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Speaker 1: Yeah, Yeah, what up, y'all? This is sat Yoe, it's

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Speaker 1: your boy Jaden kiss. You know what it is that

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Speaker 1: Joe and Jaden show, every show legendary, every show icony.

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Speaker 2: This is the evergreen version of both of those. Let

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Speaker 2: me tell you something, the biggest in the motherfucking globe.

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Speaker 2: Don't let nobody fuck and tell you anything else. We

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Speaker 2: got everybody back paddling, everybody changing up.

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Speaker 3: How they doing?

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Speaker 2: You know these podcasts, they're changing up telling stories now

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Speaker 2: about the time, like they're changing the whole swagging their ship.

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Speaker 2: But they still got dingy black T shirts on. They

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Speaker 2: ain't got the fly ship on. Sure they ain't throwing

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Speaker 2: that ship on. Jay Jada, I ran, I ran, it's

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Speaker 2: you on Fifth Avenue the over there, the cars just pass.

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Speaker 3: You know, he was doing a little browsing, spend a

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Speaker 3: couple of thousands. I love that shit. You love it? Huh?

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Speaker 2: I love it too. Every time I got a little

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Speaker 2: extra dollar, I just want to go. You know what

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Speaker 2: I'm saying, Get fly, get fresh.

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Speaker 3: You know what I'm saying. That's my shit right there.

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Speaker 2: Joe and Jada, we dictating the whole podcast game. If

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Speaker 2: we listen to your record it's your new single. If

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Speaker 2: we talk that shit, it is what it is. Viral mania, man,

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Speaker 2: I mean, this is what it is. I just like

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Speaker 2: to be relevant, talk about shit that means something to somebody.

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Speaker 2: When you got top dead or alive, Top five dead

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Speaker 2: or alive, and you got Joe Crackhead.

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Speaker 3: Oh you fucking can't lose.

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Speaker 2: Can't lose, And so today we want to do whateveren

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Speaker 2: meaning you know, we don't need a guess, we don't

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Speaker 2: need none of that tell you the truth. Some of

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Speaker 2: our well, we love all our guests. For some of

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Speaker 2: our greatest shows have been just me and you discussing

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Speaker 2: hip hop. Because we've been around since day one. You

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Speaker 2: know I was you know you've been around.

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Speaker 3: Since day No, No, I've been around. I've been since

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Speaker 3: day three or four. You've been. I've been around since

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Speaker 3: day two you think two? Right, since yay two? Day one.

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Speaker 2: I was just a kid, the baby watching him do it.

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Speaker 2: But I watched him do it. Ruby Deeve grew up

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Speaker 2: around the corner. First Latino MC. He was shot down

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Speaker 2: the blot. No, no, he was in Fantastic Romantic five

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Speaker 2: shot Rock.

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Speaker 3: The first female MC.

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Speaker 1: What's the name of the legendary movie Man, wild Stuff,

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Speaker 1: Wow Stuff, Movie Di is in that and they battling

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Speaker 1: with Charlie Chase and Cold Crush, grand Master Cas and them.

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Speaker 3: Yeah, Ruby D's in there.

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Speaker 2: But what I'm trying to take my neighborhood, Melly Male,

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Speaker 2: grand Master Flash, all of them.

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Speaker 3: You know, I felt like, guys.

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Speaker 2: Wasn't doing this right, like we you know, what is

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Speaker 2: the reason why when we watched and t You see

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Speaker 2: Charles Barkley, you see Shaquille O'Neill, you see Kenny Smith.

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Speaker 2: These are all legendary figures that have been through everything

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Speaker 2: in the basketball game. So I said, yo, me and

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Speaker 2: Jada got to get into this. The subject we came

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Speaker 2: up with today, it's a legendary subject. Is artists other

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Speaker 2: religious argument another religious Hey, that's what it's about. You know,

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Speaker 2: me growing up even more than growing up, even when

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Speaker 2: I was in the streets, we would break night just

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Speaker 2: argueing about who's the greatest rapper, who got the best bars,

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Speaker 2: who got shot out?

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Speaker 3: My boys shop.

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Speaker 2: We used to go to one forty eight and he

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Speaker 2: used to like day and to day and I used

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Speaker 2: to like slick Rick. That's just normal shit in the hoods.

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Speaker 2: So today I don't think it's a debate or nothing

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Speaker 2: like that. But we're thinking about the best debut albums

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Speaker 2: from an artist.

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Speaker 1: Whoa best debut albums from an art artist, not groups artists,

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Speaker 1: not artists.

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Speaker 3: It could be whatever, but it's really really it could

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Speaker 3: be grouped. It's my art and being forever. You could

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Speaker 3: be here.

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Speaker 2: We can be here forever because Illmatic might be the

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Speaker 2: best piece of art ever made in hip hop records.

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Speaker 3: Nas Illmatic pure hip hop that tates my life. What

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Speaker 3: was it like? It was written better?

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Speaker 2: You know, I got which the barber says the same thing,

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Speaker 2: which the barber says the same I did.

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Speaker 1: Something to my soul, but it was written did something

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Speaker 1: to my blood stream.

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Speaker 3: That's the second album. It was feel like it was written.

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Speaker 2: It was like it to me, Illmatic just just changed

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Speaker 2: the whole game, change how everybody was rapping. You know,

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Speaker 2: Na's coming from a legendary project like Query under mc

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Speaker 2: shan and Mally mal and all these guys, and then

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Speaker 2: it gave you a modern day glimpse at the time

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Speaker 2: of what Queensbridge was about. And so to me, you know,

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Speaker 2: well that's crazy because you know I got some friends

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Speaker 2: who say, man, but I ain't King of Rat the

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Speaker 2: King of Rock debut album nineteen eighty four.

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Speaker 3: King of Rock, Run DMC taught us how to dress.

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Speaker 2: Uh, they with the Blazers, with their didas they had

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Speaker 2: the first endorsement ever.

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Speaker 3: You know what doors that come back.

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Speaker 2: You know what's crazy is I remember when we get

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Speaker 2: the fiftieth anniversary in Yankee Stadium. I felt like they

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Speaker 2: did him wrong because they made them close even though

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Speaker 2: it's run DMC, because it was like late.

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Speaker 3: They started like two in the morning.

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Speaker 1: Took that show down to two days and one day

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Speaker 1: should have been been No ainybody happened? I agree, boy,

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Speaker 1: I gotta wait there, Audien. I mean man, when Rudy

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Speaker 1: was on the show, I was on the sprint watching it.

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Speaker 1: When run DMC came out and it was like the

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Speaker 1: Kings of Raw.

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Speaker 2: You knew that this was like you two rolling Stones,

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Speaker 2: the Legends of All Legends, the Blueprint that this on

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Speaker 2: on and on on. I was watching it like a

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Speaker 2: little kid. I performed already. I went upstairs with my family.

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Speaker 2: I was like, Yo, this is unlike I can't believe.

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Speaker 2: Oh they made music like this, and I could tell you.

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Speaker 2: I was in junior high school and at the time

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Speaker 2: the Treacherous Three, they had that lights. Camera asked me

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Speaker 2: cool with the ax shunk come come up, and everybody

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Speaker 2: was rocking to dad at a talent show. I was

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Speaker 2: at a talent show, you know. I sung John Hall

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Speaker 2: and what is it? John Alles? I sung on stage

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Speaker 2: she only come out and not the meaning now only

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Speaker 2: eye nothing could do.

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Speaker 3: I've seen it say it before.

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Speaker 2: Meanwhile, everybody's dancing hip hop and three girls.

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Speaker 1: All the crack Hall the track Junior High, Junior High.

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Speaker 3: I think you almost had to join the talent show.

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Speaker 2: I did a talent show. Yeah, I think it was

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Speaker 2: part of the curriculum. And man, these three girls came

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Speaker 2: on and they and they told the DJ to play

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Speaker 2: and they played that. It's like that, and that's the

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Speaker 2: way I watched hundreds of kids and the Bronx created

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Speaker 2: hip hop.

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Speaker 1: I don't know any other way to explain it to you.

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Speaker 1: They was not ready to give it to any other

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Speaker 1: borough or whatever. When that shit came on, I watched

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Speaker 1: all the kids in the whole Junior High look at

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Speaker 1: each other life.

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Speaker 3: It was like an alien. It was like AI with

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Speaker 3: some new shit.

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Speaker 2: Everybody looked at each other life Oh it's sofa and

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Speaker 2: these are the new kings of hip hop.

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Speaker 3: It was one play.

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Speaker 2: The whole auditorium was like, oh my god, what's this?

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Speaker 2: So Run DMC definitely they cracked in the whole, the whole.

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Speaker 3: I don't think me and you have a TV.

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Speaker 2: We don't have a podcast right now. If it ain't

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Speaker 2: for Run DMC, I don't think we got nothing. They

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Speaker 2: took this game to the next level.

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Speaker 1: It ain't from who else you're thinking about, Biggie Damn Productions.

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Speaker 3: Man, criminal Minded came nineteen eighty seven.

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Speaker 1: But.

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Speaker 2: You talking, I wasn't even going there like that teacher

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Speaker 2: staying in the Bronx.

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Speaker 3: No, Run DMC made.

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Speaker 2: It on a higher level when you talk about street

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Speaker 2: nineteen eighty seven was a fucking crazy year. It was crazy, right,

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Speaker 2: holy criminal minded, criminal minded? You know care uss one

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Speaker 2: sucked us in horse shit all right?

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Speaker 3: Yeah yeah, swa whoa who.

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Speaker 2: He got us on the cover looking like Malcolm X

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Speaker 2: with a machine gun. But at the same time he

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Speaker 2: was kicking consciousness and the music. The first time I

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Speaker 2: ever heard consciousness in music was criminal Minded, you know.

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Speaker 2: And uh him, Scott LeBrock, you know the story behind him.

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Speaker 2: He was homeless, and then they became the biggest and

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Speaker 2: they represented my borough. For me, I was willing to

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Speaker 2: die for care Us One that didn't even know him,

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Speaker 2: just felt like he was my idol. He was the icon,

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Speaker 2: he was the he was the Hercules of the Bronx

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Speaker 2: and uh South Bronx. I remember I was in Courtland

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Speaker 2: Avenue and the DJ came and said, we got a

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Speaker 2: new artist.

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Speaker 3: It was care Less One.

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Speaker 2: He was this skinny He had a Bob Marley T

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Speaker 2: shirt on across the hat. He did the South Bronx.

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Speaker 2: By the time he did the South Bronx, he did

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Speaker 2: it twice. By the time he did it again, the

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Speaker 2: whole block party was going South Bros South South Bral.

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Speaker 2: So it was like a one listen and the next

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Speaker 2: thing you know, that ship was crazy, criminal minded. To me,

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Speaker 2: one of the greatest albums ever made the hip Hop Records.

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Speaker 2: But of course one billion percent I'm biased.

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Speaker 1: Now we're gonna take it this long Island kill bum

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Speaker 1: rushed the show, Public Enemy Man, Public Endemia Flavor, the

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Speaker 1: S one W Terminator Act.

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Speaker 3: He should have had the first sunglasses.

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Speaker 1: Deal you wearing those glasses right now because the Terminator acts, Nigga,

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Speaker 1: you ain't bullshit.

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Speaker 3: Terminator Acts should have had the first class deal.

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Speaker 2: Well, I'll tell you at the first averageing Flavor Flag

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Speaker 2: the first reality showed to me, Flavor Flave was just

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Speaker 2: it's so weird because Chuck Chalking all this black militant,

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Speaker 2: all this, and Flavor Flavors nine one one to joke

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Speaker 2: like he's just Flavor was like the funny guy from

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Speaker 2: the block and the two. It's almost like fat Joe

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Speaker 2: and Jaden like nobody thought. No, I'm not saying I'll

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Speaker 2: be Flave. I don't got a problem. I love Flavor flav.

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Speaker 2: The point I'm saying to you is our dynamics. Somebody

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Speaker 2: could have looked at this podcast to begin with it

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Speaker 2: at oh no, no way, Jaden's Joe gonna work. But

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Speaker 2: somehow the chemistry is perfect. You got Chuck d h

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Speaker 2: talking as ship and then you got Flavor Flave, who's

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Speaker 2: really a bug out and but we love him.

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Speaker 3: He got his own dance, his own ship and so on.

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Speaker 2: They just kicked in the door for black consciousness and

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Speaker 2: they birthed I think I want to say they birthed everybody,

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Speaker 2: like the Paul Righteous Teachers, that all the groups that

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Speaker 2: came out after them preaching the message consciousness. But their

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Speaker 2: beats was ridiculous. The beats who did the beats again.

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Speaker 3: For the for Tink shocked leading the.

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Speaker 2: I Ain't shocked leading a bomb squad did Ice Cubes

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Speaker 2: album too after he had when he.

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Speaker 3: Came over, he came overhead the long Noland. They came

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Speaker 3: going in too much, going too fast. I'm going too fast.

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Speaker 3: I don't know what the fuck the lissen you're.

