1 00:00:03,120 --> 00:00:04,240 Speaker 1: What's up y'all? 2 00:00:04,640 --> 00:00:07,520 Speaker 2: Is dreking a call from Poor Minds and licks P 3 00:00:07,880 --> 00:00:11,200 Speaker 2: and we here with ZC and eighty five South at 4 00:00:11,280 --> 00:00:15,640 Speaker 2: Mackwood's backstage and we have the beautiful knowledge someone. 5 00:00:15,400 --> 00:00:22,279 Speaker 3: Here, Yeah, hey, guys, not have a top. 6 00:00:22,600 --> 00:00:23,840 Speaker 1: It's just your toes. 7 00:00:23,880 --> 00:00:25,360 Speaker 4: And I was like, damn this nigga. 8 00:00:25,800 --> 00:00:30,560 Speaker 1: She said, let the world see. No, come on my job, 9 00:00:31,760 --> 00:00:37,760 Speaker 1: you know, showing up to the camera. Period. That's right. 10 00:00:38,720 --> 00:00:46,320 Speaker 1: I know I have you. I can appreciate the confidence. No, 11 00:00:46,360 --> 00:00:48,960 Speaker 1: that's a that's that's a band. That's a nice Yeah, 12 00:00:49,080 --> 00:00:52,000 Speaker 1: you got a nice little arm. Did you use the dance? 13 00:00:52,240 --> 00:00:53,400 Speaker 1: Are you a former dancer? 14 00:00:55,480 --> 00:00:55,600 Speaker 2: Oh? 15 00:00:55,720 --> 00:00:57,640 Speaker 1: No, I know I heard you. I was just asking 16 00:00:58,480 --> 00:00:59,800 Speaker 1: you a nice point. 17 00:00:59,800 --> 00:01:06,240 Speaker 5: It's yeah, you got to you knows, get down, okay, 18 00:01:06,600 --> 00:01:07,760 Speaker 5: b back to you. 19 00:01:08,000 --> 00:01:08,319 Speaker 1: Okay. 20 00:01:08,360 --> 00:01:11,880 Speaker 5: So you are at DJ on the most epic show 21 00:01:11,959 --> 00:01:15,759 Speaker 5: that has been around, Breakfast Club. I feel like as 22 00:01:15,800 --> 00:01:17,520 Speaker 5: a person in the industry, like once you get on 23 00:01:17,520 --> 00:01:20,600 Speaker 5: Breakfast Club, that's like the pinnacle of you know, media. 24 00:01:21,080 --> 00:01:23,360 Speaker 5: So talk about that link up and how that how 25 00:01:23,400 --> 00:01:24,480 Speaker 5: you got that opportunity. 26 00:01:25,440 --> 00:01:29,240 Speaker 3: So I was working at Power for the past eight 27 00:01:29,319 --> 00:01:31,440 Speaker 3: years prior to working with Breakfast Club. 28 00:01:31,480 --> 00:01:33,080 Speaker 4: I worked on every other show. 29 00:01:33,120 --> 00:01:35,559 Speaker 3: I worked with Angie Martinez, That's who like really brought 30 00:01:35,560 --> 00:01:37,720 Speaker 3: me in the game. I worked with DJ Clue, That's 31 00:01:37,760 --> 00:01:40,039 Speaker 3: who really taught me how to DJ. I worked with 32 00:01:40,160 --> 00:01:43,479 Speaker 3: DJ self. I did overnight, so I've always been in 33 00:01:43,520 --> 00:01:46,000 Speaker 3: the building. And when I was doing overnights, I used 34 00:01:46,040 --> 00:01:49,240 Speaker 3: to work two am to five am, and then I 35 00:01:49,280 --> 00:01:51,400 Speaker 3: would run the boards for the ten am to two 36 00:01:51,400 --> 00:01:53,560 Speaker 3: pm shift. So I would just sleep at the station 37 00:01:53,800 --> 00:01:56,240 Speaker 3: or like just read books. And while I'd be at 38 00:01:56,240 --> 00:01:59,440 Speaker 3: the station. Me and Charlemagne realized we had similar interests, 39 