1 00:00:04,440 --> 00:00:10,480 Speaker 1: When you're dead started building a man cave in your bedroom. 2 00:00:10,520 --> 00:00:13,080 Speaker 1: You knew it was time to start building something for yourself. 3 00:00:15,320 --> 00:00:18,799 Speaker 1: Let's job it up at career Builder. We're ready to 4 00:00:18,840 --> 00:00:21,520 Speaker 1: help at every stage of your search. Build a resume, 5 00:00:21,920 --> 00:00:25,080 Speaker 1: get industry tips and advice, and apply to multiple jobs 6 00:00:25,079 --> 00:00:28,360 Speaker 1: in just one click. Start your search at career builder 7 00:00:28,440 --> 00:00:33,519 Speaker 1: dot com. Still living in manually taking notes, there is 8 00:00:33,520 --> 00:00:35,320 Speaker 1: a better way to start the new year with auto 9 00:00:35,400 --> 00:00:38,840 Speaker 1: dot ai automatically get meeting notes. 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Get started now at 20 00:01:14,959 --> 00:01:27,200 Speaker 1: career builder dot com. The Large Nerd Drunk Collider podcast 21 00:01:27,280 --> 00:01:39,160 Speaker 1: is a production of I Heart Radio. Hey everybody, Welcome 22 00:01:39,200 --> 00:01:42,000 Speaker 1: to the large nerd Drunk Collider, the podcast that's all 23 00:01:42,000 --> 00:01:44,600 Speaker 1: about the geeky things happening in the world around us 24 00:01:44,640 --> 00:01:48,440 Speaker 1: and how very excited we are about them. I'm Ariel casting, 25 00:01:48,640 --> 00:01:54,480 Speaker 1: and with me, as always is the super Jonathan Strickland. Ariel, 26 00:01:55,160 --> 00:02:02,160 Speaker 1: I have a question for you, considering that we are 27 00:02:02,200 --> 00:02:14,360 Speaker 1: talking about super stuff, flight or invisibility. Classic question. Yeah, 28 00:02:14,480 --> 00:02:17,680 Speaker 1: so I I had I think I'm gonna have to 29 00:02:17,720 --> 00:02:21,160 Speaker 1: go with invisibility. I've had dreams all the time where 30 00:02:21,160 --> 00:02:23,119 Speaker 1: like I'm a kid and I can fly, but it's 31 00:02:23,160 --> 00:02:25,400 Speaker 1: never like high up in the air. It's always like 32 00:02:25,919 --> 00:02:27,840 Speaker 1: you start running and then you're just a foot above 33 00:02:27,919 --> 00:02:32,360 Speaker 1: the ground. I'm kind of afraid of heights and falling, 34 00:02:32,560 --> 00:02:37,160 Speaker 1: so uh I I don't think i'd want to fly, However, 35 00:02:37,320 --> 00:02:41,680 Speaker 1: I do LARP and invisibility would be hilarious. I would 36 00:02:41,800 --> 00:02:44,880 Speaker 1: never lose a module. What about you, You'd be peeping 37 00:02:44,919 --> 00:02:48,200 Speaker 1: in the locker room. I understand, I got you. I 38 00:02:48,240 --> 00:02:51,720 Speaker 1: know where you're coming from. You. I go with flight 39 00:02:51,760 --> 00:02:55,160 Speaker 1: because I'm not a deviant like you. I like the 40 00:02:55,240 --> 00:02:58,080 Speaker 1: idea of being able to travel wherever I want, whenever 41 00:02:58,120 --> 00:03:02,480 Speaker 1: I want, soaring through the air jestically like some sort 42 00:03:02,520 --> 00:03:06,920 Speaker 1: of bald pigeon. Yes, flight for me all the way. 43 00:03:07,000 --> 00:03:10,560 Speaker 1: I'm not I'm not gonna do that whole like like 44 00:03:10,760 --> 00:03:15,560 Speaker 1: invisible Man, creepy motif. I'm not going to do a 45 00:03:15,600 --> 00:03:19,040 Speaker 1: creepy motif. Look, I'm just gonna hide in the woods 46 00:03:19,080 --> 00:03:21,800 Speaker 1: and jump out at people. You're right, that's I don't 47 00:03:21,800 --> 00:03:27,600 Speaker 1: know what I was thinking. Flying anywhere you want, any 48 00:03:27,639 --> 00:03:29,680 Speaker 1: time you want is not great because let's say you 49 00:03:29,680 --> 00:03:32,680 Speaker 1: want to fly to Hawaii. You didn't say that super 50 00:03:32,760 --> 00:03:35,160 Speaker 1: strength comes with your flights. So you're just gonna be 51 00:03:35,200 --> 00:03:38,960 Speaker 1: carrying that very heavy suitcase with you through there all 52 00:03:39,000 --> 00:03:42,800 Speaker 1: the way to Hawaii're gonna get so much perfect. I 53 00:03:42,880 --> 00:03:45,920 Speaker 1: plan on just buying everything once I get there. I'm 54 00:03:45,920 --> 00:03:49,480 Speaker 1: gonna go to first stop in Hawaii, retail outlet, mall. 55 00:03:49,640 --> 00:03:54,200 Speaker 1: Second stop in Hawaii, the beach, maybe maybe the Pokak 56 00:03:54,360 --> 00:03:58,480 Speaker 1: because that that place is the bomb. Okay, well, we've 57 00:03:58,480 --> 00:04:01,440 Speaker 1: got We've got that, but we have news to cover. 58 00:04:01,520 --> 00:04:03,200 Speaker 1: But before we get to any of that aerial I've 59 00:04:03,200 --> 00:04:07,880 Speaker 1: got some fast breaking news. Here's the breaking news. It's 60 00:04:07,920 --> 00:04:11,920 Speaker 1: super important. George Clooney has signed on to become an 61 00:04:11,920 --> 00:04:18,280 Speaker 1: executive producer and star of a TV series Buck Rogers. Okay, 62 00:04:18,480 --> 00:04:21,599 Speaker 1: oh that's great. What what details do we have on that? 63 00:04:22,680 --> 00:04:25,800 Speaker 1: George Clooney has signed on to be an executive producer 64 00:04:25,839 --> 00:04:29,400 Speaker 1: and star of a new Buck Rogers TV show. That's 65 00:04:29,400 --> 00:04:32,400 Speaker 1: all I got. I guess it wasn't I guess I 66 00:04:32,440 --> 00:04:36,799 Speaker 1: wasn't that important. No, I mean it's something to possibly 67 00:04:36,839 --> 00:04:38,960 Speaker 1: look forward to, so that, you know, in a couple 68 00:04:38,960 --> 00:04:40,880 Speaker 1: of months when we get details about it, you go, oh, yeah, 69 00:04:40,920 --> 00:04:43,200 Speaker 1: I remember that. I like Buck Rogers. Did you ever 70 00:04:43,320 --> 00:04:50,240 Speaker 1: watch the TV series The Camp like nine seventies era? Oh? Man, 71 00:04:50,360 --> 00:04:53,200 Speaker 1: I watched that too, And whenever I think about that, 72 00:04:53,279 --> 00:04:57,600 Speaker 1: I think of mel Blank doing the voice of Tweakie, 73 00:04:57,920 --> 00:05:00,920 Speaker 1: the little robot Batty Baby Batty. Uh So, I'm not 74 00:05:00,960 --> 00:05:03,160 Speaker 1: sure it's going to be the same, especially since I'm 75 00:05:03,160 --> 00:05:05,880 Speaker 1: pretty sure they're going to go back to the original 76 00:05:06,640 --> 00:05:11,400 Speaker 1: reference material, which doesn't have a spunky little sidekick robot. 77 00:05:12,000 --> 00:05:14,200 Speaker 1: But yeah, I saw that news and thought, well, we 78 00:05:14,200 --> 00:05:18,200 Speaker 1: should include this because you know, it's it's nostalgic for 79 00:05:18,760 --> 00:05:21,680 Speaker 1: for me and you and all the young listeners out 80 00:05:21,720 --> 00:05:27,800 Speaker 1: there are like what Buck who that? You know what? 81 00:05:27,920 --> 00:05:30,600 Speaker 1: It's okay, because the next news item we have is 82 00:05:30,680 --> 00:05:35,760 Speaker 1: four young listeners, uh, which is that the Guinness Book 83 00:05:35,760 --> 00:05:41,320 Speaker 1: of World Records is trying to do, uh like make 84 00:05:41,480 --> 00:05:44,600 Speaker 1: is set a record of the most people singing a 85 00:05:44,720 --> 00:05:47,400 Speaker 1: song from the Greatest Showman ever. So that the idea 86 00:05:47,480 --> 00:05:50,359 Speaker 1: being that it's a it's a big collaborative effort, right, 87 00:05:50,440 --> 00:05:52,040 Speaker 1: that you're going to have the most people singing and 88 00:05:52,040 --> 00:05:56,360 Speaker 1: they're going to create a collaborative video of all these 89 00:05:56,440 --> 00:05:59,680 Speaker 1: different people singing a particular song from the Great Showman, 90 00:05:59,720 --> 00:06:03,920 Speaker 1: which is is from now on. Uh. They are trying 91 00:06:03,960 --> 00:06:06,920 Speaker 1: to get at least five thousand participants. It is a 92 00:06:07,000 --> 00:06:10,240 Speaker 1: benefit for the Actors Fund, which, if you are not familiar, 93 00:06:10,520 --> 00:06:14,880 Speaker 1: is a financial fund for the Broadway actors who really 94 00:06:15,080 --> 00:06:18,360 Speaker 1: need it right now since Broadway is still closed a 95 00:06:18,480 --> 00:06:25,760 Speaker 1: year later and probably will be for most of one Unfortunately, 96 00:06:25,839 --> 00:06:29,720 Speaker 1: I want to go see my shows. I know me too. 97 00:06:30,000 --> 00:06:33,599 Speaker 1: But as of listening to this episode, you can still 98 00:06:33,680 --> 00:06:37,560 Speaker 1: be a part. They want you to record the video 99 00:06:38,279 --> 00:06:42,400 Speaker 1: and challenge four friends using the hashtag b Way World 100 00:06:42,640 --> 00:06:46,600 Speaker 1: Record uh and shared on social media. They also say 101 00:06:46,680 --> 00:06:50,440 Speaker 1: that you can tag Broadway stars and challenge them. You 102 00:06:50,560 --> 00:06:53,440 Speaker 1: know that Hugh Jackman is going to be part of this. Yeah, 103 00:06:53,640 --> 00:06:56,760 Speaker 1: they've already got some actors committed. They've got Alice Ripley 104 00:06:56,800 --> 00:07:00,720 Speaker 1: from Next to Normal, John Tart tag Lea from Avenue Q, 105 00:07:01,200 --> 00:07:05,440 Speaker 1: Kristen Anderson Lopez from Frozen, and Jay Armstrong Johnson from 106 00:07:05,440 --> 00:07:09,760 Speaker 1: Family the Opera. Uh, you can be a part of 107 00:07:09,840 --> 00:07:13,480 Speaker 1: this up until February, which is the deadline. I think 108 00:07:13,720 --> 00:07:16,000 Speaker 1: I think I'll give this one a skip because my 109 00:07:16,120 --> 00:07:20,720 Speaker 1: singing voice isn't strong enough. And also, uh, I'm like, 110 00:07:21,200 --> 00:07:25,440 Speaker 1: I'm at best a casual fan of the Greatest Showman. 