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Speaker 1: In nineteen right now, we skipped it and we just

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Speaker 1: doing like tutorials of we got away from what we

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Speaker 1: was told.

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Speaker 3: You know what I think.

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Speaker 2: I think you have a timeline and I'm fried, like

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Speaker 2: I'm fried.

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Speaker 1: No, look my ship twenty twenty five, shite seven, my

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Speaker 1: shit off being rock Kiem nineteen eighty seven.

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Speaker 3: Man paid the full nigg we can stop right here,

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Speaker 3: paid it in full. Do you know how.

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Speaker 2: Credible that them real ups in that fucking jail, them

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Speaker 2: pull ups.

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Speaker 3: Sniggas left and then yeah, they.

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Speaker 2: Taught you, you say to fuck with them jail niggas

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Speaker 2: in the gym. Them nigga got you tortured. Right now,

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Speaker 2: you got about a week fracture you'll be good at

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Speaker 2: And we the small Asian lady. Oh my okay, oh

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Speaker 2: you hot Rocks sounds like the good ship and.

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Speaker 3: They ship like that old you Hot Rocks rescue.

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Speaker 1: I mean pay the full change the game, tap it

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Speaker 1: damn jackets, big truck, crazy ship that can lock the

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Speaker 1: store up with ropes.

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Speaker 3: Rose Royce at least Rose Royices. Yeah, early when you do.

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Speaker 1: Old fashion, he had that Rose roycees early ahead of

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Speaker 1: time doing shit. They had the whole Brooklyn with him,

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Speaker 1: Killer Ben for Fourth Green, Supreme Magnetics, the fifty second,

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Speaker 1: the original stick Up Kid.

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Speaker 3: I mean they came with Crazy our fifth endto that Yo.

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Speaker 3: They came with the whole package and the music. Some

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Speaker 3: people do rocking the best of all time.

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Speaker 1: They don't know that it was Eric Bee's record deal

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Speaker 1: and they put him with Rock Him.

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Speaker 3: Eric B had the deal. That's why I never understood

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Speaker 3: that it's not Rock Him and Eric B.

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Speaker 2: Yeah, well the DJ was always Jadsey, Jeffing Fresh, Prince

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Speaker 2: Back at that time.

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Speaker 3: It was Grand Master of Flash and the Furious Five.

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Speaker 3: You B had to deal with you.

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Speaker 1: What I heard from them is Eric B had the

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Speaker 1: record deal and they went and put him with Rock.

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Speaker 1: You know what I'm saying, man, they put him with

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Speaker 1: the best. Hell, that's another one of them. Joe and

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Speaker 1: Jada they put, they put to make this work, and

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Speaker 1: they worked fucking tremendous.

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Speaker 2: You know, I think I got my whole ice grilled

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Speaker 2: from every B when Eric B used to be like No,

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Speaker 2: I'm telling Eric B is.

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Speaker 3: The first nigga that was Dead series and hip hopis

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Speaker 3: the ice crill. Whenever I never forget, I shot my shot.

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Speaker 2: I shot Pun's first video, right, it's Ray Kwan me Nori,

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Speaker 2: and I threw on the sky Blue shoot and I

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Speaker 2: slipped behind Pun Punk was wrapping you on my dollar dollar,

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Speaker 2: and I got this ice grill. And the whole time

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Speaker 2: I'm telling them, I'm like, yo, this the Eric B.

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Speaker 2: It's a remember I got to be Eric Beat. You know,

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Speaker 2: he used to stand with Ray rock Kim. I had

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Speaker 2: to be Fat Joe the rapper when Pun Rap I

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Speaker 2: could be Eric B. So I'm standing back there with

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Speaker 2: the ice grill like dalling Darling bab Man. And then

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Speaker 2: and then and then and then changed our lives. Who

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Speaker 2: else you got on the list nineteen eighty eight.

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Speaker 3: Straight out of company. Whoay, some boys came fucking spress yourself.

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Speaker 3: They came talking that crazy shit. Man.

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Speaker 2: You want to know where I was at when I

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Speaker 2: first heard NWA count I was in one twenty fifth

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Speaker 2: and Dapper Dan, and that shit came up on there

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Speaker 2: on video music box. And when I tell you, it

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Speaker 2: was noisy. Everybody was doing anything. The whole fucking place

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Speaker 2: stopped in silence and looked up at the screen. Was

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Speaker 2: like and easy, and the niggas had the flame throwers

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Speaker 2: and they went fuck coughed and they won it for

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Speaker 2: the copsters. Anybody who was there, it changed their life

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Speaker 2: right then and there. Me as a rapper around that time,

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Speaker 2: I was thinking about getting into rap. They let me

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Speaker 2: know you could rap about anything. Fuck the police, don't matter,

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Speaker 2: just don't bite. It's the world. Like they was doing

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Speaker 2: shit that nobody else was doing, so they like transformed

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Speaker 2: me as a I never forget yet. After I discovered

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Speaker 2: NW eight, I was in my aunt's not my aunt's,

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Speaker 2: my grandmother's house at Washington. I wrote a rhyme and

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Speaker 2: the rhyme completely turned into fuck you suck my dick,

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Speaker 2: your mother, this that, this, this, this like the influence

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Speaker 2: because we had never seen nobody running from the cops.

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Speaker 2: We had never seen nobody saying fuck the police. We

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Speaker 2: never we heard stories like the message, Grandmaster Flash and

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Speaker 2: Furious Five. We heard songs like that, but we never

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Speaker 2: seen somebody dedicate a whole classic album to that. And

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Speaker 2: you see the careers that spawned off. You got Doctor Drake,

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Speaker 2: some say the greatest producer of all time. You got

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Speaker 2: mc wren, you got ice Cube, you got easy E,

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Speaker 2: all these guys, Yo, DJ Yeller, all these guys. They

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Speaker 2: had DC around the top board. DC was one of

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Speaker 2: my favorites. Man, oh my god, the form you look.

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Speaker 2: But you know the we got Dre beats because of

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Speaker 2: that ship. You know what I'm saying. So the legs

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Speaker 2: and the people they put in the game. You know,

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00:18:09,760 --> 00:18:13,440
Speaker 2: no Doctor Dre, no Eminem, no Doctor Dre, no fifty cent,

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Speaker 2: no game.

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Speaker 3: Like that whole album, just like Snoop dog poun Snoop.

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Speaker 2: Dog Pound, like Doggy styt Doggy Style gotta be on

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Speaker 2: this list.

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Speaker 3: I'm jumping ahead of time here.

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Speaker 1: You got it, you in the time caps. I do

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Speaker 1: not know your list, you know, lies ahead of which.

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Speaker 3: I'm going off the top. There's a free style straight

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Speaker 3: out of Compton. Can't be next to Doggy Staff, No, no,

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Speaker 3: it's way earlier. They are soul Man nineteen eighty nine.

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Speaker 2: Pot Holes in my refeeding rise, pot holes in my before.

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Speaker 3: I'm a little bit younger, so you know what I mean.

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Speaker 2: Okay, Okay, So they Soul had gangster guys like me

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Speaker 2: that was running blocks, that was doing all type of

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Speaker 2: wild shit, playing boom boom boom answering service. I cal

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Speaker 2: say this sorockerty and a man abody like I knew.

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Speaker 3: I knew I was an asshole.

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Speaker 1: I remember driving into Benz looking at dudes ice, grilling

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Speaker 1: them and and playing.

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Speaker 2: Answering service like I say that Paraga. They had to

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00:19:25,680 --> 00:19:28,320
Speaker 2: be yo these guys all the way. Lose these guys.

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Speaker 2: It's crazy. Day O Soul start started that whole preppyat college,

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Speaker 2: Daisy Age. I believe they started all that Queen Latifa

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Speaker 2: mony love jutip, the native tongue thing. I want to say,

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00:19:48,040 --> 00:19:51,800
Speaker 2: could be it could be a trial court quest. Well,

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00:19:51,800 --> 00:19:53,640
Speaker 2: I want to say that all brought all that ship

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Speaker 2: to give her. The first time I seen kids being

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Speaker 2: in classrooms and videos and being nice guys.

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Speaker 3: It wasn't just I got it made. It was day

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Speaker 3: Lot Soul.

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Speaker 1: Nineteen ninety the trive Core quest He Goo people distinctive

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Speaker 1: travels in.

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Speaker 3: The paths of rhythm.

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00:22:06,680 --> 00:22:13,840
Speaker 2: Now that right there was totally different. The production on

379
00:22:13,960 --> 00:22:17,240
Speaker 2: that album. They probably had the best quality that we

380
00:22:17,359 --> 00:22:21,680
Speaker 2: heard till that moment. They had the first like audio

381
00:22:21,920 --> 00:22:24,640
Speaker 2: like them drums and snazz was hitting.

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Speaker 3: That shit was crazy, y'all.

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00:22:25,640 --> 00:22:28,000
Speaker 2: I might have played that album one thousand times, bro

384
00:22:28,560 --> 00:22:31,560
Speaker 2: two thousand when Biggie says, well tape pop till my

385
00:22:31,640 --> 00:22:37,280
Speaker 2: tape pop that ship. That album was such a work

386
00:22:37,320 --> 00:22:41,120
Speaker 2: of art q Tip Fifth Dog Five Dog was one

387
00:22:41,119 --> 00:22:44,280
Speaker 2: of my favorite rappers. Although he was simple, he was

388
00:22:44,320 --> 00:22:47,879
Speaker 2: one of my favorite rappers ever in the history and

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00:22:48,119 --> 00:22:52,879
Speaker 2: what they started tryp coll Quest. To this day musically,

390
00:22:53,280 --> 00:22:56,000
Speaker 2: I believe we should act some producers that to this day,

391
00:22:56,040 --> 00:23:00,359
Speaker 2: I think producers study uh that first album and and

392
00:23:00,840 --> 00:23:03,040
Speaker 2: how they put that ship and they were so futuristic.

393
00:23:03,080 --> 00:23:07,800
Speaker 2: They had guys doing the robot voices back then, this

394
00:23:07,840 --> 00:23:08,440
Speaker 2: and this and that.

395
00:23:08,600 --> 00:23:13,560
Speaker 3: Like they they they was far ahead of their time.

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00:23:14,320 --> 00:23:17,080
Speaker 3: Salute q Tail in nineteen ninety one, man.

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00:23:16,960 --> 00:23:24,160
Speaker 1: Ali Shahib Scarface, mister Scarface, who the fucking fred.

398
00:23:25,600 --> 00:23:28,159
Speaker 2: So Scarfaces before the Ghetto Boys because I got the

399
00:23:28,280 --> 00:23:29,400
Speaker 2: album as the class.

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00:23:29,400 --> 00:23:34,439
Speaker 1: Oh shit, I missed it. Ghetto Boys is nineteen eighty nine. Okay,

401
00:23:34,520 --> 00:23:40,840
Speaker 1: rip it on that other level Boom other than Kang King,

402
00:23:41,760 --> 00:23:46,040
Speaker 1: the Kompang Them Bang Ticket thing Coman.

403
00:23:46,119 --> 00:23:51,640
Speaker 2: Bang that Ain't mind playing Can't Sleep now that that's

404
00:23:51,680 --> 00:23:56,280
Speaker 2: on that album, that first album. That song alone changed

405
00:23:56,320 --> 00:23:59,040
Speaker 2: my life and let us know that there was guys

406
00:23:59,040 --> 00:23:59,919
Speaker 2: in the South.

407
00:24:00,560 --> 00:24:01,760
Speaker 3: Kicking gangs the shit.

408
00:24:03,240 --> 00:24:08,919
Speaker 2: Everything cinematically from the videos to the music, it was crazy.

409
00:24:08,920 --> 00:24:12,840
Speaker 2: I remember what's the video with Scarfaces? The girls count money.

410
00:24:13,320 --> 00:24:15,399
Speaker 2: He goes in her bron pulls out the money like

411
00:24:15,480 --> 00:24:18,000
Speaker 2: she stole the money. You know what I'm saying in

412
00:24:18,040 --> 00:24:23,359
Speaker 2: the video, I mean Scarface is every rapper's favorite rapper.

413
00:24:23,600 --> 00:24:26,000
Speaker 3: He's jay Z's favorite and reacts him. You know what

414
00:24:26,000 --> 00:24:26,320
Speaker 3: I'm saying.

415
00:24:26,359 --> 00:24:32,119
Speaker 2: Besides Big Scarface, him and the ghetto boys, Willie D.

416
00:24:32,440 --> 00:24:36,640
Speaker 2: Bushwick Bill. I used to hang out with Bushwick Bill.

417
00:24:36,880 --> 00:24:40,160
Speaker 3: Yes, man, I've been around a long time.

418
00:24:40,240 --> 00:24:42,760
Speaker 2: Maybe the Fever. It might have been the fever. I'm

419
00:24:42,800 --> 00:24:46,200
Speaker 2: the first guy took Scarface in the Bronx. I took

420
00:24:46,240 --> 00:24:49,640
Speaker 2: her to the projects. He was like, you guys live

421
00:24:49,800 --> 00:24:52,200
Speaker 2: like this because you know, Texas even to this day,

422
00:24:52,280 --> 00:24:55,440
Speaker 2: is all spread out. He couldn't believe that we had

423
00:24:55,920 --> 00:24:59,959
Speaker 2: twenty floors of dudes living in the jets.

