599
Speaker 2: happening backwards.

1825
01:22:32,960 --> 01:22:35,360
Speaker 4: But what I'm saying, I thought it was in one

1826
01:22:36,000 --> 01:22:37,920
Speaker 4: one take, one take. That's how I thought. Wasn't it

1827
01:22:38,000 --> 01:22:39,960
Speaker 4: BA was it backwards? No, it's not backwards. I think

1828
01:22:40,000 --> 01:22:43,080
Speaker 4: you can confuse. I'm sorry, it's one take through it.

1829
01:22:44,920 --> 01:22:47,599
Speaker 1: She was saying ras Cast because he had Solo Night's remix.

1830
01:22:47,840 --> 01:22:50,559
Speaker 3: Okay, yeah, but Exhibit it was the one.

1831
01:22:50,840 --> 01:22:51,840
Speaker 1: But I got to be honest.

1832
01:22:51,880 --> 01:22:54,639
Speaker 4: I got to say the Exhibit has the best video

1833
01:22:54,880 --> 01:22:57,040
Speaker 4: in hip hop. No, that video is amazing, and I

1834
01:22:57,120 --> 01:22:58,880
Speaker 4: don't know if of course the money.

1835
01:22:58,720 --> 01:23:00,120
Speaker 1: Hell yeah, that did you know what it?

1836
01:23:00,280 --> 01:23:00,600
Speaker 4: I didn't know.

1837
01:23:00,680 --> 01:23:01,040
Speaker 3: I didn't know.

1838
01:23:01,240 --> 01:23:04,639
Speaker 4: But what I'm saying is the creativity part of him

1839
01:23:04,760 --> 01:23:06,080
Speaker 4: just walking through that one scene.

1840
01:23:06,280 --> 01:23:07,800
Speaker 3: I've never seen nothing that creed.

1841
01:23:07,880 --> 01:23:10,000
Speaker 1: And you know it was crazy because they redid it

1842
01:23:10,080 --> 01:23:12,439
Speaker 1: with Jel Santana video and that was just as dope.

1843
01:23:12,560 --> 01:23:14,560
Speaker 1: So anytime you could just bite a video and that

1844
01:23:14,600 --> 01:23:15,599
Speaker 1: shit steal fires.

1845
01:23:15,680 --> 01:23:21,560
Speaker 4: Wow wow, Okay, next one, scarfacer c Really that was

1846
01:23:21,600 --> 01:23:22,160
Speaker 4: on that for real?

1847
01:23:23,720 --> 01:23:26,439
Speaker 1: See that's the one I got to s Yeah, you

1848
01:23:26,439 --> 01:23:30,280
Speaker 1: gotta take a shot. There ain't no winners in that

1849
01:23:30,400 --> 01:23:30,960
Speaker 1: one man.

1850
01:23:34,720 --> 01:23:36,640
Speaker 3: Bomb squad or organized noise.

1851
01:23:37,360 --> 01:23:41,000
Speaker 1: Bomb squad because you can't do that ship no more,

1852
01:23:41,560 --> 01:23:43,439
Speaker 1: you know what I'm saying. And you won't have to

1853
01:23:43,520 --> 01:23:45,160
Speaker 1: fuck around and lock you up trying to make them

1854
01:23:45,200 --> 01:23:45,960
Speaker 1: bomb squad be.

1855
01:23:48,000 --> 01:23:50,759
Speaker 4: How to organized noise without bomb squad? Is that accurate?

1856
01:23:50,840 --> 01:23:52,840
Speaker 1: I would organized noise to me? It is more like

1857
01:23:52,880 --> 01:23:55,519
Speaker 1: getting to the live instrumentation ship type ship too though

1858
01:23:55,600 --> 01:24:00,160
Speaker 1: you know, not South just live instrument yeah, just wor

1859
01:24:00,439 --> 01:24:02,560
Speaker 1: like you know, they was bringing in like guitarists and

1860
01:24:02,600 --> 01:24:04,400
Speaker 1: ship like that. You know, So I look at that

1861
01:24:04,560 --> 01:24:08,040
Speaker 1: ship's like more live instrumentation, and I look at bomb

1862
01:24:08,120 --> 01:24:11,160
Speaker 1: squad as just like taking one hundred samples and making

1863
01:24:11,280 --> 01:24:12,360
Speaker 1: one day out there.

1864
01:24:12,439 --> 01:24:14,640
Speaker 3: You know what I'm saying, God, you can't do that

1865
01:24:14,720 --> 01:24:17,280
Speaker 3: ship no more. I haven't you get like I'm going

1866
01:24:17,320 --> 01:24:17,679
Speaker 3: to jail.

1867
01:24:17,800 --> 01:24:24,719
Speaker 1: They do. They're just gonna you just go to jail.

1868
01:24:24,840 --> 01:24:28,840
Speaker 1: You do bomb squad be stuff? LP get close?

1869
01:24:28,920 --> 01:24:32,639
Speaker 3: Who already? But I say, LP, That's why I think.

1870
01:24:32,680 --> 01:24:35,120
Speaker 1: You know he makes bomb squad ship without doing all

1871
01:24:35,200 --> 01:24:39,840
Speaker 1: that you know conye for we actually told them worrying

1872
01:24:39,840 --> 01:24:44,080
Speaker 1: my Filipinos. Yeah, you you jumped with the philippinais up

1873
01:24:44,120 --> 01:24:44,559
Speaker 1: in my mind.

1874
01:24:44,600 --> 01:24:46,240
Speaker 3: I didn't even know it was there. Man, you're good.

1875
01:24:46,479 --> 01:24:48,599
Speaker 4: YEA gives a school boy?

1876
01:24:48,680 --> 01:24:54,320
Speaker 1: Q Oh, that might be a shot. I see a shot?

1877
01:24:54,800 --> 01:24:55,840
Speaker 3: That a shot.

1878
01:24:56,520 --> 01:24:59,800
Speaker 1: I can't because I can't. They both sitting there own right,

1879
01:25:00,080 --> 01:25:03,559
Speaker 1: you know, like they're both sitting there on right.

1880
01:25:03,680 --> 01:25:03,840
Speaker 2: Man.

1881
01:25:04,439 --> 01:25:07,760
Speaker 3: You know I can't even we have a schoolboy q is.

1882
01:25:10,000 --> 01:25:10,880
Speaker 1: We start?

1883
01:25:11,080 --> 01:25:11,200
Speaker 2: Uh?

1884
01:25:13,280 --> 01:25:15,920
Speaker 3: And we would love to have them all. Yeah, you'll

1885
01:25:15,960 --> 01:25:16,200
Speaker 3: be great.

1886
01:25:16,240 --> 01:25:18,519
Speaker 1: I'm pretty sure this ship kee my homie.

1887
01:25:18,760 --> 01:25:24,080
Speaker 3: Yeah yeah, okay, next one not even by nature, lost boys.

1888
01:25:24,520 --> 01:25:31,040
Speaker 1: By Nature Man trench rat better than mister Cheeks. I'm

1889
01:25:31,080 --> 01:25:32,799
Speaker 1: sorry I had to be Queen's on that one.

1890
01:25:35,880 --> 01:25:41,680
Speaker 3: Business. They both my brothers, and you know what, they

1891
01:25:41,760 --> 01:25:43,640
Speaker 3: would love to hear that. They love that.

1892
01:25:43,800 --> 01:25:45,320
Speaker 1: They love that. Trenches.

1893
01:25:45,400 --> 01:25:47,400
Speaker 3: Come on, man, Trenches underrated, I feel.

1894
01:25:48,920 --> 01:25:51,879
Speaker 1: I mean, trenches. That's that's what you call lyrical miracles,

1895
01:25:51,960 --> 01:25:53,639
Speaker 1: you do, yes, trenches?

1896
01:25:54,640 --> 01:26:02,400
Speaker 3: Is that dude? Cannabis and Keith Murray. Keith Murray, big

1897
01:26:02,520 --> 01:26:03,240
Speaker 3: up Keith Murray.

1898
01:26:03,400 --> 01:26:04,280
Speaker 1: Yeah, Keith Murray.

1899
01:26:04,400 --> 01:26:04,519
Speaker 2: Man.

1900
01:26:06,160 --> 01:26:08,000
Speaker 1: I mean, And don't get me wrong, I'm just saying

1901
01:26:08,000 --> 01:26:10,599
Speaker 1: because because Cannabis when he came out, everybody was shaking

1902
01:26:10,640 --> 01:26:13,480
Speaker 1: in their boots. No, yeah, he had everybody scared.

1903
01:26:13,200 --> 01:26:14,000
Speaker 3: Than the motherfuckers.

1904
01:26:15,479 --> 01:26:18,800
Speaker 1: It's just that album though, that White Cleft one, that

1905
01:26:19,000 --> 01:26:19,799
Speaker 1: was kind of crazy.

