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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo.

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Speaker 2: Yo yo Charlamagne to God, Peace to the playing.

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Speaker 3: It is Tuesday, Yes, it's Tuesday. We got a special

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Speaker 3: guest co host with us this morning. Man a guy,

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Speaker 3: My guy is hell the brother Looney. Now you might

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Speaker 3: know Looney from the host of.

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Speaker 4: It It's Up There podcast.

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Speaker 2: That's right. He's interviewed people like a little baby. Who

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Speaker 2: else you had on there? Looning.

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Speaker 5: I've spoke with money Bag, I've spoke with doctor Umar

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Speaker 5: Rich Homi Kwan.

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Speaker 2: Yeah, man, a bunch of names, but welcome brother.

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Speaker 4: How you feeling.

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Speaker 5: I'm good man, early sir, Yes, sir, a beautiful thing.

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Speaker 4: Loony was here before both of us.

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Speaker 2: Brother listen. Looney is a hustler, yea. He was there

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Speaker 2: preparing and ready to rock and roll. Hustler's hustler.

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Speaker 3: Now shout everybody again. That's heading out to Houston for

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Speaker 3: my car show. That's that's That's what I've been doing

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Speaker 3: the last couple of days. I got to get all

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Speaker 3: the cars prepped and ready for load out because the

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Speaker 3: cars are heading to Houston. So for Father's Day weekend,

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Speaker 3: if you guys are out and about, join in the

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Speaker 3: Houston of course, kids five and under free. We got

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Speaker 3: calls from everybody in Houston. Fifty cent gave me his call.

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Speaker 3: Shout the fiftyes folks in yesterday, Shout to Young Dolph's

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Speaker 3: family and pr E. They gave me his cars to

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Speaker 3: take on the car show, which I think is always

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Speaker 3: special get people get to see his his fleet.

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Speaker 2: So that's pretty dope, that's right. And we got some

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Speaker 2: special guests joining us today.

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Speaker 4: We got a Peter Nicks and Ryan Coogler.

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Speaker 2: Ryan Coogler Man, they have a new documentary on Hulu

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Speaker 2: called Anthem that comes out June twenty eighth, so they'll

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Speaker 2: be here to discuss that with us. Yes, excited about that. Yes.

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Speaker 2: And then we got a lot to talk about, a

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Speaker 2: lot to discuss what is up with this this O

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Speaker 2: g B if I'm seeing man, you walked in here

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Speaker 2: this morning. I walked in here this morning. Andy was hype.

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Speaker 2: It was like, Yo, you've seen what's happening with Anita

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Speaker 2: Bacon and Babyface. I know we about to be old.

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Speaker 2: I'm gonna be forty five in a couple of weeks,

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Speaker 2: and that sounded crazy.

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Speaker 3: It did sound crazy, But Anita Baker's go you saw

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Speaker 3: what happened with Anita Baker shop and she just spreaking

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Speaker 3: Anita Baker, I don't know who she going crazy. She's

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Speaker 3: calling Babyface fans the crazies and she's going at them crazy.

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Speaker 2: Well, I need to know what happened.

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Speaker 4: It's funny she said baby Face don't like Beyonce.

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Speaker 2: That's just crazy.

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Speaker 4: She's man, She's like I said, I don't like I

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Speaker 4: don't like fights like that. That's not a real fight.

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Speaker 2: I know what I'm saying. But if me and you

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Speaker 2: got an issue, let's keep it between us. Don't start

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Speaker 2: bringing other people you don't even like Beyonce.

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Speaker 6: Help.

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Speaker 2: I got to do with this now, you know, to

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Speaker 2: be especially on the internet, because I'm gonna jump on

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Speaker 2: your ad. Absolutely well, we got to talk about that

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Speaker 2: in Front Page News. They got a lot more to discuss.

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Speaker 3: Of course, when we come back, Tessling figure out will

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Speaker 3: be joining us. I don't know if you guys seen

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Speaker 3: the game last night Denver Nuggets in Miami, he will

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Speaker 3: tell you about that as well.

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Speaker 2: So don't move. It's the Breakfast Club.

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Speaker 3: Good morning, Owning everybody. It's dj n V, Charlomagne the God.

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Speaker 3: We are the Breakfast Club. We got our guest co

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Speaker 3: host Looney joining us. He's from the It's Up There podcast.

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Speaker 3: And let's get in some front page news. Good morning Testant, Good.

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Speaker 7: Morning dj MV.

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Speaker 8: Loney, thank you for being here with us and Charlemagne God.

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Speaker 4: Let's jump right into it.

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Speaker 3: Last night, the Denver Nuggets defeated the Miami Heating ninety

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Speaker 3: four eighty nine.

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Speaker 2: Yeah, the game, I went to sleep beginning of the

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Speaker 2: third quarter. I wanted to stay up to watch Denver

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Speaker 2: win their first chip, but I was knocked out.

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Speaker 5: Man, Yeah, what about you, lordie me. I can't stay

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Speaker 5: up for games no more. I'm getting old.

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Speaker 2: They passed right out. I go down.

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Speaker 5: If it ain't somebody that I'm really in tune with,

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Speaker 5: I go right down.

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Speaker 2: Yeah, and let's be real, the Nuggets are great. We

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Speaker 2: got some audio look at from joking Yoker, Nicole up,

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Speaker 2: David go Away. You had to take it. What was

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Speaker 2: the difference down the stretch when knew it.

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Speaker 9: They are a great team. They are a great, great team,

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Speaker 9: the telligent team, amazing team that I just start cal up.

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Speaker 9: If it's amazing after about the team, you know, if

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Speaker 9: it if it's ugly game, you could have mixed shots

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Speaker 9: about the antiander figured it out at the defense and

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Speaker 9: uh they scour eight did something go ninety points? So

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Speaker 9: but that's that's why you want the game.

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Speaker 10: Yeah, now you are an NBA champion, Nicole, How does

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Speaker 10: that feel?

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Speaker 9: It's good.

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Speaker 7: It's good.

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Speaker 2: If the job is down there, you can go home.

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Speaker 11: Now.

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Speaker 2: The Nuggets are great, man, They've been building towards that

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Speaker 2: for a long time and they're gonna be around for

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Speaker 2: years to come to They got a young car. But

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Speaker 2: you can only you know, play who's in front of you.

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Speaker 2: But this is by far one of the easiest roads

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Speaker 2: to a championship.

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Speaker 3: Yeah, and I love the fact that he was picked

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Speaker 3: number forty four, number forty one, number forty one. He

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Speaker 3: was the forty first pick, which you know, he showed

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Speaker 3: that he had to work for it, even at the

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Speaker 3: All Star Game, you know when they'll go back and

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Speaker 3: forth and he picked plays. He was the last person

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Speaker 3: Lebron picked. So the fact that he's been, you know,

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Speaker 3: grinding it down and working hard.

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Speaker 2: Is is definitely the He only lost four games in

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Speaker 2: the postseason. And the reason I say this is the

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Speaker 2: easiest role to a championship ever. They beat the number

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Speaker 2: eight team and number four team and number seven team

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Speaker 2: and the number eight seed in the finals, right, and

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Speaker 2: it showed, yeah, they had no competition.

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Speaker 4: All right, Well, Tess, let's talk about Donald Trump.

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Speaker 12: Now.

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Speaker 3: He's going to be in the Miami court today. And

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Speaker 3: they said he wasn't handcuffed yesterday either. Right, they don't

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Speaker 3: handcuff former presidents.

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Speaker 8: I guess they don't. But he is checking in with

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Speaker 8: the fares today. Former President Donald Trump is expected to

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Speaker 8: appear in the Miami courthouse following last week some ceiling

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Speaker 8: of a federal indictment accusing him of mishandling classified documents.

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Speaker 7: Now Trump is facing thirty seven federal charges.

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Speaker 8: Federal prosecutor say Trump illegally stored dozens of highly sensitive

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Speaker 8: documents everywhere from bathrooms to ballrooms at his Florida resort,

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Speaker 8: refusing to return them to the FBI in national archives.

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Speaker 8: His hearing is scheduled today at three pm Eastern, but

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Speaker 8: before he can appear in court, he will surrender for

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Speaker 8: pre child services, including booking and processing. He is expected

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Speaker 8: to enter a plea of not guilty.

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Speaker 2: How many Trump protests is expected to show up today?

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Speaker 8: Okay, similar to Manhattan court appearance, but very different than

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Speaker 8: Manhattan because obviously Florida is a Trump state, so it's

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Speaker 8: gonna be a little bit. The energy is definitely going

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Speaker 8: to be different. He's asking supporters to mobilize to protests,

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Speaker 8: and the chief police said that they are prepared to

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Speaker 8: handle a crowd anywhere from five thousand to fifty thousand.

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Speaker 8: Trump said, quote, we need strength at this point. Everyone

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Speaker 8: is afraid to do anything. They're afraid to talk. They

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Speaker 8: have to go out and protest peacefully. But Carrie Lake,

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Speaker 8: the former Arizona Republican nomine for governor, has a different message.

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Speaker 7: Let's take a listen.

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Speaker 8: I have a message tonight for Merrick Garland and Jack

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Speaker 8: Smith and Joe Biden and the guys back there and

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Speaker 8: the fake news media.

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Speaker 7: You should listen up as well.

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Speaker 8: This was for you.

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Speaker 1: If you want to get to President's twelfth, you're gonna

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Speaker 1: have to go through me, and you're gonna have to

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Speaker 1: go through seventy five million Americans, just like I have.

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Speaker 13: And I'm gonna tell you.

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Speaker 10: Yeah, most of us are car carrying members of the

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Speaker 10: NRA Jesus.

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Speaker 7: That's not a thread. That's a public service announcement.

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Speaker 2: That's a promise to say. That's a promim, I tell you, man,

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Speaker 2: Today is a great test on whether or not Maga

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Speaker 2: really is still about that life, because I don't feel

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Speaker 2: like they got that fighting him anymore. We don't want

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Speaker 2: any of that, of course, but I'm starting to feel

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Speaker 2: like what we saw on January sixth might have been

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Speaker 2: an exception and not a rule. I didn't expect them

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Speaker 2: to wile out in New York. They weren'tnna do that

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Speaker 2: in New York. But if they don't wild out in Florida,

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Speaker 2: Maga may not be as tough as me.

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Speaker 14: York.

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Speaker 3: You can't carry a firearm, it's against the Lord to

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Speaker 3: carry a you automatically get three years. In Florida, you

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Speaker 3: can legally carry a firearm. And they say, and I

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Speaker 3: need you to come with strength.

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Speaker 2: Yeah. But I think they saw a lot of those

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Speaker 2: protesters get locked up on January sixth, and they're like,

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Speaker 2: you know what, So you don't think it's no crash outs.

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Speaker 2: I don't think it's gonna be no crash outs today, man,

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Speaker 2: I don't you don't think so.

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Speaker 7: They're definitely gonna be there.

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Speaker 8: They may not crash out, but they definitely are going

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Speaker 8: to be there. They have already said, you know, they've

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Speaker 8: already had some back and forth with some anti pro

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Speaker 8: Trump supported protesters on yesterday. But I don't know they're

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Speaker 8: gonna run up on the courthouse. But I Miami's preparing

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Speaker 8: very differently, which is my concern than New York. They

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Speaker 8: haven't really put in the barricades in front of the

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Speaker 8: courthouse to prevent it being stormed.

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Speaker 7: They just pretty like yellow tape.

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Speaker 3: They have not They need to have the same barricade

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Speaker 3: they put out. When When When when those black people

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Speaker 3: go down there for Southeast in front of that quarter.

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Speaker 3: I think I think the talk is is gonna be

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Speaker 3: tough with than the actions because listen, he got it,

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Speaker 3: he got charges bought up against him in New York.

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Speaker 2: Right the indictment has happened, you haven't seen nobody.

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Speaker 5: Wanting that for a few weeks and days.

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Speaker 2: We ain't see nobody really cutting up. But law is different.

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Speaker 2: I'm talking about around the country periods.

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Speaker 7: Were gonna see those senior citizens might roll up on it.

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Speaker 2: Summary charges that.

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Speaker 8: Uh yeah, so we can't unpack them all. But I

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Speaker 8: did want to give people a summary just quickly. Thirty

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Speaker 8: seven federal charges.

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Speaker 4: Here's a quick.

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Speaker 7: Recap of it.

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Speaker 8: Will for retention of national defense information, conspiracy to obstruct

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Speaker 8: justice with holding a document or a record, corruptly concealing

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Speaker 8: a document or a record, concealing a document in a

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Speaker 8: federal investigation, scheme to conceal, and false statements and representation.

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Speaker 8: And each one of those charges carries a maximum final

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Speaker 8: two hundred and fifty thousand dollars in a maximum prison

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Speaker 8: sentence from five to twenty years.

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Speaker 7: So it's time time.

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Speaker 2: That's how we Yeah, I mean that the nuclear code

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Speaker 2: thing him talking those that's ten years by itself. I

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Speaker 2: think I got read.

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Speaker 7: Yeah, what I'm really kidding from?

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Speaker 4: I can't see them with the is though.

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Speaker 2: I don't see.

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Speaker 5: I just think it's globally embarrassed and I don't think,

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Speaker 5: you know, I'm not sure if they'll do that.

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Speaker 15: Mm hmm.

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Speaker 7: Well, I'm concerned.

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Speaker 8: I was watching something last night in one of the

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Speaker 8: UH security analysts that's been kind of following this case

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Speaker 8: at that it's not just the groups like the Proud Boys,

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Speaker 8: but they have found, you know, a lot of intel

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Speaker 8: coming from police departments. And you know, former military, and

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Speaker 8: they said, it's a lot of groups out there that

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Speaker 8: that are in positions of power that are far more

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Speaker 8: dangerous and prepared than a lot of the protesters that

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Speaker 8: you'll see.

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Speaker 7: So we'll we'll see how it plays out.

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Speaker 8: Hopefully everybody you know, be safe today. And you know,

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Speaker 8: I guess exercise their right to protest.

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Speaker 2: Yeah, I'm not saying. I'm not saying any one while

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Speaker 2: out today, and of course we don't want them to.

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Speaker 2: But I don't think Trump folks riding with him like

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Speaker 2: he thinks they are, because I feel like if they were,

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Speaker 2: they'd have been riding already. We'll see, we'll see.

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Speaker 8: They said those they said, those senior citizens from the block.

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Speaker 4: Yeah, different energy in Florida.

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Speaker 3: So and that is front page news. You remember they did

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Speaker 3: that whole, you know that that whole like damn there

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Speaker 3: whatever they call it, aravan or braid of cars. Remember

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Speaker 3: when the Trump and they were all driving through Long

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Speaker 3: Island and driving through Queens and they came through the

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Speaker 3: city and it was hundreds of cars. And then in Florida,

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Speaker 3: remember there was hundreds of boats that they had all

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Speaker 3: their boats, you know, protesting.

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Speaker 2: Thought, No, I ain't that wasn't That wasn't throwing in

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Speaker 2: the capitol. You know what I mean? That was a

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Speaker 2: nice little car show.

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Speaker 3: Now they can't come to mind. But all right, get

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Speaker 3: it off your chest. Eight hundred five eight five one

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Speaker 3: oh five one. If you need to vent, phone lines

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Speaker 3: to wide open again. Eight hundred five eight five one

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Speaker 3: oh five one. If you need to get anything off

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Speaker 3: your chest, phone line to wide open.

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Speaker 2: Test. We'll see in a couple of minutes. It's the

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Speaker 2: Breakfast Club. Good morning, the Breakfast Club. This is your

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Speaker 2: time to get it off your chest. Eight hundred five

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Speaker 2: eight five one five one. We want to hear from

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Speaker 2: you on the Breakfast Club. Hello, this this is actually

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Speaker 2: morning you calling from Columbus, Columbus.

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Speaker 4: Get it off your chest, mama.

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Speaker 14: Okay, so I'm a stay at home mom, but I

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Speaker 14: also have my business on the side, and I just

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Speaker 14: feel like my husband is just so it's considerate half

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Speaker 14: the time, like he doesn't understand what I really do,

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Speaker 14: you know, and no matter what that I actually did.

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Speaker 3: You know how you can fix that, Ashley, go away

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Speaker 3: for a day and let him watch them six kids on.

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Speaker 14: When I go away for a day, my kids they

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Speaker 14: call me.

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Speaker 13: I'll be like, where's your dad.

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Speaker 14: They'll be like, oh, he's in the road.

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Speaker 2: Now, you turn off your phone for one day.

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Speaker 3: That and let him have to deal with feeding them kids,

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Speaker 3: washing those kids, taking the kids out.

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Speaker 2: Why are you giving this bad but that's down? Turned

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Speaker 2: off her phone for one day, you'd have a fit, right,

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Speaker 2: but but your phone.

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Speaker 3: Actually, he doesn't appreciate her. So she's saying that she's

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Speaker 3: a stay at home mom and we've.

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Speaker 14: Been together since high school, Like he's the only man

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Speaker 14: I've ever been with, Like I really give everything and

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Speaker 14: all my time to everybody.

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Speaker 16: Turn my kids, help your relax.

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Speaker 4: And let him have to take kid of the kids.

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Speaker 3: And I bet you when you come back, he'd be like, baby, please,

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Speaker 3: don't need baby, baby.

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Speaker 2: Don't turn your phone off for your husband. Man. But

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Speaker 2: because the envy would have a fit if he had

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Speaker 2: turned off the phone for him out. But I was

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Speaker 2: trying my wife. I know how hard it is if

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Speaker 2: six kids, you still would have a fit if she

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Speaker 2: turned her phone off for a day. Imagine calling your wife.

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Speaker 2: Imagine how many times we call our wife a day

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Speaker 2: and we can't get in touch with on the twenty

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Speaker 2: phone over. He don't respect his wife so he cut

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Speaker 2: it out of respect. I agree he did that, but

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Speaker 2: she's speaking.

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Speaker 5: For her and you're speaking for you, So you respect

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Speaker 5: your wife, but that doesn't speak to how she feel

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Speaker 5: about what you're presenting them. So he could think he's

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Speaker 5: respecting her and she may not feel it.

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Speaker 2: That's true.

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Speaker 17: But I wish that too, because I do understand that

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Speaker 17: communication with Kith and I that I'll be like, well,

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Speaker 17: I just want this, so I just want that, and

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Speaker 17: I'll be like, okay, like get the morning.

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Speaker 2: See respecting subjectives though I was gonna say that to

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Speaker 2: respect and subjective, So I got to know what her

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Speaker 2: definition of feeling disrespected, right, she just told you know

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Speaker 2: what I'm saying, so you might.

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Speaker 14: But I'm suspect, like especially with I hated the wedding.

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Speaker 17: I had five other orders besides the wedding this weekend,

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Speaker 17: and I was just exhausted up every hour with the baby,

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Speaker 17: you know, and he's also.

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Speaker 14: In the weekends.

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Speaker 17: But he didn't get up and help me, but didn't

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Speaker 17: want to shry to wake me up.

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Speaker 18: And then with the attitude when I'm like, no, get

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Speaker 18: on my.

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Speaker 3: Face, you might just have to wake come up at

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Speaker 3: three o'clock in the morning, sit on his face and

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Speaker 3: be like, how does it feel now that's you might

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Speaker 3: have to do that?

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Speaker 6: Luck, thank you.

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Speaker 2: That's not disrespectful, not to men. You know what I'm

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Speaker 2: saying in the morning, poor man, poor woman with the

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Speaker 2: baby all night. I get it, but that's not It

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Speaker 2: might be inconsiderate, but it ain't disrespect There we go

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Speaker 2: and considerate.

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Speaker 5: Because you love disrespectful to go the other way right,

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Speaker 5: trying something right. So it's like I'm bringing it to

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Speaker 5: your real talking below.

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Speaker 2: Who's this.

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Speaker 6: Good?

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Speaker 2: Good, good? Get off your chest.

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Speaker 13: I am really upset on my husband this morning because

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Speaker 13: I had to act for the friday and when he

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Speaker 13: changed up the car, he never carried over rental. So

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Speaker 13: now I'm having to freaking like get up brother in

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Speaker 13: the morning. He dropped my kid lead and we're going

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Speaker 13: to have to trouble all week because of his idiot.

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Speaker 3: Like he's just like, hey, he feels like everybody this

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Speaker 3: morning like that.

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Speaker 2: Well, we can't really hear you because you're so upset

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Speaker 2: that you're yelling.

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Speaker 3: But all like we can hear is that you're mad

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Speaker 3: at your husband something about a rental car. He didn't

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Speaker 3: give it back, and now you have to do it,

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Speaker 3: and you want to wilid on.

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Speaker 2: His ass.

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Speaker 13: Than well, yeah, no, I got into a car accident

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Speaker 13: on Friday. It was mindful because I was rushing. But

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Speaker 13: like when he turns over, like when we changed cars,

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Speaker 13: he never puts like, how do you have calls on

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Speaker 13: the insurance with rentals?

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Speaker 12: I don't know.

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Speaker 13: I tell you, I want to figure out how to

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Speaker 13: get to work back to one opposite waits and opposite schedule.

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Speaker 2: Also, he got he got the rental and you don't

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Speaker 2: have one, do y'all got?

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Speaker 13: He never put rental on when he changed over.

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Speaker 2: Cards, you never put rent on.

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Speaker 8: I don't know what.

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Speaker 13: You know when you get into an accident and you

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Speaker 13: have rental.

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Speaker 2: Insurance got the car, so you got to pay for

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Speaker 2: the car that.

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Speaker 18: You Yeah, and it's like and it's like we gotta

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Speaker 18: pay for summer camps like bathing cheap.

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Speaker 2: Well, you should have got into accident. I know, you

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Speaker 2: shouldn't have gotten into an accident. Man, it was your fault.

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Speaker 2: You said that, but you know.

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Speaker 13: What, Okay, yeah, it was my fault. But however, this

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Speaker 13: is why we have insurance, This is why we put

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Speaker 13: options on there. What if somebody were to hit me

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Speaker 13: it sound like.

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Speaker 2: All it sounds like both of y'all blaming each other

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Speaker 2: for things that out of y'all control.

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Speaker 3: And that's why I mean, they should have put you

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Speaker 3: should have put insurance on your car. But people do

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Speaker 3: that because they be like, I'm never gonna get an accent.

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Speaker 3: Why I got paid his extra. That's what insurance did the.

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Speaker 2: Same way you should't got into an accident. He probably

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Speaker 2: should have had insurance. But it's no need for y'all

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Speaker 2: to be pointing the finger at each other.

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Speaker 13: I understand that. But like now, our kids have to smell,

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Speaker 13: Our kids have to be a six.

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Speaker 14: Yeah, to go and drop me.

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Speaker 7: If that work, that's you got.

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Speaker 2: To figure it out though. That's life, you know what

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Speaker 2: I'm saying. You got to figure out how to pivot

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Speaker 2: and sometimes in life.

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Speaker 3: So y'all arguing now, yeah, you should go in the

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Speaker 3: bedroom right now, give him some flat show.

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Speaker 2: Just makes us crazy.

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Speaker 15: It's it's been no, it'll be good, all right.

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Speaker 2: I have a go with mama. Lay shield. Don't fix everything, guys,

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Speaker 2: just most of the things. Yeah, fix a lot, fix

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Speaker 2: a lot, help help us to sleep, right, Get.

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Speaker 4: It off your chest.

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Speaker 3: Eight hundred and five eight five one oh five one.

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Speaker 3: If you need to vent, hit us up now. It's

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Speaker 3: the Breakfast Club. Good morning, the Breakfast Club. It's a

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Speaker 3: is your time to get it off your chest. Wake up,

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Speaker 3: whether you're mad or blessed.

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Speaker 2: Time to get up and get something. Call up now.

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Speaker 2: Eight hundred and five eight five one oh five one.

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Speaker 2: We want to hear from you on the Breakfast Club. Hello.

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Speaker 16: Who's this hey? Good morning missus Math from Atlanta. How

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Speaker 16: are you all doing?

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Speaker 2: Matt from Atlanta?

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Speaker 6: What's up?

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Speaker 2: Brother? Get chest?

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Speaker 16: I just wanted to get on mental healing, anxiety and

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Speaker 16: you know, anything that.

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Speaker 2: Everybody's going through.

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Speaker 12: For me, I've been suffering from anxiety for a couple

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Speaker 12: of years, and I can tell you that I'm much

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Speaker 12: better mentally and I'm able to, you know, pursue my

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Speaker 12: goals and my dreams.

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Speaker 19: That I want to do in life.

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Speaker 16: My goal is always been to talk to your host,

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Speaker 16: and with my YouTube show, I'm.

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Speaker 12: Promoting that and just journey and feeling. So anybody that's

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Speaker 12: going through that, just please pray and I pray all

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Speaker 12: the mental healing that you are getting.

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Speaker 2: I just wanted to.

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Speaker 16: Express that and my love for you all that I have,

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Speaker 16: especially m V Charlamagne YouTube.

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Speaker 2: I listen to you every.

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Speaker 12: Morning and thank you off everything that you do. It

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Speaker 12: means a lot, and I just want to put that

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Speaker 12: out there for everybody.

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Speaker 2: What's your YouTube channel? Brother?

446
00:17:49,280 --> 00:17:51,240
Speaker 16: Uh, it's M A T T Productions.

447
00:17:51,920 --> 00:17:55,040
Speaker 12: That's all capitals, M dot A dot T dot T

448
00:17:55,880 --> 00:17:57,680
Speaker 12: that's making accomplishments through troubles.

449
00:17:58,080 --> 00:17:59,360
Speaker 2: I got my YouTube.

450
00:17:59,000 --> 00:18:01,800
Speaker 12: Show called Taga Talk that's just talking about my hearing

451
00:18:01,800 --> 00:18:04,640
Speaker 12: and he's just talking about me. And I'm coming out

452
00:18:04,640 --> 00:18:07,200
Speaker 12: with another episode from Father's Day this Sunday for all

453
00:18:07,200 --> 00:18:09,400
Speaker 12: the fathers out there, So be on the lookout.

454
00:18:10,040 --> 00:18:11,080
Speaker 2: Keep growing black man.

455
00:18:11,160 --> 00:18:13,840
Speaker 4: Absolutely Hello, who's this yo?

456
00:18:14,000 --> 00:18:16,760
Speaker 19: This is wise on in North Carolina.

457
00:18:16,800 --> 00:18:18,240
Speaker 2: So wise get it off your chest. Brother.

458
00:18:18,640 --> 00:18:20,840
Speaker 19: Oh man, I just want to get a big Gemini

459
00:18:21,000 --> 00:18:24,040
Speaker 19: energy for my daughter today. Man, he turned twenty four

460
00:18:24,160 --> 00:18:28,159
Speaker 19: years old. Wow, infinity beyond what.

461
00:18:28,200 --> 00:18:29,440
Speaker 4: Happy birthday to her brother.

462
00:18:29,960 --> 00:18:32,480
Speaker 19: Yeah man and for all of y'all out there, man,

463
00:18:32,920 --> 00:18:34,960
Speaker 19: he's an R and B hardiest, one of the top

464
00:18:35,080 --> 00:18:37,960
Speaker 19: R and B artist in North Carolina. For her birthday,

465
00:18:38,720 --> 00:18:42,000
Speaker 19: all I wanted somebody to go and stream her single

466
00:18:42,480 --> 00:18:43,840
Speaker 19: real Love all.

467
00:18:43,800 --> 00:18:45,560
Speaker 2: Right what spelled her name out so people could could

468
00:18:45,560 --> 00:18:45,800
Speaker 2: hear it.

469
00:18:46,200 --> 00:18:50,240
Speaker 19: All right, man, kenity, I am, I am I t

470
00:18:50,480 --> 00:18:52,600
Speaker 19: wyld s I O n.

471
00:18:53,440 --> 00:18:55,359
Speaker 2: You know when people type in real love, first thing

472
00:18:55,359 --> 00:18:55,760
Speaker 2: coming up with.

473
00:18:55,800 --> 00:18:59,119
Speaker 4: Mary j B definitely married j You already know that, right.

474
00:18:59,320 --> 00:19:01,760
Speaker 19: No doubt. Yeah, but when you hear the phone, you

475
00:19:01,800 --> 00:19:03,240
Speaker 19: don't understand what I'm talking about.

476
00:19:04,200 --> 00:19:06,639
Speaker 3: So you say infinity and the last day is s

477
00:19:06,720 --> 00:19:10,639
Speaker 3: O n n E f I O n E. Let

478
00:19:10,680 --> 00:19:12,520
Speaker 3: me see if I find it, Let me feel if

479
00:19:12,560 --> 00:19:12,960
Speaker 3: I find it.

