1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff You Missed in History Class, A production 2 00:00:04,360 --> 00:00:14,040 Speaker 1: of I Heart Radio, Hello and Happy Friday. I'm Holly 3 00:00:14,120 --> 00:00:17,520 Speaker 1: Fry and I'm Tracy V. Wilson. This week we talked 4 00:00:17,520 --> 00:00:21,040 Speaker 1: about Bram Stoker. Finally we did and thought we had 5 00:00:21,040 --> 00:00:24,319 Speaker 1: done it before, which we didn't. Before we did not, because, 6 00:00:24,400 --> 00:00:26,520 Speaker 1: let me tell you, I sure would have remembered that 7 00:00:26,560 --> 00:00:31,840 Speaker 1: Walt Whitman stuff. Yeah, it's pretty great. Is there like 8 00:00:31,920 --> 00:00:36,640 Speaker 1: a compilation of these letters? Like? Are the letters easy 9 00:00:36,720 --> 00:00:40,640 Speaker 1: to find and read? Because I'm fascinated. I found excerpts 10 00:00:40,640 --> 00:00:43,239 Speaker 1: of them printed in various books, and different authors have 11 00:00:43,360 --> 00:00:45,960 Speaker 1: used different ones, but I wanted to include. There was 12 00:00:46,040 --> 00:00:48,480 Speaker 1: literally part of me that was like, can I piece 13 00:00:48,560 --> 00:00:51,600 Speaker 1: together all of these letters? And maybe this episode is 14 00:00:51,640 --> 00:00:55,000 Speaker 1: just a staged reading of his strange letter and then 15 00:00:55,000 --> 00:00:56,600 Speaker 1: we'll do a top and a tale on it. But 16 00:00:56,680 --> 00:01:00,480 Speaker 1: that seemed weird. I love this idea. I want to 17 00:01:00,600 --> 00:01:03,600 Speaker 1: read a little bit of one so you understand how 18 00:01:04,520 --> 00:01:07,600 Speaker 1: sort of odd they were, because he did go on 19 00:01:07,720 --> 00:01:11,240 Speaker 1: and on about how amazing Walt Whitman was. But then 20 00:01:11,280 --> 00:01:15,560 Speaker 1: like at one point he includes the following passage, I 21 00:01:15,640 --> 00:01:18,479 Speaker 1: am six ft two inches high and twelve stone weight, 22 00:01:18,560 --> 00:01:20,880 Speaker 1: naked and used to be forty one or forty two 23 00:01:20,880 --> 00:01:24,120 Speaker 1: inches around the chest. I am ugly but strong and 24 00:01:24,200 --> 00:01:27,520 Speaker 1: determined and have a large bump over my eyebrows. I 25 00:01:27,600 --> 00:01:30,480 Speaker 1: have a heavy jaw and a big mouth and thick lips, 26 00:01:30,520 --> 00:01:35,399 Speaker 1: sensitive nostrils, a snub nose, and straight hair. This is 27 00:01:35,440 --> 00:01:38,600 Speaker 1: odd to include in a letter in my opinion, and 28 00:01:38,680 --> 00:01:42,160 Speaker 1: I here's the thing. I don't It's funny to me, 29 00:01:42,240 --> 00:01:44,200 Speaker 1: but I also don't want to make fun of it, 30 00:01:44,240 --> 00:01:47,800 Speaker 1: because there is an earnestness to it and an openness 31 00:01:47,840 --> 00:01:51,440 Speaker 1: that is kind of refreshing. It's very stream of consciousness. 32 00:01:52,400 --> 00:01:59,680 Speaker 1: It's just so arresting in tone to have someone's speak 33 00:01:59,760 --> 00:02:03,960 Speaker 1: of himself this way. It's very I don't, I don't know. 34 00:02:04,120 --> 00:02:06,840 Speaker 1: It's a strange thing, and it's it's one of those 35 00:02:06,840 --> 00:02:09,120 Speaker 1: things that a lot of people use as analysis when 36 00:02:09,160 --> 00:02:13,640 Speaker 1: they talk about whether or not they believe that he 37 00:02:14,200 --> 00:02:19,440 Speaker 1: was possibly a latent homosexual or not. That gets into 38 00:02:19,480 --> 00:02:23,080 Speaker 1: such a tricky