WEBVTT - He's Standing Right Here (S2 E22, "I Can't Get Started")

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I heart radio podcast. Hey everybody, Scott Patterson,

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<v Speaker 1>Amy Sugarman, Riley Pellucist. Danielle's iPhones is joining us as well.

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<v Speaker 1>Hello Danielle's iPhone? Who's having you know? We're doing the

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<v Speaker 1>best we can here, guys, How are you good to

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<v Speaker 1>see you? What an episode? Good? Lord? Man? Do I

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<v Speaker 1>want to move to Connecticut? That was an episode? That

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<v Speaker 1>was an episode. I cannot wait to hear what you

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<v Speaker 1>think of it. Well, first, right off the bat, I

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<v Speaker 1>was down in Atlanta at the Pandemic Dead convention, which

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<v Speaker 1>was all um walking dead people. For some reason, they

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<v Speaker 1>invited me. I know the promoter, and he's a great guy,

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<v Speaker 1>and he invited me down in. Yanique was there too

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<v Speaker 1>because we share an agent, and Yannick and I had

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<v Speaker 1>a blast. We just he's a fun guy. And did

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<v Speaker 1>you tell him how much you just love his lines? Oh? God?

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<v Speaker 1>And especially I I gotta tell you, my favorite all

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<v Speaker 1>time Yanique scene and maybe the my favorite scene in

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<v Speaker 1>the whole two seasons is that scene of him I'm

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<v Speaker 1>going home. I mean it was. It was the most

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<v Speaker 1>beautifully acted, beautifully timed comedic scene he set himself up

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<v Speaker 1>so beautifully to just nail her at the end of

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<v Speaker 1>that scene. That was a wonderful suggestion. How about I

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<v Speaker 1>leave this best? Yeah? Yeah, I think it was a

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<v Speaker 1>lot of people's best episode. And I think, you know,

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<v Speaker 1>Amy wrote the episode along with Jon Stevens, who was

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<v Speaker 1>a writer's room favorite, and she directed the episode, so

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<v Speaker 1>it had that special something to it where it was

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<v Speaker 1>just there was it was elevated, and I think the

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<v Speaker 1>I don't know, just everything about it was better. The

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<v Speaker 1>acting was better, the lighting was better. It was just

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<v Speaker 1>didn't miss one It didn't miss a beat, Like every

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<v Speaker 1>single moment was perfect. Yeah, so let's get into it,

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<v Speaker 1>um so tell us your overall of what you thought. Well, Riley,

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<v Speaker 1>why don't you do a little synopsis and bring us

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<v Speaker 1>in so everybody knows what what in the heck we're

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<v Speaker 1>talking about. Well, let's do it. Happy finale. This is two. Yeah,

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<v Speaker 1>it's called I Can't Get Started. Air date two thousand two.

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<v Speaker 1>It's the season two finale. In Suki and Jackson's wedding day,

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<v Speaker 1>Chris comes into town and reveals he and Sherry are

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<v Speaker 1>taking time apart Eke. Meanwhile, he and Lorelai ag reconnect

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<v Speaker 1>on an intimate level, and it doesn't. Are you going

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<v Speaker 1>to put a little spin in there? No? Parents could

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<v Speaker 1>Vince's Rory to run as vice president, which could lead

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<v Speaker 1>to a summer away in Washington, d C. And Jess

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<v Speaker 1>convinces Luke to let him stay in Stars Hall of

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<v Speaker 1>for good and Rory ends up kissing him by the

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<v Speaker 1>hand while she is still indeed, I mean, oh my god,

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<v Speaker 1>can we start with that or should we start with

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<v Speaker 1>oi with the poodles already? I think we should start

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<v Speaker 1>with well, was what was the cold opening? What was

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<v Speaker 1>the cold open? It wasn't that. It wasn't you mean

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<v Speaker 1>when when when the episode opened, It opens with all

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<v Speaker 1>the flowers and moral and Rory and Michelle are like

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<v Speaker 1>exhausted sink. He's listening to sort of like all the

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<v Speaker 1>wrongs wedding songs. We're listening to Ella Fitzgerald. That was Yeah,

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<v Speaker 1>that was a wonderful opening. By the way. That was

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<v Speaker 1>unexpected because it was lower energy and it was a

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<v Speaker 1>little sleepy, but it was cool. It was really cool,

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<v Speaker 1>really set the tone. Yeah, so I enjoyed that opening. Uh,

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<v Speaker 1>and Michelle was in it too, So he's a game

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<v Speaker 1>the whole well, he, I gotta tell you this, this

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<v Speaker 1>episode unique really and it's not your nick. It's unique

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<v Speaker 1>like unique, not your nick like tonic um. And he

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<v Speaker 1>reminded me of this over the weekend we were together

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<v Speaker 1>in Atlanta at that thing. So um anyway, wait sidebar

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<v Speaker 1>really fast? Were there Gilmore Girls fans at a Walking

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<v Speaker 1>Dead like convention? Uh? So this is the thing that

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<v Speaker 1>shocks promoters of these because most of these conventions are

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<v Speaker 1>sci fi or Marvel comics or or horror or Walking

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<v Speaker 1>Dead or something like that. Um My agent has to

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<v Speaker 1>convince these promoters, like listen, he does really well at

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<v Speaker 1>these conventions because the Gilmore fans come out to these things,

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<v Speaker 1>stand in lines, uh to meet to meet Scott. And

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<v Speaker 1>it happens every single time I do a convention, and

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<v Speaker 1>it's it's I think, pretty much on precedented on the

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<v Speaker 1>convention circuit that somebody from a non sci fi show

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<v Speaker 1>and like this, this nice little show is getting convention

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<v Speaker 1>traffic because these you know, the Gilmore fans are not

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<v Speaker 1>you know, I gotta tell you know what I'm learning.

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<v Speaker 1>People love Saw, they love Walking Dead. They also watch

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<v Speaker 1>Gilmore Girls. They're what they're doing it all. It's not

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<v Speaker 1>like one of the other anymore. Two of my top

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<v Speaker 1>shows of all time are Gilmore Girls and Walking Dead.

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<v Speaker 1>Like it makes sense. Yeah, I mean, they don't discriminate,

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<v Speaker 1>and they come out in droves and they are delightful

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<v Speaker 1>and it's so great to meet them. I don't want

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<v Speaker 1>to be a totally crazy person right now, but I'm

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<v Speaker 1>going to say something nuts. The reason I love Gilmore

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<v Speaker 1>Girls is almost the same reason I love Walking Dead

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<v Speaker 1>because of the relationships of these characters that aren't a

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<v Speaker 1>family that became a family. Like I could literally say, like,

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<v Speaker 1>oh wow, there are a lot of similarities in the

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<v Speaker 1>reasons why I love both shows. Yeah, it's those those

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<v Speaker 1>it's those inner connections between the cast, you know. Yeah. Um,

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<v Speaker 1>but they're wonderful and they're just so happy to be

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<v Speaker 1>there and meet me and tell me about the show

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<v Speaker 1>and what it did for them, and it's it's it's

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<v Speaker 1>thet Yeah they all do. Oh they all love the podcast. Yeah,

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<v Speaker 1>they love the podcast. And if they're not aware of it,

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<v Speaker 1>I educate them on the spot the nicest possible way,

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<v Speaker 1>and they're delighted. They'll go, oh my god, I have

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<v Speaker 1>to catch up. And I said, yeah, we're eighty two

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<v Speaker 1>episodes and you go, oh my god, I gotta I

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<v Speaker 1>gotta listening. I said, yeah, oh, it's wonderful. It's just wonderful.

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<v Speaker 1>And um, you know I'm doing some more, uh in July.

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<v Speaker 1>I'm doing another one in June. So anyway, they're fun.

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<v Speaker 1>There are a lot of fun and the Gilmour fans

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<v Speaker 1>come out and big numbers, they really do, so it's

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<v Speaker 1>it's a real party. Um, it's fun. Anyway. So yeah,

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<v Speaker 1>the oil with the poodles uh seen to became like

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<v Speaker 1>a classic one. And there it was. Yeah, there was

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<v Speaker 1>the construction of the line right there in front of us,

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<v Speaker 1>Rory and and and Laura. I built that classic line

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<v Speaker 1>right in front of our eyes. And with the typical

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<v Speaker 1>Emily Laurea la will you please stop talking? So good?

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<v Speaker 1>But I finally got Danielle. Danielle, did you love this episode?

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<v Speaker 1>I loved it so much. I'm still thinking about it,

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<v Speaker 1>like and I watched it, you know, like I'm just

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<v Speaker 1>like it's still on my mind. I love this episode

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<v Speaker 1>so much. It was such a good finale, so good. Yeah,

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<v Speaker 1>it felt like a finale. It felt like a perfect

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<v Speaker 1>warm send off. But we're coming back. It's like it's

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<v Speaker 1>it really did have a nice It was unlike any

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<v Speaker 1>other episode, and especially especially well let's not get ahead

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<v Speaker 1>of ourselves, but with two insane cliffhangers, got so much drama.

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<v Speaker 1>Like imagine back in two thousand whatever, what was it,

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<v Speaker 1>two thousand to two thousand three. Now that's your left

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<v Speaker 1>with that in May, and you're like, are you joking me?

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<v Speaker 1>I have to wait till September to figure out what happens.

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<v Speaker 1>Like these days, these kids have the benefit of like, oh,

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<v Speaker 1>click next on Netflix. People had to wait for months

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<v Speaker 1>to figure out what was going to happen. Yeah, and

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<v Speaker 1>guess what, that builds an audience better than how they

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<v Speaker 1>do it now. I think, you know, maybe I'm wrong,

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<v Speaker 1>but um, you know streaming we'll all right. So so

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<v Speaker 1>I I agreed with I don't know how you guys felt,

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<v Speaker 1>but I agreed with Emily that that was a pity

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<v Speaker 1>invite and to the wedding, and I'm glad that she

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<v Speaker 1>pointed that out so clearly. To Laurela, what do you

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<v Speaker 1>guys think? Totally agree a pity wedding invite is not

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<v Speaker 1>always the worst thing in the world, though, you know,

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<v Speaker 1>you get free drinks, free food, free dancing music, all

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<v Speaker 1>that stuff, and just by the looks of it, that

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<v Speaker 1>wedding looked like the last like yeah, but bet you

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<v Speaker 1>got Kirk singing at the piano. I'm like, this is

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<v Speaker 1>too good. I want to be there. Did you pity

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<v Speaker 1>invite anybody to either of your weddings, Daniellen Scott? Because

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<v Speaker 1>I didn't, but I was definitely a pity invite to

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<v Speaker 1>one of my now best friend's weddings. Like I was like,

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<v Speaker 1>imagine if I if you didn't pity invite me to

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<v Speaker 1>your wedding, it's like a joke and we're best friends now, Scott,

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<v Speaker 1>did you throw any last minute pity invite? No, no, no,

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<v Speaker 1>I I know I wouldn't do that to people because

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<v Speaker 1>they know because it's been It's happened to me a

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<v Speaker 1>few times, and it's it's not a good failing, but

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<v Speaker 1>well it's so funny. We so we do these award

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<v Speaker 1>shows and we had to book some last minute presenters,

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<v Speaker 1>and I literally use the analogy of like this is

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<v Speaker 1>like the pity invite to a wedding, like these people

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<v Speaker 1>know that we didn't suddenly just like I can't wait

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<v Speaker 1>to have you present one day before or the show, Like, yeah,

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<v Speaker 1>but that's just the that's a business. You know, in

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<v Speaker 1>a business sometimes has glitches and you've got to fix them,

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<v Speaker 1>and you know that it's just that these are personal.

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<v Speaker 1>This is in her personal stuff. This isn't like you're

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<v Speaker 1>putting on it show. Emily called it out and then

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<v Speaker 1>Richard comes in for dinner and he's like, I see, like,

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<v Speaker 1>what's the worst pity and fight that you've all received?

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<v Speaker 1>Can you remember? Has it happened to you? I'm sure

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<v Speaker 1>yes it happened. Like I said, it happened to me,

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<v Speaker 1>but it turned out great, so I no, no um,

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<v Speaker 1>no bitterness on my end. I think you get it

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<v Speaker 1>when you're like find out about a party that you

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<v Speaker 1>weren't invited to and then the person knows and they're like,

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<v Speaker 1>oh you can come, and you're just like all things

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<v Speaker 1>can I Like, I was sitting next to a group

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<v Speaker 1>of girls and they were talking about like a bachelorette

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<v Speaker 1>party and I was at the bridal shower and one

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<v Speaker 1>of the girls was like, would you do this with this?

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<v Speaker 1>And she looks at me and she was you can

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<v Speaker 1>come if you want, Like it's okay, thank you. These

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<v Speaker 1>days as I'm so old though, I hope to not

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<v Speaker 1>be invited. Is anyone else experiencing that? We're like, please

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<v Speaker 1>don't invite me totally, Please don't make me say no please?

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<v Speaker 1>Um alright, So moving so moving into that, it's yeah,

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<v Speaker 1>I know it's it's a very awkward position to be in. Um.

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<v Speaker 1>So now let's move into Luke's. Uh yeah, Laurel, And

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<v Speaker 1>it looks like Dean and and Rory are are happy.

