1 00:00:00,720 --> 00:00:18,000 Speaker 1: I Am all In You, I Am all In with 2 00:00:18,120 --> 00:00:22,360 Speaker 1: Scott Patterson and I Heart Radio Podcast. Hey Everybody, Scott Patterson, 3 00:00:22,400 --> 00:00:26,160 Speaker 1: I Am all In Podcast, I Heart Radio one eleven productions. 4 00:00:26,239 --> 00:00:31,280 Speaker 1: We're gonna interview none other than Sebastian bach Uh, the 5 00:00:31,440 --> 00:00:35,040 Speaker 1: rock star from skid Row. The lead singer. He was 6 00:00:35,040 --> 00:00:38,560 Speaker 1: in Gilmore for thirteen episodes as guitarist gil He first 7 00:00:38,600 --> 00:00:42,599 Speaker 1: appeared September four, episode seven, Festival Living Art. Last appearance 8 00:00:42,640 --> 00:00:46,959 Speaker 1: was season seven, episode sixteen, Will You Be My Laurel Gilmore. 9 00:00:47,479 --> 00:00:50,040 Speaker 1: He returned four a year in The Life episode one 10 00:00:50,120 --> 00:00:54,000 Speaker 1: in Winter. Uh. He is a Canadian singer who achieved 11 00:00:54,000 --> 00:00:56,880 Speaker 1: mainstream success as the front man of the American rock 12 00:00:56,920 --> 00:01:03,120 Speaker 1: band skid Row from seven to nineteen ninety six. Bach 13 00:01:03,240 --> 00:01:08,240 Speaker 1: released his debut solo album, Bring Him Back Alive, his 14 00:01:08,319 --> 00:01:11,560 Speaker 1: first release. After his departure from skid rowan two thousand, 15 00:01:12,160 --> 00:01:16,480 Speaker 1: Bach began performing on Broadway shows and productions. He made 16 00:01:16,480 --> 00:01:20,280 Speaker 1: his Broadway debut in the title role in Jekyll and 17 00:01:20,400 --> 00:01:23,160 Speaker 1: Hide April two thousand. He also appeared in Ripped Raff 18 00:01:23,200 --> 00:01:25,479 Speaker 1: in The Rocky Horror Picture Show two thousand one. From 19 00:01:25,480 --> 00:01:29,880 Speaker 1: two thousand three to oh seven, Sebastian had a recurring 20 00:01:30,000 --> 00:01:33,760 Speaker 1: role on the WB television show Gilmore Girls as Guild 21 00:01:33,840 --> 00:01:38,040 Speaker 1: lead guitarist and Layekins band hep Alien. He also appeared 22 00:01:38,080 --> 00:01:40,720 Speaker 1: in Rock of Ages two thousand twelve and Trailer Park 23 00:01:40,800 --> 00:01:44,119 Speaker 1: Boys two thousand seven to two thousand and fourteen. Let's 24 00:01:44,160 --> 00:01:50,200 Speaker 1: bring him in, Hello Sebastian, God, it's that's been it's 25 00:01:50,240 --> 00:01:54,720 Speaker 1: been since uh two thousand sixteen, Right, it's been I 26 00:01:54,760 --> 00:01:58,360 Speaker 1: think before that. No, no, no, no, the other show 27 00:01:58,520 --> 00:02:04,000 Speaker 1: right right, yes, yes, it's great sin you So let's 28 00:02:04,000 --> 00:02:08,000 Speaker 1: get into this man. Um. So fans right in a 29 00:02:08,080 --> 00:02:11,280 Speaker 1: lot of questions. They want to know certain things about you. 30 00:02:11,760 --> 00:02:16,760 Speaker 1: Uh so here they are. They want to know um 31 00:02:16,800 --> 00:02:21,280 Speaker 1: and look everybody, you guys know that that that Sebastian is, 32 00:02:21,720 --> 00:02:25,000 Speaker 1: uh one of the great rock singers of all time. 33 00:02:26,440 --> 00:02:30,080 Speaker 1: He fronted, He fronted skid Row, had a bunch of 34 00:02:30,160 --> 00:02:34,880 Speaker 1: hits big powerful voice. Um, so I have to live, 35 00:02:34,919 --> 00:02:36,120 Speaker 1: but they have to leave in the band. You went 36 00:02:36,200 --> 00:02:38,839 Speaker 1: to perform on Broadway. How did you make the transition 37 00:02:39,400 --> 00:02:44,079 Speaker 1: from rock? Start Broadway? Start talk talk about that? Well, specifically, 38 00:02:44,600 --> 00:02:48,359 Speaker 1: Atlantic Records was the label that put out skid Row, 39 00:02:48,560 --> 00:02:55,400 Speaker 1: and they also Atlantic Theater Division put out Jacqueline Hide 40 00:02:55,440 --> 00:03:02,480 Speaker 1: the musical, the soundtrack record written by Leslie Brickuess, the 41 00:03:02,560 --> 00:03:09,400 Speaker 1: legendary librettist, and then also Frank Wildhorn, who wrote the 42 00:03:09,919 --> 00:03:15,200 Speaker 1: score the composer. So Frank went After four years of 43 00:03:15,280 --> 00:03:19,960 Speaker 1: the play being on Broadway, Frank went to Jason Flom 44 00:03:19,960 --> 00:03:23,280 Speaker 1: and Atlantic Records and said, I want a rock star 45 00:03:23,919 --> 00:03:29,799 Speaker 1: to play Jacqueline Hide. And Jason called me and he goes, hey, man, 46 00:03:29,840 --> 00:03:31,600 Speaker 1: I don't know if you're interested, is I go, do 47 00:03:31,600 --> 00:03:34,800 Speaker 1: you have the right phone number? Like really? And then 48 00:03:34,840 --> 00:03:38,560 Speaker 1: he just explained to me that he thought with my 49 00:03:38,880 --> 00:03:43,920 Speaker 1: rough rock raspy voice, that would be like Mr. Hyde. 50 00:03:44,000 --> 00:03:47,120 Speaker 1: And then I also have a very clean ballad voice, 51 00:03:47,760 --> 00:03:52,600 Speaker 1: which he said would work for Dr Jekyl. I thought 52 00:03:52,600 --> 00:03:56,040 Speaker 1: he was crazy and uh so, But I went to 53 00:03:56,080 --> 00:04:00,160 Speaker 1: see the play with Jack Wagner in the lead, and 54 00:04:00,240 --> 00:04:04,240 Speaker 1: I totally loved the play. I just I loved it. 55 00:04:04,280 --> 00:04:08,240 Speaker 1: I loved the clothing. It was all like Victorian cool 56 00:04:08,520 --> 00:04:13,600 Speaker 1: clothes and like effects smoke bombs and beating people up 57 00:04:13,680 --> 00:04:21,520 Speaker 1: with like walking canes. And the plot was Dr Juckle 58 00:04:21,600 --> 00:04:26,760 Speaker 1: gets the girl and high murders him. The skillers what 59 00:04:26,839 --> 00:04:31,520 Speaker 1: could be better that wasn't really the plot, but but 60 00:04:31,680 --> 00:04:34,320 Speaker 1: I just really loved it. I really really loved it. 61 00:04:34,680 --> 00:04:37,279 Speaker 1: And there's a bunch of other reasons that I loved it, 62 00:04:37,320 --> 00:04:40,560 Speaker 1: but that's how I got the play. And then that's 63 00:04:40,560 --> 00:04:46,720 Speaker 1: how I got into Gilmore Girls because Dan Palladino, after 64 00:04:46,880 --> 00:04:52,000 Speaker 1: you had the other guitar, Jared Pillicky, right, he split 65 00:04:52,000 --> 00:04:55,880 Speaker 1: the show and he was in Lane's band, I believe, 66 00:04:56,960 --> 00:05:02,800 Speaker 1: and so, um Dan and Amy Aladino went to Atlantic, 67 00:05:02,960 --> 00:05:06,240 Speaker 1: who put me in Broadway and they said, we we 68 00:05:06,279 --> 00:05:09,640 Speaker 1: want a rocker to be on Gilmore Girls, and they 69 00:05:09,720 --> 00:05:13,080 Speaker 1: said me so. And then Dan called me at home 70 00:05:13,680 --> 00:05:16,520 Speaker 1: and he asked me, just when you asked me, how 71 00:05:16,600 --> 00:05:19,599 Speaker 1: the heck did you get on Broadway? And he was 72 00:05:19,680 --> 00:05:23,159 Speaker 1: fascinated by that, so he was that was what got 73 00:05:23,200 --> 00:05:27,120 Speaker 1: me onto your show. Um so, so obviously that's what 74 00:05:27,160 --> 00:05:29,560 Speaker 