1
00:00:00,640 --> 00:00:02,560
Speaker 1: Yo, it's the Bootleg Caps Show. We got a special

2
00:00:02,600 --> 00:00:05,640
Speaker 1: guest in here. I'm gonna say it because all of

3
00:00:05,680 --> 00:00:08,200
Speaker 1: the amazing rappers that I know that I talked about,

4
00:00:08,200 --> 00:00:10,959
Speaker 1: who's that motherfucker? You know, rappers got their favorite rappers.

5
00:00:11,160 --> 00:00:14,840
Speaker 1: One of the illdest mothers alive j Id is here.

6
00:00:14,880 --> 00:00:18,080
Speaker 1: Welcome man. That's good. First of all, I've been very

7
00:00:18,120 --> 00:00:20,880
Speaker 1: appreciative of the Lucy's you've been dropping. Obviously, the Spillage

8
00:00:20,960 --> 00:00:25,680
Speaker 1: Village Project was incredible. Why has it taken so long

9
00:00:26,079 --> 00:00:29,200
Speaker 1: to drop a new body of work from you? Uh?

10
00:00:30,120 --> 00:00:32,839
Speaker 1: Four years? Right? Four years and some change? Fakely like

11
00:00:34,560 --> 00:00:36,280
Speaker 1: I will say three you know what I'm saying, because

12
00:00:36,479 --> 00:00:39,640
Speaker 1: I dropped November like twenty eighteen. Yeah, so about three. Yeah.

13
00:00:39,800 --> 00:00:41,559
Speaker 1: Then that whole year we toured, like the whole twent

14
00:00:41,640 --> 00:00:46,199
Speaker 1: nineteen we tour, and then twenty twenty came did the

15
00:00:46,240 --> 00:00:49,560
Speaker 1: Grammys because of the spill because of the Revenge Project

16
00:00:49,600 --> 00:00:53,640
Speaker 1: came out two nineteen. Obviously you got the Grammy. And

17
00:00:53,680 --> 00:00:57,760
Speaker 1: then twenty twenty we're supposed to go to Japan. It's

18
00:00:57,760 --> 00:00:59,640
Speaker 1: supposed to go on to tour in Tokyo whatever. And

19
00:00:59,640 --> 00:01:02,840
Speaker 1: then and that's when I really started working on the album.

20
00:01:02,880 --> 00:01:05,040
Speaker 1: You know what I'm saying about my regognizance. You know

21
00:01:05,040 --> 00:01:06,440
Speaker 1: what I'm saying. I started working on it, so you

22
00:01:06,480 --> 00:01:08,520
Speaker 1: started like twenty like your process has been like a

23
00:01:08,560 --> 00:01:11,480
Speaker 1: two year process kind of Yeah. And I've been dropping

24
00:01:11,720 --> 00:01:14,759
Speaker 1: so much work since. You know, the Conway record is crazy. Yeah,

25
00:01:15,160 --> 00:01:17,480
Speaker 1: that's my dog. It's hard. You got one of them

26
00:01:17,560 --> 00:01:20,959
Speaker 1: ones from him too, Yeah yeah, yeah, yeah, So yeah,

27
00:01:21,000 --> 00:01:22,760
Speaker 1: I don't see it like that. You know what I'm saying,

28
00:01:22,920 --> 00:01:26,000
Speaker 1: just the circumstances of the world. I'm sure it would

29
00:01:26,000 --> 00:01:29,160
Speaker 1: have came out of twenty twenty without minus the state

30
00:01:29,200 --> 00:01:31,480
Speaker 1: of the world. Of course. Talk about your relationship with

31
00:01:31,480 --> 00:01:34,240
Speaker 1: with with Conway. Obviously you hopped on Scatterbrain, which is

32
00:01:34,280 --> 00:01:36,759
Speaker 1: close to going gold it is. Yeah, I just talked

33
00:01:36,760 --> 00:01:38,800
Speaker 1: to him earlier last week. I think it's going to

34
00:01:38,840 --> 00:01:42,000
Speaker 1: go gold soon. Did you get I know he did

35
00:01:42,000 --> 00:01:43,320
Speaker 1: that on TV? Did you were you on TV with

36
00:01:43,360 --> 00:01:45,200
Speaker 1: him when he did that? Yeah? Yeah, we did it

37
00:01:45,200 --> 00:01:47,640
Speaker 1: on I believe it was falling. When you see someone

38
00:01:47,640 --> 00:01:50,560
Speaker 1: like Conway or just in general, like an MC that

39
00:01:50,600 --> 00:01:53,600
Speaker 1: you feel like, is you know one of them once?

40
00:01:54,120 --> 00:01:56,320
Speaker 1: Like do you feel like kind of like you know

41
00:01:56,520 --> 00:01:59,840
Speaker 1: as like almost like a Jedi relationship with like certain rappers,

42
00:02:00,000 --> 00:02:01,600
Speaker 1: you kind of got to like reach out and be like, yo,

43
00:02:01,720 --> 00:02:04,720
Speaker 1: I see what you're doing. Yeah, we I feel like

44
00:02:04,760 --> 00:02:08,400
Speaker 1: we tapped in and maybe twenty eighteen just on some

45
00:02:08,480 --> 00:02:10,120
Speaker 1: like mutual respective. I feel like it was around the

46
00:02:10,160 --> 00:02:13,280
Speaker 1: time I did like the funk flesh free style, and

47
00:02:13,320 --> 00:02:16,120
Speaker 1: ever since, I feel like we've been tapped in super

48
00:02:16,120 --> 00:02:17,840
Speaker 1: solid dude. But all of them guys over there, you

49
00:02:17,880 --> 00:02:21,840
Speaker 1: know what I'm saying, Ben west Side, like body, all

50
00:02:21,840 --> 00:02:24,200
Speaker 1: of them, They're amazing. I love all these incredible. I

51
00:02:24,240 --> 00:02:27,760
Speaker 1: love all of them. So I feel like my comedy too,

52
00:02:27,840 --> 00:02:29,680
Speaker 1: is he with them? Yeah, my commys with them. Crazy.

53
00:02:29,760 --> 00:02:32,280
Speaker 1: You know on the streets there's a lot of crazy

54
00:02:32,800 --> 00:02:36,560
Speaker 1: Stove got Cooks, Martie Caesar. Yeah, they got adult camp

55
00:02:36,560 --> 00:02:38,360
Speaker 1: over us. I just respect it. I like movements like

56
00:02:38,400 --> 00:02:41,880
Speaker 1: that when it's like super based in like the the

57
00:02:41,919 --> 00:02:43,600
Speaker 1: pure form of like hip hop. I would say, you

58
00:02:43,639 --> 00:02:46,520
Speaker 1: know what I'm saying, one of my favorite new artists

59
00:02:46,720 --> 00:02:48,760
Speaker 1: who relatively new. I mean it's been doing the same.

60
00:02:49,440 --> 00:02:52,400
Speaker 1: But I love Kenny Man and you got Kenny on

61
00:02:52,400 --> 00:02:54,800
Speaker 1: this uh this drop that just just came out. Obviously

62
00:02:54,919 --> 00:02:59,040
Speaker 1: somebody from from atl somebody who I think somehow was

63
00:02:59,040 --> 00:03:02,640
Speaker 1: a little underappreciated, you know, but it's I feel like

64
00:03:02,680 --> 00:03:04,960
Speaker 1: I'm gonna have a crazy career ahead of him. Just

65
00:03:05,000 --> 00:03:06,800
Speaker 1: talk about like linking up with Kenny Man and just

66
00:03:06,880 --> 00:03:09,400
Speaker 1: kind of, you know, shine some light on on on

67
00:03:09,520 --> 00:03:11,440
Speaker 1: him in general, because I feel like he's he's one

68
00:03:11,440 --> 00:03:15,639
Speaker 1: of them ones as well. Yeah, she's dope real. I'm

69
00:03:15,720 --> 00:03:19,880
Speaker 1: just like a super fan of like Atlanta, you know

70
00:03:19,919 --> 00:03:23,040
Speaker 1: what I'm saying, Just just what that whole scene brings.

71
00:03:23,400 --> 00:03:25,520
Speaker 1: So I'm like super supportive or whatever, even if some

72
00:03:25,560 --> 00:03:27,280
Speaker 1: people may hate it or whatever. Like I'm just super

73
00:03:27,280 --> 00:03:29,840
Speaker 1: supportive of it. This sounds just coming from the city.

74
00:03:29,880 --> 00:03:33,080
Speaker 1: So there's a lot of upcoming artists that I like,

75
00:03:33,440 --> 00:03:35,200
Speaker 1: I show love to, you know what I'm saying, just

76
00:03:35,240 --> 00:03:37,640
Speaker 1: because it needs that light being shined. You know what

77
00:03:37,640 --> 00:03:40,160
Speaker 1: I'm saying. I got blessed with the opportunity with somebody

78
00:03:40,240 --> 00:03:42,120
Speaker 1: like shine a light on me. You got me to

79
00:03:42,160 --> 00:03:43,360
Speaker 1: this point where I'm talking to you, you you know what

80
00:03:43,360 --> 00:03:45,720
Speaker 1: I'm saying, So I just try and do my part.

81
00:03:45,720 --> 00:03:47,760
Speaker 1: It ain't even too much thought into it, you know

82
00:03:47,760 --> 00:03:50,160
Speaker 1: what I'm saying. If you talented, like you're from the city,

83
00:03:50,200 --> 00:03:52,280
Speaker 1: like I'm doing this this black and white for real,

84
00:03:52,480 --> 00:03:56,560
Speaker 1: give me some of the background. Obviously, Spillage Village is

85
00:03:57,360 --> 00:04:01,680
Speaker 1: a crew. Before you guys were everyone was signed. You

86
00:04:01,680 --> 00:04:04,520
Speaker 1: know what I'm saying. You give me the dynamics because

87
00:04:04,840 --> 00:04:07,440
Speaker 1: it was at the house everybody was living in. Was it.

88
00:04:07,800 --> 00:04:09,760
Speaker 1: Shout out to Maria, shout out to black, shouts to

89
00:04:09,800 --> 00:04:12,520
Speaker 1: everybody who's involved. Give me kind of like the breakdown

90
00:04:12,560 --> 00:04:15,280
Speaker 1: of of of like the roots of Spillage Village because

91
00:04:15,280 --> 00:04:17,240
Speaker 1: it's like almost like y'all are like low key, like

92
00:04:17,839 --> 00:04:19,839
Speaker 1: very reminiscent of the Dungeon family coming out of the

93
00:04:19,839 --> 00:04:22,719
Speaker 1: a you know what I mean. It started with me

94
00:04:22,760 --> 00:04:25,680
Speaker 1: and Earth Gang. We literally said, hey, we should be

95
00:04:25,720 --> 00:04:27,320
Speaker 1: a collective. You know what I'm saying. We was going

96
00:04:27,320 --> 00:04:31,200
Speaker 1: to school at the same time in Virginia, so we're

97
00:04:31,240 --> 00:04:34,760
Speaker 1: able to do but cook for sure. That's amazing. I

98
00:04:34,800 --> 00:04:38,880
Speaker 1: love that reference. Shout out the push that or who

99
00:04:38,920 --> 00:04:44,680
Speaker 1: said that, that's that's malice. Yeah, that's malice. Amazing. But yeah,

100
00:04:44,720 --> 00:04:47,760
Speaker 1: we was all up in through Virginia, but I got

101
00:04:47,800 --> 00:04:49,720
Speaker 1: kicked out of school, so like trying to figure out

102
00:04:49,760 --> 00:04:51,400
Speaker 1: what's next. He was like, let's start this collective. Like

103
00:04:51,760 --> 00:04:55,000
Speaker 1: he's really was already wrapping together fakely in the dorms,

104
00:04:55,000 --> 00:04:57,279
Speaker 1: like trying to figure out how to put it together.

105
00:04:57,320 --> 00:04:59,320
Speaker 1: But then we said, let's put it together, me and

106
00:04:59,400 --> 00:05:02,440
Speaker 1: Earth Gang, so we started it. And then we had

107
00:05:02,440 --> 00:05:06,000
Speaker 1: the homies like Hollywood Jab and Jordan Bryant like they brothers.

