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Speaker 1: A minute, Ja, Yeah, to see how the thing of

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Speaker 1: wa just like drawing what's its name, Jamie Jamon, Yeah,

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Speaker 1: I looked real dist out of hill. Okay, I mean

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Speaker 1: you can't nobody to hear it, but you're gonna look

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Speaker 1: at it black, Yeah, I know, go in. You haven't seen,

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Speaker 1: you haven't had somebody to still want to hear the road,

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Speaker 1: Then let me get it in it you were nothing,

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Speaker 1: get a line both it's about down like feels like

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Speaker 1: y'all banks and be like a bunch of dogs that

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Speaker 1: once yeah, yeah, like me and lows and then go

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Speaker 1: in and do folk episodes and one sitting. I tried

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Speaker 1: at least because I know he'd be going a lot.

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Speaker 1: So we're live in Atlanta. He don't stay there, so

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Speaker 1: I at least, if I know he ain't gonna be there,

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Speaker 1: at least try to go and record something at least

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Speaker 1: once an how y'all you know, because I got on

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Speaker 1: the players' best like so it could be on organic

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Speaker 1: sit down conversation, adapt to the element enough to make

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Speaker 1: it not look like what it's going on, and just

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Speaker 1: sitting now you're like, you know you can talk right,

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Speaker 1: you know? We really just like you said, people we

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Speaker 1: want to talk to people that we know where they

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Speaker 1: don't even look like we hadn't make good Just smoke

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Speaker 1: beat y'all ing the interview like you want to. Yeah, yeah,

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Speaker 1: gust like the studio because I've seen him batch of

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Speaker 1: different it seems like it's like three different Yeah, but

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Speaker 1: that's all in the same place, all the same traphouse,

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Speaker 1: same a little spins get try like moving around to

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Speaker 1: keep ok, gifts, just get you sing little spis hot hot.

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Speaker 1: We're just gonna check level real quickly, go on like

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Speaker 1: all right, we don't We're going out in here, right,

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Speaker 1: you gotts you're rocking all this day. You listen to

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Speaker 1: the smooth cruise of Nick Kenn Radio. We're gonna get

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Speaker 1: into some of the people Pryson at the top of

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Speaker 1: the hour. Got some new ussher featuring Kurt Franklin. Make

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Speaker 1: sure you hit that phone now. We got those flash

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Speaker 1: tickets red check Mike check one too. Yeah yeah, ye

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Speaker 1: yoo yo yoo. Is that I've seen a clip that

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Speaker 1: he put up was supposing me him and your main

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Speaker 1: New Friends studio working on the confessions. I've been in there.

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Speaker 1: He gotta tell again. Oh listen, that's hilarious. Yea burning

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Speaker 1: me tell you why you so? I'm fighting man? That

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Speaker 1: is hilarious. That's what it is. We already rocking. Nick

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Speaker 1: came in mornings and that is the o gs themselves,

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Speaker 1: eighty five South in the building. Another one brother one.

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Speaker 1: See we were just in here. We cracked the mics open.

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Speaker 1: You're already going in on Ussher and his new music.

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Speaker 1: Point to confession? What are you gonna tell this time? Though?

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Speaker 1: I thought he told it all on the first the

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Speaker 1: new album stupid? So what brings you all the lost

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Speaker 1: as other than to congratulate me on congratulate your first

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Speaker 1: of course, not were the first, first one. That's like

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Speaker 1: my friends, but how you don't have the job like

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Speaker 1: this new Niyah Monday Monday was the first. I mean,

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Speaker 1: it's it's weird because I've been talking to everybody, so

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Speaker 1: y'all probably are the first ones that have been in

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Speaker 1: this studio. Come on, we kicked it on. You got

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Speaker 1: a show tonight at the Palladium, right going crazy, So

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Speaker 1: tell me about the eight by South show? Is obviously

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Speaker 1: I know everybody know y'all crazy, y'all hilarious, clip it

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Speaker 1: over an eight South show is the way this this

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Speaker 1: the one stop shop where you can get you a

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Speaker 1: laugh for a song. You can catch up with what's

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Speaker 1: going on with in the comedy world, keep up with

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Speaker 1: us individually, do stand up or y'all all on stage

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Speaker 1: at the same time the whole time we do it both,

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Speaker 1: you know what I'm saying. And it's hard to be

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Speaker 1: on stage with with a lot of comedians at one time.

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Speaker 1: As you can see, its wilding out. He's trying to

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Speaker 1: get all the other be coordinated, everybody to be on stage.

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Speaker 1: You're doing what they want to do. But it's like

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Speaker 1: to be on stage and allowing your brothers to to

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Speaker 1: to you know what I'm saying, You're trusting your brother's comedy.

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Speaker 1: Like we just have that feeling somebody about to say something,

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Speaker 1: you know what I'm saying. So it looked like an

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Speaker 1: audio storytelling. Yeah, you know what I'm saying. It's like

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Speaker 1: an audio storytelling. It's just beautiful from the environment of

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Speaker 1: wilding out though, So it's like, you know firsthand how

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Speaker 1: hard it is to be able to blend your comedy

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Speaker 1: with somebody else's comment, like, because everybody finds different things

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Speaker 1: funny and everybody look at things from different perspectives. But

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Speaker 1: with us just from the way that we've built from

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Speaker 1: having to learn so many different styles of improv doing

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Speaker 1: while or not when we get on stage, we already

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Speaker 1: kind of built just a bank of skill and when

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Speaker 1: we can just go off each other without thinking about

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Speaker 1: it because we've have been doing it for so long,

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Speaker 1: but we're really partners too, so it's like it's just

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Speaker 1: that element like you and your little brothers and the

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Speaker 1: basement with mind and go to work. You know, it's

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Speaker 1: like being on the blood like you listening to you,

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Speaker 1: Like even though we're on stage, we still be listening

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Speaker 1: to each other, like we'd be talking to be like

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Speaker 1: what were you about to say something like that? To say,

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Speaker 1: it's just the coldest podcast anybody catch them tonight? Boy,

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Speaker 1: Palladium is going down all right. Now that we got

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Speaker 1: all that ship out the way, let's talk some ship

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Speaker 1: that get unique. Dude, Man, he didn't got the regularly

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Speaker 1: ready rich him. Curse on that you cut it now,

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Speaker 1: you know, cus like down six. This dude is a

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Speaker 1: genie man. Man, he's rich on radio show and he

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Speaker 1: got on the bullet proof this this man, I don't

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Speaker 1: want you richest job because I mean I'm trying to

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Speaker 1: the world domination man, and you did about that's about

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Speaker 1: the power. What you mean people you're gonna touch? What

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Speaker 1: are you gonna do with people? What are you gonna

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Speaker 1: do with this? The check is about connecting with the people.

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Speaker 1: We gotta do it. Niked read there before. They ain't

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Speaker 1: laws of power, every last one. I need to come

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Speaker 1: on with the need to come on in with another job.

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Speaker 1: But put your hands on everything. That's what it's all about.

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Speaker 1: I mean, y'all doing the same thing and it's innovated

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Speaker 1: to I love to see it. See. That's why I

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Speaker 1: was asking why you're getting another job, because the more

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Speaker 1: work you do, you're putting more pressure on us because

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Speaker 1: we can't be around you and then then just be slacking.

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Speaker 1: You know what I'm saying, You got, you got, you

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Speaker 1: got to adapt, you got you got to you got

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Speaker 1: ready job that I'm really gonna called calm cast and ask. So,

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Speaker 1: I mean, honestly, man, you all do have your individual careers,

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Speaker 1: but coming together like do y'all ever be people? Always?

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Speaker 1: You know, people thought me and Carlos beating like y'all

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Speaker 1: ever not like get along? We even never felt out

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Speaker 1: about nothing because we and and the thing is, we

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Speaker 1: ain't playing like we really meant you know what I'm saying,

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Speaker 1: It's not a game like, ain't nothing to hide or

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Speaker 1: any conversation they need to be had. We're gonna have it.

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Speaker 1: We're gonna immediately. And I think the one thing that

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Speaker 1: keeps us from beating is we all individually fans of

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Speaker 1: each other. So it was never no jealousy like, oh

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Speaker 1: get that, Michael Michael, Michael Michael, right. And that makes

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Speaker 1: it so unique is because you never seen three people

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Speaker 1: that can hold their own on the stage and individually

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Speaker 1: can do everything by themselves, get on stage together and

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Speaker 1: do it the way that we do it. Like you

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Speaker 1: imagine if you know, Bernie and Sid and d l

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Speaker 1: And and Steve would have just came out at the

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Speaker 1: end of the show, just got on stage and just

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Speaker 1: talk ship with each other. That's a whole another movie.

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Speaker 1: And that's you know what I mean, that's the element

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Speaker 1: that we brought to being comedians and saying, man, you

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Speaker 1: can get it with your partners. Everybody ain't got to

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Speaker 1: beat the be the man man stuff. But you know,

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Speaker 1: to pick up on that, it's also you got to

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Speaker 1: understand your role in your position and whatever you and

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Speaker 1: whatever circumstances you went like for example, of course I

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Speaker 1: get the notoriety and people saying this and that, and

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Speaker 1: because of the Instagram follows. But yeah, I'm new to

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Speaker 1: the comedy, but I'm on stage with my o g

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Speaker 1: My Panna, who I was a fan of. He has

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Speaker 1: way more wisdom in the comedy game than me. So

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Speaker 1: it's like, I don't even look at the instagram and

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Speaker 1: all what they say, and I'm like, Nigga, he gotta

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Speaker 1: go last because he the This nigga comment is funny

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Speaker 1: and damn what y'all saying. I'm gonna show y'all why

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Speaker 1: he needs to do what he needs to do, because

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Speaker 1: this is what's going on, what I'm saying, So I

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Speaker 1: pick up and learn game from them on stage with

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Speaker 1: like okay, I got no down, I don't can I

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Speaker 1: see how he did that? Like Okay, watch my sick.

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Speaker 1: I watch how you coltivate growing you first jumped on

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Speaker 1: stage to where you are now. You're growth is amazing.

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Speaker 1: But I agree with you based off of how I'm

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Speaker 1: a fan of Carlos is based off I feel like

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Speaker 1: he's a jazz commedi and if people ever know what

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Speaker 1: jazz and jack people who are like jazz geniuses. They

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Speaker 1: play the music because they want to play the music.

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Speaker 1: They ain't doing it for the people. They ain't doing

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Speaker 1: They're doing it really truly for the art. And he

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Speaker 1: does comedy for the art. He speaks his mind. He

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Speaker 1: on nell Hold and he he's crazy, even like worried

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Speaker 1: about the big finisher, like everybody got. They joked at

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Speaker 1: the end on college is gonna go until he find it.

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Speaker 1: It's gonna be hilarious. But it's like that's where you

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Speaker 1: can appreciate true genius. And there's only a few cats

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Speaker 1: who can do that. From the Chappelle's to the Berne

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Speaker 1: so all that, and then Chico's mind works so fast

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Speaker 1: and you get something different from all the y'all because

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Speaker 1: Chico gonna give you. He's gonna tell you about his

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Speaker 1: whole day that day, and it's gonna different pumps lines,

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Speaker 1: he said, it's different every time. And then you come

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Speaker 1: with the energy. So I truly you know from seeing

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Speaker 1: all three of y'all, from from its inceptions, love with

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Speaker 1: Jillie down, Sir, six eight box out, this is something different, man,

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Speaker 1: This is this is truly different seeing y'all do y'all things,

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Speaker 1: And I wish you would like a lot of credits

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Speaker 1: on the outside looking there. Why but that gonna be talking.