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<v Speaker 1>Is two p's in a pod and a very memorable scene,

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<v Speaker 1>so funny, do you do you like your breakfast? Oh?

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<v Speaker 1>Do you do like? And he's ill on a trade

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<v Speaker 1>like it was. That's a very cute, sort of iconic

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<v Speaker 1>Gilmore moment. So and Laurel I pacing in the background

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<v Speaker 1>round was scared to come in the diner waiting for

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<v Speaker 1>because you know, the the dust up with Luke is

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<v Speaker 1>not the dust is not settled yet. I guess now,

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<v Speaker 1>what did you think he has forgiven her already? I

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<v Speaker 1>don't know. I haven't thought about that, should he? I

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<v Speaker 1>don't know? He is who he is, right, he just

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<v Speaker 1>now he's back in his shell a little bit. He's

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<v Speaker 1>turtling a little bit, Yeah, because he just yeah, it's like, gosh, man,

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<v Speaker 1>that's that's a hard listen. If you're really involved with

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<v Speaker 1>somebody and you have a I mean, if you're you know,

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<v Speaker 1>having a relation, real full blown relationous somebody and you

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<v Speaker 1>have a blowout fight, it's easy to forgive because then

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<v Speaker 1>there's some recourse. You know what to do, you know

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<v Speaker 1>how to make up, and the makeup part is really

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<v Speaker 1>good and it makes you forget about the fight. What's

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<v Speaker 1>his recourse? How do they make up? They're not intimate,

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<v Speaker 1>you know, I mean they are in a way, but

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<v Speaker 1>there it's just that it's such a slight to him

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<v Speaker 1>because he's been there for her. He's been there for her,

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<v Speaker 1>he's been been a good guy. Maybe you know he's

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<v Speaker 1>not so so when you were watching it, so she

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<v Speaker 1>you know, she's pacing back and forth. She comes in

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<v Speaker 1>and Brandy and leave and she goes to the counter

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<v Speaker 1>and she really does say she's sorry. She really does,

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<v Speaker 1>and he still wasn't having it. Did you have a

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<v Speaker 1>moment where you're like, oh, forgive her and let's move on,

0:13:12.080 --> 0:13:15.920
<v Speaker 1>or it's almost like she was demanding that that he

0:13:16.000 --> 0:13:18.679
<v Speaker 1>moved on instead of just sort of kind of vibing

0:13:18.760 --> 0:13:21.040
<v Speaker 1>with him a little bit. And it's like she didn't

0:13:21.080 --> 0:13:24.560
<v Speaker 1>like what she was getting right away, and she got

0:13:25.520 --> 0:13:27.160
<v Speaker 1>I don't know, I don't know if she got hostile,

0:13:27.200 --> 0:13:30.040
<v Speaker 1>but she got disappointed and got defensive and got the

0:13:30.080 --> 0:13:32.760
<v Speaker 1>heck out of there. I really thought it was powerful

0:13:32.800 --> 0:13:35.400
<v Speaker 1>when so I wrote my notes, Ay, awesome scene, Like

0:13:35.520 --> 0:13:38.080
<v Speaker 1>I loved that moment between the two of them, and

0:13:38.360 --> 0:13:41.640
<v Speaker 1>she says, I want Luke back, and you say, he's

0:13:41.640 --> 0:13:45.120
<v Speaker 1>standing right here and she says, no, he's not. Well

0:13:45.200 --> 0:13:48.080
<v Speaker 1>she said it under his breath so he could hear it, right. Yeah,

0:13:48.080 --> 0:13:50.240
<v Speaker 1>it was big. It was a big moment. I wrote

0:13:50.280 --> 0:13:53.680
<v Speaker 1>down those lines too. Yeah. But it opened the door

0:13:53.720 --> 0:13:56.839
<v Speaker 1>for all that Christopher stuff that followed, right, So you

0:13:56.920 --> 0:14:00.960
<v Speaker 1>gotta you gotta propel her into that the possibility of

0:14:01.000 --> 0:14:04.960
<v Speaker 1>all that happening. And that's exactly what that scene. So,

0:14:05.040 --> 0:14:09.520
<v Speaker 1>I mean, that scene served its functions. So it was

0:14:09.559 --> 0:14:13.600
<v Speaker 1>a necessary scene. But I liked it. I did. I

0:14:13.640 --> 0:14:16.000
<v Speaker 1>liked it, and I thought you both were great. And

0:14:16.040 --> 0:14:19.360
<v Speaker 1>you know, it's so interesting. You make a cough in it,

0:14:19.440 --> 0:14:25.040
<v Speaker 1>like you had an entire line of a cough, and

0:14:25.080 --> 0:14:29.080
<v Speaker 1>it was like, oh wow, I threw that in. I

0:14:29.120 --> 0:14:32.160
<v Speaker 1>threw that. It was very good. It's the one time

0:14:32.240 --> 0:14:35.720
<v Speaker 1>I think I got something in that wasn't scripted. It was,

0:14:35.880 --> 0:14:39.400
<v Speaker 1>and then somebody's going to produce a script sing said

0:14:39.560 --> 0:14:43.880
<v Speaker 1>Luke coughs. But I think I threw it in. Was

0:14:43.920 --> 0:14:48.600
<v Speaker 1>one of the most important scenes in the episode. Um yeah,

0:14:48.800 --> 0:14:52.240
<v Speaker 1>I guess as far as those two are concerned, Yeah,

0:14:52.640 --> 0:14:55.480
<v Speaker 1>it was. It was heavy, heavyweight episode because it's hard

0:14:55.560 --> 0:15:00.760
<v Speaker 1>to be you know, that stoic and that um you

0:15:00.800 --> 0:15:04.960
<v Speaker 1>know Gibraltar, like in the face of somebody who's trying

0:15:04.960 --> 0:15:08.600
<v Speaker 1>to he wasn't ready and that we know deep down

0:15:08.680 --> 0:15:10.920
<v Speaker 1>he loves. So it's like, I'm sure there's a part

0:15:10.920 --> 0:15:14.120
<v Speaker 1>of Luke that wanted to forgive and and have his

0:15:14.160 --> 0:15:18.440
<v Speaker 1>friend back. Listen, man, he's a blue collar guy. You

0:15:18.480 --> 0:15:21.120
<v Speaker 1>don't talk to blue collar that way, you know what

0:15:21.120 --> 0:15:24.880
<v Speaker 1>I mean, don't talk to me that way. I'm a worker.

0:15:25.280 --> 0:15:27.760
<v Speaker 1>You know, I get up every morning. I do for you.

0:15:27.920 --> 0:15:30.640
<v Speaker 1>I didn't you know, there's I'll take a lot of crap,

0:15:30.720 --> 0:15:33.800
<v Speaker 1>but don't don't go over the top like that. You

0:15:33.840 --> 0:15:39.280
<v Speaker 1>know he's gone. And he also doesn't like yelling like that,

0:15:39.360 --> 0:15:42.400
<v Speaker 1>Like not that she was screaming, but but Luke as

0:15:42.440 --> 0:15:46.200
<v Speaker 1>a person doesn't like a fight like that. Oh, he's

0:15:46.240 --> 0:15:49.160
<v Speaker 1>a sensitive guy, right, He's got a heart, he's he's

0:15:49.240 --> 0:15:52.760
<v Speaker 1>he's got a shell on and and he you know,

0:15:52.880 --> 0:15:55.280
<v Speaker 1>he didn't I don't think he deserved that. And he

0:15:55.320 --> 0:15:58.280
<v Speaker 1>thinks he didn't deserve that. And because he's never raised

0:15:58.320 --> 0:16:02.280
<v Speaker 1>his voice at Jeff despite whatever just does, that's not

0:16:02.680 --> 0:16:09.840
<v Speaker 1>his way. So for when when lore like just lost it, rightfully,

0:16:09.920 --> 0:16:17.360
<v Speaker 1>so he was ill prepared for that. What are you

0:16:17.400 --> 0:16:20.000
<v Speaker 1>gonna do? That's life? You know. Do you think there

0:16:20.080 --> 0:16:23.640
<v Speaker 1>was too much emotion coming at him? So what we're

0:16:23.680 --> 0:16:26.440
<v Speaker 1>going back few episodes to the fight. Do you think

0:16:26.480 --> 0:16:30.840
<v Speaker 1>because she was so overcome and emotional and she did

0:16:30.920 --> 0:16:33.840
<v Speaker 1>raise her voice and she's you know, yes, she's blaming

0:16:33.920 --> 0:16:36.640
<v Speaker 1>him for something he's totally not his fault. Is that

0:16:36.720 --> 0:16:44.000
<v Speaker 1>too much for Luke? I'm gonna risk saying sounding um,

0:16:44.440 --> 0:16:48.760
<v Speaker 1>I'll just say it. I think what he heard in

0:16:48.840 --> 0:16:52.200
<v Speaker 1>her voice and in that anger was a lot of

0:16:52.840 --> 0:16:56.440
<v Speaker 1>I think he felt like less of a man because

0:16:56.680 --> 0:17:01.080
<v Speaker 1>and he disappointed himself. If he let her down that

0:17:01.160 --> 0:17:06.280
<v Speaker 1>to that degree, Um, then he's maybe thinking a little

0:17:06.280 --> 0:17:09.159
<v Speaker 1>bit less of himself. So he's he's maybe in a

0:17:09.200 --> 0:17:12.240
<v Speaker 1>little depressed situation. I don't think it's so much, he's

0:17:12.280 --> 0:17:14.120
<v Speaker 1>hating on her, but he's got to deal with how

0:17:14.119 --> 0:17:17.840
<v Speaker 1>he feels about himself. I think that's totally I also

0:17:17.880 --> 0:17:21.280
<v Speaker 1>think there was like a realization that he always thinks

0:17:21.320 --> 0:17:24.120
<v Speaker 1>about Laura Lai and LORELEI wasn't thinking about how Luke

0:17:24.200 --> 0:17:26.760
<v Speaker 1>was feeling in that situation. So I think he was

0:17:26.840 --> 0:17:30.520
<v Speaker 1>kind of like, oh, wait, maybe this is only one sided,

0:17:31.119 --> 0:17:38.760
<v Speaker 1>Oh Danielle, right, but also let's add another layer. Maybe

0:17:38.760 --> 0:17:42.520
<v Speaker 1>he's feeling a little less like, you know, the man

0:17:42.680 --> 0:17:46.760
<v Speaker 1>who will should step up and claim his love and

0:17:47.119 --> 0:17:51.560
<v Speaker 1>you know, really let her know and really go out

0:17:51.560 --> 0:17:53.919
<v Speaker 1>on a limb. And he just I don't know. I

0:17:53.960 --> 0:17:56.320
<v Speaker 1>just think he feels very vulnerable and gutless and he's

0:17:56.359 --> 0:17:59.679
<v Speaker 1>just gonna put that shell of armor on and and

0:17:59.800 --> 0:18:02.560
<v Speaker 1>just sort of keep her at a distance. Now is

0:18:02.600 --> 0:18:05.680
<v Speaker 1>a perfect description. He doesn't know how to deal with it,

0:18:05.920 --> 0:18:08.800
<v Speaker 1>and I think he's disappointed in himself that he hasn't

0:18:09.000 --> 0:18:15.159
<v Speaker 1>made a stronger move to, you know, get that relationship

0:18:15.200 --> 0:18:18.520
<v Speaker 1>off the ground. Yeah, he he could hear it in

0:18:18.560 --> 0:18:21.639
<v Speaker 1>her voice. Maybe he heard some of that too, like

0:18:21.680 --> 0:18:24.879
<v Speaker 1>that rage was like, Hey, stupid, I'm here, I'm waiting,

0:18:24.960 --> 0:18:27.320
<v Speaker 1>let's go and he's not. He hasn't done it, so

0:18:27.400 --> 0:18:29.359
<v Speaker 1>that of course he's going to get blasted like that.

0:18:30.800 --> 0:18:35.600
<v Speaker 1>You know what's interesting that fights really is lingering. And

0:18:35.640 --> 0:18:38.679
<v Speaker 1>I think maybe the diner scene is even more powerful

0:18:38.760 --> 0:18:42.840
<v Speaker 1>because the writers, you know, in in in our world

0:18:43.119 --> 0:18:46.560
<v Speaker 1>it's real to us. They didn't just tie it up

0:18:46.560 --> 0:18:48.360
<v Speaker 1>in a bow and be like, Okay, the fight's over,

0:18:48.960 --> 0:18:51.760
<v Speaker 1>We're good now. It's like they really are letting it linger,

0:18:51.960 --> 0:19:00.600
<v Speaker 1>which made it that much more significant. Yeah, okay, back

0:19:00.600 --> 0:19:03.119
<v Speaker 1>to it, we're going in order. Let's talk about Paris

0:19:03.400 --> 0:19:07.440
<v Speaker 1>running for president. Oh interesting, Well, you know I found her.

0:19:08.640 --> 0:19:14.040
<v Speaker 1>I mean she was appropriately um grading m uh with

0:19:14.080 --> 0:19:20.520
<v Speaker 1>a t, not with a day. And that's her role

0:19:20.600 --> 0:19:23.520
<v Speaker 1>because and I thought it was a great shot. The camera.

