WEBVTT - Chased by Pee-wee Herman

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<v Speaker 1>When you're dead started building a man cave in your bedroom.

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<v Speaker 1>career builder dot com. The Large Nerd Drunk Collider podcast

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<v Speaker 1>is a production of I Heart Radio. Hey everybody, Welcome

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<v Speaker 1>to the large nerd Drunk Collider, the podcast that's all

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<v Speaker 1>about the geeky things happening in the world around us

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<v Speaker 1>and how very excited we are about them. I'm Ariel casting,

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<v Speaker 1>and with me, as always is the super Jonathan Strickland. Ariel,

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<v Speaker 1>I have a question for you, considering that we are

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<v Speaker 1>talking about super stuff, flight or invisibility. Classic question. Yeah,

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<v Speaker 1>so I I had I think I'm gonna have to

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<v Speaker 1>go with invisibility. I've had dreams all the time where

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<v Speaker 1>like I'm a kid and I can fly, but it's

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<v Speaker 1>never like high up in the air. It's always like

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<v Speaker 1>you start running and then you're just a foot above

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<v Speaker 1>the ground. I'm kind of afraid of heights and falling,

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<v Speaker 1>so uh I I don't think i'd want to fly, However,

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<v Speaker 1>I do LARP and invisibility would be hilarious. I would

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<v Speaker 1>never lose a module. What about you, You'd be peeping

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<v Speaker 1>in the locker room. I understand, I got you. I

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<v Speaker 1>know where you're coming from. You. I go with flight

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<v Speaker 1>because I'm not a deviant like you. I like the

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<v Speaker 1>idea of being able to travel wherever I want, whenever

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<v Speaker 1>I want, soaring through the air jestically like some sort

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<v Speaker 1>of bald pigeon. Yes, flight for me all the way.

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<v Speaker 1>I'm not I'm not gonna do that whole like like

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<v Speaker 1>invisible Man, creepy motif. I'm not going to do a

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<v Speaker 1>creepy motif. Look, I'm just gonna hide in the woods

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<v Speaker 1>and jump out at people. You're right, that's I don't

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<v Speaker 1>know what I was thinking. Flying anywhere you want, any

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<v Speaker 1>time you want is not great because let's say you

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<v Speaker 1>want to fly to Hawaii. You didn't say that super

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<v Speaker 1>strength comes with your flights. So you're just gonna be

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<v Speaker 1>carrying that very heavy suitcase with you through there all

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<v Speaker 1>the way to Hawaii're gonna get so much perfect. I

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<v Speaker 1>plan on just buying everything once I get there. I'm

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<v Speaker 1>gonna go to first stop in Hawaii, retail outlet, mall.

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<v Speaker 1>Second stop in Hawaii, the beach, maybe maybe the Pokak

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<v Speaker 1>because that that place is the bomb. Okay, well, we've

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<v Speaker 1>got We've got that, but we have news to cover.

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<v Speaker 1>But before we get to any of that aerial I've

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<v Speaker 1>got some fast breaking news. Here's the breaking news. It's

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<v Speaker 1>super important. George Clooney has signed on to become an

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<v Speaker 1>executive producer and star of a TV series Buck Rogers. Okay,

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<v Speaker 1>oh that's great. What what details do we have on that?

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<v Speaker 1>George Clooney has signed on to be an executive producer

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<v Speaker 1>and star of a new Buck Rogers TV show. That's

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<v Speaker 1>all I got. I guess it wasn't I guess I

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<v Speaker 1>wasn't that important. No, I mean it's something to possibly

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<v Speaker 1>look forward to, so that, you know, in a couple

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<v Speaker 1>of months when we get details about it, you go, oh, yeah,

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<v Speaker 1>I remember that. I like Buck Rogers. Did you ever

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<v Speaker 1>watch the TV series The Camp like nine seventies era? Oh? Man,

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<v Speaker 1>I watched that too, And whenever I think about that,

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<v Speaker 1>I think of mel Blank doing the voice of Tweakie,

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<v Speaker 1>the little robot Batty Baby Batty. Uh So, I'm not

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<v Speaker 1>sure it's going to be the same, especially since I'm

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<v Speaker 1>pretty sure they're going to go back to the original

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<v Speaker 1>reference material, which doesn't have a spunky little sidekick robot.

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<v Speaker 1>But yeah, I saw that news and thought, well, we

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<v Speaker 1>should include this because you know, it's it's nostalgic for

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<v Speaker 1>for me and you and all the young listeners out

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<v Speaker 1>there are like what Buck who that? You know what?

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<v Speaker 1>It's okay, because the next news item we have is

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<v Speaker 1>four young listeners, uh, which is that the Guinness Book

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<v Speaker 1>of World Records is trying to do, uh like make

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<v Speaker 1>is set a record of the most people singing a

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<v Speaker 1>song from the Greatest Showman ever. So that the idea

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<v Speaker 1>being that it's a it's a big collaborative effort, right,

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<v Speaker 1>that you're going to have the most people singing and

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<v Speaker 1>they're going to create a collaborative video of all these

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<v Speaker 1>different people singing a particular song from the Great Showman,

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<v Speaker 1>which is is from now on. Uh. They are trying

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<v Speaker 1>to get at least five thousand participants. It is a

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<v Speaker 1>benefit for the Actors Fund, which, if you are not familiar,

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<v Speaker 1>is a financial fund for the Broadway actors who really

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<v Speaker 1>need it right now since Broadway is still closed a

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<v Speaker 1>year later and probably will be for most of one Unfortunately,

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<v Speaker 1>I want to go see my shows. I know me too.

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<v Speaker 1>But as of listening to this episode, you can still

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<v Speaker 1>be a part. They want you to record the video

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<v Speaker 1>and challenge four friends using the hashtag b Way World

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<v Speaker 1>Record uh and shared on social media. They also say

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<v Speaker 1>that you can tag Broadway stars and challenge them. You

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<v Speaker 1>know that Hugh Jackman is going to be part of this. Yeah,

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<v Speaker 1>they've already got some actors committed. They've got Alice Ripley

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<v Speaker 1>from Next to Normal, John Tart tag Lea from Avenue Q,

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<v Speaker 1>Kristen Anderson Lopez from Frozen, and Jay Armstrong Johnson from

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<v Speaker 1>Family the Opera. Uh, you can be a part of

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<v Speaker 1>this up until February, which is the deadline. I think

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<v Speaker 1>I think I'll give this one a skip because my

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<v Speaker 1>singing voice isn't strong enough. And also, uh, I'm like,

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<v Speaker 1>I'm at best a casual fan of the Greatest Showman.

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<v Speaker 1>At best, I was about to say, like, they don't

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<v Speaker 1>say anything about having to sing it, well, so that's

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<v Speaker 1>just an excuse. But I do understand the Greatest Showman

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<v Speaker 1>I'm not a huge fan of. You know what, I

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<v Speaker 1>would have actually would have enjoyed it a lot more

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<v Speaker 1>if they had not said it was supposed to be P. T. Barnum,

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<v Speaker 1>because I had real issues with the the lionization of P. T. Barnum,

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<v Speaker 1>who was a much more complicated person than the musical

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<v Speaker 1>would have you understand. But that's that's But I don't

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<v Speaker 1>want to yuck anyone's yeah either. I know a lot

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<v Speaker 1>of people really love the Greatest Showman, and there's nothing

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<v Speaker 1>wrong with loving it. I mean, that's that's you do

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<v Speaker 1>you for me. There was one song in that show

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<v Speaker 1>that I really loved and another song that I liked,

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<v Speaker 1>but um, but that was that. Everything else neither of

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<v Speaker 1>them are from now on fair enough. I mean, it

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<v Speaker 1>is interesting to say they've gotten permission from Disney to

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<v Speaker 1>do that. Yes, yes, this is this is something that's

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<v Speaker 1>got full clearance. To me. It's again another remarkable example

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<v Speaker 1>of Disney giving the go ahead for some creative uses

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<v Speaker 1>of their properties, which, as we've pointed out in previous episodes,

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<v Speaker 1>is remarkable considering how protective Disney has been of its

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<v Speaker 1>I P in the past. Also weird but delightful was

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<v Speaker 1>the latest trailer for Raya in The Last Dragon. I really,

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<v Speaker 1>you know what, I hadn't seen anything I knew about

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<v Speaker 1>this movie. I knew it was coming out, but hadn't

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<v Speaker 1>seen any trailers, hadn't watched anything of it until we

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<v Speaker 1>were making this episode. And uh, and the trailer is.

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<v Speaker 1>First of all, the style looks amazing. They made Riya

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<v Speaker 1>look like a total um kick butt warrior. I was

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<v Speaker 1>trying to think of a good, family friendly way of

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<v Speaker 1>saying it. She looks amazing in it. The antagonist is,

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<v Speaker 1>at least from what I can gather from the trailer,

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<v Speaker 1>also a woman, and then the dragon is a a

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<v Speaker 1>female dragon. So we've got a film where multiple characters,

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<v Speaker 1>important characters to the story are all women, which I

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<v Speaker 1>also thought was awesome. It's not no one draws attention

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<v Speaker 1>to it in the trailer, but I noticed it just

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<v Speaker 1>because it's something that we haven't seen a lot of

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<v Speaker 1>until fairly recently, and I like that that trend is continuing.

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<v Speaker 1>I do too. I also really like that, Um. I

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<v Speaker 1>like that the character is such a kick but character,

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<v Speaker 1>Like you said, um, there it's it almost feels like

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<v Speaker 1>Disney wanted their take on the Avatar the Last Airbender.

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<v Speaker 1>To me, yeah, I was getting a lot of that.

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<v Speaker 1>I was getting a little bit of Mulan vibes. Um.

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<v Speaker 1>There were a couple of other like properties I would

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<v Speaker 1>think of, even a kuba and the two strings. Um,

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<v Speaker 1>there's a little bit of that in there. There. There's

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<v Speaker 1>there's definitely some stuff you can tell where some influences

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<v Speaker 1>came in. Um. The attitude of the dragon feels like

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<v Speaker 1>very much a nod to sort of Wosho and Mulan. Um.