424
00:25:00,040 --> 00:25:03,000
Speaker 3: I took him to the Wedge, the Wedger Hunts Point.

425
00:25:03,119 --> 00:25:04,919
Speaker 2: I mean, I'm a ghetto new at that time, I

426
00:25:05,000 --> 00:25:07,720
Speaker 2: was straight ghetto, So you wasn't gonna get nothing but

427
00:25:07,760 --> 00:25:10,399
Speaker 2: ghetto from me. I'll never forget. He asked me a

428
00:25:10,440 --> 00:25:13,600
Speaker 2: Biggie song came on. What the first biggie sold? He

429
00:25:13,680 --> 00:25:14,920
Speaker 2: was like, Yo, who's that guy?

430
00:25:15,040 --> 00:25:15,200
Speaker 3: Man?

431
00:25:15,240 --> 00:25:19,280
Speaker 2: I like Biggie Swans It's like, Yo, he's fire. He

432
00:25:19,400 --> 00:25:22,800
Speaker 2: was like, yeah that guy dope. You know what I'm saying. So, Uh,

433
00:25:22,880 --> 00:25:25,840
Speaker 2: the ghetto, the ghetto boys, you know, shout out Jay Prince.

434
00:25:25,880 --> 00:25:28,359
Speaker 2: You know, we always try to shout out Texas, Bappo Loot,

435
00:25:30,000 --> 00:25:34,200
Speaker 2: they independent game, Houston, Dallas, Houston, Dallas. I just came

436
00:25:34,240 --> 00:25:35,120
Speaker 2: from that North.

437
00:25:35,000 --> 00:25:40,040
Speaker 1: Worth, San Antonio, Austin nineteen ninety one. Then now it's

438
00:25:40,119 --> 00:25:43,040
Speaker 1: mister Scarface nineteen ninety one. Scollfaces back.

439
00:25:43,160 --> 00:25:43,960
Speaker 3: That's what that came.

440
00:25:44,560 --> 00:25:47,640
Speaker 2: Scarface is back. What the what kind of impacts call

441
00:25:47,720 --> 00:25:49,680
Speaker 2: Face had to you? Was you too young?

442
00:25:49,880 --> 00:25:53,639
Speaker 1: Or it was around yourn we I mean heard of

443
00:25:53,680 --> 00:25:57,560
Speaker 1: the Ghetto Boys first, then Face, and it seemed like

444
00:25:58,040 --> 00:26:01,560
Speaker 1: he just gravitated to to what I was doing and

445
00:26:01,720 --> 00:26:02,760
Speaker 1: what I wanted to do.

446
00:26:03,880 --> 00:26:06,719
Speaker 3: Well, man, he's some of the besize the ghetto boys.

447
00:26:06,720 --> 00:26:09,680
Speaker 3: Some of the first ships we've seen from Houston for

448
00:26:09,840 --> 00:26:14,000
Speaker 3: me was Scarface video. He's legend that mister mister Scarface. Huh.

449
00:26:14,400 --> 00:26:16,320
Speaker 3: You know what happened with that album right there?

450
00:26:16,400 --> 00:26:18,560
Speaker 2: I think it was the first time I went down,

451
00:26:19,520 --> 00:26:25,399
Speaker 2: uh to the atl and you remember, ah, what is

452
00:26:25,440 --> 00:26:29,600
Speaker 2: it New Jack City? Remember the Brown Scared Girl dancing

453
00:26:29,680 --> 00:26:34,000
Speaker 2: to I want to say, ask you up that shit?

454
00:26:34,240 --> 00:26:36,280
Speaker 3: Never like a man.

455
00:26:36,440 --> 00:26:39,399
Speaker 2: I fell in love with that song from that girl

456
00:26:39,560 --> 00:26:42,480
Speaker 2: dancing and that she was like Keisha from Belly the Girl.

457
00:26:42,920 --> 00:26:45,480
Speaker 2: Remember even they was fighting over she had the red

458
00:26:45,600 --> 00:26:51,760
Speaker 2: sinin Man. You remember that I went in the atl

459
00:26:51,840 --> 00:26:54,280
Speaker 2: Strip Club for the first time and there was some

460
00:26:54,440 --> 00:26:58,119
Speaker 2: girl up there dancing to that mister, mister scarface. I

461
00:26:58,280 --> 00:27:02,520
Speaker 2: drove back to New York that song ten thousand times

462
00:27:02,560 --> 00:27:07,119
Speaker 2: just thinking about that girl dancing to that shit. And

463
00:27:07,160 --> 00:27:09,920
Speaker 2: that's how influence you. We watched like videos and shit

464
00:27:10,080 --> 00:27:12,719
Speaker 2: like that. You might love a visual and then you

465
00:27:12,760 --> 00:27:14,800
Speaker 2: start to gravitate and love that song.

466
00:27:15,240 --> 00:27:16,480
Speaker 3: Shout out the scarf face.

467
00:27:17,200 --> 00:27:20,800
Speaker 1: Another one in nineteen ninety one, Tupac Apocalypse.

468
00:27:20,880 --> 00:27:24,280
Speaker 3: Now, I don't really know too much about that one.

469
00:27:25,119 --> 00:27:28,920
Speaker 2: Yeah, it was very early. You know, we talked about

470
00:27:28,920 --> 00:27:31,720
Speaker 2: the greatest debut albums. You know what I'm saying, so

471
00:27:31,800 --> 00:27:34,800
Speaker 2: too Tupac. You know all lives on me. All that

472
00:27:34,880 --> 00:27:41,280
Speaker 2: other work was more prolific than the first album. Now,

473
00:27:41,320 --> 00:27:43,480
Speaker 2: I can tell you much. What was on the first album.

474
00:27:43,480 --> 00:27:44,280
Speaker 2: Brenda's Got a.

475
00:27:44,240 --> 00:27:47,800
Speaker 3: Baby Apocalypse now is the first Brenda Got a Baby?

476
00:27:49,000 --> 00:27:53,120
Speaker 3: You know that was that think I could have did

477
00:27:53,160 --> 00:27:54,320
Speaker 3: that stop?

478
00:27:54,760 --> 00:27:57,160
Speaker 2: You know Brenda's got a baby, was like very all

479
00:27:58,000 --> 00:28:00,360
Speaker 2: it resonated. You know, my projects are saying a lot

480
00:28:00,359 --> 00:28:01,399
Speaker 2: of ship man I've.

481
00:28:01,240 --> 00:28:03,720
Speaker 3: Seen on telling me seeing a baby in the golf.

482
00:28:04,760 --> 00:28:08,160
Speaker 2: What I'm gonna tell you is that I watched dudes

483
00:28:08,240 --> 00:28:13,680
Speaker 2: jump off the roof on angel dust though y no

484
00:28:14,640 --> 00:28:17,800
Speaker 2: of the day, somebody was on dust jumped off the roof.

485
00:28:19,040 --> 00:28:24,400
Speaker 2: Damn he's still doing that. How about this, somebody in Yo?

486
00:28:25,280 --> 00:28:27,960
Speaker 2: What kind of day is this? Somebody went outside the

487
00:28:28,040 --> 00:28:33,200
Speaker 2: smoke a cigarette. Somebody jumped off the roof and landed on.

488
00:28:35,080 --> 00:28:37,320
Speaker 3: Joe. What kind of comment?

489
00:28:37,440 --> 00:28:37,560
Speaker 1: Yo?

490
00:28:37,920 --> 00:28:45,040
Speaker 3: Yo yo? That's yo, yo, yo yo. That's your cat show. Yo.

491
00:28:45,120 --> 00:28:47,480
Speaker 3: Let me go to let me go blow a bogie

492
00:28:47,760 --> 00:28:52,080
Speaker 3: with a person. So he's done too right? Double dead?

493
00:28:52,840 --> 00:28:57,280
Speaker 2: No way, Holy shit, I heard everything I think you

494
00:28:57,520 --> 00:28:58,160
Speaker 2: ever think about.

495
00:28:58,160 --> 00:29:00,560
Speaker 3: When they say the plane crash, that shit.

496
00:29:00,440 --> 00:29:03,240
Speaker 2: Really fall down on somebody house and motherfucker, imagine you

497
00:29:03,320 --> 00:29:06,640
Speaker 2: in your house and a plane full of you gone,

498
00:29:06,840 --> 00:29:07,680
Speaker 2: that's it a play?

499
00:29:08,000 --> 00:29:11,360
Speaker 3: What kind of fucking luck is that? Double dad? Who's

500
00:29:11,400 --> 00:29:19,200
Speaker 3: he your hearst? Who's he your hearst? Leave you? Double dad? Huh?

501
00:29:19,320 --> 00:29:26,640
Speaker 2: I'm a bubblehead. I never listened to nothing. My mama said, Yo, what.

502
00:29:26,760 --> 00:29:28,560
Speaker 1: I was gonna tell you is that that was happening

503
00:29:28,600 --> 00:29:32,320
Speaker 1: in the hood, that girls couldn't come home, unfortunately and

504
00:29:32,400 --> 00:29:36,080
Speaker 1: tell their parents they were pregnant. They would do the

505
00:29:36,160 --> 00:29:40,320
Speaker 1: baby leaving the Chinese spiders. We're not telling them to

506
00:29:40,360 --> 00:29:42,440
Speaker 1: do that. We never said that was right, but they

507
00:29:42,560 --> 00:29:45,040
Speaker 1: was doing that. That's what Brenda Got a Baby was about.

508
00:29:45,480 --> 00:29:51,840
Speaker 1: Poor Brundon sh nineteen ninety two man UGK two all

509
00:29:51,920 --> 00:29:55,800
Speaker 1: to swallow, rest in peace, PIMC shout out to my

510
00:29:55,880 --> 00:30:00,120
Speaker 1: brother bun gonna be gunn In the UGK.

511
00:30:00,280 --> 00:30:02,960
Speaker 2: Story from the Yeah, I was there when Pimpsy got

512
00:30:02,960 --> 00:30:05,320
Speaker 2: locked up in the Ati. He pulled the choppers out

513
00:30:05,320 --> 00:30:08,280
Speaker 2: the chart he was about to shoot the place, and

514
00:30:08,320 --> 00:30:10,960
Speaker 2: I was there at the boxing match.

515
00:30:11,040 --> 00:30:16,000
Speaker 3: Yes, sir, Pimpsy was different. He's uh. He was one

516
00:30:16,000 --> 00:30:19,600
Speaker 3: of them guys just don't give a fuck. And if he.

517
00:30:19,680 --> 00:30:21,560
Speaker 2: If he felt the way about you, he tell you

518
00:30:21,640 --> 00:30:25,640
Speaker 2: right to your face right there and now he really

519
00:30:25,680 --> 00:30:28,000
Speaker 2: I used to really see him walking around with white

520
00:30:28,040 --> 00:30:30,160
Speaker 2: furs and ship like that, like the video.

521
00:30:30,240 --> 00:30:31,040
Speaker 3: It was like a pimp.

522
00:30:31,120 --> 00:30:34,480
Speaker 2: He was Pimpsy and he was, and he's far from

523
00:30:34,480 --> 00:30:38,200
Speaker 2: pussy and if you fucked with him, he was gonna

524
00:30:38,200 --> 00:30:39,120
Speaker 2: do what he had to do.

525
00:30:40,080 --> 00:30:43,920
Speaker 3: What you got next, brother nineteen ninety two, Why are

526
00:30:43,920 --> 00:30:46,240
Speaker 3: we going through the years? Man? Just call out the

527
00:30:46,280 --> 00:30:53,280
Speaker 3: most of it. You get too what I do now?

528
00:30:55,600 --> 00:30:59,840
Speaker 3: Oh my god, he should be fucking punished.

529
00:31:00,040 --> 00:31:04,640
Speaker 1: Guy who sent this stupid ass our pack.

530
00:31:04,800 --> 00:31:07,280
Speaker 3: He put his greatest debuts on there.

531
00:31:07,360 --> 00:31:10,560
Speaker 1: That's why everything it fucked those just sums that he

532
00:31:10,720 --> 00:31:12,640
Speaker 1: believes his greatest debut.

533
00:31:13,080 --> 00:31:16,160
Speaker 2: Yea while, we y'all ain't touching that man like I'm

534
00:31:16,200 --> 00:31:17,880
Speaker 2: touching no on slicks.

535
00:31:18,080 --> 00:31:18,840
Speaker 3: It's great event.

536
00:31:19,160 --> 00:31:22,840
Speaker 1: Rickis definitely your great Adventures is slick Rickets by far

537
00:31:23,000 --> 00:31:26,720
Speaker 1: one of the greatest greatest albums of all fucking times.

538
00:31:26,720 --> 00:31:29,800
Speaker 3: I don't give up in any genre of music, not

539
00:31:29,960 --> 00:31:34,520
Speaker 3: even just rap, in music in general. Mollotle fuckers.