0:19:23.640 --> 0:19:26.920
<v Speaker 1>It was a stead camera Steve, This Steve from Steadicam

0:19:26.960 --> 0:19:29.439
<v Speaker 1>doing his great work and walking up that aisle and

0:19:29.720 --> 0:19:32.120
<v Speaker 1>around her and then back down at the stairs. Again,

0:19:32.160 --> 0:19:34.919
<v Speaker 1>that's a tough shot to make. That's a very heavy

0:19:35.040 --> 0:19:38.199
<v Speaker 1>camera and uh, you know, he's got to be careful

0:19:38.240 --> 0:19:40.360
<v Speaker 1>with the steps. He was a big, strong guy, nicest

0:19:40.359 --> 0:19:45.199
<v Speaker 1>guy stead Camp Steve and uh, and uh you know

0:19:45.400 --> 0:19:49.920
<v Speaker 1>she look the contrast between that Rory and Paris has

0:19:49.960 --> 0:19:51.960
<v Speaker 1>to be you know, it has to be black and white.

0:19:52.440 --> 0:19:54.159
<v Speaker 1>You know, it has to be good versus evil. It

0:19:54.160 --> 0:19:58.720
<v Speaker 1>has to be hateable versus likable. You know, it makes

0:19:58.720 --> 0:20:02.320
<v Speaker 1>it work, makes it fly. Um, I don't know. Rory

0:20:02.400 --> 0:20:05.480
<v Speaker 1>just got roped into something. Man, she just got manipulated, right,

0:20:05.480 --> 0:20:09.119
<v Speaker 1>Oh my god. Yes, I have Paris equals manipulator on

0:20:09.200 --> 0:20:12.199
<v Speaker 1>my notes because literally she totally dragged her in with

0:20:12.240 --> 0:20:15.600
<v Speaker 1>that Harvard. Um. It was a smart for Paris to

0:20:15.640 --> 0:20:18.000
<v Speaker 1>say it. I was like, oh, well done, Paris, you

0:20:18.080 --> 0:20:20.960
<v Speaker 1>got got her. Yeah, but she had me convinced of

0:20:21.000 --> 0:20:23.760
<v Speaker 1>the hundreds of thousands who apply you, you know, how

0:20:23.800 --> 0:20:26.119
<v Speaker 1>are you going to differentiate yourself? And that's a good point.

0:20:27.080 --> 0:20:30.800
<v Speaker 1>And Rory was like, all right, I'll do it. Wait, Riley,

0:20:30.920 --> 0:20:33.159
<v Speaker 1>there are two pop culture references that I have to

0:20:33.200 --> 0:20:35.199
<v Speaker 1>talk about in the recap. I know we're still going

0:20:35.240 --> 0:20:37.879
<v Speaker 1>to do pop culture. But when she said the damon

0:20:37.960 --> 0:20:42.600
<v Speaker 1>to my Affleck, I was like, oh, yes, Like that's

0:20:42.640 --> 0:20:48.360
<v Speaker 1>still so works twenty years later. I know she does

0:20:48.359 --> 0:20:50.359
<v Speaker 1>the Yen to my yang, the Joel to my Ethan,

0:20:50.440 --> 0:20:56.000
<v Speaker 1>the damon to my Affleck, Geller and Gilmore, and she

0:20:56.040 --> 0:21:01.040
<v Speaker 1>really liked that alliteration. Yeah, yeah, it reminded me of

0:21:01.040 --> 0:21:03.439
<v Speaker 1>you a little bit. Amy. I was like, oh that's you,

0:21:03.520 --> 0:21:07.080
<v Speaker 1>like like the am I the Paris No, you like

0:21:07.200 --> 0:21:12.160
<v Speaker 1>like the like the you know, like, yeah, I love.

0:21:13.000 --> 0:21:15.880
<v Speaker 1>I also thought it was hilarious when Paris said it's

0:21:15.920 --> 0:21:21.920
<v Speaker 1>like you were dressed by birds right right right, Roy says,

0:21:21.920 --> 0:21:23.399
<v Speaker 1>I haven't been dressed in spirds since I was two

0:21:23.440 --> 0:21:27.920
<v Speaker 1>years old. I think that's what's that snow white or

0:21:28.320 --> 0:21:31.600
<v Speaker 1>that's what it reminded you. That was what I called

0:21:31.680 --> 0:21:33.520
<v Speaker 1>Danielle the other day. And I don't know if I

0:21:33.560 --> 0:21:35.119
<v Speaker 1>was like, I'm speaker and all I hear is like

0:21:35.320 --> 0:21:38.359
<v Speaker 1>birds chirping, and I'm like, are you in snow white

0:21:38.480 --> 0:21:40.600
<v Speaker 1>right now? Like what is happening at your house? And

0:21:40.640 --> 0:21:45.679
<v Speaker 1>that is dressed by birds? Like, oh my god. So

0:21:45.720 --> 0:21:49.719
<v Speaker 1>it's an interesting dilemma. She I thought that scene with

0:21:49.720 --> 0:21:53.280
<v Speaker 1>with Louise and Madeline was hysterical. You're polling really well

0:21:53.359 --> 0:21:57.879
<v Speaker 1>for competence and and what was the other category? But

0:21:58.080 --> 0:22:00.800
<v Speaker 1>likability your way down and they would prefer not to

0:22:00.880 --> 0:22:03.840
<v Speaker 1>vote for you. So lets you know what I want

0:22:03.840 --> 0:22:06.160
<v Speaker 1>to ask you, all three of you, because this goes

0:22:06.160 --> 0:22:10.400
<v Speaker 1>through my mind all the time. Those two are popular girls,

0:22:10.560 --> 0:22:16.560
<v Speaker 1>like not Paris Louise, and they're like popular and cool.

0:22:17.320 --> 0:22:20.359
<v Speaker 1>Why are they best friends with Paris? If Paris is

0:22:20.400 --> 0:22:23.240
<v Speaker 1>so unlikable and like everyone hates her, but those two

0:22:23.280 --> 0:22:25.640
<v Speaker 1>cool girls are friends with her? What do we make

0:22:25.680 --> 0:22:32.280
<v Speaker 1>of that? I never thought of that. Their followers they

0:22:32.280 --> 0:22:36.960
<v Speaker 1>probably want to get into Harvard too, right, they probably

0:22:37.240 --> 0:22:41.000
<v Speaker 1>have fathers or mothers who could buy them in by

0:22:41.040 --> 0:22:45.240
<v Speaker 1>their way in, and uh, they're just being smart. I mean,

0:22:45.280 --> 0:22:48.680
<v Speaker 1>Paris is obviously going to be a person either who

0:22:48.800 --> 0:22:51.840
<v Speaker 1>ends up in a lunatic asylum or she's going to

0:22:51.920 --> 0:22:56.000
<v Speaker 1>end up running the world, So why not to get

0:22:56.000 --> 0:23:00.440
<v Speaker 1>good grades? And Paris is never appreciated of them? And

0:23:00.520 --> 0:23:04.240
<v Speaker 1>that like you have two really good friends that are

0:23:04.280 --> 0:23:08.879
<v Speaker 1>like out there pulling for you. Ye hundred and fifty

0:23:08.920 --> 0:23:12.160
<v Speaker 1>students they talked to that takes time asking all those

0:23:12.240 --> 0:23:17.320
<v Speaker 1>questions what is happening here? So anyway, I digress is

0:23:17.320 --> 0:23:21.520
<v Speaker 1>Paris like they're bulldozer, like there does their dirty work.

0:23:22.119 --> 0:23:24.560
<v Speaker 1>Or maybe she's been friends with them since fourth grade

0:23:24.600 --> 0:23:29.080
<v Speaker 1>and it's like and they probably feel sorry for because

0:23:29.119 --> 0:23:33.480
<v Speaker 1>they know her family situation. Right anyway, I get to

0:23:33.520 --> 0:23:35.720
<v Speaker 1>buy their friends for so long they can't like ditch

0:23:35.760 --> 0:23:41.760
<v Speaker 1>her right right right, so now, so now we're at

0:23:41.760 --> 0:23:46.320
<v Speaker 1>the doctor's office. Roy's getting your cast off. Christopher shows

0:23:46.440 --> 0:23:49.000
<v Speaker 1>up in his shirt. The shirt was wearing him. He

0:23:49.040 --> 0:23:52.040
<v Speaker 1>really wasn't wearing. I just I love every Christopher moment.

0:23:52.119 --> 0:23:54.000
<v Speaker 1>I know people disagree with me, but I think I

0:23:54.040 --> 0:23:56.760
<v Speaker 1>don't disagree with you. I love it too. I love

0:23:56.880 --> 0:24:00.520
<v Speaker 1>him again. I'm gonna recuse myself from the Christopher's I

0:24:00.520 --> 0:24:02.159
<v Speaker 1>know I'm jumping ahead, but when he was in the

0:24:02.200 --> 0:24:05.080
<v Speaker 1>bedroom and that's white, what are your what are you doing?

0:24:05.080 --> 0:24:06.280
<v Speaker 1>What are you doing? What are you doing? What are

0:24:06.280 --> 0:24:08.480
<v Speaker 1>you doing? I'll get to it. We'll get to him. Huh,

0:24:08.640 --> 0:24:12.719
<v Speaker 1>go ahead, you're in charge. Oh I did it? Did

0:24:12.800 --> 0:24:15.159
<v Speaker 1>I just do it again? I just did it again. No, no,

0:24:15.160 --> 0:24:18.480
<v Speaker 1>I shouldn't shot you down. No, no, I apologize. No

0:24:18.560 --> 0:24:22.040
<v Speaker 1>go go no, go go, go go you Christopher and

0:24:22.040 --> 0:24:24.919
<v Speaker 1>the T shirt and he looked like like Marlon Brando's

0:24:24.960 --> 0:24:28.800
<v Speaker 1>love child with the two kyoky. We'll get to it

0:24:28.840 --> 0:24:31.280
<v Speaker 1>in due time to with the scene with the cast

0:24:33.600 --> 0:24:39.280
<v Speaker 1>if nothing just said I had a necklace, that we're

0:24:39.320 --> 0:24:44.280
<v Speaker 1>really good, and some embellishment, and then incomes Christopher just

0:24:45.119 --> 0:24:48.640
<v Speaker 1>being a hottie. Babe, and like such a good dad

0:24:48.680 --> 0:24:50.679
<v Speaker 1>all of a sudden. And then I also wanted to

0:24:50.920 --> 0:24:56.760
<v Speaker 1>comment on Rory's shirt that said number thirteen and strange

0:24:57.160 --> 0:24:58.919
<v Speaker 1>and all I was like is that's like, it's not

0:24:59.000 --> 0:25:01.199
<v Speaker 1>stranger things obvious. It wasn't even out yet, But like,

0:25:01.320 --> 0:25:04.560
<v Speaker 1>did you guys notice how sure you did? We didn't

0:25:04.560 --> 0:25:08.000
<v Speaker 1>need to. I'm in the fashion on this continue okay.

0:25:08.000 --> 0:25:11.399
<v Speaker 1>So yeah, So that's when Laurela invites Christopher to the

0:25:13.040 --> 0:25:18.119
<v Speaker 1>rehearsal dinner, which is a big deal, big deal. Now

0:25:18.240 --> 0:25:22.720
<v Speaker 1>things are starting to pick up a little pace, right,

0:25:23.000 --> 0:25:28.439
<v Speaker 1>starting horses in the starting gate, and we're like and

0:25:28.480 --> 0:25:31.439
<v Speaker 1>the whole time, right, and the whole time, I'm thinking,

0:25:31.560 --> 0:25:33.840
<v Speaker 1>Luke doesn't even know any of this is going on.

0:25:34.760 --> 0:25:37.480
<v Speaker 1>Is he going to find out? If he does find out,

0:25:37.520 --> 0:25:40.600
<v Speaker 1>how's he going to feel? Poor poor old Lukey back

0:25:40.640 --> 0:25:46.600
<v Speaker 1>there the shell on a dine, like you should have

0:25:46.680 --> 0:25:51.040
<v Speaker 1>forgave her, dude, Yeah, and look at what's happening. I'm

0:25:51.080 --> 0:25:54.280
<v Speaker 1>okay with the holding. I don't know, I think it's

0:25:54.359 --> 0:25:57.520
<v Speaker 1>very unhealthy to do that. You should forgive, you should

0:25:57.680 --> 0:25:59.639
<v Speaker 1>you really should forget unless it's some kind of an

0:25:59.640 --> 0:26:03.399
<v Speaker 1>extraordinary circumstance where it was just so abusive. But maybe

0:26:03.400 --> 0:26:05.560
<v Speaker 1>that's how he feels, you know, that's probably how he feels.

