WEBVTT - Swae Lee talks ‘Same Difference,’ Rae Sremmurd, “Unforgettable” & Coachella plans

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<v Speaker 1>Coachella coming up boom same day. Justin Bieber shipping to

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<v Speaker 1>be a movie. You gotta come this year. Man, appreciate

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<v Speaker 1>this weapon for my sake. Gang all right, two three songs?

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<v Speaker 1>Whatever then, no care, no care. Jada Kiss first ever

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<v Speaker 1>Coachell legendary fact.

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<v Speaker 2>That's gonna go. Do you get Yeah?

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<v Speaker 3>Yeah?

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<v Speaker 2>What up? Y'alls?

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<v Speaker 4>Joe cracked the dawn. You know what it is, your boy,

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<v Speaker 4>Jada Kiss. This is the Joe and Jada Show. Every

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<v Speaker 4>show legendary, every show I can you don't play around

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<v Speaker 4>with you guys, nor do we have for brown. You're

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<v Speaker 4>not doing what you're doing.

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<v Speaker 3>Just keep going, Just keep going, your kiss, don't HiPE

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<v Speaker 3>me up.

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<v Speaker 2>Don't be doing what we're doing. I'm not trying to

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<v Speaker 2>so bad. I've been.

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<v Speaker 4>Screw it man Weather, it's breaking, I mean, go bad

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<v Speaker 4>every now and didn't Now. When you're think of today's guests,

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<v Speaker 4>as we told you, every show legendary, every show iconic,

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<v Speaker 4>you think it's somebody who came in with his group,

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<v Speaker 4>made a hell of an impact with the group, knocked

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<v Speaker 4>them out, The parker knocked them out, the shout out

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<v Speaker 4>the mic will they knocked them.

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<v Speaker 2>They came in and I.

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<v Speaker 4>Say, hit a few grand slams. You know what I mean,

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<v Speaker 4>never compromised. They'll always stay solid. Every time you see

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<v Speaker 4>them with the group without the group, always love, always

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<v Speaker 4>got that good energy. Transition to a solo artist, hit

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<v Speaker 4>even more out the park, you know what I mean?

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<v Speaker 4>Back paused, He couldn't strike out. There's no such thing. Anything,

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<v Speaker 4>Anything he touched light up, you know what I mean.

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<v Speaker 4>I think I even seen him on the helicopter playing

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<v Speaker 4>a video game, and she was the only shit I

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<v Speaker 4>haven't seen. He was in the hand plan, don't making

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<v Speaker 4>all kinds of history, you know what I mean. Now

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<v Speaker 4>you're about to do it again. He felt like, you

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<v Speaker 4>know what I mean. He looked at the ball, he

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<v Speaker 4>looked at the raptors, felt like putting.

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<v Speaker 2>Some more home runs. So you're gonna do it again.

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<v Speaker 4>When you think a drip, when you think of ice,

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<v Speaker 4>you think of somebody who just does whatever the fuck

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<v Speaker 4>he wants, and it looks like he's having fun doing it.

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<v Speaker 2>Ladies and gentleman makes some noise for my brother sway

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<v Speaker 2>leag what what what what out? What's headning? What's heady?

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<v Speaker 1>What's hendy? Sweat least like same difference man. Appreciate that.

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<v Speaker 1>My brother's for real. Thank you for having for real.

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<v Speaker 2>Appreciate you, my brother. You know what I mean. And

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<v Speaker 2>the legends. You know what I'm saying. That's to me

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<v Speaker 2>got me lit he.

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<v Speaker 3>Smokes a legendary ship before you walked in there, right,

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<v Speaker 3>you look like you're on that who BONDI chronic. Oh no,

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<v Speaker 3>so so we're living squeeze plate so living living you

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<v Speaker 3>just got He just looked like.

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<v Speaker 5>He kind of It's a different kind of image. Oh ship,

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<v Speaker 5>I take a shot. You know what I'm saying, bro,

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<v Speaker 5>Double shopping time, two times of fellow.

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<v Speaker 3>We gotta guy, don't wait a minute. Way you don't

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<v Speaker 3>gotta do you gotta I gotta do nothing. Whi's two

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<v Speaker 3>time of selling no no, no, no no, He's gonna take.

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<v Speaker 2>Care of you.

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<v Speaker 4>Two time of fella like Jims. You want to do

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<v Speaker 4>the honest, My fuck, I know you want to shine.

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<v Speaker 4>I'm care my brothers, Form one, take care of them.

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<v Speaker 4>Before I said, I notice when I go home and

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<v Speaker 4>watch the show, you try to get me smacked.

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<v Speaker 2>You.

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<v Speaker 4>It's shipping you're talking about. I'm shooting at you. You

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<v Speaker 4>try to make them slide. You much more fun on

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<v Speaker 4>eighteen hundred. That's difference. You think you more fun smoked out.

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<v Speaker 3>When you drink? You legendary Jada? Because I drink, I

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<v Speaker 3>might get us in trouble. Oh, big child, Seek the king,

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<v Speaker 3>Seek the Kingdom. Give a toast to sway lead Mac,

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<v Speaker 3>come on, let's do it. Eighteen hundred, eighteen hundred.

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<v Speaker 2>You know what it is?

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<v Speaker 3>Damn the flag on the plate. No, it's eighteen hundred.

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<v Speaker 3>You got to clean one. If I drink that shit,

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<v Speaker 3>y'all be character drink you can hit the repord, hit

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<v Speaker 3>hit the white ground less less.

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<v Speaker 4>Less sugar for for the thing the pack man bro,

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<v Speaker 4>legendary leader all the way up.

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<v Speaker 3>Well, I took my sipper badyro. Why much y'all want

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<v Speaker 3>me to drink half the bottle? Got me eighteen hundred out?

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<v Speaker 3>I don't get on that time. Man, that's quite my brother.

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<v Speaker 3>How did you get discovered? How do you get in

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<v Speaker 3>the game?

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<v Speaker 2>Was it?

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<v Speaker 3>Mike will Oh? I just see you come out of nowhere,

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<v Speaker 3>just like Jada Jad. They ain't exaggerating the line. You

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<v Speaker 3>just came out and your ship was legendary. Like how

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<v Speaker 3>did you get your start? I grew up in Mississippi

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<v Speaker 3>and long story short.

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<v Speaker 1>My DJ was cousins with Mike Willis producers the Ear Drummers,

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<v Speaker 1>So it's my homies p Nasty and Mars. They first

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<v Speaker 1>got in touch with us and they heard our music

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<v Speaker 1>that was making from Misissippi. So they told us, men,

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<v Speaker 1>I'll come to Atlanta, may ill work with us. You

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<v Speaker 1>know what I'm saying, to lock in with us, see

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<v Speaker 1>what comes from it. So we was working at McDonald's,

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<v Speaker 1>just doing we could get some money at the time.

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<v Speaker 1>So Boom, one of my homies, he had a truck,

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<v Speaker 1>So we got there, drove that shit Fromsissippi to Atlanta

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<v Speaker 1>and just locked in like a whole year in the

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<v Speaker 1>basement and just cooking up with Mike will cooking up

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<v Speaker 1>with the Ear Drummers, just creating a new sound. And

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<v Speaker 1>Mike will Will come over and hear the songs. He'll

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<v Speaker 1>be like, yo, y'all boys hard, you know what I'm saying.

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<v Speaker 1>He always paid show mad love. And then he had

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<v Speaker 1>an idea for a group here drummers Beckwards and if

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<v Speaker 1>he felt like the sound like matched that name, and

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<v Speaker 1>we was like, shit, that's hard, you know what I'm saying.

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<v Speaker 2>So Boom, yeah, sure, sure, you know what that's how

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<v Speaker 2>it haven't.

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<v Speaker 3>You know what's crazy is it's good to have money, yeah, right,

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<v Speaker 3>and success, But it was nothing more priceless than that

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<v Speaker 3>time when you was in the basement creating that music

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<v Speaker 3>and all, like, you know, I'm at Brison Tilla and

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<v Speaker 3>my man rich the Barber's house. He used to live

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<v Speaker 3>in Richard Barbers house. He was making that whole first

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<v Speaker 3>album in his kitchen.

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<v Speaker 2>Damn.

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<v Speaker 3>So I got to see that product. Of course, you

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<v Speaker 3>got the big mansion. Now you can't the fuck up.

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<v Speaker 3>But it was you know, that's a priceless time when

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<v Speaker 3>you when you're there learning the ropes and you coming

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<v Speaker 3>up with these hits, and you coming up with that

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<v Speaker 3>sound and you know, and dreaming. So so after that year,

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<v Speaker 3>y'all put out this music and then the next thing,

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<v Speaker 3>you know, you explode.

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<v Speaker 2>How did that feel?

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<v Speaker 3>Making a transition from nobody knowing you to now you

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<v Speaker 3>the biggest ship in the game.

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<v Speaker 2>Man?

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<v Speaker 1>It was crazy because like when we live in Atlanta,

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<v Speaker 1>it's like some of these clubs, you know, I'm saying.

