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Speaker 1: Hey everybody, Hey, hey, hey, hey, my name is Eli.

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Speaker 1: I'm Diana, my beautiful wife Diana here she is. I

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Speaker 1: mean my uh no, you know what, my grotesque wife hideous. No,

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Speaker 1: it's fair because I'm trying to keep the suitors away.

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Speaker 1: I don't want them to know that you're gorgeous, so

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Speaker 1: I'm trying to scare them off. You're the one who

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Speaker 1: wanted to start filming this, oh ship, you can see Damn.

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Speaker 1: I'll just blur your face out, okay, or I'll put

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Speaker 1: like a little troll gift over you, a gift. The

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Speaker 1: whole time, I did love troll dolls growing up. I

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Speaker 1: have a bunch at my mouth. I wasn't thinking like

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Speaker 1: the cute trolls. I was thinking like the trolls from Willow.

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Speaker 1: But that way, no, um, no fellas out there or

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Speaker 1: or no even industrious ladies who might really put their

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Speaker 1: minds to it, none of them are going to steal

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Speaker 1: you away. Well. I don't love that, but all right,

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Speaker 1: you don't love that. I don't want you stolen a way.

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Speaker 1: I don't love having my face covered up with a troll. Well,

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Speaker 1: but it's for a romantic purpose, is it. Yeah? I

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Speaker 1: want you all to myself. So I'm gonna lock you

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Speaker 1: in a room, never let anyone see your face, and

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Speaker 1: uh then you'll be mine forever. That's that. Come on,

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Speaker 1: that's any fairy tale prints, but basically do that. Yeah,

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Speaker 1: and they're so problematic, have you ever? Okay, look, welcome

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Speaker 1: back to the show, everybody, or welcome to the show

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Speaker 1: new listeners. Because the ridiculous romantic cult is growing every week.

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Speaker 1: There's something I got to talk about, Diana, you know

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Speaker 1: what it is? Oh my god, y'all, we won't okay.

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Speaker 1: I usually try to keep this down to like five

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Speaker 1: minutes a banter or less before we get to the show.

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Speaker 1: So we saw our our our theaters are are freaking ore.

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Speaker 1: Oh my god, I don't know. I can't. I'm telling

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Speaker 1: you when I tell you, I haven't been just ear

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Speaker 1: to ear grinning for three eight hours since I was

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Speaker 1: a child. I can't believe this movie. It was so

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Speaker 1: like it was dumb. How good it was, I don't

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Speaker 1: get it. And we also were very fortunate because we

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Speaker 1: get to see it at the Plaza Theater. It's like

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Speaker 1: a historic theater in Atlanta, one of the coolest places,

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Speaker 1: and the room it was very full, screening and everybody's

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Speaker 1: just hooting and hollering and having a blast. It was

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Speaker 1: just so much fun. So if you get a chance

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Speaker 1: to see it in a theater, I highly recommend. I

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Speaker 1: had told someone it made me feel really good about

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Speaker 1: humanity in this way, not just the movie itself, which

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Speaker 1: did in a in a really great way, but just

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Speaker 1: the experience of seeing it with a crowd of people

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Speaker 1: and being like, oh, man, I really love it when

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Speaker 1: a bunch of people are all just having a good

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Speaker 1: time and we're like, oh, this is why we're here,

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Speaker 1: right to like have fun and laugh and be excited. Uh,

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Speaker 1: that's the best thing about groups of people. Yeah. And

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Speaker 1: I'm so used to like, let's say, d iving, which

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Speaker 1: makes you very angry about being in groups of people,

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Speaker 1: or the grocery store things like that where I'm like, Oh,

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Speaker 1: I just want to go live in the woods, kill

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Speaker 1: them all. And then the end of this movie, I

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Speaker 1: was like, man, I'm so glad that I was with

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Speaker 1: all these other people watching this. Yeah, that was that's

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Speaker 1: very true. Again, I really feel like seeing it in

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Speaker 1: the theater with everybody willing to like hoot and holler

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Speaker 1: and react was just just a beautiful cherry on top.

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Speaker 1: And if you're like me, like I can't stand people

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Speaker 1: talking and making noise and stuff during movies, but there's

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Speaker 1: times where it's like joyful and that's what this was.

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Speaker 1: You needed it and it it added so much and

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Speaker 1: it wasn't like, oh, you're interrupting or I can't hear

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Speaker 1: what's going on. Bonus that the movie is mostly not

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Speaker 1: in English, so it's all subtitled for the most part,

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Speaker 1: so you were going to miss any dialogue. People could

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Speaker 1: scream and you're like, I still know what's happening. I

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Speaker 1: have not missed anything because that did help. Go see it. However,

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Speaker 1: you can just see it's incredible, incredible. So that's gonna

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Speaker 1: be our banter for the day because we got a

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Speaker 1: awesome story to get Yeah, because today we want to

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Speaker 1: talk to you about John Wilmot, the second Earl of Rochester,

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Speaker 1: and you might remember his name if you cast your

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Speaker 1: memory back and you had listened to our episode about

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Speaker 1: the Brief History of sex Toys that we did with

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Speaker 1: Ridiculous History. We invited them to Poetry Corner to read

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Speaker 1: some of Wilmot's poem signor Dildo, where he was talking

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Speaker 1: about the new sex toy out of Italy. I think

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Speaker 1: that one. I think so too. They were excited to

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Speaker 1: read a sense I'm senior Dildo. But as a fan

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Speaker 1: of the show and mother of the host, Barbara Banks said,

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Speaker 1: this guy deserves his own episode because he had like

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Speaker 1: a bunch of affairs. He abducted an heiress, he disguised

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Speaker 1: himself as a gynecologist, and he wrote some of the

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Speaker 1: dirtiest poetry of the Restoration era, not just Senor Dildo,

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Speaker 1: about other things. So let's hear about the body poet

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Speaker 1: and the sharpest wit in King Charles's court, John Wilmot,

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Speaker 1: the second Earl of rochest Yes, let's go, Hey the French,

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Speaker 1: come listen. Well, Elia and Diana got some stories to tell.

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Speaker 1: There's no matchmaking, a romantic tips. It's just about ridiculous relationships,

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Speaker 1: a love. It might be any type of person at all,

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Speaker 1: and abstract cons at a concrete wall. But if there's

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Speaker 1: a story, were the second glance Ridiculous Romans a production

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Speaker 1: of I Heart Radio. So John Wilmot was born on

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Speaker 1: April Fool's Day in sixty seven. To Henry Wilmot, it's

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Speaker 1: a perfect day for him to be born. Already have

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Speaker 1: a fool. You've set yourself up for a wacky life.

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Speaker 1: I'm ready to be the King's jester right now. He

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Speaker 1: was born to Henry Wilmot, who had been created the

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Speaker 1: Earl of Rochest because he pretty much singlehandedly helped Charles

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Speaker 1: the Second escape to the continent after Oliver Cromwell and

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Speaker 1: his cronies executed Charles the First made England into a

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Speaker 1: republic and Cromwell started ruling as the Lord Protectorate. Great. Okay,

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Speaker 1: so people get mad at the king drop his head off,

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Speaker 1: and his son, Charles the Second, I assume, was like,

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Speaker 1: somebody get me out of here. Yeah, because after the

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Speaker 1: Battle of Wooster. Mm hmmm. Which I think that's how

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Speaker 1: you say. It's spelled Worcester, but I think it's pronounced

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Speaker 1: in Boston it's Wooster. I don't know or not. That's

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Speaker 1: a good point. They might in England they might say.

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Speaker 1: Well anyway, so he basically helped him escape and and

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Speaker 1: survive in exile. This is known as the Interregnum period

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Speaker 1: of English history, and Cromwell and his government were Puritans,

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Speaker 1: and they basically thought people should not have any fun whatsoever,

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Speaker 1: so they outlawed theater, partying, music, and literally Christmas like

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Speaker 1: they canceled Christmas. I'm sorry, So there was really a

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Speaker 1: war on Christmas in English legit war on Christmas Like

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Speaker 1: it was illegal to be found buying food associated with

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Speaker 1: the Christmas pief. I guess a boiled goose. I don't know,

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Speaker 1: but if you were walking out the grocery store with

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Speaker 1: a roast, they would clap you. In Irons, I guess

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Speaker 1: they even had cops patrolling the streets busting people for

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Speaker 1: singing carols. I mean, didn't say pretty joyless. Eleven years well,

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Speaker 1: thanks in part to Henry Wilmot, Charles the Second was

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Speaker 1: able to stay alive. He was crowned the King of

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Speaker 1: Scotland and Ireland after Cromwell's death, and then he came

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Speaker 1: on home and restored the monarchy for better or worse,

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Speaker 1: which is why his reign is known as the Restoration Period. Okay,

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Speaker 1: so Charles the Second obviously had a lot of reason

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Speaker 1: to be pretty grateful to old Henry you know very much?

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Speaker 1: Uh oh, you will favor us. Definitely saved my life

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Speaker 1: and put me back on the throw and I can

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Speaker 1: get back to having Christmas parties again, thank you. So

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Speaker 1: after Henry died in sixty eight. The King showed his

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Speaker 1: appreciation by taking an interest in his son John. So

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Speaker 1: John was privately tutored from the age of seven, and

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Speaker 1: when he was twelve he attended Wadham College, Oxford, which

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Speaker 1: was pretty newly established. This college wasn't really like that

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Speaker 1: respected yet, and so it was kind of a party school.