480
00:19:13,080 --> 00:19:16,040
Speaker 2: You mean like a buzz lighty that's some toy store

481
00:19:16,359 --> 00:19:19,159
Speaker 2: Infinity and beyond, yes, okay, yeah.

482
00:19:19,359 --> 00:19:22,040
Speaker 19: Yeah, it felt like that, and that's a government name.

483
00:19:22,200 --> 00:19:23,199
Speaker 19: Infinity is beyond.

484
00:19:23,800 --> 00:19:27,760
Speaker 2: You named your child after toy store up, not after

485
00:19:27,960 --> 00:19:31,280
Speaker 2: toy inspired by, inspired by.

486
00:19:31,320 --> 00:19:32,000
Speaker 19: Fired by.

487
00:19:34,480 --> 00:19:34,640
Speaker 12: Man.

488
00:19:34,760 --> 00:19:36,240
Speaker 2: I tried to look it up. Brother, I don't see

489
00:19:36,240 --> 00:19:37,600
Speaker 2: it though, yo.

490
00:19:38,040 --> 00:19:39,439
Speaker 3: I am, I am.

491
00:19:40,000 --> 00:19:42,359
Speaker 2: I why gotta get that ghetto?

492
00:19:42,640 --> 00:19:43,040
Speaker 19: I oh?

493
00:19:43,720 --> 00:19:46,399
Speaker 4: And I keep looking, Brother, I ain't see it on

494
00:19:46,480 --> 00:19:48,320
Speaker 4: the first on the first look, but I keep looking.

495
00:19:49,080 --> 00:19:52,600
Speaker 19: Yeah, keep looking, and it's probably I D man I

496
00:19:52,840 --> 00:19:55,119
Speaker 19: am and I see why.

497
00:19:55,680 --> 00:20:01,080
Speaker 4: Brother undersfore Okay, brother, so you know father loves his daughter.

498
00:20:01,080 --> 00:20:05,320
Speaker 3: They gonna put this song yet everything? Yeah, all right,

499
00:20:05,400 --> 00:20:07,480
Speaker 3: get it off your chest. Eight hundred and five eighty

500
00:20:07,520 --> 00:20:09,359
Speaker 3: five one on five and when we come back, we'll

501
00:20:09,400 --> 00:20:12,359
Speaker 3: tell you about some old school beef. Anita Baker pulls

502
00:20:12,359 --> 00:20:14,040
Speaker 3: out the chap on baby face.

503
00:20:14,080 --> 00:20:16,719
Speaker 2: That sounds crazy, it does, but it is. It's pretty good.

504
00:20:16,720 --> 00:20:18,399
Speaker 2: It's very entertaining, and we'll get to it. Nexus the

505
00:20:18,400 --> 00:20:24,200
Speaker 2: breakfast slug, Good morning, the Breakfast Club on everybody.

506
00:20:24,280 --> 00:20:27,800
Speaker 3: It's DJ MV Charlamagne the God. We are the Breakfast Club.

507
00:20:27,840 --> 00:20:30,280
Speaker 3: We got our guest, co hosts Looney with us. Yes,

508
00:20:30,760 --> 00:20:32,760
Speaker 3: he's a host of It's Up There podcast.

509
00:20:32,920 --> 00:20:35,320
Speaker 4: Let's get to the roomors. Let's start off with Anita Baker.

510
00:20:38,720 --> 00:20:42,680
Speaker 2: Or you've got chatting. This is the rumor report.

511
00:20:42,800 --> 00:20:44,119
Speaker 4: I mean, I guess we're on the Breakfast Club. This

512
00:20:44,119 --> 00:20:46,600
Speaker 4: is where the tea spells right on the Breakfast Club.

513
00:20:47,200 --> 00:20:49,520
Speaker 3: This sounds crazy, that does, but let's get right into it.

514
00:20:49,560 --> 00:20:52,640
Speaker 3: It's pretty it was pretty funny. Now I need a baker.

515
00:20:52,640 --> 00:20:54,440
Speaker 3: If you don't know who I Needa Baker is, I'm

516
00:20:54,440 --> 00:20:56,080
Speaker 3: sure some of you might not know who she is.

517
00:20:56,280 --> 00:20:57,800
Speaker 2: You gotta explain to people whould need a baker, and

518
00:20:57,840 --> 00:20:59,080
Speaker 2: then you don't need to be talking to those people.

519
00:20:59,119 --> 00:21:00,800
Speaker 2: Continue with just no give and give a little some

520
00:21:00,880 --> 00:21:07,440
Speaker 2: of what I need to, Baker sings, But explain, have

521
00:21:07,480 --> 00:21:09,760
Speaker 2: you got to explain the people who Anita Bakers? They

522
00:21:09,760 --> 00:21:10,919
Speaker 2: are uncoatured swan you.

523
00:21:10,960 --> 00:21:13,720
Speaker 3: Know me case Well, Anita Baker and Babyface are on

524
00:21:13,840 --> 00:21:16,080
Speaker 3: a multi city tour, all right, and.

525
00:21:16,320 --> 00:21:18,520
Speaker 2: Explain the people who baby faces. Baby Face ray from

526
00:21:18,560 --> 00:21:24,240
Speaker 2: the trades, phenomenal rapper, not baby face people.

527
00:21:24,640 --> 00:21:25,600
Speaker 4: Babyface of course.

528
00:21:25,640 --> 00:21:25,919
Speaker 2: All right.

529
00:21:26,000 --> 00:21:29,720
Speaker 3: So now Babyface that they're on tour, and it seems like,

530
00:21:29,800 --> 00:21:32,439
Speaker 3: you know, some of the tours stops, Babyface hasn't been

531
00:21:32,680 --> 00:21:35,400
Speaker 3: able to do his full set, so people were complaining

532
00:21:35,480 --> 00:21:39,359
Speaker 3: about that and they have been quote unquote harassing Anita Baker.

533
00:21:39,440 --> 00:21:42,520
Speaker 3: So Anita Baker throughout these comments, he says, good morning

534
00:21:42,600 --> 00:21:47,720
Speaker 3: to Kenny's crazies who continue to harass me. Kenny's crazies

535
00:21:47,720 --> 00:21:52,320
Speaker 3: are online bullies. Babyface, please call off your fans. I

536
00:21:52,400 --> 00:21:54,760
Speaker 3: have been only kind of supportive of you as the

537
00:21:54,840 --> 00:22:00,520
Speaker 3: special guest support on my tour Special to see an

538
00:22:00,560 --> 00:22:06,000
Speaker 3: Eye Dog. So people's like special guest support. Yeah, I

539
00:22:06,040 --> 00:22:07,600
Speaker 3: thought he was cold headline and she was like, no,

540
00:22:07,800 --> 00:22:10,000
Speaker 3: read the contract. He was only there has a special

541
00:22:10,080 --> 00:22:10,679
Speaker 3: guest support.

542
00:22:11,000 --> 00:22:13,720
Speaker 2: They're going back and forth like that on Facebook. That's crazy,

543
00:22:13,920 --> 00:22:18,480
Speaker 2: actually black planet now, I'm just joking Twitter and Instagram,

544
00:22:18,760 --> 00:22:21,640
Speaker 2: and then she put he hates Beyonce as well.

545
00:22:22,119 --> 00:22:26,520
Speaker 4: Kenny's crazy. Now somebody said that that Patty is.

546
00:22:26,560 --> 00:22:28,800
Speaker 2: Hell, Anita Baker. That's when you in a beef with

547
00:22:28,920 --> 00:22:31,080
Speaker 2: somebody and now you want people to jump in. He

548
00:22:31,119 --> 00:22:32,919
Speaker 2: don't like beyond there either, get him behind.

549
00:22:33,080 --> 00:22:35,320
Speaker 3: That's what you're saying all right now. And then somebody

550
00:22:35,400 --> 00:22:38,239
Speaker 3: says you're a jail bird. To Anita Baker, why you're

551
00:22:38,240 --> 00:22:41,240
Speaker 3: a jail bird, she responded, I fought and won that

552
00:22:41,400 --> 00:22:44,640
Speaker 3: case twenty years ago and now I'm more successful than ever.

553
00:22:45,200 --> 00:22:49,680
Speaker 3: What it doesn't diminish Babyface manager connected as my special

554
00:22:49,760 --> 00:22:52,440
Speaker 3: guest support act to help expose.

555
00:22:52,080 --> 00:22:55,440
Speaker 4: Him, him to my arena sized fan base. It helps him.

556
00:22:55,760 --> 00:22:59,240
Speaker 3: You calling it a Baker prison pants, bye bye, crazy

557
00:22:59,440 --> 00:23:04,040
Speaker 3: by these creepy crazies. So then somebody else said something,

558
00:23:04,280 --> 00:23:08,000
Speaker 3: and then she responded, there's a white man behind these

559
00:23:08,080 --> 00:23:11,160
Speaker 3: grown black men harassing me and gaslighting my fans because

560
00:23:11,200 --> 00:23:12,440
Speaker 3: he can't take over this tour.

561
00:23:13,080 --> 00:23:13,520
Speaker 4: Shout out.

562
00:23:13,560 --> 00:23:17,879
Speaker 3: He wants to destroy this tour. Kenny's crazy, narcissist, Babyface,

563
00:23:17,960 --> 00:23:19,119
Speaker 3: call off your boys.

564
00:23:19,080 --> 00:23:20,480
Speaker 2: Here's the thing. I don't know why I need a

565
00:23:20,520 --> 00:23:23,399
Speaker 2: bacon Babyface of beefing, but I know that babyfaceing Anita

566
00:23:23,440 --> 00:23:25,400
Speaker 2: Baker have both earned the right to beef. So I'm

567
00:23:25,400 --> 00:23:27,600
Speaker 2: standing out of grown folks. Business facts.

568
00:23:28,440 --> 00:23:31,560
Speaker 5: What I say about I think if you had to

569
00:23:31,680 --> 00:23:35,440
Speaker 5: do a concert with Babyface and Anita Baker, who should

570
00:23:35,520 --> 00:23:36,200
Speaker 5: hit headline?

571
00:23:37,640 --> 00:23:42,720
Speaker 2: Who should? Because it seems like the beef is is

572
00:23:42,840 --> 00:23:45,480
Speaker 2: about you know, No, I think the beef is that's

573
00:23:45,480 --> 00:23:47,800
Speaker 2: a co headlining tour. Fit is a co headlining tool.

574
00:23:48,080 --> 00:23:50,800
Speaker 3: But I would say, I guess Anita Baker is the headliner,

575
00:23:51,160 --> 00:23:53,600
Speaker 3: and I guess in certain places, I guess the music

576
00:23:53,680 --> 00:23:55,639
Speaker 3: in the set hasn't been right, so they've been starting

577
00:23:55,680 --> 00:23:57,920
Speaker 3: a little later. And since they've been starting a little later,

578
00:23:58,000 --> 00:23:59,920
Speaker 3: they have to get out of these arenas on time

579
00:24:00,280 --> 00:24:02,440
Speaker 3: right so that she means instead of cutting her shot

580
00:24:02,520 --> 00:24:04,879
Speaker 3: her set short, they cut baby Faces set short, and

581
00:24:04,960 --> 00:24:06,159
Speaker 3: people have been complaining about it.

582
00:24:07,320 --> 00:24:09,280
Speaker 2: You know what I think it Needa Baker probably would

583
00:24:09,400 --> 00:24:11,520
Speaker 2: be the headliner if you're if you're just looking at

584
00:24:11,560 --> 00:24:14,359
Speaker 2: them as artists, right, you're looking at it as a producer.

585
00:24:14,520 --> 00:24:17,840
Speaker 2: Level would be different, right. Demographic Babyface has written so

586
00:24:17,880 --> 00:24:19,840
Speaker 2: many hits for so many people. But as far as

587
00:24:19,920 --> 00:24:22,800
Speaker 2: him as an artist, I think it would It depends

588
00:24:22,840 --> 00:24:26,400
Speaker 2: on demographic as well. They were on the same age.

589
00:24:26,560 --> 00:24:29,479
Speaker 3: Yeah, but I think Babyface relates to a little bit

590
00:24:29,480 --> 00:24:32,159
Speaker 3: of a younger audience, then I need a baker. But

591
00:24:32,359 --> 00:24:35,000
Speaker 3: who buys the tickets relates to buying the tickets is

592
00:24:35,040 --> 00:24:37,119
Speaker 3: a different thing. So when we buy the tickets, I

593
00:24:37,160 --> 00:24:39,400
Speaker 3: think they serve the same audience. I think the person

594
00:24:39,480 --> 00:24:42,280
Speaker 3: that will buy a Babyface ticket probably a buy need

595
00:24:42,320 --> 00:24:43,159
Speaker 3: a baker, think so to.

596
00:24:43,200 --> 00:24:46,320
Speaker 2: The only two years apart, like it's like sixty baby Face,

597
00:24:46,359 --> 00:24:47,560
Speaker 2: like fifty four, sixty five.

598
00:24:47,760 --> 00:24:48,960
Speaker 4: I don't know, but just baby Faces.

599
00:24:49,119 --> 00:24:52,760
Speaker 3: I guess he's done so much with the younger production production,

600
00:24:52,920 --> 00:24:54,920
Speaker 3: and he's more known for the younger because of that.

601
00:24:55,040 --> 00:24:57,080
Speaker 3: Like I mean, the man has done stuff with Usher,

602
00:24:57,280 --> 00:24:58,880
Speaker 3: jay Z and all these different people.

603
00:24:58,920 --> 00:25:00,880
Speaker 2: So it's all the because you want to hear if

604
00:25:00,880 --> 00:25:02,119
Speaker 2: you go to a BIGFIS show, you want to hear

605
00:25:02,119 --> 00:25:02,880
Speaker 2: the record he deal with us.

606
00:25:02,800 --> 00:25:05,600
Speaker 4: And no, I said, he's known that the younger audience

607
00:25:05,680 --> 00:25:06,119
Speaker 4: knows him for that.

608
00:25:06,400 --> 00:25:07,880
Speaker 2: I just know every day more and more I started

609
00:25:07,880 --> 00:25:09,760
Speaker 2: to realize why Stephanie Mills made that face when we

610
00:25:09,800 --> 00:25:12,680
Speaker 2: brought up Anita Baker's name last time. Stephanie Mills was head.

611
00:25:12,680 --> 00:25:15,000
Speaker 2: We got that clip right. Is there anybody who would

612
00:25:15,040 --> 00:25:17,400
Speaker 2: take notes from like respectfully? Like anybody that could give

613
00:25:17,400 --> 00:25:18,240
Speaker 2: you a note and be like, you know what I

614
00:25:18,359 --> 00:25:18,720
Speaker 2: listened to that?

615
00:25:20,280 --> 00:25:28,119
Speaker 8: Let you just gots Gladys Knight, Patty Label Baker.

616
00:25:29,720 --> 00:25:35,280
Speaker 2: Who don't don't say that. I've seen that face, Jesus

617
00:25:36,240 --> 00:25:39,960
Speaker 2: smoke with no, No, we don't, No, we don't. You

618
00:25:40,000 --> 00:25:42,280
Speaker 2: just wouldn't take No, not just I wouldn't take notes.

619
00:25:43,480 --> 00:25:45,439
Speaker 7: I love Anita, but that.

620
00:25:45,520 --> 00:25:53,840
Speaker 2: Face ain't look like you love one thing about the

621
00:25:54,880 --> 00:26:00,760
Speaker 2: can't hide feel Now Anita clearly been applying pressure for years.

622
00:26:01,520 --> 00:26:03,480
Speaker 2: Clear Jesus. Wow.

623
00:26:04,000 --> 00:26:05,800
Speaker 4: Now we got to jump to Dwayne Wade.

624
00:26:05,880 --> 00:26:09,080
Speaker 3: Now, Dwayne Wade addresses the fifty to fifty comments by

625
00:26:09,119 --> 00:26:12,040
Speaker 3: Gabrielle Union when he was talking about splitting the finances.

626
00:26:12,400 --> 00:26:14,040
Speaker 2: He was talking to Shannon Shop and this is what

627
00:26:14,119 --> 00:26:14,400
Speaker 2: he said.

628
00:26:14,840 --> 00:26:17,439
Speaker 20: We decided together because I think I said at one

629
00:26:17,480 --> 00:26:19,159
Speaker 20: time we was in Miami, I said something about it

630
00:26:19,200 --> 00:26:22,080
Speaker 20: be in my house that I paid for. Oh wife

631
00:26:22,119 --> 00:26:23,640
Speaker 20: looked at me, she was like, you will never say

632
00:26:23,680 --> 00:26:25,440
Speaker 20: that to me again. When it's something that we shared.

633
00:26:25,600 --> 00:26:28,080
Speaker 20: And so my wife was like that when we moved

634
00:26:28,080 --> 00:26:30,439
Speaker 20: to La I got half on it. You will never

635
00:26:30,560 --> 00:26:32,680
Speaker 20: say my house again. If we take a yacht trip,

636
00:26:32,800 --> 00:26:34,200
Speaker 20: we could do a fifty to fifty or I can

637
00:26:34,240 --> 00:26:37,000
Speaker 20: do it myself. But my wife is a working woman, right,

638
00:26:37,400 --> 00:26:39,400
Speaker 20: She's a boss and an independent woman of her own life.

639
00:26:39,640 --> 00:26:41,800
Speaker 20: She's like, I'm gonna put you know what, that little

640
00:26:41,840 --> 00:26:44,200
Speaker 20: two hundred, that little two hundred that she was gonna

641
00:26:44,200 --> 00:26:45,960
Speaker 20: spend on this, I'm gonna throw something else on that.

642
00:26:46,040 --> 00:26:47,840
Speaker 20: We're gonna go on a bigger trip. We got ball out,

643
00:26:48,000 --> 00:26:49,920
Speaker 20: like this is my wife, right. Like I don't know

644
00:26:49,960 --> 00:26:51,600
Speaker 20: about y'all, but I like having a wife that's like,

645
00:26:52,160 --> 00:26:52,560
Speaker 20: that's cool.

646
00:26:52,680 --> 00:26:53,119
Speaker 2: You can do that.

647
00:26:53,359 --> 00:26:54,760
Speaker 20: She was like, no, let me put something else on

648
00:26:54,840 --> 00:26:57,080
Speaker 20: and let us live a little different. So we probably

649
00:26:57,160 --> 00:26:59,840
Speaker 20: shared three things in our life that we fifty fifty on, right.

650
00:27:00,160 --> 00:27:03,520
Speaker 20: Everything else, I'm one thousand percent. It's just one thousand percent, right,

651
00:27:03,920 --> 00:27:05,520
Speaker 20: M I respect it.

652
00:27:07,600 --> 00:27:11,200
Speaker 5: I'm not sure I think fifty fifty, man, I don't know.

653
00:27:11,359 --> 00:27:13,680
Speaker 5: I think if it's if it's not a situation where

654
00:27:14,440 --> 00:27:17,520
Speaker 5: she is financially in that position, I think you should

655
00:27:17,520 --> 00:27:18,600
Speaker 5: be able to take care of it.

656
00:27:18,720 --> 00:27:20,720
Speaker 2: But both of them them are rich. They respect it.

657
00:27:20,840 --> 00:27:24,359
Speaker 3: Yeah, and he caused the issue, he calls it. I

658
00:27:24,400 --> 00:27:25,879
Speaker 3: was going to say that when he said this is

659
00:27:25,960 --> 00:27:28,920
Speaker 3: my house, I paid for it. Yeah, okay, that would

660
00:27:28,920 --> 00:27:29,720
Speaker 3: that that would still.

661
00:27:29,520 --> 00:27:31,400
Speaker 2: Be an argument. Gabriel said, let me show you something,

662
00:27:31,400 --> 00:27:35,680
Speaker 2: young boy, reverse psychology. Mean you think he said it

663
00:27:35,760 --> 00:27:37,719
Speaker 2: just to make Yeah, I mean I can, I can.

664
00:27:37,920 --> 00:27:40,320
Speaker 2: I can tell you that to make you start paying, Like,

665
00:27:40,640 --> 00:27:42,520
Speaker 2: you know, maybe I want some help on it. Maybe

666
00:27:42,560 --> 00:27:46,439
Speaker 2: I don't know. I don't think you wanted that. Smoking

667
00:27:46,480 --> 00:27:49,560
Speaker 2: the crib facts. All right, Well that is your rumor report.

668
00:27:49,640 --> 00:27:51,440
Speaker 2: Now when we come back, we got front page news.

669
00:27:51,480 --> 00:27:54,200
Speaker 3: Tesling figure will be joining us, and Ryan Coogler and

670
00:27:54,280 --> 00:27:55,639
Speaker 3: Peter Nixon be here, so don't move.

671
00:27:55,680 --> 00:27:58,680
Speaker 2: It's the Breakfast Club. Good morning, the Breakfast Club. Your

672
00:27:58,760 --> 00:28:00,720
Speaker 2: morning's will never be the same.

673
00:28:01,560 --> 00:28:03,440
Speaker 3: If you had the power to go back in time

674
00:28:03,520 --> 00:28:06,199
Speaker 3: and change something, would you. In a new movie to Flash,

675
00:28:06,280 --> 00:28:08,679
Speaker 3: worlds collide in an epic adventure that brings us two

676
00:28:08,760 --> 00:28:12,679
Speaker 3: Batman's General Zode and a badass Supergirl. Get tickets now

677
00:28:12,760 --> 00:28:16,240
Speaker 3: for the new Flash Only a THEA. It's June sixteenth, rated, PG, thirteen,

678
00:28:16,440 --> 00:28:19,959
Speaker 3: and everybody is DJ Envy, Charlomagne the Guide, we are

679
00:28:20,040 --> 00:28:20,800
Speaker 3: the breakfast club.

680
00:28:20,840 --> 00:28:22,399
Speaker 4: Let's getting some front page news.

681
00:28:22,800 --> 00:28:22,919
Speaker 21: Now.

682
00:28:22,960 --> 00:28:25,120
Speaker 3: We got our guest co hosts Looney here, of course

683
00:28:25,200 --> 00:28:27,639
Speaker 3: he's a host of it It's Up There podcast.

684
00:28:28,040 --> 00:28:30,320
Speaker 4: And we got Tesla figure O back test in the morning.

685
00:28:30,840 --> 00:28:34,240
Speaker 7: Good morning, DJ Envy and Looney and Charlomagne the God.

686
00:28:34,520 --> 00:28:36,879
Speaker 3: He said, we got to congratulate the Denver Nuggets. They

687
00:28:36,960 --> 00:28:40,000
Speaker 3: beat the Miami Heat last night ninety four eighty nine.

688
00:28:40,160 --> 00:28:43,040
Speaker 3: So congratulations to joke in the whole Denver Nuggets. This

689
00:28:43,160 --> 00:28:45,320
Speaker 3: gotta be one of the lowest rated finals too, right.

690
00:28:45,480 --> 00:28:47,720
Speaker 3: Facts I'm sure got be I'm sure.

691
00:28:47,640 --> 00:28:50,040
Speaker 2: It wasn't exciting, no in no way, shape or form.

692
00:28:50,080 --> 00:28:51,680
Speaker 2: But I mean that's what happens when you got a

693
00:28:51,800 --> 00:28:54,080
Speaker 2: team like them. But going up against number eight, number four,

694
00:28:54,200 --> 00:28:56,240
Speaker 2: number seven, and number eight seeds. You know what I'm saying.

695
00:28:56,240 --> 00:28:58,600
Speaker 2: They swept the Lakers. It was a number seven seed

696
00:28:59,560 --> 00:29:01,520
Speaker 2: lost one game to the Heat. They wouldn't number eighth

697
00:29:01,520 --> 00:29:04,200
Speaker 2: seed only lost four games the whole postseason. We knew

698
00:29:04,200 --> 00:29:06,640
Speaker 2: what the outcome was gonna be, man, but we would

699
00:29:06,640 --> 00:29:06,880
Speaker 2: hope it.

700
00:29:07,000 --> 00:29:09,120
Speaker 4: Now it'll be a little closer, right, weren't we?

701
00:29:09,320 --> 00:29:14,240
Speaker 2: I guess we say hope is not a strategy.

702
00:29:14,480 --> 00:29:18,040
Speaker 3: All right, Well, let's get in some front page news.

703
00:29:18,080 --> 00:29:20,840
Speaker 4: Now, let's talk about CNN's town hall with Chris Christy.

704
00:29:21,320 --> 00:29:23,920
Speaker 8: Yeah, so, I want to give you a quick update

705
00:29:24,000 --> 00:29:26,600
Speaker 8: on a few takeaways from the CNN town hall with

706
00:29:26,840 --> 00:29:30,360
Speaker 8: former New Jersey Governor Chris Christy. He laid into Donald

707
00:29:30,400 --> 00:29:33,720
Speaker 8: Trump in the town hall, calling the former president angry

708
00:29:33,840 --> 00:29:37,160
Speaker 8: and vengeable and accusing him of a vanity ron a monk.

709
00:29:37,800 --> 00:29:39,960
Speaker 8: Here is what he had to say about what he

710
00:29:40,120 --> 00:29:42,720
Speaker 8: thinks Trump will do if he is re elected for

711
00:29:42,960 --> 00:29:44,680
Speaker 8: a second term. Let's take a listen.

712
00:29:45,080 --> 00:29:46,360
Speaker 2: Oh, because he's so angry.

713
00:29:46,440 --> 00:29:49,600
Speaker 22: Now, he's angry and he's vengeful, and he said, I

714
00:29:49,720 --> 00:29:50,720
Speaker 22: will be your retribution.

715
00:29:51,120 --> 00:29:53,000
Speaker 2: Well, I don't think. I don't want him to be

716
00:29:53,080 --> 00:29:53,720
Speaker 2: my retribution.

717
00:29:53,880 --> 00:29:55,160
Speaker 22: I don't need him to do that, and I don't

718
00:29:55,160 --> 00:29:57,640
Speaker 22: think anybody in America needs it either. He wants to

719
00:29:57,680 --> 00:30:01,240
Speaker 22: be retribution for himself, evince that he goes back to

720
00:30:01,320 --> 00:30:03,280
Speaker 22: the White House, that the next four years will all

721
00:30:03,320 --> 00:30:06,640
Speaker 22: be about him just settling scores Anderson, that's everybody who he.

722
00:30:06,720 --> 00:30:11,160
Speaker 2: Thinks wasn't perfectly nice to him, oh, that's a fact.

723
00:30:11,760 --> 00:30:15,800
Speaker 2: All his political opponents getting locked up here. You're gonna

724
00:30:15,800 --> 00:30:19,400
Speaker 2: put cases on all of them, from Clinton, Biden, Obama, Yeah,

725
00:30:20,680 --> 00:30:25,880
Speaker 2: Pelican babe. Yeah, okay, she wooting cases on all you bitches, guaranteed.

726
00:30:27,040 --> 00:30:29,040
Speaker 2: What did he tell the reason he turned away from Trump?

727
00:30:29,120 --> 00:30:32,520
Speaker 8: Ted, Well, you know the comment caucus is what I

728
00:30:32,680 --> 00:30:34,400
Speaker 8: like to call him on YouTube. You know, they're saying

729
00:30:34,600 --> 00:30:37,040
Speaker 8: he's just bitter and upset, you know that Trump, which

730
00:30:37,080 --> 00:30:39,640
Speaker 8: that is probably some truth to that. But his reason

731
00:30:40,040 --> 00:30:42,000
Speaker 8: that he gave that, he said, why he turned away

732
00:30:42,000 --> 00:30:44,920
Speaker 8: from Trump was the moment that Trump, uh basically told

733
00:30:44,960 --> 00:30:47,680
Speaker 8: the American people you know to when he denied the election.

734
00:30:48,280 --> 00:30:50,000
Speaker 7: He called Trump a loser and a child.

735
00:30:50,320 --> 00:30:53,240
Speaker 8: He compared the former president's refusal to accept his defeat

736
00:30:53,280 --> 00:30:57,680
Speaker 8: for reelection like a blame deflecting tantrum from a child

737
00:30:57,960 --> 00:31:01,040
Speaker 8: who just failed a test at school. Christy said, I

738
00:31:01,160 --> 00:31:03,120
Speaker 8: beg of you to think about this. Don't allow the

739
00:31:03,160 --> 00:31:04,760
Speaker 8: showmanship to a secure the facts.

740
00:31:05,040 --> 00:31:07,720
Speaker 7: The facts are. He lost to Joe Biden is.

741
00:31:07,760 --> 00:31:10,480
Speaker 2: But I don't like about Republicans. They all talk tough.