540
00:31:35,280 --> 00:31:40,000
Speaker 2: I was living in a crackhead hotel. I came out,

541
00:31:40,760 --> 00:31:44,960
Speaker 2: true story, left my mother's house when I was like fourteen.

542
00:31:47,520 --> 00:31:51,200
Speaker 2: House do the same day. So most disrespectful shit you

543
00:31:51,240 --> 00:31:53,920
Speaker 2: can think of in the world. Imagine your kid leaves

544
00:31:53,920 --> 00:31:56,000
Speaker 2: your house at fourteen. You look out the window. He's

545
00:31:56,000 --> 00:31:59,480
Speaker 2: selling crack that ass an hour lady, he's outside like

546
00:32:00,240 --> 00:32:05,400
Speaker 2: little Joey is outside. And although I used to act

547
00:32:05,480 --> 00:32:09,959
Speaker 2: tough for my age group, I had to actually sleep

548
00:32:09,960 --> 00:32:12,560
Speaker 2: in the crackhead hotel. It was like thirty five dollars

549
00:32:12,560 --> 00:32:16,040
Speaker 2: for the night. When I tell you they was busting

550
00:32:16,120 --> 00:32:20,400
Speaker 2: dudes heads open with forty ounces all night, or your

551
00:32:20,480 --> 00:32:24,640
Speaker 2: hurt was the cops wee weird they busting dudes heads open.

552
00:32:25,120 --> 00:32:28,520
Speaker 2: I opened my hotel door and women were shooting heroin

553
00:32:28,920 --> 00:32:30,400
Speaker 2: in the aide apidemic.

554
00:32:31,280 --> 00:32:34,560
Speaker 3: Open the door, they shooting dope in my face.

555
00:32:35,360 --> 00:32:39,960
Speaker 2: Meanwhile, I'm staying here by myself and all I'm playing

556
00:32:40,000 --> 00:32:43,520
Speaker 2: is Slick Rick music in my headphones to get me

557
00:32:43,600 --> 00:32:47,560
Speaker 2: through the night. And so he gave me the courage

558
00:32:48,600 --> 00:32:50,760
Speaker 2: to even just make it to the next day and

559
00:32:50,800 --> 00:32:53,560
Speaker 2: get back on my shit. So even though I was

560
00:32:53,600 --> 00:32:56,920
Speaker 2: living that type of life, I was terrified. Slick Rick's

561
00:32:57,040 --> 00:33:01,280
Speaker 2: music is what got me through that time. What else

562
00:33:01,320 --> 00:33:01,880
Speaker 2: you got for me?

563
00:33:01,960 --> 00:33:02,240
Speaker 3: Brother?

564
00:33:02,280 --> 00:33:03,920
Speaker 2: You don't even want to have nine from me on.

565
00:33:04,960 --> 00:33:07,440
Speaker 2: So I did not say anumatic way too.

566
00:33:07,280 --> 00:33:10,080
Speaker 1: Early ships out. I mean, it ain't e many of

567
00:33:10,160 --> 00:33:14,160
Speaker 1: that time. It ain't no timeline REASONA moved out. Okay,

568
00:33:14,200 --> 00:33:19,520
Speaker 1: I want to say shot Shorty fucking black Moon into

569
00:33:19,560 --> 00:33:22,760
Speaker 1: the stages, fucking lazy.

570
00:33:22,880 --> 00:33:27,360
Speaker 3: What it did for me, the flows, their meeting, the flow.

571
00:33:28,240 --> 00:33:32,520
Speaker 1: Anything into the stage is one of the greatest debuts.

572
00:33:32,000 --> 00:33:36,640
Speaker 3: Is his debut. Yeah, that's his first album. We're going there.

573
00:33:36,720 --> 00:33:38,720
Speaker 2: We gotta go to the original. We gotta go to

574
00:33:38,840 --> 00:33:46,880
Speaker 2: Gangstar uh his freemo. What's their first album? Ship Jesus Christ,

575
00:33:46,960 --> 00:33:53,040
Speaker 2: Gangstar Yo Primo one of the greatest producers of all time.

576
00:33:53,840 --> 00:33:58,080
Speaker 2: Him Gurgle gul to me was like a professor.

577
00:33:58,720 --> 00:34:00,760
Speaker 3: He was like a Malcolm X said hip hop.

578
00:34:01,240 --> 00:34:04,520
Speaker 2: He was talking that shit, that consciousness, but in a

579
00:34:04,600 --> 00:34:10,640
Speaker 2: slick tone, way ahead of his time. Let me tell you,

580
00:34:11,000 --> 00:34:13,640
Speaker 2: I'm gonna go back to the South. I'm gonna say

581
00:34:13,719 --> 00:34:18,719
Speaker 2: ourcast Southern playerlistic. This is what we hear about outcast

582
00:34:18,800 --> 00:34:20,799
Speaker 2: is Southern player. This is the first time I ever

583
00:34:20,920 --> 00:34:25,279
Speaker 2: saw them videos in the backwoods and all that. We

584
00:34:25,360 --> 00:34:27,759
Speaker 2: had some brothers in the ATL putting it down who

585
00:34:27,800 --> 00:34:30,680
Speaker 2: love hip hop. That was like real pure hip hop

586
00:34:30,719 --> 00:34:33,920
Speaker 2: too as well, and that started we think about all

587
00:34:33,920 --> 00:34:37,239
Speaker 2: the shit that ATL brought After that, they kicked that

588
00:34:37,360 --> 00:34:40,520
Speaker 2: bitch off. Then we get the Goodie Marb and everything else.

589
00:34:40,560 --> 00:34:43,680
Speaker 2: We Southern playerlistic. I want to go to Juvenile's four

590
00:34:43,760 --> 00:34:48,520
Speaker 2: hundred degrees. You heard they mentioned the versus, Yeah, cash

591
00:34:48,600 --> 00:34:54,360
Speaker 2: money and no limit. Juvenile four hundred degrees.

592
00:34:54,560 --> 00:34:55,400
Speaker 3: Album was great.

593
00:34:55,520 --> 00:34:59,600
Speaker 1: That whole movement when they came out just took the

594
00:34:59,680 --> 00:35:00,680
Speaker 1: world a storm.

595
00:35:01,160 --> 00:35:07,239
Speaker 3: They pronunciation of words, this everything. They shifted ship, he

596
00:35:07,440 --> 00:35:11,760
Speaker 3: shifted ship, shut out. The Jude Jewry is still active.

597
00:35:12,400 --> 00:35:14,680
Speaker 2: I know them all over the place, but we gotta

598
00:35:14,719 --> 00:35:19,920
Speaker 2: go out. Mob Deep first album, the first.

599
00:35:19,600 --> 00:35:22,560
Speaker 3: Album is not the infamous. If you're a real mob

600
00:35:22,640 --> 00:35:29,200
Speaker 3: Deep thing, it's not the first month ha ha. That

601
00:35:29,239 --> 00:35:31,800
Speaker 3: ain't their first What was their first?

602
00:35:31,800 --> 00:35:34,759
Speaker 1: Sonyle? Hell, this is their first album. How is the

603
00:35:34,960 --> 00:35:37,200
Speaker 1: Little Kids juvenile?

604
00:35:37,280 --> 00:35:40,600
Speaker 3: Hell? They was little, they was young. They don't make

605
00:35:40,640 --> 00:35:46,439
Speaker 3: the listing because they the first two going off album. Yeah,

606
00:35:46,640 --> 00:35:50,879
Speaker 3: they debut album is Juvenile. Hell the debute to the

607
00:35:50,880 --> 00:35:53,800
Speaker 3: world on better. So they can't make that. But the

608
00:35:53,960 --> 00:35:56,719
Speaker 3: Infamous still the infamous.

609
00:35:56,880 --> 00:36:00,560
Speaker 1: To the word they throw out the Holy girl hip hop,

610
00:36:01,040 --> 00:36:02,120
Speaker 1: Infamous is holy.

611
00:36:02,360 --> 00:36:05,120
Speaker 2: Some people say the best album ever made. Some people

612
00:36:05,160 --> 00:36:08,200
Speaker 2: say that I drove around like a couple of months

613
00:36:08,200 --> 00:36:10,640
Speaker 2: ago with Rich the Barber. He knew every word and

614
00:36:10,719 --> 00:36:14,080
Speaker 2: we just drove around with ice grilled people. We just

615
00:36:14,200 --> 00:36:18,719
Speaker 2: on our shit. We felt tight grilled people, y'all. We

616
00:36:18,800 --> 00:36:22,520
Speaker 2: felt tough. But that ain't their debut, So that's not

617
00:36:22,560 --> 00:36:24,560
Speaker 2: what we're talking about. We're talking about the debut. We're

618
00:36:24,560 --> 00:36:30,120
Speaker 2: talking about your man DMX. Hell Hell is sh shit.

619
00:36:32,480 --> 00:36:35,800
Speaker 3: Dazy, and a lot of that shit is all old.

620
00:36:37,080 --> 00:36:39,840
Speaker 1: How about that he came out so five million with

621
00:36:40,000 --> 00:36:40,840
Speaker 1: old rhymes.

622
00:36:41,200 --> 00:36:43,680
Speaker 3: That's crazy because I get mad at people.

623
00:36:43,480 --> 00:36:45,680
Speaker 2: Who want to bring back old shit, Like I'll be

624
00:36:45,800 --> 00:36:48,240
Speaker 2: like yo getting the studio work right now.

625
00:36:48,760 --> 00:36:51,680
Speaker 1: He took records in rhymes that I heard him, so

626
00:36:51,800 --> 00:36:55,600
Speaker 1: he heard him before years before the world and it's

627
00:36:55,640 --> 00:36:59,240
Speaker 1: still with five wasn't the same beat, wasn't the same

628
00:36:59,320 --> 00:37:02,880
Speaker 1: rhymes though, it was not all of them, just a

629
00:37:03,000 --> 00:37:04,880
Speaker 1: nice percentage of that first album.

630
00:37:05,440 --> 00:37:08,920
Speaker 3: We heard it before in Wio. It was still powerful.

631
00:37:09,000 --> 00:37:10,680
Speaker 3: And what was that like to see him? I mean,

632
00:37:10,760 --> 00:37:11,480
Speaker 3: you know you're around.

633
00:37:11,600 --> 00:37:16,920
Speaker 1: He was already a yaw, was already like he was

634
00:37:16,960 --> 00:37:19,200
Speaker 1: already a star in Wyo.

635
00:37:19,280 --> 00:37:22,120
Speaker 3: In every hood. When he come through, it was he

636
00:37:22,200 --> 00:37:23,279
Speaker 3: can put on. Yeah.

637
00:37:23,320 --> 00:37:26,799
Speaker 1: He used to do shows in the school twelve and

638
00:37:27,320 --> 00:37:29,760
Speaker 1: he had a big battle. He had an infamous battle.

639
00:37:30,200 --> 00:37:32,439
Speaker 1: He had two battles, but one of them is more

640
00:37:32,520 --> 00:37:37,600
Speaker 1: better than all with another with another iconic dude rapper

641
00:37:37,640 --> 00:37:41,040
Speaker 1: from Wyo, Bill Blast Mega Blast, and then.

642
00:37:41,280 --> 00:37:43,160
Speaker 3: Had a big battle. It was crazy.

643
00:37:44,560 --> 00:37:48,000
Speaker 1: That ship was over like five in the morning. Everybody

644
00:37:48,080 --> 00:37:50,520
Speaker 1: spent the night at my house. Almost got my ass

645
00:37:50,640 --> 00:37:53,120
Speaker 1: killed because my moms came. You was out there, everybody

646
00:37:53,280 --> 00:37:55,480
Speaker 1: you was watching. I couldn't miss that. That was part

647
00:37:55,520 --> 00:37:58,799
Speaker 1: of I rather did anything than I missed that shit.

648
00:37:58,880 --> 00:38:01,640
Speaker 1: I don't care what the kind to Quincy's was. You

649
00:38:01,680 --> 00:38:03,960
Speaker 1: couldn't miss that of you was for a while. Actually

650
00:38:04,560 --> 00:38:07,680
Speaker 1: they get paint staff versus DMX.

651
00:38:08,000 --> 00:38:10,480
Speaker 3: You know what I'm saying. She was dope, man. She

652
00:38:10,719 --> 00:38:12,280
Speaker 3: was history and wild.

653
00:38:12,680 --> 00:38:19,080
Speaker 2: You know, big punk Capital Punishment on my executive producer debut,

654
00:38:19,360 --> 00:38:21,680
Speaker 2: I feel like Pum was ahead of his time. A

655
00:38:21,719 --> 00:38:24,680
Speaker 2: lot of those guys that we got featured on this

656
00:38:24,800 --> 00:38:27,880
Speaker 2: album and all that was like they came on the.

657
00:38:27,880 --> 00:38:30,000
Speaker 3: Strength of me. They didn't even know who Pum was.