108
00:05:06,040 --> 00:05:08,680
Speaker 1: They were just amazing. And then Mariba and Black was

109
00:05:08,760 --> 00:05:11,880
Speaker 1: just like we knew them from the city, did shows

110
00:05:11,920 --> 00:05:14,279
Speaker 1: around the same type of little scene we had, and

111
00:05:14,320 --> 00:05:16,520
Speaker 1: then it just all worked out. It was really family,

112
00:05:16,520 --> 00:05:17,560
Speaker 1: you know what I'm saying. We all lived in the

113
00:05:17,560 --> 00:05:19,120
Speaker 1: same house at the time. Period was just sleeping on

114
00:05:19,160 --> 00:05:21,080
Speaker 1: couches and stuff like that now Marie, but more so

115
00:05:21,080 --> 00:05:23,000
Speaker 1: because you know what I'm saying, shit lady, but all

116
00:05:23,040 --> 00:05:24,240
Speaker 1: the boys we used to rough it, you know what

117
00:05:24,279 --> 00:05:27,760
Speaker 1: I'm saying, college doing room style, Like what's like, what's

118
00:05:27,800 --> 00:05:30,560
Speaker 1: that crib like with you Earth getting Black? Everybody in

119
00:05:30,600 --> 00:05:34,000
Speaker 1: the crib? Is it like everyone's always recording? Is like

120
00:05:34,000 --> 00:05:36,360
Speaker 1: what like what is that like? Yeah, it wasn't like

121
00:05:36,680 --> 00:05:38,960
Speaker 1: you know what I'm saying. We was moving around. We

122
00:05:39,000 --> 00:05:41,279
Speaker 1: wasn't just sitting in the house recording. So some days

123
00:05:41,320 --> 00:05:44,960
Speaker 1: like somebody be on the me. I wake up every

124
00:05:44,960 --> 00:05:47,279
Speaker 1: morning got right to it before anybody. I'm up six

125
00:05:47,279 --> 00:05:49,640
Speaker 1: in the morning with it. But everybody's moving around doing

126
00:05:49,640 --> 00:05:51,400
Speaker 1: different things, and we just tried to find time to

127
00:05:51,400 --> 00:05:53,560
Speaker 1: make music together and then like separately, we had to

128
00:05:53,600 --> 00:05:56,160
Speaker 1: make our projects to get us the individual like you

129
00:05:56,160 --> 00:05:59,360
Speaker 1: know what I'm saying. So it was it was kind

130
00:05:59,400 --> 00:06:01,560
Speaker 1: of organized, it was kind of mature. It's hell because

131
00:06:01,560 --> 00:06:03,159
Speaker 1: he knew what he was going for nah, and it

132
00:06:03,240 --> 00:06:05,560
Speaker 1: worked out. I feel like it. I feel like there's

133
00:06:05,600 --> 00:06:09,200
Speaker 1: not enough. I feel like people don't know that story

134
00:06:09,320 --> 00:06:12,040
Speaker 1: enough because if you think about everybody's really doing their thing,

135
00:06:12,200 --> 00:06:16,680
Speaker 1: everybody signed, everybody likes Black, Like the first guy that

136
00:06:16,720 --> 00:06:19,400
Speaker 1: really kind of popped off, Yeah, Black killed it three

137
00:06:19,400 --> 00:06:23,279
Speaker 1: Black was fucking classic, fucking insane bro. And I just

138
00:06:23,279 --> 00:06:25,280
Speaker 1: saw it in him, like I saw the trajectory of

139
00:06:25,760 --> 00:06:27,520
Speaker 1: where he was gonna go, just off his work ethic

140
00:06:27,560 --> 00:06:29,480
Speaker 1: and just how he used to move around. Like, do

141
00:06:29,560 --> 00:06:31,080
Speaker 1: you have any intel on it when he's gonna put

142
00:06:31,080 --> 00:06:35,280
Speaker 1: out a new album because it's been a while. No,

143
00:06:35,400 --> 00:06:38,320
Speaker 1: I ain't got too man, I'll be on it though

144
00:06:38,320 --> 00:06:39,919
Speaker 1: I'm beyond it. I say that. I'll tell you this.

145
00:06:40,000 --> 00:06:41,760
Speaker 1: The lvr N guys have come through here with like

146
00:06:41,800 --> 00:06:43,480
Speaker 1: three artists in the last two months, and every time

147
00:06:43,480 --> 00:06:46,719
Speaker 1: they come, I'm like, guys, what is going on with

148
00:06:46,760 --> 00:06:48,760
Speaker 1: the black shit? We need a new I feel like

149
00:06:49,080 --> 00:06:52,920
Speaker 1: the last album was twenty nineteen. What's it twenty eighteen?

150
00:06:53,160 --> 00:06:58,000
Speaker 1: It might be eighteen, yeah, might be eighteen. It feels

151
00:06:58,040 --> 00:07:01,680
Speaker 1: like it feels like a while at least it got

152
00:07:01,800 --> 00:07:07,120
Speaker 1: to be. I think it's eighteen. You obviously are very distinct.

153
00:07:07,600 --> 00:07:11,480
Speaker 1: You're very unique in your delivery. I feel like, in

154
00:07:11,520 --> 00:07:14,520
Speaker 1: a world in which we have so many artists that

155
00:07:14,680 --> 00:07:18,040
Speaker 1: sound alike or at least very you know, influenced by

156
00:07:18,040 --> 00:07:21,440
Speaker 1: each other, I feel like you're kind of quite the opposite.

157
00:07:22,280 --> 00:07:24,920
Speaker 1: Who would you say you grab inspiration from, whether it's

158
00:07:25,080 --> 00:07:28,280
Speaker 1: old heads or you know shit you grown up growing

159
00:07:28,320 --> 00:07:34,520
Speaker 1: up listening to, or new shit. It really like bounced around,

160
00:07:34,840 --> 00:07:39,400
Speaker 1: Like my number one inspiration in music from when it

161
00:07:39,480 --> 00:07:41,440
Speaker 1: came to me, Like at a time when I needed

162
00:07:41,480 --> 00:07:44,280
Speaker 1: it was like a group called Little Dragon, Little Dragon

163
00:07:44,280 --> 00:07:47,760
Speaker 1: from Gothenburg, Sweden, Bros. Like my favorite group in the world.

164
00:07:48,240 --> 00:07:50,680
Speaker 1: Word Yeah, Like I was going through something crazy and

165
00:07:50,680 --> 00:07:54,040
Speaker 1: I found in music and it helped me even become

166
00:07:54,080 --> 00:07:56,880
Speaker 1: a better writer. Better The music in English ers and

167
00:07:57,080 --> 00:07:59,320
Speaker 1: it's in English and it's super soulful. You know what

168
00:07:59,360 --> 00:08:01,920
Speaker 1: I'm saying, pop funk. He's not like rap ship, but

169
00:08:01,960 --> 00:08:05,000
Speaker 1: it's great sounds. And and then of course like all

170
00:08:05,040 --> 00:08:08,920
Speaker 1: the mega hip hop people we know, of course jay

171
00:08:09,000 --> 00:08:12,480
Speaker 1: Z like little Wayne like these are my like I'm curious,

172
00:08:12,480 --> 00:08:15,440
Speaker 1: who's who's on your like mount rushing out like give

173
00:08:15,440 --> 00:08:18,360
Speaker 1: me your five like no, no order. You don't got

174
00:08:18,360 --> 00:08:19,680
Speaker 1: to give you an order because that's where things get

175
00:08:19,720 --> 00:08:23,080
Speaker 1: kind of hairy. You're like jay Z Wayne where your

176
00:08:23,120 --> 00:08:28,080
Speaker 1: cast has one little dragon and sliding and family Stone

177
00:08:28,120 --> 00:08:31,200
Speaker 1: or D'Angelo like they're super Okay, we're talking about MC's here.

178
00:08:31,240 --> 00:08:33,440
Speaker 1: Oh we gotta talk about rap. We're talking about rap. Okay,

179
00:08:33,480 --> 00:08:42,360
Speaker 1: straight rap. So jay Z Wayne outcast is one. It

180
00:08:42,360 --> 00:08:46,240
Speaker 1: gets tricky, right, it does get tricky, Wayne Hove outcast

181
00:08:46,520 --> 00:08:49,439
Speaker 1: so farward you three for three sweat shirt earl sweat

182
00:08:49,480 --> 00:09:00,000
Speaker 1: Shirt's got crazy right, Wow, it's tough, you know. Yeah,

183
00:09:00,080 --> 00:09:02,920
Speaker 1: one more you feel think like a lot of names,

184
00:09:03,400 --> 00:09:06,480
Speaker 1: Look at the names. What are some names going through

185
00:09:06,480 --> 00:09:17,760
Speaker 1: your head? Like the like like of course different vibes.

186
00:09:18,200 --> 00:09:21,000
Speaker 1: Was y'all seen Bay Like it's so many people that

187
00:09:21,040 --> 00:09:23,400
Speaker 1: I just like love so much. Yeah, you have, you

188
00:09:23,440 --> 00:09:26,040
Speaker 1: have your scene bay Aka are formerly noticed Most Depth

189
00:09:26,080 --> 00:09:29,600
Speaker 1: on the project crazy, that's crazy, hear that first? I

190
00:09:29,640 --> 00:09:32,880
Speaker 1: have not. I have not yet, but let me tell

191
00:09:32,920 --> 00:09:37,679
Speaker 1: you something. I just had a Conway. Me and Conway

192
00:09:37,679 --> 00:09:40,280
Speaker 1: are riding around in Denver last week and we're listening

193
00:09:40,320 --> 00:09:43,840
Speaker 1: to Respiration by Black Star and we're going back and

194
00:09:43,880 --> 00:09:47,000
Speaker 1: forth about live quality versus Most and I was like,

195
00:09:47,640 --> 00:09:49,240
Speaker 1: I love Tyler, that's my guy. But I'm like, I

196
00:09:49,280 --> 00:09:51,319
Speaker 1: don't even think it's a discussion. I think Most Death,

197
00:09:51,480 --> 00:09:54,440
Speaker 1: Like if Most Death like applied himself and hip hop,

198
00:09:54,440 --> 00:09:58,480
Speaker 1: he'd be like ship Man, you gotta think like black

199
00:09:58,480 --> 00:10:01,680
Speaker 1: we got black on both sides and Black Star and

200
00:10:01,720 --> 00:10:03,880
Speaker 1: then what was the name of the album that came

201
00:10:03,880 --> 00:10:05,559
Speaker 1: out like a few years later where he had the

202
00:10:05,559 --> 00:10:08,680
Speaker 1: ship over his face had sunshine on there. But I

203
00:10:08,679 --> 00:10:10,640
Speaker 1: feel like he always was one foot in, one foot

204
00:10:10,640 --> 00:10:13,560
Speaker 1: out with the rap shit. Like imagine if he really

205
00:10:13,679 --> 00:10:16,240
Speaker 1: was like dug In, it would have been crazy. Yeah.

206
00:10:17,480 --> 00:10:19,640
Speaker 1: I heard Chappelle say, like, even the way he moves

207
00:10:19,720 --> 00:10:22,320
Speaker 1: just like super brilliant too. I think because I heard

208
00:10:22,480 --> 00:10:25,679
Speaker 1: Chappelle say something like artists don't want you shouldn't want

209
00:10:25,720 --> 00:10:28,400
Speaker 1: to be a commodity. You know what I'm saying. You

210
00:10:28,880 --> 00:10:31,640
Speaker 1: know what I'm saying. Yeah, I feel like that's like

211
00:10:31,760 --> 00:10:34,400
Speaker 1: kind of a powerful ass statement to accept, you know

212
00:10:34,440 --> 00:10:37,959
Speaker 1: what I'm saying, commodities or like water, like right, all

213
00:10:37,960 --> 00:10:40,319
Speaker 1: of the shit that you need. But it's just like, no,

214
00:10:40,640 --> 00:10:42,199
Speaker 1: you don't want to be seen is that you want

215
00:10:42,200 --> 00:10:44,000
Speaker 1: to be seen as like one to one or you

216
00:10:44,040 --> 00:10:47,280
Speaker 1: want to be seen as a fingerprint, snowflake or some shit. No,

217
00:10:47,320 --> 00:10:48,800
Speaker 1: it's kind of deep to me. I think you're doing

218
00:10:48,800 --> 00:10:53,000
Speaker 1: a pretty good job of that. Yeah, for sure, my

219
00:10:53,080 --> 00:11:00,000
Speaker 1: favorite artists are consistent, but it's more so in their product,

220
00:11:00,640 --> 00:11:02,720
Speaker 1: you know what I'm saying. They're not always in your face,

221
00:11:02,760 --> 00:11:04,400
Speaker 1: but when they come they come up with that shutters

222
00:11:04,679 --> 00:11:06,680
Speaker 1: that's what that's That's what I love about it. Yeah,

223
00:11:06,720 --> 00:11:09,199
Speaker 1: I love artists drop a lot consistency as well, like

224
00:11:09,240 --> 00:11:11,520
Speaker 1: a lot of trap artists like stay on it, like

225
00:11:12,000 --> 00:11:14,160
Speaker 1: that stay bag and that ship is beautiful. It's I

226
00:11:14,200 --> 00:11:16,280
Speaker 1: love it, you know what I'm saying. But it's just

227
00:11:16,280 --> 00:11:19,400
Speaker 1: different ways to skin a cat. Who where do skinny

228
00:11:19,440 --> 00:11:21,120
Speaker 1: cat come from? That's kind of crazy to say I'm

229
00:11:21,400 --> 00:11:24,560
Speaker 1: skinner cat. Skinner cat. Do you know anyone who's skinned cat.

230
00:11:25,200 --> 00:11:28,080
Speaker 1: I think it'll be a hard fucking task too. My

231
00:11:28,120 --> 00:11:32,120
Speaker 1: cats are crazy, you know that. I would say I

232
00:11:32,120 --> 00:11:34,400
Speaker 1: would fucking I'll take a fight with a dog over

233
00:11:34,440 --> 00:11:37,640
Speaker 1: a fucking tom depends. It depends on the type of

234
00:11:37,640 --> 00:11:39,960
Speaker 1: dog though, because dogs get busy. Okay, like a golden

235
00:11:40,040 --> 00:11:44,080
Speaker 1: lab give me the golden airbuod. You're gonna fight airbhood.

236
00:11:44,800 --> 00:11:50,439
Speaker 1: I'll fight airbud over fucking Jerry Bros. Tom Tom. Cats

237
00:11:50,440 --> 00:11:53,000
Speaker 1: are fucking and they're quick as their ninjas and they

238
00:11:53,080 --> 00:11:57,440
Speaker 1: got the claws. Bro. I name my cat. Frank Ocean,

239
00:11:57,600 --> 00:12:00,160
Speaker 1: do you have a cat? Would you consider your off

240
00:12:00,200 --> 00:12:03,280
Speaker 1: a cat? Person? I hate his ass, but we just

241
00:12:03,320 --> 00:12:06,080
Speaker 1: got like a more faster things Like it's like he

242
00:12:06,200 --> 00:12:11,280
Speaker 1: be doing ship like it's my shorty cat, So nigga

243
00:12:12,040 --> 00:12:16,440
Speaker 1: get on the tallest part of the whatever. Yeah, just

244
00:12:16,440 --> 00:12:18,600
Speaker 1: standing there like you just at the top of prime rock,

245
00:12:18,640 --> 00:12:21,599
Speaker 1: like he's overlooking the peasants Like this is just so

246
00:12:21,720 --> 00:12:23,880
Speaker 1: y'all know this is my ship and ship like that.