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Speaker 1: No one looking around saying, now you have to respect

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Speaker 1: the history of Warham College at Oxford. They're like, no,

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Speaker 1: we down. This place is brand new. Let's suck it

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Speaker 1: up twice story. Let's like, I don't know why they

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Speaker 1: sound like that. Electric's the rolling Stones. So little John

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Speaker 1: Wilmot's tutor was this guy, Robert Whitehall. And this guy

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Speaker 1: was a hard drinker, but he was quite the wit

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Speaker 1: of his day, snippy and sarcastic and literary, quick minded,

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Speaker 1: and under this guy's influence, John quote grew debauched. So

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Speaker 1: Robert Whitehall is out there teaching him. You who are

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Speaker 1: not just going to teach you how to rot beautifully

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Speaker 1: and and learn your your scholarly duties, but you're gonna

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Speaker 1: learn how to drink and gamble and womanizes all the hits,

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Speaker 1: learn to have a little fun. Yeah, I want you

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Speaker 1: to be not just book smart, but street smart, and

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Speaker 1: not just street smart but ladies smart, cheek smart, sheets smart.

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Speaker 1: But it is a cheek smart, which is also pretty smart.

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Speaker 1: If you're smart around a pair of cheeks, he can

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Speaker 1: you can go far in this world. I guess that's true.

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Speaker 1: I didn't think about it like that, but all right.

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Speaker 1: When John was fourteen, he was given an honorary masters

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Speaker 1: and Charles the Second awarded him a five hundred pound

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Speaker 1: per year pension to live on. He also had John

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Speaker 1: sent on the Grand Tool of Europe, which is this

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Speaker 1: three year trip through France and Italy, you know, all

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Speaker 1: of Europe. You know. Well, when John got home in

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Speaker 1: sixteen sixty four, he joined Charles's restoration court at only

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Speaker 1: seventeen years old. He made his bows oddly enough on

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Speaker 1: Christmas Day, which of course had been fully restored at

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Speaker 1: this point. Because of course Charles the Second came in

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Speaker 1: and was like, we're bringing back Christmas everyone. I love

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Speaker 1: a party. Grab your turkey's deck the halls, you know,

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Speaker 1: light up the lights. Seed the reindeer, seed the reindeer. Okay, well,

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Speaker 1: Wilmot may have been an earl, but his family didn't

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Speaker 1: really have that much money. Besides this pension from the

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Speaker 1: King's sort of an impoverished title. So Charles the second

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Speaker 1: suggested that he marry a wealthy heiress named Elizabeth Mallett,

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Speaker 1: because then he'd have money and Elizabeth would be a countess.

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Speaker 1: Everybody wins, and she was into it. She wrote quote.

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Speaker 1: He was had some tall, graceful, well shaped. His complexion

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Speaker 1: was fair of a rosie hue, and his good reading

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Speaker 1: and wit were striking. He was far too attractive for

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Speaker 1: a flirtatious fifteen year old to reject out of hand. Moreover,

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Speaker 1: he could write the sort of fashionable, amorous, pastoral poetry

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Speaker 1: that delighted my girlish heart. Fashionable, amorous and pastoral poetry.

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Speaker 1: I'm going to hang onto that description for later. Keep

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Speaker 1: that one, keep that one for yourself. But Elizabeth's family

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Speaker 1: was less enthused because they wanted Elizabeth to marry somebody rich.

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Speaker 1: They want to add to the coffers titles at everything.

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Speaker 1: They were like, there's a title out there that also

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Speaker 1: has money, Get that guy instead of poor poet dude

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Speaker 1: or whatever. But did our seventeen year old hottie give up?

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Speaker 1: Absolutely not. Instead, John Wilmot did the late sixteen hundreds

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Speaker 1: version of Lloyd Dabbler holding the boom box over his head.

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Speaker 1: He abducted her, not I don't remember saying anything differently, Weirdly,

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Speaker 1: apparently he hatched this plot with his mother. She was like,

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Speaker 1: go get this rich bitch right now, we're going to

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Speaker 1: snatch her up. But you know, John, he did it

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Speaker 1: with style. Samuel Pepys, who is best known for keeping

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Speaker 1: a diary for ten years that Shirley historians are probably

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Speaker 1: constantly thinking they're like he stars for he described the

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Speaker 1: scandal in his journal, saying, quote, thence to my Lady Sandwiches,

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Speaker 1: where I told her a story of my Lord Rochester's

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Speaker 1: running away on Friday night last with Miss Mallett, the

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Speaker 1: great beauty and fortune of the North, who had supped

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Speaker 1: at Whitehall with Mrs Stewart and was going home to

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Speaker 1: her lodgings with her grandfather, my Lord Hailey by coach,

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Speaker 1: and was at Charing Cross, seized on by both horse

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Speaker 1: and footman, and forcibly taken from him and put into

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Speaker 1: a coach with sick horces and two women provided to

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Speaker 1: receive her and carried away. Now what an abduction. Amazing

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Speaker 1: how he straight up stole her from her grandfather's carriage,

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Speaker 1: stuffed her into another one six horses, getting the hell out. Okay,

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Speaker 1: he wanted to go fast as hell. So I really

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Speaker 1: wanted to point this out because in some of my

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Speaker 1: favorite georget highre books, they talk about guys trying to

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Speaker 1: elope with a like a coach and pair, and everyone's like,

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Speaker 1: what a shabby a fair at least get four? So disappointed?

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Speaker 1: What is that? What are you pour? It's like rolling

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Speaker 1: up and up, you know, a nineteen nineties six Honda Civic,

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Speaker 1: being like, I'm stealing you away, my dear baby, get

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Speaker 1: in the car. I know. But also please note he

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Speaker 1: had two women there to receive her, so he wasn't

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Speaker 1: trying to ruin her reputation and forced her into marriage.

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Speaker 1: She was going to be respectably chaperone the entire time.

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Speaker 1: So still a very scandalous behavior. But he still did

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Speaker 1: have like he was thinking about her comfort, and it

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Speaker 1: wasn't I mean, she did respond to his affections, right,

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Speaker 1: I mean, she cared a lot about him. I don't

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Speaker 1: think she liked this, but she liked I don't know,

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Speaker 1: kind of exciting if your true love comes and rescue

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Speaker 1: rescues you from you know, marrying someone you're not as

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Speaker 1: excited about, right, I thought I thought she might have

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Speaker 1: been a little like, oh he really like yeah, I

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Speaker 1: love Also he rolls up with with six horses, like,

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Speaker 1: who's Paul? Now? I know, right, he really spending that

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Speaker 1: on some stuff. It was it was my whole pension.

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Speaker 1: But that's how much you mean to me, girl. Well,

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Speaker 1: after this kidnapping, John was pretty much immediately caught. Now

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Speaker 1: Elizabeth went back home to her family. The King was

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Speaker 1: super passed. He's like, my buddy, my guy, I'm giving

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Speaker 1: you this money. I'm setting you up. You can't go

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Speaker 1: kidnapping rich girls. You look crazy now I looked dumb

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Speaker 1: for vouching for you. So Lord Rochester was sent to

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Speaker 1: the town hour of London for three weeks to think

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Speaker 1: about what he'd done. He wasn't released until he wrote

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Speaker 1: a penitent apology to the King. Although we got to say,

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Speaker 1: it feels like it feels like maybe Lord Holly might

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Speaker 1: have been like thinking, like I get an apology, kind

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Speaker 1: of stole my granddaughter right out of my own carriage.

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Speaker 1: I was sitting right there these days. But Rochester wanted

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Speaker 1: to redeem himself, so he volunteered for the Navy in

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Speaker 1: the Second Dutch War in the winter of sixteen sixty five,

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Speaker 1: and his courageous actions made him a war hero. Yeah,

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Speaker 1: he probably did a pretty good job stealing supplies from

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Speaker 1: enemy lines. I imagine, right, my specialty, give me six

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Speaker 1: horses and twenty four hours you'll have all the cannons

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Speaker 1: doated on by two handmaidens. No less, that's right. But yeah,

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Speaker 1: this this war had a really important effect on this

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Speaker 1: personality because one of his friends was like standing right

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Speaker 1: next to Rochester when he got blown away by a

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Speaker 1: cannon ball, and Rochester had to keep on fighting basically

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Speaker 1: covered in his friends remain very crazy, just you know,

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Speaker 1: wartime trauma. And it's around then that he kind of

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Speaker 1: became an atheist and pretty nihilistic and sort of sort

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Speaker 1: of became the skeptic that will see in his poetry

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Speaker 1: later on. And yeah, I mean it's no wonder I

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Speaker 1: think you you fight a war and you start to

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Speaker 1: ask like why a lot why a lot um? But

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Speaker 1: his heroism in battle did make Charles so pleased with

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Speaker 1: Rochester that he appointed him a Gentleman of the Bedchamber

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Speaker 1: in sixteen six which sounds sexy. I've been called a

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Speaker 1: gentleman of the bed chamber myself a few times who

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00:16:43,360 --> 00:16:46,280
Speaker 1: called you that. No, this was less sexy than it sounds.

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Speaker 1: It basically entitled John to some nice lodgings and a

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Speaker 1: thousand pounds a year in exchange for one week out

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Speaker 1: of the month where he would help the king dress

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Speaker 1: and undress, he would serve him meals, and he would

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Speaker 1: sleep at the foot of his bit. And this was

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00:17:01,120 --> 00:17:03,560
Speaker 1: like a really big honor to be a gentleman of

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Speaker 1: the bed chamber, which kind of makes sense because you're

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00:17:06,160 --> 00:17:08,760
Speaker 1: really close to the king. He tried, clearly trusts you

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00:17:08,800 --> 00:17:12,280
Speaker 1: a lot. I'm sure there's like a little bed down there,

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00:17:12,920 --> 00:17:14,920
Speaker 1: but of course I see him sleeping at the foot

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00:17:14,960 --> 00:17:17,480
Speaker 1: of the thing's bed like a like a like a doberman.

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00:17:18,240 --> 00:17:20,480
Speaker 1: You know, he's got a little water dish on the

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00:17:20,480 --> 00:17:24,000
Speaker 1: floor of bone. Now. Later that same year, Rochester returned

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00:17:24,000 --> 00:17:28,280
Speaker 1: to the Navy, and he again distinguished himself by delivering messages.

