WEBVTT - #203 - JID

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<v Speaker 1>Yo, it's the Bootleg Caps Show. We got a special

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<v Speaker 1>guest in here. I'm gonna say it because all of

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<v Speaker 1>the amazing rappers that I know that I talked about,

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<v Speaker 1>who's that motherfucker? You know, rappers got their favorite rappers.

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<v Speaker 1>One of the illdest mothers alive j Id is here.

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<v Speaker 1>Welcome man. That's good. First of all, I've been very

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<v Speaker 1>appreciative of the Lucy's you've been dropping. Obviously, the Spillage

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<v Speaker 1>Village Project was incredible. Why has it taken so long

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<v Speaker 1>to drop a new body of work from you? Uh?

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<v Speaker 1>Four years? Right? Four years and some change? Fakely like

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<v Speaker 1>I will say three you know what I'm saying, because

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<v Speaker 1>I dropped November like twenty eighteen. Yeah, so about three. Yeah.

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<v Speaker 1>Then that whole year we toured, like the whole twent

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<v Speaker 1>nineteen we tour, and then twenty twenty came did the

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<v Speaker 1>Grammys because of the spill because of the Revenge Project

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<v Speaker 1>came out two nineteen. Obviously you got the Grammy. And

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<v Speaker 1>then twenty twenty we're supposed to go to Japan. It's

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<v Speaker 1>supposed to go on to tour in Tokyo whatever. And

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<v Speaker 1>then and that's when I really started working on the album.

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<v Speaker 1>You know what I'm saying about my regognizance. You know

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<v Speaker 1>what I'm saying. I started working on it, so you

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<v Speaker 1>started like twenty like your process has been like a

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<v Speaker 1>two year process kind of Yeah. And I've been dropping

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<v Speaker 1>so much work since. You know, the Conway record is crazy. Yeah,

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<v Speaker 1>that's my dog. It's hard. You got one of them

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<v Speaker 1>ones from him too, Yeah yeah, yeah, yeah, So yeah,

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<v Speaker 1>I don't see it like that. You know what I'm saying,

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<v Speaker 1>just the circumstances of the world. I'm sure it would

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<v Speaker 1>have came out of twenty twenty without minus the state

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<v Speaker 1>of the world. Of course. Talk about your relationship with

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<v Speaker 1>with with Conway. Obviously you hopped on Scatterbrain, which is

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<v Speaker 1>close to going gold it is. Yeah, I just talked

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<v Speaker 1>to him earlier last week. I think it's going to

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<v Speaker 1>go gold soon. Did you get I know he did

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<v Speaker 1>that on TV? Did you were you on TV with

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<v Speaker 1>him when he did that? Yeah? Yeah, we did it

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<v Speaker 1>on I believe it was falling. When you see someone

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<v Speaker 1>like Conway or just in general, like an MC that

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<v Speaker 1>you feel like, is you know one of them once?

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<v Speaker 1>Like do you feel like kind of like you know

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<v Speaker 1>as like almost like a Jedi relationship with like certain rappers,

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<v Speaker 1>you kind of got to like reach out and be like, yo,

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<v Speaker 1>I see what you're doing. Yeah, we I feel like

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<v Speaker 1>we tapped in and maybe twenty eighteen just on some

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<v Speaker 1>like mutual respective. I feel like it was around the

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<v Speaker 1>time I did like the funk flesh free style, and

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<v Speaker 1>ever since, I feel like we've been tapped in super

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<v Speaker 1>solid dude. But all of them guys over there, you

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<v Speaker 1>know what I'm saying, Ben west Side, like body, all

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<v Speaker 1>of them, They're amazing. I love all these incredible. I

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<v Speaker 1>love all of them. So I feel like my comedy too,

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<v Speaker 1>is he with them? Yeah, my commys with them. Crazy.

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<v Speaker 1>You know on the streets there's a lot of crazy

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<v Speaker 1>Stove got Cooks, Martie Caesar. Yeah, they got adult camp

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<v Speaker 1>over us. I just respect it. I like movements like

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<v Speaker 1>that when it's like super based in like the the

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<v Speaker 1>pure form of like hip hop. I would say, you

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<v Speaker 1>know what I'm saying, one of my favorite new artists

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<v Speaker 1>who relatively new. I mean it's been doing the same.

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<v Speaker 1>But I love Kenny Man and you got Kenny on

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<v Speaker 1>this uh this drop that just just came out. Obviously

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<v Speaker 1>somebody from from atl somebody who I think somehow was

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<v Speaker 1>a little underappreciated, you know, but it's I feel like

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<v Speaker 1>I'm gonna have a crazy career ahead of him. Just

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<v Speaker 1>talk about like linking up with Kenny Man and just

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<v Speaker 1>kind of, you know, shine some light on on on

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<v Speaker 1>him in general, because I feel like he's he's one

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<v Speaker 1>of them ones as well. Yeah, she's dope real. I'm

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<v Speaker 1>just like a super fan of like Atlanta, you know

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<v Speaker 1>what I'm saying, Just just what that whole scene brings.

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<v Speaker 1>So I'm like super supportive or whatever, even if some

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<v Speaker 1>people may hate it or whatever. Like I'm just super

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<v Speaker 1>supportive of it. This sounds just coming from the city.

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<v Speaker 1>So there's a lot of upcoming artists that I like,

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<v Speaker 1>I show love to, you know what I'm saying, just

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<v Speaker 1>because it needs that light being shined. You know what

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<v Speaker 1>I'm saying. I got blessed with the opportunity with somebody

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<v Speaker 1>like shine a light on me. You got me to

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<v Speaker 1>this point where I'm talking to you, you you know what

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<v Speaker 1>I'm saying, So I just try and do my part.

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<v Speaker 1>It ain't even too much thought into it, you know

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<v Speaker 1>what I'm saying. If you talented, like you're from the city,

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<v Speaker 1>like I'm doing this this black and white for real,

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<v Speaker 1>give me some of the background. Obviously, Spillage Village is

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<v Speaker 1>a crew. Before you guys were everyone was signed. You

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<v Speaker 1>know what I'm saying. You give me the dynamics because

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<v Speaker 1>it was at the house everybody was living in. Was it.

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<v Speaker 1>Shout out to Maria, shout out to black, shouts to

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<v Speaker 1>everybody who's involved. Give me kind of like the breakdown

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<v Speaker 1>of of of like the roots of Spillage Village because

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<v Speaker 1>it's like almost like y'all are like low key, like

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<v Speaker 1>very reminiscent of the Dungeon family coming out of the

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<v Speaker 1>a you know what I mean. It started with me

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<v Speaker 1>and Earth Gang. We literally said, hey, we should be

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<v Speaker 1>a collective. You know what I'm saying. We was going

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<v Speaker 1>to school at the same time in Virginia, so we're

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<v Speaker 1>able to do but cook for sure. That's amazing. I

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<v Speaker 1>love that reference. Shout out the push that or who

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<v Speaker 1>said that, that's that's malice. Yeah, that's malice. Amazing. But yeah,

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<v Speaker 1>we was all up in through Virginia, but I got

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<v Speaker 1>kicked out of school, so like trying to figure out

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<v Speaker 1>what's next. He was like, let's start this collective. Like

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<v Speaker 1>he's really was already wrapping together fakely in the dorms,

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<v Speaker 1>like trying to figure out how to put it together.

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<v Speaker 1>But then we said, let's put it together, me and

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<v Speaker 1>Earth Gang, so we started it. And then we had

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<v Speaker 1>the homies like Hollywood Jab and Jordan Bryant like they brothers.

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<v Speaker 1>They were just amazing. And then Mariba and Black was

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<v Speaker 1>just like we knew them from the city, did shows

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<v Speaker 1>around the same type of little scene we had, and

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<v Speaker 1>then it just all worked out. It was really family,

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<v Speaker 1>you know what I'm saying. We all lived in the

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<v Speaker 1>same house at the time. Period was just sleeping on

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<v Speaker 1>couches and stuff like that now Marie, but more so

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<v Speaker 1>because you know what I'm saying, shit lady, but all

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<v Speaker 1>the boys we used to rough it, you know what

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<v Speaker 1>I'm saying, college doing room style, Like what's like, what's

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<v Speaker 1>that crib like with you Earth getting Black? Everybody in

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<v Speaker 1>the crib? Is it like everyone's always recording? Is like

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<v Speaker 1>what like what is that like? Yeah, it wasn't like

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<v Speaker 1>you know what I'm saying. We was moving around. We

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<v Speaker 1>wasn't just sitting in the house recording. So some days

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<v Speaker 1>like somebody be on the me. I wake up every

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<v Speaker 1>morning got right to it before anybody. I'm up six

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<v Speaker 1>in the morning with it. But everybody's moving around doing

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<v Speaker 1>different things, and we just tried to find time to

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<v Speaker 1>make music together and then like separately, we had to

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<v Speaker 1>make our projects to get us the individual like you

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<v Speaker 1>know what I'm saying. So it was it was kind

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<v Speaker 1>of organized, it was kind of mature. It's hell because

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<v Speaker 1>he knew what he was going for nah, and it

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<v Speaker 1>worked out. I feel like it. I feel like there's

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<v Speaker 1>not enough. I feel like people don't know that story

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<v Speaker 1>enough because if you think about everybody's really doing their thing,

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<v Speaker 1>everybody signed, everybody likes Black, Like the first guy that

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<v Speaker 1>really kind of popped off, Yeah, Black killed it three

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<v Speaker 1>Black was fucking classic, fucking insane bro. And I just

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<v Speaker 1>saw it in him, like I saw the trajectory of

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<v Speaker 1>where he was gonna go, just off his work ethic

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<v Speaker 1>and just how he used to move around. Like, do

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<v Speaker 1>you have any intel on it when he's gonna put

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<v Speaker 1>out a new album because it's been a while. No,

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<v Speaker 1>I ain't got too man, I'll be on it though

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<v Speaker 1>I'm beyond it. I say that. I'll tell you this.

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<v Speaker 1>The lvr N guys have come through here with like

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<v Speaker 1>three artists in the last two months, and every time

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<v Speaker 1>they come, I'm like, guys, what is going on with

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<v Speaker 1>the black shit? We need a new I feel like

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<v Speaker 1>the last album was twenty nineteen. What's it twenty eighteen?

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<v Speaker 1>It might be eighteen, yeah, might be eighteen. It feels

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<v Speaker 1>like it feels like a while at least it got

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<v Speaker 1>to be. I think it's eighteen. You obviously are very distinct.

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<v Speaker 1>You're very unique in your delivery. I feel like, in

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<v Speaker 1>a world in which we have so many artists that

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<v Speaker 1>sound alike or at least very you know, influenced by

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<v Speaker 1>each other, I feel like you're kind of quite the opposite.

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<v Speaker 1>Who would you say you grab inspiration from, whether it's

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<v Speaker 1>old heads or you know shit you grown up growing

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<v Speaker 1>up listening to, or new shit. It really like bounced around,

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<v Speaker 1>Like my number one inspiration in music from when it

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<v Speaker 1>came to me, Like at a time when I needed

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<v Speaker 1>it was like a group called Little Dragon, Little Dragon

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<v Speaker 1>from Gothenburg, Sweden, Bros. Like my favorite group in the world.

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<v Speaker 1>Word Yeah, Like I was going through something crazy and

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<v Speaker 1>I found in music and it helped me even become

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<v Speaker 1>a better writer. Better The music in English ers and

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<v Speaker 1>it's in English and it's super soulful. You know what

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<v Speaker 1>I'm saying, pop funk. He's not like rap ship, but

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<v Speaker 1>it's great sounds. And and then of course like all

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<v Speaker 1>the mega hip hop people we know, of course jay

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<v Speaker 1>Z like little Wayne like these are my like I'm curious,

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<v Speaker 1>who's who's on your like mount rushing out like give

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<v Speaker 1>me your five like no, no order. You don't got

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<v Speaker 1>to give you an order because that's where things get

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<v Speaker 1>kind of hairy. You're like jay Z Wayne where your

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<v Speaker 1>cast has one little dragon and sliding and family Stone

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<v Speaker 1>or D'Angelo like they're super Okay, we're talking about MC's here.