247
00:12:24,120 --> 00:12:28,480
Speaker 1: So different. But the person, Frank Ocean, Yeah, do you

248
00:12:28,480 --> 00:12:32,679
Speaker 1: have a dog as well? I had a dog passed away,

249
00:12:33,200 --> 00:12:36,080
Speaker 1: rough man. I'm a huge dogs as a turtle name turtle.

250
00:12:36,800 --> 00:12:40,280
Speaker 1: Turtles lift they're supposed to kind of. So this is

251
00:12:40,880 --> 00:12:43,120
Speaker 1: we went to a fair or some ship and got

252
00:12:43,559 --> 00:12:45,719
Speaker 1: a small little turtles. You know when they give that's

253
00:12:45,760 --> 00:12:48,679
Speaker 1: the corner. Yeah, oh yeah, we got it. Anywhere you're

254
00:12:48,720 --> 00:12:50,880
Speaker 1: going and they're selling animals on the side of the

255
00:12:50,920 --> 00:12:53,439
Speaker 1: streets and they just giving these bitches out. It's like like,

256
00:12:53,440 --> 00:12:55,360
Speaker 1: we can't get these off. These joints are sick. Take

257
00:12:55,400 --> 00:12:58,719
Speaker 1: the turtle. Gave us this one turtle. We keep the

258
00:12:58,760 --> 00:13:00,760
Speaker 1: turtle for a couple of weeks, feeding all of this stuff.

259
00:13:00,800 --> 00:13:02,800
Speaker 1: But I started doing research and they say these turtles

260
00:13:02,880 --> 00:13:07,120
Speaker 1: need a companion or they will it's off themselves. So

261
00:13:07,360 --> 00:13:11,199
Speaker 1: in the next couple of weeks, nigga stop eating, started

262
00:13:11,200 --> 00:13:14,680
Speaker 1: making little turtle noise, and then you start putting his

263
00:13:14,760 --> 00:13:17,080
Speaker 1: head under the you know you got the little at

264
00:13:17,120 --> 00:13:20,440
Speaker 1: the bottom of the tank. His nigga was in pure loneliness,

265
00:13:20,480 --> 00:13:23,240
Speaker 1: like he committed suicide. It was the sadish I seen turtle.

266
00:13:23,240 --> 00:13:24,680
Speaker 1: So it was the sad shit I ever seen in

267
00:13:24,679 --> 00:13:26,280
Speaker 1: my life. I'm talking about in the span of like

268
00:13:26,320 --> 00:13:28,040
Speaker 1: three days, four days, he was just like I'm done.

269
00:13:28,080 --> 00:13:30,480
Speaker 1: He just killed himself. He's like, I'm not eating where's

270
00:13:30,520 --> 00:13:32,520
Speaker 1: my girl, where's my Where's anything? I just need to

271
00:13:32,640 --> 00:13:35,200
Speaker 1: knock around some stuff. I know. If the cat's Frank Ocean,

272
00:13:35,240 --> 00:13:38,600
Speaker 1: who's the turtle? His name was Turtle, just turtle. I

273
00:13:38,600 --> 00:13:40,400
Speaker 1: respect that. I don't feel like I don't feel like

274
00:13:40,440 --> 00:13:45,000
Speaker 1: you're amphibian, right? Turtles? Amphibians? There? What the fuck is

275
00:13:45,000 --> 00:13:47,959
Speaker 1: it is? What a reptile? What the fuck is the

276
00:13:48,000 --> 00:13:52,640
Speaker 1: amphibian and a lizard? A frog is an amphibian? Okay, Okay,

277
00:13:52,880 --> 00:13:56,240
Speaker 1: Turtles reptiles, they don't hear. I don't feel like they.

278
00:13:56,559 --> 00:13:58,320
Speaker 1: I feel like they only see like heat. When I

279
00:13:58,360 --> 00:14:00,800
Speaker 1: was a kid, I had a box turtle and I

280
00:14:00,880 --> 00:14:04,560
Speaker 1: named him Fat Joe. That's hard. I'll be knowing my

281
00:14:04,600 --> 00:14:08,280
Speaker 1: shit knowing. Hey, we gotta stop the interview real quick

282
00:14:08,320 --> 00:14:12,120
Speaker 1: to tell you about our partners, our family at odd socks.

283
00:14:12,240 --> 00:14:15,600
Speaker 1: Go to odd socksofficial dot com right now and the

284
00:14:15,640 --> 00:14:18,560
Speaker 1: promo code bootleg keV. It'll get you twenty percent off.

285
00:14:18,679 --> 00:14:23,360
Speaker 1: The fly is socks in the world, Fucking SpongeBob, fucking cheese.

286
00:14:23,400 --> 00:14:28,000
Speaker 1: It's a little bit of pepsiu. How about some underwear?

287
00:14:28,040 --> 00:14:30,640
Speaker 1: Do we like underwear? Et boxers, Let's go ahead and

288
00:14:30,680 --> 00:14:32,800
Speaker 1: just open up a pair of these boys, so you

289
00:14:32,800 --> 00:14:34,960
Speaker 1: can see how fly the draws are, ladies and gentlemen

290
00:14:34,960 --> 00:14:36,480
Speaker 1: because they are fly. By the way, they just gave

291
00:14:36,520 --> 00:14:38,560
Speaker 1: me my own pair of odd socks. Go on my

292
00:14:38,600 --> 00:14:40,440
Speaker 1: social media and you can see him. I don't know

293
00:14:40,440 --> 00:14:43,520
Speaker 1: if they're gonna be for sale, because let's be honest,

294
00:14:44,160 --> 00:14:46,360
Speaker 1: who wants to wear socks with my fucking ugly face

295
00:14:46,400 --> 00:14:48,120
Speaker 1: on them? Besides my wife, and she don't even want

296
00:14:48,120 --> 00:14:52,640
Speaker 1: to wear them. There we go, ooh, they got the draws.

297
00:14:52,800 --> 00:14:55,160
Speaker 1: They got it all, man, get the odd socks basics,

298
00:14:55,160 --> 00:14:57,600
Speaker 1: which I love, just the basic boys. These are amazing

299
00:14:57,640 --> 00:15:00,960
Speaker 1: comfy socks. Odd socksofficial dot com. Use the promo code

300
00:15:01,000 --> 00:15:03,040
Speaker 1: Bootleg Calves save twenty percent off. Let's get back to

301
00:15:03,040 --> 00:15:06,800
Speaker 1: the interview. Yeah, so you know how how old was

302
00:15:06,800 --> 00:15:09,520
Speaker 1: your dog? When your dog passed away? I actually don't know.

303
00:15:09,680 --> 00:15:12,560
Speaker 1: It was crazy. He was trying to find like this

304
00:15:12,640 --> 00:15:14,520
Speaker 1: is the crazyt door. This is maybe like three four

305
00:15:14,560 --> 00:15:16,400
Speaker 1: years ago. We was trying to get a bull mastive.

306
00:15:17,240 --> 00:15:23,760
Speaker 1: Got on Craigslist, got the dog for like sixty bucks.

307
00:15:23,960 --> 00:15:26,680
Speaker 1: Said it was a bull mastive. It wasn't. Nigga was

308
00:15:27,360 --> 00:15:29,320
Speaker 1: anything but a bull mastive. It could have been mixed

309
00:15:29,360 --> 00:15:32,400
Speaker 1: with cat far as I know, but he uh, I

310
00:15:32,400 --> 00:15:35,280
Speaker 1: don't know how sixty bucks for a bull mastive feels

311
00:15:35,320 --> 00:15:37,200
Speaker 1: like a little low. It was just rough times, you

312
00:15:37,240 --> 00:15:39,040
Speaker 1: know what I'm saying, Like, you know what, Yeah, I

313
00:15:39,080 --> 00:15:41,720
Speaker 1: trust this guy sixty dollars even though it's probably like

314
00:15:41,760 --> 00:15:44,480
Speaker 1: a two thousand dollars dog. That's a huge, two thousand

315
00:15:44,520 --> 00:15:46,160
Speaker 1: dollar dog, and it was supposed to be way bigger.

316
00:15:46,200 --> 00:15:47,560
Speaker 1: He just had big palls, you know how they say

317
00:15:47,600 --> 00:15:49,640
Speaker 1: big palls, especially if it's a puppy that'll be like,

318
00:15:49,680 --> 00:15:51,280
Speaker 1: look at his pause, it's gonna go up to be huge.

319
00:15:51,720 --> 00:15:53,600
Speaker 1: That dog was not it. He was not him, but

320
00:15:53,800 --> 00:15:56,400
Speaker 1: he lived for maybe I don't know. He ran away

321
00:15:56,440 --> 00:15:58,240
Speaker 1: and then never seen him again. So I just he

322
00:15:58,320 --> 00:16:00,680
Speaker 1: might still be out here, man, he might be out

323
00:16:00,720 --> 00:16:06,480
Speaker 1: here doing his thing. That's running it up. Yo. When

324
00:16:06,520 --> 00:16:09,200
Speaker 1: it comes to your album, I saw the artwork. Uh,

325
00:16:09,320 --> 00:16:11,920
Speaker 1: the artwork is crazy. Give me kind of like the

326
00:16:11,920 --> 00:16:16,480
Speaker 1: whole concept but behind the title and the artwork. So

327
00:16:16,560 --> 00:16:19,360
Speaker 1: this project is, uh, it's a sequel. I love doing

328
00:16:19,400 --> 00:16:21,080
Speaker 1: sequels because I like movies and shit. So I feel

329
00:16:21,120 --> 00:16:22,440
Speaker 1: like if it's a good first movie, like I want

330
00:16:22,480 --> 00:16:24,320
Speaker 1: to see the second Okay, so I was like that.

331
00:16:24,680 --> 00:16:26,880
Speaker 1: So I've been doing that my whole career, just making

332
00:16:26,920 --> 00:16:29,960
Speaker 1: them a sequels. This was just like if you look

333
00:16:29,960 --> 00:16:32,520
Speaker 1: at the first cover, it was animated drawing out a

334
00:16:32,560 --> 00:16:34,720
Speaker 1: bunch of chaos, almost Where's Waldo, But you see a

335
00:16:34,760 --> 00:16:37,280
Speaker 1: lot of like trauma and black issues and stuff like that, cops,

336
00:16:37,320 --> 00:16:40,160
Speaker 1: football players, basketball players, people in jail. And then we

337
00:16:40,240 --> 00:16:43,480
Speaker 1: decided to bring this cover to live action, to like

338
00:16:43,640 --> 00:16:46,000
Speaker 1: to real life. So we got even like some of

339
00:16:46,000 --> 00:16:48,520
Speaker 1: the family members that represented some of these places, some

340
00:16:48,560 --> 00:16:51,120
Speaker 1: of my sisters, some of my brothers, my cousin, friends,

341
00:16:51,720 --> 00:16:54,840
Speaker 1: and and then just other people who just could feel

342
00:16:54,840 --> 00:16:56,520
Speaker 1: those roles, and we brought it to life. And it's

343
00:16:56,560 --> 00:16:58,920
Speaker 1: just kind of showing like even if you see like

344
00:16:58,920 --> 00:17:00,480
Speaker 1: where I'm placed at in the first when I'm kind

345
00:17:00,480 --> 00:17:02,320
Speaker 1: of like on the outside, but I'm still close to

346
00:17:02,320 --> 00:17:04,120
Speaker 1: the center, and it's when I'm like dead in the middle.

347
00:17:04,880 --> 00:17:08,000
Speaker 1: It's kind of like representing like where I see myself

348
00:17:08,040 --> 00:17:10,080
Speaker 1: at this point in my life. You know what I'm saying, Yeah,

349
00:17:10,160 --> 00:17:13,320
Speaker 1: I left, did all the torn and stuff, made success

350
00:17:13,320 --> 00:17:17,919
Speaker 1: for myself, whatever my mom would say, and when I

351
00:17:17,960 --> 00:17:19,760
Speaker 1: come back, it's kind of like I see the same things.

352
00:17:19,840 --> 00:17:21,000
Speaker 1: You know what I'm saying, This was kind of like

353
00:17:21,000 --> 00:17:24,919
Speaker 1: a representation to do my mind set. Yeah, I think chaos.

354
00:17:25,320 --> 00:17:29,200
Speaker 1: I think. I feel like artwork nowadays is like very

355
00:17:29,440 --> 00:17:31,240
Speaker 1: my I just feel like people don't put enough thought

356
00:17:31,280 --> 00:17:33,000
Speaker 1: into their ship. Well, so when I see like your ship,

357
00:17:33,040 --> 00:17:35,960
Speaker 1: I'm like, damn this this is crazy or so shout

358
00:17:35,960 --> 00:17:37,680
Speaker 1: out to you. Even like like a guy like west

359
00:17:37,680 --> 00:17:39,840
Speaker 1: Side Boogie his his artwork is what's crazy on his

360
00:17:39,880 --> 00:17:41,600
Speaker 1: album Crazy album too. By the way, shout out to

361
00:17:41,640 --> 00:17:45,760
Speaker 1: Boogie Baby Taits on the project She's Fire. I just

362
00:17:45,760 --> 00:17:48,240
Speaker 1: met her in Miami. She's an amazing shout out to her.

363
00:17:48,600 --> 00:17:52,000
Speaker 1: She had. I asked her who was her all time

364
00:17:52,080 --> 00:17:54,879
Speaker 1: trap artist, and she did not include Gez Gez or

365
00:17:54,960 --> 00:17:57,920
Speaker 1: Ti Crazy. I was a little I was a little thing.