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00:17:29,080 --> 00:17:33,359
Speaker 1: That sounds kind of boring, but it was not, because

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00:17:33,400 --> 00:17:36,520
Speaker 1: before radio and waukie talkies and stuff, a real guy

294
00:17:36,760 --> 00:17:39,520
Speaker 1: just had to like run around a battlefield for in

295
00:17:39,560 --> 00:17:43,119
Speaker 1: this case, row between ships and a fleet under fire

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Speaker 1: to relay orders from the captain or the general or

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Speaker 1: commander or whoever was in charge. So you had to

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00:17:48,760 --> 00:17:50,680
Speaker 1: be very quick, you had to be bold, you had

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00:17:50,680 --> 00:17:54,159
Speaker 1: to be incredibly brave. So Rochester was even more of

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Speaker 1: a legend when he came home. Yeah, I mean, you're

301
00:17:56,280 --> 00:17:59,920
Speaker 1: probably targeting that guy easily got all the orders exactly.

302
00:18:00,040 --> 00:18:04,880
Speaker 1: They're like, they'll be scattered and confused. So very very

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00:18:04,920 --> 00:18:08,800
Speaker 1: crazy job. Just a crazy job, hard pass. Now. John

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00:18:09,040 --> 00:18:12,600
Speaker 1: distinguished himself enough that King Charles the Second gave him

305
00:18:12,680 --> 00:18:15,959
Speaker 1: a special lisense to enter the House of Lords early,

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00:18:16,200 --> 00:18:19,160
Speaker 1: even though he was seven months under age. So everything

307
00:18:19,280 --> 00:18:22,800
Speaker 1: was coming up Wilmot. Even Elizabeth Mallett decided to forgive

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00:18:22,920 --> 00:18:26,440
Speaker 1: him for, you know, kidnapping her from her grandfather, and

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00:18:26,560 --> 00:18:29,800
Speaker 1: she ended up eloping with him again by choice. This

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00:18:29,840 --> 00:18:32,359
Speaker 1: time she actually wanted to, and in this she defied

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Speaker 1: her family. She married him in secret in January of

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Speaker 1: sixteen sixty seven, and they ended up having four children together.

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Speaker 1: And it seems like John Wilmot really did love her.

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Speaker 1: One of his poems is dedicated to her. So let's

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Speaker 1: go down to poetry corner and here to my more

316
00:18:50,359 --> 00:18:56,080
Speaker 1: than meritorious wife by John Wilmot I am by fate

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00:18:56,400 --> 00:18:59,879
Speaker 1: slave to your will, and I will be obedient still

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00:19:00,520 --> 00:19:03,520
Speaker 1: to show my love. I will compose ye for your

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00:19:03,560 --> 00:19:07,159
Speaker 1: fair fingers, ring a posey in which shall be expressed

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00:19:07,200 --> 00:19:10,760
Speaker 1: my duty, and how I'll be forever true to ye,

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Speaker 1: with low made legs and sugared speeches, yielding to your

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00:19:15,600 --> 00:19:19,920
Speaker 1: fair bum the breeches, and shoo myself and all I can.

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00:19:20,480 --> 00:19:26,480
Speaker 1: You're very humble servant. Jam Wow, I gotta say, I

324
00:19:26,560 --> 00:19:32,600
Speaker 1: really respect that big stretch in their rhyming duty with

325
00:19:33,280 --> 00:19:37,600
Speaker 1: true to ye. I love it, true to ye, clever.

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00:19:37,720 --> 00:19:39,160
Speaker 1: And then he's like, I know my name is John,

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00:19:39,160 --> 00:19:41,800
Speaker 1: but we're just gonna stay. We're just gonna get the rhyming.

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Speaker 1: That's the poets do, and they manipulate language until it fits. Look,

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Speaker 1: and here's the thing. You know, John Wilmot didn't really

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00:19:51,480 --> 00:19:56,120
Speaker 1: yield to her fair bum the breeches because he had

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00:19:56,240 --> 00:19:59,879
Speaker 1: tons of blings with both men and women throughout his life.

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Speaker 1: We're going to get into that right after this break.

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Speaker 1: Welcome back, everybody. Yeah. So John Wilmot, Earl of Rochester

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00:20:10,920 --> 00:20:13,160
Speaker 1: is doing pretty good at this point in his life.

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00:20:13,440 --> 00:20:16,440
Speaker 1: He's around twenty years old. He's making moves in Parliament

336
00:20:16,560 --> 00:20:19,280
Speaker 1: is married to this hot, rich lady. Um, he's a

337
00:20:19,320 --> 00:20:23,560
Speaker 1: favorite Charles the Second, And he's hanging out with the

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00:20:23,720 --> 00:20:26,520
Speaker 1: Merry Gang, which was like a bunch of dudes who

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00:20:26,520 --> 00:20:28,600
Speaker 1: were a lot like John in that they were tight

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00:20:28,680 --> 00:20:31,080
Speaker 1: with the King, and they like to get drunk, half sex,

341
00:20:31,200 --> 00:20:34,600
Speaker 1: get rowdy, and write ribald rhymes and satires. Oh yeah,

342
00:20:34,640 --> 00:20:36,760
Speaker 1: I'd be a Merry Gang too. I know. It sounds

343
00:20:36,800 --> 00:20:40,760
Speaker 1: like a pretty fun life. These guys partied so hard

344
00:20:41,240 --> 00:20:44,840
Speaker 1: that John and Wilmot himself told his friend, the historian

345
00:20:44,880 --> 00:20:49,119
Speaker 1: Gilbert Burnett that quote. For five years together, he was

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00:20:49,200 --> 00:20:54,520
Speaker 1: continually drunk and not perfectly master of himself, which led

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00:20:54,600 --> 00:21:00,639
Speaker 1: him to do many wild and unaccountable things. Rochester, I

348
00:21:00,720 --> 00:21:04,920
Speaker 1: love not perfectly master of myself. That's such a great

349
00:21:04,920 --> 00:21:08,240
Speaker 1: way to put exactly fully in control of the things

350
00:21:08,280 --> 00:21:11,159
Speaker 1: I was doing. I was telling myself to stop, and

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00:21:11,240 --> 00:21:15,840
Speaker 1: I wouldn't now. Rochester described this life in another one

352
00:21:15,840 --> 00:21:19,320
Speaker 1: of his poems, probably one of my favorites. So let's

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Speaker 1: head on down to poetry Corner once more, and here

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00:21:23,119 --> 00:21:29,400
Speaker 1: regime de vive. I rise at eleven, I dine about two,

355
00:21:30,359 --> 00:21:33,159
Speaker 1: I get drunk before seven, And the next thing I

356
00:21:33,280 --> 00:21:37,119
Speaker 1: do I send for my whore, when, for fear of

357
00:21:37,119 --> 00:21:40,479
Speaker 1: a clap, I spend in her hand and I spew

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00:21:40,560 --> 00:21:44,399
Speaker 1: in her lap. Then we quarrel and scold till I

359
00:21:44,480 --> 00:21:49,240
Speaker 1: fall fast asleep. When the bitch, growing bold to my pocket,

360
00:21:49,359 --> 00:21:53,040
Speaker 1: does creep. Then slyly she leaves me, and to revenge

361
00:21:53,080 --> 00:21:57,000
Speaker 1: the affront at once she bereaves me of money and cunt.

362
00:21:57,800 --> 00:22:00,600
Speaker 1: If by chance, then I wake hothead it and drunk.

363
00:22:00,880 --> 00:22:02,879
Speaker 1: What a coil do I make for the loss of

364
00:22:02,960 --> 00:22:06,240
Speaker 1: my punk? I storm and I roar, and I fall

365
00:22:06,280 --> 00:22:10,119
Speaker 1: in a rage and missing my horn. I blug on

366
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Speaker 1: my page, then cropsic All morning, I rail at my men,

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00:22:17,720 --> 00:22:23,560
Speaker 1: and in bed I lie yawning till eleven again. I'm

368
00:22:23,640 --> 00:22:28,439
Speaker 1: sorry that poem is my favorite column. He straight up like,

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Speaker 1: I got this mistress, and she rolled me for my

370
00:22:31,720 --> 00:22:36,320
Speaker 1: dough and dipped out spending her hand and I spew

371
00:22:36,440 --> 00:22:38,880
Speaker 1: in her lap with a sport girl she should steal,

372
00:22:38,880 --> 00:22:41,239
Speaker 1: And I wonder she stole his money and ran. She's like,

373
00:22:41,400 --> 00:22:43,560
Speaker 1: what what am I would you? I'm here for free,

374
00:22:43,840 --> 00:22:46,880
Speaker 1: you know I'm not, Oh my god, And then he

375
00:22:47,000 --> 00:22:49,919
Speaker 1: yells at his friends all night, falls asleep, and then

376
00:22:49,920 --> 00:22:53,360
Speaker 1: it wakes up and it starts all over. Seriously, it's

377
00:22:53,440 --> 00:22:56,720
Speaker 1: so good. Oh man, oh the life, you know, but

378
00:22:57,280 --> 00:23:00,359
Speaker 1: honestly the light and I love that. At the end

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00:23:00,359 --> 00:23:03,520
Speaker 1: of it, King Charles is paying for this, right, He's like, thanks,

380
00:23:03,560 --> 00:23:07,960
Speaker 1: bro for financing my lifestyle. The list sounds so great.

381
00:23:09,320 --> 00:23:11,159
Speaker 1: I love it too, because you can tell he sounds

382
00:23:11,200 --> 00:23:13,720
Speaker 1: a little bored by it even like he's like, it's

383
00:23:13,760 --> 00:23:18,240
Speaker 1: still kind of like just the same ship every day. Yeah,

384
00:23:18,359 --> 00:23:20,960
Speaker 1: all right, now, King Charles the Second is known as

385
00:23:21,000 --> 00:23:24,920
Speaker 1: the playboy King. He had like something like fourteen mistresses.