1906
01:26:20,200 --> 01:26:20,839
Speaker 4: Well Cannabis.

1907
01:26:21,080 --> 01:26:22,480
Speaker 3: Yeah, that Cannabis.

1908
01:26:22,160 --> 01:26:24,800
Speaker 1: Cannot Bus that was kind of even that title, you know,

1909
01:26:24,880 --> 01:26:26,960
Speaker 1: and he got a lot of crazy lines eating ass

1910
01:26:27,280 --> 01:26:33,080
Speaker 1: like me and all that kind of Yeah, but like

1911
01:26:33,280 --> 01:26:34,840
Speaker 1: some of that ship ain't bars no more.

1912
01:26:34,920 --> 01:26:38,839
Speaker 3: It was bars back then, but big up cannabis somewhere

1913
01:26:38,960 --> 01:26:39,240
Speaker 3: then he.

1914
01:26:39,280 --> 01:26:41,200
Speaker 1: Had that battle when he ripped his note pad out,

1915
01:26:41,439 --> 01:26:43,240
Speaker 1: like yeah, that was that was too crazy.

1916
01:26:43,680 --> 01:26:47,560
Speaker 4: But cannabis wherever you're at. He said that me and

1917
01:26:47,640 --> 01:26:50,280
Speaker 4: you didn't send him a car service. No, I talked

1918
01:26:50,280 --> 01:26:50,559
Speaker 4: to him.

1919
01:26:50,600 --> 01:26:53,240
Speaker 2: I mean it hasn't been lately, but we need to

1920
01:26:53,280 --> 01:26:55,160
Speaker 2: have him on the show Man. But he was a

1921
01:26:55,240 --> 01:26:56,479
Speaker 2: game changer when he came out.

1922
01:26:57,000 --> 01:26:59,040
Speaker 1: I feel like Keith Murray. Music still to test the

1923
01:26:59,080 --> 01:27:01,080
Speaker 1: time though, Like you listen to something that keep Murry

1924
01:27:01,120 --> 01:27:01,719
Speaker 1: ship and you're.

1925
01:27:01,600 --> 01:27:03,840
Speaker 4: Like, fuck, you know what I'm saying, like the most

1926
01:27:03,840 --> 01:27:05,479
Speaker 4: beautiful thing in the world.

1927
01:27:06,160 --> 01:27:08,400
Speaker 1: Like some of that ship is crazy. Man, It's just

1928
01:27:08,560 --> 01:27:11,400
Speaker 1: like that. Ain't nobody never did that ship since? Like

1929
01:27:11,479 --> 01:27:14,640
Speaker 1: he had he said in his own right, like that,

1930
01:27:14,960 --> 01:27:17,559
Speaker 1: ain't nobody like rapp like Keith Murray. We ain't never

1931
01:27:17,640 --> 01:27:19,559
Speaker 1: heard nobody be like, oh he rapped like Keith Murray.

1932
01:27:19,600 --> 01:27:20,240
Speaker 3: Ain't nobody.

1933
01:27:22,760 --> 01:27:35,120
Speaker 4: Murry can't even wrap. Like it's just like, yeah, man, so.

1934
01:27:36,760 --> 01:27:39,280
Speaker 3: Asp Rocky or Hopson.

1935
01:27:39,840 --> 01:27:42,799
Speaker 1: Come on, man, that's a trick question. I mean it's

1936
01:27:42,840 --> 01:27:47,040
Speaker 1: that rocky obviously. Man, you know I would even I mean, yeah,

1937
01:27:47,080 --> 01:27:48,519
Speaker 1: it just ain't sa rocky man, you know.

1938
01:27:50,120 --> 01:27:52,080
Speaker 3: SA. Let me let me just say something.

1939
01:27:52,920 --> 01:27:53,360
Speaker 1: A SAP.

1940
01:27:55,600 --> 01:27:56,920
Speaker 4: I'm really proud of a SAP.

1941
01:27:57,200 --> 01:27:57,840
Speaker 3: You know why.

1942
01:27:59,680 --> 01:28:04,600
Speaker 4: They changed the trajectory. I'm using big words. You guys know,

1943
01:28:04,720 --> 01:28:11,120
Speaker 4: I don't use big words of New York rat. He

1944
01:28:11,200 --> 01:28:12,400
Speaker 4: went out there and took a risk.

1945
01:28:13,439 --> 01:28:13,920
Speaker 2: I like that.

1946
01:28:14,360 --> 01:28:17,080
Speaker 1: Yeah, and he was just being him too. That was

1947
01:28:17,120 --> 01:28:17,640
Speaker 1: for us, you know.

1948
01:28:18,360 --> 01:28:20,360
Speaker 4: So I want to pick up a sap, Rocky, a

1949
01:28:20,560 --> 01:28:23,400
Speaker 4: sap for all the A SAPs, even the.

1950
01:28:23,439 --> 01:28:25,479
Speaker 1: A He did try to sell us under armours though

1951
01:28:25,920 --> 01:28:27,000
Speaker 1: he did, but we didn't.

1952
01:28:28,120 --> 01:28:28,680
Speaker 3: That's the only thing.

1953
01:28:35,560 --> 01:28:40,439
Speaker 4: That's what under But I like his He got a

1954
01:28:40,479 --> 01:28:46,040
Speaker 4: whiskey great because Canadian whiskey. I fantastically liked it. Yes,

1955
01:28:47,280 --> 01:28:51,200
Speaker 4: it's Canadian Japanese whiskey. He showed us a bootleg. But

1956
01:28:52,000 --> 01:28:53,920
Speaker 4: because the first time I got bootleg ship, I was like,

1957
01:28:54,000 --> 01:28:57,200
Speaker 4: I'm good in the same homies that came with Kevin

1958
01:28:57,240 --> 01:28:59,040
Speaker 4: Harden his yes and hard people.

1959
01:28:59,080 --> 01:29:00,960
Speaker 3: I love those people. Those what are those people? What

1960
01:29:01,000 --> 01:29:03,400
Speaker 3: do they name or whatever?

1961
01:29:03,479 --> 01:29:03,800
Speaker 1: They are?

1962
01:29:03,880 --> 01:29:12,040
Speaker 4: They the name of the Yeah, okay, god, yeah, go

1963
01:29:12,120 --> 01:29:12,680
Speaker 4: to the next one.

1964
01:29:13,640 --> 01:29:19,280
Speaker 3: Big your big pun. That's a good one. Only got

1965
01:29:19,320 --> 01:29:25,679
Speaker 3: one shot left too, Damn.

1966
01:29:25,760 --> 01:29:29,800
Speaker 1: That is a her win though. But I much I'm yeah,

1967
01:29:29,960 --> 01:29:34,639
Speaker 1: take a shot, take the shot. Just take this shot, man,

1968
01:29:34,760 --> 01:29:38,280
Speaker 1: because I would have loved to hear them wrap together,

1969
01:29:38,439 --> 01:29:41,800
Speaker 1: you know, would that would have been I would have

1970
01:29:41,840 --> 01:29:44,000
Speaker 1: gave me more of a something to judge you know what?

1971
01:29:45,479 --> 01:29:47,800
Speaker 4: Was there never a record of them too? No, no,

1972
01:29:48,360 --> 01:29:54,880
Speaker 4: they're thisted in two different time friends. Yeah yeah, yeah,

1973
01:29:55,320 --> 01:29:58,679
Speaker 4: and Pun didn't come out till ninety eight. But there's

1974
01:29:58,760 --> 01:30:01,880
Speaker 4: something that must have been some ship that was you

1975
01:30:01,960 --> 01:30:04,800
Speaker 4: relating Joe. No, no, no, no no, there was something

1976
01:30:04,840 --> 01:30:08,280
Speaker 4: that was putting an old freestyle. Well, if Pun and

1977
01:30:08,360 --> 01:30:11,759
Speaker 4: Biggie was in the same room, Pun wasn't, Pun doesn't

1978
01:30:11,760 --> 01:30:12,160
Speaker 4: make sense.

1979
01:30:12,720 --> 01:30:14,439
Speaker 1: Yeah, you know what I mean, Like in my head,

1980
01:30:14,520 --> 01:30:16,000
Speaker 1: like I want to just to say, like Biggie just

1981
01:30:16,040 --> 01:30:18,439
Speaker 1: because I got more ship, you know, But then I

1982
01:30:18,560 --> 01:30:21,519
Speaker 1: just think about Pun versus and it's like Biggie can't

1983
01:30:21,760 --> 01:30:24,840
Speaker 1: you know, So it's like we get it. Yeah, that's

1984
01:30:24,920 --> 01:30:31,840
Speaker 1: even man, Dave Chappelle, Chris Rock, Yeah, Deve Chappelle. But

1985
01:30:32,200 --> 01:30:34,640
Speaker 1: I mean, that's that's the crazy one. But yeah, I

1986
01:30:34,800 --> 01:30:37,680
Speaker 1: just say Dave, though I'll say Dave speak of the.