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Speaker 1: We'd be like hold up, shout even talking to say

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Speaker 1: that that's what you're not about to say. Oh G

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Speaker 1: O G like like to be And I say, man,

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Speaker 1: you're like the most richest regular person I've ever seen,

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Speaker 1: Like like you try to act regular but right and

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Speaker 1: the bulletproof regular. But it's like the motivation, you know

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Speaker 1: what I'm saying, Like every time you're in the room,

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Speaker 1: I always try to pick up you know what I'm saying,

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Speaker 1: something that you're doing or you know what I mean,

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Speaker 1: trying to figure out like okay, he's handling this and

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Speaker 1: he had to let okay, how easy doing it. So

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Speaker 1: it's like all the eye comes I look at you,

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Speaker 1: Kevin Hart, uh, Mike elves T like I look at

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Speaker 1: all y'all as moguls. You know what I'm saying. That's

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Speaker 1: putting on for the culture, and I appreciate it, you

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Speaker 1: know what I'm saying. So so we were looking we

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Speaker 1: watched it. Man, we realized that, you know the reality

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Speaker 1: is our lives changed after we met you, and it

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Speaker 1: will it can never go back to being what it

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Speaker 1: was because we came in contact with somebody who didn't

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Speaker 1: care about being the man enough not to let young

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Speaker 1: talents stand around him and not just standing around him,

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Speaker 1: but stand beside him while you're putting them. That's one

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Speaker 1: of the things that I give you credit for is

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Speaker 1: when you put a lot of people can put somebody on, like, yeah,

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Speaker 1: go ahead and go out there and figure it out.

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Speaker 1: But when you gave us a platform, it was a

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Speaker 1: platform that you created, and you stood there and let

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Speaker 1: us create with you and talk ship and tell jokes.

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Speaker 1: And most people who in positions of power, most people

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Speaker 1: who in positions of power, will never allow that to happen,

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Speaker 1: you know what I mean. It's kind of like what

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Speaker 1: I was saying about the four the eight Lowers never

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Speaker 1: out shying the master. But you don't have to apply

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Speaker 1: to that same regard because it's like you can put

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Speaker 1: people on and have us sitting on your radio show

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Speaker 1: all these years later with our own platform and say

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Speaker 1: I saw it. You know what I mean. It's a

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Speaker 1: beautiful thing, man. And I think that's what just being

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Speaker 1: solid and having a humility and like respecting talents, you know,

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Speaker 1: what I mean, And that's how y'all operate with each other.

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Speaker 1: That's how we've always operate, you know, on the show

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Speaker 1: and then everything that we've always done together. But I

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Speaker 1: gotta get in your business for a second. Thing. I

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Speaker 1: really don't hear about your seeing the comics and everything.

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Speaker 1: Y'all don't really talk about relationships that much. Your personal relationships,

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Speaker 1: we don't, we doody. It's general, but I mean, DC,

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Speaker 1: we know a little bit about your crampiness. But I mean, like,

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Speaker 1: are y'all single? Are y'all always gonna be single? But

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Speaker 1: talk talk can't? I don't know, brother, my crush just

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Speaker 1: start coming on my pictures. It's getting serious. You know.

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Speaker 1: I've been on the throat for about a minute. Next thing,

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Speaker 1: I know, I'm seeing l o els and places, so

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Speaker 1: you know, I don't know to the comic l never

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Speaker 1: be able to loads like I'm all a different type

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Speaker 1: of everything. All I'm saying, go to any any Instagram

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Speaker 1: with and check this bad and look at the lights.

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Speaker 1: He didn't already say that, I'm not doing this for me.

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Speaker 1: Just be just be careful with the one that say't

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Speaker 1: gonna look at my story you love it. That's the

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Speaker 1: that's the new two thousand and three thousand listening man?

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Speaker 1: Or do you want to cartoon people? Is crazy? And

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Speaker 1: you really mean clicking on that? I mean blocking for

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Speaker 1: every day like it's a gaze and blocks another Twitter

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Speaker 1: thousand look at my story, my teaser just going to

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Speaker 1: ignore the fact that I have a fat Yeah, yeah,

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Speaker 1: who's better than me? Everybody been stopped? Let me now,

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Speaker 1: you old chick? What you ever do it again? No? Never,

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Speaker 1: I'll never be in a relationship again. We're talking about that.

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Speaker 1: You want to get married again? Yeah, I don't know

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Speaker 1: what that's that's the working like the botles. I agree

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Speaker 1: with you. I want you. I'm gonna have a bunch

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Speaker 1: of kids. I don't. I don't want to hand key.

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Speaker 1: I don't somebody some integrity to, you know, changing people

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Speaker 1: like perception of what the Baby Dad is. I feel

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Speaker 1: like you could do that. I will be the campaign

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Speaker 1: manager Baby Daddy's boy man, and I would be your

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Speaker 1: treasurer because I gotta deal with the money. And and

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Speaker 1: I went the treasurer baby that listen, that's an organization

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Speaker 1: right there. Baby Dad is incorporated. Listen, and everyone corporad

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Speaker 1: the Nigga d is eat bed I, baby bed I

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Speaker 1: listened here first listen cause you got what I'm saying.

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Speaker 1: In the African drift, you can have a many one African.

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Speaker 1: That's how we spread and that and the crazy thing

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Speaker 1: is relationships is the only thing people don't want to question,

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Speaker 1: like their question everything else, your question, religion, your question, everything,

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Speaker 1: But when it comes to going together, no, it got

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Speaker 1: to be this way. It's not real. That's it. That's

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Speaker 1: that's how them folks do it. They do the man.

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Speaker 1: Oh that we people, we gonna get him and be

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Speaker 1: like who this is? This girl? Who that is? Thinks

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Speaker 1: Black and white people wait till they get married to

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Speaker 1: have kids. Black people we don't do that because we

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Speaker 1: want our kids to be in the web, the paperwork.

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Speaker 1: And that's why, you know what, I think the people

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Speaker 1: get divorce so much. I think the reason people get

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Speaker 1: divorced so much is because you don't have to get

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Speaker 1: divorce the way you get married. If you had to

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Speaker 1: get divorced the way you get married, Like everybody got

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Speaker 1: a movitation, everybody got an invitation to your way, and

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Speaker 1: get an invitation to the other door. You got exactly

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Speaker 1: you gotta out in front of the jil you got

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Speaker 1: to read the deposition as to why you won't want

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Speaker 1: to deal with the same way. But I can't round.

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Speaker 1: This is the boarding directors of the Baby Daddy were

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Speaker 1: painted to gather damn it down, anybody stop. Make sure

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Speaker 1: you check them out tonight the Hollywood Palladium, probably one

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Speaker 1: of six Nick Cannon mornings. He did get certified. We

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Speaker 1: should do like personal Daddy's incorporating. How many of you

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Speaker 1: want to funk all the women? How do you want

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Speaker 1: to come? Just like the hell with the shirts and

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Speaker 1: the baby who walk around? We ain't had a baby. Look,

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Speaker 1: we got had a baby and a whole bunch of

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Speaker 1: win We didn't walk around with your baby. Have you

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Speaker 1: been very child supports? You get the board you got

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Speaker 1: like like that's real ship. Do informercion that exactly if

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Speaker 1: your baby is crying, pick your baby, then down, then

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00:18:31,280 --> 00:18:36,120
Speaker 1: the babies Baby Daddy's incorporated, and we're changing the philosophy

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Speaker 1: what they needed to be a baby daddy. I feel

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Speaker 1: like if we're the baby Daddy, if you ask me,

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Speaker 1: all right, so we're going like defend people not exact

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Speaker 1: minds of the world, great baby and child supports and

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Speaker 1: so three you may be entitled to compensation five k racist.

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Speaker 1: We gotta do something for the baby daddy. We got

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Speaker 1: this kind we got man, If you got receipt if

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Speaker 1: you got d bring them. I'm gonna be bring all

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Speaker 1: the seats are out of here, then do a couple

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Speaker 1: of little drops. Nick Cannon, morning good, Bring me the receipts.

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Speaker 1: You already know what it is. Mash mat Chico Bean. Hey,

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Speaker 1: what's up? It's carl Those Miller and it's DC bad

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Speaker 1: bad money. Get confused? How doing all that from the top?

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Speaker 1: They already know what it is, mash mat Chico Bean. Hey,

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Speaker 1: what's up? It's Carlose Miller. She boy a DC on flat?

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Speaker 1: How you doing? My name is Carlos Miller, and I

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Speaker 1: just got a very important message. Celebrate the coolest in

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Speaker 1: Black Culture live as Regina Hall hosts BT Awards nineteen,

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00:19:45,160 --> 00:19:49,639
Speaker 1: undeniably the haltimate night in music, TV, film, sports, and

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00:19:49,760 --> 00:19:52,560
Speaker 1: give him back. Find out who a monk topping on

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00:19:52,680 --> 00:19:56,200
Speaker 1: the knees like Beyonce Drake and Jake Cole will take

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00:19:56,280 --> 00:20:02,800
Speaker 1: home Feed to Awards Trophy presented by You, Rishahiti, Marcey Martin, More,

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00:20:03,040 --> 00:20:07,560
Speaker 1: chestnutt and more. Watch t J, watch d j Kellett

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00:20:07,600 --> 00:20:10,359
Speaker 1: and France smashed the stage. Tune in to see the

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Speaker 1: Lifetime Achieving Award, Who manag Dary Awards and I gotta

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00:20:14,359 --> 00:20:18,200
Speaker 1: award recippients those tributes who break the Internet this year,

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00:20:18,760 --> 00:20:22,919
Speaker 1: and you gotta see the timeline crushing performances by Cardi

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Speaker 1: b Her Lizzle, Little nos At, Billy Ray, Cyrus, Little Baby, Young, Miami,

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Speaker 1: Me Goes and more. Be ET Awards nineteen Celebrate Our

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Speaker 1: Cool Lives, Sunday Juice when he learns at eight seven

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Speaker 1: Central on bet to get the ladies and to get

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00:20:42,520 --> 00:20:45,120
Speaker 1: ready for to be to Awards Big Night. Search hashtag

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Speaker 1: be ET Awards and visit b e g dot com.

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Speaker 1: You got my jump, bro, you you a low stood

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00:21:00,760 --> 00:21:06,240
Speaker 1: grafting rid. Remember handed it to you? How did I

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00:21:06,359 --> 00:21:14,560
Speaker 1: leave if I motor fun people? Remember when you called

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Speaker 1: the listing I did, okay, I didn't bring it up

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Speaker 1: to funny ship. We're still talking about that job dropping, bro.

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00:21:21,960 --> 00:21:24,200
Speaker 1: It's not funny. Keep dropping people. It's not funny. It's

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00:21:24,200 --> 00:21:29,760
Speaker 1: not funny. Nor yeah, it's not funny. Hum hurting my feelings,

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00:21:29,760 --> 00:21:37,440
Speaker 1: it's not funny. You get hurt, you'll be so no

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00:21:37,720 --> 00:21:47,440
Speaker 1: curse like yeah, I don't know, come away stain, I

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00:21:47,480 --> 00:21:51,399
Speaker 1: don't care. Two and two sticks. I need the most.