0:26:06.160 --> 0:26:14.080
<v Speaker 1>Um Uh. The rehearsal, I don't really remember the rehearsal. Oh,

0:26:14.119 --> 0:26:18.360
<v Speaker 1>the rehearsal was hysterical because because I wonder, I don't

0:26:18.400 --> 0:26:21.760
<v Speaker 1>think is Luke not invited to the wedding? It's kind

0:26:21.760 --> 0:26:27.080
<v Speaker 1>of weird. That's a little strange. That's weird. That's that

0:26:27.280 --> 0:26:34.959
<v Speaker 1>is explained. That explain that it's weird. Well, but they

0:26:35.080 --> 0:26:42.240
<v Speaker 1>used as hupa, oh did they? That is it because

0:26:42.240 --> 0:26:45.439
<v Speaker 1>Suki's lorealized friend and Luke and Lore are not on

0:26:45.480 --> 0:26:48.760
<v Speaker 1>good terms right now. Yeah, but he's but everybody from

0:26:48.760 --> 0:26:51.240
<v Speaker 1>the town was there except for him, and there was

0:26:51.280 --> 0:26:56.840
<v Speaker 1>no scene excluded because he was not there. Okay, So

0:26:56.960 --> 0:26:59.240
<v Speaker 1>was it because the writers feel that that was a

0:26:59.240 --> 0:27:02.520
<v Speaker 1>big enough fight between Lord Luke and Laurelai that he's

0:27:02.560 --> 0:27:05.919
<v Speaker 1>not going to be invited. Maybe and and even though

0:27:05.960 --> 0:27:08.600
<v Speaker 1>they don't address it, that's what we're to assume, are

0:27:08.640 --> 0:27:11.440
<v Speaker 1>we So we're to assume that, So he's out now

0:27:11.520 --> 0:27:13.919
<v Speaker 1>because he had a big screaming match with Lord. But

0:27:13.920 --> 0:27:15.840
<v Speaker 1>if you were Luke, wouldn't you be mad at Suki?

0:27:15.920 --> 0:27:18.879
<v Speaker 1>For not inviting you, or because Lucas so down in

0:27:18.920 --> 0:27:20.760
<v Speaker 1>the dumps right now, he got the invitation and just

0:27:20.840 --> 0:27:29.439
<v Speaker 1>wasn't going possibly, but that right, it's it's such a

0:27:29.480 --> 0:27:32.960
<v Speaker 1>close to community and he's such a pivotal central figure

0:27:32.960 --> 0:27:37.160
<v Speaker 1>of the town. Why wouldn't he be there. No, that's

0:27:36.960 --> 0:27:40.960
<v Speaker 1>that was a little strange. That's good pointing that out. Um.

0:27:41.000 --> 0:27:44.160
<v Speaker 1>So the rehearsal dinner was funny. Kirk gave his toast

0:27:44.480 --> 0:27:47.560
<v Speaker 1>my car and oh my god, and it was Christophers

0:27:48.760 --> 0:27:51.760
<v Speaker 1>and we've got the kilt thing. Yeah, and then they

0:27:51.800 --> 0:27:54.600
<v Speaker 1>go out, grabbed the bottle and out they go to

0:27:54.640 --> 0:27:58.000
<v Speaker 1>those stairs and it was like, oh wow. But even

0:27:58.040 --> 0:28:00.439
<v Speaker 1>that little kilt scene paid off beautifully because it was

0:28:00.480 --> 0:28:02.800
<v Speaker 1>just you know, during the wedding when he walks up,

0:28:02.840 --> 0:28:05.000
<v Speaker 1>it's like, so there's a whole scene of that to

0:28:05.040 --> 0:28:07.439
<v Speaker 1>set that up, and it's kind of nice to see it.

0:28:07.760 --> 0:28:11.080
<v Speaker 1>I also have to say I loved how I almost

0:28:11.080 --> 0:28:14.199
<v Speaker 1>wanted to copy it Danielle for the next party when

0:28:14.359 --> 0:28:17.320
<v Speaker 1>Christopher and are sitting on the steps at Suki's and

0:28:17.320 --> 0:28:21.399
<v Speaker 1>there was just candles up the sides. I always love

0:28:21.440 --> 0:28:27.639
<v Speaker 1>a good candle entrance. Visually, this episode was just every

0:28:27.640 --> 0:28:30.639
<v Speaker 1>single thing was amazing to look at. Yeah, and you

0:28:30.680 --> 0:28:32.880
<v Speaker 1>know what, I hate to go here, but I'm gonna

0:28:32.920 --> 0:28:37.280
<v Speaker 1>go here again. I apologize to anybody that day. Anybody

0:28:37.840 --> 0:28:41.840
<v Speaker 1>should I just shut up and talk. We like that,

0:28:41.960 --> 0:28:46.959
<v Speaker 1>we like the controversial Scott. I'm not saying that in

0:28:47.000 --> 0:28:50.800
<v Speaker 1>the Netflix episodes that they didn't make a big deal

0:28:50.880 --> 0:28:54.080
<v Speaker 1>about prepping for Luca Laurelized wedding. It was, but we

0:28:54.160 --> 0:28:58.840
<v Speaker 1>only got the preparation part. We got to enjoy the preparation.

0:28:58.920 --> 0:29:02.280
<v Speaker 1>We got to enjoy all of the flowers and the

0:29:02.360 --> 0:29:05.120
<v Speaker 1>walls of flowers and all of the wonderful things that

0:29:05.160 --> 0:29:07.840
<v Speaker 1>were being planned for Luca Lorelie wedding. We just didn't

0:29:07.840 --> 0:29:11.440
<v Speaker 1>see the wedding. Um and then we see all of

0:29:11.440 --> 0:29:14.120
<v Speaker 1>this wonderful stuff, and they're making such a big deal

0:29:14.200 --> 0:29:18.000
<v Speaker 1>about Suki and Jackson's wedding, right, so I can understand.

0:29:18.040 --> 0:29:21.200
<v Speaker 1>It's understandable how the fans felt short changed by the

0:29:21.280 --> 0:29:24.000
<v Speaker 1>episodes and not getting a real Luke and Laureli wedding,

0:29:24.280 --> 0:29:26.360
<v Speaker 1>because look at all the potential, look at all the

0:29:26.480 --> 0:29:30.280
<v Speaker 1>fun stuff that happens at a wedding, and this this

0:29:30.400 --> 0:29:34.640
<v Speaker 1>episode a finale, right, and the wedding Luke and Laurel

0:29:34.800 --> 0:29:39.440
<v Speaker 1>wedding could have been the finale of the entire series. Uh,

0:29:39.480 --> 0:29:41.360
<v Speaker 1>they didn't take the opportunity, and it's just, you know what,

0:29:41.440 --> 0:29:43.760
<v Speaker 1>I was happy about the in this episode with the

0:29:43.840 --> 0:29:46.959
<v Speaker 1>choice of don't make me sit through the the valves

0:29:47.440 --> 0:29:51.440
<v Speaker 1>like that, we like, I don't. I didn't want to

0:29:51.520 --> 0:29:55.719
<v Speaker 1>be I have to watch Suki and Jackson's full wedding.

0:29:55.800 --> 0:29:58.200
<v Speaker 1>I got enough of it and them coming, you know,

0:29:59.120 --> 0:30:03.440
<v Speaker 1>because really what was about was Rory and Lorelei, you know,

0:30:03.560 --> 0:30:06.960
<v Speaker 1>having these two massive moments which they don't speak up

0:30:07.040 --> 0:30:10.040
<v Speaker 1>and then walking. So I guess sometimes I do think

0:30:10.040 --> 0:30:13.440
<v Speaker 1>like a wedding can slow down what we really want

0:30:13.480 --> 0:30:16.480
<v Speaker 1>to be seen. Well, it's just it's just support. It's like,

0:30:16.600 --> 0:30:20.960
<v Speaker 1>you know, they didn't give the supporting characters their due.

0:30:21.160 --> 0:30:23.240
<v Speaker 1>In other words, that's it's a nice way of saying

0:30:23.280 --> 0:30:26.440
<v Speaker 1>the supporting characters aren't as important. They didn't get their

0:30:26.520 --> 0:30:29.920
<v Speaker 1>due because we need to just stay on track with what,

0:30:30.160 --> 0:30:32.680
<v Speaker 1>you know, how we've set this up. The narratives need

0:30:32.760 --> 0:30:34.920
<v Speaker 1>to play out, and we only have certain amount of

0:30:34.920 --> 0:30:38.000
<v Speaker 1>time to do it. So it's got to be Christopher

0:30:38.080 --> 0:30:44.720
<v Speaker 1>Laurela resolution. It's got to be jess And and Rory.

0:30:45.320 --> 0:30:49.200
<v Speaker 1>Well sort of not resolution, but you know cliffhangers right right,

0:30:49.320 --> 0:30:52.640
<v Speaker 1>and we already have our cliffhanger with with Luke and Laureli.

0:30:53.160 --> 0:30:56.040
<v Speaker 1>You know there there there, and there's some bad blood there.

0:30:56.800 --> 0:31:00.959
<v Speaker 1>So we also got taken on a roller coaster so fast.

0:31:01.360 --> 0:31:03.840
<v Speaker 1>So we we've been building with this Christopher thing. All

0:31:03.880 --> 0:31:05.440
<v Speaker 1>of a sudden, we're like, oh my god, it's on.

0:31:05.720 --> 0:31:08.080
<v Speaker 1>He opens up like things aren't going well with Sherry.

0:31:08.360 --> 0:31:11.560
<v Speaker 1>I'm looking for an apartment. Lore lies all excited about it.

0:31:11.720 --> 0:31:15.960
<v Speaker 1>They kiss, they sleep together. We're like on this. Whoa.

0:31:16.240 --> 0:31:18.760
<v Speaker 1>Then we bring in Emily and Emily's like, I'll be

0:31:18.880 --> 0:31:21.520
<v Speaker 1>damn and she's thrilled about it right through all in

0:31:21.640 --> 0:31:28.160
<v Speaker 1>one episode and then we're completely smacked let down it boom.

0:31:29.000 --> 0:31:31.600
<v Speaker 1>I I thought, okay, so if we're gonna go there

0:31:31.680 --> 0:31:33.480
<v Speaker 1>right now, we're going, we'll go a little out of

0:31:33.600 --> 0:31:36.080
<v Speaker 1>order because it is it's a very you know, it's

0:31:36.120 --> 0:31:39.680
<v Speaker 1>like the entire episode. Um, I thought that was a

0:31:39.680 --> 0:31:44.600
<v Speaker 1>little ham handed. I thought that, and I don't want

0:31:44.600 --> 0:31:46.680
<v Speaker 1>to use this term, but it was it felt a

0:31:46.680 --> 0:31:49.960
<v Speaker 1>little soapy to me that he threw in the pregnancy.

0:31:50.560 --> 0:31:53.120
<v Speaker 1>They said, oh, it's pregnant. It was like, oh god, really,

0:31:53.800 --> 0:31:58.960
<v Speaker 1>I mean because when we when we really start to

0:31:59.160 --> 0:32:01.440
<v Speaker 1>here it is you start to hate the guy because

0:32:01.480 --> 0:32:04.160
<v Speaker 1>you know he's going to pull something, right, I mean,

0:32:04.200 --> 0:32:07.320
<v Speaker 1>it's Christopher. He's gonna pull something. What's it gonna be?

0:32:07.720 --> 0:32:10.080
<v Speaker 1>And here he is. They're standing on the bridge and

0:32:10.120 --> 0:32:14.640
<v Speaker 1>it's like, oh god, sorry, you know this kind of thing. Now,

0:32:14.640 --> 0:32:16.800
<v Speaker 1>what's the reason he got a phone call? He's going

0:32:16.840 --> 0:32:19.520
<v Speaker 1>back to Sherry, but now he says she's pregnant. And

0:32:19.560 --> 0:32:22.120
<v Speaker 1>I was like, oh wow, that was too much for me.

0:32:22.160 --> 0:32:26.600
<v Speaker 1>It was too it was too much, think, too much,

0:32:27.120 --> 0:32:28.600
<v Speaker 1>and I want to hear what. I want to hear

0:32:28.600 --> 0:32:32.240
<v Speaker 1>what Riley and Danielle think, because to me, it was

0:32:32.360 --> 0:32:36.920
<v Speaker 1>like if he just left her, he's a d word.

0:32:37.680 --> 0:32:43.040
<v Speaker 1>But because of this, it's like, oh no, Well, they're trying.

0:32:43.080 --> 0:32:47.120
<v Speaker 1>They're trying to they're trying to rebuild the Sorry to interrupt,

0:32:47.200 --> 0:32:50.360
<v Speaker 1>but they're trying to rehabilitate a guy who's you can't

0:32:50.360 --> 0:32:55.040
<v Speaker 1>rehabilitate no matter how likable David Zuckliffe is. He he

0:32:55.280 --> 0:32:58.440
<v Speaker 1>was not around here. I am being okay, I don't

0:32:58.480 --> 0:33:00.760
<v Speaker 1>want to be so forceble, but he isn't around for her,

0:33:00.880 --> 0:33:04.240
<v Speaker 1>and Rory told him on their walk, you tend to

0:33:04.280 --> 0:33:06.560
<v Speaker 1>do this and you better mean at this time and

0:33:06.640 --> 0:33:09.160
<v Speaker 1>don't mess with our hearts anymore. And that's why it's

0:33:09.200 --> 0:33:14.720
<v Speaker 1>even more brutal. Can you just say it? The guy's

0:33:14.760 --> 0:33:18.800
<v Speaker 1>a selfish loser. So again I'm gonna have to argue

0:33:18.800 --> 0:33:23.440
<v Speaker 1>with you. I he was selfish ish, but he was

0:33:23.480 --> 0:33:28.040
<v Speaker 1>also very young. But the reason he's he's heartbroken to

0:33:28.160 --> 0:33:31.400
<v Speaker 1>leave lore Lia because he loves Lorel but he's trying

0:33:31.440 --> 0:33:33.840
<v Speaker 1>to do the right thing. And yes, it all happened

0:33:33.880 --> 0:33:36.040
<v Speaker 1>too fast in like one phone call. You're like, what

0:33:36.480 --> 0:33:38.640
<v Speaker 1>you figured out life and one phone call. But it's

0:33:38.640 --> 0:33:41.880
<v Speaker 1>like he even says, I missed it with Rory. I

0:33:42.320 --> 0:33:47.240
<v Speaker 1>can't abandon another kid. So I was like, I think,

0:33:47.280 --> 0:33:51.280
<v Speaker 1>to me, the baby was the only way for him

0:33:51.320 --> 0:33:55.000
<v Speaker 1>to stir it up. You know, obviously we need this,

0:33:55.160 --> 0:33:57.440
<v Speaker 1>we can't just have it's not the Christopher and lore

0:33:57.520 --> 0:34:01.480
<v Speaker 1>Lie show. So it's like and it's excruciating for her.