00:01:59,440 --> 00:02:01,160 Speaker 3: Like I'd be really asa, He's like, what you know 40 00:02:01,240 --> 00:02:03,920 Speaker 3: about that? So like we started building a bond and 41 00:02:04,840 --> 00:02:08,960 Speaker 3: from there he would just book me to DJ for him. 42 00:02:09,000 --> 00:02:10,960 Speaker 3: So yeah, So then when the opportunity came up for 43 00:02:11,040 --> 00:02:13,120 Speaker 3: me to like promote new music on Breakfast Club, he 44 00:02:13,240 --> 00:02:14,320 Speaker 3: was like, Yo, are you interested? 45 00:02:14,360 --> 00:02:15,679 Speaker 4: I'm like absolutely right. 46 00:02:17,200 --> 00:02:20,560 Speaker 6: Can you explain how like certain times in the in 47 00:02:20,680 --> 00:02:24,440 Speaker 6: the radio business are more popular than others, So you 48 00:02:24,520 --> 00:02:26,600 Speaker 6: really gotta make your you know what I'm saying, like 49 00:02:26,639 --> 00:02:28,960 Speaker 6: your like like an image known when you have a 50 00:02:28,960 --> 00:02:30,639 Speaker 6: certain time where you're like, you know what, I'm gonna 51 00:02:30,680 --> 00:02:34,000 Speaker 6: get people to listen during this time, I'm gonna show 52 00:02:34,080 --> 00:02:35,119 Speaker 6: them that I'm special. 53 00:02:39,240 --> 00:02:41,160 Speaker 3: I mean, I feel like you just always gotta do 54 00:02:41,240 --> 00:02:43,320 Speaker 3: that all the time. I don't even feel like it's 55 00:02:43,360 --> 00:02:45,320 Speaker 3: like a particular moment where you got to hit it. 56 00:02:45,360 --> 00:02:48,200 Speaker 3: I feel like because it's so competitive and because everybody 57 00:02:48,840 --> 00:02:52,680 Speaker 3: is somebody now, like you constantly gotta put out, constantly, 58 00:02:52,680 --> 00:02:54,520 Speaker 3: gotta show up, constantly, got to be on it. So 59 00:02:54,840 --> 00:02:57,000 Speaker 3: I don't know, I can't really be like this is 60 00:02:57,000 --> 00:02:58,519 Speaker 3: the time where I'm like, let's lock the fuck in, 61 00:02:58,680 --> 00:02:59,520 Speaker 3: just stay locked in. 62 00:03:00,160 --> 00:03:02,120 Speaker 4: You just never know, never know. 63 00:03:02,800 --> 00:03:04,440 Speaker 1: So how did you get into DJ? 64 00:03:04,600 --> 00:03:06,959 Speaker 2: And have you always just really been into music and 65 00:03:07,000 --> 00:03:08,920 Speaker 2: it was something that you wanted to do or was 66 00:03:08,960 --> 00:03:10,800 Speaker 2: it kind of one of those hitting talents that you 67 00:03:10,840 --> 00:03:13,080 Speaker 2: stumbled up on, Because I feel like, you know, sometimes 68 00:03:13,120 --> 00:03:15,639 Speaker 2: people have hitting talents that they don't know they're really 69 00:03:15,639 --> 00:03:16,800 Speaker 2: good at and then one day. 70 00:03:16,720 --> 00:03:18,840 Speaker 1: You try something. So how did you end up. 71 00:03:19,240 --> 00:03:22,800 Speaker 3: Always been a nerd about music, like awkwardly nerdy about music, 72 00:03:22,880 --> 00:03:25,880 Speaker 3: like YouTube, rabbit holes, watching your m TV raps when 73 00:03:25,919 --> 00:03:28,280 Speaker 3: I was like five, you know so, and I was 74 00:03:28,320 --> 00:03:31,240 Speaker 3: also the kid making CDs offline wires, selling it to 75 00:03:31,240 --> 00:03:42,760 Speaker 3: the kids in the neighborhood. 