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Speaker 1: I got most money, big big banks type of ones

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Speaker 1: I'm carling type of money you're gonna be no little

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Speaker 1: type of Yeah. Hey listen man three Real Street Festic

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Speaker 1: three yours right now eight six six two four six

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Speaker 1: eight ninety two three let's go run three year Las

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Speaker 1: new home for hip hop and tickets to Real Street

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Speaker 1: Fest starring meet those, Party Beat Future, Big Sean, Meat Milk,

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00:22:27,440 --> 00:22:29,760
Speaker 1: two Chains, blue Face a Sath, Rocky Little Baby. We

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00:22:29,800 --> 00:22:32,560
Speaker 1: could keep going over thirty special surprise guests. We're talking

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00:22:32,640 --> 00:22:35,040
Speaker 1: two days, three stages, so much more. You can get

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00:22:35,080 --> 00:22:37,280
Speaker 1: the complete lineup by tickets right now Real street Fest

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Speaker 1: dot Com. Don't forget. I'll cap for about eighteen team

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Speaker 1: more for your thing. Okay here the ain't called Carlos Millers. Yeah,

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Speaker 1: well I lesbian for how are you feeling, gentlemen? Everything good,

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00:22:56,680 --> 00:23:00,639
Speaker 1: good man, California sunshine, yea loving the well out right.

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Speaker 1: That's why you're smoking happy out here while we out here,

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00:23:03,640 --> 00:23:06,639
Speaker 1: good time. And yeah, they're gonna no it look almost

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Speaker 1: I caught myself no person we got now eating them right?

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Speaker 1: I know, man did y'all bring something for the rest

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Speaker 1: of us, know, yeah, yeah, right, we got it. You know,

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Speaker 1: no problem, man, they sell him. Ain't got good. I'm

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Speaker 1: not thank you. Thank you an opportunity. Yeah see, y'all

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00:23:27,960 --> 00:23:30,439
Speaker 1: thank you. Listen to man, we're going on tour right

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00:23:30,680 --> 00:23:35,000
Speaker 1: ye shall Now, you guys, this started as a conversation

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Speaker 1: or conversations that you guys were having in private, and

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Speaker 1: it's just when you know, it turned into a show

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Speaker 1: and you guys said, yeah, let's take us on the

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Speaker 1: road and boom, we're here. Now. Man, you've just put it.

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00:23:43,760 --> 00:23:51,680
Speaker 1: You summed it up right. Study last he had his

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00:23:51,760 --> 00:23:53,960
Speaker 1: laptop on his lap last like dude, and the facts

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00:23:54,040 --> 00:23:57,480
Speaker 1: that's we did, you know everything. That's that's basically how

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00:23:57,520 --> 00:23:59,439
Speaker 1: I started showing what I'm said, were just starting, I mean,

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00:24:00,160 --> 00:24:02,600
Speaker 1: went from combo and then you know when from convo

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00:24:02,680 --> 00:24:04,840
Speaker 1: to start doing them lyving before you remember when people

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00:24:05,040 --> 00:24:08,680
Speaker 1: need to come to show, right, Yeah, man, people wanted

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00:24:08,840 --> 00:24:13,480
Speaker 1: bringing the money and you know the fold that like

385
00:24:13,640 --> 00:24:15,560
Speaker 1: none to just see us elevating from the game, man,

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00:24:15,600 --> 00:24:17,280
Speaker 1: and just see what we are now. Man, just just

387
00:24:17,480 --> 00:24:20,520
Speaker 1: a bruise of the ego. Though part of the process,

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00:24:20,600 --> 00:24:22,040
Speaker 1: we got work to do it. It's a process, a

389
00:24:22,080 --> 00:24:23,840
Speaker 1: part of the process. You know who you were We

390
00:24:23,920 --> 00:24:26,920
Speaker 1: were gonna TV then right, it don't matter, and this

391
00:24:27,040 --> 00:24:28,840
Speaker 1: something we're starting from them from the ground up, you

392
00:24:28,920 --> 00:24:30,960
Speaker 1: know what I mean? And Fells correct me I'm wrong,

393
00:24:31,000 --> 00:24:35,199
Speaker 1: But there's no script. We're going off the time. That's

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Speaker 1: what makes it so unique is the fact that we

395
00:24:37,320 --> 00:24:39,119
Speaker 1: you know, match with each other so well that we

396
00:24:39,160 --> 00:24:43,880
Speaker 1: can get on stage. You know the pressure office work

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Speaker 1: does that act pressure because you know, I don't even

398
00:24:47,600 --> 00:24:50,000
Speaker 1: think we think about the pressure, because it's we're excited

399
00:24:50,040 --> 00:24:51,840
Speaker 1: about being able to be on stage with one another.

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00:24:53,160 --> 00:24:55,440
Speaker 1: See you know what I'm saying, Like just that just

401
00:24:55,600 --> 00:24:57,480
Speaker 1: just what it is. It's always an event like this

402
00:24:57,600 --> 00:24:59,879
Speaker 1: is how we interact. So r matter where we're doing it,

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00:25:00,000 --> 00:25:01,840
Speaker 1: it's gonna go down like what has been sad? And

404
00:25:01,920 --> 00:25:04,399
Speaker 1: please keep it clean if you can't, fellas, But what

405
00:25:04,600 --> 00:25:07,000
Speaker 1: has been sad at the show? Just off top? You

406
00:25:07,040 --> 00:25:09,000
Speaker 1: guys are just riffing, you guys doing your things. Say

407
00:25:09,080 --> 00:25:15,040
Speaker 1: you said keep it clean, clean, happening. We got something,

408
00:25:15,359 --> 00:25:17,560
Speaker 1: but we have some of the wrongs. Laugh. Venues that

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Speaker 1: got us. I can't say one, but I ain't gonna

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Speaker 1: curve we had Untie the show. Some sagatids repeated, you

411
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Speaker 1: know nothing. I don't like the way Drake looking at me. Man,

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Speaker 1: y'all got another picture this dude. They're staying at me

413
00:25:42,000 --> 00:25:46,440
Speaker 1: since I walked in the studio during the final break.

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Speaker 1: Was having a good time. But was that annoying? Like

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Speaker 1: if you're on the court, are you choking Drake out? Man?

416
00:25:51,480 --> 00:25:53,480
Speaker 1: I ain't gonna like. Man, it don't matter if you're

417
00:25:53,480 --> 00:25:55,560
Speaker 1: playing to night once you once you get in, you

418
00:25:55,680 --> 00:25:59,320
Speaker 1: emotional and you're seeing the clothes to what's really going on?

419
00:25:59,720 --> 00:26:01,200
Speaker 1: Gonna be off me and not get on the cup.

420
00:26:01,320 --> 00:26:04,280
Speaker 1: But for what I've had to pay for the ticket

421
00:26:04,320 --> 00:26:06,080
Speaker 1: to sit right there, you damn right. I'm involved in

422
00:26:06,160 --> 00:26:09,240
Speaker 1: the game. Look at I let Drake making. Man, he's

423
00:26:09,240 --> 00:26:10,919
Speaker 1: been a super fan. He would have did that if

424
00:26:11,000 --> 00:26:13,960
Speaker 1: it was n C Double A or soccer volleyball. He's

425
00:26:14,000 --> 00:26:16,080
Speaker 1: just a fan like that. You can't get mad at Drake.

426
00:26:16,200 --> 00:26:19,840
Speaker 1: That's right. The show is tomorrow. Oh oh, play asked

427
00:26:20,600 --> 00:26:24,360
Speaker 1: I gotta announced me. I got announcement. We had such

428
00:26:24,359 --> 00:26:26,240
Speaker 1: a hat to man, we just opened up a hundred

429
00:26:26,280 --> 00:26:35,920
Speaker 1: more v I PVS. South Show dot com dot com,

430
00:26:36,200 --> 00:26:42,800
Speaker 1: get webs flying Milcho. Why are you saying my name

431
00:26:42,880 --> 00:26:45,760
Speaker 1: like that? That of my handy man? Who was my man?

432
00:26:45,840 --> 00:26:50,560
Speaker 1: You know he's okay, man chill, Lisa asked my name.

433
00:26:50,680 --> 00:26:57,280
Speaker 1: First shake happened. He just went, I'm like, just moled

434
00:26:57,320 --> 00:27:02,280
Speaker 1: my name. We got a chill, bro. What Mexicans were here? Being?

435
00:27:02,359 --> 00:27:05,960
Speaker 1: He got excited. I don't know if he got that

436
00:27:06,080 --> 00:27:31,240
Speaker 1: excited like the finish, like let's go, yeah, all right,

437
00:27:31,280 --> 00:27:32,600
Speaker 1: what's up? What you already know what it is? Man

438
00:27:32,800 --> 00:27:36,440
Speaker 1: Man Chico Bean, she Man Carlos Miller. She was DC

439
00:27:36,640 --> 00:27:39,119
Speaker 1: on flipp and we're on the Cruise show Real ninety

440
00:27:39,160 --> 00:27:41,560
Speaker 1: two three. L A's new home for hip hop? What

441
00:27:41,720 --> 00:27:46,280
Speaker 1: was the old home? Yo? What's up? This is Carlos

442
00:27:46,400 --> 00:27:49,840
Speaker 1: Miller and congratting Jane Cruise on the move to Real

443
00:27:50,240 --> 00:27:53,000
Speaker 1: ninety two three. You get a moving company to move?

444
00:27:53,520 --> 00:28:00,640
Speaker 1: I don't know he said that Mexican that did it themselves, Like, oh,

445
00:28:00,800 --> 00:28:03,119
Speaker 1: you already know what time? She boy DC on fly

446
00:28:03,280 --> 00:28:05,560
Speaker 1: and you're checking out the flag on five and five

447
00:28:05,840 --> 00:28:10,000
Speaker 1: on the Crewe show on the Real ninety three and

448
00:28:10,080 --> 00:28:11,879
Speaker 1: you already know what it is Man Chico Being and

449
00:28:12,000 --> 00:28:15,120
Speaker 1: d d J. Les Lee got a lot of ease

450
00:28:15,160 --> 00:28:16,960
Speaker 1: in that in the mix on the Clue Show on

451
00:28:17,080 --> 00:28:20,119
Speaker 1: Real ninety two three, hurry and what's up? She met

452
00:28:20,200 --> 00:28:22,800
Speaker 1: Carlos Miller and d J Leslie is in the mix

453
00:28:22,880 --> 00:28:25,680
Speaker 1: on the Cruise Show Real ninety two three. Oh you

454
00:28:25,760 --> 00:28:28,159
Speaker 1: already know what time it is? She boy dc flis

455
00:28:28,560 --> 00:28:30,359
Speaker 1: d J les there is in the mix on the

456
00:28:30,400 --> 00:28:33,960
Speaker 1: Cruise Show on Real nine two. Is she the real

457
00:28:35,760 --> 00:28:49,640
Speaker 1: Real Real? Yeah, let's say you're listening to the real name.

