WEBVTT - Could i BE anymore trans??? (feat. Tommy Dorfman)

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<v Speaker 1>Fran the fucking no one can no one can hit

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<v Speaker 1>it the elf bar down.

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<v Speaker 2>Look, it's just it's just getting me through. I thought

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<v Speaker 2>you were throwing it away. I am gonna throw it away.

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<v Speaker 2>She's sheen.

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<v Speaker 3>I'm me no, ma, not hone yo no no, what

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<v Speaker 3>is your childhood trauma? I am a uk.

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<v Speaker 4>You what's going down the floor?

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<v Speaker 2>Like round?

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<v Speaker 5>Welcome to Like a Virgin, the show where we give

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<v Speaker 5>yesterday's pop culture today's takes.

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<v Speaker 2>I'm Rose Domin and I'm Fran Dorado.

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<v Speaker 1>Fran, are you an allergy Girlie?

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<v Speaker 2>No, I'm not.

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<v Speaker 1>I'm not, but I know that you are, as a

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<v Speaker 1>Caucasian constantly suffering through this.

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<v Speaker 2>I am suffering. I just want to show you.

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<v Speaker 5>I have this little like decorative bowl here that I

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<v Speaker 5>usually keep fruit in, and during allergy season it has

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<v Speaker 5>instead become home to hills eye drops. Ooh, nasal spray. Yeah,

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<v Speaker 5>we need to get some real there and I beuprofen

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<v Speaker 5>and then also make up.

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<v Speaker 2>But I did buy some fruit this morning. We love that.

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<v Speaker 5>I'm going to try to fill it in again, because

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<v Speaker 5>it's not as aesthetic when it's full of pill.

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<v Speaker 1>Bobby, I actually if you could argue that it's more

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<v Speaker 1>even more aesthetic when filled with allergy medications, it's more ownable.

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<v Speaker 1>It's a stylistic choice rose your culture.

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<v Speaker 5>I don't know, but I am down bad with allergies.

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<v Speaker 2>It is.

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<v Speaker 5>I do think it says a lot about me as

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<v Speaker 5>a person that the more beautiful it becomes outside, the

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<v Speaker 5>more miserable I become, and the more.

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<v Speaker 2>My body attacks me. But you know, I am, I am.

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<v Speaker 5>I'm fighting it, and I'm going to spend the afternoon

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<v Speaker 5>in Fort Green Park.

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<v Speaker 2>Yes, oh, what are you doing there?

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<v Speaker 5>Peyton and I are meeting up and we're just gonna

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<v Speaker 5>read and eat snacks.

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<v Speaker 2>Okay, that's so day, Yes it is. What are you

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<v Speaker 2>reading right now? Oh?

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<v Speaker 5>Well so I as I said a couple of months ago.

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<v Speaker 5>You know, so we have officially moved Ros's book Club

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<v Speaker 5>over to the Patreon Yes, patreon dot com slash like

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<v Speaker 5>a virgin if you're not already a patron. And the

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<v Speaker 5>book that I said was going to be our next

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<v Speaker 5>discussion topic is Fingersmith by Sarah Waters, and I it's

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<v Speaker 5>been it's been hard for me to get started on

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<v Speaker 5>that because it's very dense, it's historical fiction, and so

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<v Speaker 5>it's really been sitting on the back burner for me.

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<v Speaker 5>And so actually this weekend I read something that I

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<v Speaker 5>think you would like, Frand and I kind of want

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<v Speaker 5>to like pitch you on it and convince you to

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<v Speaker 5>read it. Okay, so we can talk about it on

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<v Speaker 5>the Patreon.

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<v Speaker 2>First of all, how long is it? It's very short.

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<v Speaker 5>I was going to run errands on Saturday and I

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<v Speaker 5>looked at Fingersmith and I was like, Okay, I don't

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<v Speaker 5>want to carry this heavyest book with me, and you

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<v Speaker 5>need something like short that I can read very quickly.

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<v Speaker 5>So I went to my shelf where I keep all

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<v Speaker 5>the books that I haven't read, and there's a lot

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<v Speaker 5>of them. Because I really love to buy books.

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<v Speaker 2>I just bought.

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<v Speaker 1>I just bought two books literally like in a haze

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<v Speaker 1>yesterday with like you know points, and I was like,

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<v Speaker 1>the audacity to buy two more books.

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<v Speaker 2>We're going to make it free.

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<v Speaker 5>Actually, I will lend you this book so the book

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<v Speaker 5>can get a copy. The book is The Sluts by

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<v Speaker 5>Dennis Cooper, and it is a dark, twisted, perverted, sickening

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<v Speaker 5>terrible book that I loved and read in one day.

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<v Speaker 5>It takes place entirely on a website where men review

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<v Speaker 5>gay male escorts, and it's all set in two thousand

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<v Speaker 5>and one, two and two, and it starts off with

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<v Speaker 5>someone reviewing this escort named Brad, and he sort of

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<v Speaker 5>kicks off all of the like fantasies of the men

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<v Speaker 5>who were on the message board, and other men leave

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<v Speaker 5>reviews of him that you're not sure if they're true

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<v Speaker 5>or not. And he is involved in this like horrific

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<v Speaker 5>relationship with this man named Brian who wants to kill him,

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<v Speaker 5>and he kind of wants to be killed, and so

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<v Speaker 5>the book is all told killed wants to be killed.

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<v Speaker 5>So the book is all told through these reviews, through

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<v Speaker 5>emails and faxes, and it all spirals and it you know,

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<v Speaker 5>it takes place when the Internet was first like a thing,

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<v Speaker 5>really And it actually ended up being a very nice

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<v Speaker 5>pairing with a movie that I watched last week, Videodrome,

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<v Speaker 5>the David Cronenberg movie, which is also sort of about

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<v Speaker 5>this idea of like the intersection between sex and violence

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<v Speaker 5>in media, and like the Chicken or the Egg kind

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<v Speaker 5>of question about that, which is like, did media create

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<v Speaker 5>this violence that in that in consuming it made us

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<v Speaker 5>more violent? Or did we create violent media in our

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<v Speaker 5>own image? Because you know in these reviews that these

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<v Speaker 5>men leave there like spinning these really horrific, violent, sexually deviant,

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<v Speaker 5>pedophilic fantasies, and you're realizing that the freedom to share

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<v Speaker 5>them has like made these fantasies even worse than they

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<v Speaker 5>might have been otherwise. But obviously they were like still

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<v Speaker 5>already there and in some way, and they're like it's

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<v Speaker 5>very funny, it's very disgusting, and there's so much about

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<v Speaker 5>like who's lying, who's telling the truth, lots of unreliable narration,

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<v Speaker 5>and like I finished the book thinking I probably didn't

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<v Speaker 5>ever want to read it again, or like read anything

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<v Speaker 5>else the author had written, but I loved the experience

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<v Speaker 5>of reading it.

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<v Speaker 1>Okay, I have three follow up questions. Okay, so it's

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<v Speaker 1>an epistolatory novel, like it's told one hundred percent through

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<v Speaker 1>these messages. Yes, okay, cool, So in that it's kind

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<v Speaker 1>of you said, it's like at the dawn of the Internet.

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<v Speaker 1>So is it kind of like you've got mail coded

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<v Speaker 1>a little bit?

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<v Speaker 2>Yeah, you've got mail coded.

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<v Speaker 5>If Tom Hanks murdered Meg Ryan and then like.

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<v Speaker 2>Raped her corpse.

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<v Speaker 1>All of a sudden, I've forgotten my third question.

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<v Speaker 5>Oh my God, as I said, I read this the

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<v Speaker 5>same week that I watched Video Drome for the first time.

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<v Speaker 5>And I watched Video Drome because on your recommendation. I've

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<v Speaker 5>been watching Dead Ringers on Amazon and I haven't finished

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<v Speaker 5>it yet, but when I do, we'll we'll talk about it.

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<v Speaker 5>And Dead Ringers is based off of a David Cronenberg

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<v Speaker 5>movie called Dead Ringers. In that movie, the twins that

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<v Speaker 5>Rachel Weiss plays are men, so like the TV show

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<v Speaker 5>is a.

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<v Speaker 2>Version of that.

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<v Speaker 5>And before Video Drome, I had only seen one other

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<v Speaker 5>David Cronenberg movie, Crimes of the Future, which I saw

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<v Speaker 5>last year and hated. I think I talked about it

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<v Speaker 5>here at the time Video Drome, however, I loved. It's

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<v Speaker 5>so fucking weird and a young James Woods is in

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<v Speaker 5>it and he's really hot in it, and also Blondie's

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<v Speaker 5>in it and she's really hot in it. It's likedy,

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<v Speaker 5>so good, so fucked up, and also very much about

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<v Speaker 5>like you know, violence, and like snuff films are a

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<v Speaker 5>big part of it. And it's really gross. There's like

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<v Speaker 5>body horror, and it just like sick and twisted, and

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<v Speaker 5>I loved every second of it. Okay, all right, I

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<v Speaker 5>don't know if I'm a Cronenberg early, but I'm definitely

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<v Speaker 5>gonna try and read that book.

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<v Speaker 1>So reading Fundamental. Do you know what else is fundamental?

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<v Speaker 1>Suck session as you called it to me yesterday when

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<v Speaker 1>we were on the.

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<v Speaker 5>Yes a joke which I had definitely made before and

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<v Speaker 5>when even when the first time I made it, I thought,

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<v Speaker 5>this is very obvious, and I'm sure many other people.

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<v Speaker 2>Have made it, and it got like ten thousand lies. No.

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<v Speaker 1>Last night's succession was another banger episode, you know, all

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<v Speaker 1>around this tailgate party that was happening at Tom and

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<v Speaker 1>shives in the inside the episode thing that they do

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<v Speaker 1>after the episodes on HBO. Sarah Snook said that the

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<v Speaker 1>creator kind of said that the vibe of the episode

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<v Speaker 1>was Who's afraid of Virginia Wolf? You know, this is

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<v Speaker 1>having a party at their house and like hate each other.

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<v Speaker 1>Good reference, and that really was.

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<v Speaker 2>The vibe of it.

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<v Speaker 5>Like there, I loved how they started the episode like flirty,

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<v Speaker 5>but also like angry at each other when Tom gave

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<v Speaker 5>Shiv the scorpion. But then they're still sending each other

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<v Speaker 5>these texts where she was like, sorry if I broke

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<v Speaker 5>your dick last night and then by the end of

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<v Speaker 5>the episode, they finally have this knockdown, drag out brawl

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<v Speaker 5>where they bring up basically all of the ship that

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<v Speaker 5>they've been holding on through throughout the entire show, and

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<v Speaker 5>especially everything that happened at the end of last season.

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<v Speaker 2>I loved it.

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<v Speaker 5>And I mean, Sarah snook emmy campaign is is.

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<v Speaker 2>She's She's She's taking it.

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<v Speaker 1>I mean, she is a character that has ascended on

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<v Speaker 1>the power rankings for sure. I yeah, the shive Tom thing,

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<v Speaker 1>now that I have heard this Who's afraid of Virginia

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<v Speaker 1>Wolf kind of parallel like that, it makes perfect sense

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<v Speaker 1>to me. You can see everything that has gone on

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<v Speaker 1>said for the you know years that they've been kind

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<v Speaker 1>of in a relationship together. Have you ever been in

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<v Speaker 1>a relationship like that where like there was something going

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<v Speaker 1>on in the relationship, like it was a bit of

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<v Speaker 1>a situationship kind of and it was never spoken about

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<v Speaker 1>until like some explosion moment.

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<v Speaker 5>Never a romantic relationship. But I definitely have had close

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<v Speaker 5>friendships where there have been things that we were both

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<v Speaker 5>avoiding and they came out in some explosive moment.

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<v Speaker 1>Yeah, because I have definitely had at least one situationship

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<v Speaker 1>like this where there was a somewhat verbal, somewhat nonverbal

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<v Speaker 1>agreement that like we were just kind of let the

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<v Speaker 1>relationship be the what it was, right, and then all

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<v Speaker 1>of a sudden, all the things that you've been feeling

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<v Speaker 1>come out.

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<v Speaker 2>You know.

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<v Speaker 1>And when Tom when they were out on the patio

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<v Speaker 1>and Tom was like, Tom was like, can we just

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<v Speaker 1>have a real conversation? It was like it was such

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<v Speaker 1>a like mind fuck because you're like, damn, like what

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<v Speaker 1>have they what kind of conversations have they been having

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<v Speaker 1>up into this point? And when Schiff says I don't

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<v Speaker 1>care about you and I've never cared about you something

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<v Speaker 1>that I don't know how you feel about that roast,

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<v Speaker 1>But I, as of you personally think that's true based

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<v Speaker 1>on everything we've seen in the three seasons, Like I

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<v Speaker 1>think that Shiv might have a shred of care for

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<v Speaker 1>Tom for the most part, he is an accessory or

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<v Speaker 1>a pawn in everything she does. Like, I think that's

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<v Speaker 1>totally true.

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<v Speaker 2>I actually disagree.

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<v Speaker 5>I think that was the only part in that fight

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<v Speaker 5>where she was being dishonest, and I really believe that

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<v Speaker 5>the reason that Tom was able to betray her so

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<v Speaker 5>much when he sold the kids out to Logan at

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<v Speaker 5>the end of season three, like proved to Shive for

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<v Speaker 5>the first time that Tom was someone who.

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<v Speaker 2>Could hurt her.

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<v Speaker 5>And I almost think we've been seeing this season her

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<v Speaker 5>finally opening up to him in a way she never

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<v Speaker 5>had before, like even in last night's episode, I think

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<v Speaker 5>a season or two ago. So she never would have

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<v Speaker 5>let him in on what was going on with Madsen.

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<v Speaker 5>She would have like kept it all very close to

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<v Speaker 5>the chest, and in trying out their relationship for a

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<v Speaker 5>second time, she to me it least seemed like she

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<v Speaker 5>was opening up to him in a way she never

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<v Speaker 5>had before and was really letting herself trust him and

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<v Speaker 5>care about him because like realizing that she was fucking

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<v Speaker 5>over her family and like Tom might be the only.

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<v Speaker 2>Person in her corner.

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<v Speaker 5>And after that happened, so yeah, I feel like she

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<v Speaker 5>was lying in that moment and just trying to hurt

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<v Speaker 5>him TBD.

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<v Speaker 1>But like truth is a rather the thing that we

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<v Speaker 1>both know is that Tom is about to fuck shit up,

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<v Speaker 1>like you could when he was laying in bed in

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<v Speaker 1>that final frame, like the mechanations going on, like he

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<v Speaker 1>is one thousand percent about to make a big move

0:12:50.559 --> 0:12:58.080
<v Speaker 1>and I'm very excited about that because he's so delightfully slippery, spineless, ethicless,

0:12:58.480 --> 0:13:00.600
<v Speaker 1>like so good he is.

0:13:00.679 --> 0:13:04.480
<v Speaker 5>Yeah, I was listening to the Succession podcast this morning.

0:13:04.559 --> 0:13:07.080
<v Speaker 2>Oh you listened to the Succession podcast?

0:13:07.480 --> 0:13:12.360
<v Speaker 5>Yeah, so good, And Matthew, who plays Tom, was on

0:13:12.400 --> 0:13:14.840
<v Speaker 5>it this week and he was saying that one of

0:13:14.840 --> 0:13:17.120
<v Speaker 5>the ways he plays Tom is like Tom is basically

0:13:17.200 --> 0:13:21.040
<v Speaker 5>a different character depending on who he's talking to, and

0:13:21.160 --> 0:13:25.320
<v Speaker 5>he really like he has kind of no agenda other

0:13:25.400 --> 0:13:29.440
<v Speaker 5>than survival and advancement and success, and so that I

0:13:29.440 --> 0:13:31.840
<v Speaker 5>think is what makes him very dangerous, is like he's

0:13:31.880 --> 0:13:34.800
<v Speaker 5>willing to do anything. And so now he came on

0:13:34.800 --> 0:13:37.760
<v Speaker 5>this bitch mad as hell, like he's at his lowest,

0:13:37.960 --> 0:13:40.520
<v Speaker 5>you know, because he this whole party, like everyone was

0:13:40.520 --> 0:13:42.200
<v Speaker 5>talking about how he's going to get fired, and now

0:13:42.240 --> 0:13:45.400
<v Speaker 5>he's lost Shiv, who was like his one tether into

0:13:45.440 --> 0:13:48.600
<v Speaker 5>the family, So who knows what he'll do. The last

0:13:48.600 --> 0:13:51.560
<v Speaker 5>time that he was in a similar position was when

0:13:51.559 --> 0:13:55.080
<v Speaker 5>he betrayed Shiv and went to Team Logan. So yeah,

0:13:55.120 --> 0:13:59.960
<v Speaker 5>he really could do anything. But I have kind of

0:14:00.040 --> 0:14:00.800
<v Speaker 5>come around to.

0:14:00.800 --> 0:14:03.120
<v Speaker 2>Be like a Tomshive girl and like.

0:14:03.480 --> 0:14:06.719
<v Speaker 5>Their kind of end game for me and one thing

0:14:06.760 --> 0:14:08.959
<v Speaker 5>I really loved is that she never, like, even when

0:14:09.000 --> 0:14:11.560
<v Speaker 5>he said I don't think you'd be a good person

0:14:11.640 --> 0:14:13.920
<v Speaker 5>to be a mother, I love that she didn't say, well,

0:14:13.960 --> 0:14:16.200
<v Speaker 5>I'm carrying your baby. I think a lot of people

0:14:16.280 --> 0:14:19.880
<v Speaker 5>expect that kind of revelation to come in that moment,

0:14:19.920 --> 0:14:22.600
<v Speaker 5>and on a different TV show, that would have been

0:14:22.640 --> 0:14:25.720
<v Speaker 5>the moment where Shiv said, well, I'm pregnant. But this

0:14:25.800 --> 0:14:28.000
<v Speaker 5>is Succession and she's not gonna say that. And I

0:14:28.000 --> 0:14:33.120
<v Speaker 5>wouldn't be surprised if that admission happened like off screen,

0:14:33.400 --> 0:14:35.240
<v Speaker 5>or like in the very last episode in a sort

0:14:35.280 --> 0:14:39.200
<v Speaker 5>of inconsequential way, or if she like miscarries or something like.

0:14:39.800 --> 0:14:41.560
<v Speaker 5>That's not what Succession is about.

0:14:42.000 --> 0:14:44.560
<v Speaker 2>So I don't know. I'm just like, there's only three

0:14:44.600 --> 0:14:45.440
<v Speaker 2>episodes left.

0:14:45.480 --> 0:14:48.160
<v Speaker 1>Can I confide something in you to you in this

0:14:48.680 --> 0:14:49.400
<v Speaker 1>unsafe space?

0:14:49.480 --> 0:14:51.880
<v Speaker 2>Yes, I have never been a shive girl.

0:14:52.200 --> 0:14:56.240
<v Speaker 1>I've never like Want, I've never rooted for her as

0:14:56.280 --> 0:15:00.760
<v Speaker 1>a character. I'm not quite sure why, and I've never

0:15:00.840 --> 0:15:04.720
<v Speaker 1>necessarily rooted for Tom in past seasons. But this season

0:15:05.360 --> 0:15:08.400
<v Speaker 1>I'm rooting for Tom, and I'm also rooting for Jerry.

0:15:08.640 --> 0:15:15.520
<v Speaker 1>I'm definitely rooting for Roman, but I don't know. I'm

0:15:15.600 --> 0:15:18.240
<v Speaker 1>just like really curious to see who will end up,

0:15:18.400 --> 0:15:20.560
<v Speaker 1>who will end up on top, or if they will

0:15:20.560 --> 0:15:23.720
<v Speaker 1>all just get fucked over because of this thing, this

0:15:23.880 --> 0:15:27.240
<v Speaker 1>India thing, which I think is also a plausibility where

0:15:27.440 --> 0:15:29.680
<v Speaker 1>they just all end up fat, nasty and broke.

