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Speaker 1: Jesse Bradford chilling in the Hall of Mirrors, not.

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Speaker 2: Haunted.

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Speaker 1: We are going for removing the scary elements as we

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Speaker 1: proceed saying you know these bones, fake bones, picking them up,

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Speaker 1: throwing them away?

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Speaker 2: What do you have on? See?

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Speaker 1: This is so interesting because I guess a funny thing

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Speaker 1: to say it would be that, like my clothes.

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Speaker 2: Was made of mirrors or something.

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Speaker 1: Oh yeah, but it was just see now I'm wishing

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Speaker 1: I had I had done that, clothes made of mirrors?

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Speaker 2: Well you still can.

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Speaker 1: Okay, okay, yeah, yeah they were. Yeah, it was made

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Speaker 1: of mirrors.

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Speaker 2: Okay, glad, I ask.

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Speaker 1: And so I guess I'm sort of becoming the Hall

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Speaker 1: of Merors in a way. Anyway, we are practicing kissing

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Speaker 1: our reflections and it gets to the you know, the

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Speaker 1: point where you've like practiced for a while you start.

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Speaker 2: To get horny.

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Speaker 1: Like really well yeah, I was gonna say really good,

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Speaker 1: but yeah, sure, well the same thing mostly and your

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Speaker 1: yeah you sort of I was horny before as well,

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Speaker 1: because that's what it was like, can we go to

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Speaker 1: the Hall of Mirrors right now? It was like kind

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Speaker 1: of like that, yeah, I mean.

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Speaker 2: Can I tell you a funny story about mirrors. Well,

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Speaker 2: you're in the middle of your story.

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Speaker 1: No, I'm I think it is over really, oh it

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Speaker 1: might be okay, Well let's see.

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Speaker 2: Let's see. When I was a kid, I used to

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Speaker 2: think they were called me roars because what I always

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Speaker 2: thought was, you know, I was pretending to be a

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Speaker 2: lion a lot of it, right, baby, And I thought, this

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Speaker 2: is the only place I get to see me roar. Right.

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Speaker 2: It's like when I get in front of there and

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Speaker 2: I just do a big lion sound, you know what

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Speaker 2: I mean. I love stories just as a child, just

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Speaker 2: too a big line sound. And when do everyone else

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Speaker 2: gets to see it? When do I get to see it?

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Speaker 2: And just only in front of the me roar?

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Speaker 1: Well, and that's what is I guess interesting about the idea.

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Speaker 1: Uh huh Katie Perry saying you're gonna hear me rors

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Speaker 1: when actually what you are doing you're seeing, is seeing them,

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Speaker 1: and really you're not seeing the mirror you're seeing you.

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Speaker 2: Yes, yeah, Hey, welcome to Hollywood.

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Speaker 1: Can decided guy to kicking button dropping names in the

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Speaker 1: red car line back always of this industry we call.

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Speaker 2: Wow quickly, yes, and we.

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Speaker 1: Didn't prepare this and so we just need to go

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Speaker 1: really fast on this. We need the Teaser Freezer theme song,

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Speaker 1: the song JUSTO just hit the pull it up google

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Speaker 1: Teaser Freezer theme song, uh.

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Speaker 2: And just zoom into it. Just choose the songs and

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Speaker 2: just play it. Does we want to do the new one?

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Speaker 2: You don't have the lyrics? You have you a good one. No,

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Speaker 2: let's find it. You sing it, so google teaser Freezer.

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Speaker 1: This guy's name is Matt Teezer Freezer, Matt, I don't

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Speaker 1: know Teezer Freezer, Matt.

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Speaker 2: Boogeyman or something. These guys are friends with me now

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Speaker 2: a man boogey Man. Because we have to just play

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Speaker 2: the Well I was talking, but okay, it's it's so cold,

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Speaker 2: it's so cold in the tezer Freeze or.

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Speaker 3: It's so cold it's so fucking cold.

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Speaker 1: We didn't like this one. There's a different one, much

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Speaker 1: swear the other one. Search other one.

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Speaker 2: Well, he's doing this. Do you want to just practice

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Speaker 2: our line? Sounds is talking.

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Speaker 3: The teaser Freezer is it's educating, no cussing.

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Speaker 2: And that's better. So that song gives you a little

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Speaker 2: bit of the idea. But basically, Haze and I are

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Speaker 2: going to risk frostbite by getting into the ice cold

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Speaker 2: teaser freezer. Pulling out a fresh teaser, and no one

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Speaker 2: else has access to you, and we don't have the

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Speaker 2: key to the freezer. Unwrap it like a popsicle.

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Speaker 4: Mm hmm.

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Speaker 2: We have to unwrap it. Just work it out, take

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Speaker 2: it yep it, slide it in, take it back out,

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Speaker 2: and just to the hill, all the way to the stick.

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Speaker 2: No chewing. That has to melt. It's gonna melt deep

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Speaker 2: down in our throat and that is just the way

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Speaker 2: we eat. So this teaser is gonna get Hang on. First,

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Speaker 2: let me open the door.

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Speaker 1: Hello.

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Speaker 2: Hi, So now I've got my key out of my

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Speaker 2: pocket and it's time to open the door. It's like

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Speaker 2: a birdhouse or something. It's the wrong door. Oh oops,

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Speaker 2: I guess I gotta get a different key.

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Speaker 5: Sweeze thumm ummum thum thum thum thum thumm burdymber gone.

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Speaker 2: Okay, Now I got the new key, and now it's

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Speaker 2: time to open the right door.

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Speaker 1: I hope this time, sunky, i'd punch him.

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Speaker 2: Okay, good, thanks for punching him. I'm gonna throw up.

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Speaker 2: They're gonna punch me. Okay, So it was you know

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Speaker 2: it's called it's the teaser freezer, yet he lives in there.

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Speaker 2: The teaser today, you were gonna do it. I'll let

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Speaker 2: you all right, son, the teaser it gonna be for movie.

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Speaker 2: And this is what we do. Take it out. We

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Speaker 2: take a movie. You haven't seen it. For anybody who

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Speaker 2: doesn't know, teasers like a look commercial for a movie.

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Speaker 2: They put out sometime they play before an actual movie

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Speaker 2: in the theater. Don't leave at the end of the teaser.

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Speaker 2: It's just a sample. This one is a sample for

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Speaker 2: a movie. And every time you go to the movies,

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Speaker 2: my feeling is you're hoping to see your story on screen. Yes,

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Speaker 2: is that right, Hayes, Sam? Is this your desire as well?

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Speaker 2: That you go, Hey, what are they gonna tell my story?

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Speaker 2: Because I'm not a war guy. I didn't do The Revenant,

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Speaker 2: you know. For you, you're going, I'm not an army man.

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Speaker 2: You're going, I'm not a guy who A lot of

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Speaker 2: times people in these movies are having sex. You've never

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Speaker 2: done that, like car I am, Sam.

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Speaker 6: Yeah, between this and Deadpool, the only times I want

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Speaker 6: to see me I'm up there.

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Speaker 2: Deadpool, you felt like was an accurate reflection of you,

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Speaker 2: just of your humor, I'm fast. Yeah, you're in turb

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Speaker 2: so quick with these jokes, and we don't always get

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Speaker 2: them all on Mike because he's sort of running past

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Speaker 2: the mic, and it's always he's sort of like he

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Speaker 2: sort of like dips his head into just be like, uh, oops,

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Speaker 2: that came out wrong, you know, and like just zooms

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Speaker 2: by and you are sort of miming Katana moves a lot. Yeah,

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Speaker 2: but just the funniest fucking guy, and so that shit rocks.

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Speaker 2: And this also is about a very funny guy who's

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Speaker 2: maybe a little more funny in the way that Hayes

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Speaker 2: and I are, where it's very thoughtful and it's challenging you.

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Speaker 2: And so appropriately this movie that is me and Hayes

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Speaker 2: historian somewhat Sam's, is called The Comedian and it stars

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Speaker 2: uh Robert de Nierbo, and it is the movie and

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Speaker 2: it's the green part at first. Yep, they always do

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Speaker 2: that here. He is the city brother Jackie Burke. How

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Speaker 2: are the kids, kid?

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Speaker 7: We have one, she's an adult now she's getting married.

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Speaker 2: I thought she was a dyke. You say lesbian brother

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Speaker 2: and he says, I it's my brother.

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Speaker 1: And Robert de Nierbo says, how are the kids, but

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Speaker 1: they only have one kid and she's an adult now.

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Speaker 1: And then he says and then he says, she's getting married,

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Speaker 1: and he said, I thought she was a dyke, and

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Speaker 1: instead of saying, well, first of all, like dykes could

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Speaker 1: get married as well, uh huh.

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Speaker 2: So that's not irrational. But this is just how, you know,

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Speaker 2: and Hayes and I when we talk to our brothers

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Speaker 2: are always kind of using this language. It's not necessarily

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Speaker 2: PC because that's just how we fucking talk family. It's family.

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Speaker 2: I'm not always watching my language with my family. And

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Speaker 2: my brother looks like Danny Debido too, and I'm going like,

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Speaker 2: you know, hey, it's me. Hey, I thought your kid

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Speaker 2: was a fucking ike, you piece of shit. And he's

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Speaker 2: gotta go like, oh, the appropriate term is lesbian, you know,

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Speaker 2: because he's trying to be like it's follow the rules.

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Speaker 1: And so this is some of the you know, the

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Speaker 1: comedy that we like that Shaun and I like, which

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Speaker 1: is the real New York like the seller.

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Speaker 2: You know, in New York seller and you just challenge

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Speaker 2: people and you go like, oh, are you comfy in

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Speaker 2: your safe space? I'll put your six feet under ground.

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Speaker 2: It's pretty safe. Down there, you know what I mean? Yeah,

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Speaker 2: you like being in your little safe space, mister millennial,

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Speaker 2: I don't know. I got a box for you. Six

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Speaker 2: feet underground. Pretty safe down there. They will kill you.

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Speaker 2: I will murder you if you say you need to say,

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Speaker 2: I will murder and that. And how's that for safe?

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Speaker 2: Pretty safe down there? Six feet under Do I have

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Speaker 2: to do his birthday party? Do you want a job?

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Speaker 4: You want to be an?

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Speaker 2: Asked?

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Speaker 7: Do I have to choose?

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Speaker 2: And I'm always giving it to you?

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Speaker 1: Yeah, And that's Edie Falbo and he wants to get

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Speaker 1: a job, and she's the man manager. And so what

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Speaker 1: you also heard was the very beginning of Billy Crystal.

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Speaker 1: Wait wait, wait, wait, wait, no, that's okay. Billy Crystal's

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Speaker 1: in the elevator. It's closing, and he said, what a

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Speaker 1: sh and so we're just gonna hear the uck, Yeah,

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Speaker 1: just a little.

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Speaker 2: But before Billy Crystal, it's like even with his manager

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Speaker 2: in this professional relationship, she's going, you want a job,

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Speaker 2: you want to be an ass, And you think he

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Speaker 2: doesn't have a line for that. He's like me and Hayes,

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Speaker 2: we got a line for everything. So even when you

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Speaker 2: try to stick it to us. We get you back

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Speaker 2: twice as hard, and we'll put you six feet hundre

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Speaker 2: grab precepts.

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Speaker 1: Wait wait, wait, Billy Crystal. Interestingly, this is a little

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Speaker 1: interesting Hollywood context. Billy Crystal was the comedians, and so

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Speaker 1: what happened in the scene probably is Robert Denierro's coming

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Speaker 1: up and saying, hey, so it's my now, baby, Yeah,

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Speaker 1: I'm taking the comedian.

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Speaker 2: He just fucking pisses on his forehead basically, and Billy

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Speaker 2: Crystal has to be like, what a schmuck, and he's

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Speaker 2: talking about self, I think because Robert de nierbo showed

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Speaker 2: him up. Let's talk about this a portion of a town.

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Speaker 2: You're live in Picksville, give me the same. What are

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Speaker 2: you doing? You're taping? Okay? POSI so yes, okay. He

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Speaker 2: called no cameras at the shows. Don't nobody try to

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Speaker 2: videotape my show.

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Speaker 1: And also you know, fuck all you people who are

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Speaker 1: like over sensitive and stuff, and also don't.

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Speaker 2: Videotape my show. Your town's an abortion. That's a joke

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Speaker 2: even better than saying dumpster fire, I think, is to

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Speaker 2: call a thing an abortion because it's such an ugly act.

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Speaker 2: And then to also then go Hicksville on top of that,

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Speaker 2: so it's like a hick abortion. That's my kind of humor.

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Speaker 2: And then when the guy who's maybe thirty years his

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Speaker 2: junior and looks to be sort of like a strong

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Speaker 2: like steel worker or something, is videotaping his show, Uh,

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Speaker 2: I love that it hurts his feelings that he's being taped.