76 00:03:43,080 --> 00:03:44,120 Speaker 4: I've always done it. 77 00:03:44,160 --> 00:03:48,040 Speaker 3: So it was just a hobby that I picked up 78 00:03:48,040 --> 00:03:50,400 Speaker 3: in college because I needed money, and then it just 79 00:03:50,520 --> 00:03:53,200 Speaker 3: it just triggled into a career, thankfully, Like I'm so happy. 80 00:03:53,280 --> 00:03:55,200 Speaker 3: I never really thought, like, damn, this could be a job. 81 00:03:55,240 --> 00:03:57,520 Speaker 3: I'm going to school for computer science. I was going 82 00:03:57,560 --> 00:03:59,200 Speaker 3: to get a government job. I'm from the DMV and 83 00:03:59,200 --> 00:04:01,320 Speaker 3: everybody in the works for the government, so that's what 84 00:04:01,360 --> 00:04:04,520 Speaker 3: I thought I was gonna be doing, husband kid government job. 85 00:04:04,720 --> 00:04:06,600 Speaker 3: But no, like I'm a DJ, I'm at dream of 86 00:04:06,680 --> 00:04:08,680 Speaker 3: Fest talking to fucking eighty five South and for. 87 00:04:12,280 --> 00:04:16,320 Speaker 6: But like mixing records, bro, it's like super duper hard, 88 00:04:16,640 --> 00:04:19,000 Speaker 6: even though I'm artist and I be trying, Like how 89 00:04:19,000 --> 00:04:20,520 Speaker 6: did you realize like you was good? 90 00:04:20,600 --> 00:04:24,880 Speaker 1: Like you know what? Oh shit, I don't know. 91 00:04:25,000 --> 00:04:26,559 Speaker 4: It don't feel hard to me, to be honest. 92 00:04:26,600 --> 00:04:28,799 Speaker 3: It probably took me like a month to really master 93 00:04:28,880 --> 00:04:32,240 Speaker 3: blending and stuff like that, especially if you're already nationally 94 00:04:32,240 --> 00:04:32,799 Speaker 3: into music. 95 00:04:32,839 --> 00:04:34,000 Speaker 4: I have playlists for days. 96 00:04:34,400 --> 00:04:37,560 Speaker 3: Playlists are essentially create, like you're create, like if you're 97 00:04:37,560 --> 00:04:39,200 Speaker 3: a DJ and you're trying to set it up. So 98 00:04:39,560 --> 00:04:41,479 Speaker 3: I think I've always that represents you. 99 00:04:41,800 --> 00:04:44,080 Speaker 4: I was always doing it. So when it came to me, 100 00:04:44,440 --> 00:04:46,400 Speaker 4: it really was just like alignment. I guess. 101 00:04:46,480 --> 00:04:50,200 Speaker 5: So as a DJ, when you're hearing music, do you 102 00:04:50,240 --> 00:04:52,320 Speaker 5: be like, oh that's a good song. 103 00:04:54,480 --> 00:04:55,760 Speaker 4: Yes, all day long. 104 00:04:56,160 --> 00:04:58,200 Speaker 3: I'll find one song that I haven't heard a while 105 00:04:58,240 --> 00:05:00,960 Speaker 3: and it aspired me like about ten other songs like 106 00:05:00,960 --> 00:05:04,480 Speaker 3: oh this was sound good next to this, and so yeah, 107 00:05:04,680 --> 00:05:08,160 Speaker 3: I'm excited and like to expand my DJ portfolio. I'm 108 00:05:08,160 --> 00:05:11,000 Speaker 3: about to drop a tape. It has all New York 109 00:05:11,040 --> 00:05:12,960 Speaker 3: City artists on it, so like you got Ki Cash 110 00:05:13,000 --> 00:05:18,280 Speaker 3: and yeah there on there Eman Nunez, Life of Tom, 