458
00:28:49,760 --> 00:28:53,400
Speaker 1: Did you three? What Chico being in me in? D C.

459
00:29:01,440 --> 00:29:06,280
Speaker 1: Young's along for hip hop and take us to real

460
00:29:06,360 --> 00:29:09,880
Speaker 1: street fests. Hardy the Future, they sat Rocky blue Face,

461
00:29:09,920 --> 00:29:13,320
Speaker 1: two chains over thirty acts. We're talking three stages, two days.

462
00:29:13,400 --> 00:29:16,920
Speaker 1: Let's go real street fest. Guy in my Chicken team

463
00:29:17,000 --> 00:29:20,240
Speaker 1: or everything. We're Lydia man Lydia from NoHo North Hollywood.

464
00:29:20,240 --> 00:29:24,320
Speaker 1: She's on the phone line wanting, Hey, Lydia, Hey, Lydia,

465
00:29:26,560 --> 00:29:31,160
Speaker 1: And you're going to Reteah don't care? Yeah, Lidia, you know,

466
00:29:31,360 --> 00:29:33,920
Speaker 1: tell them tell her who's gonna be there. Well, first

467
00:29:33,960 --> 00:29:36,400
Speaker 1: of all, you gotta mention Meg the Stallion, because the

468
00:29:36,480 --> 00:29:39,560
Speaker 1: Stallion is in the building. To Chain is gonna be there,

469
00:29:39,720 --> 00:29:52,640
Speaker 1: Meek Mill and put with the hood, Jay Rock, why

470
00:29:52,760 --> 00:29:55,200
Speaker 1: be in cor days z one dollars? So we did?

471
00:29:55,320 --> 00:30:01,440
Speaker 1: Everybody gonna be there, super Duper Coleus, guys, uper me,

472
00:30:01,560 --> 00:30:05,880
Speaker 1: God and name me on the list. Let's gonna be

473
00:30:06,400 --> 00:30:16,400
Speaker 1: super question the man William's gonna be there more than Freemans,

474
00:30:16,960 --> 00:30:19,880
Speaker 1: just gonna be I'm the only one that's excited about

475
00:30:19,920 --> 00:30:23,360
Speaker 1: super Duper Kyle's your name right? Young check West is

476
00:30:23,440 --> 00:30:26,360
Speaker 1: in the building. That's right, that's right. Oh we forgot one,

477
00:30:26,440 --> 00:30:29,240
Speaker 1: y'all who we can't do it? Close your young pinch.

478
00:30:31,920 --> 00:30:38,240
Speaker 1: Come here, let me paint you Lidia super duper Cow.

479
00:30:38,400 --> 00:30:40,720
Speaker 1: He just not gonna keep skipping over super Duper Cow.

480
00:30:43,520 --> 00:30:46,360
Speaker 1: The show is tomorrow, Hollywood Palladium. Let's just released some

481
00:30:46,400 --> 00:30:51,680
Speaker 1: more tickets. Fellows, we don't release a Honey mounted mount

482
00:30:51,960 --> 00:30:57,960
Speaker 1: min and so uh okay, real quick question. Who picked

483
00:30:58,000 --> 00:31:00,760
Speaker 1: the pictures in here? Why y'all got Cube looking at aggressively. Yeah,

484
00:31:02,280 --> 00:31:04,920
Speaker 1: it's these dudes and Superstar. That's a lot of pictures.

485
00:31:04,960 --> 00:31:12,160
Speaker 1: You didn't pick the meanest pictures. I mean, ye showed

486
00:31:12,200 --> 00:31:14,320
Speaker 1: the hat of something. He ain't gotta be looking like Devo.

487
00:31:14,520 --> 00:31:17,800
Speaker 1: That's looking she looked like something. Dude spoke to her

488
00:31:17,800 --> 00:31:19,560
Speaker 1: and she didn't want to speak back. She take her

489
00:31:19,960 --> 00:31:24,160
Speaker 1: off the fight. It's crazy younger. That's when he would

490
00:31:24,160 --> 00:31:27,600
Speaker 1: be from what machine gonna killing? Right? He said, I

491
00:31:27,760 --> 00:31:31,160
Speaker 1: know this thing ain't talking. Get easy, take it easy.

492
00:31:31,720 --> 00:31:34,080
Speaker 1: Oh man, listen, you guys got to see these guys.

493
00:31:34,240 --> 00:31:37,080
Speaker 1: Oh do we have like special surprise guests coming through

494
00:31:37,080 --> 00:31:41,160
Speaker 1: a well? Ain't you never know who? Everybody got a

495
00:31:41,200 --> 00:31:47,760
Speaker 1: lot of cousins. Yeah, brother dude who used to hoop

496
00:31:47,800 --> 00:31:52,120
Speaker 1: with Kobe at the l A Fitness he coming. He's

497
00:31:52,160 --> 00:31:54,880
Speaker 1: trying it for two years. He almost won one game.

498
00:31:55,640 --> 00:32:00,800
Speaker 1: It's cool mail gissing mail Gifson's Limo travel time, right,

499
00:32:00,920 --> 00:32:03,560
Speaker 1: that's right, that's right. Even fans after the show, of course,

500
00:32:03,640 --> 00:32:05,040
Speaker 1: we have a laugh of meet and greet, but we

501
00:32:05,120 --> 00:32:11,040
Speaker 1: take shore wave and walk off, and we just opened

502
00:32:11,120 --> 00:32:12,840
Speaker 1: up a hundred more tickets for you to see d

503
00:32:12,920 --> 00:32:18,200
Speaker 1: C Wave and walk on time. And y'all record the

504
00:32:18,200 --> 00:32:20,920
Speaker 1: show right and throw it up on YouTube. Gonna show

505
00:32:20,960 --> 00:32:23,960
Speaker 1: how l A is rock exactly? Know what's amazing? DC.

506
00:32:24,560 --> 00:32:33,440
Speaker 1: Congratulations for you variety and that you wanted to come. Yes, man,

507
00:32:33,640 --> 00:32:35,640
Speaker 1: I'm pretty saying you're trying to stay working man good,

508
00:32:35,680 --> 00:32:37,720
Speaker 1: it's real, man, so you know, I'm just walking to

509
00:32:37,760 --> 00:32:39,560
Speaker 1: my purpose right now. So we hit him here with

510
00:32:39,640 --> 00:32:41,440
Speaker 1: the gang. You know what I mean, I remember when

511
00:32:41,480 --> 00:32:43,640
Speaker 1: we started from the ground up. We're here and not

512
00:32:43,880 --> 00:32:48,800
Speaker 1: to three going crazy because calmed down the ice studio. Man,

513
00:32:48,800 --> 00:32:53,920
Speaker 1: You see how you look? Man, dog, You guys are

514
00:32:53,920 --> 00:32:56,360
Speaker 1: walking in anytime, man, straight up now, and we know

515
00:32:56,480 --> 00:33:00,120
Speaker 1: that we're gonna definitely take advantage of right just need

516
00:33:00,200 --> 00:33:04,480
Speaker 1: to day three d at now this is l A two.

517
00:33:04,600 --> 00:33:06,560
Speaker 1: You know how to sell a dream? Come up here whenever.

518
00:33:06,680 --> 00:33:08,840
Speaker 1: Now I'm Vonneo Hill Show. When Martin was on there,

519
00:33:08,880 --> 00:33:12,280
Speaker 1: I can't even get upstairs. Here she go. But yeah,

520
00:33:12,320 --> 00:33:16,200
Speaker 1: I know, man, studio, we got the day. We got

521
00:33:16,200 --> 00:33:18,400
Speaker 1: another interviews. So if you heard that right now, you

522
00:33:18,520 --> 00:33:22,840
Speaker 1: got here Night three the only hip hop radio station

523
00:33:22,960 --> 00:33:35,840
Speaker 1: that matters in Los Angeles back. Did you just call him?

524
00:33:35,920 --> 00:33:39,000
Speaker 1: Let you go way back the way down? We cool unt.

525
00:33:39,440 --> 00:33:43,600
Speaker 1: His success has just slepping three days. I've been working

526
00:33:43,640 --> 00:33:46,280
Speaker 1: through that year. He's sleeping three days. Man, hold on, bro,

527
00:33:46,400 --> 00:33:48,080
Speaker 1: did you call him? Let you let you? You ain't

528
00:33:48,080 --> 00:33:53,000
Speaker 1: got milk. Don't know my Spanish shadow milkman, because I

529
00:33:53,160 --> 00:34:00,960
Speaker 1: was delivered okay your head never mind. Yeah, I respect

530
00:34:01,000 --> 00:34:04,200
Speaker 1: And why are you saying if you say all those

531
00:34:04,280 --> 00:34:07,280
Speaker 1: milk got the Janet Jackson revelation, it ring and it's head.

532
00:34:08,520 --> 00:34:10,560
Speaker 1: I'm telling you I can't trust him because he'll a

533
00:34:10,600 --> 00:34:14,440
Speaker 1: big dude, but he han't hand to get inflexible. He

534
00:34:15,640 --> 00:34:19,320
Speaker 1: shout out to let you he's gonna two three in Spanish.

535
00:34:21,760 --> 00:34:27,719
Speaker 1: Ain't this his doing? Name? You know what? Yeah? He

536
00:34:27,800 --> 00:34:36,400
Speaker 1: say he does. He's got a bleep out Spanish persons

537
00:34:36,440 --> 00:34:41,279
Speaker 1: out here too for that, like you live like hey,

538
00:34:41,360 --> 00:34:51,640
Speaker 1: may y'all stop saying my name like that? Eat right?

539
00:34:51,840 --> 00:34:53,680
Speaker 1: We got a car long fimpine and not one of

540
00:34:53,719 --> 00:35:02,239
Speaker 1: them a Mexican. Come on, I support bought my Mexican family. Yea,

541
00:35:03,239 --> 00:35:13,120
Speaker 1: god salut appreciate that. What do you say, Dad? You

542
00:35:13,200 --> 00:35:16,080
Speaker 1: know you ain't coming cru stopping great stop Plex you

543
00:35:16,160 --> 00:35:18,800
Speaker 1: better come. I'm coming through colling that. Yeah, man, I

544
00:35:18,880 --> 00:35:20,680
Speaker 1: ain't coming through. Can I bring you all on stage

545
00:35:20,760 --> 00:35:34,040
Speaker 1: or no? That's okay? To show your ship. You know

546
00:35:34,160 --> 00:35:48,360
Speaker 1: you're going to do a podcast. Gotta get very appreciate

547
00:35:48,400 --> 00:36:03,000
Speaker 1: it that you guys. What's good? Good morning. This is

548
00:36:03,080 --> 00:36:06,120
Speaker 1: Carlos Miller and you're listening to the goodest radio station.