742
00:31:10,600 --> 00:31:14,600
Speaker 2: Now if Donald Trump becomes the GOP nominee, where they

743
00:31:14,640 --> 00:31:17,720
Speaker 2: still talk tough with a fall in line, like they're

744
00:31:17,760 --> 00:31:19,480
Speaker 2: falling place, you know what I mean. That's when you

745
00:31:19,560 --> 00:31:21,360
Speaker 2: know you really got something that if he becomes the

746
00:31:21,440 --> 00:31:24,120
Speaker 2: GOP nominee and they all don't support him, now they

747
00:31:24,160 --> 00:31:25,640
Speaker 2: got a falling place. That's what they always do.

748
00:31:25,640 --> 00:31:27,760
Speaker 4: They make sure they fall in place to support whoever's running.

749
00:31:27,880 --> 00:31:28,960
Speaker 2: We don't matter what.

750
00:31:29,520 --> 00:31:31,040
Speaker 7: That's across the board for politicians.

751
00:31:31,080 --> 00:31:33,600
Speaker 8: So I would say, you know, except Joe Manchin, he's

752
00:31:33,600 --> 00:31:34,440
Speaker 8: the only one that don't full.

753
00:31:36,320 --> 00:31:39,120
Speaker 3: Now let's talk about this COVID nineteen relief aid, and

754
00:31:39,200 --> 00:31:41,440
Speaker 3: they're saying, like billions was stolen and wasted.

755
00:31:42,120 --> 00:31:44,000
Speaker 7: Yeah, they're calling it the Great Grift.

756
00:31:44,720 --> 00:31:47,960
Speaker 8: An Associated Press analysis again that they're calling the Great Grift,

757
00:31:48,040 --> 00:31:51,640
Speaker 8: found that frodsters potentially stole more than two hundred and

758
00:31:51,720 --> 00:31:55,640
Speaker 8: eighty billion in COVID nineteen relief funding. Another one hundred

759
00:31:55,640 --> 00:31:58,960
Speaker 8: and twenty three billion was wasted or misspent. Combined, the

760
00:31:59,040 --> 00:32:01,920
Speaker 8: loss represents ten of the four point two trillion the

761
00:32:02,000 --> 00:32:05,520
Speaker 8: US government has so far distributed in the COVID relief

762
00:32:05,600 --> 00:32:08,320
Speaker 8: eight Now, the US government has charged more than two

763
00:32:08,720 --> 00:32:12,600
Speaker 8: two hundred and thirty defendants with pandemic related fraud crimes

764
00:32:12,680 --> 00:32:16,080
Speaker 8: and is conducting thousands of investigations, so it looks like

765
00:32:16,200 --> 00:32:18,040
Speaker 8: some more folks might be going to jail.

766
00:32:18,680 --> 00:32:21,720
Speaker 2: Did they say anything about a PvP loan for Yeah, the.

767
00:32:21,720 --> 00:32:25,880
Speaker 8: PPP loan that you have always heard about, and a

768
00:32:25,960 --> 00:32:28,320
Speaker 8: lot of folks got it well. They said that the

769
00:32:28,480 --> 00:32:32,520
Speaker 8: SBA Inspector General's Office has estimated fraud in the disaster

770
00:32:32,680 --> 00:32:35,600
Speaker 8: loan program eighty six billion. For the disaster loan and

771
00:32:35,720 --> 00:32:38,960
Speaker 8: the PPP program, there was about twenty billion in fraud.

772
00:32:39,560 --> 00:32:42,720
Speaker 7: And the watchdog group that is laying out all.

773
00:32:42,640 --> 00:32:45,200
Speaker 8: Of this, they're expected in the coming weeks to revise

774
00:32:45,280 --> 00:32:48,240
Speaker 8: those figures and they expect it to be much higher.

775
00:32:48,360 --> 00:32:51,600
Speaker 8: So folks can find their report on the Associated Press.

776
00:32:51,720 --> 00:32:54,680
Speaker 8: It has a lot of information that I think is

777
00:32:54,760 --> 00:32:57,720
Speaker 8: really interesting. It talks about how much was stolen, what

778
00:32:57,920 --> 00:33:00,959
Speaker 8: agencies were hit the hardest, how that money was allocated,

779
00:33:01,280 --> 00:33:03,880
Speaker 8: what could have been done better, and more importantly, who

780
00:33:04,000 --> 00:33:04,560
Speaker 8: is to blame?

781
00:33:04,680 --> 00:33:05,720
Speaker 7: So creative report.

782
00:33:05,760 --> 00:33:07,480
Speaker 3: I ain't seen him going at nobody anymore. I just

783
00:33:07,520 --> 00:33:11,080
Speaker 3: seen what's holding from. Wasn't it Blue?

784
00:33:11,280 --> 00:33:13,160
Speaker 2: Was the big Blue? He was the only when they

785
00:33:13,200 --> 00:33:16,400
Speaker 2: got arrested, rightly, probably somebody with a name, but I'm

786
00:33:16,440 --> 00:33:18,680
Speaker 2: sure they they going every day.

787
00:33:19,200 --> 00:33:22,160
Speaker 5: What's happening is they have a different way of They

788
00:33:22,280 --> 00:33:25,520
Speaker 5: still investigating it. But I've saw grab people. I've sawing

789
00:33:25,600 --> 00:33:28,520
Speaker 5: people get in big trouble about it, take homes, take calls.

790
00:33:28,720 --> 00:33:30,920
Speaker 5: Really right, Yeah, people has been going crazy.

791
00:33:31,000 --> 00:33:32,640
Speaker 2: What's crazy to me is y'all made all of that

792
00:33:32,760 --> 00:33:35,040
Speaker 2: money and y'all didn't do nothing with it. Y'all don't

793
00:33:35,040 --> 00:33:37,320
Speaker 2: even know how the money launded. Right back in the day,

794
00:33:37,400 --> 00:33:39,600
Speaker 2: drug dealers knew how to properly money launder. When they

795
00:33:39,640 --> 00:33:41,680
Speaker 2: got some illegal money. Y'all get this, I llegal money

796
00:33:41,720 --> 00:33:42,920
Speaker 2: and don't even know what to do it. They go

797
00:33:43,040 --> 00:33:45,680
Speaker 2: get jewelry. Cause that's what I'm saying about it. Dumbness.

798
00:33:46,320 --> 00:33:48,440
Speaker 2: All the things they tell drug dealers not to do back,

799
00:33:50,000 --> 00:33:51,960
Speaker 2: all the things that makes you hot when you was

800
00:33:51,960 --> 00:33:54,480
Speaker 2: a drug dealer back in the day, they doing now

801
00:33:54,600 --> 00:33:55,720
Speaker 2: wich stolen.

802
00:33:55,400 --> 00:33:59,080
Speaker 7: Money, you know, taking photos.

803
00:33:59,440 --> 00:34:01,600
Speaker 5: The first thing we do, or most people do, is

804
00:34:01,680 --> 00:34:04,640
Speaker 5: they want to compete with people who's been in business

805
00:34:04,720 --> 00:34:07,440
Speaker 5: a long time. They instantly try to look like you

806
00:34:07,600 --> 00:34:09,759
Speaker 5: look like we looked at We've been doing business a

807
00:34:09,840 --> 00:34:11,120
Speaker 5: long time, and so they'll.

808
00:34:10,920 --> 00:34:13,680
Speaker 2: Instantly get the private jet. The cause that bro, this

809
00:34:13,800 --> 00:34:14,759
Speaker 2: is stolen money.

810
00:34:14,880 --> 00:34:17,960
Speaker 4: That's you have some reserve. All right, well, that is

811
00:34:18,080 --> 00:34:19,040
Speaker 4: front page news.

812
00:34:19,080 --> 00:34:21,240
Speaker 7: Thank you, Teslan, it's no problem.

813
00:34:21,360 --> 00:34:24,279
Speaker 2: Thank you, hey, thank you, and make sure you subscribe

814
00:34:24,560 --> 00:34:27,120
Speaker 2: to the Tesla figure O straight shot. No chase of

815
00:34:27,160 --> 00:34:29,880
Speaker 2: podcasts on the Black Effect. iHeart radio podcast network.

816
00:34:30,520 --> 00:34:33,080
Speaker 3: All right, now, when we come back, Ryan Coogler and

817
00:34:33,160 --> 00:34:35,160
Speaker 3: Peter Knicks will be joining us. They have a new

818
00:34:35,200 --> 00:34:38,440
Speaker 3: documentary call Anthem, which comes out June twenty eighth on Hulu,

819
00:34:38,680 --> 00:34:40,120
Speaker 3: and we go kick it with them when we come back,

820
00:34:40,120 --> 00:34:40,640
Speaker 3: So don't move.

821
00:34:40,680 --> 00:34:43,920
Speaker 4: It's the Breakfast Club. Good morning, the Breakfast.

822
00:34:43,520 --> 00:34:47,479
Speaker 2: Club, Moring.

823
00:34:47,560 --> 00:34:50,920
Speaker 3: Everybody's DJ n V, Charlamagne the God. We are the

824
00:34:51,000 --> 00:34:53,520
Speaker 3: Breakfast Club. We got some special guests joining us this morning.

825
00:34:53,600 --> 00:34:54,279
Speaker 2: Yes, indeed, we.

826
00:34:54,320 --> 00:34:58,680
Speaker 3: Got Ryan Coogler and Peter Nicks. Welcome fellas. Your feeling

827
00:35:00,080 --> 00:35:01,960
Speaker 3: a new documentary Anthem?

828
00:35:02,239 --> 00:35:05,120
Speaker 2: Yeah, man, I've long felt like the national anthem, like

829
00:35:05,200 --> 00:35:07,920
Speaker 2: most things in America, need to be changed to represent

830
00:35:08,000 --> 00:35:10,839
Speaker 2: the world we currently live in. Clearly y'all felt the same,

831
00:35:10,880 --> 00:35:12,600
Speaker 2: which is which is why the doc was created.

832
00:35:12,680 --> 00:35:14,440
Speaker 21: Right absolutely, I mean, I think we're in a time

833
00:35:14,520 --> 00:35:17,840
Speaker 21: right now where we're examining our identity, you know, searching

834
00:35:17,880 --> 00:35:19,919
Speaker 21: for our identity, trying to express it in different ways,

835
00:35:19,960 --> 00:35:22,120
Speaker 21: and there's a lot of collisions in how we express

836
00:35:22,320 --> 00:35:26,960
Speaker 21: those identities, and that the moment felt right to inquire

837
00:35:27,440 --> 00:35:29,200
Speaker 21: and to go a little bit deeper on you know,

838
00:35:29,360 --> 00:35:32,759
Speaker 21: the history of that song and also the opportunity to

839
00:35:32,920 --> 00:35:35,440
Speaker 21: imagine what an anthem would be like for today that

840
00:35:35,520 --> 00:35:36,600
Speaker 21: reflects the American story.

841
00:35:36,719 --> 00:35:38,960
Speaker 4: What made you dive deep into the anthem?

842
00:35:39,000 --> 00:35:39,080
Speaker 2: Right?

843
00:35:39,120 --> 00:35:40,839
Speaker 3: Because we're in school, you learn it, you don't really

844
00:35:40,880 --> 00:35:43,480
Speaker 3: think much of it. This was very knowledgeable because it

845
00:35:43,920 --> 00:35:46,160
Speaker 3: tought where the origin came from. When you're a student,

846
00:35:46,239 --> 00:35:47,840
Speaker 3: they don't teach it origin. They just say sing it,

847
00:35:47,920 --> 00:35:49,319
Speaker 3: you know what I mean? So what made y'all dive

848
00:35:49,400 --> 00:35:52,400
Speaker 3: deep into understanding, learning and to even discuss this.

849
00:35:52,680 --> 00:35:54,919
Speaker 21: I've been looking at a couple of projects that we're

850
00:35:55,040 --> 00:35:58,279
Speaker 21: examining this collision between patriotism and protests, and obviously we're

851
00:35:58,280 --> 00:36:01,600
Speaker 21: seeing it in the headlines every day. I've always wanted

852
00:36:01,600 --> 00:36:04,680
Speaker 21: to make a music talk number one. The anthem seemed

853
00:36:04,719 --> 00:36:08,360
Speaker 21: like a perfect stage to examine the American voice in

854
00:36:08,360 --> 00:36:11,239
Speaker 21: the American the American story, and also this notion that

855
00:36:11,800 --> 00:36:15,080
Speaker 21: music does bring us together and that maybe a project

856
00:36:15,640 --> 00:36:19,239
Speaker 21: using music as an exploration of the American story could

857
00:36:19,320 --> 00:36:22,480
Speaker 21: in some way reflect some idea of optimism in this

858
00:36:22,600 --> 00:36:23,840
Speaker 21: difficult time that we're in right now.

859
00:36:23,880 --> 00:36:24,920
Speaker 2: When did y'all both know what was it going to

860
00:36:24,960 --> 00:36:25,600
Speaker 2: be a profession? Right?

861
00:36:25,600 --> 00:36:27,239
Speaker 3: Because I'm sure at one time you thought you gonna

862
00:36:27,239 --> 00:36:28,480
Speaker 3: play football in the league, you know what I mean.

863
00:36:28,480 --> 00:36:29,840
Speaker 3: I'm sure one time you thought you were gonna do

864
00:36:29,840 --> 00:36:32,280
Speaker 3: something else. When did y'all know, like this is a profession?

865
00:36:32,480 --> 00:36:32,600
Speaker 20: Well?

866
00:36:32,719 --> 00:36:35,440
Speaker 21: Why, I was at Howard. I was on the eleven

867
00:36:35,520 --> 00:36:38,840
Speaker 21: year Planet Howard. It was interrupted by my stay with

868
00:36:38,920 --> 00:36:44,120
Speaker 21: the federal government, and I was I was a creative

869
00:36:44,120 --> 00:36:45,600
Speaker 21: writing major. I was going to be a writer. That's

870
00:36:45,600 --> 00:36:47,000
Speaker 21: what I thought I was going to do. I was writing,

871
00:36:47,400 --> 00:36:49,759
Speaker 21: and I'd met this kid in an AA meeting and

872
00:36:50,800 --> 00:36:52,880
Speaker 21: he worked at this little, tiny news service called the

873
00:36:53,000 --> 00:36:55,200
Speaker 21: Hispanic Link, which at the time, there were very little

874
00:36:55,760 --> 00:36:57,920
Speaker 21: there's very little news telling the story of the Hispanic

875
00:36:58,000 --> 00:37:00,520
Speaker 21: community in America. So this tiny home the Wall news

876
00:37:00,520 --> 00:37:03,279
Speaker 21: service in DC was syndicated nationwide and it was run

877
00:37:03,360 --> 00:37:05,399
Speaker 21: by this this white guy who had married this woman

878
00:37:05,440 --> 00:37:07,320
Speaker 21: from Ohaca, Mexico. And it was a love story. And

879
00:37:07,400 --> 00:37:09,080
Speaker 21: so I was just struck by it, and so I

880
00:37:09,200 --> 00:37:12,000
Speaker 21: made a little short documentary and it was my thesis project,

881
00:37:12,280 --> 00:37:15,480
Speaker 21: my senior project at Howard, and I fell in love

882
00:37:15,520 --> 00:37:17,919
Speaker 21: with it documentary, and I looked at where we're the best,

883
00:37:18,239 --> 00:37:22,120
Speaker 21: you know, documentary programs, and UC Berkeley, the journalism school

884
00:37:22,120 --> 00:37:23,960
Speaker 21: at Berkeley, has one of the one of the top programs,

885
00:37:24,000 --> 00:37:26,240
Speaker 21: and so I went there. When I made that decision

886
00:37:26,239 --> 00:37:28,320
Speaker 21: to apply to graduate school, I kind of knew, like,

887
00:37:28,480 --> 00:37:30,080
Speaker 21: this is what I'm committing to you, this is what

888
00:37:30,160 --> 00:37:30,680
Speaker 21: I'm going.

889
00:37:30,560 --> 00:37:32,400
Speaker 3: For A right, are you Ryan? When did you know

890
00:37:32,480 --> 00:37:33,960
Speaker 3: that this was going to be your profession? Because I

891
00:37:34,200 --> 00:37:35,640
Speaker 3: know one time you said I'm going to play in

892
00:37:35,640 --> 00:37:37,040
Speaker 3: the league. I know you thought you was gonna play

893
00:37:37,080 --> 00:37:38,399
Speaker 3: for the ratest big time.

894
00:37:39,160 --> 00:37:39,359
Speaker 2: Yeah.

895
00:37:39,440 --> 00:37:44,600
Speaker 23: Yeah, no, it's a it's a great question. I mean,

896
00:37:44,640 --> 00:37:46,960
Speaker 23: as you before my wife while he laughed. But it

897
00:37:47,080 --> 00:37:48,960
Speaker 23: was after I made my fourth movie. It was when

898
00:37:48,960 --> 00:37:50,360
Speaker 23: I was like, Okay, I'm gonna be doing this for

899
00:37:50,440 --> 00:37:50,759
Speaker 23: a while.

900
00:37:50,960 --> 00:37:51,719
Speaker 2: It was the fourth one.

901
00:37:52,280 --> 00:37:53,120
Speaker 24: Kind of every.

902
00:37:56,760 --> 00:38:02,600
Speaker 23: Things could have been before that one. Now I'm telling you, yeah, yeah,

903
00:38:02,800 --> 00:38:07,080
Speaker 23: because because I don't know, like some combination of like

904
00:38:07,160 --> 00:38:09,439
Speaker 23: imposter syndrome. That's what I was gonna say that sounds

905
00:38:09,440 --> 00:38:15,840
Speaker 23: like and and internalizing, uh, this internalized feeling of it,

906
00:38:16,239 --> 00:38:18,360
Speaker 23: like this is all gonna be taken away from me,

907
00:38:18,560 --> 00:38:20,040
Speaker 23: you know what I'm saying, Like like that, like that

908
00:38:20,239 --> 00:38:22,440
Speaker 23: that it just went away.

909
00:38:22,760 --> 00:38:23,719
Speaker 2: You didn't think that's good enough?

910
00:38:24,480 --> 00:38:24,680
Speaker 15: It was.

911
00:38:24,760 --> 00:38:26,880
Speaker 23: It was a combination of a lot of things from one.

912
00:38:26,880 --> 00:38:28,759
Speaker 23: I didn't think I was good enough, Like like I

913
00:38:28,880 --> 00:38:32,000
Speaker 23: was thinking I was fooling people. I got lucky with

914
00:38:32,160 --> 00:38:33,200
Speaker 23: each more young.

915
00:38:33,120 --> 00:38:33,759
Speaker 24: You know what I'm saying.

916
00:38:35,600 --> 00:38:38,960
Speaker 23: But I think like we were kind of forever going

917
00:38:39,000 --> 00:38:42,560
Speaker 23: through so much, you know, number one, losing Chat, No

918
00:38:43,360 --> 00:38:45,799
Speaker 23: One losing Chat Rest in peace man, And he had

919
00:38:47,080 --> 00:38:48,440
Speaker 23: he had so much confidence in.

920
00:38:48,480 --> 00:38:49,520
Speaker 24: Me, you know what I'm saying.

921
00:38:51,520 --> 00:38:53,799
Speaker 23: And and and he would speak, you know, he would

922
00:38:53,800 --> 00:38:55,640
Speaker 23: speak confidence in me when I was having mom as

923
00:38:55,640 --> 00:38:59,319
Speaker 23: a doubt and and a lot of times I would

924
00:38:59,360 --> 00:39:02,239
Speaker 23: think he was just trying to get me through to day.

925
00:39:02,320 --> 00:39:03,600
Speaker 23: You know, you know what I'm saying, because you do

926
00:39:03,680 --> 00:39:05,400
Speaker 23: that with your teammates, right and you got this, you

927
00:39:05,480 --> 00:39:07,080
Speaker 23: know you don't You might not believe I really got

928
00:39:07,080 --> 00:39:10,239
Speaker 23: to be telling him, you know what I'm saying. But

929
00:39:10,440 --> 00:39:13,239
Speaker 23: but but then in retrospect, after he passed and knowing

930
00:39:13,440 --> 00:39:15,960
Speaker 23: what I know about him, that he he was never

931
00:39:16,200 --> 00:39:17,920
Speaker 23: he was never, he would never be as somebody, you

932
00:39:17,960 --> 00:39:23,560
Speaker 23: know what I'm saying. In finishing that film, and I

933
00:39:23,680 --> 00:39:24,759
Speaker 23: was like the first time, I was like, Okay, I

934
00:39:24,800 --> 00:39:26,120
Speaker 23: think I'm gonna be I think I'm gonna be doing

935
00:39:26,160 --> 00:39:27,120
Speaker 23: this for the rest of my life.

936
00:39:27,280 --> 00:39:29,920
Speaker 2: How nerve racking was that film with all those celebrities

937
00:39:29,960 --> 00:39:31,640
Speaker 2: and all those stars and people that's been in so

938
00:39:31,840 --> 00:39:33,480
Speaker 2: many movies the first one.

939
00:39:33,719 --> 00:39:36,759
Speaker 24: Yeah, crazy nerve racking, bro. But the thing is all

940
00:39:36,800 --> 00:39:37,759
Speaker 24: my movies was nerve racking.

941
00:39:37,800 --> 00:39:39,399
Speaker 23: My nerves was racked on the short he was talking

942
00:39:39,440 --> 00:39:42,160
Speaker 23: about you know, so, I mean, you know you you

943
00:39:42,239 --> 00:39:44,839
Speaker 23: know that feeling you know, and like like, uh.

944
00:39:44,880 --> 00:39:46,120
Speaker 3: You don't ever get to a point where you're like,

945
00:39:46,200 --> 00:39:48,360
Speaker 3: I've done enough where I'm comfortable.

946
00:39:47,920 --> 00:39:49,799
Speaker 4: And I'm getting there.

947
00:39:50,239 --> 00:39:51,160
Speaker 24: I think I'm getting there.

948
00:39:51,560 --> 00:39:54,520
Speaker 2: You know, You're never going to the point where you're comfortable. Yeah.

949
00:39:54,640 --> 00:39:56,719
Speaker 24: Yeah, I feel like I'm gonna be doing this for

950
00:39:56,920 --> 00:39:58,080
Speaker 24: for for some time.

951
00:39:58,200 --> 00:39:59,600
Speaker 2: I would say confident, you're confident in.

952
00:39:59,680 --> 00:40:02,359
Speaker 24: You get in there getting there.

953
00:40:02,440 --> 00:40:05,000
Speaker 21: Also, I think it's it's a belief that your voice,

954
00:40:05,480 --> 00:40:08,280
Speaker 21: what you have to say is going to be received.

955
00:40:09,080 --> 00:40:11,120
Speaker 21: You know it's going to be received by the culture,

956
00:40:11,239 --> 00:40:15,239
Speaker 21: by the critics, by the audiences, and our culture sort

957
00:40:15,280 --> 00:40:18,080
Speaker 21: of shifts and those voices, the voices that do matter,

958
00:40:18,200 --> 00:40:20,280
Speaker 21: that do bubble up to the surfaces. It's not always

959
00:40:20,440 --> 00:40:24,440
Speaker 21: because of the the relevance or the power of those voices.

960
00:40:24,480 --> 00:40:27,240
Speaker 21: It's sort of the ecosystem of our culture and society

961
00:40:27,280 --> 00:40:29,080
Speaker 21: allows certain voices to come forward.

962
00:40:29,200 --> 00:40:33,040
Speaker 2: It is a depression of knowing how many young minorities

963
00:40:33,080 --> 00:40:35,239
Speaker 2: look up to you guys, like I want to be

964
00:40:35,360 --> 00:40:38,120
Speaker 2: the next you know what I mean? Is that part

965
00:40:38,160 --> 00:40:40,359
Speaker 2: of it as well? Yeah?

966
00:40:40,480 --> 00:40:43,960
Speaker 24: Man, it's so much all of it. Bro Like, like y'all,

967
00:40:44,040 --> 00:40:46,279
Speaker 24: y'all phelipe, y'all black. You know what I'm saying.

968
00:40:46,320 --> 00:40:48,120
Speaker 23: You know, you get it when you go When you

969
00:40:48,160 --> 00:40:50,960
Speaker 23: first got this job, it's like, I gotta do my

970
00:40:51,040 --> 00:40:53,359
Speaker 23: thing for my family, but also gotta do my thing

971
00:40:53,400 --> 00:40:54,960
Speaker 23: for the next person who look like me, who want

972
00:40:55,000 --> 00:40:55,239
Speaker 23: to do this.

973
00:40:56,320 --> 00:40:58,800
Speaker 2: At first, it was just about survival. Yeah, yeah, I

974
00:40:58,800 --> 00:41:00,880
Speaker 2: have been five for four times. This was about survival.

975
00:41:01,320 --> 00:41:03,680
Speaker 2: Then once you start to realize the magnitude of the platform,

976
00:41:03,760 --> 00:41:05,960
Speaker 2: it's like, you gotta do it for the people.

977
00:41:06,080 --> 00:41:09,520
Speaker 23: Yeah, And what's great it is like, look, it's Monday, right.

978
00:41:09,520 --> 00:41:11,480
Speaker 23: I ain't checked the papers, but I think Stephen Caple's

979
00:41:11,480 --> 00:41:12,239
Speaker 23: movie was number one.

980
00:41:13,760 --> 00:41:14,400
Speaker 24: It was number one.

981
00:41:14,520 --> 00:41:16,680
Speaker 23: Yeah, like he got this movie coming, he got we

982
00:41:16,680 --> 00:41:18,360
Speaker 23: gotta we got a staff doct that's gonna come in.

983
00:41:18,560 --> 00:41:21,440
Speaker 23: And like the more of us that succeed, it actually

984
00:41:21,480 --> 00:41:23,640
Speaker 23: takes some of the pressure off, you know what I'm saying,

985
00:41:23,680 --> 00:41:26,360
Speaker 23: Like like that, that's that's also and it's also helped,

986
00:41:26,440 --> 00:41:28,480
Speaker 23: you know what I mean, Like it's not like it's

987
00:41:28,520 --> 00:41:31,640
Speaker 23: only one we got one shot, we got one represent representative.

988
00:41:31,960 --> 00:41:33,920
Speaker 23: It's like I'm always a bunch of us, you know

989
00:41:33,960 --> 00:41:36,360
Speaker 23: what I'm saying, And and and and and that's changing

990
00:41:36,400 --> 00:41:39,040
Speaker 23: the fabric of what a blockbuster director looks like. You

991
00:41:39,080 --> 00:41:42,600
Speaker 23: know how much support a nonfiction film gets from a

992
00:41:42,640 --> 00:41:45,360
Speaker 23: studio or from from the audience, You know what I'm saying.

993
00:41:45,200 --> 00:41:46,600
Speaker 2: Like it's typically very little.

994
00:41:48,080 --> 00:41:52,880
Speaker 21: Extremely grateful for the platform that Proximity has provided. And

995
00:41:53,239 --> 00:41:55,880
Speaker 21: that is a powerful idea to sort of validate not

996
00:41:56,040 --> 00:41:58,920
Speaker 21: just different perspectives of voice, but different genres and styles

997
00:41:58,960 --> 00:41:59,600
Speaker 21: of storytelling.

998
00:42:00,040 --> 00:42:02,560
Speaker 2: One more thing about the impositi syndrome. When you're Ryan

999
00:42:02,680 --> 00:42:04,719
Speaker 2: Coogl and we know the greatness of Ryan Coogler. But

1000
00:42:05,320 --> 00:42:07,239
Speaker 2: the media will say things like, oh he might he's

1001
00:42:07,280 --> 00:42:10,360
Speaker 2: the next George Lucas, like you're always the next somebody,

1002
00:42:10,840 --> 00:42:13,400
Speaker 2: like never just us is that contributed in posit syndrome

1003
00:42:13,480 --> 00:42:14,840
Speaker 2: the Mall's and you're the next someone.

1004
00:42:15,120 --> 00:42:19,880
Speaker 23: It don't help that that never helped to hear somebody

1005
00:42:19,960 --> 00:42:22,239
Speaker 23: compare you to like a generational grade.

1006
00:42:22,440 --> 00:42:23,680
Speaker 24: You know, you know what I'm saying. That's why, that's

1007
00:42:23,680 --> 00:42:24,680
Speaker 24: why I just feel for Bron.

1008
00:42:25,040 --> 00:42:28,840
Speaker 2: You know, we will never appreciate Bro. I say that

1009
00:42:28,920 --> 00:42:30,880
Speaker 2: all the time. You'll never appreciate Bron if you can

1010
00:42:31,000 --> 00:42:33,520
Speaker 2: keep comparing them to this ghost Michael Jordan.