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<v Speaker 1>It turned us around. So many people told us, now

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<v Speaker 1>we can't even play this, you know what I'm saying.

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<v Speaker 1>So but we on foot with it. You know, they

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<v Speaker 1>were working every club. We screamed our ship out in

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<v Speaker 1>the streets. You know, I'm saying, we handing out CDs everything.

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<v Speaker 1>So the turnaround was crazy, Like the same clubs it

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<v Speaker 1>was turning us around, same spots that turned us around.

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<v Speaker 2>They're like they.

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<v Speaker 1>Welcoming, they working us, open arms and yeah, booking and

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<v Speaker 1>sending bags.

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<v Speaker 2>So it's like, damn shit crazy.

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<v Speaker 3>It was crazy why fid Lucci was head and he forgot.

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<v Speaker 3>But I remember one night I come off the club.

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<v Speaker 3>He's performing on top of the call and this song,

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<v Speaker 3>and they was like, Yo, that's why Finn, I mean,

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<v Speaker 3>Atlanta got a different type of grind. Motherfuck's gonna do

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<v Speaker 3>what they gotta do. He told me about that, But

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<v Speaker 3>I remember watching Wi fed Lucci on top of a

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<v Speaker 3>fucking call perform in this song outside the club.

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<v Speaker 2>I said, man, that motherfuckers ron and hungry to come

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<v Speaker 2>up for show, super hungry doing whatever.

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<v Speaker 3>That's really nuts because that's the way I didn't think

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<v Speaker 3>your era yah y'all was doing that. That's how we

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<v Speaker 3>came up, like giving the vinyl to the DJ. He

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<v Speaker 3>going to every club and you fizzed. Uh you can't really, Yeah,

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<v Speaker 3>you can't be successful just in the corner sitting on you.

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<v Speaker 3>You gotta like you come on tutime two time. That's

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<v Speaker 3>what we're supposed to give. Let me tell you something.

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<v Speaker 3>Thank you brother, but you can't be you know, in

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<v Speaker 3>your sad. My daughter, my daughter got a little podcast

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<v Speaker 3>shout out to as He as If and she's making

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<v Speaker 3>he saying she's doing ship. But she's doing ship because

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<v Speaker 3>she out there and everybody face and working and doing

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<v Speaker 3>whatever she's gonna do, pleas networking and getting the relationship.

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<v Speaker 3>So every time she comes out with a new breakthrough,

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<v Speaker 3>I'm like, yeah, but she she.

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<v Speaker 2>Gotta be outreak.

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<v Speaker 3>God, nobody gonna be able to give you that success

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<v Speaker 3>or get you to where you're going without you out

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<v Speaker 3>there grind and putting in that work.

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<v Speaker 2>It's just the way it is.

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<v Speaker 3>I think if I put out a new record, I

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<v Speaker 3>got I gotta do the same ship now twenty twenty six,

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<v Speaker 3>Like pull up on the club and be like yo,

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<v Speaker 3>play this ship, yo, this and this and that.

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<v Speaker 2>I mean, it's always been where it's at. It's always

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<v Speaker 2>been where you get the best success, best reaction, the

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<v Speaker 2>best reaction.

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<v Speaker 4>Bro, it's new singing, don't even call featuring Rich the Kid,

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<v Speaker 4>which shout out the Rich the Kid shot rich, How

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<v Speaker 4>did that happen?

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<v Speaker 2>What made you? How did this song happen? How did

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<v Speaker 2>the vision come or made you make it? The lead single?

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<v Speaker 2>What his head about it? Yes?

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<v Speaker 1>I live in Miami, shit right now. So that song,

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<v Speaker 1>like I gave it to a couple of d jas.

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<v Speaker 1>It ended up like blowing up crazy in Miami. So

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<v Speaker 1>all the girls knowing in Miami and ship, you know

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<v Speaker 1>what I'm saying. I always see Rich the Kid out there.

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<v Speaker 1>He lived out there, so boom. We always crossed paths.

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<v Speaker 1>I mean my I mean my rose Rece Nigga and

0:10:07.559 --> 0:10:10.559
<v Speaker 1>his g wagon sitting up fifty feet. We always see

0:10:10.640 --> 0:10:13.199
<v Speaker 1>to other big ship. Yeah he got that, he got

0:10:13.200 --> 0:10:13.800
<v Speaker 1>that Bribes's kid.

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<v Speaker 2>It's like three fifty four.

0:10:15.559 --> 0:10:17.760
<v Speaker 1>Yeah, oh yeah, yeah, I know it's I know it's

0:10:17.800 --> 0:10:18.280
<v Speaker 1>him every time.

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<v Speaker 2>Just step up down Niggah them Senior Citizen the sister.

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<v Speaker 2>Yeah for sure, I'm not exactly. I gotta get on

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<v Speaker 2>the bok. Yeah this ship like Riches drug, you got

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<v Speaker 2>this crazy. I just bought a g wagon. I played myself.

0:10:38.800 --> 0:10:41.120
<v Speaker 2>That'sh it hard. But you always see brother. Then we're like.

0:10:41.720 --> 0:10:46.280
<v Speaker 3>Doing, yeah, right on white cocaine, right on white. Crazy

0:10:46.320 --> 0:10:48.600
<v Speaker 3>for that Miami. So when we come down, you see

0:10:48.640 --> 0:10:51.040
<v Speaker 3>that ship exactly how rich, right white on white ship.

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<v Speaker 3>You know what I'm saying that the Rose Royce doing.

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<v Speaker 1>Oh yeah, my ship. You're telling your ship got white?

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<v Speaker 1>Oh I got I got the Rose Reight truck d

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<v Speaker 1>good coloring it. You're coloring black bads.

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<v Speaker 2>You know what I'm saying. I forgot down it up.

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<v Speaker 3>They nothing like it in the Reaper like that here.

0:11:08.120 --> 0:11:11.120
<v Speaker 2>You can't. You're in New York. I got mine here.

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<v Speaker 2>It's traffic too crazy. I love them.

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<v Speaker 3>Traffic's too crazy. But you know I'm from here. So

0:11:17.280 --> 0:11:20.240
<v Speaker 3>where would you say you more from? At Ol or Mississippi?

0:11:20.679 --> 0:11:22.640
<v Speaker 2>Definitely Mississippi. I am from. I know that.

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<v Speaker 3>I know the DNA in New York City is it's

0:11:25.840 --> 0:11:28.440
<v Speaker 3>hard for motherfuckers. Man, it's too much jealousy. When I

0:11:28.520 --> 0:11:31.920
<v Speaker 3>come down the block in that Room's Royce is just hard, man,

0:11:32.160 --> 0:11:34.679
<v Speaker 3>motherfucker crossing the street and see that ship in the

0:11:34.840 --> 0:11:38.120
<v Speaker 3>house and all that that ship. I might have drove

0:11:38.200 --> 0:11:42.440
<v Speaker 3>it one time in New York City, like that's just

0:11:42.480 --> 0:11:43.800
<v Speaker 3>sitting there for no reason.

0:11:44.520 --> 0:11:46.800
<v Speaker 2>It's just I can't even a wait.

0:11:46.880 --> 0:11:49.240
<v Speaker 3>As fast as I pull that bitch out the fastest

0:11:49.320 --> 0:11:52.600
<v Speaker 3>on the day, like today's nice, that ship be back

0:11:52.640 --> 0:11:55.000
<v Speaker 3>in the fucking gropinis is.

0:11:55.000 --> 0:11:59.120
<v Speaker 2>Like niggas can't. They just can't. They can't para lot.

0:11:59.280 --> 0:12:03.640
<v Speaker 2>They can't take that ship. They faced me like you

0:12:03.840 --> 0:12:06.360
<v Speaker 2>just they discussed.

0:12:07.000 --> 0:12:10.520
<v Speaker 3>That's I'm telling you nobody, you can't take that here

0:12:10.600 --> 0:12:14.120
<v Speaker 3>here in Miami. You go to Carbone anywhere seventy two

0:12:14.280 --> 0:12:18.640
<v Speaker 3>Roach Royce. Yeah, it shouldn't look like a skateboard out there.

0:12:18.840 --> 0:12:24.319
<v Speaker 3>So many motherfuckers got them hits over a year. Good luck,

0:12:25.559 --> 0:12:29.040
<v Speaker 3>tell you good luck. I drove through the same blocks.

0:12:29.040 --> 0:12:32.480
<v Speaker 3>I always drove through it, bro motherfuckers like yo, crack, whatep,

0:12:32.600 --> 0:12:36.320
<v Speaker 3>y'oll you come down with that big body. Motherfuckers be

0:12:36.440 --> 0:12:40.480
<v Speaker 3>like that ship turned a head. They just tight just

0:12:40.960 --> 0:12:42.000
<v Speaker 3>hate you.

0:12:42.000 --> 0:12:44.559
<v Speaker 2>You know. I come up in the era where that's motivation.