area because I feel like I completely 39 00:02:23,160 --> 00:02:27,440 Speaker 1: understand the desire for representations and to identify people in 40 00:02:27,480 --> 00:02:29,840 Speaker 1: the l g B, t q I spectrum throughout history 41 00:02:29,919 --> 00:02:33,040 Speaker 1: to recognize that they have always been part of the 42 00:02:33,080 --> 00:02:36,400 Speaker 1: world and part of the things we talked about. And 43 00:02:37,280 --> 00:02:40,600 Speaker 1: but in the case of bram Stoker, I always feel 44 00:02:40,600 --> 00:02:42,839 Speaker 1: a little odd about it, only because I feel like 45 00:02:43,120 --> 00:02:47,320 Speaker 1: he didn't know what was going on with himself. So 46 00:02:47,440 --> 00:02:50,480 Speaker 1: it it always feels a little bit this is not 47 00:02:50,520 --> 00:02:52,760 Speaker 1: what it is. But in my heart, the thing that 48 00:02:52,840 --> 00:02:55,800 Speaker 1: makes me trepidacious about it is it almost feels like 49 00:02:55,800 --> 00:02:59,080 Speaker 1: when you label a child is like gifted or you 50 00:02:59,080 --> 00:03:00,760 Speaker 1: know what I mean, And then a kid doesn't have 51 00:03:00,800 --> 00:03:02,800 Speaker 1: any say, but that label gets put on them and 52 00:03:02,840 --> 00:03:05,440 Speaker 1: becomes part of their identity that they have to live 53 00:03:05,520 --> 00:03:08,600 Speaker 1: up to or or reckon with. And in bram Stoker's case, 54 00:03:08,639 --> 00:03:10,520 Speaker 1: it really does seem like he was not coping with 55 00:03:10,560 --> 00:03:14,680 Speaker 1: a lot of things going on subconscious. So there's also 56 00:03:15,040 --> 00:03:22,079 Speaker 1: a difference between interpreting someone's written body of work and 57 00:03:22,160 --> 00:03:26,840 Speaker 1: like having things they wrote about their own internal life. Right, 58 00:03:28,960 --> 00:03:33,920 Speaker 1: There's are two different things, yes, and people can definitely 59 00:03:34,040 --> 00:03:40,080 Speaker 1: read work and come to profoundly different conclusions then the 60 00:03:40,120 --> 00:03:43,480 Speaker 1: author intended than when they wrote something like that. Yeah, 61 00:03:44,560 --> 00:03:46,240 Speaker 1: So like that that's one of the ways that it 62 00:03:46,280 --> 00:03:49,880 Speaker 1: gets tricky when somebody's when somebody doesn't have like a 63 00:03:49,920 --> 00:03:55,640 Speaker 1: lot of introspection left behind for us to read well 64 00:03:55,640 --> 00:03:57,640 Speaker 1: and I think um. And that is to say, I 65 00:03:58,400 --> 00:04:01,680 Speaker 1: absolutely don't want to sund like I am denouncing anybody 66 00:04:01,800 --> 00:04:05,560 Speaker 1: who looks at Stoker's work with the critical lens of 67 00:04:06,320 --> 00:04:10,240 Speaker 1: if this is, you know, in some ways informed by 68 00:04:10,960 --> 00:04:15,440 Speaker 1: his sexual orientation being one way or the other, and 69 00:04:15,480 --> 00:04:17,320 Speaker 1: then kind of looking at the text and what that 70 00:04:17,320 --> 00:04:20,240 Speaker 1: could mean in that way. It's just the I I 71 00:04:20,279 --> 00:04:23,360 Speaker 1: always feel a little bit strange when people make declarative 72 00:04:23,400 --> 00:04:26,159 Speaker 1: statements and go, he was this, and I'm like, yeah, 73 00:04:26,400 --> 00:04:29,800 Speaker 1: he might have been, but even he didn't know. Ye well, 74 00:04:29,800 --> 00:04:31,680 Speaker 1: And also one of the things that's really important is 75 00:04:31,680 --> 00:04:36,560 Speaker 1: to like not assign people identities