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<v Speaker 1>I mean, it's Aquafina and it's a it's a good trailer,

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<v Speaker 1>and the action looks like it's going to be really

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<v Speaker 1>really interesting. I am eager to see this. You know,

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<v Speaker 1>it's interesting because it doesn't it doesn't look like the

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<v Speaker 1>kind of typical feel good sort of Disney stuff like.

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<v Speaker 1>It doesn't seem all warm and fuzzy and squishy. It

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<v Speaker 1>seems a little more action oriented. Um, which is great too.

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<v Speaker 1>I think that looks really interesting. I think I haven't

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<v Speaker 1>been as excited for a Disney computer animated movie as

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<v Speaker 1>this since Record Ralph, which I know that you don't

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<v Speaker 1>feel the same way about that movie as I do.

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<v Speaker 1>For me, I think i'd have to go with if

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<v Speaker 1>we're not talking picks are, if we're just talking about

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<v Speaker 1>Disney proper Big Hero six, Yeah, I can see that

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<v Speaker 1>as well, which has a very similar kind of actionly

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<v Speaker 1>vibe to it. This will be available on Disney Plus

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<v Speaker 1>on their premier for premium on March five, which means

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<v Speaker 1>eventually you'll get it on your regular subscription, but I might. Honestly,

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<v Speaker 1>I think I'm going to pay for it too, because

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<v Speaker 1>I really want to see it, and I don't want

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<v Speaker 1>I want that that experience of discovery and not have

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<v Speaker 1>everything kind of laid out for me before I get

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<v Speaker 1>a chance to see it, because the discovery part, you know,

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<v Speaker 1>I'm sure we can talk about this in a longer

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<v Speaker 1>section at some future or episode, but the discovery part

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<v Speaker 1>of a new property is one of the great joys

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<v Speaker 1>for me. Like I can handle going in hearing spoilers,

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<v Speaker 1>but I really love that that experience of discovering something

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<v Speaker 1>as it's playing out. Um, you just can't really, you

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<v Speaker 1>can't replicate that if you already know what's happening before

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<v Speaker 1>you go and see it. It's different. You can still

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<v Speaker 1>enjoy it. There's nothing wrong with it, but it is different. Mhm.

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<v Speaker 1>I agree. I agree. Something on Disney Plus that you

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<v Speaker 1>I don't think you're going to have to pay premium

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<v Speaker 1>for is the Black Panther show that's in develop or

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<v Speaker 1>at least a Wakonda show. It's a show set in Wakonda.

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<v Speaker 1>What whether or not it director, whether or not it

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<v Speaker 1>involves a Black Panther character, uh played by sure, you

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<v Speaker 1>would imagine, we don't know. It may be that it

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<v Speaker 1>may not even be set in the quote unquote modern

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<v Speaker 1>day of the Marvel Cinematic universe. There's no real telling,

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<v Speaker 1>but we know that the director of Panther is going

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<v Speaker 1>to be behind the development of the show, and that

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<v Speaker 1>it is set in Waconda, and bring it on. I

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<v Speaker 1>am eager to see more of that world. Yeah. Yeah,

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<v Speaker 1>it was such such great creation, and we only got

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<v Speaker 1>a small part of it in the first Black Panther movie,

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<v Speaker 1>so and and and a little bit in Infinity War

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<v Speaker 1>a little bit, not near enough, not near enough. You

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<v Speaker 1>can tell that there's a whole bunch of written richness

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<v Speaker 1>in that world that we didn't get to see. Uh.

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<v Speaker 1>Something I did get to see this week. Uh is this?

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<v Speaker 1>This was something Ariel shared with me that I had

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<v Speaker 1>not seen, And I'm so thankful that I have a

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<v Speaker 1>co host like Ariel to bring this into my life. Yeah.

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<v Speaker 1>Is Uh. Some fans took the Jurassic Park trailer and

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<v Speaker 1>mashed it up with pee wee Herman making all of

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<v Speaker 1>the dinosaurs pee wee Herman. When you hear that concept,

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<v Speaker 1>you say, oh, I know what this is gonna look like.

0:13:58.920 --> 0:14:01.400
<v Speaker 1>But no, it's way better than what you imagine in

0:14:01.480 --> 0:14:05.400
<v Speaker 1>your brain. For for one thing, they resisted the urge

0:14:05.400 --> 0:14:09.400
<v Speaker 1>of making a dinosaur sized peee Herman. It's a Peewee

0:14:09.440 --> 0:14:14.959
<v Speaker 1>Herman sized pee Wee Herman, and the the integration of

0:14:15.160 --> 0:14:19.760
<v Speaker 1>peee Herman shots into Jurassic Park scenes is done pretty

0:14:19.880 --> 0:14:24.280
<v Speaker 1>darn well. Like there are bits where you're looking at

0:14:24.480 --> 0:14:27.400
<v Speaker 1>a Jurassic Park character and Pewee Herman is popping up

0:14:27.400 --> 0:14:30.360
<v Speaker 1>from behind a tree, and you know, you can tell

0:14:30.440 --> 0:14:34.800
<v Speaker 1>there was some compositing done, but it looks really good

0:14:35.520 --> 0:14:39.040
<v Speaker 1>for for a for a joke. Yeah, And there's only

0:14:39.160 --> 0:14:44.600
<v Speaker 1>one time where they skipped to like a not Jurassic

0:14:44.680 --> 0:14:49.120
<v Speaker 1>Park scene and it's brief, yes, I think, yeah, yeah,

0:14:49.200 --> 0:14:51.360
<v Speaker 1>where where it's him over at on the corner of

0:14:51.400 --> 0:14:53.720
<v Speaker 1>a house and he's just doing his little pee Herman laugh.

0:14:53.760 --> 0:14:57.280
<v Speaker 1>Everything else is essentially Jurassic Park with some Peee Herman

0:14:57.400 --> 0:15:01.640
<v Speaker 1>integrated into it, including the missequence where the t Rex

0:15:01.800 --> 0:15:03.880
<v Speaker 1>is chasing the jeep and it's the must go faster,

0:15:04.040 --> 0:15:06.640
<v Speaker 1>must go faster. And I don't want to say anymore

0:15:07.040 --> 0:15:10.560
<v Speaker 1>than that other than you need to see it to

0:15:10.720 --> 0:15:13.920
<v Speaker 1>really appreciate it. But we'll put that link in our

0:15:13.960 --> 0:15:17.520
<v Speaker 1>show notes on our website when this episode goes live

0:15:17.600 --> 0:15:19.600
<v Speaker 1>so that you can watch it too. We just wanted

0:15:19.600 --> 0:15:21.680
<v Speaker 1>to give it a shout out since we love mashups.

0:15:22.120 --> 0:15:26.600
<v Speaker 1>We had to love on this mashup, yes, and that

0:15:26.720 --> 0:15:30.480
<v Speaker 1>wraps up our quick headlines for this week. When we

0:15:30.640 --> 0:15:33.600
<v Speaker 1>come back, we are going to have a deep discussion

0:15:34.880 --> 0:15:38.440
<v Speaker 1>about the DC Cinematic Universe and what we would do

0:15:38.960 --> 0:15:40.960
<v Speaker 1>if we were put in charge of it in order

0:15:41.080 --> 0:15:45.880
<v Speaker 1>to kind of fix it. Seems like it's really presumptuous,

0:15:46.120 --> 0:15:48.400
<v Speaker 1>but I'm going to say fix it. And then also

0:15:48.680 --> 0:15:51.320
<v Speaker 1>stick around because at the end of this episode with

0:15:51.440 --> 0:15:53.880
<v Speaker 1>our mashup we are we have chosen a mash up

0:15:53.920 --> 0:15:57.200
<v Speaker 1>topic that is in part a tribute to the late

0:15:57.400 --> 0:16:03.400
<v Speaker 1>great Chloris Leachman, a phenomenal comic actor who we lost,

0:16:04.080 --> 0:16:07.680
<v Speaker 1>uh just recently, and so you want to stick around

0:16:07.720 --> 0:16:10.960
<v Speaker 1>for that too, But first we gotta take this quick break.

0:16:16.720 --> 0:16:20.360
<v Speaker 1>Still living in and manually taking notes, start the new

0:16:20.440 --> 0:16:24.440
<v Speaker 1>year with auto dot ai to generate automatic notes for meetings, interviews,

0:16:24.560 --> 0:16:27.280
<v Speaker 1>or lectures. With auto dot ai, you can search the

0:16:27.360 --> 0:16:30.560
<v Speaker 1>meeting notes, insert images, playback the audio, and share them

0:16:30.600 --> 0:16:33.360
<v Speaker 1>with your friends or coworkers. You can capture action items,

0:16:33.480 --> 0:16:37.200
<v Speaker 1>remember meeting details, and keep everyone informed. Auto dot ai

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<v Speaker 1>ai or download the app for free auto dot ai.

0:16:46.240 --> 0:16:50.280
<v Speaker 1>That's O T T e R dot Ai. This episode

0:16:50.360 --> 0:16:52.640
<v Speaker 1>is brought to you by Wigs. Are you ready to

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<v Speaker 1>Head over to Wicks dot com and create your website today.

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<v Speaker 1>That's w i x dot com. Have you ever felt

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<v Speaker 1>depressed about work only to have your dad be like,

0:17:49.359 --> 0:17:51.160
<v Speaker 1>while you're so down, So you told him you hate

0:17:51.200 --> 0:17:53.080
<v Speaker 1>your job, and he said, well, you better talk yourself

0:17:53.119 --> 0:17:55.280
<v Speaker 1>out of it. And then you thought, I love to talk.

0:17:55.359 --> 0:17:57.240
<v Speaker 1>I could host a podcast. And then you went to

0:17:57.280 --> 0:17:59.439
<v Speaker 1>Speaker from my Heart and started a podcast and got

0:17:59.480 --> 0:18:01.760
<v Speaker 1>good at it and monetize it. Then quit your boring

0:18:01.840 --> 0:18:03.639
<v Speaker 1>job and told your dad thanks for the advice. And

0:18:03.760 --> 0:18:05.040
<v Speaker 1>he was like, well, that's not what I meant, and

0:18:05.040 --> 0:18:07.680
<v Speaker 1>I don't understand what a podcast is. But you seem happy.