366
00:17:58,280 --> 00:18:03,200
Speaker 1: She said, Scooter Fire. You're really Atlanta girl. Know Scooter

367
00:18:03,280 --> 00:18:11,120
Speaker 1: is fucking incredible. Gucci obviously the egos and said owe

368
00:18:11,119 --> 00:18:12,520
Speaker 1: me a birth. I'll say you owe me a birth.

369
00:18:13,600 --> 00:18:15,080
Speaker 1: I don't know why I can't think of the guy's name.

370
00:18:15,160 --> 00:18:17,919
Speaker 1: Make the trap say a we signed a Gucci ju

371
00:18:18,560 --> 00:18:21,920
Speaker 1: juice man, oh j the juice Man. Mm hmmm mm hmmm.

372
00:18:22,720 --> 00:18:24,360
Speaker 1: Where would you put like your if you had. We're

373
00:18:24,359 --> 00:18:29,440
Speaker 1: talking about trap trap music Atlanta. Mm hmm. I mean

374
00:18:30,320 --> 00:18:34,960
Speaker 1: of course like T I like the it's T I

375
00:18:35,160 --> 00:18:39,760
Speaker 1: g Z Yeah, yeah, in that order, in that order,

376
00:18:40,000 --> 00:18:43,720
Speaker 1: just because TI trap music. That's a staple who's got

377
00:18:43,720 --> 00:18:46,840
Speaker 1: more classics. But I'm not doing it. I'm not answering

378
00:18:46,840 --> 00:18:56,240
Speaker 1: it's Geez. I think it's Geezy. I think you got

379
00:18:56,400 --> 00:19:00,000
Speaker 1: I'm pleading in fifth all right, only because random question.

380
00:19:00,280 --> 00:19:03,320
Speaker 1: Would you take uh TM one on one or the

381
00:19:03,359 --> 00:19:11,480
Speaker 1: recession one on one? Easy? But the recessional session was amazing,

382
00:19:11,840 --> 00:19:13,520
Speaker 1: But I'm taking in one one is just minded me

383
00:19:13,600 --> 00:19:16,399
Speaker 1: of a time period in Atlanta, holding the wall party

384
00:19:16,520 --> 00:19:19,320
Speaker 1: like just some young ship. So we gotta fill it out. Well,

385
00:19:19,680 --> 00:19:24,040
Speaker 1: you said, uh T Cheezy still got guys out there

386
00:19:24,040 --> 00:19:32,160
Speaker 1: like Gucci. Gotta say Gucci. I don't go the little

387
00:19:32,160 --> 00:19:37,960
Speaker 1: baby of that already, let's go baby. I've never seen

388
00:19:38,000 --> 00:19:43,000
Speaker 1: somebody improve so drastically at rapping so fast, don't you agree?

389
00:19:43,040 --> 00:19:46,399
Speaker 1: Like he's nudy was my last one? Yeah, shot out

390
00:19:46,440 --> 00:19:50,360
Speaker 1: to Nudy. Nudy also someone that doesn't get enough flowers nationally,

391
00:19:50,359 --> 00:19:54,920
Speaker 1: at least little baby. Though you're a fucking m c's

392
00:19:55,000 --> 00:19:59,119
Speaker 1: MC hasn't been crazy to see just how impeccable he's gotten.

393
00:19:59,359 --> 00:20:02,720
Speaker 1: Like at this rapping ship, this what he's made for.

394
00:20:03,119 --> 00:20:05,920
Speaker 1: It's so it's so impressive. You could tell when it's somebody,

395
00:20:05,960 --> 00:20:07,600
Speaker 1: you know what I'm saying. I could tell this was

396
00:20:07,640 --> 00:20:09,560
Speaker 1: his calling because he went from like being like really

397
00:20:09,560 --> 00:20:11,480
Speaker 1: open to be like yeah, Gunner like helps me help

398
00:20:11,560 --> 00:20:14,240
Speaker 1: me start to write and ship, and like now he's

399
00:20:14,359 --> 00:20:19,159
Speaker 1: like top tier, don't miss He deserves it though, Yeah,

400
00:20:19,200 --> 00:20:23,159
Speaker 1: he deserves it, really gifted. So we said, offset o

401
00:20:23,240 --> 00:20:25,720
Speaker 1: you a verse? Anybody else will your verse? Now that's

402
00:20:25,720 --> 00:20:29,040
Speaker 1: my dog. I'm just no, no, no, no, no no verse?

403
00:20:29,600 --> 00:20:33,320
Speaker 1: Uh is there? I mean this is the quintessential. Is

404
00:20:33,320 --> 00:20:37,480
Speaker 1: there going to be another Dreamville compilation? Question? That'll be smart? Yeah,

405
00:20:37,560 --> 00:20:39,399
Speaker 1: you know what I'm saying, that'll be smart to do that.

406
00:20:39,480 --> 00:20:41,240
Speaker 1: The last one was so epic, and if we brought

407
00:20:41,240 --> 00:20:43,480
Speaker 1: it in hone it in Moore, just about make it

408
00:20:43,480 --> 00:20:45,640
Speaker 1: more so about the collective, you know what I'm saying.

409
00:20:45,800 --> 00:20:48,240
Speaker 1: It's a lot of outside Yeah, we just a couple

410
00:20:48,240 --> 00:20:49,800
Speaker 1: of features here and there, just make it about the collective.

411
00:20:49,800 --> 00:20:51,879
Speaker 1: It'd be way. It was so good though, man, he

412
00:20:52,000 --> 00:20:55,000
Speaker 1: was I tell Eve. I was like, bro, the fact

413
00:20:55,000 --> 00:20:56,840
Speaker 1: that you because I know that y'all pulled from He

414
00:20:56,880 --> 00:20:59,600
Speaker 1: pulled from so many records, and I was like, bro,

415
00:20:59,680 --> 00:21:01,760
Speaker 1: the fact you're able to pull from so many different

416
00:21:01,840 --> 00:21:05,600
Speaker 1: joints and make like, I'm sure a scattered creative process

417
00:21:05,640 --> 00:21:09,840
Speaker 1: sounds so cohesive, so many different artists. This thing good

418
00:21:09,880 --> 00:21:12,600
Speaker 1: guy for sure. Man on the album rapping he was

419
00:21:12,600 --> 00:21:18,040
Speaker 1: on the albump what Yeah, don't forget I said that,

420
00:21:18,200 --> 00:21:20,320
Speaker 1: just listen for He sounded like m F doom on God.

421
00:21:21,080 --> 00:21:25,040
Speaker 1: You got Ibrahim rapping his bos on the song too.

422
00:21:26,400 --> 00:21:29,400
Speaker 1: You're doing like you got Boss on the album? Right, yeah,

423
00:21:29,560 --> 00:21:32,560
Speaker 1: you know like backgrounds and you know what I'm saying, Yeah,

424
00:21:32,720 --> 00:21:34,199
Speaker 1: I love Boss now that he's like kind of in

425
00:21:34,200 --> 00:21:38,080
Speaker 1: It's like melodic bag that's what. Yeah. Like he killed

426
00:21:38,080 --> 00:21:41,560
Speaker 1: the Cold album Facts Facts. I love his party. When

427
00:21:41,600 --> 00:21:43,920
Speaker 1: I was like, who the fuck is this? I said, should,

428
00:21:44,560 --> 00:21:49,040
Speaker 1: I'm like, you got a new pocket? What? Yeah? You ah,

429
00:21:49,520 --> 00:21:51,199
Speaker 1: craig me if I'm wrong. You were on like a

430
00:21:51,400 --> 00:21:53,840
Speaker 1: kind of like a pop tour or is that? Oh?

431
00:21:53,880 --> 00:21:57,520
Speaker 1: I was going around doing shows. Imagine dragons, Imagine dragons.

432
00:21:58,040 --> 00:22:01,920
Speaker 1: What was that like? Bro? You know I'm just saying

433
00:22:01,960 --> 00:22:04,520
Speaker 1: because an imagine Dragon's concert is like a whole different world.

434
00:22:04,560 --> 00:22:06,679
Speaker 1: It's a serial, like a serious level of Caucasian that

435
00:22:06,720 --> 00:22:14,080
Speaker 1: goes to those shows and album definitely like the minority

436
00:22:14,119 --> 00:22:15,960
Speaker 1: and the biggest regard, you know what I'm saying, So

437
00:22:16,600 --> 00:22:18,960
Speaker 1: I fuck with it. Though they got some anthems, yeah,

438
00:22:19,160 --> 00:22:22,000
Speaker 1: you like they literally have stadium music one. You heard

439
00:22:22,000 --> 00:22:24,480
Speaker 1: that shit in Target. You heard it in commercials and

440
00:22:24,480 --> 00:22:27,760
Speaker 1: commercials everywhere in the movies and soundtracks and all of

441
00:22:27,760 --> 00:22:30,199
Speaker 1: that stuff. It's crazy, bro, It's just a whole other

442
00:22:30,280 --> 00:22:32,560
Speaker 1: level of performing. It teaches you, like I shouldna say

443
00:22:32,560 --> 00:22:34,160
Speaker 1: that has to really like you gotta cut your teeth

444
00:22:34,160 --> 00:22:36,320
Speaker 1: going into a crowd that's probably not there for what

445
00:22:36,359 --> 00:22:40,000
Speaker 1: you're bringing to the table. All arenas, uh. But our

446
00:22:40,040 --> 00:22:42,359
Speaker 1: song is one of their biggest songs ever, you know

447
00:22:42,400 --> 00:22:44,399
Speaker 1: what I'm saying. It's probably I think it was the

448
00:22:44,480 --> 00:22:47,200
Speaker 1: fastest to reach the heights of you know what I'm saying.

449
00:22:47,240 --> 00:22:49,080
Speaker 1: I don't know, to the heights of eight, But that's

450
00:22:49,080 --> 00:22:51,280
Speaker 1: a big as hell, so they know who I am.

451
00:22:51,320 --> 00:22:54,560
Speaker 1: Like every time I performed it is roaring applause. It's crazy,

452
00:22:54,640 --> 00:22:57,240
Speaker 1: like just making sure like even the way I'm wrapping on,

453
00:22:57,520 --> 00:23:00,000
Speaker 1: I'm rapping super fast, so it's just like me doing

454
00:23:00,000 --> 00:23:02,639
Speaker 1: twenty six seconds of like and I'm out of there,

455
00:23:02,960 --> 00:23:06,159
Speaker 1: but they don't know. It helped me become a better performer.

456
00:23:06,200 --> 00:23:07,919
Speaker 1: I would say who reached out was someone in the

457
00:23:07,920 --> 00:23:09,480
Speaker 1: group that was just a fan of you, that was like, yeah,

458
00:23:09,760 --> 00:23:14,399
Speaker 1: like Dan Reynolds, he's the lead singer. I feel like

459
00:23:14,600 --> 00:23:16,679
Speaker 1: he was a fan. He told me that he was,

460
00:23:16,760 --> 00:23:19,160
Speaker 1: and it was done through the label. The label reached out,

461
00:23:19,200 --> 00:23:21,119
Speaker 1: though I think it was because of you. Fuck with me.

462
00:23:21,520 --> 00:23:26,119
Speaker 1: When people chop and they do the I feel like,

463
00:23:28,160 --> 00:23:33,000
Speaker 1: sometimes it's amazing. Sometimes there's guys like Ritz from Quinnett

464
00:23:33,040 --> 00:23:35,440
Speaker 1: County who could rap really fast and say incredible things.

465
00:23:37,000 --> 00:23:39,840
Speaker 1: Tech nine is really good at that. But then sometimes

466
00:23:39,880 --> 00:23:43,879
Speaker 1: it's like unbearable. It's it's like really unbearable, you know

467
00:23:43,920 --> 00:23:48,240
Speaker 1: what I actually, I'm just like this. I hate I

468
00:23:48,280 --> 00:23:50,240
Speaker 1: hate it though, like this is who I am. I can't,

469
00:23:51,680 --> 00:23:54,600
Speaker 1: I wouldn't. Would you? Would you listen to your own album? Yes?

470
00:23:55,359 --> 00:23:59,040
Speaker 1: She is fire, Yes it's some nigga shit. Can't comment

471
00:23:59,080 --> 00:24:03,800
Speaker 1: on that, no idea what you're talking about. But and

472
00:24:03,880 --> 00:24:06,639
Speaker 1: I respected it all, but I it's kind of crazy.

473
00:24:06,680 --> 00:24:08,560
Speaker 1: I don't be like really delving into it. If I

474
00:24:08,640 --> 00:24:11,080
Speaker 1: notice is your niche. I don't think it's my niche.

475
00:24:11,240 --> 00:24:13,720
Speaker 1: I think I could just do it. I just do it,

476
00:24:13,760 --> 00:24:16,359
Speaker 1: like you know what I'm saying, effortlessly, effortless. I'm not

477
00:24:16,480 --> 00:24:19,720
Speaker 1: trying to rap like this. My name is jittery for

478
00:24:19,720 --> 00:24:23,480
Speaker 1: a reason because I'm just like my brain. But I

479
00:24:23,480 --> 00:24:27,359
Speaker 1: don't really aim for that style of music, right, or

480
00:24:27,480 --> 00:24:29,080
Speaker 1: I wouldn't even say rap is the first thing I

481
00:24:29,080 --> 00:24:31,919
Speaker 1: will play on in my car. Yeah. I feel like

482
00:24:32,280 --> 00:24:34,240
Speaker 1: Eminem for being like one of the greatest rappers of

483
00:24:34,280 --> 00:24:38,480
Speaker 1: all time. I don't like any raps like that. It's

484
00:24:38,520 --> 00:24:44,120
Speaker 1: not for me. What's current? Call too out? Now? Oh God?