0:34:01.520 --> 0:34:05.280
<v Speaker 1>I mean, she is in so much pain and heartbroken

0:34:06.080 --> 0:34:09.640
<v Speaker 1>again because she let herself believe, even though it was

0:34:09.680 --> 0:34:12.279
<v Speaker 1>for like forty eight hours, she let herself believe like

0:34:12.800 --> 0:34:17.440
<v Speaker 1>this family that I wanted is happening. She told her mom.

0:34:18.360 --> 0:34:21.120
<v Speaker 1>Like the person she would never let in on something.

0:34:21.200 --> 0:34:22.920
<v Speaker 1>She told her mom, And now she's gonna have to

0:34:23.000 --> 0:34:25.800
<v Speaker 1>go back to Emily and tell her what happened. Can

0:34:25.880 --> 0:34:32.839
<v Speaker 1>I can? I ask you? That's yeah? By it all right?

0:34:32.960 --> 0:34:38.400
<v Speaker 1>So let me ask you this, um, in terms of

0:34:38.440 --> 0:34:45.440
<v Speaker 1>the fan base and in terms of polling our panel here, um,

0:34:45.560 --> 0:34:49.759
<v Speaker 1>how how right does it feel with Christopher versus Luke

0:34:49.800 --> 0:34:56.320
<v Speaker 1>and Laureli. But I'll just say this. On the Instagram,

0:34:56.360 --> 0:34:59.960
<v Speaker 1>the comments are completely polarizing. There are so many people

0:35:00.080 --> 0:35:03.880
<v Speaker 1>on there that hate Christopher. I've never had anybody not

0:35:03.960 --> 0:35:07.319
<v Speaker 1>like Luke and Lorela, but they some people love him

0:35:07.400 --> 0:35:12.359
<v Speaker 1>like me, and some people cannot stand the character. I

0:35:12.400 --> 0:35:18.000
<v Speaker 1>like him. I love him too, but maybe I'll hate

0:35:18.080 --> 0:35:21.680
<v Speaker 1>him soon. No, you're not gonna hate him more than this,

0:35:21.840 --> 0:35:24.239
<v Speaker 1>because this is as bad as he gets, kind of.

0:35:24.320 --> 0:35:27.680
<v Speaker 1>I mean, I don't want to jump ahead, but I

0:35:27.760 --> 0:35:32.800
<v Speaker 1>just find that there is there's no tension between them.

0:35:32.840 --> 0:35:35.520
<v Speaker 1>As much as they try to create tension between those two,

0:35:35.520 --> 0:35:39.279
<v Speaker 1>there's no tension between them, and I find it. I

0:35:39.360 --> 0:35:41.640
<v Speaker 1>don't know, I just don't find it compelling to watch

0:35:42.040 --> 0:35:44.719
<v Speaker 1>and I'm trying to remove my personal feelings and my

0:35:45.120 --> 0:35:47.920
<v Speaker 1>and my Luke feelings and just try to be objective

0:35:47.960 --> 0:35:52.040
<v Speaker 1>about it. For me, it feels too. It's like if

0:35:52.200 --> 0:35:56.200
<v Speaker 1>if I had portrayed Luke as this sunny kind of

0:35:56.200 --> 0:36:02.560
<v Speaker 1>a creature or see Chris see see Christopher's Luke and

0:36:02.960 --> 0:36:05.760
<v Speaker 1>the show. That's why Luke and Lorea l are endgame.

0:36:06.239 --> 0:36:08.360
<v Speaker 1>But we're just so, we're just in the thick of

0:36:08.360 --> 0:36:13.200
<v Speaker 1>it right now. And Christopher and Lorely there's such that's

0:36:13.320 --> 0:36:18.359
<v Speaker 1>it's there's something between them more than just Rory. They

0:36:19.080 --> 0:36:20.600
<v Speaker 1>do have a chemistry. What did you guys think of

0:36:20.640 --> 0:36:27.760
<v Speaker 1>the kiss on the couch? Go ahead, Riley, It's a

0:36:27.800 --> 0:36:31.680
<v Speaker 1>cute kiss. It's quite steevie. Yeah, I liked it all.

0:36:31.880 --> 0:36:34.880
<v Speaker 1>I just I get giddy when they're together. I'm like,

0:36:34.920 --> 0:36:39.640
<v Speaker 1>this is amazing. They have so much chemistry, you know what.

0:36:39.719 --> 0:36:42.960
<v Speaker 1>I love so much. And I think, and I've never

0:36:43.000 --> 0:36:46.080
<v Speaker 1>heard Luke say it, it's a Christopher thing. I could

0:36:46.120 --> 0:36:49.040
<v Speaker 1>be wrong. Yell at me. Later he calls her lore

0:36:49.680 --> 0:37:01.120
<v Speaker 1>all the and it's like, oh my god, Yeah, I'm

0:37:01.160 --> 0:37:05.319
<v Speaker 1>just gonna say it. I've said it before. I get

0:37:05.480 --> 0:37:08.520
<v Speaker 1>he's the biological dad. I get that he has certain

0:37:08.600 --> 0:37:11.400
<v Speaker 1>rights to see his child and be with his child,

0:37:11.440 --> 0:37:14.080
<v Speaker 1>and it's a free country. Those two can do whatever

0:37:14.160 --> 0:37:18.160
<v Speaker 1>they want. But in in my world, in Luke's world,

0:37:18.960 --> 0:37:21.799
<v Speaker 1>he hasn't earned the right to her heart. And I

0:37:21.840 --> 0:37:28.920
<v Speaker 1>don't understand why she would take him back in because

0:37:29.320 --> 0:37:32.000
<v Speaker 1>he's just been doing this first. He's been doing this

0:37:32.160 --> 0:37:35.839
<v Speaker 1>same routine, showing up, getting everybody all excited, and then

0:37:35.880 --> 0:37:39.640
<v Speaker 1>taken off for whatever reason for sixteen years. And when

0:37:39.840 --> 0:37:41.920
<v Speaker 1>is she just going to move on and be strong

0:37:42.040 --> 0:37:44.520
<v Speaker 1>and say that's my That's why it's so compared. I

0:37:44.520 --> 0:37:48.040
<v Speaker 1>think that's the tension, The tension that that situation creates

0:37:48.120 --> 0:37:51.440
<v Speaker 1>is within the audience or within me saying he's not

0:37:51.520 --> 0:37:53.480
<v Speaker 1>worth it, he's gonna do it to you again, don't

0:37:53.520 --> 0:37:57.160
<v Speaker 1>let him do it again, don't fall for him again. Yeah,

0:37:57.200 --> 0:37:58.600
<v Speaker 1>I mean, I get what you're saying. And then at

0:37:58.600 --> 0:38:01.960
<v Speaker 1>the same time, I'm like, oh, give another chance this guy.

0:38:03.320 --> 0:38:06.319
<v Speaker 1>Let me ask you this, You have to remove Luke

0:38:06.360 --> 0:38:09.120
<v Speaker 1>from it if you had to pick who's more right

0:38:09.200 --> 0:38:10.880
<v Speaker 1>for her. And I think I've asked you this before,

0:38:10.920 --> 0:38:16.160
<v Speaker 1>but now you've seen more episodes, Max or Christopher, those

0:38:16.200 --> 0:38:21.600
<v Speaker 1>are your choices up till now. I think they're both manipulative. Mhm.

0:38:22.400 --> 0:38:27.759
<v Speaker 1>I don't think Luke is manipulative. Luke's not. He's not

0:38:27.800 --> 0:38:34.200
<v Speaker 1>in this equation. Here's the game, there's no there's no loop.

0:38:35.719 --> 0:38:40.520
<v Speaker 1>I just want Scott Patterson's opinion on as a as

0:38:40.520 --> 0:38:43.080
<v Speaker 1>a fan of the show watching it for the first time,

0:38:43.600 --> 0:38:47.280
<v Speaker 1>who is more right for her? There's no Luke try hard.

0:38:47.760 --> 0:38:58.040
<v Speaker 1>I know it's so hard for Max or Christopher. Um gosh, well,

0:38:58.120 --> 0:39:00.000
<v Speaker 1>you gotta look at it this I'll look at it

0:39:00.080 --> 0:39:03.239
<v Speaker 1>this way. How devastating would it be if it was

0:39:03.320 --> 0:39:07.839
<v Speaker 1>Christopher and it's inevitably failed again? How would that? Well,

0:39:07.840 --> 0:39:10.920
<v Speaker 1>how would Rory react to that? And then what if

0:39:11.200 --> 0:39:15.480
<v Speaker 1>Max Max became the guy and that failed? How would

0:39:15.480 --> 0:39:18.160
<v Speaker 1>that make Rory look at her own mother? How would that?

0:39:18.840 --> 0:39:21.839
<v Speaker 1>How would that mold Rory? So what's what's best for Rory?

0:39:21.880 --> 0:39:25.680
<v Speaker 1>But she's sixteen and she's going to fly away soon. Right,

0:39:25.800 --> 0:39:27.440
<v Speaker 1>this is going to be much harder for her to

0:39:27.480 --> 0:39:33.920
<v Speaker 1>take than when she broke up with Max, is right? Yeah,

0:39:34.080 --> 0:39:37.799
<v Speaker 1>So that's also she was way happier about it. She

0:39:37.920 --> 0:39:41.279
<v Speaker 1>wants it too, That's why this is so devastating And

0:39:41.440 --> 0:39:44.279
<v Speaker 1>as a as a viewer or someone who feels like

0:39:44.320 --> 0:39:47.799
<v Speaker 1>I'm watching these people like I'm with them. I'm at

0:39:47.800 --> 0:39:51.040
<v Speaker 1>the wedding. Oh my god, in the blink of an eye,

0:39:51.040 --> 0:39:54.520
<v Speaker 1>they were all so happy, and then it's just like crashed.

0:39:55.800 --> 0:40:00.360
<v Speaker 1>I wanted them to get through the wedding without that news.

0:40:00.400 --> 0:40:01.880
<v Speaker 1>I thought of the same thing, like, I wish it

0:40:01.960 --> 0:40:06.279
<v Speaker 1>was season three episode one, Oh, Sherry's pregnant. I wish

0:40:06.280 --> 0:40:08.960
<v Speaker 1>it was in the same episode, right, I you know what,

0:40:09.040 --> 0:40:11.160
<v Speaker 1>I agree with you. I thought it was rushed. That's

0:40:11.160 --> 0:40:13.960
<v Speaker 1>why it seemed awkward. It was the only like miss

0:40:14.000 --> 0:40:16.320
<v Speaker 1>note in the whole thing. In my opinion, we're freaking

0:40:16.320 --> 0:40:19.360
<v Speaker 1>out for ten minutes, that's it. And then I really agree.

0:40:19.480 --> 0:40:21.600
<v Speaker 1>I thought he should have faked it through the wedding

0:40:21.640 --> 0:40:24.799
<v Speaker 1>and told her the next day, right, because that's what

0:40:24.840 --> 0:40:28.560
<v Speaker 1>he would have done. Yeah, I guess Sherry was there

0:40:28.560 --> 0:40:30.239
<v Speaker 1>and he felt like he had to rush home to her.

0:40:30.280 --> 0:40:32.279
<v Speaker 1>But I agree with you, guys, that was weird. I

0:40:32.320 --> 0:40:34.160
<v Speaker 1>would have faked it knowing she was about to walk

0:40:34.200 --> 0:40:37.160
<v Speaker 1>down the aisle. His timing was a tro it was abrupt.

0:40:37.520 --> 0:40:40.480
<v Speaker 1>It was bad. Yeah, I mean, it's like he just

0:40:40.520 --> 0:40:42.040
<v Speaker 1>dropped a bomb on the whole thing. But I mean

0:40:42.040 --> 0:40:45.480
<v Speaker 1>it was weird because he was sort of smiling while

0:40:45.560 --> 0:40:49.640
<v Speaker 1>telling her it was that was tough to the whole

0:40:49.680 --> 0:40:54.920
<v Speaker 1>that was tough. You know, they cast a guy David

0:40:54.960 --> 0:40:58.759
<v Speaker 1>Suckcliffe is such a nice, likable guy, right, so they

0:40:58.760 --> 0:41:00.759
<v Speaker 1>had to have a guy like that and put all

0:41:00.800 --> 0:41:03.640
<v Speaker 1>of those pots on him. I mean, just he's awful.