0:18:07.800 --> 0:18:10.920
<v Speaker 1>So that's great, kiddo. You ever do that, well, you

0:18:11.000 --> 0:18:14.399
<v Speaker 1>could at spreaker dot com. That's sp r e a

0:18:14.600 --> 0:18:22.200
<v Speaker 1>k e R ask your dad. You actually don't. And

0:18:22.840 --> 0:18:26.680
<v Speaker 1>we're back. Thanks for coming back with us. So we're

0:18:26.680 --> 0:18:29.520
<v Speaker 1>going to talk about the d C EU and Jonathan,

0:18:29.640 --> 0:18:32.440
<v Speaker 1>I'm taking it by uh you saying that it needed

0:18:32.480 --> 0:18:34.760
<v Speaker 1>to be fixed before the break, that you are not

0:18:34.920 --> 0:18:37.760
<v Speaker 1>a fan of how it is currently being laid out.

0:18:39.240 --> 0:18:42.840
<v Speaker 1>I am not, Ariel. Thank you for asking me about this.

0:18:43.240 --> 0:18:45.880
<v Speaker 1>Uh I know I I I've made it pretty clear.

0:18:46.160 --> 0:18:49.399
<v Speaker 1>Anyone who listened to old episodes of Large Nergron Collector

0:18:49.520 --> 0:18:54.280
<v Speaker 1>the classic ones from like tent seventeen, you know that

0:18:54.440 --> 0:18:56.960
<v Speaker 1>even back then I was complaining about the way d

0:18:57.119 --> 0:19:01.520
<v Speaker 1>C was going about their cinematic universe, that that that

0:19:01.720 --> 0:19:05.000
<v Speaker 1>dead horse is still continuing to be beaten by yours, truly,

0:19:05.280 --> 0:19:09.480
<v Speaker 1>because I don't think it's necessarily gotten much better. I

0:19:09.560 --> 0:19:12.800
<v Speaker 1>have multiple problems with it. Problem one is that the

0:19:12.880 --> 0:19:17.919
<v Speaker 1>whole Zack Snyder take on making everything dark and grim

0:19:18.840 --> 0:19:22.520
<v Speaker 1>doesn't sit too well with me, largely because like, I

0:19:22.600 --> 0:19:24.600
<v Speaker 1>think there should be some dark and grim nous in there.

0:19:24.640 --> 0:19:27.480
<v Speaker 1>I think there need to be stinks, Like without steaks,

0:19:27.520 --> 0:19:31.399
<v Speaker 1>there's no conflict, and without conflict, there's no drama. But

0:19:33.080 --> 0:19:38.160
<v Speaker 1>I feel like heroes need to occasionally be i don't know, heroic, yeah,

0:19:38.760 --> 0:19:41.120
<v Speaker 1>and inspiring and that sort of thing, which is why

0:19:41.200 --> 0:19:44.920
<v Speaker 1>Wonder Woman, the original Wonder Woman film from this this

0:19:45.119 --> 0:19:48.800
<v Speaker 1>latest match is still I think my favorite of all

0:19:48.880 --> 0:19:50.879
<v Speaker 1>the ones that have come out so far, with the

0:19:50.920 --> 0:19:55.520
<v Speaker 1>possible exception of Shazam, which feels almost tangential, but it

0:19:55.640 --> 0:19:58.639
<v Speaker 1>was also pretty dark. It was pretty dark, but it

0:19:58.760 --> 0:20:01.639
<v Speaker 1>had more lighthearted moment than any of the other DC films.

0:20:02.280 --> 0:20:05.000
<v Speaker 1>And then the other part kind of ties into that

0:20:05.119 --> 0:20:08.440
<v Speaker 1>tangential thing, which is that there is no coherent or

0:20:08.560 --> 0:20:14.840
<v Speaker 1>cohesive strategy right like there are so many different DC properties,

0:20:15.359 --> 0:20:18.200
<v Speaker 1>and there are disagreements about which ones actually fit into

0:20:18.320 --> 0:20:22.320
<v Speaker 1>the mainline DC universe versus being some sort of offshoot

0:20:22.520 --> 0:20:25.879
<v Speaker 1>like Joker. The movie Joker, which a lot of people loved,

0:20:26.840 --> 0:20:30.520
<v Speaker 1>is not part of the mainstream DC cinematic universe. There

0:20:30.640 --> 0:20:35.800
<v Speaker 1>was talk of another Jared leto Joker movie, which never,

0:20:36.000 --> 0:20:38.280
<v Speaker 1>as far as I know, is not happening, But that

0:20:38.440 --> 0:20:41.040
<v Speaker 1>also wasn't going to be part of the mainstream DC universe,

0:20:41.680 --> 0:20:44.960
<v Speaker 1>And you start to wonder, well, why are you bothering

0:20:45.960 --> 0:20:49.720
<v Speaker 1>crafting these I mean, I understand the appeal of having

0:20:50.000 --> 0:20:56.040
<v Speaker 1>heroes from different uh, different franchises, are different lines crossover.

0:20:56.320 --> 0:20:59.520
<v Speaker 1>There's always like it's that dream, Oh yeah, it's Batman

0:20:59.600 --> 0:21:01.479
<v Speaker 1>and super Man. Like, I get it. That's a big

0:21:01.560 --> 0:21:03.399
<v Speaker 1>deal in the comics, it's a big deal in the movies.

0:21:04.359 --> 0:21:07.960
<v Speaker 1>But if you're not going to craft a really strong,

0:21:08.080 --> 0:21:12.720
<v Speaker 1>coherent universe, then it almost seems like you should really

0:21:12.840 --> 0:21:16.960
<v Speaker 1>just be developing one shot films that are good stories

0:21:17.080 --> 0:21:21.080
<v Speaker 1>featuring these characters, but there's no necessary connective tissue to

0:21:21.160 --> 0:21:25.800
<v Speaker 1>everything else. I agree. So I mean d C to

0:21:25.960 --> 0:21:29.560
<v Speaker 1>the Dark thing. D C is not a Stranger two

0:21:29.720 --> 0:21:33.520
<v Speaker 1>Dark storylines in the comics. But I do feel like

0:21:33.640 --> 0:21:37.359
<v Speaker 1>you need to you need to set up the hero

0:21:37.640 --> 0:21:41.000
<v Speaker 1>in that story as the hero, like you said before,

0:21:41.080 --> 0:21:45.800
<v Speaker 1>you can enjoy that journey down down a path that

0:21:45.880 --> 0:21:50.399
<v Speaker 1>they maybe shouldn't go. You're more invested then, um and

0:21:50.480 --> 0:21:53.439
<v Speaker 1>then yeah, the continuity is hard. I feel like they

0:21:54.080 --> 0:21:57.399
<v Speaker 1>they tried so hard to catch up with Marvel, but

0:21:57.520 --> 0:21:59.760
<v Speaker 1>by that time, they already had a bunch of TV shows,

0:22:00.119 --> 0:22:02.119
<v Speaker 1>and they already had all of these one off movies.

0:22:02.160 --> 0:22:06.159
<v Speaker 1>We've had so many Batman series, um, that it was

0:22:06.240 --> 0:22:10.159
<v Speaker 1>almost like an afterthought. I do feel like they up

0:22:10.240 --> 0:22:12.280
<v Speaker 1>until the Snyder cut, I feel like they had been

0:22:12.880 --> 0:22:16.240
<v Speaker 1>slowly edging away from everything being super dark, even through

0:22:16.320 --> 0:22:20.000
<v Speaker 1>this latest wonder Woman movie. UM, but I still feel

0:22:20.080 --> 0:22:24.400
<v Speaker 1>like trying to add that levity to what little through

0:22:24.480 --> 0:22:27.240
<v Speaker 1>line there is, it just makes the stories extra long

0:22:27.320 --> 0:22:32.320
<v Speaker 1>and extra convoluted. Yeah. Yeah, no, there's there's no efficiency

0:22:32.359 --> 0:22:36.639
<v Speaker 1>in storytelling in the DC Cinematic universe. Everything is a

0:22:36.760 --> 0:22:42.320
<v Speaker 1>little too bloated and uh, I mean when when there

0:22:42.359 --> 0:22:47.000
<v Speaker 1>are important block points that hinge on such silly things

0:22:47.119 --> 0:22:50.000
<v Speaker 1>like the fact that two characters have mother figures who

0:22:50.040 --> 0:22:53.359
<v Speaker 1>were named Martha and somehow that's what brings them together.

0:22:53.880 --> 0:22:56.240
<v Speaker 1>I mean, I get it, like that's been that's been

0:22:56.320 --> 0:22:59.720
<v Speaker 1>mean to death, right, but it's still ridiculous. It's why

0:22:59.760 --> 0:23:02.200
<v Speaker 1>it's and mean to death. It is a ridiculous point

0:23:02.800 --> 0:23:06.200
<v Speaker 1>in a film. And uh, you know, there's just so

0:23:06.280 --> 0:23:09.680
<v Speaker 1>many decisions that I disagreed with, especially in those early

0:23:10.000 --> 0:23:14.560
<v Speaker 1>Snyder films, like without as you say, without making the

0:23:14.840 --> 0:23:19.200
<v Speaker 1>hero heroic, you have no one to cheer for, You're

0:23:19.920 --> 0:23:21.960
<v Speaker 1>It's like they decided they wanted to skip straight to

0:23:22.640 --> 0:23:28.800
<v Speaker 1>the Frank Miller version of Old Batman and show him

0:23:29.000 --> 0:23:32.800
<v Speaker 1>as you know, someone who is who is still plotting along,

0:23:32.880 --> 0:23:38.040
<v Speaker 1>but it's very cynical and very um uh pessimistic about

0:23:38.119 --> 0:23:42.720
<v Speaker 1>things and um pragmatic in a way that's extremely dark.

0:23:43.520 --> 0:23:45.080
<v Speaker 1>And they didn't want to get to any of the

0:23:45.119 --> 0:23:47.280
<v Speaker 1>stuff that led him to that journey. They just wanted

0:23:47.320 --> 0:23:49.480
<v Speaker 1>to jump to that. Same with them with the fact

0:23:49.560 --> 0:23:53.040
<v Speaker 1>that they didn't go through the same setup that Marvel

0:23:53.160 --> 0:23:57.840
<v Speaker 1>did when it began to establish all these individual characters

0:23:58.000 --> 0:24:01.879
<v Speaker 1>and then the connection they had with one another to

0:24:02.040 --> 0:24:04.600
<v Speaker 1>lead into the Avengers titles. And you know, we didn't

0:24:04.640 --> 0:24:09.880
<v Speaker 1>even get into the Thanos storyline until we were probably

0:24:09.920 --> 0:24:13.920
<v Speaker 1>about halfway through those initial Marvel films. It was only

0:24:13.960 --> 0:24:16.560
<v Speaker 1>in the back half that the Thanos storyline really started

0:24:16.600 --> 0:24:19.240
<v Speaker 1>to play out, and to the point where some people

0:24:19.280 --> 0:24:22.320
<v Speaker 1>were even asking like, why should we care about Thanos?