0:15:30.560 --> 0:15:32.760
<v Speaker 5>You know who I'm rooting for and who is the

0:15:32.800 --> 0:15:36.960
<v Speaker 5>best horse to bet on? Willa Roy. Willa to me

0:15:37.240 --> 0:15:40.000
<v Speaker 5>was the MVP of this episode. She said, I'm not

0:15:40.040 --> 0:15:43.360
<v Speaker 5>fucking going wherever you're sending me off to to be

0:15:43.400 --> 0:15:49.200
<v Speaker 5>an ambassador's wife. I am Connor's wife now, and I'm

0:15:49.200 --> 0:15:51.600
<v Speaker 5>telling my man, what's what?

0:15:52.000 --> 0:15:54.040
<v Speaker 2>Sorry, I'm extremely caffeinated.

0:15:54.400 --> 0:15:57.880
<v Speaker 1>Like yeah, like that truly, like the fact that they

0:15:57.920 --> 0:16:01.520
<v Speaker 1>were like calling him asking him to withdraw h Like

0:16:01.840 --> 0:16:04.760
<v Speaker 1>what was it like liaison to the UN, and like

0:16:04.800 --> 0:16:08.920
<v Speaker 1>this has like international implications whatever, And that Willa is

0:16:09.000 --> 0:16:12.120
<v Speaker 1>the person that actually made the call at the end

0:16:12.120 --> 0:16:15.680
<v Speaker 1>of the day, something that has international implications, like sex

0:16:15.720 --> 0:16:18.000
<v Speaker 1>workers be making.

0:16:17.800 --> 0:16:20.680
<v Speaker 2>The calls sometimes, and I think that is dope.

0:16:20.840 --> 0:16:24.720
<v Speaker 5>Yeah, I don't necessarily root for anyone. These are all

0:16:24.840 --> 0:16:28.200
<v Speaker 5>bad people, you know, as this episode specifically pointed out,

0:16:28.240 --> 0:16:33.280
<v Speaker 5>These are all people who like are back channeling shaping

0:16:33.640 --> 0:16:36.720
<v Speaker 5>the future of our country and of politics, and like

0:16:37.480 --> 0:16:40.080
<v Speaker 5>none of them really care about whatever it is they

0:16:40.080 --> 0:16:43.200
<v Speaker 5>stand for. But if I had to root for anyone,

0:16:43.320 --> 0:16:44.840
<v Speaker 5>it definitely would would be Willa.

0:16:44.960 --> 0:16:46.400
<v Speaker 2>It would be Willa. Yeah.

0:16:46.440 --> 0:16:49.760
<v Speaker 1>I mean, it's interesting to watch this become the most

0:16:49.760 --> 0:16:53.240
<v Speaker 1>popular show on TV right now and to also know

0:16:53.320 --> 0:16:56.840
<v Speaker 1>that it is in some ways a critique of capitalism

0:16:56.920 --> 0:16:57.440
<v Speaker 1>and power.

0:16:57.800 --> 0:16:58.240
<v Speaker 2>But like.

0:17:00.080 --> 0:17:02.640
<v Speaker 1>All the kind of like eat the Rich media that's

0:17:02.640 --> 0:17:06.480
<v Speaker 1>been coming out, whether it's like The Menu, which, to

0:17:06.520 --> 0:17:10.720
<v Speaker 1>be honest thinking about it, didn't really love triangle sentence

0:17:10.800 --> 0:17:13.840
<v Speaker 1>is great. I think it was a perfect balance. White Lotus,

0:17:13.880 --> 0:17:16.919
<v Speaker 1>like all these other things following a kind of trend

0:17:17.240 --> 0:17:22.680
<v Speaker 1>are doing so with a very ham fisted execution, right,

0:17:22.760 --> 0:17:25.680
<v Speaker 1>Like they're really nitche like trying to nail down this

0:17:26.080 --> 0:17:29.080
<v Speaker 1>eat the Rich idea, and Succession doesn't do that. Like

0:17:29.560 --> 0:17:33.320
<v Speaker 1>it's subtle and it doesn't need to say what it

0:17:33.359 --> 0:17:36.000
<v Speaker 1>needs to say explicitly in order to get it to

0:17:36.080 --> 0:17:36.880
<v Speaker 1>message across.

0:17:37.400 --> 0:17:39.520
<v Speaker 2>And it's not necessarily.

0:17:39.000 --> 0:17:42.600
<v Speaker 1>Even telling you who's right and wrong, so to speak,

0:17:42.600 --> 0:17:46.399
<v Speaker 1>because obviously they're all wrong. I just yeah, the complexity

0:17:46.480 --> 0:17:48.320
<v Speaker 1>is like what we need. We don't need a message,

0:17:48.359 --> 0:17:50.960
<v Speaker 1>We need complication, and that's what I.

0:17:50.840 --> 0:17:52.679
<v Speaker 2>Love about the show absolutely.

0:17:52.920 --> 0:17:56.159
<v Speaker 1>Speaking of Survival, as you said earlier, h M, I

0:17:56.320 --> 0:17:58.840
<v Speaker 1>finally I had fallen off of not fallen off of

0:17:58.920 --> 0:18:01.159
<v Speaker 1>Yellow Jackets, but I like quite a few episodes rack

0:18:01.240 --> 0:18:03.840
<v Speaker 1>Up before I finally got caught up.

0:18:03.840 --> 0:18:04.640
<v Speaker 2>Are you all caught up?

0:18:04.720 --> 0:18:06.800
<v Speaker 5>I am all caught up. I've been in a similar

0:18:07.680 --> 0:18:13.680
<v Speaker 5>scenar as you. I will say that I think mostly

0:18:13.840 --> 0:18:17.000
<v Speaker 5>because of it being programmed on Friday nights, I just

0:18:17.080 --> 0:18:22.280
<v Speaker 5>haven't been driven to watch it as consistently as I

0:18:22.400 --> 0:18:25.840
<v Speaker 5>was in season one. Also, there's been it's had some

0:18:25.920 --> 0:18:29.840
<v Speaker 5>weeks recently where it hasn't aired, so I was kind

0:18:29.840 --> 0:18:36.959
<v Speaker 5>of confused about that. But this past week's episode was amazing,

0:18:37.480 --> 0:18:41.200
<v Speaker 5>and I do think I didn't realize it until the

0:18:41.359 --> 0:18:43.800
<v Speaker 5>very end of this week's episode when all of the

0:18:43.800 --> 0:18:45.919
<v Speaker 5>women were together that I think that has been the

0:18:45.960 --> 0:18:49.520
<v Speaker 5>problem for me with this season is that in the

0:18:49.720 --> 0:18:52.320
<v Speaker 5>present day storyline, the women have all been off doing

0:18:52.359 --> 0:18:54.760
<v Speaker 5>their own things, and last season I loved that they

0:18:54.760 --> 0:18:57.040
<v Speaker 5>were all together, and I think that's why it's been

0:18:57.160 --> 0:19:00.160
<v Speaker 5>a little slower for me. But this season, between when

0:19:00.320 --> 0:19:02.840
<v Speaker 5>Shauna giving birth in the past and the women's storylines

0:19:02.880 --> 0:19:04.520
<v Speaker 5>finally converging in the future.

0:19:05.160 --> 0:19:07.560
<v Speaker 2>I'm all in. I'm ready to like ride this thing

0:19:07.600 --> 0:19:11.159
<v Speaker 2>through till the end. The next episode's gonna be banger.

0:19:11.480 --> 0:19:15.560
<v Speaker 1>I have been like thinking so hard about what will

0:19:15.600 --> 0:19:20.480
<v Speaker 1>happen when future Shauna meets future Lottie, because, as we're

0:19:20.480 --> 0:19:24.320
<v Speaker 1>seeing more and more, their past relationship in the Wilderness

0:19:24.960 --> 0:19:27.960
<v Speaker 1>was so overwrought and it seems like they truly truly

0:19:28.000 --> 0:19:31.959
<v Speaker 1>hate each other, or at the very least have a

0:19:32.000 --> 0:19:34.600
<v Speaker 1>past that's like way more complicated than we've seen yet.

0:19:35.040 --> 0:19:39.480
<v Speaker 1>But Melanie Lynsky delivering her monologue in the kind of

0:19:39.560 --> 0:19:41.600
<v Speaker 1>interrogation room with the police.

0:19:42.200 --> 0:19:43.439
<v Speaker 2>Oh my god.

0:19:43.600 --> 0:19:46.440
<v Speaker 1>I think it was like maybe my favorite Melanie Linsky

0:19:46.640 --> 0:19:51.040
<v Speaker 1>performance since the series has started. Like it was like

0:19:51.240 --> 0:19:54.119
<v Speaker 1>she was on It felt like something that as an

0:19:54.160 --> 0:19:57.320
<v Speaker 1>actor she had really really worked on, Like it looked

0:19:57.320 --> 0:19:59.280
<v Speaker 1>like it took so much work, and yet it felt

0:19:59.280 --> 0:20:03.560
<v Speaker 1>completely natural, like there was no reason for her to

0:20:03.640 --> 0:20:07.800
<v Speaker 1>confess what she confessed, but it happened because of what.

0:20:07.600 --> 0:20:09.600
<v Speaker 2>Was happening with the character. It was just so good.

0:20:10.440 --> 0:20:14.159
<v Speaker 5>Also, young Shauna played by Sophia Elise I thought was

0:20:14.200 --> 0:20:18.640
<v Speaker 5>so incredible in this episode. You know, in the birthing

0:20:18.760 --> 0:20:21.640
<v Speaker 5>scene and then her what turned out to be fantasies

0:20:21.880 --> 0:20:24.640
<v Speaker 5>of her child surviving and then finding out the child

0:20:24.720 --> 0:20:25.359
<v Speaker 5>had died.

0:20:25.640 --> 0:20:26.880
<v Speaker 2>Just she was so good.

0:20:27.280 --> 0:20:34.040
<v Speaker 5>Jasmine Savoy Brown is incredible also, like I mean, just

0:20:34.160 --> 0:20:36.320
<v Speaker 5>really great acting across the board. Also, this was the

0:20:36.359 --> 0:20:40.119
<v Speaker 5>first time that I kind of liked Shauna's.

0:20:39.640 --> 0:20:44.480
<v Speaker 2>Daughter, Callie's like who I hate. But when she.

0:20:46.320 --> 0:20:49.800
<v Speaker 5>Told me the detective that the that the other cop

0:20:49.880 --> 0:20:52.520
<v Speaker 5>that she had sex with him, I was finally like, Okay,

0:20:52.560 --> 0:20:55.440
<v Speaker 5>you were like living up to, you know, your mother,

0:20:55.680 --> 0:20:58.480
<v Speaker 5>the example set by your mother in the worst way

0:20:58.520 --> 0:20:59.680
<v Speaker 5>possible but also the best way.

0:20:59.680 --> 0:21:02.520
<v Speaker 1>Poppas so smart. But also wait, so they didn't have

0:21:02.640 --> 0:21:03.479
<v Speaker 1>sex though, correct?

0:21:03.640 --> 0:21:05.439
<v Speaker 2>No, wow damn.

0:21:05.560 --> 0:21:08.840
<v Speaker 5>But I think the thing that she said about his balls,

0:21:08.880 --> 0:21:12.359
<v Speaker 5>Like I think he said something to her about his balls,

0:21:12.359 --> 0:21:13.280
<v Speaker 5>so that's why.

0:21:13.480 --> 0:21:19.840
<v Speaker 2>She knows that. Oh my god, I missed that. Okay, yeah, No.

0:21:20.359 --> 0:21:22.240
<v Speaker 1>This was also the first time that I liked the daughter,

0:21:22.280 --> 0:21:24.520
<v Speaker 1>and it was like a very and honestly you and

0:21:24.560 --> 0:21:27.040
<v Speaker 1>I called it like when we were complaining about her,

0:21:27.160 --> 0:21:30.359
<v Speaker 1>like in previous episodes, something that we both said is

0:21:30.400 --> 0:21:34.800
<v Speaker 1>just like she needs to either get on Melanie Lensky's

0:21:34.840 --> 0:21:38.520
<v Speaker 1>side and like help be an evil person or she needs.

0:21:38.359 --> 0:21:42.160
<v Speaker 2>To die, like it's one or the other. And look

0:21:42.359 --> 0:21:43.960
<v Speaker 2>here she is, she's showing up. Yeah.

0:21:44.000 --> 0:21:47.439
<v Speaker 5>I saw someone on Twitter saying that they fast forward

0:21:47.440 --> 0:21:50.280
<v Speaker 5>through all of the present day scenes and Yellow Jackets

0:21:50.320 --> 0:21:52.439
<v Speaker 5>and was like, why are you watching this show?

0:21:52.680 --> 0:21:55.800
<v Speaker 1>I mean, look, I would love to watch the show

0:21:56.400 --> 0:21:58.720
<v Speaker 1>just with the wilderness scenes, Like, yes, I would watch

0:21:58.720 --> 0:22:00.720
<v Speaker 1>that version of the show, but I I don't know

0:22:00.760 --> 0:22:03.119
<v Speaker 1>how it would make sense if you're skipping all the

0:22:03.160 --> 0:22:06.080
<v Speaker 1>other stuff, which I think enriches the story, you know.

0:22:06.200 --> 0:22:13.600
<v Speaker 5>Yeah, especially in this episode because Shanna her confession at

0:22:13.600 --> 0:22:17.320
<v Speaker 5>the police station is so unearned if you're not seeing

0:22:17.400 --> 0:22:20.400
<v Speaker 5>what happened when she was giving birth in the past

0:22:21.920 --> 0:22:27.320
<v Speaker 5>and vice versa, like, it's not as devastating if you're

0:22:27.359 --> 0:22:31.960
<v Speaker 5>not seeing how it ended up. So yeah, something that

0:22:32.000 --> 0:22:37.320
<v Speaker 5>we're also seeing in the future montages is this further

0:22:37.800 --> 0:22:41.680
<v Speaker 5>investigation of the supernatural elements of the show. And last

0:22:41.720 --> 0:22:44.959
<v Speaker 5>time we talked about Yellowjackets, you had basically said that

0:22:45.040 --> 0:22:48.600
<v Speaker 5>you're still not convinced that Lottie's magic or that there's

0:22:48.680 --> 0:22:51.760
<v Speaker 5>kind of magic going on. But in this most recent episode,

0:22:52.640 --> 0:22:55.800
<v Speaker 5>in the therapy scene with Lottie, we got like a

0:22:55.840 --> 0:22:59.239
<v Speaker 5>lot more information about around what quote unquote it is

0:22:59.440 --> 0:23:02.919
<v Speaker 5>and this kind of demon ghost that is purported to

0:23:03.000 --> 0:23:06.320
<v Speaker 5>be inhabiting some of these girls and making their lives worse. Like,

0:23:06.920 --> 0:23:09.520
<v Speaker 5>what's your thinking since we are, you know, a Byelo

0:23:09.600 --> 0:23:12.320
<v Speaker 5>Jackets Conspiracy Theory podcast, what's some of your kind of

0:23:12.320 --> 0:23:12.879
<v Speaker 5>thinking on that?

0:23:12.960 --> 0:23:13.200
<v Speaker 2>Now?

0:23:13.680 --> 0:23:17.000
<v Speaker 5>Well, what I liked in that therapy session that Lottie

0:23:17.080 --> 0:23:19.880
<v Speaker 5>has is she's saying she.

0:23:22.000 --> 0:23:23.240
<v Speaker 2>Kind of needed.

0:23:22.920 --> 0:23:26.479
<v Speaker 5>It to be part of her delusion because then it

0:23:26.560 --> 0:23:30.439
<v Speaker 5>wasn't real, and now she is questioning whether she like

0:23:30.560 --> 0:23:34.080
<v Speaker 5>actually is crazy and maybe it was real. It really

0:23:34.119 --> 0:23:37.719
<v Speaker 5>has kind of solidified for me this season that I

0:23:37.800 --> 0:23:40.800
<v Speaker 5>really don't want there to be something supernatural going on.

0:23:41.200 --> 0:23:45.240
<v Speaker 5>I think it's much more interesting if it's all just

0:23:45.480 --> 0:23:48.360
<v Speaker 5>reality and this is about these people who a really

0:23:48.440 --> 0:23:50.760
<v Speaker 5>fucked up thing happened to and they're just dealing with

0:23:51.160 --> 0:23:51.959
<v Speaker 5>a lot of trauma.

0:23:52.040 --> 0:23:54.159
<v Speaker 2>They're all fucked up. I think.

0:23:55.400 --> 0:23:59.119
<v Speaker 5>The show really wants to have it both ways a

0:23:59.119 --> 0:24:03.480
<v Speaker 5>little and wants to keep us guessing, and I don't

0:24:03.520 --> 0:24:06.800
<v Speaker 5>think they can do that forever. Yeah, at some point

0:24:06.800 --> 0:24:10.760
<v Speaker 5>they're going to have to commit either way, And like

0:24:10.960 --> 0:24:13.200
<v Speaker 5>I think I will be slightly disappointed if there's a

0:24:13.240 --> 0:24:16.240
<v Speaker 5>supernatural thing going on, but at least I'll like be

0:24:16.320 --> 0:24:20.200
<v Speaker 5>happy to know, rather than them trying to keep us guessing.

0:24:20.240 --> 0:24:22.280
<v Speaker 5>I don't think that's sustainable. Yeah, what do you think?

0:24:22.720 --> 0:24:22.800
<v Speaker 2>No?

0:24:23.160 --> 0:24:26.520
<v Speaker 1>I kind of agree with that. It does mix up

0:24:26.680 --> 0:24:29.520
<v Speaker 1>the genre quite a bit. I mean, supernatural stuff has

0:24:29.600 --> 0:24:32.679
<v Speaker 1>kind of been here since season one, but it's not

0:24:33.080 --> 0:24:36.520
<v Speaker 1>necessarily the show I wanted to see, the show you

0:24:36.560 --> 0:24:39.280
<v Speaker 1>wanted to see. But I'm appreciative of how it's like

0:24:39.440 --> 0:24:43.119
<v Speaker 1>coming down, like it's moving the action forward, and I

0:24:43.119 --> 0:24:46.520
<v Speaker 1>don't mind that. Are you watching the other two? Because

0:24:46.560 --> 0:24:49.200
<v Speaker 1>there's a kind of a tonal disstonance. I was catching

0:24:49.280 --> 0:24:51.600
<v Speaker 1>up on the other two, which just released new episodes.

0:24:51.800 --> 0:24:54.440
<v Speaker 1>I'm sure a lot of virgins watch this like now

0:24:54.480 --> 0:24:56.920
<v Speaker 1>on HBO show that used to be on Comedy Central.

0:24:57.200 --> 0:25:00.199
<v Speaker 1>Show about a gay guy and a sister who has

0:25:00.280 --> 0:25:03.280
<v Speaker 1>a brother, a Justin Bieber esque brother that blows up

0:25:03.320 --> 0:25:06.920
<v Speaker 1>in popularity. The show's very funny, but I'm frustrated now

0:25:06.960 --> 0:25:10.280
<v Speaker 1>because the show wants to be a pie in the

0:25:10.320 --> 0:25:15.320
<v Speaker 1>sky absurdist comedy, like the most absolutely deranged things that

0:25:15.320 --> 0:25:17.240
<v Speaker 1>would never happen in real life. Happening in the show,

0:25:17.280 --> 0:25:21.280
<v Speaker 1>which I love very like broad City esque, but also

0:25:21.800 --> 0:25:26.639
<v Speaker 1>it's now and it's third season, really writing emotional realism,

0:25:26.920 --> 0:25:33.880
<v Speaker 1>like it wants to have serious conversations and like emotional

0:25:34.400 --> 0:25:37.520
<v Speaker 1>like you know, diatribes about like what these characters going through.

0:25:37.520 --> 0:25:39.400
<v Speaker 1>And I was like, I was like, I can take

0:25:39.400 --> 0:25:42.439
<v Speaker 1>a comedy with heart, but not this, like all of

0:25:42.440 --> 0:25:43.679
<v Speaker 1>a sudden, it's trying.