386
00:23:25,000 --> 00:23:27,399
Speaker 1: He had a bunch of illegitimate children running around. He

387
00:23:27,600 --> 00:23:30,439
Speaker 1: definitely set the tone for this court. There's a reason

388
00:23:30,560 --> 00:23:33,359
Speaker 1: that he liked men like the Earl of Rochester. It

389
00:23:33,480 --> 00:23:36,399
Speaker 1: starts at the top exactly, and like one of the

390
00:23:36,440 --> 00:23:38,600
Speaker 1: first things that he did when he was restored to

391
00:23:38,640 --> 00:23:41,680
Speaker 1: the monarchy in sixteen sixty was to allow a lot

392
00:23:41,680 --> 00:23:44,119
Speaker 1: of the stuff that Cromwell and the Puritans had banned,

393
00:23:44,560 --> 00:23:50,760
Speaker 1: like Christmas, but also theater. And this time Charles legalized

394
00:23:50,800 --> 00:23:53,800
Speaker 1: acting as a profession for women, which is so funny

395
00:23:53,840 --> 00:23:55,600
Speaker 1: because we were just talking about that in our William

396
00:23:55,640 --> 00:23:59,000
Speaker 1: Dorsey Swan. I didn't know King Charles the Second was

397
00:23:59,040 --> 00:24:00,520
Speaker 1: the one who did that. But that was cool to

398
00:24:00,560 --> 00:24:03,600
Speaker 1: find probably sleeping with some girl who was like, hey, buddy,

399
00:24:03,760 --> 00:24:06,760
Speaker 1: can I get on stage please? I kind of wondered

400
00:24:06,760 --> 00:24:09,399
Speaker 1: if it was like because so many aristocrats ended up

401
00:24:09,440 --> 00:24:14,040
Speaker 1: finding their mistresses through opera and theater. I was like,

402
00:24:14,119 --> 00:24:16,679
Speaker 1: I wonder if King Charles was like, man, you know,

403
00:24:16,760 --> 00:24:19,880
Speaker 1: if these orange seller girls could be on stage, would

404
00:24:19,880 --> 00:24:21,800
Speaker 1: be a lot easier to see how pretty they are,

405
00:24:23,560 --> 00:24:25,600
Speaker 1: and I can meet them later. So he's just trying

406
00:24:25,640 --> 00:24:29,480
Speaker 1: to increase his own choice. I don't know, he's like,

407
00:24:29,560 --> 00:24:33,960
Speaker 1: let me wine the net. I don't know, but Nell

408
00:24:34,040 --> 00:24:36,879
Speaker 1: Gwinn was one of his favorite mistresses, um and she

409
00:24:37,000 --> 00:24:40,280
Speaker 1: started as an orange seller at the theater, and I wonder,

410
00:24:40,359 --> 00:24:41,880
Speaker 1: I just wonder if he's like, I don't see these

411
00:24:41,880 --> 00:24:45,080
Speaker 1: orange sellers. I'm the king. They don't sell me orange,

412
00:24:45,160 --> 00:24:46,680
Speaker 1: but I need to be able to look at them

413
00:24:46,680 --> 00:24:48,680
Speaker 1: put them on stage. I'm sick of looking all these dudes.

414
00:24:49,080 --> 00:24:51,320
Speaker 1: A stick of this, which I also like in our version,

415
00:24:51,960 --> 00:24:54,200
Speaker 1: the reason women are allowed on stage just because men

416
00:24:54,240 --> 00:24:58,800
Speaker 1: are pigs. I mean, it's like, doesn't exactly empower that, really, doesn't,

417
00:24:59,040 --> 00:25:03,640
Speaker 1: you know? I don't know whatever, I guess it got

418
00:25:03,680 --> 00:25:07,359
Speaker 1: me to where I want to be, so, like we said,

419
00:25:07,359 --> 00:25:09,520
Speaker 1: one of the women to benefit from this new profession

420
00:25:09,640 --> 00:25:12,240
Speaker 1: was Nell Gwynn, who was Charles the second Mistress. She

421
00:25:12,320 --> 00:25:14,840
Speaker 1: had a lot of influence with him. But before she

422
00:25:14,880 --> 00:25:18,440
Speaker 1: hooked up with Charles, she quote more than likely had

423
00:25:18,480 --> 00:25:22,760
Speaker 1: a brief fling with John Wilmot, the Earl of Rochester. Now,

424
00:25:22,800 --> 00:25:26,560
Speaker 1: after the passion cooled, they remained pretty close friends, and

425
00:25:26,640 --> 00:25:30,160
Speaker 1: her influence at court and with Charles really helped Rochester

426
00:25:30,400 --> 00:25:33,960
Speaker 1: the many many times he was in disgrace with the King.

427
00:25:34,680 --> 00:25:37,679
Speaker 1: But it was another actress that John Wilmot's name is

428
00:25:37,680 --> 00:25:40,120
Speaker 1: linked to the most, and that brings us to this

429
00:25:40,200 --> 00:25:48,280
Speaker 1: episode side piece. Yea, Elizabeth Barry was an actress, but

430
00:25:48,560 --> 00:25:51,960
Speaker 1: her first performance at the age of seventeen was so

431
00:25:52,280 --> 00:25:55,480
Speaker 1: terrible that she was immediately fired from the company she

432
00:25:55,560 --> 00:26:00,560
Speaker 1: was working for. It Fortunately for her, she met On Wilmot,

433
00:26:00,600 --> 00:26:03,760
Speaker 1: the Earl of Rochester, in sixteen seventy three, and he

434
00:26:03,800 --> 00:26:07,240
Speaker 1: apparently started training her as an actress. Now, there's no

435
00:26:07,560 --> 00:26:10,840
Speaker 1: details as to why Rochester was qualified to be an

436
00:26:10,840 --> 00:26:13,720
Speaker 1: acting coach. I mean, I mean, you know, he did

437
00:26:13,720 --> 00:26:16,040
Speaker 1: have a flair for language, right, he didn't have a

438
00:26:16,080 --> 00:26:19,919
Speaker 1: love for the ladies. Maybe that's all it took. I

439
00:26:20,000 --> 00:26:22,959
Speaker 1: know some acting coaches now who that's that's pretty much

440
00:26:22,960 --> 00:26:27,600
Speaker 1: their qualifications. I love the ladies and I can talk good.

441
00:26:28,320 --> 00:26:32,760
Speaker 1: Learn how to act for me four dollars please. You

442
00:26:32,880 --> 00:26:36,200
Speaker 1: got to be careful out there aspiring actors. John Wilmot

443
00:26:36,280 --> 00:26:39,400
Speaker 1: must have been pretty good at it, though, because eventually

444
00:26:39,400 --> 00:26:43,400
Speaker 1: Elizabeth became the most famous actress of the Restoration period,

445
00:26:44,080 --> 00:26:46,199
Speaker 1: and all this despite the fact that she was not

446
00:26:46,720 --> 00:26:50,080
Speaker 1: known as a beauty by any means. In fact, one

447
00:26:50,119 --> 00:26:53,159
Speaker 1: anonymous author wrote in a seventeen of two book called

448
00:26:53,520 --> 00:26:56,879
Speaker 1: a Comparison between the Two Stages that she was quote

449
00:26:57,200 --> 00:27:01,400
Speaker 1: the ugliest woman in the real world, the finest woman

450
00:27:01,480 --> 00:27:05,119
Speaker 1: in the world upon the stage. And Elizabeth Barry was

451
00:27:05,160 --> 00:27:09,720
Speaker 1: probably like anonymous coward, come here and say to my faith, right,

452
00:27:10,200 --> 00:27:14,520
Speaker 1: or she was like, yeah, well whatever said beauty subjective.

453
00:27:16,160 --> 00:27:18,880
Speaker 1: I mean, she definitely had something that John Wilmot liked,

454
00:27:18,920 --> 00:27:21,919
Speaker 1: because they were together for five years. They even had

455
00:27:21,960 --> 00:27:26,400
Speaker 1: a daughter together. But has her success grew, John got

456
00:27:26,480 --> 00:27:30,120
Speaker 1: kind of jealous. Probably she just had like a lot

457
00:27:30,160 --> 00:27:32,560
Speaker 1: more demands on her time. She didn't have as much

458
00:27:32,760 --> 00:27:34,560
Speaker 1: you know, she didn't need him as much as she

459
00:27:34,680 --> 00:27:39,120
Speaker 1: had before. He's like, I'm I'm making time away from

460
00:27:39,160 --> 00:27:42,600
Speaker 1: my wife and you can't do the same for your craft.