1: made you lean into the acting more so. You did 75 00:05:29,560 --> 00:05:34,920 Speaker 1: thirteen episodes as Gil on Gilmore and you replace uh 76 00:05:35,360 --> 00:05:39,600 Speaker 1: guitar player for Dave in Lane span. I don't think 77 00:05:39,600 --> 00:05:41,320 Speaker 1: it was John. I think Jerry was ever in the band, 78 00:05:41,360 --> 00:05:44,600 Speaker 1: but maybe I'm wrong. Had had you ever acted on 79 00:05:44,640 --> 00:05:47,840 Speaker 1: a TV series before? Was that your first time? Yes? 80 00:05:47,960 --> 00:05:50,000 Speaker 1: I I I don't know if you're a member of 81 00:05:50,000 --> 00:05:53,440 Speaker 1: the channel v H one that used to have all 82 00:05:53,600 --> 00:05:56,880 Speaker 1: these rock shows and stuff. I don't know if The 83 00:05:56,880 --> 00:05:58,960 Speaker 1: Gilmore Girls was before that. But I did a lot 84 00:05:58,960 --> 00:06:08,039 Speaker 1: of acting on um, some weird VH one things. But 85 00:06:09,480 --> 00:06:13,040 Speaker 1: but you know, I did some acting in school. Um. 86 00:06:13,120 --> 00:06:16,719 Speaker 1: But I after Jacqueline Hyde, I was Rocky Horror as 87 00:06:16,800 --> 00:06:19,920 Speaker 1: you called me when you first met me. Uh, and 88 00:06:19,960 --> 00:06:24,360 Speaker 1: I played Riff Wrath um and that was after Jacqueline Hyde. 89 00:06:24,360 --> 00:06:28,520 Speaker 1: Then I was Jesus Christ Superstar. Oh my goodness, yeah, wow, 90 00:06:28,760 --> 00:06:33,600 Speaker 1: what a good with Carl Anderson, Like if you watched 91 00:06:33,600 --> 00:06:37,800 Speaker 1: the movie from seventy two. He was my Judas and 92 00:06:38,000 --> 00:06:44,640 Speaker 1: he taught me so much about hitting the stage with 93 00:06:44,839 --> 00:06:49,080 Speaker 1: like all your heart and soul. He was a master. 94 00:06:49,279 --> 00:06:51,919 Speaker 1: He was a member of the agot A Church. I 95 00:06:51,920 --> 00:06:56,560 Speaker 1: don't know they're gone to that, that the big singing church. 96 00:06:59,000 --> 00:07:08,760 Speaker 1: And tragically Carl died during the during our tour. So 97 00:07:08,839 --> 00:07:12,520 Speaker 1: that was really really heavy and uh, you know, yeah, 98 00:07:12,560 --> 00:07:14,600 Speaker 1: and there's some other stuff I can go into about 99 00:07:14,680 --> 00:07:18,120 Speaker 1: my dad and what the plays mean to me, Jacquelin 100 00:07:18,480 --> 00:07:23,320 Speaker 1: and Jesus Christ Superstar. But that's this supposed to be fun. 101 00:07:26,440 --> 00:07:32,440 Speaker 1: Who was your first Cloe Well Jesus Christ Superstar Wars. 102 00:07:32,520 --> 00:07:36,640 Speaker 1: It was really hard because if you weren't at the 103 00:07:36,760 --> 00:07:38,720 Speaker 1: end of the play like on the Cross, if you 104 00:07:38,760 --> 00:07:43,080 Speaker 1: weren't crying, then then you were sucking you know, right right, 105 00:07:43,160 --> 00:07:46,240 Speaker 1: right right? And who wants to cry every day like 106 00:07:46,280 --> 00:07:50,320 Speaker 1: I would. I gotta put pictures in my dad, relatives 107 00:07:50,400 --> 00:07:56,720 Speaker 1: up in my trying to psyche myself in the right 108 00:07:57,120 --> 00:08:00,840 Speaker 1: the actor's process. Yet sometimes it was certain jobs it's 109 00:08:00,840 --> 00:08:02,960 Speaker 1: required and I guess with Jesus, you kind of know 110 00:08:03,040 --> 00:08:07,400 Speaker 1: the ending there, so it's gonna requires Yeah. Well, um no, 111 00:08:07,640 --> 00:08:11,280 Speaker 1: I I hear you. I I just finished uh my 112 00:08:11,360 --> 00:08:14,440 Speaker 1: first season on a on a new TV series where 113 00:08:14,440 --> 00:08:17,400 Speaker 1: I had to pretty much cry in every scene. I 114 00:08:17,560 --> 00:08:20,400 Speaker 1: just sometimes dreaded to go to work, I said again, 115 00:08:21,880 --> 00:08:29,160 Speaker 1: because if you're not crying, you're not pulling off right rights. 116 00:08:29,280 --> 00:08:32,240 Speaker 1: And I you know, I I kind of you know, 117 00:08:32,480 --> 00:08:35,080 Speaker 1: I was on location for four months. I missed my family. 118 00:08:35,120 --> 00:08:37,280 Speaker 1: I kind of went into the can a little bit. 119 00:08:37,320 --> 00:08:40,320 Speaker 1: I kind of got a little depressed there. And you know, 120 00:08:40,480 --> 00:08:42,839 Speaker 1: because if you're mining so that so did that happen 121 00:08:42,880 --> 00:08:45,480 Speaker 1: to you too? Because because of the role, you went 122 00:08:45,520 --> 00:08:49,080 Speaker 1: into some dark places and you, Oh my god, right, 123 00:08:49,120 --> 00:08:53,479 Speaker 1: I mean, everybody's seen the play. There's so mean to Jesus. 124 00:08:55,360 --> 00:08:57,280 Speaker 1: I don't mean to it's not funny, but it's like 125 00:08:57,320 --> 00:09:01,400 Speaker 1: they're really really Jesus. Act when he's riding on the 126 00:09:01,840 --> 00:09:07,959 Speaker 1: palms and he was like oh, then he like there 127 00:09:08,080 --> 00:09:12,000 Speaker 1: was like Jesus, and then act too. I'm standing on 128 00:09:12,040 --> 00:09:14,679 Speaker 1: the side of the stage looking down. I'm wearing a 129 00:09:14,800 --> 00:09:22,520 Speaker 1: diaper with no other clothes, basically nude. And I go 130 00:09:22,679 --> 00:09:25,199 Speaker 1: out there and I shuffled out there in my swaddling 131 00:09:25,320 --> 00:09:31,920 Speaker 1: clothes and uh. Then the stormtroopers and they're big jack boots. 132 00:09:32,840 --> 00:09:36,120 Speaker 1: They're like whipping me and like back and forth, and 133 00:09:36,160 --> 00:09:38,800 Speaker 1: I got no shoes on. One of these dudes stands 134 00:09:38,880 --> 00:09:44,040 Speaker 1: on my toe like on stage, and I don't it's 135 00:09:44,080 --> 00:09:47,840 Speaker 1: just it was the only time Jesus swore on stage. 136 00:09:47,880 --> 00:09:52,520 Speaker 1: But man hurt. I wasn't part of the dial in 137 00:09:52,640 --> 00:09:56,080 Speaker 1: real Mouth. It's it's it's it theorized that he was 138 00:09:56,080 --> 00:09:58,920 Speaker 1: the head of real potty mouth. Um really no, I 139 00:09:59,320 --> 00:10:02,040 Speaker 1: don't know. I'm walking out of my um No. The 140 00:10:02,080 --> 00:10:04,840 Speaker 1: thing is to say, Sebastian, you know, Jesus didn't walk 141 00:10:04,920 --> 00:10:11,240 Speaker 1: like this man walk on how do you know? You like, really, 142 00:10:11,960 --> 00:10:14,840 Speaker 1: what were you there? Were you there? Like maybe you 143 00:10:14,960 --> 00:10:21,040 Speaker 1: did walking about this what's up? Much more controlled and 144 00:10:21,679 --> 00:10:25,880 Speaker 1: like this? And I go, well, you know, that's pretty 145 00:10:25,920 --> 00:10:29,000 Speaker 1: subjective for you to tell me that, you know, maybe 146 00:10:29,040 --> 00:10:37,520 Speaker 1: you got the wrong Jesus, you know, maybe I should 147 00:10:37,520 --> 00:10:41,920 Speaker 1: have been insta maybe you know, No, you wouldn't. That's crazy, 148 00:10:42,880 --> 00:10:44,960 Speaker 1: you wouldn't want to do that. You talking about a 149 00:10:45,000 --> 00:10:51,240 Speaker 1: career going from No More Girls, that's quitting, right right, 150 00:10:53,840 --> 00:10:59,439 Speaker 1: that's a heck of the range there, bro from Luke 151 00:10:59,600 --> 00:11:05,160 Speaker 1: to Kill Our Clowns, clowns and saw But I hear, 152 00:11:05,200 --> 00:11:08,560 Speaker 1: I know, I get you drifted. Very funny, all right. 