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Speaker 1: Yes, I like comedian. This is the kind of comedian.

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Speaker 1: I like the kind that if you get upset by

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Speaker 1: their comedy, you're a pussy and you want to be

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Speaker 1: at a save's base and you're weak. But yeah, if

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Speaker 1: you record their show, they will write about it online.

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Speaker 2: And they're mad and they're like, somebody was out of line.

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Speaker 2: They were videotaping my show and it was all out

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Speaker 2: of context when I was saying abortion and then that,

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Speaker 2: and then when they're taping it. What I do, generally,

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Speaker 2: if it's someone who's thirty years my junior, who looks

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Speaker 2: to be some sort of strong steel worker, is I

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Speaker 2: knock their fucking ass out, which is exactly this is

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Speaker 2: what Bobby denierbo did.

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Speaker 1: The experience of watching the teaser, and I imagine going

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Speaker 1: to the movie is you are genuinely terrified that first

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Speaker 1: of all, you will be roasted from the screen. Oh yeah,

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Speaker 1: and that I can see is my understanding is that

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Speaker 1: is what will happen occasionally, is certain people in the

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Speaker 1: audience will be burnt to a crisp yeah by Jackie.

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Speaker 2: Burke on this Oh, he puts you around a bunch

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Speaker 2: of burners and he.

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Speaker 1: Could come out of the screen and punch you and

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Speaker 1: sort of like a run art test, like a movie

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Speaker 1: version of run art test. He will, he will come

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Speaker 1: out of there and uh, he will roast you.

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Speaker 2: I've been mouse at the palace, I've been ritten.

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Speaker 7: How many hours did you get jazz music?

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Speaker 2: I love doing music. My dad used to love your

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Speaker 2: TV show.

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Speaker 7: We've watched every episode. Always nice to meet a fan.

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Speaker 2: Well, we just said the one TV wow, has he

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Speaker 2: met his match?

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Speaker 1: Now?

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Speaker 2: I've never seen someone get the upper hand on this

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Speaker 2: guy in a battle of work, right. It's kind of

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Speaker 2: like me where I always am the one who has

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Speaker 2: the final line and the last word, and I'm rarely

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Speaker 2: left going like I just got got bad. I could

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Speaker 2: take it right, I condition out and I can take

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Speaker 2: it now as you're not taping me.

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Speaker 1: And it's the worst roast because they used to watch

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Speaker 1: the show. She used to she watched, used to watch it,

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Speaker 1: but they only I had one TV.

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Speaker 2: They only had one TV, which is why now I

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Speaker 2: got this joke right away. I didn't have to think

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Speaker 2: about it for a little while. But I know that

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Speaker 2: not everyone's sort of in schooled in comedy the way

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Speaker 2: I am. So, and so we can move on. Let's

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Speaker 2: explain it to everyone else. So let's say, for instance,

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Speaker 2: I go to Hayes. Uh. You know, me and my

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Speaker 2: sister used to listen to every episode of your podcast. Yeah,

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Speaker 2: and I say thank you, and I go we only

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Speaker 2: had the one speaker, right, and I And what I'm

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Speaker 2: saying is she, I guess was choosing. She was in

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Speaker 2: charge of what we listened to, and so if I

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Speaker 2: had been able to choose, I wouldn't have heard every episode.

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Speaker 1: And so is maybe what I'm saying, I guess it's

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Speaker 1: nice that your dad liked it so much. And now

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Speaker 1: you say ooh oh right.

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Speaker 2: Okay, okay, well now and now maybe we're gonna thank you. Yeah. Yeah,

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Speaker 2: she dropped the piece. She dropped the piece made her cry.

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Speaker 2: They're volunteering doing community service. That's how they met. Let's

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Speaker 2: see if he tries to.

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Speaker 7: Charge a date or it'll be just an appointment. I'm

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Speaker 7: not sleeping with you.

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Speaker 2: I don't know what you're out there.

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Speaker 7: Look, you had a terrible day, you just said it.

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Speaker 7: Let me take you to a place you might have

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Speaker 7: a nice time, Okay.

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Speaker 2: Horrible when celebrities bring their hookers to the this isn't

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Speaker 2: the cellar, okay. So this comedian's on stage. He's taking

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Speaker 2: her to see and this is what I do when

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Speaker 2: I'm in New York. I show ladies my New York.

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Speaker 2: And maybe you've seen the one up above with the

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Speaker 2: eminem store and everything, but what you haven't seen is underground,

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Speaker 2: underne and this is not the same kind of underground

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Speaker 2: where the saves faced comedians don't follow the rules. And

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Speaker 2: this woman who he brought with him, who's forty five

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Speaker 2: years his junior, is standing next to him and he's

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Speaker 2: showing her, you know, what's going on, and the comedian

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Speaker 2: goes like, calls her a hooker right away, goes, is

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Speaker 2: it nice when they bring their hooker? And she throws

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Speaker 2: her head back and laughs, because at the end of

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Speaker 2: the day, want to be called hookers.

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Speaker 6: Crowd after everything I've done for you, I was there

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Speaker 6: for you when you were starting out as a young man.

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Speaker 8: Okay, And once again, you don't want to get into

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Speaker 8: a battle with me or Hayes with jokes, because if

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Speaker 8: you call my friend a hooker, I'm gonna call you

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Speaker 8: the gender that you're not and that you cannot recover from.

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Speaker 1: Yes, and that's not the same thing as saying that

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Speaker 1: someone is gay is a woman and is but as

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Speaker 1: gay like he.

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Speaker 2: Did to his niece before and she was a freaking dyke.

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Speaker 2: It's different. It's saying that he was a boy, you

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Speaker 2: are a fucking man.

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Speaker 7: That was amazing.

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Speaker 2: I feel like I'm high.

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Speaker 7: Do you come up without that on the spot?

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Speaker 2: Sometimes? Yeah, that was good? Not that time. It's implied

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Speaker 2: that that time, that that was pre written. Yes, do

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Speaker 2: you come up with all that on the spot. So

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Speaker 2: what we've seen is jokes that Felix extremely prepared and

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Speaker 2: pre written, and old Ann also barely jokes. Yes, that's

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Speaker 2: what we've been able to see. But what the teaser

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Speaker 2: is promising me is in the movie there's going to

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Speaker 2: be something that could be confused for being improvised, and

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Speaker 2: it's being improvised by a guy who, when asked if

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Speaker 2: he comes up with stuff on the spot goes sometimes,

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Speaker 2: so we know he's quick on his feet. Let's keep

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Speaker 2: watching ya. Are you free on Sunday?

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Speaker 7: I have a wedding to go to my niece's wedding.

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Speaker 2: You can beat my wing man.

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Speaker 6: We have a few laughs you're gonna get at the day.

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Speaker 2: No, we don't want it to become anything. It's an

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Speaker 2: honor being here to celebrate Brittany and Frankie's wedding.

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Speaker 7: Can I address the eight hundred pound gorilla in the room?

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Speaker 1: Flow?

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Speaker 2: She is not, So this is what's interesting. It's actually

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Speaker 2: okay because she is not. She's not heavy set at all,

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Speaker 2: so she's barely in the room. And it's a woman

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Speaker 2: who is of a slender figure who is his brother

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Speaker 2: age for her age. She looks quite good, and she's

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Speaker 2: says she doesn't want it to become a thing. So

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Speaker 2: she doesn't want her famous comedian brother in law to

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Speaker 2: have the microphone at any point, even though her daughter

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Speaker 2: does want that. And of course when he gets the

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Speaker 2: mic he starts insulting her, calling her eight hundred pounds.

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Speaker 2: And I think also Danny Debido is going to be

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Speaker 2: in his cross hairs a little bit, you know, at

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Speaker 2: least by association. Let's go ahead and watch this flow.

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Speaker 2: What have you thought to my poor little brother. He

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Speaker 2: was six feet tall when you got married, and he's

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Speaker 2: so small. I knew what he's saying is you're so

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Speaker 2: fucking fat you smushed him. Just this is okay, the

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Speaker 2: comedy code. Okay. I'm gonna say this once. I will

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Speaker 2: never repeat it again. This is all you need. Keep

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Speaker 2: your ears peeled, gay, wrong gender, fat, short, and hooker.

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Speaker 2: Oh that's right. And one likes to be called the hooker,

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Speaker 2: although this is an insult to make her mad. The

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Speaker 2: hooker insult is when you want to make a woman. Oh,

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Speaker 2: my brother of yours. I don't know why you're yelling

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Speaker 2: at him?

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Speaker 1: Who are you?

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Speaker 2: We do no wonder were driving?

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Speaker 8: Don't comment.

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Speaker 2: Now she is starting to absorb a little bit of

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Speaker 2: this New York thing. She don't comment on my dress.

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Speaker 2: Don't comment on my dress. And we see she's got

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Speaker 2: a little fire and.

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Speaker 1: She's becoming a little bit of Jackie Burke. And I

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Speaker 1: think it is maybe the twist that they are the

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Speaker 1: same person.

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Speaker 2: And Jackie Burr, yes, is match And I think it's

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Speaker 2: a fight club situation.

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Speaker 7: I want to know what your expectations are here, my expectations.

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Speaker 7: When you look at my daughter and the way you

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Speaker 7: look at you.

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Speaker 1: I'm not looking at him.

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Speaker 7: What are you talking about?

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Speaker 1: What a beautiful sort of homage to the taxi driving

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Speaker 1: saying when he was like, what are you are you

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Speaker 1: looking at.

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Speaker 2: When you look in my dog? The way you look

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Speaker 2: in my dog, I'm not looking at him. And it's

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Speaker 2: all sort of And now he's getting to watch this

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Speaker 2: being like, oh, now I get to see it for once,

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Speaker 2: and to see Harvey Kaitel on screen with de Niro,

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Speaker 2: Harvey kit Tell being a man twenty seven years his junior,

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Speaker 2: playing the father of of de Niro's romantic interest, and

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Speaker 2: saying like, I've got my eye on you and the

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Speaker 2: way you're looking, you know, is a good scene for

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Speaker 2: a movie. We have three offers for appearances. What's it

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Speaker 2: going to be?

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Speaker 7: Well, they should they want you?

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Speaker 2: Is an old people house. He's yes, you're about to

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Speaker 2: hear some jokes at an old people house. His girlfriend

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Speaker 2: is saying, this is not your crowd. The very young

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Speaker 2: woman heard.

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Speaker 1: Is basically saying this does not happen. You should be

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Speaker 1: saying this has never ever happened.

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Speaker 2: That like a comedian is the famous comedian is booked

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Speaker 2: at an old folks home, and that it is owned

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Speaker 2: somehow by her father. So you saw as managers say,

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Speaker 2: you have three gigs to choose from. One of the

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Speaker 2: gigs is at an old folks home in Florida who's

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Speaker 2: owned by the father of the girl who you're dating

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Speaker 2: in New York, who you were just eating dinner with

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Speaker 2: in New York in the scene before this, right, you

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Speaker 2: know what I think she's saying when she's saying, this

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Speaker 2: is not your crowd. This is not happening you are.

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Speaker 2: This isn't a crowd. This isn't a scenario that could occur.

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Speaker 2: And also it's very strange that my father owns this

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Speaker 2: old folks home and is booking a comedian for it,

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Speaker 2: and you chose this above the other two offers that

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Speaker 2: you had none of. This is real. Ok you're a dancer, Yeah,

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Speaker 2: come sit on my lap.

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Speaker 7: I'll spend you around like a dray fi.

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Speaker 2: Okay. Yeah. And that's a variation on the hooker rule. Yeah.

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Speaker 2: And it's a fun thing to do where you woman's

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Speaker 2: own thing against her. If she says she's a dancer,

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Speaker 2: you can do anything. They say it's like, oh, you know,

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Speaker 2: like you're a cook, I got a meal for you.

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Speaker 2: Get down in my lap. I'll spin you around like

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Speaker 2: a dradal, you know. And then so and if she's

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Speaker 2: a dancer, or if she says like I'm a I'm

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Speaker 2: an account, you go like, I'll crunch some numbers on you.

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Speaker 2: Get my lap, I'll spin you around like a dradal.

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Speaker 2: And so he's kind of teaching you. I'm sorry, I

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Speaker 2: almost stepped on the best line and the.

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Speaker 1: Well also, we should point we forgot that when he

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Speaker 1: just fucking laid out that steel worker ass out, he

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Speaker 1: went viral, but I guess it was he was bad.

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Speaker 2: It wasn't bad.

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Speaker 1: It was off screen. He went bad viral for beating

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Speaker 1: up a steel worker, and he got in trouble and

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Speaker 1: then people didn't want to enjoy him in his comedy.