111 00:05:18,320 --> 00:05:21,279 Speaker 3: who's on tour right now, Foggy Baby, like it's it's cool. 112 00:05:21,320 --> 00:05:23,520 Speaker 3: We're trying to usher in just like a new era 113 00:05:23,760 --> 00:05:26,680 Speaker 3: of rap, and I'm like a rap head. 114 00:05:26,720 --> 00:05:28,200 Speaker 4: I love rap and I love R and B, but 115 00:05:28,720 --> 00:05:29,559 Speaker 4: rap is my ship. 116 00:05:30,000 --> 00:05:32,440 Speaker 1: So, who are some of your favorite artists right now? 117 00:05:32,920 --> 00:05:38,400 Speaker 3: Well, cold, I'm a cold stand but favorite artists right now. 118 00:05:38,680 --> 00:05:42,640 Speaker 3: I would say Ruben Vincent, I would say Rhapsody, I 119 00:05:42,680 --> 00:05:47,640 Speaker 3: would say. 120 00:05:45,560 --> 00:05:47,039 Speaker 4: Nico Brim the guys on my tape. 121 00:05:47,080 --> 00:05:47,400 Speaker 5: I don't know. 122 00:05:47,440 --> 00:05:50,600 Speaker 3: I'm so committed, Like I feel like mainstream media gets 123 00:05:50,600 --> 00:05:51,440 Speaker 3: so much love that. 124 00:05:51,400 --> 00:05:54,279 Speaker 4: I'm kind of tired of talking. Ye I hate. 125 00:05:57,040 --> 00:05:59,760 Speaker 3: About Drake Kendrick Cole, Respectfully, I'm tired of the conversation. 126 00:06:00,440 --> 00:06:02,680 Speaker 3: Change the conversation. There's so many other dope people we 127 00:06:02,680 --> 00:06:03,520 Speaker 3: should be talking about. 128 00:06:03,720 --> 00:06:05,640 Speaker 1: Yeah, she's like that too. She listens to a lot 129 00:06:05,680 --> 00:06:07,160 Speaker 1: of indie music. I'm like an indie. 130 00:06:07,360 --> 00:06:09,040 Speaker 5: So we have a segment on our show called Bop 131 00:06:09,040 --> 00:06:10,760 Speaker 5: of the Week, and I've like literally made it a 132 00:06:10,800 --> 00:06:13,279 Speaker 5: point to like always shout out like indie. 133 00:06:13,000 --> 00:06:15,320 Speaker 1: Artists, small artists, cause that be I got. 134 00:06:15,440 --> 00:06:17,279 Speaker 5: I got to get in my bag because I hate 135 00:06:17,320 --> 00:06:19,640 Speaker 5: when people say R and B music is dead, and 136 00:06:19,640 --> 00:06:21,600 Speaker 5: I'm like, R and B music is actually probably the 137 00:06:21,640 --> 00:06:24,440 Speaker 5: best it's ever been right now. It's so many like 138 00:06:24,520 --> 00:06:26,559 Speaker 5: new artists and people are always sending me their songs 139 00:06:26,560 --> 00:06:28,800 Speaker 5: and be people that just her listeners of the shot, 140 00:06:28,800 --> 00:06:30,919 Speaker 5: and I'm like, yo, you actually like really dope, you 141 00:06:30,960 --> 00:06:31,520 Speaker 5: know what I'm saying. 142 00:06:31,560 --> 00:06:34,520 Speaker 4: So Lou is really dope? I know los around here. 143 00:06:35,040 --> 00:06:38,200 Speaker 3: Yes, lou is super dope. 144 00:06:41,080 --> 00:06:41,960 Speaker 1: I said, I. 145 00:06:41,880 --> 00:06:56,239 Speaker 5: Said, noy, but we got cold, you know. 146 00:06:53,400 --> 00:06:58,640 Speaker 4: Cold, that's my favorite. I went to Saint John's University 147 00:06:58,680 --> 00:06:59,640 Speaker 4: because of call on that. 148 00:06:59,680 --> 00:07:04,400 Speaker 3: But all I'm saying is the other niggas we could 149 00:07:04,440 --> 00:07:05,360 Speaker 3: be talking about. 