0:12:45.360 --> 0:12:46.960
<v Speaker 3>So I used to see the guys who used to

0:12:47.040 --> 0:12:51.400
<v Speaker 3>hustle or so to own number spots and this this that,

0:12:51.640 --> 0:12:54.920
<v Speaker 3>or see a motherfucker fly, You see a motherfucking your hood.

0:12:55.240 --> 0:12:58.760
<v Speaker 3>I comfort it was horrible, like nobody was flying. If

0:12:58.800 --> 0:13:02.559
<v Speaker 3>one motherfucker was fly. We used to look at him like, yeah,

0:13:02.920 --> 0:13:06.839
<v Speaker 3>motherfucker fly One day your little v Bombay said give

0:13:06.920 --> 0:13:11.520
<v Speaker 3>me a little something. And you know we always took

0:13:11.520 --> 0:13:14.360
<v Speaker 3>it as inspiration, right. You know what I'm saying now,

0:13:14.440 --> 0:13:16.439
<v Speaker 3>I don't know where that switch off is. Now is

0:13:16.480 --> 0:13:19.760
<v Speaker 3>looking like they almost assume you rubbing it in their

0:13:19.840 --> 0:13:24.640
<v Speaker 3>face that you're successful. They take it another way now.

0:13:24.760 --> 0:13:30.680
<v Speaker 3>Before it used to be like inspiration. Miami, everybody got money.

0:13:30.720 --> 0:13:33.000
<v Speaker 2>I don't know what. It's some fake shit. It's like,

0:13:33.720 --> 0:13:34.600
<v Speaker 2>is everybody rich?

0:13:34.800 --> 0:13:38.120
<v Speaker 3>Like I lived there for twenty three years, Like everywhere

0:13:38.160 --> 0:13:42.280
<v Speaker 3>I go, it's fucking They got ballet and Walgreens. God,

0:13:42.760 --> 0:13:45.880
<v Speaker 3>motherfucker Miami. One of the biggest crooks in the world

0:13:45.960 --> 0:13:50.120
<v Speaker 3>is the ballet. They got ballet and CBS. Motherfucker. You

0:13:50.160 --> 0:13:53.559
<v Speaker 3>go to CBS, they collected some talannoid. They'd be like, Yo,

0:13:53.640 --> 0:13:57.320
<v Speaker 3>Valet the car beat. You be like, what vallet? You

0:13:57.440 --> 0:14:00.000
<v Speaker 3>need cash in Miami to tip on these valets?

0:14:00.040 --> 0:14:02.080
<v Speaker 2>Mother fuck herself fat.

0:14:01.840 --> 0:14:03.280
<v Speaker 1>And they're gonna change the price to it. See you

0:14:03.320 --> 0:14:05.600
<v Speaker 1>put up in that rose race, it's automatically a hundred.

0:14:06.720 --> 0:14:09.840
<v Speaker 3>I had this one Mexican dude wearing all the clubs.

0:14:09.880 --> 0:14:11.880
<v Speaker 3>He was the ballet of all he was the boss,

0:14:12.440 --> 0:14:15.240
<v Speaker 3>my fucking man. Yeah, in the prime time when we

0:14:15.280 --> 0:14:18.240
<v Speaker 3>in the club seven days a week, my man ran

0:14:18.280 --> 0:14:20.200
<v Speaker 3>the whole shit. So I'll come Yo, Poppy, Hey, you

0:14:20.280 --> 0:14:24.560
<v Speaker 3>take leadership man. One day they deported that nigga. Nigga

0:14:24.600 --> 0:14:30.240
<v Speaker 3>said new boss one hundred dollars front. I used to

0:14:30.320 --> 0:14:33.440
<v Speaker 3>pay this nigga fifty dollars for like ten fifteen years.

0:14:33.640 --> 0:14:35.520
<v Speaker 2>They couldn't wait for new Boss.

0:14:35.560 --> 0:14:41.040
<v Speaker 3>They was like, he barted, Poppy, Poppy, your man gone gone,

0:14:41.200 --> 0:14:45.080
<v Speaker 3>new Boss one hundred up front. Gundaw I said, damn

0:14:45.240 --> 0:14:47.040
<v Speaker 3>man couldn't wait to tell me that shit.

0:14:47.560 --> 0:14:52.680
<v Speaker 2>Get them niggas your man, Lady, you gotta.

0:14:52.560 --> 0:14:56.040
<v Speaker 4>Cool with everybody for real, when you're dropping the whole

0:14:56.040 --> 0:14:58.680
<v Speaker 4>project are you? Are you gonna drop a project?

0:14:58.800 --> 0:15:05.920
<v Speaker 1>Yeah, I'm dropping a project sixteen and me janiku, what's malone?

0:15:06.400 --> 0:15:07.160
<v Speaker 1>French Montana?

0:15:07.400 --> 0:15:11.160
<v Speaker 2>Were you all dropping on that day? Now? They fresh.

0:15:13.880 --> 0:15:16.440
<v Speaker 3>Sample on my last album, man, She looked out, let

0:15:16.440 --> 0:15:20.000
<v Speaker 3>me clear the sample. Yeah, she hated the sign too.

0:15:20.880 --> 0:15:23.000
<v Speaker 3>She was like, Yo, I hate the song man. You

0:15:23.120 --> 0:15:24.280
<v Speaker 3>sound like a chip.

0:15:25.520 --> 0:15:29.920
<v Speaker 2>Joe crat. You know me. I call a beautician, nail polished.

0:15:29.520 --> 0:15:32.720
<v Speaker 3>Lady, the lady who do their eyes when I'm on

0:15:32.760 --> 0:15:38.600
<v Speaker 3>you ports, They're gonna find you, sway Lee everywhere you go.

0:15:38.680 --> 0:15:41.480
<v Speaker 2>The barber that, this, that, and the head the fat

0:15:41.480 --> 0:15:43.520
<v Speaker 2>guy is looking for you. The fact guy's looking for you,

0:15:43.560 --> 0:15:45.600
<v Speaker 2>the fact that you get it, you finally be like, Yo.

0:15:46.200 --> 0:15:48.640
<v Speaker 3>Ain't no way I can go. This motherfucker looking for me.

0:15:49.880 --> 0:15:53.120
<v Speaker 3>She cleared it from me, but she's she's legendary. Who

0:15:53.120 --> 0:15:55.200
<v Speaker 3>else you got French mantana?

0:15:55.720 --> 0:15:56.760
<v Speaker 2>So everything good now?

0:15:56.800 --> 0:15:59.120
<v Speaker 3>Because I'm forgettable, they say, You know, there was a

0:15:59.240 --> 0:16:00.800
<v Speaker 3>mixed up of communication.

0:16:01.920 --> 0:16:03.040
<v Speaker 2>I think what it was like.

0:16:03.600 --> 0:16:05.520
<v Speaker 1>It looked one way on the internet, but in real life,

0:16:05.560 --> 0:16:07.800
<v Speaker 1>it's just it just wasn't the traditional way you go

0:16:07.840 --> 0:16:10.680
<v Speaker 1>about clearing the song, you know what I'm saying. But

0:16:10.720 --> 0:16:13.760
<v Speaker 1>the outcome of the song was everything we could have imagine.

0:16:13.800 --> 0:16:16.200
<v Speaker 1>I'm saying, everything we wanted. So it was a lot

0:16:16.200 --> 0:16:17.480
<v Speaker 1>going on at the time, you know what I'm saying.

0:16:17.480 --> 0:16:21.200
<v Speaker 2>But you know what I'm saying, Mike would work yourself out.

0:16:21.240 --> 0:16:23.520
<v Speaker 3>As rich as he is, he still talked to himself

0:16:23.560 --> 0:16:25.280
<v Speaker 3>on the park bench about that song.

0:16:25.720 --> 0:16:27.440
<v Speaker 2>I mean, yeah, because every time I get around and

0:16:27.440 --> 0:16:31.320
<v Speaker 2>he'd be like, yeah, man, that was my song. Man Ship, I'd.

0:16:31.200 --> 0:16:34.400
<v Speaker 3>Be like, Yo, Mike, Mike, Mike, when he came understanding

0:16:34.400 --> 0:16:36.400
<v Speaker 3>on it, he's standing on it, standing on your man.

0:16:36.880 --> 0:16:39.880
<v Speaker 2>Yeah, but you know, I don't know what he like,

0:16:40.000 --> 0:16:45.400
<v Speaker 2>yo man, you know for real, for real, Yeah, I can't.

0:16:46.200 --> 0:16:48.000
<v Speaker 3>We're gonna go to the grave with that one. But

0:16:48.120 --> 0:16:50.680
<v Speaker 3>that one, I'm telling you every time happened.

0:16:50.720 --> 0:16:52.720
<v Speaker 1>But I get it because it's like it was a

0:16:52.760 --> 0:16:54.920
<v Speaker 1>long story, you know what I'm saying, Like it's kind

0:16:54.960 --> 0:16:55.760
<v Speaker 1>of like some back door ship.