0:25:43.400 --> 0:25:46.320
<v Speaker 2>To be a drama, like truly a drama.

0:25:47.040 --> 0:25:50.600
<v Speaker 5>Yeah, well, dramedies have been so in vogue in the

0:25:50.640 --> 0:25:53.600
<v Speaker 5>past years, and like I've never watched the other two,

0:25:53.680 --> 0:25:56.280
<v Speaker 5>so I can't really speak to that, but I do

0:25:56.359 --> 0:26:02.719
<v Speaker 5>think to introduce that element season in h is off putting.

0:26:02.840 --> 0:26:04.520
<v Speaker 5>If that's if that's the kind of show you're going

0:26:04.560 --> 0:26:05.879
<v Speaker 5>to be, that's the kind of show you're going to be.

0:26:05.920 --> 0:26:07.320
<v Speaker 5>But I think it kind of has to be in

0:26:07.400 --> 0:26:10.240
<v Speaker 5>the DNA of your show from the beginning. Well, I

0:26:10.280 --> 0:26:12.000
<v Speaker 5>just wanted to get that off my chest, because I did.

0:26:12.080 --> 0:26:14.000
<v Speaker 5>I did watch it this week. Thank you for getting

0:26:14.119 --> 0:26:17.040
<v Speaker 5>off your breasts and dress. I think since we're talking,

0:26:17.040 --> 0:26:18.960
<v Speaker 5>we've been talking about TV, we should say that we

0:26:19.000 --> 0:26:23.920
<v Speaker 5>stand in solidarity with the writer's Gil absolutely and WGA

0:26:24.119 --> 0:26:25.240
<v Speaker 5>strong even though.

0:26:25.040 --> 0:26:26.040
<v Speaker 2>Neither of us are in it.

0:26:26.280 --> 0:26:27.920
<v Speaker 1>Not neither of us are in it, but we did

0:26:27.920 --> 0:26:32.040
<v Speaker 1>post an amazing Nicole Kiinman meme on the feed in

0:26:32.080 --> 0:26:33.760
<v Speaker 1>solidarity with the writers strikes.

0:26:33.840 --> 0:26:37.560
<v Speaker 5>Yes, give those girlies what they would deserve. Well, we

0:26:37.680 --> 0:26:42.000
<v Speaker 5>have a very exciting guest today, Tommy Dorfman, who is

0:26:42.200 --> 0:26:49.119
<v Speaker 5>an actress, IT girl director soon to be, so she

0:26:49.280 --> 0:26:52.960
<v Speaker 5>is here to talk about Spring Awakening, which, if you

0:26:53.240 --> 0:26:58.440
<v Speaker 5>aren't familiar, is a musical based on a German play

0:26:58.520 --> 0:27:01.119
<v Speaker 5>of the same name that's all about teens in the

0:27:01.320 --> 0:27:08.000
<v Speaker 5>old he Haw Germany discovering their sexuality, my sexuality, as

0:27:08.080 --> 0:27:12.639
<v Speaker 5>Jenna Moroni would say. It was famously on Broadway, originated

0:27:12.680 --> 0:27:16.080
<v Speaker 5>by the likes of Liam Michelle and Jonathan Groff. I

0:27:16.320 --> 0:27:21.120
<v Speaker 5>saw it many times in its original run, and both

0:27:21.119 --> 0:27:23.840
<v Speaker 5>of us are very familiar with the soundtrack. We also

0:27:24.080 --> 0:27:27.600
<v Speaker 5>went on a couple of tangents about things like friends

0:27:28.119 --> 0:27:30.000
<v Speaker 5>and I don't know, some other stuff. It's been a

0:27:30.000 --> 0:27:33.119
<v Speaker 5>while since we recorded the episode, but Alexa play Mama

0:27:33.119 --> 0:27:36.600
<v Speaker 5>who Bore Me by Liam Michelle. Now she's actually doing it,

0:27:36.640 --> 0:27:41.679
<v Speaker 5>Alexa stop.

0:27:56.720 --> 0:27:59.920
<v Speaker 4>There was like a brief overlap of Spring Awakening musical.

0:28:00.359 --> 0:28:04.639
<v Speaker 3>The bunke Ching musical og Lea Michelle Broadway cast and

0:28:05.000 --> 0:28:07.800
<v Speaker 3>I think Friends still being maybe on air.

0:28:08.240 --> 0:28:11.320
<v Speaker 5>Because what year did Friends? I think it ended when

0:28:11.560 --> 0:28:15.560
<v Speaker 5>I was still in high school. And I saw the

0:28:15.640 --> 0:28:19.320
<v Speaker 5>original run of Spring Awakening off Broadway this summer before

0:28:19.320 --> 0:28:20.000
<v Speaker 5>I went to college.

0:28:20.040 --> 0:28:24.080
<v Speaker 2>So summer of two thousand and six. Wow. Original Yeah,

0:28:24.160 --> 0:28:26.080
<v Speaker 2>Lea Michelle sat next to me on stage.

0:28:26.240 --> 0:28:29.720
<v Speaker 1>Oh, because that was the station where like folks were

0:28:29.760 --> 0:28:30.359
<v Speaker 1>on stage.

0:28:30.520 --> 0:28:32.040
<v Speaker 2>I mean they did that on Broadway too, but it

0:28:32.040 --> 0:28:33.040
<v Speaker 2>was a little more intimate.

0:28:33.240 --> 0:28:37.280
<v Speaker 4>Yeah, I think at which theater the Atlantic? Oh slive

0:28:37.480 --> 0:28:38.440
<v Speaker 4>off Broadway work.

0:28:38.640 --> 0:28:40.120
<v Speaker 3>No, the first time I saw Spring Working was on

0:28:40.200 --> 0:28:45.080
<v Speaker 3>tour at the Fox Theater in Atlanta, Georgia in high school.

0:28:46.240 --> 0:28:49.760
<v Speaker 2>And were you a musical theater? I was gurly, of course, yeah, yeah,

0:28:49.840 --> 0:28:51.240
<v Speaker 2>that tracks. And how old were you?

0:28:51.680 --> 0:28:53.680
<v Speaker 4>I think I was a sophomore.

0:28:54.120 --> 0:28:55.040
<v Speaker 2>How old were you rose?

0:28:55.200 --> 0:28:56.880
<v Speaker 5>It was the summer before I went to college. My

0:28:56.880 --> 0:28:59.360
<v Speaker 5>friends and I all went on a trip together to

0:28:59.400 --> 0:29:02.800
<v Speaker 5>New York City the summer before we went to college,

0:29:02.800 --> 0:29:04.440
<v Speaker 5>and I was going to college in New York, so

0:29:04.440 --> 0:29:07.600
<v Speaker 5>it was more like a preview for me, and we

0:29:07.640 --> 0:29:10.600
<v Speaker 5>saw Spring Awakening. So one of us had heard about it.

0:29:10.600 --> 0:29:13.560
<v Speaker 5>It was kind of getting buzzy, and we saw it

0:29:13.600 --> 0:29:16.800
<v Speaker 5>off Broadway and I was gagged. I was like, this

0:29:16.880 --> 0:29:19.920
<v Speaker 5>is this is it? Because up until up until then,

0:29:19.960 --> 0:29:24.280
<v Speaker 5>I had only seen kind of the big musicals, right,

0:29:24.800 --> 0:29:27.800
<v Speaker 5>and this was I didn't know that a musical could.

0:29:27.600 --> 0:29:28.280
<v Speaker 2>Be like this.

0:29:28.800 --> 0:29:29.000
<v Speaker 4>Yeah.

0:29:29.040 --> 0:29:31.160
<v Speaker 3>No, I feel that way too, although I had seen

0:29:31.200 --> 0:29:34.040
<v Speaker 3>a touring production of Rent, which I guess was like.

0:29:36.280 --> 0:29:36.960
<v Speaker 2>In a lot of ways.

0:29:36.960 --> 0:29:39.880
<v Speaker 3>But I think, like for Spring Awakening, I came at

0:29:39.880 --> 0:29:46.720
<v Speaker 3>it having drowned myself in the soundtrack. So I remember

0:29:46.760 --> 0:29:50.160
<v Speaker 3>going to see it and knowing every single like word harmony.

0:29:50.200 --> 0:29:52.120
<v Speaker 3>We sang song of Purple Summer. At high school graduation

0:29:52.120 --> 0:29:54.760
<v Speaker 3>a couple of years later, we would do these musical

0:29:54.760 --> 0:29:57.960
<v Speaker 3>reviews that were student directed, and.

0:29:57.680 --> 0:29:59.040
<v Speaker 2>Everybody picked Spring Awakening.

0:29:59.480 --> 0:30:01.640
<v Speaker 3>Well, we would we would do like songs from different

0:30:01.720 --> 0:30:05.320
<v Speaker 3>musicals and then like weave them together in some very

0:30:05.400 --> 0:30:06.240
<v Speaker 3>unfashionable way.

0:30:06.880 --> 0:30:10.840
<v Speaker 5>It's actually so good that Spring Awakening didn't come out

0:30:10.920 --> 0:30:13.360
<v Speaker 5>until after I was out of high school. Otherwise I

0:30:13.360 --> 0:30:17.160
<v Speaker 5>would have been insufferable. Every theater competition would have been

0:30:17.240 --> 0:30:19.600
<v Speaker 5>a bitch of living. As I'm sure it was.

0:30:20.200 --> 0:30:23.600
<v Speaker 3>After I graduated, I still would sorry, like in college

0:30:23.760 --> 0:30:24.960
<v Speaker 3>sing some Spring Awakening.

0:30:25.200 --> 0:30:25.400
<v Speaker 2>Yeah.

0:30:25.400 --> 0:30:28.760
<v Speaker 1>Spring Awakening I think is like responsible for a generation

0:30:28.920 --> 0:30:32.560
<v Speaker 1>of insufferable adolescence for sure, I certainly.

0:30:32.320 --> 0:30:34.360
<v Speaker 2>I feel like so I saw it in high school

0:30:34.360 --> 0:30:34.680
<v Speaker 2>as well.

0:30:34.720 --> 0:30:37.560
<v Speaker 1>I had one of my friends in my like group

0:30:37.760 --> 0:30:40.800
<v Speaker 1>was like very wealthy and took like her whole friend

0:30:40.800 --> 0:30:42.720
<v Speaker 1>group to see Spring Awakening for her birthday.

0:30:43.000 --> 0:30:44.280
<v Speaker 2>Wow, And I was.

0:30:44.320 --> 0:30:48.200
<v Speaker 5>Like, yeah, flu they got flued out.

0:30:48.400 --> 0:30:51.120
<v Speaker 1>No, actually it was it was the traveling. It was

0:30:51.160 --> 0:30:52.680
<v Speaker 1>the traveling. It was the touring production.

0:30:52.800 --> 0:30:54.000
<v Speaker 4>It was the traveling circus.

0:30:54.720 --> 0:30:57.640
<v Speaker 1>Yes, and it was in Chicago, So yeah, it was.

0:30:57.680 --> 0:31:00.240
<v Speaker 1>I remember just being like fully, I mean, we all

0:31:00.240 --> 0:31:02.080
<v Speaker 1>were listening to the soundtrack just as you were, like,

0:31:02.160 --> 0:31:04.160
<v Speaker 1>all the way like up to the performance.

0:31:04.200 --> 0:31:06.240
<v Speaker 2>So by the time we were there were like screaming.

0:31:06.440 --> 0:31:08.440
<v Speaker 5>Okay, So of the three of us, I'm the only

0:31:08.440 --> 0:31:10.880
<v Speaker 5>one who seen Jonathan Groff spit on Leah.

0:31:10.720 --> 0:31:16.040
<v Speaker 4>Michelle in person, did you guys?

0:31:17.040 --> 0:31:20.560
<v Speaker 5>Context, So why why did Spring Wakening sort of you know,

0:31:20.840 --> 0:31:21.920
<v Speaker 5>catch your imagination?

0:31:22.320 --> 0:31:26.760
<v Speaker 3>I think the sheer fagotry of it and being like

0:31:26.920 --> 0:31:30.480
<v Speaker 3>a self harm teenage drug addict, like all of those

0:31:30.520 --> 0:31:35.200
<v Speaker 3>things wrapped up in a little black silk dystopian.

0:31:34.920 --> 0:31:36.800
<v Speaker 4>Bow for me.

0:31:37.360 --> 0:31:40.680
<v Speaker 3>I also my entry point into it was like a

0:31:40.680 --> 0:31:43.160
<v Speaker 3>boy I had a crush on who was a couple

0:31:43.160 --> 0:31:45.160
<v Speaker 3>of years older than me, was going to Northwestern and

0:31:45.200 --> 0:31:47.000
<v Speaker 3>he was like, do you know this musical?

0:31:49.040 --> 0:31:50.880
<v Speaker 2>And you were like, yeah, of course I know. Yeah

0:31:50.960 --> 0:31:51.400
<v Speaker 2>I would.

0:31:51.520 --> 0:31:53.760
<v Speaker 3>I still to this day will say if I don't

0:31:53.760 --> 0:31:55.760
<v Speaker 3>know something, but I will learn it. Yeah, I will

0:31:55.840 --> 0:32:00.360
<v Speaker 3>learn it expediently. At the time for Dick, yeah white

0:32:00.400 --> 0:32:02.400
<v Speaker 3>lie occasion.

0:32:02.080 --> 0:32:02.680
<v Speaker 2>No, I didn't lie.

0:32:02.720 --> 0:32:04.040
<v Speaker 3>I said I didn't know it, but then I learned

0:32:04.080 --> 0:32:06.400
<v Speaker 3>it immediately, and I was like, yes, okay, I'm on this.

0:32:06.520 --> 0:32:07.760
<v Speaker 4>I'm on the same page as you.

0:32:07.920 --> 0:32:10.920
<v Speaker 3>He was named after a vegetable I won't say which one,

0:32:10.920 --> 0:32:13.560
<v Speaker 3>which I always thought was weird rude beiga, but before

0:32:13.560 --> 0:32:16.400
<v Speaker 3>the vegetable became really popular rise.

0:32:16.240 --> 0:32:20.200
<v Speaker 2>Tail, so Russell sprouts.

0:32:21.560 --> 0:32:24.280
<v Speaker 4>I know. I think I think all of those things.

0:32:24.320 --> 0:32:28.880
<v Speaker 3>I think, like any musical opening with like boobies was

0:32:28.920 --> 0:32:32.080
<v Speaker 3>so exciting to be as a kid, and just the

0:32:32.080 --> 0:32:37.360
<v Speaker 3>sexualization of that particular story and just the feeling. I

0:32:38.000 --> 0:32:42.720
<v Speaker 3>think I can't imagine a queer person of our generation

0:32:43.000 --> 0:32:48.200
<v Speaker 3>who wouldn't have been obsessed with Spring Awakening in some capacity.

0:32:48.560 --> 0:32:49.400
<v Speaker 2>You're very right.

0:32:49.480 --> 0:32:55.560
<v Speaker 5>And also I think is this litmus test within musical

0:32:55.600 --> 0:32:58.160
<v Speaker 5>theater of like are you a cool musical theater nerd

0:32:58.200 --> 0:33:00.320
<v Speaker 5>or are you a nerd musical theater right, because it

0:33:00.880 --> 0:33:06.520
<v Speaker 5>made like uncool theater kids feel like we had rock stars. True.

0:33:07.080 --> 0:33:11.360
<v Speaker 4>Yeah, were you a theater kid? Girl? Yeah?

0:33:11.440 --> 0:33:12.560
<v Speaker 2>I was. We are.

0:33:12.640 --> 0:33:15.280
<v Speaker 1>Our high school was, like, I had a very robust

0:33:15.400 --> 0:33:18.680
<v Speaker 1>theater program. We did twelve shows a year, so many,

0:33:18.760 --> 0:33:19.760
<v Speaker 1>way too many.

0:33:19.840 --> 0:33:22.800
<v Speaker 2>And that is like the school year summer stock we.

0:33:22.720 --> 0:33:24.960
<v Speaker 3>Did too, It was we did too. We did we

0:33:25.000 --> 0:33:27.640
<v Speaker 3>did to main stage production. Yeah, like no, we just

0:33:27.680 --> 0:33:28.520
<v Speaker 3>had one main stage.

0:33:28.520 --> 0:33:30.040
<v Speaker 4>But I went to a really small school.

0:33:30.520 --> 0:33:32.920
<v Speaker 1>I went to a big public school and we had

0:33:32.960 --> 0:33:35.800
<v Speaker 1>a big theater program. And so I you know, became

0:33:35.840 --> 0:33:38.520
<v Speaker 1>a workaholic at a high school age and was working

0:33:38.560 --> 0:33:41.240
<v Speaker 1>on multiple productions at a time during my school year,

0:33:41.360 --> 0:33:44.280
<v Speaker 1>like whether that was like assistant directing or like stage

0:33:44.280 --> 0:33:46.040
<v Speaker 1>managing or being a part of the crew or whatever.

0:33:46.720 --> 0:33:49.840
<v Speaker 1>Doing social yeah, doing doing yeah, so doing social media management,

0:33:50.360 --> 0:33:52.640
<v Speaker 1>spring and waginning. I think it's just like there's something

0:33:52.680 --> 0:33:54.560
<v Speaker 1>about it that I like, I was listening to it

0:33:54.600 --> 0:33:57.040
<v Speaker 1>again this morning. I hadn't listened to it in Ages,

0:33:57.680 --> 0:34:01.880
<v Speaker 1>and I was like, it just is it perfectly encapsulates

0:34:01.960 --> 0:34:04.920
<v Speaker 1>all this angst that we wanted to channel when we

0:34:04.920 --> 0:34:08.440
<v Speaker 1>were like fifteen sixteen, I know, like the characters I

0:34:08.440 --> 0:34:11.440
<v Speaker 1>think are like fourteen in the original play. Leah Michelle

0:34:11.480 --> 0:34:14.520
<v Speaker 1>was fourteen when she started workshopping this. Yeah, which is

0:34:14.600 --> 0:34:15.440
<v Speaker 1>Kuckoo Bananas.

0:34:15.640 --> 0:34:18.040
<v Speaker 2>She's too young, Yeah, very young, but.

0:34:17.960 --> 0:34:19.280
<v Speaker 4>She was very, very perfect.

0:34:19.320 --> 0:34:22.839
<v Speaker 1>And I think Leah and Jonathan Groff were like two

0:34:22.840 --> 0:34:25.920
<v Speaker 1>of the most prevalent voices of that generation of Broadway

0:34:26.040 --> 0:34:26.839
<v Speaker 1>and so but.

0:34:26.880 --> 0:34:30.120
<v Speaker 3>Also like perfectly streamlined into the Glee obsession of my

0:34:30.200 --> 0:34:30.800
<v Speaker 3>high school.

0:34:31.239 --> 0:34:33.080
<v Speaker 2>Oh you're a gleek. I was a gleek.

0:34:33.239 --> 0:34:34.680
<v Speaker 3>Of course I was a gleek. Of course I was

0:34:34.680 --> 0:34:40.839
<v Speaker 3>a gleek. And I think just the shared history and

0:34:42.040 --> 0:34:45.919
<v Speaker 3>admiration of both of those things, and like knowing where

0:34:45.960 --> 0:34:47.520
<v Speaker 3>Leah Michelle came from.

0:34:47.560 --> 0:34:49.560
<v Speaker 4>Was sort of like a cool card to play, right.

0:34:51.320 --> 0:34:53.359
<v Speaker 3>Watching that audition over and over and over again where

0:34:53.400 --> 0:34:55.800
<v Speaker 3>she like slaps the producer of Glee in the face

0:34:55.840 --> 0:34:57.239
<v Speaker 3>when she's auditioning for Rachel Barry.

0:34:57.239 --> 0:34:59.560
<v Speaker 4>Have you seen this? No, please watch this later, Please

0:34:59.680 --> 0:35:00.839
<v Speaker 4>somebody describe it.