111 00:07:25,800 --> 00:07:30,240 Speaker 1: At best, I was about to say, like, they don't 112 00:07:30,280 --> 00:07:34,480 Speaker 1: say anything about having to sing it, well, so that's 113 00:07:34,560 --> 00:07:38,840 Speaker 1: just an excuse. But I do understand the Greatest Showman 114 00:07:39,160 --> 00:07:40,600 Speaker 1: I'm not a huge fan of. You know what, I 115 00:07:40,680 --> 00:07:42,920 Speaker 1: would have actually would have enjoyed it a lot more 116 00:07:43,200 --> 00:07:46,760 Speaker 1: if they had not said it was supposed to be P. T. Barnum, 117 00:07:47,320 --> 00:07:53,800 Speaker 1: because I had real issues with the the lionization of P. T. Barnum, 118 00:07:53,800 --> 00:07:56,440 Speaker 1: who was a much more complicated person than the musical 119 00:07:56,480 --> 00:08:01,800 Speaker 1: would have you understand. But that's that's But I don't 120 00:08:01,800 --> 00:08:03,680 Speaker 1: want to yuck anyone's yeah either. I know a lot 121 00:08:03,720 --> 00:08:06,840 Speaker 1: of people really love the Greatest Showman, and there's nothing 122 00:08:06,920 --> 00:08:09,600 Speaker 1: wrong with loving it. I mean, that's that's you do 123 00:08:09,800 --> 00:08:12,600 Speaker 1: you for me. There was one song in that show 124 00:08:13,040 --> 00:08:16,000 Speaker 1: that I really loved and another song that I liked, 125 00:08:16,640 --> 00:08:20,320 Speaker 1: but um, but that was that. Everything else neither of 126 00:08:20,360 --> 00:08:25,520 Speaker 1: them are from now on fair enough. I mean, it 127 00:08:25,680 --> 00:08:27,880 Speaker 1: is interesting to say they've gotten permission from Disney to 128 00:08:27,960 --> 00:08:30,240 Speaker 1: do that. Yes, yes, this is this is something that's 129 00:08:30,280 --> 00:08:34,119 Speaker 1: got full clearance. To me. It's again another remarkable example 130 00:08:34,600 --> 00:08:39,000 Speaker 1: of Disney giving the go ahead for some creative uses 131 00:08:39,120 --> 00:08:42,480 Speaker 1: of their properties, which, as we've pointed out in previous episodes, 132 00:08:43,120 --> 00:08:46,640 Speaker 1: is remarkable considering how protective Disney has been of its 133 00:08:46,720 --> 00:08:51,760 Speaker 1: I P in the past. Also weird but delightful was 134 00:08:51,920 --> 00:08:55,520 Speaker 1: the latest trailer for Raya in The Last Dragon. I really, 135 00:08:55,679 --> 00:08:58,160 Speaker 1: you know what, I hadn't seen anything I knew about 136 00:08:58,320 --> 00:09:00,319 Speaker 1: this movie. I knew it was coming out, but hadn't 137 00:09:00,360 --> 00:09:04,679 Speaker 1: seen any trailers, hadn't watched anything of it until we 138 00:09:05,040 --> 00:09:08,360 Speaker 1: were making this episode. And uh, and the trailer is. 139 00:09:08,760 --> 00:09:12,520 Speaker 1: First of all, the style looks amazing. They made Riya 140 00:09:12,880 --> 00:09:18,920 Speaker 1: look like a total um kick butt warrior. I was 141 00:09:18,960 --> 00:09:20,599 Speaker 1: trying to think of a good, family friendly way of 142 00:09:20,679 --> 00:09:25,079 Speaker 1: saying it. She looks amazing in it. The antagonist is, 143 00:09:25,600 --> 00:09:27,800 Speaker 1: at least from what I can gather from the trailer, 144 00:09:28,200 --> 00:09:32,120 Speaker 1: also a woman, and then the dragon is a a 145 00:09:32,280 --> 00:09:37,679 Speaker 1: female dragon. So we've got a film where multiple characters, 146 00:09:38,320 --> 00:09:42,040 Speaker 1: important characters to the story are all women, which I 147 00:09:42,080 --> 00:09:44,840 Speaker 1: also thought was awesome. It's not no one draws attention 148 00:09:44,880 --> 00:09:48,120 Speaker 1: to it in the trailer, but I noticed it just 149 00:09:48,200 --> 00:09:50,719 Speaker 1: because it's something that we haven't seen a lot of 150 00:09:50,920 --> 00:09:54,439 Speaker 1: until fairly recently, and I like that that trend is continuing. 151 00:09:56,080 --> 00:09:59,880 Speaker 1: I do too. I also really like that, Um. I 152 00:10:00,120 --> 00:10:04,080 Speaker 1: like that the character is such a kick but character, 153 00:10:04,240 --> 00:10:08,400 Speaker 1: Like you said, um, there it's it almost feels like 154 00:10:08,720 --> 00:10:11,920 Speaker 1: Disney wanted their take on the Avatar the Last Airbender. 155 00:10:12,000 --> 00:10:13,959 Speaker 1: To me, yeah, I was getting a lot of that. 156 00:10:14,240 --> 00:10:17,319 Speaker 1: I was getting a little bit of Mulan vibes. Um. 157 00:10:17,800 --> 00:10:20,120 Speaker 1: There were a couple of other like properties I would 158 00:10:20,160 --> 00:10:23,200 Speaker 1: think of, even a kuba and the two strings. Um, 159 00:10:23,679 --> 00:10:26,520 Speaker 1: there's a little bit of that in there. There. There's 160 00:10:26,960 --> 00:10:29,760 Speaker 1: there's definitely some stuff you can tell where some influences 161 00:10:29,880 --> 00:10:33,319 Speaker 1: came in. Um. The attitude of the dragon feels like 162 00:10:34,200 --> 00:10:37,560 Speaker 1: very much a nod to sort of Wosho and Mulan. Um. 163 00:10:38,520 --> 00:10:43,720 Speaker 1: I mean, it's Aquafina and it's a it's a good trailer, 164 00:10:44,040 --> 00:10:46,280 Speaker 1: and the action looks like it's going to be really 165 00:10:46,600 --> 00:10:51,559 Speaker 1: really interesting. I am eager to see this. You know, 166 00:10:51,640 --> 00:10:55,000 Speaker 1: it's interesting because it doesn't it doesn't look like the 167 00:10:55,120 --> 00:11:00,120 Speaker 1: kind of typical feel good sort of Disney stuff like. 168 00:11:00,200 --> 00:11:03,280 Speaker 1: It doesn't seem all warm and fuzzy and squishy. It 169 00:11:03,320 --> 00:11:07,520 Speaker 1: seems a little more action oriented. Um, which is great too. 170 00:11:07,679 --> 00:11:10,520 Speaker 1: I think that looks really interesting. I think I haven't 171 00:11:10,559 --> 00:11:15,480 Speaker 1: been as excited for a Disney computer animated movie as 172 00:11:15,559 --> 00:11:18,680 Speaker 1: this since Record Ralph, which I know that you don't 173 00:11:18,720 --> 00:11:20,280 Speaker 1: feel the same way about that movie as I do. 174 00:11:21,040 --> 00:11:22,800 Speaker 1: For me, I think i'd have to go with if 175 00:11:22,840 --> 00:11:25,240 Speaker 1: we're not talking picks are, if we're just talking about 176 00:11:25,240 --> 00:11:29,240 Speaker 1: Disney proper Big Hero six, Yeah, I can see that 177 00:11:29,320 --> 00:11:33,319 Speaker 1: as well, which has a very similar kind of actionly 178 00:11:33,440 --> 00:11:35,959 Speaker 1: vibe to it. This will be available on Disney Plus 179 00:11:37,240 --> 00:11:40,120 Speaker 1: on their premier for premium on March five, which means 180 00:11:40,160 --> 00:11:43,800 Speaker 1: eventually you'll get it on your regular subscription, but I might. Honestly, 181 00:11:44,080 --> 00:11:45,480 Speaker 1: I think I'm going to pay for it too, because 182 00:11:45,480 --> 00:11:47,160 Speaker 1: I really want to see it, and I don't want 183 00:11:47,880 --> 00:11:50,559 Speaker 1: I want that that experience of discovery and not have 184 00:11:50,720 --> 00:11:53,040 Speaker 1: everything kind of laid out for me before I get 185 00:11:53,080 --> 00:11:56,760 Speaker 1: a chance to see it, because the discovery part, you know, 186 00:11:57,040 --> 00:11:58,839 Speaker 1: I'm sure we can talk about this in a longer 187 00:11:58,920 --> 00:12:02,200 Speaker 1: section at some future or episode, but the discovery part 188 00:12:02,320 --> 00:12:04,720 Speaker 1: of a new property is one of the great joys 189 00:12:04,800 --> 00:12:08,319 Speaker 1: for me. Like I can handle going in hearing spoilers, 190 00:12:08,920 --> 00:12:12,480 Speaker 1: but I really love that that experience of discovering something 191 00:12:12,640 --> 00:12:16,800 Speaker 1: as it's playing out. Um, you just can't really, you 192 00:12:16,920 --> 00:12:19,959 Speaker 1: can't replicate that if you already know what's happening before 193 00:12:20,000 --> 00:12:22,240 Speaker 1: you go and see it. It's different. You can still 194 00:12:22,360 --> 00:12:25,960 Speaker 1: enjoy it. There's nothing wrong with it, but it is different. Mhm. 195 00:12:26,760 --> 00:12:29,880 Speaker 1: I agree. I agree. Something on Disney Plus that you 196 00:12:30,280 --> 00:12:32,160 Speaker 1: I don't think you're going to have to pay premium 197 00:12:32,240 --> 00:12:35,719 Speaker 1: for is the Black Panther show that's in develop or 198 00:12:35,760 --> 00:12:38,720 Speaker 1: at least a Wakonda show. It's a show set in Wakonda. 199 00:12:39,520 --> 00:12:42,920 Speaker 1: What whether or not it director, whether or not it 200 00:12:43,080 --> 00:12:48,319 Speaker 1: involves a Black Panther character, uh played by sure, you 201 00:12:48,400 --> 00:12:51,559 Speaker 1: would imagine, we don't know. It may be that it 202 00:12:51,600 --> 00:12:54,480 Speaker 1: may not even be set in the quote unquote modern 203 00:12:54,600 --> 00:12:57,320 Speaker 1: day of the Marvel Cinematic universe. There's no real telling, 204 00:12:58,040 --> 00:13:01,360 Speaker 1: but we know that the director of Panther is going 205 00:13:01,480 --> 00:13:04,400 Speaker 1: to be behind the development of the show, and that 206 00:13:04,520 --> 00:13:08,400 Speaker 1: it is set in Waconda, and bring it on. I 207 00:13:09,440 --> 00:13:12,480 Speaker 1: am eager to see more of that world. Yeah. Yeah, 208 00:13:12,640 --> 00:13:15,000 Speaker 1: it was such such great creation, and we only got 209 00:13:15,080 --> 00:13:18,240 Speaker 1: a small part of it in the first Black Panther movie, 210 00:13:18,360 --> 00:13:21,199 Speaker 1: so and and and a little bit in Infinity War 211 00:13:21,880 --> 00:13:25,439 Speaker 1: a little bit, not near enough, not near enough. You 212 00:13:25,480 --> 00:13:27,840 Speaker 1: can tell that there's a whole bunch of written richness 213 00:13:27,880 --> 00:13:30,080 Speaker 1: in that world that we didn't get to see. Uh. 214 00:13:30,720 --> 00:13:35,880 Speaker 1: Something I did get to see this week. Uh is this? 215 00:13:36,160 --> 00:13:38,320 Speaker 1: This was something Ariel shared with me that I had 216 00:13:38,440 --> 00:13:41,719 Speaker 1: not seen, And I'm so thankful that I have a 217 00:13:41,760 --> 00:13:45,280 Speaker 1: co host like Ariel to bring this into my life. Yeah. 218 00:13:45,520 --> 00:13:49,400 Speaker 1: Is Uh. Some fans took the Jurassic Park trailer and 219 00:13:49,559 --> 00:13:52,679 Speaker 1: mashed it up with pee wee Herman making all of 220 00:13:52,720 --> 00:13:56,760 Speaker 1: the dinosaurs pee wee Herman. When you hear that concept, 221 00:13:56,880 --> 00:13:58,719 Speaker 1: you say, oh, I know what this is gonna look like. 222 00:13:58,920 --> 00:14:01,400 Speaker 1: But no, it's way better than what you imagine in 223 00:14:01,480 --> 00:14:05,400 Speaker 1: your brain. For for one thing, they resisted the urge 224 00:14:05,400 --> 00:14:09,400 Speaker 1: of making a dinosaur sized peee Herman. It's a Peewee 225 00:14:09,440 --> 00:14:14,959 Speaker 1: Herman sized pee Wee Herman, and the the integration of 226 00:14:15,160 --> 00:14:19,760 Speaker 1: peee Herman shots into Jurassic Park scenes is done pretty 227 00:14:19,880 --> 00:14:24,280 Speaker 1: darn well. Like there are bits where you're looking at 228 00:14:24,480 --> 00:14:27,400 Speaker 1: a Jurassic Park character and Pewee Herman is popping up 229 00:14:27,400 --> 00:14:30,360 Speaker 1: from behind a tree, and you know, you can tell 230 00:14:30,440 --> 00:14:34,800 Speaker 1: there was some compositing done, but it looks really good 231 00:14:35,520 --> 00:14:39,040 Speaker 1: for for a for a joke. Yeah, And there's only 232 00:14:39,160 --> 00:14:44,600 Speaker 1: one time where they skipped to like a not Jurassic 233 00:14:44,680 --> 00:14:49,120 Speaker 1: Park scene and it's brief, yes, I think, yeah, yeah, 234 00:14:49,200 --> 00:14:51,360 Speaker 1: where where it's him over at on the corner of 235 00:14:51,400 --> 00:14:53,720 Speaker 1: a house and he's just doing his little pee Herman laugh. 236 00:14:53,760 --> 00:14:57,280 Speaker 1: Everything else is essentially Jurassic Park with some Peee Herman 237 00:14:57,400 --> 00:15:01,640 Speaker 1: integrated into it, including the missequence where the t Rex 238 00:15:01,800 --> 00:15:03,880 Speaker 1: is chasing the jeep and it's the must go faster, 239 00:15:04,040 --> 00:15:06,640 Speaker 1: must go faster. And I don't want to say anymore 240 00:15:07,040 --> 00:15:10,560 Speaker 1: than that other than you need to see it to 241 00:15:10,720 --> 00:15:13,920 Speaker 1: really appreciate it. But we'll put that link in our 242 00:15:13,960 --> 00:15:17,520 Speaker 1: show notes on our website when this episode goes live 243 00:15:17,600 --> 00:15:19,600 Speaker 1: so that you can watch it too. We just wanted 244 00:15:19,600 --> 00:15:21,680 Speaker 1: to give it a shout out since we love mashups. 245 00:15:22,120 --> 00:15:26,600 Speaker 1: We had to love on this mashup, yes, and that 246 00:15:26,720 --> 00:15:30,480 Speaker 1: wraps up our quick headlines for this week. When we 247 00:15:30,640 --> 00:15:33,600 Speaker 1: come back, we are going to have a deep discussion 248 00:15:34,880 --> 00:15:38,440 Speaker 1: about the DC Cinematic Universe and what we would do 249 00:15:38,960 --> 00:15:40,960 Speaker 1: if we were put in charge of it in order 250 00:15:41,080 --> 00:15:45,880 Speaker 1: to kind of fix it. Seems like it's really presumptuous, 251 00:15:46,120 --> 00:15:48,400 Speaker 1: but I'm going to say fix it. And then also 252 00:15:48,680 --> 00:15:51,320 Speaker 1: stick around because at the end of this episode with 253 00:15:51,440 --> 00:15:53,880 Speaker 1: our mashup we are we have chosen a mash up 254 00:15:53,920 --> 00:15:57,200 Speaker 1: topic that is in part a tribute to the late 255 00:15:57,400 --> 00:16:03,400 Speaker 1: great Chloris Leachman, a phenomenal comic actor who we lost, 256 00:16:04,080 --> 00:16:07,680 Speaker 1: uh just recently, and so you want to stick around 257 00:16:07,720 --> 00:16:10,960 Speaker 1: for that too, But first we gotta take this quick break. 258 00:16:16,720 --> 00:16:20,360 Speaker 1: Still living in and manually taking notes, start the new 259 00:16:20,440 --> 00:16:24,440 Speaker 1: year with auto dot ai to generate automatic notes for meetings, interviews, 260 00:16:24,560 --> 00:16:27,280 Speaker 1: or lectures. With auto dot ai, you can search the 261 00:16:27,360 --> 00:16:30,560 Speaker 1: meeting notes, insert images, playback the audio, and share them 262 00:16:30,600 --> 00:16:33,360 Speaker 1: with your friends or coworkers. You can capture action items, 263 00:16:33,480 --> 00:16:37,200 Speaker 1: remember meeting details, and keep everyone informed. Auto dot ai 264 00:16:37,320 --> 00:16:40,720 Speaker 1: works for in person or virtual meetings like Zoom, Microsoft Teams, 265 00:16:40,760 --> 00:16:43,160 Speaker 1: and Google Meet. Sign up for free at auto dot 266 00:16:43,240 --> 00:16:46,040 Speaker 1: ai or download the app for free auto dot ai. 267 00:16:46,240 --> 00:16:50,280 Speaker 1: That's O T T e R dot Ai. This episode 268 00:16:50,360 --> 00:16:52,640 Speaker 1: is brought to you by Wigs. Are you ready to 269 00:16:52,720 --> 00:16:56,240 Speaker 1: take your business online? 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Have you ever felt 286 00:17:47,280 --> 00:17:49,240 Speaker 1: depressed about work only to have your dad be like, 287 00:17:49,359 --> 00:17:51,160 Speaker 1: while you're so down, So you told him you hate 288 00:17:51,200 --> 00:17:53,080 Speaker 1: your job, and he said, well, you better talk yourself 289 00:17:53,119 --> 00:17:55,280 Speaker 1: out of it. And then you thought, I love to talk. 290 00:17:55,359 --> 00:17:57,240 Speaker 1: I could host a podcast. And then you went to 291 00:17:57,280 --> 00:17:59,439 Speaker 1: Speaker from my Heart and started a podcast and got 292 00:17:59,480 --> 00:18:01,760 Speaker 1: good at it and monetize it. Then quit your boring 293 00:18:01,840 --> 00:18:03,639 Speaker 1: job and told your dad thanks for the advice. And 294 00:18:03,760 --> 00:18:05,040 Speaker 1: he was like, well, that's not what I meant, and 295 00:18:05,040 --> 00:18:07,680 Speaker 1: I don't understand what a podcast is. But you seem happy. 296 00:18:07,800 --> 00:18:10,920 Speaker 1: So that's great, kiddo. You ever do that, well, you 297 00:18:11,000 --> 00:18:14,399 Speaker 1: could at spreaker dot com. That's sp r e a 298 00:18:14,600 --> 00:18:22,200 Speaker 1: k e R ask your dad. You actually don't. And 299 00:18:22,840 --> 00:18:26,680 Speaker 1: we're back. Thanks for coming back with us. So we're 300 00:18:26,680 --> 00:18:29,520 Speaker 1: going to talk about the d C EU and Jonathan, 301 00:18:29,640 --> 00:18:32,440 Speaker 1: I'm taking it by uh you saying that it needed 302 00:18:32,480 --> 00:18:34,760 Speaker 1: to be fixed before the break, that you are not 303 00:18:34,920 --> 00:18:37,760 Speaker 1: a fan of how it is currently being laid out. 304 00:18:39,240 --> 00:18:42,840 Speaker 1: I am not, Ariel. Thank you for asking me about this. 305 00:18:43,240 --> 00:18:45,880 Speaker 1: Uh I know I I I've made it pretty clear. 306 00:18:46,160 --> 00:18:49,399 Speaker 1: Anyone who listened to old episodes of Large Nergron Collector 307 00:18:49,520 --> 00:18:54,280 Speaker 1: the classic ones from like tent seventeen, you know that 308 00:18:54,440 --> 00:18:56,960 Speaker 1: even back then I was complaining about the way d 309 00:18:57,119 --> 00:19:01,520 Speaker 1: C was going about their cinematic universe, that that that 310 00:19:01,720 --> 00:19:05,000 Speaker 1: dead horse is still continuing to be beaten by yours, truly, 311 00:19:05,280 --> 00:19:09,480 Speaker 1: because I don't think it's necessarily gotten much better. I 312 00:19:09,560 --> 00:19:12,800 Speaker 1: have multiple problems with it. Problem one is that the 313 00:19:12,880 --> 00:19:17,919 Speaker 1: whole Zack Snyder take on making everything dark and grim 314 00:19:18,840 --> 00:19:22,520 Speaker 1: doesn't sit too well with me, largely because like, I 315 00:19:22,600 --> 00:19:24,600 Speaker 1: think there should be some dark and grim nous in there. 316 00:19:24,640 --> 00:19:27,480 Speaker 1: I think there need to be stinks, Like without steaks, 317 00:19:27,520 --> 00:19:31,399 Speaker 1: there's no conflict, and without conflict, there's no drama. But 318 00:19:33,080 --> 00:19:38,160 Speaker 1: I feel like heroes need to occasionally be i don't know, heroic, yeah, 319 00:19:38,760 --> 00:19:41,120 Speaker 1: and inspiring and that sort of thing, which is why 320 00:19:41,200 --> 00:19:44,920 Speaker 1: Wonder Woman, the original Wonder Woman film from this this 321 00:19:45,119 --> 00:19:48,800 Speaker 1: latest match is still I think my favorite of all 322 00:19:48,880 --> 00:19:50,879 Speaker 1: the ones that have come out so far, with the 323 00:19:50,920 --> 00:19:55,520 Speaker 1: possible exception of Shazam, which feels almost tangential, but it 324 00:19:55,640 --> 00:19:58,639 Speaker 1: was also pretty dark. It was pretty dark, but it 325 00:19:58,760 --> 00:20:01,639 Speaker 1: had more lighthearted moment than any of the other DC films. 326 00:20:02,280 --> 00:20:05,000 Speaker 1: And then the other part kind of ties into that 327 00:20:05,119 --> 00:20:08,440 Speaker 1: tangential thing, which is that there is no coherent or 328 00:20:08,560 --> 00:20:14,840 Speaker 1: cohesive strategy right like there are so many different DC properties, 329 00:20:15,359 --> 00:20:18,200 Speaker 1: and there are disagreements about which ones actually fit into 330 00:20:18,320 --> 00:20:22,320 Speaker 1: the mainline DC universe versus being some sort of offshoot 331 00:20:22,520 --> 00:20:25,879 Speaker 1: like Joker. The movie Joker, which a lot of people loved, 332 00:20:26,840 --> 00:20:30,520 Speaker 1: is not part of the mainstream DC cinematic universe. There 333 00:20:30,640 --> 00:20:35,800 Speaker 1: was talk of another Jared leto Joker movie, which never, 334 00:20:36,000 --> 00:20:38,280 Speaker 1: as far as I know, is not happening, But that 335 00:20:38,440 --> 00:20:41,040 Speaker 1: also wasn't going to be part of the mainstream DC universe, 336 00:20:41,680 --> 00:20:44,960 Speaker 1: And you start to wonder, well, why are you bothering 337 00:20:45,960 --> 00:20:49,720 Speaker 1: crafting these I mean, I understand the appeal of having 338 00:20:50,000 --> 00:20:56,040 Speaker 1: heroes from different uh, different franchises, are different lines crossover. 