153 00:11:08,600 --> 00:11:11,640 Speaker 1: So here's another question. This is from Lila from Salt 154 00:11:11,720 --> 00:11:14,920 Speaker 1: Lake City. Going from being on stage in front of 155 00:11:15,040 --> 00:11:19,680 Speaker 1: millions to acting in front of a crew. What was 156 00:11:19,760 --> 00:11:25,240 Speaker 1: that transition like for you? Well? I think about filming 157 00:11:25,280 --> 00:11:28,720 Speaker 1: The Gilmore Girls, and I think about like each episode 158 00:11:28,840 --> 00:11:33,320 Speaker 1: was one hour long, and there's not a lot of 159 00:11:33,320 --> 00:11:36,360 Speaker 1: the TV shows like that anymore that I couldn't think of. 160 00:11:37,320 --> 00:11:40,600 Speaker 1: And what I enjoyed about it was we all got along, 161 00:11:41,160 --> 00:11:45,000 Speaker 1: like as as a cast and a crew, we all 162 00:11:45,040 --> 00:11:47,200 Speaker 1: I mean, I wasn't there as long as you But 163 00:11:47,920 --> 00:11:54,280 Speaker 1: in my experience, everybody was like having fun together and 164 00:11:54,280 --> 00:11:58,240 Speaker 1: and we all were like auto mission to make something cool. 165 00:11:58,320 --> 00:12:03,240 Speaker 1: Well that's because they distributed mushroom at lunch so well, 166 00:12:03,320 --> 00:12:05,640 Speaker 1: dude on on Twitter the other day they posted a 167 00:12:05,679 --> 00:12:10,440 Speaker 1: picture of help Alien and our band, but they spelled 168 00:12:10,480 --> 00:12:14,280 Speaker 1: it hemp Alien and I was like, I'll be old 169 00:12:14,400 --> 00:12:18,120 Speaker 1: with my sub my sub shock. I got some chiba 170 00:12:18,200 --> 00:12:22,679 Speaker 1: hut come on your way. But then they deleted it 171 00:12:22,720 --> 00:12:26,000 Speaker 1: because I think they didn't. Then they put heap aliens. 172 00:12:27,960 --> 00:12:31,920 Speaker 1: That's just I'm just plaining disrespectful. You gotta go take 173 00:12:31,960 --> 00:12:35,440 Speaker 1: care of that. Yeah. Um, So my answer would be 174 00:12:35,520 --> 00:12:39,320 Speaker 1: that that everybody was on a team and I missed that. 175 00:12:39,440 --> 00:12:42,679 Speaker 1: I love the feeling of like you know, it was 176 00:12:42,720 --> 00:12:46,120 Speaker 1: a big cast and was a big crew, but we 177 00:12:46,120 --> 00:12:50,080 Speaker 1: were all on the same page as far as making 178 00:12:50,160 --> 00:12:52,959 Speaker 1: something that we were all proud of and getting paid 179 00:12:53,040 --> 00:13:00,680 Speaker 1: every Thursday. Was the rich don't plan to have you 180 00:13:00,720 --> 00:13:03,920 Speaker 1: on for more than one episode? Or did that grow 181 00:13:04,240 --> 00:13:09,240 Speaker 1: as time? Yeah? Okay, yeah. I became friends with Amy 182 00:13:09,280 --> 00:13:12,160 Speaker 1: and Dan. We would go to The Rainbow a couple 183 00:13:12,200 --> 00:13:15,959 Speaker 1: of times, and me and Dan uh bonded over old 184 00:13:16,080 --> 00:13:22,440 Speaker 1: Judas Priest and Rush and he's a real rocker. As 185 00:13:22,480 --> 00:13:28,240 Speaker 1: are you with your band? My band indeed? And so 186 00:13:28,400 --> 00:13:32,920 Speaker 1: are you too? Luring right now? No? No, no, no, no, no, 187 00:13:33,040 --> 00:13:36,360 Speaker 1: I'm doing this. I did the TV series Uh. I 188 00:13:36,400 --> 00:13:40,800 Speaker 1: am going to Nashville uh in January to write some 189 00:13:40,960 --> 00:13:44,720 Speaker 1: songs with some artists down there because they wanted me 190 00:13:44,760 --> 00:13:47,600 Speaker 1: to come down and co write. I've never done that before, 191 00:13:47,760 --> 00:13:50,240 Speaker 1: so I'm I'm looking for I don't know if I'm 192 00:13:50,280 --> 00:13:53,000 Speaker 1: gonna like it, but I'm gonna try it, you know 193 00:13:53,000 --> 00:13:55,120 Speaker 1: what I mean, because I I write in a very 194 00:13:55,160 --> 00:13:57,880 Speaker 1: specific way. But I'm really open to this and I'm 195 00:13:57,920 --> 00:14:01,480 Speaker 1: kind of excited about it. That's great. Craps. Yeah, yeah, yeah, 196 00:14:01,480 --> 00:14:04,199 Speaker 1: how about you you guys? Well we just I just 197 00:14:04,280 --> 00:14:09,880 Speaker 1: did the Taylor Hawkins concert at the l A Form 198 00:14:09,920 --> 00:14:14,840 Speaker 1: with day Roll and Geezer. Butler from Black Sat on basin, 199 00:14:15,000 --> 00:14:19,080 Speaker 1: Lars from Metallica on drums, and then after that we 200 00:14:19,120 --> 00:14:24,600 Speaker 1: did the Kiss Cruise Ship, which sounds fun. It's a 201 00:14:24,600 --> 00:14:27,600 Speaker 1: lot of work. I mean, I love Kiss. But Tom 202 00:14:27,600 --> 00:14:30,480 Speaker 1: waits when when he was asked, hey, you're like going 203 00:14:30,480 --> 00:14:34,320 Speaker 1: on cruise ship and He's going, you on a cruise 204 00:14:34,360 --> 00:14:38,000 Speaker 1: ship is like being in jail with a chance of drowning. 205 00:14:41,640 --> 00:14:45,320 Speaker 1: And that's kind of you can't leave your room, you know, 206 00:14:45,400 --> 00:14:48,720 Speaker 1: like if you want a Gilmore Girls, Cruisi'd be stuck 207 00:14:48,720 --> 00:14:53,320 Speaker 1: in a room because I mean and a short for fanatic, 208 00:14:53,720 --> 00:14:57,560 Speaker 1: right right, right right. But I love kiss and uh 209 00:14:57,760 --> 00:14:59,680 Speaker 1: so that's one of my favorite bands. So that was 210 00:15:00,000 --> 00:15:03,600 Speaker 1: really a lot of fun. So that's great. So so 211 00:15:03,680 --> 00:15:06,800 Speaker 1: the music is still there, you're torn around. I have 212 00:15:06,880 --> 00:15:10,000 Speaker 1: a new record label and we're putting out a new 213 00:15:10,040 --> 00:15:13,320 Speaker 1: record very soon. I'm not supposed to talk about that, 214 00:15:13,360 --> 00:15:16,840 Speaker 1: but I'm always working on new songs and new music 215 00:15:17,160 --> 00:15:20,520 Speaker 1: right right right. And you write your own material mostly 216 00:15:21,120 --> 00:15:24,320 Speaker 1: not all the time. Like if someone has a great idea, 217 00:15:24,360 --> 00:15:27,360 Speaker 1: I'm not gonna take a crap all over it right 218 00:15:27,640 --> 00:15:30,440 Speaker 1: right right right, Like a good song, a good song 219 00:15:31,040 --> 00:15:33,120 Speaker 1: right exactly, you know when you hear it right away? 220 00:15:33,520 --> 00:15:37,720 Speaker 1: Absolutely skin Row. You know, we broke up a long 221 00:15:37,760 --> 00:15:41,960 Speaker 1: time ago. Now let's say, well, Sebastian can be hard 222 00:15:42,000 --> 00:15:44,360 Speaker 1: to work with, but I wasn't hard to work with, 223 00:15:44,480 --> 00:15:47,480 Speaker 1: Like on the song I Remember You, that was really easy. 224 00:15:50,440 --> 00:15:53,480 Speaker 1: You've got wild done? Next? Is there any talk to 225 00:15:53,520 --> 00:15:56,560 Speaker 1: you guys getting back together and doing uh and touring 226 00:15:56,600 --> 00:15:59,800 Speaker 1: because so many everybody's doing it now. Yeah, there was 227 00:16:00,040 --> 00:16:03,440 Speaker 1: texting and a little talking, but there needs to be 228 00:16:03,440 --> 00:16:06,720 Speaker 1: more talking. I mean some of these older bands are 229 00:16:06,720 --> 00:16:12,440 Speaker 1: doing stadium shows for Godson and Joan Jet my career 230 00:16:13,720 --> 00:16:16,120 Speaker 1: je Leppard. Yeah, and you're right in the pocket there. 