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<v Speaker 1>Oh we gotta talk about rap. We're talking about rap. Okay,

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<v Speaker 1>straight rap. So jay Z Wayne outcast is one. It

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<v Speaker 1>gets tricky, right, it does get tricky, Wayne Hove outcast

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<v Speaker 1>so farward you three for three sweat shirt earl sweat

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<v Speaker 1>Shirt's got crazy right, Wow, it's tough, you know. Yeah,

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<v Speaker 1>one more you feel think like a lot of names,

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<v Speaker 1>Look at the names. What are some names going through

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<v Speaker 1>your head? Like the like like of course different vibes.

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<v Speaker 1>Was y'all seen Bay Like it's so many people that

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<v Speaker 1>I just like love so much. Yeah, you have, you

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<v Speaker 1>have your scene bay Aka are formerly noticed Most Depth

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<v Speaker 1>on the project crazy, that's crazy, hear that first? I

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<v Speaker 1>have not. I have not yet, but let me tell

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<v Speaker 1>you something. I just had a Conway. Me and Conway

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<v Speaker 1>are riding around in Denver last week and we're listening

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<v Speaker 1>to Respiration by Black Star and we're going back and

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<v Speaker 1>forth about live quality versus Most and I was like,

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<v Speaker 1>I love Tyler, that's my guy. But I'm like, I

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<v Speaker 1>don't even think it's a discussion. I think Most Death,

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<v Speaker 1>Like if Most Death like applied himself and hip hop,

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<v Speaker 1>he'd be like ship Man, you gotta think like black

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<v Speaker 1>we got black on both sides and Black Star and

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<v Speaker 1>then what was the name of the album that came

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<v Speaker 1>out like a few years later where he had the

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<v Speaker 1>ship over his face had sunshine on there. But I

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<v Speaker 1>feel like he always was one foot in, one foot

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<v Speaker 1>out with the rap shit. Like imagine if he really

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<v Speaker 1>was like dug In, it would have been crazy. Yeah.

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<v Speaker 1>I heard Chappelle say, like, even the way he moves

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<v Speaker 1>just like super brilliant too. I think because I heard

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<v Speaker 1>Chappelle say something like artists don't want you shouldn't want

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<v Speaker 1>to be a commodity. You know what I'm saying. You

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<v Speaker 1>know what I'm saying. Yeah, I feel like that's like

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<v Speaker 1>kind of a powerful ass statement to accept, you know

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<v Speaker 1>what I'm saying, commodities or like water, like right, all

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<v Speaker 1>of the shit that you need. But it's just like, no,

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<v Speaker 1>you don't want to be seen is that you want

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<v Speaker 1>to be seen as like one to one or you

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<v Speaker 1>want to be seen as a fingerprint, snowflake or some shit. No,

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<v Speaker 1>it's kind of deep to me. I think you're doing

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<v Speaker 1>a pretty good job of that. Yeah, for sure, my

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<v Speaker 1>favorite artists are consistent, but it's more so in their product,

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<v Speaker 1>you know what I'm saying. They're not always in your face,

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<v Speaker 1>but when they come they come up with that shutters

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<v Speaker 1>that's what that's That's what I love about it. Yeah,

0:11:06.720 --> 0:11:09.199
<v Speaker 1>I love artists drop a lot consistency as well, like

0:11:09.240 --> 0:11:11.520
<v Speaker 1>a lot of trap artists like stay on it, like

0:11:12.000 --> 0:11:14.160
<v Speaker 1>that stay bag and that ship is beautiful. It's I

0:11:14.200 --> 0:11:16.280
<v Speaker 1>love it, you know what I'm saying. But it's just

0:11:16.280 --> 0:11:19.400
<v Speaker 1>different ways to skin a cat. Who where do skinny

0:11:19.440 --> 0:11:21.120
<v Speaker 1>cat come from? That's kind of crazy to say I'm

0:11:21.400 --> 0:11:24.560
<v Speaker 1>skinner cat. Skinner cat. Do you know anyone who's skinned cat.

0:11:25.200 --> 0:11:28.080
<v Speaker 1>I think it'll be a hard fucking task too. My

0:11:28.120 --> 0:11:32.120
<v Speaker 1>cats are crazy, you know that. I would say I

0:11:32.120 --> 0:11:34.400
<v Speaker 1>would fucking I'll take a fight with a dog over

0:11:34.440 --> 0:11:37.640
<v Speaker 1>a fucking tom depends. It depends on the type of

0:11:37.640 --> 0:11:39.960
<v Speaker 1>dog though, because dogs get busy. Okay, like a golden

0:11:40.040 --> 0:11:44.080
<v Speaker 1>lab give me the golden airbuod. You're gonna fight airbhood.

0:11:44.800 --> 0:11:50.439
<v Speaker 1>I'll fight airbud over fucking Jerry Bros. Tom Tom. Cats

0:11:50.440 --> 0:11:53.000
<v Speaker 1>are fucking and they're quick as their ninjas and they

0:11:53.080 --> 0:11:57.440
<v Speaker 1>got the claws. Bro. I name my cat. Frank Ocean,

0:11:57.600 --> 0:12:00.160
<v Speaker 1>do you have a cat? Would you consider your off

0:12:00.200 --> 0:12:03.280
<v Speaker 1>a cat? Person? I hate his ass, but we just

0:12:03.320 --> 0:12:06.080
<v Speaker 1>got like a more faster things Like it's like he

0:12:06.200 --> 0:12:11.280
<v Speaker 1>be doing ship like it's my shorty cat, So nigga

0:12:12.040 --> 0:12:16.440
<v Speaker 1>get on the tallest part of the whatever. Yeah, just

0:12:16.440 --> 0:12:18.600
<v Speaker 1>standing there like you just at the top of prime rock,

0:12:18.640 --> 0:12:21.599
<v Speaker 1>like he's overlooking the peasants Like this is just so

0:12:21.720 --> 0:12:23.880
<v Speaker 1>y'all know this is my ship and ship like that.

0:12:24.120 --> 0:12:28.480
<v Speaker 1>So different. But the person, Frank Ocean, Yeah, do you

0:12:28.480 --> 0:12:32.679
<v Speaker 1>have a dog as well? I had a dog passed away,

0:12:33.200 --> 0:12:36.080
<v Speaker 1>rough man. I'm a huge dogs as a turtle name turtle.

0:12:36.800 --> 0:12:40.280
<v Speaker 1>Turtles lift they're supposed to kind of. So this is

0:12:40.880 --> 0:12:43.120
<v Speaker 1>we went to a fair or some ship and got

0:12:43.559 --> 0:12:45.719
<v Speaker 1>a small little turtles. You know when they give that's

0:12:45.760 --> 0:12:48.679
<v Speaker 1>the corner. Yeah, oh yeah, we got it. Anywhere you're

0:12:48.720 --> 0:12:50.880
<v Speaker 1>going and they're selling animals on the side of the

0:12:50.920 --> 0:12:53.439
<v Speaker 1>streets and they just giving these bitches out. It's like like,

0:12:53.440 --> 0:12:55.360
<v Speaker 1>we can't get these off. These joints are sick. Take

0:12:55.400 --> 0:12:58.719
<v Speaker 1>the turtle. Gave us this one turtle. We keep the

0:12:58.760 --> 0:13:00.760
<v Speaker 1>turtle for a couple of weeks, feeding all of this stuff.

0:13:00.800 --> 0:13:02.800
<v Speaker 1>But I started doing research and they say these turtles

0:13:02.880 --> 0:13:07.120
<v Speaker 1>need a companion or they will it's off themselves. So

0:13:07.360 --> 0:13:11.199
<v Speaker 1>in the next couple of weeks, nigga stop eating, started

0:13:11.200 --> 0:13:14.680
<v Speaker 1>making little turtle noise, and then you start putting his

0:13:14.760 --> 0:13:17.080
<v Speaker 1>head under the you know you got the little at

0:13:17.120 --> 0:13:20.440
<v Speaker 1>the bottom of the tank. His nigga was in pure loneliness,

0:13:20.480 --> 0:13:23.240
<v Speaker 1>like he committed suicide. It was the sadish I seen turtle.

0:13:23.240 --> 0:13:24.680
<v Speaker 1>So it was the sad shit I ever seen in

0:13:24.679 --> 0:13:26.280
<v Speaker 1>my life. I'm talking about in the span of like

0:13:26.320 --> 0:13:28.040
<v Speaker 1>three days, four days, he was just like I'm done.

0:13:28.080 --> 0:13:30.480
<v Speaker 1>He just killed himself. He's like, I'm not eating where's

0:13:30.520 --> 0:13:32.520
<v Speaker 1>my girl, where's my Where's anything? I just need to

0:13:32.640 --> 0:13:35.200
<v Speaker 1>knock around some stuff. I know. If the cat's Frank Ocean,

0:13:35.240 --> 0:13:38.600
<v Speaker 1>who's the turtle? His name was Turtle, just turtle. I

0:13:38.600 --> 0:13:40.400
<v Speaker 1>respect that. I don't feel like I don't feel like

0:13:40.440 --> 0:13:45.000
<v Speaker 1>you're amphibian, right? Turtles? Amphibians? There? What the fuck is

0:13:45.000 --> 0:13:47.959
<v Speaker 1>it is? What a reptile? What the fuck is the

0:13:48.000 --> 0:13:52.640
<v Speaker 1>amphibian and a lizard? A frog is an amphibian? Okay, Okay,

0:13:52.880 --> 0:13:56.240
<v Speaker 1>Turtles reptiles, they don't hear. I don't feel like they.

0:13:56.559 --> 0:13:58.320
<v Speaker 1>I feel like they only see like heat. When I

0:13:58.360 --> 0:14:00.800
<v Speaker 1>was a kid, I had a box turtle and I

0:14:00.880 --> 0:14:04.560
<v Speaker 1>named him Fat Joe. That's hard. I'll be knowing my

0:14:04.600 --> 0:14:08.280
<v Speaker 1>shit knowing. Hey, we gotta stop the interview real quick

0:14:08.320 --> 0:14:12.120
<v Speaker 1>to tell you about our partners, our family at odd socks.

0:14:12.240 --> 0:14:15.600
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0:14:15.640 --> 0:14:18.560
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0:14:18.679 --> 0:14:23.360
<v Speaker 1>The fly is socks in the world, Fucking SpongeBob, fucking cheese.

0:14:23.400 --> 0:14:28.000
<v Speaker 1>It's a little bit of pepsiu. How about some underwear?

0:14:28.040 --> 0:14:30.640
<v Speaker 1>Do we like underwear? Et boxers, Let's go ahead and

0:14:30.680 --> 0:14:32.800
<v Speaker 1>just open up a pair of these boys, so you

0:14:32.800 --> 0:14:34.960
<v Speaker 1>can see how fly the draws are, ladies and gentlemen

0:14:34.960 --> 0:14:36.480
<v Speaker 1>because they are fly. By the way, they just gave

0:14:36.520 --> 0:14:38.560
<v Speaker 1>me my own pair of odd socks. Go on my

0:14:38.600 --> 0:14:40.440
<v Speaker 1>social media and you can see him. I don't know

0:14:40.440 --> 0:14:43.520
<v Speaker 1>if they're gonna be for sale, because let's be honest,

0:14:44.160 --> 0:14:46.360
<v Speaker 1>who wants to wear socks with my fucking ugly face

0:14:46.400 --> 0:14:48.120
<v Speaker 1>on them? Besides my wife, and she don't even want

0:14:48.120 --> 0:14:52.640
<v Speaker 1>to wear them. There we go, ooh, they got the draws.

0:14:52.800 --> 0:14:55.160
<v Speaker 1>They got it all, man, get the odd socks basics,

0:14:55.160 --> 0:14:57.600
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0:15:01.000 --> 0:15:03.040
<v Speaker 1>Bootleg Calves save twenty percent off. Let's get back to

0:15:03.040 --> 0:15:06.800
<v Speaker 1>the interview. Yeah, so you know how how old was

0:15:06.800 --> 0:15:09.520
<v Speaker 1>your dog? When your dog passed away? I actually don't know.

0:15:09.680 --> 0:15:12.560
<v Speaker 1>It was crazy. He was trying to find like this

0:15:12.640 --> 0:15:14.520
<v Speaker 1>is the crazyt door. This is maybe like three four

0:15:14.560 --> 0:15:16.400
<v Speaker 1>years ago. We was trying to get a bull mastive.

0:15:17.240 --> 0:15:23.760
<v Speaker 1>Got on Craigslist, got the dog for like sixty bucks.

