1 00:00:23,880 --> 00:00:27,080 Speaker 1: Welcome to the show Ridiculous Historians. As always, thank you 2 00:00:27,200 --> 00:00:32,000 Speaker 1: for tuning in. I am pumped about today's episode. Are 3 00:00:32,040 --> 00:00:34,519 Speaker 1: we going to do it in a box? Are we 4 00:00:34,560 --> 00:00:36,600 Speaker 1: going to do it about a fox? Are we gonna 5 00:00:36,720 --> 00:00:39,120 Speaker 1: do it while eating some locks? Are we going to 6 00:00:39,200 --> 00:00:41,960 Speaker 1: do it in a basement beneath Fort Knox? Well that 7 00:00:42,040 --> 00:00:46,000 Speaker 1: sounds like the plot of National Treasure, right right? Well? Uh, 8 00:00:46,360 --> 00:00:48,839 Speaker 1: this is uh, this is this show that's giving us 9 00:00:48,840 --> 00:00:50,920 Speaker 1: an excuse to talk about I don't know about you, 10 00:00:51,040 --> 00:00:53,640 Speaker 1: my friend, but one of my favorite authors when I 11 00:00:53,720 --> 00:00:56,560 Speaker 1: was growing up is just a wee Ben Bolan. I 12 00:00:56,600 --> 00:01:02,680 Speaker 1: loved Shell Silverstein, Dr SEUs and Stephen King. Wow, that's 13 00:01:02,720 --> 00:01:07,720 Speaker 1: explained so much about you've turned out. Thanks man, Hey, 14 00:01:07,760 --> 00:01:11,480 Speaker 1: who are you? I'm no, And I'm going to do 15 00:01:11,520 --> 00:01:16,200 Speaker 1: it in a hole? Uh? Possibly while eating cereal from 16 00:01:16,200 --> 00:01:19,160 Speaker 1: a bowl. Um. I'm not as good at this as 17 00:01:19,240 --> 00:01:23,000 Speaker 1: as Theodora Suss Geisel. That's right, that's right, you know. 18 00:01:23,120 --> 00:01:28,399 Speaker 1: I We have to also ask, uh, super producer Casey Pegram, 19 00:01:28,520 --> 00:01:32,959 Speaker 1: did you read Dr. Seuss as a child? Casey absolutely 20 00:01:33,000 --> 00:01:35,520 Speaker 1: I did. Yeah, what what were some of your favorite books? 21 00:01:36,480 --> 00:01:40,240 Speaker 1: I'm terrible at remembering anything childhood related. It kind of 22 00:01:40,280 --> 00:01:42,280 Speaker 1: all flew out of my brain at some point. But 23 00:01:42,360 --> 00:01:44,080 Speaker 1: I know I did. I know I had the books around. 24 00:01:45,000 --> 00:01:47,319 Speaker 1: I could not tell you titles. I would probably be 25 00:01:47,360 --> 00:01:49,560 Speaker 1: old to identify them if I went and looked at 26 00:01:49,640 --> 00:01:52,200 Speaker 1: covers online, but that'd be about it. The covers are 27 00:01:52,240 --> 00:01:54,840 Speaker 1: a big giveaway that that's what gets burned into my memory. 28 00:01:54,880 --> 00:01:57,160 Speaker 1: I don't remember that the titles very much either, Casey, 29 00:01:57,240 --> 00:01:59,600 Speaker 1: but lately I've been kind of exploring them, especially during 30 00:01:59,640 --> 00:02:02,800 Speaker 1: this research it. And it was a real nostalgia blast 31 00:02:03,360 --> 00:02:07,200 Speaker 1: from the past. That's redundant. That was good nostalgia blast. 32 00:02:07,360 --> 00:02:09,720 Speaker 1: Nostalgia blast is already a blast from the past. Well 33 00:02:09,760 --> 00:02:12,800 Speaker 1: if it was an nostalgia blast that happened in the past. 34 00:02:12,919 --> 00:02:15,960 Speaker 1: If you're remembering a time nostalgia blast hit you so 35 00:02:16,080 --> 00:02:17,919 Speaker 1: like even if it was just twenty minutes ago, it's 36 00:02:17,919 --> 00:02:19,560 Speaker 1: still work. That's a good point, Ben, Thank you for 37 00:02:19,639 --> 00:02:21,839 Speaker 1: saving me. No, No, I got to ask before we 38 00:02:22,040 --> 00:02:25,680 Speaker 1: go any further. Did you have one book by SEUs 39 00:02:25,680 --> 00:02:28,360 Speaker 1: that really like stuck out in your brain? I do. 40 00:02:28,520 --> 00:02:30,639 Speaker 1: It was One Fish to Fish, Red Fish, Blue Fish, 41 00:02:30,639 --> 00:02:33,000 Speaker 1: because I distinctly remember that being the first thing where 42 00:02:33,000 --> 00:02:36,200 Speaker 1: I was aware of the fact that I could read. Oh, 43 00:02:36,240 --> 00:02:39,240 Speaker 1: that's metacognition. It really is, it really is. I mean 44 00:02:39,240 --> 00:02:42,560 Speaker 1: and and and it might be manufacturing that memory, but 45 00:02:42,680 --> 00:02:45,040 Speaker 1: it's stuck with me. Um. I remember being very proud 46 00:02:45,040 --> 00:02:47,079 Speaker 1: of myself that I could read. But I also think 47 00:02:47,120 --> 00:02:49,880 Speaker 1: it might have been some combination of memorization as well, 48 00:02:49,960 --> 00:02:51,640 Speaker 1: because it was read to me, and I think I 49 00:02:51,680 --> 00:02:53,440 Speaker 1: may have been looking at it and reading it from 50 00:02:53,440 --> 00:02:55,919 Speaker 1: memory and thinking that I was actually reading the words, 51 00:02:56,080 --> 00:02:57,840 Speaker 1: because that was very very little. This is a very 52 00:02:57,840 --> 00:03:02,320 Speaker 1: early memory. And you also have a studying innate sense 53 00:03:02,320 --> 00:03:06,320 Speaker 1: of rhythm and cadence, as does Dr Theodore si Yes 54 00:03:06,440 --> 00:03:10,920 Speaker 1: Geisel Geisel for the record, my favorite for a long 55 00:03:11,000 --> 00:03:14,200 Speaker 1: time was The butter Battle Book. I thought that thing 56 00:03:14,320 --> 00:03:18,160 Speaker 1: was an epic tale of like tragedy and heartbreak and 57 00:03:18,440 --> 00:03:21,320 Speaker 1: the human condition. Well, that's the thing that's neat about 58 00:03:21,400 --> 00:03:25,320 Speaker 1: this guy's books is they kind of have these big, 59 00:03:25,400 --> 00:03:29,200 Speaker 1: lofty themes, like the Lorax, for example, which is sort 60 00:03:29,240 --> 00:03:35,120 Speaker 1: of environmentalist look on conservation and like saving the forest 61 00:03:35,240 --> 00:03:37,880 Speaker 1: and how man is like raping and pillaging mother Earth 62 00:03:37,880 --> 00:03:40,640 Speaker 1: and all that stuff, but not in a particularly heavy 63 00:03:40,680 --> 00:03:43,600 Speaker 1: handed or pedantic way, and in a way that's pretty 64 00:03:43,640 --> 00:03:46,680 Speaker 1: approachable to you know, youngsters or whatever, but still has 65 00:03:46,840 --> 00:03:50,160 Speaker 1: some pretty important messages. Yeah. I think that's a great point. 