231 00:16:16,120 --> 00:16:18,840 Speaker 1: You could you could team up with somebody, you know, 232 00:16:20,160 --> 00:16:23,400 Speaker 1: any of those bands and oh my gosh, what's wrong 233 00:16:23,440 --> 00:16:26,440 Speaker 1: with these guys? What the hell is wrong with these guys? Well, 234 00:16:27,120 --> 00:16:33,360 Speaker 1: I have a manager named Rick Sales, and he you know, 235 00:16:33,440 --> 00:16:37,680 Speaker 1: he protects my interests. Okay, sure, I mean they got 236 00:16:37,680 --> 00:16:40,240 Speaker 1: a deal with the business side of things, and they 237 00:16:40,240 --> 00:16:44,200 Speaker 1: would rather maybe not deal with that as far as 238 00:16:44,240 --> 00:16:47,840 Speaker 1: I can tell, like, just not deal with that. But 239 00:16:47,960 --> 00:16:51,840 Speaker 1: you know, there's always the number, right, So I mean, 240 00:16:51,880 --> 00:16:55,160 Speaker 1: we're we're all still alive. We're all still alive. Then again, 241 00:16:55,600 --> 00:17:02,560 Speaker 1: so it's Heap Alien, We're all still alive. They got 242 00:17:02,680 --> 00:17:05,200 Speaker 1: to get the band back together, ye do, because there's 243 00:17:05,320 --> 00:17:07,800 Speaker 1: you know, all those great Heap Alien hits that everybody 244 00:17:08,320 --> 00:17:11,960 Speaker 1: everybody knows going back twenty three years. You know, there's uh, 245 00:17:12,200 --> 00:17:15,280 Speaker 1: you know, don't chew on my hemp and uh, you know, 246 00:17:15,400 --> 00:17:18,600 Speaker 1: but this one, don't step on being around that track 247 00:17:18,680 --> 00:17:25,040 Speaker 1: and it's not good to happen girl that you wrote 248 00:17:25,080 --> 00:17:29,119 Speaker 1: that that's happen. That's a heap alien song. That there's 249 00:17:29,160 --> 00:17:33,040 Speaker 1: the the hit Mrs Kim Get off my Neck. You 250 00:17:33,040 --> 00:17:46,280 Speaker 1: know that's a big, big song. Uh Lane Lane Kim's Uh, well, 251 00:17:46,400 --> 00:17:53,200 Speaker 1: everybody knows the hit. You know the fifteen thousand Bibles. 252 00:17:53,720 --> 00:17:57,200 Speaker 1: You know what's amazing, though, dude, is about the Gilmore Girls. 253 00:17:57,240 --> 00:18:04,800 Speaker 1: When I go onto you know, other countries, Australia, Brazil, Mexico, 254 00:18:05,280 --> 00:18:08,440 Speaker 1: all these different I get into hotel room and I 255 00:18:08,560 --> 00:18:12,840 Speaker 1: put the TV on and sixty percent at the time 256 00:18:13,920 --> 00:18:17,119 Speaker 1: there's the go in a different language, and I'm like, 257 00:18:17,600 --> 00:18:21,840 Speaker 1: I'm my Holy moly, I mean like really, And I 258 00:18:22,160 --> 00:18:28,479 Speaker 1: get noticed in public in different places for different things, 259 00:18:28,800 --> 00:18:32,120 Speaker 1: Like if I'm in a rock club, it's skid row. 260 00:18:32,440 --> 00:18:37,640 Speaker 1: If I'm in Canada, it's trailer part boys this show 261 00:18:38,640 --> 00:18:43,200 Speaker 1: that I'm on. But if I'm in a mall, if 262 00:18:43,240 --> 00:18:47,399 Speaker 1: I'm at a mall with with women walking around with 263 00:18:47,440 --> 00:18:52,679 Speaker 1: their daughters, are you like? Are you? Are you kidding? 264 00:18:53,080 --> 00:18:57,600 Speaker 1: Like it happens all the time and people love the show. 265 00:18:58,320 --> 00:19:02,040 Speaker 1: I really. One of my favorite memories is when Getty 266 00:19:02,119 --> 00:19:05,520 Speaker 1: leave from Rush brought his daughter down to the set. 267 00:19:05,560 --> 00:19:07,600 Speaker 1: Do you remember when we were in the house. I 268 00:19:07,640 --> 00:19:09,679 Speaker 1: think you're in the scene we were playing the guitar. 269 00:19:10,320 --> 00:19:12,960 Speaker 1: I kind of do remember gettie Lee coming. I do 270 00:19:14,200 --> 00:19:20,600 Speaker 1: remember that now, yeah, because his daughter loves and he 271 00:19:20,800 --> 00:19:23,960 Speaker 1: just when I just played with Rush at the l 272 00:19:24,040 --> 00:19:27,080 Speaker 1: A Forum for Taylor Hawkins and I was hanging with 273 00:19:27,160 --> 00:19:29,520 Speaker 1: them and I got him to sign one of my 274 00:19:30,160 --> 00:19:34,560 Speaker 1: vintage Rush albums and he put Sebastian I owe you 275 00:19:34,720 --> 00:19:39,440 Speaker 1: for that day on mc gilmore with my daughter, thank 276 00:19:39,520 --> 00:19:43,879 Speaker 1: you so much and so hey man, than that was 277 00:19:43,920 --> 00:19:46,560 Speaker 1: a fans dream for me coming to come. I'm want 278 00:19:46,560 --> 00:19:48,960 Speaker 1: to talk about your voice. Were you born with that 279 00:19:49,280 --> 00:19:52,840 Speaker 1: or did you work on that and and really train 280 00:19:53,000 --> 00:19:56,840 Speaker 1: your voice? I did, I do still to this day. 281 00:19:57,440 --> 00:20:01,520 Speaker 1: So it's work, well, it's an it's a natural ability 282 00:20:01,560 --> 00:20:06,760 Speaker 1: mixed with technique. What's work is knowing how to do 283 00:20:06,800 --> 00:20:11,120 Speaker 1: a two hour show and then drive for eight hours 284 00:20:11,400 --> 00:20:15,359 Speaker 1: and then do it again the next time. That's work. 285 00:20:16,720 --> 00:20:19,760 Speaker 1: That's work, and so you have to know how to 286 00:20:19,840 --> 00:20:22,800 Speaker 1: not push it too hard. So you have to there's 287 00:20:22,800 --> 00:20:26,960 Speaker 1: a technique called speech level singing where you don't you 288 00:20:27,000 --> 00:20:30,160 Speaker 1: don't you're not pushing it as hard as people think 289 00:20:30,240 --> 00:20:33,520 Speaker 1: you are, but then you save your power for those 290 00:20:33,640 --> 00:20:38,679 Speaker 1: epic screams or whatever. Your hardest thing to do. But 291 00:20:38,720 --> 00:20:40,400 Speaker 1: you have to learn how to do that. And when 292 00:20:40,400 --> 00:20:45,560 Speaker 1: I got in skid Row, bon Jovi was helped us. 293 00:20:45,600 --> 00:20:48,760 Speaker 1: He took us on the whole New Jersey tour way 294 00:20:48,800 --> 00:20:52,639 Speaker 1: back in and he put me with his vocal coach, 295 00:20:53,320 --> 00:20:57,120 Speaker 1: a guy by the name of Don Lawrence in New 296 00:20:57,200 --> 00:21:00,639 Speaker 1: York City who still teaches. So you want to go 297 00:21:00,760 --> 00:21:03,960 Speaker 1: get a lesson, he allows you to record a lesson. 