1987
01:30:37,760 --> 01:30:39,160
Speaker 3: Dave Chappelle man. I ain't gonna lie.

1988
01:30:40,920 --> 01:30:42,960
Speaker 4: I just say that, I like hanging with Comedian is

1989
01:30:43,360 --> 01:30:44,880
Speaker 4: way more than like hanging with rappers.

1990
01:30:47,400 --> 01:30:48,000
Speaker 3: Ask me why.

1991
01:30:48,520 --> 01:30:50,680
Speaker 1: I mean, I kind of I kind of cold get that.

1992
01:30:51,040 --> 01:30:52,920
Speaker 1: I kind of like.

1993
01:30:53,000 --> 01:30:55,200
Speaker 3: Comedian cannot stop being a comedian.

1994
01:30:55,439 --> 01:30:59,120
Speaker 1: Yeah, I mean it's just in him. You know then, right,

1995
01:31:00,080 --> 01:31:04,439
Speaker 1: Rappers is like they got wrestlers, they like they got their.

1996
01:31:06,400 --> 01:31:07,280
Speaker 3: I'm gonna be honest with you.

1997
01:31:07,680 --> 01:31:12,439
Speaker 4: Other than Kanye, rappers don't rap every aspect of their life.

1998
01:31:13,040 --> 01:31:17,280
Speaker 3: Comedians just have to be funny. Yeah, I mean the

1999
01:31:17,400 --> 01:31:17,920
Speaker 3: whole world.

2000
01:31:17,960 --> 01:31:20,240
Speaker 1: They can just see ship and just you know, everything

2001
01:31:20,280 --> 01:31:21,280
Speaker 1: could become a joke to them.

2002
01:31:21,320 --> 01:31:21,439
Speaker 2: You know.

2003
01:31:21,760 --> 01:31:22,320
Speaker 3: Don't get me wrong.

2004
01:31:22,360 --> 01:31:24,639
Speaker 1: I've been around some comedians that's funny as on stage.

2005
01:31:24,680 --> 01:31:27,240
Speaker 1: It ain't funny in real life though, ain't funny And yeah,

2006
01:31:27,280 --> 01:31:30,000
Speaker 1: they ain't cracking those jokes and ship, I mean ain't come.

2007
01:31:32,000 --> 01:31:36,920
Speaker 1: I'm just saying that, yeah, if he was drinking. To

2008
01:31:37,000 --> 01:31:39,920
Speaker 1: be back on that, I do think Chris Rock does

2009
01:31:40,000 --> 01:31:42,000
Speaker 1: have better specials than Dave Chappelle. I think that's just

2010
01:31:42,080 --> 01:31:44,760
Speaker 1: more preference for me. I just like Dave Chappelle, you know,

2011
01:31:44,960 --> 01:31:46,519
Speaker 1: just with the show and all that ship. But I

2012
01:31:46,600 --> 01:31:51,040
Speaker 1: do feel like Chris Rock specials early you know, they

2013
01:31:51,200 --> 01:31:51,920
Speaker 1: was crazy.

2014
01:31:52,000 --> 01:31:52,160
Speaker 2: You know.

2015
01:31:52,479 --> 01:31:55,639
Speaker 4: I love Chris and Dave Chappelle, and this makes them both.

2016
01:31:55,680 --> 01:31:56,640
Speaker 4: I'm gonna take a shot for that.

2017
01:31:56,960 --> 01:31:59,240
Speaker 3: So yeah, I'm gonna take a shot.

2018
01:32:00,640 --> 01:32:06,000
Speaker 4: And Dave Chappelle because they both gave me to the

2019
01:32:06,120 --> 01:32:11,479
Speaker 4: most greatest complent. I walked into NAS party, his fiftieth

2020
01:32:11,520 --> 01:32:14,160
Speaker 4: birthday party. I walk in and the first person I

2021
01:32:14,200 --> 01:32:16,800
Speaker 4: see is Chris Rock, and Chris Rock says, I ain't

2022
01:32:16,880 --> 01:32:23,560
Speaker 4: gonna talk nobody Nigga's Chris Rock. And he said, I

2023
01:32:23,560 --> 01:32:26,080
Speaker 4: ain't talking on nobody nigga. And I said, he said,

2024
01:32:26,080 --> 01:32:28,960
Speaker 4: but if I talked to somebody, I'm coming to drink Champs.

2025
01:32:29,040 --> 01:32:31,040
Speaker 4: And I was like, my wife looked at me and

2026
01:32:31,160 --> 01:32:33,960
Speaker 4: she she just gave me like like the handshakes. She

2027
01:32:34,080 --> 01:32:37,599
Speaker 4: was like, I'm so proud of you. Like and by

2028
01:32:37,640 --> 01:32:40,160
Speaker 4: the way, this is this is no cameras allowed. This

2029
01:32:40,240 --> 01:32:43,680
Speaker 4: is NAS fifty birthday party. So it's like so it's

2030
01:32:43,720 --> 01:32:45,800
Speaker 4: just it was just so beautiful. So Chris Rock, man,

2031
01:32:46,000 --> 01:32:47,760
Speaker 4: I want to I want to think of him. I'm

2032
01:32:47,760 --> 01:32:50,840
Speaker 4: gonna continue. I got to take a shot, right, Okay,

2033
01:32:51,360 --> 01:33:00,439
Speaker 4: last one is on you, loyalty or respect. I gotta

2034
01:33:00,479 --> 01:33:00,920
Speaker 4: pick one.

2035
01:33:02,400 --> 01:33:05,800
Speaker 1: I mean, because to be honest, man, like I do

2036
01:33:05,960 --> 01:33:08,120
Speaker 1: watch the show and I see a lot of times

2037
01:33:08,200 --> 01:33:11,200
Speaker 1: motherfuckers be on here and they be like respect, and

2038
01:33:11,280 --> 01:33:13,639
Speaker 1: you were like, motherfucker, you get disrespected every day man.

2039
01:33:13,760 --> 01:33:17,360
Speaker 1: You know, Maggy Mama's call you out your name a

2040
01:33:17,520 --> 01:33:20,240
Speaker 1: type of shit. You still so to me, Man, I

2041
01:33:20,280 --> 01:33:23,439
Speaker 1: don't care about loyalty because loyal to your orders, because

2042
01:33:23,479 --> 01:33:24,839
Speaker 1: loyal t come at a cost.

2043
01:33:24,800 --> 01:33:25,000
Speaker 2: You know.

2044
01:33:25,280 --> 01:33:28,200
Speaker 1: And you get disrespected by motherfuckers you love every day

2045
01:33:28,240 --> 01:33:29,320
Speaker 1: and you still go back and you.

2046
01:33:29,320 --> 01:33:30,519
Speaker 3: Still love them. You know what I'm saying.

2047
01:33:30,560 --> 01:33:33,560
Speaker 1: So to me, I just want honesty, you know, just

2048
01:33:33,640 --> 01:33:35,719
Speaker 1: be honest to me. You know what I'm saying. I'd

2049
01:33:35,760 --> 01:33:38,080
Speaker 1: rather a motherfucker look not look me in the fucking

2050
01:33:38,160 --> 01:33:40,880
Speaker 1: eyes and lie to me. But motherfucker disrespect you all

2051
01:33:40,920 --> 01:33:44,160
Speaker 1: the time. You you just gotta you know, it is

2052
01:33:44,240 --> 01:33:47,559
Speaker 1: what it is. The kids disrespect you, so he said.

2053
01:33:47,720 --> 01:33:50,120
Speaker 1: You know what I'm saying, You still love them. The

2054
01:33:50,240 --> 01:33:52,519
Speaker 1: motherfuckers you love the most disrespect you with though it

2055
01:33:52,640 --> 01:33:54,880
Speaker 1: be unloyal to you, you still gotta be with them.

2056
01:33:54,880 --> 01:33:57,680
Speaker 3: You still gotta love them. I don't know what else

2057
01:33:57,800 --> 01:34:01,400
Speaker 3: he picked. Either got drinking neither. I'm taking a lot.

2058
01:34:03,400 --> 01:34:04,639
Speaker 4: I'd always say both to be honest.

2059
01:34:05,000 --> 01:34:08,840
Speaker 1: I just got honesty, man. But tell me, you're gonna

2060
01:34:09,479 --> 01:34:10,800
Speaker 1: tell me you ain't gonna be loyal.

2061
01:34:10,880 --> 01:34:12,000
Speaker 2: You know it is?

2062
01:34:13,080 --> 01:34:14,120
Speaker 4: Yeah, Solom.

2063
01:34:16,000 --> 01:34:19,120
Speaker 3: Take a piss. So what are you drinking right now? Oh?

2064
01:34:19,200 --> 01:34:20,040
Speaker 1: This is iced tea?

2065
01:34:20,720 --> 01:34:23,200
Speaker 4: You ordered some weird ship though, urban my tey?