0:16:55.800 --> 0:16:57.720
<v Speaker 2>It's like seeing the opportunity and season, you know what

0:16:57.760 --> 0:16:59.040
<v Speaker 2>I'm saying. Basically, what it.

0:16:58.920 --> 0:17:01.280
<v Speaker 3>Was the best thing is that it came out and

0:17:01.400 --> 0:17:04.840
<v Speaker 3>this went like twenty million or ten millions some while

0:17:04.920 --> 0:17:05.760
<v Speaker 3>ship right.

0:17:05.720 --> 0:17:09.000
<v Speaker 1>For sure, classic like real classic, definitely connected with the

0:17:09.040 --> 0:17:09.880
<v Speaker 1>people and them.

0:17:09.880 --> 0:17:10.960
<v Speaker 2>Ship's coming time.

0:17:11.320 --> 0:17:15.120
<v Speaker 1>Yeah, that came at a good time for real when

0:17:15.160 --> 0:17:16.200
<v Speaker 1>nothing like that coming out.

0:17:16.359 --> 0:17:19.520
<v Speaker 2>Especially that ship was a fucking UFO.

0:17:19.880 --> 0:17:20.000
<v Speaker 6>Right.

0:17:21.160 --> 0:17:23.480
<v Speaker 3>That ship to this day when it come on is different,

0:17:24.359 --> 0:17:26.560
<v Speaker 3>sounds like a movie when it up, it's a different,

0:17:27.680 --> 0:17:31.240
<v Speaker 3>like that's a different type of thing, bro. With that ship,

0:17:31.359 --> 0:17:33.199
<v Speaker 3>come on, man, come on, let's keep it real. But

0:17:33.280 --> 0:17:36.679
<v Speaker 3>that unforgettable that ship, come on. I watched I watched

0:17:36.680 --> 0:17:40.000
<v Speaker 3>that nigga go for Jet Blue. He was private every day,

0:17:40.320 --> 0:17:42.960
<v Speaker 3>Yeah for sure. Then he married the Princess of Dubai.

0:17:43.040 --> 0:17:45.520
<v Speaker 3>I'm looking at all that ship off that unforgettable.

0:17:45.640 --> 0:17:48.719
<v Speaker 2>It's crazy. God, this motherfucking ball stopped.

0:17:48.960 --> 0:17:51.200
<v Speaker 1>It's one of them caliber songs for a timely song

0:17:51.280 --> 0:17:54.200
<v Speaker 1>for real. Yeah, you're about to kick off for college

0:17:54.200 --> 0:17:57.199
<v Speaker 1>tool not a college story. I was just doing a

0:17:57.200 --> 0:17:59.760
<v Speaker 1>couple of stops the doll, yeah exactly. So I went

0:17:59.800 --> 0:18:03.720
<v Speaker 1>to HBCUs, I went to more houses spelling in Atlanta.

0:18:03.800 --> 0:18:06.800
<v Speaker 1>Then I just talking to the colleges like yeah, just

0:18:06.800 --> 0:18:08.919
<v Speaker 1>like finding you and them know what's going on yet.

0:18:09.080 --> 0:18:12.960
<v Speaker 2>Wow, you're great, sneak, You're not scared. I ain't scared.

0:18:13.000 --> 0:18:14.720
<v Speaker 2>You know what I'm saying. Basically, just letting the music talk.

0:18:14.800 --> 0:18:16.320
<v Speaker 1>You know what I'm saying, telling the coolest thing they

0:18:16.359 --> 0:18:19.119
<v Speaker 1>can do is be smart, just motivating them, getting ready

0:18:20.000 --> 0:18:21.000
<v Speaker 1>put them on the album too.

0:18:21.080 --> 0:18:23.040
<v Speaker 2>You know what I'm saying. Just tapping in with the

0:18:23.040 --> 0:18:24.160
<v Speaker 2>future and ship. You know what I'm saying.

0:18:24.680 --> 0:18:28.720
<v Speaker 3>That's yeah, later, I'm going to n YU after this. Yeah,

0:18:29.359 --> 0:18:31.679
<v Speaker 3>doing ship. You know what's crazy is a lot of

0:18:33.480 --> 0:18:35.520
<v Speaker 3>you know, I've been doing this ship a minute like

0:18:35.800 --> 0:18:39.160
<v Speaker 3>interviewing and and all that, and a lot of the youth.

0:18:39.720 --> 0:18:41.920
<v Speaker 2>They don't really talk like that. They don't really get

0:18:41.920 --> 0:18:42.480
<v Speaker 2>out like that.

0:18:42.600 --> 0:18:45.000
<v Speaker 3>Biggest stars in the world when you start talking to

0:18:45.040 --> 0:18:48.280
<v Speaker 3>them in like interviews, they ain't got no fluidy, they

0:18:48.320 --> 0:18:51.919
<v Speaker 3>ain't got ship to say you taking the bull botty horns,

0:18:51.960 --> 0:18:54.920
<v Speaker 3>going to the schools and talking to them. That's that's

0:18:54.960 --> 0:18:56.720
<v Speaker 3>pretty unique in this day and narrow.

0:18:57.240 --> 0:18:59.239
<v Speaker 2>You know what I'm saying. Yeah, yeah, it's a lot

0:18:59.240 --> 0:19:01.840
<v Speaker 2>of mysterious serious cost too much to.

0:19:01.880 --> 0:19:05.160
<v Speaker 3>Be Thank you for letting me know. Because I'm going home.

0:19:05.240 --> 0:19:07.680
<v Speaker 3>I look at my ship. My ship be looking all crazy.

0:19:08.320 --> 0:19:12.480
<v Speaker 3>It's like the hanger is still on that bitch ship

0:19:12.520 --> 0:19:14.920
<v Speaker 3>me up like that ship.

0:19:15.320 --> 0:19:18.080
<v Speaker 2>It's that elephant skin. God, I say something different for

0:19:18.400 --> 0:19:20.320
<v Speaker 2>it's the elephant skin. That Ain't that count?

0:19:20.400 --> 0:19:20.480
<v Speaker 3>Right?

0:19:20.840 --> 0:19:22.040
<v Speaker 2>Ain't that count? You know?

0:19:22.080 --> 0:19:24.520
<v Speaker 3>It's crazy? I love that ship man. And I was

0:19:24.640 --> 0:19:28.120
<v Speaker 3>I was riding in Miami and I seen this girl.

0:19:28.240 --> 0:19:32.040
<v Speaker 3>She walked by. She had this ship in Burgundy with

0:19:32.080 --> 0:19:37.080
<v Speaker 3>the elephant skin. I s damn, I seen the elephant skin.

0:19:37.800 --> 0:19:40.240
<v Speaker 3>And I went to the webster in Bell Harbor and

0:19:40.280 --> 0:19:43.040
<v Speaker 3>I walked in. They had the purple elephant skin ship.

0:19:43.040 --> 0:19:44.640
<v Speaker 3>I was like, Yo, I need this ship.

0:19:44.800 --> 0:19:47.520
<v Speaker 2>Is the alephant real elephant skin I don't know.

0:19:47.640 --> 0:19:50.920
<v Speaker 1>But back on my call, I'm like, what's the numbers

0:19:50.960 --> 0:19:51.080
<v Speaker 1>on that?

0:19:51.200 --> 0:19:55.360
<v Speaker 2>And I don't know. It's the elephant skin print for sure.

0:19:55.320 --> 0:20:01.320
<v Speaker 3>Rhino or some ship. Don't do that kish with that ship. Man,

0:20:01.400 --> 0:20:05.960
<v Speaker 3>gotta respect the premises this ship. That's a different type

0:20:05.960 --> 0:20:08.680
<v Speaker 3>of like that. It's the material that damn. Now, we

0:20:08.880 --> 0:20:10.840
<v Speaker 3>love this ship though, you know what I'm saying. We

0:20:11.000 --> 0:20:13.040
<v Speaker 3>come on here, we get to have a great time,

0:20:13.160 --> 0:20:17.200
<v Speaker 3>vibe with people, preserve the culture, give everybody a place

0:20:17.240 --> 0:20:20.000
<v Speaker 3>where they could come feel like home, you know.

0:20:20.160 --> 0:20:22.560
<v Speaker 2>And and always it's always for the.

0:20:22.600 --> 0:20:25.240
<v Speaker 3>Uplift man, it's never with the negative ship, not the

0:20:25.320 --> 0:20:30.199
<v Speaker 3>Joe with Jada show this ship winning positivity and in

0:20:30.280 --> 0:20:33.320
<v Speaker 3>this world now it's big, it's so hard.

0:20:33.040 --> 0:20:37.680
<v Speaker 2>To be positive. You was you and Rich that one

0:20:37.760 --> 0:20:39.240
<v Speaker 2>in the studio you sent them the.