0:41:04.360 --> 0:41:12.479
<v Speaker 1>He's just I'm like obsessed with him. That tank top.

0:41:12.560 --> 0:41:14.960
<v Speaker 1>I know, I'm gonna come back to it. I don't

0:41:14.960 --> 0:41:16.400
<v Speaker 1>know what I'm talking. You can plug your ears if

0:41:16.400 --> 0:41:19.319
<v Speaker 1>you have to. He's in the bedroom, not you, Riley.

0:41:23.160 --> 0:41:29.200
<v Speaker 1>Wait wait, wait, oh, he's in that white tank top

0:41:29.320 --> 0:41:31.440
<v Speaker 1>in the bedroom, and he just looks so cute. And

0:41:31.480 --> 0:41:33.360
<v Speaker 1>I thought myself, I couldn't even stare at his face.

0:41:33.600 --> 0:41:36.160
<v Speaker 1>I just was staring at the tank top, like his arms,

0:41:36.200 --> 0:41:42.320
<v Speaker 1>and it's like I just, oh, I love him. Um.

0:41:42.360 --> 0:41:46.600
<v Speaker 1>So let's move on to so I think we, uh,

0:41:47.000 --> 0:41:50.080
<v Speaker 1>we kind of talked that to death, Um, didn't we,

0:41:50.560 --> 0:41:54.279
<v Speaker 1>because now we're focusing on body parts. That's that's when,

0:41:54.320 --> 0:41:57.319
<v Speaker 1>you know. But it's like, come on, well, let's get

0:41:57.360 --> 0:42:00.160
<v Speaker 1>to the most important. The two scenes that are the

0:42:00.239 --> 0:42:03.799
<v Speaker 1>most important. I feel We'll go ahead. What do you

0:42:03.800 --> 0:42:06.800
<v Speaker 1>think they were Luke and Jess and Lori and Jess.

0:42:09.080 --> 0:42:11.440
<v Speaker 1>The Luke and Jess scene I think was the best

0:42:11.480 --> 0:42:16.239
<v Speaker 1>scene that I have done in the in the first

0:42:16.280 --> 0:42:20.319
<v Speaker 1>two seasons. I can't argue with you. And I have

0:42:20.520 --> 0:42:25.120
<v Speaker 1>to give the credit to Amy for directing it in

0:42:25.160 --> 0:42:28.520
<v Speaker 1>such a way. I mean, it was beautifully lit, she

0:42:28.640 --> 0:42:32.600
<v Speaker 1>knew where to put the camera. Um, the editing was

0:42:33.200 --> 0:42:36.520
<v Speaker 1>just top notch. It was a really great scene. It's like,

0:42:36.520 --> 0:42:39.840
<v Speaker 1>because we all think of my low now, knowing how

0:42:39.960 --> 0:42:43.600
<v Speaker 1>much work he's done. You know, this is us and

0:42:43.840 --> 0:42:46.200
<v Speaker 1>whatever that show was called where they had special powers

0:42:46.239 --> 0:42:49.440
<v Speaker 1>and heroes heroes, so it's like we're thinking about this

0:42:49.560 --> 0:42:53.279
<v Speaker 1>seasoned actor, but at the time, like he's doing those

0:42:53.280 --> 0:42:56.759
<v Speaker 1>scenes and he's just like a young kid. He was

0:42:56.920 --> 0:43:00.080
<v Speaker 1>very vulnerable in this scene, but it was one not

0:43:00.160 --> 0:43:04.000
<v Speaker 1>too vulnerable, right, you know what I mean. Jes slipped

0:43:04.000 --> 0:43:09.040
<v Speaker 1>back the bad boys even pack my stuff, so we see,

0:43:09.200 --> 0:43:13.120
<v Speaker 1>we see how I'm manipulative he can be. And he's

0:43:13.200 --> 0:43:15.319
<v Speaker 1>just got his hat in his hand and he has

0:43:15.400 --> 0:43:18.400
<v Speaker 1>nowhere else to turn. And how do you say, pretend

0:43:18.400 --> 0:43:21.600
<v Speaker 1>I'm some actor expert, which I'm not, But would you

0:43:21.719 --> 0:43:24.799
<v Speaker 1>call that the reason that was so good is the

0:43:24.800 --> 0:43:28.520
<v Speaker 1>word nuanced? Like it was. That's what it's all about,

0:43:29.560 --> 0:43:32.560
<v Speaker 1>both of you, and I get why your behavior it's

0:43:32.680 --> 0:43:36.200
<v Speaker 1>it comes down to behavior, yes, and I know that's

0:43:36.239 --> 0:43:39.239
<v Speaker 1>what acting. That's what good acting is as behavior. What's

0:43:39.719 --> 0:43:43.640
<v Speaker 1>how what is your behavior in any given moment? Right?

0:43:43.680 --> 0:43:47.000
<v Speaker 1>How are you listening in the scene? How does what

0:43:47.080 --> 0:43:49.920
<v Speaker 1>the other person is saying and feeling? How does it

0:43:49.960 --> 0:43:56.160
<v Speaker 1>impact you? And how behaviorally will you physicalize that cycle?

0:43:56.520 --> 0:43:59.560
<v Speaker 1>Also psychologically with a look in the eye. So everything

0:44:00.040 --> 0:44:03.600
<v Speaker 1>were buddies, Yeah, okay, real life, Oh, in real life,

0:44:03.840 --> 0:44:06.120
<v Speaker 1>I have In real life, I had this like weird

0:44:06.160 --> 0:44:09.520
<v Speaker 1>takeaway from that scene. Afterwards, I was like, oh my god,

0:44:09.880 --> 0:44:12.440
<v Speaker 1>Luke is so happy. It's like a part of him

0:44:12.520 --> 0:44:15.520
<v Speaker 1>is being filled back up again that was missing, and

0:44:15.600 --> 0:44:19.239
<v Speaker 1>he like, in a weird way, needs he needs Jess

0:44:19.280 --> 0:44:21.319
<v Speaker 1>just as much as Jess needs Luke, like they need

0:44:21.360 --> 0:44:24.880
<v Speaker 1>each other to go through life with. I don't know,

0:44:24.960 --> 0:44:27.799
<v Speaker 1>like there's just this bond and seeing that like it

0:44:27.920 --> 0:44:30.759
<v Speaker 1>come back together. You can see how genuinely happy Luke

0:44:30.960 --> 0:44:34.640
<v Speaker 1>is about that. Mm hmm. Yeah, he feels like he's

0:44:34.640 --> 0:44:37.040
<v Speaker 1>screwed it up. He probably takes a lot of responsibility

0:44:37.080 --> 0:44:40.840
<v Speaker 1>for that and he wants another chance, and so does Jess.

0:44:42.320 --> 0:44:44.360
<v Speaker 1>How he needs it, you know, it's his life. I

0:44:44.360 --> 0:44:47.960
<v Speaker 1>have an acting question, um, just when if you're doing

0:44:47.960 --> 0:44:50.600
<v Speaker 1>a scene with somebody and you just can't get there,

0:44:50.920 --> 0:44:53.560
<v Speaker 1>like I can't connect, Like how do you get yourself

0:44:53.600 --> 0:44:55.960
<v Speaker 1>to to make it to that place where it's believable?

0:44:56.960 --> 0:45:03.360
<v Speaker 1>Smack him? You will connect with me, you know, like yourself,

0:45:03.520 --> 0:45:05.160
<v Speaker 1>like do you like do you do you have any

0:45:05.160 --> 0:45:08.360
<v Speaker 1>like you think I'm kidding, I'm not what do you

0:45:08.440 --> 0:45:10.080
<v Speaker 1>have any like rituals or something that you would tell

0:45:10.120 --> 0:45:14.240
<v Speaker 1>yourself to like get there. I never had that problem

0:45:14.280 --> 0:45:18.080
<v Speaker 1>on Gilmore Girls. No, those were those whore I mean

0:45:18.120 --> 0:45:20.320
<v Speaker 1>that was a gift. Every day. You were always working

0:45:20.320 --> 0:45:25.200
<v Speaker 1>with somebody on a very high caliber talent who knew

0:45:25.239 --> 0:45:28.279
<v Speaker 1>really knew their craft. So it was never about that.

0:45:28.320 --> 0:45:30.279
<v Speaker 1>I've done other shows where it was like, you know,

0:45:30.280 --> 0:45:32.480
<v Speaker 1>you had to slap me. I never slapt anybody. I'm

0:45:32.520 --> 0:45:36.600
<v Speaker 1>just kidding, but you want to because like wake the

0:45:36.760 --> 0:45:38.680
<v Speaker 1>f up man to get it in the scene. You're

0:45:39.120 --> 0:45:41.520
<v Speaker 1>Sometimes people get too much in their head because they

0:45:41.600 --> 0:45:43.680
<v Speaker 1>over analyze and they think about stuff too much. And

0:45:43.680 --> 0:45:45.920
<v Speaker 1>that's good to do and rehearsal. It's good to do

0:45:46.000 --> 0:45:49.359
<v Speaker 1>while you're preparing the work. But once the cameras rolling

0:45:49.360 --> 0:45:51.560
<v Speaker 1>and they say action, man, just let it fly. Just

0:45:51.640 --> 0:45:54.239
<v Speaker 1>trust the research that you've done, trust to work and

0:45:54.320 --> 0:45:56.840
<v Speaker 1>just listen and go and just you know, a lot

0:45:56.880 --> 0:45:58.759
<v Speaker 1>of people think that was one of the I think

0:45:58.800 --> 0:46:03.759
<v Speaker 1>that was the best scene you've done or up there,

0:46:03.800 --> 0:46:06.720
<v Speaker 1>because you know what when he starts to walk away

0:46:07.239 --> 0:46:12.600
<v Speaker 1>and Luke says she's not home, she's not home, and

0:46:12.640 --> 0:46:15.600
<v Speaker 1>he tries, you know what, he says, they're doing good.

0:46:15.800 --> 0:46:19.879
<v Speaker 1>He's trying to protect Jess, like of course he's trying

0:46:19.920 --> 0:46:23.360
<v Speaker 1>to protect Rory. He's trying to protect Jezz Like, I

0:46:23.440 --> 0:46:24.880
<v Speaker 1>know you're going to go there. I don't want you

0:46:24.920 --> 0:46:28.960
<v Speaker 1>to be hurt by this. Those two Luke scenes, want

0:46:28.960 --> 0:46:31.440
<v Speaker 1>the one with Laurel lay and the Word's Luco and

0:46:31.719 --> 0:46:36.240
<v Speaker 1>the Jess Lulu. I think that encapsulates Luke, Lockstock and Barrel.

0:46:36.320 --> 0:46:39.080
<v Speaker 1>That's all you need to know about that character. Watch

0:46:39.120 --> 0:46:41.520
<v Speaker 1>those two scenes. That's so you know how you always

0:46:41.520 --> 0:46:43.160
<v Speaker 1>talked about the Emmy's and how like you guys never

0:46:43.200 --> 0:46:46.520
<v Speaker 1>got nominated, Like I would have submitted those two scenes. Yeah,

0:46:46.719 --> 0:46:49.520
<v Speaker 1>I was thinking the same thing when I said that

0:46:49.600 --> 0:46:51.560
<v Speaker 1>would have been the one that I think we did

0:46:51.600 --> 0:46:54.560
<v Speaker 1>submit that scene. Then the Emmy's got them a new one.

0:46:56.800 --> 0:47:01.040
<v Speaker 1>Not a chance, but yeah, I mean that scene she's

0:47:01.080 --> 0:47:05.960
<v Speaker 1>not home. It's just like he knows and he's and

0:47:06.120 --> 0:47:10.839
<v Speaker 1>Jess doesn't turn around. You're like they're doing good, and

0:47:10.880 --> 0:47:12.719
<v Speaker 1>basically he's saying like, I don't want you to be

0:47:12.800 --> 0:47:15.239
<v Speaker 1>back and just get hurt and don't hurt her, but

0:47:15.280 --> 0:47:18.040
<v Speaker 1>I don't want you to be her. No, you love her,

0:47:18.440 --> 0:47:23.120
<v Speaker 1>I know whatever? You like him? Poor kid? And then oh,

0:47:23.280 --> 0:47:28.200
<v Speaker 1>you guys, were you looking for Dean at the to

0:47:28.480 --> 0:47:31.840
<v Speaker 1>walk come out behind from behind a tree she was

0:47:31.920 --> 0:47:34.880
<v Speaker 1>kissing Jess. Was that a great I was? I was

0:47:34.880 --> 0:47:39.400
<v Speaker 1>waiting for Dan to just waiting for Dan to somehow

0:47:39.600 --> 0:47:42.319
<v Speaker 1>have watched it like he was upside down on the

0:47:42.400 --> 0:47:47.439
<v Speaker 1>branch and he lowered himself. So I have to ask you, guys,

0:47:47.520 --> 0:47:50.520
<v Speaker 1>what did you what did you were you expecting it?