0:35:01.000 --> 0:35:06.040
<v Speaker 3>Okay, Leah Michelle is doing on my own, Okay, this

0:35:06.160 --> 0:35:10.160
<v Speaker 3>is a song. And then she's doing a scene with

0:35:10.800 --> 0:35:12.600
<v Speaker 3>what I think would have been like, yeah, the late

0:35:12.719 --> 0:35:16.680
<v Speaker 3>great Coreymntee's character, but she it's like a chemistry. Read

0:35:16.920 --> 0:35:19.319
<v Speaker 3>the story goes that on her way to this like

0:35:19.440 --> 0:35:22.320
<v Speaker 3>final audition for Glee, she got into a car accident

0:35:22.360 --> 0:35:24.520
<v Speaker 3>and there was a glass still in her hair and

0:35:24.560 --> 0:35:27.040
<v Speaker 3>like in her body and face when she showed up,

0:35:27.600 --> 0:35:30.680
<v Speaker 3>didn't tell anybody, and then like away through the scene.

0:35:30.719 --> 0:35:35.080
<v Speaker 3>In the scene, she slaps Corey in the face and

0:35:35.120 --> 0:35:37.960
<v Speaker 3>she walks past camera and you just hear her go

0:35:39.120 --> 0:35:41.640
<v Speaker 3>to whoever's reading with her, and the whole room like

0:35:41.840 --> 0:35:44.640
<v Speaker 3>erupted in laughter. And then she she iconically is like

0:35:45.120 --> 0:35:49.480
<v Speaker 3>that wasn't supposed to be funny, funny, but it was

0:35:49.600 --> 0:35:55.160
<v Speaker 3>very Rachel, Barry, Lea, Michelle merging together as one. I

0:35:55.200 --> 0:35:57.879
<v Speaker 3>also think it's really crazy that like she ever had

0:35:57.920 --> 0:35:59.920
<v Speaker 3>to audition for this. I understand it, I guess, but

0:36:00.160 --> 0:36:02.160
<v Speaker 3>it felt so clear to me that like Ryan Murphy

0:36:02.200 --> 0:36:06.800
<v Speaker 3>had written this part for her, and like has always

0:36:06.800 --> 0:36:09.319
<v Speaker 3>been inspired by Broadway and like finding ways to bring

0:36:09.360 --> 0:36:11.800
<v Speaker 3>the theater into like film and television.

0:36:11.280 --> 0:36:12.040
<v Speaker 2>For better or worse.

0:36:12.480 --> 0:36:14.800
<v Speaker 4>And I also remember.

0:36:14.600 --> 0:36:16.919
<v Speaker 3>That pilot just being like one of the best still

0:36:16.960 --> 0:36:19.680
<v Speaker 3>I think, like one of the best TV pilots.

0:36:19.280 --> 0:36:21.319
<v Speaker 2>Of all time. It's an incredible I used to have.

0:36:21.440 --> 0:36:23.120
<v Speaker 4>It was supposed to not be a network show.

0:36:23.200 --> 0:36:25.200
<v Speaker 3>I think it was like an FX show originally or something,

0:36:25.200 --> 0:36:26.480
<v Speaker 3>so it was cable and it was supposed to be

0:36:26.560 --> 0:36:27.120
<v Speaker 3>much darker.

0:36:27.880 --> 0:36:30.239
<v Speaker 5>I would have liked the darker version because I think

0:36:30.520 --> 0:36:33.400
<v Speaker 5>I think that's what that's what hooked me right at

0:36:33.400 --> 0:36:35.840
<v Speaker 5>the beginning. It was a very different show than what

0:36:35.920 --> 0:36:39.480
<v Speaker 5>it eventually became, and I really liked that first season

0:36:39.680 --> 0:36:42.200
<v Speaker 5>and then when it started being about like bullying and

0:36:42.480 --> 0:36:42.839
<v Speaker 5>then I.

0:36:42.920 --> 0:36:45.839
<v Speaker 3>School shooting by oh my god, I forgot about that

0:36:46.840 --> 0:36:47.520
<v Speaker 3>school shooting.

0:36:47.680 --> 0:36:50.920
<v Speaker 1>Yes in the Glee and season two or three. Yeah,

0:36:51.000 --> 0:36:53.680
<v Speaker 1>And that was the same thing with Pose too. It's

0:36:53.760 --> 0:36:56.520
<v Speaker 1>like when Ryan got the script, the pilot that Steve

0:36:56.719 --> 0:37:00.359
<v Speaker 1>had written was like dark and angsty and like did

0:37:00.360 --> 0:37:02.480
<v Speaker 1>not leave a lot of hope. And I think that

0:37:02.520 --> 0:37:05.839
<v Speaker 1>like Ryan is really like attracted to that like dichotomy

0:37:05.840 --> 0:37:08.840
<v Speaker 1>of something that's like dark and angsty but like still

0:37:08.920 --> 0:37:11.640
<v Speaker 1>has this like campy levity to it. And so that's

0:37:11.719 --> 0:37:14.279
<v Speaker 1>why I pose is you know, they they rewrote it

0:37:14.320 --> 0:37:17.200
<v Speaker 1>obviously over and over again, as you do with every pilot.

0:37:17.920 --> 0:37:21.200
<v Speaker 1>But yeah, I feel like, so I don't know what

0:37:21.239 --> 0:37:22.800
<v Speaker 1>you know. If you know this about me, tell me.

0:37:22.840 --> 0:37:24.960
<v Speaker 1>But I grew up super religious. I was like in

0:37:25.000 --> 0:37:28.440
<v Speaker 1>a super duper sheltered like family. Every one of the ever,

0:37:28.600 --> 0:37:30.279
<v Speaker 1>all the virgins at home are like, yes, yes, we

0:37:30.360 --> 0:37:32.480
<v Speaker 1>know Fran, like they've heard the story over and over again.

0:37:32.760 --> 0:37:36.480
<v Speaker 1>But like that what there was not a more perfect

0:37:36.600 --> 0:37:39.359
<v Speaker 1>musical to like comment too my periphery at the time

0:37:39.400 --> 0:37:41.719
<v Speaker 1>in my life where I was like, oh, I don't

0:37:41.719 --> 0:37:43.160
<v Speaker 1>think I believe in God anymore.

0:37:43.600 --> 0:37:47.360
<v Speaker 2>And that's literally exactly like I was probably like sixteen.

0:37:47.920 --> 0:37:51.879
<v Speaker 4>So so to sum it up spring awakening major an atheists, you.

0:37:51.880 --> 0:37:53.719
<v Speaker 2>Know, I had read I had to read God is

0:37:53.760 --> 0:37:54.520
<v Speaker 2>totally fucked.

0:37:54.600 --> 0:37:57.399
<v Speaker 1>I was on the cusp of atheism at the time.

0:37:57.480 --> 0:37:59.600
<v Speaker 1>I think I still kind of had a light belief

0:37:59.680 --> 0:38:02.520
<v Speaker 1>in God that was like wavering. And at the time

0:38:02.600 --> 0:38:06.239
<v Speaker 1>I was also experiencing high school relationship, like a cooi

0:38:06.480 --> 0:38:10.279
<v Speaker 1>relationship with a boy in my school, and it was

0:38:10.320 --> 0:38:12.880
<v Speaker 1>so everything about it felt hidden. It felt like something

0:38:12.920 --> 0:38:16.600
<v Speaker 1>that you know, was at odds with you know, my family,

0:38:16.640 --> 0:38:20.480
<v Speaker 1>with my belief systems and like this show like really

0:38:20.600 --> 0:38:23.400
<v Speaker 1>encapsulated everything that I was feeling, even though it's like

0:38:23.520 --> 0:38:27.520
<v Speaker 1>obviously it's so stupid to think about like high schoolers

0:38:27.560 --> 0:38:29.839
<v Speaker 1>trying to relate to something that's like so extreme and

0:38:29.880 --> 0:38:32.319
<v Speaker 1>so dark, but it is kind of like Skins or

0:38:32.520 --> 0:38:35.000
<v Speaker 1>you know, like all these it.

0:38:34.880 --> 0:38:38.839
<v Speaker 3>Is the teenage experience like totally, and there's also something

0:38:38.880 --> 0:38:41.160
<v Speaker 3>really like private about it because it was like we

0:38:41.200 --> 0:38:43.400
<v Speaker 3>had iPods or a version of we had like MB

0:38:43.480 --> 0:38:46.280
<v Speaker 3>three priors with most kids that like of our generation

0:38:46.520 --> 0:38:49.040
<v Speaker 3>had some access to a laptop or like a computer

0:38:49.600 --> 0:38:53.080
<v Speaker 3>with some private time, and I remember like it felt

0:38:53.719 --> 0:38:57.640
<v Speaker 3>like a shared secret or something like it wasn't supposed

0:38:57.680 --> 0:39:00.239
<v Speaker 3>to necessarily. I mean I grew very differently in a

0:39:00.320 --> 0:39:02.239
<v Speaker 3>household that was like incredibly I.

0:39:02.200 --> 0:39:06.719
<v Speaker 4>Would say, like like two funerals. So I remember when

0:39:06.719 --> 0:39:07.239
<v Speaker 4>I went to see it.

0:39:07.239 --> 0:39:10.960
<v Speaker 3>I remember like getting drunk like with my friends, and

0:39:11.000 --> 0:39:13.960
<v Speaker 3>I think like my mom before seeing it or something like,

0:39:14.040 --> 0:39:17.400
<v Speaker 3>and I remember being like very very very tipsy in

0:39:17.480 --> 0:39:20.839
<v Speaker 3>the theater like in high school, but still like this

0:39:20.960 --> 0:39:25.160
<v Speaker 3>auditory exclusively like auditory experience of like having this music

0:39:25.200 --> 0:39:27.120
<v Speaker 3>to like lean back on and rely on and like

0:39:27.480 --> 0:39:31.160
<v Speaker 3>walk to school with or whatever felt really intimate.

0:39:31.800 --> 0:39:33.520
<v Speaker 2>Favorite song totally.

0:39:33.760 --> 0:39:36.880
<v Speaker 1>It was totally fucked for me, just because like just

0:39:37.120 --> 0:39:39.799
<v Speaker 1>like the everything that was like repressed about me, like

0:39:39.880 --> 0:39:42.319
<v Speaker 1>got let out in that song, you know what I mean.

0:39:42.400 --> 0:39:45.359
<v Speaker 1>Like we were We've talked before about like when during

0:39:45.360 --> 0:39:47.359
<v Speaker 1>the Panic of the disco era, where like you know,

0:39:47.560 --> 0:39:50.880
<v Speaker 1>we as high school high schoolers, us as like teenagers,

0:39:50.880 --> 0:39:54.160
<v Speaker 1>we were like waiting for the moment to say like harror,

0:39:54.480 --> 0:39:56.560
<v Speaker 1>you know, just scream hohorror along with the song. And

0:39:56.600 --> 0:39:59.560
<v Speaker 1>with this it was like, of course we're all like waiting, waiting,

0:39:59.560 --> 0:40:02.480
<v Speaker 1>waiting to say totally fucked, you know what I mean,

0:40:02.560 --> 0:40:03.080
<v Speaker 1>Like because.

0:40:02.840 --> 0:40:04.520
<v Speaker 2>We got to getting away with something bad.

0:40:04.600 --> 0:40:07.360
<v Speaker 1>Yes, we got to scream along to a song where

0:40:07.400 --> 0:40:10.280
<v Speaker 1>like fuck was in the chorus and that was like.

0:40:10.320 --> 0:40:13.799
<v Speaker 2>That was crazy. That was crazy to me. I could

0:40:13.800 --> 0:40:16.400
<v Speaker 2>not fathom it, And yeah, it was. It was really liberating.

0:40:16.800 --> 0:40:18.880
<v Speaker 2>My favorite is the Dark I know.

0:40:19.000 --> 0:40:23.080
<v Speaker 5>Well, of course as a you know, traumatized little pre

0:40:23.239 --> 0:40:27.400
<v Speaker 5>girl really latched onto that. What about you, Tommy, she's

0:40:27.400 --> 0:40:29.480
<v Speaker 5>scanning the track player, you know, I think it has

0:40:29.560 --> 0:40:32.560
<v Speaker 5>to be Don't Do Sadness, Slash Blue Wind so good.

0:40:32.800 --> 0:40:35.080
<v Speaker 2>Oh that girl with the braids.

0:40:34.760 --> 0:40:36.719
<v Speaker 1>Remind me that song again. What's like the kind of

0:40:36.760 --> 0:40:38.439
<v Speaker 1>emotional cooks of that of that song.

0:40:38.520 --> 0:40:41.600
<v Speaker 2>It's the one where Moritz Moritz.

0:40:41.280 --> 0:40:48.440
<v Speaker 3>Is singing basically like before death he himself, before he

0:40:48.560 --> 0:40:59.120
<v Speaker 3>unlives himself and runs into that weld. Wendla runs into

0:40:59.160 --> 0:41:01.360
<v Speaker 3>when La and she's like, come play with me, and

0:41:01.360 --> 0:41:03.240
<v Speaker 3>he's like, I got business.

0:41:03.760 --> 0:41:06.799
<v Speaker 1>He's like, I got business to a tint too. The

0:41:06.920 --> 0:41:09.920
<v Speaker 1>names in this musical, I mean, it's amazing. Something that

0:41:10.000 --> 0:41:12.799
<v Speaker 1>must be said is that because this show was like

0:41:12.880 --> 0:41:15.120
<v Speaker 1>adapted from like a German stage play in the late

0:41:15.160 --> 0:41:19.239
<v Speaker 1>eighteen hundreds, they all have crazy archaic names like they have.

0:41:19.360 --> 0:41:22.160
<v Speaker 1>They're all named like melchi Or and Moritz, and like

0:41:22.960 --> 0:41:25.240
<v Speaker 1>I'm just like, what are these kids names?

0:41:25.239 --> 0:41:25.640
<v Speaker 2>I love it.

0:41:25.719 --> 0:41:28.560
<v Speaker 5>We should we should bring back trans little baby Trance

0:41:28.640 --> 0:41:31.080
<v Speaker 5>is out there when you're picking those chosen names.

0:41:31.200 --> 0:41:35.040
<v Speaker 2>Yeah, go back to the old tech. Yeah, awesome, Tommy

0:41:35.200 --> 0:41:36.920
<v Speaker 2>Lease whole auto.

0:41:37.000 --> 0:41:41.360
<v Speaker 5>You you saying unlive yourselves is just making me think

0:41:41.480 --> 0:41:45.680
<v Speaker 5>of like this. I know that's like TikTok speak because

0:41:45.760 --> 0:41:48.000
<v Speaker 5>it's like, you know, people have started talking that way

0:41:48.040 --> 0:41:51.520
<v Speaker 5>because they don't want to get like their you know content,

0:41:52.280 --> 0:41:54.720
<v Speaker 5>you know, Shadow Band by the body.

0:41:54.840 --> 0:41:56.240
<v Speaker 2>Yeah, but it is.

0:41:56.160 --> 0:42:01.799
<v Speaker 5>Like I do feel like the the the prudification of

0:42:02.000 --> 0:42:06.360
<v Speaker 5>gen z is like indirect opposition to what we were growing.

0:42:06.239 --> 0:42:09.640
<v Speaker 3>When we would just like the word and everybody like

0:42:09.840 --> 0:42:13.279
<v Speaker 3>watch Pretty Awakening and like didn't have We weren't worried

0:42:13.280 --> 0:42:15.520
<v Speaker 3>about that type of censorship because we didn't have like well,

0:42:15.560 --> 0:42:19.880
<v Speaker 3>we had photos that were posted like by the dozen,

0:42:20.400 --> 0:42:22.480
<v Speaker 3>for me at least on Facebook, Like I still have

0:42:22.560 --> 0:42:25.440
<v Speaker 3>my Facebook history from before I deleted my Facebook. I

0:42:25.480 --> 0:42:27.560
<v Speaker 3>like downloaded it, and it's like it's crazy to me

0:42:27.600 --> 0:42:29.520
<v Speaker 3>because I would post like hundreds of photos at a time,

0:42:30.120 --> 0:42:33.320
<v Speaker 3>but uh, they were all super inappropriate though to your point,

0:42:33.400 --> 0:42:35.360
<v Speaker 3>Like it was like I had like two cigarettes in

0:42:35.360 --> 0:42:38.400
<v Speaker 3>my mouth and like it was like like biting on

0:42:38.440 --> 0:42:39.600
<v Speaker 3>someone's Tit like.

0:42:40.000 --> 0:42:42.000
<v Speaker 4>Like like as you should have been like high school

0:42:42.000 --> 0:42:42.640
<v Speaker 4>party chaos.

0:42:42.640 --> 0:42:45.760
<v Speaker 3>And we didn't have the sort of globalization of social media.

0:42:45.800 --> 0:42:49.279
<v Speaker 3>We had like the intimacy of it between friends and

0:42:49.320 --> 0:42:51.120
<v Speaker 3>friends of friends and it was very like am I

0:42:51.160 --> 0:42:52.840
<v Speaker 3>going to accept your friend request or not? It hadn't

0:42:52.880 --> 0:42:55.120
<v Speaker 3>there was no this idea of like followers didn't exist,

0:42:55.880 --> 0:43:02.440
<v Speaker 3>like this idea of uh sort of gratification via likes comments,

0:43:02.480 --> 0:43:07.799
<v Speaker 3>et cetera wasn't at all developed in the way that

0:43:07.840 --> 0:43:09.759
<v Speaker 3>it is now, and I don't think like Instagram didn't

0:43:09.760 --> 0:43:11.040
<v Speaker 3>come into my life until college.

0:43:11.080 --> 0:43:13.839
<v Speaker 4>So yeah, I'm I'm grateful that we.

0:43:13.800 --> 0:43:16.320
<v Speaker 3>Didn't have that sort of purification if as you phrased

0:43:16.360 --> 0:43:19.160
<v Speaker 3>it so beautifully like when I'm on TikTok, I do

0:43:19.200 --> 0:43:22.799
<v Speaker 3>feel for some of the ways in which like these

0:43:22.880 --> 0:43:26.200
<v Speaker 3>kids have had to create as a militial to I've

0:43:26.200 --> 0:43:28.719
<v Speaker 3>like picked it up this unlived but I do think

0:43:29.360 --> 0:43:31.080
<v Speaker 3>I think because I went through so much like pr

0:43:31.160 --> 0:43:33.319
<v Speaker 3>training around thirteen reasons why and like how to talk

0:43:33.360 --> 0:43:38.719
<v Speaker 3>about suicide and alive actually just feels like a a

0:43:39.320 --> 0:43:42.840
<v Speaker 3>cleaner way of saying died by suicide to me or like,

0:43:44.880 --> 0:43:47.040
<v Speaker 3>and I understand the sort of protocols have at all.

0:43:47.040 --> 0:43:49.640
<v Speaker 3>But I ultimately, yeah, I definitely have picked up some

0:43:49.719 --> 0:43:52.120
<v Speaker 3>like stupid jargon.

0:43:52.320 --> 0:43:53.960
<v Speaker 2>I mean, we all have, it's ingrained in us now.

0:43:54.000 --> 0:43:56.160
<v Speaker 2>I don't think hold, I don't think it's stupid.

0:43:56.200 --> 0:43:59.360
<v Speaker 1>I think it's it's like a euphemism to to not

0:43:59.520 --> 0:44:02.759
<v Speaker 1>glamor and also like reframe the ways that you know,

0:44:02.880 --> 0:44:05.040
<v Speaker 1>we think about suicide, and it's like I think it's

0:44:05.040 --> 0:44:06.879
<v Speaker 1>better than just like not talking about it at all

0:44:06.960 --> 0:44:08.799
<v Speaker 1>because we're all kids.

0:44:08.600 --> 0:44:09.680
<v Speaker 2>Thinking about this stuff.