that they they did 76 00:04:36,560 --> 00:04:38,719 Speaker 1: not have access to in their own lives. Like that 77 00:04:38,800 --> 00:04:41,080 Speaker 1: gets really tricky. Oh yeah, it comes up on the 78 00:04:41,120 --> 00:04:44,080 Speaker 1: show all the time. Yeah, yeah, I don't know why 79 00:04:44,120 --> 00:04:46,520 Speaker 1: I had like this almost motherly thing with Bram Stoker 80 00:04:46,520 --> 00:04:49,600 Speaker 1: where I'm like, no, no, he didn't, he didn't know. 81 00:04:49,760 --> 00:04:55,920 Speaker 1: He's like this giant man. I'm the subject of Dracula. 82 00:04:57,040 --> 00:05:01,000 Speaker 1: I have a similar response to Dracula as I do 83 00:05:01,760 --> 00:05:05,400 Speaker 1: to the work of HP Lovecraft in general, which is 84 00:05:05,480 --> 00:05:10,440 Speaker 1: that I enjoy adaptations of the thing quite a lot, 85 00:05:11,040 --> 00:05:15,160 Speaker 1: and much more than I enjoy reading the thing directly. 86 00:05:15,800 --> 00:05:20,400 Speaker 1: And a big reason for that with Dracula specifically is 87 00:05:20,480 --> 00:05:22,720 Speaker 1: that bram Stoker would do this thing where he would 88 00:05:22,760 --> 00:05:26,560 Speaker 1: just have these extended passages that were like a common 89 00:05:26,600 --> 00:05:31,960 Speaker 1: person in quotation marks speaking in some kind of accented dialect. Oh, 90 00:05:32,000 --> 00:05:35,680 Speaker 1: he loves he loves to do it so much, and 91 00:05:35,800 --> 00:05:39,479 Speaker 1: for me personally, it is painful to try to read 92 00:05:39,560 --> 00:05:43,800 Speaker 1: it um like in some cases it's barely comprehensible. And 93 00:05:43,800 --> 00:05:47,440 Speaker 1: I remember I read Dracula. I might have actually read 94 00:05:47,480 --> 00:05:49,799 Speaker 1: it in two different classes in college, but for sure 95 00:05:49,880 --> 00:05:52,919 Speaker 1: one class in college, and I just remember slogging through 96 00:05:53,720 --> 00:05:57,600 Speaker 1: these passages that were like sort of how bram Stoker 97 00:05:57,760 --> 00:06:02,680 Speaker 1: thought this, like you know, uneducated doc worker talked, and 98 00:06:02,720 --> 00:06:06,360 Speaker 1: I was just like, I cannot deal with you why. 99 00:06:08,160 --> 00:06:11,360 Speaker 1: That is a valid But that's not a one for 100 00:06:11,400 --> 00:06:13,960 Speaker 1: one comparison to Lovecraft. But just the fact of like 101 00:06:14,120 --> 00:06:17,080 Speaker 1: enjoying adaptations more than enjoying reading the thing itself is 102 00:06:17,360 --> 00:06:19,960 Speaker 1: is still true. Now have you read any of the 103 00:06:21,080 --> 00:06:24,119 Speaker 1: supplemental work that his I believe it is his great 104 00:06:24,200 --> 00:06:28,520 Speaker 1: grand nephew Daker Stoker has written I don't think so. Um. 105 00:06:28,640 --> 00:06:31,200 Speaker 1: He has written some stuff in recent years that's like 106 00:06:31,320 --> 00:06:37,559 Speaker 1: a um uh, some sequel action and some other supplemental stuff. 107 00:06:37,600 --> 00:06:40,279 Speaker 1: The actual text of Dracula is also a whole other 108 00:06:40,400 --> 00:06:43,159 Speaker 1: thing that can be discussed in terms of its own 109 00:06:43,160 --> 00:06:48,240 Speaker 1: history and what got edited out versus got included again 110 00:06:48,960 --> 00:06:52,200 Speaker 1: versus you know, republished in a slightly different way. There 111 00:06:52,360 --> 00:06:56,279 Speaker 1: is um the original version, and I haven't done a 112 00:06:56,320 --> 00:06:59,159 Speaker 1: comparative analysis