485
00:24:44,200 --> 00:24:48,760
Speaker 1: Did you listen to Eminem growing up? I used to

486
00:24:48,760 --> 00:24:52,719
Speaker 1: love staying listen to He's a great first three albums,

487
00:24:53,080 --> 00:24:56,120
Speaker 1: like first three albums great, Yeah, yeah, all of the craziness. Yes,

488
00:24:56,240 --> 00:24:58,439
Speaker 1: that's the g unit ship that whole era. But I

489
00:24:58,600 --> 00:25:02,080
Speaker 1: was I wasn't like super am I like what it

490
00:25:02,240 --> 00:25:06,120
Speaker 1: was Eminem like super prominent two thousand and fucking two

491
00:25:06,440 --> 00:25:12,560
Speaker 1: until I mean no, no, technically like ninety nine, ninety eight,

492
00:25:12,640 --> 00:25:15,160
Speaker 1: ninety nine, un two and at this time I'm really

493
00:25:15,200 --> 00:25:17,639
Speaker 1: like at this age, I'm really like catching up on

494
00:25:17,920 --> 00:25:20,200
Speaker 1: I'm in a New Orleans sound. I'm really four hundred

495
00:25:20,200 --> 00:25:23,879
Speaker 1: degrees all of that. Hey, listen, let me tell you something.

496
00:25:23,920 --> 00:25:25,320
Speaker 1: You know what one of my favorite albums is of

497
00:25:25,359 --> 00:25:28,399
Speaker 1: all time? I got that work by the Big Timers. Wow,

498
00:25:28,560 --> 00:25:32,600
Speaker 1: that is bro id bro spoken about. You understand that

499
00:25:32,720 --> 00:25:35,240
Speaker 1: it wasn't on DSPs until like four months ago, and

500
00:25:35,280 --> 00:25:37,120
Speaker 1: now it's on fucking I don't know. There's a lot

501
00:25:37,160 --> 00:25:40,360
Speaker 1: of old cash money shit that's just in the air somewhere.

502
00:25:40,560 --> 00:25:42,880
Speaker 1: I'm looking for the member of the song on Tuesday

503
00:25:42,880 --> 00:25:44,840
Speaker 1: and Thursday, you gotta w I'm looking for the album

504
00:25:44,880 --> 00:25:47,359
Speaker 1: with that on it. I cannot find. It's like Tuesday

505
00:25:47,359 --> 00:25:51,880
Speaker 1: and Thursdays. It's like, uh, like the many Fresh first

506
00:25:51,880 --> 00:25:54,240
Speaker 1: solo album is not available. The Birdman album with what

507
00:25:54,280 --> 00:25:56,760
Speaker 1: Happened to That Boy? Was that? Do you remember that

508
00:25:56,840 --> 00:25:59,399
Speaker 1: artwork by the way, with the half Oh my god,

509
00:25:59,440 --> 00:26:02,439
Speaker 1: it's kind of crazy. It's so crazy to think that

510
00:26:02,440 --> 00:26:05,600
Speaker 1: that was like flying back there, like like those those

511
00:26:05,640 --> 00:26:08,480
Speaker 1: like old school Southern covers with the but that was

512
00:26:08,520 --> 00:26:11,359
Speaker 1: that one was egregious. The Birdman album cover was egregious.

513
00:26:11,440 --> 00:26:13,120
Speaker 1: It was insane, but I used to love them old

514
00:26:13,119 --> 00:26:16,600
Speaker 1: covers with like the How Boys Amazing or like the

515
00:26:16,920 --> 00:26:19,159
Speaker 1: Silk the Shocker charges to the game. I used to

516
00:26:19,280 --> 00:26:21,800
Speaker 1: never be the biggest slish Well he was a terrible

517
00:26:21,840 --> 00:26:24,000
Speaker 1: rap to him. I respected him because master p like

518
00:26:24,040 --> 00:26:26,760
Speaker 1: this your brother give. I think Silk the Shaker is

519
00:26:26,800 --> 00:26:30,840
Speaker 1: the best worst rapper of all time or or platinum.

520
00:26:30,880 --> 00:26:34,760
Speaker 1: He's the worst worst went platinum before streaming, so we

521
00:26:34,760 --> 00:26:36,960
Speaker 1: can't even hit him with that. And he was and

522
00:26:38,240 --> 00:26:41,399
Speaker 1: he was uh romantically involved with Maya in about in

523
00:26:41,480 --> 00:26:45,639
Speaker 1: ninety eight, so God bless him, salute kudos him and

524
00:26:45,640 --> 00:26:48,600
Speaker 1: Maya had some joints. Silk he was in a video

525
00:26:48,600 --> 00:26:52,080
Speaker 1: in a white jacket and on the snow slopes and

526
00:26:52,119 --> 00:26:56,600
Speaker 1: ship you know, early cash money was the best. Fuck

527
00:26:57,080 --> 00:27:01,560
Speaker 1: yeah bird, that's big timers though. That's the album Get

528
00:27:01,600 --> 00:27:03,480
Speaker 1: Your Role on Man, one of our favorite songs of

529
00:27:03,480 --> 00:27:06,840
Speaker 1: all time. Damn fucking man. I feel like they still

530
00:27:06,840 --> 00:27:09,800
Speaker 1: play that's in like commercials, right, I think? So? I

531
00:27:09,840 --> 00:27:14,480
Speaker 1: love that ship. Yeah. So this album, are we gonna

532
00:27:14,520 --> 00:27:17,639
Speaker 1: have another drop off in terms of just bodies of

533
00:27:17,680 --> 00:27:19,800
Speaker 1: work from you? Because you feel very intentional when you

534
00:27:19,920 --> 00:27:22,520
Speaker 1: drop music. See I've been working on like a couple

535
00:27:22,560 --> 00:27:24,840
Speaker 1: of albums in this time period. So we're gonna spend

536
00:27:24,840 --> 00:27:28,000
Speaker 1: the block again. You're gonna spend the block that's solo.

537
00:27:28,440 --> 00:27:32,600
Speaker 1: Yeah what about I was like Spills the Village coming out? Yeah, yeah, yeah,

538
00:27:32,600 --> 00:27:35,760
Speaker 1: we definitely. I've been trying to like get us pushed

539
00:27:35,800 --> 00:27:37,960
Speaker 1: us in itation. I think we can get some We

540
00:27:38,040 --> 00:27:40,080
Speaker 1: just gotta find everybody's schedule and get together and do it.

541
00:27:40,160 --> 00:27:41,880
Speaker 1: A lot of moving parts, a lot of moving parts.

542
00:27:41,920 --> 00:27:45,840
Speaker 1: But I know it's uh another album. I know it's

543
00:27:45,920 --> 00:27:48,159
Speaker 1: damn near tour, Like we need to tour off of

544
00:27:48,160 --> 00:27:50,520
Speaker 1: these these probably we've been dropping. So yeah, yeah, I

545
00:27:50,520 --> 00:27:54,920
Speaker 1: definitely got a tour. Yeah yeah, I mean I feel

546
00:27:54,920 --> 00:27:58,840
Speaker 1: like with you, like your live because I've seen you

547
00:27:58,880 --> 00:28:01,359
Speaker 1: live before. I feel like the live aspect of what

548
00:28:01,400 --> 00:28:03,640
Speaker 1: you bring to the table is so important. Wasn't frustrating

549
00:28:03,640 --> 00:28:07,360
Speaker 1: and like not being able to perform hit the road? Yeah? Yeah,

550
00:28:07,400 --> 00:28:09,960
Speaker 1: of course that was. And it's like most artists made,

551
00:28:10,160 --> 00:28:13,879
Speaker 1: like mainstream of income is just torn and festivals and

552
00:28:14,000 --> 00:28:16,280
Speaker 1: merch and you know what I'm saying. Of course you

553
00:28:16,280 --> 00:28:18,240
Speaker 1: gonna see you may see some streaming money or whatever.

554
00:28:18,280 --> 00:28:21,000
Speaker 1: I guess you know how this shit works. But I

555
00:28:21,080 --> 00:28:23,439
Speaker 1: just know, like most of the artists, touring is the income,

556
00:28:23,520 --> 00:28:26,720
Speaker 1: so that shit probably hit people in different type of ways.

557
00:28:26,720 --> 00:28:28,320
Speaker 1: It ain't fucked me up too bad because I toured

558
00:28:28,320 --> 00:28:31,440
Speaker 1: the whole twenty nineteen, Like we did almost three hundred

559
00:28:31,440 --> 00:28:34,439
Speaker 1: shows in a year with three hundred and sixty five days.

560
00:28:34,480 --> 00:28:36,560
Speaker 1: You know what I'm saying, So you kind of got

561
00:28:36,560 --> 00:28:38,120
Speaker 1: a little bit out of your system. I got it,

562
00:28:38,200 --> 00:28:39,720
Speaker 1: I got it out. I did my major torn in

563
00:28:39,720 --> 00:28:42,160
Speaker 1: twenty nineteen, and twenty twenty was just like when everything

564
00:28:42,160 --> 00:28:45,200
Speaker 1: stopped in twenty one, everything came back and now we're here.

565
00:28:45,320 --> 00:28:49,160
Speaker 1: Did you ever catch the covid? Uh? Once? Once? Once?

566
00:28:49,200 --> 00:28:51,640
Speaker 1: It was a mild it was my maybe a few

567
00:28:51,680 --> 00:28:54,200
Speaker 1: days costs and sneeze. I was that bad. You know

568
00:28:54,280 --> 00:28:57,520
Speaker 1: what's crazy is like monkey Pock's not as deadly as COVID,

569
00:28:57,640 --> 00:29:00,880
Speaker 1: but everyone's a lot more freaked out because that ship

570
00:29:00,920 --> 00:29:03,920
Speaker 1: looks crazy. It looks that's how you know, how everybody is.

571
00:29:03,960 --> 00:29:06,960
Speaker 1: So everyone's so vain, they're like, I don't give a

572
00:29:07,000 --> 00:29:09,760
Speaker 1: fuck that once give me the ship that could kill me.

573
00:29:09,880 --> 00:29:12,160
Speaker 1: I try to look crazy. That is I didn't even

574
00:29:12,200 --> 00:29:14,120
Speaker 1: peep that, but that is I can't even post on

575
00:29:14,160 --> 00:29:16,840
Speaker 1: Instagram for how many months? What months? No? I mean,

576
00:29:16,840 --> 00:29:18,800
Speaker 1: I don't know. I don't know. I don't Okay, it

577
00:29:18,920 --> 00:29:22,480
Speaker 1: just looks wild, ye like you low he can't leave

578
00:29:22,520 --> 00:29:24,880
Speaker 1: the house. You could leave the house with COVID. You're

579
00:29:24,880 --> 00:29:26,800
Speaker 1: a piece of shit if you did it. Yeah, it's

580
00:29:26,800 --> 00:29:30,080
Speaker 1: supers better, but you could and no one would know

581
00:29:31,200 --> 00:29:35,600
Speaker 1: that monkey pox. You're at the fucking gym with monkey pox. Motherfucker.

582
00:29:35,680 --> 00:29:42,200
Speaker 1: Don't call the police on you. Bro'n jesus yo, Uh,

583
00:29:42,480 --> 00:29:46,400
Speaker 1: give me some insight, man, obviously. Uh. Being signed to

584
00:29:46,480 --> 00:29:50,000
Speaker 1: Dreamville is the gift is amazing, right because I feel

585
00:29:50,000 --> 00:29:52,280
Speaker 1: like they are a label that has the highest uh

586
00:29:53,040 --> 00:29:55,120
Speaker 1: integrity when it comes to who they sign. I truly

587
00:29:55,160 --> 00:29:58,000
Speaker 1: believe that. I feel like calling Eve when they signed somebody.

588
00:29:58,400 --> 00:30:00,360
Speaker 1: It is never short sighted. It is all a ways.

589
00:30:00,720 --> 00:30:04,040
Speaker 1: First of all, they develop artists and they always see

590
00:30:04,040 --> 00:30:06,800
Speaker 1: the long play is the downside every interview you do,

591
00:30:06,840 --> 00:30:09,200
Speaker 1: so would ask you a Jake Cole question, by the way,

592
00:30:09,400 --> 00:30:14,680
Speaker 1: only Jake Cole question of the interview. No, No, I don't,

593
00:30:15,160 --> 00:30:18,480
Speaker 1: good guy, cool dude. Yeah, you ever played basketball? Like

594
00:30:18,560 --> 00:30:21,040
Speaker 1: y'all ever fucking I play one of the tours you

595
00:30:21,080 --> 00:30:23,600
Speaker 1: shout around like, got a little game going to the gym.

596
00:30:23,720 --> 00:30:26,480
Speaker 1: I feel like it was in Virginia kind of crazy

597
00:30:27,280 --> 00:30:30,000
Speaker 1: because huh, you got to throw that in there? Got

598
00:30:30,040 --> 00:30:32,640
Speaker 1: to well, yeah, I hooked around with him a little bit.

599
00:30:33,640 --> 00:30:35,440
Speaker 1: I ain't no really no football. I ain't no basketball

600
00:30:35,680 --> 00:30:39,360
Speaker 1: at all? What we played football with him before? Did

601
00:30:39,360 --> 00:30:43,000
Speaker 1: you play football in high school? Yeah? High school and college?

602
00:30:42,880 --> 00:30:45,840
Speaker 1: What were you play in college? Any school in Virginia? Way?

603
00:30:45,920 --> 00:30:52,120
Speaker 1: None of yep? What's your team Falcons? How you feeling?

604
00:30:52,760 --> 00:30:56,000
Speaker 1: How you feeling with Mariota? Is it Mariota? It is

605
00:30:56,040 --> 00:31:00,800
Speaker 1: Marioda And we got ridder Rider? Is somebody drafted? He

606
00:31:00,920 --> 00:31:02,680
Speaker 1: just came in. I feel like he would do Cincinnati.

607
00:31:02,720 --> 00:31:10,360
Speaker 1: They did Calvin really dirty or or I mean white white.