0:15:23.960 --> 0:15:26.680
<v Speaker 1>Said it was a bull mastive. It wasn't. Nigga was

0:15:27.360 --> 0:15:29.320
<v Speaker 1>anything but a bull mastive. It could have been mixed

0:15:29.360 --> 0:15:32.400
<v Speaker 1>with cat far as I know, but he uh, I

0:15:32.400 --> 0:15:35.280
<v Speaker 1>don't know how sixty bucks for a bull mastive feels

0:15:35.320 --> 0:15:37.200
<v Speaker 1>like a little low. It was just rough times, you

0:15:37.240 --> 0:15:39.040
<v Speaker 1>know what I'm saying, Like, you know what, Yeah, I

0:15:39.080 --> 0:15:41.720
<v Speaker 1>trust this guy sixty dollars even though it's probably like

0:15:41.760 --> 0:15:44.480
<v Speaker 1>a two thousand dollars dog. That's a huge, two thousand

0:15:44.520 --> 0:15:46.160
<v Speaker 1>dollar dog, and it was supposed to be way bigger.

0:15:46.200 --> 0:15:47.560
<v Speaker 1>He just had big palls, you know how they say

0:15:47.600 --> 0:15:49.640
<v Speaker 1>big palls, especially if it's a puppy that'll be like,

0:15:49.680 --> 0:15:51.280
<v Speaker 1>look at his pause, it's gonna go up to be huge.

0:15:51.720 --> 0:15:53.600
<v Speaker 1>That dog was not it. He was not him, but

0:15:53.800 --> 0:15:56.400
<v Speaker 1>he lived for maybe I don't know. He ran away

0:15:56.440 --> 0:15:58.240
<v Speaker 1>and then never seen him again. So I just he

0:15:58.320 --> 0:16:00.680
<v Speaker 1>might still be out here, man, he might be out

0:16:00.720 --> 0:16:06.480
<v Speaker 1>here doing his thing. That's running it up. Yo. When

0:16:06.520 --> 0:16:09.200
<v Speaker 1>it comes to your album, I saw the artwork. Uh,

0:16:09.320 --> 0:16:11.920
<v Speaker 1>the artwork is crazy. Give me kind of like the

0:16:11.920 --> 0:16:16.480
<v Speaker 1>whole concept but behind the title and the artwork. So

0:16:16.560 --> 0:16:19.360
<v Speaker 1>this project is, uh, it's a sequel. I love doing

0:16:19.400 --> 0:16:21.080
<v Speaker 1>sequels because I like movies and shit. So I feel

0:16:21.120 --> 0:16:22.440
<v Speaker 1>like if it's a good first movie, like I want

0:16:22.480 --> 0:16:24.320
<v Speaker 1>to see the second Okay, so I was like that.

0:16:24.680 --> 0:16:26.880
<v Speaker 1>So I've been doing that my whole career, just making

0:16:26.920 --> 0:16:29.960
<v Speaker 1>them a sequels. This was just like if you look

0:16:29.960 --> 0:16:32.520
<v Speaker 1>at the first cover, it was animated drawing out a

0:16:32.560 --> 0:16:34.720
<v Speaker 1>bunch of chaos, almost Where's Waldo, But you see a

0:16:34.760 --> 0:16:37.280
<v Speaker 1>lot of like trauma and black issues and stuff like that, cops,

0:16:37.320 --> 0:16:40.160
<v Speaker 1>football players, basketball players, people in jail. And then we

0:16:40.240 --> 0:16:43.480
<v Speaker 1>decided to bring this cover to live action, to like

0:16:43.640 --> 0:16:46.000
<v Speaker 1>to real life. So we got even like some of

0:16:46.000 --> 0:16:48.520
<v Speaker 1>the family members that represented some of these places, some

0:16:48.560 --> 0:16:51.120
<v Speaker 1>of my sisters, some of my brothers, my cousin, friends,

0:16:51.720 --> 0:16:54.840
<v Speaker 1>and and then just other people who just could feel

0:16:54.840 --> 0:16:56.520
<v Speaker 1>those roles, and we brought it to life. And it's

0:16:56.560 --> 0:16:58.920
<v Speaker 1>just kind of showing like even if you see like

0:16:58.920 --> 0:17:00.480
<v Speaker 1>where I'm placed at in the first when I'm kind

0:17:00.480 --> 0:17:02.320
<v Speaker 1>of like on the outside, but I'm still close to

0:17:02.320 --> 0:17:04.120
<v Speaker 1>the center, and it's when I'm like dead in the middle.

0:17:04.880 --> 0:17:08.000
<v Speaker 1>It's kind of like representing like where I see myself

0:17:08.040 --> 0:17:10.080
<v Speaker 1>at this point in my life. You know what I'm saying, Yeah,

0:17:10.160 --> 0:17:13.320
<v Speaker 1>I left, did all the torn and stuff, made success

0:17:13.320 --> 0:17:17.919
<v Speaker 1>for myself, whatever my mom would say, and when I

0:17:17.960 --> 0:17:19.760
<v Speaker 1>come back, it's kind of like I see the same things.

0:17:19.840 --> 0:17:21.000
<v Speaker 1>You know what I'm saying, This was kind of like

0:17:21.000 --> 0:17:24.919
<v Speaker 1>a representation to do my mind set. Yeah, I think chaos.

0:17:25.320 --> 0:17:29.200
<v Speaker 1>I think. I feel like artwork nowadays is like very

0:17:29.440 --> 0:17:31.240
<v Speaker 1>my I just feel like people don't put enough thought

0:17:31.280 --> 0:17:33.000
<v Speaker 1>into their ship. Well, so when I see like your ship,

0:17:33.040 --> 0:17:35.960
<v Speaker 1>I'm like, damn this this is crazy or so shout

0:17:35.960 --> 0:17:37.680
<v Speaker 1>out to you. Even like like a guy like west

0:17:37.680 --> 0:17:39.840
<v Speaker 1>Side Boogie his his artwork is what's crazy on his

0:17:39.880 --> 0:17:41.600
<v Speaker 1>album Crazy album too. By the way, shout out to

0:17:41.640 --> 0:17:45.760
<v Speaker 1>Boogie Baby Taits on the project She's Fire. I just

0:17:45.760 --> 0:17:48.240
<v Speaker 1>met her in Miami. She's an amazing shout out to her.

0:17:48.600 --> 0:17:52.000
<v Speaker 1>She had. I asked her who was her all time

0:17:52.080 --> 0:17:54.879
<v Speaker 1>trap artist, and she did not include Gez Gez or

0:17:54.960 --> 0:17:57.920
<v Speaker 1>Ti Crazy. I was a little I was a little thing.

0:17:58.280 --> 0:18:03.200
<v Speaker 1>She said, Scooter Fire. You're really Atlanta girl. Know Scooter

0:18:03.280 --> 0:18:11.120
<v Speaker 1>is fucking incredible. Gucci obviously the egos and said owe

0:18:11.119 --> 0:18:12.520
<v Speaker 1>me a birth. I'll say you owe me a birth.

0:18:13.600 --> 0:18:15.080
<v Speaker 1>I don't know why I can't think of the guy's name.

0:18:15.160 --> 0:18:17.919
<v Speaker 1>Make the trap say a we signed a Gucci ju

0:18:18.560 --> 0:18:21.920
<v Speaker 1>juice man, oh j the juice Man. Mm hmmm mm hmmm.

0:18:22.720 --> 0:18:24.360
<v Speaker 1>Where would you put like your if you had. We're

0:18:24.359 --> 0:18:29.440
<v Speaker 1>talking about trap trap music Atlanta. Mm hmm. I mean

0:18:30.320 --> 0:18:34.960
<v Speaker 1>of course like T I like the it's T I

0:18:35.160 --> 0:18:39.760
<v Speaker 1>g Z Yeah, yeah, in that order, in that order,

0:18:40.000 --> 0:18:43.720
<v Speaker 1>just because TI trap music. That's a staple who's got

0:18:43.720 --> 0:18:46.840
<v Speaker 1>more classics. But I'm not doing it. I'm not answering

0:18:46.840 --> 0:18:56.240
<v Speaker 1>it's Geez. I think it's Geezy. I think you got

0:18:56.400 --> 0:19:00.000
<v Speaker 1>I'm pleading in fifth all right, only because random question.

0:19:00.280 --> 0:19:03.320
<v Speaker 1>Would you take uh TM one on one or the

0:19:03.359 --> 0:19:11.480
<v Speaker 1>recession one on one? Easy? But the recessional session was amazing,

0:19:11.840 --> 0:19:13.520
<v Speaker 1>But I'm taking in one one is just minded me

0:19:13.600 --> 0:19:16.399
<v Speaker 1>of a time period in Atlanta, holding the wall party

0:19:16.520 --> 0:19:19.320
<v Speaker 1>like just some young ship. So we gotta fill it out. Well,

0:19:19.680 --> 0:19:24.040
<v Speaker 1>you said, uh T Cheezy still got guys out there

0:19:24.040 --> 0:19:32.160
<v Speaker 1>like Gucci. Gotta say Gucci. I don't go the little

0:19:32.160 --> 0:19:37.960
<v Speaker 1>baby of that already, let's go baby. I've never seen

0:19:38.000 --> 0:19:43.000
<v Speaker 1>somebody improve so drastically at rapping so fast, don't you agree?

0:19:43.040 --> 0:19:46.399
<v Speaker 1>Like he's nudy was my last one? Yeah, shot out

0:19:46.440 --> 0:19:50.360
<v Speaker 1>to Nudy. Nudy also someone that doesn't get enough flowers nationally,

0:19:50.359 --> 0:19:54.920
<v Speaker 1>at least little baby. Though you're a fucking m c's

0:19:55.000 --> 0:19:59.119
<v Speaker 1>MC hasn't been crazy to see just how impeccable he's gotten.

0:19:59.359 --> 0:20:02.720
<v Speaker 1>Like at this rapping ship, this what he's made for.

0:20:03.119 --> 0:20:05.920
<v Speaker 1>It's so it's so impressive. You could tell when it's somebody,

0:20:05.960 --> 0:20:07.600
<v Speaker 1>you know what I'm saying. I could tell this was

0:20:07.640 --> 0:20:09.560
<v Speaker 1>his calling because he went from like being like really

0:20:09.560 --> 0:20:11.480
<v Speaker 1>open to be like yeah, Gunner like helps me help

0:20:11.560 --> 0:20:14.240
<v Speaker 1>me start to write and ship, and like now he's

0:20:14.359 --> 0:20:19.159
<v Speaker 1>like top tier, don't miss He deserves it though, Yeah,

0:20:19.200 --> 0:20:23.159
<v Speaker 1>he deserves it, really gifted. So we said, offset o

0:20:23.240 --> 0:20:25.720
<v Speaker 1>you a verse? Anybody else will your verse? Now that's

0:20:25.720 --> 0:20:29.040
<v Speaker 1>my dog. I'm just no, no, no, no, no no verse?

0:20:29.600 --> 0:20:33.320
<v Speaker 1>Uh is there? I mean this is the quintessential. Is

0:20:33.320 --> 0:20:37.480
<v Speaker 1>there going to be another Dreamville compilation? Question? That'll be smart? Yeah,

0:20:37.560 --> 0:20:39.399
<v Speaker 1>you know what I'm saying, that'll be smart to do that.

0:20:39.480 --> 0:20:41.240
<v Speaker 1>The last one was so epic, and if we brought

0:20:41.240 --> 0:20:43.480
<v Speaker 1>it in hone it in Moore, just about make it

0:20:43.480 --> 0:20:45.640
<v Speaker 1>more so about the collective, you know what I'm saying.

0:20:45.800 --> 0:20:48.240
<v Speaker 1>It's a lot of outside Yeah, we just a couple

0:20:48.240 --> 0:20:49.800
<v Speaker 1>of features here and there, just make it about the collective.

0:20:49.800 --> 0:20:51.879
<v Speaker 1>It'd be way. It was so good though, man, he

0:20:52.000 --> 0:20:55.000
<v Speaker 1>was I tell Eve. I was like, bro, the fact

0:20:55.000 --> 0:20:56.840
<v Speaker 1>that you because I know that y'all pulled from He

0:20:56.880 --> 0:20:59.600
<v Speaker 1>pulled from so many records, and I was like, bro,

0:20:59.680 --> 0:21:01.760
<v Speaker 1>the fact you're able to pull from so many different

0:21:01.840 --> 0:21:05.600
<v Speaker 1>joints and make like, I'm sure a scattered creative process

0:21:05.640 --> 0:21:09.840
<v Speaker 1>sounds so cohesive, so many different artists. This thing good

0:21:09.880 --> 0:21:12.600
<v Speaker 1>guy for sure. Man on the album rapping he was

0:21:12.600 --> 0:21:18.040
<v Speaker 1>on the albump what Yeah, don't forget I said that,

0:21:18.200 --> 0:21:20.320
<v Speaker 1>just listen for He sounded like m F doom on God.