66 00:03:50,280 --> 00:03:53,880 Speaker 1: And one thing, one thing that a lot of kids 67 00:03:53,960 --> 00:03:56,480 Speaker 1: don't know when we're growing up and reading Dr. Seuss 68 00:03:56,480 --> 00:04:01,680 Speaker 1: books is that Theodore himself was is allegedly not the 69 00:04:01,680 --> 00:04:05,320 Speaker 1: biggest fan of children, but he was a really interesting guy. 70 00:04:05,640 --> 00:04:07,960 Speaker 1: And I think you and I probably had a similar 71 00:04:08,000 --> 00:04:12,120 Speaker 1: moment later in life where we realized that his family 72 00:04:12,440 --> 00:04:17,200 Speaker 1: originally pronounced the name SEUs as zois like zo I 73 00:04:17,440 --> 00:04:20,239 Speaker 1: see yikes, which I think is a great word. Zoix 74 00:04:21,560 --> 00:04:24,359 Speaker 1: is what I would say. Um, he's interesting for a 75 00:04:24,400 --> 00:04:26,800 Speaker 1: lot of reasons. He got his start working in like 76 00:04:26,839 --> 00:04:31,000 Speaker 1: advertising as a cartoonist, and there's actually some rarely problematic 77 00:04:31,040 --> 00:04:34,480 Speaker 1: cartoons you can dig up that he did. For It's 78 00:04:34,520 --> 00:04:38,360 Speaker 1: like a mosquito spray called like ZiT or something like that, 79 00:04:38,560 --> 00:04:41,000 Speaker 1: or like bleep, I don't know, but it's it's like 80 00:04:41,040 --> 00:04:43,840 Speaker 1: all of these kind of like African jungle scenes with 81 00:04:43,960 --> 00:04:47,880 Speaker 1: his very recognizable elephant. It looks like something out of 82 00:04:47,920 --> 00:04:50,120 Speaker 1: one of his books, only it's got a lot of 83 00:04:50,160 --> 00:04:54,440 Speaker 1: like natives depicted in that horrible way that you see 84 00:04:54,480 --> 00:04:58,440 Speaker 1: in early you know, Disney animations or Warner Brothers cartoons. 85 00:04:58,839 --> 00:05:02,320 Speaker 1: Uh that are now consider they're completely embarrassing to those 86 00:05:02,360 --> 00:05:06,080 Speaker 1: companies that are responsible for all this, like Classic Children's Entertainment. 87 00:05:06,240 --> 00:05:08,880 Speaker 1: The same was true for for for Geistil and he 88 00:05:08,920 --> 00:05:12,760 Speaker 1: also did some propaganda around, you know, the Japanese with 89 00:05:12,839 --> 00:05:16,120 Speaker 1: some pretty nasty depictions of those folks during World War 90 00:05:16,279 --> 00:05:21,200 Speaker 1: during World War two exactly. Yeah, he was nothing if 91 00:05:21,240 --> 00:05:24,719 Speaker 1: not prolific, But we did feel it would be remiss 92 00:05:24,720 --> 00:05:29,479 Speaker 1: on our part if we did not include the less 93 00:05:29,680 --> 00:05:34,280 Speaker 1: than wonderful, whimsical aspects of his life. You know what 94 00:05:34,320 --> 00:05:38,279 Speaker 1: I mean. He was a great cartoonist and a great writer, 95 00:05:38,600 --> 00:05:42,760 Speaker 1: but still a person, and you might be surprised to 96 00:05:43,320 --> 00:05:46,360 Speaker 1: learn the process that he used to write a lot 97 00:05:46,400 --> 00:05:48,880 Speaker 1: of these books. The guy was so prolific as what 98 00:05:49,000 --> 00:05:52,800 Speaker 1: over forty children's books, and that's not counting any of 99 00:05:52,839 --> 00:05:56,119 Speaker 1: his advertisement stuff. That's not counting the short lived comic 100 00:05:56,200 --> 00:06:00,520 Speaker 1: strip he did before called Heggie, I believe. But the 101 00:06:00,600 --> 00:06:03,520 Speaker 1: weird thing is, while we all kind of, I think 102 00:06:03,600 --> 00:06:08,080 Speaker 1: naturally want to have this romanticized idea of a guy 103 00:06:08,160 --> 00:06:11,919 Speaker 1: who just wakes up in a very bright pastel cartoony 104 00:06:12,000 --> 00:06:15,840 Speaker 1: house and says what wonderful lessons would I teach children today? 105 00:06:15,880 --> 00:06:19,440 Speaker 1: That's not the case. In fact, there was a lot 106 00:06:19,520 --> 00:06:24,080 Speaker 1: of calculation that went into the way he wrote books. 107 00:06:24,160 --> 00:06:27,719 Speaker 1: His first successful children's book was called Cat in the Hat. 108 00:06:28,200 --> 00:06:31,400 Speaker 1: And the story about Cat in the Hat is really surprising. 109 00:06:31,520 --> 00:06:34,560 Speaker 1: It starts with a guy named John Hershey, who was 110 00:06:34,760 --> 00:06:39,520 Speaker 1: a big time journalist, and in nineteen fifty four, when 111 00:06:39,560 --> 00:06:42,760 Speaker 1: writing and Life magazine, he put out an article called, 112 00:06:42,960 --> 00:06:45,880 Speaker 1: why do students bogged down on first? Are? A local 113 00:06:45,880 --> 00:06:50,039 Speaker 1: committee sheds light on national problem? Colon reading? That was 114 00:06:50,160 --> 00:06:52,960 Speaker 1: colon the punctuation mark, not reading Colin's And is that 115 00:06:53,040 --> 00:06:55,160 Speaker 1: the one that was kind of a backlash against the 116 00:06:55,320 --> 00:06:58,560 Speaker 1: super dull Dick and Jane Primer books just the same, 117 00:06:58,640 --> 00:07:02,240 Speaker 1: which is like see Dick talk, see Jane walked to 118 00:07:03,160 --> 00:07:06,880 Speaker 1: there is a dog? It is spot watch spot walk 119 00:07:06,960 --> 00:07:10,320 Speaker 1: to Jane. Stuff like that, right, yeah, Because they had 120 00:07:10,360 --> 00:07:14,680 Speaker 1: a more rigid system of introducing vocabulary words to children. 121 00:07:15,280 --> 00:07:19,720 Speaker 1: And after reading this article, the director of Hoton Mifflin, 122 00:07:19,800 --> 00:07:23,400 Speaker 1: the publishing company, the director of Hoton Mifflin's educational division, 123 00:07:23,440 --> 00:07:27,640 Speaker 1: a guy named William Spaulding, got Theodore Geisel in the 124 00:07:27,720 --> 00:07:30,320 Speaker 1: room and he said, look, I need you to write 125 00:07:30,360 --> 00:07:33,960 Speaker 1: a story that first graders actually like. The actual quote is, 126 00:07:34,000 --> 00:07:36,040 Speaker 1: I need you to write a story that first graders 127 00:07:36,120 --> 00:07:41,960 Speaker 1: can't put down. And then he put on some weird restrictions. Yeah, 128 00:07:42,000 --> 00:07:45,120 Speaker 1: this part was really interesting to me too. So there 129 00:07:45,200 --> 00:07:48,040 Speaker 1: was a list that Spalding had, which I guess came 130 00:07:48,120 --> 00:07:51,640 Speaker 1: from the Educational Division, of three hundred and forty eight 131 00:07:51,640 --> 00:07:56,880 Speaker 1: words that were selected from a standard first graders vocabulary list. 132 00:07:57,280 --> 00:08:01,040 Speaker 1: And Spalding said, okay, THEO you've how to write this book, 133 00:08:01,640 --> 00:08:04,560 Speaker 1: but you can only use words from this list, and 134 00:08:04,600 --> 00:08:09,960 Speaker 1: you can't use them all. You can only use what Yeah, 135 00:08:10,000 --> 00:08:12,120 Speaker 1: and I think originally he wanted the story to be 136 00:08:12,160 --> 00:08:14,760 Speaker 1: about like a queen cat and a king cat, but 137 00:08:14,920 --> 00:08:17,560 Speaker 1: queen wasn't on the list, so he had to like adjust, 138 00:08:17,760 --> 00:08:20,080 Speaker 1: and then he realized that hat rhymed with cat and 139 00:08:20,160 --> 00:08:23,440 Speaker 1: that was a good starting point and the rest is history. Which, yeah, 140 00:08:23,480 --> 00:08:26,760 Speaker 1: it took of nine months to write this book, primarily, 141 00:08:26,920 --> 00:08:31,400 Speaker 1: I believe because of that word restriction. And according to 142 00:08:31,480 --> 00:08:35,800 Speaker 1: the story, he didn't quite hit two. It was still 143 00:08:35,840 --> 00:08:38,360 Speaker 1: a little bit longer, right, Yeah, I think he you know, 144 00:08:38,360 --> 00:08:39,800 Speaker 1: if we're going to call that a bat, then he 145 00:08:39,880 --> 00:08:44,239 Speaker 1: sort of failed the exact parameters that were given to him, 146 00:08:44,280 --> 00:08:48,720 Speaker 1: but he came damn close. Yeah, two thirty six words, 147 00:08:48,720 --> 00:08:50,880 Speaker 1: and I get the feeling this was almost more of 148 00:08:50,880 --> 00:08:54,600 Speaker 1: a mandate from his boss. I love thinking about what 149 00:08:54,640 --> 00:08:57,079 Speaker 1: the original story with the king cat and the Queen 150 00:08:57,120 --> 00:08:59,959 Speaker 1: Cat would have been, because now I see this picture 151 00:09:00,280 --> 00:09:03,880 Speaker 1: of Theodore Geisel like pulling his hair out and gnashing 152 00:09:03,960 --> 00:09:06,440 Speaker 1: his teeth and trying to figure out how to depict 153 00:09:06,480 --> 00:09:09,600 Speaker 1: this cat as somehow regal or kingly, and then the 154 00:09:09,640 --> 00:09:12,600 Speaker 1: best to come up with his Alright, he's got a 155 00:09:12,600 --> 00:09:15,760 Speaker 1: hat because we can't use crown. Yeah, I feel like 156 00:09:15,840 --> 00:09:19,040 Speaker 1: that's what happened. That's probably true. That's a good point, um. 157 00:09:19,160 --> 00:09:21,480 Speaker 1: And of course, you know when I say the rest 158 00:09:21,520 --> 00:09:24,880 Speaker 1: is history, I mean like literary history. It's it's sold 159 00:09:25,280 --> 00:09:27,640 Speaker 1: a million copies, like right off the rip, I think 160 00:09:27,640 --> 00:09:29,880 Speaker 1: in the first couple of years that it was out 161 00:09:29,920 --> 00:09:32,440 Speaker 1: in print, right, and he was able to quit his 162 00:09:32,520 --> 00:09:35,880 Speaker 1: day job as an ad guy and admin, you know, 163 00:09:36,400 --> 00:09:39,600 Speaker 1: and went on to become a whimsical children's book writer 164 00:09:39,760 --> 00:09:45,760 Speaker 1: full time. Zoe Zoie. That's good man, that's quite good. Also, like, 165 00:09:46,120 --> 00:09:49,559 Speaker 1: what was the name of that pesticide company was a 166 00:09:49,679 --> 00:09:51,439 Speaker 1: z or was it something that you know I actually 167 00:09:51,440 --> 00:09:54,360 Speaker 1: looked at. It's called flit flit. Yeah, like you know bugs, 168 00:09:54,360 --> 00:09:56,360 Speaker 1: they flipped and this is what you scored at him 169 00:09:56,360 --> 00:10:01,040 Speaker 1: to make them stop flitting forever, Stop the flit. I 170 00:10:01,080 --> 00:10:04,440 Speaker 1: don't know why I'm feeling these catchphrases so much, my friend, 171 00:10:04,760 --> 00:10:08,440 Speaker 1: but we know that a lot of people love the 172 00:10:08,480 --> 00:10:11,640 Speaker 1: way Zoie wrote. And so you know what, I'm just 173 00:10:11,720 --> 00:10:14,960 Speaker 1: gonna call him Dr Seuss for this show for our 174 00:10:15,000 --> 00:10:19,000 Speaker 1: purposes here. Yeah, that's fair, Okay, it just feels more comfortable, 175 00:10:19,040 --> 00:10:21,480 Speaker 1: you know what I mean. We all know who Dr Seuss, right, 176 00:10:21,679 --> 00:10:24,800 Speaker 1: but this doctor's voice guy, it sounds like some sort 177 00:10:24,840 --> 00:10:30,080 Speaker 1: of mad scientists. So he does. So this guy's career 178 00:10:30,200 --> 00:10:35,280 Speaker 1: takes off. He's becomes a prolific author of children's books 179 00:10:35,320 --> 00:10:39,360 Speaker 1: that are loved around the world, especially the English speaking 180 00:10:39,400 --> 00:10:45,080 Speaker 1: world obviously. And then in nineteen sixty, just about three 181 00:10:45,160 --> 00:10:48,360 Speaker 1: years after Cat and the Hats come out, he has 182 00:10:48,400 --> 00:10:52,240 Speaker 1: a strange conversation with a guy named Bennett Surf, the 183 00:10:52,320 --> 00:10:55,320 Speaker 1: co founder of Random House. He does it's very similar 184 00:10:55,360 --> 00:10:58,400 Speaker 1: to the conversation you had with Mr Hershey that kicked 185 00:10:58,400 --> 00:11:00,600 Speaker 1: off his career, you know, in such a huge way 186 00:11:00,640 --> 00:11:03,599 Speaker 1: with Cat in the Hat. This guy really ups the 187 00:11:03,720 --> 00:11:06,080 Speaker 1: annie here in terms of what that first bet, I 188 00:11:06,080 --> 00:11:10,720 Speaker 1: guess our challenge would have been. And he challenges SEUs 189 00:11:10,760 --> 00:11:15,400 Speaker 1: to write a children's book that uses fifty unique words 190 00:11:15,640 --> 00:11:21,400 Speaker 1: or less unique being individual words, which sounds like if you, 191 00:11:21,559 --> 00:11:24,880 Speaker 1: if you're just thinking about this initially at first, blush, 192 00:11:24,960 --> 00:11:27,160 Speaker 1: this could sound like, hey, that's enough words for a 193 00:11:27,240 --> 00:11:30,880 Speaker 1: children's book. It's not, because what they mean by unique 194 00:11:30,920 --> 00:11:33,400 Speaker 1: words is that, let's see, if you had a word 195 00:11:33,480 --> 00:11:38,199 Speaker 1: that was and just I'll pick one admiral, right, then 196 00:11:38,280 --> 00:11:40,800 Speaker 1: you can use that one word as many times as 197 00:11:40,800 --> 00:11:43,439 Speaker 1: you would like. Right. It's it's like that vocabulary list 198 00:11:43,480 --> 00:11:45,560 Speaker 1: we talked about earlier, and I think you know it 199 00:11:45,600 --> 00:11:48,520 Speaker 1: was around two sixty words for Cat in the Hat. 200 00:11:48,760 --> 00:11:53,080 Speaker 1: So that's and that's a pretty relatively straightforward, sing songy 201 00:11:53,200 --> 00:11:56,400 Speaker 1: kind of like simple language book. So that this is 202 00:11:56,400 --> 00:11:58,480 Speaker 1: like really taking it to the next level, because to 203 00:11:58,600 --> 00:12:01,240 Speaker 1: use fifty words and still have it a tell a 204 00:12:01,320 --> 00:12:06,280 Speaker 1: story and not just be completely just see Dick run 205 00:12:06,520 --> 00:12:09,200 Speaker 1: right exactly. So he took this as a challenge and 206 00:12:09,320 --> 00:12:13,680 Speaker 1: he delivered. I propose that we play a game with 207 00:12:13,760 --> 00:12:18,320 Speaker 1: the listeners knowll because we have this list we did words. Okay, 208 00:12:18,400 --> 00:12:21,680 Speaker 1: So let's let's read out some of these words, not 209 00:12:21,679 --> 00:12:23,719 Speaker 1: not all fifty, and let's like skip the ones that 210 00:12:23,760 --> 00:12:26,720 Speaker 1: automatically give it away. And let's see if you can 211 00:12:26,760 --> 00:12:30,040 Speaker 1: guess which book this is. Okay, are you ready? Folks? 212 00:12:30,800 --> 00:12:37,480 Speaker 1: A am and anywhere? Are b boat? Box car? Could 213 00:12:37,640 --> 00:12:41,920 Speaker 1: dart do eat here? House? I if in let like, 214 00:12:42,760 --> 00:12:44,559 Speaker 1: I think it's pretty hard to guess. We didn't have 215 00:12:44,600 --> 00:12:47,760 Speaker 1: any really juicy in there. You're not going to finish? 216 00:12:47,880 --> 00:12:49,320 Speaker 1: Oh do you want to do? You want to do 217 00:12:49,400 --> 00:12:51,440 Speaker 1: the rest of them? Are you skipping the word greens 218 00:12:51,520 --> 00:12:59,360 Speaker 1: that in there? Casey on the case spoil? I love it. 219 00:12:59,760 --> 00:13:02,080 Speaker 1: We haven't gotten there yet. But yes, in fact, green, 220 00:13:02,600 --> 00:13:07,120 Speaker 1: eggs and ham are all in this list. And that's 221 00:13:07,160 --> 00:13:11,000 Speaker 1: ham like the food, not ham like. Hearts him off right. 