2066
01:34:23,600 --> 01:34:24,000
Speaker 2: What is it?

2067
01:34:24,479 --> 01:34:24,839
Speaker 3: Europe?

2068
01:34:28,120 --> 01:34:30,080
Speaker 1: Is that that's the urban my tee is just like

2069
01:34:30,680 --> 01:34:33,120
Speaker 1: a zamp type It's like it's just like this is

2070
01:34:33,200 --> 01:34:35,880
Speaker 1: like a zimpic of tea to two times stronger than

2071
01:34:35,960 --> 01:34:36,880
Speaker 1: coffee type ship.

2072
01:34:37,439 --> 01:34:38,640
Speaker 3: It's not that's what.

2073
01:34:41,200 --> 01:34:45,120
Speaker 4: That's what they I never heard of that, but I

2074
01:34:45,280 --> 01:34:45,880
Speaker 4: drink it a lot.

2075
01:34:46,080 --> 01:34:48,040
Speaker 1: I mean that's what I drink, you know, I mean

2076
01:34:48,120 --> 01:34:50,000
Speaker 1: it's drink coffee in the day.

2077
01:34:50,000 --> 01:34:50,679
Speaker 3: Do you know what I'm saying?

2078
01:34:51,040 --> 01:34:51,160
Speaker 2: Right?

2079
01:34:51,760 --> 01:34:55,400
Speaker 4: But I like it so because a lot of people

2080
01:34:55,479 --> 01:34:57,639
Speaker 4: can't go from one extreme to another extreme?

2081
01:34:58,000 --> 01:35:00,160
Speaker 3: Do you think that that's what? That's what you all?

2082
01:35:00,200 --> 01:35:00,559
Speaker 3: The less?

2083
01:35:00,640 --> 01:35:03,080
Speaker 4: You went from one extream like like you know, like

2084
01:35:03,160 --> 01:35:05,439
Speaker 4: you said, you said cocaine all that, and then now

2085
01:35:05,479 --> 01:35:07,400
Speaker 4: you're going to this other world?

2086
01:35:07,880 --> 01:35:08,040
Speaker 6: Is it?

2087
01:35:08,280 --> 01:35:08,600
Speaker 2: Is that.

2088
01:35:11,400 --> 01:35:12,920
Speaker 1: What you think? Do you mean?

2089
01:35:13,240 --> 01:35:14,160
Speaker 3: Another world of like what?

2090
01:35:14,400 --> 01:35:15,080
Speaker 1: Just be like sober?

2091
01:35:15,320 --> 01:35:17,000
Speaker 3: I feel like that's what we're supposed to be doing.

2092
01:35:17,800 --> 01:35:20,519
Speaker 1: You supposed to be doing and like what do you.

2093
01:35:20,560 --> 01:35:22,519
Speaker 3: Think do you think you do it right?

2094
01:35:22,680 --> 01:35:24,320
Speaker 1: Like I don't feel like I should be applauded for

2095
01:35:24,400 --> 01:35:25,080
Speaker 1: doing something I'm.

2096
01:35:24,960 --> 01:35:25,680
Speaker 3: Supposed to be doing.

2097
01:35:25,760 --> 01:35:32,280
Speaker 4: You know, but is that one extreme sort of next

2098
01:35:32,520 --> 01:35:33,280
Speaker 4: I wouldn't say.

2099
01:35:33,120 --> 01:35:34,160
Speaker 3: It's an extreme.

2100
01:35:34,200 --> 01:35:38,720
Speaker 1: I mean, I mean the hard part is you just realized, like, man,

2101
01:35:38,760 --> 01:35:41,000
Speaker 1: we'll the time go now, you know, Now, like I

2102
01:35:41,040 --> 01:35:43,720
Speaker 1: ain't sitting around smoking blunts so drinking all day. It's like, fuck,

2103
01:35:43,760 --> 01:35:45,599
Speaker 1: I have so much fucking time on my hands now,

2104
01:35:45,920 --> 01:35:48,880
Speaker 1: Like what the fuck? So now just pour myself more

2105
01:35:48,920 --> 01:35:50,640
Speaker 1: back into my work now. I mean, I feel like

2106
01:35:50,720 --> 01:35:54,639
Speaker 1: I honestly regain the love for making music again, because before,

2107
01:35:54,720 --> 01:35:56,000
Speaker 1: you know, it just used to be like you know,

2108
01:35:56,120 --> 01:35:58,680
Speaker 1: you gotta do it type shit, like I go to

2109
01:35:58,680 --> 01:36:01,000
Speaker 1: the studio and get fucked up. I just want to

2110
01:36:01,080 --> 01:36:02,439
Speaker 1: knock that shit out so I can go back to

2111
01:36:02,479 --> 01:36:03,240
Speaker 1: getting fucked up.

2112
01:36:03,479 --> 01:36:04,479
Speaker 3: Now it's like I'm just.

2113
01:36:04,560 --> 01:36:06,840
Speaker 1: Back in love with the process of just now it's

2114
01:36:06,960 --> 01:36:10,640
Speaker 1: fun again, you know, or even being on stage. You know,

2115
01:36:10,800 --> 01:36:13,040
Speaker 1: before the motherfucker was thinking about the after party more

2116
01:36:13,080 --> 01:36:13,840
Speaker 1: than the actual show.

2117
01:36:14,120 --> 01:36:16,960
Speaker 3: So how do you marsh pit in the mars pit

2118
01:36:17,160 --> 01:36:18,560
Speaker 3: without being marsh.

2119
01:36:18,400 --> 01:36:20,920
Speaker 1: I ain't watching shit, I ain't you know, hell no,

2120
01:36:21,120 --> 01:36:22,439
Speaker 1: I'm like man, were old man.

2121
01:36:22,400 --> 01:36:23,320
Speaker 3: I shit don't come back.

2122
01:36:23,640 --> 01:36:24,559
Speaker 4: Shit, don't heal.

2123
01:36:24,479 --> 01:36:26,439
Speaker 1: Quick like you too. You know what I'm saying. I

2124
01:36:26,520 --> 01:36:28,439
Speaker 1: ain't trying to break no bone and do nothing.

2125
01:36:28,560 --> 01:36:28,760
Speaker 4: Man.

2126
01:36:29,160 --> 01:36:31,679
Speaker 1: All that shit hurt now, but you ain't up sore

2127
01:36:31,760 --> 01:36:34,800
Speaker 1: and shit man, shit, man, motherfucker fucked too hard. You

2128
01:36:34,880 --> 01:36:37,000
Speaker 1: fucking piled the bone be hurting and ship and I man,

2129
01:36:37,040 --> 01:36:38,040
Speaker 1: I ain't even trying to do that.

2130
01:36:39,680 --> 01:36:40,320
Speaker 3: Let me ask you.

2131
01:36:41,760 --> 01:36:46,240
Speaker 4: I get it all the time. What's the worst rumor

2132
01:36:46,720 --> 01:36:48,120
Speaker 4: you heard about yourself?

2133
01:36:49,200 --> 01:36:51,280
Speaker 1: I don't know, man, because the ship if you heard it,

2134
01:36:51,320 --> 01:36:53,200
Speaker 1: it might be true about my ass. So I don't know.

2135
01:36:53,520 --> 01:36:56,519
Speaker 1: It's gonna be a wrong like what. I don't know

2136
01:36:56,760 --> 01:36:59,360
Speaker 1: because I don't know what people have said about me. Man,

2137
01:36:59,360 --> 01:37:00,719
Speaker 1: I mean, shit might have been true.

2138
01:37:01,320 --> 01:37:01,880
Speaker 3: So I don't know.

2139
01:37:02,120 --> 01:37:05,920
Speaker 1: You don't, don't You don't research yourself? No, I don't

2140
01:37:06,000 --> 01:37:11,280
Speaker 1: do that. I mean I don't know. No, I wouldn't

2141
01:37:11,320 --> 01:37:13,360
Speaker 1: think I have, you know rumors, you know you know.

2142
01:37:15,400 --> 01:37:18,840
Speaker 3: I respect that. I mean maybe, I mean no, I ain't.

2143
01:37:19,080 --> 01:37:21,880
Speaker 1: Yeah, I mean, fucker by yourself, like I ain't never smoking,

2144
01:37:21,920 --> 01:37:24,040
Speaker 1: no crack or nothing like that. You know what I'm saying.

2145
01:37:24,080 --> 01:37:27,160
Speaker 1: I've seen people like Danny Cracky. I done some bumps

2146
01:37:27,200 --> 01:37:30,799
Speaker 1: and ship. But I ain't never smoking no fucking crack.

2147
01:37:30,920 --> 01:37:34,000
Speaker 1: I sold crack, you know, I ain't never did no

2148
01:37:34,120 --> 01:37:37,120
Speaker 1: fucking meth, no hero and none of that kind of shit,

2149
01:37:37,200 --> 01:37:40,040
Speaker 1: you know, even though that ain't something like this fucking

2150
01:37:40,320 --> 01:37:41,400
Speaker 1: award or something.