0:20:39.200 --> 0:20:42.359
<v Speaker 1>Foul Yeah, no, we ain't do the internet collbling now

0:20:42.400 --> 0:20:43.879
<v Speaker 1>And that was that was in person. Like you know

0:20:43.880 --> 0:20:46.359
<v Speaker 1>what I'm saying, Brousy put up on me. Shit, we

0:20:46.400 --> 0:20:49.040
<v Speaker 1>did like three other songs too, so let's yeah, we

0:20:49.080 --> 0:20:50.400
<v Speaker 1>actually work on take me and Rich?

0:20:51.080 --> 0:20:52.640
<v Speaker 2>Yeah, yeah, hell yeah.

0:20:53.320 --> 0:20:56.359
<v Speaker 1>That'd be nice. Turning the Coachella too. How you feel

0:20:56.359 --> 0:20:59.960
<v Speaker 1>about that? Oh yeah, Coachella coming up, bun same day.

0:21:00.080 --> 0:21:03.160
<v Speaker 1>Justin Bieber Shipping to be a movie. A lot of surprises,

0:21:03.160 --> 0:21:04.160
<v Speaker 1>a lot of homies coming out.

0:21:04.320 --> 0:21:05.000
<v Speaker 2>You know what I'm saying.

0:21:05.720 --> 0:21:07.520
<v Speaker 1>I think I got some damn robots finna pull up

0:21:07.520 --> 0:21:08.360
<v Speaker 1>and dance with me and ship.

0:21:08.440 --> 0:21:10.440
<v Speaker 2>So it's gonna be It's gonna be lit.

0:21:11.960 --> 0:21:15.960
<v Speaker 1>Roadbot them humanoid robots. Yeah, they pulling up in the stadium. Yeah,

0:21:16.480 --> 0:21:19.200
<v Speaker 1>that's the Hey, y'all, y'all going out there.

0:21:20.600 --> 0:21:25.520
<v Speaker 2>Up, I might pull up. You are out there, you

0:21:25.600 --> 0:21:30.719
<v Speaker 2>might put crazy. I never I never been there.

0:21:30.920 --> 0:21:33.480
<v Speaker 3>You would rip that ship, ripped that ship down like

0:21:33.520 --> 0:21:37.320
<v Speaker 3>two three years ago, caught a fucking body your fucking

0:21:37.400 --> 0:21:40.959
<v Speaker 3>turn that ship on. God, the paint off that bitch

0:21:41.080 --> 0:21:44.879
<v Speaker 3>niggas is like, yo, what coach? Then I had the

0:21:44.960 --> 0:21:49.520
<v Speaker 3>crib across the street, dumb ship going crazy. Ship looked

0:21:49.560 --> 0:21:51.600
<v Speaker 3>like you know, they had the cactus and all that

0:21:51.640 --> 0:21:56.159
<v Speaker 3>ship in the middle with Yeah, nah.

0:21:56.760 --> 0:21:58.760
<v Speaker 1>You gotta come this year, man, I appreciate it. Pull

0:21:58.880 --> 0:22:01.960
<v Speaker 1>up so it's a great. Yeah, man, tell me that man.

0:22:02.040 --> 0:22:06.960
<v Speaker 2>Look he got you catch your body out there you

0:22:07.000 --> 0:22:09.560
<v Speaker 2>want the weather for my sake? Gang all right? Two

0:22:09.600 --> 0:22:14.440
<v Speaker 2>three songs whatever, no care, no cap the first A,

0:22:14.840 --> 0:22:17.400
<v Speaker 2>the first average like that? How many years you've been

0:22:17.400 --> 0:22:25.640
<v Speaker 2>in the around? Literally to me? You right, y'all?

0:22:25.720 --> 0:22:29.600
<v Speaker 1>Let me ask yourself, Jada kids first ever coaching legendary

0:22:30.400 --> 0:22:31.560
<v Speaker 1>fact that's gonna go.

0:22:31.640 --> 0:22:36.160
<v Speaker 3>Do you get exactly like will you pull up just yeah?

0:22:36.320 --> 0:22:40.120
<v Speaker 2>Yeah, I've never been there. You know what coach.

0:22:40.960 --> 0:22:45.440
<v Speaker 3>Body like a model for and that ship and go

0:22:45.760 --> 0:22:49.159
<v Speaker 3>down to her ass. You do that coach that ship

0:22:49.240 --> 0:22:51.760
<v Speaker 3>over there be a moment you know me, a moment

0:22:51.800 --> 0:22:56.320
<v Speaker 3>for real crazy. No, that's it, I think me personally.

0:22:56.520 --> 0:22:58.880
<v Speaker 3>Fans don't take this no wrong way. I really don't

0:22:58.880 --> 0:23:02.040
<v Speaker 3>be caring and I go do my job. I rip

0:23:02.080 --> 0:23:05.520
<v Speaker 3>it down legendary. I know what I'm gonna do. So

0:23:05.520 --> 0:23:09.440
<v Speaker 3>I'm gonna rip that shit all bless you if you

0:23:09.560 --> 0:23:12.080
<v Speaker 3>put me to perform before you or so, because I'm

0:23:12.080 --> 0:23:14.119
<v Speaker 3>coming to tear the paint of that bitch.

0:23:14.200 --> 0:23:15.640
<v Speaker 2>That's all say saying about behind.

0:23:15.800 --> 0:23:17.520
<v Speaker 3>You know a lot of rappers they want to go

0:23:17.680 --> 0:23:19.800
<v Speaker 3>list so they want to just be careful what you

0:23:19.840 --> 0:23:22.000
<v Speaker 3>wish for when I step on that bitch. You get

0:23:22.040 --> 0:23:25.560
<v Speaker 3>me on that shit over and if they give me

0:23:25.680 --> 0:23:29.000
<v Speaker 3>fifteen twenty like the shorter of the worst, because I

0:23:29.119 --> 0:23:32.680
<v Speaker 3>just give you a minute of all these shits, you

0:23:32.880 --> 0:23:35.560
<v Speaker 3>dizzy by the fifteenth one, I'm out of it.

0:23:37.119 --> 0:23:39.520
<v Speaker 2>But you this shit go. You know what I'm saying.

0:23:39.560 --> 0:23:41.840
<v Speaker 3>Some people want to go list some people in there.

0:23:41.840 --> 0:23:45.240
<v Speaker 3>I don't give a fuck. I'm like, I got my chet.

0:23:45.560 --> 0:23:49.680
<v Speaker 3>Oh y'all got my shit? Okay, give me bring it down.

0:23:49.760 --> 0:23:52.360
<v Speaker 3>The fans they gonna get that same and I give

0:23:52.400 --> 0:23:55.080
<v Speaker 3>them the same energy. If his one fan and it's

0:23:55.840 --> 0:23:59.880
<v Speaker 3>one hundred thousand fans, they don't get in the same love.

0:24:00.280 --> 0:24:03.720
<v Speaker 2>So but yeah, Coach Chelling, that's going to be nice

0:24:03.840 --> 0:24:06.800
<v Speaker 2>just to be win is be that's the first time.

0:24:06.840 --> 0:24:08.720
<v Speaker 1>So that's the first time I'm doing in new music

0:24:08.720 --> 0:24:11.080
<v Speaker 1>sisode running a coach Sello.

0:24:12.320 --> 0:24:15.080
<v Speaker 2>Yeah, that's going to be crazy. Coachll is where you go.

0:24:18.640 --> 0:24:22.000
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<v Speaker 2>What sut with the Chipotle? Chipotle?

0:26:21.160 --> 0:26:21.320
<v Speaker 3>Man?

0:26:21.320 --> 0:26:24.360
<v Speaker 2>That was? That was sposhot of Chippotle. You got down.

0:26:25.119 --> 0:26:26.120
<v Speaker 2>So we did this whole thing.

0:26:26.160 --> 0:26:27.520
<v Speaker 1>It was like by when get one free, you show

0:26:27.560 --> 0:26:30.280
<v Speaker 1>your tattoos, they give you a free burrito. You know

0:26:30.320 --> 0:26:32.760
<v Speaker 1>what I'm saying. Yeah, Then we did Yeah, it was crazy.

0:26:32.960 --> 0:26:36.040
<v Speaker 1>Then we did like a uh like we dropped custom

0:26:36.119 --> 0:26:38.679
<v Speaker 1>little tattoos. You just add water and dropped them for

0:26:38.680 --> 0:26:41.719
<v Speaker 1>the fans and ship. It was crazy with Chipotle, Chipole,

0:26:42.200 --> 0:26:45.200
<v Speaker 1>we need less guarantee. I'm the first we got to

0:26:45.240 --> 0:26:48.200
<v Speaker 1>send us something. They should have just sent the ship

0:26:48.240 --> 0:26:48.840
<v Speaker 1>because you was.

0:26:48.800 --> 0:26:53.639
<v Speaker 2>Coming up here. Chipotle ley out, Yeah, Chipotle good fire.

0:26:53.960 --> 0:26:54.840
<v Speaker 2>You always wanted to.

0:26:54.880 --> 0:26:59.600
<v Speaker 1>It's quality steak everything, Chipotle good as fun for real.