222 00:13:11,120 --> 00:13:14,200 Speaker 1: That was a little bit before uh seuss time, or 223 00:13:14,200 --> 00:13:16,720 Speaker 1: maybe that was part of his uncollected work. I actually 224 00:13:16,720 --> 00:13:19,480 Speaker 1: read somewhere that he coined the word crunk, but it 225 00:13:19,559 --> 00:13:21,160 Speaker 1: didn't mean the same thing as it means in the 226 00:13:21,160 --> 00:13:24,960 Speaker 1: parlance of today. That it appeared first in print in 227 00:13:25,040 --> 00:13:33,439 Speaker 1: a doctor so I book, This book that he wrote 228 00:13:33,440 --> 00:13:36,520 Speaker 1: on a bet is known today as green Eggs in 229 00:13:36,559 --> 00:13:39,040 Speaker 1: a hand, And I was thinking, there's a there's a 230 00:13:39,040 --> 00:13:42,120 Speaker 1: neat coincidence here when he has this conversation with Bennett 231 00:13:42,200 --> 00:13:45,920 Speaker 1: surf Um, when they make that bet for what fifty dollars? Right, 232 00:13:46,320 --> 00:13:49,080 Speaker 1: it works out to a dollar or a word, which 233 00:13:49,120 --> 00:13:50,959 Speaker 1: I thought was, I don't know if that's on purpose. 234 00:13:51,400 --> 00:13:54,679 Speaker 1: It's pretty neat, And I think a fifty dollar bet 235 00:13:55,000 --> 00:13:58,000 Speaker 1: back then would have been a couple of hundred bucks now, right, 236 00:13:59,040 --> 00:14:01,480 Speaker 1: maybe yeah, a little close, maybe a little closer to four. 237 00:14:02,080 --> 00:14:05,880 Speaker 1: But but yeah, so it's it's still a significant amount 238 00:14:05,880 --> 00:14:09,559 Speaker 1: of money, but to this guy who's a best selling author, now, 239 00:14:09,920 --> 00:14:12,280 Speaker 1: it's not like a make or break thing as far 240 00:14:12,280 --> 00:14:14,000 Speaker 1: as his bank accounts. So we know where where this 241 00:14:14,040 --> 00:14:17,400 Speaker 1: falls in the in the doctor Seus's bibliography, this sort 242 00:14:17,400 --> 00:14:21,360 Speaker 1: of mid career. This was his nineteen sixty when the 243 00:14:21,360 --> 00:14:24,400 Speaker 1: bed occurs, so that's right after that's three years after 244 00:14:24,480 --> 00:14:28,560 Speaker 1: Cat in the Hat is relatively earlier, and so when 245 00:14:28,600 --> 00:14:32,080 Speaker 1: he writes this book, we can only imagine that it's 246 00:14:32,120 --> 00:14:34,680 Speaker 1: a little less of a laborious process because he's already 247 00:14:34,680 --> 00:14:37,280 Speaker 1: been through it before with Cat in the Hat. Yeah, 248 00:14:37,320 --> 00:14:39,560 Speaker 1: except this is like a little bit more challenging. Right, 249 00:14:39,560 --> 00:14:41,640 Speaker 1: this is really a parent like you know, even limiting 250 00:14:41,720 --> 00:14:45,680 Speaker 1: his his verbal palette even more. Right. Yeah, so we 251 00:14:45,760 --> 00:14:50,440 Speaker 1: mentioned that this has a one of the brilliant things 252 00:14:50,480 --> 00:14:52,720 Speaker 1: about this book is it does actually have a plot 253 00:14:52,760 --> 00:14:55,240 Speaker 1: that you can follow, you know what I mean, there's 254 00:14:55,280 --> 00:14:58,720 Speaker 1: some tension in there. What what's the plot? Our protagonist 255 00:14:58,960 --> 00:15:02,240 Speaker 1: is named Sam. I him, he is Sam Sam, he 256 00:15:02,360 --> 00:15:05,280 Speaker 1: is well, um yeah, and then there's him, right, and 257 00:15:05,320 --> 00:15:08,000 Speaker 1: then there's uh, this other character who is who goes 258 00:15:08,080 --> 00:15:10,520 Speaker 1: nameless and he's sort of a sad sack kind of 259 00:15:10,560 --> 00:15:13,680 Speaker 1: fellow who Sam keeps trying to force him to eat 260 00:15:14,120 --> 00:15:18,360 Speaker 1: green eggs and ham. And he proceeds to go through 261 00:15:18,400 --> 00:15:22,400 Speaker 1: these various scenarios. As our buddy the Quister would say, 262 00:15:22,840 --> 00:15:26,440 Speaker 1: um and uh, the guy just keeps he's like running 263 00:15:26,440 --> 00:15:29,440 Speaker 1: away from It's actually kind of a stalker situation because 264 00:15:29,480 --> 00:15:32,320 Speaker 1: the nameless character is literally trying to escape this Sam 265 00:15:32,360 --> 00:15:36,080 Speaker 1: I am who keeps popping up with green eggs and ham, 266 00:15:36,120 --> 00:15:37,560 Speaker 1: you know. And then he's like, you know, what would 267 00:15:37,600 --> 00:15:40,000 Speaker 1: you do it on a house, a car, a tree, 268 00:15:41,040 --> 00:15:44,280 Speaker 1: with all these different things with a mouse? Would a 269 00:15:44,320 --> 00:15:48,000 Speaker 1: mouse change the scene? And exactly exactly, uh, and at 270 00:15:48,000 --> 00:15:50,920 Speaker 1: the end of the day there there's you know, they're 271 00:15:50,920 --> 00:15:53,600 Speaker 1: surrounded by the carnage that's been caused by this dude 272 00:15:53,840 --> 00:15:56,040 Speaker 1: literally trying to run for for his life from the 273 00:15:56,160 --> 00:15:58,960 Speaker 1: psychotic sam i Am character. I mean, really is if 274 00:15:58,960 --> 00:16:00,760 Speaker 1: you look back at the book, now Sam i Am 275 00:16:00,880 --> 00:16:04,640 Speaker 1: is very sinister. He goes hard on, he goes Ham. Yeah, 276 00:16:04,720 --> 00:16:07,720 Speaker 1: he really does. Yeah. And and green eggs uh. And 277 00:16:08,000 --> 00:16:10,480 Speaker 1: at the end, the moral of the story is the 278 00:16:10,560 --> 00:16:13,600 Speaker 1: nameless grumpy dude eats the green eggs in Ham and 279 00:16:13,720 --> 00:16:17,320 Speaker 1: he likes it, right, Sam, if you will let me be, 280 00:16:17,680 --> 00:16:20,760 Speaker 1: I will try them. You will see. And then he 281 00:16:20,840 --> 00:16:24,120 Speaker 1: tries them and say, I like green eggs in Ham? 282 00:16:24,360 --> 00:16:26,680 Speaker 1: I do? I like them, Sam i Am. And then 283 00:16:26,840 --> 00:16:31,200 Speaker 1: it goes on the refrain flips and now he's want 284 00:16:31,200 --> 00:16:34,120 Speaker 1: to do it in all those places. Bring the mouse, please, 285 00:16:34,720 --> 00:16:37,200 Speaker 1: a fox, you say, like this green eggs in Ham 286 00:16:37,240 --> 00:16:39,120 Speaker 1: with anything, But I know you can only be a 287 00:16:39,160 --> 00:16:44,080 Speaker 1: fox of mouse and use a goat a goat. Yeah, 288 00:16:44,600 --> 00:16:47,440 Speaker 1: that's weird because if you look at the way. One 289 00:16:47,480 --> 00:16:50,040 Speaker 1: thing is really impressive about this is if you look 290 00:16:50,120 --> 00:16:55,120 Speaker 1: at just the lyrics or the poetry itself typed out, 291 00:16:55,960 --> 00:17:00,600 Speaker 1: it's four pages long, which surprised me because we're pages 292 00:17:00,680 --> 00:17:03,960 Speaker 1: fifty words. It's all about placement. It's like a comic book. 293 00:17:04,080 --> 00:17:05,879 Speaker 1: I mean a lot of these things are like graphic novels, 294 00:17:05,880 --> 00:17:08,600 Speaker 1: and the text is very much incorporated into the design. 