0:24:22.480 --> 0:24:25.399
<v Speaker 1>And then in fanity war happened and everyone suddenly really

0:24:25.520 --> 0:24:28.840
<v Speaker 1>cared about Thanos. But it just showed that they did

0:24:28.880 --> 0:24:31.040
<v Speaker 1>a very long lead up to that, whereas d C

0:24:31.280 --> 0:24:35.320
<v Speaker 1>was almost like, dump all the toys out on the floor, Okay,

0:24:35.760 --> 0:24:38.639
<v Speaker 1>now they're all together, let's make them do stuff. But

0:24:38.720 --> 0:24:41.520
<v Speaker 1>they didn't build any of that individually. Like I said,

0:24:41.720 --> 0:24:44.000
<v Speaker 1>I feel like it really was them playing a game

0:24:44.040 --> 0:24:46.960
<v Speaker 1>of catchup to try to to try to get to

0:24:47.280 --> 0:24:50.560
<v Speaker 1>Marvel success level before people were burnt out on superheroes,

0:24:50.600 --> 0:24:54.359
<v Speaker 1>which has come and gone since the m c U

0:24:54.480 --> 0:24:58.119
<v Speaker 1>has begun. Um. I feel like when they said okay,

0:24:58.200 --> 0:25:02.160
<v Speaker 1>now anybody can make any movie about any DC character,

0:25:02.520 --> 0:25:08.320
<v Speaker 1>DC comic character, um, that it was their attempt to

0:25:09.880 --> 0:25:18.600
<v Speaker 1>try to salvage the fandom without having to continue, like

0:25:18.760 --> 0:25:21.680
<v Speaker 1>basically trying out alternate timelines to see if any of

0:25:21.760 --> 0:25:26.520
<v Speaker 1>those stick better than their current prime timeline so then

0:25:26.560 --> 0:25:29.240
<v Speaker 1>they can just switch over to that. I mean, like

0:25:30.040 --> 0:25:33.000
<v Speaker 1>clearly the Harley Quinn movie as an example of that,

0:25:33.320 --> 0:25:37.320
<v Speaker 1>right where the Harley Quinn film. They saw how people

0:25:37.520 --> 0:25:41.640
<v Speaker 1>responded to the character of Harley quinnin Suicide Squad, even

0:25:41.680 --> 0:25:45.119
<v Speaker 1>though that movie is its own garbage fire. The first

0:25:45.280 --> 0:25:48.639
<v Speaker 1>the first one, because I think the next one is

0:25:48.640 --> 0:25:52.120
<v Speaker 1>gonna be really good, well until it comes out, I'm

0:25:52.119 --> 0:25:55.480
<v Speaker 1>not gonna hold my breath, right, so they have to

0:25:55.560 --> 0:25:59.960
<v Speaker 1>prove me wrong. Okay, I don't. I feel pretty comfortable

0:26:00.000 --> 0:26:03.359
<v Speaker 1>saying the first film is a garbage fire. Uh, But

0:26:03.560 --> 0:26:05.960
<v Speaker 1>that that led to the ability for the Harley Harley

0:26:06.040 --> 0:26:09.080
<v Speaker 1>Quinn film to come out, and I think people responded

0:26:09.200 --> 0:26:13.520
<v Speaker 1>more towards that, which just showed that there are and

0:26:13.680 --> 0:26:18.360
<v Speaker 1>Joker again. Joker is another movie that did phenomenally well. Um,

0:26:19.960 --> 0:26:22.719
<v Speaker 1>i'll spare you my thoughts on Joker, but it did

0:26:22.880 --> 0:26:26.320
<v Speaker 1>really well and again is not connected to the rest

0:26:26.400 --> 0:26:31.800
<v Speaker 1>of the threads in the d C universe. So it's

0:26:31.840 --> 0:26:34.240
<v Speaker 1>a complicated issue. Like if it were me, I'd almost

0:26:34.240 --> 0:26:35.600
<v Speaker 1>say like, all right, we're gonna have to start with

0:26:35.880 --> 0:26:39.959
<v Speaker 1>a fresh slate. Um, some of the casting I might

0:26:40.119 --> 0:26:43.600
<v Speaker 1>keep because I think that some of the folks who

0:26:43.600 --> 0:26:47.040
<v Speaker 1>are in their roles are good for those roles, But like,

0:26:48.920 --> 0:26:51.520
<v Speaker 1>we're just gonna do what the comic books do occasionally,

0:26:51.600 --> 0:26:54.359
<v Speaker 1>which is that you do a big reset. It happens

0:26:54.359 --> 0:26:56.520
<v Speaker 1>in comics all the time, where you have some sort

0:26:56.560 --> 0:27:00.960
<v Speaker 1>of cataclysmic event that destroys every relity so that it

0:27:01.000 --> 0:27:03.399
<v Speaker 1>could start fresh and then you start screwing it up

0:27:03.440 --> 0:27:05.880
<v Speaker 1>all over again, but at least you can start fresh. Well,

0:27:06.000 --> 0:27:07.639
<v Speaker 1>And I thought that's what they were doing with the

0:27:07.720 --> 0:27:11.119
<v Speaker 1>James Gunn Suicide Squad that's coming out, because it's just

0:27:11.720 --> 0:27:14.800
<v Speaker 1>it's it's not a second movie, it's just another suicide

0:27:14.840 --> 0:27:18.280
<v Speaker 1>Squad movie. But then they talked. But and you know,

0:27:18.400 --> 0:27:21.359
<v Speaker 1>James Gunn did great with Guardians of the Galaxy, and

0:27:21.480 --> 0:27:25.040
<v Speaker 1>the cast for this new movie is pretty spectacular. Um,

0:27:25.240 --> 0:27:27.960
<v Speaker 1>they all all of the actors ride a good line

0:27:28.000 --> 0:27:33.200
<v Speaker 1>between action and intense and comedy. But then they did

0:27:33.320 --> 0:27:35.600
<v Speaker 1>carry over some of the characters like Harley Quinn and

0:27:36.200 --> 0:27:39.800
<v Speaker 1>Boomerang and things like that, so it's not quite as

0:27:39.880 --> 0:27:41.879
<v Speaker 1>much of a reboot as I initially thought it was

0:27:41.960 --> 0:27:46.200
<v Speaker 1>going to be. Yeah, Um, so if you were trying

0:27:46.240 --> 0:27:50.080
<v Speaker 1>to fix this, like my my argument is to scrap

0:27:50.160 --> 0:27:54.560
<v Speaker 1>it all and start over. Um, but do you think

0:27:54.640 --> 0:27:57.680
<v Speaker 1>it's something that you could see as being salvageable, like

0:27:58.480 --> 0:28:04.120
<v Speaker 1>keeping everything that exists now and just building further upon it. Yes. Yes,

0:28:04.400 --> 0:28:07.879
<v Speaker 1>And my reasoning for that is I've said since the beginning,

0:28:07.920 --> 0:28:09.879
<v Speaker 1>and if you're a long time Lency listener you'll know

0:28:09.960 --> 0:28:11.840
<v Speaker 1>this that I feel like the real problem with the

0:28:11.920 --> 0:28:14.440
<v Speaker 1>Justice League is how dark it is. I feel like

0:28:14.520 --> 0:28:19.080
<v Speaker 1>they've been going lighter and lighter and lighter. Uh. Justice League,

0:28:20.400 --> 0:28:24.000
<v Speaker 1>much like the newer Teenage Mutant Ninja Turtles movies. The

0:28:24.119 --> 0:28:28.640
<v Speaker 1>storyline was not strong, but they got the characters right. Um.

0:28:28.880 --> 0:28:31.080
<v Speaker 1>Even at the end Superman got to be Superman and

0:28:31.160 --> 0:28:34.080
<v Speaker 1>that was nice. But I enjoyed watching all the characters

0:28:34.200 --> 0:28:36.760
<v Speaker 1>and I enjoyed watching their chemistry. So all we need

0:28:36.840 --> 0:28:40.240
<v Speaker 1>to do is have happy Superman fly around the world

0:28:41.240 --> 0:28:45.440
<v Speaker 1>reverse time, and then we can continue on with the

0:28:45.520 --> 0:28:48.160
<v Speaker 1>Justice League, because that movie did the poorest and to

0:28:48.320 --> 0:28:51.360
<v Speaker 1>me it was one of the most one of the

0:28:51.400 --> 0:28:56.160
<v Speaker 1>more enjoyable ones. Um. Maybe not quite a from a

0:28:56.200 --> 0:28:58.720
<v Speaker 1>character standpoint, maybe not as quite as enjoyable as Wonder

0:28:58.720 --> 0:29:01.320
<v Speaker 1>Woman or Aquaman, which were both I found both of

0:29:01.400 --> 0:29:05.560
<v Speaker 1>them fun, but far too long. Um And mainly because

0:29:05.640 --> 0:29:10.000
<v Speaker 1>the Justice League villain was pretty milk chosty. But um, well,

0:29:10.160 --> 0:29:12.320
<v Speaker 1>now you're going to get dark side in the Snyder cut.