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Speaker 2: We can only infer that, but the trailer might actually

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Speaker 2: literally tell us that, because we're gonna hear right now

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Speaker 2: from his manager. I think after the jokes on.

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Speaker 7: My lap, I'll spin you around like a dreda.

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Speaker 2: You're viral again. Over, you're viral again? And how many

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Speaker 2: times have we gotten that? Call? Hayes from a representative. Hey,

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Speaker 2: well you're viral again. I yes, twice in a month

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Speaker 2: you've gone viral. Yes, this time the opposite way, the

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Speaker 2: viral call.

435
00:24:15,560 --> 00:24:17,760
Speaker 1: You're always hoping when you know, when you see that

436
00:24:17,880 --> 00:24:20,119
Speaker 1: it's your agent or whatever. You're always hoping that, like,

437
00:24:20,160 --> 00:24:21,840
Speaker 1: oh hope, this is like a good viral.

438
00:24:21,920 --> 00:24:25,800
Speaker 2: When you call an old woman a whore and it's

439
00:24:25,840 --> 00:24:27,960
Speaker 2: at an old folks home where you're performing stand up

440
00:24:28,000 --> 00:24:32,080
Speaker 2: comedy for a place owned by your girlfriend's dad. Yeah,

441
00:24:32,880 --> 00:24:36,320
Speaker 2: you are hoping to go viral. You know, you're saying, please,

442
00:24:36,400 --> 00:24:38,639
Speaker 2: let someone have taped it on an ipattern and not.

443
00:24:38,920 --> 00:24:42,280
Speaker 1: Just taped it, to have auto tuned it like auto

444
00:24:42,359 --> 00:24:44,680
Speaker 1: tune the news. Because this is what's important about this

445
00:24:44,840 --> 00:24:48,159
Speaker 1: viral video. It is not just footage of his appearance.

446
00:24:48,480 --> 00:24:50,879
Speaker 1: It is very, very heavily edded in the sort of

447
00:24:50,920 --> 00:24:55,160
Speaker 1: auto tune the News tim and Eric Malton style thing.

448
00:24:56,119 --> 00:24:59,199
Speaker 2: And and it's viral again. And this has gone viral.

449
00:24:59,640 --> 00:25:03,520
Speaker 2: But for some reason this is good for him. Well,

450
00:25:03,600 --> 00:25:09,440
Speaker 2: last time absulting Joe right, that was nasty and being

451
00:25:09,680 --> 00:25:13,040
Speaker 2: sort of a out of bounds comic and they're taping

452
00:25:13,119 --> 00:25:16,000
Speaker 2: him obviously he was mad, and they went viral and

453
00:25:16,080 --> 00:25:18,240
Speaker 2: got in trouble. Now he's making these sort of like

454
00:25:19,840 --> 00:25:23,240
Speaker 2: raw jokes that are sort of like, you know, not

455
00:25:23,440 --> 00:25:26,440
Speaker 2: politically correct, and then they're taping him. So now he's

456
00:25:26,480 --> 00:25:30,399
Speaker 2: going viral, right, three million views and eight hours and

457
00:25:30,480 --> 00:25:32,760
Speaker 2: it is still climate. You are on Kimmel, You're.

458
00:25:32,640 --> 00:25:39,160
Speaker 1: On Fallon, the Comedian's Dream. Okay, it's almost too good

459
00:25:39,200 --> 00:25:40,119
Speaker 1: to be true for you.

460
00:25:40,280 --> 00:25:43,119
Speaker 2: To have an auto tuned video of you doing stand

461
00:25:43,200 --> 00:25:47,680
Speaker 2: up at an old person show up on Fallon and

462
00:25:47,920 --> 00:25:50,920
Speaker 2: Kimmel pack it in. Oh well, I mean I can't.

463
00:25:51,000 --> 00:25:53,800
Speaker 2: I mean that's movie magic that he got on both

464
00:25:55,000 --> 00:25:57,080
Speaker 2: that the video, that's a little bit of movie magic.

465
00:25:57,160 --> 00:25:59,280
Speaker 2: He is not actually a big guys up here, but

466
00:25:59,400 --> 00:26:02,520
Speaker 2: his video did videos there on both of those. And

467
00:26:02,720 --> 00:26:05,520
Speaker 2: he's about to I think, fuck this young woman because

468
00:26:05,560 --> 00:26:14,879
Speaker 2: she's talking to a whiskey bottle. The comedian close it

469
00:26:15,000 --> 00:26:24,600
Speaker 2: up so close, the freezer thunk well Greenberg yep on

470
00:26:24,720 --> 00:26:26,160
Speaker 2: Hollywood Handbook.

471
00:26:26,880 --> 00:26:28,000
Speaker 1: Hollywood Handbook.

472
00:26:33,560 --> 00:26:43,400
Speaker 2: So I'm there with uh Tony Danil and uh Cartman

473
00:26:44,400 --> 00:26:50,639
Speaker 2: and we're paunching this white uh baby for it's like

474
00:26:50,680 --> 00:26:57,560
Speaker 2: a civil rights thing. And the baby starts crying like screaming. Yeah,

475
00:26:58,840 --> 00:27:01,440
Speaker 2: and it's like so imature, sure, you know, and there's

476
00:27:01,480 --> 00:27:04,200
Speaker 2: all these cops around. It's like the policeman's banquet, you know.

477
00:27:04,440 --> 00:27:08,800
Speaker 2: So so I start to get a little shy and

478
00:27:09,320 --> 00:27:13,320
Speaker 2: I'm blushing and one of the cops comes over. He goes,

479
00:27:13,359 --> 00:27:17,240
Speaker 2: what's that noise? And Tony bless her Art goes, it's

480
00:27:17,280 --> 00:27:22,520
Speaker 2: a new song I'm working on. And there's a keyboard

481
00:27:22,680 --> 00:27:25,480
Speaker 2: near us, you know, because we're the band for a banquet,

482
00:27:26,160 --> 00:27:32,920
Speaker 2: And she just starts jamming, you know, and Cartman grabs

483
00:27:32,960 --> 00:27:36,480
Speaker 2: the mic to and what we came out with was

484
00:27:37,119 --> 00:27:41,000
Speaker 2: really special and was crocodile rock.

485
00:27:41,400 --> 00:27:45,080
Speaker 1: Were you hoping, yes, go ahead, that this would Yes,

486
00:27:45,359 --> 00:27:48,879
Speaker 1: that it would that it would become crocodile ro?

487
00:27:49,000 --> 00:27:50,480
Speaker 2: No, what are you going to say? No, that just

488
00:27:50,600 --> 00:27:53,760
Speaker 2: you would get a positive, real positive from the banquet,

489
00:27:53,840 --> 00:27:56,399
Speaker 2: from punching the baby, you know, Well, because a lot

490
00:27:56,480 --> 00:28:01,920
Speaker 2: of these cops, I don't know, if you know, I

491
00:28:02,080 --> 00:28:06,160
Speaker 2: don't want you to punch anybody, Yeah, you know, especially them,

492
00:28:06,400 --> 00:28:10,000
Speaker 2: So you do that going in. Yeah, but it was

493
00:28:10,040 --> 00:28:12,320
Speaker 2: a statement, it was a secret statement, but it was

494
00:28:12,359 --> 00:28:14,480
Speaker 2: a statement for civil rights. But then you wanted to

495
00:28:14,600 --> 00:28:16,880
Speaker 2: cover up that it was what you were doing well,

496
00:28:16,920 --> 00:28:19,480
Speaker 2: it's a secret. I don't want to get in trouble

497
00:28:19,560 --> 00:28:22,399
Speaker 2: for it. I want to make the statement, you know,

498
00:28:22,760 --> 00:28:24,879
Speaker 2: I know about Tony knows about it, you know about

499
00:28:24,880 --> 00:28:26,600
Speaker 2: it now, but I don't want to do it where

500
00:28:26,680 --> 00:28:28,520
Speaker 2: people can see it because I don't want to get

501
00:28:28,520 --> 00:28:36,080
Speaker 2: in trouble. Hey, welcome, Holly Red back hallways.

502
00:28:36,760 --> 00:28:41,640
Speaker 1: This industry we sho today is a little bit interesting today.

503
00:28:41,760 --> 00:28:43,720
Speaker 2: We're going to have an interesting today. It's going to

504
00:28:43,760 --> 00:28:50,360
Speaker 2: be a little unusual. Talk to Will Greenberg. Well, back

505
00:28:50,440 --> 00:28:53,040
Speaker 2: to Will Greenberg. May I talked to will Is Will there,

506
00:28:53,440 --> 00:28:54,160
Speaker 2: you can talk.

507
00:28:54,080 --> 00:28:57,000
Speaker 7: At him, Okay, to him, We'll see.

508
00:28:57,880 --> 00:29:01,440
Speaker 2: Okay, what do you mean? Yeah? What did you mean?

509
00:29:01,560 --> 00:29:03,640
Speaker 2: Because that's such an interesting thing to say to us

510
00:29:05,000 --> 00:29:06,120
Speaker 2: as a first, as.

511
00:29:06,000 --> 00:29:12,040
Speaker 7: A guy, as a do you know, am I going

512
00:29:12,120 --> 00:29:17,400
Speaker 7: to give you my attention? I've learned? We shall see.

513
00:29:17,560 --> 00:29:20,640
Speaker 2: So it's about your reception because sometimes when people say,

514
00:29:20,720 --> 00:29:23,440
Speaker 2: you know, you're talking at me. Yeah right, yeah, it's

515
00:29:23,480 --> 00:29:26,440
Speaker 2: not about their response to it. What they what they're

516
00:29:26,520 --> 00:29:29,960
Speaker 2: saying is you're not really trying to communicate.

517
00:29:30,680 --> 00:29:32,680
Speaker 7: No, not at all. Most of the time. I'm not

518
00:29:32,800 --> 00:29:35,240
Speaker 7: trying to communicate. I'm just trying to judge.

519
00:29:35,000 --> 00:29:41,360
Speaker 2: Okay, I screwed this up. Okay, so I'm saying not you,

520
00:29:42,200 --> 00:29:45,000
Speaker 2: but some people who say, hey, you're talking at me.

521
00:29:45,280 --> 00:29:47,920
Speaker 2: Oh right, they're saying, hey, you're not trying to communicate

522
00:29:48,000 --> 00:29:48,200
Speaker 2: with me.

523
00:29:48,360 --> 00:29:49,080
Speaker 7: Yeah, I don't know them.

524
00:29:49,480 --> 00:29:53,000
Speaker 2: Oh okay, all right, well these are like my cousins

525
00:29:53,040 --> 00:29:58,800
Speaker 2: and stuff. I got bored. Okay, So what happened for you? Hayes? There?

526
00:29:58,840 --> 00:30:00,080
Speaker 2: Where'd you go when you got the I.

527
00:30:00,120 --> 00:30:03,200
Speaker 1: Forgot to listen and I was actually looking at that

528
00:30:03,520 --> 00:30:07,240
Speaker 1: pimp snapback of yours, and I was looking to see

529
00:30:07,320 --> 00:30:11,440
Speaker 1: how many, how many snaps deep you were on the size.

530
00:30:12,240 --> 00:30:14,520
Speaker 1: It's a good question, and it looks like you have

531
00:30:14,680 --> 00:30:15,440
Speaker 1: four snaps.

532
00:30:15,520 --> 00:30:16,600
Speaker 2: He snaps four of them.

533
00:30:16,760 --> 00:30:20,160
Speaker 1: I cannot quite do one, and I have to just

534
00:30:20,760 --> 00:30:24,240
Speaker 1: sort of hot glue the very tips together.

535
00:30:24,320 --> 00:30:27,360
Speaker 7: It's not glued because snapped and I extended it to

536
00:30:27,440 --> 00:30:27,720
Speaker 7: make it.

537
00:30:27,760 --> 00:30:30,920
Speaker 1: Look like it was four, but it's really Oh just

538
00:30:31,000 --> 00:30:33,600
Speaker 1: the tips are hot because your head is also so big.

539
00:30:33,840 --> 00:30:37,600
Speaker 2: I have three snaps done on my snapback today. Will

540
00:30:37,640 --> 00:30:41,320
Speaker 2: are wearing snapbacks today And Hayes wasn't invited to the party,

541
00:30:41,440 --> 00:30:48,640
Speaker 2: right Will Greenberg wrecked? Wreck? Oh my god, wrecked. So

542
00:30:49,120 --> 00:30:53,800
Speaker 2: the show's called wreck My man's on TBS. Is TBS

543
00:30:54,600 --> 00:30:55,400
Speaker 2: still mariphony?

544
00:30:57,520 --> 00:31:01,880
Speaker 1: Yes, they don't want you to say that, but I

545
00:31:01,920 --> 00:31:03,840
Speaker 1: don't know if it's like I think it's doing more

546
00:31:03,840 --> 00:31:08,040
Speaker 1: of a like very funny but smart, right, very funny

547
00:31:08,080 --> 00:31:09,080
Speaker 1: but also a little smart.