1011
00:42:33,600 --> 00:42:35,239
Speaker 23: Me tell you something, you know, But but I will say,

1012
00:42:35,320 --> 00:42:37,320
Speaker 23: like this whole time I've had Pete Bro. You know

1013
00:42:37,400 --> 00:42:40,040
Speaker 23: what I'm saying as a friend who you know, you know,

1014
00:42:40,120 --> 00:42:41,920
Speaker 23: people don't know him as much as I might, not

1015
00:42:42,000 --> 00:42:46,400
Speaker 23: George Looks or spiel Word, but incredible working filmmaker and

1016
00:42:46,680 --> 00:42:47,359
Speaker 23: a family man.

1017
00:42:47,560 --> 00:42:49,840
Speaker 24: You know what I'm saying. Who got wisdom for me

1018
00:42:49,960 --> 00:42:50,440
Speaker 24: whenever I.

1019
00:42:50,800 --> 00:42:53,279
Speaker 23: Whenever I need it in terms of navigation. So I'll

1020
00:42:53,320 --> 00:42:55,640
Speaker 23: be forever, be for ever thankful for him and help

1021
00:42:55,719 --> 00:42:59,040
Speaker 23: him make this beautiful movie. Man anthem that only he

1022
00:42:59,160 --> 00:43:01,759
Speaker 23: could make he y'all can talk to him more about it.

1023
00:43:01,840 --> 00:43:03,640
Speaker 23: But only he could make a movie where you know,

1024
00:43:03,719 --> 00:43:06,880
Speaker 23: it's like, y'all, we we're gonna examine this national institution.

1025
00:43:07,520 --> 00:43:08,080
Speaker 24: You know what I'm saying.

1026
00:43:08,120 --> 00:43:10,320
Speaker 23: He's got all of these chests triggering for everybody, you know,

1027
00:43:10,680 --> 00:43:12,239
Speaker 23: and come on with a and come out with a song.

1028
00:43:12,280 --> 00:43:13,600
Speaker 23: On the other shode, you come out watch a movie

1029
00:43:13,680 --> 00:43:14,880
Speaker 23: feeling good, you know.

1030
00:43:15,760 --> 00:43:17,719
Speaker 24: But she like, I'm thankful. I'm thankful for him too.

1031
00:43:17,920 --> 00:43:20,080
Speaker 3: Think all right, we got more with Ryan Coogler and

1032
00:43:20,239 --> 00:43:21,880
Speaker 3: Pete Knicks when we come back, don't move.

1033
00:43:21,920 --> 00:43:22,680
Speaker 2: It's the Breakfast Club.

1034
00:43:22,719 --> 00:43:25,279
Speaker 4: Good morning. I think everybody's DJ n V.

1035
00:43:25,520 --> 00:43:27,799
Speaker 3: Charlamage, the guy we are the Breakfast Club was still

1036
00:43:27,880 --> 00:43:29,800
Speaker 3: kicking him with Ryan Coogler and Peter Next. They have

1037
00:43:29,840 --> 00:43:33,280
Speaker 3: a new documentary, Anthem, out on June twenty eighth, Charlamagne.

1038
00:43:33,640 --> 00:43:36,120
Speaker 2: You know, Pete, it made me wonder watching Anthem, why

1039
00:43:36,160 --> 00:43:38,320
Speaker 2: did black people ever accept the anthem to begin with?

1040
00:43:38,600 --> 00:43:40,719
Speaker 2: Why did they ever accept the national anthem to begin with?

1041
00:43:41,239 --> 00:43:43,640
Speaker 21: I don't know, you know, I've seen it from a

1042
00:43:43,680 --> 00:43:45,840
Speaker 21: lot of different perspectives, you'all. I guess I like to

1043
00:43:45,880 --> 00:43:47,560
Speaker 21: say I was born into the story of race. Sound

1044
00:43:47,600 --> 00:43:48,480
Speaker 21: was born in sixty eight.

1045
00:43:48,760 --> 00:43:49,120
Speaker 2: Oh wow.

1046
00:43:49,239 --> 00:43:52,160
Speaker 21: My birth mother's white. My birth father was black. Her

1047
00:43:52,239 --> 00:43:55,120
Speaker 21: family threatening disowner if she married him. She put me

1048
00:43:55,200 --> 00:43:57,160
Speaker 21: up for adoption. I was adopted by a black family.

1049
00:43:57,400 --> 00:44:00,920
Speaker 21: My dad's the center of slaves from the South Gulla.

1050
00:44:01,400 --> 00:44:06,000
Speaker 21: My mom's South Carolina, South Carolina. Yeah, my mom her

1051
00:44:06,040 --> 00:44:08,920
Speaker 21: parents came over from West Africa. Kate ver I married

1052
00:44:09,320 --> 00:44:12,319
Speaker 21: a woman, a refugee from Laos. I've got kids who

1053
00:44:12,360 --> 00:44:15,280
Speaker 21: are mixed race. Been in federal prison on a drug charge,

1054
00:44:15,520 --> 00:44:17,520
Speaker 21: went to all white private schools, went to Howard. So

1055
00:44:17,520 --> 00:44:20,560
Speaker 21: I've seen life from all these different angles and perspectives,

1056
00:44:20,680 --> 00:44:22,799
Speaker 21: and in all my work at the same time, I've

1057
00:44:22,800 --> 00:44:25,600
Speaker 21: never been thrown down on the ground by a cop.

1058
00:44:25,760 --> 00:44:27,520
Speaker 21: I've been called a couple of times, but that's usually

1059
00:44:27,640 --> 00:44:29,880
Speaker 21: when I'm with my other family. People don't kind of

1060
00:44:29,960 --> 00:44:32,400
Speaker 21: know how to pin me, you know, And and I

1061
00:44:32,960 --> 00:44:38,399
Speaker 21: generally can can slide through, uh like miscellaneous, kind of miscellaneous. Yeah,

1062
00:44:38,400 --> 00:44:41,200
Speaker 21: And that that that also sort of burrowed into my

1063
00:44:41,280 --> 00:44:42,880
Speaker 21: own psyche about my identity.

1064
00:44:42,920 --> 00:44:43,960
Speaker 2: Who am Who am I?

1065
00:44:44,760 --> 00:44:46,600
Speaker 21: And I think that that question of who am I

1066
00:44:46,760 --> 00:44:48,560
Speaker 21: is also the question I think as a country, we're

1067
00:44:48,600 --> 00:44:49,600
Speaker 21: trying to sort of grapple with.

1068
00:44:49,640 --> 00:44:50,080
Speaker 2: Who are we?

1069
00:44:50,440 --> 00:44:53,080
Speaker 21: We're all different, we're all the same. And I think

1070
00:44:53,160 --> 00:44:55,200
Speaker 21: all of my work I like to step into spaces

1071
00:44:55,239 --> 00:44:57,440
Speaker 21: that are that are a little bit uh, that are

1072
00:44:58,080 --> 00:45:01,359
Speaker 21: messy and examining those quites, whether it's what are our

1073
00:45:01,480 --> 00:45:04,080
Speaker 21: values as a country and delivering healthcare to Americans and

1074
00:45:04,160 --> 00:45:06,920
Speaker 21: you know, setting that in a public hospital waiting room.

1075
00:45:07,120 --> 00:45:09,759
Speaker 21: What does it mean if a police department says they're

1076
00:45:09,760 --> 00:45:11,480
Speaker 21: trying to reform, what does that mean?

1077
00:45:12,520 --> 00:45:13,040
Speaker 2: Is that real?

1078
00:45:13,280 --> 00:45:16,880
Speaker 21: How important is education, you know, to to equity in

1079
00:45:17,000 --> 00:45:19,680
Speaker 21: our culture? And so, you know, the anthem was was

1080
00:45:19,960 --> 00:45:23,000
Speaker 21: sort of a natural examining that question of should you

1081
00:45:23,080 --> 00:45:25,640
Speaker 21: love it or hate it? Should you should we tear

1082
00:45:25,680 --> 00:45:27,840
Speaker 21: it down? Should we burn it? Should we recreate it?

1083
00:45:28,200 --> 00:45:30,200
Speaker 21: Some people love it, some people hate it. I love

1084
00:45:30,320 --> 00:45:34,520
Speaker 21: Jimmy Hendrix's version to me was always like beyond, like

1085
00:45:34,680 --> 00:45:37,960
Speaker 21: like it went into some spiritual place. It was still

1086
00:45:38,000 --> 00:45:39,800
Speaker 21: the anthem. It's still the star spangled banner at the

1087
00:45:39,880 --> 00:45:43,239
Speaker 21: end of the day. Marvin Gaye's version jose Feliciano. You know,

1088
00:45:43,880 --> 00:45:46,759
Speaker 21: these are all beautiful renditions of a song that that

1089
00:45:47,280 --> 00:45:50,800
Speaker 21: is being unpacked, but it's it's still the anthem. And

1090
00:45:51,080 --> 00:45:53,400
Speaker 21: I felt that that was a great starting point to

1091
00:45:53,600 --> 00:45:55,759
Speaker 21: sort of, you know, think about, well, what would it

1092
00:45:55,800 --> 00:45:58,000
Speaker 21: mean to create a new anthem? And if we were

1093
00:45:58,080 --> 00:46:01,360
Speaker 21: to create a new anthem today and allow the diversity

1094
00:46:01,400 --> 00:46:04,440
Speaker 21: of voice in this country to create that song, what

1095
00:46:04,520 --> 00:46:06,560
Speaker 21: would that be? And on the surface, it's an impossible

1096
00:46:06,880 --> 00:46:09,520
Speaker 21: tasks you can't really We were like, do we need

1097
00:46:09,600 --> 00:46:11,680
Speaker 21: to like, you know, get into sort of like blues,

1098
00:46:11,800 --> 00:46:15,600
Speaker 21: hip hop, gospel jazz, like rock house music, go go.

1099
00:46:15,880 --> 00:46:17,960
Speaker 21: I mean, there's so many different styles of music that

1100
00:46:18,120 --> 00:46:21,000
Speaker 21: reflect the American story. So you know, there could be

1101
00:46:21,120 --> 00:46:23,880
Speaker 21: another two or three movies, you know, on this on

1102
00:46:23,960 --> 00:46:26,160
Speaker 21: this side using this construct.

1103
00:46:26,280 --> 00:46:28,520
Speaker 3: One thing I do love is is you know anthem.

1104
00:46:28,640 --> 00:46:31,759
Speaker 3: Besides anthem, I love the evolution story, right, because a

1105
00:46:31,800 --> 00:46:33,719
Speaker 3: lot of times in this day and age, people don't

1106
00:46:33,760 --> 00:46:34,760
Speaker 3: allow you to evolve.

1107
00:46:35,200 --> 00:46:35,319
Speaker 2: Right.

1108
00:46:35,680 --> 00:46:37,520
Speaker 3: They look at your past and they try to keep

1109
00:46:37,560 --> 00:46:39,520
Speaker 3: you in the past of who you are and the

1110
00:46:39,600 --> 00:46:41,799
Speaker 3: fact that you talk about everything that you've been through

1111
00:46:42,000 --> 00:46:45,120
Speaker 3: and how you've changed and the things that you're doing.

1112
00:46:45,400 --> 00:46:46,879
Speaker 3: I don't I don't think a lot of times people

1113
00:46:46,960 --> 00:46:49,439
Speaker 3: allow people to have that evolution and to change.

1114
00:46:49,480 --> 00:46:50,759
Speaker 2: So I commend that.

1115
00:46:50,920 --> 00:46:53,239
Speaker 3: And have you had a hard time because of your past,

1116
00:46:53,280 --> 00:46:55,360
Speaker 3: because you know, Charlamane and myself, we've all had a

1117
00:46:55,400 --> 00:46:56,919
Speaker 3: pass and we talk about our past and the reason

1118
00:46:56,960 --> 00:46:59,000
Speaker 3: we talk about it because you know, nobody's ever perfect, right,

1119
00:46:59,040 --> 00:47:01,160
Speaker 3: there's no life that's so the fact that you talk

1120
00:47:01,160 --> 00:47:02,839
Speaker 3: about the things that you've been to and you're still

1121
00:47:02,920 --> 00:47:04,520
Speaker 3: able to leave your mark on the world on some

1122
00:47:04,640 --> 00:47:06,520
Speaker 3: positive is the amazing story.

1123
00:47:07,040 --> 00:47:09,759
Speaker 21: Well, I think I don't know why, you know, I

1124
00:47:10,480 --> 00:47:12,960
Speaker 21: you know, I remember distinctly when when I got out

1125
00:47:13,000 --> 00:47:15,560
Speaker 21: of prison, I got a job working at this this

1126
00:47:15,760 --> 00:47:19,680
Speaker 21: elementary school in d C, which you know I was at.

1127
00:47:19,719 --> 00:47:21,640
Speaker 21: I went back to Howard and they have like an

1128
00:47:21,640 --> 00:47:23,520
Speaker 21: internship program when you fill out you know, where do

1129
00:47:23,520 --> 00:47:26,120
Speaker 21: you where do you want to work? And I kind

1130
00:47:26,120 --> 00:47:28,120
Speaker 21: of went into the space of denial of what had

1131
00:47:28,160 --> 00:47:31,320
Speaker 21: happened to me, and I didn't check the box, you know,

1132
00:47:31,480 --> 00:47:34,120
Speaker 21: basically lied and I got placed at this elementary school

1133
00:47:34,120 --> 00:47:37,080
Speaker 21: which happened to be a school where like presidents like

1134
00:47:37,120 --> 00:47:39,319
Speaker 21: where Obama sends his kids, where like some of those

1135
00:47:39,360 --> 00:47:41,840
Speaker 21: powerful people in d C send their kids. And I

1136
00:47:41,920 --> 00:47:45,000
Speaker 21: remember I took the job. I was working at this

1137
00:47:45,160 --> 00:47:49,600
Speaker 21: job and One day, the lawyer who represented represented me

1138
00:47:49,920 --> 00:47:52,680
Speaker 21: in my case, which was prosecuted by Merrick Garland is

1139
00:47:52,719 --> 00:47:56,440
Speaker 21: now the Attorney General the United States walked in on

1140
00:47:56,600 --> 00:47:59,600
Speaker 21: a tour with his son, and I was my job

1141
00:47:59,680 --> 00:48:01,440
Speaker 21: that day was to like check all the parents in

1142
00:48:01,520 --> 00:48:04,080
Speaker 21: and give them name tax And here comes my lawyer

1143
00:48:05,400 --> 00:48:08,239
Speaker 21: and he sees me, and he and he we looked

1144
00:48:08,239 --> 00:48:10,160
Speaker 21: at each other and he's like, Oh, how are you doing?

1145
00:48:10,239 --> 00:48:12,160
Speaker 21: And he's probably thinking himself, what the hell is this

1146
00:48:12,280 --> 00:48:16,360
Speaker 21: guy doing drug traffic or doing working at the school.

1147
00:48:16,800 --> 00:48:19,160
Speaker 21: Presumably I'm going to send my kid, And you know,

1148
00:48:19,400 --> 00:48:21,439
Speaker 21: I eventually left that job and I had to tell

1149
00:48:21,680 --> 00:48:24,800
Speaker 21: all the people, you know, that I had lied. And

1150
00:48:25,080 --> 00:48:27,600
Speaker 21: from that point forward, I decided that I was going

1151
00:48:27,719 --> 00:48:30,439
Speaker 21: to tell my story. I was going to step into

1152
00:48:30,480 --> 00:48:34,759
Speaker 21: the difficult space of being real about my story, talking

1153
00:48:34,800 --> 00:48:37,759
Speaker 21: about my dad's alcoholism, asking my dad about his alcoholism

1154
00:48:37,880 --> 00:48:40,399
Speaker 21: on camera. We had never taught Black families don't talk

1155
00:48:40,400 --> 00:48:44,200
Speaker 21: about trump, their trauma, their mental health, things like alcoholism,

1156
00:48:44,360 --> 00:48:47,440
Speaker 21: And it just felt like an empowering thing, and it

1157
00:48:47,520 --> 00:48:49,640
Speaker 21: also felt like something that our country needed to do

1158
00:48:49,800 --> 00:48:53,440
Speaker 21: more was examine and step into these more real, authentic spaces.

1159
00:48:54,200 --> 00:48:56,880
Speaker 2: We are all those things I want to ask about anthem?

1160
00:48:56,920 --> 00:48:59,240
Speaker 2: What what do you think it would take to actually

1161
00:48:59,320 --> 00:49:01,120
Speaker 2: create a new national anthem.

1162
00:49:01,239 --> 00:49:05,359
Speaker 21: Well, one of the insights that seemed very common as

1163
00:49:05,440 --> 00:49:07,360
Speaker 21: we asked that same question to a lot of people

1164
00:49:07,480 --> 00:49:09,040
Speaker 21: in the making of the film and also now that

1165
00:49:09,080 --> 00:49:12,160
Speaker 21: the film's coming out, is that maybe there can't be

1166
00:49:12,320 --> 00:49:16,200
Speaker 21: one anthem. You know, there has to be many anthems.

1167
00:49:16,239 --> 00:49:18,480
Speaker 21: I mean, the idea of anthem is so you know,

1168
00:49:18,560 --> 00:49:20,400
Speaker 21: there's the anthem, the national anthem, but then there's like

1169
00:49:20,480 --> 00:49:22,359
Speaker 21: personal anthems, the song you put on at the gym,

1170
00:49:22,480 --> 00:49:25,360
Speaker 21: or the song that you recall when you got married,

1171
00:49:25,840 --> 00:49:27,640
Speaker 21: or of the song that just gets you hyped, you know,

1172
00:49:27,719 --> 00:49:29,880
Speaker 21: that something that inspires you. You know, we all have

1173
00:49:30,000 --> 00:49:33,719
Speaker 21: different ways of allowing these songs and these because songs

1174
00:49:33,719 --> 00:49:36,399
Speaker 21: are ultimately stories. They're narratives, the narratives that we tell

1175
00:49:36,440 --> 00:49:38,640
Speaker 21: ourselves and the narratives that we used to reflect you know,

1176
00:49:38,719 --> 00:49:42,160
Speaker 21: our families, our communities, and that can't be boiled down

1177
00:49:42,200 --> 00:49:46,200
Speaker 21: into one song. But that the intention of allowing you know,

1178
00:49:46,320 --> 00:49:50,040
Speaker 21: multiple perspectives to inform a national anthem, a national story,

1179
00:49:50,600 --> 00:49:53,480
Speaker 21: wasn't how the original song was created. That Francis Scott

1180
00:49:53,520 --> 00:49:56,279
Speaker 21: Key was created using the music of you know this

1181
00:49:56,400 --> 00:49:58,759
Speaker 21: British you know pub song, and so that that that

1182
00:49:59,120 --> 00:50:02,360
Speaker 21: intention could lead to other insights and meaning that we

1183
00:50:02,440 --> 00:50:04,840
Speaker 21: could carry, you know, into our future as a country.

1184
00:50:05,200 --> 00:50:06,960
Speaker 2: The doc also had me thinking if there was a

1185
00:50:07,040 --> 00:50:09,800
Speaker 2: new national anthem, what what genre of music would it

1186
00:50:09,920 --> 00:50:11,680
Speaker 2: be delivered through? Because I love the way y'all went

1187
00:50:11,719 --> 00:50:13,839
Speaker 2: through country, which I never even referred to his white

1188
00:50:14,040 --> 00:50:16,000
Speaker 2: When he referred to his white soul, I was like, oh,

1189
00:50:16,080 --> 00:50:19,120
Speaker 2: it is white soul, you know what I mean? Jazz?

1190
00:50:19,239 --> 00:50:22,320
Speaker 2: Like what genre of music would it be best delivered

1191
00:50:22,360 --> 00:50:25,200
Speaker 2: through the way America would embrace I was having this

1192
00:50:25,280 --> 00:50:28,040
Speaker 2: conversation with the dude outside the seller last night.

1193
00:50:28,520 --> 00:50:32,200
Speaker 21: I think, what's his name, David Bryant, and I asked

1194
00:50:32,239 --> 00:50:35,440
Speaker 21: him and immediately he was like, hip hop, hip hop,

1195
00:50:35,520 --> 00:50:37,520
Speaker 21: and I'm sixty eight. I was born in sixty eight,

1196
00:50:37,560 --> 00:50:40,320
Speaker 21: so I am the age of hip hop. And we

1197
00:50:40,520 --> 00:50:42,719
Speaker 21: talked about it, you know, because we hot. We brought

1198
00:50:42,760 --> 00:50:45,239
Speaker 21: on doahy early early in the process, and Doh, he's

1199
00:50:45,239 --> 00:50:48,560
Speaker 21: produced some of you know, hip hop's artists.

1200
00:50:48,440 --> 00:50:50,480
Speaker 3: So many different people. It was weird to hear him

1201
00:50:50,520 --> 00:50:52,920
Speaker 3: say that he's only been to New York in La too.

1202
00:50:53,040 --> 00:50:55,400
Speaker 3: I was like, wow, that he hasn't been in the

1203
00:50:55,400 --> 00:50:56,000
Speaker 3: middle of America.

1204
00:50:56,000 --> 00:50:56,680
Speaker 2: I thought that was weird.

1205
00:50:56,760 --> 00:50:58,759
Speaker 21: That was a lot of us haven't a lot a

1206
00:50:58,800 --> 00:51:01,800
Speaker 21: lot of us you know, don't don't don't enter these spaces.

1207
00:51:01,920 --> 00:51:04,520
Speaker 21: We we we we grow up in our communities. We

1208
00:51:04,800 --> 00:51:08,000
Speaker 21: sometimes stuffed out sometimes, But there are you know, definitely

1209
00:51:08,480 --> 00:51:10,840
Speaker 21: places in the South or Nashville. It's it's like you

1210
00:51:10,880 --> 00:51:13,480
Speaker 21: saw what happened when when they pulled up and what

1211
00:51:13,560 --> 00:51:15,840
Speaker 21: are y'all doing it? And they didn't fully articulate what

1212
00:51:15,880 --> 00:51:16,399
Speaker 21: they were doing.

1213
00:51:16,640 --> 00:51:17,719
Speaker 2: They said, what do you all do?

1214
00:51:17,840 --> 00:51:17,960
Speaker 6: You know?

1215
00:51:18,040 --> 00:51:21,359
Speaker 21: We're all we're making a documentary exploring American music. They

1216
00:51:21,360 --> 00:51:23,680
Speaker 21: didn't say, we're making a documentary rewriting.

1217
00:51:25,640 --> 00:51:25,800
Speaker 22: You know.

1218
00:51:26,120 --> 00:51:30,560
Speaker 21: So I do think, but but I think, you know,

1219
00:51:31,480 --> 00:51:33,480
Speaker 21: you say hip hop, you should be hit hip hop

1220
00:51:33,680 --> 00:51:37,120
Speaker 21: like that, that that is, you know, gospel, you know,

1221
00:51:37,320 --> 00:51:40,000
Speaker 21: house house music, all all these things are inflections. But

1222
00:51:40,080 --> 00:51:41,880
Speaker 21: you know, the blues thing. We knew that certain there

1223
00:51:41,920 --> 00:51:45,320
Speaker 21: were certain foundational places that we wanted to explore. Blues

1224
00:51:45,760 --> 00:51:49,399
Speaker 21: is one of those foundational places. Native American music, which

1225
00:51:49,440 --> 00:51:53,000
Speaker 21: is very rarely included in the conversation of the American

1226
00:51:53,080 --> 00:51:56,160
Speaker 21: music story. We knew that we wanted to step into

1227
00:51:56,200 --> 00:51:58,719
Speaker 21: those spaces and allow them to inform the song.

1228
00:51:59,120 --> 00:52:01,520
Speaker 3: We got more with Ryan and Cool Glood and Pete Nicks.

1229
00:52:01,520 --> 00:52:03,359
Speaker 3: When we come back, don't Move. It's the Breakfast Club,

1230
00:52:03,400 --> 00:52:07,040
Speaker 3: Good Morning, and Everybody's dj NV. Charlamagne, the guy we

1231
00:52:07,160 --> 00:52:09,080
Speaker 3: are the Breakfast Club was still kicking him with Ryan

1232
00:52:09,200 --> 00:52:10,200
Speaker 3: Coogler and Peter Next.

1233
00:52:10,239 --> 00:52:13,239
Speaker 4: They have a new documentary, Anthem, out on June twenty eighth.

1234
00:52:13,400 --> 00:52:15,680
Speaker 2: Charlamagne the movie Maybe, I mean what the doc made

1235
00:52:15,680 --> 00:52:18,480
Speaker 2: me think that a hip hop'snight is rooted in soul

1236
00:52:18,640 --> 00:52:21,000
Speaker 2: and spirit as it should be. It feels like a

1237
00:52:21,080 --> 00:52:23,160
Speaker 2: lot of the hip hop is rooted in that we

1238
00:52:23,280 --> 00:52:25,920
Speaker 2: listen to now is rooted in capitalism, more so than

1239
00:52:26,560 --> 00:52:28,319
Speaker 2: the stuff that y'all had in the doc that when

1240
00:52:28,320 --> 00:52:29,920
Speaker 2: you listen to the blues and the country, like it

1241
00:52:30,000 --> 00:52:32,360
Speaker 2: was the Native American stuff, it was rooted in soul

1242
00:52:32,520 --> 00:52:35,319
Speaker 2: and spirit. Why do you think that is right?

1243
00:52:35,640 --> 00:52:36,520
Speaker 24: A heavy question, bro.

1244
00:52:36,840 --> 00:52:39,000
Speaker 23: I mean, I'm on lder today than I've ever been.

1245
00:52:41,040 --> 00:52:43,399
Speaker 23: I think music is complicated. I love that this doc

1246
00:52:43,520 --> 00:52:45,799
Speaker 23: is kind of about American music, you know what I mean?

1247
00:52:45,960 --> 00:52:49,040
Speaker 23: Like it's Anthem on the surface, but it's really about

1248
00:52:49,040 --> 00:52:52,200
Speaker 23: American music and about watching the song being written, which

1249
00:52:52,239 --> 00:52:55,120
Speaker 23: I think is fascinating because because you got stand up

1250
00:52:55,160 --> 00:52:57,640
Speaker 23: comedy and you got music. I think there is like

1251
00:52:57,760 --> 00:53:00,800
Speaker 23: two's a straight alchemy, you know what I'm saying, Like

1252
00:53:00,840 --> 00:53:02,600
Speaker 23: when you when you see people do it. And I

1253
00:53:02,680 --> 00:53:05,600
Speaker 23: think that, like I think that black music has always

1254
00:53:05,680 --> 00:53:08,600
Speaker 23: been a call back home, like a report.

1255
00:53:08,719 --> 00:53:11,920
Speaker 24: Hey we we still hear, Hey we okay? Like this,

1256
00:53:12,080 --> 00:53:12,880
Speaker 24: here's what's happening.

1257
00:53:13,080 --> 00:53:14,640
Speaker 23: You know what I'm saying right out there to here

1258
00:53:14,760 --> 00:53:17,879
Speaker 23: is you know, I always feel that this electricity runs

1259
00:53:17,920 --> 00:53:19,920
Speaker 23: through my body whenever I come to New York. I

1260
00:53:19,960 --> 00:53:21,600
Speaker 23: think a part of it is just that it's it's

1261
00:53:21,880 --> 00:53:24,239
Speaker 23: ten million people running around trying to make a way.

1262
00:53:24,719 --> 00:53:27,600
Speaker 23: Another part of it is this force that's been ever

1263
00:53:27,680 --> 00:53:30,640
Speaker 23: present in my life that's given me a sense of power.

1264
00:53:31,040 --> 00:53:33,359
Speaker 23: Hip hop it was founded here, you know what I'm saying,

1265
00:53:33,520 --> 00:53:35,440
Speaker 23: And you can you can feel it, you know what

1266
00:53:35,440 --> 00:53:37,120
Speaker 23: I mean, Like I don't know if it's not I

1267
00:53:37,200 --> 00:53:38,839
Speaker 23: know it was here or I can feel it here,

1268
00:53:39,080 --> 00:53:41,680
Speaker 23: but it's fantastic, you know what I'm saying. I think

1269
00:53:41,719 --> 00:53:45,480
Speaker 23: that that things constantly changed, and I think the reason

1270
00:53:45,560 --> 00:53:48,520
Speaker 23: why you're hearing it this this, this, this trend.

1271
00:53:48,280 --> 00:53:52,200
Speaker 24: Towards like hypercapitalistic word. You know, it's a lot of

1272
00:53:52,239 --> 00:53:53,839
Speaker 24: it's like war music, you know what I'm saying.

1273
00:53:54,360 --> 00:53:56,239
Speaker 23: But I think it's I think it's like about the

1274
00:53:56,360 --> 00:53:59,200
Speaker 23: right to self determine that people looking for and whatever

1275
00:53:59,320 --> 00:54:01,400
Speaker 23: route that route, they can find it, you know what

1276
00:54:01,440 --> 00:54:05,760
Speaker 23: I'm saying. And sometimes sometimes maybe it's quote unquote misguided.