0:44:09.719 --> 0:44:13.759
<v Speaker 1>And and unfortunately, like musicals and other cultural objects like

0:44:13.880 --> 0:44:17.239
<v Speaker 1>Spring Awakening, we're glamorizing it for a lack of a

0:44:17.239 --> 0:44:19.719
<v Speaker 1>better way of putting it, like maybe not glamorizing, but

0:44:19.760 --> 0:44:19.960
<v Speaker 1>it was.

0:44:19.960 --> 0:44:22.960
<v Speaker 5>There's any but there's a romanticism to it in certain

0:44:24.360 --> 0:44:26.000
<v Speaker 5>theater in movies.

0:44:26.200 --> 0:44:28.640
<v Speaker 2>I mean, you know, I watched Romeo.

0:44:28.400 --> 0:44:33.920
<v Speaker 5>Plus Juliet and watched Leo and Claire kill themselves, and

0:44:33.960 --> 0:44:36.080
<v Speaker 5>I was like, I want to do it too, and saying.

0:44:36.000 --> 0:44:39.239
<v Speaker 2>I've tried Tommy like a Romeo plus Juliet. Wait, you

0:44:39.280 --> 0:44:45.399
<v Speaker 2>said Romeo plus Julia bad, Well you haven't got me. Yes,

0:44:45.480 --> 0:44:46.640
<v Speaker 2>you're I'm rubbing up.

0:44:47.000 --> 0:44:48.000
<v Speaker 4>That is the poster.

0:44:48.400 --> 0:44:50.719
<v Speaker 2>Yeah, did you watch that? Were you a fig of

0:44:50.719 --> 0:44:51.720
<v Speaker 2>course as Learmon?

0:44:52.880 --> 0:44:54.759
<v Speaker 4>Of course I was and am.

0:44:54.920 --> 0:44:58.960
<v Speaker 3>Of course I had boyfriends that I would like scream onwards.

0:44:58.960 --> 0:45:01.120
<v Speaker 4>The musical movie.

0:45:01.200 --> 0:45:05.719
<v Speaker 3>Songs with like speeding down Peachtree Street in Atlanta where

0:45:05.719 --> 0:45:09.160
<v Speaker 3>I grew up actually referenced stills from Romeo plus Juliet.

0:45:09.400 --> 0:45:11.839
<v Speaker 3>And for my movie, my first movie that I just

0:45:11.960 --> 0:45:17.680
<v Speaker 3>finished making, and there's like that the scene with all

0:45:17.680 --> 0:45:19.319
<v Speaker 3>the candle light like the sex can't.

0:45:19.400 --> 0:45:19.480
<v Speaker 2>Like.

0:45:19.520 --> 0:45:21.600
<v Speaker 3>I was like, that's there's some of the most beautiful

0:45:22.160 --> 0:45:25.440
<v Speaker 3>imagery in that film, in particular, like the fish tang, the.

0:45:25.400 --> 0:45:28.319
<v Speaker 2>Mish tang, like come on piercing you.

0:45:29.440 --> 0:45:30.839
<v Speaker 4>Bas Lehman's a trans icon.

0:45:30.960 --> 0:45:34.000
<v Speaker 2>I don't know why, but I don't think a little

0:45:34.000 --> 0:45:35.240
<v Speaker 2>bit like it away.

0:45:35.600 --> 0:45:38.759
<v Speaker 5>Elvis is kind of as a little trans mass Marcutio.

0:45:38.960 --> 0:45:43.600
<v Speaker 5>I would say Leo is trans mass obviously literally obviously

0:45:43.680 --> 0:45:46.799
<v Speaker 5>RuPaul brought you know, not trans at all.

0:45:46.840 --> 0:45:49.239
<v Speaker 3>Sorry drag queens to mainstream media. But I would say

0:45:49.239 --> 0:45:53.160
<v Speaker 3>bas Learmon was maybe doing it first, yeah, like actors,

0:45:53.200 --> 0:45:57.000
<v Speaker 3>And I was like thinking, I love when actors do drag,

0:45:57.480 --> 0:46:00.640
<v Speaker 3>like really beautiful character work that also is like cinematic

0:46:00.760 --> 0:46:02.920
<v Speaker 3>drag like Housi Gucci.

0:46:03.120 --> 0:46:04.879
<v Speaker 4>I'm not sure it's all beautiful character work.

0:46:05.239 --> 0:46:07.120
<v Speaker 3>What I will say is like everyone in that movie,

0:46:07.160 --> 0:46:08.960
<v Speaker 3>except for Adam Driver, is a drag quean.

0:46:09.040 --> 0:46:11.880
<v Speaker 4>And the best way possible can.

0:46:11.760 --> 0:46:16.279
<v Speaker 5>We all do a father son house of Gucci one, two, three, five.

0:46:17.800 --> 0:46:21.359
<v Speaker 2>Gucci? We all did that forehead shoulder shoulder.

0:46:21.080 --> 0:46:40.799
<v Speaker 5>At you actually give us two topics for today, and

0:46:40.840 --> 0:46:41.960
<v Speaker 5>I think we should discuss.

0:46:42.040 --> 0:46:43.400
<v Speaker 2>Okay, so we've done a second one I.

0:46:43.440 --> 0:46:44.200
<v Speaker 4>Did all my album.

0:46:44.320 --> 0:46:45.520
<v Speaker 2>We'll vacillate between the two.

0:46:45.640 --> 0:46:50.800
<v Speaker 5>And now we're going to talk about friends, my personal

0:46:50.880 --> 0:46:52.880
<v Speaker 5>arch nemesis, and I want to give that some context

0:46:52.960 --> 0:46:55.880
<v Speaker 5>to that by talking about why so my brother and

0:46:55.960 --> 0:46:57.880
<v Speaker 5>his wife, who are like the straightest straight people who

0:46:57.920 --> 0:47:02.000
<v Speaker 5>have ever lived, love friends, Like they just watch friends

0:47:02.120 --> 0:47:05.760
<v Speaker 5>all the time, and in fact, at their wedding both

0:47:05.800 --> 0:47:07.359
<v Speaker 5>of them mentioned friends in.

0:47:07.320 --> 0:47:10.400
<v Speaker 2>Their vows, and that is sis culture.

0:47:10.560 --> 0:47:13.360
<v Speaker 5>My sister in law, sister who was the maid of honor,

0:47:13.960 --> 0:47:18.120
<v Speaker 5>in her speech at the reception, you know how every

0:47:18.200 --> 0:47:22.160
<v Speaker 5>friend's episode is like the one where something something, So

0:47:22.280 --> 0:47:26.440
<v Speaker 5>her speech was split up into sections and they were

0:47:26.480 --> 0:47:29.759
<v Speaker 5>things like the one where my sister. No, it's like

0:47:29.800 --> 0:47:32.480
<v Speaker 5>the one where my sister met the man of her dreams.

0:47:33.040 --> 0:47:35.640
<v Speaker 2>Oh no, we will let me love that.

0:47:35.640 --> 0:47:38.239
<v Speaker 1>That's so, that's like if that you can love.

0:47:38.560 --> 0:47:39.120
<v Speaker 2>I'm a hater.

0:47:39.520 --> 0:47:42.760
<v Speaker 3>Yeah, I'm a hater with you. Honestly, that's really cheesy.

0:47:42.960 --> 0:47:45.480
<v Speaker 3>Sorry you heard it here? Why not first?

0:47:45.520 --> 0:47:48.279
<v Speaker 2>I'm sure, but when you said friends, I like my

0:47:48.400 --> 0:47:49.400
<v Speaker 2>jaw dropped. Tommy.

0:47:49.480 --> 0:47:52.600
<v Speaker 1>I was like yes, yes and yes and yes, Like

0:47:52.719 --> 0:47:56.759
<v Speaker 1>that is so perfect. It's something that has it's kind

0:47:56.760 --> 0:47:58.640
<v Speaker 1>of bizarre now that when you go to hot topic,

0:47:58.760 --> 0:48:01.920
<v Speaker 1>it's not like you know, Timburton paraphernalia. It's like T

0:48:02.040 --> 0:48:03.960
<v Speaker 1>shirts with the Friends.

0:48:03.320 --> 0:48:05.239
<v Speaker 2>Central Perk like logo T shirt.

0:48:05.400 --> 0:48:07.839
<v Speaker 1>Yes, and it has this like nostalgic quality that has

0:48:07.840 --> 0:48:10.600
<v Speaker 1>been re enlivened by gen Z but like as omnipotent

0:48:10.680 --> 0:48:13.960
<v Speaker 1>in our generation, you know, like that's really interesting.

0:48:14.040 --> 0:48:14.359
<v Speaker 2>I think.

0:48:14.920 --> 0:48:17.280
<v Speaker 3>Also, they did the Central Park thing in the city

0:48:17.320 --> 0:48:20.040
<v Speaker 3>a couple of years ago, and it was on the

0:48:20.080 --> 0:48:22.880
<v Speaker 3>street that I was living on with Kaya, and it

0:48:22.960 --> 0:48:24.480
<v Speaker 3>was like we would leave and it would just be

0:48:24.560 --> 0:48:28.040
<v Speaker 3>like chaos Central Perk all the time. But I always,

0:48:28.080 --> 0:48:31.560
<v Speaker 3>like very very much wanted to experience that, but I couldn't.

0:48:31.600 --> 0:48:34.160
<v Speaker 3>I couldn't fathom doing it in those circumstances. Just felt

0:48:34.160 --> 0:48:38.080
<v Speaker 3>like very stressful. And I also feel like again Friends

0:48:38.120 --> 0:48:39.879
<v Speaker 3>for me was a communal thing, but it was also

0:48:40.080 --> 0:48:42.840
<v Speaker 3>it's still a very like private and personal thing because

0:48:43.560 --> 0:48:46.000
<v Speaker 3>for many many many years instill to this day, it's

0:48:46.000 --> 0:48:46.760
<v Speaker 3>like what I put.

0:48:46.560 --> 0:48:47.479
<v Speaker 4>On to help me fall asleep.

0:48:47.480 --> 0:48:50.200
<v Speaker 3>If I can't say it's your comfort show, it's so comfortable,

0:48:50.640 --> 0:48:51.799
<v Speaker 3>I know it's so.

0:48:54.200 --> 0:48:54.439
<v Speaker 2>Well.

0:48:54.480 --> 0:48:56.719
<v Speaker 3>And then also because it's sort of like I was

0:48:56.719 --> 0:48:58.640
<v Speaker 3>talking to someone who was in the original class of Hamilton,

0:48:59.200 --> 0:49:00.719
<v Speaker 3>and I was like, how is it You're on your

0:49:00.760 --> 0:49:03.400
<v Speaker 3>like thirtieth year and he was like, I literally forgot

0:49:03.400 --> 0:49:05.839
<v Speaker 3>my lines the other night, Like this was a couple

0:49:05.840 --> 0:49:07.040
<v Speaker 3>of years ago, when he was still doing the show.

0:49:07.040 --> 0:49:08.399
<v Speaker 3>He was like, I've been doing this for so long

0:49:08.400 --> 0:49:10.279
<v Speaker 3>that I forgot the show. Like in a way like

0:49:10.360 --> 0:49:12.440
<v Speaker 3>it's been It's like I've gone through so many phases

0:49:12.480 --> 0:49:14.360
<v Speaker 3>of like and to me with Friends, it's like I

0:49:14.400 --> 0:49:15.640
<v Speaker 3>know that show like the back of my hand, and

0:49:15.680 --> 0:49:19.160
<v Speaker 3>yet like I also would struggle to like bring up

0:49:19.160 --> 0:49:21.640
<v Speaker 3>every single detail of it because I've watched it so.

0:49:21.640 --> 0:49:24.400
<v Speaker 4>Many times in and out of niousness, like bec.

0:49:25.880 --> 0:49:29.399
<v Speaker 3>Yeah, there's a trans character on the trans character, let's

0:49:29.480 --> 0:49:34.480
<v Speaker 3>Chandler's dad, Tadler's Daddler's or if Chandler's dad's anything like

0:49:34.520 --> 0:49:35.919
<v Speaker 3>Caitlyn Jenner and Chandler's dad.

0:49:37.520 --> 0:49:41.280
<v Speaker 2>The one on My Friends is like Coco Melon for adults.

0:49:41.560 --> 0:49:44.040
<v Speaker 5>What is Coco Cocomelan is like one of those shows

0:49:44.040 --> 0:49:45.520
<v Speaker 5>that they put on for kids that.

0:49:45.640 --> 0:49:50.880
<v Speaker 3>Oh, my niece the other night and was like it

0:49:50.920 --> 0:49:53.080
<v Speaker 3>was three am. Crawled in the bed with me in Colorado,

0:49:53.360 --> 0:49:56.520
<v Speaker 3>was with my family obviously, and she woke me up

0:49:56.560 --> 0:49:57.640
<v Speaker 3>and she's like, I can't sleep.

0:49:57.680 --> 0:49:59.560
<v Speaker 4>She's like four, She's like, I can't sleep. Can we

0:49:59.560 --> 0:50:00.400
<v Speaker 4>watch Blue?

0:50:00.840 --> 0:50:02.200
<v Speaker 3>And I didn't know what Blue he was, but Blue

0:50:02.200 --> 0:50:03.640
<v Speaker 3>sounds like one of those shows too. It's like the

0:50:03.680 --> 0:50:06.600
<v Speaker 3>show like the kids watch. It's these like micro eight

0:50:06.640 --> 0:50:07.520
<v Speaker 3>minute episodes.

0:50:07.719 --> 0:50:09.640
<v Speaker 2>It's for them to associate too. It's like it's like

0:50:09.719 --> 0:50:10.640
<v Speaker 2>Visual Academy's.

0:50:11.320 --> 0:50:17.120
<v Speaker 5>Okay, can you remind me of the storyline around Chandler's

0:50:17.400 --> 0:50:18.759
<v Speaker 5>was like a.

0:50:18.280 --> 0:50:22.279
<v Speaker 3>Parent I really wanted to it was a performer who

0:50:22.360 --> 0:50:24.439
<v Speaker 3>then ultimately I think, did transition, like was a drag

0:50:24.520 --> 0:50:27.800
<v Speaker 3>queen turn transfeme maybe like in Vegas.

0:50:27.840 --> 0:50:29.880
<v Speaker 4>I just remember them going to that show at some point.

0:50:29.800 --> 0:50:30.839
<v Speaker 2>Played by assist woman.

0:50:31.040 --> 0:50:32.560
<v Speaker 4>No no, no, no, play by assist man.

0:50:33.080 --> 0:50:34.160
<v Speaker 2>Yeah, yeah, yeah.

0:50:34.440 --> 0:50:39.279
<v Speaker 3>It was the nineties after all.

0:50:39.920 --> 0:50:42.279
<v Speaker 1>I think because it was the nineties, there was there's

0:50:42.400 --> 0:50:44.880
<v Speaker 1>lack of clarity in the obviously and how it's written

0:50:44.920 --> 0:50:48.239
<v Speaker 1>and how they were probably thinking about the character about

0:50:48.000 --> 0:50:52.719
<v Speaker 1>about Chandler's quote unquote mom, Dad's like gender because like

0:50:52.760 --> 0:50:56.839
<v Speaker 1>you know, in theory, like Chandler's quote unquote dad could

0:50:56.840 --> 0:50:59.440
<v Speaker 1>be a cross dresser and not a trans person. Totally

0:50:59.560 --> 0:51:02.239
<v Speaker 1>trans Yeah, that's kind of the way they frame it.

0:51:02.280 --> 0:51:04.240
<v Speaker 1>But also like we we have no way of knowing

0:51:04.920 --> 0:51:06.279
<v Speaker 1>right how good we know?

0:51:06.680 --> 0:51:09.440
<v Speaker 2>Some things are better left on said that's true, which

0:51:09.840 --> 0:51:11.640
<v Speaker 2>which friend would you say that you are?

0:51:12.440 --> 0:51:16.680
<v Speaker 4>M question? Would say, because I'm Baby, I'm Rachel.

0:51:16.600 --> 0:51:19.160
<v Speaker 2>You are Rachel. I don't think there's any other answer.

0:51:19.560 --> 0:51:22.520
<v Speaker 3>I know, I think like I'm definitely not Ross. I'm

0:51:22.560 --> 0:51:27.320
<v Speaker 3>definitely not Chandler. I have Monica tendencies at home around

0:51:27.520 --> 0:51:31.080
<v Speaker 3>like doing the dishes, for example, and like the cleanliness

0:51:31.080 --> 0:51:34.799
<v Speaker 3>of things at times. But I would say overall, I

0:51:34.880 --> 0:51:38.680
<v Speaker 3>have the like very I have at my core, I'm

0:51:38.719 --> 0:51:39.240
<v Speaker 3>a Rachel.

0:51:39.360 --> 0:51:41.440
<v Speaker 5>Okay, who do you think we are? Because I don't.

0:51:41.600 --> 0:51:43.919
<v Speaker 5>I'm not like well versed. I know, I think, Okay,

0:51:43.920 --> 0:51:44.839
<v Speaker 5>who are you are here?

0:51:44.960 --> 0:51:50.040
<v Speaker 1>Maybe I'm Monica Crystal Clear. I'm Monica. Unfortunately I wish

0:51:50.120 --> 0:51:52.799
<v Speaker 1>I wasn't. But I've done a lot of searching and

0:51:52.840 --> 0:51:57.120
<v Speaker 1>it was like Monica or like Ross, I might be Chandler.

0:51:58.200 --> 0:52:00.560
<v Speaker 4>You actually are Chandler of Chandler.

0:52:00.640 --> 0:52:02.640
<v Speaker 3>I actually think you are Chandler, Like if you had

0:52:02.640 --> 0:52:05.200
<v Speaker 3>that kind of nine to five, because it like you

0:52:05.200 --> 0:52:07.120
<v Speaker 3>would I have. Yeah, and you come in with the

0:52:07.200 --> 0:52:12.400
<v Speaker 3>singers and singer. Yeah, I think like you're my dad's.

0:52:12.560 --> 0:52:16.799
<v Speaker 4>If I can really, I don't know version if I

0:52:16.840 --> 0:52:18.400
<v Speaker 4>think about my introduction.

0:52:17.960 --> 0:52:20.959
<v Speaker 3>To yours was like Twitter and like you're really and

0:52:21.000 --> 0:52:23.239
<v Speaker 3>you're an incredible tweeter and that Chandler would have a.

0:52:23.239 --> 0:52:25.280
<v Speaker 2>Fire fire.

0:52:27.320 --> 0:52:30.800
<v Speaker 4>Could I Could I be any more? Trip?

0:52:30.920 --> 0:52:34.440
<v Speaker 2>Could I be anymore? So? I don't know, I'd be

0:52:34.560 --> 0:52:35.120
<v Speaker 2>like Chandler.

0:52:35.200 --> 0:52:37.360
<v Speaker 1>Yeah, like was just this like really there was something

0:52:37.400 --> 0:52:39.759
<v Speaker 1>really dark about him because he was so out of

0:52:39.840 --> 0:52:42.920
<v Speaker 1>step with his like own emotions and that was something

0:52:42.920 --> 0:52:46.440
<v Speaker 1>he was constantly like coming up against. It's like he

0:52:46.600 --> 0:52:48.600
<v Speaker 1>used comedy to deflect and.

0:52:48.600 --> 0:52:50.959
<v Speaker 5>He was a smoker and he was the last time

0:52:51.000 --> 0:52:53.200
<v Speaker 5>you could smoke in a sitcom.

0:52:53.400 --> 0:52:53.600
<v Speaker 2>Yeah.

0:52:55.760 --> 0:52:59.719
<v Speaker 3>I mean in many ways, that show like solidified my

0:52:59.800 --> 0:53:01.640
<v Speaker 3>knee to move to New York or a version of

0:53:01.640 --> 0:53:02.239
<v Speaker 3>New York like.

0:53:02.200 --> 0:53:04.160
<v Speaker 2>That with the LA version of New York.

0:53:04.400 --> 0:53:05.560
<v Speaker 4>Yeah, but I didn't know any better.