549
00:36:07,440 --> 00:36:12,600
Speaker 1: Steve Harvey Morning. Hey, Calose Miller, swing you check out

550
00:36:12,680 --> 00:36:20,560
Speaker 1: Steve Harvey FM dot com on the Steve Harvey Morning Show. Hey,

551
00:36:20,640 --> 00:36:23,160
Speaker 1: this is Calose Miller and coming up next, nephew Timmy

552
00:36:23,320 --> 00:36:28,560
Speaker 1: is going to run that breakback. Yes, it will rack

553
00:36:28,719 --> 00:36:36,719
Speaker 1: out home. Okay, yo, yo yo. You know what time

554
00:36:36,760 --> 00:36:38,720
Speaker 1: it has? You boy DC on Flight. You're not listening

555
00:36:38,719 --> 00:36:41,800
Speaker 1: to the Steve Harvard Morning Show. Uh hi, Hi, this

556
00:36:41,960 --> 00:36:48,560
Speaker 1: is high Hi. Hey, what's going on? You boy DC

557
00:36:48,680 --> 00:36:50,880
Speaker 1: on Flack coming up next to the strawberry Let up

558
00:36:50,920 --> 00:36:54,520
Speaker 1: on the Steve Harvard Morning Show. Done the prank? Oh?

559
00:36:54,760 --> 00:36:56,400
Speaker 1: You know what time it is? Your boy DC on

560
00:36:56,480 --> 00:36:59,280
Speaker 1: Fly coming up next? It's my egg lad, nephew Timmy

561
00:36:59,360 --> 00:37:05,600
Speaker 1: has a prank. You know what going on? Okay, good morning,

562
00:37:05,800 --> 00:37:08,520
Speaker 1: it's your boy d C on Fly. Wake that ass up.

563
00:37:08,640 --> 00:37:11,160
Speaker 1: You're listening to the badest radio show on the land,

564
00:37:11,200 --> 00:37:17,040
Speaker 1: the Steve Harvard Morning Show. Okay, damning. Oh you know

565
00:37:17,200 --> 00:37:20,400
Speaker 1: watch hand that you bought DC on Fly again. Make

566
00:37:20,480 --> 00:37:24,200
Speaker 1: sure you follow Steve Harvard on Facebook, Instagram and Twitter

567
00:37:24,400 --> 00:37:26,320
Speaker 1: and follow me here you're talking about to follow you

568
00:37:26,440 --> 00:37:37,919
Speaker 1: follow me DC on Fly. We got us. Okay, what's

569
00:37:37,960 --> 00:37:39,640
Speaker 1: uthing you bought DC on fly, but make sure you

570
00:37:39,760 --> 00:37:43,040
Speaker 1: check out Steve Harvard fl dot com. The nigger got

571
00:37:43,120 --> 00:37:47,960
Speaker 1: a website, he got a radio website. Who is on

572
00:37:48,120 --> 00:37:51,200
Speaker 1: the the internet to the radio. That's why they can

573
00:37:51,280 --> 00:37:57,719
Speaker 1: just getting their card, PEP. Don't you know what you

574
00:37:57,880 --> 00:38:05,520
Speaker 1: may see nephews over there? Oh you know what time

575
00:38:05,560 --> 00:38:07,800
Speaker 1: it is, you boy, fly and coming up next to

576
00:38:07,880 --> 00:38:10,239
Speaker 1: nephew coming up next, the nephew is going to run.

577
00:38:10,920 --> 00:38:13,120
Speaker 1: You already know what time? Needs you bought DT on fly. Hey,

578
00:38:13,200 --> 00:38:14,880
Speaker 1: man down home and nephew is about to run that

579
00:38:15,040 --> 00:38:26,480
Speaker 1: prank right back? All right? Hey, you already know what

580
00:38:26,480 --> 00:38:29,600
Speaker 1: it is your boy. Michael Bays didn't like I'm just

581
00:38:29,680 --> 00:38:31,680
Speaker 1: playing the chick bean and you're listening to the Steve

582
00:38:31,800 --> 00:38:34,840
Speaker 1: Harvey Morning Show. Is that good? I think that he

583
00:38:34,920 --> 00:38:37,880
Speaker 1: loved the rest of them like that. Hey, you already

584
00:38:37,880 --> 00:38:39,600
Speaker 1: know what it is, your boy, cho being using Michael

585
00:38:39,600 --> 00:38:43,080
Speaker 1: bays then voices. It's the straberry let on Steve Harvey

586
00:38:43,080 --> 00:38:45,080
Speaker 1: Morning Show. What we're gonna talk about? Does your woman

587
00:38:45,160 --> 00:38:47,000
Speaker 1: love you when you don't have a shape up coming

588
00:38:47,080 --> 00:38:51,960
Speaker 1: up the morning show? Hey, you already know what it is,

589
00:38:52,000 --> 00:38:54,080
Speaker 1: your boy, She go being, using Michael Bays's voice, and

590
00:38:54,160 --> 00:38:56,480
Speaker 1: coming up next, nephew Tommy, that's a prank for you.

591
00:38:56,760 --> 00:38:58,200
Speaker 1: I don't know what it's gonna be, but it's gonna

592
00:38:58,239 --> 00:39:00,840
Speaker 1: be funny. That's right, Like if you're a woman leaves

593
00:39:00,920 --> 00:39:03,600
Speaker 1: and laughs at you on the way out. Harvey Morning Chill.

594
00:39:06,960 --> 00:39:09,279
Speaker 1: Good Morning your boy Chico being using Michael Besin voice.

595
00:39:09,600 --> 00:39:12,040
Speaker 1: You're listening to the baddest radio show in the land,

596
00:39:12,320 --> 00:39:14,520
Speaker 1: the Steve Harvey Morning Show. We talk about things like

597
00:39:14,600 --> 00:39:16,719
Speaker 1: if your woman doesn't believe you, do you still lie

598
00:39:16,840 --> 00:39:18,560
Speaker 1: or tell the truth? Coming up next on the Steve

599
00:39:18,600 --> 00:39:23,520
Speaker 1: Harvey Morning Chill, Hish your boy Chego being still using

600
00:39:23,560 --> 00:39:26,440
Speaker 1: Michael Baysin's voice. Make sure you follow Steve Harvey FM

601
00:39:26,520 --> 00:39:29,960
Speaker 1: on Facebook, Instagram, and Twitter, where most men get caught

602
00:39:30,040 --> 00:39:32,080
Speaker 1: cheating by that woman. Coming up next on the Steve

603
00:39:32,160 --> 00:39:36,399
Speaker 1: Harvey Mornings Chill. You thought it was over, but it's

604
00:39:37,040 --> 00:39:39,600
Speaker 1: Chico been using Michael Baysin's voice. Make sure you check

605
00:39:39,600 --> 00:39:46,200
Speaker 1: out Steve Harvey FM dot com one more time. Hish

606
00:39:46,200 --> 00:39:48,520
Speaker 1: your boy Chico being using Michael Baysin's voice and coming

607
00:39:48,560 --> 00:39:50,880
Speaker 1: up next, the nephew whose nephew I don't know, Probably

608
00:39:50,880 --> 00:39:53,000
Speaker 1: a nephew of a relationship that has ended badly. We're

609
00:39:53,000 --> 00:39:54,719
Speaker 1: gonna talk about it coming up the next after it

610
00:39:54,800 --> 00:39:57,000
Speaker 1: runs that prank back on the Steve Harvey Morning Chill.

611
00:40:00,520 --> 00:40:02,640
Speaker 1: What we're gonna do with We're gonna feed Hill and

612
00:40:02,719 --> 00:40:05,160
Speaker 1: we're gonna listen to the Thief Harby morning shows, because

613
00:40:05,200 --> 00:40:07,399
Speaker 1: that's all we're gonna do. You're gonna feed you. It's

614
00:40:07,400 --> 00:40:09,040
Speaker 1: gonna be on Good Morning. We're gonna have us from

615
00:40:09,080 --> 00:40:13,640
Speaker 1: breakle what we're gonna do. Let's talk about breakfast. If

616
00:40:13,640 --> 00:40:15,759
Speaker 1: your woman does not cook your breakfast, does that mean

617
00:40:15,840 --> 00:40:17,480
Speaker 1: that she does not care about you? Coming up lave

618
00:40:17,520 --> 00:40:19,440
Speaker 1: on a Steve hobby In Morning show. She go being

619
00:40:19,480 --> 00:40:23,239
Speaker 1: with Michael Basin's voice. We got Live Harvey Morning Chill,

620
00:40:24,840 --> 00:40:32,759
Speaker 1: The Lift got Thieve Harby any morning, Michael hum In

621
00:40:32,840 --> 00:40:40,640
Speaker 1: cave he Carl, Hello, Cora, Hey, Tommy, using beyond just

622
00:40:41,360 --> 00:40:45,000
Speaker 1: one more time? We need again, Stephen, I send it

623
00:40:45,080 --> 00:40:55,799
Speaker 1: to me probably coming out. You should be hung by nine. Okay,

624
00:40:56,640 --> 00:41:01,239
Speaker 1: it's gonna take your other Hill. They got took a picture, Bro.

625
00:41:01,360 --> 00:41:10,240
Speaker 1: You gotta say stupid email also stupid Kenny posted stupid

626
00:41:10,440 --> 00:41:19,600
Speaker 1: I'm opposed, Tony po mother dumb man chat and jo

627
00:41:19,880 --> 00:41:28,000
Speaker 1: here hide the valuables. Who the hell drew that picture?

628
00:41:28,080 --> 00:41:30,759
Speaker 1: Steve crank, can't we get that? Yeah, that's the last

629
00:41:44,760 --> 00:41:55,000
Speaker 1: and he cracked you know that, y'all in the morning

630
00:41:55,040 --> 00:42:06,440
Speaker 1: on the radio. Okay, Steve, last show on this thing.

631
00:42:14,760 --> 00:42:19,399
Speaker 1: He took his town and crack he need crack high.

632
00:42:26,680 --> 00:42:31,719
Speaker 1: It was happy to y'all. Alright, you're ready, you guys ready,

633
00:42:33,560 --> 00:42:35,160
Speaker 1: that's rotten like they're not at the house on the

634
00:42:35,200 --> 00:42:37,839
Speaker 1: couch right now, up, now, come on now, I'm about

635
00:42:37,840 --> 00:42:43,480
Speaker 1: to watch this Netflix series. Now you can right there

636
00:42:44,120 --> 00:42:47,480
Speaker 1: my handnoon. Was it up as well? Sound like the

637
00:42:47,600 --> 00:42:53,640
Speaker 1: radio now morning radio show? All right, let's get it.

638
00:42:54,120 --> 00:42:57,840
Speaker 1: Let's get it because it wasn't recorded. All this is

639
00:42:57,880 --> 00:43:03,040
Speaker 1: on tape. It is good, Steve, alright, cat dog, let's

640
00:43:03,080 --> 00:43:04,640
Speaker 1: get a drum roll, man, Can we get a drum

641
00:43:04,760 --> 00:43:09,080
Speaker 1: roll real quick? You want to thank you, sir. These

642
00:43:09,120 --> 00:43:12,080
Speaker 1: guys right here all stand up comedians. They're doing big

643
00:43:12,160 --> 00:43:17,000
Speaker 1: things separately in comedy, but together together they make up

644
00:43:17,120 --> 00:43:20,600
Speaker 1: eighty five South, which is the show that's on tour

645
00:43:20,640 --> 00:43:23,080
Speaker 1: and selling out all over the country. That's gonna be good.

646
00:43:23,120 --> 00:43:25,320
Speaker 1: We got all three of them back in the studio again.

647
00:43:25,680 --> 00:43:30,880
Speaker 1: Put your hands together. D c Jump Fly, Carlos Miller

648
00:43:32,520 --> 00:43:34,800
Speaker 1: and Chico B. Yeah, you ever know what it is?