298 00:21:04,520 --> 00:21:08,919 Speaker 1: So I have tapes and tapes of me vocalizing with 299 00:21:09,000 --> 00:21:13,080 Speaker 1: this guy, and one of them is a vocal warm 300 00:21:13,119 --> 00:21:16,080 Speaker 1: up that I do before every single time I sing 301 00:21:16,280 --> 00:21:19,840 Speaker 1: every time, and it's just scales, but against your voice, 302 00:21:19,920 --> 00:21:22,359 Speaker 1: it turns it into like an instrument. I don't know. 303 00:21:22,880 --> 00:21:26,359 Speaker 1: The more I do that properly, more you sing properly 304 00:21:26,480 --> 00:21:31,560 Speaker 1: without like blowing it out, then it gets stronger. And 305 00:21:31,600 --> 00:21:34,560 Speaker 1: I find like the more the more I sing clean, 306 00:21:35,440 --> 00:21:38,960 Speaker 1: the stronger my voice gets. If I put too much gravel, 307 00:21:39,520 --> 00:21:44,520 Speaker 1: then then the quality the tone becomes less and if 308 00:21:44,560 --> 00:21:51,000 Speaker 1: I keep it clean, it becomes this huge sound. So yeah, yeah, 309 00:21:51,040 --> 00:21:53,240 Speaker 1: it's it's work. Yeah. I had to really, I had 310 00:21:53,240 --> 00:21:56,679 Speaker 1: to really train my voice to build it up to 311 00:21:56,960 --> 00:22:00,159 Speaker 1: the throat muscles strong enough to sustain playing in a 312 00:22:00,200 --> 00:22:03,520 Speaker 1: short set. Right, it's it's a lot of work. People 313 00:22:03,520 --> 00:22:05,920 Speaker 1: don't realize that it's it's it's a lot of work. 314 00:22:06,440 --> 00:22:10,000 Speaker 1: But also when we were kids, you and me, nobody 315 00:22:10,040 --> 00:22:15,359 Speaker 1: had cell phones under nobody was filming the whole show 316 00:22:15,520 --> 00:22:19,120 Speaker 1: from the front row like underneath like and then posting 317 00:22:19,200 --> 00:22:22,640 Speaker 1: the whole thing. But when when I was a kid, 318 00:22:22,760 --> 00:22:26,560 Speaker 1: we does sees Dan Halen David Lee Roth would run 319 00:22:26,600 --> 00:22:31,000 Speaker 1: out there and you go, I forgot that goddamn words, 320 00:22:31,280 --> 00:22:34,840 Speaker 1: and we would go yeah, and we would like each 321 00:22:34,880 --> 00:22:36,800 Speaker 1: other go, you mustn't even know a lot of words. 322 00:22:36,880 --> 00:22:38,719 Speaker 1: He doesn't even know the words. And there's the greatest 323 00:22:38,720 --> 00:22:42,480 Speaker 1: thing I ever saw. Like it was completely different. It 324 00:22:42,600 --> 00:22:48,120 Speaker 1: was like it wasn't dissected. And like in skid Row, 325 00:22:48,400 --> 00:22:52,320 Speaker 1: we would do a photo session for I don't know, 326 00:22:53,040 --> 00:22:59,240 Speaker 1: six hours with six different photographers and shoot thousands of pictures, right, 327 00:22:59,280 --> 00:23:02,640 Speaker 1: and we looked out like three you know what I mean, 328 00:23:02,760 --> 00:23:07,120 Speaker 1: Like you would pick the best ones, and that's what 329 00:23:07,160 --> 00:23:10,879 Speaker 1: the public saw. It wasn't like it's just when you 330 00:23:11,040 --> 00:23:13,119 Speaker 1: talk about work Like. I used to go out on 331 00:23:13,320 --> 00:23:17,480 Speaker 1: stage and we would look at each other and we 332 00:23:17,560 --> 00:23:22,920 Speaker 1: would go, let's go crazy. Now I go up there, like, 333 00:23:23,520 --> 00:23:26,680 Speaker 1: don't don't move around too much, you know, don't don't 334 00:23:26,760 --> 00:23:30,600 Speaker 1: jump around, because if you're running around and jumping around, 335 00:23:30,960 --> 00:23:34,120 Speaker 1: you know, it's not gonna be the same as if 336 00:23:34,119 --> 00:23:38,800 Speaker 1: you're standing perfectly on the mic, you know, because that's 337 00:23:38,800 --> 00:23:41,239 Speaker 1: how you make records. You know, you're not you're not 338 00:23:41,400 --> 00:23:44,960 Speaker 1: leaping off the drum riser while you're recording your album. 339 00:23:49,200 --> 00:23:52,320 Speaker 1: You're in a you're in an air conditioned room. It's hard, 340 00:23:52,440 --> 00:23:55,960 Speaker 1: isn't it. I found being like, especially the laying down 341 00:23:56,080 --> 00:24:01,120 Speaker 1: vocal tracks on recordings are difficult. Man. That's hard to do. 342 00:24:01,160 --> 00:24:03,520 Speaker 1: You have to stand right there and if you don't 343 00:24:03,600 --> 00:24:07,040 Speaker 1: feel it, man, it's gonna come out flat. It's oh yeah, 344 00:24:07,240 --> 00:24:12,280 Speaker 1: it's hard man. It's I like doubling my voice was 345 00:24:12,320 --> 00:24:14,040 Speaker 1: you know, I don't know if you've done that where 346 00:24:14,080 --> 00:24:17,760 Speaker 1: you're staying and then you sing it to yourself and 347 00:24:17,800 --> 00:24:23,000 Speaker 1: it gives this thick, thick tone. Ozzy Osbourne when you 348 00:24:23,000 --> 00:24:26,880 Speaker 1: hear him saying Everything's dope. John Lennon. John Lennon never 349 00:24:27,119 --> 00:24:30,320 Speaker 1: put out a vocal that wasn't doubled really, so he 350 00:24:30,800 --> 00:24:34,440 Speaker 1: records it twice and they just lay one's one's way 351 00:24:34,800 --> 00:24:39,119 Speaker 1: lower volume really so yeah, so it gives your voice 352 00:24:39,200 --> 00:24:43,920 Speaker 1: this really like Auzzy when you listen to Crazy Train, 353 00:24:44,040 --> 00:24:49,000 Speaker 1: he sounds crazy. Yeah, it's powerful. Yeah, that's called doubling. 354 00:24:49,320 --> 00:24:51,200 Speaker 1: And next time you're in the studio and give that 355 00:24:51,359 --> 00:24:55,960 Speaker 1: a shot, because I find that really adds a nice tone. God, 356 00:24:56,000 --> 00:24:57,600 Speaker 1: I wish you'd known you were in Vegas. I was 357 00:24:57,640 --> 00:25:01,520 Speaker 1: just out there for U our Heart Radio music festival 358 00:25:02,600 --> 00:25:06,120 Speaker 1: through a weekend we stayed. We stayed a little bit 359 00:25:06,119 --> 00:25:11,159 Speaker 1: outside of where we stayed at that Green Valley. Yeah. Yeah, 360 00:25:11,280 --> 00:25:15,600 Speaker 1: beautiful resort. Um. I love Vegas, man. I saw all 361 00:25:15,640 --> 00:25:17,680 Speaker 1: these acts. I saw all these bands and all this, 362 00:25:18,040 --> 00:25:23,920 Speaker 1: you know, lion Al Ritchie and Pulls. Oh no, no, no no, 363 00:25:24,119 --> 00:25:26,800 Speaker 1: the who were wasn't there? Yeah? We we saw the 364 00:25:26,840 --> 00:25:29,440 Speaker 1: little like last week they just came in. They played 365 00:25:29,440 --> 00:25:38,119 Speaker 1: the stadium. No, they played the full orchestra, like like wow, 366 00:25:38,400 --> 00:25:41,280 Speaker 1: it was crazy and they're while there. It was it 367 00:25:41,359 --> 00:25:44,919 Speaker 1: was Pete Towns and it was Roger Daltrey. Yes, and 368 00:25:45,000 --> 00:25:51,479 Speaker 1: I love the whom Yeah, man, sure see who's next album? 369 00:25:52,400 --> 00:25:57,640 Speaker 1: Incredible album? Um? Whose Next is incredible, incredible, the sound 370 00:25:57,680 --> 00:26:00,679 Speaker 1: of it, the production, it's an acoustic out him but 371 00:26:00,760 --> 00:26:05,080 Speaker 1: it's so like, so much going on, but it's but 372 00:26:05,480 --> 00:26:09,159 Speaker 1: He's like, it's it's an acoustic album. It's not. I 373 00:26:09,280 --> 00:26:15,479 Speaker 1: love the synthesizer like you know, Babo Riley trippy. It 374 00:26:15,480 --> 00:26:21,160 Speaker 1: never gets boring. Every track on the every work of genius. 