0:29:12.440 --> 0:29:17.280
<v Speaker 1>So yeah, I don't. Yeah, that's that's exactly how I

0:29:17.360 --> 0:29:19.960
<v Speaker 1>feel aial, So don't don't feel badly about it. But

0:29:22.280 --> 0:29:25.600
<v Speaker 1>Snyder cut, but more movies. I appreciate what you say,

0:29:25.760 --> 0:29:29.920
<v Speaker 1>like I I, I don't deny that. You know, you

0:29:30.000 --> 0:29:32.640
<v Speaker 1>could continue. Obviously they're going to continue to build on

0:29:33.000 --> 0:29:36.000
<v Speaker 1>the foundation they have laid. I think the reason, the

0:29:36.120 --> 0:29:38.400
<v Speaker 1>real reason, if you really boil it down then I

0:29:38.480 --> 0:29:43.080
<v Speaker 1>want to scrap it all and start over is fundamentally

0:29:43.800 --> 0:29:47.600
<v Speaker 1>I despise the fact that the Kents we're trying to

0:29:47.800 --> 0:29:54.680
<v Speaker 1>tell Clark to be selfish and to to value self

0:29:54.800 --> 0:29:59.840
<v Speaker 1>preservation over helping others, because to me, that is fun

0:30:00.160 --> 0:30:05.200
<v Speaker 1>dem mentally the opposite of what most versions of Superman's

0:30:05.240 --> 0:30:08.240
<v Speaker 1>origin story point to, like the whole idea being that

0:30:08.360 --> 0:30:11.880
<v Speaker 1>this is an alien who decides that he wants to

0:30:11.920 --> 0:30:17.560
<v Speaker 1>protect humans because he was raised by genuinely decent people.

0:30:18.320 --> 0:30:20.720
<v Speaker 1>And when you take that away, it just like to me,

0:30:20.840 --> 0:30:25.320
<v Speaker 1>it's like, well, you just ruined everything. You just you've

0:30:25.400 --> 0:30:27.600
<v Speaker 1>soured the whole thing, and yeah, you can get him

0:30:27.640 --> 0:30:32.240
<v Speaker 1>to come around and choose to be noble. But that's

0:30:32.240 --> 0:30:36.200
<v Speaker 1>a different character arc art. It's not it's not invalid.

0:30:36.400 --> 0:30:39.440
<v Speaker 1>It just to me, isn't Superman. I mean, I get it,

0:30:39.520 --> 0:30:41.680
<v Speaker 1>I get it. You know. I enjoyed Man of Steel,

0:30:41.800 --> 0:30:45.320
<v Speaker 1>which is is the movie that started that whole path

0:30:45.520 --> 0:30:48.880
<v Speaker 1>you don't like of Superman. But while I thought it

0:30:48.960 --> 0:30:50.840
<v Speaker 1>was an entertaining movie, I did not think it was

0:30:50.920 --> 0:30:57.520
<v Speaker 1>a great Superman movie. It wasn't it. It wasn't a

0:30:57.560 --> 0:31:02.280
<v Speaker 1>great Superman movie to start off the d C EU with. Yeah,

0:31:02.520 --> 0:31:03.880
<v Speaker 1>at the time, I didn't know there was going to

0:31:03.960 --> 0:31:08.960
<v Speaker 1>be a d C EU, So yeah, I just to me,

0:31:09.080 --> 0:31:10.840
<v Speaker 1>it was like it was, it started with a wrong

0:31:10.960 --> 0:31:14.720
<v Speaker 1>turn and then it got more wronger. Fair enough, but

0:31:14.960 --> 0:31:18.760
<v Speaker 1>you know what, we also admit like that that's down

0:31:18.840 --> 0:31:20.960
<v Speaker 1>to our personal tastes. There may be many of you

0:31:21.040 --> 0:31:24.520
<v Speaker 1>out there who absolutely love the DC Cinematic Universe, which

0:31:24.640 --> 0:31:26.880
<v Speaker 1>you know that's totally valid too, Like your opinions are

0:31:27.000 --> 0:31:29.760
<v Speaker 1>just as valid as ours. Yeah, And you know, like

0:31:29.840 --> 0:31:31.800
<v Speaker 1>you said, I've seen the d C EU movies and

0:31:31.840 --> 0:31:34.480
<v Speaker 1>I will continue to see them. And you know, Marvel

0:31:34.560 --> 0:31:38.200
<v Speaker 1>has had to scrap some of their properties, or has

0:31:38.280 --> 0:31:40.680
<v Speaker 1>tried to scrap some of their properties multiple times to

0:31:40.720 --> 0:31:43.640
<v Speaker 1>relaunch them, X Men, Fantastic Four, things like that, So

0:31:44.400 --> 0:31:51.640
<v Speaker 1>it's not just parent property specific. Yeah, no, I mean that. Also,

0:31:51.760 --> 0:31:55.280
<v Speaker 1>Marvel has has caught some flak for not integrating some

0:31:55.440 --> 0:31:59.320
<v Speaker 1>of their Netflix TV series into the overall Marvel Cinemaic universe.

0:31:59.440 --> 0:32:02.840
<v Speaker 1>Like that direction only goes one way, where the stuff

0:32:02.880 --> 0:32:05.320
<v Speaker 1>that happened in the movies gets referenced in the shows,

0:32:05.440 --> 0:32:08.080
<v Speaker 1>but the shows never get the carry over into the movies,

0:32:08.560 --> 0:32:11.840
<v Speaker 1>which is unfortunate because Daredevil and Jessica Jones and Luke

0:32:11.920 --> 0:32:14.440
<v Speaker 1>Cage are all awesome and Iron Fist is also there. Yeah,

0:32:14.480 --> 0:32:16.000
<v Speaker 1>but we think that Daredevil is going to be in

0:32:16.040 --> 0:32:19.000
<v Speaker 1>the New Spider Man, so that's what we're hoping, So

0:32:19.200 --> 0:32:21.719
<v Speaker 1>maybe all the rest will follow suit. We'll see if

0:32:21.760 --> 0:32:25.240
<v Speaker 1>it works, then they might continue it. Yeah, but you know,

0:32:25.520 --> 0:32:28.560
<v Speaker 1>this was our our DC conversation. If we want to

0:32:28.640 --> 0:32:30.480
<v Speaker 1>talk Marvel, we're going to have to wait till after

0:32:30.600 --> 0:32:44.280
<v Speaker 1>the break with our mash up. After thirty years, it's

0:32:44.320 --> 0:32:46.720
<v Speaker 1>time to return to the halls of West Beverly High

0:32:46.880 --> 0:32:49.120
<v Speaker 1>and hang out at the peach Pit. On the podcast

0:32:49.240 --> 0:32:52.280
<v Speaker 1>nine O two one, OMG joined Jenny Garth and Tory

0:32:52.360 --> 0:32:55.280
<v Speaker 1>Spelling for a rewatch of the hit series Beverly Hills

0:32:55.360 --> 0:32:58.320
<v Speaker 1>nine one oh. From the very beginning, we get to

0:32:58.520 --> 0:33:01.520
<v Speaker 1>tell the fans all of the behind the scenes stories

0:33:01.560 --> 0:33:04.720
<v Speaker 1>to actually happen, so they know what happened on camera, obviously,

0:33:04.960 --> 0:33:07.120
<v Speaker 1>but we can tell them all the good stuff that

0:33:07.160 --> 0:33:09.840
<v Speaker 1>happened off camera. Get all the juicy details of every

0:33:09.920 --> 0:33:12.760
<v Speaker 1>episode that you've been wondering about for decades. As nine

0:33:12.800 --> 0:33:15.560
<v Speaker 1>O two one oh, super fan and radio host Sisson

0:33:15.640 --> 0:33:18.600
<v Speaker 1>E sits in with Jenny and Tory Too reminisce, reflect

0:33:18.720 --> 0:33:21.960
<v Speaker 1>and relive each moment, from Brandon and Kelly's first kiss

0:33:22.040 --> 0:33:25.800
<v Speaker 1>to shouting Donna Martin graduates, you have an amazing memory.

0:33:25.960 --> 0:33:29.320
<v Speaker 1>You remember everything about the entire ten years that we

0:33:29.440 --> 0:33:33.240
<v Speaker 1>filmed that show, and you remember absolutely nothing of the

0:33:33.360 --> 0:33:36.720
<v Speaker 1>ten years that we film that show. Listen to nine

0:33:36.760 --> 0:33:39.080
<v Speaker 1>O two one OMG on the I Heart Radio app,

0:33:39.080 --> 0:33:43.240
<v Speaker 1>Apple Podcasts or wherever you get your podcasts. Hi, I'm

0:33:43.320 --> 0:33:45.920
<v Speaker 1>Robert lamp and I'm Joe McCormick, and we're the hosts

0:33:46.000 --> 0:33:48.760
<v Speaker 1>of the science podcast Stuff to Blow Your Mind, where

0:33:48.800 --> 0:33:51.000
<v Speaker 1>every week we get to explore some of the weirdest

0:33:51.120 --> 0:33:55.280
<v Speaker 1>questions in the universe, like if sci fi teleportation was possible,

0:33:55.480 --> 0:33:58.280
<v Speaker 1>how would it square with the multitudes of organisms that

0:33:58.400 --> 0:34:01.520
<v Speaker 1>inhabit our human bodies? Can we find evidence of emotions

0:34:01.640 --> 0:34:05.360
<v Speaker 1>in animals like bees, ants, and crayfish? How would an

0:34:05.440 --> 0:34:10.200
<v Speaker 1>interplanetary civilization function just free will exist? Stuff to Blow

0:34:10.280 --> 0:34:15.880
<v Speaker 1>Your Mind examines neurological quandaries, cosmic mysteries, evolutionary marvels, and

0:34:15.960 --> 0:34:18.840
<v Speaker 1>the wonders of techno history. Basically, this show is the

0:34:18.920 --> 0:34:22.520
<v Speaker 1>altar where we worship the weirdness of reality. If anybody

0:34:22.600 --> 0:34:25.880
<v Speaker 1>ever told you you ask the weirdest questions, it is

0:34:25.960 --> 0:34:28.360
<v Speaker 1>time to come join us in the place where you belong.

0:34:28.760 --> 0:34:32.080
<v Speaker 1>The Stuff to Blow Your Mind podcast New episodes publish

0:34:32.120 --> 0:34:35.959
<v Speaker 1>every Tuesday and Thursday, with bonus episodes on Saturdays. Listen

0:34:36.000 --> 0:34:37.600
<v Speaker 1>to Stuff to Blow Your Mind on the I Heart

0:34:37.680 --> 0:34:41.120
<v Speaker 1>Radio app, Apple Podcasts, or wherever you get your podcasts.