295 00:17:08,920 --> 00:17:11,719 Speaker 1: And you know, let's not forget SEUs wrote this text 296 00:17:11,880 --> 00:17:14,520 Speaker 1: and he drew all the images, and he's single handedly 297 00:17:14,600 --> 00:17:18,679 Speaker 1: responsible for creating these worlds which are very uniquely him. 298 00:17:18,720 --> 00:17:21,360 Speaker 1: You know, I think he's he's a pretty interesting artists, 299 00:17:21,400 --> 00:17:23,400 Speaker 1: kind of a renaissance man in that way. I also 300 00:17:23,400 --> 00:17:26,600 Speaker 1: think it's funny that both Ham and Goat both have 301 00:17:26,760 --> 00:17:30,440 Speaker 1: modern day acronym equivalents. And krunk, you know, I think 302 00:17:30,440 --> 00:17:32,639 Speaker 1: he was onto something. I think he was too. We 303 00:17:32,720 --> 00:17:37,240 Speaker 1: should we should do a deep dive read into the 304 00:17:37,280 --> 00:17:40,560 Speaker 1: works of Dr Seuss. We should also mention, by the 305 00:17:40,600 --> 00:17:43,879 Speaker 1: way that yes, Dr SEUs did succeed. This wasn't like 306 00:17:43,920 --> 00:17:45,359 Speaker 1: a cat and a hat thing where he went a 307 00:17:45,359 --> 00:17:48,040 Speaker 1: little over his word count. He managed to make a 308 00:17:48,040 --> 00:17:50,880 Speaker 1: coherent story with only fifty words. He turned it around 309 00:17:50,960 --> 00:17:55,080 Speaker 1: really quickly. It was published on August twelfth, nineteen sixty, 310 00:17:55,240 --> 00:18:00,000 Speaker 1: and it became his best selling book. You know, it's 311 00:17:59,840 --> 00:18:03,640 Speaker 1: purposely meant for beginning readers, right, But there is one 312 00:18:03,800 --> 00:18:07,439 Speaker 1: one twist to the story that I find hilarious just 313 00:18:07,480 --> 00:18:10,800 Speaker 1: because of its petty nature. There's a couple of good twists. Okay, 314 00:18:10,840 --> 00:18:13,160 Speaker 1: well here's one, and I think this is the question 315 00:18:13,200 --> 00:18:15,560 Speaker 1: that's on a lot of our minds right now. What 316 00:18:15,640 --> 00:18:18,919 Speaker 1: happened to the bet? It turns out Bennetts Seraph didn't 317 00:18:18,960 --> 00:18:21,320 Speaker 1: pay up at all. What a jerk. And he was 318 00:18:21,359 --> 00:18:23,439 Speaker 1: a co founder a Random House. It's not like he 319 00:18:23,480 --> 00:18:27,080 Speaker 1: was hurting for the scratch. Did they publish the book? Yes, yes, 320 00:18:27,119 --> 00:18:29,920 Speaker 1: they did, old Random House and the Living Books Company, 321 00:18:30,000 --> 00:18:31,920 Speaker 1: So it stands to reason that this dude not only 322 00:18:31,960 --> 00:18:34,959 Speaker 1: didn't pay up, he benefited from it. So he's the 323 00:18:35,000 --> 00:18:38,600 Speaker 1: double cheap skate. Yeah, massive benefits. What's one of your twists. 324 00:18:38,600 --> 00:18:40,520 Speaker 1: There's a couple of other good ones. One of them 325 00:18:40,640 --> 00:18:43,960 Speaker 1: is that there were some pretty bad reviews for this book, 326 00:18:43,960 --> 00:18:48,719 Speaker 1: specifically from some children's librarians. Um. The New York Public 327 00:18:48,760 --> 00:18:53,680 Speaker 1: Library actually had a card catalog of hand typed children's 328 00:18:53,720 --> 00:18:57,600 Speaker 1: book reviews by their librarian staff. And here is a 329 00:18:57,680 --> 00:19:01,200 Speaker 1: choice exerpt from one of these reviews is uh, Sam 330 00:19:01,240 --> 00:19:03,720 Speaker 1: I am won't eat green eggs and ham until after 331 00:19:03,800 --> 00:19:06,960 Speaker 1: many pages of learning words, he tries them. Book is 332 00:19:07,000 --> 00:19:09,959 Speaker 1: typical of sus Slate period and his output being as 333 00:19:10,000 --> 00:19:12,320 Speaker 1: prolific as it is. It's alarming to think of the 334 00:19:12,359 --> 00:19:14,720 Speaker 1: onslaugh that can ensue if these books are continually out 335 00:19:14,720 --> 00:19:16,640 Speaker 1: of the collection. This is the best line. There must 336 00:19:16,680 --> 00:19:19,440 Speaker 1: be better ways of teaching a child to read than 337 00:19:19,480 --> 00:19:23,879 Speaker 1: this not recommended. I saw that too. It was it 338 00:19:23,960 --> 00:19:28,080 Speaker 1: was strange because we see this kind of UM harsh 339 00:19:28,119 --> 00:19:32,880 Speaker 1: reviewing repeated. It's a cyclical thing in children's literature, right, 340 00:19:33,040 --> 00:19:35,520 Speaker 1: like Cloudy with the Chance of Meatballs also got some 341 00:19:35,560 --> 00:19:37,520 Speaker 1: shade thrown out. I think there was an issue with 342 00:19:37,840 --> 00:19:41,119 Speaker 1: it being like not vegan friendly. I think it's like 343 00:19:41,160 --> 00:19:43,840 Speaker 1: more of like our PC police kind of situation that 344 00:19:43,880 --> 00:19:46,480 Speaker 1: we're living in right now. Uh, there's a good one here, 345 00:19:46,520 --> 00:19:49,320 Speaker 1: Ben that you told me about, UM where a federal 346 00:19:49,480 --> 00:19:53,880 Speaker 1: judge actually um referenced this work in in an opinion, 347 00:19:54,440 --> 00:19:58,840 Speaker 1: an official judicial opinion. Yes it's true. In two thousand 348 00:19:58,960 --> 00:20:02,920 Speaker 1: and seven U. S. District Court judge named James muir 349 00:20:03,040 --> 00:20:06,880 Speaker 1: Head received a hard boiled egg in the mail from 350 00:20:06,920 --> 00:20:09,439 Speaker 1: an inmate, and the inmate was sending this hard boiled 351 00:20:09,440 --> 00:20:12,919 Speaker 1: egg through the post to protest his diet while he 352 00:20:12,960 --> 00:20:17,280 Speaker 1: was incarcerating. The judge ordered the egg destroyed with the 353 00:20:17,440 --> 00:20:21,800 Speaker 1: following UH with the following language in his UH court order, 354 00:20:22,560 --> 00:20:25,080 Speaker 1: I do not like eggs in the file. I do 355 00:20:25,160 --> 00:20:27,600 Speaker 1: not like them in any style. I will not take 356 00:20:27,600 --> 00:20:30,800 Speaker 1: them fried or boiled. I will not take them poached 357 00:20:30,920 --> 00:20:34,000 Speaker 1: or broiled. I will not take them soft or scrambled. 358 00:20:34,160 --> 00:20:38,159 Speaker 1: Despite an argument well rambled, no fan, I am of 359 00:20:38,200 --> 00:20:41,840 Speaker 1: the egg at hand. Destroy that egg today, today, today, 360 00:20:41,880 --> 00:20:46,119 Speaker 1: I say, without delay, this judge must have had a 361 00:20:46,160 --> 00:20:49,359 Speaker 1: long week. He's a real character, is well. You know what? 362 00:20:49,440 --> 00:20:53,840 Speaker 1: We could also do an episode on bizarre judge rulings, 363 00:20:54,040 --> 00:20:57,960 Speaker 1: because there have been judges who respond with poetry, sometimes 364 00:20:57,960 --> 00:21:01,640 Speaker 1: in very serious situations. And there have been judges who, 365 00:21:02,280 --> 00:21:07,040 Speaker 1: because they have complete jurisdiction, have imposed some really weird, 366 00:21:07,160 --> 00:21:10,720 Speaker 1: unorthodox penalties for a small crimes. Yeah. Remember that Crib 367 00:21:10,760 --> 00:21:13,240 Speaker 1: Your Enthusiasm episode where Larry has to wear the sandwich 368 00:21:13,280 --> 00:21:16,960 Speaker 1: board with the like I steal forks from restaurants or whatever, 369 00:21:17,240 --> 00:21:20,600 Speaker 1: a scarlet letter punishment like all that. That's a thing. Yeah, 370 00:21:21,040 --> 00:21:25,160 Speaker 1: and uh, this is just one aspect of the tremendous 371 00:21:25,160 --> 00:21:28,840 Speaker 1: influence that Green Eggs and Ham specifically has had on 372 00:21:29,040 --> 00:21:33,480 Speaker 1: modern culture. I think now it's in sixty different formats. 