375 00:26:21,320 --> 00:26:25,280 Speaker 1: That album is a genius. Well. I read an interview 376 00:26:25,280 --> 00:26:28,159 Speaker 1: with Pete Townsend like two years ago or something, and 377 00:26:28,200 --> 00:26:30,359 Speaker 1: he was like, you know, I'm sorry. I want to 378 00:26:30,359 --> 00:26:37,760 Speaker 1: apologize to the planet for inventing heavy metal. Uh what 379 00:26:37,960 --> 00:26:39,920 Speaker 1: he does? I didn't intend to do that, but yes, 380 00:26:40,000 --> 00:26:43,119 Speaker 1: we did do that the album Live of Leads. I go, 381 00:26:43,240 --> 00:26:48,000 Speaker 1: that's a pretty ballsy interview to say that. So I 382 00:26:48,040 --> 00:26:51,240 Speaker 1: didn't have the album Live with Leads. So I went 383 00:26:51,400 --> 00:26:54,840 Speaker 1: got it and I put the needle down. I go, holy, 384 00:26:55,760 --> 00:27:01,520 Speaker 1: that is that is the first all right hanging. And 385 00:27:01,840 --> 00:27:05,480 Speaker 1: then the album has all these like you know, posters 386 00:27:05,480 --> 00:27:10,000 Speaker 1: and stickers, all the fun stuff you get to look 387 00:27:10,040 --> 00:27:12,960 Speaker 1: at like a crack of jack box. So you're ready, 388 00:27:13,280 --> 00:27:17,280 Speaker 1: Pete Townson's right, Um, so you're still rocket on stage? 389 00:27:17,400 --> 00:27:20,119 Speaker 1: Did you just mentioned the kiss crews and recently was 390 00:27:20,240 --> 00:27:23,280 Speaker 1: easy top I feeling of being on stage? What does 391 00:27:23,320 --> 00:27:27,200 Speaker 1: it feel like to be on stage nowadays for you? Well, 392 00:27:27,280 --> 00:27:30,480 Speaker 1: you know, as you get older, you you read interviews 393 00:27:30,480 --> 00:27:33,200 Speaker 1: with some singers and they they say, oh, I gotta 394 00:27:33,320 --> 00:27:40,080 Speaker 1: tune down the keys, or I gotta I gotta use tapes. 395 00:27:41,119 --> 00:27:45,719 Speaker 1: Everybody does that. I don't know, you know, but but 396 00:27:45,840 --> 00:27:49,120 Speaker 1: I don't. I don't use tapes. I still don't. I don't. 397 00:27:49,600 --> 00:27:54,320 Speaker 1: I don't tune down the keys. I don't. Uh. I 398 00:27:54,359 --> 00:27:58,879 Speaker 1: can still hit the notes that I could hit before. 399 00:27:59,160 --> 00:28:01,560 Speaker 1: Like some time times. You know, if I'm playing a 400 00:28:01,640 --> 00:28:06,240 Speaker 1: club in Iowa or something and it's a Wednesday night, 401 00:28:06,320 --> 00:28:11,200 Speaker 1: maybe I won't. Maybe I won't, as you were saying, 402 00:28:11,400 --> 00:28:13,600 Speaker 1: feel as much as I would if I was at 403 00:28:13,600 --> 00:28:16,479 Speaker 1: a the l a form with Black Sabbath. You know. 404 00:28:17,320 --> 00:28:19,919 Speaker 1: But that's where the that's where the filming comes in 405 00:28:20,000 --> 00:28:25,040 Speaker 1: all the time. You're like, Holy Holy, everybody's filming everything 406 00:28:25,280 --> 00:28:38,080 Speaker 1: all the time. You better say, bitch, do you do 407 00:28:38,120 --> 00:28:40,920 Speaker 1: you have a favorite show that you put on with 408 00:28:40,960 --> 00:28:43,760 Speaker 1: this good row? What was your the ultimate show that 409 00:28:43,800 --> 00:28:49,760 Speaker 1: you remember? Oh wow, that's a good question. Um. The 410 00:28:49,800 --> 00:28:54,000 Speaker 1: first thing that comes into my mind is Australia. Australia 411 00:28:54,320 --> 00:29:01,520 Speaker 1: is this They loved a party in Australia and everything 412 00:29:01,800 --> 00:29:06,040 Speaker 1: is like the hotels are nice. There's no it's all. 413 00:29:06,560 --> 00:29:11,920 Speaker 1: Everything's really like like five stars seems like down there, 414 00:29:12,080 --> 00:29:17,840 Speaker 1: and the whole culture loves music. I mean, if you do, 415 00:29:17,840 --> 00:29:21,680 Speaker 1: you have you played in Australia, I'm telling you right now, 416 00:29:22,320 --> 00:29:25,560 Speaker 1: they will love your ass down there. They will because 417 00:29:25,560 --> 00:29:30,160 Speaker 1: they love the Gilmore Girls. I'm surprised you haven't played there. Surprised, 418 00:29:31,640 --> 00:29:37,480 Speaker 1: but that's a really really cool place. Um. I love 419 00:29:37,640 --> 00:29:41,360 Speaker 1: playing there. I love Japan, I love I love playing 420 00:29:41,360 --> 00:29:46,440 Speaker 1: in Japan. I love South America because they're out of 421 00:29:46,480 --> 00:29:54,240 Speaker 1: their cotton picked and boards. They're nuts for rock and 422 00:29:54,400 --> 00:29:58,280 Speaker 1: roll down there there. They just can't even deal with it. 423 00:29:58,440 --> 00:30:02,400 Speaker 1: They just have the Ramans, right they weren't They weren't 424 00:30:02,520 --> 00:30:06,959 Speaker 1: huge in America, right, remember, but in Brazil they couldn't 425 00:30:07,040 --> 00:30:17,120 Speaker 1: leave their hotel. It was like hysterical. South America's awesome. 426 00:30:17,600 --> 00:30:20,080 Speaker 1: So where are you appearing next? Do you have a 427 00:30:20,160 --> 00:30:22,120 Speaker 1: tour center or you have do you sort of do 428 00:30:22,200 --> 00:30:25,960 Speaker 1: weekend hits or you know how that this is getting 429 00:30:26,760 --> 00:30:30,960 Speaker 1: tired of me answering this. I basically I'm glad I 430 00:30:31,000 --> 00:30:35,200 Speaker 1: asked it. Well, now hang on it. Basically kind of 431 00:30:35,440 --> 00:30:39,560 Speaker 1: had to take this year off a little bit because 432 00:30:40,000 --> 00:30:44,640 Speaker 1: I I'm not supposed to say this stuff. I I 433 00:30:45,640 --> 00:30:50,600 Speaker 1: I've been working on music since to skin rough singers ago, 434 00:30:52,880 --> 00:30:56,040 Speaker 1: working on music since before the pandemic. Okay, so I 435 00:30:56,560 --> 00:31:02,680 Speaker 1: I had a masked a lot of music. And the 436 00:31:02,840 --> 00:31:08,560 Speaker 1: thing about putting out music in is that you have 437 00:31:08,760 --> 00:31:12,480 Speaker 1: to figure out a way to cut through the clutter 438 00:31:12,800 --> 00:31:17,680 Speaker 1: because everybody in their cousin puts out an alum or 439 00:31:17,800 --> 00:31:20,640 Speaker 1: has a YouTube page or you know, there's no Like 440 00:31:21,360 --> 00:31:23,760 Speaker 1: a long time ago, there used to be record companies 441 00:31:23,880 --> 00:31:27,600 Speaker 1: that you had to like be good to get signed 442 00:31:27,800 --> 00:31:30,520 Speaker 1: or like not not just anybody put out records like 443 00:31:30,640 --> 00:31:33,080 Speaker 1: I mean, you know, it was a it was a 444 00:31:33,320 --> 00:31:36,400 Speaker 1: privilege and and and stuffing. You have to work for it. 445 00:31:36,440 --> 00:31:39,960 Speaker 1: But with the advent of pro tools and technology, you 446 00:31:40,000 --> 00:31:41,880 Speaker 1: can be a wrestler and then just wake