150 00:07:05,160 --> 00:07:07,400 Speaker 4: Don't they don't need the help, you know what I'm saying, 151 00:07:07,400 --> 00:07:07,880 Speaker 4: Like we should. 152 00:07:07,920 --> 00:07:09,240 Speaker 3: That's why I really felt with the fact that you 153 00:07:09,320 --> 00:07:13,520 Speaker 3: get that highlight indie artists, like it's so important just 154 00:07:13,520 --> 00:07:14,600 Speaker 3: bring it to people's attention. 155 00:07:15,280 --> 00:07:16,680 Speaker 4: Who's your favorite R and B artist right now? 156 00:07:16,720 --> 00:07:19,200 Speaker 5: Though? So honestly, I discovered this guy probably like two 157 00:07:19,280 --> 00:07:21,560 Speaker 5: or three months ago. His name is your Train, and 158 00:07:21,600 --> 00:07:24,680 Speaker 5: he is like super super dope, Like I have just 159 00:07:24,680 --> 00:07:27,760 Speaker 5: been on this listening to all his stuff. I like 160 00:07:28,120 --> 00:07:30,360 Speaker 5: Aaron Ray, He's not like super, but he's indie. 161 00:07:30,680 --> 00:07:32,480 Speaker 1: Ye, it's a lot. It's so many. 162 00:07:32,560 --> 00:07:35,800 Speaker 3: No, we need to share a playlist, oh for sure. 163 00:07:38,960 --> 00:07:43,520 Speaker 5: Yes. So I do have one more question being a 164 00:07:43,560 --> 00:07:47,040 Speaker 5: woman in the industry, especially with DJing, it's such a 165 00:07:47,080 --> 00:07:50,000 Speaker 5: heavily male dominated field. Do you feel like you being 166 00:07:50,040 --> 00:07:52,080 Speaker 5: a woman helps you because it's different or do you 167 00:07:52,080 --> 00:07:56,200 Speaker 5: think people kind of like try to question your knowledge 168 00:07:56,440 --> 00:07:58,600 Speaker 5: or don't take you as serious because you're a woman. 169 00:07:58,840 --> 00:08:03,240 Speaker 3: Man, I think whatever you are, male, female, whatever race, 170 00:08:03,280 --> 00:08:06,560 Speaker 3: whatever color, you always have disadvantages and advantages and you just. 171 00:08:06,480 --> 00:08:07,480 Speaker 4: Gotta work what you got. 172 00:08:07,920 --> 00:08:10,440 Speaker 3: But I will say for sure, when I first started 173 00:08:10,480 --> 00:08:14,360 Speaker 3: DJing because I was the first like female DJ hired 174 00:08:14,560 --> 00:08:17,440 Speaker 3: at the station at power. But also I was just 175 00:08:17,440 --> 00:08:20,520 Speaker 3: the first young talent in general at the station, like 176 00:08:20,840 --> 00:08:25,040 Speaker 3: there is nobody before me, period. So when I when 177 00:08:25,040 --> 00:08:28,240 Speaker 3: I got through, it was hell from a lot of people, 178 00:08:28,320 --> 00:08:30,080 Speaker 3: like a lot of older niggas hating on me, saying 179 00:08:30,080 --> 00:08:31,640 Speaker 3: that's gonna come and plug my USB. 180 00:08:32,240 --> 00:08:32,960 Speaker 4: People like. 181 00:08:34,800 --> 00:08:35,600 Speaker 1: What type of threat? 182 00:08:35,720 --> 00:08:44,680 Speaker 5: Yeah music, These are like older touch by five twelve. 