339 00:20:56,320 --> 00:20:59,520 Speaker 1: There's always like it's that dream, Oh yeah, it's Batman 340 00:20:59,600 --> 00:21:01,479 Speaker 1: and super Man. Like, I get it. That's a big 341 00:21:01,560 --> 00:21:03,399 Speaker 1: deal in the comics, it's a big deal in the movies. 342 00:21:04,359 --> 00:21:07,960 Speaker 1: But if you're not going to craft a really strong, 343 00:21:08,080 --> 00:21:12,720 Speaker 1: coherent universe, then it almost seems like you should really 344 00:21:12,840 --> 00:21:16,960 Speaker 1: just be developing one shot films that are good stories 345 00:21:17,080 --> 00:21:21,080 Speaker 1: featuring these characters, but there's no necessary connective tissue to 346 00:21:21,160 --> 00:21:25,800 Speaker 1: everything else. I agree. So I mean d C to 347 00:21:25,960 --> 00:21:29,560 Speaker 1: the Dark thing. D C is not a Stranger two 348 00:21:29,720 --> 00:21:33,520 Speaker 1: Dark storylines in the comics. But I do feel like 349 00:21:33,640 --> 00:21:37,359 Speaker 1: you need to you need to set up the hero 350 00:21:37,640 --> 00:21:41,000 Speaker 1: in that story as the hero, like you said before, 351 00:21:41,080 --> 00:21:45,800 Speaker 1: you can enjoy that journey down down a path that 352 00:21:45,880 --> 00:21:50,399 Speaker 1: they maybe shouldn't go. You're more invested then, um and 353 00:21:50,480 --> 00:21:53,439 Speaker 1: then yeah, the continuity is hard. I feel like they 354 00:21:54,080 --> 00:21:57,399 Speaker 1: they tried so hard to catch up with Marvel, but 355 00:21:57,520 --> 00:21:59,760 Speaker 1: by that time, they already had a bunch of TV shows, 356 00:22:00,119 --> 00:22:02,119 Speaker 1: and they already had all of these one off movies. 357 00:22:02,160 --> 00:22:06,159 Speaker 1: We've had so many Batman series, um, that it was 358 00:22:06,240 --> 00:22:10,159 Speaker 1: almost like an afterthought. I do feel like they up 359 00:22:10,240 --> 00:22:12,280 Speaker 1: until the Snyder cut, I feel like they had been 360 00:22:12,880 --> 00:22:16,240 Speaker 1: slowly edging away from everything being super dark, even through 361 00:22:16,320 --> 00:22:20,000 Speaker 1: this latest wonder Woman movie. UM, but I still feel 362 00:22:20,080 --> 00:22:24,400 Speaker 1: like trying to add that levity to what little through 363 00:22:24,480 --> 00:22:27,240 Speaker 1: line there is, it just makes the stories extra long 364 00:22:27,320 --> 00:22:32,320 Speaker 1: and extra convoluted. Yeah. Yeah, no, there's there's no efficiency 365 00:22:32,359 --> 00:22:36,639 Speaker 1: in storytelling in the DC Cinematic universe. Everything is a 366 00:22:36,760 --> 00:22:42,320 Speaker 1: little too bloated and uh, I mean when when there 367 00:22:42,359 --> 00:22:47,000 Speaker 1: are important block points that hinge on such silly things 368 00:22:47,119 --> 00:22:50,000 Speaker 1: like the fact that two characters have mother figures who 369 00:22:50,040 --> 00:22:53,359 Speaker 1: were named Martha and somehow that's what brings them together. 370 00:22:53,880 --> 00:22:56,240 Speaker 1: I mean, I get it, like that's been that's been 371 00:22:56,320 --> 00:22:59,720 Speaker 1: mean to death, right, but it's still ridiculous. It's why 372 00:22:59,760 --> 00:23:02,200 Speaker 1: it's and mean to death. It is a ridiculous point 373 00:23:02,800 --> 00:23:06,200 Speaker 1: in a film. And uh, you know, there's just so 374 00:23:06,280 --> 00:23:09,680 Speaker 1: many decisions that I disagreed with, especially in those early 375 00:23:10,000 --> 00:23:14,560 Speaker 1: Snyder films, like without as you say, without making the 376 00:23:14,840 --> 00:23:19,200 Speaker 1: hero heroic, you have no one to cheer for, You're 377 00:23:19,920 --> 00:23:21,960 Speaker 1: It's like they decided they wanted to skip straight to 378 00:23:22,640 --> 00:23:28,800 Speaker 1: the Frank Miller version of Old Batman and show him 379 00:23:29,000 --> 00:23:32,800 Speaker 1: as you know, someone who is who is still plotting along, 380 00:23:32,880 --> 00:23:38,040 Speaker 1: but it's very cynical and very um uh pessimistic about 381 00:23:38,119 --> 00:23:42,720 Speaker 1: things and um pragmatic in a way that's extremely dark. 382 00:23:43,520 --> 00:23:45,080 Speaker 1: And they didn't want to get to any of the 383 00:23:45,119 --> 00:23:47,280 Speaker 1: stuff that led him to that journey. They just wanted 384 00:23:47,320 --> 00:23:49,480 Speaker 1: to jump to that. Same with them with the fact 385 00:23:49,560 --> 00:23:53,040 Speaker 1: that they didn't go through the same setup that Marvel 386 00:23:53,160 --> 00:23:57,840 Speaker 1: did when it began to establish all these individual characters 387 00:23:58,000 --> 00:24:01,879 Speaker 1: and then the connection they had with one another to 388 00:24:02,040 --> 00:24:04,600 Speaker 1: lead into the Avengers titles. And you know, we didn't 389 00:24:04,640 --> 00:24:09,880 Speaker 1: even get into the Thanos storyline until we were probably 390 00:24:09,920 --> 00:24:13,920 Speaker 1: about halfway through those initial Marvel films. It was only 391 00:24:13,960 --> 00:24:16,560 Speaker 1: in the back half that the Thanos storyline really started 392 00:24:16,600 --> 00:24:19,240 Speaker 1: to play out, and to the point where some people 393 00:24:19,280 --> 00:24:22,320 Speaker 1: were even asking like, why should we care about Thanos? 394 00:24:22,480 --> 00:24:25,399 Speaker 1: And then in fanity war happened and everyone suddenly really 395 00:24:25,520 --> 00:24:28,840 Speaker 1: cared about Thanos. But it just showed that they did 396 00:24:28,880 --> 00:24:31,040 Speaker 1: a very long lead up to that, whereas d C 397 00:24:31,280 --> 00:24:35,320 Speaker 1: was almost like, dump all the toys out on the floor, Okay, 398 00:24:35,760 --> 00:24:38,639 Speaker 1: now they're all together, let's make them do stuff. But 399 00:24:38,720 --> 00:24:41,520 Speaker 1: they didn't build any of that individually. Like I said, 400 00:24:41,720 --> 00:24:44,000 Speaker 1: I feel like it really was them playing a game 401 00:24:44,040 --> 00:24:46,960 Speaker 1: of catchup to try to to try to get to 402 00:24:47,280 --> 00:24:50,560 Speaker 1: Marvel success level before people were burnt out on superheroes, 403 00:24:50,600 --> 00:24:54,359 Speaker 1: which has come and gone since the m c U 404 00:24:54,480 --> 00:24:58,119 Speaker 1: has begun. Um. I feel like when they said okay, 405 00:24:58,200 --> 00:25:02,160 Speaker 1: now anybody can make any movie about any DC character, 406 00:25:02,520 --> 00:25:08,320 Speaker 1: DC comic character, um, that it was their attempt to 407 00:25:09,880 --> 00:25:18,600 Speaker 1: try to salvage the fandom without having to continue, like 408 00:25:18,760 --> 00:25:21,680 Speaker 1: basically trying out alternate timelines to see if any of 409 00:25:21,760 --> 00:25:26,520 Speaker 1: those stick better than their current prime timeline so then 410 00:25:26,560 --> 00:25:29,240 Speaker 1: they can just switch over to that. I mean, like 411 00:25:30,040 --> 00:25:33,000 Speaker 1: clearly the Harley Quinn movie as an example of that, 412 00:25:33,320 --> 00:25:37,320 Speaker 1: right where the Harley Quinn film. They saw how people 413 00:25:37,520 --> 00:25:41,640 Speaker 1: responded to the character of Harley quinnin Suicide Squad, even 414 00:25:41,680 --> 00:25:45,119 Speaker 1: though that movie is its own garbage fire. The first 415 00:25:45,280 --> 00:25:48,639 Speaker 1: the first one, because I think the next one is 416 00:25:48,640 --> 00:25:52,120 Speaker 1: gonna be really good, well until it comes out, I'm 417 00:25:52,119 --> 00:25:55,480 Speaker 1: not gonna hold my breath, right, so they have to 418 00:25:55,560 --> 00:25:59,960 Speaker 1: prove me wrong. Okay, I don't. I feel pretty comfortable 419 00:26:00,000 --> 00:26:03,359 Speaker 1: saying the first film is a garbage fire. Uh, But 420 00:26:03,560 --> 00:26:05,960 Speaker 1: that that led to the ability for the Harley Harley 421 00:26:06,040 --> 00:26:09,080 Speaker 1: Quinn film to come out, and I think people responded 422 00:26:09,200 --> 00:26:13,520 Speaker 1: more towards that, which just showed that there are and 423 00:26:13,680 --> 00:26:18,360 Speaker 1: Joker again. Joker is another movie that did phenomenally well. Um, 424 00:26:19,960 --> 00:26:22,719 Speaker 1: i'll spare you my thoughts on Joker, but it did 425 00:26:22,880 --> 00:26:26,320 Speaker 1: really well and again is not connected to the rest 426 00:26:26,400 --> 00:26:31,800 Speaker 1: of the threads in the d C universe. So it's 427 00:26:31,840 --> 00:26:34,240 Speaker 1: a complicated issue. Like if it were me, I'd almost 428 00:26:34,240 --> 00:26:35,600 Speaker 1: say like, all right, we're gonna have to start with 429 00:26:35,880 --> 00:26:39,959 Speaker 1: a fresh slate. Um, some of the casting I might 430 00:26:40,119 --> 00:26:43,600 Speaker 1: keep because I think that some of the folks who 431 00:26:43,600 --> 00:26:47,040 Speaker 1: are in their roles are good for those roles, But like, 432 00:26:48,920 --> 00:26:51,520 Speaker 1: we're just gonna do what the comic books do occasionally, 433 00:26:51,600 --> 00:26:54,359 Speaker 1: which is that you do a big reset. It happens 434 00:26:54,359 --> 00:26:56,520 Speaker 1: in comics all the time, where you have some sort 435 00:26:56,560 --> 00:27:00,960 Speaker 1: of cataclysmic event that destroys every relity so that it 436 00:27:01,000 --> 00:27:03,399 Speaker 1: could start fresh and then you start screwing it up 437 00:27:03,440 --> 00:27:05,880 Speaker 1: all over again, but at least you can start fresh. Well, 438 00:27:06,000 --> 00:27:07,639 Speaker 1: And I thought that's what they were doing with the 439 00:27:07,720 --> 00:27:11,119 Speaker 1: James Gunn Suicide Squad that's coming out, because it's just 440 00:27:11,720 --> 00:27:14,800 Speaker 1: it's it's not a second movie, it's just another suicide 441 00:27:14,840 --> 00:27:18,280 Speaker 1: Squad movie. But then they talked. But and you know, 442 00:27:18,400 --> 00:27:21,359 Speaker 1: James Gunn did great with Guardians of the Galaxy, and 443 00:27:21,480 --> 00:27:25,040 Speaker 1: the cast for this new movie is pretty spectacular. Um, 444 00:27:25,240 --> 00:27:27,960 Speaker 1: they all all of the actors ride a good line 445 00:27:28,000 --> 00:27:33,200 Speaker 1: between action and intense and comedy. But then they did 446 00:27:33,320 --> 00:27:35,600 Speaker 1: carry over some of the characters like Harley Quinn and 447 00:27:36,200 --> 00:27:39,800 Speaker 1: Boomerang and things like that, so it's not quite as 448 00:27:39,880 --> 00:27:41,879 Speaker 1: much of a reboot as I initially thought it was 449 00:27:41,960 --> 00:27:46,200 Speaker 1: going to be. Yeah, Um, so if you were trying 450 00:27:46,240 --> 00:27:50,080 Speaker 1: to fix this, like my my argument is to scrap 451 00:27:50,160 --> 00:27:54,560 Speaker 1: it all and start over. Um, but do you think 452 00:27:54,640 --> 00:27:57,680 Speaker 1: it's something that you could see as being salvageable, like 453 00:27:58,480 --> 00:28:04,120 Speaker 1: keeping everything that exists now and just building further upon it. Yes. Yes, 454 00:28:04,400 --> 00:28:07,879 Speaker 1: And my reasoning for that is I've said since the beginning, 455 00:28:07,920 --> 00:28:09,879 Speaker 1: and if you're a long time Lency listener you'll know 456 00:28:09,960 --> 00:28:11,840 Speaker 1: this that I feel like the real problem with the 457 00:28:11,920 --> 00:28:14,440 Speaker 1: Justice League is how dark it is. I feel like 458 00:28:14,520 --> 00:28:19,080 Speaker 1: they've been going lighter and lighter and lighter. Uh. Justice League, 459 00:28:20,400 --> 00:28:24,000 Speaker 1: much like the newer Teenage Mutant Ninja Turtles movies. The 460 00:28:24,119 --> 00:28:28,640 Speaker 1: storyline was not strong, but they got the characters right. Um. 461 00:28:28,880 --> 00:28:31,080 Speaker 1: Even at the end Superman got to be Superman and 462 00:28:31,160 --> 00:28:34,080 Speaker 1: that was nice. But I enjoyed watching all the characters 463 00:28:34,200 --> 00:28:36,760 Speaker 1: and I enjoyed watching their chemistry. So all we need 464 00:28:36,840 --> 00:28:40,240 Speaker 1: to do is have happy Superman fly around the world 465 00:28:41,240 --> 00:28:45,440 Speaker 1: reverse time, and then we can continue on with the 466 00:28:45,520 --> 00:28:48,160 Speaker 1: Justice League, because that movie did the poorest and to 467 00:28:48,320 --> 00:28:51,360 Speaker 1: me it was one of the most one of the 468 00:28:51,400 --> 00:28:56,160 Speaker 1: more enjoyable ones. Um. Maybe not quite a from a 469 00:28:56,200 --> 00:28:58,720 Speaker 1: character standpoint, maybe not as quite as enjoyable as Wonder 470 00:28:58,720 --> 00:29:01,320 Speaker 1: Woman or Aquaman, which were both I found both of 471 00:29:01,400 --> 00:29:05,560 Speaker 1: them fun, but far too long. Um And mainly because 472 00:29:05,640 --> 00:29:10,000 Speaker 1: the Justice League villain was pretty milk chosty. But um, well, 473 00:29:10,160 --> 00:29:12,320 Speaker 1: now you're going to get dark side in the Snyder cut. 474 00:29:12,440 --> 00:29:17,280 Speaker 1: So yeah, I don't. Yeah, that's that's exactly how I 475 00:29:17,360 --> 00:29:19,960 Speaker 1: feel aial, So don't don't feel badly about it. But 476 00:29:22,280 --> 00:29:25,600 Speaker 1: Snyder cut, but more movies. I appreciate what you say, 477 00:29:25,760 --> 00:29:29,920 Speaker 1: like I I, I don't deny that. You know, you 478 00:29:30,000 --> 00:29:32,640 Speaker 1: could continue. Obviously they're going to continue to build on 479 00:29:33,000 --> 00:29:36,000 Speaker 1: the foundation they have laid. I think the reason, the 480 00:29:36,120 --> 00:29:38,400 Speaker 1: real reason, if you really boil it down then I 481 00:29:38,480 --> 00:29:43,080 Speaker 1: want to scrap it all and start over is fundamentally 482 00:29:43,800 --> 00:29:47,600 Speaker 1: I despise the fact that the Kents we're trying to 483 00:29:47,800 --> 00:29:54,680 Speaker 1: tell Clark to be selfish and to to value self 484 00:29:54,800 --> 00:29:59,840 Speaker 1: preservation over helping others, because to me, that is fun 485 00:30:00,160 --> 00:30:05,200 Speaker 1: dem mentally the opposite of what most versions of Superman's 486 00:30:05,240 --> 00:30:08,240 Speaker 1: origin story point to, like the whole idea being that 487 00:30:08,360 --> 00:30:11,880 Speaker 1: this is an alien who decides that he wants to 488 00:30:11,920 --> 00:30:17,560 Speaker 1: protect humans because he was raised by genuinely decent people. 489 00:30:18,320 --> 00:30:20,720 Speaker 1: And when you take that away, it just like to me, 490 00:30:20,840 --> 00:30:25,320 Speaker 1: it's like, well, you just ruined everything. You just you've 491 00:30:25,400 --> 00:30:27,600 Speaker 1: soured the whole thing, and yeah, you can get him 492 00:30:27,640 --> 00:30:32,240 Speaker 1: to come around and choose to be noble. But that's 493 00:30:32,240 --> 00:30:36,200 Speaker 1: a different character arc art. It's not it's not invalid. 494 00:30:36,400 --> 00:30:39,440 Speaker 1: It just to me, isn't Superman. I mean, I get it, 495 00:30:39,520 --> 00:30:41,680 Speaker 1: I get it. You know. I enjoyed Man of Steel, 496 00:30:41,800 --> 00:30:45,320 Speaker 1: which is is the movie that started that whole path 497 00:30:45,520 --> 00:30:48,880 Speaker 1: you don't like of Superman. But while I thought it 498 00:30:48,960 --> 00:30:50,840 Speaker 1: was an entertaining movie, I did not think it was 499 00:30:50,920 --> 00:30:57,520 Speaker 1: a great Superman movie. It wasn't it. It wasn't a 500 00:30:57,560 --> 00:31:02,280 Speaker 1: great Superman movie to start off the d C EU with. Yeah, 501 00:31:02,520 --> 00:31:03,880 Speaker 1: at the time, I didn't know there was going to 502 00:31:03,960 --> 00:31:08,960 Speaker 1: be a d C EU, So yeah, I just to me, 503 00:31:09,080 --> 00:31:10,840 Speaker 1: it was like it was, it started with a wrong 504 00:31:10,960 --> 00:31:14,720 Speaker 1: turn and then it got more wronger. Fair enough, but 505 00:31:14,960 --> 00:31:18,760 Speaker 1: you know what, we also admit like that that's down 506 00:31:18,840 --> 00:31:20,960 Speaker 1: to our personal tastes. There may be many of you 507 00:31:21,040 --> 00:31:24,520 Speaker 1: out there who absolutely love the DC Cinematic Universe, which 508 00:31:24,640 --> 00:31:26,880 Speaker 1: you know that's totally valid too, Like your opinions are 509 00:31:27,000 --> 00:31:29,760 Speaker 1: just as valid as ours. Yeah, And you know, like 510 00:31:29,840 --> 00:31:31,800 Speaker 1: you said, I've seen the d C EU movies and 511 00:31:31,840 --> 00:31:34,480 Speaker 1: I will continue to see them. And you know, Marvel 512 00:31:34,560 --> 00:31:38,200 Speaker 1: has had to scrap some of their properties, or has 513 00:31:38,280 --> 00:31:40,680 Speaker 1: tried to scrap some of their properties multiple times to 514 00:31:40,720 --> 00:31:43,640 Speaker 1: relaunch them, X Men, Fantastic Four, things like that, So 515 00:31:44,400 --> 00:31:51,640 Speaker 1: it's not just parent property specific. Yeah, no, I mean that. Also, 516 00:31:51,760 --> 00:31:55,280 Speaker 1: Marvel has has caught some flak for not integrating some 517 00:31:55,440 --> 00:31:59,320 Speaker 1: of their Netflix TV series into the overall Marvel Cinemaic universe. 518 00:31:59,440 --> 00:32:02,840 Speaker 1: Like that direction only goes one way, where the stuff 519 00:32:02,880 --> 00:32:05,320 Speaker 1: that happened in the movies gets referenced in the shows, 520 00:32:05,440 --> 00:32:08,080 Speaker 1: but the shows never get the carry over into the movies, 521 00:32:08,560 --> 00:32:11,840 Speaker 1: which is unfortunate because Daredevil and Jessica Jones and Luke 522 00:32:11,920 --> 00:32:14,440 Speaker 1: Cage are all awesome and Iron Fist is also there. Yeah, 523 00:32:14,480 --> 00:32:16,000 Speaker 1: but we think that Daredevil is going to be in 524 00:32:16,040 --> 00:32:19,000 Speaker 1: the New Spider Man, so that's what we're hoping, So 525 00:32:19,200 --> 00:32:21,719 Speaker 1: maybe all the rest will follow suit. We'll see if 526 00:32:21,760 --> 00:32:25,240 Speaker 1: it works, then they might continue it. Yeah, but you know, 527 00:32:25,520 --> 00:32:28,560 Speaker 1: this was our our DC conversation. If we want to 528 00:32:28,640 --> 00:32:30,480 Speaker 1: talk Marvel, we're going to have to wait till after 529 00:32:30,600 --> 00:32:44,280 Speaker 1: the break with our mash up. After thirty years, it's 530 00:32:44,320 --> 00:32:46,720 Speaker 1: time to return to the halls of West Beverly High 531 00:32:46,880 --> 00:32:49,120 Speaker 1: and hang out at the peach Pit. On the podcast 532 00:32:49,240 --> 00:32:52,280 Speaker 1: nine O two one, OMG joined Jenny Garth and Tory 533 00:32:52,360 --> 00:32:55,280 Speaker 1: Spelling for a rewatch of the hit series Beverly Hills 534 00:32:55,360 --> 00:32:58,320 Speaker 1: nine one oh. From the very beginning, we get to 535 00:32:58,520 --> 00:33:01,520 Speaker 1: tell the fans all of the behind the scenes stories 536 00:33:01,560 --> 00:33:04,720 Speaker 1: to actually happen, so they know what happened on camera, obviously, 537 00:33:04,960 --> 00:33:07,120 Speaker 1: but we can tell them all the good stuff that 538 00:33:07,160 --> 00:33:09,840 Speaker 1: happened off camera. Get all the juicy details of every 539 00:33:09,920 --> 00:33:12,760 Speaker 1: episode that you've been wondering about for decades. As nine 540 00:33:12,800 --> 00:33:15,560 Speaker 1: O two one oh, super fan and radio host Sisson 541 00:33:15,640 --> 00:33:18,600 Speaker 1: E sits in with Jenny and Tory Too reminisce, reflect 542 00:33:18,720 --> 00:33:21,960 Speaker 1: and relive each moment, from Brandon and Kelly's first kiss 543 00:33:22,040 --> 00:33:25,800 Speaker 1: to shouting Donna Martin graduates, you have an amazing memory. 