548
00:31:09,320 --> 00:31:11,160
Speaker 2: Yes and white.

549
00:31:11,840 --> 00:31:16,040
Speaker 4: Yes, I didn't want to bring it up long last. Yeah, yeah,

550
00:31:16,280 --> 00:31:19,560
Speaker 4: that's why very funny anymore.

551
00:31:20,360 --> 00:31:24,760
Speaker 2: Right, I get that. Yeah, so wrecked is about just

552
00:31:24,880 --> 00:31:26,920
Speaker 2: getting fucked up with all your friends.

553
00:31:27,000 --> 00:31:30,080
Speaker 4: Yes, yeah, it's actually I got a funny story about

554
00:31:30,280 --> 00:31:32,840
Speaker 4: about that word wrecked and that title wrecked.

555
00:31:33,120 --> 00:31:38,120
Speaker 7: When I was in high school back in Houston, Texas.

556
00:31:38,520 --> 00:31:39,240
Speaker 7: Have you ever been there?

557
00:31:39,880 --> 00:31:41,360
Speaker 2: Yeah? I was just there.

558
00:31:42,840 --> 00:31:47,000
Speaker 7: Well, we were driving to Austin, h to go party

559
00:31:48,120 --> 00:31:51,040
Speaker 7: and we dipped in a little early.

560
00:31:52,920 --> 00:31:53,080
Speaker 2: Yeah.

561
00:31:53,160 --> 00:31:57,960
Speaker 4: Well yeah, I was lipping and dipping, spitting and it's

562
00:31:58,520 --> 00:32:05,200
Speaker 4: what is your brand? Skull winter which grizzly cut? Yeah,

563
00:32:06,080 --> 00:32:08,120
Speaker 4: grizzly cut, a grizzly cut of skull.

564
00:32:08,520 --> 00:32:11,320
Speaker 2: I'm a Kodiak man. I always I used to go

565
00:32:11,720 --> 00:32:15,200
Speaker 2: feels like a Kodiac moment, did you Yeah? I would

566
00:32:15,280 --> 00:32:19,800
Speaker 2: say that and then fucking pop used to pop had looks.

567
00:32:19,880 --> 00:32:25,320
Speaker 2: I stopped because just that Kodak uh, campaign is pretty

568
00:32:25,360 --> 00:32:28,959
Speaker 2: old now, you know. Yeah, But I would say it's

569
00:32:29,000 --> 00:32:32,600
Speaker 2: a Kodiak moment and then I fucking pop in a

570
00:32:32,920 --> 00:32:36,160
Speaker 2: fat one like he was like he was snapping the pictures,

571
00:32:36,240 --> 00:32:38,360
Speaker 2: you know, like yeah, yeah.

572
00:32:38,600 --> 00:32:42,520
Speaker 7: Geese say cheese bit pop and yeah, and I'd.

573
00:32:42,400 --> 00:32:45,160
Speaker 2: Be like, I'd go make love to the camera and

574
00:32:45,280 --> 00:32:47,360
Speaker 2: I go, what you're giving me so good right now?

575
00:32:47,520 --> 00:32:49,880
Speaker 2: And then pop pop pop pop pop, And then I

576
00:32:49,960 --> 00:32:54,200
Speaker 2: always swallow the first one. Oops, but I take a fat,

577
00:32:54,360 --> 00:32:56,480
Speaker 2: chunky dip, but I put it in and then I

578
00:32:56,600 --> 00:32:59,160
Speaker 2: go like, oop, was supposed to do that? And then

579
00:32:59,200 --> 00:33:01,440
Speaker 2: I fucking put it. It's like when I go, that's better.

580
00:33:03,400 --> 00:33:07,280
Speaker 4: Now you're buzzing first, you're just quenching thirst with dip juice.

581
00:33:07,880 --> 00:33:10,760
Speaker 2: Sure, yeah, if I'm thirsty, it's for me. It's about

582
00:33:11,160 --> 00:33:14,280
Speaker 2: cracking up my friends obviously.

583
00:33:14,720 --> 00:33:14,880
Speaker 8: You know.

584
00:33:15,160 --> 00:33:17,960
Speaker 4: That's why I got into dipping. And I had braces too,

585
00:33:18,440 --> 00:33:20,840
Speaker 4: so that was wow. Yeah, it was really stupid.

586
00:33:20,960 --> 00:33:23,160
Speaker 2: That's when let me get this dip out.

587
00:33:23,280 --> 00:33:25,320
Speaker 7: Whoops, it's in the fucking braces me.

588
00:33:25,440 --> 00:33:27,480
Speaker 2: That's smart because you're the only one getting the real

589
00:33:27,600 --> 00:33:29,600
Speaker 2: value out of that trip. A lot of people just

590
00:33:29,760 --> 00:33:31,400
Speaker 2: use it until it's used up. Then they spit it

591
00:33:31,440 --> 00:33:33,480
Speaker 2: out inside of their mouth forever. But for you, it's

592
00:33:33,520 --> 00:33:33,920
Speaker 2: there for.

593
00:33:34,200 --> 00:33:37,360
Speaker 1: And you're essentially sleeping with it and you're still like

594
00:33:38,000 --> 00:33:40,560
Speaker 1: getting that buzz, yeah, in your sleep.

595
00:33:40,400 --> 00:33:42,320
Speaker 2: Living the buzz life. But you were saying you were

596
00:33:42,360 --> 00:33:44,560
Speaker 2: on your way. I gotta know, I gotta know it.

597
00:33:44,760 --> 00:33:47,000
Speaker 7: Right back into this story. It's great days.

598
00:33:47,080 --> 00:33:51,120
Speaker 4: You're gonna you're gonna tell this tale for days to

599
00:33:51,280 --> 00:33:54,560
Speaker 4: come to people that just don't listen to this show.

600
00:33:55,240 --> 00:33:56,880
Speaker 2: Yeah, I'll play it.

601
00:33:58,480 --> 00:34:01,080
Speaker 7: We're driving up to Austin, me and my bros.

602
00:34:01,440 --> 00:34:04,800
Speaker 4: And my buddy's got a huge van and he's got

603
00:34:05,000 --> 00:34:07,720
Speaker 4: benches in the back with a table in between, and

604
00:34:07,840 --> 00:34:09,360
Speaker 4: we're doing doobies and.

605
00:34:09,800 --> 00:34:14,839
Speaker 7: Dipping and dippin' dots, dooby.

606
00:34:14,640 --> 00:34:19,759
Speaker 4: Dippin' dots, and so I'm blazed. Man, I'm like sixteen

607
00:34:19,920 --> 00:34:26,040
Speaker 4: sev right, I got my snapback glued. And this bus

608
00:34:26,239 --> 00:34:29,359
Speaker 4: full of kids pulls up next to us. Okay, what's

609
00:34:29,440 --> 00:34:31,040
Speaker 4: gonna happen with the bust of kids?

610
00:34:31,120 --> 00:34:31,239
Speaker 1: Right?

611
00:34:31,320 --> 00:34:32,440
Speaker 2: Well, you gotta tell me.

612
00:34:33,000 --> 00:34:37,000
Speaker 4: These jokers and they hold up a sign against their

613
00:34:37,080 --> 00:34:42,320
Speaker 4: window and it says my m y space Dixie d

614
00:34:42,840 --> 00:34:48,680
Speaker 4: I x I E wrecked w R E C K

615
00:34:48,920 --> 00:34:51,600
Speaker 4: E D. Yeah, and I'm looking at that sign. I'm

616
00:34:51,640 --> 00:34:56,760
Speaker 4: going by Dixie wreck my Dixie wrecked. That doesn't mean anything.

617
00:34:57,480 --> 00:35:03,040
Speaker 4: That means nothing. In the these kids are stupid. Oh yeah,

618
00:35:03,080 --> 00:35:05,640
Speaker 4: they made a bad sign, right, their dumbasses. And my

619
00:35:05,719 --> 00:35:09,239
Speaker 4: buddy just turns to me and he goes, will my

620
00:35:09,400 --> 00:35:11,880
Speaker 4: Dixie wrecked? And I was like, yeah, it doesn't mean anything.

621
00:35:12,320 --> 00:35:14,480
Speaker 4: I don't know why these kids are fucking laughing.

622
00:35:14,960 --> 00:35:15,800
Speaker 2: It means nothing.

623
00:35:15,880 --> 00:35:18,200
Speaker 4: And everybody in the car they're looking at me, They're going,

624
00:35:18,280 --> 00:35:19,080
Speaker 4: my Dixie wrecked.

625
00:35:19,520 --> 00:35:21,520
Speaker 2: I didn't get it. And then what it means they

626
00:35:21,640 --> 00:35:21,960
Speaker 2: raped me?

627
00:35:22,840 --> 00:35:28,680
Speaker 4: Oh it means your dick is you wrecked? And I

628
00:35:28,719 --> 00:35:31,600
Speaker 4: didn't get it, and the joke was on me, and

629
00:35:31,719 --> 00:35:34,120
Speaker 4: so it was a lot of other things. Anyway, it's

630
00:35:34,120 --> 00:35:34,759
Speaker 4: a funny.

631
00:35:34,480 --> 00:35:38,319
Speaker 2: Story and the show and now that's the show.

632
00:35:38,960 --> 00:35:45,040
Speaker 4: That's basically yeah TBS, TBS is wrecked. We got a

633
00:35:45,080 --> 00:35:47,560
Speaker 4: second season coming out. It's very excite.

634
00:35:47,600 --> 00:35:48,600
Speaker 7: We shoot it on the beach.

635
00:35:49,360 --> 00:35:52,759
Speaker 2: Yeah I heard that. Okay, yes, so that's true. The

636
00:35:52,880 --> 00:35:53,640
Speaker 2: beach is real.

637
00:35:54,280 --> 00:35:57,279
Speaker 7: Uh yeah, most of it is real, but we green

638
00:35:57,360 --> 00:35:58,120
Speaker 7: screened the ocean.

639
00:35:58,360 --> 00:36:00,279
Speaker 2: Have you heard some of these jokes about like two

640
00:36:00,360 --> 00:36:05,160
Speaker 2: polocks on a beach or desert island or something, which one. Oh, well,

641
00:36:05,280 --> 00:36:07,799
Speaker 2: that's the thing is like, I'm aware that they're out there,

642
00:36:08,560 --> 00:36:10,160
Speaker 2: and I think one of them I've been to the

643
00:36:10,200 --> 00:36:14,280
Speaker 2: other one with a coconut hunting. Yeah, I've been looking

644
00:36:14,400 --> 00:36:14,600
Speaker 2: for it.

645
00:36:14,719 --> 00:36:16,440
Speaker 7: Two polocks go to a beach.

646
00:36:16,520 --> 00:36:19,640
Speaker 2: They're either on a desert island, they're friends with somebody

647
00:36:19,680 --> 00:36:26,320
Speaker 2: who works at the beament. Something happens with these guys

648
00:36:26,560 --> 00:36:28,719
Speaker 2: and I've been desperate to figure it out.

649
00:36:28,800 --> 00:36:30,560
Speaker 4: Well, we do a lot of those jokes on Wrecked,

650
00:36:31,400 --> 00:36:34,200
Speaker 4: a lot of coconut bonking, because that's funny.

651
00:36:34,480 --> 00:36:40,880
Speaker 2: Now what kind of sound does that make? Will you know?

652
00:36:42,560 --> 00:36:45,360
Speaker 2: And I'm tuning in, you know, and I've got the

653
00:36:45,400 --> 00:36:49,600
Speaker 2: remote and then you're recorders. I might have to Yeah,

654
00:36:49,840 --> 00:36:52,680
Speaker 2: we're hearing that. Let's do something. This I think is interesting.

655
00:36:54,040 --> 00:36:58,000
Speaker 1: We were talking about Wrecked My Dixie Wrecked, and we

656
00:36:58,400 --> 00:37:00,840
Speaker 1: were saying, what if we it would be so funny

657
00:37:00,920 --> 00:37:04,120
Speaker 1: to do desert island discs.

658
00:37:04,760 --> 00:37:09,200
Speaker 2: Yeah, what's your desert island's yours? You can only bring

659
00:37:09,400 --> 00:37:10,360
Speaker 2: one c D.

660
00:37:10,719 --> 00:37:11,759
Speaker 7: Yeah, this is tough?

661
00:37:12,320 --> 00:37:15,839
Speaker 2: Or is it three? Do we do three? I think it? Yeah?