0:34:43.440 --> 0:34:45.560
<v Speaker 1>But What's up? What's Up? This is Rabbin Dixon, co

0:34:45.719 --> 0:34:49.360
<v Speaker 1>host of Reasonably Shade d which has just been nominated

0:34:49.400 --> 0:34:51.520
<v Speaker 1>for an in Double A CP Image Award in the

0:34:51.640 --> 0:34:56.000
<v Speaker 1>Outstanding Arts and Entertainment Podcast category. This is so big

0:34:56.120 --> 0:34:58.359
<v Speaker 1>for Gezelle and I, and of course we must thank

0:34:58.520 --> 0:35:01.719
<v Speaker 1>all of our fantastic list a Nurse, but we need

0:35:01.800 --> 0:35:05.720
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0:35:05.719 --> 0:35:09.360
<v Speaker 1>Awards dot net to vote for Reasonably Shady. That's vote

0:35:09.560 --> 0:35:13.759
<v Speaker 1>dot in a a CP Image Awards dot net. But

0:35:13.880 --> 0:35:18.440
<v Speaker 1>don't wait. Voting closes on February five at nine pm Eastern,

0:35:18.880 --> 0:35:22.239
<v Speaker 1>and make sure to listen to Reasonably Shady every single

0:35:22.320 --> 0:35:35.200
<v Speaker 1>Monday on the Black Effect Podcast Network. Okay, Ariel, you

0:35:35.440 --> 0:35:39.200
<v Speaker 1>picked the two properties that we're going to mash up,

0:35:39.239 --> 0:35:43.800
<v Speaker 1>and initially I resisted this, but eventually came around what

0:35:43.920 --> 0:35:46.520
<v Speaker 1>I thought of a joke so bad that I had

0:35:46.600 --> 0:35:50.920
<v Speaker 1>to do a mash up. But let's explain what two

0:35:51.000 --> 0:35:55.080
<v Speaker 1>properties you picked? Okay, So we picked the fantastic four

0:35:55.880 --> 0:35:58.759
<v Speaker 1>mainly because of some conversations happening around one division that

0:35:58.800 --> 0:36:02.360
<v Speaker 1>we're not going to get into because spoilers. Uh. And

0:36:03.320 --> 0:36:07.440
<v Speaker 1>we also picked young Frankenstein. So let's talk a little

0:36:07.440 --> 0:36:11.480
<v Speaker 1>bit about these properties, because at least in my mash up,

0:36:12.120 --> 0:36:16.560
<v Speaker 1>I have some let's call them deep cuts that I

0:36:16.680 --> 0:36:19.239
<v Speaker 1>reference that I think are going to be lost on

0:36:19.440 --> 0:36:25.400
<v Speaker 1>probably nine cinemaur audience. Sure, but the basic story is

0:36:25.480 --> 0:36:30.319
<v Speaker 1>that there's this gentleman Gene Wilder who is uh Dr

0:36:30.520 --> 0:36:36.080
<v Speaker 1>Franken Frankenstein. Uh, because he doesn't want to be confused

0:36:36.200 --> 0:36:40.160
<v Speaker 1>with the crazy Dr Frankenstein Um. Who finds out he's

0:36:40.200 --> 0:36:43.640
<v Speaker 1>got a like a familial house that he's he's earned

0:36:43.680 --> 0:36:46.440
<v Speaker 1>when his great great grandfather passed away. Um, and he

0:36:46.560 --> 0:36:49.120
<v Speaker 1>goes there and then he becomes the mad scientist and

0:36:49.200 --> 0:36:53.760
<v Speaker 1>eventually accepts his name Frankenstein. But there's uh huge amount

0:36:53.800 --> 0:36:58.879
<v Speaker 1>of comedy. You've got I Gore, who is a play

0:36:58.960 --> 0:37:02.920
<v Speaker 1>on igor. You've at Frod Blueckhardt, who's the character that

0:37:03.040 --> 0:37:07.120
<v Speaker 1>Clos Leachman played, who every time they say her name,

0:37:07.200 --> 0:37:09.520
<v Speaker 1>no matter where she is, a horse whinnies because it

0:37:09.600 --> 0:37:12.759
<v Speaker 1>sounds familiar to the German word for glue um, which

0:37:12.880 --> 0:37:15.560
<v Speaker 1>is never explained in the movie. But it just happens.

0:37:16.120 --> 0:37:18.560
<v Speaker 1>It's a running gag that they never explain, and I

0:37:18.680 --> 0:37:23.400
<v Speaker 1>love it. And it's just such a lighthearted, fun play

0:37:23.680 --> 0:37:26.719
<v Speaker 1>on on a really great but kind of dark story.

0:37:26.800 --> 0:37:32.400
<v Speaker 1>Frankenstein Um. That is just brilliant. Yeah. Uh, Fantastic Four Okay,

0:37:32.480 --> 0:37:34.600
<v Speaker 1>So in case you aren't aware of who the Fantastic

0:37:34.640 --> 0:37:38.600
<v Speaker 1>Four are, it's a heroic group of four characters. Uh.

0:37:39.040 --> 0:37:41.160
<v Speaker 1>There have been different members of the Fantastic Four over

0:37:41.239 --> 0:37:45.200
<v Speaker 1>the years, but the classic four are Read Richards, who

0:37:45.320 --> 0:37:49.279
<v Speaker 1>is Mr. Fantastic. He can stretch his limbs and get

0:37:49.320 --> 0:37:55.040
<v Speaker 1>all bendy bendy. There's uh, Sue Storm later Sue Richards,

0:37:55.239 --> 0:37:57.920
<v Speaker 1>who is the invisible first the Invisible Girl, but she

0:37:58.040 --> 0:38:03.920
<v Speaker 1>manages to it's grew the patriarchy and become the Invisible woman. Um, yeah,

0:38:04.000 --> 0:38:07.680
<v Speaker 1>that comics were not the most woke back in the day. Uh.

0:38:08.000 --> 0:38:11.880
<v Speaker 1>You have Johnny Storm, Sue's brother, who is the human Torch,

0:38:12.400 --> 0:38:15.120
<v Speaker 1>and you have Ben Graham who becomes the Thing, a

0:38:15.239 --> 0:38:22.400
<v Speaker 1>big rocky orange hulk like guy, and they end up

0:38:22.480 --> 0:38:26.080
<v Speaker 1>being a radiated There's different versions of their origin story,

0:38:26.160 --> 0:38:27.719
<v Speaker 1>but that's how they all get their powers. So they

0:38:27.719 --> 0:38:30.719
<v Speaker 1>didn't start off with powers. They get them because they're

0:38:30.800 --> 0:38:36.360
<v Speaker 1>exposed to radiation. They typically are facing off against pretty

0:38:36.440 --> 0:38:41.320
<v Speaker 1>weird and cosmic kind of of bad guys and problems,

0:38:41.800 --> 0:38:45.759
<v Speaker 1>but they also have a enemy in Dr Doom. Dr

0:38:45.800 --> 0:38:51.279
<v Speaker 1>Doom is frequently their antagonist, and for my story, one

0:38:51.320 --> 0:38:54.080
<v Speaker 1>important thing you need to know is that, at least

0:38:54.120 --> 0:38:58.640
<v Speaker 1>in one version of the Marvel timeline, Read Richards and

0:38:58.680 --> 0:39:03.000
<v Speaker 1>Sue Richards have a son named Franklin Richards, who has

0:39:03.160 --> 0:39:09.320
<v Speaker 1>like reality bending powers. That's going to be important in

0:39:09.520 --> 0:39:16.280
<v Speaker 1>my story. There's also other references that longtime Marvel fans

0:39:16.360 --> 0:39:21.960
<v Speaker 1>are going to get and nobody else, So just a warning. Yeah,

0:39:22.480 --> 0:39:24.640
<v Speaker 1>kind of kind of the same with mine. Um I

0:39:24.960 --> 0:39:28.120
<v Speaker 1>actually I was on the opposite end. I was very

0:39:28.160 --> 0:39:29.800
<v Speaker 1>excited about this at the beginning, and as I was

0:39:29.880 --> 0:39:35.400
<v Speaker 1>writing my mashup, I quickly went, oh, this is I

0:39:35.600 --> 0:39:40.480
<v Speaker 1>cannot meet Melbrook's genius. But yeah, this was a challenging one,

0:39:40.760 --> 0:39:43.040
<v Speaker 1>I will admit, But once I came up with the

0:39:43.200 --> 0:39:46.839
<v Speaker 1>terrible punchline, everything else was just like how long can

0:39:46.920 --> 0:39:49.880
<v Speaker 1>I delay getting to the punchline. It's it's a tribute.

0:39:49.960 --> 0:39:55.040
<v Speaker 1>It's a tribute to something we love and a great actress.

0:39:55.239 --> 0:39:58.600
<v Speaker 1>So uh, I apologize and here we go with the

0:39:58.719 --> 0:40:04.760
<v Speaker 1>fantastic frow blue curtain. May okay. So Dr Read Richards

0:40:04.800 --> 0:40:09.160
<v Speaker 1>pronounced Reshorts is speaking at a symposium at Hedgeman University

0:40:09.440 --> 0:40:12.080
<v Speaker 1>one day when a mysterious figure enters and tells him

0:40:12.080 --> 0:40:15.600
<v Speaker 1>he has acquired his family's estate in lat Varia. While

0:40:15.640 --> 0:40:18.040
<v Speaker 1>he doesn't like to be associated with his family legacy

0:40:18.080 --> 0:40:21.960
<v Speaker 1>of mad science, Read leaves his then fiance Alicia masters

0:40:22.200 --> 0:40:24.920
<v Speaker 1>to see what the ordeal is about. Upon reaching the

0:40:25.040 --> 0:40:27.880
<v Speaker 1>estate in Latviia, Reshorts meets a beautiful blonde named Susan

0:40:27.960 --> 0:40:30.799
<v Speaker 1>and her brother, who introduces himself as John I see.

0:40:30.960 --> 0:40:34.399
<v Speaker 1>He thinks he's being clever picking on Reshorts his pronunciation

0:40:34.480 --> 0:40:36.800
<v Speaker 1>of his name, but really he's just being kind of annoying.