up the 447 00:31:41,920 --> 00:31:44,320 Speaker 1: next day. I'm gonna be a rocker, Like I mean, 448 00:31:44,360 --> 00:31:46,800 Speaker 1: it's just it's like that show don't be tardy for 449 00:31:46,920 --> 00:31:52,120 Speaker 1: the party, that chick. I'm gonna be a singer. You know, 450 00:31:52,280 --> 00:31:55,200 Speaker 1: you just walk in there and waffle out some half 451 00:31:55,280 --> 00:31:59,480 Speaker 1: ass take and then fix it up, you know laptop, 452 00:32:00,600 --> 00:32:05,280 Speaker 1: So so was there being no gatekeepers? You have to 453 00:32:05,360 --> 00:32:08,320 Speaker 1: have a plan. And if you notice albums that are 454 00:32:08,400 --> 00:32:12,480 Speaker 1: big now, they have like such a long set up time, 455 00:32:12,720 --> 00:32:16,720 Speaker 1: like an artist will put out three or four songs 456 00:32:16,880 --> 00:32:20,120 Speaker 1: or three or four videos even before the album comes out. 457 00:32:20,280 --> 00:32:23,360 Speaker 1: So it's this big plan. And then there's also the 458 00:32:23,680 --> 00:32:28,640 Speaker 1: vinyl backlog. You have to get in line to produce 459 00:32:29,040 --> 00:32:33,320 Speaker 1: vinyl right now because vinyl is so hot everybody collects 460 00:32:33,400 --> 00:32:37,000 Speaker 1: it that you have to have like six months lead 461 00:32:37,120 --> 00:32:41,600 Speaker 1: time even to get into the vinyl pressing plans. So 462 00:32:41,760 --> 00:32:45,320 Speaker 1: that's very boring, but that's what's happening. We are amassing 463 00:32:45,480 --> 00:32:48,880 Speaker 1: the plan. And I just already said too much. But 464 00:32:49,400 --> 00:32:55,000 Speaker 1: that's the answer, A right, good enough, good enough. So 465 00:32:55,200 --> 00:32:57,720 Speaker 1: you and I have a personal history when on Sunset 466 00:32:57,760 --> 00:33:01,720 Speaker 1: Boulevard once you remember that, Remember I remember going to 467 00:33:01,960 --> 00:33:07,560 Speaker 1: your house just youn me and watching the very last 468 00:33:07,920 --> 00:33:15,840 Speaker 1: episode of the Sopranos, very yes, in your in your 469 00:33:15,960 --> 00:33:18,320 Speaker 1: theater room. It was just you and me. We were 470 00:33:18,400 --> 00:33:21,120 Speaker 1: totally into it. We were the only people in the 471 00:33:21,200 --> 00:33:25,480 Speaker 1: house and it was the very last episode. And then 472 00:33:26,440 --> 00:33:31,280 Speaker 1: get ready for this planet Earth then I took Scott 473 00:33:32,320 --> 00:33:39,720 Speaker 1: to my buddy Axel Roses house. And that's a true 474 00:33:40,760 --> 00:33:45,440 Speaker 1: story that happened though in this world. And I remember 475 00:33:45,520 --> 00:33:49,840 Speaker 1: Axel hates Ferraris. Oh. He showed me his cars carp 476 00:33:50,000 --> 00:33:56,960 Speaker 1: on carpet. He had an end zo, an endzo that 477 00:33:57,080 --> 00:34:01,360 Speaker 1: you could only get by, and he I don't even 478 00:34:01,440 --> 00:34:05,040 Speaker 1: think he opened the windows or anything fired up red 479 00:34:05,440 --> 00:34:09,600 Speaker 1: and he had like red and blue lights and remember that. 480 00:34:10,000 --> 00:34:19,719 Speaker 1: Oh yeah, I do. Good man, good dude. All right, 481 00:34:19,760 --> 00:34:21,919 Speaker 1: let's get into this rapid fire ready. I'm gonna fire 482 00:34:22,000 --> 00:34:23,600 Speaker 1: questions at you right. How many cups of coffee do 483 00:34:23,600 --> 00:34:29,000 Speaker 1: you have a day? Oh? Jeez? Four? Are your team 484 00:34:29,080 --> 00:34:36,880 Speaker 1: Logan Team Jess or Team Dean Team Dean? Who's your 485 00:34:36,920 --> 00:34:40,960 Speaker 1: favorite Gilmore Girl's character? Oh? Well, god, I had to 486 00:34:41,040 --> 00:34:48,560 Speaker 1: be Luke from the Dinner. I gotta I gotta say, like, 487 00:34:49,480 --> 00:34:54,399 Speaker 1: the guy who played uh Freddie Mercury in the Queen 488 00:34:54,520 --> 00:35:01,680 Speaker 1: Movie was in an episode, really, Remy Mallock. He was 489 00:35:01,840 --> 00:35:06,359 Speaker 1: on the Gilmore Girls and look at how cool. Yeah 490 00:35:08,160 --> 00:35:09,960 Speaker 1: he was in one of the episodes. I wasn't so 491 00:35:10,719 --> 00:35:14,399 Speaker 1: I'm a very big Queen fan. Sure, so a way 492 00:35:14,440 --> 00:35:19,120 Speaker 1: to go. He was great. He was great in that movie. 493 00:35:19,280 --> 00:35:25,320 Speaker 1: He was great part good. Um uh, what would you 494 00:35:25,520 --> 00:35:33,800 Speaker 1: order at Luke Steiner Coffee? And maybe cabbage roll? Cabbage roll? Buddy? 495 00:35:33,880 --> 00:35:36,520 Speaker 1: There you go. Would you rather go on the road 496 00:35:36,640 --> 00:35:41,960 Speaker 1: with Taylor or Michelle? I have to say Taylor? Why? 497 00:35:42,120 --> 00:35:45,640 Speaker 1: Tell me why? Because I love Taylor Swift? Okay, Uh, 498 00:35:49,880 --> 00:35:53,160 Speaker 1: I got you there? You love for tickets? Right? Well, 499 00:35:53,320 --> 00:35:56,080 Speaker 1: my team is they want to go. They want to go. 500 00:35:56,800 --> 00:36:00,400 Speaker 1: Um would you rat? Okay? Al ask that finish the 501 00:36:00,480 --> 00:36:04,759 Speaker 1: lyric and where you lead, I will follow dot dot dot. 502 00:36:05,880 --> 00:36:13,360 Speaker 1: I'll be there right. No, I'll be there and Nana, 503 00:36:13,760 --> 00:36:19,439 Speaker 1: I'm sorry. Any anywhere anywhere? Okay, where and where you lead, 504 00:36:20,160 --> 00:36:32,960 Speaker 1: I will follow. Yes. And you're saying I suck. Sorry, Okay, 505 00:36:33,719 --> 00:36:36,239 Speaker 1: I will be there. Right. You know what I'm gonna 506 00:36:36,280 --> 00:36:39,480 Speaker 1: get and I'll be there. Let me let me tell 507 00:36:39,480 --> 00:36:41,760 Speaker 1: you something. You made it work. It's the wrong answer, 508 00:36:41,840 --> 00:36:46,520 Speaker 1: but I'm gonna give you a correct score on that. Okay, 509 00:36:46,920 --> 00:36:49,960 Speaker 1: I'm gonna give you that's that's a correct answer. Uh. 510 00:36:50,640 --> 00:36:57,440 Speaker 1: Jackson's Vegetables or Suki's Baked Goods. Suki's baked goods, you 511 00:36:57,520 --> 00:37:01,960 Speaker 1: know that will work. After a hangover, you need some 512 00:37:02,120 --> 00:37:07,560 Speaker 1: baked goods. That also reminds me of Jenny McCarthy on 513 00:37:07,760 --> 00:37:12,319 Speaker 1: the show, and she we were in a van going 514 00:37:12,440 --> 00:37:17,960 Speaker 1: to the set and coming from the trailer. Melissa McCarthy, Yeah, 515 00:37:17,960 --> 00:37:21,480 Speaker 1: I'm sorry, gosh, because I mean they're so similar. I 516 00:37:21,600 --> 00:37:25,360 Speaker 1: need more coffee. No, definitely, they're very similar. Anybody can 517 00:37:25,480 --> 00:37:29,040 Speaker 1: making a mistake. So Melissa McCarthy, I just met her 518 00:37:29,840 --> 00:37:34,160 Speaker 1: and she gets into van and she had just scored 519 00:37:34,440 --> 00:37:37,800 Speaker 1: a acting role where she had to sing, and she 520 00:37:38,239 --> 00:37:41,439 Speaker 1: bored me in the van and goes, Supash, I don't 521 00:37:41,600 --> 00:37:43,080 Speaker 1: want her to sing? What do we do with her? 522 00:37:43,160 --> 00:37:45,360 Speaker 1: And then I told her about the warm up and 523 00:37:46,120 --> 00:37:48,880 Speaker 1: singing clean and don't blow it out and all this stuff. 