2151
01:37:41,520 --> 01:37:41,680
Speaker 2: You know.

2152
01:37:43,880 --> 01:37:44,800
Speaker 3: I was a pill guy.

2153
01:37:44,920 --> 01:37:46,880
Speaker 4: You know what kind of pills you to?

2154
01:37:47,080 --> 01:37:49,240
Speaker 1: I mean, I just really loved the adderall and you know,

2155
01:37:50,040 --> 01:37:54,120
Speaker 1: the normal nigga shit, fucking Xanax and percoception.

2156
01:37:54,280 --> 01:37:57,200
Speaker 3: The only motherfucker I know took adderall right there did

2157
01:37:57,600 --> 01:37:57,920
Speaker 3: right there.

2158
01:37:58,080 --> 01:37:59,720
Speaker 1: I had to take no ships every day. I take

2159
01:37:59,760 --> 01:38:00,840
Speaker 1: them just being bored.

2160
01:38:01,439 --> 01:38:03,320
Speaker 7: And he used to say he's taking it for taking

2161
01:38:03,400 --> 01:38:05,760
Speaker 7: the test. I mean, nigga, he had no test ever.

2162
01:38:06,479 --> 01:38:09,880
Speaker 7: I mean they did, don't get me wrong. Like that's

2163
01:38:09,920 --> 01:38:10,680
Speaker 7: how it started with.

2164
01:38:10,760 --> 01:38:13,200
Speaker 4: Me, Like you know, really like somebody told you you

2165
01:38:13,240 --> 01:38:13,880
Speaker 4: can study better.

2166
01:38:14,120 --> 01:38:16,000
Speaker 1: No, I mean, I just you know, people just I

2167
01:38:16,080 --> 01:38:17,519
Speaker 1: mean like the first time I did the adderall, I

2168
01:38:17,640 --> 01:38:19,600
Speaker 1: made like five of the iller songs haven't made like

2169
01:38:19,720 --> 01:38:22,080
Speaker 1: back to back. So then it just get to the

2170
01:38:22,120 --> 01:38:24,040
Speaker 1: point then after a while. But if you're doing for

2171
01:38:24,120 --> 01:38:25,000
Speaker 1: so many after.

2172
01:38:25,000 --> 01:38:26,840
Speaker 7: Years and ship now songs as you make going out

2173
01:38:26,840 --> 01:38:29,200
Speaker 7: of the row, that was during the Hybrid time twenty

2174
01:38:29,240 --> 01:38:29,719
Speaker 7: five bucks.

2175
01:38:29,960 --> 01:38:32,640
Speaker 3: No, that was I mean probably yeah, I probably did, but.

2176
01:38:34,520 --> 01:38:36,679
Speaker 1: Like the Hybrid, that was that album, So I can't

2177
01:38:36,720 --> 01:38:38,840
Speaker 1: remember the actual five but I know I wrote the hybrid.

2178
01:38:39,240 --> 01:38:41,040
Speaker 1: Why do I like your Detroit niggas?

2179
01:38:41,120 --> 01:38:41,320
Speaker 4: High?

2180
01:38:43,040 --> 01:38:44,920
Speaker 3: I like you and eminem High.

2181
01:38:45,000 --> 01:38:49,320
Speaker 4: I'm sorry, I mean, you don't like the healthy bro Like,

2182
01:38:49,800 --> 01:38:50,880
Speaker 4: don't understand what he's saying.

2183
01:38:51,040 --> 01:38:54,240
Speaker 1: I know what you mean, because everybody likes a car crash, yeah,

2184
01:38:54,479 --> 01:38:56,280
Speaker 1: you know, like something you want to stare at.

2185
01:38:56,439 --> 01:39:00,519
Speaker 4: But you know, I'm sorry everybody, it's he means a

2186
01:39:00,560 --> 01:39:01,000
Speaker 4: car crash.

2187
01:39:01,200 --> 01:39:03,479
Speaker 2: I think he just he thinks that when you when

2188
01:39:03,520 --> 01:39:05,280
Speaker 2: people were on drugs, they were more creative.

2189
01:39:05,439 --> 01:39:07,679
Speaker 1: I thought that too, But now since I've been sober,

2190
01:39:07,720 --> 01:39:10,080
Speaker 1: I realized that ship just in me. You know, if

2191
01:39:10,080 --> 01:39:14,840
Speaker 1: anything in the drugs and it was taking me more

2192
01:39:14,880 --> 01:39:16,559
Speaker 1: out of who I wouldn't you know what I'm saying.

2193
01:39:16,560 --> 01:39:18,519
Speaker 1: It wasn't. I was, you know, but I always been

2194
01:39:18,600 --> 01:39:21,439
Speaker 1: the funny motherfucker just being able to rap. So that

2195
01:39:21,479 --> 01:39:23,280
Speaker 1: ship was always just in me before the drugs.

2196
01:39:23,320 --> 01:39:25,640
Speaker 4: Shit. You know, you can you could wrap funny, you

2197
01:39:25,680 --> 01:39:26,400
Speaker 4: could wrap sober.

2198
01:39:27,040 --> 01:39:29,000
Speaker 1: Yeah, now you know, I thought.

2199
01:39:28,880 --> 01:39:30,680
Speaker 3: It would be hard, but I feel like I'm better now.

2200
01:39:30,920 --> 01:39:32,599
Speaker 3: How long did it take you to realize that though?

2201
01:39:33,240 --> 01:39:34,240
Speaker 3: After rehabbing so.

2202
01:39:35,840 --> 01:39:38,000
Speaker 1: Because I'm sure it was a strong, Yeah, it took

2203
01:39:38,000 --> 01:39:42,160
Speaker 1: a minute, man, because you know, like I said, when

2204
01:39:42,160 --> 01:39:44,439
Speaker 1: I first, I didn't have no intentions on quitting Weed

2205
01:39:44,479 --> 01:39:44,800
Speaker 1: and Ship.

2206
01:39:44,880 --> 01:39:47,479
Speaker 3: But so then I was trying that and it was hard.

2207
01:39:47,600 --> 01:39:50,040
Speaker 1: Man. I'm like I got to sleep, yeah, because I

2208
01:39:50,080 --> 01:39:53,679
Speaker 1: couldn't sleep, because I couldn't sleep a terrible time because

2209
01:39:53,680 --> 01:39:55,160
Speaker 1: I couldn't sleep, you know, I couldn't.

2210
01:39:55,200 --> 01:39:58,320
Speaker 3: It was like, man, you from what quick we.

2211
01:40:00,160 --> 01:40:02,240
Speaker 1: Yeah, but it was just hard. But you know it's

2212
01:40:02,280 --> 01:40:05,120
Speaker 1: like everything else, man, just time, man, you know, time,

2213
01:40:05,200 --> 01:40:07,680
Speaker 1: he was all one kind of shit. You know. Now,

2214
01:40:07,800 --> 01:40:09,439
Speaker 1: like I said, I still I could love it from afar.

2215
01:40:09,760 --> 01:40:12,240
Speaker 1: But as far as just like making music, I think

2216
01:40:12,560 --> 01:40:14,160
Speaker 1: because now, like I say, I had so much time

2217
01:40:14,160 --> 01:40:16,120
Speaker 1: on my hand, I started back like making beats and shit.

2218
01:40:16,280 --> 01:40:17,960
Speaker 1: You know, I used to make beats all the time,

2219
01:40:18,080 --> 01:40:21,120
Speaker 1: like two thousand and seven. Then I found people that

2220
01:40:21,200 --> 01:40:23,120
Speaker 1: make beats better than me, so it's like, fuck my beats.

2221
01:40:23,160 --> 01:40:25,000
Speaker 1: So now I just got a number of times. So

2222
01:40:25,040 --> 01:40:27,719
Speaker 1: I've been back making beats and gat and just falling

2223
01:40:27,760 --> 01:40:29,639
Speaker 1: back in and just with love, with just having fun

2224
01:40:29,720 --> 01:40:32,760
Speaker 1: with it. So I don't even if people might hear

2225
01:40:32,800 --> 01:40:34,320
Speaker 1: my ship might be like, oh no, he ain't better

2226
01:40:34,360 --> 01:40:36,240
Speaker 1: than what he was high, But I'm having more fun

2227
01:40:36,360 --> 01:40:37,639
Speaker 1: now than I was before.

2228
01:40:40,040 --> 01:40:42,840
Speaker 3: I that's conscious thought with me.

2229
01:40:43,000 --> 01:40:44,720
Speaker 1: You know, Before it just was like yeah, hi, and

2230
01:40:44,880 --> 01:40:48,519
Speaker 1: just try to say the craziest shit I can think of. Now,

2231
01:40:48,800 --> 01:40:52,240
Speaker 1: sometimes I guess that might be just like what he's saying,

2232
01:40:52,600 --> 01:40:54,519
Speaker 1: like because motherfucker's.