461
00:27:44,119 --> 00:27:48,359
Speaker 1: I need to spend in your hat. Hurry up. She's like,

462
00:27:48,760 --> 00:27:51,399
Speaker 1: you vomited in my lap one too many times. Pal,

463
00:27:52,280 --> 00:27:54,960
Speaker 1: I don't know. I don't know exactly, but that's what

464
00:27:55,000 --> 00:27:58,840
Speaker 1: they say. Got a little resentful, and they eventually broke up,

465
00:27:58,880 --> 00:28:04,080
Speaker 1: and in his poem upon leaving his mistress, Rochester famously wrote, quote,

466
00:28:04,480 --> 00:28:07,720
Speaker 1: with what face can I incline to? Damn you? To

467
00:28:07,800 --> 00:28:11,479
Speaker 1: be only mine? Live up to thy mighty mind, and

468
00:28:11,680 --> 00:28:16,439
Speaker 1: be the mistress of mankind. When she retired at fifty

469
00:28:16,480 --> 00:28:19,480
Speaker 1: two in seventeen ten, she was one of the greatest

470
00:28:19,680 --> 00:28:22,560
Speaker 1: tragic actresses of her time. She had a career that

471
00:28:22,640 --> 00:28:26,159
Speaker 1: lasted thirty five years, and although Rochester is known to

472
00:28:26,280 --> 00:28:30,159
Speaker 1: have had many affairs through his life, hers is kind

473
00:28:30,200 --> 00:28:33,479
Speaker 1: of the only name that we can find. Otherwise likely

474
00:28:33,560 --> 00:28:37,720
Speaker 1: it was like nameless actresses, servants, prostitutes who kind of

475
00:28:37,800 --> 00:28:41,760
Speaker 1: enjoyed his special ski, his routine, his routine at his

476
00:28:41,920 --> 00:28:47,400
Speaker 1: regime d VIV seven o'clock, where's my lap? Besides all this,

477
00:28:47,760 --> 00:28:50,960
Speaker 1: Rochester was always busy getting into trouble. He had been

478
00:28:51,000 --> 00:28:54,240
Speaker 1: banned from court once before, in sixteen sixty nine, when

479
00:28:54,280 --> 00:28:56,680
Speaker 1: he punched a playwright in the ear in front of

480
00:28:56,720 --> 00:29:00,480
Speaker 1: the King. This was considered a less magest offense, and

481
00:29:00,520 --> 00:29:02,440
Speaker 1: it didn't take long for him to get welcomed back.

482
00:29:02,520 --> 00:29:05,520
Speaker 1: But then he messed up again because on Christmas of

483
00:29:05,600 --> 00:29:09,560
Speaker 1: sixty three, Charles asked for a copy of one of

484
00:29:09,640 --> 00:29:13,280
Speaker 1: his poems, and by accident, Rochester reached into his little

485
00:29:13,280 --> 00:29:16,400
Speaker 1: bag and he handed him the wrong one. It was

486
00:29:16,880 --> 00:29:22,440
Speaker 1: a pretty biting lampoon of the King himself. This wasn't

487
00:29:22,480 --> 00:29:26,640
Speaker 1: always a problem because once Rochester read this little witticism quote,

488
00:29:27,200 --> 00:29:30,480
Speaker 1: we have a pretty witty king whose word no man

489
00:29:30,560 --> 00:29:34,920
Speaker 1: relies on. He never said a foolish thing and never

490
00:29:35,000 --> 00:29:38,480
Speaker 1: did a wise one. That's pretty good. That's pretty good.

491
00:29:38,640 --> 00:29:43,280
Speaker 1: But King Charles supposedly kind of chuckled and said back, quote,

492
00:29:43,640 --> 00:29:47,000
Speaker 1: that's true for my words on my own, but my

493
00:29:47,160 --> 00:29:52,560
Speaker 1: actions are those of my ministers. Ah, anybody, pretty good

494
00:29:53,520 --> 00:30:01,840
Speaker 1: sings rested, everyone laugh, I'm the king, so you know

495
00:30:02,320 --> 00:30:04,720
Speaker 1: that was That was a quick singer, and Charles took

496
00:30:04,760 --> 00:30:07,720
Speaker 1: it in stride. But this time maybe Rochester had gone

497
00:30:07,720 --> 00:30:10,200
Speaker 1: a little too far, or maybe Charles just couldn't think

498
00:30:10,240 --> 00:30:14,920
Speaker 1: up a witty response quickly, so he again banished the

499
00:30:14,920 --> 00:30:18,520
Speaker 1: Earl of Rochester for months. But what was this poem

500
00:30:18,600 --> 00:30:23,080
Speaker 1: that made the king so angry? Well, let's go back

501
00:30:23,120 --> 00:30:26,200
Speaker 1: down to the poetry corner, and here just a section

502
00:30:26,360 --> 00:30:31,240
Speaker 1: from in the Isle of Britain. In the Isle of Britain,

503
00:30:31,600 --> 00:30:37,040
Speaker 1: long since famous, grown for breeding the best constant Christendom

504
00:30:37,080 --> 00:30:40,600
Speaker 1: their reigns, And oh long may he reign and thrive

505
00:30:41,200 --> 00:30:46,520
Speaker 1: the easiest king and best bred man alive. Forgiveim no

506
00:30:46,760 --> 00:30:51,240
Speaker 1: ambition moves to get renowned, like the French fool that

507
00:30:51,400 --> 00:30:57,400
Speaker 1: wanders up and down, starving his people, hazarding his crown.

508
00:30:57,640 --> 00:31:02,080
Speaker 1: Peace is his aim. His gentleness is such, and love

509
00:31:02,240 --> 00:31:05,959
Speaker 1: he loves. For he loves fucking much. I can't deny it.

510
00:31:06,200 --> 00:31:10,160
Speaker 1: Nor are his high desires above his strength. His scepter

511
00:31:10,400 --> 00:31:14,440
Speaker 1: and prick are of a length, And she may sway

512
00:31:14,560 --> 00:31:17,680
Speaker 1: the one that plays with the other, and make him

513
00:31:17,800 --> 00:31:23,720
Speaker 1: little wiser than his brother, my brother. How he also

514
00:31:23,960 --> 00:31:27,880
Speaker 1: ended the poem with this little couplet quote all monarchs

515
00:31:28,000 --> 00:31:30,840
Speaker 1: I hate, and the thrones they sit on From the

516
00:31:30,920 --> 00:31:36,520
Speaker 1: Hector of France to the Cully of Britain. Hector, by

517
00:31:36,520 --> 00:31:39,000
Speaker 1: the way, means bully, and he's referring to the son

518
00:31:39,160 --> 00:31:47,960
Speaker 1: king Cully means cuckold, and the brother is James the second,

519
00:31:48,600 --> 00:31:50,920
Speaker 1: and people were making fun of him because James the

520
00:31:50,960 --> 00:31:53,680
Speaker 1: Second had married a commoner and people were like, what

521
00:31:53,800 --> 00:31:57,000
Speaker 1: is wrong with you? But he was also always ogling women,

522
00:31:57,080 --> 00:31:59,120
Speaker 1: like he had no chills, so he would just straight

523
00:31:59,200 --> 00:32:01,080
Speaker 1: up like get a quick in glass and looked down

524
00:32:01,120 --> 00:32:04,800
Speaker 1: their shirts, and people said he had bad taste in women.

525
00:32:05,360 --> 00:32:08,080
Speaker 1: One guy said that his mistresses were given to him

526
00:32:08,120 --> 00:32:12,640
Speaker 1: by priests as pennant. He thought they were so unattractive,

527
00:32:12,920 --> 00:32:15,600
Speaker 1: like damn so that you just talking about James and

528
00:32:15,680 --> 00:32:20,520
Speaker 1: Charles in the same poem. He's like, how daio compare

529
00:32:20,600 --> 00:32:25,000
Speaker 1: mede my idiot? Bravo wow, And Rochester just straight up

530
00:32:25,080 --> 00:32:27,560
Speaker 1: handed him the wrong one. I know. You imagine when

531
00:32:27,560 --> 00:32:31,000
Speaker 1: he starts reading it, he's like, oh shit, I thought

532
00:32:31,000 --> 00:32:34,120
Speaker 1: I gave him the one about you know, the jizzing

533
00:32:34,120 --> 00:32:37,080
Speaker 1: in that girl's hands. I thought he'd love that like

534
00:32:37,120 --> 00:32:39,560
Speaker 1: that one. Yeah, as soon as Charles like, let me

535
00:32:39,600 --> 00:32:41,760
Speaker 1: see this at a poem in the Isle of Britain

536
00:32:41,840 --> 00:32:46,200
Speaker 1: and who no, no, stop actually, so, if I may

537
00:32:47,280 --> 00:32:50,440
Speaker 1: let me finish, I like it so far. You said

538
00:32:50,440 --> 00:32:56,920
Speaker 1: I had a big dick. Wow, whoopsie. Well, Rochester was

539
00:32:57,120 --> 00:32:59,440
Speaker 1: in disgrace for a while after this, but it wasn't

540
00:32:59,480 --> 00:33:02,720
Speaker 1: too long before Charles welcomed him back to court again

541
00:33:02,880 --> 00:33:07,240
Speaker 1: and even appointed him the ranger of Woodbury Park. But

542
00:33:07,560 --> 00:33:09,440
Speaker 1: of course it was not going to be the last

543
00:33:09,480 --> 00:33:12,080
Speaker 1: time this guy got into trouble. We'll hear more about

544
00:33:12,080 --> 00:33:19,400
Speaker 1: that right after this welcome back everyone. So by February

545
00:33:19,440 --> 00:33:22,680
Speaker 1: of sixteen seventy four, John Wilmot, the Earl of Rochester,

546
00:33:23,320 --> 00:33:25,720
Speaker 1: was bestias with King Charles the Second again, and he

547
00:33:25,760 --> 00:33:29,400
Speaker 1: managed to hold his position until June of sixteen seventy five,

548
00:33:30,200 --> 00:33:32,960
Speaker 1: when he and some of the Merry Gang were drunk

549
00:33:33,080 --> 00:33:35,600
Speaker 1: as usual and they were out in the palace gardens.