1277
00:54:05,840 --> 00:54:07,799
Speaker 23: Sometimes it's sometimes it's truth, you know what i mean,

1278
00:54:07,960 --> 00:54:11,400
Speaker 23: Like like somebody that's living in poverty, surrounded by it,

1279
00:54:11,480 --> 00:54:13,239
Speaker 23: they think they might think they're having some money in

1280
00:54:13,320 --> 00:54:16,040
Speaker 23: the way they can self determined, make themselves safe.

1281
00:54:16,120 --> 00:54:18,040
Speaker 24: Get their family out of where they are. You know

1282
00:54:18,120 --> 00:54:18,640
Speaker 24: what I'm saying.

1283
00:54:19,440 --> 00:54:21,920
Speaker 23: Sometimes they think picking up a weapon and is what's

1284
00:54:21,960 --> 00:54:25,040
Speaker 23: the way of self determined? They feeling vulnerable or weak?

1285
00:54:25,080 --> 00:54:26,160
Speaker 23: You know what I'm saying, I got to shut it

1286
00:54:26,200 --> 00:54:28,040
Speaker 23: them that that I'm strong and I'm not.

1287
00:54:28,160 --> 00:54:31,040
Speaker 24: You know what I mean. I think it's I think

1288
00:54:31,080 --> 00:54:34,239
Speaker 24: it's it's usually some form of truth in it, you

1289
00:54:34,320 --> 00:54:35,160
Speaker 24: know what I'm saying.

1290
00:54:34,960 --> 00:54:38,759
Speaker 23: Like like whether whether you know at thirty whether at

1291
00:54:38,800 --> 00:54:40,880
Speaker 23: thirty seven, you know what I'm saying, I'm loving you

1292
00:54:40,920 --> 00:54:43,279
Speaker 23: know what you know that that's my best explanation for it.

1293
00:54:43,360 --> 00:54:46,000
Speaker 23: But I think that's what I think, that's what everybody wants.

1294
00:54:46,280 --> 00:54:48,160
Speaker 23: I think that's what's so interesting a body. You know

1295
00:54:48,200 --> 00:54:49,560
Speaker 23: what I'm saying, Like I come from the home of

1296
00:54:49,600 --> 00:54:51,920
Speaker 23: the panthers. It's all about the right to self determined,

1297
00:54:52,200 --> 00:54:54,320
Speaker 23: you know what I'm saying. They claim to claim my

1298
00:54:54,920 --> 00:54:59,000
Speaker 23: humanity and self determined, my safety and where I can go,

1299
00:54:59,200 --> 00:55:01,520
Speaker 23: my where my body can be, where my children can

1300
00:55:01,560 --> 00:55:02,160
Speaker 23: feel shafe.

1301
00:55:02,280 --> 00:55:04,560
Speaker 24: You know what I'm saying. And I hear that in

1302
00:55:04,640 --> 00:55:05,080
Speaker 24: the blues.

1303
00:55:05,120 --> 00:55:06,120
Speaker 2: I hear that in the jazz.

1304
00:55:06,160 --> 00:55:07,520
Speaker 24: I hear it in you know what I'm saying. I

1305
00:55:07,560 --> 00:55:08,279
Speaker 24: hear it in all of you.

1306
00:55:08,480 --> 00:55:08,640
Speaker 20: You know.

1307
00:55:08,960 --> 00:55:10,120
Speaker 24: I hope to answer that question.

1308
00:55:10,280 --> 00:55:12,759
Speaker 2: Yeah, I guess when he was talking to made me

1309
00:55:12,800 --> 00:55:14,920
Speaker 2: feel like it. Damn. Sometimes I guess capitalism can can

1310
00:55:15,000 --> 00:55:18,160
Speaker 2: ruin art, right, So I wonder what's more fulfilling for

1311
00:55:18,239 --> 00:55:21,880
Speaker 2: you doing something like Fruitville Station our black pants.

1312
00:55:22,640 --> 00:55:25,440
Speaker 23: I think at the time, I've been blessed to do

1313
00:55:25,520 --> 00:55:27,759
Speaker 23: the most filling thing, you know what I'm saying, Like

1314
00:55:28,080 --> 00:55:30,120
Speaker 23: at the time, you know, right, I think, as I think,

1315
00:55:30,200 --> 00:55:33,040
Speaker 23: as black people, we can be the hardest on our

1316
00:55:33,080 --> 00:55:33,880
Speaker 23: shoves when it comes to that.

1317
00:55:34,440 --> 00:55:38,600
Speaker 21: I saw a Black Panther in a theater in Utah

1318
00:55:38,920 --> 00:55:42,920
Speaker 21: where my daughter was in treatment for mental health and addiction.

1319
00:55:43,440 --> 00:55:48,520
Speaker 21: She was she was sixteenth time and we were visiting

1320
00:55:48,560 --> 00:55:53,600
Speaker 21: her and we went to see Black Panther in a

1321
00:55:53,719 --> 00:56:01,320
Speaker 21: theater packed full of white Mormons watching Black Panther. And

1322
00:56:01,440 --> 00:56:06,000
Speaker 21: to me, that was a profound reality and impact that

1323
00:56:06,480 --> 00:56:11,120
Speaker 21: Ryan's worked this very commercial, big blockbuster Marvel movie. I

1324
00:56:11,200 --> 00:56:15,520
Speaker 21: don't think people fully sort of understand the impact that

1325
00:56:15,680 --> 00:56:19,640
Speaker 21: that had on the culture and sort of changing the narrative,

1326
00:56:19,760 --> 00:56:23,560
Speaker 21: and you know, changing those narratives is so important. It's

1327
00:56:23,600 --> 00:56:28,000
Speaker 21: important internally. I you know, talking about trauma, trauma that's

1328
00:56:28,040 --> 00:56:31,279
Speaker 21: not dealt with in narrative is profound and I think

1329
00:56:31,360 --> 00:56:34,320
Speaker 21: Ryan's work is doing it both in this very intimate

1330
00:56:34,440 --> 00:56:37,760
Speaker 21: way with the sort of an independent approach like Fruitvale

1331
00:56:37,800 --> 00:56:42,200
Speaker 21: Station and on the biggest stage with these blockbusters is powerful.

1332
00:56:42,239 --> 00:56:45,320
Speaker 21: And I think it's also going to influence other creatives

1333
00:56:45,680 --> 00:56:48,200
Speaker 21: in those spaces to use their voices and to use

1334
00:56:48,239 --> 00:56:50,160
Speaker 21: these stages because now we're yet more opportunities.

1335
00:56:50,320 --> 00:56:52,360
Speaker 2: That's why I like Black Panther too so much, because

1336
00:56:52,800 --> 00:56:54,920
Speaker 2: you know, I put Ryan in the same vein as

1337
00:56:54,960 --> 00:56:57,960
Speaker 2: like a Kendrick or even a cold because even with

1338
00:56:58,120 --> 00:57:01,319
Speaker 2: the massive success, you won't compromise your art.

1339
00:57:02,000 --> 00:57:02,960
Speaker 24: I appreciate that, bro.

1340
00:57:04,080 --> 00:57:06,759
Speaker 23: I'm just realizing to aswer your question man, like they

1341
00:57:06,840 --> 00:57:10,200
Speaker 23: all are are fulfilling at the time, because I'm different

1342
00:57:10,239 --> 00:57:13,239
Speaker 23: each time. You know what I'm saying, Like, you know, Makeprouvale.

1343
00:57:13,239 --> 00:57:16,960
Speaker 23: When I was that was twenty five thirty seven. Now

1344
00:57:17,400 --> 00:57:18,920
Speaker 23: I don't know if I don't know if I can

1345
00:57:19,000 --> 00:57:21,360
Speaker 23: make that movie now. You know what I'm saying, I

1346
00:57:21,400 --> 00:57:23,760
Speaker 23: don't got the optimism that I had then or the

1347
00:57:23,920 --> 00:57:26,479
Speaker 23: energy you met it in like twenty twenty days.

1348
00:57:26,520 --> 00:57:27,840
Speaker 24: We didn't sleep. You know what I'm saying, I gotta

1349
00:57:27,880 --> 00:57:28,240
Speaker 24: sleep now.

1350
00:57:28,280 --> 00:57:30,960
Speaker 23: You know what I like our family now, you know,

1351
00:57:31,080 --> 00:57:33,560
Speaker 23: like like it's been impossible, but that was the most

1352
00:57:33,600 --> 00:57:35,480
Speaker 23: fulfilling thing that I could have done at that time.

1353
00:57:35,600 --> 00:57:38,200
Speaker 24: I've been blessed to like do fulfilling work. You know

1354
00:57:38,280 --> 00:57:38,800
Speaker 24: what I'm saying.

1355
00:57:38,880 --> 00:57:42,720
Speaker 23: With this company, it's fantastic. I get to support filmmaker's vision.

1356
00:57:42,800 --> 00:57:44,440
Speaker 23: You know what I'm saying, Like, shit, you don't make

1357
00:57:44,480 --> 00:57:47,040
Speaker 23: a movie, We're gonna make a new national anthem. I'm like, oh,

1358
00:57:47,600 --> 00:57:49,400
Speaker 23: let's do it. What do you need you know, you

1359
00:57:49,440 --> 00:57:51,960
Speaker 23: know what I'm saying, Can I help? And it's been

1360
00:57:51,960 --> 00:57:53,240
Speaker 23: an incredible blessing man.

1361
00:57:53,480 --> 00:57:56,280
Speaker 2: How do you keep the national anthem hopeful and empowering

1362
00:57:56,400 --> 00:57:59,600
Speaker 2: with so much of America's history being negative? Put the

1363
00:57:59,680 --> 00:58:02,320
Speaker 2: majority are your groups that we've been here, you know,

1364
00:58:02,360 --> 00:58:06,000
Speaker 2: we keep talking about we are having these discussions about

1365
00:58:06,000 --> 00:58:07,880
Speaker 2: what America is. I think we know what America is

1366
00:58:08,120 --> 00:58:09,840
Speaker 2: trying to We're trying to put the mirror up to

1367
00:58:09,880 --> 00:58:11,120
Speaker 2: them and let them see what America.

1368
00:58:11,240 --> 00:58:14,800
Speaker 23: Yeah, I mean it's different things to different people, right Like,

1369
00:58:14,920 --> 00:58:17,600
Speaker 23: And that's what's so beautiful about the songing Man, was that,

1370
00:58:18,520 --> 00:58:21,360
Speaker 23: you know, you get you got you got four women

1371
00:58:22,200 --> 00:58:27,120
Speaker 23: from different backgrounds and different experiences with the country, you know,

1372
00:58:27,240 --> 00:58:29,000
Speaker 23: putting down verses that feel true to them.

1373
00:58:29,160 --> 00:58:30,160
Speaker 24: It's not compromising.

1374
00:58:30,880 --> 00:58:33,440
Speaker 23: And then when you hear it saying, you know, it's like,

1375
00:58:33,600 --> 00:58:36,760
Speaker 23: you know, you identify with each with each piece because

1376
00:58:36,840 --> 00:58:40,160
Speaker 23: maybe it's like I don't know somebody who's indigenous, Well,

1377
00:58:40,600 --> 00:58:43,120
Speaker 23: I'm not indigenous myself to this, to this, to this land.

1378
00:58:43,560 --> 00:58:45,880
Speaker 23: I know people who are you know, I don't know

1379
00:58:45,920 --> 00:58:48,560
Speaker 23: people who having issues with borders moving across them and

1380
00:58:48,960 --> 00:58:51,160
Speaker 23: back and forth or getting more, you know, and when

1381
00:58:51,200 --> 00:58:53,920
Speaker 23: you hear the words saying, you feel it, you know

1382
00:58:53,960 --> 00:58:56,640
Speaker 23: what I'm saying, Like I don't when you hear Charity

1383
00:58:57,040 --> 00:59:00,880
Speaker 23: like twenties from Nashville sing about her family in the

1384
00:59:01,080 --> 00:59:04,360
Speaker 23: in the military that she says like like all gays

1385
00:59:04,680 --> 00:59:06,560
Speaker 23: some but some gave all and.

1386
00:59:06,680 --> 00:59:08,520
Speaker 24: You feel it, you know what I'm saying. And white

1387
00:59:08,520 --> 00:59:10,360
Speaker 24: people don't own the military, you know what I'm saying.

1388
00:59:10,400 --> 00:59:14,080
Speaker 23: Got my grandfather fall in every word after was fault

1389
00:59:14,080 --> 00:59:16,040
Speaker 23: while he was alive, you know, you know what I mean.

1390
00:59:16,120 --> 00:59:18,880
Speaker 23: And so so when you take a step back and

1391
00:59:18,960 --> 00:59:20,760
Speaker 23: look at the song that they made and the process

1392
00:59:20,800 --> 00:59:23,920
Speaker 23: of how they made it, man, you know that the

1393
00:59:24,200 --> 00:59:26,360
Speaker 23: young choir saying it, man, and it works, you know

1394
00:59:26,400 --> 00:59:27,640
Speaker 23: what I'm saying, Like you like you know, so I

1395
00:59:27,680 --> 00:59:30,280
Speaker 23: think it's I think it's an incredible utility that that

1396
00:59:30,480 --> 00:59:33,080
Speaker 23: that that gave And that's all the song is the utility.

1397
00:59:33,200 --> 00:59:33,360
Speaker 15: Man.

1398
00:59:33,440 --> 00:59:36,080
Speaker 23: You might use it to get through some personal loss.

1399
00:59:36,480 --> 00:59:38,040
Speaker 23: You might use it to do your homework. You might

1400
00:59:38,160 --> 00:59:40,480
Speaker 23: use it to to lift at the gym. You know,

1401
00:59:40,800 --> 00:59:42,520
Speaker 23: you know what I'm saying, like like it's a it's

1402
00:59:42,520 --> 00:59:43,840
Speaker 23: a it's a it's a piece of art. That's a

1403
00:59:43,920 --> 00:59:45,920
Speaker 23: utility and it's up to the people to use it.

1404
00:59:45,960 --> 00:59:48,040
Speaker 21: You know what I'm saying, you feel about people, Yeah,

1405
00:59:48,040 --> 00:59:50,240
Speaker 21: I mean, I think it's just really simply empowering people

1406
00:59:50,520 --> 00:59:54,960
Speaker 21: to tell to tell their story, you know, and you know, anthems,

1407
00:59:55,080 --> 00:59:59,240
Speaker 21: inspiring people to express their own idea of an anthem.

1408
00:59:59,320 --> 01:00:03,120
Speaker 21: And I think hopefully this film can allow people to

1409
01:00:03,200 --> 01:00:06,080
Speaker 21: recognize that sometimes we do have to put these stories

1410
01:00:06,240 --> 01:00:09,400
Speaker 21: that are difficult next to each other and allow the

1411
01:00:09,480 --> 01:00:12,800
Speaker 21: alchemy to just happen because we can't. We just can't

1412
01:00:12,840 --> 01:00:14,600
Speaker 21: ignore it. We're in a difficult time in our country

1413
01:00:14,640 --> 01:00:17,480
Speaker 21: right now. It's it's like we're at a crossroads right now,

1414
01:00:17,760 --> 01:00:19,880
Speaker 21: and it could go this way, it could go that way.

1415
01:00:20,240 --> 01:00:23,440
Speaker 21: But the optimism both for our own family and the

1416
01:00:23,960 --> 01:00:26,360
Speaker 21: generational trauma that we face, that there's a path out

1417
01:00:26,640 --> 01:00:27,640
Speaker 21: that you don't have to stay in that.

1418
01:00:28,200 --> 01:00:30,280
Speaker 4: Yeah, well, we appreciate you. Bub's for joining us.

1419
01:00:30,680 --> 01:00:33,920
Speaker 3: Breakfast Club don't forget June twenty eighth on Hulu. It's

1420
01:00:33,960 --> 01:00:36,360
Speaker 3: the Breakfast Club. Good morning morning, everybody.

1421
01:00:36,400 --> 01:00:37,640
Speaker 2: It's the j n V.

1422
01:00:37,880 --> 01:00:38,680
Speaker 4: Charlamagne the Guy.

1423
01:00:38,760 --> 01:00:41,040
Speaker 3: We are to Breakfast clubby at our guest co host

1424
01:00:41,120 --> 01:00:42,600
Speaker 3: Looney with us this morning, sir.

1425
01:00:43,080 --> 01:00:45,320
Speaker 4: You know I'm from the It's Up There podcast?

1426
01:00:45,480 --> 01:00:47,880
Speaker 2: Yes, indeed, how are you feeling? Looney good?

1427
01:00:48,000 --> 01:00:50,880
Speaker 3: I'm good, beautiful, blessed, highly favored. All right, well let's

1428
01:00:50,920 --> 01:00:53,600
Speaker 3: get into it. Let's talk Joscelyn Hernandez in rumors.

1429
01:00:57,040 --> 01:01:01,000
Speaker 2: Or you gossip been chatty? God? This just the Roober Report.

1430
01:01:01,080 --> 01:01:02,360
Speaker 4: I mean, I guess were on the Breakfast Club.

1431
01:01:02,400 --> 01:01:03,040
Speaker 2: This is where the tea.

1432
01:01:02,920 --> 01:01:04,919
Speaker 4: Spells, right, that's on the Breakfast Club.

1433
01:01:05,560 --> 01:01:05,720
Speaker 2: Now.

1434
01:01:05,840 --> 01:01:09,120
Speaker 3: Sunday night was to fight Floyd Mayweather versus John Gotti

1435
01:01:09,200 --> 01:01:12,800
Speaker 3: the third. It didn't go the full distance. If I mean,

1436
01:01:12,840 --> 01:01:14,439
Speaker 3: I'm sure you've seen it by now. It was a fight,

1437
01:01:14,520 --> 01:01:17,680
Speaker 3: and everybody started fighting in that arena, not only in

1438
01:01:17,800 --> 01:01:22,000
Speaker 3: the ring, outside the ring, around the ring, outside, inside, backstage,

1439
01:01:22,080 --> 01:01:22,640
Speaker 3: front stage.

1440
01:01:22,720 --> 01:01:25,760
Speaker 2: That's a bunch of nonsense for no damn reason. And

1441
01:01:25,880 --> 01:01:28,440
Speaker 2: zoos Co signed it. Oh, they definitely signed it. That's

1442
01:01:28,440 --> 01:01:30,240
Speaker 2: who won, That's who one tonight.

1443
01:01:31,000 --> 01:01:36,560
Speaker 3: Yeah, So Joscelyn Hernandez was arrested after a backstage brawl.

1444
01:01:36,760 --> 01:01:39,080
Speaker 4: They she started off fighting big legs.

1445
01:01:39,440 --> 01:01:42,520
Speaker 3: But if you've seen the video, she slapped everybody like literally,

1446
01:01:42,680 --> 01:01:46,480
Speaker 3: yes everybody, how many assaul charges you got? But she

1447
01:01:46,560 --> 01:01:49,600
Speaker 3: slapped one security dude like three four times, like bang

1448
01:01:49,760 --> 01:01:50,320
Speaker 3: bang bang.

1449
01:01:50,520 --> 01:01:51,880
Speaker 2: She treated him like a son.

1450
01:01:52,080 --> 01:01:53,840
Speaker 5: She said, I told you to get out of my

1451
01:01:53,960 --> 01:01:56,440
Speaker 5: way and smacked him. He had to be every bit

1452
01:01:56,520 --> 01:01:58,000
Speaker 5: of six ' eight three hundred pounds.

1453
01:01:58,040 --> 01:02:00,520
Speaker 2: He was slapping everybody. So so she got arrested. That's

1454
01:02:00,560 --> 01:02:02,600
Speaker 2: what should happen in a situation like she was arrested.

1455
01:02:02,720 --> 01:02:02,880
Speaker 9: Now.

1456
01:02:03,680 --> 01:02:05,920
Speaker 3: They also said that behind the scenes, and I don't

1457
01:02:05,960 --> 01:02:08,680
Speaker 3: know how true this is, they said that Floyd Mayweather

1458
01:02:08,760 --> 01:02:11,480
Speaker 3: and John Gotti spoke after the fight and after the brawl,

1459
01:02:11,560 --> 01:02:14,840
Speaker 3: and they squashed out everything that I guess the internal beef.

1460
01:02:14,920 --> 01:02:17,200
Speaker 3: So I just understand the reason for Floyd Mayweather Junior

1461
01:02:17,280 --> 01:02:18,200
Speaker 3: to be doing this.

1462
01:02:18,400 --> 01:02:21,040
Speaker 2: I understand if he wants to have exhibition matches, but

1463
01:02:21,120 --> 01:02:23,160
Speaker 2: why do exhibition matches on this level.

1464
01:02:23,360 --> 01:02:25,920
Speaker 3: I was talking to like for what salooney about it,

1465
01:02:26,000 --> 01:02:28,200
Speaker 3: and I guess they were saying that it was more

1466
01:02:28,280 --> 01:02:28,680
Speaker 3: than just.

1467
01:02:29,280 --> 01:02:31,960
Speaker 5: A chat, right, So what I'm hearing behind the scenes

1468
01:02:32,080 --> 01:02:34,520
Speaker 5: is that it's an equity play. So what's happening is,

1469
01:02:35,120 --> 01:02:38,280
Speaker 5: of course, people are saying that Zeus has around allegedly

1470
01:02:38,360 --> 01:02:41,240
Speaker 5: two million subscribers, and I think they're giving him a

1471
01:02:41,320 --> 01:02:44,880
Speaker 5: piece of equity along with a bag thening sponsorships. So

1472
01:02:44,960 --> 01:02:46,800
Speaker 5: I'm not sure how that adds up and how that

1473
01:02:46,880 --> 01:02:47,320
Speaker 5: plays out.

1474
01:02:47,360 --> 01:02:50,240
Speaker 2: Floyd mayweather't been getting equity since she started Mayweather Promotion. Yeah,

1475
01:02:50,240 --> 01:02:51,400
Speaker 2: but if you got an equity in ZEUS.

1476
01:02:51,440 --> 01:02:53,200
Speaker 3: So let's say there is two million subscribers and they

1477
01:02:53,200 --> 01:02:55,360
Speaker 3: pay with five dollars a month, that's ten million dollars

1478
01:02:55,400 --> 01:02:55,720
Speaker 3: a month.

1479
01:02:55,840 --> 01:02:57,120
Speaker 2: This is a guy that used to get one hundred

1480
01:02:57,120 --> 01:02:58,440
Speaker 2: million dollars a fight because of what he used to

1481
01:02:58,440 --> 01:02:59,920
Speaker 2: get on the back end for paper view don't talk.

1482
01:03:00,160 --> 01:03:01,800
Speaker 3: But now if he has to do nothing against thirty

1483
01:03:01,840 --> 01:03:03,760
Speaker 3: million dollars a year because he's the equity owner.

1484
01:03:03,880 --> 01:03:07,000
Speaker 2: But I'm sure he could get this doing something at

1485
01:03:07,040 --> 01:03:08,640
Speaker 2: a bigger level. You know what I'm saying, Because this

1486
01:03:08,680 --> 01:03:10,440
Speaker 2: is because you don't want your name attached to stuff

1487
01:03:10,480 --> 01:03:12,520
Speaker 2: like this, right right, right, So then you're getting the ring.

1488
01:03:12,520 --> 01:03:14,480
Speaker 2: You getting the ring with these amateurs like John Gotti,

1489
01:03:14,520 --> 01:03:16,200
Speaker 2: who after the bell rings still want to fight. What

1490
01:03:16,240 --> 01:03:18,720
Speaker 2: if he just rush your knees, you know what I'm saying,

1491
01:03:19,160 --> 01:03:20,600
Speaker 2: If he just rush your need to take your knees

1492
01:03:20,640 --> 01:03:22,440
Speaker 2: out of somebody from his crew runs in the ring,

1493
01:03:22,520 --> 01:03:24,240
Speaker 2: and you know, does something to you that you can't

1494
01:03:24,240 --> 01:03:24,840
Speaker 2: return from him.

1495
01:03:25,400 --> 01:03:27,040
Speaker 4: He might not fight wiz us again, he might do

1496
01:03:27,160 --> 01:03:28,320
Speaker 4: TV programmer Wizous.

1497
01:03:28,320 --> 01:03:29,720
Speaker 3: But if he owns a percentage of it and he's

1498
01:03:29,760 --> 01:03:32,120
Speaker 3: getting a cut of it, then needs making thirty million

1499
01:03:32,120 --> 01:03:32,800
Speaker 3: dollars off of it.

1500
01:03:32,920 --> 01:03:33,040
Speaker 12: Now.

1501
01:03:33,040 --> 01:03:33,960
Speaker 2: I don't know, we don't know.

1502
01:03:34,080 --> 01:03:36,400
Speaker 4: I don't know what the finances or what the left

1503
01:03:36,600 --> 01:03:37,160
Speaker 4: to his man is.

1504
01:03:37,240 --> 01:03:39,680
Speaker 2: But I think at some point everything can be about

1505
01:03:39,800 --> 01:03:42,440
Speaker 2: uh be about the money, and then that's what they're doing.

1506
01:03:42,480 --> 01:03:44,600
Speaker 2: A lot of the culture, too, is the whole equity thing.

1507
01:03:44,680 --> 01:03:47,200
Speaker 5: Get equity, get equity, and sometimes you can sell out,

1508
01:03:47,520 --> 01:03:49,560
Speaker 5: go over here and get some equity, but then crash

1509
01:03:49,600 --> 01:03:50,400
Speaker 5: your brand.

1510
01:03:50,360 --> 01:03:55,480
Speaker 3: Absolutely now, John Gotti, the third sister, I actually she

1511
01:03:55,600 --> 01:03:57,040
Speaker 3: took a bunch of shots.

1512
01:03:57,080 --> 01:03:59,000
Speaker 2: He said at Floyd May Maywether.

1513
01:03:59,080 --> 01:04:01,720
Speaker 3: Your daughter was ran through by an animal with twelve

1514
01:04:01,840 --> 01:04:05,200
Speaker 3: different baby mamas, your little circus animal. You're all a

1515
01:04:05,320 --> 01:04:07,439
Speaker 3: pack of zoo animals. I swear my kids, I'm coming

1516
01:04:07,480 --> 01:04:10,880
Speaker 3: for your daughter. It maybe two years, three years from now,

1517
01:04:11,040 --> 01:04:16,120
Speaker 3: but I'm coming. You were that Usually rhymes would bunt,

1518
01:04:16,280 --> 01:04:17,400
Speaker 3: but begins with the word ce.

1519
01:04:17,760 --> 01:04:18,200
Speaker 22: What is it?

1520
01:04:18,760 --> 01:04:20,560
Speaker 2: I'm not gonna say it. We don't need that.

1521
01:04:20,680 --> 01:04:23,520
Speaker 4: Fine, We don't need that fine, right so.

1522
01:04:23,680 --> 01:04:26,360
Speaker 2: And then Floyd's sister clap back at her. Nicole got it.

1523
01:04:26,400 --> 01:04:28,240
Speaker 4: We don't need two years, little girl, pull up with

1524
01:04:28,320 --> 01:04:28,880
Speaker 4: all that mouth.

1525
01:04:28,920 --> 01:04:31,560
Speaker 2: Floyd, you' a ogm man. Your life should be about

1526
01:04:31,680 --> 01:04:34,560
Speaker 2: ease and peace, right at this stage of the game.

1527
01:04:34,720 --> 01:04:36,800
Speaker 2: This don't sound like he's and peace to me, sound

1528
01:04:36,840 --> 01:04:37,600
Speaker 2: like a bunch of mess.

1529
01:04:37,920 --> 01:04:41,240
Speaker 5: It wasn't Zeus. If you didn't see it, played the

1530
01:04:41,520 --> 01:04:43,680
Speaker 5: entire fight. When I say, they let the camera run

1531
01:04:43,760 --> 01:04:46,280
Speaker 5: for twenty thirty minutes with no action. It was just

1532
01:04:46,400 --> 01:04:47,720
Speaker 5: fight after fight after fight.

1533
01:04:47,840 --> 01:04:50,200
Speaker 2: So it was amazing. That seems like that's Zew's brand.

1534
01:04:50,240 --> 01:04:53,840
Speaker 4: Though we were saying any other network show time they were.

1535
01:04:53,760 --> 01:04:56,480
Speaker 2: To cut it time I see a Zuo's showing somebody

1536
01:04:56,560 --> 01:04:58,760
Speaker 2: fighting on a Zoo show every single time. Yea.

1537
01:04:58,880 --> 01:05:02,000
Speaker 3: Well and some other news, it looks like Tyler Perry

1538
01:05:02,120 --> 01:05:05,880
Speaker 3: is reportedly finalizing his deal to buy b Et. It

1539
01:05:05,960 --> 01:05:09,320
Speaker 3: appears the billionaire filmmaker studio owner Tyler Perry is the

1540
01:05:09,400 --> 01:05:12,360
Speaker 3: front runner to be the be ET's next owner.