524 00:37:49,800 --> 00:37:53,600 Speaker 1: It was a great memory where she was really freaked 525 00:37:53,640 --> 00:37:57,000 Speaker 1: out but she had to sing, and I was like, just, 526 00:37:57,920 --> 00:38:00,799 Speaker 1: you know, like just do it. I just I can't 527 00:38:00,840 --> 00:38:04,080 Speaker 1: imagine Melissa be intimidated. She's so talented, she could do anything. 528 00:38:04,440 --> 00:38:07,640 Speaker 1: But she started on the Gilber Girls, right or pretty 529 00:38:07,719 --> 00:38:10,200 Speaker 1: much writer. I mean I didn't know who she was 530 00:38:10,320 --> 00:38:15,120 Speaker 1: before and I think that was her first big job. Yeah, well, 531 00:38:15,200 --> 00:38:19,800 Speaker 1: good for her. Yeah, um, would you rather listen to 532 00:38:19,960 --> 00:38:24,680 Speaker 1: Drella's Harp or the Troopadours cover songs, The Trooper Doors 533 00:38:24,760 --> 00:38:29,759 Speaker 1: cover songs, Gramly Phillips, the Man the Myth. Oh he 534 00:38:30,000 --> 00:38:33,400 Speaker 1: was cool man, it was, wasn't he. Yeah? And also 535 00:38:33,680 --> 00:38:37,320 Speaker 1: I remember the day that Sonic Youth came down to 536 00:38:37,440 --> 00:38:42,200 Speaker 1: the set and I hung out with them. That was amazing. 537 00:38:43,719 --> 00:38:52,200 Speaker 1: And also, you know, Carol Kane, unbelievable. That was a 538 00:38:52,280 --> 00:38:56,800 Speaker 1: great set to be on. That was totally totally fun. Chilton, 539 00:38:56,920 --> 00:39:01,080 Speaker 1: Prepper Stars, Hollow High starts a lot. There you go, 540 00:39:02,280 --> 00:39:05,959 Speaker 1: Sebastian Bach, you know, Yeah, I have one more little 541 00:39:06,000 --> 00:39:10,240 Speaker 1: anecdote to tell you. So so I'm on the Gilmore 542 00:39:10,320 --> 00:39:14,320 Speaker 1: Girls like come, I'm on Broadway all this acting stuff, 543 00:39:14,920 --> 00:39:18,279 Speaker 1: and my agent calls me and they go, hey, Sebastian, 544 00:39:19,160 --> 00:39:22,239 Speaker 1: Law and Order want you to try out to be 545 00:39:22,400 --> 00:39:25,800 Speaker 1: on Law and Order. And I was like, holy moldy. 546 00:39:25,960 --> 00:39:27,879 Speaker 1: I was like because I like the show a Law 547 00:39:27,880 --> 00:39:31,920 Speaker 1: and Order. So I was very excited to go try out. Okay, 548 00:39:32,080 --> 00:39:34,600 Speaker 1: this is after being on the Gilmourts for a couple 549 00:39:34,600 --> 00:39:37,719 Speaker 1: of years, and you're gonna laugh at this. So I 550 00:39:37,800 --> 00:39:40,960 Speaker 1: go into audition. I got all my lines memorized, and 551 00:39:41,080 --> 00:39:48,400 Speaker 1: there's directors and Law and Order people and they okay, 552 00:39:48,480 --> 00:39:52,040 Speaker 1: go and I read my lines at the speed of 553 00:39:52,200 --> 00:39:55,759 Speaker 1: gil order. And I'm coming into the town and I'm talking. 554 00:39:56,960 --> 00:39:58,360 Speaker 1: I'm gonna go over here and I'm gonna go to 555 00:39:58,400 --> 00:40:00,440 Speaker 1: the and they don't. They look at each souther go 556 00:40:02,560 --> 00:40:09,360 Speaker 1: slow down. I go on Gilmore girls. Every time I 557 00:40:09,480 --> 00:40:12,640 Speaker 1: deliver a line, they tell me to speed it up. 558 00:40:16,400 --> 00:40:21,560 Speaker 1: Oh no, no, that's okay. I'm seeing that. I don't 559 00:40:21,600 --> 00:40:24,399 Speaker 1: see law and order on in Australia. No, they're they're 560 00:40:24,440 --> 00:40:30,640 Speaker 1: they're the poorer for it. What a mistake they made. Uh. Anyway, 561 00:40:30,800 --> 00:40:33,600 Speaker 1: thank you Sebastian for your time. It's been a blast 562 00:40:33,680 --> 00:40:37,239 Speaker 1: catching up. Um, good luck. Let's hang out at in 563 00:40:37,480 --> 00:40:40,000 Speaker 1: Vegas next time you're here. Yeah, I mean I think 564 00:40:40,040 --> 00:40:42,840 Speaker 1: I'm gonna maybe i'll be there next year. We'll you know, 565 00:40:43,440 --> 00:40:46,399 Speaker 1: we'll grab your digits, uh and I'll get in talk 566 00:40:46,400 --> 00:40:49,040 Speaker 1: to you. How do I do that without like broadcasting 567 00:40:49,160 --> 00:40:53,279 Speaker 1: it on the internet, give it to give it to 568 00:40:53,360 --> 00:40:57,120 Speaker 1: Amy and she'll give it to me. Yeah, because it 569 00:40:57,160 --> 00:40:59,480 Speaker 1: would be recorded and broadcast. We don't want to do that. 570 00:41:01,000 --> 00:41:04,239 Speaker 1: You get hassled enough. I was out with you one night. 571 00:41:04,280 --> 00:41:06,400 Speaker 1: It was a mob scene. It was really I mean, 572 00:41:06,480 --> 00:41:09,800 Speaker 1: you're truly a rock star. I mean that that really 573 00:41:10,200 --> 00:41:13,720 Speaker 1: solidified it for me about what you know, what impact 574 00:41:13,800 --> 00:41:16,880 Speaker 1: you had on the music industry and on fandom, because man, 575 00:41:16,960 --> 00:41:20,760 Speaker 1: they were lining up just to say hello. They fans 576 00:41:21,920 --> 00:41:25,000 Speaker 1: the meet and great thing on the road. I don't 577 00:41:25,000 --> 00:41:29,640 Speaker 1: know if you're doing that, but the fans love to 578 00:41:29,800 --> 00:41:34,439 Speaker 1: come on your bus and get a picture Facebook stay hello, 579 00:41:34,840 --> 00:41:37,640 Speaker 1: and yeah, that's that's where I really feel. Yeah. I 580 00:41:37,719 --> 00:41:39,759 Speaker 1: do conventions. I do them all over the world, and 581 00:41:40,040 --> 00:41:43,200 Speaker 1: uh yeah, the fans show U. Yeah, it's great. Sebastian, 582 00:41:43,280 --> 00:41:46,600 Speaker 1: all the best, great up, Thank you, thank you, thank 583 00:41:46,680 --> 00:41:50,719 Speaker 1: good luck with everything. New projects coming out. I hope 584 00:41:50,760 --> 00:41:53,000 Speaker 1: they're big hits for you and we'll be in touch 585 00:41:53,400 --> 00:41:56,319 Speaker 1: and who knows, maybe we'll do another Gilmore girls. We're 586 00:41:56,320 --> 00:42:01,240 Speaker 1: all still alive. That's a eight reason to do something. 587 00:42:01,920 --> 00:42:07,399 Speaker 1: We are breathing, all right, good good talking to you, man, 588 00:42:07,680 --> 00:42:40,520 Speaker 1: Take care, all right, all right byet hey everybody, and 589 00:42:40,520 --> 00:42:44,000 Speaker 1: don't forget Follow us on Instagram at I Am All 590 00:42:44,200 --> 00:42:48,279 Speaker 1: In podcast and email us at Gilmore at I heart 591 00:42:48,440 --> 00:42:51,359 Speaker 1: radio dot com. Oh you gil More fans. If you're 592 00:42:51,360 --> 00:42:53,200 Speaker 1: looking for the best cup of coffee in the world, 593 00:42:53,280 --> 00:42:57,160 Speaker 1: go to my website. For my company scott ep dot com, 594 00:42:57,360 --> 00:42:59,560 Speaker 1: s c O T t y P dot com, scotty 595 00:42:59,600 --> 00:43:12,360 Speaker 1: P dot cop Grade one, especially coffeeeah h.