0:40:37.360 --> 0:40:39.799
<v Speaker 1>These two are the Storm siblings, who are the assistance

0:40:39.840 --> 0:40:43.760
<v Speaker 1>of the previous inhabitant, Nathaniel Richards. Read is so enamored

0:40:43.800 --> 0:40:46.320
<v Speaker 1>by Susan that he doesn't even notice as the caretaker

0:40:46.400 --> 0:40:49.839
<v Speaker 1>of the estate, Frau Evelyn Blucker, steps up behind him

0:40:49.880 --> 0:40:52.680
<v Speaker 1>and offers to show him to his room. When he

0:40:52.800 --> 0:40:58.040
<v Speaker 1>turns back to invite Susan to dinner, she's gone, foreshadowing

0:40:58.360 --> 0:41:00.879
<v Speaker 1>that evening. As Reshorts explores these date, he happens upon

0:41:00.920 --> 0:41:03.480
<v Speaker 1>a staircase leading to the basement, whereupon he finds the

0:41:03.520 --> 0:41:07.359
<v Speaker 1>Storm's siblings standing over a corpse in a lab as

0:41:07.440 --> 0:41:10.279
<v Speaker 1>fraud Evelyn Blueger is about to put a brain into

0:41:10.320 --> 0:41:13.160
<v Speaker 1>the corpse. Oh yeah, there's also a lab horse. Every

0:41:13.239 --> 0:41:16.920
<v Speaker 1>respectable at Varian Lab has one. Uh. The name on

0:41:17.000 --> 0:41:21.560
<v Speaker 1>the jar holding the brain is a ben normal Uh. Reshorts,

0:41:21.600 --> 0:41:25.200
<v Speaker 1>a surpride and yells out fraud Blucker's name, which startles

0:41:25.239 --> 0:41:27.960
<v Speaker 1>a horse, who kicks the re animation machine, showering all

0:41:28.000 --> 0:41:31.400
<v Speaker 1>of the inhabitants in the room with radiation. As Fraud

0:41:31.400 --> 0:41:33.720
<v Speaker 1>places a brain in the corpse, all of a sudden,

0:41:33.719 --> 0:41:35.800
<v Speaker 1>the corpses alive, but he is melted with the stone

0:41:35.840 --> 0:41:38.000
<v Speaker 1>slab he was laying on to gain a stone skin.

0:41:38.520 --> 0:41:40.840
<v Speaker 1>Susan is gone, but Reshorts can hear her yelling, and

0:41:41.000 --> 0:41:45.040
<v Speaker 1>John I accidentally ignites, scaring the grim monster thing away.

0:41:45.680 --> 0:41:48.040
<v Speaker 1>Reshorts reaches for the door, realizing he doesn't need to

0:41:48.080 --> 0:41:50.000
<v Speaker 1>move his feet to do so, but his stretchy arm

0:41:50.040 --> 0:41:52.680
<v Speaker 1>reaches the door too late. Only fraud Blucker is not

0:41:52.760 --> 0:41:56.560
<v Speaker 1>affected by the radiation, having assisted her loved, beloved Nathaniel

0:41:56.600 --> 0:41:59.440
<v Speaker 1>for so many years that she had become immune to it.

0:42:00.800 --> 0:42:04.120
<v Speaker 1>All did to do insites the local authority, Inspector von Doom,

0:42:04.239 --> 0:42:06.000
<v Speaker 1>a man with one good eye, a metal mask, and

0:42:06.040 --> 0:42:09.560
<v Speaker 1>a metal arm, to come question Reshorts. However, all Reshorts

0:42:09.600 --> 0:42:13.400
<v Speaker 1>can make out about what Inspector Doom is saying is

0:42:13.560 --> 0:42:16.080
<v Speaker 1>that there's a monster and if he finds them, he

0:42:16.080 --> 0:42:18.319
<v Speaker 1>will end him. You see, his mask is muffling too

0:42:18.400 --> 0:42:20.160
<v Speaker 1>much of the other words, he's saying for Reshorts to

0:42:20.160 --> 0:42:23.600
<v Speaker 1>even understand it. Uh. Now, the three and Frau must

0:42:23.680 --> 0:42:28.239
<v Speaker 1>find this thing. Thankfully, Aba Normal was actually the love

0:42:28.440 --> 0:42:31.759
<v Speaker 1>child of Nathaniel and Frau Evelyn Bluehurt, and she knows

0:42:31.920 --> 0:42:35.720
<v Speaker 1>just how to find him with his childhood love of pizza.

0:42:36.560 --> 0:42:39.120
<v Speaker 1>There's only one pizza joint in life area, and tonight

0:42:39.239 --> 0:42:41.560
<v Speaker 1>is open mic night. When they get there, they find

0:42:41.680 --> 0:42:44.440
<v Speaker 1>the grim Thing doing stand up and enjoying his slice.

0:42:45.000 --> 0:42:49.440
<v Speaker 1>They know they must protect him, being so unique and clever,

0:42:50.080 --> 0:42:52.400
<v Speaker 1>so they bring him back to the estate just as

0:42:52.440 --> 0:42:56.120
<v Speaker 1>reads fiance Alicia shows up. She sees the Thing, but

0:42:56.200 --> 0:42:58.680
<v Speaker 1>instead of being frightened, falls in love with him, which

0:42:58.719 --> 0:43:01.239
<v Speaker 1>is okay because Reshorts is kind of actually got a

0:43:01.320 --> 0:43:03.840
<v Speaker 1>thing for Susan. And as we pan out from the

0:43:04.080 --> 0:43:07.120
<v Speaker 1>the estate, we see John I Storm hiding worldly behind

0:43:07.160 --> 0:43:09.839
<v Speaker 1>a horse as Frau Evelyn Bluegert searches him for him

0:43:09.920 --> 0:43:15.520
<v Speaker 1>longingly because she's also a bit of a pyromaniac. I

0:43:15.680 --> 0:43:17.960
<v Speaker 1>like that. There seemed to be some references to the

0:43:18.360 --> 0:43:24.279
<v Speaker 1>the the the original Fantastic Four film by that Roger

0:43:24.400 --> 0:43:28.840
<v Speaker 1>Corman produced that was never released specifically for you, Jonathan

0:43:29.200 --> 0:43:34.040
<v Speaker 1>because you can't understand doom in that version, all right, Well,

0:43:34.080 --> 0:43:38.200
<v Speaker 1>here here's mine. Um the title will become into it later.

0:43:40.440 --> 0:43:44.239
<v Speaker 1>We open in the Baxter Building as the Fantastic Four's headquarters.

0:43:44.560 --> 0:43:47.279
<v Speaker 1>The Fantastic Four are an established team at this point,

0:43:47.400 --> 0:43:51.360
<v Speaker 1>having had many adventures under their collective belts. Read and

0:43:51.480 --> 0:43:53.799
<v Speaker 1>Sue Richards are the proud parents of a young boy

0:43:53.920 --> 0:43:57.120
<v Speaker 1>named Franklin, who has impressive powers of his own. Are

0:43:57.160 --> 0:44:00.200
<v Speaker 1>heroes receive a distress call they must immediately have off

0:44:00.239 --> 0:44:04.240
<v Speaker 1>to Latin Veria to battle the nefarious dr Doom. Little

0:44:04.280 --> 0:44:06.920
<v Speaker 1>Franklin is left behind in the care of others. The

0:44:07.040 --> 0:44:10.440
<v Speaker 1>next morning, his caretakers are glued to the television, watching

0:44:10.520 --> 0:44:14.279
<v Speaker 1>reports the Doom, the Fantastic Four, and indeed all of

0:44:14.480 --> 0:44:18.600
<v Speaker 1>Latin Veria have disappeared. The scene dissolves and we see

0:44:18.640 --> 0:44:22.880
<v Speaker 1>a title card saying twenty five years later, Franklin is

0:44:22.880 --> 0:44:26.400
<v Speaker 1>an adult now giving a lecture at our prestigious university.

0:44:26.880 --> 0:44:29.720
<v Speaker 1>He's an expert in linguistics in history, and it's clearly

0:44:29.760 --> 0:44:33.480
<v Speaker 1>attempting to suppress his past and his own superpowers. While

0:44:33.520 --> 0:44:36.919
<v Speaker 1>giving the lecture, one determined student keeps asking Franklin about

0:44:36.920 --> 0:44:40.360
<v Speaker 1>his famous parents. Mr. Fantastic and the Invisible Woman and

0:44:40.480 --> 0:44:43.719
<v Speaker 1>his famous uncle, the Human Torch, and also that big

0:44:43.840 --> 0:44:47.040
<v Speaker 1>rocky dude known as the Thing. Franklin attempts to dismiss

0:44:47.080 --> 0:44:49.960
<v Speaker 1>the questions with humor, but the student persists, and in

0:44:50.040 --> 0:44:53.759
<v Speaker 1>a moment of temper, Franklin uses his reality bending superpowers

0:44:53.840 --> 0:44:55.920
<v Speaker 1>to turn the student into a Jack in the box.