2233
01:40:54,040 --> 01:40:54,680
Speaker 3: Hiding fucked up.

2234
01:40:54,720 --> 01:40:57,160
Speaker 1: It's a filter. Ain't no filter. Now it is more

2235
01:40:57,200 --> 01:40:57,679
Speaker 1: of a filter.

2236
01:40:57,840 --> 01:40:58,040
Speaker 3: Man.

2237
01:40:58,120 --> 01:41:00,120
Speaker 1: Now I think about shit a lot more like I

2238
01:41:00,200 --> 01:41:02,840
Speaker 1: really want to say, like what am I? You give

2239
01:41:02,880 --> 01:41:05,120
Speaker 1: what I'm saying like certain shiit. I look back and

2240
01:41:05,240 --> 01:41:07,360
Speaker 1: be like, man, no, that ain't really cool to say.

2241
01:41:07,680 --> 01:41:09,080
Speaker 1: You know who told me that shit a long time

2242
01:41:09,080 --> 01:41:10,919
Speaker 1: ago was fucking Ali Shahi Muhammad.

2243
01:41:10,960 --> 01:41:11,120
Speaker 2: Man.

2244
01:41:11,680 --> 01:41:14,599
Speaker 1: He was like yeah, He's like, man, you're fucking dope.

2245
01:41:14,640 --> 01:41:16,679
Speaker 1: You just got to figure out how to say shit

2246
01:41:17,640 --> 01:41:18,400
Speaker 1: in a better way.

2247
01:41:18,640 --> 01:41:20,560
Speaker 3: You know, he schools you.

2248
01:41:20,800 --> 01:41:22,760
Speaker 1: Yeah, and I always stuck in my head, But now

2249
01:41:22,760 --> 01:41:25,360
Speaker 1: I understand what he meant. Man, you know, because you know,

2250
01:41:25,640 --> 01:41:29,680
Speaker 1: sometimes you shock value just mean you embarrassing yourself.

2251
01:41:29,680 --> 01:41:32,559
Speaker 3: Right, he doesn't last. Yeah, it's not lasting.

2252
01:41:32,920 --> 01:41:39,280
Speaker 1: Do you realize how much hip hop appreciates you, to

2253
01:41:39,439 --> 01:41:43,000
Speaker 1: be honest, man, I wouldn't even really care. I'm just

2254
01:41:43,080 --> 01:41:46,320
Speaker 1: happy to be a part of it. That's a that's

2255
01:41:46,360 --> 01:41:50,439
Speaker 1: a great that's the worst answer. Yeah, no, because I

2256
01:41:50,560 --> 01:41:54,200
Speaker 1: do see like a lot of influence I've done and

2257
01:41:54,320 --> 01:41:56,600
Speaker 1: I can see where you know, and did you some

2258
01:41:56,760 --> 01:41:58,800
Speaker 1: of it not good, some of it is, you know,

2259
01:41:59,400 --> 01:42:02,120
Speaker 1: but for the most part as me, like I say

2260
01:42:02,200 --> 01:42:05,160
Speaker 1: that kid in Detroit, just thinking like, man, I'm gonna

2261
01:42:05,160 --> 01:42:06,880
Speaker 1: be a rapper around on them, and just the fact

2262
01:42:06,920 --> 01:42:09,640
Speaker 1: that I did it, Like, that's like the American dream man,

2263
01:42:09,680 --> 01:42:11,760
Speaker 1: to be able to take care of yourself of something

2264
01:42:11,800 --> 01:42:14,360
Speaker 1: you love to do. You know, people wake up and

2265
01:42:14,439 --> 01:42:16,880
Speaker 1: go do it jobs, and shit, they don't want to

2266
01:42:16,920 --> 01:42:19,200
Speaker 1: be there. Man, I love my fucking job. That was

2267
01:42:19,479 --> 01:42:21,280
Speaker 1: one of the biggest reasons for me to get sober,

2268
01:42:21,320 --> 01:42:22,880
Speaker 1: because it was like, I really love my job.

2269
01:42:22,920 --> 01:42:24,040
Speaker 3: I don't want to lose this shit.

2270
01:42:25,400 --> 01:42:25,560
Speaker 2: You know.

2271
01:42:25,920 --> 01:42:27,240
Speaker 4: I love my fucking job too.

2272
01:42:27,520 --> 01:42:30,400
Speaker 1: Yeah, God damn. And that's the American dream to me, man,

2273
01:42:30,479 --> 01:42:32,760
Speaker 1: to be able to support yourself off something you love

2274
01:42:32,800 --> 01:42:32,920
Speaker 1: to do.

2275
01:42:33,080 --> 01:42:34,320
Speaker 3: Man can't be no better than that.

2276
01:42:34,439 --> 01:42:42,240
Speaker 1: Man, I'm gonna be honest with you, Jenny Brown, this

2277
01:42:42,479 --> 01:42:43,040
Speaker 1: was awesome.

2278
01:42:44,439 --> 01:42:46,160
Speaker 3: No, really, it really is.

2279
01:42:46,800 --> 01:42:51,120
Speaker 4: Because you're showing people that you can still have fun,

2280
01:42:51,479 --> 01:42:57,880
Speaker 4: will still be who you are, and also accomplish your goals.

2281
01:42:58,560 --> 01:43:01,120
Speaker 4: Certain people can't do that. Yeah, and the fast that

2282
01:43:01,200 --> 01:43:02,800
Speaker 4: you're doing that, I want to applaud you.

2283
01:43:03,080 --> 01:43:03,639
Speaker 1: Thank you, man.

2284
01:43:03,760 --> 01:43:04,519
Speaker 3: I want to say.

2285
01:43:09,080 --> 01:43:09,679
Speaker 1: This is great.

2286
01:43:09,800 --> 01:43:09,960
Speaker 4: Man.

2287
01:43:10,360 --> 01:43:13,000
Speaker 3: You got anything else you ever done? The gathering of

2288
01:43:13,000 --> 01:43:13,400
Speaker 3: the juggle?

2289
01:43:13,600 --> 01:43:13,800
Speaker 4: Yeah?

2290
01:43:13,800 --> 01:43:14,439
Speaker 1: A few times?

2291
01:43:14,760 --> 01:43:17,040
Speaker 3: How's that been? I want to go too good?

2292
01:43:17,160 --> 01:43:18,640
Speaker 1: Less time they didn't go too good for me. They

2293
01:43:18,960 --> 01:43:21,040
Speaker 1: because you know, they always crazy. They throw fagos at

2294
01:43:21,080 --> 01:43:21,759
Speaker 1: you and ship.

2295
01:43:22,360 --> 01:43:23,800
Speaker 3: Which is there they like you.

2296
01:43:24,640 --> 01:43:26,679
Speaker 1: Yeah, but this this time they play.

2297
01:43:27,760 --> 01:43:29,479
Speaker 4: Soda the big soda boss.

2298
01:43:29,400 --> 01:43:30,240
Speaker 3: Will be from Pop.

2299
01:43:30,479 --> 01:43:34,040
Speaker 1: Yeah that's you know, yeah, fagos that's that's what they do.

2300
01:43:34,160 --> 01:43:37,760
Speaker 1: They throw fago and ship. So but this time I

2301
01:43:37,880 --> 01:43:39,800
Speaker 1: was on the stage and they weren't throwing fagos and ships.

2302
01:43:39,800 --> 01:43:41,240
Speaker 3: I was like, what's wrong with you all? Motherfuckers?

2303
01:43:42,320 --> 01:43:45,479
Speaker 1: And they wanted them to throw yeah you know, and yeah,

2304
01:43:45,720 --> 01:43:47,760
Speaker 1: they got bad. They just started throwing everything and they

2305
01:43:47,800 --> 01:43:50,200
Speaker 1: started throwing more than pagos. I was like, oh, man,

2306
01:43:50,320 --> 01:43:53,080
Speaker 1: you know, play stupid games when super prizes, you know

2307
01:43:53,120 --> 01:43:53,519
Speaker 1: what I'm saying.

2308
01:43:53,680 --> 01:43:57,360
Speaker 2: Such an interesting festival, man, Yeah, but it's it's fun, man.

2309
01:43:57,560 --> 01:44:00,000
Speaker 3: Just the love out there and that's the loyal family.