on any of this, but I was reading 113 00:06:59,200 --> 00:07:02,320 Speaker 1: something that talked about how in the original version, despite 114 00:07:03,240 --> 00:07:06,640 Speaker 1: Stoker having been so meticulous about these timetables, there are 115 00:07:06,680 --> 00:07:09,400 Speaker 1: timelines that don't add up and that may have been 116 00:07:09,440 --> 00:07:13,200 Speaker 1: an editor kind of being like no, no, no, but not. 117 00:07:13,560 --> 00:07:17,480 Speaker 1: And then in subsequent versions where it was um re 118 00:07:17,760 --> 00:07:19,720 Speaker 1: edited and perhaps some of that added back in, it 119 00:07:19,760 --> 00:07:22,880 Speaker 1: makes a little more sense on the timeline um. But 120 00:07:23,080 --> 00:07:24,800 Speaker 1: like I said, I haven't done a comparative on that, 121 00:07:24,840 --> 00:07:31,960 Speaker 1: but it's an interesting thing to consider. Um as well 122 00:07:32,000 --> 00:07:39,960 Speaker 1: as that whole madness with the Icelandic version, Powers of 123 00:07:40,040 --> 00:07:44,720 Speaker 1: Darkness is very enjoyable thing and great for this time 124 00:07:44,760 --> 00:07:47,400 Speaker 1: of year. So yes, Bram Stoker. The other thing I 125 00:07:47,440 --> 00:07:50,119 Speaker 1: wanted to mention that is interesting about him. That doesn't 126 00:07:50,120 --> 00:07:51,840 Speaker 1: get talked about a lot, and I didn't go very 127 00:07:51,840 --> 00:07:54,480 Speaker 1: far down this particular rabbit hole. Is that as he 128 00:07:54,640 --> 00:07:59,080 Speaker 1: and his siblings aged his mother Charlotte way ahead of 129 00:07:59,080 --> 00:08:03,000 Speaker 1: the suffrage move it kind of became a women's rights activist, 130 00:08:04,160 --> 00:08:08,040 Speaker 1: which is pretty interesting. The kids she had mostly like 131 00:08:08,120 --> 00:08:11,320 Speaker 1: homeschooled the kids up until they got to a certain point, 132 00:08:12,200 --> 00:08:16,119 Speaker 1: and was clearly really really interested in in making sure 133 00:08:16,160 --> 00:08:19,000 Speaker 1: that you know, they were not a super wealthy family. 134 00:08:19,120 --> 00:08:21,400 Speaker 1: They got by and they were fine, But even with 135 00:08:21,440 --> 00:08:25,320 Speaker 1: her daughter, she was like, education is more important than dowry, 136 00:08:25,360 --> 00:08:29,280 Speaker 1: Like I, this is what I value. Um. Yeah, she's 137 00:08:29,360 --> 00:08:31,360 Speaker 1: very interesting and I would love for somebody to do 138 00:08:31,400 --> 00:08:34,160 Speaker 1: a really deep dig in on her and and do 139 00:08:34,360 --> 00:08:37,760 Speaker 1: like a very lengthy annotated biography. I don't know that 140 00:08:37,800 --> 00:08:39,640 Speaker 1: it will ever happen. Maybe it exists and I just 141 00:08:39,679 --> 00:08:45,520 Speaker 1: never found it possible. That is our Bram Stoker discussion 142 00:08:45,720 --> 00:08:48,240 Speaker 1: for the week. Uh, and hopefully it was a fun 143 00:08:48,280 --> 00:08:51,520 Speaker 1: addition to the October Lord that we tend to cover 144 00:08:52,480 --> 00:08:54,319 Speaker 1: this week. We have an interview that I did with 145 00:08:54,440 --> 00:08:58,640 Speaker 1: Dr Catherine Sharp Landic which was so long in the works. 