0:44:56.840 --> 0:45:02.040
<v Speaker 1>Class dismissed, he says after his lecture, an old man

0:45:02.080 --> 0:45:05.120
<v Speaker 1>who had been sitting in on the lecture comes forward,

0:45:05.320 --> 0:45:08.000
<v Speaker 1>revealing himself to be a messenger from lat Varia. He

0:45:08.160 --> 0:45:11.200
<v Speaker 1>explains that without any warning, the entire nation that had

0:45:11.320 --> 0:45:14.520
<v Speaker 1>disappeared is back. Much of it is in ruins, but

0:45:14.760 --> 0:45:17.640
<v Speaker 1>not all of it, and that Franklin in particular is

0:45:17.800 --> 0:45:20.920
<v Speaker 1>urged to go there to claim his birthright. Though the

0:45:20.960 --> 0:45:25.000
<v Speaker 1>old man doesn't have much information about what exactly that is. Franklin,

0:45:25.239 --> 0:45:28.479
<v Speaker 1>overcome with anxiety, makes arrangements to travel to lat Varia

0:45:28.640 --> 0:45:31.960
<v Speaker 1>right away. Arriving by train at the station, he has

0:45:31.960 --> 0:45:36.480
<v Speaker 1>greeted by the humanoid experimental robot B type Integrated Electronics

0:45:36.840 --> 0:45:41.280
<v Speaker 1>or Herbie, though it's pronounced her By. According to the robot,

0:45:42.239 --> 0:45:45.799
<v Speaker 1>Herby and Franklin traveled to an old abandoned castle used

0:45:45.800 --> 0:45:48.600
<v Speaker 1>to be doctor Doom's lair, but now it's practically unoccupied

0:45:48.680 --> 0:45:52.600
<v Speaker 1>as Doom and the Fantastic Four have not reappeared. Along

0:45:52.640 --> 0:45:55.200
<v Speaker 1>the way, Franklin and her By encounter a young woman

0:45:55.400 --> 0:45:59.000
<v Speaker 1>named Inga Summers, who was given instructions to help assist

0:45:59.040 --> 0:46:02.080
<v Speaker 1>Franklin and any way. Oh, and I mentioned that Doom's

0:46:02.120 --> 0:46:05.719
<v Speaker 1>castle was practically unoccupied, but no, there is one person there,

0:46:06.160 --> 0:46:10.400
<v Speaker 1>Fraud Bluecher, who is secretly Cynthia von Doom, dr Doom's

0:46:10.480 --> 0:46:13.760
<v Speaker 1>mother played by Cloris Leachman. Of course, At the castle,

0:46:14.040 --> 0:46:17.840
<v Speaker 1>Franklin spends time exploring, attempting to find any signs of

0:46:17.920 --> 0:46:21.240
<v Speaker 1>what happened to the Fantastic Four. Bluecher tries to embrace

0:46:21.360 --> 0:46:25.400
<v Speaker 1>him to encourage him to embrace his superpowers, but Franklin resists,

0:46:25.760 --> 0:46:29.560
<v Speaker 1>unwilling to acknowledge that this is in fact his birthright.

0:46:30.040 --> 0:46:32.840
<v Speaker 1>What follows is an adventure in which Franklin tries to

0:46:32.920 --> 0:46:36.279
<v Speaker 1>make his own robot without the use of his superpowers.

0:46:36.520 --> 0:46:39.920
<v Speaker 1>He builds a robotic human Torch, which just goes around

0:46:40.040 --> 0:46:43.759
<v Speaker 1>insisting that no, he's the real original human Torch and

0:46:43.880 --> 0:46:47.200
<v Speaker 1>Johnny Storm was the second human Torch. You just gotta

0:46:47.200 --> 0:46:49.439
<v Speaker 1>buy the comics to find out that the original human

0:46:49.480 --> 0:46:52.480
<v Speaker 1>Torch was a robot, but Franklin points out that if

0:46:52.560 --> 0:46:55.359
<v Speaker 1>you are a robot, you aren't a human torch, You're

0:46:55.520 --> 0:46:59.440
<v Speaker 1>a robot Torch, and that goes poorly. Next thing, you know,

0:46:59.800 --> 0:47:03.520
<v Speaker 1>the robot Human torches rampaging through the countryside. Franklin and

0:47:03.560 --> 0:47:07.200
<v Speaker 1>team have to lure the robot back, insisting that it's

0:47:07.280 --> 0:47:11.480
<v Speaker 1>not evil, it's just misdirected. Franklin is able to coax

0:47:11.560 --> 0:47:14.680
<v Speaker 1>the robotic human Torch back to the castle with promises

0:47:14.760 --> 0:47:18.360
<v Speaker 1>of a special october Fest celebration, knowing that the robot

0:47:18.480 --> 0:47:21.960
<v Speaker 1>is particularly fond of Oom Pah bands, and so Franklin

0:47:22.360 --> 0:47:26.520
<v Speaker 1>inga Summers and Herby play Polka, luring the human Torch

0:47:26.680 --> 0:47:30.000
<v Speaker 1>robot back to the castle. In the process, the robot

0:47:30.040 --> 0:47:33.160
<v Speaker 1>discovers a hidden compartment in the castle, and in it

0:47:33.600 --> 0:47:37.239
<v Speaker 1>is a special German beer mug. Emblazoned on it are

0:47:37.280 --> 0:47:39.640
<v Speaker 1>the Fantastic Four and on the bottom of the mug

0:47:39.680 --> 0:47:42.879
<v Speaker 1>it's a message to Franklin with love from Mom and Dad.

0:47:43.160 --> 0:47:45.960
<v Speaker 1>And then it happens. We finally smash cut to the

0:47:46.040 --> 0:47:50.160
<v Speaker 1>title of the movie Young Franklin Stein cut to end

0:47:50.239 --> 0:47:53.600
<v Speaker 1>credits post credit scene. I guess the Fantastic Four and

0:47:53.640 --> 0:47:59.440
<v Speaker 1>Doom show up or something. I don't know. I you

0:47:59.520 --> 0:48:04.920
<v Speaker 1>saw her was going, I did, and I'm I'm I

0:48:04.960 --> 0:48:08.239
<v Speaker 1>don't know whether to say thank you or I'm so sorry. Um,

0:48:09.120 --> 0:48:14.759
<v Speaker 1>Young Franklin Stein, Yeah, yeah, we got it because it's

0:48:14.800 --> 0:48:19.400
<v Speaker 1>a German beer mug. You see, his name is Franklin Okay, okay,

0:48:19.560 --> 0:48:22.120
<v Speaker 1>So if any of you think you've got a better

0:48:22.480 --> 0:48:25.439
<v Speaker 1>way to mash up the Fantastic for a young Frankenstein,

0:48:26.400 --> 0:48:31.000
<v Speaker 1>better than Franklin Stein or the Fantastic frou, please reach

0:48:31.080 --> 0:48:33.040
<v Speaker 1>out to us and tell us we would love to

0:48:33.160 --> 0:48:35.120
<v Speaker 1>hear your mash up ideas and if we like, we

0:48:35.200 --> 0:48:38.279
<v Speaker 1>might even read them on the air. Yeah and uh,

0:48:38.400 --> 0:48:41.960
<v Speaker 1>and the human Torch really was originally a robot Okay, anyway, wait, wait,

0:48:42.840 --> 0:48:45.600
<v Speaker 1>what would a human torch just like robot Torch just

0:48:45.680 --> 0:48:49.520
<v Speaker 1>be like a lighter like you would? You would think so?

0:48:49.840 --> 0:48:51.279
<v Speaker 1>But yeah, you know, the human Torch was one of

0:48:51.320 --> 0:48:57.320
<v Speaker 1>the original heroes that marvel inherited along with Captain America.

0:48:57.680 --> 0:48:59.640
<v Speaker 1>But no, that's a story for a different time. If

0:48:59.680 --> 0:49:01.399
<v Speaker 1>you is want to reach out to us, the best

0:49:01.440 --> 0:49:03.200
<v Speaker 1>way to do so is well, you can do it

0:49:03.280 --> 0:49:05.920
<v Speaker 1>through email. The email address for the show is l

0:49:06.160 --> 0:49:09.399
<v Speaker 1>n C at i heeart media dot com. You can

0:49:09.480 --> 0:49:11.880
<v Speaker 1>do it over on Twitter where we are l n

0:49:11.960 --> 0:49:15.680
<v Speaker 1>C Underscore Podcast, or on Facebook or Instagram where we're

0:49:15.800 --> 0:49:19.240
<v Speaker 1>Large nerdron Collider. We also have our website, large nerdron

0:49:19.280 --> 0:49:22.520
<v Speaker 1>Collider dot com that has our show notes as well

0:49:22.560 --> 0:49:25.920
<v Speaker 1>as every episode, including the really old ones. So if

0:49:25.960 --> 0:49:28.480
<v Speaker 1>you want to go back and listen to geek news

0:49:28.560 --> 0:49:32.799
<v Speaker 1>from you can and am I forgetting anything? Oh, if

0:49:32.840 --> 0:49:35.480
<v Speaker 1>you like this show, tell people about it, give us

0:49:35.520 --> 0:49:39.040
<v Speaker 1>a review, Let let your friends know about it, because

0:49:39.080 --> 0:49:42.719
<v Speaker 1>our community only gets better as it grows. Yes, we

0:49:42.920 --> 0:49:45.680
<v Speaker 1>really enjoy the conversations we've been having with you already.

0:49:45.760 --> 0:49:49.200
<v Speaker 1>We've gotten your suggestions for mashups and we're thinking on

0:49:49.320 --> 0:49:52.160
<v Speaker 1>them and brainstorming on them. When you tell your friends

0:49:52.239 --> 0:49:54.800
<v Speaker 1>and even for you, make sure you subscribe so you

0:49:54.920 --> 0:49:58.239
<v Speaker 1>don't miss out on any of our future episodes. And

0:49:58.480 --> 0:50:06.200
<v Speaker 1>until next time, he has been Johnny the Storm Strickland,

0:50:07.080 --> 0:50:22.320
<v Speaker 1>and until next time she has been Prell Booger m

0:50:26.520 --> 0:50:32.920
<v Speaker 1>m H. The Large New John Collider is a production

0:50:33.000 --> 0:50:35.600
<v Speaker 1>of I Heart Radio and was created by Ariel cast

0:50:35.680 --> 0:50:39.919
<v Speaker 1>in Jonathan Strickland is the executive producer. This show is produced, edited,

0:50:40.000 --> 0:50:43.160
<v Speaker 1>and published by Tory Harrison. For more podcasts on my

0:50:43.239 --> 0:50:46.239
<v Speaker 1>Heart Radio, visit the i Heart Radio app, Apple Podcasts,

0:50:46.400 --> 0:50:51.560
<v Speaker 1>or wherever you listen to your favorite shows. Still living

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<v Speaker 1>in manually taking notes, There is a better way to

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<v Speaker 1>Auto dot ai That's O T T e r dot Ai.

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<v Speaker 1>Raffi is the voice of some of the happiest songs

0:51:28.200 --> 0:51:33.920
<v Speaker 1>of our generation, Babyga so who is the man behind

0:51:34.000 --> 0:51:38.879
<v Speaker 1>Baby Bluga. Every human being wants to feel respected. When

0:51:38.960 --> 0:51:43.319
<v Speaker 1>we start with young all good things can grow from there.

0:51:43.560 --> 0:51:47.240
<v Speaker 1>I'm Chris Garcia, comedian, New Dad and host of Finding Raffie,

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<v Speaker 1>a new podcast from My Heart Radio and Fatherly Listen

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<v Speaker 1>every Tuesday on the I Heart Radio app or wherever

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<v Speaker 1>you get your podcasts.