2310
01:44:00,479 --> 01:44:04,560
Speaker 1: Yeah, I mean like ICP, like being able just to

2311
01:44:04,640 --> 01:44:08,400
Speaker 1: be a yeah to go. There was another thing too,

2312
01:44:08,520 --> 01:44:10,680
Speaker 1: like being able to be around them early when my

2313
01:44:10,760 --> 01:44:12,919
Speaker 1: career was first starting and seeing how they was operating

2314
01:44:12,960 --> 01:44:15,360
Speaker 1: and moving and ship, and I was like, yeah, that's

2315
01:44:15,360 --> 01:44:17,160
Speaker 1: the type of ship I wanted for myself, you know,

2316
01:44:17,479 --> 01:44:20,160
Speaker 1: like you know, I can't say I've accomplished that in

2317
01:44:20,280 --> 01:44:22,840
Speaker 1: that sense, but I was just looking at them, like, man,

2318
01:44:22,880 --> 01:44:26,080
Speaker 1: you can really almost like a blue collar like middle

2319
01:44:26,120 --> 01:44:28,760
Speaker 1: class rapper, you know, like you can really just have

2320
01:44:28,920 --> 01:44:31,840
Speaker 1: a fucking ill lass career man, without fucking having to

2321
01:44:31,880 --> 01:44:35,000
Speaker 1: compromise who you are what you want to do with music,

2322
01:44:35,080 --> 01:44:35,240
Speaker 1: you know.

2323
01:44:35,840 --> 01:44:38,000
Speaker 3: So I really there was a big influence on me.

2324
01:44:38,800 --> 01:44:41,080
Speaker 3: Any tricks, trick stories, trick trick.

2325
01:44:43,720 --> 01:44:47,680
Speaker 1: I mean probably before like you know trick trick Like

2326
01:44:48,680 --> 01:44:53,080
Speaker 1: I mean I used to be a kid, like you know, teenager,

2327
01:44:53,120 --> 01:44:55,439
Speaker 1: and they used to have these like just before like

2328
01:44:55,880 --> 01:44:57,880
Speaker 1: any rap shit or whatever, but they used had like

2329
01:44:58,160 --> 01:45:01,559
Speaker 1: these after hours and shit called like outcasts and ship

2330
01:45:01,680 --> 01:45:04,360
Speaker 1: like that. And it was like the first time I

2331
01:45:04,439 --> 01:45:07,240
Speaker 1: seen a bit stick a flash light in her ass

2332
01:45:07,320 --> 01:45:12,800
Speaker 1: and cut it on and off. But yeah, what saying

2333
01:45:12,960 --> 01:45:14,880
Speaker 1: she stuck a flash light in her asshole and cut

2334
01:45:14,920 --> 01:45:16,519
Speaker 1: it on and off. But I said that to say

2335
01:45:16,520 --> 01:45:18,160
Speaker 1: because Trick Trick. Now, I think they used to run

2336
01:45:18,240 --> 01:45:21,240
Speaker 1: that shit kind of and any nigga used to act

2337
01:45:21,360 --> 01:45:22,280
Speaker 1: up and ship they have locked the.

2338
01:45:22,320 --> 01:45:24,439
Speaker 3: Doze on your ass and just beat the ship out you.

2339
01:45:24,560 --> 01:45:26,920
Speaker 1: So I've seen a lot of Yeah, I've seen the

2340
01:45:26,960 --> 01:45:29,040
Speaker 1: goon squad put the tips on a lot of motherfuckers.

2341
01:45:29,120 --> 01:45:32,280
Speaker 4: Man, shout to my friend Trick Strick, who's never showed

2342
01:45:32,320 --> 01:45:34,120
Speaker 4: me anything against He's always been.

2343
01:45:34,360 --> 01:45:37,679
Speaker 3: Yeah, that's the cool thing about him. That's the greatest ship.

2344
01:45:38,320 --> 01:45:39,280
Speaker 3: He always embraced me.

2345
01:45:39,360 --> 01:45:41,320
Speaker 1: Like when I first came around, everybody was kind of

2346
01:45:41,360 --> 01:45:43,160
Speaker 1: like weirded out by me because I like wore tight

2347
01:45:43,240 --> 01:45:45,280
Speaker 1: clothes and ship and all that shit. And he's like, no, man,

2348
01:45:45,320 --> 01:45:48,960
Speaker 1: you're from Detroit. It's just we family type shit. Like

2349
01:45:49,080 --> 01:45:51,120
Speaker 1: he never looked at me any type of weird al

2350
01:45:51,160 --> 01:45:51,960
Speaker 1: way or nothing like that.

2351
01:45:53,120 --> 01:45:56,320
Speaker 4: So let me just this last question because I just

2352
01:45:56,400 --> 01:45:59,120
Speaker 4: wanted to just like get this out the way.

2353
01:46:01,200 --> 01:46:01,559
Speaker 3: Pizza.

2354
01:46:02,680 --> 01:46:05,320
Speaker 1: Oh yeah, I've seen that ship de tray style pizza. Man,

2355
01:46:06,080 --> 01:46:09,519
Speaker 1: buddies man, that ship is fire man that came out already,

2356
01:46:10,000 --> 01:46:11,600
Speaker 1: was talking about I've seen that ship that was with

2357
01:46:12,080 --> 01:46:16,240
Speaker 1: g Herbo last week. Yeah, man, you ain't know you

2358
01:46:16,439 --> 01:46:18,640
Speaker 1: nothing about the detrace Stout pieceas I don't give me.

2359
01:46:21,760 --> 01:46:22,400
Speaker 4: It's fired.

2360
01:46:24,160 --> 01:46:25,840
Speaker 1: It's it's becoming up. Phenomen nine.

2361
01:46:25,880 --> 01:46:31,920
Speaker 3: We got de traced out pizza ringing the amazing it's

2362
01:46:32,280 --> 01:46:35,479
Speaker 3: really episode.

2363
01:46:36,120 --> 01:46:38,760
Speaker 4: He said he actually got to.

2364
01:46:38,800 --> 01:46:41,679
Speaker 1: De tray style pizza restaurants in New York. But don't

2365
01:46:41,680 --> 01:46:43,280
Speaker 1: get me wrong, I understand what you're saying. Ain't nothing

2366
01:46:43,320 --> 01:46:45,320
Speaker 1: better than that New York dollars lives, even though they

2367
01:46:45,320 --> 01:46:48,760
Speaker 1: ain't dollars in dollars lives. You know you can put

2368
01:46:48,760 --> 01:46:50,439
Speaker 1: the peppers in the parms and you know you you

2369
01:46:50,880 --> 01:46:53,400
Speaker 1: you dress them up. Ain't nothing better than that ship.

2370
01:46:53,479 --> 01:46:54,080
Speaker 1: Tell me that.

2371
01:46:55,840 --> 01:46:57,599
Speaker 3: Tray stout pizza. That's some baller ship.

2372
01:46:57,720 --> 01:46:57,960
Speaker 1: Connor.

2373
01:46:58,000 --> 01:47:00,479
Speaker 3: You know, I respect y'all with the coney dogs.

2374
01:47:00,800 --> 01:47:02,439
Speaker 1: All it is, they reversed it.

2375
01:47:02,560 --> 01:47:06,880
Speaker 3: It's the sauce on top of the cheese. That's where

2376
01:47:06,960 --> 01:47:07,439
Speaker 3: y'all lose.

2377
01:47:13,520 --> 01:47:19,000
Speaker 1: Yeah, recipe, but you in Detroit. Man, go to Buddy's Pizza.

2378
01:47:19,120 --> 01:47:20,160
Speaker 3: Man, all.

2379
01:47:21,760 --> 01:47:24,920
Speaker 1: I've had Detrait sd Our pizza everywhere, like it ain't

2380
01:47:24,960 --> 01:47:27,719
Speaker 1: still you know, they gentrified it. Man, I'll give you all.

2381
01:47:28,720 --> 01:47:31,479
Speaker 3: Now, Yeah, like I give y'all the Glizzies, the Conies,

2382
01:47:32,880 --> 01:47:35,799
Speaker 3: you got some. Yeah, But I like the Louis Burgers.

2383
01:47:35,800 --> 01:47:40,200
Speaker 1: I'm a Louisburger guy, which would be Detroit version of

2384
01:47:40,240 --> 01:47:44,560
Speaker 1: a chopped cheese when I think about it, because you

2385
01:47:44,680 --> 01:47:45,040
Speaker 1: ever had a.

2386
01:47:45,040 --> 01:47:48,200
Speaker 3: Louseburger he went to Louisburgers.

2387
01:47:48,240 --> 01:47:51,320
Speaker 1: You never had a lose Bluisburger that just scrambled it,

2388
01:47:51,439 --> 01:47:53,920
Speaker 1: just scrambled it. Instead of the hot dog. You're getting

2389
01:47:53,920 --> 01:47:55,679
Speaker 1: scrambled hamburger with the Chilian cheese.

2390
01:47:55,720 --> 01:47:56,360
Speaker 3: That's what I eat.

2391
01:47:56,680 --> 01:47:59,960
Speaker 1: But coming up like like we eating them fish dogs, man,

2392
01:48:00,360 --> 01:48:01,840
Speaker 1: fish the fish dogs.