0:21:21.080 --> 0:21:25.040
<v Speaker 1>You got Ibrahim rapping his bos on the song too.

0:21:26.400 --> 0:21:29.400
<v Speaker 1>You're doing like you got Boss on the album? Right, yeah,

0:21:29.560 --> 0:21:32.560
<v Speaker 1>you know like backgrounds and you know what I'm saying, Yeah,

0:21:32.720 --> 0:21:34.199
<v Speaker 1>I love Boss now that he's like kind of in

0:21:34.200 --> 0:21:38.080
<v Speaker 1>It's like melodic bag that's what. Yeah. Like he killed

0:21:38.080 --> 0:21:41.560
<v Speaker 1>the Cold album Facts Facts. I love his party. When

0:21:41.600 --> 0:21:43.920
<v Speaker 1>I was like, who the fuck is this? I said, should,

0:21:44.560 --> 0:21:49.040
<v Speaker 1>I'm like, you got a new pocket? What? Yeah? You ah,

0:21:49.520 --> 0:21:51.199
<v Speaker 1>craig me if I'm wrong. You were on like a

0:21:51.400 --> 0:21:53.840
<v Speaker 1>kind of like a pop tour or is that? Oh?

0:21:53.880 --> 0:21:57.520
<v Speaker 1>I was going around doing shows. Imagine dragons, Imagine dragons.

0:21:58.040 --> 0:22:01.920
<v Speaker 1>What was that like? Bro? You know I'm just saying

0:22:01.960 --> 0:22:04.520
<v Speaker 1>because an imagine Dragon's concert is like a whole different world.

0:22:04.560 --> 0:22:06.679
<v Speaker 1>It's a serial, like a serious level of Caucasian that

0:22:06.720 --> 0:22:14.080
<v Speaker 1>goes to those shows and album definitely like the minority

0:22:14.119 --> 0:22:15.960
<v Speaker 1>and the biggest regard, you know what I'm saying, So

0:22:16.600 --> 0:22:18.960
<v Speaker 1>I fuck with it. Though they got some anthems, yeah,

0:22:19.160 --> 0:22:22.000
<v Speaker 1>you like they literally have stadium music one. You heard

0:22:22.000 --> 0:22:24.480
<v Speaker 1>that shit in Target. You heard it in commercials and

0:22:24.480 --> 0:22:27.760
<v Speaker 1>commercials everywhere in the movies and soundtracks and all of

0:22:27.760 --> 0:22:30.199
<v Speaker 1>that stuff. It's crazy, bro, It's just a whole other

0:22:30.280 --> 0:22:32.560
<v Speaker 1>level of performing. It teaches you, like I shouldna say

0:22:32.560 --> 0:22:34.160
<v Speaker 1>that has to really like you gotta cut your teeth

0:22:34.160 --> 0:22:36.320
<v Speaker 1>going into a crowd that's probably not there for what

0:22:36.359 --> 0:22:40.000
<v Speaker 1>you're bringing to the table. All arenas, uh. But our

0:22:40.040 --> 0:22:42.359
<v Speaker 1>song is one of their biggest songs ever, you know

0:22:42.400 --> 0:22:44.399
<v Speaker 1>what I'm saying. It's probably I think it was the

0:22:44.480 --> 0:22:47.200
<v Speaker 1>fastest to reach the heights of you know what I'm saying.

0:22:47.240 --> 0:22:49.080
<v Speaker 1>I don't know, to the heights of eight, But that's

0:22:49.080 --> 0:22:51.280
<v Speaker 1>a big as hell, so they know who I am.

0:22:51.320 --> 0:22:54.560
<v Speaker 1>Like every time I performed it is roaring applause. It's crazy,

0:22:54.640 --> 0:22:57.240
<v Speaker 1>like just making sure like even the way I'm wrapping on,

0:22:57.520 --> 0:23:00.000
<v Speaker 1>I'm rapping super fast, so it's just like me doing

0:23:00.000 --> 0:23:02.639
<v Speaker 1>twenty six seconds of like and I'm out of there,

0:23:02.960 --> 0:23:06.159
<v Speaker 1>but they don't know. It helped me become a better performer.

0:23:06.200 --> 0:23:07.919
<v Speaker 1>I would say who reached out was someone in the

0:23:07.920 --> 0:23:09.480
<v Speaker 1>group that was just a fan of you, that was like, yeah,

0:23:09.760 --> 0:23:14.399
<v Speaker 1>like Dan Reynolds, he's the lead singer. I feel like

0:23:14.600 --> 0:23:16.679
<v Speaker 1>he was a fan. He told me that he was,

0:23:16.760 --> 0:23:19.160
<v Speaker 1>and it was done through the label. The label reached out,

0:23:19.200 --> 0:23:21.119
<v Speaker 1>though I think it was because of you. Fuck with me.

0:23:21.520 --> 0:23:26.119
<v Speaker 1>When people chop and they do the I feel like,

0:23:28.160 --> 0:23:33.000
<v Speaker 1>sometimes it's amazing. Sometimes there's guys like Ritz from Quinnett

0:23:33.040 --> 0:23:35.440
<v Speaker 1>County who could rap really fast and say incredible things.

0:23:37.000 --> 0:23:39.840
<v Speaker 1>Tech nine is really good at that. But then sometimes

0:23:39.880 --> 0:23:43.879
<v Speaker 1>it's like unbearable. It's it's like really unbearable, you know

0:23:43.920 --> 0:23:48.240
<v Speaker 1>what I actually, I'm just like this. I hate I

0:23:48.280 --> 0:23:50.240
<v Speaker 1>hate it though, like this is who I am. I can't,

0:23:51.680 --> 0:23:54.600
<v Speaker 1>I wouldn't. Would you? Would you listen to your own album? Yes?

0:23:55.359 --> 0:23:59.040
<v Speaker 1>She is fire, Yes it's some nigga shit. Can't comment

0:23:59.080 --> 0:24:03.800
<v Speaker 1>on that, no idea what you're talking about. But and

0:24:03.880 --> 0:24:06.639
<v Speaker 1>I respected it all, but I it's kind of crazy.

0:24:06.680 --> 0:24:08.560
<v Speaker 1>I don't be like really delving into it. If I

0:24:08.640 --> 0:24:11.080
<v Speaker 1>notice is your niche. I don't think it's my niche.

0:24:11.240 --> 0:24:13.720
<v Speaker 1>I think I could just do it. I just do it,

0:24:13.760 --> 0:24:16.359
<v Speaker 1>like you know what I'm saying, effortlessly, effortless. I'm not

0:24:16.480 --> 0:24:19.720
<v Speaker 1>trying to rap like this. My name is jittery for

0:24:19.720 --> 0:24:23.480
<v Speaker 1>a reason because I'm just like my brain. But I

0:24:23.480 --> 0:24:27.359
<v Speaker 1>don't really aim for that style of music, right, or

0:24:27.480 --> 0:24:29.080
<v Speaker 1>I wouldn't even say rap is the first thing I

0:24:29.080 --> 0:24:31.919
<v Speaker 1>will play on in my car. Yeah. I feel like

0:24:32.280 --> 0:24:34.240
<v Speaker 1>Eminem for being like one of the greatest rappers of

0:24:34.280 --> 0:24:38.480
<v Speaker 1>all time. I don't like any raps like that. It's

0:24:38.520 --> 0:24:44.120
<v Speaker 1>not for me. What's current? Call too out? Now? Oh God?

0:24:44.200 --> 0:24:48.760
<v Speaker 1>Did you listen to Eminem growing up? I used to

0:24:48.760 --> 0:24:52.719
<v Speaker 1>love staying listen to He's a great first three albums,

0:24:53.080 --> 0:24:56.120
<v Speaker 1>like first three albums great, Yeah, yeah, all of the craziness. Yes,

0:24:56.240 --> 0:24:58.439
<v Speaker 1>that's the g unit ship that whole era. But I

0:24:58.600 --> 0:25:02.080
<v Speaker 1>was I wasn't like super am I like what it

0:25:02.240 --> 0:25:06.120
<v Speaker 1>was Eminem like super prominent two thousand and fucking two

0:25:06.440 --> 0:25:12.560
<v Speaker 1>until I mean no, no, technically like ninety nine, ninety eight,

0:25:12.640 --> 0:25:15.160
<v Speaker 1>ninety nine, un two and at this time I'm really

0:25:15.200 --> 0:25:17.639
<v Speaker 1>like at this age, I'm really like catching up on

0:25:17.920 --> 0:25:20.200
<v Speaker 1>I'm in a New Orleans sound. I'm really four hundred

0:25:20.200 --> 0:25:23.879
<v Speaker 1>degrees all of that. Hey, listen, let me tell you something.

0:25:23.920 --> 0:25:25.320
<v Speaker 1>You know what one of my favorite albums is of

0:25:25.359 --> 0:25:28.399
<v Speaker 1>all time? I got that work by the Big Timers. Wow,

0:25:28.560 --> 0:25:32.600
<v Speaker 1>that is bro id bro spoken about. You understand that

0:25:32.720 --> 0:25:35.240
<v Speaker 1>it wasn't on DSPs until like four months ago, and

0:25:35.280 --> 0:25:37.120
<v Speaker 1>now it's on fucking I don't know. There's a lot

0:25:37.160 --> 0:25:40.360
<v Speaker 1>of old cash money shit that's just in the air somewhere.

0:25:40.560 --> 0:25:42.880
<v Speaker 1>I'm looking for the member of the song on Tuesday

0:25:42.880 --> 0:25:44.840
<v Speaker 1>and Thursday, you gotta w I'm looking for the album

0:25:44.880 --> 0:25:47.359
<v Speaker 1>with that on it. I cannot find. It's like Tuesday

0:25:47.359 --> 0:25:51.880
<v Speaker 1>and Thursdays. It's like, uh, like the many Fresh first

0:25:51.880 --> 0:25:54.240
<v Speaker 1>solo album is not available. The Birdman album with what

0:25:54.280 --> 0:25:56.760
<v Speaker 1>Happened to That Boy? Was that? Do you remember that

0:25:56.840 --> 0:25:59.399
<v Speaker 1>artwork by the way, with the half Oh my god,

0:25:59.440 --> 0:26:02.439
<v Speaker 1>it's kind of crazy. It's so crazy to think that

0:26:02.440 --> 0:26:05.600
<v Speaker 1>that was like flying back there, like like those those

0:26:05.640 --> 0:26:08.480
<v Speaker 1>like old school Southern covers with the but that was

0:26:08.520 --> 0:26:11.359
<v Speaker 1>that one was egregious. The Birdman album cover was egregious.

0:26:11.440 --> 0:26:13.120
<v Speaker 1>It was insane, but I used to love them old

0:26:13.119 --> 0:26:16.600
<v Speaker 1>covers with like the How Boys Amazing or like the

0:26:16.920 --> 0:26:19.159
<v Speaker 1>Silk the Shocker charges to the game. I used to

0:26:19.280 --> 0:26:21.800
<v Speaker 1>never be the biggest slish Well he was a terrible

0:26:21.840 --> 0:26:24.000
<v Speaker 1>rap to him. I respected him because master p like

0:26:24.040 --> 0:26:26.760
<v Speaker 1>this your brother give. I think Silk the Shaker is

0:26:26.800 --> 0:26:30.840
<v Speaker 1>the best worst rapper of all time or or platinum.