146 00:09:00,920 --> 00:09:02,920 Speaker 1: I alluded to this a little bit in the episode 147 00:09:03,240 --> 00:09:05,800 Speaker 1: UM way way back when she came onto the show 148 00:09:05,840 --> 00:09:08,160 Speaker 1: to talk about the Women Air Force Service Pilots, which 149 00:09:08,760 --> 00:09:11,960 Speaker 1: that is still in the archive. Um, we are not 150 00:09:12,160 --> 00:09:15,960 Speaker 1: bringing it back as a Saturday Classic this month because 151 00:09:15,960 --> 00:09:18,640 Speaker 1: this it's October, and I feel like we're just we're 152 00:09:18,679 --> 00:09:21,200 Speaker 1: doubling down on the October a little bit this year 153 00:09:21,240 --> 00:09:24,360 Speaker 1: for the most part, because I know for a lot 154 00:09:24,360 --> 00:09:26,600 Speaker 1: of people that's their favorite episodes of the year, not 155 00:09:26,640 --> 00:09:29,400 Speaker 1: just Holly. Definitely Holly's favorite episodes of the year, but 156 00:09:29,640 --> 00:09:31,760 Speaker 1: every October we get so many emails from people that 157 00:09:31,800 --> 00:09:33,880 Speaker 1: are like, I love the October episode so much that like, 158 00:09:34,280 --> 00:09:38,439 Speaker 1: we're we're focusing the Saturday's on Halloween e stuff too. 159 00:09:38,760 --> 00:09:42,480 Speaker 1: So you can definitely go find those Women Air Force 160 00:09:42,480 --> 00:09:46,680 Speaker 1: Service Pilots uh interviews in the archive. They are still there. 161 00:09:47,280 --> 00:09:49,680 Speaker 1: But Yeah, she had mentioned Jackie Cochrane shortly after that, 162 00:09:49,760 --> 00:09:53,000 Speaker 1: and I was really reluctant because I was just afraid 163 00:09:53,040 --> 00:09:56,199 Speaker 1: it was gonna cover too much territory that had already 164 00:09:56,240 --> 00:09:59,599 Speaker 1: been covered. And Number One, in the earlier episode that 165 00:09:59,679 --> 00:10:03,000 Speaker 1: Jackie Cochrane appears, and she's not in there for that long, 166 00:10:03,120 --> 00:10:06,199 Speaker 1: it's not that much about her at all. But then 167 00:10:06,280 --> 00:10:08,800 Speaker 1: number two, she was just such a character in so 168 00:10:08,840 --> 00:10:11,839 Speaker 1: many ways. Like I don't think this came up in 169 00:10:11,880 --> 00:10:14,400 Speaker 1: the interview, but there are accounts of you know, some 170 00:10:14,440 --> 00:10:16,240 Speaker 1: of the people who were flying with the Wasp, and 171 00:10:16,280 --> 00:10:19,040 Speaker 1: they would be at the airfield training and this car 172 00:10:19,160 --> 00:10:22,719 Speaker 1: would drive up and Jackie cochrane would step out of 173 00:10:22,760 --> 00:10:26,960 Speaker 1: it just looking so glamorous and like she was in 174 00:10:27,000 --> 00:10:31,679 Speaker 1: a uniform but still somehow looking so incredibly glamorous. I 175 00:10:31,720 --> 00:10:35,000 Speaker 1: don't know, I just I was captivated by her whole story. 176 00:10:35,760 --> 00:10:40,680 Speaker 1: With all of that, the listener mail that you read 177 00:10:40,720 --> 00:10:43,680 Speaker 1: in that episode about some sickness made me laugh and 178 00:10:43,720 --> 00:10:46,360 Speaker 1: I didn't want it to rail the episode. But we 179 00:10:46,360 --> 00:10:48,200 Speaker 1: haven't done in the last several years. But I used 180 00:10:48,200 --> 00:10:50,280 Speaker 1: to Every Father's Day, my dad and I would go 181 00:10:50,360 --> 00:10:53,400 Speaker 1: deep sea fishing. But I have talked about my dad before. 