658
00:38:30,120 --> 00:38:33,520
Speaker 2: But I also knew that the minute I pressed play

659
00:38:34,400 --> 00:38:37,879
Speaker 2: and they started hearing the music that they were gonna

660
00:38:37,880 --> 00:38:40,480
Speaker 2: want to get on the album. So everybody you hear

661
00:38:40,600 --> 00:38:44,560
Speaker 2: on that Capital Punishment album, they came most of them

662
00:38:44,600 --> 00:38:46,320
Speaker 2: even thought they was doing songs with me. I was

663
00:38:46,360 --> 00:38:49,839
Speaker 2: already already had two albums out, and when they came,

664
00:38:49,880 --> 00:38:50,319
Speaker 2: I was like.

665
00:38:50,320 --> 00:38:53,399
Speaker 3: Now you got to hear my man and man.

666
00:38:53,480 --> 00:38:56,480
Speaker 2: That album was speaking for itself since the first day

667
00:38:56,480 --> 00:38:59,520
Speaker 2: we went in there. It just kept getting better and

668
00:38:59,600 --> 00:39:03,640
Speaker 2: better and better, and then so on. The dream Shatterer

669
00:39:04,400 --> 00:39:08,080
Speaker 2: had to ill a beat before it was like a victory,

670
00:39:08,280 --> 00:39:10,440
Speaker 2: like a like a biggie victory. It was like the

671
00:39:10,520 --> 00:39:14,720
Speaker 2: beat was too fucking you don't A lot of minds

672
00:39:14,760 --> 00:39:18,120
Speaker 2: are known the state and it's all. It was crazy,

673
00:39:18,160 --> 00:39:21,880
Speaker 2: but it was just a beautiful joy effort. And you know,

674
00:39:22,440 --> 00:39:28,240
Speaker 2: first soloist Latino artists to sell two million records change

675
00:39:28,280 --> 00:39:32,480
Speaker 2: the game. I think we had ten thousand platinum parties.

676
00:39:33,280 --> 00:39:35,560
Speaker 2: Everywhere we went it was a platinum part then used

677
00:39:35,560 --> 00:39:37,640
Speaker 2: a brain. I think punt I had the same people

678
00:39:37,680 --> 00:39:42,600
Speaker 2: bringing the same platte. We'll be in the tunnel anywhere, yo, platinum,

679
00:39:43,000 --> 00:39:45,680
Speaker 2: start reincarnating the fucking platinum shit.

680
00:39:46,239 --> 00:39:46,680
Speaker 3: You know he was.

681
00:39:46,880 --> 00:39:52,279
Speaker 2: He was witty, He was incredible lyrically phenomenal, and he

682
00:39:52,320 --> 00:39:55,120
Speaker 2: puts some hits out the park Man that capital punishment

683
00:39:56,239 --> 00:39:58,279
Speaker 2: when it sets off with that, I gave you fair

684
00:39:58,400 --> 00:40:04,839
Speaker 2: warning and man, and you know what's crazy is being

685
00:40:04,880 --> 00:40:08,880
Speaker 2: that I'm part of this album. You know, it's hard

686
00:40:08,920 --> 00:40:12,000
Speaker 2: for me to be from the outside there. I always

687
00:40:12,000 --> 00:40:14,839
Speaker 2: wondered what rappers felt like when they heard Pun's first

688
00:40:14,920 --> 00:40:18,640
Speaker 2: album and you here, they'll beware, and what that felt

689
00:40:18,680 --> 00:40:20,439
Speaker 2: like when you press play on that thing.

690
00:40:21,520 --> 00:40:24,160
Speaker 3: No, I really knew what was going on with Pun Man.

691
00:40:24,200 --> 00:40:28,240
Speaker 1: Pun was on the first Man Pun albums came out together,

692
00:40:28,480 --> 00:40:30,400
Speaker 1: my first album in Capitol Punishment.

693
00:40:30,480 --> 00:40:33,560
Speaker 3: We was on a lot of promo together. Back then.

694
00:40:33,719 --> 00:40:36,239
Speaker 1: They would you know, the labels with he was on

695
00:40:36,360 --> 00:40:39,400
Speaker 1: planes together. That's the first time I seen somebody with

696
00:40:39,440 --> 00:40:43,200
Speaker 1: an extra buckle, an extra seat belt. Pun with the

697
00:40:43,280 --> 00:40:46,239
Speaker 1: first person that he get on, they give him a

698
00:40:46,320 --> 00:40:50,400
Speaker 1: stend though, and he's sitting on me O Jaya. They

699
00:40:50,520 --> 00:40:51,480
Speaker 1: gotta give me the thing.

700
00:40:51,600 --> 00:40:54,360
Speaker 3: Me, that's some that's just ill.

701
00:40:55,239 --> 00:40:59,040
Speaker 1: He get on the handle of an extra stendo seat

702
00:40:59,080 --> 00:40:59,800
Speaker 1: belt buckle.

703
00:41:00,120 --> 00:41:02,480
Speaker 3: Yeah, I knew Pun was my nigga. You know what

704
00:41:02,520 --> 00:41:05,000
Speaker 3: I mean? We had Pun was that nigga man. I

705
00:41:05,080 --> 00:41:05,640
Speaker 3: used to be there.

706
00:41:05,719 --> 00:41:09,120
Speaker 1: He used to be snapping on you, snapping on DJI rock.

707
00:41:09,239 --> 00:41:10,440
Speaker 3: Pun was crazy.

708
00:41:11,480 --> 00:41:16,040
Speaker 2: Iraq was the best. He's up upstate. Your man Pun.

709
00:41:16,440 --> 00:41:20,399
Speaker 2: We did the Apollo around this time, and we went

710
00:41:20,480 --> 00:41:22,480
Speaker 2: and got We went five thousand and one. We got

711
00:41:22,480 --> 00:41:25,680
Speaker 2: the match in first. We had like the gray Furst

712
00:41:25,680 --> 00:41:28,239
Speaker 2: and inside and set big Pun inside and said, fat Joe,

713
00:41:28,280 --> 00:41:31,880
Speaker 2: I'm sure somebody got that somewhere, and I ain't gonna

714
00:41:31,880 --> 00:41:35,520
Speaker 2: lie to Apollo. Gave us like twenty thousand dollars. That

715
00:41:35,640 --> 00:41:38,239
Speaker 2: was a big deal. When I was doing flow, Joe

716
00:41:38,360 --> 00:41:41,879
Speaker 2: was getting five hundred. Show your man Pun, we get.

717
00:41:41,920 --> 00:41:44,760
Speaker 2: That's the first money we ever got like that. Twenty

718
00:41:45,040 --> 00:41:48,680
Speaker 2: thousand dollars brand pack. I never forget. Evro was there,

719
00:41:49,360 --> 00:41:52,080
Speaker 2: Your man Pun. Dig in his pockets and throw the

720
00:41:52,120 --> 00:41:59,080
Speaker 2: whole twenty grand in the crowd. No, I wanted my

721
00:41:59,200 --> 00:42:03,720
Speaker 2: two thousand, and I wanted my tent. I almost jumped

722
00:42:03,719 --> 00:42:07,120
Speaker 2: in the crowd after the money. I'm standing next to him.

723
00:42:07,160 --> 00:42:09,799
Speaker 2: It's like, fuck, daddy, throw the money. We just spent

724
00:42:09,920 --> 00:42:13,120
Speaker 2: ten thousand on furs. I'm like, yo, I try to

725
00:42:13,200 --> 00:42:14,800
Speaker 2: jump back in there and grab the buddy.

726
00:42:15,440 --> 00:42:16,200
Speaker 3: It was over.

727
00:42:16,880 --> 00:42:20,239
Speaker 2: He was a true rockstar, Like we seen the gout

728
00:42:20,320 --> 00:42:22,480
Speaker 2: the game yesterday. He was a ridy riddy piper. He

729
00:42:22,560 --> 00:42:25,800
Speaker 2: was a Rick Flair. He was a rioty ridy piper,

730
00:42:25,880 --> 00:42:26,440
Speaker 2: real flag.

731
00:42:26,480 --> 00:42:28,680
Speaker 3: He was an artist artist. You know.

732
00:42:28,760 --> 00:42:31,960
Speaker 2: He would pull up the DMX album signing in a

733
00:42:32,040 --> 00:42:35,600
Speaker 2: limo and start throwing a hundred dollars bills at dmxis

734
00:42:35,640 --> 00:42:39,600
Speaker 2: fans and his crowd. Like he was just different. I'm

735
00:42:39,600 --> 00:42:42,000
Speaker 2: gonna go, you know, I'm always all over the play.

736
00:42:42,000 --> 00:42:44,239
Speaker 2: I'm gonna say, Woo tag thirty six chambers.

737
00:42:44,480 --> 00:42:50,360
Speaker 1: Yeah, that was at that's another world shifter. Nine dudes

738
00:42:51,320 --> 00:42:53,279
Speaker 1: from shouting nine.

739
00:42:53,320 --> 00:42:57,080
Speaker 2: I thought it was like thirty thirteen thirteen of them, right,

740
00:42:57,520 --> 00:42:58,320
Speaker 2: it's nine.

741
00:42:58,160 --> 00:43:01,359
Speaker 1: Originals, might be one hundred add on docus bro.

742
00:43:01,480 --> 00:43:04,239
Speaker 3: I almost smacked my son one time. He did.

743
00:43:04,239 --> 00:43:06,360
Speaker 2: He did the back. But this back in the days.

744
00:43:06,360 --> 00:43:09,000
Speaker 2: He's a grown man now. But I asked him when

745
00:43:09,000 --> 00:43:11,080
Speaker 2: he was like fourteen to fifteen, Yo, give me all

746
00:43:11,080 --> 00:43:14,440
Speaker 2: the members of Woo Tank couldn't say they man, I

747
00:43:14,600 --> 00:43:15,520
Speaker 2: was about the small.

748
00:43:15,600 --> 00:43:18,080
Speaker 3: I was like, yo, ma, man I smacked his ship

749
00:43:18,160 --> 00:43:19,840
Speaker 3: out of you. You don't know that all the members

750
00:43:19,880 --> 00:43:22,320
Speaker 3: of Woo tight, No, that was very thing. He got it.

751
00:43:22,560 --> 00:43:25,160
Speaker 2: They shifted the world off or something like, Yo, I

752
00:43:25,360 --> 00:43:26,239
Speaker 2: was dumb tight.

753
00:43:26,480 --> 00:43:32,719
Speaker 1: None members shall in different slang, adding other karate flicks

754
00:43:33,080 --> 00:43:37,680
Speaker 1: they just took over the world. The Rizer production. That

755
00:43:37,760 --> 00:43:42,040
Speaker 1: ship was like a breath of fresh aird to to

756
00:43:42,120 --> 00:43:45,600
Speaker 1: the hip hop culture that I mean. And then they

757
00:43:45,719 --> 00:43:52,840
Speaker 1: just planted mad Seeds with Math, Ghost Ray, Dirty, Jesu

758
00:43:53,440 --> 00:43:57,440
Speaker 1: rizzor spect the deck. That probably nothing like that to

759
00:43:57,560 --> 00:44:03,000
Speaker 1: ever be done ever again. God it is to make

760
00:44:03,160 --> 00:44:08,840
Speaker 1: nine seven and a half eight stars solo, but nine

761
00:44:08,880 --> 00:44:11,040
Speaker 1: stars together, the new.

762
00:44:11,120 --> 00:44:15,279
Speaker 2: Edition of hip Hop facts that they all went on

763
00:44:15,360 --> 00:44:18,680
Speaker 2: to sell millions of records solo. You know, to this day,

764
00:44:18,719 --> 00:44:22,520
Speaker 2: I got people who argue about ghost Face. You know,

765
00:44:22,560 --> 00:44:24,879
Speaker 2: he might be the greatest. His first album might be

766
00:44:24,920 --> 00:44:28,680
Speaker 2: the greatest. I mean, you got the you got the

767
00:44:28,680 --> 00:44:33,720
Speaker 2: Purple Tape, you got Ray Kwan, you got anything.

768
00:44:33,360 --> 00:44:34,600
Speaker 3: With anything meta. Man.

769
00:44:34,760 --> 00:44:37,439
Speaker 2: Let me tell you something. I honestly used to think

770
00:44:37,520 --> 00:44:41,080
Speaker 2: that the greatest record ever made was his Sinning morn

771
00:44:41,200 --> 00:44:42,000
Speaker 2: in Blue.

772
00:44:42,440 --> 00:44:45,040
Speaker 1: I took it took me about a good fifteen years

773
00:44:45,040 --> 00:44:48,799
Speaker 1: to get up off that, huh, all I need. It

774
00:44:48,880 --> 00:44:53,799
Speaker 1: took me fifteen years to figure out, like, all right,

775
00:44:54,400 --> 00:44:57,000
Speaker 1: you know, this might not be the greatest song ever made,

776
00:44:57,040 --> 00:44:58,600
Speaker 1: like I thought it was great. Yo.

777
00:44:58,640 --> 00:45:02,040
Speaker 2: They playing that shit anywhere that shit came on. It

778
00:45:02,160 --> 00:45:05,200
Speaker 2: was like the ten Son, like this is number one?