649
00:43:34,880 --> 00:43:40,160
Speaker 1: Maybe we live wait you at eighty five South in

650
00:43:40,320 --> 00:43:48,080
Speaker 1: the building. How y'all be man, more energy than anything?

651
00:43:48,200 --> 00:43:50,320
Speaker 1: Y'all good? Oh yeah, man, you know we gotta be

652
00:43:50,440 --> 00:43:54,040
Speaker 1: laugh when we come up here and kick it with yoe. Alright, alright,

653
00:43:54,800 --> 00:43:59,719
Speaker 1: let's talk about it. Man, that's going down that we

654
00:43:59,800 --> 00:44:03,800
Speaker 1: can't y'all got all the energy. You know. He's in

655
00:44:03,840 --> 00:44:06,920
Speaker 1: the kitchen right now making the turkey, saying, now you

656
00:44:07,040 --> 00:44:10,000
Speaker 1: watching me? But I can't see you? Yeah you why

657
00:44:10,040 --> 00:44:13,239
Speaker 1: are you? Yeah? I know he keep hitting the button Mustard. Yeah,

658
00:44:13,480 --> 00:44:15,520
Speaker 1: you know. We got eighty five boys in the billing,

659
00:44:18,560 --> 00:44:21,240
Speaker 1: so nobody at the interview. Y'all just let y'all run away.

660
00:44:22,640 --> 00:44:24,400
Speaker 1: We ain't playing. We're gonna let him know you ain't here,

661
00:44:25,000 --> 00:44:27,160
Speaker 1: all right, But can't we let him know about the

662
00:44:27,200 --> 00:44:33,960
Speaker 1: palladium tonight? Hey nephew, he's going down at the palladium. Man.

663
00:44:34,000 --> 00:44:35,920
Speaker 1: We got a few more little v IP me to

664
00:44:35,960 --> 00:44:39,399
Speaker 1: Greek tickets left. Man, we probably we probably just cuffed them.

665
00:44:39,440 --> 00:44:42,319
Speaker 1: I don't know. Bro l A showing us much love. Man,

666
00:44:43,719 --> 00:44:45,560
Speaker 1: create two guys to see the man. We appreciate it.

667
00:44:45,680 --> 00:44:48,800
Speaker 1: L A Man, Yeah, yeah, none of the l A

668
00:44:48,880 --> 00:44:53,480
Speaker 1: comedy they're selling now here. Yeah, they wanted me to

669
00:44:53,560 --> 00:44:56,560
Speaker 1: fill out of W nine for twelve ft get my

670
00:44:56,719 --> 00:45:00,600
Speaker 1: check to the waitress for re But they make you

671
00:45:00,640 --> 00:45:06,040
Speaker 1: feel like that that little bit of money here with yall?

672
00:45:06,800 --> 00:45:09,320
Speaker 1: What do you say O? What could l A expect

673
00:45:09,360 --> 00:45:14,839
Speaker 1: to night man? Some East Coach ladies and gentlemen right there.

674
00:45:14,960 --> 00:45:16,759
Speaker 1: That was a slip up, but we are still laughing.

675
00:45:16,920 --> 00:45:21,080
Speaker 1: Steve episode the things happening that are not supposed to happen,

676
00:45:21,080 --> 00:45:22,440
Speaker 1: But you got to move on from him. That's right.

677
00:45:22,880 --> 00:45:25,239
Speaker 1: Live l A can expect. It's a great show for

678
00:45:25,360 --> 00:45:28,360
Speaker 1: the words that you just heard. Just now ready by accident,

679
00:45:28,480 --> 00:45:36,080
Speaker 1: BC young flies right, the come back every day you

680
00:45:36,320 --> 00:45:39,479
Speaker 1: have a caller Junior. Let me tell y'allself, eighty five

681
00:45:39,600 --> 00:45:49,000
Speaker 1: South came to Houston texts. Yeah. I had the privilege

682
00:45:49,080 --> 00:45:52,040
Speaker 1: of of introducing them that night. And let me tell

683
00:45:52,080 --> 00:45:57,160
Speaker 1: you something. When these three hit the stage, yeah, finally

684
00:45:57,600 --> 00:46:02,279
Speaker 1: the beginning ending. Oh non stop. Man, you want to

685
00:46:03,600 --> 00:46:10,760
Speaker 1: appre stupid on steroids, That's what I'm talking about, because

686
00:46:10,800 --> 00:46:13,560
Speaker 1: you know, you know I hears so corporate. Listen here,

687
00:46:13,800 --> 00:46:15,960
Speaker 1: if you tie the big corporate and you just want

688
00:46:16,000 --> 00:46:19,279
Speaker 1: to let loose. This is the show where you can

689
00:46:19,360 --> 00:46:23,880
Speaker 1: of that. You know how you get the car you like?

690
00:46:26,880 --> 00:46:34,880
Speaker 1: That's it the place they all I'm gonna need you to.

691
00:46:34,920 --> 00:46:39,839
Speaker 1: They wanted get out my faith. That's what we're bringing man,

692
00:46:39,880 --> 00:46:45,280
Speaker 1: we're bringing up hilarious, bringing up l A. I'm telling

693
00:46:45,360 --> 00:46:49,920
Speaker 1: you l A send it best dress. You do not

694
00:46:50,200 --> 00:46:52,600
Speaker 1: want to miss. Eighty five South Is that the Palladium

695
00:46:52,680 --> 00:46:55,200
Speaker 1: tonight in l A. Get your tickets. They on self

696
00:46:55,320 --> 00:46:58,920
Speaker 1: right now. Eighty five South is nothing to miss. I

697
00:46:59,040 --> 00:47:01,640
Speaker 1: have been there. I'm a witnessed and I promise you

698
00:47:01,880 --> 00:47:03,480
Speaker 1: as soon as I see him again, I'm in the

699
00:47:03,560 --> 00:47:07,400
Speaker 1: same city. I'm right there front room. I appreciate it.

700
00:47:07,520 --> 00:47:14,440
Speaker 1: Thank you man, PC Latico b is it more than one?

701
00:47:14,680 --> 00:47:16,120
Speaker 1: Ladies and gentlemen. We don't know what's going on right

702
00:47:16,160 --> 00:47:17,680
Speaker 1: now in the studio, but we still live on the

703
00:47:17,719 --> 00:47:21,759
Speaker 1: Steve Harvey Morning Shown. The next time we got a

704
00:47:21,800 --> 00:47:23,360
Speaker 1: little bit of that. We got a little bit of

705
00:47:23,440 --> 00:47:25,440
Speaker 1: Michael McDonald coming up. We usually don't play him, but

706
00:47:25,480 --> 00:47:27,919
Speaker 1: it's going down today on the Steve Harvey Morning Show.

707
00:47:28,560 --> 00:47:31,640
Speaker 1: That's right, Stay tuned, ladies and gentlemen, South Live on

708
00:47:31,719 --> 00:47:37,120
Speaker 1: the Steve Hobby Morning Shows. South Show dot Com. Come

709
00:47:37,160 --> 00:47:41,560
Speaker 1: on for all the information everything, and we have sleepwear

710
00:47:41,680 --> 00:47:45,000
Speaker 1: for sale on the website. A great boss for weather

711
00:47:45,160 --> 00:47:46,920
Speaker 1: in the morning. I want to hear you said the

712
00:47:47,000 --> 00:47:54,200
Speaker 1: weather in the morning with that boys, Carlos, you said

713
00:47:54,239 --> 00:47:57,279
Speaker 1: you had a letter for me. Man, I just I

714
00:47:57,560 --> 00:48:01,400
Speaker 1: always listened to the Strawberry Letter. I'm a fan. It

715
00:48:01,400 --> 00:48:03,719
Speaker 1: is so common and so soothing, and I don't care

716
00:48:03,800 --> 00:48:06,600
Speaker 1: what the problem is. I just love the way you read.

717
00:48:07,120 --> 00:48:08,960
Speaker 1: Right then, I just say, I don't care if it's raining.

718
00:48:09,040 --> 00:48:13,120
Speaker 1: I want to hear from her. Tell me they got

719
00:48:13,200 --> 00:48:19,840
Speaker 1: Shirley with blue heap what you're doing? Listen, she was

720
00:48:20,000 --> 00:48:22,359
Speaker 1: in the church, not just trying to have a girl.

721
00:48:25,920 --> 00:48:28,040
Speaker 1: You don't see the nails match the head, the same

722
00:48:28,120 --> 00:48:32,719
Speaker 1: exact color. The cruels match the nails. You can all

723
00:48:32,760 --> 00:48:35,680
Speaker 1: these loud colors. This is l a. You're representing the

724
00:48:35,760 --> 00:48:40,000
Speaker 1: wrong games with a young guy. Young guys do that

725
00:48:40,080 --> 00:48:42,799
Speaker 1: to you own baby, put that blue on your nails.

726
00:48:43,160 --> 00:48:50,800
Speaker 1: They don't anyway. Eighty five South Show dot Com for

727
00:48:51,040 --> 00:48:55,960
Speaker 1: all the information. So it's crazy playing, y'all know what

728
00:48:56,080 --> 00:49:00,400
Speaker 1: time you put on a fact and I put out, Julia,

729
00:49:00,640 --> 00:49:05,319
Speaker 1: you just I'll sit over here, so damn Julia bad

730
00:49:05,400 --> 00:49:07,480
Speaker 1: not say nothing with these shiny as nails. I know

731
00:49:07,640 --> 00:49:15,120
Speaker 1: that Julie over here with these beautiful that is, he

732
00:49:15,480 --> 00:49:18,560
Speaker 1: got a jail, so he didn't win in the petted

733
00:49:18,640 --> 00:49:22,719
Speaker 1: his nails with crispy cream. Julia were sitting there with

734
00:49:22,840 --> 00:49:29,560
Speaker 1: all tea and under the dry ye here, fool, that's

735
00:49:29,600 --> 00:49:35,560
Speaker 1: an open toe sound of this summer my boy got

736
00:49:36,760 --> 00:49:45,800
Speaker 1: definitely him get down yet go down in the morning.

737
00:49:45,880 --> 00:49:50,719
Speaker 1: But but it's right now, it's stupid on steroids just

738
00:49:51,000 --> 00:49:53,120
Speaker 1: the beginning. They ain't need you want to see the

739
00:49:53,160 --> 00:49:56,480
Speaker 1: red pull up, y'all. So let's let's let's set up

740
00:49:56,480 --> 00:49:59,440
Speaker 1: a new break. We got a lot of content right there,

741
00:49:59,560 --> 00:50:04,400
Speaker 1: so audience can follow along. Um on the on the

742
00:50:05,520 --> 00:50:08,120
Speaker 1: on the questions. Is there some topics you want to

743
00:50:08,160 --> 00:50:10,800
Speaker 1: talk about, like what's going on like the drug bust

744
00:50:10,880 --> 00:50:15,480
Speaker 1: and Philly ticks? Watch TV, like what's going on in

745
00:50:15,560 --> 00:50:19,920
Speaker 1: the world? Nothing about that they had drugs who got busted?