544 00:33:25,960 --> 00:33:29,320 Speaker 1: You remember everything about the entire ten years that we 545 00:33:29,440 --> 00:33:33,240 Speaker 1: filmed that show, and you remember absolutely nothing of the 546 00:33:33,360 --> 00:33:36,720 Speaker 1: ten years that we film that show. Listen to nine 547 00:33:36,760 --> 00:33:39,080 Speaker 1: O two one OMG on the I Heart Radio app, 548 00:33:39,080 --> 00:33:43,240 Speaker 1: Apple Podcasts or wherever you get your podcasts. Hi, I'm 549 00:33:43,320 --> 00:33:45,920 Speaker 1: Robert lamp and I'm Joe McCormick, and we're the hosts 550 00:33:46,000 --> 00:33:48,760 Speaker 1: of the science podcast Stuff to Blow Your Mind, where 551 00:33:48,800 --> 00:33:51,000 Speaker 1: every week we get to explore some of the weirdest 552 00:33:51,120 --> 00:33:55,280 Speaker 1: questions in the universe, like if sci fi teleportation was possible, 553 00:33:55,480 --> 00:33:58,280 Speaker 1: how would it square with the multitudes of organisms that 554 00:33:58,400 --> 00:34:01,520 Speaker 1: inhabit our human bodies? Can we find evidence of emotions 555 00:34:01,640 --> 00:34:05,360 Speaker 1: in animals like bees, ants, and crayfish? How would an 556 00:34:05,440 --> 00:34:10,200 Speaker 1: interplanetary civilization function just free will exist? Stuff to Blow 557 00:34:10,280 --> 00:34:15,880 Speaker 1: Your Mind examines neurological quandaries, cosmic mysteries, evolutionary marvels, and 558 00:34:15,960 --> 00:34:18,840 Speaker 1: the wonders of techno history. Basically, this show is the 559 00:34:18,920 --> 00:34:22,520 Speaker 1: altar where we worship the weirdness of reality. If anybody 560 00:34:22,600 --> 00:34:25,880 Speaker 1: ever told you you ask the weirdest questions, it is 561 00:34:25,960 --> 00:34:28,360 Speaker 1: time to come join us in the place where you belong. 562 00:34:28,760 --> 00:34:32,080 Speaker 1: The Stuff to Blow Your Mind podcast New episodes publish 563 00:34:32,120 --> 00:34:35,959 Speaker 1: every Tuesday and Thursday, with bonus episodes on Saturdays. Listen 564 00:34:36,000 --> 00:34:37,600 Speaker 1: to Stuff to Blow Your Mind on the I Heart 565 00:34:37,680 --> 00:34:41,120 Speaker 1: Radio app, Apple Podcasts, or wherever you get your podcasts. 566 00:34:43,440 --> 00:34:45,560 Speaker 1: But What's up? What's Up? This is Rabbin Dixon, co 567 00:34:45,719 --> 00:34:49,360 Speaker 1: host of Reasonably Shade d which has just been nominated 568 00:34:49,400 --> 00:34:51,520 Speaker 1: for an in Double A CP Image Award in the 569 00:34:51,640 --> 00:34:56,000 Speaker 1: Outstanding Arts and Entertainment Podcast category. This is so big 570 00:34:56,120 --> 00:34:58,359 Speaker 1: for Gezelle and I, and of course we must thank 571 00:34:58,520 --> 00:35:01,719 Speaker 1: all of our fantastic list a Nurse, but we need 572 00:35:01,800 --> 00:35:05,720 Speaker 1: your help. Visit vote dot in double a CP Image 573 00:35:05,719 --> 00:35:09,360 Speaker 1: Awards dot net to vote for Reasonably Shady. That's vote 574 00:35:09,560 --> 00:35:13,759 Speaker 1: dot in a a CP Image Awards dot net. But 575 00:35:13,880 --> 00:35:18,440 Speaker 1: don't wait. Voting closes on February five at nine pm Eastern, 576 00:35:18,880 --> 00:35:22,239 Speaker 1: and make sure to listen to Reasonably Shady every single 577 00:35:22,320 --> 00:35:35,200 Speaker 1: Monday on the Black Effect Podcast Network. Okay, Ariel, you 578 00:35:35,440 --> 00:35:39,200 Speaker 1: picked the two properties that we're going to mash up, 579 00:35:39,239 --> 00:35:43,800 Speaker 1: and initially I resisted this, but eventually came around what 580 00:35:43,920 --> 00:35:46,520 Speaker 1: I thought of a joke so bad that I had 581 00:35:46,600 --> 00:35:50,920 Speaker 1: to do a mash up. But let's explain what two 582 00:35:51,000 --> 00:35:55,080 Speaker 1: properties you picked? Okay, So we picked the fantastic four 583 00:35:55,880 --> 00:35:58,759 Speaker 1: mainly because of some conversations happening around one division that 584 00:35:58,800 --> 00:36:02,360 Speaker 1: we're not going to get into because spoilers. Uh. And 585 00:36:03,320 --> 00:36:07,440 Speaker 1: we also picked young Frankenstein. So let's talk a little 586 00:36:07,440 --> 00:36:11,480 Speaker 1: bit about these properties, because at least in my mash up, 587 00:36:12,120 --> 00:36:16,560 Speaker 1: I have some let's call them deep cuts that I 588 00:36:16,680 --> 00:36:19,239 Speaker 1: reference that I think are going to be lost on 589 00:36:19,440 --> 00:36:25,400 Speaker 1: probably nine cinemaur audience. Sure, but the basic story is 590 00:36:25,480 --> 00:36:30,319 Speaker 1: that there's this gentleman Gene Wilder who is uh Dr 591 00:36:30,520 --> 00:36:36,080 Speaker 1: Franken Frankenstein. Uh, because he doesn't want to be confused 592 00:36:36,200 --> 00:36:40,160 Speaker 1: with the crazy Dr Frankenstein Um. Who finds out he's 593 00:36:40,200 --> 00:36:43,640 Speaker 1: got a like a familial house that he's he's earned 594 00:36:43,680 --> 00:36:46,440 Speaker 1: when his great great grandfather passed away. Um, and he 595 00:36:46,560 --> 00:36:49,120 Speaker 1: goes there and then he becomes the mad scientist and 596 00:36:49,200 --> 00:36:53,760 Speaker 1: eventually accepts his name Frankenstein. But there's uh huge amount 597 00:36:53,800 --> 00:36:58,879 Speaker 1: of comedy. You've got I Gore, who is a play 598 00:36:58,960 --> 00:37:02,920 Speaker 1: on igor. You've at Frod Blueckhardt, who's the character that 599 00:37:03,040 --> 00:37:07,120 Speaker 1: Clos Leachman played, who every time they say her name, 600 00:37:07,200 --> 00:37:09,520 Speaker 1: no matter where she is, a horse whinnies because it 601 00:37:09,600 --> 00:37:12,759 Speaker 1: sounds familiar to the German word for glue um, which 602 00:37:12,880 --> 00:37:15,560 Speaker 1: is never explained in the movie. But it just happens. 603 00:37:16,120 --> 00:37:18,560 Speaker 1: It's a running gag that they never explain, and I 604 00:37:18,680 --> 00:37:23,400 Speaker 1: love it. And it's just such a lighthearted, fun play 605 00:37:23,680 --> 00:37:26,719 Speaker 1: on on a really great but kind of dark story. 606 00:37:26,800 --> 00:37:32,400 Speaker 1: Frankenstein Um. That is just brilliant. Yeah. Uh, Fantastic Four Okay, 607 00:37:32,480 --> 00:37:34,600 Speaker 1: So in case you aren't aware of who the Fantastic 608 00:37:34,640 --> 00:37:38,600 Speaker 1: Four are, it's a heroic group of four characters. Uh. 609 00:37:39,040 --> 00:37:41,160 Speaker 1: There have been different members of the Fantastic Four over 610 00:37:41,239 --> 00:37:45,200 Speaker 1: the years, but the classic four are Read Richards, who 611 00:37:45,320 --> 00:37:49,279 Speaker 1: is Mr. Fantastic. He can stretch his limbs and get 612 00:37:49,320 --> 00:37:55,040 Speaker 1: all bendy bendy. There's uh, Sue Storm later Sue Richards, 613 00:37:55,239 --> 00:37:57,920 Speaker 1: who is the invisible first the Invisible Girl, but she 614 00:37:58,040 --> 00:38:03,920 Speaker 1: manages to it's grew the patriarchy and become the Invisible woman. Um, yeah, 615 00:38:04,000 --> 00:38:07,680 Speaker 1: that comics were not the most woke back in the day. Uh. 616 00:38:08,000 --> 00:38:11,880 Speaker 1: You have Johnny Storm, Sue's brother, who is the human Torch, 617 00:38:12,400 --> 00:38:15,120 Speaker 1: and you have Ben Graham who becomes the Thing, a 618 00:38:15,239 --> 00:38:22,400 Speaker 1: big rocky orange hulk like guy, and they end up 619 00:38:22,480 --> 00:38:26,080 Speaker 1: being a radiated There's different versions of their origin story, 620 00:38:26,160 --> 00:38:27,719 Speaker 1: but that's how they all get their powers. So they 621 00:38:27,719 --> 00:38:30,719 Speaker 1: didn't start off with powers. They get them because they're 622 00:38:30,800 --> 00:38:36,360 Speaker 1: exposed to radiation. They typically are facing off against pretty 623 00:38:36,440 --> 00:38:41,320 Speaker 1: weird and cosmic kind of of bad guys and problems, 624 00:38:41,800 --> 00:38:45,759 Speaker 1: but they also have a enemy in Dr Doom. Dr 625 00:38:45,800 --> 00:38:51,279 Speaker 1: Doom is frequently their antagonist, and for my story, one 626 00:38:51,320 --> 00:38:54,080 Speaker 1: important thing you need to know is that, at least 627 00:38:54,120 --> 00:38:58,640 Speaker 1: in one version of the Marvel timeline, Read Richards and 628 00:38:58,680 --> 00:39:03,000 Speaker 1: Sue Richards have a son named Franklin Richards, who has 629 00:39:03,160 --> 00:39:09,320 Speaker 1: like reality bending powers. That's going to be important in 630 00:39:09,520 --> 00:39:16,280 Speaker 1: my story. There's also other references that longtime Marvel fans 631 00:39:16,360 --> 00:39:21,960 Speaker 1: are going to get and nobody else, So just a warning. Yeah, 632 00:39:22,480 --> 00:39:24,640 Speaker 1: kind of kind of the same with mine. Um I 633 00:39:24,960 --> 00:39:28,120 Speaker 1: actually I was on the opposite end. I was very 634 00:39:28,160 --> 00:39:29,800 Speaker 1: excited about this at the beginning, and as I was 635 00:39:29,880 --> 00:39:35,400 Speaker 1: writing my mashup, I quickly went, oh, this is I 636 00:39:35,600 --> 00:39:40,480 Speaker 1: cannot meet Melbrook's genius. But yeah, this was a challenging one, 637 00:39:40,760 --> 00:39:43,040 Speaker 1: I will admit, But once I came up with the 638 00:39:43,200 --> 00:39:46,839 Speaker 1: terrible punchline, everything else was just like how long can 639 00:39:46,920 --> 00:39:49,880 Speaker 1: I delay getting to the punchline. It's it's a tribute. 640 00:39:49,960 --> 00:39:55,040 Speaker 1: It's a tribute to something we love and a great actress. 