779
00:45:05,440 --> 00:45:08,880
Speaker 2: What about the first Brand Nubian debut that was knocked?

780
00:45:09,040 --> 00:45:13,480
Speaker 2: The Brand Nubian ship was crazy, No, no, no, Grand

781
00:45:13,480 --> 00:45:16,680
Speaker 2: Pooba was the best beat was crazy. The grand POOLA

782
00:45:16,880 --> 00:45:22,000
Speaker 2: was the best. Grand Poobab was the best. Grand Pool

783
00:45:22,000 --> 00:45:26,040
Speaker 2: Bos the only rapper I ever watched a whole entire

784
00:45:26,160 --> 00:45:29,319
Speaker 2: club this dancing doing the real shit.

785
00:45:30,080 --> 00:45:33,600
Speaker 3: It was that dance rap that the DJ said, brand

786
00:45:33,640 --> 00:45:34,320
Speaker 3: new Grandpoop.

787
00:45:34,400 --> 00:45:38,359
Speaker 2: I watched everybody go to the speaker stop dancing just

788
00:45:38,400 --> 00:45:39,839
Speaker 2: to hear what the fuck he was gonna?

789
00:45:40,000 --> 00:45:43,480
Speaker 1: Had that mean bars with the voice, with the cadence,

790
00:45:43,880 --> 00:45:46,440
Speaker 1: and he was told to one time me tell you me,

791
00:45:46,520 --> 00:45:49,200
Speaker 1: let me get your staf, let me tell you story.

792
00:45:49,560 --> 00:45:54,440
Speaker 1: So you got My wife got two brothers from a

793
00:45:54,600 --> 00:45:57,600
Speaker 1: father the older, and they had kids.

794
00:45:57,320 --> 00:46:00,239
Speaker 3: And they know they move around and live well.

795
00:46:00,560 --> 00:46:03,960
Speaker 1: One day one of the nieces came with us. They

796
00:46:04,000 --> 00:46:07,759
Speaker 1: came to our crib for the weekend, had a nice time.

797
00:46:07,840 --> 00:46:10,080
Speaker 1: Now it was time to bring her back on Sunday.

798
00:46:10,440 --> 00:46:13,799
Speaker 1: So it was like Sunday evening we get the new row.

799
00:46:14,280 --> 00:46:16,320
Speaker 1: I'm like, nah, I'll walk in it's dark, you know

800
00:46:16,360 --> 00:46:19,239
Speaker 1: what I mean. I'll take in. Actually, what door it is.

801
00:46:19,280 --> 00:46:22,000
Speaker 1: They bring me to the door. Hey thing done?

802
00:46:22,800 --> 00:46:29,960
Speaker 3: Open the door. It's poolba the wng door? Yo? Pool?

803
00:46:30,600 --> 00:46:34,399
Speaker 3: The kiss? What's up? Me? And she lived with them?

804
00:46:35,040 --> 00:46:37,759
Speaker 1: I got back in the car, like the fucking tell

805
00:46:37,840 --> 00:46:39,240
Speaker 1: me she lived with grand Pooba?

806
00:46:39,320 --> 00:46:41,480
Speaker 3: What was you gonna tell me? She wife? That was

807
00:46:41,480 --> 00:46:43,160
Speaker 3: his wife. He was, she was there.

808
00:46:43,480 --> 00:46:47,400
Speaker 1: He was the guardy guse his girl was was raising.

809
00:46:47,960 --> 00:46:49,000
Speaker 3: Yeah you know what I'm saying.

810
00:46:49,800 --> 00:46:52,239
Speaker 1: Well, they could at least told me Pool with my

811
00:46:52,400 --> 00:46:54,000
Speaker 1: answer to the door when you go there?

812
00:46:54,080 --> 00:46:58,520
Speaker 3: I took him. I'm like this, yo, what Grandpa like? Nah?

813
00:46:58,600 --> 00:47:01,680
Speaker 3: She lived here? Me? Pool? You know what's up? He's like,

814
00:47:01,719 --> 00:47:04,000
Speaker 3: what's up? That ship was he? You know?

815
00:47:04,280 --> 00:47:06,440
Speaker 2: Grand Pool Ball took a chance with me. You know

816
00:47:06,560 --> 00:47:10,719
Speaker 2: my first album shout out before that and the man

817
00:47:10,960 --> 00:47:14,600
Speaker 2: he showed up Jazzy j Studio eight. He kicked the

818
00:47:14,680 --> 00:47:17,719
Speaker 2: verse with me in Diamond. I don't know how I

819
00:47:17,800 --> 00:47:21,560
Speaker 2: meant Poolbar, but ever since we kicked it off, we

820
00:47:21,600 --> 00:47:24,360
Speaker 2: was family. We was friends. He shot the vide. He

821
00:47:24,400 --> 00:47:26,640
Speaker 2: can't he's in the flow Joe video. Grand Pool Bar

822
00:47:28,000 --> 00:47:28,640
Speaker 2: him got.

823
00:47:28,600 --> 00:47:33,480
Speaker 3: On especially from West shesteron poo Pool was that nigga?

824
00:47:33,760 --> 00:47:34,200
Speaker 3: All right?

825
00:47:34,440 --> 00:47:37,080
Speaker 2: Once again you're not You're not really trying to hear me,

826
00:47:37,120 --> 00:47:39,680
Speaker 2: because I've been saying I said it like two three times,

827
00:47:40,239 --> 00:47:49,560
Speaker 2: and you really like almost ignoring none of the best.

828
00:47:50,840 --> 00:47:52,840
Speaker 2: You know how, there's some guys out there that'll argue

829
00:47:52,880 --> 00:47:56,680
Speaker 2: with everybody talking about Jada Kiss Top five dead or live.

830
00:47:57,200 --> 00:48:01,520
Speaker 3: He's somebody's top five dead all live as he should.

831
00:48:01,560 --> 00:48:07,320
Speaker 2: He was the best brand football. Sit As my nigga

832
00:48:07,560 --> 00:48:11,560
Speaker 2: brought that ship to the table. Wow, low boys, wold cowboys,

833
00:48:11,560 --> 00:48:15,400
Speaker 2: you're bid sid As. He's one of my favorite rappers

834
00:48:15,440 --> 00:48:17,319
Speaker 2: at the time. I remember when Pootball who was that

835
00:48:17,440 --> 00:48:20,280
Speaker 2: Dante Ross? Somebody signed him over there at a lecture.

836
00:48:20,760 --> 00:48:23,200
Speaker 2: It's the biggest talk in the world. You know the

837
00:48:23,239 --> 00:48:24,680
Speaker 2: brand Nuggie mean sort.

838
00:48:25,640 --> 00:48:28,680
Speaker 3: But don't be gotten to me. You're wrong. That's where

839
00:48:28,680 --> 00:48:31,560
Speaker 3: it's supposed to be. Check it out now, check it

840
00:48:31,600 --> 00:48:32,840
Speaker 3: out now, shut.

841
00:48:32,640 --> 00:48:42,240
Speaker 1: Out the lord jam Yeah, okay, come on, don't go there.

842
00:48:43,800 --> 00:48:46,280
Speaker 3: Now go there because if we go there, you much.

843
00:48:46,680 --> 00:48:49,640
Speaker 2: I'm gonna have to say, fifty second, get Richard Doe Trup.

844
00:48:49,719 --> 00:48:54,680
Speaker 3: We turned it up real quick, jeez, Uni, we could

845
00:48:54,680 --> 00:48:59,240
Speaker 3: get the drama popa nigg that probably might be arguing

846
00:48:59,239 --> 00:49:01,080
Speaker 3: to be one of the debut.

847
00:49:01,280 --> 00:49:04,359
Speaker 1: That's like up there with Snoop fifty Sugars, up there

848
00:49:04,400 --> 00:49:05,560
Speaker 1: with with Doggy Style.

849
00:49:05,680 --> 00:49:08,239
Speaker 3: He asks me for the East.

850
00:49:07,960 --> 00:49:11,799
Speaker 1: Coast, for the world coast. They had the same kind

851
00:49:11,800 --> 00:49:13,320
Speaker 1: of effect as Doggy Style.

852
00:49:13,440 --> 00:49:13,600
Speaker 3: Man.

853
00:49:13,640 --> 00:49:16,680
Speaker 1: That ship was everywhere when he came out, some nigga

854
00:49:16,719 --> 00:49:21,640
Speaker 1: shit is semi everywhere, both of them. Ships was everywhere

855
00:49:22,239 --> 00:49:26,960
Speaker 1: every way you could think of white people everywhere, every commerce,

856
00:49:27,080 --> 00:49:29,279
Speaker 1: you every spring break, every.

857
00:49:29,520 --> 00:49:32,319
Speaker 3: You open your door, your window, you saw that ship.

858
00:49:32,600 --> 00:49:34,960
Speaker 3: It Richard I Try and Doggy.

859
00:49:34,640 --> 00:49:38,799
Speaker 2: Style imagine you got beef for them shortly after that,

860
00:49:39,880 --> 00:49:43,759
Speaker 2: and they playing that ship. It was beating up every

861
00:49:43,920 --> 00:49:46,640
Speaker 2: DJ allegedly did not play the shot.

862
00:49:46,680 --> 00:49:50,480
Speaker 1: The beef was beef niggas at beef for fifty was

863
00:49:50,520 --> 00:49:52,120
Speaker 1: at to get Richard Try.

864
00:49:53,680 --> 00:49:56,200
Speaker 3: Worked bad, No, no, really bad.

865
00:49:56,239 --> 00:50:00,879
Speaker 1: Still the residue it was the other album man, Biggie Bank.

866
00:50:01,400 --> 00:50:03,520
Speaker 3: Yeah, it was down there, cool door for a little

867
00:50:03,520 --> 00:50:08,000
Speaker 3: it's not a lot on a little enough enough God. Yeah,

868
00:50:08,040 --> 00:50:10,719
Speaker 3: that was a different field that we don't play, that

869
00:50:11,520 --> 00:50:12,480
Speaker 3: we don't air around.

870
00:50:13,440 --> 00:50:17,200
Speaker 2: And when you create music, fifty cent was giving you

871
00:50:17,280 --> 00:50:20,920
Speaker 2: like three songs in one song, three different hit.

872
00:50:22,239 --> 00:50:23,919
Speaker 3: It's crazy, bro.

873
00:50:24,160 --> 00:50:27,720
Speaker 2: That album could have really been three albums, four olbls.

874
00:50:28,400 --> 00:50:31,680
Speaker 3: The way he was doing all that. Ship Ah to unit,

875
00:50:31,760 --> 00:50:34,799
Speaker 3: we don't play around. He was like, yo, it was.

876
00:50:34,760 --> 00:50:37,200
Speaker 2: Too easy for I don't know what kind of zone

877
00:50:38,200 --> 00:50:41,600
Speaker 2: he was in, but everything was too easy for me.

878
00:50:41,680 --> 00:50:45,040
Speaker 2: At the bars, he had the beats. He felt like

879
00:50:45,120 --> 00:50:48,200
Speaker 2: my back break was killing ship.

880
00:50:51,440 --> 00:50:56,480
Speaker 3: It's a difference. There's a difference between street park bars.

881
00:50:56,600 --> 00:50:57,480
Speaker 3: At your leisure.

882
00:50:57,560 --> 00:51:00,440
Speaker 2: You can have a nice pop you come and when

883
00:51:00,440 --> 00:51:02,080
Speaker 2: we see him in the videos, in the street part,

884
00:51:02,160 --> 00:51:05,400
Speaker 2: you can jump out and have a coconut. It's different

885
00:51:05,400 --> 00:51:12,319
Speaker 2: when you in jail doing bars. In the bars, just

886
00:51:12,360 --> 00:51:12,840
Speaker 2: what they.

887
00:51:12,719 --> 00:51:13,319
Speaker 3: Did to him.

888
00:51:13,320 --> 00:51:15,360
Speaker 1: He was trying to like to bet with them, and

889
00:51:15,400 --> 00:51:17,319
Speaker 1: then we ain't doing like him.

890
00:51:17,360 --> 00:51:21,000
Speaker 2: Don't do that two times. You ain't doing bars like

891
00:51:21,160 --> 00:51:22,320
Speaker 2: Jada kiss get at it.

892
00:51:22,440 --> 00:51:24,600
Speaker 3: Yeah, man, the nigga doing well. He calling up like

893
00:51:24,719 --> 00:51:27,680
Speaker 3: this ship doing all type of shit. You ain't doing

894
00:51:27,719 --> 00:51:32,480
Speaker 3: all that. Don't don't stop. Please. Just because you did

895
00:51:32,640 --> 00:51:34,719
Speaker 3: jail time don't mean you know how to do that.

896
00:51:35,239 --> 00:51:37,319
Speaker 2: They don't know how you pedal the bike. I'm not

897
00:51:38,200 --> 00:51:41,400
Speaker 2: don't do that. Jay Z reasonable doubt.

898
00:51:41,640 --> 00:51:47,400
Speaker 3: Crazy, crazy, crazy shit crazy. He taught me right because

899
00:51:47,440 --> 00:51:53,440
Speaker 3: I was a street dude. Man, I was a street dude, but.