1541
01:05:12,480 --> 01:05:15,080
Speaker 2: So go my dea versus Jocelyn her Nandez. That's gonna

1542
01:05:15,080 --> 01:05:18,040
Speaker 2: be one of the first things baby, let's go. It

1543
01:05:18,160 --> 01:05:20,240
Speaker 2: looks like he's going to be purchasing bat. I want

1544
01:05:20,280 --> 01:05:23,760
Speaker 2: to cluse moms for Tyler Perry makes did y'all think otherwise?

1545
01:05:24,320 --> 01:05:26,400
Speaker 2: Right when he got in the race, you already owned

1546
01:05:26,440 --> 01:05:28,240
Speaker 2: a percentage of Right, you're only twenty five percent of

1547
01:05:28,320 --> 01:05:31,040
Speaker 2: BT plus if I'm not mistaken. But I mean every

1548
01:05:31,120 --> 01:05:33,480
Speaker 2: program on BET right now other than the Breakfast Club

1549
01:05:33,520 --> 01:05:36,120
Speaker 2: is the Tyler Perry program for it? Like, come on, yeah,

1550
01:05:36,120 --> 01:05:36,680
Speaker 2: it makes sense.

1551
01:05:37,440 --> 01:05:39,080
Speaker 4: Yeah, don't they got grown in your Blackish one?

1552
01:05:39,120 --> 01:05:42,320
Speaker 2: They know? No man reruns for reruns, that's what mean? Yeah,

1553
01:05:42,400 --> 01:05:44,160
Speaker 2: no original program?

1554
01:05:44,320 --> 01:05:44,480
Speaker 21: Right?

1555
01:05:44,960 --> 01:05:47,120
Speaker 4: All right, well that is your rumor report now, Charlamage,

1556
01:05:47,120 --> 01:05:47,960
Speaker 4: who you giving that downk you.

1557
01:05:49,080 --> 01:05:51,520
Speaker 2: For after the hour? I need one of my favorite people, Ingrid,

1558
01:05:51,960 --> 01:05:54,000
Speaker 2: Ingrid new Kirk, president of Peter. She needs to come

1559
01:05:54,040 --> 01:05:55,280
Speaker 2: to the front of the congregation. We like to have

1560
01:05:55,320 --> 01:05:55,760
Speaker 2: a word with you.

1561
01:05:56,040 --> 01:05:56,200
Speaker 15: Ingrid.

1562
01:05:56,240 --> 01:05:58,479
Speaker 2: You know you're welcome on the Breakfast Club anytime this morning,

1563
01:05:58,720 --> 01:06:02,000
Speaker 2: but we got to discuss you off right now. All right? Yes,

1564
01:06:02,480 --> 01:06:05,960
Speaker 2: you like Ingrid? I love you. I have no idea.

1565
01:06:06,120 --> 01:06:08,080
Speaker 2: Ingrid sends me stuff up here all the time. Ingri

1566
01:06:08,240 --> 01:06:09,680
Speaker 2: is always sending me stuff.

1567
01:06:09,400 --> 01:06:11,960
Speaker 4: From Peter she got my email. She sent me AI

1568
01:06:12,320 --> 01:06:12,640
Speaker 4: does an.

1569
01:06:12,600 --> 01:06:15,960
Speaker 2: Email the other day day. I I love messing with Peter,

1570
01:06:16,840 --> 01:06:19,440
Speaker 2: I really do. All right, all right, when matter of fact,

1571
01:06:19,440 --> 01:06:21,680
Speaker 2: me get my car bone sauce. Hold on, ye I'll

1572
01:06:21,720 --> 01:06:25,440
Speaker 2: be back. What Oh my goodness, alright, it's the Breakfast Club.

1573
01:06:25,520 --> 01:06:29,040
Speaker 2: Good morning, the Breakfast Club. Your mornings will never be

1574
01:06:29,200 --> 01:06:33,280
Speaker 2: the same. With audio titles on business, career, advice, fitness,

1575
01:06:33,360 --> 01:06:36,240
Speaker 2: and more, Audible keeps you inspired whatever you're looking for.

1576
01:06:36,560 --> 01:06:39,240
Speaker 2: Check out all the audiobooks, podcasts, and originals you could

1577
01:06:39,240 --> 01:06:41,320
Speaker 2: ever want, all in one place. Sign up for thirty

1578
01:06:41,400 --> 01:06:47,040
Speaker 2: days free at audible dot com slash Breakfast Club. It's

1579
01:06:47,120 --> 01:06:48,400
Speaker 2: time for Donkey of the Day.

1580
01:06:48,680 --> 01:06:49,000
Speaker 12: Donkey.

1581
01:06:50,760 --> 01:06:52,800
Speaker 18: I'm a Democrat, so being Dounky of the day is

1582
01:06:53,240 --> 01:06:54,760
Speaker 18: a little bit of a mixed so like a.

1583
01:06:54,800 --> 01:06:57,360
Speaker 4: Donkey Donky of today.

1584
01:06:59,560 --> 01:07:02,919
Speaker 15: Breakfast Now, I've been called a lot of my twenty

1585
01:07:02,960 --> 01:07:03,400
Speaker 15: three years.

1586
01:07:03,440 --> 01:07:05,120
Speaker 16: That donkey of the Day is a new one.

1587
01:07:05,400 --> 01:07:08,240
Speaker 2: Yes, Donkey Today. For Tuesday, June thirteenth, goes to the

1588
01:07:08,320 --> 01:07:11,320
Speaker 2: president of Peter Ingrid new Kirk, dropping the clues bombs

1589
01:07:11,320 --> 01:07:14,600
Speaker 2: for Ingrid Newkirk. Ingrid Ingrid doesn't even know she's really

1590
01:07:14,640 --> 01:07:16,640
Speaker 2: one of my favorite people. I love what she stands

1591
01:07:16,680 --> 01:07:18,520
Speaker 2: for and what she is committed to. She runs the

1592
01:07:18,560 --> 01:07:22,360
Speaker 2: world's largest animal rights organization, and if I know her

1593
01:07:22,480 --> 01:07:24,680
Speaker 2: like I think I do, she is probably highly offended

1594
01:07:24,720 --> 01:07:26,520
Speaker 2: by the fact that I use the term donkeys and

1595
01:07:26,600 --> 01:07:29,240
Speaker 2: then so as it means to give someone the credit

1596
01:07:29,280 --> 01:07:32,720
Speaker 2: they deserve for being stupid. Not because humans shouldn't be

1597
01:07:32,800 --> 01:07:35,720
Speaker 2: called dumb, but because donkeys should not be labeled as dumb.

1598
01:07:35,760 --> 01:07:39,360
Speaker 2: Because Peter opposes what it calls a speciism or a

1599
01:07:39,480 --> 01:07:44,240
Speaker 2: human supremacist worldview. Speciism is the assumption of human superiority

1600
01:07:44,520 --> 01:07:47,160
Speaker 2: leading to the exploitation of animals. I actually agree with that.

1601
01:07:47,320 --> 01:07:49,400
Speaker 2: I do, even though I do believe in the circle

1602
01:07:49,440 --> 01:07:52,960
Speaker 2: of life. I promise you, Ingrid, when that amazing piece

1603
01:07:53,040 --> 01:07:55,680
Speaker 2: of red snapper or maya may is on my plate,

1604
01:07:55,720 --> 01:07:57,560
Speaker 2: I thank God for it. I don't feel superior to

1605
01:07:57,640 --> 01:07:59,640
Speaker 2: it at all. I feel privileged and blessed to eat it.

1606
01:08:00,000 --> 01:08:01,920
Speaker 2: That's why when it comes to red snapper, I like

1607
01:08:02,040 --> 01:08:04,280
Speaker 2: it still with its head on and its eyes open.

1608
01:08:04,360 --> 01:08:06,520
Speaker 2: I actually think it's disrespectful to be head of fish

1609
01:08:06,720 --> 01:08:08,440
Speaker 2: before you eat it. But that's another convo.

1610
01:08:08,600 --> 01:08:08,720
Speaker 6: Now.

1611
01:08:08,920 --> 01:08:11,240
Speaker 2: The reason Ingrid is getting donkey to day this morning

1612
01:08:11,360 --> 01:08:15,720
Speaker 2: is because Ingrid is actually encouraging us to eat flesh.

1613
01:08:16,479 --> 01:08:18,519
Speaker 2: I know, Ingrid, this is not your intention, but this

1614
01:08:18,640 --> 01:08:21,000
Speaker 2: is what you're doing. What do you mean, Uncle Charlotte,

1615
01:08:21,000 --> 01:08:23,160
Speaker 2: the president of Peter is encouraging us to eat flesh. Well,

1616
01:08:23,200 --> 01:08:25,120
Speaker 2: I tell you what I mean. I came across this

1617
01:08:25,320 --> 01:08:30,160
Speaker 2: New York Post article with the headline Peter President explains

1618
01:08:30,439 --> 01:08:34,840
Speaker 2: why she wants her flesh to be barbecued after she dies.

1619
01:08:36,880 --> 01:08:39,759
Speaker 2: I just piqued the interest of all our cannibalistic listeners.

1620
01:08:40,120 --> 01:08:42,360
Speaker 2: Somewhere right now, there is a cannibal listening to us

1621
01:08:42,600 --> 01:08:45,240
Speaker 2: eating a nice bowl of grits and legs this morning,

1622
01:08:45,360 --> 01:08:47,960
Speaker 2: and they're like, tell me more. Well, Ingrid knew Kirk

1623
01:08:48,000 --> 01:08:50,280
Speaker 2: said she updated her well to include a request for

1624
01:08:50,400 --> 01:08:52,880
Speaker 2: her flesh to be cooked and for her body parts

1625
01:08:53,080 --> 01:08:57,120
Speaker 2: to be transformed into activist messages after she dies. She's

1626
01:08:57,200 --> 01:08:59,840
Speaker 2: not joking. She's as dead ass as a deceased on.

1627
01:09:00,479 --> 01:09:02,400
Speaker 2: Would you like to hear her explain? Let's go to

1628
01:09:02,439 --> 01:09:03,599
Speaker 2: Fox News Digital for the report.

1629
01:09:03,640 --> 01:09:07,800
Speaker 25: Please deastly serious because the issues are so serious. We

1630
01:09:07,920 --> 01:09:11,680
Speaker 25: see terrible things down to animals. People don't see that,

1631
01:09:12,479 --> 01:09:15,920
Speaker 25: and you can't really tell people about the gore non stop.

1632
01:09:16,360 --> 01:09:17,599
Speaker 7: So I thought I'll.

1633
01:09:17,439 --> 01:09:21,439
Speaker 25: Continue my activism in a sort of provocative, gimmicky way,

1634
01:09:21,960 --> 01:09:26,000
Speaker 25: but making very serious points that we're all the same

1635
01:09:26,120 --> 01:09:29,599
Speaker 25: under the skin. You can barbecue my flesh and you'll

1636
01:09:29,680 --> 01:09:32,360
Speaker 25: smell it cooking with those onions, and you'll think, oh,

1637
01:09:32,400 --> 01:09:34,479
Speaker 25: I want some of that, and then you'll think, oh, no,

1638
01:09:34,760 --> 01:09:38,840
Speaker 25: it's her, and please don't eat any flesh. Here are

1639
01:09:38,840 --> 01:09:41,600
Speaker 25: the vegan alternatives, the vegan hot dogs, a vegan hamburg is,

1640
01:09:41,640 --> 01:09:42,280
Speaker 25: the vegan fish.

1641
01:09:42,320 --> 01:09:43,759
Speaker 7: They've even sak vecan chicken.

1642
01:09:44,120 --> 01:09:47,080
Speaker 25: It's all available now, and so we'd hope to change

1643
01:09:47,160 --> 01:09:49,679
Speaker 25: their minds without having them to put me in their mouth.

1644
01:09:51,600 --> 01:09:56,040
Speaker 2: Ingrid thinks that if it's her, we know we're eating,

1645
01:09:56,200 --> 01:09:58,760
Speaker 2: or if it's her skin, we know that it's on

1646
01:09:58,880 --> 01:10:02,200
Speaker 2: these products, we won't use it. I understand exactly what

1647
01:10:02,320 --> 01:10:04,040
Speaker 2: you're trying to do, Ingrid, but I have to let

1648
01:10:04,120 --> 01:10:06,760
Speaker 2: you know it's been done before. A great book to

1649
01:10:06,840 --> 01:10:10,840
Speaker 2: read is The Delectable Negro Human Consumption and homo Eroticism

1650
01:10:10,920 --> 01:10:14,479
Speaker 2: within a US Slave Culture, written by Vincent Woodward. The

1651
01:10:14,560 --> 01:10:17,720
Speaker 2: book breaks down human cannibalism that occurred during slavery in

1652
01:10:17,800 --> 01:10:20,240
Speaker 2: the United States. Yes, white male slave owners used to

1653
01:10:20,280 --> 01:10:22,439
Speaker 2: eat the flesh of black men, and Ingrid, I'm sure

1654
01:10:22,479 --> 01:10:24,839
Speaker 2: you know the flesh of dead Africans and African Americans

1655
01:10:24,880 --> 01:10:27,000
Speaker 2: were used to make shoes. And I'm sure you know

1656
01:10:27,080 --> 01:10:29,880
Speaker 2: after World War Two it was reported that Nazis used

1657
01:10:29,920 --> 01:10:33,799
Speaker 2: skin from murdered concentration camp inmates to make lamp shades.

1658
01:10:33,840 --> 01:10:35,920
Speaker 2: I'm saying all that to say, Ingrid, none of that

1659
01:10:36,040 --> 01:10:39,000
Speaker 2: stopped anybody from eating animal flesh or using animal products.

1660
01:10:39,040 --> 01:10:42,000
Speaker 2: Because if you have a hunger for flesh, human, animal

1661
01:10:42,120 --> 01:10:44,479
Speaker 2: or otherwise, you gonna get your fix. And this is

1662
01:10:44,479 --> 01:10:47,040
Speaker 2: why I believe your plan is going backfire because, Ingrid,

1663
01:10:47,320 --> 01:10:49,519
Speaker 2: the way you described how you want to be cooked

1664
01:10:50,240 --> 01:10:54,400
Speaker 2: in the onions sounds tasty. And I promise you if

1665
01:10:54,439 --> 01:10:56,679
Speaker 2: you offering up your flesh as a meal, we gonna

1666
01:10:56,680 --> 01:10:59,840
Speaker 2: have a barbecue. Okay, Pete Davidson is organizing it right now.

1667
01:11:00,120 --> 01:11:02,800
Speaker 2: All right, Ingrid says you want to be cooked specifically

1668
01:11:02,880 --> 01:11:05,760
Speaker 2: with onions. Why stop there, Ingrid, Let's do a half

1669
01:11:05,840 --> 01:11:08,840
Speaker 2: cup of white onions, eight deal pickle slices, one cup

1670
01:11:08,920 --> 01:11:11,280
Speaker 2: of barbecue sauce. Were gonna add about a quarter teaspoon

1671
01:11:11,360 --> 01:11:14,519
Speaker 2: of salt, one teaspoon of sugar, three tablespoons of water.

1672
01:11:14,640 --> 01:11:17,519
Speaker 2: We're gonna get four to six inch center split white

1673
01:11:17,560 --> 01:11:22,080
Speaker 2: sandwich rolls and sixteen ounces of uncooked Ingrid meat, and

1674
01:11:22,120 --> 01:11:24,120
Speaker 2: we gonna make us a meal called the mic Ptera

1675
01:11:24,360 --> 01:11:27,200
Speaker 2: in your honor. It's gonna look just like the midrib. Okay,

1676
01:11:27,280 --> 01:11:29,400
Speaker 2: when we done, and believe me, sweety, we're gonna have

1677
01:11:29,520 --> 01:11:31,680
Speaker 2: enough to feed the needy. Eat Ingrid. I hear you,

1678
01:11:32,120 --> 01:11:33,920
Speaker 2: I really do. When you say you're trying to raise

1679
01:11:34,000 --> 01:11:37,400
Speaker 2: the point that flesh is flesh, I get it, and

1680
01:11:37,439 --> 01:11:40,080
Speaker 2: you're probably right. And that's why you can't just be

1681
01:11:40,240 --> 01:11:43,320
Speaker 2: offering yourself up to be barbecued, because when someone tastes

1682
01:11:43,400 --> 01:11:46,600
Speaker 2: you and says, taste just like chicken, now because of you,

1683
01:11:46,880 --> 01:11:48,640
Speaker 2: they gonna be looking for another kind of meat to

1684
01:11:48,680 --> 01:11:50,360
Speaker 2: be added to the menu. You can't be out here

1685
01:11:50,479 --> 01:11:54,000
Speaker 2: serving yourself up all barbecued and tasty, expecting people not

1686
01:11:54,120 --> 01:11:54,519
Speaker 2: to eat you.

1687
01:11:54,680 --> 01:11:54,840
Speaker 12: Now.

1688
01:11:55,040 --> 01:11:58,280
Speaker 2: The only difference I can see, Ingrid, when we serve

1689
01:11:58,360 --> 01:12:00,599
Speaker 2: you up, it's gonna have to be in slice. Okay,

1690
01:12:00,680 --> 01:12:02,560
Speaker 2: can't serve you like red snapper. We're gonna have to

1691
01:12:02,640 --> 01:12:04,200
Speaker 2: be head you. That would be just a bit too much.

1692
01:12:04,240 --> 01:12:06,080
Speaker 2: But what I'm trying to get you to understand, Ingrid,

1693
01:12:06,240 --> 01:12:08,680
Speaker 2: the only thing folks care about when it comes to

1694
01:12:08,880 --> 01:12:12,240
Speaker 2: flesh is does it taste good. We don't eat animals

1695
01:12:12,280 --> 01:12:14,920
Speaker 2: because we are monsters who can't control ourselves. We eat

1696
01:12:14,960 --> 01:12:18,599
Speaker 2: animals because they are tasty, at least the ones I've tried.

1697
01:12:18,800 --> 01:12:23,559
Speaker 2: I've had chicken, fish, turkey, ded bear, shoulder, squirrel, dumplings, cow,

1698
01:12:23,720 --> 01:12:27,680
Speaker 2: of course, lamb ox, goat, and every single one of

1699
01:12:27,800 --> 01:12:31,080
Speaker 2: them are tasty. It's that simple. So, Ingrid, if you

1700
01:12:31,280 --> 01:12:34,080
Speaker 2: really don't want people to eat flesh, don't offer them

1701
01:12:34,160 --> 01:12:37,200
Speaker 2: more to put on the menu, because if I ground

1702
01:12:37,280 --> 01:12:39,800
Speaker 2: you up into a patty, you just mystery meat. At

1703
01:12:39,800 --> 01:12:42,439
Speaker 2: that point. In fact, Ingrid, you will be impossible meat

1704
01:12:42,600 --> 01:12:44,920
Speaker 2: because it will be impossible for folks to tell the

1705
01:12:45,000 --> 01:12:48,360
Speaker 2: difference between you and every other animal product out there,

1706
01:12:49,120 --> 01:12:52,880
Speaker 2: especially when I add this carbone sauce to it. You

1707
01:12:52,960 --> 01:12:56,080
Speaker 2: see this, right, I think I think you would take

1708
01:12:56,360 --> 01:12:59,160
Speaker 2: You would taste great and a lasagna, Ingrid, Okay, I

1709
01:12:59,160 --> 01:13:00,839
Speaker 2: don't know if we should just keep it that barbecue.

1710
01:13:00,880 --> 01:13:03,600
Speaker 2: I got tomato, besils, I got mari nara? How you

1711
01:13:03,680 --> 01:13:04,120
Speaker 2: pronounced that?

1712
01:13:04,200 --> 01:13:04,439
Speaker 22: In you?

1713
01:13:04,479 --> 01:13:08,320
Speaker 2: What is that abricadabra arobribrida sounds right. Whatever it is,

1714
01:13:08,680 --> 01:13:10,840
Speaker 2: we got it. All I'm saying is when we add

1715
01:13:10,920 --> 01:13:13,320
Speaker 2: this Ingrid, you ain't gonna be able to tell the difference.

1716
01:13:13,880 --> 01:13:16,439
Speaker 2: Please give Ingrid new Kirk, the president of Peter, the

1717
01:13:16,520 --> 01:13:17,880
Speaker 2: Sweet Sounds and the Hamiltons.

1718
01:13:18,360 --> 01:13:26,680
Speaker 11: Oh no, you are the dogge of the day, the

1719
01:13:27,080 --> 01:13:30,639
Speaker 11: dogee all the day.

1720
01:13:31,760 --> 01:13:42,280
Speaker 2: Ye hunger No, no, I'll pass. Okay, Actually you still

1721
01:13:42,320 --> 01:13:46,240
Speaker 2: up in my mouth? You do wow? Hungry loom, No, sir, okay,

1722
01:13:46,560 --> 01:13:47,040
Speaker 2: not at all.

1723
01:13:47,120 --> 01:13:49,720
Speaker 4: All right, all right, well, I guess thanks for that

1724
01:13:49,800 --> 01:13:50,479
Speaker 4: donkey of today.

1725
01:13:50,600 --> 01:13:53,320
Speaker 2: Angry, come up here whenever you're ready. I'm gonna have

1726
01:13:53,360 --> 01:13:55,759
Speaker 2: the chef here, just in case.

1727
01:13:57,520 --> 01:14:00,680
Speaker 3: I'm gonna have the chef here, justin kay thing all right,

1728
01:14:01,160 --> 01:14:03,120
Speaker 3: all right, well, thank you for that donkey today. Everybody

1729
01:14:03,200 --> 01:14:05,120
Speaker 3: on BT will see you guys tomorrow.

1730
01:14:05,840 --> 01:14:06,360
Speaker 2: Piece BT.

1731
01:14:07,320 --> 01:14:09,439
Speaker 4: Everybody else, let's open up the phone lines eight hundred

1732
01:14:09,479 --> 01:14:11,000
Speaker 4: and five eight five one oh five one.

1733
01:14:11,120 --> 01:14:11,280
Speaker 2: Now.

1734
01:14:11,920 --> 01:14:14,479
Speaker 3: Every once in a while we see people asking questions

1735
01:14:14,560 --> 01:14:18,080
Speaker 3: on social media, and this one went viral yesterday. It

1736
01:14:18,160 --> 01:14:20,800
Speaker 3: was a gentleman asking women about what they prefer to

1737
01:14:20,880 --> 01:14:23,200
Speaker 3: be with a married man. That tells you yes one

1738
01:14:23,280 --> 01:14:27,000
Speaker 3: hundred percent of the time, or I guess a man

1739
01:14:27,040 --> 01:14:29,800
Speaker 3: that's not married that tells you no fifty percent of

1740
01:14:29,840 --> 01:14:30,559
Speaker 3: the time, yaddio.

1741
01:14:31,280 --> 01:14:33,600
Speaker 2: Of course we do not married men say yes one

1742
01:14:33,640 --> 01:14:34,360
Speaker 2: hundred percent of the time.

1743
01:14:34,400 --> 01:14:34,600
Speaker 12: No, no, No.

1744
01:14:35,000 --> 01:14:37,040
Speaker 3: The question was they went to a bunch of women

1745
01:14:37,080 --> 01:14:38,880
Speaker 3: and asked them, would you rather date a married man

1746
01:14:39,400 --> 01:14:40,320
Speaker 3: that never tells you no?

1747
01:14:41,120 --> 01:14:43,759
Speaker 2: Or would you date a regular man that's not married

1748
01:14:43,800 --> 01:14:48,479
Speaker 2: that tells you no? Fifty married men told women if

1749
01:14:48,520 --> 01:14:51,960
Speaker 2: they're being black male, yeah, yeah, I think not only

1750
01:14:52,120 --> 01:14:55,519
Speaker 2: just being cool, I think it's a motive to it.

1751
01:14:55,600 --> 01:14:57,200
Speaker 2: It's definitely a motive to it. I mean, if a

1752
01:14:57,240 --> 01:14:59,040
Speaker 2: married man is telling you yes one hundred percent of

1753
01:14:59,120 --> 01:15:00,720
Speaker 2: the time, it's like said, he don't want you to

1754
01:15:00,760 --> 01:15:02,479
Speaker 2: go out there running your mouth, right, because all you're

1755
01:15:02,479 --> 01:15:04,120
Speaker 2: doing is asking for money. That's what you really mean

1756
01:15:04,320 --> 01:15:06,360
Speaker 2: when you ask for money and things. Yes, you know.

1757
01:15:06,479 --> 01:15:08,200
Speaker 3: So let's open up the phone line. So there are

1758
01:15:08,280 --> 01:15:10,960
Speaker 3: some women out there that prefer married men. So the

1759
01:15:11,040 --> 01:15:14,160
Speaker 3: question is eight hundred five eight five one oh five one, ladies,

1760
01:15:14,800 --> 01:15:17,080
Speaker 3: what is it about a man being married that makes

1761
01:15:17,160 --> 01:15:18,080
Speaker 3: him more desirable?

1762
01:15:18,840 --> 01:15:21,400
Speaker 2: I'm like my father to do.

1763
01:15:22,360 --> 01:15:24,080
Speaker 4: That is the question came from social media.

1764
01:15:24,520 --> 01:15:26,479
Speaker 2: I don't even know why you're doing it? Eightnred this

1765
01:15:27,640 --> 01:15:30,880
Speaker 2: you knowice to me, you need to stop reading everything

1766
01:15:30,920 --> 01:15:32,360
Speaker 2: that come across the desk. That's what you need to

1767
01:15:32,360 --> 01:15:34,800
Speaker 2: stop doing. Okay, I don't even know what you're trying

1768
01:15:34,800 --> 01:15:36,000
Speaker 2: to do. You see.

1769
01:15:36,080 --> 01:15:38,200
Speaker 4: See that's the problem with he like we agree with it,

1770
01:15:38,439 --> 01:15:39,000
Speaker 4: like a let's do it?

1771
01:15:39,040 --> 01:15:40,720
Speaker 2: Agree that what he hears, he'd be like, why are

1772
01:15:40,720 --> 01:15:42,880
Speaker 2: you doing this? Here's the thing. You've been working with

1773
01:15:42,920 --> 01:15:43,840
Speaker 2: me for thirteen years.

1774
01:15:43,840 --> 01:15:43,960
Speaker 12: You know.

1775
01:15:44,000 --> 01:15:46,320
Speaker 2: I don't be paying no damn attention. I don't even

1776
01:15:46,320 --> 01:15:47,960
Speaker 2: know what y'all be talking about ninety six percent of

1777
01:15:48,040 --> 01:15:48,280
Speaker 2: the time.

1778
01:15:48,360 --> 01:15:50,519
Speaker 4: But let's open up the phone lines. Eight hundred coming.

1779
01:15:52,000 --> 01:15:54,840
Speaker 3: Like, ladies, what is it about a man being married

1780
01:15:54,880 --> 01:15:56,160
Speaker 3: that makes him more desirable?

1781
01:15:56,560 --> 01:15:58,400
Speaker 2: Close your mouth. It's the Breakfast Club in the morning

1782
01:15:59,200 --> 01:16:05,519
Speaker 2: study call him up. It's topic time called eight hundred

1783
01:16:05,560 --> 01:16:08,000
Speaker 2: five five five one to join into the discussion with

1784
01:16:08,040 --> 01:16:11,400
Speaker 2: the Breakfast Club morning everybody.

1785
01:16:11,439 --> 01:16:12,760
Speaker 4: It's j n V.

1786
01:16:13,040 --> 01:16:15,280
Speaker 3: Charlamagne the God. We are the Breakfast Club. We got

1787
01:16:15,280 --> 01:16:17,320
Speaker 3: our guest co host Looney joining us today.

1788
01:16:18,000 --> 01:16:19,240
Speaker 4: Now if you're just joining us.

1789
01:16:19,320 --> 01:16:22,559
Speaker 3: This was going around social media yesterday and the clip

1790
01:16:22,600 --> 01:16:24,160
Speaker 3: was supposed to be an earlier so the clip could

1791
01:16:24,160 --> 01:16:27,080
Speaker 3: explain exactly what we're talking about, but of course nobody

1792
01:16:27,120 --> 01:16:29,519
Speaker 3: put the clipp in. So the question is eight hundred

1793
01:16:29,560 --> 01:16:31,639
Speaker 3: and five A five one oh five one. Ladies, would

1794
01:16:31,680 --> 01:16:34,519
Speaker 3: you prefer having a married man that never tells you no?