608
00:31:10,520 --> 00:31:12,600
Speaker 1: Let me ask you why you said that. First, he

609
00:31:12,680 --> 00:31:15,360
Speaker 1: gambled on a game that he had not I mean,

610
00:31:15,440 --> 00:31:17,360
Speaker 1: he shouldn't have gambled on the game. But he got

611
00:31:17,640 --> 00:31:20,320
Speaker 1: suspended for a year, a whole year. And Deshaun Watson's

612
00:31:20,360 --> 00:31:23,440
Speaker 1: out here getting the habitual rubbed downs and got six

613
00:31:23,720 --> 00:31:28,960
Speaker 1: six games. Does the NFL hate women? You'll not say.

614
00:31:29,360 --> 00:31:33,320
Speaker 1: I can't say that. Think about ray Rice, Kareem Hunt, easy,

615
00:31:33,560 --> 00:31:37,920
Speaker 1: Kareem Hunt, Ezekiel Elliott. All those motherfuckers played like he

616
00:31:37,960 --> 00:31:44,000
Speaker 1: would know Ezekiel Elliot ship was what minimal mine got.

617
00:31:44,000 --> 00:31:46,960
Speaker 1: Calvin really bet on a game and it wasn't even

618
00:31:46,960 --> 00:31:50,800
Speaker 1: I don't think think it was like anything crazy a

619
00:31:50,840 --> 00:31:55,440
Speaker 1: whole year. Bro fucked up my fantasy ship. Bro, Oh

620
00:31:55,480 --> 00:31:59,240
Speaker 1: that's your beat. Let's get you play the root of it.

621
00:31:59,280 --> 00:32:01,000
Speaker 1: Do you play fantasy foot I did it the first

622
00:32:01,000 --> 00:32:04,280
Speaker 1: time last year. I think I don't know if I'm

623
00:32:04,280 --> 00:32:05,960
Speaker 1: a good GM I would be a better coach. I

624
00:32:06,000 --> 00:32:07,680
Speaker 1: thought I'd be good at it because I know personnel

625
00:32:07,840 --> 00:32:10,320
Speaker 1: and players and shit, but it's more of about like this.

626
00:32:11,040 --> 00:32:13,200
Speaker 1: It takes up a lot of time. Couldn't do it.

627
00:32:13,240 --> 00:32:15,200
Speaker 1: So I lost it on What was the draft? Like?

628
00:32:15,320 --> 00:32:17,120
Speaker 1: Did you have an in person draft? Because because my

629
00:32:17,160 --> 00:32:20,920
Speaker 1: favorite part that falling ship. The best part about fantasy

630
00:32:20,920 --> 00:32:23,760
Speaker 1: football is when you get together with your friends and

631
00:32:23,800 --> 00:32:27,760
Speaker 1: you just say just domeaning things to them, canceble things

632
00:32:27,800 --> 00:32:31,120
Speaker 1: even you know, while you're in the same room you

633
00:32:31,200 --> 00:32:33,479
Speaker 1: got the fucking easel with the fucking thing and you're

634
00:32:33,480 --> 00:32:36,800
Speaker 1: writing the fucking things down. There's wings, there's beer, you know,

635
00:32:36,960 --> 00:32:40,160
Speaker 1: and then you know when someone drafts like I just

636
00:32:40,280 --> 00:32:43,920
Speaker 1: love just just putting down my best friends. It's actually

637
00:32:44,000 --> 00:32:47,280
Speaker 1: my favorite thing to do when they pick a yeah,

638
00:32:47,440 --> 00:32:49,320
Speaker 1: like what the fuck are you doing? Or some new

639
00:32:49,360 --> 00:32:51,880
Speaker 1: motherfucker who picks like a kicker in like the ninth round,

640
00:32:51,920 --> 00:32:53,080
Speaker 1: and I'm like, bro, you know you could have just

641
00:32:53,120 --> 00:32:55,520
Speaker 1: waited until the end for that. Give them the time.

642
00:32:55,800 --> 00:32:59,400
Speaker 1: Why do you have three defenses? Like what's going on?

643
00:32:59,760 --> 00:33:02,920
Speaker 1: That's yeah, yeah, shout out to the fact. I'm a

644
00:33:02,920 --> 00:33:04,880
Speaker 1: Cardinals fan. So she's harry for us right now because

645
00:33:04,920 --> 00:33:07,320
Speaker 1: Kyler Murray seems to be you know, he got paid,

646
00:33:07,720 --> 00:33:10,840
Speaker 1: thank god, hopefully now it's behind us because they put

647
00:33:10,840 --> 00:33:13,640
Speaker 1: the clause in his contract where he has to study.

648
00:33:13,760 --> 00:33:21,680
Speaker 1: That's racism. That's pure blatant racism. Ah. You know what

649
00:33:22,880 --> 00:33:26,080
Speaker 1: I love the NFL with. There's some moral things I

650
00:33:26,120 --> 00:33:28,440
Speaker 1: can't even really stand with that. The black man can't

651
00:33:28,480 --> 00:33:32,920
Speaker 1: even really have to like the shun he's a different thing.

652
00:33:33,640 --> 00:33:37,040
Speaker 1: But I think I think that Shawn just all these

653
00:33:37,040 --> 00:33:39,040
Speaker 1: black quarterbacks and stuff like that, Like they're trying to

654
00:33:39,040 --> 00:33:41,760
Speaker 1: give them a little claust and stuff like that, right right, right, right,

655
00:33:41,760 --> 00:33:47,200
Speaker 1: that's I think that Deshaun Watson is probably just a

656
00:33:47,280 --> 00:33:48,880
Speaker 1: single man. I kind of don't even want to talk

657
00:33:48,880 --> 00:33:51,080
Speaker 1: about him. Well, I was disgusting me for I don't

658
00:33:51,080 --> 00:33:53,160
Speaker 1: even you know, he might just like a rubbing tug.

659
00:33:55,840 --> 00:33:57,240
Speaker 1: He might just love to get the tug, you know

660
00:33:57,280 --> 00:34:01,760
Speaker 1: what I mean? Hey, when what's the owner of the Patriots,

661
00:34:02,600 --> 00:34:09,360
Speaker 1: Robert Kraft? Robert Kraft. They got photos of him believing

662
00:34:10,480 --> 00:34:15,480
Speaker 1: I don't need meat meal coming from me, but Robert Kraft. No,

663
00:34:15,560 --> 00:34:18,720
Speaker 1: but listen, Robert Craft, there's fucking pictures of him leaving

664
00:34:18,760 --> 00:34:21,799
Speaker 1: the Robin tug. They couldn't, they couldn't. They didn't even

665
00:34:21,840 --> 00:34:24,759
Speaker 1: suspend him. Let me tell you a funny story, crazy story.

666
00:34:24,880 --> 00:34:29,600
Speaker 1: So at the Grammys, we sit next to Robert Craft. Oh,

667
00:34:29,680 --> 00:34:34,720
Speaker 1: we tell them we focus from Atlanta. Brug tapsis whatever

668
00:34:34,840 --> 00:34:40,160
Speaker 1: is holder. He pulled out the ring eighty three dimes

669
00:34:40,520 --> 00:34:43,640
Speaker 1: because we lost twenty eight twenty eight to three. Was

670
00:34:43,760 --> 00:34:47,480
Speaker 1: no, no no, no, you guys yeah yea yeah yeah, three diamonds.

671
00:34:48,160 --> 00:34:53,000
Speaker 1: Homies just poured it down. Robert Craft did that, his homie.

672
00:34:54,320 --> 00:34:57,760
Speaker 1: I was like, yo, wait wait wait, so he was traveling.

673
00:34:58,400 --> 00:35:00,680
Speaker 1: It wasn't even on a spring dick. It was on dick.

674
00:35:00,880 --> 00:35:03,040
Speaker 1: So you just had a guy holding the Super Bowl rings.

675
00:35:03,080 --> 00:35:06,719
Speaker 1: I'll never forget it. Bro. Imagine that's your gig. Like, Yo,

676
00:35:06,840 --> 00:35:09,520
Speaker 1: your job one hundred thousand a year is I give

677
00:35:09,520 --> 00:35:12,160
Speaker 1: you six bends or six six figures. You just got

678
00:35:12,160 --> 00:35:14,239
Speaker 1: to carry the rings. And when some random piece of

679
00:35:14,239 --> 00:35:18,000
Speaker 1: shit sports fan comes up to me, pull them boys out, Rob.

680
00:35:18,480 --> 00:35:20,759
Speaker 1: I called him Rob, like you're my boy. Rob looked

681
00:35:20,760 --> 00:35:23,600
Speaker 1: at us, he was like, this is the ring? What

682
00:35:23,800 --> 00:35:25,440
Speaker 1: we gotta interrupt the interview real quick to tell you

683
00:35:25,440 --> 00:35:27,680
Speaker 1: about our people at blue Chew. Don't forget to go

684
00:35:27,680 --> 00:35:30,960
Speaker 1: to bluetoo dot com. Use the promo code Bootleg right

685
00:35:30,960 --> 00:35:33,359
Speaker 1: now and get your first month free. All you gotta

686
00:35:33,360 --> 00:35:36,600
Speaker 1: do is pay five dollars in shipping. It's the man Fellas,

687
00:35:36,880 --> 00:35:39,319
Speaker 1: the game changer. That's all I'm gonna say. You pop

688
00:35:39,400 --> 00:35:43,840
Speaker 1: the Blue Chew and your dick is on a million. Man.

689
00:35:44,360 --> 00:35:46,640
Speaker 1: I'm not saying it makes it bigger, but it feels bigger.

690
00:35:47,080 --> 00:35:50,719
Speaker 1: I'm just saying. I'm not saying, but I'm saying. Uh. Look,

691
00:35:50,800 --> 00:35:56,080
Speaker 1: same active ingredient, scialis and viagra minus the awkward visits

692
00:35:56,239 --> 00:35:59,360
Speaker 1: to the doctor's office. All right, it's all over the phone.

693
00:35:59,800 --> 00:36:02,400
Speaker 1: It's so easy. They ship it right to your door

694
00:36:02,920 --> 00:36:06,320
Speaker 1: in discreete packaging. I don't know if you're going through

695
00:36:06,400 --> 00:36:10,320
Speaker 1: a rectile dysfunction because you're stressed out at work. Maybe

696
00:36:10,800 --> 00:36:13,760
Speaker 1: you just need a little extra humph with wifey, whatever

697
00:36:13,800 --> 00:36:15,759
Speaker 1: it is. Maybe you just want to take a blue

698
00:36:15,840 --> 00:36:18,359
Speaker 1: Choo and beat your dick like it stole something, just

699
00:36:18,360 --> 00:36:22,719
Speaker 1: to feel like, damn, that shit's hard. Brouh. You know

700
00:36:22,760 --> 00:36:25,440
Speaker 1: what I'm saying. Go to blue choo dot com use

701
00:36:25,480 --> 00:36:28,520
Speaker 1: the promo code Bootleg right now, and you will save

702
00:36:29,200 --> 00:36:32,640
Speaker 1: all money. It's free. Yeah, you'll get a whole month

703
00:36:33,000 --> 00:36:36,680
Speaker 1: for free. Blue choo dot com promo code Bootleg for

704
00:36:36,719 --> 00:36:40,239
Speaker 1: a whole month for free, delivered to your door discreetly.

705
00:36:40,800 --> 00:36:46,920
Speaker 1: No doctor's appointments, no awkward visits, same viagra, Sialis ingredients. Man,

706
00:36:47,040 --> 00:36:49,520
Speaker 1: what are you waiting for? Go do that? Speaking of rings,

707
00:36:49,680 --> 00:36:51,520
Speaker 1: you have a cat named Frank Ocean. Did you see

708
00:36:51,560 --> 00:36:57,680
Speaker 1: Frank Ocean's luxurious cockering that he released. That's amazing. I

709
00:36:57,719 --> 00:37:01,520
Speaker 1: love black progress. Did you see his progression? Did you

710
00:37:01,560 --> 00:37:04,040
Speaker 1: see this thing? It's twenty five thousand dollars? Didn't see it?

711
00:37:04,400 --> 00:37:06,040
Speaker 1: But I mean I didn't see it. I didn't. I mean,

712
00:37:06,040 --> 00:37:09,480
Speaker 1: I know it looks like a very nice men's engagement ring.

713
00:37:09,560 --> 00:37:11,440
Speaker 1: My daughter Zack Fox posted it on his page, and

714
00:37:11,640 --> 00:37:14,799
Speaker 1: he needs hilarious. He's crazy, he's so funny. Yeah, yeah, yeah,

715
00:37:14,800 --> 00:37:16,640
Speaker 1: I know, I know what you're talking about. Yeah, we

716
00:37:16,680 --> 00:37:20,120
Speaker 1: love We need Frank to drop music. Yeah, he's another

717
00:37:20,160 --> 00:37:21,759
Speaker 1: one of them. He's you know what I'm saying, said,

718
00:37:22,000 --> 00:37:24,120
Speaker 1: that's what you were talking about earlier. Not a commodity.

719
00:37:24,200 --> 00:37:26,280
Speaker 1: Not here to be your commodity, bro, one hundred percent.

720
00:37:26,320 --> 00:37:27,840
Speaker 1: He's gonna do what he wants when he wants to

721
00:37:27,840 --> 00:37:32,279
Speaker 1: do it, when it feels good. It feels good. The

722
00:37:32,360 --> 00:37:35,680
Speaker 1: cock ring is outside. That shit is amazing. Nigg is

723
00:37:35,680 --> 00:37:38,000
Speaker 1: in twenty fifty right now, he said, twenty Can you

724
00:37:38,040 --> 00:37:40,160
Speaker 1: imagine if you are the guy that spends twenty five

725
00:37:40,200 --> 00:37:42,600
Speaker 1: thousand dollars on that, Like, imagine how rich you gotta

726
00:37:42,640 --> 00:37:44,640
Speaker 1: be to be like that's called twenty five thousand, twenty

727
00:37:44,640 --> 00:37:47,960
Speaker 1: five thousand, do getting No, don't get one. That's weird.