183 00:08:48,880 --> 00:08:52,880 Speaker 1: That's why I got to I got a copy. 184 00:08:53,000 --> 00:08:56,080 Speaker 3: But it was intimidating because these are like older New York, 185 00:08:56,679 --> 00:08:58,800 Speaker 3: like these niggas been DJing for like twenty years, and 186 00:08:58,840 --> 00:09:00,760 Speaker 3: I'm like, I'm not from here. 187 00:09:01,040 --> 00:09:04,920 Speaker 4: I just started. It was just a lot to like digest. 188 00:09:05,080 --> 00:09:05,480 Speaker 1: Yeah. 189 00:09:05,559 --> 00:09:07,760 Speaker 4: But and I will say, for a minute. 190 00:09:07,520 --> 00:09:09,640 Speaker 3: I did believe them, like I did believe like I 191 00:09:09,760 --> 00:09:12,000 Speaker 3: wasn't enough, and I did let it take my confidence. 192 00:09:12,080 --> 00:09:14,800 Speaker 3: But I would say Charlot Magne was somebody who was 193 00:09:14,840 --> 00:09:17,439 Speaker 3: in my corner like them niggas is hating in their 194 00:09:17,520 --> 00:09:20,960 Speaker 3: fat like you're pretty that's what you said. 195 00:09:25,200 --> 00:09:27,320 Speaker 4: But yeah, man, so shout out to Charlemagne for real. 196 00:09:27,360 --> 00:09:28,079 Speaker 4: He's talking a lot. 197 00:09:30,000 --> 00:09:33,600 Speaker 5: Yeah, So what you got coming up next? Where can 198 00:09:33,640 --> 00:09:35,280 Speaker 5: people find you all that good stuff. Yeah. 199 00:09:35,320 --> 00:09:37,440 Speaker 3: Man, oh so we just at our very first I do. 200 00:09:37,559 --> 00:09:40,600 Speaker 3: I have a music collective where I'm going to be 201 00:09:40,640 --> 00:09:41,760 Speaker 3: dropping the album. 202 00:09:41,559 --> 00:09:44,040 Speaker 4: Through the collective. It's called Certified Vibe. 203 00:09:44,200 --> 00:09:46,360 Speaker 3: We just threw a party out here yesterday in order 204 00:09:46,400 --> 00:09:48,160 Speaker 3: to dream Bofest and it was really cool. A lot 205 00:09:48,160 --> 00:09:51,440 Speaker 3: of like Riley artists came out, like painter artists and 206 00:09:51,440 --> 00:09:55,280 Speaker 3: then artist like artist artists, producers. So we've just been 207 00:09:55,280 --> 00:09:57,719 Speaker 3: heavy on like building community with that. We have our 208 00:09:57,760 --> 00:10:01,360 Speaker 3: next Battle of the Beats in Brooklyn April eleventh, and 209 00:10:01,400 --> 00:10:05,040 Speaker 3: then we have our next showcase in May. 210 00:10:05,320 --> 00:10:11,640 Speaker 1: Huh twenty third, right, she mean through the whole thing. 211 00:10:12,600 --> 00:10:13,120 Speaker 1: You do good. 212 00:10:15,120 --> 00:10:17,560 Speaker 3: That's not even my manager, but that's just my left hand. 213 00:10:17,559 --> 00:10:22,120 Speaker 3: Shout out to Sydney. But yeah, so more events on 214 00:10:22,120 --> 00:10:24,200 Speaker 3: the way just follow us that. It's a Certified Vibe 215 00:10:24,240 --> 00:10:26,720 Speaker 3: because every week we're doing the same thing, like listening 216 00:10:26,720 --> 00:10:29,880 Speaker 3: through indie submissions, shoutout them out and then the best 217 00:10:29,880 --> 00:10:31,400 Speaker 3: ones I just shout out on Breakfast Club. 218 00:10:31,720 --> 00:10:35,319 Speaker 4: Oh urry, thank you guys. 219 00:10:35,240 --> 00:10:39,199 Speaker 1: Oh thank you so much, thank you. 220 00:10:40,400 --> 00:10:40,920 Speaker 5: Period