182 00:10:53,400 --> 00:10:56,560 Speaker 1: He's a very no nonsense man and his rule. I 183 00:10:56,640 --> 00:10:59,520 Speaker 1: have mercifully never gotten sea sick on one of those trips, 184 00:10:59,559 --> 00:11:02,120 Speaker 1: even though uh, thanks have gotten dicey for a lot 185 00:11:02,160 --> 00:11:04,880 Speaker 1: of people on board. But the thing that my dad 186 00:11:04,880 --> 00:11:07,720 Speaker 1: will always say is I don't care if you puke 187 00:11:07,800 --> 00:11:12,240 Speaker 1: a puke off the side, because if you puke in 188 00:11:12,280 --> 00:11:14,440 Speaker 1: the back, it gets churned up in the wake and 189 00:11:14,480 --> 00:11:19,880 Speaker 1: then um, it just makes me laugh so much thinking 190 00:11:19,920 --> 00:11:23,480 Speaker 1: about it. Yeah, I don't I've never been on a cruise, 191 00:11:23,520 --> 00:11:24,960 Speaker 1: so I want to go on one just to see 192 00:11:24,960 --> 00:11:27,360 Speaker 1: if I get seasick or not well. And we were 193 00:11:27,360 --> 00:11:32,520 Speaker 1: gonna but it got canceled because it. Um my grandfather 194 00:11:32,640 --> 00:11:36,240 Speaker 1: on my mom's side, Um, who is sadly no longer 195 00:11:36,280 --> 00:11:40,320 Speaker 1: with us, loved to deep sea fish so much, but 196 00:11:40,400 --> 00:11:44,280 Speaker 1: he also had such terrible seasickness that he would literally 197 00:11:44,280 --> 00:11:46,360 Speaker 1: set his line and then just lie there on the 198 00:11:46,520 --> 00:11:50,600 Speaker 1: deck until until he needed to do something to attend 199 00:11:50,640 --> 00:11:53,560 Speaker 1: to it. Yeah, you really can. I mean, I love 200 00:11:53,679 --> 00:11:55,920 Speaker 1: deep sea fishing. For me, it's kind of one of 201 00:11:55,920 --> 00:11:59,760 Speaker 1: the few times you will ever ever see me truly relax. 202 00:12:00,480 --> 00:12:02,840 Speaker 1: Oh really yeah, And it's just because one, I mean 203 00:12:02,880 --> 00:12:06,360 Speaker 1: I like being on the water. But two, when we go, 204 00:12:07,240 --> 00:12:10,520 Speaker 1: you know, it's a little charter boat and it's like 205 00:12:11,000 --> 00:12:14,439 Speaker 1: there's no internet, No one can email me or call me, 206 00:12:14,679 --> 00:12:18,600 Speaker 1: no no connection to anything, so all you can do 207 00:12:18,800 --> 00:12:22,480 Speaker 1: is just hang out. Yeah, and it's like my brain 208 00:12:22,559 --> 00:12:24,880 Speaker 1: just goes all right, I got no recourse. I may 209 00:12:24,880 --> 00:12:28,120 Speaker 1: as well just chill right out. So on the when 210 00:12:28,120 --> 00:12:31,800 Speaker 1: I have been on cruises, often the cruise ship you 211 00:12:31,840 --> 00:12:34,840 Speaker 1: can get an internet package. It's usually pretty expensive and 212 00:12:34,960 --> 00:12:37,520 Speaker 1: very very slow internet. And the first one that I 213 00:12:37,559 --> 00:12:40,000 Speaker 1: ever went on, I paid for an internet package to 214 00:12:40,000 --> 00:12:42,160 Speaker 1: be able to check in with work and that I 215 00:12:42,200 --> 00:12:46,559 Speaker 1: don't know what nothing I was doing was that important. Uh, 216 00:12:46,600 --> 00:12:49,440 Speaker 1: And it took me so long to connect any every 217 00:12:49,440 --> 00:12:51,679 Speaker 1: time I try to check in with work that I 218 00:12:51,760 --> 00:12:53,240 Speaker 1: was like, I wasted too much of this trip. So 219 00:12:53,280 --> 00:12:55,520 Speaker 1: it's like, I'm not going to do it that way anymore. Um. 220 00:12:55,559 --> 00:12:58,800 Speaker 1: And there were a couple of them where I really 221 00:12:58,840 --> 00:13:02,200 Speaker 1: did totally discon like there were people who knew how 222 00:13:02,240 --> 00:13:05,319 Speaker 1: to contact the ship in case of an actual emergency, 223 00:13:05,320 --> 00:13:08,960 Speaker 1: but I was not having any kind of email or 224 00:13:09,000 --> 00:13:11,480 