2393
01:48:01,960 --> 01:48:03,200
Speaker 4: Man, they just get you.

2394
01:48:03,320 --> 01:48:04,200
Speaker 3: Like what you're laughing at?

2395
01:48:04,320 --> 01:48:11,320
Speaker 1: Yeah, the fish dogs. The motherfuckers every Yeah, the fish dogs.

2396
01:48:11,680 --> 01:48:13,559
Speaker 1: It's like a fish patty on the hot dog bubb

2397
01:48:13,600 --> 01:48:16,360
Speaker 1: with the tartar sauce and squeeze cheese. I'm looking at

2398
01:48:16,400 --> 01:48:20,120
Speaker 1: you as a man. You're saying that Detroit could throw

2399
01:48:20,760 --> 01:48:23,880
Speaker 1: their hat in the ring. It's two different styles. You

2400
01:48:24,120 --> 01:48:27,000
Speaker 1: have to compare it to the Chicago Deep Dish. Chicago

2401
01:48:27,120 --> 01:48:29,000
Speaker 1: Deep Dish, which is, you know, people like they say

2402
01:48:30,040 --> 01:48:33,639
Speaker 1: they don't eat that. I'm saying the dollar Slight's gonna

2403
01:48:33,720 --> 01:48:36,400
Speaker 1: rain supreme every time, you know, in the hood of dollars.

2404
01:48:41,320 --> 01:48:43,160
Speaker 1: The only thing about that because I don't eat no

2405
01:48:43,320 --> 01:48:46,439
Speaker 1: cheese pizza, know, every anywhere else that dollar slight.

2406
01:48:48,080 --> 01:48:50,120
Speaker 3: Na. Man, Come on, you just say nowhere else other

2407
01:48:50,160 --> 01:48:51,720
Speaker 3: than New York. When I'm in New York, you.

2408
01:48:51,720 --> 01:48:55,320
Speaker 1: Don't get no pepperona. You just straight cheese like and

2409
01:48:55,400 --> 01:48:58,360
Speaker 1: all that ship dressed that moupfug up. So yeah, that's right,

2410
01:48:58,880 --> 01:49:01,360
Speaker 1: goddamn it. Anywhere else you got to get pepperoni for

2411
01:49:01,400 --> 01:49:01,920
Speaker 1: it to be good.

2412
01:49:02,000 --> 01:49:02,160
Speaker 4: You know.

2413
01:49:04,080 --> 01:49:08,679
Speaker 3: One more? What the fuck? Okay? Oh, the bm F series.

2414
01:49:09,439 --> 01:49:10,639
Speaker 3: How do you feel about the show?

2415
01:49:12,000 --> 01:49:14,160
Speaker 1: I haven't watched it that much.

2416
01:49:14,520 --> 01:49:15,880
Speaker 3: I mean i've seen the first season.

2417
01:49:16,000 --> 01:49:17,720
Speaker 1: It was good. It was good.

2418
01:49:17,880 --> 01:49:19,240
Speaker 3: I mean about Detroit.

2419
01:49:19,400 --> 01:49:20,960
Speaker 1: Yeah, it was good. I liked it.

2420
01:49:21,080 --> 01:49:22,880
Speaker 3: I mean, like I said, I was kind of before me,

2421
01:49:23,080 --> 01:49:25,280
Speaker 3: so I can't really you didn't see BMF.

2422
01:49:26,120 --> 01:49:27,360
Speaker 1: I've seen what they was in Atlanta.

2423
01:49:27,760 --> 01:49:28,800
Speaker 4: Okay, I was.

2424
01:49:30,360 --> 01:49:31,080
Speaker 1: No, it ain't no me.

2425
01:49:31,479 --> 01:49:32,080
Speaker 3: They was saying.

2426
01:49:32,280 --> 01:49:34,880
Speaker 1: I was just like I was hanging with some other motherfuckers.

2427
01:49:35,400 --> 01:49:37,160
Speaker 1: But I do know that there was a time where

2428
01:49:37,200 --> 01:49:40,160
Speaker 1: I seen the motherfuckers made it rain so much. I

2429
01:49:40,320 --> 01:49:42,080
Speaker 1: left out, We left out of Magic City. It was

2430
01:49:42,200 --> 01:49:45,200
Speaker 1: so much money inside my lady, like my hoodie.

2431
01:49:45,200 --> 01:49:47,320
Speaker 3: I was just whipping out money. It was everywhere.

2432
01:49:47,360 --> 01:49:48,960
Speaker 1: I was like, fuck, I ain't never seen no ship

2433
01:49:49,040 --> 01:49:51,759
Speaker 1: like that in my life. You know, Detroit, Yeah, nighbors

2434
01:49:51,760 --> 01:49:54,200
Speaker 1: from Detroit, which made us proudly. Yeah, detrade, niggas doing it,

2435
01:49:54,320 --> 01:49:57,320
Speaker 1: you know. But I can't say I really know too

2436
01:49:57,400 --> 01:49:58,120
Speaker 1: much about that ship.

2437
01:49:58,200 --> 01:49:58,360
Speaker 2: You know.

2438
01:49:58,600 --> 01:50:01,839
Speaker 1: Yeah, I recommend you watch No I watched the first season.

2439
01:50:02,000 --> 01:50:05,240
Speaker 1: I just just I don't know, man, I I've I

2440
01:50:05,360 --> 01:50:09,000
Speaker 1: watched sixty minutes and Ship now man watched it date line.

2441
01:50:09,280 --> 01:50:11,560
Speaker 1: I don't really watch that kind of ship no more. Man, Like,

2442
01:50:11,720 --> 01:50:14,240
Speaker 1: I don't know something about me now. I just I

2443
01:50:14,280 --> 01:50:16,320
Speaker 1: don't know, man. Maybe I'm starting to be my age.

2444
01:50:16,680 --> 01:50:18,679
Speaker 3: It's great, be your motherfucker.

2445
01:50:18,800 --> 01:50:27,200
Speaker 4: Like, you know, let's just say something on behalf of

2446
01:50:27,680 --> 01:50:31,000
Speaker 4: me e FN and all the drink champs. We've been excited.

2447
01:50:31,439 --> 01:50:33,880
Speaker 4: We wanted to give you your flowers. We wanted to

2448
01:50:34,040 --> 01:50:36,320
Speaker 4: show you how much hip hop loves.

2449
01:50:36,120 --> 01:50:37,040
Speaker 1: You and.

2450
01:50:38,640 --> 01:50:39,479
Speaker 4: We did it tonight.

2451
01:50:39,640 --> 01:50:40,360
Speaker 1: Thank you so much.

2452
01:50:40,880 --> 01:50:41,439
Speaker 3: Thank you man.

2453
01:50:46,160 --> 01:50:47,120
Speaker 1: Yeah, what is what is that?

2454
01:50:47,560 --> 01:50:48,200
Speaker 4: Icy? Fu?

2455
01:50:48,400 --> 01:50:48,559
Speaker 3: Yeah?

2456
01:50:48,680 --> 01:50:51,640
Speaker 4: We're going slew icy fuck it first time ever on

2457
01:50:51,840 --> 01:50:54,880
Speaker 4: drink slew and icy. But hold on, I'm gonna do

2458
01:50:54,960 --> 01:50:57,320
Speaker 4: the Benzino on y'r motherfuckers. Go ahead? What's that?

2459
01:51:00,120 --> 01:51:03,760
Speaker 3: Oh shit? All right? Taking the pack.

2460
01:51:09,479 --> 01:51:12,920
Speaker 2: Drink Champs is a drink Champs LLC production hosts and

2461
01:51:13,040 --> 01:51:16,439
Speaker 2: executive producers n O r E and dj e FN.

2462
01:51:17,640 --> 01:51:21,760
Speaker 2: Listen to Drink Champs on Apple podcast, Amazon Music, Spotify,

2463
01:51:22,040 --> 01:51:25,680
Speaker 2: or wherever you get your podcasts. Thanks for joining us

2464
01:51:25,720 --> 01:51:28,320
Speaker 2: for another episode of Drink Champs, hosted by Yours Truly,

2465
01:51:28,479 --> 01:51:31,000
Speaker 2: dj e f N and n O r E. Please

2466
01:51:31,080 --> 01:51:33,240
Speaker 2: make sure to follow us on all our socials That's

2467
01:51:33,320 --> 01:51:36,880
Speaker 2: at drink Champs across all platforms at the Real Noriagon,

2468
01:51:37,000 --> 01:51:40,479
Speaker 2: I g at Noriaga on Twitter, mine is at Who's

2469
01:51:40,520 --> 01:51:43,960
Speaker 2: Crazy on I g at dj e f N on Twitter,

2470
01:51:44,320 --> 01:51:46,879
Speaker 2: and most importantly, stay up to date with the latest releases,

2471
01:51:47,280 --> 01:51:50,439
Speaker 2: news and merch by going to drink Champs dot com.