641 00:39:55,239 --> 00:39:58,600 Speaker 1: So uh, I apologize and here we go with the 642 00:39:58,719 --> 00:40:04,760 Speaker 1: fantastic frow blue curtain. May okay. So Dr Read Richards 643 00:40:04,800 --> 00:40:09,160 Speaker 1: pronounced Reshorts is speaking at a symposium at Hedgeman University 644 00:40:09,440 --> 00:40:12,080 Speaker 1: one day when a mysterious figure enters and tells him 645 00:40:12,080 --> 00:40:15,600 Speaker 1: he has acquired his family's estate in lat Varia. While 646 00:40:15,640 --> 00:40:18,040 Speaker 1: he doesn't like to be associated with his family legacy 647 00:40:18,080 --> 00:40:21,960 Speaker 1: of mad science, Read leaves his then fiance Alicia masters 648 00:40:22,200 --> 00:40:24,920 Speaker 1: to see what the ordeal is about. Upon reaching the 649 00:40:25,040 --> 00:40:27,880 Speaker 1: estate in Latviia, Reshorts meets a beautiful blonde named Susan 650 00:40:27,960 --> 00:40:30,799 Speaker 1: and her brother, who introduces himself as John I see. 651 00:40:30,960 --> 00:40:34,399 Speaker 1: He thinks he's being clever picking on Reshorts his pronunciation 652 00:40:34,480 --> 00:40:36,800 Speaker 1: of his name, but really he's just being kind of annoying. 653 00:40:37,360 --> 00:40:39,799 Speaker 1: These two are the Storm siblings, who are the assistance 654 00:40:39,840 --> 00:40:43,760 Speaker 1: of the previous inhabitant, Nathaniel Richards. Read is so enamored 655 00:40:43,800 --> 00:40:46,320 Speaker 1: by Susan that he doesn't even notice as the caretaker 656 00:40:46,400 --> 00:40:49,839 Speaker 1: of the estate, Frau Evelyn Blucker, steps up behind him 657 00:40:49,880 --> 00:40:52,680 Speaker 1: and offers to show him to his room. When he 658 00:40:52,800 --> 00:40:58,040 Speaker 1: turns back to invite Susan to dinner, she's gone, foreshadowing 659 00:40:58,360 --> 00:41:00,879 Speaker 1: that evening. As Reshorts explores these date, he happens upon 660 00:41:00,920 --> 00:41:03,480 Speaker 1: a staircase leading to the basement, whereupon he finds the 661 00:41:03,520 --> 00:41:07,359 Speaker 1: Storm's siblings standing over a corpse in a lab as 662 00:41:07,440 --> 00:41:10,279 Speaker 1: fraud Evelyn Blueger is about to put a brain into 663 00:41:10,320 --> 00:41:13,160 Speaker 1: the corpse. Oh yeah, there's also a lab horse. Every 664 00:41:13,239 --> 00:41:16,920 Speaker 1: respectable at Varian Lab has one. Uh. The name on 665 00:41:17,000 --> 00:41:21,560 Speaker 1: the jar holding the brain is a ben normal Uh. Reshorts, 666 00:41:21,600 --> 00:41:25,200 Speaker 1: a surpride and yells out fraud Blucker's name, which startles 667 00:41:25,239 --> 00:41:27,960 Speaker 1: a horse, who kicks the re animation machine, showering all 668 00:41:28,000 --> 00:41:31,400 Speaker 1: of the inhabitants in the room with radiation. As Fraud 669 00:41:31,400 --> 00:41:33,720 Speaker 1: places a brain in the corpse, all of a sudden, 670 00:41:33,719 --> 00:41:35,800 Speaker 1: the corpses alive, but he is melted with the stone 671 00:41:35,840 --> 00:41:38,000 Speaker 1: slab he was laying on to gain a stone skin. 672 00:41:38,520 --> 00:41:40,840 Speaker 1: Susan is gone, but Reshorts can hear her yelling, and 673 00:41:41,000 --> 00:41:45,040 Speaker 1: John I accidentally ignites, scaring the grim monster thing away. 674 00:41:45,680 --> 00:41:48,040 Speaker 1: Reshorts reaches for the door, realizing he doesn't need to 675 00:41:48,080 --> 00:41:50,000 Speaker 1: move his feet to do so, but his stretchy arm 676 00:41:50,040 --> 00:41:52,680 Speaker 1: reaches the door too late. Only fraud Blucker is not 677 00:41:52,760 --> 00:41:56,560 Speaker 1: affected by the radiation, having assisted her loved, beloved Nathaniel 678 00:41:56,600 --> 00:41:59,440 Speaker 1: for so many years that she had become immune to it. 679 00:42:00,800 --> 00:42:04,120 Speaker 1: All did to do insites the local authority, Inspector von Doom, 680 00:42:04,239 --> 00:42:06,000 Speaker 1: a man with one good eye, a metal mask, and 681 00:42:06,040 --> 00:42:09,560 Speaker 1: a metal arm, to come question Reshorts. However, all Reshorts 682 00:42:09,600 --> 00:42:13,400 Speaker 1: can make out about what Inspector Doom is saying is 683 00:42:13,560 --> 00:42:16,080 Speaker 1: that there's a monster and if he finds them, he 684 00:42:16,080 --> 00:42:18,319 Speaker 1: will end him. You see, his mask is muffling too 685 00:42:18,400 --> 00:42:20,160 Speaker 1: much of the other words, he's saying for Reshorts to 686 00:42:20,160 --> 00:42:23,600 Speaker 1: even understand it. Uh. Now, the three and Frau must 687 00:42:23,680 --> 00:42:28,239 Speaker 1: find this thing. Thankfully, Aba Normal was actually the love 688 00:42:28,440 --> 00:42:31,759 Speaker 1: child of Nathaniel and Frau Evelyn Bluehurt, and she knows 689 00:42:31,920 --> 00:42:35,720 Speaker 1: just how to find him with his childhood love of pizza. 690 00:42:36,560 --> 00:42:39,120 Speaker 1: There's only one pizza joint in life area, and tonight 691 00:42:39,239 --> 00:42:41,560 Speaker 1: is open mic night. When they get there, they find 692 00:42:41,680 --> 00:42:44,440 Speaker 1: the grim Thing doing stand up and enjoying his slice. 693 00:42:45,000 --> 00:42:49,440 Speaker 1: They know they must protect him, being so unique and clever, 694 00:42:50,080 --> 00:42:52,400 Speaker 1: so they bring him back to the estate just as 695 00:42:52,440 --> 00:42:56,120 Speaker 1: reads fiance Alicia shows up. She sees the Thing, but 696 00:42:56,200 --> 00:42:58,680 Speaker 1: instead of being frightened, falls in love with him, which 697 00:42:58,719 --> 00:43:01,239 Speaker 1: is okay because Reshorts is kind of actually got a 698 00:43:01,320 --> 00:43:03,840 Speaker 1: thing for Susan. And as we pan out from the 699 00:43:04,080 --> 00:43:07,120 Speaker 1: the estate, we see John I Storm hiding worldly behind 700 00:43:07,160 --> 00:43:09,839 Speaker 1: a horse as Frau Evelyn Bluegert searches him for him 701 00:43:09,920 --> 00:43:15,520 Speaker 1: longingly because she's also a bit of a pyromaniac. I 702 00:43:15,680 --> 00:43:17,960 Speaker 1: like that. There seemed to be some references to the 703 00:43:18,360 --> 00:43:24,279 Speaker 1: the the the original Fantastic Four film by that Roger 704 00:43:24,400 --> 00:43:28,840 Speaker 1: Corman produced that was never released specifically for you, Jonathan 705 00:43:29,200 --> 00:43:34,040 Speaker 1: because you can't understand doom in that version, all right, Well, 706 00:43:34,080 --> 00:43:38,200 Speaker 1: here here's mine. Um the title will become into it later. 707 00:43:40,440 --> 00:43:44,239 Speaker 1: We open in the Baxter Building as the Fantastic Four's headquarters. 708 00:43:44,560 --> 00:43:47,279 Speaker 1: The Fantastic Four are an established team at this point, 709 00:43:47,400 --> 00:43:51,360 Speaker 1: having had many adventures under their collective belts. Read and 710 00:43:51,480 --> 00:43:53,799 Speaker 1: Sue Richards are the proud parents of a young boy 711 00:43:53,920 --> 00:43:57,120 Speaker 1: named Franklin, who has impressive powers of his own. Are 712 00:43:57,160 --> 00:44:00,200 Speaker 1: heroes receive a distress call they must immediately have off 713 00:44:00,239 --> 00:44:04,240 Speaker 1: to Latin Veria to battle the nefarious dr Doom. Little 714 00:44:04,280 --> 00:44:06,920 Speaker 1: Franklin is left behind in the care of others. The 715 00:44:07,040 --> 00:44:10,440 Speaker 1: next morning, his caretakers are glued to the television, watching 716 00:44:10,520 --> 00:44:14,279 Speaker 1: reports the Doom, the Fantastic Four, and indeed all of 717 00:44:14,480 --> 00:44:18,600 Speaker 1: Latin Veria have disappeared. The scene dissolves and we see 718 00:44:18,640 --> 00:44:22,880 Speaker 1: a title card saying twenty five years later, Franklin is 719 00:44:22,880 --> 00:44:26,400 Speaker 1: an adult now giving a lecture at our prestigious university. 720 00:44:26,880 --> 00:44:29,720 Speaker 1: He's an expert in linguistics in history, and it's clearly 721 00:44:29,760 --> 00:44:33,480 Speaker 1: attempting to suppress his past and his own superpowers. While 722 00:44:33,520 --> 00:44:36,919 Speaker 1: giving the lecture, one determined student keeps asking Franklin about 723 00:44:36,920 --> 00:44:40,360 Speaker 1: his famous parents. Mr. Fantastic and the Invisible Woman and 724 00:44:40,480 --> 00:44:43,719 Speaker 1: his famous uncle, the Human Torch, and also that big 725 00:44:43,840 --> 00:44:47,040 Speaker 1: rocky dude known as the Thing. Franklin attempts to dismiss 726 00:44:47,080 --> 00:44:49,960 Speaker 1: the questions with humor, but the student persists, and in 727 00:44:50,040 --> 00:44:53,759 Speaker 1: a moment of temper, Franklin uses his reality bending superpowers 728 00:44:53,840 --> 00:44:55,920 Speaker 1: to turn the student into a Jack in the box. 729 00:44:56,840 --> 00:45:02,040 Speaker 1: Class dismissed, he says after his lecture, an old man 730 00:45:02,080 --> 00:45:05,120 Speaker 1: who had been sitting in on the lecture comes forward, 731 00:45:05,320 --> 00:45:08,000 Speaker 1: revealing himself to be a messenger from lat Varia. He 732 00:45:08,160 --> 00:45:11,200 Speaker 1: explains that without any warning, the entire nation that had 733 00:45:11,320 --> 00:45:14,520 Speaker 1: disappeared is back. Much of it is in ruins, but 734 00:45:14,760 --> 00:45:17,640 Speaker 1: not all of it, and that Franklin in particular is 735 00:45:17,800 --> 00:45:20,920 Speaker 1: urged to go there to claim his birthright. Though the 736 00:45:20,960 --> 00:45:25,000 Speaker 1: old man doesn't have much information about what exactly that is. Franklin, 737 00:45:25,239 --> 00:45:28,479 Speaker 1: overcome with anxiety, makes arrangements to travel to lat Varia 738 00:45:28,640 --> 00:45:31,960 Speaker 1: right away. Arriving by train at the station, he has 739 00:45:31,960 --> 00:45:36,480 Speaker 1: greeted by the humanoid experimental robot B type Integrated Electronics 740 00:45:36,840 --> 00:45:41,280 Speaker 1: or Herbie, though it's pronounced her By. According to the robot, 741 00:45:42,239 --> 00:45:45,799 Speaker 1: Herby and Franklin traveled to an old abandoned castle used 742 00:45:45,800 --> 00:45:48,600 Speaker 1: to be doctor Doom's lair, but now it's practically unoccupied 743 00:45:48,680 --> 00:45:52,600 Speaker 1: as Doom and the Fantastic Four have not reappeared. Along 744 00:45:52,640 --> 00:45:55,200 Speaker 1: the way, Franklin and her By encounter a young woman 745 00:45:55,400 --> 00:45:59,000 Speaker 1: named Inga Summers, who was given instructions to help assist 746 00:45:59,040 --> 00:46:02,080 Speaker 1: Franklin and any way. Oh, and I mentioned that Doom's 747 00:46:02,120 --> 00:46:05,719 Speaker 1: castle was practically unoccupied, but no, there is one person there, 748 00:46:06,160 --> 00:46:10,400 Speaker 1: Fraud Bluecher, who is secretly Cynthia von Doom, dr Doom's 749 00:46:10,480 --> 00:46:13,760 Speaker 1: mother played by Cloris Leachman. Of course, At the castle, 750 00:46:14,040 --> 00:46:17,840 Speaker 1: Franklin spends time exploring, attempting to find any signs of 751 00:46:17,920 --> 00:46:21,240 Speaker 1: what happened to the Fantastic Four. Bluecher tries to embrace 752 00:46:21,360 --> 00:46:25,400 Speaker 1: him to encourage him to embrace his superpowers, but Franklin resists, 753 00:46:25,760 --> 00:46:29,560 Speaker 1: unwilling to acknowledge that this is in fact his birthright. 