Speaker 1: anything like that while I was there, and it was 225 00:13:11,679 --> 00:13:13,920 Speaker 1: really nice to just be like, people cannot get to 226 00:13:13,960 --> 00:13:16,560 Speaker 1: me right now, and I'm gonna not think about this 227 00:13:16,600 --> 00:13:19,680 Speaker 1: at all. Um. And then the most recent cruise that 228 00:13:19,800 --> 00:13:23,600 Speaker 1: I took was the opposite of that, because a pandemic 229 00:13:24,120 --> 00:13:28,240 Speaker 1: was declared in the middle of it, and uh it 230 00:13:29,240 --> 00:13:33,160 Speaker 1: I was like, well, I'm just gonna so much for relaxing. Yeah, 231 00:13:33,160 --> 00:13:36,160 Speaker 1: I had gotten a cell phone package from my my 232 00:13:36,240 --> 00:13:38,960 Speaker 1: cell phone provider. I had gotten a package for use 233 00:13:39,000 --> 00:13:41,120 Speaker 1: on the cruise ship so that our pet sitter could 234 00:13:41,160 --> 00:13:44,600 Speaker 1: update us every day, and I was like, well, I'm 235 00:13:44,600 --> 00:13:47,720 Speaker 1: going to use all of these minutes finding out what's 236 00:13:47,760 --> 00:13:50,839 Speaker 1: happening with this pandemic and being worried about whether we're 237 00:13:50,840 --> 00:13:53,480 Speaker 1: going to be able to disembark from this ship, which 238 00:13:53,520 --> 00:13:56,480 Speaker 1: we were indeed able to do anyway. We had we 239 00:13:56,520 --> 00:13:59,000 Speaker 1: talked about that whole story on that that whole earlier 240 00:13:59,040 --> 00:14:01,360 Speaker 1: episode where we talked about the fact that we're living 241 00:14:02,000 --> 00:14:05,640 Speaker 1: through a pandemic. Still. It's October. That was in March. 242 00:14:08,440 --> 00:14:15,560 Speaker 1: I'm only laughing because I don't know what else to do. Yeah, yeah, Um. 243 00:14:15,600 --> 00:14:18,760 Speaker 1: Folks who have emailed us recently have asked whether we 244 00:14:18,800 --> 00:14:23,520 Speaker 1: are still doing okay. We are still doing okay. Um. 245 00:14:23,680 --> 00:14:25,640 Speaker 1: You and I are both very fortunate to be able 246 00:14:25,680 --> 00:14:28,680 Speaker 1: to do our jobs from home and have minimal contact 247 00:14:28,680 --> 00:14:30,840 Speaker 1: with other people still, and like I have the double 248 00:14:30,920 --> 00:14:33,080 Speaker 1: fortunateness of having already been set up to do that 249 00:14:33,160 --> 00:14:36,240 Speaker 1: before we even had to because of the pandemic. So 250 00:14:37,600 --> 00:14:42,040 Speaker 1: we hope our listeners are doing as well as possible. Yes, indeed, 251 00:14:42,640 --> 00:14:44,480 Speaker 1: So if you would like to email us about a 252 00:14:44,480 --> 00:14:47,080 Speaker 1: certainty of their podcast were History podcast that I heart 253 00:14:47,120 --> 00:14:50,400 Speaker 1: radio dot com. We're all over social media admission History 254 00:14:50,560 --> 00:14:53,720 Speaker 1: which we'll find our Facebook, Twitter, Pinterest, and Instagram. You 255 00:14:53,800 --> 00:14:56,800 Speaker 1: can subscribe to our show on appum podcast and I 256 00:14:56,880 --> 00:15:00,080 Speaker 1: heart radio app and anywhere else get your podcast m 257 00:15:04,560 --> 00:15:06,760 Speaker 1: Stuff You Missed in History Class is a production of 258 00:15:06,800 --> 00:15:10,000 Speaker 1: I heart Radio. For more podcasts from I heart Radio, 259 00:15:10,200 --> 00:15:13,200 Speaker 1: visit the I heart Radio app, Apple Podcasts, or wherever 260 00:15:13,280 --> 00:15:19,720 Speaker 1: you listen to your favorite shows. H