662
00:37:15,880 --> 00:37:17,840
Speaker 2: I think you should be able to have three. I

663
00:37:17,920 --> 00:37:21,239
Speaker 2: think you get three discs and that's it and one

664
00:37:22,200 --> 00:37:26,880
Speaker 2: Iowa boom box. Yeah, with a three disk changer and

665
00:37:27,719 --> 00:37:28,640
Speaker 2: that's all you can bring.

666
00:37:29,000 --> 00:37:31,000
Speaker 1: And it's got the different and I but I have

667
00:37:31,160 --> 00:37:32,840
Speaker 1: power to plug in the boom box or I have

668
00:37:32,920 --> 00:37:34,520
Speaker 1: a The sand has this sand?

669
00:37:35,000 --> 00:37:37,040
Speaker 2: The sand has enough power just for the boom box.

670
00:37:37,120 --> 00:37:42,719
Speaker 4: Okay, yeah, I'm The first thing pops in my head

671
00:37:43,120 --> 00:37:47,760
Speaker 4: is a ween weena because.

672
00:37:47,560 --> 00:37:51,200
Speaker 1: That's a tropical mm hmm. And it's sort of what

673
00:37:51,320 --> 00:37:55,080
Speaker 1: a like, what a funny high school guy. I mean

674
00:37:55,160 --> 00:37:56,520
Speaker 1: we think that you're like this.

675
00:37:57,160 --> 00:38:00,239
Speaker 7: I haven't progressed since high school.

676
00:38:00,120 --> 00:38:03,600
Speaker 2: The funny high school guy. Yeah, yeah, that's the vibe

677
00:38:04,520 --> 00:38:05,160
Speaker 2: that is.

678
00:38:05,480 --> 00:38:11,360
Speaker 1: Uh, that's how I would vibe out on that CD changer.

679
00:38:11,520 --> 00:38:14,560
Speaker 1: And you and your history in high school of all

680
00:38:14,600 --> 00:38:17,880
Speaker 1: these dicks and weens. Yeah, why is it everything that

681
00:38:18,040 --> 00:38:19,200
Speaker 1: you talk about from high.

682
00:38:19,080 --> 00:38:21,480
Speaker 2: School is about this is about dicks and weans.

683
00:38:21,560 --> 00:38:27,560
Speaker 7: Yeah, that's something I don't want to get too far into.

684
00:38:27,920 --> 00:38:30,160
Speaker 2: I don't want to look too hard at it. Huh yeah,

685
00:38:30,280 --> 00:38:33,000
Speaker 2: because I'm saying hard and.

686
00:38:39,480 --> 00:38:41,439
Speaker 4: And that's why you know, I was like, I'll show

687
00:38:41,480 --> 00:38:45,560
Speaker 4: you and then you try new television and I did.

688
00:38:46,640 --> 00:38:49,279
Speaker 2: Yeah, Dill Dyll Weenberg.

689
00:38:49,239 --> 00:38:53,839
Speaker 7: Yep, yeah, Grill Weenberg what I yeah, that's my stage name.

690
00:38:54,800 --> 00:38:56,440
Speaker 7: I have a separate career.

691
00:38:57,560 --> 00:38:59,839
Speaker 2: Grill Weenberg. And you put it and you put a grill.

692
00:39:00,840 --> 00:39:04,600
Speaker 7: But yeah, it's a barbecue celebrity tour.

693
00:39:05,920 --> 00:39:10,080
Speaker 2: Well I love that idea of that celebrity barbecue tour.

694
00:39:10,320 --> 00:39:12,759
Speaker 2: And I just don't know who I'm gonna get to

695
00:39:13,760 --> 00:39:16,880
Speaker 2: be the judge, do you know what I mean? Yeah? Like,

696
00:39:17,000 --> 00:39:20,359
Speaker 2: so I'm doing a celebrity barbecue tour. Okay, great, I'm there,

697
00:39:21,680 --> 00:39:24,279
Speaker 2: Battle of the BBQ, Backyard, Battle of the BBQ, Who's

698
00:39:24,320 --> 00:39:27,800
Speaker 2: the best backyard Chef? And it's obviously hosted by Grill Weenberg,

699
00:39:28,360 --> 00:39:31,239
Speaker 2: king of Grill and Weenies. And he shows up and

700
00:39:31,280 --> 00:39:35,040
Speaker 2: he goes like, so you think your neighbor uh is

701
00:39:35,160 --> 00:39:37,160
Speaker 2: full of bs when he says he makes the best

702
00:39:37,200 --> 00:39:40,120
Speaker 2: BBQ chicken in the whole neighborhood. We need a Texas

703
00:39:40,200 --> 00:39:48,880
Speaker 2: native smell. It's like somebody's grilling Weedberg, somebody's grilling Wienberg's

704
00:39:48,880 --> 00:39:53,759
Speaker 2: and they're using bullsyebrand BBQ sauce because it's gotta be sponsored.

705
00:39:54,200 --> 00:39:56,520
Speaker 2: And then you and then you show up and you're

706
00:39:56,719 --> 00:39:59,200
Speaker 2: and you're getting in this guy's face, and you you

707
00:39:59,320 --> 00:40:01,080
Speaker 2: think he's full of b Yes, you think you grill

708
00:40:01,120 --> 00:40:04,320
Speaker 2: a better bird. And then you grab dude right and

709
00:40:04,840 --> 00:40:06,839
Speaker 2: he goes and he goes like I grilled the best

710
00:40:06,880 --> 00:40:09,680
Speaker 2: bird in three counties and and and then you face

711
00:40:09,800 --> 00:40:12,200
Speaker 2: them off. But here's the thing. When it's time to

712
00:40:12,320 --> 00:40:14,359
Speaker 2: take a bite of the chicken, we can see who

713
00:40:14,440 --> 00:40:17,840
Speaker 2: grills the best bird. I don't know who the judge

714
00:40:17,960 --> 00:40:23,239
Speaker 2: is because because you're the hull, you're grill. Look you

715
00:40:23,320 --> 00:40:26,200
Speaker 2: can have a vote, Sure I do. I have the

716
00:40:26,280 --> 00:40:30,600
Speaker 2: final vote. Okay, well then you're Pat and Malwashbe. But

717
00:40:30,800 --> 00:40:31,560
Speaker 2: who's kaliki?

718
00:40:31,760 --> 00:40:31,920
Speaker 1: Word?

719
00:40:32,000 --> 00:40:34,240
Speaker 2: But who's clik? Who's cliking?

720
00:40:34,280 --> 00:40:35,400
Speaker 7: Why do you say it like you say it.

721
00:40:35,480 --> 00:40:38,480
Speaker 2: Is one I'm talking about? You say it one more time? Pat?

722
00:40:40,480 --> 00:40:44,120
Speaker 7: Oh, Pat Malashbie. Yeah, she's wonderful.

723
00:40:44,520 --> 00:40:45,799
Speaker 2: Pat mulash me. Uh.

724
00:40:46,000 --> 00:40:51,040
Speaker 7: We usually have Mark Paul Gossler. And then later on.

725
00:40:51,280 --> 00:40:56,920
Speaker 2: He's not BBQ branded baby about that, No he is.

726
00:40:57,040 --> 00:41:03,319
Speaker 2: He'll come in here. He's getting brand hyphen is now

727
00:41:03,400 --> 00:41:04,719
Speaker 2: has a little hot dog on it.

728
00:41:04,880 --> 00:41:05,279
Speaker 7: That's true.

729
00:41:05,360 --> 00:41:06,080
Speaker 2: It always had that.

730
00:41:06,960 --> 00:41:09,400
Speaker 7: What Yeah, that's when you meet him, he's like, dude,

731
00:41:09,440 --> 00:41:11,279
Speaker 7: I always had that dog hyphen and.

732
00:41:11,320 --> 00:41:13,400
Speaker 2: It's cooking on there. Oh, this is like sort of

733
00:41:13,520 --> 00:41:18,160
Speaker 2: like the end of the Usual Suspects. And realize like, oh,

734
00:41:18,280 --> 00:41:20,360
Speaker 2: the wienie was there all along.

735
00:41:20,560 --> 00:41:21,480
Speaker 7: When he was always there.

736
00:41:21,520 --> 00:41:22,840
Speaker 2: It's cooking on there. It's a griddle.

737
00:41:23,120 --> 00:41:26,600
Speaker 7: That's a story. Pat Milashke is told, I don't know how.

738
00:41:28,200 --> 00:41:34,840
Speaker 9: Sorry, and then yeah, so okay, so I love this idea,

739
00:41:35,000 --> 00:41:37,600
Speaker 9: this battle of the backyard barbecue chefs, and these guys

740
00:41:37,600 --> 00:41:39,160
Speaker 9: are finally facing off and settling.

741
00:41:39,200 --> 00:41:41,200
Speaker 2: We could settle some family feuds, we could settle some

742
00:41:41,280 --> 00:41:42,080
Speaker 2: neighborhood feuds.

743
00:41:42,120 --> 00:41:45,640
Speaker 7: You're going on at most of these events, oh yeah, they're.

744
00:41:45,480 --> 00:41:48,440
Speaker 2: Always watching, but you go into you're settling these these

745
00:41:48,560 --> 00:41:51,640
Speaker 2: disputes about who's really the grill master.

746
00:41:51,719 --> 00:41:57,319
Speaker 7: Right, uh Weenberg Ye, the grill masters.

747
00:41:57,560 --> 00:42:02,960
Speaker 2: Grill grilla warfare, grilla warfare.

748
00:42:03,080 --> 00:42:05,600
Speaker 7: That's a different that's like, that's.

749
00:42:05,480 --> 00:42:11,560
Speaker 2: The name of it, right, Grimberg's the host. But I'm

750
00:42:11,880 --> 00:42:13,680
Speaker 2: just trying to figure out the judges.

751
00:42:14,320 --> 00:42:20,040
Speaker 1: Grilla warfare, colon generation grill mmm, generation generation grill.

752
00:42:20,840 --> 00:42:23,879
Speaker 7: Colin Powell has expressed, now.

753
00:42:24,000 --> 00:42:26,720
Speaker 2: That's a judge. Yeah, you get Colin Powell.

754
00:42:27,040 --> 00:42:28,160
Speaker 7: He doesn't eat meat, though.

755
00:42:28,040 --> 00:42:29,200
Speaker 2: You get Bill Angvall.

756
00:42:29,640 --> 00:42:31,960
Speaker 7: Oh yeah, and you get.

757
00:42:34,920 --> 00:42:38,759
Speaker 2: Meek Mill. Yeah.

758
00:42:39,000 --> 00:42:40,439
Speaker 7: I don't know if.

759
00:42:41,480 --> 00:42:43,320
Speaker 2: And they're chomping into some red hots.

760
00:42:43,480 --> 00:42:45,120
Speaker 7: Yeah, they're getting the red hots.

761
00:42:45,719 --> 00:42:48,760
Speaker 2: And why do you have to green screen the ocean

762
00:42:48,880 --> 00:42:50,279
Speaker 2: for this is what I'm confused by.

763
00:42:53,760 --> 00:42:57,279
Speaker 7: You know, it's a cost. It's a cost of backyard.

764
00:42:57,480 --> 00:42:58,440
Speaker 2: Yeah, because it's hard to.

765
00:42:58,520 --> 00:43:02,560
Speaker 4: Match up the ocean a lot of times with other

766
00:43:03,400 --> 00:43:05,879
Speaker 4: shots of the ocean. Okay, so they were like, let's

767
00:43:05,920 --> 00:43:08,360
Speaker 4: green screen it all right, all right.

768
00:43:08,480 --> 00:43:10,680
Speaker 2: But it seems like the grass would mess it all up.

769
00:43:10,719 --> 00:43:11,680
Speaker 2: It's green as well.

770
00:43:13,080 --> 00:43:16,799
Speaker 7: They took it all out. There's no grass inrect ever.

771
00:43:17,960 --> 00:43:20,080
Speaker 7: That's part. That's one of the funny things about it.

772
00:43:20,160 --> 00:43:22,160
Speaker 4: It's like we're watching show and you're like, where these

773
00:43:22,200 --> 00:43:23,840
Speaker 4: guys lay down just grilling.

774
00:43:24,120 --> 00:43:28,480
Speaker 2: Yeah, okay, so we've only one desert island saying attention

775
00:43:28,560 --> 00:43:31,840
Speaker 2: to that, we've only got one desert We had wan god.

776
00:43:31,800 --> 00:43:35,200
Speaker 7: Satan, I don't know, eat another one because that never

777
00:43:35,280 --> 00:43:35,759
Speaker 7: gets old.

778
00:43:36,560 --> 00:43:38,760
Speaker 2: We we we said three.

779
00:43:39,320 --> 00:43:42,480
Speaker 7: Yeah, no, the the second one, I'm not.

780
00:43:42,520 --> 00:43:45,400
Speaker 2: Going to say beach boys. I'm not going to say it.