0:26:30.880 --> 0:26:34.760
<v Speaker 1>He's the worst worst went platinum before streaming, so we

0:26:34.760 --> 0:26:36.960
<v Speaker 1>can't even hit him with that. And he was and

0:26:38.240 --> 0:26:41.399
<v Speaker 1>he was uh romantically involved with Maya in about in

0:26:41.480 --> 0:26:45.639
<v Speaker 1>ninety eight, so God bless him, salute kudos him and

0:26:45.640 --> 0:26:48.600
<v Speaker 1>Maya had some joints. Silk he was in a video

0:26:48.600 --> 0:26:52.080
<v Speaker 1>in a white jacket and on the snow slopes and

0:26:52.119 --> 0:26:56.600
<v Speaker 1>ship you know, early cash money was the best. Fuck

0:26:57.080 --> 0:27:01.560
<v Speaker 1>yeah bird, that's big timers though. That's the album Get

0:27:01.600 --> 0:27:03.480
<v Speaker 1>Your Role on Man, one of our favorite songs of

0:27:03.480 --> 0:27:06.840
<v Speaker 1>all time. Damn fucking man. I feel like they still

0:27:06.840 --> 0:27:09.800
<v Speaker 1>play that's in like commercials, right, I think? So? I

0:27:09.840 --> 0:27:14.480
<v Speaker 1>love that ship. Yeah. So this album, are we gonna

0:27:14.520 --> 0:27:17.639
<v Speaker 1>have another drop off in terms of just bodies of

0:27:17.680 --> 0:27:19.800
<v Speaker 1>work from you? Because you feel very intentional when you

0:27:19.920 --> 0:27:22.520
<v Speaker 1>drop music. See I've been working on like a couple

0:27:22.560 --> 0:27:24.840
<v Speaker 1>of albums in this time period. So we're gonna spend

0:27:24.840 --> 0:27:28.000
<v Speaker 1>the block again. You're gonna spend the block that's solo.

0:27:28.440 --> 0:27:32.600
<v Speaker 1>Yeah what about I was like Spills the Village coming out? Yeah, yeah, yeah,

0:27:32.600 --> 0:27:35.760
<v Speaker 1>we definitely. I've been trying to like get us pushed

0:27:35.800 --> 0:27:37.960
<v Speaker 1>us in itation. I think we can get some We

0:27:38.040 --> 0:27:40.080
<v Speaker 1>just gotta find everybody's schedule and get together and do it.

0:27:40.160 --> 0:27:41.880
<v Speaker 1>A lot of moving parts, a lot of moving parts.

0:27:41.920 --> 0:27:45.840
<v Speaker 1>But I know it's uh another album. I know it's

0:27:45.920 --> 0:27:48.159
<v Speaker 1>damn near tour, Like we need to tour off of

0:27:48.160 --> 0:27:50.520
<v Speaker 1>these these probably we've been dropping. So yeah, yeah, I

0:27:50.520 --> 0:27:54.920
<v Speaker 1>definitely got a tour. Yeah yeah, I mean I feel

0:27:54.920 --> 0:27:58.840
<v Speaker 1>like with you, like your live because I've seen you

0:27:58.880 --> 0:28:01.359
<v Speaker 1>live before. I feel like the live aspect of what

0:28:01.400 --> 0:28:03.640
<v Speaker 1>you bring to the table is so important. Wasn't frustrating

0:28:03.640 --> 0:28:07.360
<v Speaker 1>and like not being able to perform hit the road? Yeah? Yeah,

0:28:07.400 --> 0:28:09.960
<v Speaker 1>of course that was. And it's like most artists made,

0:28:10.160 --> 0:28:13.879
<v Speaker 1>like mainstream of income is just torn and festivals and

0:28:14.000 --> 0:28:16.280
<v Speaker 1>merch and you know what I'm saying. Of course you

0:28:16.280 --> 0:28:18.240
<v Speaker 1>gonna see you may see some streaming money or whatever.

0:28:18.280 --> 0:28:21.000
<v Speaker 1>I guess you know how this shit works. But I

0:28:21.080 --> 0:28:23.439
<v Speaker 1>just know, like most of the artists, touring is the income,

0:28:23.520 --> 0:28:26.720
<v Speaker 1>so that shit probably hit people in different type of ways.

0:28:26.720 --> 0:28:28.320
<v Speaker 1>It ain't fucked me up too bad because I toured

0:28:28.320 --> 0:28:31.440
<v Speaker 1>the whole twenty nineteen, Like we did almost three hundred

0:28:31.440 --> 0:28:34.439
<v Speaker 1>shows in a year with three hundred and sixty five days.

0:28:34.480 --> 0:28:36.560
<v Speaker 1>You know what I'm saying, So you kind of got

0:28:36.560 --> 0:28:38.120
<v Speaker 1>a little bit out of your system. I got it,

0:28:38.200 --> 0:28:39.720
<v Speaker 1>I got it out. I did my major torn in

0:28:39.720 --> 0:28:42.160
<v Speaker 1>twenty nineteen, and twenty twenty was just like when everything

0:28:42.160 --> 0:28:45.200
<v Speaker 1>stopped in twenty one, everything came back and now we're here.

0:28:45.320 --> 0:28:49.160
<v Speaker 1>Did you ever catch the covid? Uh? Once? Once? Once?

0:28:49.200 --> 0:28:51.640
<v Speaker 1>It was a mild it was my maybe a few

0:28:51.680 --> 0:28:54.200
<v Speaker 1>days costs and sneeze. I was that bad. You know

0:28:54.280 --> 0:28:57.520
<v Speaker 1>what's crazy is like monkey Pock's not as deadly as COVID,

0:28:57.640 --> 0:29:00.880
<v Speaker 1>but everyone's a lot more freaked out because that ship

0:29:00.920 --> 0:29:03.920
<v Speaker 1>looks crazy. It looks that's how you know, how everybody is.

0:29:03.960 --> 0:29:06.960
<v Speaker 1>So everyone's so vain, they're like, I don't give a

0:29:07.000 --> 0:29:09.760
<v Speaker 1>fuck that once give me the ship that could kill me.

0:29:09.880 --> 0:29:12.160
<v Speaker 1>I try to look crazy. That is I didn't even

0:29:12.200 --> 0:29:14.120
<v Speaker 1>peep that, but that is I can't even post on

0:29:14.160 --> 0:29:16.840
<v Speaker 1>Instagram for how many months? What months? No? I mean,

0:29:16.840 --> 0:29:18.800
<v Speaker 1>I don't know. I don't know. I don't Okay, it

0:29:18.920 --> 0:29:22.480
<v Speaker 1>just looks wild, ye like you low he can't leave

0:29:22.520 --> 0:29:24.880
<v Speaker 1>the house. You could leave the house with COVID. You're

0:29:24.880 --> 0:29:26.800
<v Speaker 1>a piece of shit if you did it. Yeah, it's

0:29:26.800 --> 0:29:30.080
<v Speaker 1>supers better, but you could and no one would know

0:29:31.200 --> 0:29:35.600
<v Speaker 1>that monkey pox. You're at the fucking gym with monkey pox. Motherfucker.

0:29:35.680 --> 0:29:42.200
<v Speaker 1>Don't call the police on you. Bro'n jesus yo, Uh,

0:29:42.480 --> 0:29:46.400
<v Speaker 1>give me some insight, man, obviously. Uh. Being signed to

0:29:46.480 --> 0:29:50.000
<v Speaker 1>Dreamville is the gift is amazing, right because I feel

0:29:50.000 --> 0:29:52.280
<v Speaker 1>like they are a label that has the highest uh

0:29:53.040 --> 0:29:55.120
<v Speaker 1>integrity when it comes to who they sign. I truly

0:29:55.160 --> 0:29:58.000
<v Speaker 1>believe that. I feel like calling Eve when they signed somebody.

0:29:58.400 --> 0:30:00.360
<v Speaker 1>It is never short sighted. It is all a ways.

0:30:00.720 --> 0:30:04.040
<v Speaker 1>First of all, they develop artists and they always see

0:30:04.040 --> 0:30:06.800
<v Speaker 1>the long play is the downside every interview you do,

0:30:06.840 --> 0:30:09.200
<v Speaker 1>so would ask you a Jake Cole question, by the way,

0:30:09.400 --> 0:30:14.680
<v Speaker 1>only Jake Cole question of the interview. No, No, I don't,

0:30:15.160 --> 0:30:18.480
<v Speaker 1>good guy, cool dude. Yeah, you ever played basketball? Like

0:30:18.560 --> 0:30:21.040
<v Speaker 1>y'all ever fucking I play one of the tours you

0:30:21.080 --> 0:30:23.600
<v Speaker 1>shout around like, got a little game going to the gym.

0:30:23.720 --> 0:30:26.480
<v Speaker 1>I feel like it was in Virginia kind of crazy

0:30:27.280 --> 0:30:30.000
<v Speaker 1>because huh, you got to throw that in there? Got

0:30:30.040 --> 0:30:32.640
<v Speaker 1>to well, yeah, I hooked around with him a little bit.

0:30:33.640 --> 0:30:35.440
<v Speaker 1>I ain't no really no football. I ain't no basketball

0:30:35.680 --> 0:30:39.360
<v Speaker 1>at all? What we played football with him before? Did

0:30:39.360 --> 0:30:43.000
<v Speaker 1>you play football in high school? Yeah? High school and college?

0:30:42.880 --> 0:30:45.840
<v Speaker 1>What were you play in college? Any school in Virginia? Way?

0:30:45.920 --> 0:30:52.120
<v Speaker 1>None of yep? What's your team Falcons? How you feeling?

0:30:52.760 --> 0:30:56.000
<v Speaker 1>How you feeling with Mariota? Is it Mariota? It is

0:30:56.040 --> 0:31:00.800
<v Speaker 1>Marioda And we got ridder Rider? Is somebody drafted? He

0:31:00.920 --> 0:31:02.680
<v Speaker 1>just came in. I feel like he would do Cincinnati.

0:31:02.720 --> 0:31:10.360
<v Speaker 1>They did Calvin really dirty or or I mean white white.

0:31:10.520 --> 0:31:12.600
<v Speaker 1>Let me ask you why you said that. First, he

0:31:12.680 --> 0:31:15.360
<v Speaker 1>gambled on a game that he had not I mean,

0:31:15.440 --> 0:31:17.360
<v Speaker 1>he shouldn't have gambled on the game. But he got

0:31:17.640 --> 0:31:20.320
<v Speaker 1>suspended for a year, a whole year. And Deshaun Watson's

0:31:20.360 --> 0:31:23.440
<v Speaker 1>out here getting the habitual rubbed downs and got six

0:31:23.720 --> 0:31:28.960
<v Speaker 1>six games. Does the NFL hate women? You'll not say.

0:31:29.360 --> 0:31:33.320
<v Speaker 1>I can't say that. Think about ray Rice, Kareem Hunt, easy,

0:31:33.560 --> 0:31:37.920
<v Speaker 1>Kareem Hunt, Ezekiel Elliott. All those motherfuckers played like he

0:31:37.960 --> 0:31:44.000
<v Speaker 1>would know Ezekiel Elliot ship was what minimal mine got.

0:31:44.000 --> 0:31:46.960
<v Speaker 1>Calvin really bet on a game and it wasn't even

0:31:46.960 --> 0:31:50.800
<v Speaker 1>I don't think think it was like anything crazy a

0:31:50.840 --> 0:31:55.440
<v Speaker 1>whole year. Bro fucked up my fantasy ship. Bro, Oh

0:31:55.480 --> 0:31:59.240
<v Speaker 1>that's your beat. Let's get you play the root of it.

0:31:59.280 --> 0:32:01.000
<v Speaker 1>Do you play fantasy foot I did it the first

0:32:01.000 --> 0:32:04.280
<v Speaker 1>time last year. I think I don't know if I'm

0:32:04.280 --> 0:32:05.960
<v Speaker 1>a good GM I would be a better coach. I

0:32:06.000 --> 0:32:07.680
<v Speaker 1>thought I'd be good at it because I know personnel

0:32:07.840 --> 0:32:10.320
<v Speaker 1>and players and shit, but it's more of about like this.

0:32:11.040 --> 0:32:13.200
<v Speaker 1>It takes up a lot of time. Couldn't do it.

0:32:13.240 --> 0:32:15.200
<v Speaker 1>So I lost it on What was the draft? Like?