0:53:05.719 --> 0:53:07.680
<v Speaker 3>Like that with the Sex and the City sort of

0:53:07.719 --> 0:53:10.680
<v Speaker 3>like came together and made me feel lots of feelings

0:53:10.680 --> 0:53:14.520
<v Speaker 3>about the city in particular growing up in Georgia. But God,

0:53:14.680 --> 0:53:17.799
<v Speaker 3>it's like I'm trying, I'm struggling to think who my

0:53:17.840 --> 0:53:19.160
<v Speaker 3>Phoebe is in my life.

0:53:19.800 --> 0:53:20.680
<v Speaker 4>I was thinking about that.

0:53:21.280 --> 0:53:23.960
<v Speaker 1>Everyone has like a Phoebe, this kind of like person

0:53:24.000 --> 0:53:26.480
<v Speaker 1>that pops in and out and does completely random things.

0:53:26.520 --> 0:53:29.920
<v Speaker 2>They're like spacey friend who is.

0:53:30.400 --> 0:53:34.360
<v Speaker 3>Tons of past lives, a many vibes, many past lives,

0:53:34.360 --> 0:53:37.319
<v Speaker 3>has somehow like survived everything.

0:53:37.000 --> 0:53:39.239
<v Speaker 2>As an evil twin for some reason.

0:53:39.000 --> 0:53:42.600
<v Speaker 5>Has named I remind my remembering all this friend stuff

0:53:42.640 --> 0:53:45.880
<v Speaker 5>because I all know friends against It was always this

0:53:45.920 --> 0:53:47.680
<v Speaker 5>is the thing with friends. It's because like I grew

0:53:47.760 --> 0:53:50.960
<v Speaker 5>up in the nineties, it was always on in the background.

0:53:51.040 --> 0:53:53.680
<v Speaker 5>I never actively watched it because I was never into it.

0:53:53.880 --> 0:53:55.240
<v Speaker 5>I was a Will and Grace girl.

0:53:55.320 --> 0:53:56.680
<v Speaker 4>Oh yeah, I like Dwell and Grace a lot.

0:53:56.800 --> 0:53:58.120
<v Speaker 2>I was not a Seinfeld girl.

0:53:58.200 --> 0:53:59.920
<v Speaker 4>I was not a Seinfeld girl either, But for.

0:54:00.000 --> 0:54:03.440
<v Speaker 5>Friends was always around. I watched a lot of it,

0:54:03.520 --> 0:54:07.640
<v Speaker 5>but it was never my thing. I'm just dipping if

0:54:07.640 --> 0:54:09.200
<v Speaker 5>you can hear that. It's just my bag and I'm

0:54:09.239 --> 0:54:10.239
<v Speaker 5>grabbing some glass game.

0:54:10.840 --> 0:54:13.320
<v Speaker 2>Can you do some as Mr Ring for the Virgin.

0:54:13.320 --> 0:54:16.120
<v Speaker 4>Bomb dot com Swiss miss bomb dot com.

0:54:16.160 --> 0:54:19.640
<v Speaker 2>Okay, I'm sorry, Swiss Miss Flavor. I'm judging you. You

0:54:19.719 --> 0:54:22.440
<v Speaker 2>like this out of every flavor you picked, Swiss miss.

0:54:22.800 --> 0:54:24.480
<v Speaker 3>To be fair, they've gifted me all of them. So

0:54:24.520 --> 0:54:26.239
<v Speaker 3>it's just a matter of like what's in what bag?

0:54:26.480 --> 0:54:29.080
<v Speaker 3>Got not to be Rachel about.

0:54:28.800 --> 0:54:32.000
<v Speaker 2>It, but you are Rachel, and eventually you will get

0:54:32.000 --> 0:54:34.000
<v Speaker 2>the Rachel haircut at some point.

0:54:34.120 --> 0:54:36.400
<v Speaker 3>Naturally I will have to, especially when I have like

0:54:36.480 --> 0:54:38.600
<v Speaker 3>kids or something. I think also like I was a

0:54:38.600 --> 0:54:42.080
<v Speaker 3>retail girly. I was a fashion girly. Like still am

0:54:42.120 --> 0:54:43.800
<v Speaker 3>a sort of fashion file in a lot of ways.

0:54:43.880 --> 0:54:47.520
<v Speaker 3>But before acting and working in entertainment, I was working

0:54:47.560 --> 0:54:48.280
<v Speaker 3>in retail.

0:54:48.360 --> 0:54:53.040
<v Speaker 5>And what was her job? She worked at Rolph Lauren. Yeah,

0:54:53.080 --> 0:54:55.839
<v Speaker 5>she was like a buyer. How did she get there?

0:54:55.880 --> 0:54:57.640
<v Speaker 5>From the show when the show started?

0:54:59.120 --> 0:54:59.640
<v Speaker 2>When the show.

0:54:59.560 --> 0:55:01.719
<v Speaker 3>Started, saying, so there's like a certain amount of like

0:55:02.120 --> 0:55:05.560
<v Speaker 3>jenness a Quah and privilege and looking like Jennifer Anistander.

0:55:05.160 --> 0:55:08.280
<v Speaker 2>Certain amount of Elgebuqua and.

0:55:08.239 --> 0:55:11.400
<v Speaker 3>Also like the delusions of her, like the ability to

0:55:11.400 --> 0:55:11.920
<v Speaker 3>just be like.

0:55:12.920 --> 0:55:16.600
<v Speaker 5>El if you have that haircut, you can and you

0:55:16.640 --> 0:55:18.160
<v Speaker 5>can kind of make shit happen.

0:55:18.360 --> 0:55:20.640
<v Speaker 3>Yeah, And I think like, if you look good in clothes,

0:55:20.680 --> 0:55:21.640
<v Speaker 3>you can work in fashion.

0:55:21.920 --> 0:55:25.600
<v Speaker 4>Actually, Like that's literally like so you.

0:55:25.560 --> 0:55:29.080
<v Speaker 3>Know, and I don't think I think for her, she

0:55:29.080 --> 0:55:30.440
<v Speaker 3>she as I think.

0:55:30.320 --> 0:55:32.640
<v Speaker 4>She was like as a shop beer, I know what

0:55:32.680 --> 0:55:33.439
<v Speaker 4>people want to buy.

0:55:33.480 --> 0:55:35.120
<v Speaker 3>I'm sure that's what she said in her interview and

0:55:35.160 --> 0:55:37.760
<v Speaker 3>the guy was just drooling over her. Do you remember

0:55:37.760 --> 0:55:41.359
<v Speaker 3>when Chandler was briefly dating Rachel's boss and then got

0:55:41.400 --> 0:55:45.120
<v Speaker 3>like locked in her office like naked with handcuffs on,

0:55:45.160 --> 0:55:47.279
<v Speaker 3>like a like a sexy lunch date. Oh yea, because

0:55:47.320 --> 0:55:51.600
<v Speaker 3>the boss was like it was like a kinky, perpetually

0:55:51.719 --> 0:55:56.440
<v Speaker 3>single like girl boss in her like late forties.

0:55:56.880 --> 0:55:58.960
<v Speaker 2>I forgot about that, honestly.

0:55:59.120 --> 0:56:01.640
<v Speaker 1>I feel like that all of the episodes kind of

0:56:01.680 --> 0:56:03.920
<v Speaker 1>like meshed together in your head and you're like, what happened?

0:56:03.920 --> 0:56:07.040
<v Speaker 2>That was the one where the that was season six

0:56:07.200 --> 0:56:07.560
<v Speaker 2>or something.

0:56:07.600 --> 0:56:13.640
<v Speaker 5>I love I love Chandla Ross Handler.

0:56:13.840 --> 0:56:18.320
<v Speaker 1>Ever present a question in the culture as a Rachel

0:56:18.560 --> 0:56:23.120
<v Speaker 1>do you think that Rachel, you know, was meant to

0:56:23.120 --> 0:56:24.719
<v Speaker 1>be with Ross? Do you think that when she got

0:56:24.760 --> 0:56:27.319
<v Speaker 1>with Joey was totally like wedged in Like a lot

0:56:27.320 --> 0:56:29.360
<v Speaker 1>of people feel like when she got with Joey it

0:56:29.400 --> 0:56:30.200
<v Speaker 1>made no sense.

0:56:30.280 --> 0:56:32.520
<v Speaker 2>But do you think that who who is Rachel's sole me?

0:56:33.120 --> 0:56:35.200
<v Speaker 4>I think getting with I think Ross is Rachel sow

0:56:35.239 --> 0:56:37.839
<v Speaker 4>me for better or worse? For her her cell mat

0:56:37.960 --> 0:56:39.040
<v Speaker 4>for her sell Ma.

0:56:39.680 --> 0:56:41.839
<v Speaker 3>I think Joey makes a lot of sense because in

0:56:41.880 --> 0:56:44.240
<v Speaker 3>so many ways he's the opposite. He plays the opposite

0:56:44.280 --> 0:56:45.759
<v Speaker 3>of Ross, right, and like that's why they work in

0:56:45.800 --> 0:56:47.520
<v Speaker 3>a room, and that's why their humor works, because Ross

0:56:47.560 --> 0:56:50.200
<v Speaker 3>is like hyper intellectual and intelligence and Joey's like a

0:56:50.239 --> 0:56:54.360
<v Speaker 3>little like duf this goofball. He was so hot in

0:56:55.280 --> 0:56:58.840
<v Speaker 3>the early season, and I think, like, I think it

0:56:58.920 --> 0:57:00.640
<v Speaker 3>makes a lot of sense that we child would sort

0:57:00.680 --> 0:57:03.759
<v Speaker 3>of rebound with Joey and then find him really like

0:57:03.880 --> 0:57:05.600
<v Speaker 3>endearing and find some love there. Like it wouldn't just

0:57:05.640 --> 0:57:07.319
<v Speaker 3>be like a one off thing, like if you're getting

0:57:07.360 --> 0:57:11.200
<v Speaker 3>fucked like that, presumably Joy was fucking very well. Oh yeah, Oh,

0:57:11.640 --> 0:57:15.279
<v Speaker 3>I had a reputation going, you know, and then eventually

0:57:15.480 --> 0:57:18.760
<v Speaker 3>like she sort of meanders back into stability with Ross.

0:57:18.800 --> 0:57:21.400
<v Speaker 4>We were on upbreak and his kid col Dylan's Prouse.

0:57:22.400 --> 0:57:25.280
<v Speaker 2>Wait is that who played it? Really? Yeah? Star of

0:57:25.320 --> 0:57:26.400
<v Speaker 2>your upcoming movie.

0:57:26.480 --> 0:57:30.520
<v Speaker 3>Col Dylan'sprosse plays Ross's kid.

0:57:30.840 --> 0:57:35.800
<v Speaker 5>Oh and also Ross's ex wife was a lesbian, Yeah,

0:57:35.840 --> 0:57:37.680
<v Speaker 5>and that was very you know, and in the.

0:57:37.640 --> 0:57:39.480
<v Speaker 3>Beginning it's like kind of a cool lesbian, like not

0:57:39.560 --> 0:57:42.480
<v Speaker 3>it wasn't like I mean, there was some definitely homophobic remarks,

0:57:42.480 --> 0:57:44.440
<v Speaker 3>but like, oh absolutely very truthful to like what a

0:57:44.480 --> 0:57:45.880
<v Speaker 3>straight man would have said at that time.

0:57:46.600 --> 0:57:48.360
<v Speaker 5>It was I mean, I listen, I'm not going to

0:57:48.440 --> 0:57:52.000
<v Speaker 5>say The Friends was surprisingly queer, but like it was,

0:57:52.840 --> 0:57:57.680
<v Speaker 5>it was a more honest depiction of I think what

0:57:57.680 --> 0:58:00.400
<v Speaker 5>what like metropolitan life would have been for these people?

0:58:00.600 --> 0:58:03.200
<v Speaker 5>Then we would have gotten on like a CBS sitcom.

0:58:03.360 --> 0:58:07.360
<v Speaker 1>Yeah, yeah, are there characters that you so obviously these

0:58:07.440 --> 0:58:10.840
<v Speaker 1>characters are like the siss straightest characters all except for

0:58:10.920 --> 0:58:13.320
<v Speaker 1>Chandler's dad. Except for Chandler's dad. But of the six,

0:58:13.440 --> 0:58:15.680
<v Speaker 1>do you do you think or maybe if there's anybody

0:58:15.720 --> 0:58:18.480
<v Speaker 1>else in this like ensemble, do.

0:58:18.440 --> 0:58:21.360
<v Speaker 2>You think any of these folks were eventually queer after

0:58:21.400 --> 0:58:22.000
<v Speaker 2>the show ended.

0:58:22.080 --> 0:58:26.640
<v Speaker 5>I mean maybe had to have babe right, but also.

0:58:26.560 --> 0:58:27.440
<v Speaker 2>Happily married to a man.

0:58:27.480 --> 0:58:30.200
<v Speaker 3>But I do think she's definitely like scissored a few

0:58:30.200 --> 0:58:31.000
<v Speaker 3>girls in her life.

0:58:31.120 --> 0:58:33.520
<v Speaker 5>Sure, But I also have found that it is like

0:58:33.880 --> 0:58:37.840
<v Speaker 5>the crunchiest like sis straight girls in your life who

0:58:37.880 --> 0:58:40.680
<v Speaker 5>you think will be so down, who are actually like

0:58:40.760 --> 0:58:43.560
<v Speaker 5>the most tied to the heteropatriarchy, yeah, and have never

0:58:43.600 --> 0:58:44.640
<v Speaker 5>done anything.

0:58:44.360 --> 0:58:47.400
<v Speaker 3>Literally, I actually feel like Monica is the repress lesbian

0:58:47.480 --> 0:58:48.040
<v Speaker 3>maybe out of.

0:58:48.080 --> 0:58:49.480
<v Speaker 2>All Yes, I could.

0:58:49.600 --> 0:58:53.560
<v Speaker 3>Yes, Rachel's certainly straight. Phoebe I could see being like

0:58:53.600 --> 0:58:56.360
<v Speaker 3>a really like very very like Anti five g or

0:58:56.440 --> 0:58:59.400
<v Speaker 3>right now, very straight with like seventeen kids with that

0:58:59.480 --> 0:59:01.880
<v Speaker 3>hot guy who I think is also in se right,

0:59:02.680 --> 0:59:04.200
<v Speaker 3>the same guy who plays Aiden plays her?

0:59:05.000 --> 0:59:07.040
<v Speaker 4>Is that true? I don't know, actually.

0:59:06.760 --> 0:59:08.320
<v Speaker 2>Does end up with Paul Rudd?

0:59:08.680 --> 0:59:11.480
<v Speaker 3>Is Paul which has this Paul Rudd has a similar

0:59:11.520 --> 0:59:13.280
<v Speaker 3>energy to the guy who plays Aiden, So I think that's.

0:59:13.120 --> 0:59:15.840
<v Speaker 2>Where John Confused would suck.

0:59:17.400 --> 0:59:19.480
<v Speaker 1>I also feel I mean, there's a world I think

0:59:19.480 --> 0:59:21.680
<v Speaker 1>where if there's like a Friend's reboot or whatever, I

0:59:21.680 --> 0:59:24.400
<v Speaker 1>feel like Phoebe would be the one that was like transamorous,

0:59:24.720 --> 0:59:27.000
<v Speaker 1>Like she gets like a like a sexy trans but

0:59:27.160 --> 0:59:29.400
<v Speaker 1>you're like no, Tommy's like no, no, no, I don't know.

0:59:30.200 --> 0:59:31.080
<v Speaker 2>I think she's a terf.

0:59:31.120 --> 0:59:34.280
<v Speaker 5>Actually Phoebe's a term.

0:59:34.480 --> 0:59:36.960
<v Speaker 2>Yeah, I don't see it. From Phoebe's evil. I couldn't

0:59:36.960 --> 0:59:39.000
<v Speaker 2>see Ursula. No, I could see Ursula.

0:59:38.800 --> 0:59:39.600
<v Speaker 4>With a trans man.

0:59:39.880 --> 0:59:44.560
<v Speaker 2>Maybe maybe maybe Ursula film Phoebe's fraternal twin who transitions.

0:59:44.600 --> 0:59:46.640
<v Speaker 4>Oh, and that's why Phoebe hates her so much. No

0:59:48.000 --> 0:59:49.360
<v Speaker 4>smelly cats.

0:59:49.440 --> 0:59:50.560
<v Speaker 2>I think Chandler is By.

0:59:50.720 --> 0:59:52.480
<v Speaker 4>Maybe I could see by energy.

0:59:52.520 --> 0:59:54.840
<v Speaker 1>For think Chandler sucked to Dick in college. I don't

0:59:54.840 --> 0:59:57.520
<v Speaker 1>know if he is By personally.

0:59:57.080 --> 0:59:57.360
<v Speaker 4>I don't.

0:59:57.640 --> 0:59:59.280
<v Speaker 2>I think he's been in a dark room in his

0:59:59.360 --> 1:00:00.400
<v Speaker 2>life or two.

1:00:00.520 --> 1:00:03.880
<v Speaker 3>I actually think Joey is probably By in some capacity,

1:00:03.920 --> 1:00:04.600
<v Speaker 3>and like fluid.

1:00:04.840 --> 1:00:07.680
<v Speaker 1>I'm also just remembering now, Okay, we said earlier that

1:00:07.760 --> 1:00:09.959
<v Speaker 1>Chandler's quote unquote dad was played by a man, which

1:00:10.760 --> 1:00:13.960
<v Speaker 1>which he was for some of which they was a

1:00:14.000 --> 1:00:16.920
<v Speaker 1>woman sis woman at the end, and like the last season,

1:00:16.920 --> 1:00:19.320
<v Speaker 1>I think a sis woman came in and played Chandler's

1:00:19.440 --> 1:00:22.360
<v Speaker 1>quote unquote dad, because.

1:00:22.080 --> 1:00:25.880
<v Speaker 5>That was the thing with any sort of Transish characters,

1:00:26.360 --> 1:00:28.480
<v Speaker 5>you know, they would always be played by sis women

1:00:28.560 --> 1:00:31.520
<v Speaker 5>to like heighten the joke of like you used to

1:00:31.600 --> 1:00:32.080
<v Speaker 5>be a man.

1:00:32.440 --> 1:00:35.720
<v Speaker 2>Yeah right, it's very ugly, Betty. Yeah, it's very ugly, Betty.

1:00:35.840 --> 1:00:38.560
<v Speaker 2>Yeah right oheut of its time. Did you have a

1:00:38.600 --> 1:00:39.360
<v Speaker 2>favorite episode?

1:00:39.400 --> 1:00:41.800
<v Speaker 3>Well, I love when they go on vacation, like the

1:00:41.840 --> 1:00:44.320
<v Speaker 3>London for Ross's London wedding.

1:00:44.320 --> 1:00:44.640
<v Speaker 2>It's like we.

1:00:46.320 --> 1:00:48.360
<v Speaker 4>Look for the first It's such a fun little moment

1:00:48.560 --> 1:00:50.960
<v Speaker 4>I think there's an episode.

1:00:51.280 --> 1:00:52.480
<v Speaker 3>I don't know why it's coming to my head, but

1:00:52.560 --> 1:00:57.040
<v Speaker 3>like I love all the present day stuff with Monica

1:00:57.120 --> 1:00:59.360
<v Speaker 3>and Ross's parents, like whenever they're in the picture, I

1:00:59.360 --> 1:01:02.320
<v Speaker 3>just think they're really funny. And there's an episode where,

1:01:02.320 --> 1:01:05.640
<v Speaker 3>like Monica Cater's is invited to cater something for the

1:01:05.640 --> 1:01:10.000
<v Speaker 3>first time for her parents, and she loses a fingernail

1:01:10.280 --> 1:01:13.240
<v Speaker 3>in like one of the Shepherd's pies or whatever she's making,

1:01:13.280 --> 1:01:15.360
<v Speaker 3>which is really funny, Like she it's a fake fingernails.

1:01:15.440 --> 1:01:17.160
<v Speaker 3>She really wants to impress her mom, so she's wearing

1:01:17.200 --> 1:01:18.000
<v Speaker 3>like press ons.