781
00:43:46,560 --> 00:43:48,319
Speaker 7: I was about to say it, but I won't say.

782
00:43:48,400 --> 00:43:49,080
Speaker 2: Go ahead and say it.

783
00:43:50,160 --> 00:43:54,440
Speaker 4: I'm gonna say, torri Amos, okay, little Earth Now I'm

784
00:43:54,520 --> 00:43:55,280
Speaker 4: on the beach.

785
00:43:55,880 --> 00:43:58,440
Speaker 2: If I thought did it, I'd be the happy fan, right.

786
00:43:59,160 --> 00:44:02,000
Speaker 4: Yeah, you know I used to love watching videos of

787
00:44:02,080 --> 00:44:03,520
Speaker 4: Tori Amos because it looked.

788
00:44:03,320 --> 00:44:05,680
Speaker 2: Like I can't do it, not part just you can't

789
00:44:05,719 --> 00:44:08,360
Speaker 2: do it just CD, even if it's an enhanced c D.

790
00:44:08,920 --> 00:44:14,520
Speaker 2: This is not part of it, doesn't or any kind

791
00:44:14,520 --> 00:44:16,200
Speaker 2: of screen, even if it was just.

792
00:44:16,239 --> 00:44:18,320
Speaker 7: A story about what I used to like to do.

793
00:44:18,560 --> 00:44:22,080
Speaker 7: So when I listened what we are talking about.

794
00:44:22,360 --> 00:44:26,000
Speaker 2: You can finish a desert Thiland. But if you ever

795
00:44:26,200 --> 00:44:29,600
Speaker 2: do this again, Will Hayes is gonna lose it on

796
00:44:29,800 --> 00:44:33,040
Speaker 2: you and I can't stop it. Now. You can finish

797
00:44:33,080 --> 00:44:35,480
Speaker 2: the story about why you like to watch to Amos videos,

798
00:44:35,480 --> 00:44:37,280
Speaker 2: but please be as clear as possible.

799
00:44:37,400 --> 00:44:39,600
Speaker 1: This is not part of the desert connect it to

800
00:44:40,040 --> 00:44:41,680
Speaker 1: Please find a way to make it relevant to what

801
00:44:41,800 --> 00:44:44,680
Speaker 1: we are actually talking about on my show.

802
00:44:46,960 --> 00:44:51,360
Speaker 7: I don't know if I want to do that. Oh no, Hayes, No,

803
00:44:51,719 --> 00:44:54,600
Speaker 7: I've never seen this. Can we you know what I mean?

804
00:44:55,360 --> 00:44:58,759
Speaker 1: Can we go over the one more time I heard it?

805
00:45:00,080 --> 00:45:04,520
Speaker 1: Game is show Desert Island discs. It is a perfect

806
00:45:04,560 --> 00:45:08,920
Speaker 1: advertiser show, which is on a desert island you have,

807
00:45:09,239 --> 00:45:13,200
Speaker 1: We're doing the marketing your stereo with a three disc changer.

808
00:45:13,600 --> 00:45:16,880
Speaker 1: The sand is electrical enough to power the stereo.

809
00:45:16,960 --> 00:45:17,840
Speaker 7: You've already gonna know that.

810
00:45:18,040 --> 00:45:21,960
Speaker 2: You know a grill? Do you have a grill? You're

811
00:45:22,000 --> 00:45:27,879
Speaker 2: settling all the disputes in the backyard barbe warfare, you got.

812
00:45:28,560 --> 00:45:30,799
Speaker 2: We've got the three judges who each take a bite

813
00:45:30,880 --> 00:45:33,080
Speaker 2: and say who is the actual king of the grill?

814
00:45:33,520 --> 00:45:36,760
Speaker 1: So your friends there and some kids on a bus,

815
00:45:38,120 --> 00:45:40,680
Speaker 1: now shall we try again?

816
00:45:41,239 --> 00:45:44,880
Speaker 2: Sure? What is your favorite CD to just listen to

817
00:45:45,280 --> 00:45:46,440
Speaker 2: on a desert island?

818
00:45:49,840 --> 00:45:51,399
Speaker 7: Guns and Roses, Lies as Lies?

819
00:45:51,840 --> 00:45:52,919
Speaker 2: Okay? Yeah?

820
00:45:54,000 --> 00:45:58,480
Speaker 7: Why patience? Okay, because you know what I'm saying.

821
00:46:00,040 --> 00:46:00,440
Speaker 2: There you go.

822
00:46:00,640 --> 00:46:02,520
Speaker 7: You thought I was going to trip over my own

823
00:46:03,640 --> 00:46:05,719
Speaker 7: and I bring it.

824
00:46:05,840 --> 00:46:08,279
Speaker 4: Down and then he got hey, and no, I don't

825
00:46:08,320 --> 00:46:12,400
Speaker 4: know who to trust patients at night under the stars.

826
00:46:12,000 --> 00:46:14,560
Speaker 1: And it's me who should have been patients about waiting

827
00:46:14,640 --> 00:46:16,200
Speaker 1: for the good answer.

828
00:46:16,040 --> 00:46:16,560
Speaker 2: The answer.

829
00:46:16,640 --> 00:46:18,880
Speaker 7: And I'm just a guest here. I'm not going to

830
00:46:18,920 --> 00:46:19,120
Speaker 7: tell you.

831
00:46:19,239 --> 00:46:22,520
Speaker 2: Oh I know that freaking life and happy fanom. She's

832
00:46:22,600 --> 00:46:25,359
Speaker 2: talking about how Confucius does his crosswords with a pen.

833
00:46:25,560 --> 00:46:28,640
Speaker 2: Tori Amos, is he like famous for knowing a lot

834
00:46:28,719 --> 00:46:31,960
Speaker 2: of trivia? I thought he's just like a philosopher, like

835
00:46:32,040 --> 00:46:35,239
Speaker 2: he just has sayings I don't even know. Well, just

836
00:46:35,400 --> 00:46:37,800
Speaker 2: it doesn't seem like a really good lyric. It seems

837
00:46:37,840 --> 00:46:39,680
Speaker 2: like you could pick somebody who just knows like it

838
00:46:39,719 --> 00:46:41,879
Speaker 2: should be Ken Jennings does this crosswords with a pen?

839
00:46:41,960 --> 00:46:42,880
Speaker 2: That guy knows everything?

840
00:46:43,120 --> 00:46:47,680
Speaker 1: Yeah? Man? And guns n' roses and sorry, who is

841
00:46:47,800 --> 00:46:51,400
Speaker 1: going to win the grilling competition?

842
00:46:51,640 --> 00:46:53,400
Speaker 2: Hmmm, that's a good question.

843
00:46:55,239 --> 00:46:59,879
Speaker 4: Well, Axel Rose is known for his Kansas City BBQ. Yeah,

844
00:47:00,040 --> 00:47:00,760
Speaker 4: I'm from Texas.

845
00:47:00,840 --> 00:47:01,719
Speaker 7: I don't need that ship.

846
00:47:02,440 --> 00:47:02,560
Speaker 2: Uh.

847
00:47:02,719 --> 00:47:07,120
Speaker 4: And Tori Amos, Yeah, she's known for her smoky mac

848
00:47:07,160 --> 00:47:07,600
Speaker 4: and cheese.

849
00:47:07,840 --> 00:47:08,840
Speaker 7: So I would say.

850
00:47:09,040 --> 00:47:10,839
Speaker 2: She's grilling up some mac and cheese.

851
00:47:10,920 --> 00:47:13,759
Speaker 4: She puts it right on the grill, you know, and

852
00:47:14,040 --> 00:47:17,400
Speaker 4: we let her get away with it because she's a redhead.

853
00:47:18,239 --> 00:47:22,680
Speaker 2: Mm hmm. Man, it's almost like she grilled her hair. Yeah,

854
00:47:23,000 --> 00:47:25,000
Speaker 2: her hair is the color of fire. Shake your head

855
00:47:25,440 --> 00:47:30,560
Speaker 2: on the grill. Wait, yes, it is grilling grilling hair,

856
00:47:30,800 --> 00:47:34,879
Speaker 2: red red charcoal grilled.

857
00:47:38,320 --> 00:47:45,280
Speaker 7: Very No, but technically I had the last.

858
00:47:46,800 --> 00:47:52,200
Speaker 2: The tie. But there's only just like shocking me.

859
00:47:53,960 --> 00:47:55,279
Speaker 7: We all know how to say the name.

860
00:47:55,520 --> 00:47:58,240
Speaker 2: Well, would you please stop swigging out of that flask

861
00:47:58,600 --> 00:48:01,720
Speaker 2: because I feel like it's I feel like what it's doing.

862
00:48:01,840 --> 00:48:06,200
Speaker 7: Is making me, uh have a good time.

863
00:48:06,560 --> 00:48:08,640
Speaker 2: Finally, I know, and that's what you said when you

864
00:48:08,719 --> 00:48:09,000
Speaker 2: came in.

865
00:48:09,200 --> 00:48:11,239
Speaker 4: But ship to do, guys, I got to prepare for

866
00:48:11,320 --> 00:48:13,400
Speaker 4: the second season of Wrecked on TBS.

867
00:48:13,640 --> 00:48:17,359
Speaker 2: Very funny, and it smells like Kansas City barbecue sauce

868
00:48:17,400 --> 00:48:20,319
Speaker 2: up there. And I know you strike too.

869
00:48:20,520 --> 00:48:22,480
Speaker 7: Didn't you understand that? I told you, I don't.

870
00:48:22,640 --> 00:48:23,960
Speaker 1: I don't know what you're will Yeah, I know, I

871
00:48:24,000 --> 00:48:26,680
Speaker 1: don't know what your thing is. But it definitely smells

872
00:48:26,719 --> 00:48:27,800
Speaker 1: like Kansas a barbecue.

873
00:48:29,440 --> 00:48:34,719
Speaker 7: That's good medicine. Okay, it's all over you.

874
00:48:34,960 --> 00:48:35,480
Speaker 2: I don't care.

875
00:48:35,600 --> 00:48:40,720
Speaker 7: I have beer druft too, because I'm just stroking grown

876
00:48:40,800 --> 00:48:43,000
Speaker 7: along because I've been on that island.

877
00:48:42,719 --> 00:48:48,560
Speaker 2: For too long, right, Yeah, you know what do you mean?

878
00:48:49,080 --> 00:48:49,120
Speaker 1: No?

879
00:48:52,000 --> 00:48:55,240
Speaker 4: You guys, you know, with your show and your funny

880
00:48:55,440 --> 00:48:58,440
Speaker 4: bits and stuff, you don't know what it's like to

881
00:48:58,520 --> 00:49:02,200
Speaker 4: be on the island. I go there mentally every season,

882
00:49:02,760 --> 00:49:06,000
Speaker 4: and now that we're having the second season, I'm about

883
00:49:06,040 --> 00:49:06,719
Speaker 4: to go there again.

884
00:49:07,800 --> 00:49:11,279
Speaker 2: Yeah. So I got there every season. How they're having

885
00:49:11,360 --> 00:49:15,279
Speaker 2: the second season? Yeah, okay, well I understand you got

886
00:49:15,400 --> 00:49:17,759
Speaker 2: to get mentally ready for the island, and so I'm

887
00:49:17,840 --> 00:49:21,360
Speaker 2: not going to take your flask away from you. And

888
00:49:21,440 --> 00:49:25,520
Speaker 2: I'm not going to criticize the beard length which is

889
00:49:25,600 --> 00:49:26,000
Speaker 2: up scene.

890
00:49:27,840 --> 00:49:31,680
Speaker 7: It's a little rabbinical, but they'll know hair and makeup.

891
00:49:31,760 --> 00:49:35,759
Speaker 7: They trim it up. But what I will ask is,

892
00:49:36,239 --> 00:49:38,319
Speaker 7: go ahead, do.

893
00:49:38,400 --> 00:49:41,200
Speaker 2: We do a fourth desert islid disc Well, we've actually

894
00:49:41,239 --> 00:49:43,359
Speaker 2: only done three, oh right, and we're supposed to mean,

895
00:49:43,400 --> 00:49:44,560
Speaker 2: I'm sorry, we've only done two.

896
00:49:44,760 --> 00:49:45,520
Speaker 7: That's not true.

897
00:49:46,080 --> 00:49:49,840
Speaker 2: No, it is true, because one of them was voided.

898
00:49:50,280 --> 00:49:52,080
Speaker 2: I really do not want to go through it.

899
00:49:53,560 --> 00:49:55,200
Speaker 7: I think we should go through it again.

900
00:49:56,920 --> 00:50:02,440
Speaker 1: Selection was voided for being yourly visual. Your explanation for

901
00:50:02,560 --> 00:50:06,080
Speaker 1: why you liked I see that the CD, that you

902
00:50:06,280 --> 00:50:10,239
Speaker 1: like to look at it, which you cannot do on

903
00:50:10,440 --> 00:50:11,000
Speaker 1: the island.