0:26:59.840 --> 0:27:02.040
<v Speaker 2>I used to go there. You don't go there in

0:27:02.040 --> 0:27:05.880
<v Speaker 2>the morning. Lord, I went to the doctors in five

0:27:07.040 --> 0:27:16.280
<v Speaker 2>god shooting and shut out right now whole month eighty five.

0:27:16.680 --> 0:27:17.920
<v Speaker 2>No pork man, no pork.

0:27:18.600 --> 0:27:20.760
<v Speaker 3>Well, I ain't need parks since I'm twelve years old,

0:27:20.760 --> 0:27:23.000
<v Speaker 3>and you try to find another Puerto Rican dude that

0:27:23.080 --> 0:27:27.720
<v Speaker 3>ain't need park, that shit is impossible. They set me

0:27:27.800 --> 0:27:30.000
<v Speaker 3>to go buy park today. They're like, you know, my

0:27:30.040 --> 0:27:34.200
<v Speaker 3>wife is like, kitchen's not gonna give me some food.

0:27:34.240 --> 0:27:37.000
<v Speaker 3>I said, you want the park, you want to swim?

0:27:38.280 --> 0:27:40.600
<v Speaker 3>Come my shit allergic keeping. If I put it in

0:27:40.640 --> 0:27:42.800
<v Speaker 3>the back seat, I can't even beat next to the

0:27:42.800 --> 0:27:44.080
<v Speaker 3>swep pork.

0:27:44.480 --> 0:27:46.679
<v Speaker 2>I hate it so good. When my daughter made some

0:27:46.760 --> 0:27:49.760
<v Speaker 2>bacon this morning, I walked by damn malling good as

0:27:49.760 --> 0:27:57.160
<v Speaker 2>a mother for relation up. Tell you something about I've

0:27:57.200 --> 0:27:58.960
<v Speaker 2>seen Jewish friends.

0:28:00.760 --> 0:28:03.239
<v Speaker 3>The only thing the Muslims and the Jews agree with

0:28:03.440 --> 0:28:04.480
<v Speaker 3>is they don't want pork.

0:28:04.880 --> 0:28:07.000
<v Speaker 2>I don't know how they agreed with that one. Right,

0:28:07.520 --> 0:28:12.160
<v Speaker 2>so they both don't eat what That's great.

0:28:13.080 --> 0:28:15.960
<v Speaker 3>No, I'm saying they don't agree with shit, but they

0:28:16.040 --> 0:28:19.800
<v Speaker 3>agree that you should not eat the pork. I walk

0:28:19.880 --> 0:28:22.159
<v Speaker 3>in the airport, I catch one of my Jewish friends

0:28:22.160 --> 0:28:23.800
<v Speaker 3>eating the bacon, egen cheese.

0:28:25.840 --> 0:28:29.840
<v Speaker 2>Like, yo, brother, what's up Jewish? I don't eat this ship.

0:28:29.960 --> 0:28:32.040
<v Speaker 2>I'm just I'm twelve years old.

0:28:32.080 --> 0:28:35.960
<v Speaker 3>I go, friend, he ordering the sausage, egg and cheese

0:28:35.960 --> 0:28:38.760
<v Speaker 3>and McDonald's to say, your blood you know this ship,

0:28:38.880 --> 0:28:44.440
<v Speaker 3>paul though blood whatever I call a nigga. Yo, listen,

0:28:44.480 --> 0:28:46.520
<v Speaker 3>you know this ship pork? Nah, this shit ain't park.

0:28:46.560 --> 0:28:50.520
<v Speaker 3>Oh no, it's pork. And you eating this ship like

0:28:51.400 --> 0:28:55.320
<v Speaker 3>you know, you gotta stay true to its nonife for God,

0:28:56.200 --> 0:28:57.880
<v Speaker 3>nobody ever catch me eat pork.

0:28:57.960 --> 0:29:00.600
<v Speaker 2>Let me tell you something. I got one friend. He's Jewish. Richetabar.

0:29:01.600 --> 0:29:06.040
<v Speaker 2>Where we was at Costa Rica. The man told the.

0:29:06.160 --> 0:29:12.680
<v Speaker 3>Man theybe one hundred times we went sat down for

0:29:12.760 --> 0:29:18.560
<v Speaker 3>breakfast in the airport. He told the man, please no pork,

0:29:18.960 --> 0:29:22.240
<v Speaker 3>I'm Jewish. Please no pork, no bacon, no handle that

0:29:22.320 --> 0:29:26.200
<v Speaker 3>the man told this guy were a hundred times. The

0:29:26.320 --> 0:29:31.520
<v Speaker 3>man gets a sandwich. He took a bite. That nigga

0:29:31.600 --> 0:29:34.720
<v Speaker 3>hit that table. So I see yo. He said, motherfucker,

0:29:35.240 --> 0:29:40.240
<v Speaker 3>I told you Richard, your motherfucker.

0:29:40.720 --> 0:29:43.200
<v Speaker 2>I told you one hundred times. I think of it.

0:29:43.520 --> 0:29:46.400
<v Speaker 3>He had a little Park in there, and he told

0:29:46.400 --> 0:29:49.960
<v Speaker 3>the man one hundred times that he don't eat Park.

0:29:50.600 --> 0:29:52.320
<v Speaker 3>He wanted to kill this man. I was like, yo,

0:29:52.360 --> 0:29:55.520
<v Speaker 3>were in the airport. That's the one place you don't

0:29:55.560 --> 0:29:57.160
<v Speaker 3>want to fight. You don't want to be tough.

0:29:57.240 --> 0:29:57.360
<v Speaker 2>You know.

0:29:57.600 --> 0:30:00.000
<v Speaker 3>You gotta handle your losses there and keep it moving,

0:30:00.320 --> 0:30:03.720
<v Speaker 3>your airpop because you want to fly. Well, he lost

0:30:03.760 --> 0:30:04.760
<v Speaker 3>this and help mind?

0:30:05.120 --> 0:30:05.760
<v Speaker 2>Is that serious?

0:30:05.920 --> 0:30:06.080
<v Speaker 6>Guy?

0:30:06.160 --> 0:30:07.040
<v Speaker 2>Yeah? I can't do it.

0:30:07.120 --> 0:30:07.280
<v Speaker 3>Man.

0:30:07.360 --> 0:30:11.000
<v Speaker 2>The pork ship, I don't know. Fuck it. No pork right,

0:30:11.120 --> 0:30:13.920
<v Speaker 2>no pork, no boat. He ain't got no park they do.

0:30:13.920 --> 0:30:18.840
<v Speaker 2>They got the trading pork. Yeah you got it for god.

0:30:22.560 --> 0:30:26.239
<v Speaker 3>That's not for the convention now, because you know they

0:30:26.320 --> 0:30:29.200
<v Speaker 3>mixed that ship up. They put the pork on the grill,

0:30:31.520 --> 0:30:35.240
<v Speaker 3>on the grill the chicken, so you might they mix.

0:30:35.120 --> 0:30:39.040
<v Speaker 2>It up on you. You finished. You can't up for real.

0:30:39.920 --> 0:30:43.840
<v Speaker 3>I'm so anti Park. I don't even know why, man, tik,

0:30:44.200 --> 0:30:47.400
<v Speaker 3>I'm so anti Park. Did I get mad when I

0:30:47.440 --> 0:30:49.400
<v Speaker 3>go to it? Like a fucking boat digger and the

0:30:49.480 --> 0:30:52.040
<v Speaker 3>Muslim dude is making the ham and cheese. I'm like, yo,

0:30:52.080 --> 0:30:55.720
<v Speaker 3>this ship a violation, man, Like, fucking part of this?

0:30:56.040 --> 0:30:59.040
<v Speaker 3>What part of the sipehe is this? You Muslim?

0:30:59.080 --> 0:31:01.480
<v Speaker 2>And you cutting up a damn it cheesy? I guess like.

0:31:01.480 --> 0:31:05.320
<v Speaker 8>Business is business. You just can't eat it. Ken't supposed

0:31:05.360 --> 0:31:08.080
<v Speaker 8>to have it in the store if you was okay,

0:31:08.120 --> 0:31:13.760
<v Speaker 8>word damn no, I mean that's what I'm talking about.

0:31:14.600 --> 0:31:19.960
<v Speaker 2>St law. That's what it's called. Stuff A lot means

0:31:19.960 --> 0:31:28.800
<v Speaker 2>you violated. Damn. It's how I'm that's the start stoff

0:31:28.800 --> 0:31:31.240
<v Speaker 2>for law, stoff for law. It's like the five percent

0:31:31.240 --> 0:31:32.160
<v Speaker 2>of laws.

0:31:32.240 --> 0:31:34.800
<v Speaker 4>If you pull out a bacon egg right now, that's

0:31:34.800 --> 0:31:35.560
<v Speaker 4>whatever it hit you.

0:31:35.640 --> 0:31:43.400
<v Speaker 2>But what's the name of now? Same difference, same it's different.