550
00:33:36,240 --> 00:33:38,960
Speaker 1: There was this sun dial in the gardens. It was

551
00:33:39,000 --> 00:33:42,720
Speaker 1: considered one of the finest and rarest, most beautiful sun

552
00:33:42,800 --> 00:33:45,520
Speaker 1: dials in all of England, and it was decorated with

553
00:33:45,600 --> 00:33:50,160
Speaker 1: a painting of King Charles holding his scepter, which John

554
00:33:50,200 --> 00:33:53,400
Speaker 1: had so kindly compared to his dick. It is a

555
00:33:53,400 --> 00:33:56,840
Speaker 1: little fallon, sure, you know the angle and stuff. You know,

556
00:33:57,560 --> 00:33:59,920
Speaker 1: he's like holding it down by his hips, but it's

557
00:34:00,080 --> 00:34:04,920
Speaker 1: pointing out straight out. He's like pointing at it, like, hey, lady, well,

558
00:34:05,120 --> 00:34:07,800
Speaker 1: Rochester was totally wasted. And he took one look at

559
00:34:07,840 --> 00:34:11,120
Speaker 1: the sun dial and he said, quote, what dost thou

560
00:34:11,280 --> 00:34:16,719
Speaker 1: stand there? To fuck time? And then he runs up

561
00:34:16,840 --> 00:34:20,239
Speaker 1: and he starts wailing on this sun dial until it

562
00:34:20,400 --> 00:34:24,200
Speaker 1: fell over. Now he takes one look at what he

563
00:34:24,239 --> 00:34:26,640
Speaker 1: has done. He's like, oh, I've I'm not exactly a

564
00:34:26,680 --> 00:34:32,160
Speaker 1: master of myself right now, and he thinks, oh my god,

565
00:34:32,840 --> 00:34:35,440
Speaker 1: Charles is going to hear that this. I'm definitely going

566
00:34:35,480 --> 00:34:37,560
Speaker 1: to get banished from the quote again, let me save

567
00:34:37,600 --> 00:34:41,440
Speaker 1: you the trouble, and he just ran off on his own. However,

568
00:34:41,560 --> 00:34:45,400
Speaker 1: just like every other time, he was welcome back to court. Eventually,

569
00:34:45,560 --> 00:34:48,400
Speaker 1: Charles loved this guy. He really did. Daniel peppis the

570
00:34:48,480 --> 00:34:51,960
Speaker 1: diary guy. He was like, all serious men just hate

571
00:34:51,960 --> 00:34:54,400
Speaker 1: how much he's willing to forgive this guy. He should

572
00:34:54,400 --> 00:34:57,399
Speaker 1: really just get rid of him. So John's fine. He's

573
00:34:57,440 --> 00:35:01,360
Speaker 1: in with the king again until sixteen seventy six. This

574
00:35:01,440 --> 00:35:03,759
Speaker 1: basic like an annual thing. How He's like, oh, it's

575
00:35:03,760 --> 00:35:05,800
Speaker 1: been a year. I guess i'd better get banished again.

576
00:35:06,560 --> 00:35:09,799
Speaker 1: So he and some friends mary gang guys. Probably they're

577
00:35:09,840 --> 00:35:12,880
Speaker 1: out late at night, drunk as hell, as per usual,

578
00:35:13,320 --> 00:35:16,640
Speaker 1: and they started a fight with the night watch. Now,

579
00:35:16,760 --> 00:35:20,080
Speaker 1: scuffles with the cops were not an uncommon pastime for

580
00:35:20,200 --> 00:35:23,440
Speaker 1: young aristocrat because you know, the cops can't really do

581
00:35:23,440 --> 00:35:26,960
Speaker 1: anything to do, you know him, My daddy is exact daddy,

582
00:35:27,239 --> 00:35:32,360
Speaker 1: Come get me. I'm friends with King child. Yeah, and usually,

583
00:35:32,640 --> 00:35:34,040
Speaker 1: you know, the worst thing that would happen is they

584
00:35:34,040 --> 00:35:35,680
Speaker 1: would kind of spend the night in the drunk tank

585
00:35:36,000 --> 00:35:38,960
Speaker 1: until someone came along and bailed him out. But this

586
00:35:39,040 --> 00:35:43,799
Speaker 1: time one of Rochester's friends, Roger Downs, was killed by

587
00:35:43,800 --> 00:35:46,479
Speaker 1: a pipe thrust from one of the watchman during this fight,

588
00:35:47,080 --> 00:35:49,640
Speaker 1: and instead of staying by his friend and kind of

589
00:35:49,680 --> 00:35:52,480
Speaker 1: like owning up to his drunken behavior that had started

590
00:35:52,480 --> 00:35:56,160
Speaker 1: the fight in the first place, Rochester fled the scene.

591
00:35:56,480 --> 00:36:00,000
Speaker 1: The King considered this to be super cowardly, totally unacceptable,

592
00:36:00,239 --> 00:36:03,720
Speaker 1: no man of honor, etcetera, etcetera, and Rochester was again

593
00:36:04,080 --> 00:36:07,360
Speaker 1: banished from the court damn well. This time he fled

594
00:36:07,480 --> 00:36:10,520
Speaker 1: to Tower Hill, just a poor neighborhood in London near

595
00:36:10,560 --> 00:36:14,320
Speaker 1: the Tower Prison, and he disguised himself as a respectable

596
00:36:14,360 --> 00:36:19,319
Speaker 1: O B G. Y In named Dr Bendo. Just so great,

597
00:36:19,360 --> 00:36:23,480
Speaker 1: I guess doctor Gold. He was supposed to be Italian.

598
00:36:24,120 --> 00:36:31,839
Speaker 1: Oh he was Italian, be over and the way, let's

599
00:36:31,840 --> 00:36:34,640
Speaker 1: see what's going on down there. The doctor Bendo would

600
00:36:34,680 --> 00:36:38,600
Speaker 1: treat women who were dealing with infertility. Now, John Wilmot,

601
00:36:39,080 --> 00:36:43,760
Speaker 1: second Earl of Rochester, acting coach extraordinaire and drunken debauch,

602
00:36:43,920 --> 00:36:47,480
Speaker 1: honorary master's degree from the Party School. None of this

603
00:36:47,800 --> 00:36:51,120
Speaker 1: allowed him to know a single thing about medical stuff.

604
00:36:51,480 --> 00:36:53,840
Speaker 1: He's not a doctor. But one thing he did know

605
00:36:54,840 --> 00:36:57,280
Speaker 1: was how to get a lady pregnant. And the historian

606
00:36:57,280 --> 00:37:02,239
Speaker 1: Gilbert Burnett notes that his treatments were quote not without success,

607
00:37:03,040 --> 00:37:05,680
Speaker 1: implying that some of the women did get pregnant, just

608
00:37:06,400 --> 00:37:12,160
Speaker 1: not by their husband's. Yikes. The treatments were very crazy. Now,

609
00:37:12,200 --> 00:37:16,000
Speaker 1: if these husbands were particularly suspicious or jealous of Dr

610
00:37:16,040 --> 00:37:20,359
Speaker 1: Bendo reading their wives, Rochester simply went into the back

611
00:37:20,400 --> 00:37:25,759
Speaker 1: and changed out his disguise into Mrs Bendo, an ulder

612
00:37:25,800 --> 00:37:30,080
Speaker 1: matronly woman. I'm just an order Italian a woman, Mrs Bendo.

613
00:37:31,239 --> 00:37:35,040
Speaker 1: Nothing to worry about here. Uh. Suddenly all these husbands

614
00:37:35,040 --> 00:37:37,880
Speaker 1: were just totally fine with Mrs Bendo looking up their

615
00:37:37,920 --> 00:37:41,520
Speaker 1: wives skirts. No word on if Mrs Bendo was as

616
00:37:41,520 --> 00:37:44,960
Speaker 1: successful as doctor Bendo and getting these wives pregnant. But

617
00:37:45,600 --> 00:37:50,200
Speaker 1: Shirley Rochester gave it the old Waldham College trial. I'm

618
00:37:50,200 --> 00:37:52,839
Speaker 1: sure what they were alone. He was like, now you

619
00:37:52,880 --> 00:37:55,600
Speaker 1: know he's taking the wig off or whatever he's wearing,

620
00:37:56,080 --> 00:37:58,640
Speaker 1: and he's like, now I could get you pregnant. I'm

621
00:37:58,680 --> 00:38:03,480
Speaker 1: a hot younger man. This is the most modern, this

622
00:38:03,560 --> 00:38:06,480
Speaker 1: is the newest in modern medicine. It's where I fuck

623
00:38:06,560 --> 00:38:10,120
Speaker 1: you trust me. It works most of the time. Then,

624
00:38:10,280 --> 00:38:14,799
Speaker 1: in sixteen seventy nine, one of Rochester's main rivals was

625
00:38:15,239 --> 00:38:18,840
Speaker 1: England's very first poet laureate, whose name was John Dryden,

626
00:38:19,360 --> 00:38:22,520
Speaker 1: and he wrote a poem called an Essay on Satire

627
00:38:22,920 --> 00:38:28,480
Speaker 1: which contained pointed attacks on Rochester as a notorious womanizer.

628
00:38:28,880 --> 00:38:31,480
Speaker 1: So that kind of piste him off. And in December

629
00:38:31,520 --> 00:38:34,640
Speaker 1: of that year Dryden was leaving a popular coffeehouse that

630
00:38:34,719 --> 00:38:37,680
Speaker 1: was frequented by all the wits of the day and

631
00:38:37,719 --> 00:38:39,840
Speaker 1: he was set upon by a bunch of dudes with

632
00:38:39,920 --> 00:38:43,480
Speaker 1: cudgels who beat him up pretty badly. Now, Dryden offered

633
00:38:43,480 --> 00:38:47,160
Speaker 1: a reward of fifty pounds, which is worth something like

634
00:38:47,360 --> 00:38:54,480
Speaker 1: eight thousand pounds today looking about hundred dollars, so nearly

635
00:38:54,560 --> 00:38:58,440
Speaker 1: ten grand reward just for information about why this happened

636
00:38:58,440 --> 00:39:00,759
Speaker 1: and who did it and stuff, But no one ever

637
00:39:00,880 --> 00:39:05,000
Speaker 1: came forward. And some say Rochester is the guy who

638
00:39:05,120 --> 00:39:07,920
Speaker 1: hired the street thugs to beat him up as a

639
00:39:07,960 --> 00:39:11,880
Speaker 1: response to this unflattering verse about him. But I have

640
00:39:12,000 --> 00:39:14,279
Speaker 1: to say I'm not I'm not sure that I, at

641
00:39:14,360 --> 00:39:17,399
Speaker 1: least in what we have learned about him. I don't

642
00:39:17,440 --> 00:39:20,360
Speaker 1: see it myself, do you. It doesn't seem like his

643
00:39:20,560 --> 00:39:24,800
Speaker 1: style right, because he's so busy, you know, roasting other people.