904
00:50:11,640 --> 00:50:16,400
Speaker 7: But I got a real burning desire for tori Amos.

905
00:50:17,160 --> 00:50:17,359
Speaker 2: Yeah.

906
00:50:17,480 --> 00:50:19,279
Speaker 1: Burn yes, So this comes back to what I was

907
00:50:19,320 --> 00:50:21,400
Speaker 1: talking about, which is it looks like her hair was

908
00:50:21,480 --> 00:50:23,680
Speaker 1: burned on a grill, and that is why.

909
00:50:23,920 --> 00:50:26,120
Speaker 2: Which was a really strong observation.

910
00:50:26,320 --> 00:50:28,520
Speaker 4: If if I had one of those coconuts you were

911
00:50:28,600 --> 00:50:30,160
Speaker 4: making the boinks with earlier.

912
00:50:30,239 --> 00:50:35,320
Speaker 2: I'd right, and you get let's finish.

913
00:50:35,760 --> 00:50:38,759
Speaker 1: Let's please just do you want one more our last

914
00:50:39,280 --> 00:50:40,319
Speaker 1: Desert Islands?

915
00:50:40,600 --> 00:50:44,759
Speaker 2: Please something funny? Please? Yeah?

916
00:50:45,000 --> 00:50:46,719
Speaker 7: Well I would, I was going to get there.

917
00:50:46,920 --> 00:50:50,640
Speaker 1: It was gonna be You're like, do something funny, like

918
00:50:50,719 --> 00:50:53,200
Speaker 1: a funny slid well, because your other ones are like

919
00:50:54,160 --> 00:50:56,760
Speaker 1: like like serious songs.

920
00:50:57,080 --> 00:50:58,879
Speaker 2: So now let's do a funny one.

921
00:51:00,160 --> 00:51:03,399
Speaker 7: I'm gonna do you know any any uh.

922
00:51:04,880 --> 00:51:09,640
Speaker 4: Any les miser Rob's uh cast recording, because that's okay

923
00:51:09,920 --> 00:51:13,600
Speaker 4: funny because anybody can look at that and be like,

924
00:51:14,520 --> 00:51:19,279
Speaker 4: this is a serious uh French revolutionary I mean that.

925
00:51:19,320 --> 00:51:24,080
Speaker 2: The history in that show is outrageous fake. It's fake, right,

926
00:51:24,320 --> 00:51:27,880
Speaker 2: they're pranked and everybody when they do that song and

927
00:51:28,040 --> 00:51:31,920
Speaker 2: they are doing a trick that's pretty big on the

928
00:51:32,040 --> 00:51:35,600
Speaker 2: whole theater. So I like that. It's sort of like

929
00:51:35,760 --> 00:51:38,440
Speaker 2: Lemon's Robs, almost original punk.

930
00:51:38,840 --> 00:51:41,319
Speaker 7: Yeah, and it's a funny album. You were you wanted

931
00:51:41,440 --> 00:51:43,960
Speaker 7: it funny, so I guess that's funny.

932
00:51:44,000 --> 00:51:47,560
Speaker 2: Yeah, I'm aster the house fucking great charm song. So, uh,

933
00:51:49,400 --> 00:51:51,960
Speaker 2: one thing I would like to say, as long as

934
00:51:52,000 --> 00:51:54,680
Speaker 2: we're in the neighborhood of this Le miserab and the

935
00:51:54,760 --> 00:51:58,720
Speaker 2: sort of theatrical and we have Will Greenbergough Wimburgy the actor.

936
00:51:58,880 --> 00:52:02,840
Speaker 2: Here is probably my Desert Island disc would be the

937
00:52:03,520 --> 00:52:06,520
Speaker 2: LA Theater Works production of Lobby Hero by Kenneth Lawn

938
00:52:06,640 --> 00:52:06,879
Speaker 2: or guy.

939
00:52:06,960 --> 00:52:09,040
Speaker 7: Yeah, that's an excellent recording.

940
00:52:09,520 --> 00:52:10,920
Speaker 2: Yeah it was.

941
00:52:11,280 --> 00:52:14,719
Speaker 4: It was in my brain banging around wanting to come out,

942
00:52:15,160 --> 00:52:19,320
Speaker 4: but Lay Miserables, you know, it's it's funnier.

943
00:52:19,480 --> 00:52:20,480
Speaker 2: Who is in that one?

944
00:52:21,560 --> 00:52:22,400
Speaker 7: Let's snort of this?

945
00:52:26,719 --> 00:52:47,560
Speaker 2: Oh okay, Scotch take Donovan was in that? Okay, he's

946
00:52:47,560 --> 00:52:52,520
Speaker 2: a good guy. This is our youth, had Ruffalo. Do

947
00:52:52,640 --> 00:52:54,800
Speaker 2: you want to play a little bit? Why don't you

948
00:52:54,920 --> 00:52:57,919
Speaker 2: play some of that? This is our youth? Sure? Sure?

949
00:52:58,680 --> 00:53:10,520
Speaker 5: Recording those fifteen thousand dollars in there, I took it

950
00:53:10,600 --> 00:53:11,200
Speaker 5: from my dad.

951
00:53:14,400 --> 00:53:16,600
Speaker 2: Well, I just don't know whether I really agree with

952
00:53:16,760 --> 00:53:20,960
Speaker 2: that assessment, you know, And is he on the phone

953
00:53:21,080 --> 00:53:24,959
Speaker 2: for that? But like, what is that that part? Yeah?

954
00:53:25,080 --> 00:53:27,600
Speaker 2: He's on the How is that a covers? Oh? Okay? Oh,

955
00:53:27,760 --> 00:53:30,120
Speaker 2: I'm sorry, I was just playing. I was just fast

956
00:53:30,120 --> 00:53:32,719
Speaker 2: forwarding to his lines. Did you want to hear Josh

957
00:53:32,800 --> 00:53:35,040
Speaker 2: Hamilton's lines? It between Yeah, that'd be great.

958
00:53:35,280 --> 00:53:40,840
Speaker 10: Sure, Yeah, there's fifteen thousand dollars, isn't there? Are you

959
00:53:40,920 --> 00:53:43,759
Speaker 10: fucking crazy? You took fifteen thousand dollars from your fucking dad.

960
00:53:43,800 --> 00:53:45,840
Speaker 10: He's gonna fucking kill us. He's gonna fucking show up

961
00:53:45,840 --> 00:53:48,560
Speaker 10: here and fucking kill us. What are you thinking, Warren?

962
00:53:50,560 --> 00:53:52,360
Speaker 2: Oh, I just don't know if I really agree with

963
00:53:52,800 --> 00:53:53,800
Speaker 2: that assessment, you know.

964
00:53:54,080 --> 00:53:57,040
Speaker 1: Okay, and then at that time he didn't say I

965
00:53:57,120 --> 00:54:00,960
Speaker 1: took it for my dad, you know. Oh yeah, well

966
00:54:01,000 --> 00:54:02,399
Speaker 1: because a different part.

967
00:54:02,680 --> 00:54:06,239
Speaker 2: That was from a different part. Okay, you never know

968
00:54:06,280 --> 00:54:12,319
Speaker 2: it without a net. Yeah, yeah, no, Nen, yeah, uh yeah.

969
00:54:12,320 --> 00:54:14,200
Speaker 7: That is a great album. That's a great recording.

970
00:54:14,480 --> 00:54:16,080
Speaker 2: That's one of the ones I would have. I mean,

971
00:54:16,120 --> 00:54:19,480
Speaker 2: I would obviously have both those. Yeah, La Theater Works productions. Yeah,

972
00:54:22,960 --> 00:54:26,000
Speaker 2: and then I need a third disc. That was one?

973
00:54:26,280 --> 00:54:27,200
Speaker 7: Yeah, just one.

974
00:54:27,840 --> 00:54:29,560
Speaker 2: No, this is our use in Lobby Hero.

975
00:54:30,560 --> 00:54:34,600
Speaker 7: I'm bringing to kind of I'd forgotten to me to

976
00:54:34,680 --> 00:54:34,960
Speaker 7: do one.

977
00:54:35,440 --> 00:54:37,760
Speaker 2: Yeah, well I come up with a third ESPN.

978
00:54:38,800 --> 00:54:40,360
Speaker 7: Oh right, And you.

979
00:54:40,400 --> 00:54:44,040
Speaker 1: Can kind of ESPN because you can do box sets.

980
00:54:44,560 --> 00:54:47,279
Speaker 1: Mind's ESPN the box set and the complete.

981
00:54:47,120 --> 00:54:50,960
Speaker 2: ESPN is that with hang on, I'm doing a funny

982
00:54:51,000 --> 00:54:57,160
Speaker 2: picture for Kevin. Oh, there we go. He's singing, that's wild.

983
00:54:58,880 --> 00:55:00,759
Speaker 2: I can't wait to see that. It's good.

984
00:55:00,920 --> 00:55:02,120
Speaker 7: Huh, I don't want to see it.

985
00:55:02,480 --> 00:55:05,880
Speaker 2: Gonna be funny. No, it'll be online. It's going viral.

986
00:55:06,640 --> 00:55:11,480
Speaker 2: It's going viral. Grill. It's got to. It does have

987
00:55:11,680 --> 00:55:15,320
Speaker 2: to when you really look at, yeah, for survival comedy,

988
00:55:15,360 --> 00:55:16,960
Speaker 2: when you really look at the state of comedy in

989
00:55:17,080 --> 00:55:21,719
Speaker 2: twenty seventeen. Yeah, and the fact that kind of the

990
00:55:21,800 --> 00:55:27,520
Speaker 2: only way to fight back sugrim Reaper is to just

991
00:55:27,640 --> 00:55:30,680
Speaker 2: laugh in his face. Yeah, he hates We need pictures

992
00:55:30,760 --> 00:55:35,160
Speaker 2: like this to go viral. We that's n.

993
00:55:36,960 --> 00:55:37,000
Speaker 1: No.

994
00:55:38,160 --> 00:55:39,200
Speaker 7: But it's on the disc.

995
00:55:39,400 --> 00:55:42,880
Speaker 2: They explain that, I'm a desk. What's your favorite Wimberg

996
00:55:42,920 --> 00:55:43,200
Speaker 2: to grill?

997
00:55:44,760 --> 00:55:48,759
Speaker 7: My I'm sorry, we just picked that up.

998
00:55:49,800 --> 00:55:56,840
Speaker 4: That's my favorite Weenberg to put on a hot BBQ

999
00:55:57,160 --> 00:55:58,000
Speaker 4: turkey Weienberg.

1000
00:55:59,560 --> 00:56:02,200
Speaker 2: It's got to be a vegetable wienbergs.

1001
00:56:02,360 --> 00:56:06,200
Speaker 4: Yeah, No, it's a it's a venison. It's a it's

1002
00:56:06,280 --> 00:56:08,520
Speaker 4: a ween venison Weenberg.

1003
00:56:09,160 --> 00:56:10,920
Speaker 2: Yeah, venison. And you lay that on the.

1004
00:56:10,920 --> 00:56:14,800
Speaker 4: Grill just thirty seconds and uh, it's not going to

1005
00:56:14,840 --> 00:56:17,600
Speaker 4: be cooked, but yeah, it's gonna be grilled.

1006
00:56:17,920 --> 00:56:20,080
Speaker 1: A little that's interesting to me. And let me tell

1007
00:56:20,080 --> 00:56:22,640
Speaker 1: you why go ahead. You notice if you change one

1008
00:56:22,719 --> 00:56:27,640
Speaker 1: letter in Venison Wienberg, it spells penis on Wienberg.

1009
00:56:28,719 --> 00:56:32,800
Speaker 7: That's not funny. That's not funny, I know, I know.

1010
00:56:33,040 --> 00:56:35,160
Speaker 7: Is that's something people are saying behind.

1011
00:56:34,960 --> 00:56:38,600
Speaker 2: My I just wonder what this thing is with all

1012
00:56:38,719 --> 00:56:42,280
Speaker 2: these you know that it seems to be a fixation.

1013
00:56:42,800 --> 00:56:44,400
Speaker 2: Seems to be a fixation for you.

1014
00:56:45,200 --> 00:56:46,360
Speaker 7: Tennison Greens.

1015
00:56:46,560 --> 00:56:52,760
Speaker 2: Penis came one Weenberg in this one store made of rattlesnakes.

1016
00:56:55,120 --> 00:56:56,880
Speaker 7: Yeah, rattlesnake makes a good Wienberg.

1017
00:56:57,320 --> 00:57:00,960
Speaker 2: Okay, yeah, well also a rattlesnake shape like a penis

1018
00:57:01,000 --> 00:57:01,560
Speaker 2: on Weienberg.