0:31:43.680 --> 0:31:47.800
<v Speaker 2>Incredible how you come up with that title?

0:31:47.920 --> 0:31:51.880
<v Speaker 1>Same difference, Same difference is just like it's like a

0:31:51.920 --> 0:31:53.400
<v Speaker 1>play on versatility kind of in a way.

0:31:53.480 --> 0:31:56.000
<v Speaker 4>You gotta get a new pillow ship that's going down.

0:31:56.520 --> 0:32:03.760
<v Speaker 4>So the episode New cow Man, we need a new couch.

0:32:04.000 --> 0:32:09.120
<v Speaker 2>What is your velvet? Lord? You mean Lord.

0:32:08.800 --> 0:32:18.680
<v Speaker 3>Bannat and a nice livery CARDI b sat white Dan

0:32:19.240 --> 0:32:22.360
<v Speaker 3>and this to me that ship. She did a lot

0:32:22.400 --> 0:32:26.200
<v Speaker 3>of This is a famous couch. You want to you

0:32:26.240 --> 0:32:27.000
<v Speaker 3>know what's crazy?

0:32:27.120 --> 0:32:30.960
<v Speaker 2>I need this. You know what's crazy is Smithsony. You know.

0:32:31.080 --> 0:32:34.560
<v Speaker 3>You know when I when Hollywood put some wax figures

0:32:34.600 --> 0:32:36.960
<v Speaker 3>on his mother. When I used to coach at the

0:32:38.200 --> 0:32:41.000
<v Speaker 3>we had I'm telling you they had.

0:32:44.800 --> 0:32:45.280
<v Speaker 2>I'm playing.

0:32:45.280 --> 0:32:50.120
<v Speaker 9>No, I can't. I wondered one of the facts those stories.

0:32:52.080 --> 0:32:55.200
<v Speaker 9>I'm just like, you just did it to do it?

0:32:54.520 --> 0:32:58.080
<v Speaker 9>I really wanted to do that.

0:33:00.080 --> 0:33:03.120
<v Speaker 2>Listen. Let me tell you.

0:33:02.960 --> 0:33:07.280
<v Speaker 3>Solid I had no clue why I caught the flag.

0:33:08.600 --> 0:33:10.640
<v Speaker 3>I was gonna tell you an innocent story.

0:33:10.800 --> 0:33:15.480
<v Speaker 2>Yeah, fucking around for you want to now you flag?

0:33:16.480 --> 0:33:16.960
<v Speaker 2>I came here.

0:33:17.000 --> 0:33:19.600
<v Speaker 3>I made him throw a flag at the locks of

0:33:19.800 --> 0:33:21.239
<v Speaker 3>then he didn't want to throw it at him. I

0:33:21.280 --> 0:33:25.120
<v Speaker 3>was like, throw it, motherfucker. You know he deserves it.

0:33:25.200 --> 0:33:27.640
<v Speaker 3>He was like, fuck did he do it? Let me

0:33:27.680 --> 0:33:29.360
<v Speaker 3>tell you someone that when I used to be at

0:33:29.360 --> 0:33:35.280
<v Speaker 3>the Rucker. Yeah, they had this announcer, Hannibal boy boy

0:33:35.520 --> 0:33:40.280
<v Speaker 3>boy boy, Hannibal. So Hannibal. You know when when jay

0:33:40.360 --> 0:33:42.920
<v Speaker 3>Z had a team who used to bring Beyonce did

0:33:43.600 --> 0:33:47.960
<v Speaker 3>so one time. Beyonce must have said whatever he forever

0:33:48.400 --> 0:33:53.320
<v Speaker 3>night time he start every game. Yeah, boy boy, it's

0:33:53.400 --> 0:33:56.000
<v Speaker 3>handed the most elect you find one. You see this

0:33:56.160 --> 0:33:59.120
<v Speaker 3>cheek right here, This is where Beyonce gave me the

0:33:59.200 --> 0:34:02.680
<v Speaker 3>kiss that in my cheap boy boy. That's right, brother,

0:34:03.080 --> 0:34:07.200
<v Speaker 3>this yo, that's what's his claim to fame till he

0:34:07.280 --> 0:34:09.440
<v Speaker 3>didn't fucking announce a gamer.

0:34:09.520 --> 0:34:12.080
<v Speaker 4>There's some people that won't ever wash the face again

0:34:12.200 --> 0:34:13.360
<v Speaker 4>if they get a kiss from the.

0:34:14.440 --> 0:34:17.960
<v Speaker 2>That's a fact. That's a flex is it? If it's confirmed,

0:34:18.000 --> 0:34:18.719
<v Speaker 2>that's a flex though.

0:34:18.840 --> 0:34:21.640
<v Speaker 3>Nah, But that's a hello, you know, hello, she with

0:34:21.760 --> 0:34:24.600
<v Speaker 3>her husband. I'm just saying, the man ain't never let

0:34:24.640 --> 0:34:29.200
<v Speaker 3>that ship go. That was like, you know, I'm loving it.

0:34:29.719 --> 0:34:30.800
<v Speaker 2>That ship his ship.

0:34:31.360 --> 0:34:34.440
<v Speaker 3>That ship was his just doing. This ship was his logo.

0:34:35.120 --> 0:34:38.600
<v Speaker 3>That was his Nike swash. We got new music to hear.

0:34:39.440 --> 0:34:43.080
<v Speaker 2>You're gonna play something, don't sweet nash. Oh she got some.

0:34:43.719 --> 0:34:47.439
<v Speaker 2>Oh I brought the vibe for sure. Nah, we need

0:34:47.440 --> 0:34:48.880
<v Speaker 2>to bar line it up.

0:34:49.120 --> 0:34:52.600
<v Speaker 1>I don't come empty handy man, talking about baby god

0:34:53.080 --> 0:34:53.600
<v Speaker 1>s were.

0:34:53.480 --> 0:34:54.439
<v Speaker 2>Playing the Freshman Tanna.

0:34:54.880 --> 0:34:56.200
<v Speaker 1>I feel like, yeah, we're in New York man, we

0:34:56.200 --> 0:34:58.319
<v Speaker 1>gotta yeah, we gotta play fresh monannas on the French

0:34:58.440 --> 0:35:00.480
<v Speaker 1>Born to younger boy in my my.

0:35:00.480 --> 0:35:06.200
<v Speaker 4>Cards, make sure you're freaking it's you called suitcase Suitcase.

0:35:05.800 --> 0:35:09.280
<v Speaker 1>For real feature fresh one talent right here man, same difference,

0:35:09.880 --> 0:35:11.760
<v Speaker 1>same same same brand, new.

0:35:11.680 --> 0:35:16.719
<v Speaker 4>Ship stream April third streaming now same platforings in the

0:35:17.200 --> 0:35:17.919
<v Speaker 4>different game.

0:35:19.040 --> 0:35:24.480
<v Speaker 2>You know what it is? Home runs ship back of

0:35:24.520 --> 0:35:28.000
<v Speaker 2>the Then I'm gonna go get the mall hit it again.

0:35:28.400 --> 0:35:37.160
<v Speaker 2>And by the glizzy, what ship is about? The concession sting?

0:35:37.440 --> 0:35:37.880
<v Speaker 2>You ready?

0:35:40.040 --> 0:35:40.200
<v Speaker 10>Right?

0:35:40.280 --> 0:35:46.879
<v Speaker 2>He racked it up. It sounds like it's out of here,

0:35:47.040 --> 0:35:49.200
<v Speaker 2>right real, You're gonna.

0:35:48.960 --> 0:36:00.719
<v Speaker 6>Need another storm, like a feud day. Really what you're saying?

0:36:01.760 --> 0:36:09.400
<v Speaker 10>Yeah, yeah, I mean we kind of like the way

0:36:09.280 --> 0:36:14.759
<v Speaker 10>I said that I would blood away feet kicked off

0:36:14.800 --> 0:36:20.760
<v Speaker 10>at my vacation place and all your wars gone, give

0:36:20.840 --> 0:36:24.279
<v Speaker 10>me up for me, come to do.

0:36:24.960 --> 0:36:27.640
<v Speaker 6>Make young dreams come true.

0:36:27.840 --> 0:36:28.160
<v Speaker 2>Friends.

0:36:28.239 --> 0:36:32.120
<v Speaker 6>After Club Brown two, you too, You.

0:36:32.320 --> 0:36:33.200
<v Speaker 2>Too, too too.

0:36:34.960 --> 0:36:37.560
<v Speaker 6>I was gonna be the man in the midst and

0:36:37.760 --> 0:36:38.920
<v Speaker 6>on the one.

0:36:38.840 --> 0:36:41.480
<v Speaker 2>I can beat you Boomo in the back of.

0:36:41.520 --> 0:36:44.160
<v Speaker 6>The spin on the phone on my head when I

0:36:44.280 --> 0:36:47.160
<v Speaker 6>heard you, I'll be back on bullshit if I'm tugging

0:36:47.200 --> 0:36:49.800
<v Speaker 6>trigger Pomo the shots and just sumit.