746
00:50:21,040 --> 00:50:24,439
Speaker 1: They found fifteen thousand kiloads of cocaine at a port

747
00:50:25,600 --> 00:50:29,600
Speaker 1: one billion dollars words count. Who is on that much

748
00:50:29,760 --> 00:50:38,480
Speaker 1: co caine? Who is on the us. But the crazy

749
00:50:38,560 --> 00:50:40,880
Speaker 1: thing in the wrong big god, that billion just so

750
00:50:41,000 --> 00:50:43,040
Speaker 1: the other six that they really got into the country

751
00:50:43,080 --> 00:50:49,040
Speaker 1: to get in that was the decoy, right, set it up? Okay, yu,

752
00:50:49,200 --> 00:50:52,680
Speaker 1: let's set up talking Tommy bringing it back. It's not flowing.

753
00:50:53,400 --> 00:50:56,799
Speaker 1: It wasn't recording. Yeah, they have a structure. It's ready,

754
00:50:56,800 --> 00:50:58,360
Speaker 1: o babe. We gotta follow the struction. Sorry, man, we

755
00:50:58,400 --> 00:50:59,840
Speaker 1: don't work in you know, we don't know what the

756
00:51:00,000 --> 00:51:02,120
Speaker 1: else going on. We just came to promote the show.

757
00:51:03,080 --> 00:51:06,120
Speaker 1: Here we go, guys, and fast forward and that's good.

758
00:51:06,320 --> 00:51:08,920
Speaker 1: That's good. You just don't flu right, shut up so

759
00:51:09,040 --> 00:51:16,200
Speaker 1: we can ask something. Shut up your talk, shut up?

760
00:51:19,480 --> 00:51:26,240
Speaker 1: Who one? We are back five sole still in the building,

761
00:51:26,280 --> 00:51:34,520
Speaker 1: and only I wanted all the air off, the air,

762
00:51:34,719 --> 00:51:39,399
Speaker 1: on the air, everything everything, man, come on, we asked,

763
00:51:39,719 --> 00:51:41,520
Speaker 1: We asked yall off the as you heard about the

764
00:51:41,600 --> 00:51:45,080
Speaker 1: drug bus that took place in Philadelphia over one billion

765
00:51:45,200 --> 00:51:51,600
Speaker 1: dollars words told us about what what what what they're

766
00:51:51,680 --> 00:51:55,680
Speaker 1: catching with? Now? You do I think it was cocrane?

767
00:51:56,239 --> 00:52:00,440
Speaker 1: What made you think? How did you think that? When

768
00:52:00,800 --> 00:52:03,320
Speaker 1: when when they do that? Well, I don't think it

769
00:52:03,400 --> 00:52:06,640
Speaker 1: was weird. I think it was cocaine. Oh my God,

770
00:52:08,120 --> 00:52:11,920
Speaker 1: what was it on a boat? Was on the boat? Oh? Lord,

771
00:52:12,000 --> 00:52:15,800
Speaker 1: they got boats? Now, I wasn't on the trunk billion

772
00:52:15,920 --> 00:52:18,640
Speaker 1: dollars worth of cocaine. I wish I had a billion noses.

773
00:52:18,840 --> 00:52:23,120
Speaker 1: I mean a billion noses? What you be able to?

774
00:52:23,280 --> 00:52:25,760
Speaker 1: I mean, would that be would that be a cocaine

775
00:52:25,840 --> 00:52:28,440
Speaker 1: per nose? I don't know. I've never done cocaine. I

776
00:52:28,480 --> 00:52:34,160
Speaker 1: don't like the man smell cocaine has a billion dollar

777
00:52:34,640 --> 00:52:36,360
Speaker 1: Who was still on this? But this is what they

778
00:52:36,440 --> 00:52:38,719
Speaker 1: don't tell you. They found two billion dollars worth of

779
00:52:38,760 --> 00:52:41,919
Speaker 1: baking soda in another truck. Somebody was about to cook

780
00:52:42,000 --> 00:52:46,200
Speaker 1: all of that. We had talked about this baking soda

781
00:52:46,280 --> 00:52:49,160
Speaker 1: ruin the black community. I don't think getting bacon soda

782
00:52:49,280 --> 00:52:52,400
Speaker 1: ruined the black community. Cocaine had been around for thousands

783
00:52:52,440 --> 00:52:54,399
Speaker 1: of years, but once they hit it with that bacon

784
00:52:54,480 --> 00:52:59,880
Speaker 1: soda and made that rock, it was over with. I

785
00:53:00,040 --> 00:53:02,480
Speaker 1: c out. That's how they was saying for him. This

786
00:53:02,640 --> 00:53:04,880
Speaker 1: is a very serious and I want to take the

787
00:53:05,040 --> 00:53:07,960
Speaker 1: time right now to say shout out to everybody who's

788
00:53:08,040 --> 00:53:12,120
Speaker 1: been cleaned for over three days, because we know they

789
00:53:12,160 --> 00:53:17,799
Speaker 1: are hard. That first Monday. Come on, I'm talking about

790
00:53:17,800 --> 00:53:21,919
Speaker 1: you is sweat three days they give it off. This money.

791
00:53:21,960 --> 00:53:23,959
Speaker 1: It ain't that you quick. You just can't find nothing,

792
00:53:23,960 --> 00:53:30,279
Speaker 1: shout out. Caught up in a drop smoking a lot

793
00:53:30,320 --> 00:53:32,320
Speaker 1: of weeks. I'm talking about a lot of it, just

794
00:53:32,440 --> 00:53:34,280
Speaker 1: on the cigarettes til you can find a new plug.

795
00:53:37,520 --> 00:53:40,560
Speaker 1: A lot of weak. But you ain't got that b

796
00:53:42,640 --> 00:53:47,800
Speaker 1: d C. He talking about like like he just gotten

797
00:53:47,840 --> 00:53:50,080
Speaker 1: his counselor d C. I told you'll stop sending these

798
00:53:50,120 --> 00:53:56,080
Speaker 1: boys in my office. At the same time they spoke

799
00:53:56,160 --> 00:53:59,359
Speaker 1: a lot of weeks. Let's do that's the way. That's

800
00:53:59,360 --> 00:54:03,760
Speaker 1: the way. Gail is called Robert. Robert, Yeah, I meant nephew,

801
00:54:07,080 --> 00:54:09,440
Speaker 1: all right, DC, you have not a few movies, didn't

802
00:54:09,440 --> 00:54:12,239
Speaker 1: put some music together? What projects are you working on

803
00:54:12,520 --> 00:54:28,920
Speaker 1: right now? That's my nephew, nephew. I am crying, nephew. Okay, okay,

804
00:54:29,719 --> 00:54:32,960
Speaker 1: what do you say? Say? What are you currently working on?

805
00:54:33,640 --> 00:54:37,920
Speaker 1: Working on? Steve now, we're working on the script for

806
00:54:38,200 --> 00:54:42,160
Speaker 1: the Nephew starting right now. The script for nephew just started.

807
00:54:42,160 --> 00:54:47,880
Speaker 1: Get creating right now, work for nephew starting up for

808
00:54:48,000 --> 00:54:50,840
Speaker 1: nephew right there. You just gotta let us be the nephews.

809
00:54:51,320 --> 00:54:57,320
Speaker 1: Oh man, y'all the nephews. I'm the uncle, the nephew.

810
00:54:57,719 --> 00:55:01,279
Speaker 1: But now, okay, I got to hook up to It's

811
00:55:01,320 --> 00:55:04,120
Speaker 1: coming out with Fat Boy NTCS Master Pete July twelfth

812
00:55:04,200 --> 00:55:08,040
Speaker 1: and theaters everywhere moving with Jay Farey Cat Women, the

813
00:55:08,400 --> 00:55:10,759
Speaker 1: Code two Minutes of Fame. It's gonna drop like in

814
00:55:10,840 --> 00:55:18,080
Speaker 1: September with Lionsgate. I'm playing the handsome comedian. They just

815
00:55:18,360 --> 00:55:23,920
Speaker 1: me myself and we was in how to come on?

816
00:55:24,239 --> 00:55:27,879
Speaker 1: Oh look yes, how that works everything he on. I'm

817
00:55:27,880 --> 00:55:30,960
Speaker 1: getting in there you're doing and whiling out the other

818
00:55:31,000 --> 00:55:33,360
Speaker 1: show you're on just one while and not did we

819
00:55:33,440 --> 00:55:35,919
Speaker 1: did just win a NTV award shout out to Nick Cannon.

820
00:55:36,200 --> 00:55:38,480
Speaker 1: We got like see some more episodes of that H

821
00:55:38,560 --> 00:55:40,759
Speaker 1: one hip Hop squares on on that so in the

822
00:55:40,880 --> 00:55:49,880
Speaker 1: podcast we got cray on you. So nephew Carlos. Alright,

823
00:55:49,960 --> 00:55:51,839
Speaker 1: then you already know about I know about you. You've

824
00:55:51,840 --> 00:55:54,080
Speaker 1: been in the comedy game. You're strong withy. What projects

825
00:55:54,120 --> 00:55:56,360
Speaker 1: you're working on other than the ones that d C

826
00:55:56,560 --> 00:55:59,440
Speaker 1: already down like that ain't a lot. That's a lot

827
00:55:59,480 --> 00:56:06,680
Speaker 1: of projects. Okay, uh uh, well, I'm actually working on

828
00:56:06,840 --> 00:56:09,400
Speaker 1: a new set of g D books. I got my

829
00:56:09,560 --> 00:56:12,920
Speaker 1: own g D books coming out for people who want

830
00:56:12,960 --> 00:56:16,080
Speaker 1: to learn how to read and do man, I have

831
00:56:16,200 --> 00:56:18,640
Speaker 1: a I have a T shirt sleepwell line that I'm

832
00:56:18,680 --> 00:56:21,239
Speaker 1: about to launch for all the ladies who don't like

833
00:56:21,360 --> 00:56:23,840
Speaker 1: wearing lingeriate. He's just a bunch of soft T shirts

834
00:56:23,880 --> 00:56:28,719
Speaker 1: and old sweatpants, pre shrunk, pre war. Uh you TV pro.

835
00:56:28,960 --> 00:56:31,520
Speaker 1: You know, I haven't really convinced Hollywood to like me

836
00:56:31,719 --> 00:56:35,320
Speaker 1: like that. But I'm on a few underground rap videos

837
00:56:35,480 --> 00:56:38,479
Speaker 1: and stuff like that. You know. I make my money

838
00:56:38,520 --> 00:56:40,960
Speaker 1: in the daytime, you know, telling jokes at night. I'm

839
00:56:41,000 --> 00:56:43,399
Speaker 1: not as successful as DC and the rest of the game.

840
00:56:43,520 --> 00:56:46,120
Speaker 1: But because I'm older than them, I should have started earlier.

841
00:56:46,480 --> 00:56:50,200
Speaker 1: But maybe like he too always voiced to R and

842
00:56:50,320 --> 00:56:52,400
Speaker 1: he don't just be following direction like that. I'd be

843
00:56:52,480 --> 00:56:55,600
Speaker 1: asking questions. So Hollywood ain't really just calling me like that.