1:01:19.400 --> 1:01:22.120
<v Speaker 5>Friends always makes me think of Thanksgiving because they always

1:01:22.120 --> 1:01:22.720
<v Speaker 5>did thinks.

1:01:22.760 --> 1:01:25.200
<v Speaker 2>Oh yeah, like the Turkey Head.

1:01:25.360 --> 1:01:27.440
<v Speaker 3>Well they all those shows used to do these every

1:01:27.480 --> 1:01:31.440
<v Speaker 3>they cool they were, they were on every week. I

1:01:31.440 --> 1:01:33.800
<v Speaker 3>also used to watch it with my family every week.

1:01:33.840 --> 1:01:35.840
<v Speaker 3>So really like it was like we must see tea.

1:01:35.880 --> 1:01:39.840
<v Speaker 3>We went from Seventh Heaven to Friends weekly basically Seventh Heaven,

1:01:40.000 --> 1:01:42.280
<v Speaker 3>I know, and I was not religion, We were not religious,

1:01:42.320 --> 1:01:43.520
<v Speaker 3>but Jessica Bill.

1:01:43.400 --> 1:01:45.880
<v Speaker 2>Forever we were not allowed to watch Friends.

1:01:45.960 --> 1:01:48.200
<v Speaker 3>Jessca Bill is actually the archetype for me, Like she's

1:01:48.360 --> 1:01:52.640
<v Speaker 3>like she's the blueprint She's the blueprint. Jessca Bill is

1:01:52.680 --> 1:01:55.400
<v Speaker 3>like the rebellious Christian daughter on Seventh Heaven who then

1:01:55.480 --> 1:01:58.600
<v Speaker 3>did eventually leave the show because she was like, onto,

1:01:58.600 --> 1:01:59.360
<v Speaker 3>bigger and better.

1:02:00.400 --> 1:02:01.840
<v Speaker 2>Were you allowed to watch Seventh Heaven?

1:02:01.960 --> 1:02:04.480
<v Speaker 1>We were, We were allowed to watch Seventh Heaven, but

1:02:04.520 --> 1:02:06.840
<v Speaker 1>we didn't as a family, We didn't really watch it, like,

1:02:07.120 --> 1:02:10.920
<v Speaker 1>you know, religiously, even though we were religiously emphasis on religious.

1:02:11.400 --> 1:02:14.480
<v Speaker 2>We were not allowed to watch Friends. Forbidden in my household.

1:02:14.520 --> 1:02:17.760
<v Speaker 1>And when I was like, you know, I would say

1:02:17.760 --> 1:02:22.280
<v Speaker 1>in my like late like preteen years or maybe like yeah,

1:02:22.280 --> 1:02:24.920
<v Speaker 1>preteen years, still in high school. Though I remember like

1:02:25.000 --> 1:02:26.720
<v Speaker 1>at this point I was starting to make choices for

1:02:26.760 --> 1:02:28.240
<v Speaker 1>myself about like what I could watch and what I

1:02:28.240 --> 1:02:30.400
<v Speaker 1>couldn't watch. Still wasn't allowed to watch Friends, but like

1:02:30.800 --> 1:02:34.480
<v Speaker 1>you know, I was, I was becoming an adult, and

1:02:34.680 --> 1:02:38.760
<v Speaker 1>I knew that my mom watched Friends as a comfort show,

1:02:38.880 --> 1:02:41.120
<v Speaker 1>Like I knew that she would engage in it even

1:02:41.160 --> 1:02:43.400
<v Speaker 1>though she was she wouldn't allow us to watch it,

1:02:43.440 --> 1:02:45.680
<v Speaker 1>like it was her kind of quote unquote guilty pleasure

1:02:45.840 --> 1:02:49.400
<v Speaker 1>or whatever. And so one Christmas, a Christmas that we

1:02:49.440 --> 1:02:53.400
<v Speaker 1>spent with my mom's family in Colorado, I found a

1:02:53.560 --> 1:02:56.480
<v Speaker 1>box set of Friends. I don't even remember what season,

1:02:56.480 --> 1:02:57.880
<v Speaker 1>but I found a box set of Friends at like

1:02:57.920 --> 1:02:59.760
<v Speaker 1>Borders or whatever, and I got it from my mom

1:02:59.800 --> 1:03:02.560
<v Speaker 1>for Christmas. And I was like I thought I was

1:03:02.600 --> 1:03:05.960
<v Speaker 1>being thoughtful and like just being like, hey, like I

1:03:06.200 --> 1:03:08.280
<v Speaker 1>you know, especially when you're when you're that age, just

1:03:08.280 --> 1:03:10.440
<v Speaker 1>like you're learning how to give gifts, You're learning how

1:03:10.480 --> 1:03:14.920
<v Speaker 1>to like express love. I'm a big giver. And my mom,

1:03:15.320 --> 1:03:17.320
<v Speaker 1>who was opening this present in front of like our

1:03:17.480 --> 1:03:21.360
<v Speaker 1>entire family, saw like a peak of like the friend's

1:03:21.480 --> 1:03:24.280
<v Speaker 1>logo or whatever, and she just kind of like immediately

1:03:24.320 --> 1:03:27.200
<v Speaker 1>left the room. Yes, and she and I remember, and

1:03:27.240 --> 1:03:29.120
<v Speaker 1>I like what I remember, like just kind of being

1:03:29.200 --> 1:03:30.080
<v Speaker 1>like oh, and she was just.

1:03:30.000 --> 1:03:31.680
<v Speaker 2>Like I just don't want I don't want my sisters

1:03:31.720 --> 1:03:33.400
<v Speaker 2>to see. And she like put it in her bag

1:03:33.480 --> 1:03:35.520
<v Speaker 2>and she was like, thank you for the gift. Oh wow.

1:03:35.640 --> 1:03:35.920
<v Speaker 2>It was.

1:03:36.000 --> 1:03:39.200
<v Speaker 1>It was such an intense moment and it actually speaks,

1:03:39.600 --> 1:03:41.760
<v Speaker 1>it speaks volumes about like the relationship I had with

1:03:41.800 --> 1:03:42.840
<v Speaker 1>my mom.

1:03:42.880 --> 1:03:45.400
<v Speaker 2>But like it was her shame. Oh my gosh. That

1:03:45.600 --> 1:03:49.320
<v Speaker 2>isn't yes, it's not even that controversial. I honestly think

1:03:49.320 --> 1:03:51.160
<v Speaker 2>you people should be ashamed of liking friends.

1:03:51.480 --> 1:03:57.240
<v Speaker 3>Were like, I think, wow, that's really interesting.

1:03:57.440 --> 1:04:00.439
<v Speaker 4>I feel like, do you have a relationship their mom?

1:04:00.560 --> 1:04:03.880
<v Speaker 2>Yeah? I do. My parents were we're cool now yeah,

1:04:03.920 --> 1:04:06.200
<v Speaker 2>and they're chill. They're very very chill. Now they'll watch friends,

1:04:06.240 --> 1:04:07.560
<v Speaker 2>will watch Friends together. It doesn't matter.

1:04:07.720 --> 1:04:10.160
<v Speaker 4>Great. Yeah, so now you're allowed to watch Friends.

1:04:10.760 --> 1:04:12.760
<v Speaker 2>I'm fine at that stage of my life, we're not

1:04:12.840 --> 1:04:14.800
<v Speaker 2>allowed to watch. When HBO Max bought it, you were

1:04:14.800 --> 1:04:15.440
<v Speaker 2>allowed to watch it.

1:04:16.120 --> 1:04:18.040
<v Speaker 4>Bought it back. I think.

1:04:19.560 --> 1:04:21.200
<v Speaker 2>I'm like, was it controversial?

1:04:21.360 --> 1:04:23.439
<v Speaker 3>I guess there were some themes around it that would

1:04:23.440 --> 1:04:26.160
<v Speaker 3>have been inappropriate to watch as a kid. It's literally

1:04:26.200 --> 1:04:29.040
<v Speaker 3>but it was all like in the windows though, right

1:04:29.120 --> 1:04:29.760
<v Speaker 3>a little bit.

1:04:30.040 --> 1:04:31.480
<v Speaker 4>I yeah, maybe.

1:04:31.280 --> 1:04:35.240
<v Speaker 1>Anything that anything that referenced sex, that sex that depicted

1:04:35.280 --> 1:04:37.440
<v Speaker 1>like two naked bodies and a bed waking up in

1:04:37.440 --> 1:04:38.280
<v Speaker 1>the way that they do, and.

1:04:38.200 --> 1:04:40.640
<v Speaker 2>Sitcoms are like, well what do we just do?

1:04:40.720 --> 1:04:43.120
<v Speaker 1>Which is like the Chandler Moniker, I wake up every

1:04:43.120 --> 1:04:45.800
<v Speaker 1>morning every another naked body.

1:04:45.840 --> 1:04:50.960
<v Speaker 2>You're like, what the what? Yeah? Yeah, oh no.

1:04:51.640 --> 1:04:54.080
<v Speaker 5>Yeah that was a gasp awake every morning, Like I'm

1:04:54.080 --> 1:04:56.720
<v Speaker 5>Phoebe and charmed having a premonition.

1:04:56.400 --> 1:04:59.800
<v Speaker 2>In my household, in my household, the things that were forbidden.

1:04:59.800 --> 1:05:00.320
<v Speaker 2>It was not.

1:05:00.480 --> 1:05:03.040
<v Speaker 1>I mean sometimes it was about swearing, but it wasn't

1:05:03.080 --> 1:05:06.560
<v Speaker 1>about like violencer guns. It was about sex, and sex

1:05:06.640 --> 1:05:08.840
<v Speaker 1>was what they were protecting me from. And that's why,

1:05:08.960 --> 1:05:11.600
<v Speaker 1>you know, Spring Awakening was so radical to me too.

1:05:12.040 --> 1:05:15.040
<v Speaker 1>It's like I was, you know, these these set things,

1:05:15.040 --> 1:05:18.320
<v Speaker 1>sexual things, like you know Romeo plus Julia bas Lerman Rent,

1:05:18.360 --> 1:05:21.680
<v Speaker 1>which we were talking about before we started recording, about

1:05:21.680 --> 1:05:25.200
<v Speaker 1>this kind of predecessor to Spring Awakening, Like I wasn't.

1:05:25.000 --> 1:05:26.600
<v Speaker 4>That the pop rock musical.

1:05:26.800 --> 1:05:30.480
<v Speaker 5>Yeah, Rent really is the blueprint for Spring Awakening. And

1:05:31.440 --> 1:05:34.760
<v Speaker 5>you know, I'm not a Rent girly. I never was,

1:05:34.880 --> 1:05:37.320
<v Speaker 5>but I am a Spring Awakening girly.

1:05:37.960 --> 1:05:41.280
<v Speaker 2>Really. Yeah, why Spring Awakening and not Rent? I don't know.

1:05:41.480 --> 1:05:43.640
<v Speaker 5>And like the thing is, I'm extremely literate when it

1:05:43.640 --> 1:05:45.480
<v Speaker 5>comes to Rent, you know, like I've seen it, I

1:05:45.520 --> 1:05:46.160
<v Speaker 5>know the music.

1:05:46.200 --> 1:05:46.680
<v Speaker 4>I had that.

1:05:46.720 --> 1:05:50.600
<v Speaker 2>Double CD box set, we know, But it wasn't.

1:05:52.000 --> 1:05:54.680
<v Speaker 5>Like I was always when it came to musical theater,

1:05:54.800 --> 1:05:57.680
<v Speaker 5>I was like more fabulous in what I was seeking out,

1:05:57.720 --> 1:05:59.880
<v Speaker 5>Like Phantom of the Opera is my favorite show, Like

1:06:00.080 --> 1:06:00.400
<v Speaker 5>I like.

1:06:00.360 --> 1:06:02.200
<v Speaker 2>A big musical spectacle.

1:06:02.800 --> 1:06:05.040
<v Speaker 5>And then I don't know, I guess Spring Awakening like

1:06:05.120 --> 1:06:06.680
<v Speaker 5>hit me at the right time where I was looking

1:06:06.760 --> 1:06:09.840
<v Speaker 5>for the intimacy that it provided. And I think it's

1:06:09.880 --> 1:06:11.400
<v Speaker 5>also like the dunk and cheek of it all. It

1:06:11.520 --> 1:06:15.479
<v Speaker 5>like is good, you know indie rock community. It's really

1:06:15.520 --> 1:06:16.840
<v Speaker 5>good music and I love.

1:06:16.880 --> 1:06:18.080
<v Speaker 4>Very good lyrics.

1:06:18.200 --> 1:06:19.240
<v Speaker 2>What else did Duncan do?

1:06:19.560 --> 1:06:21.959
<v Speaker 5>He wrote that song Barely Breathing from the nineties where

1:06:22.160 --> 1:06:24.600
<v Speaker 5>that is in the episode of Girls where booth Jonathan

1:06:24.680 --> 1:06:27.360
<v Speaker 5>traps Marnie and the thing with all the TVs and

1:06:27.360 --> 1:06:28.240
<v Speaker 5>it plays on a loop.

1:06:29.080 --> 1:06:30.240
<v Speaker 4>Do you like Girls?

1:06:30.480 --> 1:06:33.080
<v Speaker 2>I love Girls too? It is I.

1:06:33.320 --> 1:06:37.320
<v Speaker 5>I have revisited it so many times after it came

1:06:37.360 --> 1:06:39.400
<v Speaker 5>off the air, and every time I watch it, I

1:06:39.480 --> 1:06:42.000
<v Speaker 5>like it more and more. I think, I think it

1:06:42.040 --> 1:06:46.520
<v Speaker 5>is just fine and like so it was so ahead

1:06:46.520 --> 1:06:49.040
<v Speaker 5>of its time, but also so talk.

1:06:48.920 --> 1:06:52.480
<v Speaker 3>About it like Lena really redefined television and like what

1:06:52.560 --> 1:06:54.760
<v Speaker 3>you could do with television, and like the intimacy and

1:06:54.760 --> 1:06:58.000
<v Speaker 3>the groundedness of like bringing indie movies into television and

1:06:58.040 --> 1:06:59.560
<v Speaker 3>like table television spaces.

1:07:18.000 --> 1:07:20.080
<v Speaker 1>A Sprouse is in one in your in an upcoming

1:07:20.080 --> 1:07:22.800
<v Speaker 1>filed Tommy, what can you what can you tell the virgins?

1:07:22.840 --> 1:07:25.160
<v Speaker 3>In this very early stage, I mean, Cole Sprousse is

1:07:25.200 --> 1:07:28.240
<v Speaker 3>in my movie. He plays this like small sort of

1:07:28.520 --> 1:07:30.919
<v Speaker 3>not small, and he plays a substantive supporting role.

1:07:31.120 --> 1:07:32.840
<v Speaker 4>Great role for him.

1:07:32.880 --> 1:07:34.720
<v Speaker 3>You know, all of the names in this movie are

1:07:34.720 --> 1:07:37.880
<v Speaker 3>really in support of Ben, the lead of our movie.

1:07:37.920 --> 1:07:41.080
<v Speaker 3>And like so I feel really grateful for the actors

1:07:41.080 --> 1:07:44.680
<v Speaker 3>that like showed up for to do this, who like

1:07:45.400 --> 1:07:47.000
<v Speaker 3>I didn't need to, you.

1:07:46.960 --> 1:07:47.440
<v Speaker 2>Know what I mean.

1:07:47.520 --> 1:07:49.440
<v Speaker 3>Like, I feel really really grateful for like friends of

1:07:49.480 --> 1:07:52.720
<v Speaker 3>mine or acquaintances of mine who kind of came in

1:07:53.000 --> 1:07:55.200
<v Speaker 3>and helped get this movie made. Because if you're making

1:07:55.200 --> 1:08:00.280
<v Speaker 3>projects like you need like financiable attributes to those for

1:08:00.280 --> 1:08:02.080
<v Speaker 3>the most part, right and for me, it was with

1:08:02.120 --> 1:08:04.000
<v Speaker 3>this kind of film in particular because it's it was

1:08:04.320 --> 1:08:06.000
<v Speaker 3>sort of like an intimate coming of age film. It's

1:08:06.000 --> 1:08:09.560
<v Speaker 3>not like a big broad you know, comedy or anything.

1:08:09.600 --> 1:08:11.480
<v Speaker 3>Like I really like I needed to have some of

1:08:11.520 --> 1:08:12.320
<v Speaker 3>the support of.

1:08:14.320 --> 1:08:15.360
<v Speaker 4>Certain types of.

1:08:15.280 --> 1:08:17.559
<v Speaker 3>People who are also really talented actors and who really

1:08:17.560 --> 1:08:21.720
<v Speaker 3>believed in like this story and lending their artistry to

1:08:21.760 --> 1:08:26.320
<v Speaker 3>it and also their their their cachet if you will.

1:08:25.720 --> 1:08:26.920
<v Speaker 2>And I've seen it.

1:08:27.200 --> 1:08:29.920
<v Speaker 3>I know we can't go such an early ca so crazy,

1:08:29.920 --> 1:08:31.400
<v Speaker 3>but I'm so grateful because I feel like you gave

1:08:31.400 --> 1:08:34.400
<v Speaker 3>me such really just such such really god feedback.

1:08:34.560 --> 1:08:37.240
<v Speaker 2>Oh thank you. Man is very good at feedback, I

1:08:38.439 --> 1:08:39.719
<v Speaker 2>am to an extent.

1:08:40.280 --> 1:08:43.479
<v Speaker 1>But yeah, I seeing him in that role is this

1:08:43.560 --> 1:08:46.120
<v Speaker 1>kind of supportive, like you know, father figure.

1:08:47.600 --> 1:08:49.320
<v Speaker 2>I was like, we've never seen him in a role

1:08:49.400 --> 1:08:50.799
<v Speaker 2>like this. No, that's cool.

1:08:50.880 --> 1:08:54.559
<v Speaker 3>It was f I mean, looks like Cole's thirty thirty

1:08:54.560 --> 1:08:58.720
<v Speaker 3>one this year. Alex Sadario is also in her mid thirties, Like,

1:08:59.680 --> 1:09:03.599
<v Speaker 3>is this mom like thinking of these two people who

1:09:03.680 --> 1:09:08.760
<v Speaker 3>are like of child bearing rearing age, like getting to

1:09:08.960 --> 1:09:10.519
<v Speaker 3>sort of for coal like step out of a high

1:09:10.560 --> 1:09:13.439
<v Speaker 3>school project or even college project and into like a

1:09:13.479 --> 1:09:16.200
<v Speaker 3>proper like adult thing. Was it was really nice and

1:09:16.240 --> 1:09:18.720
<v Speaker 3>like I'm grateful that like it. It's really nice to

1:09:18.720 --> 1:09:21.639
<v Speaker 3>see him play like a human being again that makes sense?

1:09:21.680 --> 1:09:23.519
<v Speaker 3>Like no, true, not that like they're not human beings

1:09:23.600 --> 1:09:25.200
<v Speaker 3>on Riverdale, but I sort of feel like, I mean,

1:09:25.280 --> 1:09:27.559
<v Speaker 3>I feel like again, drag it is.

1:09:27.680 --> 1:09:30.920
<v Speaker 4>It is drag drag, right, They're always doing some version

1:09:30.920 --> 1:09:31.840
<v Speaker 4>of drag on that show.

1:09:32.160 --> 1:09:36.839
<v Speaker 1>We did an episode about Disney Channel original movies and shows, Wow,

1:09:36.880 --> 1:09:39.160
<v Speaker 1>and we that I think that, you know, the sweet

1:09:39.200 --> 1:09:41.479
<v Speaker 1>like Life of Zack and Cody falls into this like

1:09:41.800 --> 1:09:44.760
<v Speaker 1>it's fabulousm It's like not real life there, And that's

1:09:44.760 --> 1:09:47.040
<v Speaker 1>what you're saying, is like to see him inhabit like

1:09:47.240 --> 1:09:49.440
<v Speaker 1>a real character, I think is incredible.