900
00:51:53,480 --> 00:51:57,640
Speaker 1: I didn't really so much really get into like the

901
00:51:57,680 --> 00:52:02,520
Speaker 1: business dawn drug shit to like my second album, the

902
00:52:02,520 --> 00:52:05,040
Speaker 1: first album was I Stick You Up, I Smacked You Up,

903
00:52:05,200 --> 00:52:06,359
Speaker 1: you know, all that type of shit.

904
00:52:06,880 --> 00:52:08,760
Speaker 3: But that reason of booed.

905
00:52:08,400 --> 00:52:11,560
Speaker 1: Oubt showed me you could talk like like I could

906
00:52:11,600 --> 00:52:13,560
Speaker 1: real my live, my real life music.

907
00:52:13,680 --> 00:52:16,440
Speaker 2: I'm listening to shit and I felt like it was

908
00:52:16,520 --> 00:52:19,640
Speaker 2: my life. I felt like, yo, you could rap about

909
00:52:20,280 --> 00:52:23,400
Speaker 2: your life and music. So in videos, I'm wearing the

910
00:52:23,560 --> 00:52:27,160
Speaker 2: Army fatigues, but I'm going to my man's party with

911
00:52:27,320 --> 00:52:29,680
Speaker 2: the sky blue suit on, with the gators, with the

912
00:52:29,760 --> 00:52:32,040
Speaker 2: this this, this Now, we could rap about it and

913
00:52:32,080 --> 00:52:34,239
Speaker 2: put it in the video and do that.

914
00:52:34,880 --> 00:52:37,800
Speaker 3: I felt like Reason that moved out did that for me.

915
00:52:38,360 --> 00:52:41,640
Speaker 2: And I remember driving back and forth from New York

916
00:52:41,680 --> 00:52:44,440
Speaker 2: to Miami just playing that one album.

917
00:52:43,920 --> 00:52:46,120
Speaker 3: Back to back to back to back.

918
00:52:46,880 --> 00:52:52,759
Speaker 2: Uh, that's another one right after Illmatic. That kind of

919
00:52:52,840 --> 00:52:55,600
Speaker 2: changed my life to where it was like, all right,

920
00:52:56,080 --> 00:52:57,880
Speaker 2: if you're gonna wrap this where you need to be,

921
00:52:58,520 --> 00:53:00,000
Speaker 2: you need to talk more about your life.

922
00:53:00,040 --> 00:53:02,600
Speaker 3: If you need to talk that shit, you need to die.

923
00:53:02,719 --> 00:53:06,640
Speaker 2: That that pushed me more towards me being the Don

924
00:53:06,719 --> 00:53:10,000
Speaker 2: Cardajina Like publicly, I was already the Don Carda Gina

925
00:53:10,360 --> 00:53:13,480
Speaker 2: behind the scene, but publicly it said you can do this.

926
00:53:14,320 --> 00:53:16,760
Speaker 2: And I don't know what the fuck Onyx first album

927
00:53:16,920 --> 00:53:20,920
Speaker 2: was with them two they changed fat Joe's whole life

928
00:53:21,840 --> 00:53:26,360
Speaker 2: because I just pick a up dad one shot. I

929
00:53:26,440 --> 00:53:33,080
Speaker 2: was like, what the fuck up? Onyx unsung heroes. Some

930
00:53:33,120 --> 00:53:36,240
Speaker 2: of the greatest music I ever heard was Onyx.

931
00:53:37,120 --> 00:53:40,920
Speaker 1: Sticky just sent me so I steel not all lats

932
00:53:41,280 --> 00:53:43,480
Speaker 1: right now twenty twenty five.

933
00:53:43,520 --> 00:53:48,000
Speaker 3: He sent me saying, are you listening to me? Sticky?

934
00:53:48,120 --> 00:53:51,920
Speaker 3: Just send me a song. That's crazy, that'sh weak crazy.

935
00:53:51,920 --> 00:53:56,080
Speaker 3: Who had to pick beats? The beat is crazy? They

936
00:53:56,160 --> 00:53:57,280
Speaker 3: knew how to pick beats.

937
00:53:57,480 --> 00:54:01,080
Speaker 1: They had some mean one of them Onyx. I think

938
00:54:01,120 --> 00:54:05,600
Speaker 1: it's the second one. The beats on the second Onyx.

939
00:54:05,200 --> 00:54:09,080
Speaker 2: Album is some of the best. Trying to revisit those

940
00:54:09,120 --> 00:54:18,120
Speaker 2: ships great, Yo, huh Fradjoe. Nobody writes that Joe Robs

941
00:54:18,400 --> 00:54:20,719
Speaker 2: seen you and my brother I love you. I'll see

942
00:54:20,719 --> 00:54:25,720
Speaker 2: you on the video on the.

943
00:54:23,960 --> 00:54:26,919
Speaker 3: He said this, he said, you know Joe got ghostwriters

944
00:54:26,960 --> 00:54:28,719
Speaker 3: this and that. Yo, You're delusional.

945
00:54:29,239 --> 00:54:32,279
Speaker 2: Nobody could write my life, write my rhymes, nothing like that,

946
00:54:32,400 --> 00:54:32,920
Speaker 2: and I love you.

947
00:54:32,960 --> 00:54:33,400
Speaker 3: Frajoel.

948
00:54:34,000 --> 00:54:35,880
Speaker 2: Frad Joel is a good guy. I've just picked you

949
00:54:36,000 --> 00:54:38,120
Speaker 2: up on another level. But by seeing you the only

950
00:54:38,200 --> 00:54:41,640
Speaker 2: person in history on the video talking about Yeah Joe,

951
00:54:41,719 --> 00:54:46,480
Speaker 2: you know Joe got please brother got me fucked up.

952
00:54:46,520 --> 00:54:49,400
Speaker 2: Thirty seven years of doing this ship, I do this

953
00:54:49,440 --> 00:54:55,279
Speaker 2: in my slate, but Fradie produced all that. Let me

954
00:54:55,320 --> 00:54:56,600
Speaker 2: tell you something. He's a genius.

955
00:54:56,719 --> 00:54:57,239
Speaker 3: Carolina.

956
00:54:57,880 --> 00:55:02,000
Speaker 2: Them guys, them guys different and they changed my life.

957
00:55:02,400 --> 00:55:04,880
Speaker 2: So Fred Joe, when you look at my interviews about you,

958
00:55:04,960 --> 00:55:06,840
Speaker 2: they always say you changed my life.

959
00:55:07,280 --> 00:55:11,640
Speaker 3: Dude. Documentary The Game? Crazy is that?

960
00:55:11,719 --> 00:55:16,000
Speaker 2: And how game is the first rapper that if you

961
00:55:16,080 --> 00:55:18,280
Speaker 2: didn't tell everybody says that a million times.

962
00:55:18,280 --> 00:55:18,879
Speaker 3: But if you.

963
00:55:18,840 --> 00:55:23,040
Speaker 2: Didn't tell me he's from Compton, I would think he's

964
00:55:23,040 --> 00:55:23,760
Speaker 2: from New York.

965
00:55:25,040 --> 00:55:27,880
Speaker 3: He was the first, you know, the West Coast, they

966
00:55:27,960 --> 00:55:28,880
Speaker 3: got their own sound.

967
00:55:29,200 --> 00:55:32,120
Speaker 1: Heard he study of the first Compton nigga with a

968
00:55:32,320 --> 00:55:38,399
Speaker 1: Yankish flow, all the bronx, the Yankish flow. Looking up

969
00:55:39,160 --> 00:55:42,160
Speaker 1: Compton nigga with the Yukish flow.

970
00:55:43,360 --> 00:55:49,760
Speaker 2: I repeat, still New York yunk will grill no listen.

971
00:55:50,520 --> 00:55:54,360
Speaker 3: I agree with him what you want me to go?

972
00:55:55,600 --> 00:55:59,160
Speaker 1: Yonkers fucking locks of some of the greatest rappers ever lived.

973
00:56:00,040 --> 00:56:03,799
Speaker 3: I'm not disrespecting that. Who said that? Loo?

974
00:56:03,920 --> 00:56:07,200
Speaker 2: He said that he got a Yonker Slow, Okay, I'll

975
00:56:07,200 --> 00:56:12,080
Speaker 2: give you that. What I'm trying to say is Martin

976
00:56:12,160 --> 00:56:13,360
Speaker 2: new for had to dream?

977
00:56:13,680 --> 00:56:17,640
Speaker 3: Yeah dream? Hey did I love it? Crazy?

978
00:56:17,680 --> 00:56:21,440
Speaker 1: He had new clear missiles on on both hold document

979
00:56:21,760 --> 00:56:24,560
Speaker 1: to this day, first one with the debut though, is

980
00:56:25,080 --> 00:56:26,120
Speaker 1: a is a smoker?

981
00:56:26,560 --> 00:56:29,800
Speaker 3: No biking. Nobody in front the numbers.

982
00:56:29,840 --> 00:56:33,640
Speaker 2: The numbers prove it four or five million, right, I'm

983
00:56:33,640 --> 00:56:37,680
Speaker 2: gonna and nobody's saying ready to die her?

984
00:56:37,760 --> 00:56:40,440
Speaker 3: Niggas is over here playing around like ready, you're just

985
00:56:40,480 --> 00:56:44,360
Speaker 3: floating all over run. He's floating over it, stopped floating

986
00:56:44,440 --> 00:56:47,239
Speaker 3: for a minute. Ready to die?

987
00:56:47,440 --> 00:56:50,560
Speaker 1: Is He came in and twitched the old way niggas

988
00:56:50,600 --> 00:56:51,680
Speaker 1: was rapping back then.

989
00:56:52,320 --> 00:56:56,719
Speaker 4: Who be out Nigga small things? The whole entire rap

990
00:56:56,800 --> 00:57:02,759
Speaker 4: game just floating debut albums. His flow is cadence to

991
00:57:02,800 --> 00:57:05,680
Speaker 4: this day. Don't make sense. He died when he was

992
00:57:05,719 --> 00:57:10,000
Speaker 4: like twenty six, twenty seven. He only did two years

993
00:57:10,000 --> 00:57:14,360
Speaker 4: of damage and in fucking phenomenal. There's not a day

994
00:57:15,040 --> 00:57:19,480
Speaker 4: not a day in my blessed life that God has given.

995
00:57:19,200 --> 00:57:22,800
Speaker 2: Me that I do not hear Biggie Small song. What

996
00:57:23,000 --> 00:57:26,760
Speaker 2: he was able to do to take rap, underground music

997
00:57:28,360 --> 00:57:34,320
Speaker 2: and commercialize it changed my life, in every other rapper's life.

998
00:57:34,440 --> 00:57:36,440
Speaker 3: He was twenty four years old when he died, a

999
00:57:36,520 --> 00:57:37,240
Speaker 3: fucking baby.

1000
00:57:37,280 --> 00:57:41,680
Speaker 1: Twenty five or twenty six or twenty four, twenty four.

1001
00:57:42,840 --> 00:57:46,360
Speaker 3: Pac was twenty six, Oh it was Pac. Pac was

1002
00:57:46,400 --> 00:57:48,120
Speaker 3: young too, twenty six.

1003
00:57:48,400 --> 00:57:51,720
Speaker 1: But man twenty five and twenty four is crazy man

1004
00:57:52,840 --> 00:57:54,080
Speaker 1: to billy get in the club.

1005
00:57:54,400 --> 00:57:58,280
Speaker 3: I think that's some bullshit. But Biggie Small's to this day,

1006
00:57:58,320 --> 00:58:00,880
Speaker 3: his flows is Cadence. You know.

1007
00:58:01,160 --> 00:58:06,040
Speaker 2: I help get the song together with him and Bone

1008
00:58:06,080 --> 00:58:06,840
Speaker 2: Thugs in Harmony.

1009
00:58:06,840 --> 00:58:07,840
Speaker 3: That's another album.

1010
00:58:08,280 --> 00:58:12,760
Speaker 2: Look up the first Bone Thugs in Harmony first album,

1011
00:58:12,800 --> 00:58:14,520
Speaker 2: so thirty million records.

1012
00:58:15,520 --> 00:58:20,000
Speaker 3: He's nineteen ninety nine. For the love of money.

1013
00:58:20,040 --> 00:58:24,640
Speaker 1: Gotta get that money, baby, money, baby, gotta get that money.

1014
00:58:24,800 --> 00:58:25,120
Speaker 3: Baby.

1015
00:58:25,800 --> 00:58:30,400
Speaker 2: Let me tell you some boy, I miss my uncle Georgia.

1016
00:58:31,280 --> 00:58:39,920
Speaker 1: Call him George ms Buncle Georgia, Uncle Charles. Fuck with

1017
00:58:40,040 --> 00:58:54,200
Speaker 1: George ms Buncle George. At least yo, George, Uncle George.

1018
00:58:55,040 --> 00:58:59,080
Speaker 3: You know yo. Listen, now you go George.