644
00:39:25,120 --> 00:39:27,440
Speaker 1: Surely he I don't know. Maybe he was really bad

645
00:39:27,480 --> 00:39:29,319
Speaker 1: at taking it, but he was really good addition it

646
00:39:29,360 --> 00:39:30,759
Speaker 1: out well. He just seemed like the kind of guy

647
00:39:30,760 --> 00:39:32,600
Speaker 1: who was like, I'm just gonna get go drunk and

648
00:39:32,800 --> 00:39:35,399
Speaker 1: punch you in the nose myself exactly. Yeah, why would

649
00:39:35,400 --> 00:39:38,319
Speaker 1: I hire someone? That's just my opinion. I don't think

650
00:39:38,320 --> 00:39:41,040
Speaker 1: that he did it personally, But some say that he

651
00:39:41,120 --> 00:39:44,600
Speaker 1: was just too sick by that time to be arranging

652
00:39:44,600 --> 00:39:48,040
Speaker 1: a beat down on anyone, because by the time he

653
00:39:48,120 --> 00:39:50,880
Speaker 1: was thirty three years old, the Earl of Rochester was

654
00:39:50,960 --> 00:39:54,520
Speaker 1: dying now. Either he was afflicted with gnarrhea and or

655
00:39:54,719 --> 00:39:58,759
Speaker 1: syphilis uh and or he had the ill effects of alcoholism,

656
00:39:58,880 --> 00:40:01,600
Speaker 1: and or he might have had any disease. Sources don't agree.

657
00:40:03,520 --> 00:40:06,720
Speaker 1: They all sound believable. The guy did not treat himself

658
00:40:06,800 --> 00:40:09,440
Speaker 1: well and his health was failing at a young age.

659
00:40:10,200 --> 00:40:13,360
Speaker 1: His mother, Anne, who was a Puritan but always for

660
00:40:13,400 --> 00:40:16,720
Speaker 1: some reason, encouraged her son's excesses, like if you remember,

661
00:40:16,800 --> 00:40:19,799
Speaker 1: she also helped him plot to kidnap that heiress back

662
00:40:19,800 --> 00:40:23,080
Speaker 1: when he was seventeen. She decided to take matters into

663
00:40:23,080 --> 00:40:26,280
Speaker 1: her She decided to take matters into her own hands,

664
00:40:26,600 --> 00:40:29,840
Speaker 1: and she had Gilbert Burnett come through to John's deathbed.

665
00:40:30,280 --> 00:40:34,279
Speaker 1: Gilbert was a good Protestant minister and and hoped that

666
00:40:34,360 --> 00:40:37,719
Speaker 1: he would save her son's soul in his eleventh hour here.

667
00:40:38,320 --> 00:40:41,799
Speaker 1: But according to Gilbert himself, Rochester did have a last

668
00:40:41,800 --> 00:40:44,759
Speaker 1: minute change of heart. He renounced his atheism and his

669
00:40:44,840 --> 00:40:49,239
Speaker 1: debaucherous ways, and he requested to convert to Anglicism. But

670
00:40:49,840 --> 00:40:52,200
Speaker 1: a lot of scholars are kind of skeptical about this

671
00:40:52,280 --> 00:40:56,759
Speaker 1: because the only account that exists of John converting and

672
00:40:56,800 --> 00:41:00,759
Speaker 1: all this stuff is in Gilbert Burnette's own right, and

673
00:41:01,080 --> 00:41:03,239
Speaker 1: Gilbert was later able to come out and say, I

674
00:41:03,360 --> 00:41:08,160
Speaker 1: converted you know, the Restoration's greatest libertine on his deathbed,

675
00:41:08,239 --> 00:41:11,480
Speaker 1: and that really enhanced his reputation. He later became the

676
00:41:11,520 --> 00:41:14,640
Speaker 1: Bishop of Salisbury. So there's a lot of reason to

677
00:41:14,680 --> 00:41:16,920
Speaker 1: think that Gilbert might have just kind of made this up.

678
00:41:16,920 --> 00:41:18,719
Speaker 1: Who's going to call him on it, right, and the

679
00:41:18,719 --> 00:41:22,520
Speaker 1: guy's dead, Yeah, you can't check my work, So we

680
00:41:22,560 --> 00:41:25,600
Speaker 1: don't really know if Rochester did, you know, convert and

681
00:41:25,600 --> 00:41:27,879
Speaker 1: renounce all his ways at the last minute there, right,

682
00:41:28,239 --> 00:41:30,400
Speaker 1: which you know, it's interesting to think about because he

683
00:41:30,400 --> 00:41:33,080
Speaker 1: definitely lived his life like I'm an atheist, I don't

684
00:41:33,080 --> 00:41:35,600
Speaker 1: believe in, you know, any of this stuff, and he

685
00:41:35,640 --> 00:41:38,680
Speaker 1: was very much like I don't know, nothing was sacred

686
00:41:38,719 --> 00:41:40,359
Speaker 1: to him. I guess it's a good way to put it.

687
00:41:40,800 --> 00:41:43,520
Speaker 1: But you know, they had a very serious belief in hell,

688
00:41:43,760 --> 00:41:46,000
Speaker 1: like they truly are like I can feel the flames

689
00:41:46,000 --> 00:41:48,960
Speaker 1: of hell, you know, licking around my heart. Like they

690
00:41:49,280 --> 00:41:53,080
Speaker 1: really had a visceral image of what that was. So

691
00:41:53,200 --> 00:41:56,160
Speaker 1: it is kind of believable that went right faced with

692
00:41:56,239 --> 00:41:59,160
Speaker 1: death and faced with what you think might be coming next,

693
00:41:59,680 --> 00:42:02,399
Speaker 1: you would be like Okay, fine, just in case, let

694
00:42:02,400 --> 00:42:04,960
Speaker 1: me hedge my bets right right. And I mean even today,

695
00:42:04,960 --> 00:42:07,080
Speaker 1: there's a lot of people who you know, have a

696
00:42:07,200 --> 00:42:10,520
Speaker 1: have a you know, nasty personality during the life or something,

697
00:42:10,600 --> 00:42:13,160
Speaker 1: or they're very greedy, or you know, they spurned a

698
00:42:13,200 --> 00:42:15,919
Speaker 1: lot of people, and in their final days they might

699
00:42:16,000 --> 00:42:17,960
Speaker 1: be like, oh my god, what have I done. I've

700
00:42:18,040 --> 00:42:20,879
Speaker 1: I've regret you know, these certain things about my life

701
00:42:20,920 --> 00:42:23,560
Speaker 1: I wish I had done differently. Yeah, that's not uncommon. Well.

702
00:42:23,640 --> 00:42:27,760
Speaker 1: John Wilmot, the second Earl of Rochester, died on July

703
00:42:30,520 --> 00:42:35,040
Speaker 1: and tragically Elizabeth Mallett, Lady Wilmot, died only a year later,

704
00:42:35,680 --> 00:42:39,480
Speaker 1: and shortly after her, their only son, Charles, died as well.

705
00:42:40,239 --> 00:42:43,279
Speaker 1: So the Earl of Rochester title when extinct after only

706
00:42:43,320 --> 00:42:46,800
Speaker 1: two generations. Now. John Wilmot never really collected his poetry

707
00:42:46,880 --> 00:42:50,120
Speaker 1: together for publication. I don't think you ever had plans

708
00:42:50,160 --> 00:42:53,120
Speaker 1: to publish it, so a lot of his writing is lost.

709
00:42:53,680 --> 00:42:58,200
Speaker 1: His most famous poem remains a satire against reason and mankind,

710
00:42:58,960 --> 00:43:02,720
Speaker 1: where he railed again like valuing reason and rationality above

711
00:43:02,800 --> 00:43:06,560
Speaker 1: everything else. Um. But after his death, that was exactly

712
00:43:06,600 --> 00:43:11,000
Speaker 1: what people did value. During the prim Victorian era, respect

713
00:43:11,040 --> 00:43:15,600
Speaker 1: for his writing declined even more. Writer Horace Walpole said

714
00:43:15,640 --> 00:43:18,680
Speaker 1: he was quote a man whom the muses were fond

715
00:43:18,800 --> 00:43:23,239
Speaker 1: to inspire but ashamed to avow. And apparently like a

716
00:43:23,239 --> 00:43:25,400
Speaker 1: lot of his books, if they were available at all,

717
00:43:26,040 --> 00:43:28,560
Speaker 1: they were wrapped in brown paper and they were put

718
00:43:28,560 --> 00:43:30,840
Speaker 1: in the topmost shelf, so you had to like be

719
00:43:30,880 --> 00:43:33,719
Speaker 1: willing to ask for it, and like embarrass yourself is

720
00:43:33,800 --> 00:43:37,800
Speaker 1: like buying a sex toy or something. But critic William

721
00:43:37,840 --> 00:43:42,680
Speaker 1: Haslett said, quote his verses cut and sparkle like diamonds.