0:47:50.600 --> 0:47:53.080
<v Speaker 1>What did you think when she kissed him? I was

0:47:53.120 --> 0:47:58.040
<v Speaker 1>not expecting that. That was really you know, that was

0:47:58.120 --> 0:48:02.279
<v Speaker 1>really a great moment. You know when they can surprise you.

0:48:03.360 --> 0:48:06.440
<v Speaker 1>That surprised me and I thought it was terrific. I

0:48:06.480 --> 0:48:09.799
<v Speaker 1>loved it because it's just it's just you know what

0:48:09.880 --> 0:48:15.400
<v Speaker 1>I said after that, I said, ah, young love. And

0:48:15.440 --> 0:48:19.480
<v Speaker 1>then she says welcome home, right, which was so important

0:48:19.480 --> 0:48:23.239
<v Speaker 1>because she freaked I can't. And then so he's sort

0:48:23.239 --> 0:48:26.359
<v Speaker 1>of disappointed, like oh no, she starts to run away

0:48:26.360 --> 0:48:29.480
<v Speaker 1>and she says welcome home, and he knows, like, you know,

0:48:30.560 --> 0:48:33.640
<v Speaker 1>such a stark contrast. And I talked about this before,

0:48:33.680 --> 0:48:37.720
<v Speaker 1>but if you listen to Paris's speech, her election speech,

0:48:38.440 --> 0:48:41.720
<v Speaker 1>it was actually unhealthy to to listen to. It makes

0:48:41.719 --> 0:48:44.200
<v Speaker 1>you tense, it makes you anxious, it makes you you

0:48:44.280 --> 0:48:47.000
<v Speaker 1>know what I mean. And then you go to Rory

0:48:47.120 --> 0:48:50.760
<v Speaker 1>and she's just that's healthy because she's relaxed and she's vulnerable,

0:48:50.800 --> 0:48:53.200
<v Speaker 1>and she's sweet, she's pleasant, she's all heard, you know,

0:48:53.760 --> 0:48:57.640
<v Speaker 1>and soul. It's it's interesting. I think this show that's

0:48:57.680 --> 0:49:00.200
<v Speaker 1>why I think these people come to these conventions ends

0:49:00.239 --> 0:49:03.000
<v Speaker 1>and they're so great and they're so nervous and they're

0:49:03.080 --> 0:49:05.560
<v Speaker 1>just like, oh my, you know, and it's just it's

0:49:05.680 --> 0:49:10.520
<v Speaker 1>it's like shocking and it's wonderful because there this show

0:49:10.719 --> 0:49:13.560
<v Speaker 1>actually and I don't want to get to whacko about this,

0:49:13.640 --> 0:49:18.000
<v Speaker 1>but this show actually heals people. It has healing qualities totally.

0:49:18.200 --> 0:49:21.200
<v Speaker 1>It does these characters and I'm not talking about Luke.

0:49:21.239 --> 0:49:24.160
<v Speaker 1>I'm talking about you know, the Roorries oralizes, the sukis

0:49:24.280 --> 0:49:26.600
<v Speaker 1>the just the tone of the whole thing. It's it's

0:49:27.160 --> 0:49:30.960
<v Speaker 1>you could be in a really sad mood. I could

0:49:30.960 --> 0:49:33.640
<v Speaker 1>say bad mood, sad mood, and you watch this show

0:49:33.640 --> 0:49:37.359
<v Speaker 1>and you're like, I feel better, Yeah, I watch I

0:49:37.440 --> 0:49:43.279
<v Speaker 1>watched Gilmore Girls for medicinal purposes. You know, yeah, my

0:49:43.400 --> 0:49:46.239
<v Speaker 1>doctor recommended four out of five doctors recommend. You know,

0:49:46.520 --> 0:49:49.400
<v Speaker 1>I mean I I when the when the credits rolled,

0:49:49.480 --> 0:49:51.080
<v Speaker 1>I was like on a total high. I was like,

0:49:51.120 --> 0:49:55.520
<v Speaker 1>you know what, that was an awesome hour and what wow?

0:49:56.000 --> 0:50:00.359
<v Speaker 1>My notes say, wow wow wow wow wow wow wow

0:50:00.400 --> 0:50:05.680
<v Speaker 1>wow wow wow. And you get the huge laughs from Unique,

0:50:05.719 --> 0:50:11.040
<v Speaker 1>not Yunick, not Tonic, Unique Unique, and you know he

0:50:11.080 --> 0:50:14.479
<v Speaker 1>gives you the huge lap and then Suki flipping out,

0:50:14.600 --> 0:50:19.120
<v Speaker 1>and then you know, Emily has never been better. How

0:50:19.160 --> 0:50:21.840
<v Speaker 1>great was Emily when she showed up at the wedding

0:50:22.280 --> 0:50:25.919
<v Speaker 1>and said that's how we rise above. It's called rising above.

0:50:26.000 --> 0:50:30.120
<v Speaker 1>I mean that whole speech, she just say I'll be

0:50:30.200 --> 0:50:32.600
<v Speaker 1>damned six times. I was like, I'm gonna watch it again.

0:50:32.920 --> 0:50:40.520
<v Speaker 1>I'll be damn you did you love Richard when he said,

0:50:40.520 --> 0:50:43.759
<v Speaker 1>well I'll join You'll see what kind of scotch their

0:50:43.880 --> 0:50:46.480
<v Speaker 1>servant here? You know, he's rubbing his hands toge. He

0:50:46.600 --> 0:50:56.160
<v Speaker 1>can't wait to get plowed. Let's talk about the scene

0:50:56.160 --> 0:51:00.440
<v Speaker 1>where postcoital scene where Larela comes into the kitchen and

0:51:00.520 --> 0:51:03.080
<v Speaker 1>Suki is freaking out. She's in her wedding dress, she's

0:51:03.080 --> 0:51:05.560
<v Speaker 1>got her apron on, she's taking out the flowers because

0:51:05.560 --> 0:51:08.680
<v Speaker 1>she thinks Jackson will think it's silly, and she's nervous

0:51:08.680 --> 0:51:12.400
<v Speaker 1>that she's second guessing it. She doesn't want to be divorced.

0:51:12.520 --> 0:51:15.600
<v Speaker 1>And you know, now she's you know, she's she's it's

0:51:15.600 --> 0:51:18.479
<v Speaker 1>actually hitting her at this point. How did you guys feel?

0:51:18.560 --> 0:51:20.560
<v Speaker 1>I thought it was a wonderful scene because it really

0:51:20.560 --> 0:51:23.080
<v Speaker 1>showed just what great friends they are and what great

0:51:23.120 --> 0:51:25.239
<v Speaker 1>people they are. And it's a great way for lore

0:51:25.320 --> 0:51:28.080
<v Speaker 1>La to have to tell Suki what happened with Christopher,

0:51:28.080 --> 0:51:30.560
<v Speaker 1>because she's like something to distract me, and she's like,

0:51:30.880 --> 0:51:34.680
<v Speaker 1>I might have something, Yes, I might have something indeed, yeah,

0:51:34.760 --> 0:51:40.000
<v Speaker 1>And and wasn't Melissa. Her reactions were so greatly Oh really,

0:51:40.160 --> 0:51:43.279
<v Speaker 1>you know, the cake and the dress he gave us

0:51:43.320 --> 0:51:44.879
<v Speaker 1>that moment because we're not going to get it later

0:51:45.280 --> 0:51:48.600
<v Speaker 1>to see the cake and the dress, right, right, We

0:51:48.640 --> 0:51:50.920
<v Speaker 1>did see the cake at the wedding, but not the dress.

0:51:51.560 --> 0:51:55.239
<v Speaker 1>Oh you did when they saw Jackson come out, we

0:51:55.280 --> 0:51:58.400
<v Speaker 1>never saw, right. But that was a wonderful scene between

0:51:58.440 --> 0:52:04.080
<v Speaker 1>two very close friends. I mean, just just wonderful, wonderful stuff. Um.

0:52:04.120 --> 0:52:08.200
<v Speaker 1>And I think that's that's the heart and soul the show.

0:52:08.400 --> 0:52:12.600
<v Speaker 1>That's the feeling of the show. And I think you know,

0:52:12.719 --> 0:52:15.640
<v Speaker 1>Suki is a big character in the show. I mean,

0:52:15.719 --> 0:52:19.279
<v Speaker 1>she's just really there's such weight there, you know. I

0:52:19.280 --> 0:52:22.880
<v Speaker 1>mean she's really just so incredibly talented and so vulnerable

0:52:23.400 --> 0:52:28.560
<v Speaker 1>and so sweet and my god, she's so fragile and

0:52:28.719 --> 0:52:31.000
<v Speaker 1>yet at the same time tough as nails, like don't

0:52:31.000 --> 0:52:33.360
<v Speaker 1>mess it. But I mean, what a great base to

0:52:33.440 --> 0:52:36.640
<v Speaker 1>come from, you know, open hearted, vulnerable, be able to

0:52:36.719 --> 0:52:39.440
<v Speaker 1>do anything. And what a great finale to get to

0:52:39.760 --> 0:52:43.959
<v Speaker 1>have a thing to get everybody together. So we've got

0:52:44.000 --> 0:52:46.440
<v Speaker 1>them singing by the piano when they're talking about like,

0:52:46.520 --> 0:52:49.279
<v Speaker 1>oh watch out Dean, when that BET's got a couple

0:52:49.280 --> 0:52:53.840
<v Speaker 1>of drinks, you know, like those reasons to bring everybody,

0:52:54.560 --> 0:53:00.720
<v Speaker 1>poor Deane being led to the slaughter once again every

0:53:00.760 --> 0:53:06.360
<v Speaker 1>time he said its best. It's like, but how funny

0:53:06.480 --> 0:53:10.120
<v Speaker 1>was Kirk singing at the by the piano? Come on?

0:53:10.800 --> 0:53:14.400
<v Speaker 1>They had a bunch of great moments. Um. Yeah, but

0:53:14.440 --> 0:53:17.000
<v Speaker 1>I love it. It's like the town hall meetings. I

0:53:17.040 --> 0:53:20.960
<v Speaker 1>love all the scenes when everyone's there, right, But there's

0:53:20.960 --> 0:53:24.520
<v Speaker 1>just there's just nothing like a wedding. I mean, it's

0:53:24.520 --> 0:53:28.680
<v Speaker 1>the it's the soul of of it's it's you know,

0:53:28.719 --> 0:53:31.719
<v Speaker 1>it's the essence of life. There's two people embarking on

0:53:31.760 --> 0:53:34.640
<v Speaker 1>a journey, a lifelong journey, and and I mean it

0:53:34.760 --> 0:53:39.080
<v Speaker 1>is it's evolution, it's it's nature at play and working

0:53:39.120 --> 0:53:41.680
<v Speaker 1>through human being. I mean, it's all these all this stuff,

0:53:41.719 --> 0:53:45.040
<v Speaker 1>and it's there's just that's why a lot of great

0:53:45.040 --> 0:53:48.000
<v Speaker 1>directors open their films with weddings. I mean, you know,

0:53:48.280 --> 0:53:51.600
<v Speaker 1>Michael Jamino, Francis Ford Coppola, I mean a lot of

0:53:51.640 --> 0:53:55.640
<v Speaker 1>classic films are open with weddings. Um, weddings are wonderful

0:53:55.680 --> 0:53:59.680
<v Speaker 1>things to it to witness on film. They really it

0:53:59.760 --> 0:54:03.640
<v Speaker 1>gave so many opportunities to see different you know, We've

0:54:03.680 --> 0:54:06.600
<v Speaker 1>got that Christopher and lor La High and they have

0:54:06.719 --> 0:54:09.759
<v Speaker 1>that kiss and she tells Emily, and then suddenly the

0:54:09.800 --> 0:54:12.680
<v Speaker 1>phone and we have that scene with Rory and Christopher

0:54:12.760 --> 0:54:15.680
<v Speaker 1>having that moment. All this happened at the wedding, and

0:54:15.680 --> 0:54:18.239
<v Speaker 1>then we have the kiss with with Jess and it's

0:54:18.239 --> 0:54:20.640
<v Speaker 1>just like and then then we'll so let down. It's

0:54:20.640 --> 0:54:23.960
<v Speaker 1>just so many things happened. I think the lesson the

0:54:24.080 --> 0:54:27.919
<v Speaker 1>life lessons here to be learned from from Luke, from

0:54:28.000 --> 0:54:31.759
<v Speaker 1>Christopher and lor La are, no matter how well intentioned

0:54:32.200 --> 0:54:34.120
<v Speaker 1>you are, no matter how young you are, know how to,

0:54:34.560 --> 0:54:38.160
<v Speaker 1>No matter how innocent you are, choices matter, and the

0:54:38.239 --> 0:54:41.799
<v Speaker 1>choices that you make way back when will you know

0:54:41.960 --> 0:54:44.640
<v Speaker 1>spawn consequences the rest of your life. And now look

0:54:44.640 --> 0:54:47.239
<v Speaker 1>at Christopher, I mean, he's getting ground up. Do you

0:54:47.280 --> 0:54:49.480
<v Speaker 1>think Christopher wants to be in a situation where he's

0:54:49.520 --> 0:54:52.279
<v Speaker 1>got Sherry, who he's not so into anymore, and now

0:54:52.320 --> 0:54:55.840
<v Speaker 1>she's pregnant. That's going to be trying to do the

0:54:55.960 --> 0:54:59.719
<v Speaker 1>right and too late. He should have done the right

0:54:59.760 --> 0:55:02.640
<v Speaker 1>thing back then and he realizes it. And what do

0:55:02.680 --> 0:55:04.799
<v Speaker 1>you think the chances are Sherry and Christopher are going

0:55:04.800 --> 0:55:09.640
<v Speaker 1>to be together forever? Yeah? Right, Yeah, that's tough because

0:55:09.640 --> 0:55:13.680
<v Speaker 1>there's so much pressure now on the other side he's tough, tough.