728
00:37:48,000 --> 00:37:51,319
Speaker 1: Why not a cock ring? I feel that it's a weird. Lady,

729
00:37:51,400 --> 00:37:55,520
Speaker 1: you're just going on with it, right. I'm not sure.

730
00:37:55,560 --> 00:37:58,080
Speaker 1: I'm not sure it's being marketed for the you know,

731
00:37:58,160 --> 00:38:02,480
Speaker 1: for the guys with the stop let's stop stop listen

732
00:38:02,560 --> 00:38:07,080
Speaker 1: the album. The album is out right now you have

733
00:38:07,160 --> 00:38:12,440
Speaker 1: a crazy obviously. The features on this little Wayne twenty one, Savage,

734
00:38:12,960 --> 00:38:20,600
Speaker 1: James Blake, fucking wild, also fucking huge in the Caucasian world,

735
00:38:20,640 --> 00:38:25,120
Speaker 1: the Mountains of Caucasia. They love James break Baby taits

736
00:38:25,160 --> 00:38:30,439
Speaker 1: on the project. Boss, you got the CEO rapping someone

737
00:38:30,520 --> 00:38:32,719
Speaker 1: hits play on this. What's the first song? Like, let's

738
00:38:32,719 --> 00:38:35,600
Speaker 1: say I can only listen to one song? What would

739
00:38:35,640 --> 00:38:38,000
Speaker 1: be your your choice? Like, yo, you gotta go. This

740
00:38:38,040 --> 00:38:39,560
Speaker 1: is the one record on here that you should go

741
00:38:39,560 --> 00:38:42,279
Speaker 1: straight to if you can only listen to one. Uh

742
00:38:42,440 --> 00:38:47,839
Speaker 1: brenter in It's okay featuring Dirk, Okay, it's crazy fire. Yeah,

743
00:38:47,920 --> 00:38:50,040
Speaker 1: we got Dirk and like, you know, you know what

744
00:38:50,040 --> 00:38:51,520
Speaker 1: I'm saying. We got Tom brought him to my world.

745
00:38:51,640 --> 00:38:55,799
Speaker 1: You got Dirk, Like really, it ain't like it's just

746
00:38:55,920 --> 00:38:57,640
Speaker 1: it's my world, you know what I'm saying. So a

747
00:38:57,640 --> 00:38:59,279
Speaker 1: bunch of different things conna be melodic, it would be

748
00:38:59,280 --> 00:39:01,719
Speaker 1: like some rap shit. Yeah, he likes some turn ship.

749
00:39:01,800 --> 00:39:04,400
Speaker 1: But I just did something that I ain't think a

750
00:39:04,440 --> 00:39:07,000
Speaker 1: lot of people would expect and he went so crazy

751
00:39:07,040 --> 00:39:09,799
Speaker 1: bro like spoke about ship. You know what I'm saying

752
00:39:09,800 --> 00:39:12,040
Speaker 1: personal ship, and it just kind of moved me. I'm like, oh,

753
00:39:12,120 --> 00:39:15,280
Speaker 1: you really like the voice. That's literally everything he says,

754
00:39:15,320 --> 00:39:18,120
Speaker 1: and that's what they say. Before you get out of here,

755
00:39:18,120 --> 00:39:20,400
Speaker 1: can you shout out any up and coming mcs that

756
00:39:20,440 --> 00:39:22,319
Speaker 1: you're just a fan of that you really feel like

757
00:39:22,400 --> 00:39:25,080
Speaker 1: are maybe flying under the radar a bit. You want

758
00:39:25,080 --> 00:39:29,800
Speaker 1: to shut something on h let me say, okay from Elena,

759
00:39:29,800 --> 00:39:34,200
Speaker 1: I'm gonna say my dog Marco. Plus. I don't know

760
00:39:34,239 --> 00:39:36,760
Speaker 1: if it's still upcoming, but I think mill is like amazing,

761
00:39:37,000 --> 00:39:39,320
Speaker 1: she's crazy, and she's on the new Race Shimmer single.

762
00:39:39,640 --> 00:39:47,800
Speaker 1: Yeah the community community dick right, Yeah, he had to

763
00:39:47,840 --> 00:39:51,920
Speaker 1: finish it up. I left it up there. It's not

764
00:39:51,960 --> 00:39:56,560
Speaker 1: community college. Can you imagine, if imagine if Race Shimmer

765
00:39:56,600 --> 00:39:58,560
Speaker 1: had a record called community College. I would love to

766
00:39:58,560 --> 00:40:01,920
Speaker 1: hear with that. I stream that ship right away. Funny thing,

767
00:40:02,080 --> 00:40:04,799
Speaker 1: funny thing, I was listening to Black beatles. This ship

768
00:40:04,960 --> 00:40:06,359
Speaker 1: popped in my head. I was listening to the other

769
00:40:06,440 --> 00:40:09,600
Speaker 1: Day classic been age so well in the club, my

770
00:40:10,640 --> 00:40:14,880
Speaker 1: twin twins say, Fred Girls, still trying to say it

771
00:40:15,320 --> 00:40:20,799
Speaker 1: frat girls, Fred Fraternity. He's supposed to alreaty, but that's

772
00:40:20,840 --> 00:40:22,600
Speaker 1: just a little inside. I just thought about it, but

773
00:40:22,640 --> 00:40:25,719
Speaker 1: that's my dog. So they could do a community college thing.

774
00:40:26,040 --> 00:40:31,040
Speaker 1: They could. The Niggas whole brand is like college fun,

775
00:40:31,400 --> 00:40:34,879
Speaker 1: community good good good sitcom. By the way, Chevy Chase,

776
00:40:36,640 --> 00:40:42,360
Speaker 1: Donald Donald Glover. Last question, you said you're big on movies.

777
00:40:43,480 --> 00:40:47,719
Speaker 1: You're very much in tune with the with with with movies, acting,

778
00:40:47,840 --> 00:40:52,160
Speaker 1: et cetera. Give me your three movies. If you're on

779
00:40:52,200 --> 00:40:54,000
Speaker 1: an island, you can only take three movies with you.

780
00:40:54,040 --> 00:40:56,080
Speaker 1: What are the what are the flicks were taken? Man?

781
00:40:56,440 --> 00:41:05,720
Speaker 1: Mm hmm, all right, so we're gonna go Roots. Okay, Roots,

782
00:41:06,000 --> 00:41:08,479
Speaker 1: of course I'm talking about Yes, it's like so many

783
00:41:08,520 --> 00:41:12,560
Speaker 1: of them. That's a crazy choice, crazy choice to take

784
00:41:12,560 --> 00:41:16,400
Speaker 1: on an island. I'm sure watching just be mad all day. Roots.

785
00:41:17,840 --> 00:41:19,439
Speaker 1: I'm down with that because if I'm on the island,

786
00:41:19,440 --> 00:41:22,239
Speaker 1: would rather be mad, right yeah, because it's motivated to

787
00:41:22,239 --> 00:41:24,520
Speaker 1: get off the island. Okay, fair enough, Yeah, so we

788
00:41:24,560 --> 00:41:26,919
Speaker 1: go Roots. You know ti I was in the Roots.

789
00:41:26,960 --> 00:41:28,719
Speaker 1: They upgraded the movie. The movie came out of like

790
00:41:28,760 --> 00:41:30,400
Speaker 1: nineteen sixth We know t I was in when it

791
00:41:30,440 --> 00:41:32,800
Speaker 1: came out of like twenty eleven or something about to

792
00:41:32,800 --> 00:41:35,440
Speaker 1: say he was a slave it's got crazy. But he

793
00:41:35,480 --> 00:41:38,560
Speaker 1: was talking like t I of today. You gotta see it,

794
00:41:38,960 --> 00:41:41,520
Speaker 1: you gotta see it. It was amazing. So he was

795
00:41:41,560 --> 00:41:45,080
Speaker 1: hitting like with the ill the TI is killing that ship,

796
00:41:45,200 --> 00:41:48,959
Speaker 1: but slave clothes. It was outside outside. But I would

797
00:41:48,960 --> 00:41:50,640
Speaker 1: bring roots and I would try to bring that version too,

798
00:41:50,680 --> 00:41:52,800
Speaker 1: because TI is crazy. I didn't even know there was

799
00:41:52,840 --> 00:41:54,719
Speaker 1: this version that's like you know that. Did you know

800
00:41:54,760 --> 00:41:58,120
Speaker 1: there's a Belly too? Yeah, with the game terrible movie.

801
00:41:58,160 --> 00:42:01,800
Speaker 1: I watched horrible movies and great movies all the time. Belly,

802
00:42:02,000 --> 00:42:04,360
Speaker 1: Belly post yours up above you. It's the best worst

803
00:42:04,360 --> 00:42:10,239
Speaker 1: movie ever. It's such a great movie. I don't know

804
00:42:10,239 --> 00:42:12,760
Speaker 1: if I agree with that. It's so many epic movie,

805
00:42:12,920 --> 00:42:15,560
Speaker 1: epic parts in that movie that's classic in our culture.

806
00:42:15,600 --> 00:42:18,160
Speaker 1: That no. But storyline, no, no, I agree. Storyline Like,

807
00:42:18,200 --> 00:42:20,319
Speaker 1: as a kid, it's like my favorite fucking movie. But

808
00:42:20,360 --> 00:42:22,359
Speaker 1: I grow up and I'm like, every time I rewatched Belly,

809
00:42:22,400 --> 00:42:27,120
Speaker 1: I'm like, god, damn, this storyline was terrible. Boy. Listen,

810
00:42:27,400 --> 00:42:30,960
Speaker 1: motherfucking the dude in Nebraska eating the banana, That's what

811
00:42:31,440 --> 00:42:34,480
Speaker 1: did that. That's what popped off. D MX career is

812
00:42:34,520 --> 00:42:38,600
Speaker 1: acting right? Was this before m already was already him.

813
00:42:38,719 --> 00:42:41,560
Speaker 1: He was already him. Okay, number one album I did see.

814
00:42:41,640 --> 00:42:43,040
Speaker 1: I'm talking about As far as acting though, was he

815
00:42:43,080 --> 00:42:47,000
Speaker 1: acting before this? Was this one of his first rose

816
00:42:47,040 --> 00:42:50,920
Speaker 1: that got him into Romeos Exit Wounds? Was this? This

817
00:42:51,560 --> 00:42:54,000
Speaker 1: was first? Yeah, that's what I mean. I think that

818
00:42:54,200 --> 00:42:56,239
Speaker 1: what it didn't do was kick off NAS's acting career

819
00:42:56,280 --> 00:43:00,360
Speaker 1: because he was god awful in It's It's like you

820
00:43:00,360 --> 00:43:02,720
Speaker 1: you just gotta get out of here. He was talking

821
00:43:02,760 --> 00:43:08,000
Speaker 1: to Oh, my god, we just gotta make it. I

822
00:43:08,000 --> 00:43:12,640
Speaker 1: don't want to go to Africa. My god, t I

823
00:43:12,800 --> 00:43:15,560
Speaker 1: was or navs was? It was not the Uh. He

824
00:43:15,600 --> 00:43:19,439
Speaker 1: had no rules after day nonhing, none that we though about. Yeah,

825
00:43:19,480 --> 00:43:22,160
Speaker 1: he was in a movie called Ticker. I swear this

826
00:43:22,200 --> 00:43:24,880
Speaker 1: is a straight to DVD like movie where he was

827
00:43:24,880 --> 00:43:27,120
Speaker 1: in the movie for like two minutes and then they

828
00:43:27,200 --> 00:43:28,520
Speaker 1: kill him. But you know, back in the day, they

829
00:43:28,600 --> 00:43:30,040
Speaker 1: used to put rappers in movies so they couldut him

830
00:43:30,040 --> 00:43:31,640
Speaker 1: on the artworks that people would rented and buy it.

831
00:43:31,640 --> 00:43:32,759
Speaker 1: And I was the one who would rent in and

832
00:43:32,840 --> 00:43:35,600
Speaker 1: buy it. And he was He was in it for

833
00:43:35,640 --> 00:43:40,399
Speaker 1: two minutes. Wasn't Diddy and muscle Ball for two minutes? Yeah,

834
00:43:40,920 --> 00:43:46,799
Speaker 1: he was in prison by the way, raised the song

835
00:43:46,880 --> 00:43:53,880
Speaker 1: was listening made made with with Vince fun Wow. But

836
00:43:54,120 --> 00:43:56,960
Speaker 1: Monsters Ball all time one of the all time best

837
00:43:57,040 --> 00:44:00,920
Speaker 1: nude scenes. Yeah see, I got a problem with the

838
00:44:00,960 --> 00:44:03,800
Speaker 1: white guy part of it. I got a black problem

839
00:44:03,840 --> 00:44:07,279
Speaker 1: with some Yeah, I get it, but I guess I

840
00:44:08,320 --> 00:44:11,879
Speaker 1: get it. Billy Bob, Billy Bob was handling it. Billy Coat,

841
00:44:11,960 --> 00:44:14,640
Speaker 1: the coat, the head coach for Friday Night Lights. Yeah,

842
00:44:14,680 --> 00:44:18,520
Speaker 1: my sling blade, Billy Bob throwing well yeah, yeah yeah,

843
00:44:18,560 --> 00:44:22,120
Speaker 1: the Harry Paul Hey Paul, Yeah, yeah, that was him.