1:09:49.800 --> 1:09:52.040
<v Speaker 3>Yeah, And I think like, I mean, I'll never forget

1:09:52.080 --> 1:09:54.760
<v Speaker 3>both of them in Big Daddy, right, Like that was

1:09:54.800 --> 1:09:59.240
<v Speaker 3>like sad Adam Chandler movie. You have to watch that tonight,

1:09:59.439 --> 1:10:02.639
<v Speaker 3>Oh my got if you haven't. Yeah, they're the kid

1:10:02.680 --> 1:10:04.719
<v Speaker 3>in Big Daddy. And like the first time I remember

1:10:04.800 --> 1:10:07.280
<v Speaker 3>crying in a movie theater. Wow, or like watching a

1:10:07.320 --> 1:10:11.280
<v Speaker 3>movie like sobbing at the end when when the sun's

1:10:11.280 --> 1:10:13.120
<v Speaker 3>almost like it is like me is like they're going

1:10:13.160 --> 1:10:15.479
<v Speaker 3>to take the sun away from Big Daddy.

1:10:15.520 --> 1:10:18.120
<v Speaker 4>Adam Sandler. I don't know why that really shook me

1:10:18.160 --> 1:10:18.839
<v Speaker 4>to my core.

1:10:19.720 --> 1:10:23.439
<v Speaker 1>Adam Sandler loves like a kind of serious kind of

1:10:23.479 --> 1:10:26.280
<v Speaker 1>like comedy that has a little serious job in it.

1:10:26.800 --> 1:10:29.640
<v Speaker 3>Yeah, I think especially during that time like he was

1:10:30.200 --> 1:10:34.839
<v Speaker 3>he was peak comedy, like peak theater, like theatrical release

1:10:35.040 --> 1:10:37.760
<v Speaker 3>like game as an actor and still is like such

1:10:37.760 --> 1:10:41.559
<v Speaker 3>a fucking cool, interesting, like genre heavy movie star.

1:10:42.479 --> 1:10:45.240
<v Speaker 1>What's that movie where Adam Sandler can like control his

1:10:45.240 --> 1:10:46.479
<v Speaker 1>family with a control.

1:10:46.560 --> 1:10:46.760
<v Speaker 2>Yeah.

1:10:46.800 --> 1:10:50.840
<v Speaker 1>Everyone talks about Click. Everyone's like Click was the best movie.

1:10:50.320 --> 1:10:51.559
<v Speaker 2>It was beautiful.

1:10:51.560 --> 1:10:57.040
<v Speaker 5>All those weird like supernatural comedies like Click, Bruce Almighty.

1:10:56.640 --> 1:11:00.080
<v Speaker 3>Oh yeah, yeah, these are really like there was a

1:11:00.160 --> 1:11:04.120
<v Speaker 3>period where like subgenre genre films were like all that

1:11:04.240 --> 1:11:06.320
<v Speaker 3>was being made, and I feel like maybe are coming

1:11:06.360 --> 1:11:07.519
<v Speaker 3>back into that a little bit.

1:11:07.760 --> 1:11:08.400
<v Speaker 2>I would love that.

1:11:08.439 --> 1:11:12.040
<v Speaker 5>You know what's one of my favorites The Dazzle Uh yeah,

1:11:12.080 --> 1:11:19.800
<v Speaker 5>be Dazzled, Dazzled with with Elizabeth Hurley and the Devil and.

1:11:19.840 --> 1:11:21.800
<v Speaker 2>He sells, he sells his soul.

1:11:22.320 --> 1:11:26.080
<v Speaker 5>He gets seven wishes. It's incredible. And Elizabeth Hurley as

1:11:26.120 --> 1:11:26.679
<v Speaker 5>the Devil.

1:11:26.640 --> 1:11:30.599
<v Speaker 4>Or Shrink Shrink the honeye shrunk the cat, Yes, or.

1:11:31.280 --> 1:11:34.720
<v Speaker 2>Like I loved all of those Look Who's talking? Look

1:11:34.760 --> 1:11:37.320
<v Speaker 2>Who's talking? You know the one where the baby the

1:11:37.360 --> 1:11:37.840
<v Speaker 2>babies talk.

1:11:38.479 --> 1:11:38.920
<v Speaker 4>I loved that.

1:11:39.080 --> 1:11:41.439
<v Speaker 3>Jamie Lee when she was like winning her career Oscar,

1:11:42.120 --> 1:11:45.680
<v Speaker 3>she was like talking about how she's basically only done

1:11:45.720 --> 1:11:47.720
<v Speaker 3>genre movies, and I think that's like such a like

1:11:48.000 --> 1:11:50.960
<v Speaker 3>a specific cool way to be an actor is like

1:11:50.960 --> 1:11:53.120
<v Speaker 3>like you can be like Meryl Streep, or you can

1:11:53.160 --> 1:11:56.360
<v Speaker 3>be like Mariska Haggerty or you can be just like

1:11:56.560 --> 1:11:59.200
<v Speaker 3>genre only like very like and I and I love that.

1:11:59.240 --> 1:12:01.080
<v Speaker 3>I feel like I'm like she's really for forty years,

1:12:01.080 --> 1:12:04.719
<v Speaker 3>made such a career out of doing like iconic genre film.

1:12:04.520 --> 1:12:07.360
<v Speaker 2>And especially since the genre girlies are never at the Oscar.

1:12:07.520 --> 1:12:08.200
<v Speaker 2>They never are.

1:12:08.280 --> 1:12:10.400
<v Speaker 3>I mean Mia Goth would talk about this on the

1:12:10.400 --> 1:12:12.240
<v Speaker 3>podcast right now. I'm sure it's like this idea that

1:12:12.280 --> 1:12:14.120
<v Speaker 3>like certain types of films aren't taken sered.

1:12:14.160 --> 1:12:15.840
<v Speaker 2>Are you a me? Are you a Mia Gothstan?

1:12:16.160 --> 1:12:17.000
<v Speaker 4>I love me a Goth?

1:12:17.120 --> 1:12:18.200
<v Speaker 2>Are you friends? Are you know?

1:12:18.320 --> 1:12:20.160
<v Speaker 4>I don't know her? I don't you.

1:12:20.200 --> 1:12:21.000
<v Speaker 2>Seem like you would?

1:12:21.400 --> 1:12:25.720
<v Speaker 4>I thank you again, Like I think I'm not that cool. Well,

1:12:25.760 --> 1:12:27.160
<v Speaker 4>she seems so cool to me.

1:12:27.360 --> 1:12:29.040
<v Speaker 1>I'm gonna catch you. I'm gonna catch you, like in

1:12:29.120 --> 1:12:31.080
<v Speaker 1>a photo with her, like weeks from now.

1:12:31.240 --> 1:12:32.920
<v Speaker 3>I mean so like I'm arising Leo. So I think

1:12:32.960 --> 1:12:34.960
<v Speaker 3>people think of me a lot as like someone who's

1:12:35.040 --> 1:12:38.000
<v Speaker 3>like friends with everybody, and like I'm definitely like well

1:12:38.040 --> 1:12:42.240
<v Speaker 3>acquainted and like very friendly and like end up in

1:12:42.320 --> 1:12:45.400
<v Speaker 3>certain whether it's like through manifestation or like sheer will

1:12:45.560 --> 1:12:47.679
<v Speaker 3>or like luck, I don't really know, but like, especially

1:12:47.680 --> 1:12:49.040
<v Speaker 3>when I was living in La I was just sort

1:12:49.040 --> 1:12:52.240
<v Speaker 3>of like always like finding myself in like these rooms

1:12:52.240 --> 1:12:54.360
<v Speaker 3>with certain types of people, and now that I'm back

1:12:54.400 --> 1:12:56.120
<v Speaker 3>in New York that feels very like far away.

1:12:56.640 --> 1:12:58.479
<v Speaker 4>But I do have I do have this.

1:12:58.400 --> 1:12:59.800
<v Speaker 3>Thing where it's like I think there's a period on

1:12:59.800 --> 1:13:01.519
<v Speaker 3>twin before like I had any work come out where

1:13:01.520 --> 1:13:03.519
<v Speaker 3>I was just like known as like the faggot who

1:13:03.520 --> 1:13:05.759
<v Speaker 3>was friends with all the Alis celebrities for no reason

1:13:05.840 --> 1:13:09.720
<v Speaker 3>or something. Yeah yeah right, yeah, no, no, no, for sure,

1:13:09.720 --> 1:13:11.879
<v Speaker 3>everyone's just like, wow, I think that's accurate.

1:13:12.080 --> 1:13:12.960
<v Speaker 4>Yeah, totally.

1:13:13.080 --> 1:13:13.160
<v Speaker 2>No.

1:13:13.240 --> 1:13:16.360
<v Speaker 3>I know, I know, I know what's being said, but

1:13:16.400 --> 1:13:18.360
<v Speaker 3>in my head, I'm like I'm so much more than

1:13:18.360 --> 1:13:19.200
<v Speaker 3>that you are.

1:13:19.360 --> 1:13:20.919
<v Speaker 2>I'm working on all these things.

1:13:21.200 --> 1:13:23.880
<v Speaker 3>She's not her, and I'm finally happy to like be

1:13:24.000 --> 1:13:26.640
<v Speaker 3>like three years later, like I'm finally like starting to

1:13:26.760 --> 1:13:30.599
<v Speaker 3>like announce and release and shoot stuff that I've been

1:13:30.600 --> 1:13:32.240
<v Speaker 3>working on for so long, because there was just like

1:13:32.439 --> 1:13:33.880
<v Speaker 3>I'm not the type of girl who will like talk

1:13:33.880 --> 1:13:36.760
<v Speaker 3>about stuff before it's more more or less baked.

1:13:37.080 --> 1:13:38.960
<v Speaker 4>So and you're just not even to.

1:13:39.160 --> 1:13:43.080
<v Speaker 3>Friends, really like to close friends, but like or like

1:13:43.120 --> 1:13:45.360
<v Speaker 3>in work meetings. But I wasn't like going around town

1:13:45.479 --> 1:13:47.280
<v Speaker 3>being like I've sold like this many projects on this

1:13:47.320 --> 1:13:50.920
<v Speaker 3>many things like until I had like like ink had

1:13:51.040 --> 1:13:54.160
<v Speaker 3>dried and like things were going and even still I'm very,

1:13:54.280 --> 1:13:58.360
<v Speaker 3>very very uh may be superstitious and also just trepidacious

1:13:58.360 --> 1:14:00.880
<v Speaker 3>about the way in which I discussed work and what

1:14:00.920 --> 1:14:02.920
<v Speaker 3>I choose to talk about or not talk about, as

1:14:02.920 --> 1:14:06.240
<v Speaker 3>you should be, because I've also especially in how I

1:14:06.280 --> 1:14:08.519
<v Speaker 3>would like so many people will be like they'll like

1:14:08.600 --> 1:14:10.840
<v Speaker 3>have had like a callback or producer session, and like

1:14:10.880 --> 1:14:12.600
<v Speaker 3>I'll hear them being like I booked this role and

1:14:12.600 --> 1:14:12.880
<v Speaker 3>I'm like.

1:14:12.920 --> 1:14:15.160
<v Speaker 4>Oh my god, you literally don't have that job, Like you're.

1:14:15.320 --> 1:14:17.400
<v Speaker 3>Just so stressful, Like I really hope you get that,

1:14:17.560 --> 1:14:19.080
<v Speaker 3>and then like nine percent of the time, like they

1:14:19.080 --> 1:14:21.479
<v Speaker 3>don't get the job, and I'm like that gives me

1:14:21.520 --> 1:14:23.040
<v Speaker 3>like the most anxiety ever.

1:14:24.080 --> 1:14:25.160
<v Speaker 4>So I'm just really careful.

1:14:25.200 --> 1:14:26.960
<v Speaker 3>But but yeah, there was definitely a period of time

1:14:27.120 --> 1:14:31.120
<v Speaker 3>like a little bit pre pandemic pandemic, like I just I, yeah,

1:14:31.160 --> 1:14:32.720
<v Speaker 3>I have a lot of close friends who are really

1:14:32.720 --> 1:14:36.000
<v Speaker 3>successful in their field and like significantly more successful.

1:14:35.560 --> 1:14:36.519
<v Speaker 4>Than I have been in mine.

1:14:38.320 --> 1:14:41.160
<v Speaker 3>Lena talked about this. Okay, there's a piece in the

1:14:41.200 --> 1:14:43.479
<v Speaker 3>cut that Brock wrote about me. It was basically talked

1:14:43.479 --> 1:14:46.080
<v Speaker 3>a little bit about that, and I think like she

1:14:46.080 --> 1:14:48.719
<v Speaker 3>she called Lena about it, and Lena was like, Lena

1:14:48.880 --> 1:14:50.840
<v Speaker 3>very graciously said that I'm a person that you just

1:14:50.840 --> 1:14:52.479
<v Speaker 3>want to be around, which I thought that was very sweet,

1:14:52.479 --> 1:14:54.160
<v Speaker 3>because I'm not sure that's entirely well, I don't always

1:14:54.200 --> 1:14:56.479
<v Speaker 3>want to be around me, but I do think like

1:14:56.600 --> 1:14:58.679
<v Speaker 3>I'm a pretty good friend and like a good listener,

1:14:58.720 --> 1:15:01.559
<v Speaker 3>and like I'm good at like I pick up the

1:15:01.560 --> 1:15:04.920
<v Speaker 3>phone when you're calling kind of person and like so,

1:15:06.120 --> 1:15:08.880
<v Speaker 3>and I'm good at like keeping secrets as well. So

1:15:08.920 --> 1:15:11.120
<v Speaker 3>I feel like I've just I don't know, but my

1:15:11.200 --> 1:15:12.519
<v Speaker 3>hair hasn't gott any bigger from that.

1:15:12.800 --> 1:15:15.799
<v Speaker 2>Unfortunate honestly, Well, when it does, you can get the Rachel.

1:15:15.960 --> 1:15:17.280
<v Speaker 4>I can't the fucking Rachel cut.

1:15:17.280 --> 1:15:19.240
<v Speaker 2>Would you ever get the race Rachel cut.

1:15:19.280 --> 1:15:22.320
<v Speaker 3>I'm currently in the stage of trying to grow my

1:15:22.360 --> 1:15:25.080
<v Speaker 3>hair out, but curly girls, no, like, it just takes

1:15:25.479 --> 1:15:28.160
<v Speaker 3>so much longer. But I'm trying to. I think I'm

1:15:28.160 --> 1:15:31.400
<v Speaker 3>trying to just like just just below the collar bone.

1:15:32.040 --> 1:15:34.479
<v Speaker 3>I feel like the Rachel cut in my forties, so

1:15:34.520 --> 1:15:36.400
<v Speaker 3>like in ten years feels appropriate.

1:15:36.439 --> 1:15:39.759
<v Speaker 2>Okay, and see you then then right, let's do it, Tommy.

1:15:39.880 --> 1:15:43.000
<v Speaker 1>I do see you entering like an era in your

1:15:43.000 --> 1:15:45.439
<v Speaker 1>career that is kind of like the Lena or the

1:15:45.520 --> 1:15:47.640
<v Speaker 1>Miya Goth moment where you're like, I'm going to do

1:15:47.840 --> 1:15:49.920
<v Speaker 1>you know your writer, You're gonna get on your writer director,

1:15:50.640 --> 1:15:53.360
<v Speaker 1>like you know what I mean? Like, and I honestly

1:15:53.520 --> 1:15:56.040
<v Speaker 1>I love that you're I honestly, when when I heard

1:15:56.080 --> 1:15:57.960
<v Speaker 1>the film announced, I thought that you were going to

1:15:58.000 --> 1:15:59.680
<v Speaker 1>be in it as well, and you You're not.

1:16:00.120 --> 1:16:02.519
<v Speaker 2>No, You're entering you want to be a true girl boss.

1:16:02.560 --> 1:16:06.840
<v Speaker 3>Well, I no, I think I want to act too,

1:16:06.960 --> 1:16:09.400
<v Speaker 3>Like I'm gonna undition for something after this today, like

1:16:09.439 --> 1:16:11.479
<v Speaker 3>I'm I'm gonna go home and put myself on tape

1:16:11.520 --> 1:16:13.040
<v Speaker 3>or something like. I'm still looking for that. But I'm

1:16:13.160 --> 1:16:17.760
<v Speaker 3>very because I have like multiple streams of revenue and

1:16:17.800 --> 1:16:21.840
<v Speaker 3>creative outlets, like I'm I'm not. I'm just no longer

1:16:21.920 --> 1:16:23.960
<v Speaker 3>going to like do the bad acting job because I

1:16:23.960 --> 1:16:25.679
<v Speaker 3>feel like I have to do it right now, which

1:16:25.720 --> 1:16:26.320
<v Speaker 3>feels good.

1:16:26.680 --> 1:16:28.400
<v Speaker 4>But I do miss it and at some point I'll

1:16:28.400 --> 1:16:28.920
<v Speaker 4>get back to it.

1:16:28.960 --> 1:16:33.080
<v Speaker 3>But yeah, I'm definitely in my like producorial bag at

1:16:33.080 --> 1:16:34.560
<v Speaker 3>the moment, proudusorial.

1:16:34.680 --> 1:16:36.320
<v Speaker 2>Maybe you'll play Rachel in the Friends.

1:16:36.920 --> 1:16:37.240
<v Speaker 4>Ah.

1:16:38.160 --> 1:16:40.559
<v Speaker 2>Okay, that is the I want to make.

1:16:40.800 --> 1:16:43.320
<v Speaker 3>I want to make a sun Dance film that's about

1:16:43.600 --> 1:16:46.559
<v Speaker 3>trans Rachel, about a trans girl who wakes up from

1:16:46.600 --> 1:16:48.599
<v Speaker 3>a coma thinking that she's Rachel from friends who.

1:16:49.680 --> 1:16:52.200
<v Speaker 2>Sort of like that Rebel Wilson movie where she wakes

1:16:52.280 --> 1:16:52.799
<v Speaker 2>up Yeah.

1:16:52.720 --> 1:16:56.360
<v Speaker 4>Yeah, exactly, So it's a version of it. I feel pretty,

1:16:56.400 --> 1:16:59.479
<v Speaker 4>but she's a doll in like Tennessee.

1:17:00.240 --> 1:17:04.120
<v Speaker 2>Wait, would would absolutely watch Okay, cool.

1:17:04.040 --> 1:17:14.280
<v Speaker 4>Green Lan write it already, got somebody do it? I can't.

1:17:18.600 --> 1:17:21.479
<v Speaker 5>Next week we will be back with an episode that

1:17:21.640 --> 1:17:24.800
<v Speaker 5>is to be determined. But in the meantime, slide into

1:17:24.800 --> 1:17:27.000
<v Speaker 5>our dm sot Like a Virgin four twenty sixty nine

1:17:27.000 --> 1:17:29.559
<v Speaker 5>and let us know do you love Spring Awakening? What's

1:17:29.560 --> 1:17:34.000
<v Speaker 5>your favorite song? Also, make sure that you become a

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<v Speaker 5>patron at Patreon dot com slash like a Virgin so

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<v Speaker 5>merch Like a Virgin four twenty sixty.

1:17:42.439 --> 1:17:43.280
<v Speaker 2>Nine dot com.

1:17:43.960 --> 1:17:48.280
<v Speaker 5>And you can find me anywhere online at rose DomU and.

1:17:48.200 --> 1:17:50.920
<v Speaker 2>You can find me at friends Wishigo anywhere you likes.

1:17:51.600 --> 1:17:53.479
<v Speaker 2>Like a Virgin is an arheartradio production.

1:17:53.640 --> 1:17:57.439
<v Speaker 5>Our producer is Phoebe Unter with support from Lindsay Hoffman

1:17:57.680 --> 1:18:00.120
<v Speaker 5>and Nikki tour until next week.

1:18:01.000 --> 1:18:01.960
<v Speaker 2>Later Visions