0:55:14.080 --> 0:55:16.239
<v Speaker 1>It's tough being Christopher. I mean, you can look good

0:55:16.239 --> 0:55:18.640
<v Speaker 1>in your T shirt all day, but man, that's that's

0:55:18.680 --> 0:55:21.080
<v Speaker 1>that's a tough slog being that guy. Man, I will

0:55:21.120 --> 0:55:25.880
<v Speaker 1>say I have confidence in saying that this is the

0:55:26.080 --> 0:55:31.600
<v Speaker 1>end of Christopher and Lorela, Like this is what is it? Really? Okay? No?

0:55:31.960 --> 0:55:35.759
<v Speaker 1>Like he won't come back again in season? Shoot? Did

0:55:35.800 --> 0:55:44.640
<v Speaker 1>he come back? Everyone listening is literally did you say

0:55:44.680 --> 0:55:47.360
<v Speaker 1>he won't come back until when? No? I feel like

0:55:47.360 --> 0:55:50.360
<v Speaker 1>this is just the end, like he's he's done for

0:55:51.239 --> 0:55:54.720
<v Speaker 1>Oh no, he comes back? Damn it be more wrong.

0:55:54.960 --> 0:55:57.200
<v Speaker 1>Sorry for all the people that are yelling at me

0:55:57.320 --> 0:56:01.279
<v Speaker 1>right now. I admire her confidence in it. She was,

0:56:01.320 --> 0:56:04.839
<v Speaker 1>so she's like, I am certain that he is. He's

0:56:04.920 --> 0:56:09.280
<v Speaker 1>gone now gone for good? Wait just damn? Oh god?

0:56:09.440 --> 0:56:11.960
<v Speaker 1>I mean you guys are gonna replay this clip whenever?

0:56:12.280 --> 0:56:14.520
<v Speaker 1>Oh yes, Riley, can you make a note of this

0:56:14.680 --> 0:56:17.839
<v Speaker 1>very episode so we can just burn her later. Man,

0:56:19.200 --> 0:56:21.640
<v Speaker 1>that's the beauty. You can't predict what's going to happen

0:56:21.680 --> 0:56:26.000
<v Speaker 1>on this show. You really can't. Very surprising. But all right,

0:56:26.040 --> 0:56:29.160
<v Speaker 1>So that's that was one heck of a before we go,

0:56:29.320 --> 0:56:30.960
<v Speaker 1>I had one more pop culture thing that I have

0:56:31.000 --> 0:56:36.600
<v Speaker 1>to bring up in this episode. Did anybody else do this? When?

0:56:37.760 --> 0:56:40.440
<v Speaker 1>So it's when layalizes in the like Scotch on the

0:56:40.520 --> 0:56:43.200
<v Speaker 1>Rocks pajamas and they're down in the kitchen and she

0:56:43.280 --> 0:56:45.200
<v Speaker 1>says something like I think she maybe says like I

0:56:45.239 --> 0:56:51.760
<v Speaker 1>had a dream and Roy says, Brad and Jen broke up. Oh.

0:56:52.800 --> 0:56:56.240
<v Speaker 1>I did not catch that. I would have school done this, dude,

0:56:56.280 --> 0:57:01.960
<v Speaker 1>that if I did, I wrote oh, with like five oh, agent,

0:57:02.120 --> 0:57:09.440
<v Speaker 1>I was like that aged well that Brad Pitt comment.

0:57:09.680 --> 0:57:17.880
<v Speaker 1>Just blasting through Hollywood, right, touching down every once in

0:57:17.920 --> 0:57:20.600
<v Speaker 1>a while. Will you give it ten out of ten?

0:57:21.600 --> 0:57:24.320
<v Speaker 1>Kind out of ten? I think so. I think this

0:57:24.400 --> 0:57:28.080
<v Speaker 1>was an excellent episode. It didn't hit you over the

0:57:28.160 --> 0:57:31.960
<v Speaker 1>head too hard with anything. Um Like you use that

0:57:32.040 --> 0:57:36.440
<v Speaker 1>word nuanced. I thought it was more nuanced than most episodes. Um,

0:57:36.520 --> 0:57:38.400
<v Speaker 1>not that the other ones aren't, but this one was

0:57:38.720 --> 0:57:42.400
<v Speaker 1>especially so um and there was just a lot of

0:57:42.440 --> 0:57:46.440
<v Speaker 1>celebrating and great feelings and it was very hopeful episode.

0:57:46.760 --> 0:57:49.920
<v Speaker 1>I think the thing I might Oh, I won't send

0:57:49.920 --> 0:57:52.360
<v Speaker 1>my favorite line yet, but the fashion I definitely want

0:57:52.360 --> 0:57:54.240
<v Speaker 1>that T shirt with the thirteen on it that said

0:57:54.280 --> 0:57:58.440
<v Speaker 1>strange each episode and braids. Did you guys notice that

0:57:58.600 --> 0:58:01.360
<v Speaker 1>braids are very in because not only does Paris always

0:58:01.360 --> 0:58:03.920
<v Speaker 1>wear that braid, her the person running against her for

0:58:04.000 --> 0:58:07.200
<v Speaker 1>president also wore a braid. I was like, but I thought,

0:58:07.280 --> 0:58:10.120
<v Speaker 1>maybe they do it too young up the actors, because

0:58:10.160 --> 0:58:12.400
<v Speaker 1>the actors are a little older, so they put braids

0:58:12.400 --> 0:58:14.760
<v Speaker 1>in their hair to make them look younger. I did

0:58:15.320 --> 0:58:19.240
<v Speaker 1>make one fashion note that for the first time in

0:58:19.320 --> 0:58:24.000
<v Speaker 1>history ever, Lorli and Rory's bridesmaid dresses were actually cute

0:58:24.720 --> 0:58:28.040
<v Speaker 1>and different. They weren't the same exact dress, same color,

0:58:28.240 --> 0:58:31.960
<v Speaker 1>different style. Yeah, but I was like, wow, okay, so

0:58:32.160 --> 0:58:38.960
<v Speaker 1>I found a few, uh what what can we call these? Yeah?

0:58:39.480 --> 0:58:45.640
<v Speaker 1>There were six. And there is a camera pans the right.

0:58:45.800 --> 0:58:49.240
<v Speaker 1>It looks beyond the gas station and you can see

0:58:49.280 --> 0:58:54.520
<v Speaker 1>the orange and white traffic barrier let's see, and a

0:58:54.760 --> 0:59:01.600
<v Speaker 1>real Warner Brothers security guard guarding the entrance to the

0:59:01.640 --> 0:59:04.720
<v Speaker 1>back lot. You can also see a white building with

0:59:04.800 --> 0:59:08.640
<v Speaker 1>green windows and a trailer with a green awning. And

0:59:08.880 --> 0:59:14.640
<v Speaker 1>those ladies and gentlemen are Warner Brothers production buildings and

0:59:14.800 --> 0:59:17.520
<v Speaker 1>not part of the set. Riley. Do you think somebody

0:59:17.520 --> 0:59:24.080
<v Speaker 1>could go to sixteen ten and another one is at

0:59:24.080 --> 0:59:31.200
<v Speaker 1>the very end. Okay at forty three, um noticed that

0:59:31.240 --> 0:59:40.960
<v Speaker 1>Suki and Jackson are using Luke's someone Got Married under

0:59:41.000 --> 0:59:47.520
<v Speaker 1>it after all? Right? Um? There is also a deleted

0:59:47.600 --> 0:59:52.800
<v Speaker 1>scene from this episode on YouTube. Rory wants to go

0:59:52.920 --> 0:59:57.200
<v Speaker 1>to miniature golfing after getting her cast off. So if

0:59:57.200 --> 1:00:02.000
<v Speaker 1>you want to go to YouTube and access that, you can, Yeah,

1:00:02.200 --> 1:00:04.600
<v Speaker 1>well done, sir. Well I you know I have a

1:00:04.600 --> 1:00:07.960
<v Speaker 1>production team too. I don't. I don't have this level

1:00:08.560 --> 1:00:12.720
<v Speaker 1>of of staff and power and money behind me, you know,

1:00:12.960 --> 1:00:15.120
<v Speaker 1>but I do now with you guys. But I have

1:00:15.200 --> 1:00:19.320
<v Speaker 1>a little I have some paper. They're they're doing some

1:00:19.400 --> 1:00:22.600
<v Speaker 1>work man there there. Yeah. They they love the show

1:00:22.600 --> 1:00:25.320
<v Speaker 1>and they noticed all these things like cheese. It gets

1:00:25.320 --> 1:00:37.280
<v Speaker 1>better with time. Boy with the poodles already is h Riley?

1:00:37.320 --> 1:00:41.000
<v Speaker 1>What's your favorite line? We talked about it, but when

1:00:41.120 --> 1:00:43.320
<v Speaker 1>Roy said, hey, I haven't been dressed by birds since

1:00:43.320 --> 1:00:49.040
<v Speaker 1>I was too Danielle the good old Emily, that's called

1:00:49.160 --> 1:00:52.000
<v Speaker 1>rising above it. But I will give you another one

1:00:52.040 --> 1:00:54.400
<v Speaker 1>since I was already said. Um. This was in between

1:00:54.440 --> 1:00:59.520
<v Speaker 1>Laura Lee and Suki with the whole cake thing. Um uh, Laura,

1:00:59.560 --> 1:01:02.480
<v Speaker 1>I goes you get some sleep, and Suky goes and

1:01:02.680 --> 1:01:10.840
<v Speaker 1>you go get sun. Um mine was just Jannie saying

1:01:10.840 --> 1:01:14.200
<v Speaker 1>goodbye the way the way he just cut off and

1:01:14.240 --> 1:01:19.800
<v Speaker 1>say goodbye. Laugh. I laughed so loud. That guy makes

1:01:19.840 --> 1:01:22.919
<v Speaker 1>me laugh so much because he's so precise, he's so

1:01:22.960 --> 1:01:25.560
<v Speaker 1>good at what he does. He's such a good actor,

1:01:26.280 --> 1:01:30.240
<v Speaker 1>you know, and I mean you just it was just genius.

1:01:31.120 --> 1:01:33.120
<v Speaker 1>List is like fifty people and he's like, I might

1:01:33.160 --> 1:01:35.480
<v Speaker 1>have to get a sucking sheet of paper. Like he's

1:01:35.560 --> 1:01:39.960
<v Speaker 1>just like, yeah, I got this. Thanks. Yeah. So anyway,

1:01:41.560 --> 1:01:45.360
<v Speaker 1>oh god he is. Um anyway, I think that's gonna

1:01:45.400 --> 1:01:49.280
<v Speaker 1>wrap it up episode two. Season finale. Can't get started,

1:01:49.960 --> 1:01:51.760
<v Speaker 1>and you don't have to wait three months for us

1:01:51.800 --> 1:01:54.439
<v Speaker 1>to do season three. Sure don't. We're gonna be back

1:01:54.480 --> 1:01:57.880
<v Speaker 1>next week. We're gonna come at you. Um So, anyway,

1:01:57.960 --> 1:02:01.560
<v Speaker 1>thank you ladies. Uh, I really enjoyed this episode. I

1:02:01.600 --> 1:02:07.880
<v Speaker 1>really enjoyed our discussion. Danielle Romo, Riley pelusis Amy Sugarman

1:02:08.560 --> 1:02:11.760
<v Speaker 1>and that's gonna be a rap on season two. Thanks everybody,

1:02:12.680 --> 1:02:19.080
<v Speaker 1>best fans on the planet. Um I love you, and

1:02:19.520 --> 1:02:22.400
<v Speaker 1>keep those cards and letters coming, those comments and those emails,

1:02:23.080 --> 1:02:55.400
<v Speaker 1>and stay safe. We'll see you next time. Hey, everybody,

1:02:55.440 --> 1:02:58.760
<v Speaker 1>and don't forget Follow us on Instagram at I Am

1:02:58.840 --> 1:03:02.760
<v Speaker 1>all In Podcast, asked an email us at Gilmore at

1:03:02.760 --> 1:03:06.240
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1:03:06.240 --> 1:03:08.160
<v Speaker 1>you're looking for the best cup of coffee in the world,

1:03:08.240 --> 1:03:12.200
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1:03:12.320 --> 1:03:14.480
<v Speaker 1>S C O T T y P dot com, scott

1:03:14.480 --> 1:03:27.480
<v Speaker 1>ep dot com Grade one Specialty Coffee. Yeah.