0:32:15.320 --> 0:32:17.120
<v Speaker 1>Did you have an in person draft? Because because my

0:32:17.160 --> 0:32:20.920
<v Speaker 1>favorite part that falling ship. The best part about fantasy

0:32:20.920 --> 0:32:23.760
<v Speaker 1>football is when you get together with your friends and

0:32:23.800 --> 0:32:27.760
<v Speaker 1>you just say just domeaning things to them, canceble things

0:32:27.800 --> 0:32:31.120
<v Speaker 1>even you know, while you're in the same room you

0:32:31.200 --> 0:32:33.479
<v Speaker 1>got the fucking easel with the fucking thing and you're

0:32:33.480 --> 0:32:36.800
<v Speaker 1>writing the fucking things down. There's wings, there's beer, you know,

0:32:36.960 --> 0:32:40.160
<v Speaker 1>and then you know when someone drafts like I just

0:32:40.280 --> 0:32:43.920
<v Speaker 1>love just just putting down my best friends. It's actually

0:32:44.000 --> 0:32:47.280
<v Speaker 1>my favorite thing to do when they pick a yeah,

0:32:47.440 --> 0:32:49.320
<v Speaker 1>like what the fuck are you doing? Or some new

0:32:49.360 --> 0:32:51.880
<v Speaker 1>motherfucker who picks like a kicker in like the ninth round,

0:32:51.920 --> 0:32:53.080
<v Speaker 1>and I'm like, bro, you know you could have just

0:32:53.120 --> 0:32:55.520
<v Speaker 1>waited until the end for that. Give them the time.

0:32:55.800 --> 0:32:59.400
<v Speaker 1>Why do you have three defenses? Like what's going on?

0:32:59.760 --> 0:33:02.920
<v Speaker 1>That's yeah, yeah, shout out to the fact. I'm a

0:33:02.920 --> 0:33:04.880
<v Speaker 1>Cardinals fan. So she's harry for us right now because

0:33:04.920 --> 0:33:07.320
<v Speaker 1>Kyler Murray seems to be you know, he got paid,

0:33:07.720 --> 0:33:10.840
<v Speaker 1>thank god, hopefully now it's behind us because they put

0:33:10.840 --> 0:33:13.640
<v Speaker 1>the clause in his contract where he has to study.

0:33:13.760 --> 0:33:21.680
<v Speaker 1>That's racism. That's pure blatant racism. Ah. You know what

0:33:22.880 --> 0:33:26.080
<v Speaker 1>I love the NFL with. There's some moral things I

0:33:26.120 --> 0:33:28.440
<v Speaker 1>can't even really stand with that. The black man can't

0:33:28.480 --> 0:33:32.920
<v Speaker 1>even really have to like the shun he's a different thing.

0:33:33.640 --> 0:33:37.040
<v Speaker 1>But I think I think that Shawn just all these

0:33:37.040 --> 0:33:39.040
<v Speaker 1>black quarterbacks and stuff like that, Like they're trying to

0:33:39.040 --> 0:33:41.760
<v Speaker 1>give them a little claust and stuff like that, right right, right, right,

0:33:41.760 --> 0:33:47.200
<v Speaker 1>that's I think that Deshaun Watson is probably just a

0:33:47.280 --> 0:33:48.880
<v Speaker 1>single man. I kind of don't even want to talk

0:33:48.880 --> 0:33:51.080
<v Speaker 1>about him. Well, I was disgusting me for I don't

0:33:51.080 --> 0:33:53.160
<v Speaker 1>even you know, he might just like a rubbing tug.

0:33:55.840 --> 0:33:57.240
<v Speaker 1>He might just love to get the tug, you know

0:33:57.280 --> 0:34:01.760
<v Speaker 1>what I mean? Hey, when what's the owner of the Patriots,

0:34:02.600 --> 0:34:09.360
<v Speaker 1>Robert Kraft? Robert Kraft. They got photos of him believing

0:34:10.480 --> 0:34:15.480
<v Speaker 1>I don't need meat meal coming from me, but Robert Kraft. No,

0:34:15.560 --> 0:34:18.720
<v Speaker 1>but listen, Robert Craft, there's fucking pictures of him leaving

0:34:18.760 --> 0:34:21.799
<v Speaker 1>the Robin tug. They couldn't, they couldn't. They didn't even

0:34:21.840 --> 0:34:24.759
<v Speaker 1>suspend him. Let me tell you a funny story, crazy story.

0:34:24.880 --> 0:34:29.600
<v Speaker 1>So at the Grammys, we sit next to Robert Craft. Oh,

0:34:29.680 --> 0:34:34.720
<v Speaker 1>we tell them we focus from Atlanta. Brug tapsis whatever

0:34:34.840 --> 0:34:40.160
<v Speaker 1>is holder. He pulled out the ring eighty three dimes

0:34:40.520 --> 0:34:43.640
<v Speaker 1>because we lost twenty eight twenty eight to three. Was

0:34:43.760 --> 0:34:47.480
<v Speaker 1>no, no no, no, you guys yeah yea yeah yeah, three diamonds.

0:34:48.160 --> 0:34:53.000
<v Speaker 1>Homies just poured it down. Robert Craft did that, his homie.

0:34:54.320 --> 0:34:57.760
<v Speaker 1>I was like, yo, wait wait wait, so he was traveling.

0:34:58.400 --> 0:35:00.680
<v Speaker 1>It wasn't even on a spring dick. It was on dick.

0:35:00.880 --> 0:35:03.040
<v Speaker 1>So you just had a guy holding the Super Bowl rings.

0:35:03.080 --> 0:35:06.719
<v Speaker 1>I'll never forget it. Bro. Imagine that's your gig. Like, Yo,

0:35:06.840 --> 0:35:09.520
<v Speaker 1>your job one hundred thousand a year is I give

0:35:09.520 --> 0:35:12.160
<v Speaker 1>you six bends or six six figures. You just got

0:35:12.160 --> 0:35:14.239
<v Speaker 1>to carry the rings. And when some random piece of

0:35:14.239 --> 0:35:18.000
<v Speaker 1>shit sports fan comes up to me, pull them boys out, Rob.

0:35:18.480 --> 0:35:20.759
<v Speaker 1>I called him Rob, like you're my boy. Rob looked

0:35:20.760 --> 0:35:23.600
<v Speaker 1>at us, he was like, this is the ring? What

0:35:23.800 --> 0:35:25.440
<v Speaker 1>we gotta interrupt the interview real quick to tell you

0:35:25.440 --> 0:35:27.680
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0:35:33.360 --> 0:35:36.600
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0:35:36.880 --> 0:35:39.319
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0:35:39.400 --> 0:35:43.840
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0:35:44.360 --> 0:35:46.640
<v Speaker 1>I'm not saying it makes it bigger, but it feels bigger.

0:35:47.080 --> 0:35:50.719
<v Speaker 1>I'm just saying. I'm not saying, but I'm saying. Uh. Look,

0:35:50.800 --> 0:35:56.080
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0:35:56.239 --> 0:35:59.360
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0:35:59.800 --> 0:36:02.400
<v Speaker 1>It's so easy. They ship it right to your door

0:36:02.920 --> 0:36:06.320
<v Speaker 1>in discreete packaging. I don't know if you're going through

0:36:06.400 --> 0:36:10.320
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0:36:10.800 --> 0:36:13.760
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0:36:15.840 --> 0:36:18.359
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0:36:18.360 --> 0:36:22.719
<v Speaker 1>to feel like, damn, that shit's hard. Brouh. You know

0:36:22.760 --> 0:36:25.440
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0:36:47.040 --> 0:36:49.520
<v Speaker 1>what are you waiting for? Go do that? Speaking of rings,

0:36:49.680 --> 0:36:51.520
<v Speaker 1>you have a cat named Frank Ocean. Did you see

0:36:51.560 --> 0:36:57.680
<v Speaker 1>Frank Ocean's luxurious cockering that he released. That's amazing. I

0:36:57.719 --> 0:37:01.520
<v Speaker 1>love black progress. Did you see his progression? Did you

0:37:01.560 --> 0:37:04.040
<v Speaker 1>see this thing? It's twenty five thousand dollars? Didn't see it?

0:37:04.400 --> 0:37:06.040
<v Speaker 1>But I mean I didn't see it. I didn't. I mean,

0:37:06.040 --> 0:37:09.480
<v Speaker 1>I know it looks like a very nice men's engagement ring.

0:37:09.560 --> 0:37:11.440
<v Speaker 1>My daughter Zack Fox posted it on his page, and

0:37:11.640 --> 0:37:14.799
<v Speaker 1>he needs hilarious. He's crazy, he's so funny. Yeah, yeah, yeah,

0:37:14.800 --> 0:37:16.640
<v Speaker 1>I know, I know what you're talking about. Yeah, we

0:37:16.680 --> 0:37:20.120
<v Speaker 1>love We need Frank to drop music. Yeah, he's another

0:37:20.160 --> 0:37:21.759
<v Speaker 1>one of them. He's you know what I'm saying, said,

0:37:22.000 --> 0:37:24.120
<v Speaker 1>that's what you were talking about earlier. Not a commodity.

0:37:24.200 --> 0:37:26.280
<v Speaker 1>Not here to be your commodity, bro, one hundred percent.

0:37:26.320 --> 0:37:27.840
<v Speaker 1>He's gonna do what he wants when he wants to

0:37:27.840 --> 0:37:32.279
<v Speaker 1>do it, when it feels good. It feels good. The

0:37:32.360 --> 0:37:35.680
<v Speaker 1>cock ring is outside. That shit is amazing. Nigg is

0:37:35.680 --> 0:37:38.000
<v Speaker 1>in twenty fifty right now, he said, twenty Can you

0:37:38.040 --> 0:37:40.160
<v Speaker 1>imagine if you are the guy that spends twenty five

0:37:40.200 --> 0:37:42.600
<v Speaker 1>thousand dollars on that, Like, imagine how rich you gotta

0:37:42.640 --> 0:37:44.640
<v Speaker 1>be to be like that's called twenty five thousand, twenty

0:37:44.640 --> 0:37:47.960
<v Speaker 1>five thousand, do getting No, don't get one. That's weird.

0:37:48.000 --> 0:37:51.319
<v Speaker 1>Why not a cock ring? I feel that it's a weird. Lady,

0:37:51.400 --> 0:37:55.520
<v Speaker 1>you're just going on with it, right. I'm not sure.

0:37:55.560 --> 0:37:58.080
<v Speaker 1>I'm not sure it's being marketed for the you know,

0:37:58.160 --> 0:38:02.480
<v Speaker 1>for the guys with the stop let's stop stop listen

0:38:02.560 --> 0:38:07.080
<v Speaker 1>the album. The album is out right now you have

0:38:07.160 --> 0:38:12.440
<v Speaker 1>a crazy obviously. The features on this little Wayne twenty one, Savage,

0:38:12.960 --> 0:38:20.600
<v Speaker 1>James Blake, fucking wild, also fucking huge in the Caucasian world,

0:38:20.640 --> 0:38:25.120
<v Speaker 1>the Mountains of Caucasia. They love James break Baby taits

0:38:25.160 --> 0:38:30.439
<v Speaker 1>on the project. Boss, you got the CEO rapping someone

0:38:30.520 --> 0:38:32.719
<v Speaker 1>hits play on this. What's the first song? Like, let's

0:38:32.719 --> 0:38:35.600
<v Speaker 1>say I can only listen to one song? What would

0:38:35.640 --> 0:38:38.000
<v Speaker 1>be your your choice? Like, yo, you gotta go. This

0:38:38.040 --> 0:38:39.560
<v Speaker 1>is the one record on here that you should go

0:38:39.560 --> 0:38:42.279
<v Speaker 1>straight to if you can only listen to one. Uh

0:38:42.440 --> 0:38:47.839
<v Speaker 1>brenter in It's okay featuring Dirk, Okay, it's crazy fire. Yeah,

0:38:47.920 --> 0:38:50.040
<v Speaker 1>we got Dirk and like, you know, you know what

0:38:50.040 --> 0:38:51.520
<v Speaker 1>I'm saying. We got Tom brought him to my world.

0:38:51.640 --> 0:38:55.799
<v Speaker 1>You got Dirk, Like really, it ain't like it's just

0:38:55.920 --> 0:38:57.640
<v Speaker 1>it's my world, you know what I'm saying. So a

0:38:57.640 --> 0:38:59.279
<v Speaker 1>bunch of different things conna be melodic, it would be

0:38:59.280 --> 0:39:01.719
<v Speaker 1>like some rap shit. Yeah, he likes some turn ship.