1019
00:57:02,000 --> 00:57:06,719
Speaker 7: Yeah. I was about to get there. Yeah, yeah, it's

1020
00:57:06,719 --> 00:57:09,440
Speaker 7: an animal that looks like a penis is a snake.

1021
00:57:09,480 --> 00:57:12,840
Speaker 2: And don't you know, I hate that. I can just

1022
00:57:12,920 --> 00:57:15,400
Speaker 2: feel the criticism of some of what we're talking about here,

1023
00:57:15,440 --> 00:57:17,880
Speaker 2: that people are going to say, oh, it's immature talking

1024
00:57:17,920 --> 00:57:20,920
Speaker 2: about a penis or whatever, But actually that's rated for

1025
00:57:21,040 --> 00:57:24,040
Speaker 2: mature audiences only. Yeah, when you have that kind of stuff.

1026
00:57:24,760 --> 00:57:27,840
Speaker 2: So I just don't like, I just want to cut

1027
00:57:27,880 --> 00:57:29,880
Speaker 2: it off at the past. People coming in and going

1028
00:57:29,960 --> 00:57:32,760
Speaker 2: like these guys are being kids. It's for babies or

1029
00:57:32,800 --> 00:57:36,480
Speaker 2: something baby for fourteen years actually for fourteen and up

1030
00:57:37,360 --> 00:57:39,240
Speaker 2: and or if you have a parent in the room

1031
00:57:39,320 --> 00:57:39,520
Speaker 2: with you.

1032
00:57:40,160 --> 00:57:42,280
Speaker 7: I hope the kids that were on that bus, which

1033
00:57:42,400 --> 00:57:45,680
Speaker 7: no parents. I won't tell my parents don't know how

1034
00:57:45,720 --> 00:57:46,840
Speaker 7: to listen to the podcast.

1035
00:57:47,520 --> 00:57:50,920
Speaker 4: Yeah, okay, so if we could, if you could get

1036
00:57:50,960 --> 00:57:52,680
Speaker 4: your friend to put it on a CD for him.

1037
00:57:53,800 --> 00:57:56,000
Speaker 2: No, I see, this is what I'm trying to explain.

1038
00:57:56,120 --> 00:57:59,280
Speaker 2: What you there's no parents allowed. It's not about whether

1039
00:57:59,400 --> 00:58:02,640
Speaker 2: they is that a rating? Now? No parents all on you?

1040
00:58:04,960 --> 00:58:05,760
Speaker 2: They can't listen.

1041
00:58:06,440 --> 00:58:11,520
Speaker 1: Oh, speaking of Penis on Weienberg. Yeah, we forgot to

1042
00:58:11,600 --> 00:58:15,920
Speaker 1: do something. Oh Girl Weenberg has never been on an

1043
00:58:15,960 --> 00:58:17,080
Speaker 1: ear Wolve show before.

1044
00:58:17,360 --> 00:58:21,520
Speaker 2: Ah, this is gonna be nice. Now here's what we do.

1045
00:58:22,040 --> 00:58:25,600
Speaker 1: So you're gonna love this one. Yeah, everybody else. The

1046
00:58:26,120 --> 00:58:29,720
Speaker 1: time now for you is to get out and suck

1047
00:58:29,840 --> 00:58:32,840
Speaker 1: on these. Sam play the song baby.

1048
00:58:37,520 --> 00:58:42,640
Speaker 2: Just do one? Just play any song? No, so something

1049
00:58:42,720 --> 00:58:46,320
Speaker 2: that would be appropriate before everyone getting and everyone has

1050
00:58:46,360 --> 00:58:47,720
Speaker 2: to get down and suck on these because all the

1051
00:58:47,760 --> 00:58:50,439
Speaker 2: other shows they haven't had a good guess like Girl Weenberg. Wow,

1052
00:58:50,960 --> 00:58:55,200
Speaker 2: here we go, and the lyrics and then the do lyrics.

1053
00:58:55,240 --> 00:58:58,200
Speaker 2: Do the lyrics? Do lyrics? I don't have the lyrics. Sam,

1054
00:58:58,400 --> 00:59:01,520
Speaker 2: do the Sam? Do the Come on, Sam, Sam, do it?

1055
00:59:02,480 --> 00:59:04,040
Speaker 2: You're telling you? Sam?

1056
00:59:04,160 --> 00:59:08,280
Speaker 6: You is it racist? If it is sucking these? If

1057
00:59:08,320 --> 00:59:15,400
Speaker 6: it's not sucker these? And it comes back up because

1058
00:59:15,480 --> 00:59:16,080
Speaker 6: sucker these.

1059
00:59:17,120 --> 00:59:21,920
Speaker 2: Yes, do it again. But surprise me do Yeah. I

1060
00:59:22,000 --> 00:59:29,480
Speaker 2: don't even want to know what's happening. Surprise sucker these great?

1061
00:59:30,520 --> 00:59:34,720
Speaker 2: And that's who should we do? Katie Kirk, I don't

1062
00:59:34,760 --> 00:59:35,040
Speaker 2: think so.

1063
00:59:36,520 --> 00:59:36,960
Speaker 1: M hmm.

1064
00:59:38,080 --> 00:59:40,040
Speaker 2: She has a show, but I don't think we should know.

1065
00:59:42,440 --> 00:59:44,360
Speaker 7: She's actually kind of above us anyway.

1066
00:59:44,440 --> 00:59:46,160
Speaker 2: Yeah, a lot of other people that are at the

1067
00:59:46,280 --> 00:59:47,320
Speaker 2: station are below us.

1068
00:59:48,160 --> 00:59:51,920
Speaker 7: Expressed interest in wanting to judge barbecue.

1069
00:59:52,640 --> 00:59:59,920
Speaker 4: Oh sure, not at my event. Who's uh, well, it's

1070
01:00:01,360 --> 01:00:03,000
Speaker 4: it's in honor of James Gandolfini.

1071
01:00:04,160 --> 01:00:07,920
Speaker 2: Wow, but it's James GRILLEDWENI.

1072
01:00:09,520 --> 01:00:14,800
Speaker 7: Yeah, that's let's see event. Why would you say it

1073
01:00:14,920 --> 01:00:17,840
Speaker 7: like that, Jimmy Grillween like it's funny. It's not funny.

1074
01:00:18,760 --> 01:00:19,320
Speaker 2: He passed.

1075
01:00:20,400 --> 01:00:21,920
Speaker 7: Yeah, so James.

1076
01:00:21,640 --> 01:00:25,520
Speaker 2: Grilleddwen he passed on doing this podcast. Isn't well. We

1077
01:00:25,600 --> 01:00:26,680
Speaker 2: went out to him, but he passed.

1078
01:00:27,160 --> 01:00:28,320
Speaker 7: And that's what killed him.

1079
01:00:29,960 --> 01:00:32,800
Speaker 2: In this town. It will Now who should suck at these?

1080
01:00:32,800 --> 01:00:36,960
Speaker 2: I think probably Hard Nation, Right, it's almost like bear.

1081
01:00:37,400 --> 01:00:39,240
Speaker 2: I think they want it, you know what I mean

1082
01:00:39,760 --> 01:00:41,800
Speaker 2: they're begging for I think it's like, oh, like.

1083
01:00:42,040 --> 01:00:43,800
Speaker 1: That'll like if they talk about us like you on

1084
01:00:43,840 --> 01:00:45,440
Speaker 1: these people would be like, oh, maybe we'll listen to

1085
01:00:45,520 --> 01:00:45,800
Speaker 1: that show.

1086
01:00:45,880 --> 01:00:48,280
Speaker 2: I don't. Well, so we're so you don't want to

1087
01:00:48,320 --> 01:00:49,240
Speaker 2: tell David Gregory.

1088
01:00:49,640 --> 01:00:51,880
Speaker 1: I don't think he would. I mean, he doesn't really

1089
01:00:51,920 --> 01:00:53,480
Speaker 1: do comedy stuff. I don't think he would have.

1090
01:00:53,800 --> 01:00:56,080
Speaker 2: But you could tell Hard Nation to do some hard flation.

1091
01:00:56,960 --> 01:00:59,760
Speaker 2: I know we couldn't. That's what I'm saying. It's very

1092
01:01:00,040 --> 01:01:05,720
Speaker 2: it's so obvious that show hoping that.

1093
01:01:07,280 --> 01:01:09,360
Speaker 4: Give them hard flation on these give them my stuff,

1094
01:01:09,480 --> 01:01:10,520
Speaker 4: give them my information.

1095
01:01:10,840 --> 01:01:11,720
Speaker 2: I'll go there.

1096
01:01:13,200 --> 01:01:16,840
Speaker 7: Okay, you know what I mean. Well, I can drink

1097
01:01:16,920 --> 01:01:17,680
Speaker 7: on their show too.

1098
01:01:20,000 --> 01:01:22,760
Speaker 2: You Yeah, you've been drinking so much out of it.

1099
01:01:23,520 --> 01:01:26,320
Speaker 2: There's no way that it's still full unless you're just

1100
01:01:26,720 --> 01:01:31,320
Speaker 2: spitting back in which I know you are. Keep spilling.

1101
01:01:34,600 --> 01:01:38,920
Speaker 2: Please don't please don't drain those Please don't drain.

1102
01:01:42,320 --> 01:01:48,280
Speaker 7: It's a deep flask, guys, Okay, fill with wonders. I

1103
01:01:48,400 --> 01:01:50,600
Speaker 7: might have done things you'll never know.

1104
01:01:51,320 --> 01:01:52,920
Speaker 2: He's talking to himself and Peen the.

1105
01:01:56,160 --> 01:02:02,320
Speaker 7: The guy with the juice. Yuh me, okay, makes me

1106
01:02:02,440 --> 01:02:02,960
Speaker 7: feel good?

1107
01:02:04,600 --> 01:02:07,240
Speaker 2: Well this has been sa that is actually desert island

1108
01:02:07,280 --> 01:02:11,360
Speaker 2: stuff you have to do? Did you okay? And you

1109
01:02:11,480 --> 01:02:13,680
Speaker 2: picked a ESPN Most of the second Sea Mine is

1110
01:02:13,840 --> 01:02:17,600
Speaker 2: the complete ESPN correct. Mm hmm.

1111
01:02:18,640 --> 01:02:19,920
Speaker 7: It's not a musical disc.

1112
01:02:20,160 --> 01:02:26,040
Speaker 2: The Sabers. They have Buffalo Sabers on there all the

1113
01:02:26,320 --> 01:02:31,240
Speaker 2: whole franchise, just every time they were on ESPN. Oh,

1114
01:02:31,360 --> 01:02:37,520
Speaker 2: I guess my third yeah, would be uh defunct New

1115
01:02:37,560 --> 01:02:41,120
Speaker 2: Hampshire jam band Percy Hill's second album, Straight On Until Morning.

1116
01:02:43,320 --> 01:02:46,760
Speaker 7: Never heard of it? Yeah, well, what's one of their

1117
01:02:46,840 --> 01:02:48,800
Speaker 7: hits off that?

1118
01:02:49,320 --> 01:02:55,520
Speaker 2: Yeah, like big hit, big hit, well, I mean Ammonium

1119
01:02:55,560 --> 01:02:57,919
Speaker 2: Maze would probably be a bigger hit for them, which

1120
01:02:58,080 --> 01:03:04,400
Speaker 2: was off color and bloom, uh yeah, or like Soggi

1121
01:03:04,480 --> 01:03:08,240
Speaker 2: Weather's Kunk or something, uh that really was there. Ammonia

1122
01:03:08,360 --> 01:03:14,880
Speaker 2: has no Ammonia Emonium based. Uh, Straight until Morning I

1123
01:03:14,920 --> 01:03:16,280
Speaker 2: didn't have as many hits.

1124
01:03:16,080 --> 01:03:18,880
Speaker 1: A little tortured, but that's what it's like what gril

1125
01:03:18,920 --> 01:03:21,720
Speaker 1: Weenberg is experiencing because he is drunk off.

1126
01:03:23,320 --> 01:03:29,440
Speaker 4: Yeah, this alcohol is very ammonia based that is in

1127
01:03:29,560 --> 01:03:30,480
Speaker 4: my flask.

1128
01:03:32,200 --> 01:03:35,120
Speaker 2: Like Jasper was a song on Straight Up Till Morning,

1129
01:03:35,200 --> 01:03:37,960
Speaker 2: but that's like not a hit, you know. Bye.

1130
01:03:45,200 --> 01:03:49,080
Speaker 1: Hollywood Handbook is brought to you by Wolf Cool Production

1131
01:03:49,280 --> 01:03:54,520
Speaker 1: to subsidiary of calvinobs Ow Baby