1795
01:16:35,360 --> 01:16:37,559
Speaker 3: Or your own man that tells you no forty five

1796
01:16:37,600 --> 01:16:38,479
Speaker 3: percent of the time?

1797
01:16:38,600 --> 01:16:40,120
Speaker 2: You still how to clip? Yeah, we have the clip.

1798
01:16:40,200 --> 01:16:43,400
Speaker 26: Now do you'd rather deal with a married man that

1799
01:16:43,640 --> 01:16:47,240
Speaker 26: never tells you no? Or your own man that tells

1800
01:16:47,280 --> 01:16:49,160
Speaker 26: you no forty five percent of the time.

1801
01:16:49,640 --> 01:16:52,280
Speaker 2: No, I'm dealing with the married man. Now, I take

1802
01:16:52,320 --> 01:16:53,280
Speaker 2: the marriage, but I'm sorry.

1803
01:16:53,680 --> 01:16:54,759
Speaker 24: I'm with the me reman.

1804
01:16:55,360 --> 01:16:59,080
Speaker 2: I'm married. I'm sorry, tell me yes everything? Oh, the

1805
01:16:59,200 --> 01:17:02,400
Speaker 2: married yeah, give him. I would deal with my man

1806
01:17:02,439 --> 01:17:04,200
Speaker 2: that tells me nocaud. I'm gonna beat him the fuck up.

1807
01:17:04,360 --> 01:17:06,760
Speaker 4: We're taking the married guy, because why am I with you?

1808
01:17:06,760 --> 01:17:09,680
Speaker 4: You keep saying, oh, for I ain't want to go with.

1809
01:17:09,720 --> 01:17:10,200
Speaker 14: The man guy.

1810
01:17:10,640 --> 01:17:13,720
Speaker 3: I don't like the word no, so Charlamagne. So would

1811
01:17:13,720 --> 01:17:15,920
Speaker 3: you prefer a married man that tells you no?

1812
01:17:16,680 --> 01:17:19,639
Speaker 2: I told you yesterday that we that you gotta sign

1813
01:17:19,760 --> 01:17:22,840
Speaker 2: that don't play gay bill. Okay, I'm just asking we

1814
01:17:22,920 --> 01:17:24,920
Speaker 2: have a don't play gay bill. There will there will

1815
01:17:24,960 --> 01:17:29,920
Speaker 2: be no more gay gay cos role cosplay. There will

1816
01:17:29,920 --> 01:17:35,600
Speaker 2: be no more there will be no more gay cosplay

1817
01:17:35,960 --> 01:17:37,960
Speaker 2: going on up here. But I will't say this. I

1818
01:17:38,000 --> 01:17:40,560
Speaker 2: don't believe them stats because married men do say no,

1819
01:17:40,720 --> 01:17:42,960
Speaker 2: and married men have no problem saying no because the

1820
01:17:43,080 --> 01:17:45,120
Speaker 2: side chick can take things too far. And if the

1821
01:17:45,160 --> 01:17:48,040
Speaker 2: side chick gets upset after married man saying no, then

1822
01:17:48,080 --> 01:17:49,680
Speaker 2: he can always just cut her all the way off

1823
01:17:49,800 --> 01:17:51,519
Speaker 2: and that's her loss. So I don't think any man

1824
01:17:51,600 --> 01:17:53,599
Speaker 2: says yes one hundred percent of the time. I actually

1825
01:17:53,680 --> 01:17:56,599
Speaker 2: think the highest percentage you're gonna get to say yes

1826
01:17:56,880 --> 01:17:59,920
Speaker 2: is a husband. Husbands probably say yes eighty eighty five

1827
01:18:00,080 --> 01:18:02,400
Speaker 2: percent of the time, I think. But here's the thing.

1828
01:18:02,800 --> 01:18:06,160
Speaker 5: It's an illusion, right, So you can think I say

1829
01:18:06,240 --> 01:18:08,920
Speaker 5: yes to everything, but what you've asked me for is

1830
01:18:09,000 --> 01:18:12,200
Speaker 5: been minimal to me. Right, So my wife can ask

1831
01:18:12,280 --> 01:18:15,120
Speaker 5: me for things that inconvenience me, and I still get

1832
01:18:15,200 --> 01:18:15,760
Speaker 5: those done.

1833
01:18:16,160 --> 01:18:18,120
Speaker 2: When you deal with a side piece or you deal

1834
01:18:18,200 --> 01:18:20,880
Speaker 2: with these kind of you know, strag.

1835
01:18:20,760 --> 01:18:23,760
Speaker 5: A loans, what happens is they are under the impression

1836
01:18:24,560 --> 01:18:27,320
Speaker 5: that you will say yes to everything sometimes just because

1837
01:18:27,360 --> 01:18:29,360
Speaker 5: of what you're willing to do for them.

1838
01:18:30,200 --> 01:18:34,360
Speaker 2: Finance brings up a good point. Men do things for

1839
01:18:34,479 --> 01:18:38,200
Speaker 2: their wives that inconvenience us. We ain't never doing that

1840
01:18:38,320 --> 01:18:41,960
Speaker 2: in inconvenience at all ever. Correct. Let's go to the

1841
01:18:42,000 --> 01:18:44,880
Speaker 2: phone line. Oh you don't want to participate? No, get you.

1842
01:18:46,080 --> 01:18:47,679
Speaker 2: I don't want to marry man. What are you talking about?

1843
01:18:49,120 --> 01:18:50,320
Speaker 2: Answer the goddamn question?

1844
01:18:50,680 --> 01:18:50,720
Speaker 15: What?

1845
01:18:51,000 --> 01:18:51,040
Speaker 9: No?

1846
01:18:51,720 --> 01:18:54,360
Speaker 3: I agree, I'm a married man, and whatever my wife

1847
01:18:54,479 --> 01:18:57,040
Speaker 3: asked me to do, I do whatever whatever I ask

1848
01:18:57,120 --> 01:18:57,360
Speaker 3: her to do.

1849
01:18:57,439 --> 01:19:01,400
Speaker 2: She question ain't about why this question was about married

1850
01:19:01,479 --> 01:19:05,040
Speaker 2: men messing with side chicks. You gotta get back in

1851
01:19:05,080 --> 01:19:08,519
Speaker 2: ther I know how to depend and out. I can,

1852
01:19:08,680 --> 01:19:10,599
Speaker 2: I can get I can, I can, uh, I can.

1853
01:19:10,880 --> 01:19:13,800
Speaker 2: I can have conversation based off past experience. I'm out,

1854
01:19:14,160 --> 01:19:17,800
Speaker 2: You're done. I'm done. How I'm done? You walk in

1855
01:19:17,840 --> 01:19:20,880
Speaker 2: to the plank. Yeah, I'm done. You you set it up.

1856
01:19:20,960 --> 01:19:22,080
Speaker 2: I thought you had an opinion.

1857
01:19:22,240 --> 01:19:23,080
Speaker 4: I don't have an opinion.

1858
01:19:23,120 --> 01:19:26,120
Speaker 2: I'm done. I can't I can't relate. I can't relate either.

1859
01:19:26,479 --> 01:19:27,680
Speaker 2: It sounds like this.

1860
01:19:27,920 --> 01:19:30,880
Speaker 3: It sounds like you related you all, you all in

1861
01:19:30,960 --> 01:19:32,320
Speaker 3: the water. You want to put your foot in the water.

1862
01:19:32,560 --> 01:19:33,840
Speaker 3: I'm not even put my toe in the water.

1863
01:19:34,080 --> 01:19:37,040
Speaker 4: Hello, Hey, good morning.

1864
01:19:37,240 --> 01:19:40,519
Speaker 2: Hey, what's your name? Hey, jazz? We talked to his jazz.

1865
01:19:40,840 --> 01:19:41,320
Speaker 2: You sound like.

1866
01:19:43,320 --> 01:19:46,320
Speaker 27: I mean I prefer like a married you know I'm

1867
01:19:46,320 --> 01:19:48,760
Speaker 27: a single woman. Well, I'm a sing single woman. So

1868
01:19:49,400 --> 01:19:52,840
Speaker 27: I would prefer a married man because whatever he's not

1869
01:19:52,920 --> 01:19:56,280
Speaker 27: getting at home, I've been through situations where you know,

1870
01:19:56,400 --> 01:20:00,400
Speaker 27: they're unattracted to their wives, and you know that's what

1871
01:20:00,560 --> 01:20:02,880
Speaker 27: the work days came about. So I just feel like

1872
01:20:03,040 --> 01:20:06,479
Speaker 27: it's more desirable today. And well, well I wouldn't say they,

1873
01:20:06,680 --> 01:20:09,320
Speaker 27: but like have a situationship with the merry man.

1874
01:20:09,400 --> 01:20:14,000
Speaker 2: Another another another, another common misconception is that y'all think

1875
01:20:14,080 --> 01:20:16,360
Speaker 2: something be wrong at home. There's nothing wrong at home,

1876
01:20:17,280 --> 01:20:17,680
Speaker 2: that's all.

1877
01:20:18,840 --> 01:20:21,080
Speaker 27: Whatever he's telling me on the outside.

1878
01:20:20,920 --> 01:20:22,559
Speaker 2: Men just be wanting their cake and eating it too,

1879
01:20:22,640 --> 01:20:25,760
Speaker 2: that's all. And then why are you considering what's wrong

1880
01:20:25,880 --> 01:20:29,439
Speaker 2: at home? They don't. I mean, that's between me, that's right.

1881
01:20:29,479 --> 01:20:30,880
Speaker 2: Don't worry about what going on it with me and

1882
01:20:30,960 --> 01:20:31,240
Speaker 2: my wife.

1883
01:20:31,280 --> 01:20:32,560
Speaker 6: And no, I don't I know.

1884
01:20:32,720 --> 01:20:35,760
Speaker 2: I just I just say I hope you can fight too,

1885
01:20:35,800 --> 01:20:38,240
Speaker 2: because I got a homegirl man. Her name is her

1886
01:20:38,320 --> 01:20:40,320
Speaker 2: name is Ashley James, they call her AJ. From the

1887
01:20:40,360 --> 01:20:42,920
Speaker 2: We Talk Back podcast, She says that you should always

1888
01:20:42,960 --> 01:20:45,120
Speaker 2: beat up the side chick because the side chick makes

1889
01:20:45,160 --> 01:20:48,240
Speaker 2: it possible for it to be cheating in the first place.

1890
01:20:48,280 --> 01:20:50,840
Speaker 2: If women weren't cheating and being willing to be the

1891
01:20:50,880 --> 01:20:52,320
Speaker 2: side chick, that we didn't have no, they wouldn't have

1892
01:20:52,360 --> 01:20:52,759
Speaker 2: no problem.

1893
01:20:53,000 --> 01:20:55,760
Speaker 27: Yeah, he'd he was looking paranoid when we like, you know,

1894
01:20:55,920 --> 01:20:59,280
Speaker 27: go on our coworker bar whatever you work.

1895
01:20:59,160 --> 01:21:03,880
Speaker 4: Oh you worked with this married man? Yeah, wor Christ,

1896
01:21:03,960 --> 01:21:04,479
Speaker 4: don't say.

1897
01:21:04,360 --> 01:21:08,519
Speaker 2: That department where you work at? Where you work at?

1898
01:21:08,560 --> 01:21:14,000
Speaker 2: Though you don't tell you.

1899
01:21:14,200 --> 01:21:16,080
Speaker 27: He's a white woman and she's a white woman.

1900
01:21:16,160 --> 01:21:17,240
Speaker 19: He's a black patient, So.

1901
01:21:17,320 --> 01:21:21,200
Speaker 2: I'm that ain't really cheating. He's just coming on.

1902
01:21:24,360 --> 01:21:26,040
Speaker 4: He tells you yes to everything about.

1903
01:21:27,520 --> 01:21:29,240
Speaker 27: Once you go black, you never go back.

1904
01:21:29,760 --> 01:21:33,280
Speaker 2: Jesus Christ. Doctor Umar would be proud, would say, brother,

1905
01:21:33,920 --> 01:21:39,640
Speaker 2: complete the assignment. Hello, who's this?

1906
01:21:40,680 --> 01:21:40,800
Speaker 12: Hi?

1907
01:21:41,160 --> 01:21:41,839
Speaker 28: Good morning?

1908
01:21:42,160 --> 01:21:45,240
Speaker 2: What's your name? Agent? Talk to us?

1909
01:21:45,680 --> 01:21:45,800
Speaker 8: Hi?

1910
01:21:46,160 --> 01:21:50,560
Speaker 28: Good morning, celebrator God you say all the guys today.

1911
01:21:50,720 --> 01:21:51,960
Speaker 2: That's a loon. Say what the loom?

1912
01:21:52,280 --> 01:21:53,040
Speaker 28: Hey, what's up?

1913
01:21:53,120 --> 01:21:53,400
Speaker 18: Loom?

1914
01:21:53,479 --> 01:21:55,320
Speaker 2: How you what's up? What's up? Peace?

1915
01:21:55,560 --> 01:21:59,720
Speaker 4: Now you're dating a married man currently South Carolina.

1916
01:21:59,800 --> 01:22:05,960
Speaker 28: I'm it's been playing so right now from Sumter, South Carolina.

1917
01:22:06,360 --> 01:22:10,920
Speaker 2: Okay, you out there, that's John marin Country. Yes, and

1918
01:22:11,040 --> 01:22:12,599
Speaker 2: you're dating a married man now right.

1919
01:22:13,000 --> 01:22:13,320
Speaker 27: I am.

1920
01:22:13,960 --> 01:22:17,080
Speaker 28: I am, and I'm a little and divers da.

1921
01:22:18,600 --> 01:22:19,040
Speaker 20: For one.

1922
01:22:19,600 --> 01:22:20,280
Speaker 18: It doesn't fit.

1923
01:22:20,800 --> 01:22:25,439
Speaker 28: It doesn't really fit my amen. Uh, it doesn't highest

1924
01:22:25,960 --> 01:22:30,479
Speaker 28: anything that I believe. I'm a gut man. I've been

1925
01:22:30,560 --> 01:22:32,040
Speaker 28: doing a lot of work on myself.

1926
01:22:32,439 --> 01:22:35,519
Speaker 2: Man, you ain't got em playing on you. You got

1927
01:22:35,560 --> 01:22:42,679
Speaker 2: me in here so much in myself, my image a woman.

1928
01:22:43,080 --> 01:22:46,240
Speaker 2: I pray every my circumstance.

1929
01:22:47,400 --> 01:22:50,599
Speaker 4: I get, I give, I give my ties to the church.

1930
01:22:50,960 --> 01:22:53,920
Speaker 2: When I see homeless people out getting money, why why

1931
01:22:54,840 --> 01:22:55,920
Speaker 2: why are you doing what you're doing?

1932
01:22:56,200 --> 01:22:58,320
Speaker 28: Okay, while I'm doing what I'm doing now, it's kind

1933
01:22:58,360 --> 01:23:00,560
Speaker 28: of selling my life. I mean south of this.

1934
01:23:00,800 --> 01:23:03,639
Speaker 18: I don't look for I married this, I really don't.

1935
01:23:03,720 --> 01:23:06,400
Speaker 28: That's not what I did. But this fell in my last.

1936
01:23:06,479 --> 01:23:08,800
Speaker 28: One thing I got to say about this man is

1937
01:23:09,160 --> 01:23:13,880
Speaker 28: that uh jerky his marriage. He's obviously being very well.

1938
01:23:14,080 --> 01:23:18,599
Speaker 28: He's a grid provider. Uh he he uh he acts

1939
01:23:18,920 --> 01:23:21,840
Speaker 28: if he and I will possibly, but that at the

1940
01:23:22,000 --> 01:23:24,320
Speaker 28: end of the day, I realized, you know that that

1941
01:23:24,560 --> 01:23:29,200
Speaker 28: is myself that his wife will always pert and form

1942
01:23:30,720 --> 01:23:34,479
Speaker 28: and I get that, and he makes that very good too.

1943
01:23:34,880 --> 01:23:38,519
Speaker 28: But at the same time, you stare out here for you.

1944
01:23:38,560 --> 01:23:40,040
Speaker 2: Know, single man wool.

1945
01:23:39,840 --> 01:23:42,840
Speaker 28: Who don't up to the foot uh, who are all

1946
01:23:43,000 --> 01:23:45,200
Speaker 28: over the place. You know you have to worry about

1947
01:23:45,240 --> 01:23:46,360
Speaker 28: who is the wiz?

1948
01:23:46,640 --> 01:23:46,960
Speaker 9: And I.

1949
01:23:48,479 --> 01:23:52,040
Speaker 28: Man, I know, is we still with everybody outside of

1950
01:23:52,520 --> 01:23:57,560
Speaker 28: you know, his wife or or or at the s

1951
01:23:57,880 --> 01:24:04,000
Speaker 28: time if it's bothering the result?

1952
01:24:05,400 --> 01:24:07,639
Speaker 2: Why don't you Why don't you, Why don't you put

1953
01:24:07,680 --> 01:24:10,639
Speaker 2: together a proposal, oh boy, to take to the wife

1954
01:24:10,720 --> 01:24:13,960
Speaker 2: and the man what and provide your services? Say hey, look,

1955
01:24:14,040 --> 01:24:17,200
Speaker 2: I can be an addition of help to the family

1956
01:24:17,200 --> 01:24:19,120
Speaker 2: the wife, don't sister, That's what I'm saying, be a

1957
01:24:19,200 --> 01:24:21,760
Speaker 2: sister wife. Why doon't you do that? At least propose it? No,

1958
01:24:22,160 --> 01:24:23,000
Speaker 2: she put it on the table.

1959
01:24:23,320 --> 01:24:27,040
Speaker 3: You never know, You never know, ask the man first

1960
01:24:27,080 --> 01:24:29,439
Speaker 3: before you just the conversation with him. But I don't

1961
01:24:29,439 --> 01:24:31,320
Speaker 3: know if you heard what she said. She said that way,

1962
01:24:31,439 --> 01:24:33,760
Speaker 3: if she's dating him, she knows that he's not doing

1963
01:24:33,840 --> 01:24:36,120
Speaker 3: anything but her and the wife, So she knows that,

1964
01:24:36,520 --> 01:24:37,880
Speaker 3: and she if he's doing anything.

1965
01:24:37,880 --> 01:24:39,800
Speaker 2: It's only with the wife, so he's not cheating on her.

1966
01:24:39,880 --> 01:24:41,920
Speaker 2: That's how she feel. She likes a challenge. I think

1967
01:24:42,160 --> 01:24:43,799
Speaker 2: I'm not glad. I think she should bring a proposal

1968
01:24:43,840 --> 01:24:45,360
Speaker 2: to him and the wife. I think that there's a

1969
01:24:45,439 --> 01:24:48,599
Speaker 2: lot of situations that could be poligamous, situations where people

1970
01:24:48,760 --> 01:24:50,839
Speaker 2: don't be people don't be wanting to open up the conversation.

1971
01:24:51,479 --> 01:24:53,639
Speaker 4: Eight hundred five eight five one oh five one.

1972
01:24:53,680 --> 01:24:54,559
Speaker 2: If you just joined us.

1973
01:24:54,600 --> 01:24:57,280
Speaker 3: This was going all over social media yesterday, and the

1974
01:24:57,400 --> 01:24:59,719
Speaker 3: question is eight hundred five A five one oh five one. Ladies,

1975
01:24:59,720 --> 01:25:02,040
Speaker 3: would you you prefer having a married man that never

1976
01:25:02,200 --> 01:25:04,680
Speaker 3: tells you no or your own man that tells you

1977
01:25:04,800 --> 01:25:05,599
Speaker 3: no forty five.

1978
01:25:05,439 --> 01:25:06,920
Speaker 2: Percent of the time. Let's talk about it. It's the

1979
01:25:06,920 --> 01:25:09,040
Speaker 2: Breakfast Lugan Morning Morning.

1980
01:25:09,080 --> 01:25:12,200
Speaker 3: Everybody is dj n V, Charlamagne the guy. We are

1981
01:25:12,280 --> 01:25:14,320
Speaker 3: the breakfast Club. We got our guest co host, Loonie.

1982
01:25:14,640 --> 01:25:17,280
Speaker 3: He's the host of It's Up There podcast. If you're

1983
01:25:17,320 --> 01:25:20,360
Speaker 3: just joining us, this was going around social media yesterday.

1984
01:25:20,600 --> 01:25:23,599
Speaker 26: Do you'd rather deal with a married man that never

1985
01:25:23,720 --> 01:25:27,120
Speaker 26: tells you no? Or your own man that tells you

1986
01:25:27,280 --> 01:25:28,960
Speaker 26: no forty five percent of the time.

1987
01:25:29,479 --> 01:25:30,680
Speaker 2: No, I'm dealing with the married man.

1988
01:25:31,720 --> 01:25:33,960
Speaker 12: Now I take the marriage what I'm sorry, I'm with

1989
01:25:34,000 --> 01:25:34,559
Speaker 12: the merian.

1990
01:25:35,200 --> 01:25:39,920
Speaker 2: I'm married. I'm sure you telling me yes everything? Yeah,

1991
01:25:40,040 --> 01:25:42,200
Speaker 2: give me I would deal with my man.

1992
01:25:42,280 --> 01:25:43,679
Speaker 24: That tells me nokad, I'm gonna beat him.

1993
01:25:43,560 --> 01:25:44,000
Speaker 2: The fuck up.

1994
01:25:44,200 --> 01:25:46,600
Speaker 4: We're taking the married guy because why am I with you?

1995
01:25:46,600 --> 01:25:47,720
Speaker 4: You keep saying, oh, for.

1996
01:25:48,760 --> 01:25:50,000
Speaker 2: I ain't want to go with the many guy.

1997
01:25:50,479 --> 01:25:51,439
Speaker 7: I don't like the word no.

1998
01:25:51,800 --> 01:25:54,640
Speaker 3: So so we're asking eight hundred five eighty five one

1999
01:25:54,720 --> 01:25:56,840
Speaker 3: oh five one, ladies, how do you feel about that?

2000
01:25:57,439 --> 01:26:02,120
Speaker 2: Let's go to Lauren. Good morning, Lawrence, Good morning guys.

2001
01:26:02,479 --> 01:26:03,719
Speaker 6: Hello, breakfast club.

2002
01:26:05,560 --> 01:26:08,360
Speaker 2: I'm doing good. That which one you you're dating a

2003
01:26:08,439 --> 01:26:10,000
Speaker 2: married man or your own man? Which one?

2004
01:26:10,479 --> 01:26:13,880
Speaker 6: I'm dating a married man that will treat me well?

2005
01:26:14,240 --> 01:26:16,680
Speaker 6: Because have y'all heard of poly relationship?

2006
01:26:16,960 --> 01:26:18,640
Speaker 2: Yes, married man?

2007
01:26:19,600 --> 01:26:21,760
Speaker 6: Yes, there's women already sharing married men.

2008
01:26:22,320 --> 01:26:22,479
Speaker 2: Yeah.

2009
01:26:22,520 --> 01:26:24,920
Speaker 4: But does the other woman know you're sharing man or

2010
01:26:25,000 --> 01:26:26,040
Speaker 4: you just do it on the side?

2011
01:26:26,400 --> 01:26:27,080
Speaker 6: Oh? They will know.

2012
01:26:28,160 --> 01:26:28,280
Speaker 12: Hm.

2013
01:26:28,960 --> 01:26:31,280
Speaker 6: So I'd rather have a man treat me right.

2014
01:26:31,560 --> 01:26:31,840
Speaker 17: That's it.

2015
01:26:32,360 --> 01:26:34,439
Speaker 2: Hey, I just want y'all to know every single woman

2016
01:26:34,520 --> 01:26:36,120
Speaker 2: that is called up here thus far is in a

2017
01:26:36,200 --> 01:26:38,800
Speaker 2: relationship with a married man. Right, Jesus Chris.

2018
01:26:39,360 --> 01:26:40,400
Speaker 6: Yes, it's called Polly.

2019
01:26:41,880 --> 01:26:43,120
Speaker 2: And the wife knows about you.

2020
01:26:43,800 --> 01:26:44,000
Speaker 18: Yes.

2021
01:26:44,560 --> 01:26:46,040
Speaker 2: Do y'all sleep with each other together?

2022
01:26:46,200 --> 01:26:48,760
Speaker 18: Or just I don't, but some women do.

2023
01:26:49,479 --> 01:26:50,760
Speaker 2: So he has mourning just you.

2024
01:26:51,320 --> 01:26:54,160
Speaker 6: Yeah, and we all good because as well as he do.

2025
01:26:54,479 --> 01:26:55,360
Speaker 21: Was I need him a do?

2026
01:26:56,040 --> 01:26:56,719
Speaker 15: I don't complain?

2027
01:26:56,800 --> 01:26:57,840
Speaker 2: And what do you need him to do with me?

2028
01:26:58,080 --> 01:26:58,519
Speaker 4: Financially?

2029
01:26:58,640 --> 01:26:59,160
Speaker 2: Pay bills?

2030
01:26:59,479 --> 01:27:02,760
Speaker 6: They don't think be financial because I have my own job.

2031
01:27:02,880 --> 01:27:06,519
Speaker 6: I work on a truck driver. He gives me the love,

2032
01:27:06,600 --> 01:27:10,160
Speaker 6: that touch and affection. We go on dates before man pick.

2033
01:27:10,880 --> 01:27:12,000
Speaker 6: That's just all I need.

2034
01:27:12,600 --> 01:27:15,760
Speaker 3: Okay, you in your truck now, No, it's not right now,

2035
01:27:16,640 --> 01:27:18,599
Speaker 3: glad you go the horn? That's all that sa Mama,

2036
01:27:18,680 --> 01:27:18,920
Speaker 3: thank you?

2037
01:27:19,360 --> 01:27:19,639
Speaker 2: Hello?

2038
01:27:19,720 --> 01:27:20,960
Speaker 4: Who this yo?

2039
01:27:21,160 --> 01:27:29,040
Speaker 10: What's that? And my opinion is women need to freaking choose.

2040
01:27:29,600 --> 01:27:32,360
Speaker 15: You can deal with a single man that's all yours,

2041
01:27:32,479 --> 01:27:35,040
Speaker 15: that you think is all yours, or if you.

2042
01:27:35,160 --> 01:27:37,320
Speaker 16: Deal with a married men, just know your place and

2043
01:27:37,400 --> 01:27:38,080
Speaker 16: know your lane.

2044
01:27:38,439 --> 01:27:40,360
Speaker 15: I don't like these new chicks they out here want

2045
01:27:40,439 --> 01:27:42,799
Speaker 15: to be bid chicks. They want to go and burst

2046
01:27:42,840 --> 01:27:46,720
Speaker 15: the wife and go and you know, like girl, be

2047
01:27:46,840 --> 01:27:52,240
Speaker 15: a mistress, be a mystery, be in your place Jesus, like.

2048
01:27:52,360 --> 01:27:55,040
Speaker 10: Reals up like or you can have a man that's

2049
01:27:55,120 --> 01:28:00,519
Speaker 10: all yours, that's supposed to be single, but he around

2050
01:28:00,560 --> 01:28:02,600
Speaker 10: on you. At least with the married men, you know,

2051
01:28:03,000 --> 01:28:05,599
Speaker 10: just put yourself in a position to say, look, I'm

2052
01:28:05,720 --> 01:28:07,760
Speaker 10: number two, because you got to know that his life

2053
01:28:07,840 --> 01:28:11,280
Speaker 10: is number one and you're not supposed to ever try

2054
01:28:11,320 --> 01:28:13,040
Speaker 10: to go up against that, but just want.

2055
01:28:12,960 --> 01:28:15,080
Speaker 15: To fall in love with the married men like you stupid?

2056
01:28:15,280 --> 01:28:15,920
Speaker 14: Like dude, you.

2057
01:28:18,120 --> 01:28:19,680
Speaker 2: Tell them, I don't know what the hell is going on.

2058
01:28:20,479 --> 01:28:23,800
Speaker 2: At first, No, we solicited these calls, so I can't

2059
01:28:23,840 --> 01:28:26,640
Speaker 2: be upset. But god d every woman is with it.

2060
01:28:26,960 --> 01:28:27,160
Speaker 8: Yeah.

2061
01:28:27,280 --> 01:28:31,880
Speaker 5: First first I was thinking, like, yo, maybe that because

2062
01:28:31,920 --> 01:28:33,280
Speaker 5: when you run up on people in the middle of

2063
01:28:33,280 --> 01:28:35,160
Speaker 5: the street, they kind of know it's for TikTok. They

2064
01:28:35,240 --> 01:28:37,560
Speaker 5: kind of put a little cap on the answer. But

2065
01:28:37,720 --> 01:28:39,840
Speaker 5: for these calls to be coming in and co sign it,

2066
01:28:39,880 --> 01:28:43,919
Speaker 5: and I'm saying, wow, wow, Mary, Yes.