722
00:43:43,120 --> 00:43:46,960
Speaker 1: His epigrams were the bitterest, the least labored, and the

723
00:43:47,120 --> 00:43:51,319
Speaker 1: truest that were ever written. His contempt for everything that

724
00:43:51,360 --> 00:43:56,720
Speaker 1: others respect almost amounts to sublimity. Still, all the buttoned

725
00:43:56,760 --> 00:44:00,480
Speaker 1: up Victorians were not interested in erotic poetry, so it

726
00:44:00,480 --> 00:44:03,800
Speaker 1: wasn't until the nineteen twenties that John Wilmot's writing enjoyed

727
00:44:03,800 --> 00:44:07,120
Speaker 1: a little renaissance, thanks to people like Ezra Pound and

728
00:44:07,160 --> 00:44:08,920
Speaker 1: of course the twenties. We we are we know a

729
00:44:08,920 --> 00:44:10,960
Speaker 1: lot about the twenties, and they were very st wheeling

730
00:44:11,000 --> 00:44:13,520
Speaker 1: about sexuality and stuff, so they probably definitely were like,

731
00:44:13,560 --> 00:44:17,120
Speaker 1: oh hell, yes, this is my manual, I'm waking up

732
00:44:17,120 --> 00:44:20,280
Speaker 1: at eleven, I'm getting drunk by seven. Let me send

733
00:44:20,320 --> 00:44:25,400
Speaker 1: for my whole laugh now. For modern readers, Rochester stands

734
00:44:25,440 --> 00:44:28,800
Speaker 1: alone mainly because he didn't bother to couch his poems

735
00:44:28,840 --> 00:44:32,160
Speaker 1: and a bunch of metaphors. Austin Saunders writes in the

736
00:44:32,200 --> 00:44:36,200
Speaker 1: Spectator quote, his poems make perfectly clear what he's talking about,

737
00:44:36,360 --> 00:44:39,240
Speaker 1: and he's always more than happy to call a dildo

738
00:44:39,480 --> 00:44:44,360
Speaker 1: a dildo, or at least senor dilto. Saunders goes on quote.

739
00:44:44,480 --> 00:44:48,480
Speaker 1: In every case, the explicitness of Rochester's poems creates a

740
00:44:48,560 --> 00:44:52,080
Speaker 1: sense that he is talking honestly to us. Their conspicuous

741
00:44:52,120 --> 00:44:56,000
Speaker 1: refusal to use euphemism or to avoid subject matter generally

742
00:44:56,040 --> 00:45:00,640
Speaker 1: recognized as obscene implies an unwillingness to abide by convention

743
00:45:01,000 --> 00:45:04,879
Speaker 1: or to repress instinct. Yeah, he's pointing out like John

744
00:45:05,000 --> 00:45:08,359
Speaker 1: Dunn wrote about oral sex and you know Chaucer, he

745
00:45:08,400 --> 00:45:11,120
Speaker 1: wrote a lot of body, but it took nine the

746
00:45:11,200 --> 00:45:13,800
Speaker 1: sauruses and three different language dictionaries to find out what

747
00:45:13,800 --> 00:45:15,960
Speaker 1: they were talking about exactly. They found a lot of

748
00:45:15,960 --> 00:45:19,759
Speaker 1: ways to quote, you know, beating around the bush. They

749
00:45:19,800 --> 00:45:22,360
Speaker 1: wouldn't even say beat around the bush, probably not, whereas

750
00:45:22,440 --> 00:45:25,600
Speaker 1: John Wilmot was like, let's talk about bush. I'd love

751
00:45:25,640 --> 00:45:27,960
Speaker 1: to talk about that bush I was beating around last night.

752
00:45:28,640 --> 00:45:31,080
Speaker 1: He actually did. In I think it was a play

753
00:45:31,120 --> 00:45:34,319
Speaker 1: that he wrote. He wrote the line my prick no

754
00:45:34,480 --> 00:45:38,600
Speaker 1: more to bald cunt shall resort, Merkins, rub off and

755
00:45:38,680 --> 00:45:44,920
Speaker 1: often spoil the sport he wants. He wants a bush

756
00:45:45,400 --> 00:45:48,560
Speaker 1: like he does. He wants to beat around the bush.

757
00:45:48,640 --> 00:45:51,040
Speaker 1: I want a bush to beat around. Well. In two

758
00:45:51,080 --> 00:45:53,920
Speaker 1: thousand four, they did make a movie about this guy's life,

759
00:45:53,960 --> 00:45:57,919
Speaker 1: starring another controversial fellow, Johnny Depp, and this was called

760
00:45:57,960 --> 00:46:02,000
Speaker 1: The Libertine, based on a by the same name. We

761
00:46:02,000 --> 00:46:03,960
Speaker 1: were able to share some of his poems with you

762
00:46:04,040 --> 00:46:08,560
Speaker 1: here today. Delightful, I think, too funny, but there are

763
00:46:08,800 --> 00:46:11,359
Speaker 1: more that we really want to get into, like an

764
00:46:11,400 --> 00:46:16,959
Speaker 1: Imperfect Enjoyment, which is another just raunchy, hilarious piece about

765
00:46:17,000 --> 00:46:21,480
Speaker 1: premature ejaculation. So come back for our next episode and

766
00:46:21,520 --> 00:46:26,239
Speaker 1: we will spew those poems in your laps. Gross, Just

767
00:46:26,280 --> 00:46:28,360
Speaker 1: make sure you don't bring the kids along, because again,

768
00:46:28,400 --> 00:46:31,319
Speaker 1: this guy, I mean, if you haven't noticed already, this

769
00:46:31,360 --> 00:46:35,239
Speaker 1: guy's not exactly a PG author. Or do if you

770
00:46:35,280 --> 00:46:40,600
Speaker 1: want them to get interested in poetry. That's true because if, right,

771
00:46:40,800 --> 00:46:43,120
Speaker 1: if we'd read this in high school, I'd probably be

772
00:46:43,160 --> 00:46:45,719
Speaker 1: a poet right now. I'm saying like, I'm like, I

773
00:46:45,719 --> 00:46:48,320
Speaker 1: remember reading John Dunne in one of my English classes,

774
00:46:48,560 --> 00:46:51,000
Speaker 1: and we had to have so many conversations about his

775
00:46:51,880 --> 00:46:54,600
Speaker 1: metaphor and all the I don't know, the ways he

776
00:46:54,680 --> 00:46:57,239
Speaker 1: kind of obscured his meaning and talked about, you know,

777
00:46:57,360 --> 00:46:59,600
Speaker 1: something in the Bible, which what he really meant was

778
00:46:59,640 --> 00:47:01,520
Speaker 1: this political thing that was going on at the time,

779
00:47:01,560 --> 00:47:03,680
Speaker 1: and blah blah blah. They had to really like get

780
00:47:03,719 --> 00:47:06,879
Speaker 1: into so much history to understand when he was writing. Yeah,

781
00:47:06,960 --> 00:47:08,719
Speaker 1: and I'm like, why didn't we start with the oral

782
00:47:08,800 --> 00:47:11,280
Speaker 1: sex one. I'm telling you you would have my attention

783
00:47:11,320 --> 00:47:14,480
Speaker 1: the entire semester if we just started there. Maybe that's

784
00:47:14,520 --> 00:47:17,520
Speaker 1: just me, but I feel like people say about language classes,

785
00:47:17,520 --> 00:47:19,239
Speaker 1: like teach me the curse words on the first day

786
00:47:19,480 --> 00:47:25,399
Speaker 1: and then I'm yours for the rest complaints. Yeah, if

787
00:47:25,400 --> 00:47:28,439
Speaker 1: we could do it all over well, anyway, I hope

788
00:47:28,480 --> 00:47:30,440
Speaker 1: you all love this episode about John Wilmoke because it

789
00:47:30,520 --> 00:47:32,960
Speaker 1: was really fun to learn about hilarious. Thank you all

790
00:47:32,960 --> 00:47:35,040
Speaker 1: for tuning in for this yeah, you had fun to

791
00:47:35,440 --> 00:47:38,120
Speaker 1: Thanks again to Barbara for telling us to do his

792
00:47:38,840 --> 00:47:41,959
Speaker 1: Life as a Store as an episode because I wasn't

793
00:47:42,000 --> 00:47:44,160
Speaker 1: going to, but I'm glad I looked into him because

794
00:47:44,160 --> 00:47:47,520
Speaker 1: this is hilarious, amazing, amazing. Please let us know what

795
00:47:47,600 --> 00:47:50,560
Speaker 1: you thought. Tell us any suggestions you have, because obviously

796
00:47:50,840 --> 00:47:53,440
Speaker 1: they lead us down some great pads. Reach out to

797
00:47:53,520 --> 00:47:56,440
Speaker 1: us at dick Romance at gmail dot com right or

798
00:47:56,520 --> 00:47:59,600
Speaker 1: we're on Instagram and Twitter. I'm at Dianamite Boom, I'm

799
00:47:59,640 --> 00:48:03,120
Speaker 1: at Great It's Eli and the show is at ridict Romance.

800
00:48:03,160 --> 00:48:05,320
Speaker 1: I don't forget to follow us along. Catch some videos

801
00:48:05,320 --> 00:48:09,960
Speaker 1: on TikTok where we're at Ridiculous Romance, and make sure

802
00:48:09,960 --> 00:48:11,440
Speaker 1: you go see R R R as soon as you

803
00:48:11,480 --> 00:48:13,960
Speaker 1: can never stop talking about that movie. We are not

804
00:48:14,080 --> 00:48:17,680
Speaker 1: steering you wrong. Guys, it's so good. Thank you so

805
00:48:17,760 --> 00:48:19,520
Speaker 1: much for tuning in. Everybody. We will catch you at

806
00:48:19,560 --> 00:48:23,160
Speaker 1: the next one. Love you bye, so long. Friends, It's

807
00:48:23,239 --> 00:48:27,359
Speaker 1: time to go. Thanks so listening to our show. Tell

808
00:48:27,440 --> 00:48:30,719
Speaker 1: your friends name is uncle Sandez. To listen to our show,

809
00:48:30,840 --> 00:48:32,080
Speaker 1: Ridiculous Romance.