1019
00:58:59,120 --> 00:59:00,840
Speaker 2: You know how you go to the hey, ain't meaning

1020
00:59:00,920 --> 00:59:03,680
Speaker 2: to be like, Hi, I'm Joe, I'm an alcoholic. It's

1021
00:59:03,760 --> 00:59:07,040
Speaker 2: like Hi, I'm fat, Joe, I'm a fuck up, I'm

1022
00:59:07,120 --> 00:59:10,240
Speaker 2: a bug out. I change all the words. That's why

1023
00:59:10,240 --> 00:59:11,320
Speaker 2: we're gonna have a problem.

1024
00:59:11,400 --> 00:59:15,000
Speaker 3: Rich. We put it back, Rich toward back to me.

1025
00:59:15,680 --> 00:59:20,000
Speaker 2: You can't even memorize my own robs, so imagine memorizing

1026
00:59:20,080 --> 00:59:20,640
Speaker 2: your rhymes.

1027
00:59:20,720 --> 00:59:21,760
Speaker 3: Just somebody else round.

1028
00:59:21,760 --> 00:59:24,720
Speaker 2: I fuck everybody shit up, But I got that boning

1029
00:59:24,800 --> 00:59:29,120
Speaker 2: Biggie done. Biggie hit me up, said Joe, I want

1030
00:59:29,160 --> 00:59:31,200
Speaker 2: to rock with your man's. I know that your man's

1031
00:59:31,320 --> 00:59:33,320
Speaker 2: be on the same label. I'm hanging out with them

1032
00:59:33,320 --> 00:59:36,160
Speaker 2: every day. Then you had a relationship with Bob. I

1033
00:59:36,200 --> 00:59:40,280
Speaker 2: had to really really convince them, and I know to

1034
00:59:40,280 --> 00:59:43,520
Speaker 2: this day they're happy. I convinced them, and Steve Lobell

1035
00:59:43,600 --> 00:59:46,960
Speaker 2: brought them to the studio. The rest is history. With

1036
00:59:47,120 --> 00:59:50,440
Speaker 2: that bone in Biggie Biggie boner, and nobody in New

1037
00:59:50,560 --> 00:59:53,959
Speaker 2: York was thinking about am in dangerous? Ain't too Minny,

1038
00:59:53,960 --> 00:59:54,800
Speaker 2: can't bang with us?

1039
00:59:54,840 --> 00:59:55,320
Speaker 3: Sing up?

1040
00:59:55,320 --> 00:59:58,760
Speaker 2: We know ain'tel us and Torios so co be with

1041
00:59:58,840 --> 01:00:03,400
Speaker 2: you know who this nobody was thinking about that flow

1042
01:00:04,040 --> 01:00:08,280
Speaker 2: at that time. When he did it, it was like, you know,

1043
01:00:08,400 --> 01:00:10,760
Speaker 2: big with somebody that's like you.

1044
01:00:11,200 --> 01:00:13,120
Speaker 3: I mean, damn man, we got a big this thing.

1045
01:00:13,280 --> 01:00:18,320
Speaker 3: I'm right over here, yea something saluted man. Biggie was

1046
01:00:18,360 --> 01:00:21,160
Speaker 3: like you in the very way of you never said

1047
01:00:21,200 --> 01:00:21,960
Speaker 3: a whack verse.

1048
01:00:22,040 --> 01:00:25,440
Speaker 2: So every time Biggie ku ryme on one twelve, he

1049
01:00:25,480 --> 01:00:27,240
Speaker 2: could rhyme on fucking.

1050
01:00:28,360 --> 01:00:33,640
Speaker 3: A girl's TLC shit whatever, it ain't not anything that

1051
01:00:33,680 --> 01:00:36,560
Speaker 3: we would listen to him. We would listen to the

1052
01:00:36,600 --> 01:00:37,240
Speaker 3: new verse.

1053
01:00:37,080 --> 01:00:39,600
Speaker 2: And be like, Damn, Biggie did it again. He was

1054
01:00:39,640 --> 01:00:42,760
Speaker 2: super nice. He did this and this and that. It

1055
01:00:42,880 --> 01:00:45,040
Speaker 2: was crazy. You know what I'm saying, b ig that

1056
01:00:45,200 --> 01:00:47,400
Speaker 2: ready to die. That ship to this day is one

1057
01:00:47,440 --> 01:00:49,800
Speaker 2: of my favorite uh you know what I mean? For

1058
01:00:49,960 --> 01:00:54,520
Speaker 2: the slave since for the same and the two Yo Biggie,

1059
01:00:55,240 --> 01:00:56,960
Speaker 2: I have my homies, total bust of shit.

1060
01:00:57,640 --> 01:00:58,440
Speaker 3: Every record.

1061
01:00:59,080 --> 01:01:02,120
Speaker 2: It wasn't just I don't know if it was a fan,

1062
01:01:02,320 --> 01:01:08,440
Speaker 2: but as a rapper, every verse similar to you, every

1063
01:01:08,560 --> 01:01:13,960
Speaker 2: verse Biggie ever spit, we would analyze it immediately be like, yo,

1064
01:01:13,960 --> 01:01:17,920
Speaker 2: he did this song with total you know everything. You'd

1065
01:01:17,920 --> 01:01:22,560
Speaker 2: be like, damn body, that ship again. It's not easy

1066
01:01:22,600 --> 01:01:26,600
Speaker 2: to body every single verse. You know Jady Kish, you

1067
01:01:26,640 --> 01:01:30,480
Speaker 2: know he's really good at that. You know what I'm saying.

1068
01:01:31,080 --> 01:01:34,400
Speaker 2: We be listening for every verse like, oh shit, Jenna

1069
01:01:34,440 --> 01:01:37,720
Speaker 2: gonna spit that ship right now? Who else you put

1070
01:01:37,760 --> 01:01:42,160
Speaker 2: in that in that category of every verse they have

1071
01:01:42,240 --> 01:01:45,400
Speaker 2: a spit, you would listen to it like, oh shit,

1072
01:01:45,480 --> 01:01:46,920
Speaker 2: he about to spit that ship.

1073
01:01:49,040 --> 01:01:55,640
Speaker 3: Huh, black thought, Black thought. It's superiorly nice. We all agree.

1074
01:01:56,200 --> 01:02:01,240
Speaker 2: Lauren's deput Tell me about Lauren Ill because I always

1075
01:02:01,440 --> 01:02:02,360
Speaker 2: mis education.

1076
01:02:02,760 --> 01:02:05,960
Speaker 3: She sided me bigger than all, Like, you got this education,

1077
01:02:06,760 --> 01:02:07,400
Speaker 3: you know what I'm saying.

1078
01:02:07,440 --> 01:02:11,680
Speaker 1: Liker Hill, I got Lauren got the same birthday one.

1079
01:02:12,120 --> 01:02:15,520
Speaker 3: It's big up. That's it. We wont we ail like.

1080
01:02:15,840 --> 01:02:18,360
Speaker 3: Education is one of the most classical albums. They gave

1081
01:02:18,400 --> 01:02:22,320
Speaker 3: it the best album. I got the same burden Lauryn Hill.

1082
01:02:22,920 --> 01:02:28,240
Speaker 1: Three stacks somebody Lauryn Hill and three stacks mean we

1083
01:02:28,280 --> 01:02:29,560
Speaker 1: will share the same birthday.

1084
01:02:29,920 --> 01:02:34,280
Speaker 3: And I say more we ail like miss.

1085
01:02:34,080 --> 01:02:40,680
Speaker 2: Edutainment of Laurence Hill, groundbreaking album phenomenal because she could

1086
01:02:40,720 --> 01:02:44,400
Speaker 2: sing incredible and she got the bass.

1087
01:02:45,720 --> 01:02:48,680
Speaker 3: I felt cheated as a hip hop fan.

1088
01:02:49,880 --> 01:02:54,560
Speaker 2: Then she retired so quick like, I think we would

1089
01:02:54,600 --> 01:02:58,960
Speaker 2: have had multiple albums of greatness. You know, I think

1090
01:02:58,960 --> 01:03:02,120
Speaker 2: we got wrong from Lauren Hill, you know, walking off

1091
01:03:02,160 --> 01:03:04,040
Speaker 2: the game because she would have had four or five

1092
01:03:04,160 --> 01:03:05,320
Speaker 2: classic albums.

1093
01:03:05,560 --> 01:03:09,800
Speaker 3: I can't see her making wax shit and definitely where

1094
01:03:09,880 --> 01:03:15,480
Speaker 3: she left the game at that time. Ah she was.

1095
01:03:15,800 --> 01:03:18,880
Speaker 3: She just still to this day, all these girls are great.

1096
01:03:19,320 --> 01:03:21,560
Speaker 3: I love them all. You know, Remy gets a little.

1097
01:03:21,400 --> 01:03:23,720
Speaker 2: Upset because she wants me to cheat and say Remy's

1098
01:03:23,760 --> 01:03:27,640
Speaker 2: the greatest. Can't nobody fuck with lawn Nell Lauryn Hills

1099
01:03:27,680 --> 01:03:30,360
Speaker 2: in the fucking lane of her home.

1100
01:03:31,560 --> 01:03:32,880
Speaker 3: Nobody. That's a fact.

1101
01:03:33,960 --> 01:03:36,720
Speaker 2: And so uh what Little Kim's first album that we're

1102
01:03:36,720 --> 01:03:40,120
Speaker 2: talking about? Females allcour crazy. Little Kim first album was

1103
01:03:40,160 --> 01:03:47,640
Speaker 2: crazy hardcore. Everybody shifted ss Amelia, that shifted.

1104
01:03:47,200 --> 01:03:53,640
Speaker 1: The way females wanted to present themselves after Little Kim,

1105
01:03:54,240 --> 01:03:56,600
Speaker 1: Foxy first album, I know Nan crazy.

1106
01:03:57,840 --> 01:04:03,200
Speaker 2: You see Elliott for he our can't stand the Raves.

1107
01:04:03,280 --> 01:04:08,479
Speaker 2: The Brat shit bout numbers than everybody funk the fat Yes,

1108
01:04:08,960 --> 01:04:12,560
Speaker 2: the fucking Brat was the first to crack open that gate.

1109
01:04:12,920 --> 01:04:14,600
Speaker 3: Harsh shit. She had real.

1110
01:04:14,520 --> 01:04:19,680
Speaker 2: Fans minus shit platinum, but uh, Foxy and kim Man.

1111
01:04:20,680 --> 01:04:26,000
Speaker 2: That's like Brandy Monica. That was a time, you know

1112
01:04:26,000 --> 01:04:28,600
Speaker 2: what I mean. I think you know, it's very hard

1113
01:04:28,640 --> 01:04:32,360
Speaker 2: for a man to really be bumping the girl's album

1114
01:04:32,520 --> 01:04:36,440
Speaker 2: like that, driving in your car like the whole album,

1115
01:04:36,680 --> 01:04:39,040
Speaker 2: but riding around like you think you playing the shit

1116
01:04:39,120 --> 01:04:40,520
Speaker 2: and you got Foxy.

1117
01:04:40,160 --> 01:04:41,560
Speaker 3: You got Kim On.

1118
01:04:42,400 --> 01:04:45,560
Speaker 2: Recently, I listened to that Cardi B album about ten

1119
01:04:45,680 --> 01:04:46,760
Speaker 2: twenty times.

1120
01:04:48,040 --> 01:04:51,400
Speaker 3: Cardi B, she got some balls of there better than dudes.

1121
01:04:51,480 --> 01:04:55,160
Speaker 3: It's it's really incredible the way they put that album together. Recently,

1122
01:04:55,880 --> 01:04:59,520
Speaker 3: Cardi B's album is phenom and the girls is eating

1123
01:04:59,560 --> 01:05:05,920
Speaker 3: it up. They hello, they going crazy the ship on Instagram.

1124
01:05:05,920 --> 01:05:09,880
Speaker 2: I'm not comparing the album to Lauren Hill or Foxy

1125
01:05:09,960 --> 01:05:10,960
Speaker 2: or Kemn's Days Get.

1126
01:05:11,280 --> 01:05:13,960
Speaker 3: I ain't saying anyone, but I'm just saying, you got that,

1127
01:05:14,720 --> 01:05:17,080
Speaker 3: You got that Uncle Gredy eyes. You know what I'm saying.

1128
01:05:17,080 --> 01:05:20,480
Speaker 3: You just you giving me the eyes like wait, wait, wait, wait,

1129
01:05:20,760 --> 01:05:23,360
Speaker 3: wait wait wait, you're giving me that now.

1130
01:05:23,440 --> 01:05:26,160
Speaker 2: I'm telling you an album right now, it's better than

1131
01:05:26,200 --> 01:05:28,640
Speaker 2: most guys in twenty twenty five.

1132
01:05:28,920 --> 01:05:32,520
Speaker 3: Cardi B got that ship right now. Let's see this,

1133
01:05:32,640 --> 01:05:34,120
Speaker 3: Ain't that that?

1134
01:05:34,280 --> 01:05:39,000
Speaker 2: Ain't this cracking kissing baskets bitch,