0:39:01.800 --> 0:39:04.400
<v Speaker 1>But I just did something that I ain't think a

0:39:04.440 --> 0:39:07.000
<v Speaker 1>lot of people would expect and he went so crazy

0:39:07.040 --> 0:39:09.799
<v Speaker 1>bro like spoke about ship. You know what I'm saying

0:39:09.800 --> 0:39:12.040
<v Speaker 1>personal ship, and it just kind of moved me. I'm like, oh,

0:39:12.120 --> 0:39:15.280
<v Speaker 1>you really like the voice. That's literally everything he says,

0:39:15.320 --> 0:39:18.120
<v Speaker 1>and that's what they say. Before you get out of here,

0:39:18.120 --> 0:39:20.400
<v Speaker 1>can you shout out any up and coming mcs that

0:39:20.440 --> 0:39:22.319
<v Speaker 1>you're just a fan of that you really feel like

0:39:22.400 --> 0:39:25.080
<v Speaker 1>are maybe flying under the radar a bit. You want

0:39:25.080 --> 0:39:29.800
<v Speaker 1>to shut something on h let me say, okay from Elena,

0:39:29.800 --> 0:39:34.200
<v Speaker 1>I'm gonna say my dog Marco. Plus. I don't know

0:39:34.239 --> 0:39:36.760
<v Speaker 1>if it's still upcoming, but I think mill is like amazing,

0:39:37.000 --> 0:39:39.320
<v Speaker 1>she's crazy, and she's on the new Race Shimmer single.

0:39:39.640 --> 0:39:47.800
<v Speaker 1>Yeah the community community dick right, Yeah, he had to

0:39:47.840 --> 0:39:51.920
<v Speaker 1>finish it up. I left it up there. It's not

0:39:51.960 --> 0:39:56.560
<v Speaker 1>community college. Can you imagine, if imagine if Race Shimmer

0:39:56.600 --> 0:39:58.560
<v Speaker 1>had a record called community College. I would love to

0:39:58.560 --> 0:40:01.920
<v Speaker 1>hear with that. I stream that ship right away. Funny thing,

0:40:02.080 --> 0:40:04.799
<v Speaker 1>funny thing, I was listening to Black beatles. This ship

0:40:04.960 --> 0:40:06.359
<v Speaker 1>popped in my head. I was listening to the other

0:40:06.440 --> 0:40:09.600
<v Speaker 1>Day classic been age so well in the club, my

0:40:10.640 --> 0:40:14.880
<v Speaker 1>twin twins say, Fred Girls, still trying to say it

0:40:15.320 --> 0:40:20.799
<v Speaker 1>frat girls, Fred Fraternity. He's supposed to alreaty, but that's

0:40:20.840 --> 0:40:22.600
<v Speaker 1>just a little inside. I just thought about it, but

0:40:22.640 --> 0:40:25.719
<v Speaker 1>that's my dog. So they could do a community college thing.

0:40:26.040 --> 0:40:31.040
<v Speaker 1>They could. The Niggas whole brand is like college fun,

0:40:31.400 --> 0:40:34.879
<v Speaker 1>community good good good sitcom. By the way, Chevy Chase,

0:40:36.640 --> 0:40:42.360
<v Speaker 1>Donald Donald Glover. Last question, you said you're big on movies.

0:40:43.480 --> 0:40:47.719
<v Speaker 1>You're very much in tune with the with with with movies, acting,

0:40:47.840 --> 0:40:52.160
<v Speaker 1>et cetera. Give me your three movies. If you're on

0:40:52.200 --> 0:40:54.000
<v Speaker 1>an island, you can only take three movies with you.

0:40:54.040 --> 0:40:56.080
<v Speaker 1>What are the what are the flicks were taken? Man?

0:40:56.440 --> 0:41:05.720
<v Speaker 1>Mm hmm, all right, so we're gonna go Roots. Okay, Roots,

0:41:06.000 --> 0:41:08.479
<v Speaker 1>of course I'm talking about Yes, it's like so many

0:41:08.520 --> 0:41:12.560
<v Speaker 1>of them. That's a crazy choice, crazy choice to take

0:41:12.560 --> 0:41:16.400
<v Speaker 1>on an island. I'm sure watching just be mad all day. Roots.

0:41:17.840 --> 0:41:19.439
<v Speaker 1>I'm down with that because if I'm on the island,

0:41:19.440 --> 0:41:22.239
<v Speaker 1>would rather be mad, right yeah, because it's motivated to

0:41:22.239 --> 0:41:24.520
<v Speaker 1>get off the island. Okay, fair enough, Yeah, so we

0:41:24.560 --> 0:41:26.919
<v Speaker 1>go Roots. You know ti I was in the Roots.

0:41:26.960 --> 0:41:28.719
<v Speaker 1>They upgraded the movie. The movie came out of like

0:41:28.760 --> 0:41:30.400
<v Speaker 1>nineteen sixth We know t I was in when it

0:41:30.440 --> 0:41:32.800
<v Speaker 1>came out of like twenty eleven or something about to

0:41:32.800 --> 0:41:35.440
<v Speaker 1>say he was a slave it's got crazy. But he

0:41:35.480 --> 0:41:38.560
<v Speaker 1>was talking like t I of today. You gotta see it,

0:41:38.960 --> 0:41:41.520
<v Speaker 1>you gotta see it. It was amazing. So he was

0:41:41.560 --> 0:41:45.080
<v Speaker 1>hitting like with the ill the TI is killing that ship,

0:41:45.200 --> 0:41:48.959
<v Speaker 1>but slave clothes. It was outside outside. But I would

0:41:48.960 --> 0:41:50.640
<v Speaker 1>bring roots and I would try to bring that version too,

0:41:50.680 --> 0:41:52.800
<v Speaker 1>because TI is crazy. I didn't even know there was

0:41:52.840 --> 0:41:54.719
<v Speaker 1>this version that's like you know that. Did you know

0:41:54.760 --> 0:41:58.120
<v Speaker 1>there's a Belly too? Yeah, with the game terrible movie.

0:41:58.160 --> 0:42:01.800
<v Speaker 1>I watched horrible movies and great movies all the time. Belly,

0:42:02.000 --> 0:42:04.360
<v Speaker 1>Belly post yours up above you. It's the best worst

0:42:04.360 --> 0:42:10.239
<v Speaker 1>movie ever. It's such a great movie. I don't know

0:42:10.239 --> 0:42:12.760
<v Speaker 1>if I agree with that. It's so many epic movie,

0:42:12.920 --> 0:42:15.560
<v Speaker 1>epic parts in that movie that's classic in our culture.

0:42:15.600 --> 0:42:18.160
<v Speaker 1>That no. But storyline, no, no, I agree. Storyline Like,

0:42:18.200 --> 0:42:20.319
<v Speaker 1>as a kid, it's like my favorite fucking movie. But

0:42:20.360 --> 0:42:22.359
<v Speaker 1>I grow up and I'm like, every time I rewatched Belly,

0:42:22.400 --> 0:42:27.120
<v Speaker 1>I'm like, god, damn, this storyline was terrible. Boy. Listen,

0:42:27.400 --> 0:42:30.960
<v Speaker 1>motherfucking the dude in Nebraska eating the banana, That's what

0:42:31.440 --> 0:42:34.480
<v Speaker 1>did that. That's what popped off. D MX career is

0:42:34.520 --> 0:42:38.600
<v Speaker 1>acting right? Was this before m already was already him.

0:42:38.719 --> 0:42:41.560
<v Speaker 1>He was already him. Okay, number one album I did see.

0:42:41.640 --> 0:42:43.040
<v Speaker 1>I'm talking about As far as acting though, was he

0:42:43.080 --> 0:42:47.000
<v Speaker 1>acting before this? Was this one of his first rose

0:42:47.040 --> 0:42:50.920
<v Speaker 1>that got him into Romeos Exit Wounds? Was this? This

0:42:51.560 --> 0:42:54.000
<v Speaker 1>was first? Yeah, that's what I mean. I think that

0:42:54.200 --> 0:42:56.239
<v Speaker 1>what it didn't do was kick off NAS's acting career

0:42:56.280 --> 0:43:00.360
<v Speaker 1>because he was god awful in It's It's like you

0:43:00.360 --> 0:43:02.720
<v Speaker 1>you just gotta get out of here. He was talking

0:43:02.760 --> 0:43:08.000
<v Speaker 1>to Oh, my god, we just gotta make it. I

0:43:08.000 --> 0:43:12.640
<v Speaker 1>don't want to go to Africa. My god, t I

0:43:12.800 --> 0:43:15.560
<v Speaker 1>was or navs was? It was not the Uh. He

0:43:15.600 --> 0:43:19.439
<v Speaker 1>had no rules after day nonhing, none that we though about. Yeah,

0:43:19.480 --> 0:43:22.160
<v Speaker 1>he was in a movie called Ticker. I swear this

0:43:22.200 --> 0:43:24.880
<v Speaker 1>is a straight to DVD like movie where he was

0:43:24.880 --> 0:43:27.120
<v Speaker 1>in the movie for like two minutes and then they

0:43:27.200 --> 0:43:28.520
<v Speaker 1>kill him. But you know, back in the day, they

0:43:28.600 --> 0:43:30.040
<v Speaker 1>used to put rappers in movies so they couldut him

0:43:30.040 --> 0:43:31.640
<v Speaker 1>on the artworks that people would rented and buy it.

0:43:31.640 --> 0:43:32.759
<v Speaker 1>And I was the one who would rent in and

0:43:32.840 --> 0:43:35.600
<v Speaker 1>buy it. And he was He was in it for

0:43:35.640 --> 0:43:40.399
<v Speaker 1>two minutes. Wasn't Diddy and muscle Ball for two minutes? Yeah,

0:43:40.920 --> 0:43:46.799
<v Speaker 1>he was in prison by the way, raised the song

0:43:46.880 --> 0:43:53.880
<v Speaker 1>was listening made made with with Vince fun Wow. But

0:43:54.120 --> 0:43:56.960
<v Speaker 1>Monsters Ball all time one of the all time best

0:43:57.040 --> 0:44:00.920
<v Speaker 1>nude scenes. Yeah see, I got a problem with the

0:44:00.960 --> 0:44:03.800
<v Speaker 1>white guy part of it. I got a black problem

0:44:03.840 --> 0:44:07.279
<v Speaker 1>with some Yeah, I get it, but I guess I

0:44:08.320 --> 0:44:11.879
<v Speaker 1>get it. Billy Bob, Billy Bob was handling it. Billy Coat,

0:44:11.960 --> 0:44:14.640
<v Speaker 1>the coat, the head coach for Friday Night Lights. Yeah,

0:44:14.680 --> 0:44:18.520
<v Speaker 1>my sling blade, Billy Bob throwing well yeah, yeah yeah,

0:44:18.560 --> 0:44:22.120
<v Speaker 1>the Harry Paul Hey Paul, Yeah, yeah, that was him.

0:44:22.200 --> 0:44:24.560
<v Speaker 1>That was great, bro. I just appeared problem with that

0:44:25.280 --> 0:44:27.200
<v Speaker 1>and bass. Yeah yeah, I can't, I can't. I was

0:44:27.520 --> 0:44:29.400
<v Speaker 1>halle Berry is a kill Bob not sick. So that

0:44:29.480 --> 0:44:32.080
<v Speaker 1>was the second movie, not Sexy Man, second movie all

0:44:32.160 --> 0:44:34.759
<v Speaker 1>time halle Berry's breasts were exposed. The first one was

0:44:34.760 --> 0:44:39.160
<v Speaker 1>Swordfish with Hugh Jackman and John Bolta. Yes, I had

0:44:39.160 --> 0:44:41.800
<v Speaker 1>it on VHS and I broke the tape because I

0:44:41.880 --> 0:44:44.920
<v Speaker 1>paused on her tis so much. That is savage. So

0:44:44.960 --> 0:44:47.160
<v Speaker 1>you got a little scratch on it. Oh yeah, I

0:44:47.200 --> 0:44:49.759
<v Speaker 1>was like, sup A drink off this anymore? All right?

0:44:49.800 --> 0:44:51.040
<v Speaker 1>You got two more movies and then you get the

0:44:51.040 --> 0:44:54.000
<v Speaker 1>funk out of here before we cancel. Yeah, we're having fun.