844
00:44:22,200 --> 00:44:24,560
Speaker 1: That was great, bro. I just appeared problem with that

845
00:44:25,280 --> 00:44:27,200
Speaker 1: and bass. Yeah yeah, I can't, I can't. I was

846
00:44:27,520 --> 00:44:29,400
Speaker 1: halle Berry is a kill Bob not sick. So that

847
00:44:29,480 --> 00:44:32,080
Speaker 1: was the second movie, not Sexy Man, second movie all

848
00:44:32,160 --> 00:44:34,759
Speaker 1: time halle Berry's breasts were exposed. The first one was

849
00:44:34,760 --> 00:44:39,160
Speaker 1: Swordfish with Hugh Jackman and John Bolta. Yes, I had

850
00:44:39,160 --> 00:44:41,800
Speaker 1: it on VHS and I broke the tape because I

851
00:44:41,880 --> 00:44:44,920
Speaker 1: paused on her tis so much. That is savage. So

852
00:44:44,960 --> 00:44:47,160
Speaker 1: you got a little scratch on it. Oh yeah, I

853
00:44:47,200 --> 00:44:49,759
Speaker 1: was like, sup A drink off this anymore? All right?

854
00:44:49,800 --> 00:44:51,040
Speaker 1: You got two more movies and then you get the

855
00:44:51,040 --> 00:44:54,000
Speaker 1: funk out of here before we cancel. Yeah, we're having fun.

856
00:44:54,440 --> 00:44:57,160
Speaker 1: Two more movies. You got Roots, both versions, the t

857
00:44:57,280 --> 00:45:00,680
Speaker 1: I version. Yeah, so that's all one. It's always Roots. Yes, boom,

858
00:45:00,680 --> 00:45:05,000
Speaker 1: I'm gonna go. I'm gonna go Avengers, the end in

859
00:45:05,160 --> 00:45:10,640
Speaker 1: Game Ship Okay yeah, wait, endgame is the part one

860
00:45:10,640 --> 00:45:13,480
Speaker 1: of the when they when Daniels, when they're done, when

861
00:45:13,480 --> 00:45:15,800
Speaker 1: they get cooked right now, when they come back. I

862
00:45:15,840 --> 00:45:17,520
Speaker 1: don't know. I thought it's all the same kind of right,

863
00:45:17,719 --> 00:45:20,520
Speaker 1: don't they I'll be confused. So one of them niggas

864
00:45:20,560 --> 00:45:24,960
Speaker 1: one of the movies, and I'm gonna go Apocalypto. Apocalypto. Yeah, wow,

865
00:45:25,120 --> 00:45:29,040
Speaker 1: it's a variety there. Apocalypto doesn't really have any like,

866
00:45:29,160 --> 00:45:32,000
Speaker 1: isn't it like in like they're like in the jungle

867
00:45:32,080 --> 00:45:35,120
Speaker 1: and there's Yeah, there's male gets in my end yep.

868
00:45:35,800 --> 00:45:38,120
Speaker 1: Mel Gibson, had he not been such a piece of ship,

869
00:45:38,360 --> 00:45:41,520
Speaker 1: one of the best directors. Amazing. He actually did that

870
00:45:41,600 --> 00:45:43,680
Speaker 1: Jesus film too as well. Trust me, I'm a fucking

871
00:45:44,080 --> 00:45:46,240
Speaker 1: I'm in high school on a date watching the fucking

872
00:45:46,280 --> 00:45:48,719
Speaker 1: what's that ship called the Jesus Ship? It's crazy? What

873
00:45:48,800 --> 00:45:53,440
Speaker 1: was it called Passion of the Christ and I'm atheist.

874
00:45:53,480 --> 00:45:55,040
Speaker 1: I don't give a funk about Jesus, but he made

875
00:45:55,080 --> 00:45:57,920
Speaker 1: me give a fuck. Don't say that he made me

876
00:45:58,080 --> 00:46:03,319
Speaker 1: care man. That was crazy right there. I'm a god

877
00:46:03,400 --> 00:46:06,879
Speaker 1: fear man. I respect your right to be a god

878
00:46:07,000 --> 00:46:11,720
Speaker 1: fearing man. I fear like my kids dying or something.

879
00:46:11,760 --> 00:46:13,960
Speaker 1: You know, I have children. I fear them getting sick.

880
00:46:14,040 --> 00:46:23,279
Speaker 1: I fear aliens in the ocean. There's you know, have

881
00:46:23,320 --> 00:46:27,399
Speaker 1: you ever done psychedelics? You know you're enough fucking psychedelics,

882
00:46:27,400 --> 00:46:31,160
Speaker 1: you will believe you'll how about something there some inclination?

883
00:46:31,239 --> 00:46:33,319
Speaker 1: How about this? I think, more recently, since I've been

884
00:46:33,360 --> 00:46:39,080
Speaker 1: a little bit more awakened on the psychedelic tip, maybe

885
00:46:39,120 --> 00:46:41,400
Speaker 1: I'm not an atheist. But I tell you what, I

886
00:46:41,480 --> 00:46:43,960
Speaker 1: just do you believe in something? I tell you this.

887
00:46:44,440 --> 00:46:47,359
Speaker 1: I don't believe in any man made religion. I think

888
00:46:47,360 --> 00:46:51,440
Speaker 1: it's all a way to control populations, control poor people,

889
00:46:52,200 --> 00:46:54,960
Speaker 1: and it's big business and it's some of the most

890
00:46:54,960 --> 00:46:58,960
Speaker 1: corrupt hypocrisy of all time. You know what I'm saying. So, yeah,

891
00:46:59,000 --> 00:47:01,399
Speaker 1: I guess that's my stand. I would you I'm more

892
00:47:01,400 --> 00:47:04,400
Speaker 1: of a I don't know, Yeah, but I've lived in

893
00:47:04,440 --> 00:47:06,640
Speaker 1: a haunted house. So if I've lived in a haunted house.

894
00:47:06,680 --> 00:47:08,200
Speaker 1: Then that means that there's some other ship called on

895
00:47:08,480 --> 00:47:10,000
Speaker 1: do you do? What do you mean he lived in

896
00:47:10,000 --> 00:47:13,040
Speaker 1: a haunted house lived I lived in a house I was.

897
00:47:13,320 --> 00:47:14,799
Speaker 1: I know it was on it. Bro We fucking wake

898
00:47:14,880 --> 00:47:15,759
Speaker 1: up in the middle of the night and all the

899
00:47:15,760 --> 00:47:17,080
Speaker 1: pots and pans would be out and all the doors

900
00:47:17,120 --> 00:47:21,480
Speaker 1: would be open. Crazy thing. I bought a house and renovated, Renny.

901
00:47:22,040 --> 00:47:24,719
Speaker 1: They had a funeral or a wake, Okay, you know

902
00:47:24,760 --> 00:47:26,840
Speaker 1: what I'm saying. They showed him and I was always

903
00:47:26,840 --> 00:47:28,640
Speaker 1: thinking about stuff I did, so he kind of freaked

904
00:47:28,640 --> 00:47:30,719
Speaker 1: me out. You said it. No, for sure, it was.

905
00:47:31,000 --> 00:47:34,719
Speaker 1: Our house was over a Native American graveyard, so it's

906
00:47:34,760 --> 00:47:37,480
Speaker 1: pretty fucking wild. The house that I during this era, though,

907
00:47:37,480 --> 00:47:38,800
Speaker 1: my dad was smoking cracks, so it could have just

908
00:47:38,800 --> 00:47:40,160
Speaker 1: put him in the middle of the night opened up,

909
00:47:41,120 --> 00:47:46,719
Speaker 1: who knows. I don't know. Sure then it was never noticeable,

910
00:47:46,840 --> 00:47:48,759
Speaker 1: you know, like he was like very functional, you know

911
00:47:48,800 --> 00:47:50,080
Speaker 1: what I mean. And I think he just had his

912
00:47:50,080 --> 00:47:51,680
Speaker 1: little bouts with it. But me and my me and

913
00:47:51,680 --> 00:47:53,919
Speaker 1: my best friends and liked the army anything. No no

914
00:47:53,920 --> 00:47:56,319
Speaker 1: no, no no, no, no no. But me and my best

915
00:47:56,360 --> 00:47:59,920
Speaker 1: friend ramses uh we were. He's like, yes, of Egypt,

916
00:48:00,040 --> 00:48:03,040
Speaker 1: It's my best friend in the world. Rams is jar

917
00:48:03,160 --> 00:48:05,640
Speaker 1: Rudy King Taylor. This do you like President Egypt the movie? Yeah?

918
00:48:05,680 --> 00:48:10,239
Speaker 1: Good cartoon, keep going. So, uh we're like Thick and

919
00:48:10,360 --> 00:48:13,560
Speaker 1: masterpiek ghetto dope era of Like my childhood, I had

920
00:48:13,560 --> 00:48:17,520
Speaker 1: a no limit chain. I shoplifted a no limit clothing

921
00:48:17,600 --> 00:48:20,759
Speaker 1: jersey from mister Rags, you know. And I'm going through

922
00:48:20,800 --> 00:48:23,000
Speaker 1: my dad's drawer next to his bed. I forget what

923
00:48:23,040 --> 00:48:28,600
Speaker 1: me and Rams, I'm from Phoenix, Phoenix Hot place the cracks,

924
00:48:28,719 --> 00:48:31,920
Speaker 1: and we found crack and my boy Ramas pulled it

925
00:48:31,920 --> 00:48:33,600
Speaker 1: out and he was like, yo, this is the ghetto

926
00:48:33,719 --> 00:48:39,640
Speaker 1: d Ship said, he's like smoking crack. What the fuck? Ship?

927
00:48:39,960 --> 00:48:42,200
Speaker 1: But but but outside of that, and then my mom

928
00:48:42,280 --> 00:48:44,080
Speaker 1: later on telling me, yeah, your dad smoke crack every

929
00:48:44,080 --> 00:48:45,360
Speaker 1: once in a while for a little bit. But I

930
00:48:45,400 --> 00:48:46,960
Speaker 1: never noticed it as a kid. It wasn't like he

931
00:48:47,040 --> 00:48:49,399
Speaker 1: was like my dad was like a really hard working dudey.

932
00:48:49,400 --> 00:48:51,359
Speaker 1: He worked like NonStop. So he was probably the most

933
00:48:51,360 --> 00:48:53,319
Speaker 1: functional crackheut of all time, one of them at least

934
00:48:53,719 --> 00:48:57,839
Speaker 1: m HM lots of functional drug drug users. Anyway, Well, listen, man,

935
00:48:58,200 --> 00:49:02,520
Speaker 1: this was fun. Likewise, bro, uh, I'm happier putting a

936
00:49:02,520 --> 00:49:04,160
Speaker 1: new project that will by the time people watch this,

937
00:49:04,200 --> 00:49:06,680
Speaker 1: it will already be out. So go run it up.

938
00:49:06,719 --> 00:49:08,839
Speaker 1: I think that you're you're one of them ones man,

939
00:49:08,960 --> 00:49:11,840
Speaker 1: and I'm glad that I feel like, you know, people

940
00:49:11,840 --> 00:49:14,800
Speaker 1: are starting to really finally give you your flowers. Yeah,

941
00:49:15,040 --> 00:49:17,400
Speaker 1: I can't wait for the tour. It's gonna be crazy.

942
00:49:17,480 --> 00:49:20,759
Speaker 1: Is it already locked in? Yeah? Oh my gosh, it's

943
00:49:20,760 --> 00:49:24,640
Speaker 1: gonna be insane. Who's opening? I'm doing a cold thing,

944
00:49:24,719 --> 00:49:28,120
Speaker 1: but co headliner, it's gonna be crazy. Another rapper is

945
00:49:28,320 --> 00:49:30,799
Speaker 1: gonna be fire? Is it you in Black and be Amazing?

946
00:49:31,000 --> 00:49:34,640
Speaker 1: Is it you in Black? Headline anything? If you in

947
00:49:34,719 --> 00:49:37,359
Speaker 1: Black co headline a tour that would be crazy. I'd

948
00:49:37,360 --> 00:49:39,640
Speaker 1: buy twenty tickets. That would be kind of crazy. I

949
00:49:39,680 --> 00:49:44,600
Speaker 1: bring everybody that would be Yeah true Maria on Earth game.

950
00:49:45,160 --> 00:49:47,480
Speaker 1: That's that's we could do ampitheat. We could do five

951
00:49:47,520 --> 00:49:51,319
Speaker 1: to ten k make up mos some major tickets, major tickets.

952
00:49:51,680 --> 00:49:55,879
Speaker 1: J oh The first time I met you, I called

953
00:49:55,880 --> 00:49:58,600
Speaker 1: you Jid because I knew people who knew you that

954
00:49:58,840 --> 00:50:01,120
Speaker 1: referred to you as Jid. But you directed me pretty harshly.

955
00:50:01,480 --> 00:50:03,160
Speaker 1: Did I. I was like, we got JD and you

956
00:50:03,200 --> 00:50:05,160
Speaker 1: were like it's j I D. And I was like, well,

957
00:50:05,320 --> 00:50:07,279
Speaker 1: fuck me. I do that ship all the time. Though

958
00:50:07,280 --> 00:50:10,480
Speaker 1: it's like big and Biggie so big and b I G.

959
00:50:10,760 --> 00:50:14,080
Speaker 1: Like it's the same ship. So what do you prefer?

960
00:50:15,640 --> 00:50:18,600
Speaker 1: They say something? It's got me something JED is acceptable

961
00:50:18,600 --> 00:50:22,359
Speaker 1: now now that you can now good. Want to make sure. Yeah,

962
00:50:22,600 --> 00:50:24,480
Speaker 1: I do check someone and like, oh you're adding to

963
00:50:24,600 --> 00:50:28,000
Speaker 1: for me, Like who's this goofy radio motherfucker? Hey it's

964
00:50:28,120 --> 00:50:32,480
Speaker 1: j I D. Bro my ship right fuck anyway, there

965
00:50:32,480 --> 00:50:35,360
Speaker 1: it is. But I appreciate you, Bro, thank you. Boom