373 00:21:33,880 --> 00:21:38,600 Speaker 1: It's in a multitude of languages, which confuses me because 374 00:21:38,640 --> 00:21:41,639 Speaker 1: surely there would be some languages where it's more difficult 375 00:21:42,080 --> 00:21:46,000 Speaker 1: to do that story just because the sentence structure or something, right, 376 00:21:46,680 --> 00:21:49,320 Speaker 1: it does seem that way. Well, still, they pulled it off. 377 00:21:49,359 --> 00:21:52,480 Speaker 1: I would I would love to have a copy of Cream, 378 00:21:52,520 --> 00:21:55,879 Speaker 1: Eggs and Ham in a different language because it would 379 00:21:55,880 --> 00:21:59,280 Speaker 1: help me learn that language pretty easily, right, or fifty 380 00:21:59,280 --> 00:22:02,520 Speaker 1: words of it atly, Yeah, you would have the like 381 00:22:02,280 --> 00:22:06,159 Speaker 1: a like a first grader's grasp, perhaps no, less kindergarten 382 00:22:06,240 --> 00:22:11,159 Speaker 1: maybe maybe. And if you so desired, you could potentially 383 00:22:11,280 --> 00:22:14,680 Speaker 1: use the works of Doctor Zeus to learn Latin, even 384 00:22:14,720 --> 00:22:17,720 Speaker 1: though it's sort of incorrectly said that Latin is a 385 00:22:17,760 --> 00:22:21,760 Speaker 1: dead language. But you can definitely find different books that 386 00:22:21,760 --> 00:22:26,560 Speaker 1: are translated into Latin. But here's the thing. It's hard 387 00:22:26,800 --> 00:22:31,000 Speaker 1: to translate this kind of stylized writing like Dr Seuss 388 00:22:31,000 --> 00:22:34,400 Speaker 1: into a language like that, isn't that? Yeah, According to 389 00:22:34,560 --> 00:22:38,280 Speaker 1: Terrence Tunberg, who's been teaching Latin for decades and decades, 390 00:22:38,720 --> 00:22:42,720 Speaker 1: Green Eggs and Ham was very difficult to translate. He 391 00:22:43,040 --> 00:22:47,560 Speaker 1: and his spouse Jennifer, had already translated uh several children's 392 00:22:47,600 --> 00:22:52,040 Speaker 1: books into Latin, and they tackled Green Eggs and ham 393 00:22:52,080 --> 00:22:54,440 Speaker 1: with the title being can you help me out with 394 00:22:54,480 --> 00:22:58,080 Speaker 1: the Latin here? And all? Oh boy, uh vern't over 395 00:22:58,920 --> 00:23:03,600 Speaker 1: vert Parana with lots of exclamation marks, yeah the uh. 396 00:23:03,720 --> 00:23:09,400 Speaker 1: The tun Bergs have also translated other Dr Seuss books specifically, 397 00:23:09,720 --> 00:23:12,800 Speaker 1: but they said this wouldn't was one of the toughest 398 00:23:13,160 --> 00:23:16,359 Speaker 1: because of the simplified language and the short length. But 399 00:23:16,440 --> 00:23:19,720 Speaker 1: it's worth doing because it gives Latin a more contemporary 400 00:23:19,800 --> 00:23:27,359 Speaker 1: feel and it feels less like a dead language. And 401 00:23:27,440 --> 00:23:30,680 Speaker 1: that is the story of Green Eggs and Hams so far. However, 402 00:23:30,800 --> 00:23:35,040 Speaker 1: that is not the end of these Doctors Seuss facts. 403 00:23:35,080 --> 00:23:38,840 Speaker 1: We found several. Some of them are darker, some of 404 00:23:38,840 --> 00:23:41,520 Speaker 1: them are just kind of hilarious, Like did you hear 405 00:23:41,520 --> 00:23:44,200 Speaker 1: about how he's traumatized by Teddy Roosevelt? Yeah? I did. 406 00:23:44,200 --> 00:23:46,280 Speaker 1: Ben I had to do with uh some money he 407 00:23:46,359 --> 00:23:48,800 Speaker 1: got from his grandfather's in there, right. Yeah. World War 408 00:23:49,040 --> 00:23:53,520 Speaker 1: one was in full swing and Dr Seuss was a 409 00:23:53,680 --> 00:23:57,399 Speaker 1: boy scout and he went door to door and eventually, 410 00:23:57,640 --> 00:24:02,359 Speaker 1: because his his grandfather one thousand dollars worth war bonds. 411 00:24:02,520 --> 00:24:05,400 Speaker 1: He became one of the most successful war bonds salesman 412 00:24:05,600 --> 00:24:09,480 Speaker 1: in his town. And they were brought on stage, him 413 00:24:09,480 --> 00:24:13,240 Speaker 1: and nine other boy scouts to the municipal auditorium. And 414 00:24:13,480 --> 00:24:17,680 Speaker 1: who was there to present the award Theodore Roosevelt himself, 415 00:24:17,800 --> 00:24:22,520 Speaker 1: the President of the United States. Yeah, he was there 416 00:24:22,960 --> 00:24:26,000 Speaker 1: to officiate this ceremony to you know, pin a metal 417 00:24:26,320 --> 00:24:30,000 Speaker 1: on these plucky young lads. Uh and and and old 418 00:24:30,000 --> 00:24:33,040 Speaker 1: Teddy Seuss was the last one in line um to 419 00:24:33,280 --> 00:24:37,280 Speaker 1: receive this major award. And but it turns out that 420 00:24:37,359 --> 00:24:40,280 Speaker 1: they didn't have enough medals, and the Roosevelt gets to 421 00:24:40,400 --> 00:24:43,000 Speaker 1: him and he doesn't have anything. He just looks over 422 00:24:43,040 --> 00:24:44,560 Speaker 1: at the people off stage. It's like, who the hell 423 00:24:44,640 --> 00:24:47,240 Speaker 1: is this kid? Get him out of here, and they 424 00:24:47,320 --> 00:24:50,520 Speaker 1: trundle him off stage and he gets nothing. It's like 425 00:24:50,640 --> 00:24:54,040 Speaker 1: Willie Walker style man. For the rest of his life, 426 00:24:54,040 --> 00:24:58,119 Speaker 1: he had a crippling fear of crowds, and he actually 427 00:24:58,160 --> 00:25:00,320 Speaker 1: skipped a lot of speaking engagements when he was a 428 00:25:00,359 --> 00:25:04,639 Speaker 1: famous author because he was terrified they would be publicly humiliated. Again. Well, 429 00:25:04,680 --> 00:25:07,199 Speaker 1: there's also not a lot of interviews with him, like 430 00:25:07,359 --> 00:25:09,680 Speaker 1: video interviews with him that you can even find. Right, 431 00:25:10,520 --> 00:25:13,119 Speaker 1: let's see what else his uh, His first book was 432 00:25:13,320 --> 00:25:18,000 Speaker 1: The Complete and Unabridged pocket Book of Boners. Is it 433 00:25:18,080 --> 00:25:24,120 Speaker 1: just like a visual compendium of different boners. It was, Uh, 434 00:25:24,160 --> 00:25:26,600 Speaker 1: this is back when a boner just meant an error 435 00:25:27,080 --> 00:25:31,520 Speaker 1: like that was a real bone. So the book was 436 00:25:31,800 --> 00:25:34,439 Speaker 1: it was a compilation, but it was a compilation of 437 00:25:34,520 --> 00:25:37,640 Speaker 1: lists of silly, incorrect answers to questions given by children. 