0:44:54.440 --> 0:44:57.160
<v Speaker 1>Two more movies. You got Roots, both versions, the t

0:44:57.280 --> 0:45:00.680
<v Speaker 1>I version. Yeah, so that's all one. It's always Roots. Yes, boom,

0:45:00.680 --> 0:45:05.000
<v Speaker 1>I'm gonna go. I'm gonna go Avengers, the end in

0:45:05.160 --> 0:45:10.640
<v Speaker 1>Game Ship Okay yeah, wait, endgame is the part one

0:45:10.640 --> 0:45:13.480
<v Speaker 1>of the when they when Daniels, when they're done, when

0:45:13.480 --> 0:45:15.800
<v Speaker 1>they get cooked right now, when they come back. I

0:45:15.840 --> 0:45:17.520
<v Speaker 1>don't know. I thought it's all the same kind of right,

0:45:17.719 --> 0:45:20.520
<v Speaker 1>don't they I'll be confused. So one of them niggas

0:45:20.560 --> 0:45:24.960
<v Speaker 1>one of the movies, and I'm gonna go Apocalypto. Apocalypto. Yeah, wow,

0:45:25.120 --> 0:45:29.040
<v Speaker 1>it's a variety there. Apocalypto doesn't really have any like,

0:45:29.160 --> 0:45:32.000
<v Speaker 1>isn't it like in like they're like in the jungle

0:45:32.080 --> 0:45:35.120
<v Speaker 1>and there's Yeah, there's male gets in my end yep.

0:45:35.800 --> 0:45:38.120
<v Speaker 1>Mel Gibson, had he not been such a piece of ship,

0:45:38.360 --> 0:45:41.520
<v Speaker 1>one of the best directors. Amazing. He actually did that

0:45:41.600 --> 0:45:43.680
<v Speaker 1>Jesus film too as well. Trust me, I'm a fucking

0:45:44.080 --> 0:45:46.240
<v Speaker 1>I'm in high school on a date watching the fucking

0:45:46.280 --> 0:45:48.719
<v Speaker 1>what's that ship called the Jesus Ship? It's crazy? What

0:45:48.800 --> 0:45:53.440
<v Speaker 1>was it called Passion of the Christ and I'm atheist.

0:45:53.480 --> 0:45:55.040
<v Speaker 1>I don't give a funk about Jesus, but he made

0:45:55.080 --> 0:45:57.920
<v Speaker 1>me give a fuck. Don't say that he made me

0:45:58.080 --> 0:46:03.319
<v Speaker 1>care man. That was crazy right there. I'm a god

0:46:03.400 --> 0:46:06.879
<v Speaker 1>fear man. I respect your right to be a god

0:46:07.000 --> 0:46:11.720
<v Speaker 1>fearing man. I fear like my kids dying or something.

0:46:11.760 --> 0:46:13.960
<v Speaker 1>You know, I have children. I fear them getting sick.

0:46:14.040 --> 0:46:23.279
<v Speaker 1>I fear aliens in the ocean. There's you know, have

0:46:23.320 --> 0:46:27.399
<v Speaker 1>you ever done psychedelics? You know you're enough fucking psychedelics,

0:46:27.400 --> 0:46:31.160
<v Speaker 1>you will believe you'll how about something there some inclination?

0:46:31.239 --> 0:46:33.319
<v Speaker 1>How about this? I think, more recently, since I've been

0:46:33.360 --> 0:46:39.080
<v Speaker 1>a little bit more awakened on the psychedelic tip, maybe

0:46:39.120 --> 0:46:41.400
<v Speaker 1>I'm not an atheist. But I tell you what, I

0:46:41.480 --> 0:46:43.960
<v Speaker 1>just do you believe in something? I tell you this.

0:46:44.440 --> 0:46:47.359
<v Speaker 1>I don't believe in any man made religion. I think

0:46:47.360 --> 0:46:51.440
<v Speaker 1>it's all a way to control populations, control poor people,

0:46:52.200 --> 0:46:54.960
<v Speaker 1>and it's big business and it's some of the most

0:46:54.960 --> 0:46:58.960
<v Speaker 1>corrupt hypocrisy of all time. You know what I'm saying. So, yeah,

0:46:59.000 --> 0:47:01.399
<v Speaker 1>I guess that's my stand. I would you I'm more

0:47:01.400 --> 0:47:04.400
<v Speaker 1>of a I don't know, Yeah, but I've lived in

0:47:04.440 --> 0:47:06.640
<v Speaker 1>a haunted house. So if I've lived in a haunted house.

0:47:06.680 --> 0:47:08.200
<v Speaker 1>Then that means that there's some other ship called on

0:47:08.480 --> 0:47:10.000
<v Speaker 1>do you do? What do you mean he lived in

0:47:10.000 --> 0:47:13.040
<v Speaker 1>a haunted house lived I lived in a house I was.

0:47:13.320 --> 0:47:14.799
<v Speaker 1>I know it was on it. Bro We fucking wake

0:47:14.880 --> 0:47:15.759
<v Speaker 1>up in the middle of the night and all the

0:47:15.760 --> 0:47:17.080
<v Speaker 1>pots and pans would be out and all the doors

0:47:17.120 --> 0:47:21.480
<v Speaker 1>would be open. Crazy thing. I bought a house and renovated, Renny.

0:47:22.040 --> 0:47:24.719
<v Speaker 1>They had a funeral or a wake, Okay, you know

0:47:24.760 --> 0:47:26.840
<v Speaker 1>what I'm saying. They showed him and I was always

0:47:26.840 --> 0:47:28.640
<v Speaker 1>thinking about stuff I did, so he kind of freaked

0:47:28.640 --> 0:47:30.719
<v Speaker 1>me out. You said it. No, for sure, it was.

0:47:31.000 --> 0:47:34.719
<v Speaker 1>Our house was over a Native American graveyard, so it's

0:47:34.760 --> 0:47:37.480
<v Speaker 1>pretty fucking wild. The house that I during this era, though,

0:47:37.480 --> 0:47:38.800
<v Speaker 1>my dad was smoking cracks, so it could have just

0:47:38.800 --> 0:47:40.160
<v Speaker 1>put him in the middle of the night opened up,

0:47:41.120 --> 0:47:46.719
<v Speaker 1>who knows. I don't know. Sure then it was never noticeable,

0:47:46.840 --> 0:47:48.759
<v Speaker 1>you know, like he was like very functional, you know

0:47:48.800 --> 0:47:50.080
<v Speaker 1>what I mean. And I think he just had his

0:47:50.080 --> 0:47:51.680
<v Speaker 1>little bouts with it. But me and my me and

0:47:51.680 --> 0:47:53.919
<v Speaker 1>my best friends and liked the army anything. No no

0:47:53.920 --> 0:47:56.319
<v Speaker 1>no, no no, no, no no. But me and my best

0:47:56.360 --> 0:47:59.920
<v Speaker 1>friend ramses uh we were. He's like, yes, of Egypt,

0:48:00.040 --> 0:48:03.040
<v Speaker 1>It's my best friend in the world. Rams is jar

0:48:03.160 --> 0:48:05.640
<v Speaker 1>Rudy King Taylor. This do you like President Egypt the movie? Yeah?

0:48:05.680 --> 0:48:10.239
<v Speaker 1>Good cartoon, keep going. So, uh we're like Thick and

0:48:10.360 --> 0:48:13.560
<v Speaker 1>masterpiek ghetto dope era of Like my childhood, I had

0:48:13.560 --> 0:48:17.520
<v Speaker 1>a no limit chain. I shoplifted a no limit clothing

0:48:17.600 --> 0:48:20.759
<v Speaker 1>jersey from mister Rags, you know. And I'm going through

0:48:20.800 --> 0:48:23.000
<v Speaker 1>my dad's drawer next to his bed. I forget what

0:48:23.040 --> 0:48:28.600
<v Speaker 1>me and Rams, I'm from Phoenix, Phoenix Hot place the cracks,

0:48:28.719 --> 0:48:31.920
<v Speaker 1>and we found crack and my boy Ramas pulled it

0:48:31.920 --> 0:48:33.600
<v Speaker 1>out and he was like, yo, this is the ghetto

0:48:33.719 --> 0:48:39.640
<v Speaker 1>d Ship said, he's like smoking crack. What the fuck? Ship?

0:48:39.960 --> 0:48:42.200
<v Speaker 1>But but but outside of that, and then my mom

0:48:42.280 --> 0:48:44.080
<v Speaker 1>later on telling me, yeah, your dad smoke crack every

0:48:44.080 --> 0:48:45.360
<v Speaker 1>once in a while for a little bit. But I

0:48:45.400 --> 0:48:46.960
<v Speaker 1>never noticed it as a kid. It wasn't like he

0:48:47.040 --> 0:48:49.399
<v Speaker 1>was like my dad was like a really hard working dudey.

0:48:49.400 --> 0:48:51.359
<v Speaker 1>He worked like NonStop. So he was probably the most

0:48:51.360 --> 0:48:53.319
<v Speaker 1>functional crackheut of all time, one of them at least

0:48:53.719 --> 0:48:57.839
<v Speaker 1>m HM lots of functional drug drug users. Anyway, Well, listen, man,

0:48:58.200 --> 0:49:02.520
<v Speaker 1>this was fun. Likewise, bro, uh, I'm happier putting a

0:49:02.520 --> 0:49:04.160
<v Speaker 1>new project that will by the time people watch this,

0:49:04.200 --> 0:49:06.680
<v Speaker 1>it will already be out. So go run it up.

0:49:06.719 --> 0:49:08.839
<v Speaker 1>I think that you're you're one of them ones man,

0:49:08.960 --> 0:49:11.840
<v Speaker 1>and I'm glad that I feel like, you know, people

0:49:11.840 --> 0:49:14.800
<v Speaker 1>are starting to really finally give you your flowers. Yeah,

0:49:15.040 --> 0:49:17.400
<v Speaker 1>I can't wait for the tour. It's gonna be crazy.

0:49:17.480 --> 0:49:20.759
<v Speaker 1>Is it already locked in? Yeah? Oh my gosh, it's

0:49:20.760 --> 0:49:24.640
<v Speaker 1>gonna be insane. Who's opening? I'm doing a cold thing,

0:49:24.719 --> 0:49:28.120
<v Speaker 1>but co headliner, it's gonna be crazy. Another rapper is

0:49:28.320 --> 0:49:30.799
<v Speaker 1>gonna be fire? Is it you in Black and be Amazing?

0:49:31.000 --> 0:49:34.640
<v Speaker 1>Is it you in Black? Headline anything? If you in

0:49:34.719 --> 0:49:37.359
<v Speaker 1>Black co headline a tour that would be crazy. I'd

0:49:37.360 --> 0:49:39.640
<v Speaker 1>buy twenty tickets. That would be kind of crazy. I

0:49:39.680 --> 0:49:44.600
<v Speaker 1>bring everybody that would be Yeah true Maria on Earth game.

0:49:45.160 --> 0:49:47.480
<v Speaker 1>That's that's we could do ampitheat. We could do five

0:49:47.520 --> 0:49:51.319
<v Speaker 1>to ten k make up mos some major tickets, major tickets.

0:49:51.680 --> 0:49:55.879
<v Speaker 1>J oh The first time I met you, I called

0:49:55.880 --> 0:49:58.600
<v Speaker 1>you Jid because I knew people who knew you that

0:49:58.840 --> 0:50:01.120
<v Speaker 1>referred to you as Jid. But you directed me pretty harshly.

0:50:01.480 --> 0:50:03.160
<v Speaker 1>Did I. I was like, we got JD and you

0:50:03.200 --> 0:50:05.160
<v Speaker 1>were like it's j I D. And I was like, well,

0:50:05.320 --> 0:50:07.279
<v Speaker 1>fuck me. I do that ship all the time. Though

0:50:07.280 --> 0:50:10.480
<v Speaker 1>it's like big and Biggie so big and b I G.

0:50:10.760 --> 0:50:14.080
<v Speaker 1>Like it's the same ship. So what do you prefer?

0:50:15.640 --> 0:50:18.600
<v Speaker 1>They say something? It's got me something JED is acceptable

0:50:18.600 --> 0:50:22.359
<v Speaker 1>now now that you can now good. Want to make sure. Yeah,

0:50:22.600 --> 0:50:24.480
<v Speaker 1>I do check someone and like, oh you're adding to

0:50:24.600 --> 0:50:28.000
<v Speaker 1>for me, Like who's this goofy radio motherfucker? Hey it's

0:50:28.120 --> 0:50:32.480
<v Speaker 1>j I D. Bro my ship right fuck anyway, there

0:50:32.480 --> 0:50:35.360
<v Speaker 1>it is. But I appreciate you, Bro, thank you. Boom