754 00:46:30,040 --> 00:46:32,840 Speaker 1: What follows is an adventure in which Franklin tries to 755 00:46:32,920 --> 00:46:36,279 Speaker 1: make his own robot without the use of his superpowers. 756 00:46:36,520 --> 00:46:39,920 Speaker 1: He builds a robotic human Torch, which just goes around 757 00:46:40,040 --> 00:46:43,759 Speaker 1: insisting that no, he's the real original human Torch and 758 00:46:43,880 --> 00:46:47,200 Speaker 1: Johnny Storm was the second human Torch. You just gotta 759 00:46:47,200 --> 00:46:49,439 Speaker 1: buy the comics to find out that the original human 760 00:46:49,480 --> 00:46:52,480 Speaker 1: Torch was a robot, but Franklin points out that if 761 00:46:52,560 --> 00:46:55,359 Speaker 1: you are a robot, you aren't a human torch, You're 762 00:46:55,520 --> 00:46:59,440 Speaker 1: a robot Torch, and that goes poorly. Next thing, you know, 763 00:46:59,800 --> 00:47:03,520 Speaker 1: the robot Human torches rampaging through the countryside. Franklin and 764 00:47:03,560 --> 00:47:07,200 Speaker 1: team have to lure the robot back, insisting that it's 765 00:47:07,280 --> 00:47:11,480 Speaker 1: not evil, it's just misdirected. Franklin is able to coax 766 00:47:11,560 --> 00:47:14,680 Speaker 1: the robotic human Torch back to the castle with promises 767 00:47:14,760 --> 00:47:18,360 Speaker 1: of a special october Fest celebration, knowing that the robot 768 00:47:18,480 --> 00:47:21,960 Speaker 1: is particularly fond of Oom Pah bands, and so Franklin 769 00:47:22,360 --> 00:47:26,520 Speaker 1: inga Summers and Herby play Polka, luring the human Torch 770 00:47:26,680 --> 00:47:30,000 Speaker 1: robot back to the castle. In the process, the robot 771 00:47:30,040 --> 00:47:33,160 Speaker 1: discovers a hidden compartment in the castle, and in it 772 00:47:33,600 --> 00:47:37,239 Speaker 1: is a special German beer mug. Emblazoned on it are 773 00:47:37,280 --> 00:47:39,640 Speaker 1: the Fantastic Four and on the bottom of the mug 774 00:47:39,680 --> 00:47:42,879 Speaker 1: it's a message to Franklin with love from Mom and Dad. 775 00:47:43,160 --> 00:47:45,960 Speaker 1: And then it happens. We finally smash cut to the 776 00:47:46,040 --> 00:47:50,160 Speaker 1: title of the movie Young Franklin Stein cut to end 777 00:47:50,239 --> 00:47:53,600 Speaker 1: credits post credit scene. I guess the Fantastic Four and 778 00:47:53,640 --> 00:47:59,440 Speaker 1: Doom show up or something. I don't know. I you 779 00:47:59,520 --> 00:48:04,920 Speaker 1: saw her was going, I did, and I'm I'm I 780 00:48:04,960 --> 00:48:08,239 Speaker 1: don't know whether to say thank you or I'm so sorry. Um, 781 00:48:09,120 --> 00:48:14,759 Speaker 1: Young Franklin Stein, Yeah, yeah, we got it because it's 782 00:48:14,800 --> 00:48:19,400 Speaker 1: a German beer mug. You see, his name is Franklin Okay, okay, 783 00:48:19,560 --> 00:48:22,120 Speaker 1: So if any of you think you've got a better 784 00:48:22,480 --> 00:48:25,439 Speaker 1: way to mash up the Fantastic for a young Frankenstein, 785 00:48:26,400 --> 00:48:31,000 Speaker 1: better than Franklin Stein or the Fantastic frou, please reach 786 00:48:31,080 --> 00:48:33,040 Speaker 1: out to us and tell us we would love to 787 00:48:33,160 --> 00:48:35,120 Speaker 1: hear your mash up ideas and if we like, we 788 00:48:35,200 --> 00:48:38,279 Speaker 1: might even read them on the air. Yeah and uh, 789 00:48:38,400 --> 00:48:41,960 Speaker 1: and the human Torch really was originally a robot Okay, anyway, wait, wait, 790 00:48:42,840 --> 00:48:45,600 Speaker 1: what would a human torch just like robot Torch just 791 00:48:45,680 --> 00:48:49,520 Speaker 1: be like a lighter like you would? You would think so? 792 00:48:49,840 --> 00:48:51,279 Speaker 1: But yeah, you know, the human Torch was one of 793 00:48:51,320 --> 00:48:57,320 Speaker 1: the original heroes that marvel inherited along with Captain America. 794 00:48:57,680 --> 00:48:59,640 Speaker 1: But no, that's a story for a different time. If 795 00:48:59,680 --> 00:49:01,399 Speaker 1: you is want to reach out to us, the best 796 00:49:01,440 --> 00:49:03,200 Speaker 1: way to do so is well, you can do it 797 00:49:03,280 --> 00:49:05,920 Speaker 1: through email. The email address for the show is l 798 00:49:06,160 --> 00:49:09,399 Speaker 1: n C at i heeart media dot com. You can 799 00:49:09,480 --> 00:49:11,880 Speaker 1: do it over on Twitter where we are l n 800 00:49:11,960 --> 00:49:15,680 Speaker 1: C Underscore Podcast, or on Facebook or Instagram where we're 801 00:49:15,800 --> 00:49:19,240 Speaker 1: Large nerdron Collider. We also have our website, large nerdron 802 00:49:19,280 --> 00:49:22,520 Speaker 1: Collider dot com that has our show notes as well 803 00:49:22,560 --> 00:49:25,920 Speaker 1: as every episode, including the really old ones. So if 804 00:49:25,960 --> 00:49:28,480 Speaker 1: you want to go back and listen to geek news 805 00:49:28,560 --> 00:49:32,799 Speaker 1: from you can and am I forgetting anything? Oh, if 806 00:49:32,840 --> 00:49:35,480 Speaker 1: you like this show, tell people about it, give us 807 00:49:35,520 --> 00:49:39,040 Speaker 1: a review, Let let your friends know about it, because 808 00:49:39,080 --> 00:49:42,719 Speaker 1: our community only gets better as it grows. Yes, we 809 00:49:42,920 --> 00:49:45,680 Speaker 1: really enjoy the conversations we've been having with you already. 810 00:49:45,760 --> 00:49:49,200 Speaker 1: We've gotten your suggestions for mashups and we're thinking on 811 00:49:49,320 --> 00:49:52,160 Speaker 1: them and brainstorming on them. When you tell your friends 812 00:49:52,239 --> 00:49:54,800 Speaker 1: and even for you, make sure you subscribe so you 813 00:49:54,920 --> 00:49:58,239 Speaker 1: don't miss out on any of our future episodes. And 814 00:49:58,480 --> 00:50:06,200 Speaker 1: until next time, he has been Johnny the Storm Strickland, 815 00:50:07,080 --> 00:50:22,320 Speaker 1: and until next time she has been Prell Booger m 816 00:50:26,520 --> 00:50:32,920 Speaker 1: m H. The Large New John Collider is a production 817 00:50:33,000 --> 00:50:35,600 Speaker 1: of I Heart Radio and was created by Ariel cast 818 00:50:35,680 --> 00:50:39,919 Speaker 1: in Jonathan Strickland is the executive producer. This show is produced, edited, 819 00:50:40,000 --> 00:50:43,160 Speaker 1: and published by Tory Harrison. For more podcasts on my 820 00:50:43,239 --> 00:50:46,239 Speaker 1: Heart Radio, visit the i Heart Radio app, Apple Podcasts, 821 00:50:46,400 --> 00:50:51,560 Speaker 1: or wherever you listen to your favorite shows. Still living 822 00:50:51,560 --> 00:50:54,640 Speaker 1: in manually taking notes, There is a better way to 823 00:50:54,680 --> 00:50:57,560 Speaker 1: start the new year with auto dot ai automatically get 824 00:50:57,640 --> 00:51:00,759 Speaker 1: meeting notes. Auto dat ai works for virtual meetings like Zoom, 825 00:51:00,800 --> 00:51:02,920 Speaker 1: Microsoft Teams, and Google Meet. Sign up on the web 826 00:51:03,000 --> 00:51:05,160 Speaker 1: for free or download in the app stores. Auto dot 827 00:51:05,280 --> 00:51:08,279 Speaker 1: ai that's O T t e r dot Ai. Still 828 00:51:08,320 --> 00:51:11,560 Speaker 1: living in manually taking notes? There is a better way 829 00:51:11,600 --> 00:51:14,319 Speaker 1: to start the new year with auto dot ai. Automatically 830 00:51:14,400 --> 00:51:17,280 Speaker 1: get meeting notes. Auto dot ai works for virtual meetings 831 00:51:17,360 --> 00:51:19,680 Speaker 1: like Zoom, Microsoft Teams, and Google Meet. Sign up on 832 00:51:19,680 --> 00:51:21,560 Speaker 1: the web for free or download in the app stores. 833 00:51:21,680 --> 00:51:24,600 Speaker 1: Auto dot ai That's O T T e r dot Ai. 834 00:51:25,040 --> 00:51:28,120 Speaker 1: Raffi is the voice of some of the happiest songs 835 00:51:28,200 --> 00:51:33,920 Speaker 1: of our generation, Babyga so who is the man behind 836 00:51:34,000 --> 00:51:38,879 Speaker 1: Baby Bluga. Every human being wants to feel respected. When 837 00:51:38,960 --> 00:51:43,319 Speaker 1: we start with young all good things can grow from there. 838 00:51:43,560 --> 00:51:47,240 Speaker 1: I'm Chris Garcia, comedian, New Dad and host of Finding Raffie, 839 00:51:47,360 --> 00:51:50,560 Speaker 1: a new podcast from My Heart Radio and Fatherly Listen 840 00:51:50,640 --> 00:51:53,280 Speaker 1: every Tuesday on the I Heart Radio app or wherever 841 00:51:53,360 --> 00:51:54,440 Speaker 1: you get your podcasts.