844
00:56:55,760 --> 00:56:58,160
Speaker 1: When they need, you know, somebody with some leverage, they're

845
00:56:58,200 --> 00:57:03,359
Speaker 1: gonna hit me. Uh, when they need an unre older man,

846
00:57:03,480 --> 00:57:06,320
Speaker 1: They're hit me. But I don't. Don't never think that

847
00:57:06,360 --> 00:57:09,680
Speaker 1: I'm hungry over here, nephew, Don't never think that I'm hungry.

848
00:57:10,239 --> 00:57:13,319
Speaker 1: Those g D books are doing really well, and they're

849
00:57:13,320 --> 00:57:15,640
Speaker 1: gonna be in all the Driver license places you can

850
00:57:15,719 --> 00:57:17,919
Speaker 1: just pick them up. I got a lot of things coming.

851
00:57:17,960 --> 00:57:22,440
Speaker 1: I got some lacefront glue that keep the lacefront on, uh,

852
00:57:22,800 --> 00:57:25,000
Speaker 1: and some of those stones that get the calluses off

853
00:57:25,040 --> 00:57:28,200
Speaker 1: your feet. But I'm trying to expand comedy. Is it

854
00:57:28,320 --> 00:57:36,720
Speaker 1: not just about the stone coming stone? Right, I'm gonna entrepreneur.

855
00:57:38,120 --> 00:57:40,840
Speaker 1: Let me let me ask you this, what about black men?

856
00:57:40,960 --> 00:57:43,720
Speaker 1: Don't cheat? Tell me about that while nephew, you you

857
00:57:43,840 --> 00:57:46,320
Speaker 1: knew what that was me because somebody just done took

858
00:57:46,440 --> 00:57:50,280
Speaker 1: that and ran with it. Somebody's just amaze that they're on.

859
00:57:50,680 --> 00:57:53,960
Speaker 1: But that's neither here nor there. It's not about me, nephew.

860
00:57:54,240 --> 00:57:57,560
Speaker 1: I did this for us. I said, black men come on.

861
00:57:57,680 --> 00:57:59,960
Speaker 1: That means more than one because if I was hid

862
00:58:00,080 --> 00:58:02,360
Speaker 1: black man, I wouldn't been talking about myself. This is

863
00:58:02,400 --> 00:58:05,240
Speaker 1: not a selfish movement. I want to see people take

864
00:58:05,320 --> 00:58:07,520
Speaker 1: parts of that and add parts to that, because that's

865
00:58:07,560 --> 00:58:09,680
Speaker 1: what it's for. It's the table that all black men

866
00:58:09,720 --> 00:58:11,120
Speaker 1: can sit down there and be like, you know what,

867
00:58:11,680 --> 00:58:14,680
Speaker 1: this is what we on. We're changing the perception of us.

868
00:58:15,280 --> 00:58:18,400
Speaker 1: So so so if another black man wants to jump

869
00:58:18,440 --> 00:58:20,240
Speaker 1: out and make a tune, that's not gonna be the

870
00:58:20,320 --> 00:58:24,200
Speaker 1: only one. We're gonna have a whole bunch of these merchandise,

871
00:58:24,480 --> 00:58:32,400
Speaker 1: sleep Well, plumbing stones, coffee mugs. Now, the thing that

872
00:58:32,680 --> 00:58:35,160
Speaker 1: my whole message is, bro, We're just trying to change

873
00:58:35,160 --> 00:58:37,000
Speaker 1: the perception of black man. We're just trying to bring

874
00:58:37,120 --> 00:58:39,920
Speaker 1: some positivity to the table. So shout out to to

875
00:58:40,400 --> 00:58:42,920
Speaker 1: du Vall and Charlemagne for bringing that. Not that's a

876
00:58:43,040 --> 00:58:45,320
Speaker 1: dope song, but I really like it, so you know

877
00:58:45,400 --> 00:58:47,520
Speaker 1: it ain't even no hard feelings and nothing like that.

878
00:58:47,600 --> 00:58:51,960
Speaker 1: I'm supporting the movement. So yeah, that's that. Now, when

879
00:58:52,000 --> 00:58:54,640
Speaker 1: do we release the shirts for black me? And don't cheat? Man?

880
00:58:54,720 --> 00:58:56,960
Speaker 1: I got them on me, I got him on me,

881
00:58:58,160 --> 00:59:00,320
Speaker 1: I got him on I keep him on me. My

882
00:59:00,440 --> 00:59:02,760
Speaker 1: dog hit my website. Get one from me, since you

883
00:59:02,880 --> 00:59:04,760
Speaker 1: know that's me, by one from me, but you can

884
00:59:04,800 --> 00:59:10,640
Speaker 1: still support to other people. Just get one from me. Yeah, alright, alright, nephew,

885
00:59:10,800 --> 00:59:13,440
Speaker 1: nephew Chico. Hey, listen, I'm just gonna let you know

886
00:59:13,600 --> 00:59:15,440
Speaker 1: right now, I'm working on my radio voice because you

887
00:59:15,440 --> 00:59:17,760
Speaker 1: ain't ask me nothing yet and we got thirty seconds left,

888
00:59:18,080 --> 00:59:20,200
Speaker 1: so I'm coming from your job right here, Nephew, Timmy,

889
00:59:20,320 --> 00:59:22,080
Speaker 1: it's no longer employed by Steve, I'll be wanting to

890
00:59:22,080 --> 00:59:25,360
Speaker 1: show this now Chico being uncle nephew Junior. That's right,

891
00:59:25,440 --> 00:59:28,440
Speaker 1: because that's going down because I gotta have some work too, baby,

892
00:59:28,480 --> 00:59:31,000
Speaker 1: And so yeah, I appreciate your uncle nephew for all

893
00:59:31,040 --> 00:59:33,240
Speaker 1: of little service, but we are no longer needed over

894
00:59:33,320 --> 00:59:34,480
Speaker 1: here at the Steve, I've me more on the show

895
00:59:34,480 --> 00:59:38,200
Speaker 1: because uncle nephew Junior, it's taken over. What's you're working on? This?

896
00:59:40,760 --> 00:59:43,600
Speaker 1: Just this right here, trying to figure this out, this thing.

897
00:59:43,680 --> 00:59:45,720
Speaker 1: You gotta focus when you work here. You gotta focus, Steve.

898
00:59:45,760 --> 00:59:47,680
Speaker 1: Don't want you having no outside hustle. You gotta just

899
00:59:47,760 --> 00:59:51,320
Speaker 1: do this primarily vo plus TB. I don't know what

900
00:59:51,440 --> 00:59:59,240
Speaker 1: that is. Yeah, and then call cough button on the

901
00:59:59,400 --> 01:00:04,160
Speaker 1: on the with the cough. But I'll get palladium tonight, Yes,

902
01:00:04,360 --> 01:00:09,080
Speaker 1: palladium tonight. Surely you're coming. I'm gonna come. Yeah, that's

903
01:00:09,120 --> 01:00:15,120
Speaker 1: not you inviting me. Come on, I know that to shut.

904
01:00:15,400 --> 01:00:17,360
Speaker 1: I want you to be my serious voice now. I

905
01:00:17,440 --> 01:00:19,400
Speaker 1: don't even want serious voice on my phone no more.

906
01:00:19,440 --> 01:00:22,080
Speaker 1: I want yours. I want you to order all my food.

907
01:00:22,160 --> 01:00:28,040
Speaker 1: You got the voice. They're not gonna you hear can

908
01:00:28,080 --> 01:00:30,200
Speaker 1: you hear it? Ladies and gentlemen right here on the

909
01:00:30,240 --> 01:00:35,040
Speaker 1: Steve Harvey morning, your uncle nephew Jr. Can y'all sing

910
01:00:35,200 --> 01:00:37,280
Speaker 1: us out eighty five South style? Can't you do that?

911
01:00:38,000 --> 01:00:42,720
Speaker 1: The Steve Harvey morn and show you sound like the

912
01:00:42,800 --> 01:00:48,840
Speaker 1: deacon diff he gonna fall asleep, Steve singing out. I said,

913
01:00:50,480 --> 01:00:52,720
Speaker 1: come on, now, come on now, bring it, kick it on,

914
01:00:55,160 --> 01:01:01,600
Speaker 1: hick it all, Come on, bring Steve Eve ballhead. But

915
01:01:01,840 --> 01:01:05,560
Speaker 1: I don't see it. Must ask one more time, come on, singing,

916
01:01:05,680 --> 01:01:12,040
Speaker 1: said Steve ball Head. But god, I mustache. Look it

917
01:01:12,200 --> 01:01:20,040
Speaker 1: looked kind of like the potato head mustang here. They're

918
01:01:20,080 --> 01:01:26,479
Speaker 1: not gonna play that, I'm saying, dude, but I talking

919
01:01:26,520 --> 01:01:33,360
Speaker 1: back off Z. You should have just left at the

920
01:01:33,400 --> 01:01:41,440
Speaker 1: old gospel singing out. Yeah, but we're never gonna be

921
01:01:41,600 --> 01:01:47,640
Speaker 1: to come back. I know you know they heard this.

922
01:01:47,760 --> 01:01:53,760
Speaker 1: Don't play what you want of them, saying to give

923
01:01:53,800 --> 01:01:56,040
Speaker 1: a shout out to Steve. Steve said some of the

924
01:01:56,160 --> 01:01:59,080
Speaker 1: coldest little shop I've ever heard when he said, the

925
01:01:59,160 --> 01:02:01,600
Speaker 1: best thing you could you for people, don't be one

926
01:02:01,680 --> 01:02:04,440
Speaker 1: of my life. I want to open the same as

927
01:02:04,440 --> 01:02:14,520
Speaker 1: account from count want my card now got one? He'll

928
01:02:14,560 --> 01:02:18,600
Speaker 1: be playing all right, eighty five South tonight at the

929
01:02:18,640 --> 01:02:21,360
Speaker 1: Palladium live in l A. You do not want to

930
01:02:21,400 --> 01:02:31,360
Speaker 1: miss a young fly, Yes Nephew, eighty five South Show

931
01:02:32,040 --> 01:02:37,720
Speaker 1: the podcast. You need your thing when you come, Uncle Nephew,

932
01:02:38,520 --> 01:02:41,720
Speaker 1: I'm on radio. He's got to be at home. Meet

933
01:02:41,800 --> 01:02:52,320
Speaker 1: me right out, Nephew ready, always right. That's it. We

934
01:02:52,440 --> 01:02:55,560
Speaker 1: got the tray report coming up the minute. Stay tuned

935
01:02:55,840 --> 01:02:59,800
Speaker 1: on the Steve Harvey Morning Video Experience with shut Stop

936
01:03:00,360 --> 01:03:06,000
Speaker 1: in Mississippi. Monica and Uncle Nephew live on the radio waves.

937
01:03:06,720 --> 01:03:14,720
Speaker 1: Meet me, keep my bod Evolvo Man Volvo run up.

938
01:03:17,520 --> 01:03:20,000
Speaker 1: You never had to put the alternate on. You never

939
01:03:20,040 --> 01:03:27,560
Speaker 1: seen no call for no cast All right, a man,

940
01:03:27,960 --> 01:03:33,800
Speaker 1: Yeah yeah, she quit Cheney, she didn't been quit. Thank

941
01:03:33,840 --> 01:03:39,439
Speaker 1: you guys. It all let all of that. I ain't

942
01:03:39,480 --> 01:03:42,720
Speaker 1: even say no cursed word. Keep mine up, bad