438 00:25:37,920 --> 00:25:40,560 Speaker 1: It did have a bunch of risk ay jokes and illustrations. 439 00:25:40,760 --> 00:25:43,399 Speaker 1: He knew the other meaning of boners, and you know 440 00:25:43,480 --> 00:25:48,040 Speaker 1: he did. He was a body boy was he was? Uh? 441 00:25:48,080 --> 00:25:50,640 Speaker 1: And I guess you could find a copy of that 442 00:25:51,080 --> 00:25:54,720 Speaker 1: first published nineteen thirty one, and New York Times called 443 00:25:54,720 --> 00:25:58,000 Speaker 1: it hilarious. I love sixcinct New York Times reviews like 444 00:25:58,040 --> 00:26:02,840 Speaker 1: them usually so overly rebose. Have you ever seen Halloween 445 00:26:02,960 --> 00:26:06,520 Speaker 1: is Grinch Night? Ben? Yeah, I love it. It's so trippy, 446 00:26:06,760 --> 00:26:10,080 Speaker 1: it's so cool, it's awesome, and it's very psychedelic and 447 00:26:10,560 --> 00:26:13,280 Speaker 1: uh hetty and strange. So if you haven't seen that one, 448 00:26:13,560 --> 00:26:15,840 Speaker 1: it's a quick one to watch around Halloween time. It's 449 00:26:15,880 --> 00:26:18,399 Speaker 1: actually pretty spooky. Was a little kid, And there's all 450 00:26:18,400 --> 00:26:21,160 Speaker 1: these creatures and Halloween is grinch Night in the Hackensacks 451 00:26:21,240 --> 00:26:23,760 Speaker 1: or Yowling, and we even talk about that. He invents 452 00:26:23,760 --> 00:26:27,040 Speaker 1: such a great creature names I love. I'm glad you 453 00:26:27,080 --> 00:26:29,600 Speaker 1: mentioned this because I have a little bit of a 454 00:26:29,640 --> 00:26:33,400 Speaker 1: bone to pick with this. I love Halloween is grinch Night. However, 455 00:26:34,080 --> 00:26:39,000 Speaker 1: I think in some recent years Dr. Seuss's good name 456 00:26:39,080 --> 00:26:43,560 Speaker 1: has been besmirched with terrible film adaptations such as The 457 00:26:43,560 --> 00:26:47,720 Speaker 1: Cat in the Hat with Mike Myers. Gross grown, I know, 458 00:26:47,880 --> 00:26:49,639 Speaker 1: and I used to love Mike Myers when I was 459 00:26:49,680 --> 00:26:52,560 Speaker 1: a kid. You probably did too, with Wayne's World Side 460 00:26:52,760 --> 00:26:56,359 Speaker 1: Live all that stuff. Austin Powers. But apparently behind the 461 00:26:56,400 --> 00:26:59,200 Speaker 1: scenes and we haven't I haven't met the guy at least, 462 00:26:59,200 --> 00:27:01,720 Speaker 1: so I can't confirm or deny this. But apparently behind 463 00:27:01,720 --> 00:27:04,560 Speaker 1: the scenes story is he's a real pill to work. 464 00:27:04,720 --> 00:27:07,199 Speaker 1: I've heard this. You've heard it very much, especially like 465 00:27:07,240 --> 00:27:10,439 Speaker 1: on track or whatever, like yeah, yeah, I've definitely heard that, 466 00:27:11,119 --> 00:27:13,080 Speaker 1: which is a shame. Um. You know what else is 467 00:27:13,160 --> 00:27:15,600 Speaker 1: quite bad? What's up? How the Grinch still Christmas? It 468 00:27:15,640 --> 00:27:18,640 Speaker 1: was like a short little little book and a short 469 00:27:18,640 --> 00:27:20,840 Speaker 1: little cartoon and they try to stretch it into like 470 00:27:20,880 --> 00:27:23,760 Speaker 1: a to our movie. It was a great cartoon all, 471 00:27:24,320 --> 00:27:26,359 Speaker 1: you know what I mean. It's just I wish they 472 00:27:26,359 --> 00:27:28,800 Speaker 1: would stop, are we? Does this mean that we're getting old? 473 00:27:29,000 --> 00:27:31,320 Speaker 1: Isn't there another Grinch reboot coming out there as we're 474 00:27:31,320 --> 00:27:33,040 Speaker 1: recording this? But I think it's animated or it's like 475 00:27:33,160 --> 00:27:35,440 Speaker 1: it's like you know, C G I or whatever. Oh. 476 00:27:35,520 --> 00:27:38,680 Speaker 1: He also invented the word nerd, didn't he did? This 477 00:27:38,720 --> 00:27:42,920 Speaker 1: guy is a real word smith. So one last thing 478 00:27:43,000 --> 00:27:45,000 Speaker 1: I would like to contribute. I want to see your 479 00:27:45,040 --> 00:27:47,280 Speaker 1: opinion on this. No, and we want to hear your opinion. 480 00:27:47,359 --> 00:27:56,520 Speaker 1: Ridiculous historians. Apparently Dr Seuss had dabbled in erotica. Excuse me, erotica, 481 00:27:57,160 --> 00:28:00,960 Speaker 1: that's what I thought you said. He had contributed art 482 00:28:01,040 --> 00:28:05,080 Speaker 1: to something called The Bedroom Companion that had a comic 483 00:28:05,440 --> 00:28:10,480 Speaker 1: showing Uh. Well, let's just say he contributed to that 484 00:28:10,640 --> 00:28:14,959 Speaker 1: to that book, and as a condition of his contract 485 00:28:15,240 --> 00:28:18,960 Speaker 1: later on in life, he said, Okay, I'll write children's 486 00:28:19,000 --> 00:28:22,280 Speaker 1: books for you only if you let me write an 487 00:28:22,320 --> 00:28:28,480 Speaker 1: adult book first. The Seven Lady Goodivas a story about 488 00:28:28,520 --> 00:28:31,080 Speaker 1: seven naked women. Yeah, and they're writing on one of 489 00:28:31,160 --> 00:28:35,840 Speaker 1: his um you know, like signature, kind of nondescriptive beasts like, 490 00:28:35,880 --> 00:28:38,040 Speaker 1: it's not it's not a horse, it's not a hippo. 491 00:28:38,240 --> 00:28:40,120 Speaker 1: I don't know what a dusky. It's it's its own thing. 492 00:28:40,160 --> 00:28:42,160 Speaker 1: It's got traits of all of those. It's probably got 493 00:28:42,160 --> 00:28:46,240 Speaker 1: a name like a Barkernof or something exactly. There you go, Ben, 494 00:28:46,240 --> 00:28:49,120 Speaker 1: and it is, you know, a stride. This uh creature 495 00:28:49,440 --> 00:28:53,280 Speaker 1: is uh two three or four, six, seven naked women 496 00:28:53,600 --> 00:28:56,320 Speaker 1: of all shapes and sizes. Yeah, in his defense of 497 00:28:56,320 --> 00:28:58,280 Speaker 1: all stripes and sizes. Here's the thing, why do we 498 00:28:58,320 --> 00:29:00,400 Speaker 1: need to defend them? This is this is delightful. Well, 499 00:29:00,480 --> 00:29:03,080 Speaker 1: the book flopped and he was kind of uh, he 500 00:29:03,200 --> 00:29:05,360 Speaker 1: was kind of pot about it because he had to 501 00:29:05,360 --> 00:29:08,760 Speaker 1: settle for a career as a children's writer. This is 502 00:29:08,760 --> 00:29:11,160 Speaker 1: a quote from Dr SEUs. Okay, that's not us say 503 00:29:11,200 --> 00:29:13,640 Speaker 1: it's a quote from him. He said, I tried to 504 00:29:13,720 --> 00:29:16,680 Speaker 1: draw the sexiest babes I could, but they came out 505 00:29:16,720 --> 00:29:19,920 Speaker 1: looking absurd. Well, what the what do they look like? 506 00:29:20,160 --> 00:29:23,200 Speaker 1: Dr Seuss characters? What did you think? There's nothing sexy 507 00:29:23,280 --> 00:29:27,240 Speaker 1: about them. They've all got like who hair? Yes, they're 508 00:29:27,240 --> 00:29:30,920 Speaker 1: all Hoovian yeah, big time. Wow, you can't say the 509 00:29:30,960 --> 00:29:34,280 Speaker 1: guy wasn't interesting. When did he pass ben. Dr SEUs 510 00:29:34,360 --> 00:29:37,360 Speaker 1: actually lived a very long time. He did not pass 511 00:29:37,360 --> 00:29:42,240 Speaker 1: away until September. He was eight seven years old. I 512 00:29:42,240 --> 00:29:44,320 Speaker 1: remember that. I remember when it happened. I mean I 513 00:29:44,360 --> 00:29:47,160 Speaker 1: was very young, but I definitely distinctly remember the death 514 00:29:47,160 --> 00:29:51,160 Speaker 1: of Dr Seuss. You know who else another personal legend 515 00:29:51,640 --> 00:29:56,680 Speaker 1: of ours who passed away recently, Stanley. You know, it's 516 00:29:56,800 --> 00:29:59,440 Speaker 1: it's strange because I'm sure that he'll still be in 517 00:29:59,560 --> 00:30:03,040 Speaker 1: Cammy for a few more movies because they must have 518 00:30:03,080 --> 00:30:05,040 Speaker 1: filmed a bunch. I guess they would have had to. Yeah, 519 00:30:05,040 --> 00:30:07,280 Speaker 1: it makes sense to do it in a batch. And 520 00:30:07,400 --> 00:30:10,320 Speaker 1: this reminds me in nineties. Yeah, he did look great, 521 00:30:10,640 --> 00:30:14,040 Speaker 1: and he also growing up as a kid who didn't 522 00:30:14,040 --> 00:30:16,600 Speaker 1: have a ton of friends, I think stan Lee taught 523 00:30:16,640 --> 00:30:21,960 Speaker 1: me a ton about reading and really added to my vocabulary. 524 00:30:22,280 --> 00:30:24,160 Speaker 1: You know what I mean. He's he's the guy who 525 00:30:24,200 --> 00:30:26,560 Speaker 1: brought back excelsior. Yeah. I keep saying that. I don't 526 00:30:26,560 --> 00:30:30,160 Speaker 1: know what that means. It's like excellent, Oh, okay, got it. 527 00:30:30,400 --> 00:30:31,760 Speaker 1: There were a lot of tributes to him when he 528 00:30:31,760 --> 00:30:34,080 Speaker 1: passed away, and everyone was saying excelsior. I thought it 529 00:30:34,120 --> 00:30:37,760 Speaker 1: was some sort of stomach medicine. It's it's used to 530 00:30:38,240 --> 00:30:42,320 Speaker 1: I guess it means that something is of superior quality. 531 00:30:42,640 --> 00:30:45,360 Speaker 1: Got it like a little more flashy way of saying 532 00:30:46,200 --> 00:30:49,400 Speaker 1: grade A number one. But this the reason I'm bringing 533 00:30:49,440 --> 00:30:53,120 Speaker 1: up Stanley here, Noel, is because you and I made 534 00:30:53,120 --> 00:30:55,720 Speaker 1: a mandate and we we got a kind of a 535 00:30:55,720 --> 00:31:00,560 Speaker 1: bumpy start. Our mandate was to recommend comic book. Remember 536 00:31:00,960 --> 00:31:03,040 Speaker 1: we did do that. We did do we did say that, 537 00:31:03,160 --> 00:31:04,760 Speaker 1: and we kind of you know, this is a perfect 538 00:31:04,800 --> 00:31:06,880 Speaker 1: episode to do that in because I would I would 539 00:31:06,920 --> 00:31:09,480 Speaker 1: argue that SEUs is kind of a graphic novelist in 540 00:31:09,560 --> 00:31:12,320 Speaker 1: some ways. I would agree, I would agree. What do 541 00:31:12,440 --> 00:31:15,240 Speaker 1: you what are you digging these days? These days? I'm 542 00:31:15,360 --> 00:31:20,040 Speaker 1: digging some Okay, I've been really into some horror comics 543 00:31:20,080 --> 00:31:22,240 Speaker 1: because you know, it's always kind of Halloween in my heart. 544 00:31:22,400 --> 00:31:27,640 Speaker 1: And uh, there's a comic called Regression, which is terrifying, 545 00:31:27,640 --> 00:31:30,920 Speaker 1: not for children, it's about reincarnation. And then there's another 546 00:31:30,960 --> 00:31:35,520 Speaker 1: comic series that's complete called The Clean Room, which is 547 00:31:36,560 --> 00:31:43,200 Speaker 1: about aliens or maybe something different to say anymore would be, 548 00:31:43,400 --> 00:31:46,440 Speaker 1: uh to do a disservice. Have you have have you 549 00:31:46,480 --> 00:31:50,440 Speaker 1: had a chance to check out Nameless? Nameless? Yes? Yeah, yeah. Yeah. 550 00:31:50,600 --> 00:31:53,360 Speaker 1: Nameless was the one shot four issues right, yes, by 551 00:31:53,400 --> 00:31:56,800 Speaker 1: Grant Morrison, who I'm always in love with everything he does. 552 00:31:56,920 --> 00:32:01,400 Speaker 1: I'm just really trippy out there, existent chill, dread almost 553 00:32:01,480 --> 00:32:04,440 Speaker 1: he kind of veers into love crafty and territory and 554 00:32:04,520 --> 00:32:07,360 Speaker 1: this one is no exception. This one's about like space 555 00:32:07,440 --> 00:32:12,880 Speaker 1: madness and just like demonic possession and asticism and all 556 00:32:12,960 --> 00:32:16,320 Speaker 1: kinds of crazy stuff doorways to other dimensions. But it's 557 00:32:16,360 --> 00:32:20,240 Speaker 1: a tight little story and the art is insane, insanely 558 00:32:20,320 --> 00:32:22,960 Speaker 1: not for the faint of heart. Yeah, not only is 559 00:32:23,040 --> 00:32:25,360 Speaker 1: not for children, I would say it's not for you 560 00:32:25,440 --> 00:32:29,320 Speaker 1: if you're already feeling a little bit, you know, less 561 00:32:29,400 --> 00:32:33,040 Speaker 1: than good. It's agreed. It's a bit of a bummer. 562 00:32:33,040 --> 00:32:36,000 Speaker 1: I'm so glad you read that one, man. I Um, 563 00:32:36,040 --> 00:32:37,840 Speaker 1: that's one of those that I keep buying copies of 564 00:32:37,880 --> 00:32:39,560 Speaker 1: and they keep giving them away. Yeah. I have a 565 00:32:39,560 --> 00:32:41,440 Speaker 1: hardcover of it, and it just the art is just 566 00:32:41,640 --> 00:32:45,400 Speaker 1: alone is fantastic. So we have met our mandate. For 567 00:32:45,440 --> 00:32:49,120 Speaker 1: this episode, we talked about a crazy, weird children's book 568 00:32:49,160 --> 00:32:52,520 Speaker 1: Guy recommended some comics, had a good time, learned the 569 00:32:52,520 --> 00:32:55,520 Speaker 1: origins of the word crunk and nerd invented a new 570 00:32:55,680 --> 00:33:00,440 Speaker 1: uh phrase to yell out an exclamation zoi zoie. It's 571 00:33:00,440 --> 00:33:04,720 Speaker 1: also kind of like noise noise zice noy soyce and 572 00:33:04,920 --> 00:33:08,600 Speaker 1: we hope that you enjoyed this episode even half as 573 00:33:08,680 --> 00:33:12,880 Speaker 1: much as we enjoyed exploring this story with you. That's 574 00:33:12,920 --> 00:33:17,280 Speaker 1: all for today. Stay tuned for our next episode, when 575 00:33:17,560 --> 00:33:22,320 Speaker 1: we examine beer, a lot of beer, a whole lot 576 00:33:22,360 --> 00:33:25,520 Speaker 1: of beer, like a dangerous amount of beer. Yeah. In 577 00:33:25,560 --> 00:33:29,640 Speaker 1: the meantime, thanks of course to our super producer Casey Pegrum, 578 00:33:29,680 --> 00:33:33,680 Speaker 1: Thanks to our research associate Gabe, Thanks to Alex Williams 579 00:33:33,720 --> 00:33:36,920 Speaker 1: our Pal who composed our theme. And thanks to you 580 00:33:37,120 --> 00:33:41,160 Speaker 1: Ben for being a dapper and intelligent co host. As always, 581 00:33:41,520 --> 00:33:45,760 Speaker 1: thanks man, I recently did my laundry. That's probably smell 582 00:33:45,800 --> 00:33:50,680 Speaker 1: fresh and clean, my man. Thank you. You're welcome. Goodbye, everyone,