2067
01:28:44,080 --> 01:28:45,960
Speaker 2: Good morning, Mary, talk to us, Mary.

2068
01:28:46,120 --> 01:28:46,759
Speaker 18: Good morning.

2069
01:28:46,880 --> 01:28:48,559
Speaker 4: How are you all doing well?

2070
01:28:49,360 --> 01:28:49,599
Speaker 15: Good?

2071
01:28:49,960 --> 01:28:53,360
Speaker 18: I do not agree that the women saying the married

2072
01:28:53,439 --> 01:28:56,560
Speaker 18: man to me, my morals cannot do it. I have

2073
01:28:56,840 --> 01:28:59,400
Speaker 18: friends that have thrown down that line and to me,

2074
01:28:59,600 --> 01:29:02,680
Speaker 18: the emotional stress the mental stress is not worth it.

2075
01:29:03,200 --> 01:29:05,240
Speaker 18: Even though he's gonna be telling you yes when you

2076
01:29:05,320 --> 01:29:08,320
Speaker 18: want somebody by your side, he's gonna probably be over

2077
01:29:08,360 --> 01:29:10,720
Speaker 18: there with his wife. Like, it's gonna be some conflicts

2078
01:29:10,760 --> 01:29:13,240
Speaker 18: at times where you can't get a yes all the time.

2079
01:29:13,880 --> 01:29:15,559
Speaker 6: So we gotta consider that too.

2080
01:29:16,120 --> 01:29:18,240
Speaker 2: I agree. Yeah, and I want you to know me.

2081
01:29:18,640 --> 01:29:21,120
Speaker 2: You're the first woman to call up here this morning.

2082
01:29:21,200 --> 01:29:21,800
Speaker 2: That's against it.

2083
01:29:23,560 --> 01:29:28,759
Speaker 18: Yes, No, it's not worth it, ladies, like, it's seriously

2084
01:29:28,880 --> 01:29:31,000
Speaker 18: not worth you, like, get your own man. You gotta

2085
01:29:31,000 --> 01:29:34,479
Speaker 18: think about the other woman too, like I couldn't do it.

2086
01:29:34,640 --> 01:29:35,680
Speaker 6: But before I get off of.

2087
01:29:35,680 --> 01:29:37,400
Speaker 18: That, woul, y'all, mind if I get my son a

2088
01:29:37,560 --> 01:29:38,360
Speaker 18: birthday shout out.

2089
01:29:38,400 --> 01:29:39,719
Speaker 15: He's sixteens of course.

2090
01:29:40,600 --> 01:29:40,880
Speaker 2: Okay.

2091
01:29:40,880 --> 01:29:43,080
Speaker 18: I want to just give Jaylen a shout out. I

2092
01:29:43,240 --> 01:29:45,720
Speaker 18: love you. I hope you have an amazing birthday. I

2093
01:29:45,800 --> 01:29:48,680
Speaker 18: hope you've enjoyed your trip down here at Margaritaville, and

2094
01:29:48,760 --> 01:29:50,439
Speaker 18: we have one more gift to give you when you

2095
01:29:50,520 --> 01:29:51,160
Speaker 18: get back home.

2096
01:29:52,040 --> 01:29:53,920
Speaker 2: I was in Margaritaville in Orlando.

2097
01:29:54,600 --> 01:29:55,840
Speaker 18: No, we're no one in Biloxi.

2098
01:29:56,080 --> 01:29:58,360
Speaker 2: Oh okay, okay, I was in Margaritaville and Orlando. A

2099
01:29:58,400 --> 01:30:00,760
Speaker 2: couple months, but enjoy right, and I'll be safe out there.

2100
01:30:01,040 --> 01:30:02,519
Speaker 15: Yeah sure, all right, thank you so much.

2101
01:30:02,520 --> 01:30:04,200
Speaker 2: I have a good day you too. What's the marrow

2102
01:30:04,240 --> 01:30:06,519
Speaker 2: of the story, guys, Stop humping on that woman's husband,

2103
01:30:06,760 --> 01:30:09,439
Speaker 2: all right, that's the moral of the goddamn story. Stop

2104
01:30:09,520 --> 01:30:12,560
Speaker 2: humping on that woman's husband unless that woman knows about it.

2105
01:30:12,600 --> 01:30:15,719
Speaker 2: If y'all got some type of arrangement or agreement, cool,

2106
01:30:15,760 --> 01:30:19,200
Speaker 2: if y'all got some type of Polynesian Sawce situation going down. Cool.

2107
01:30:19,320 --> 01:30:21,439
Speaker 2: Other than that, stop humping on that wom's husband, because

2108
01:30:21,439 --> 01:30:23,120
Speaker 2: that woman gonna beat you up. All right.

2109
01:30:23,200 --> 01:30:25,439
Speaker 3: When we come back, we're gonna discuss why nw Melly.

2110
01:30:25,560 --> 01:30:27,439
Speaker 3: It's he was in court yesterday and there's a lot

2111
01:30:27,520 --> 01:30:27,800
Speaker 3: going on.

2112
01:30:27,960 --> 01:30:28,519
Speaker 2: We'll break it down.

2113
01:30:28,520 --> 01:30:31,879
Speaker 4: It's the Breakfast Club One Morning owning everybody. It's DJ NV.

2114
01:30:31,920 --> 01:30:33,800
Speaker 3: Charlamagne the God. We are the Breakfast Club. We got

2115
01:30:33,840 --> 01:30:35,280
Speaker 3: our co host Looney here, sir.

2116
01:30:35,920 --> 01:30:38,519
Speaker 4: Let's get to the romans. Let's talk why nw Melly

2117
01:30:41,439 --> 01:30:44,519
Speaker 4: out of name or you gossip been on you chatting God?

2118
01:30:45,000 --> 01:30:46,280
Speaker 2: This is the rumor report.

2119
01:30:46,400 --> 01:30:47,720
Speaker 4: I mean, I guess we're on the breakfast Club. This

2120
01:30:47,720 --> 01:30:48,280
Speaker 4: is where the tea.

2121
01:30:48,200 --> 01:30:50,680
Speaker 2: Spells, right, on the Breakfast club. Now.

2122
01:30:50,840 --> 01:30:53,639
Speaker 3: YNW Melly, of course is a rapper. He's on trial

2123
01:30:53,760 --> 01:30:57,240
Speaker 3: right now for double murder. The twenty four year old

2124
01:30:57,280 --> 01:30:59,679
Speaker 3: faces two counts of murder for the twenty eighteen shooting

2125
01:30:59,760 --> 01:31:03,920
Speaker 3: death of his peoples at the time, Chris Thomas twenty

2126
01:31:04,479 --> 01:31:09,200
Speaker 3: and Anthony Williams twenty one. Now, allegedly they're saying that

2127
01:31:09,400 --> 01:31:11,559
Speaker 3: ym Melly insists that the two died in a drive

2128
01:31:11,680 --> 01:31:14,880
Speaker 3: by shooting, but prosecutors are saying that didn't happen and

2129
01:31:14,920 --> 01:31:18,240
Speaker 3: they believe that possibly why n Melly was the one

2130
01:31:18,280 --> 01:31:20,560
Speaker 3: that did this shooting. So yesterday was day one in

2131
01:31:20,640 --> 01:31:24,000
Speaker 3: the trial and it was all over the place. It

2132
01:31:24,080 --> 01:31:26,519
Speaker 3: was all over the place. At one point, they're saying

2133
01:31:26,680 --> 01:31:31,719
Speaker 3: after the shooting, YMW Melly YNW Melly hit up Frederiro

2134
01:31:31,880 --> 01:31:34,000
Speaker 3: Bang and told him he needed to be picked up

2135
01:31:34,439 --> 01:31:36,200
Speaker 3: and he pinned his address. There's a lot going on

2136
01:31:36,360 --> 01:31:38,360
Speaker 3: we here from the prosecutor and then we'll asked Loon

2137
01:31:38,400 --> 01:31:41,640
Speaker 3: need to break some of this down as mister Demmons.

2138
01:31:41,360 --> 01:31:44,639
Speaker 1: Is good after he's been taged in multiple social media

2139
01:31:44,720 --> 01:31:48,559
Speaker 1: posts about this drive through this shooting, and mister Demmons

2140
01:31:48,640 --> 01:31:54,040
Speaker 1: were signs very sustaintly I did that shot. So what

2141
01:31:54,120 --> 01:31:56,599
Speaker 1: you're also going to find out is while mister Dennins

2142
01:31:56,680 --> 01:31:58,400
Speaker 1: is out there on the side of the road four

2143
01:31:58,439 --> 01:32:00,040
Speaker 1: in the morning, he sends.

2144
01:31:59,800 --> 01:32:04,519
Speaker 7: A drop him digital homing beacon to his current location to.

2145
01:32:04,600 --> 01:32:08,040
Speaker 1: One of his friends, Frederick Gibbons, and he asked she

2146
01:32:08,160 --> 01:32:12,320
Speaker 1: picked up Frederick Gibbons. Then about eleven minutes later is

2147
01:32:12,360 --> 01:32:14,040
Speaker 1: sent to another drop him.

2148
01:32:16,320 --> 01:32:18,080
Speaker 4: Yeah, a lot going on. So what did you get

2149
01:32:18,120 --> 01:32:20,080
Speaker 4: out of this? I know you was watching this case yesterday.

2150
01:32:20,240 --> 01:32:23,080
Speaker 5: Yes, my opinion on it as far as what I

2151
01:32:23,240 --> 01:32:27,360
Speaker 5: was looking at, the prosecution is presenting a very.

2152
01:32:31,080 --> 01:32:32,160
Speaker 2: Crazy case, right.

2153
01:32:32,240 --> 01:32:34,840
Speaker 5: They're legend that he shot his own friends, of course,

2154
01:32:34,920 --> 01:32:37,720
Speaker 5: but I just think all the evidence is circumstantial.

2155
01:32:37,840 --> 01:32:39,479
Speaker 2: The only damaging part.

2156
01:32:39,360 --> 01:32:42,880
Speaker 5: That I think I felt they presented was when fred

2157
01:32:42,960 --> 01:32:46,400
Speaker 5: o'bang or whoever was reaching out to YNW Melly him saying,

2158
01:32:46,479 --> 01:32:48,519
Speaker 5: I did that they have no gun?

2159
01:32:49,040 --> 01:32:49,280
Speaker 21: They have?

2160
01:32:49,960 --> 01:32:52,040
Speaker 5: You know, the evidence, in my opinion, is just scarce.

2161
01:32:52,080 --> 01:32:55,800
Speaker 5: So I don't see what's happening. What's your opinion on

2162
01:32:55,880 --> 01:32:56,160
Speaker 5: the show.

2163
01:32:56,720 --> 01:32:58,080
Speaker 2: I don't know nothing more with them me on what's

2164
01:32:58,080 --> 01:32:59,960
Speaker 2: going on. I just saw I saw him say that

2165
01:33:00,080 --> 01:33:02,120
Speaker 2: he got a bunch of you hear a bunch of

2166
01:33:02,160 --> 01:33:04,080
Speaker 2: different voices in his head and something I saw that

2167
01:33:04,160 --> 01:33:06,639
Speaker 2: when he interviewed with Nihla some years ago.

2168
01:33:06,800 --> 01:33:08,760
Speaker 5: Now Here's the thing all of that I think will

2169
01:33:08,800 --> 01:33:13,000
Speaker 5: play into how the prosecution tries to paint him to

2170
01:33:13,479 --> 01:33:15,360
Speaker 5: the jury, is that some of these videos, some of

2171
01:33:15,400 --> 01:33:18,080
Speaker 5: these lyrics, some of these things he've said are popping

2172
01:33:18,160 --> 01:33:18,519
Speaker 5: back up.

2173
01:33:18,600 --> 01:33:21,120
Speaker 2: But as far as evidence in this case, I thought

2174
01:33:21,120 --> 01:33:22,519
Speaker 2: I saw they had him. I heard you say that

2175
01:33:22,520 --> 01:33:23,760
Speaker 2: this is not but I thought I saw they said

2176
01:33:24,240 --> 01:33:27,200
Speaker 2: they saw him communicating via snapchat of DM that he

2177
01:33:27,320 --> 01:33:27,560
Speaker 2: did it.

2178
01:33:27,840 --> 01:33:30,439
Speaker 5: Yeah, yeah, I don't know, bro right, and it's it's

2179
01:33:30,479 --> 01:33:33,480
Speaker 5: a very vague thing, like I did that in response

2180
01:33:33,600 --> 01:33:37,240
Speaker 5: to like the prosecution said this, the context is important.

2181
01:33:37,320 --> 01:33:40,120
Speaker 5: She says that when he said I did that, it

2182
01:33:40,240 --> 01:33:42,360
Speaker 5: was in response to someone saying are you okay?

2183
01:33:42,880 --> 01:33:45,559
Speaker 2: So in her opinion, that places him as the person

2184
01:33:45,640 --> 01:33:47,639
Speaker 2: that did it. That could be that could be a verse,

2185
01:33:48,560 --> 01:33:49,800
Speaker 2: you know what I mean. You could be replied like

2186
01:33:51,040 --> 01:33:51,680
Speaker 2: posted your song.

2187
01:33:51,720 --> 01:33:53,519
Speaker 5: You might have replied back, I did that, yeah, and

2188
01:33:53,640 --> 01:33:55,679
Speaker 5: then you got you got Also other people.

2189
01:33:56,000 --> 01:33:56,120
Speaker 21: Uh.

2190
01:33:56,200 --> 01:33:59,760
Speaker 5: The other guy who they are trying to lean on

2191
01:33:59,840 --> 01:34:04,519
Speaker 5: for reasonable doubt is saying that he sold his Instagram account.

2192
01:34:04,560 --> 01:34:07,320
Speaker 5: Allegedly there's a lot happening on that Instagram account that

2193
01:34:07,520 --> 01:34:09,000
Speaker 5: has to do with the murder. But he said, I

2194
01:34:09,040 --> 01:34:10,800
Speaker 5: sold it for twenty dollars. I don't know who I

2195
01:34:10,880 --> 01:34:13,160
Speaker 5: sold it to. Yeah, I don't know who I sold

2196
01:34:13,200 --> 01:34:15,680
Speaker 5: it to. And the prosecution let him go.

2197
01:34:15,920 --> 01:34:19,360
Speaker 2: So y n w. Melli lawyer is saying.

2198
01:34:19,160 --> 01:34:21,200
Speaker 5: Hey, they should have looked into that guy a little

2199
01:34:21,240 --> 01:34:24,240
Speaker 5: bit more like, if you're looking for a suspect of

2200
01:34:24,320 --> 01:34:26,400
Speaker 5: a murder, you don't just pending on the first person.

2201
01:34:26,479 --> 01:34:27,800
Speaker 2: So I don't know what's going on. I'm just trying

2202
01:34:27,800 --> 01:34:29,760
Speaker 2: to get my cholesterol down here downwn. I'm just trying

2203
01:34:29,760 --> 01:34:31,200
Speaker 2: to keep it down. That's all I'm trying to do,

2204
01:34:31,439 --> 01:34:31,800
Speaker 2: all right.

2205
01:34:31,880 --> 01:34:34,960
Speaker 3: Also, niney Lee posted yesterday that her and her boyfriend

2206
01:34:35,000 --> 01:34:36,920
Speaker 3: it seems like it's over. It's a rap now you

2207
01:34:37,000 --> 01:34:39,280
Speaker 3: know her boy Yeah, get your fan for this, to

2208
01:34:39,320 --> 01:34:40,880
Speaker 3: get my fan out, get your fan.

2209
01:34:41,320 --> 01:34:43,240
Speaker 2: You out here talking about pople relationships. Now.

2210
01:34:43,280 --> 01:34:45,479
Speaker 3: The African brother that's been uphill pretty cool dude that

2211
01:34:45,479 --> 01:34:47,160
Speaker 3: I ran into him in Atlanta. He does suits. He

2212
01:34:47,200 --> 01:34:49,240
Speaker 3: wanted to do a suit for me and you. He

2213
01:34:49,360 --> 01:34:51,840
Speaker 3: said that their romance is ended. You remember when she

2214
01:34:51,960 --> 01:34:52,240
Speaker 3: was up.

2215
01:34:52,200 --> 01:34:54,680
Speaker 4: Here, she talked about how she actually enjoyed being with.

2216
01:34:54,720 --> 01:34:55,560
Speaker 2: An African.

2217
01:34:58,479 --> 01:34:58,839
Speaker 25: Yanni.

2218
01:34:58,920 --> 01:35:03,880
Speaker 2: Coo, that should fiance is something I don't know that Okay,

2219
01:35:03,880 --> 01:35:05,560
Speaker 2: So you were attracted to him. How much did he

2220
01:35:05,680 --> 01:35:07,280
Speaker 2: have to buy before he got?

2221
01:35:07,479 --> 01:35:07,960
Speaker 6: Not a lot?

2222
01:35:11,000 --> 01:35:14,240
Speaker 2: What was it a dinner, a vacation he gave gifts to?

2223
01:35:15,800 --> 01:35:17,720
Speaker 2: Is that the smooth brother in the corner with the accident, Yes,

2224
01:35:18,400 --> 01:35:20,680
Speaker 2: with the accent. Yeah, that brother'swoot. That brother got leat

2225
01:35:20,680 --> 01:35:22,760
Speaker 2: the pants on at six in the morning. He ain't

2226
01:35:22,800 --> 01:35:25,560
Speaker 2: playing when I saw walking this morning. Hey, Lala was

2227
01:35:25,640 --> 01:35:28,040
Speaker 2: up there last week and La La said, you've got

2228
01:35:28,160 --> 01:35:30,519
Speaker 2: to get you an African man because the am African

2229
01:35:30,600 --> 01:35:34,519
Speaker 2: man has been that bag. Remember she said that. You know,

2230
01:35:34,600 --> 01:35:36,400
Speaker 2: I will say they do take care of their lady,

2231
01:35:36,479 --> 01:35:39,000
Speaker 2: but you know one and done for me, Like you know,

2232
01:35:39,080 --> 01:35:41,719
Speaker 2: if something happened with us, I wouldn't have ate another African.

2233
01:35:42,200 --> 01:35:46,600
Speaker 2: Damn the whole continent. Nini built the wall around the

2234
01:35:46,760 --> 01:35:49,880
Speaker 2: whole continent of Africa because things didn't work out.

2235
01:35:50,200 --> 01:35:52,960
Speaker 3: Yeah, she posted a Nacissis is the devil. So that's

2236
01:35:53,000 --> 01:35:55,599
Speaker 3: what she posted, all right, And that is your rumor

2237
01:35:55,800 --> 01:35:56,400
Speaker 3: reports and.

2238
01:35:56,439 --> 01:35:58,400
Speaker 2: Listen salute to my guy Loony too. Man, if you've

2239
01:35:58,439 --> 01:36:00,840
Speaker 2: never listened to It's Up There podcast with Loony, you

2240
01:36:00,960 --> 01:36:03,600
Speaker 2: need to. Some of the best conversations in regards to

2241
01:36:03,680 --> 01:36:06,080
Speaker 2: the world of podcasting and just the world and media,

2242
01:36:06,200 --> 01:36:09,040
Speaker 2: some of the best conversations with artists and entrepreneurs. Looney's

2243
01:36:09,040 --> 01:36:11,040
Speaker 2: having all those convos. And it's a privilege and an

2244
01:36:11,080 --> 01:36:13,680
Speaker 2: honor to say that It's Up There podcast is now

2245
01:36:13,760 --> 01:36:17,599
Speaker 2: available via the Black Effect as iHeart Radio. That's drop

2246
01:36:17,640 --> 01:36:20,400
Speaker 2: a bomb for that. That's We'll make sure you subscribe

2247
01:36:20,400 --> 01:36:21,599
Speaker 2: to it It's up There podcast.

2248
01:36:22,120 --> 01:36:24,200
Speaker 3: Get it and when we come back, of course, we

2249
01:36:24,240 --> 01:36:26,080
Speaker 3: got the people's choice mixing and don't forget Father's Day.

2250
01:36:26,080 --> 01:36:27,960
Speaker 3: Weekn we out in Houston for My Car Show. Can't

2251
01:36:27,960 --> 01:36:29,600
Speaker 3: wait to see you guys. Of course, kids five and

2252
01:36:29,720 --> 01:36:31,800
Speaker 3: under a free bring your family out as the Breakfast Club.

2253
01:36:31,840 --> 01:36:35,320
Speaker 3: Good morning, the Breakfast Club. Your mornings will never be

2254
01:36:35,479 --> 01:36:38,160
Speaker 3: the same. If you had the power to go back

2255
01:36:38,200 --> 01:36:40,479
Speaker 3: in time and change something, would you In a new

2256
01:36:40,560 --> 01:36:43,160
Speaker 3: movie to Flash World's Collide and an epic adventure that

2257
01:36:43,240 --> 01:36:46,760
Speaker 3: brings us to Batman's General Zode and a badass Supergirl.

2258
01:36:47,080 --> 01:36:49,280
Speaker 3: Get tickets now for the new flash only in THEA.

2259
01:36:49,280 --> 01:36:50,800
Speaker 3: It's June sixteenth, rated PG.

2260
01:36:50,960 --> 01:36:51,360
Speaker 2: Thirteen.

2261
01:36:51,479 --> 01:36:54,760
Speaker 3: Oarning everybody. It's dj n V Charlamagne the Guy. We

2262
01:36:54,880 --> 01:36:57,640
Speaker 3: are the Breakfast Club, Loony Man. We appreciate you for

2263
01:36:57,760 --> 01:36:58,519
Speaker 3: joining us this morning.

2264
01:36:58,560 --> 01:37:01,400
Speaker 2: Brother, no problem man, and listen, make sure you go

2265
01:37:01,479 --> 01:37:04,240
Speaker 2: subscribe to it. It's up there podcast via The Black

2266
01:37:04,280 --> 01:37:05,839
Speaker 2: Effect and iHeart Radios.

2267
01:37:06,000 --> 01:37:09,000
Speaker 5: Lord where you based out of Looney nashvia Nashville. Yes, sir,

2268
01:37:09,160 --> 01:37:10,439
Speaker 5: big black effake energy.

2269
01:37:10,680 --> 01:37:12,519
Speaker 4: That's right, all right, and definitely check out. You got

2270
01:37:12,600 --> 01:37:14,440
Speaker 4: shout out to anybody, with a shout out to anybody.

2271
01:37:14,160 --> 01:37:18,160
Speaker 5: Tell me my mom and kids and follow me FOJFFO

2272
01:37:18,400 --> 01:37:21,720
Speaker 5: Underscore Looney. It's up their podcast, biggest in history. I

2273
01:37:21,840 --> 01:37:23,720
Speaker 5: guarantee that all right. When we come back, we got

2274
01:37:23,760 --> 01:37:26,600
Speaker 5: the positive notice the Breakfast Club. Good morning, dallast and

2275
01:37:26,720 --> 01:37:29,040
Speaker 5: j n V. Now I've been telling you about Verizon

2276
01:37:29,280 --> 01:37:31,920
Speaker 5: My plan. Now check this out. My plan gives you

2277
01:37:32,000 --> 01:37:33,240
Speaker 5: control over your phone plan.

2278
01:37:33,360 --> 01:37:36,000
Speaker 3: And to celebrate, we're giving you guys control over which

2279
01:37:36,040 --> 01:37:39,320
Speaker 3: songs get played on Freaky Friday. It's between wil A Lotus,

2280
01:37:39,360 --> 01:37:44,200
Speaker 3: Flower Bomb, Jeremiah Birthday Sex, and Beyonce Drunken Love. So

2281
01:37:44,280 --> 01:37:46,040
Speaker 3: all you gotta do is go to our socials right

2282
01:37:46,080 --> 01:37:47,720
Speaker 3: now to vote for the song that you want to hear,

2283
01:37:48,000 --> 01:37:50,000
Speaker 3: and then tune in Friday to hear if your song

2284
01:37:50,160 --> 01:37:53,680
Speaker 3: was chosen. My plan is all about having control, get

2285
01:37:53,720 --> 01:37:56,160
Speaker 3: exactly what you want, only pay for what you need,

2286
01:37:56,560 --> 01:37:58,840
Speaker 3: all on the network you want. That's Verizon. And when

2287
01:37:58,840 --> 01:38:00,880
Speaker 3: we come back, we got the positive noticed the Breakfast Club.

2288
01:38:00,880 --> 01:38:04,880
Speaker 3: Good morning owning everybody. It's DJ n V Charlamagne the guy.

2289
01:38:04,960 --> 01:38:07,880
Speaker 3: We are the Breakfast Club. We got a shout to

2290
01:38:07,960 --> 01:38:10,439
Speaker 3: Ryan Coogler and Peter Nicks for joining us this morning.

2291
01:38:10,479 --> 01:38:12,720
Speaker 3: You could check out Anthem in I would say, in

2292
01:38:12,720 --> 01:38:14,800
Speaker 3: theaters on Hulu June twenty eighth.

2293
01:38:14,920 --> 01:38:16,680
Speaker 2: It's crazy. We had Ryan Coogler up here. We was

2294
01:38:16,720 --> 01:38:19,200
Speaker 2: having such a good conversation about Anthem and you know,

2295
01:38:19,920 --> 01:38:22,880
Speaker 2: just things going on in black culture and things going

2296
01:38:22,880 --> 01:38:23,599
Speaker 2: on with us as men.

2297
01:38:23,600 --> 01:38:27,200
Speaker 3: We didn't even talk about any Marvel, no Marvel news

2298
01:38:27,280 --> 01:38:28,599
Speaker 3: at all, but we did a little bit and then

2299
01:38:28,600 --> 01:38:32,360
Speaker 3: he kind of he right back to Anthem. Yeah yeah, yeah, yeah.

2300
01:38:32,400 --> 01:38:36,439
Speaker 3: So shout to Ryan Cooglan and Peter Knicks. Also, have

2301
01:38:36,560 --> 01:38:38,960
Speaker 3: you tried to watch USFL yet? Have I tried to

2302
01:38:39,000 --> 01:38:43,320
Speaker 3: what watch USFL. No, it's the Football League. Man, It's like,

2303
01:38:43,479 --> 01:38:45,080
Speaker 3: oh no, I never watched that wise good.

2304
01:38:46,080 --> 01:38:46,360
Speaker 20: You know what.

2305
01:38:47,560 --> 01:38:51,040
Speaker 3: It's kind of hard now because basketball season's over. Baseball

2306
01:38:51,080 --> 01:38:53,760
Speaker 3: we're not at the playoffs yet, there's no football.

2307
01:38:53,400 --> 01:38:54,160
Speaker 2: So this is the time.

2308
01:38:54,400 --> 01:38:55,200
Speaker 4: It's like that that.

2309
01:38:55,320 --> 01:38:58,120
Speaker 2: It's that funky time, funky time. It's like the Gucca sport.

2310
01:38:59,160 --> 01:39:01,640
Speaker 2: It's like that, you know, it's like that feels good.

2311
01:39:01,640 --> 01:39:04,200
Speaker 2: Were talking about that runway between your ass cracking your ball.

2312
01:39:04,240 --> 01:39:06,760
Speaker 2: I know, I know what it is. That's where we're at. Bad.

2313
01:39:06,800 --> 01:39:09,280
Speaker 3: I tried to watch USFL over the weekend and there's

2314
01:39:09,320 --> 01:39:10,240
Speaker 3: nobody in the stands.

2315
01:39:10,280 --> 01:39:11,719
Speaker 2: It just it just doesn't. It just doesn't.

2316
01:39:11,720 --> 01:39:15,280
Speaker 3: Ain't no energy, no energy, just don't feel right. All right, Well,

2317
01:39:16,479 --> 01:39:17,799
Speaker 3: you got a positive note for the people.

2318
01:39:17,680 --> 01:39:20,160
Speaker 2: Charlamund do man. The positive notice simply this, And I've

2319
01:39:20,240 --> 01:39:23,800
Speaker 2: literally stayed away from people who do this my whole life.

2320
01:39:23,880 --> 01:39:27,320
Speaker 2: But stay away from people who talk bad about people

2321
01:39:27,720 --> 01:39:30,360
Speaker 2: they still hang around. Okay, think about it, all right,

2322
01:39:30,400 --> 01:39:32,960
Speaker 2: If they talk bad about their so called friends, how

2323
01:39:33,000 --> 01:39:34,080
Speaker 2: do you think they speak about you?

2324
01:39:34,920 --> 01:39:35,040
Speaker 9: Right?

2325
01:39:35,360 --> 01:39:38,000
Speaker 2: Breakfast club bitches, do y'a finish for y'all done?