0:36:50.400 --> 0:36:51.000
<v Speaker 5>Let's close.

0:36:51.080 --> 0:36:53.880
<v Speaker 6>When the nigga starts to spin. Let's close when the

0:36:53.960 --> 0:36:57.520
<v Speaker 6>nigga starts being in the smoke blue a few kisses,

0:36:58.160 --> 0:36:59.120
<v Speaker 6>let's fast.

0:36:58.840 --> 0:36:59.680
<v Speaker 3>To the left of the.

0:37:02.080 --> 0:37:02.319
<v Speaker 7>Hope.

0:37:02.400 --> 0:37:06.040
<v Speaker 6>He's worked the step fight, so no shout.

0:37:06.080 --> 0:37:07.120
<v Speaker 2>He ride me so fast?

0:37:07.200 --> 0:37:07.800
<v Speaker 5>Need a ticket?

0:37:08.440 --> 0:37:11.200
<v Speaker 2>I would travel to the bag, go and get it. Ba.

0:37:11.680 --> 0:37:12.960
<v Speaker 6>She don't ride in a limmit.

0:37:13.600 --> 0:37:15.520
<v Speaker 2>I'll be shocking with I land in the city.

0:37:15.920 --> 0:37:18.920
<v Speaker 6>Walk though, really got people like I finished she told

0:37:18.960 --> 0:37:21.839
<v Speaker 6>your n this, hands off the song limit. You're gonna

0:37:21.840 --> 0:37:29.000
<v Speaker 6>need another stonecase yo, maybe thinking like a few days right,

0:37:30.680 --> 0:37:37.120
<v Speaker 6>that's right, really got you saying crazy days. I mean

0:37:37.160 --> 0:37:38.400
<v Speaker 6>we feel like then an.

0:37:38.360 --> 0:37:42.640
<v Speaker 10>Way take that.

0:37:42.719 --> 0:37:47.880
<v Speaker 6>I would pull it away. She kicked off at my

0:37:48.000 --> 0:37:52.920
<v Speaker 6>vacation in place and your word's gone on man.

0:37:53.080 --> 0:37:55.719
<v Speaker 7>Yeah, sweatsuits, go y'all bag and then go on me

0:37:55.800 --> 0:37:58.280
<v Speaker 7>down me and sure to get freaky in the version

0:37:58.320 --> 0:37:59.759
<v Speaker 7>out man about it.

0:38:00.040 --> 0:38:02.400
<v Speaker 2>Hell, look, you keep a trip. It counts on the

0:38:02.480 --> 0:38:03.320
<v Speaker 2>phone making.

0:38:04.280 --> 0:38:10.480
<v Speaker 7>The bohen you keeping the Drilla cell coming lb suitcases

0:38:10.560 --> 0:38:11.560
<v Speaker 7>got watching them.

0:38:11.800 --> 0:38:15.000
<v Speaker 3>Three quarter milim like a comfort coming might blow a

0:38:15.080 --> 0:38:16.440
<v Speaker 3>fiftieth of bitch, don't know.

0:38:17.000 --> 0:38:20.440
<v Speaker 2>Red Roary Glass Dyll and Rick Clair Road Everything New

0:38:20.600 --> 0:38:24.200
<v Speaker 2>Seasons for no reason. Jungle Boys, Montanas, you wait through.

0:38:24.120 --> 0:38:33.879
<v Speaker 6>He okays, Yo, maybe thinking like a few days really

0:38:34.000 --> 0:38:35.680
<v Speaker 6>got you saying crazy things.

0:38:39.080 --> 0:38:45.560
<v Speaker 10>We connect to know anyway, they say that, I would plod.

0:38:45.360 --> 0:38:52.400
<v Speaker 6>Away feet kicked up at my vacage in place and

0:38:52.880 --> 0:38:55.120
<v Speaker 6>Young Wars don gold.

0:39:00.560 --> 0:39:20.120
<v Speaker 2>Change contrue. Thank you. Yeah, you're doing that, coach. I'm

0:39:20.120 --> 0:39:22.439
<v Speaker 2>gonna see what they really fun with before I really

0:39:22.600 --> 0:39:22.960
<v Speaker 2>like that.

0:39:23.800 --> 0:39:25.440
<v Speaker 3>I'm gonna tell you what's crazy. You could be a

0:39:25.520 --> 0:39:28.680
<v Speaker 3>problem for me if I own your record label. Every

0:39:28.840 --> 0:39:29.880
<v Speaker 3>record I hear from.

0:39:29.760 --> 0:39:34.040
<v Speaker 2>You, I think it's a fucking blow the whole bag. Bro.

0:39:34.239 --> 0:39:35.600
<v Speaker 2>I'd be like, Yo, that's it.

0:39:36.280 --> 0:39:38.920
<v Speaker 3>But I'll be spending my life savings on them ships

0:39:38.960 --> 0:39:42.479
<v Speaker 3>like running up you get that ship.

0:39:42.640 --> 0:39:45.719
<v Speaker 2>I never heard a song that I don't say it.

0:39:46.160 --> 0:39:49.399
<v Speaker 2>I appreciate that you don't got no album films. Yeah,

0:39:49.440 --> 0:39:50.560
<v Speaker 2>I don't do the side of something.

0:39:52.480 --> 0:39:52.680
<v Speaker 7>On you.

0:39:53.920 --> 0:39:56.000
<v Speaker 2>I'm telling straight New Twick.

0:39:56.160 --> 0:40:02.600
<v Speaker 3>Miss Nah his ship crazy, his ship, he's crazy. That

0:40:02.680 --> 0:40:05.600
<v Speaker 3>record right there was that was perfect. And you and

0:40:05.680 --> 0:40:08.960
<v Speaker 3>French you already got that chemistry. You know, they know

0:40:09.120 --> 0:40:10.120
<v Speaker 3>them voices, you know.

0:40:10.760 --> 0:40:14.200
<v Speaker 2>Together got that ship. Yeah they're so different, but they contrast.

0:40:14.280 --> 0:40:19.759
<v Speaker 3>Well, yeah, that's hard. That's hard sand of jungle boys. Man,

0:40:19.760 --> 0:40:20.520
<v Speaker 3>shout out my town.

0:40:21.200 --> 0:40:22.000
<v Speaker 2>You're doing ship.

0:40:22.239 --> 0:40:24.680
<v Speaker 3>So you got Montanna on there, you got your Ico

0:40:25.120 --> 0:40:29.279
<v Speaker 3>pust some alone now my loan, I just felt like

0:40:29.400 --> 0:40:34.640
<v Speaker 3>making the fucking record right alone. He don't get mother

0:40:35.040 --> 0:40:37.560
<v Speaker 3>might have played the guitar and all that. Yeah, he

0:40:37.920 --> 0:40:40.800
<v Speaker 3>slamming that bit whatever like that motherfucker post alone.

0:40:40.880 --> 0:40:44.960
<v Speaker 2>That's another one. He's like rock. That's that ship right there.

0:40:45.000 --> 0:40:48.640
<v Speaker 3>Because he had them juicyes. I heard them juicy joms.

0:40:48.680 --> 0:40:56.600
<v Speaker 3>I said, he got Jada Jay, that juice man playing

0:40:56.680 --> 0:40:58.879
<v Speaker 3>the minute and the beat was who did that mic?

0:40:58.960 --> 0:41:02.960
<v Speaker 2>Well? That damn? I don't even who that man? Whoever

0:41:03.080 --> 0:41:03.480
<v Speaker 2>played that?

0:41:04.680 --> 0:41:07.080
<v Speaker 1>I just you know, like random producers. The music on

0:41:07.160 --> 0:41:10.000
<v Speaker 1>the on the back that was like crazy. That was crazy,

0:41:10.200 --> 0:41:15.400
<v Speaker 1>Thank you bro, oh my boy swine, no doubt that

0:41:15.520 --> 0:41:20.080
<v Speaker 1>beat was legend that credible. What was that sample or sympathizer?

0:41:21.440 --> 0:41:25.160
<v Speaker 1>That ship was crazy. I was listening to that. I said, damn,

0:41:25.200 --> 0:41:28.480
<v Speaker 1>they did like some baby face the fad that you know,

0:41:28.640 --> 0:41:31.840
<v Speaker 1>because uh, would you call that R and B?

0:41:33.320 --> 0:41:34.799
<v Speaker 2>I call it kind of like R and B pop,

0:41:34.920 --> 0:41:38.680
<v Speaker 2>like some ship, you know, like it's like it's like

0:41:38.719 --> 0:41:40.000
<v Speaker 2>a fine line I don't really know.

0:41:40.920 --> 0:41:44.680
<v Speaker 3>Yeah, because kind of like to me, it's like, you know,

0:41:44.800 --> 0:41:47.880
<v Speaker 3>everybody always complained because they got that little bounce.

0:41:48.080 --> 0:41:50.040
<v Speaker 2>No, that's incredible, But the.

0:41:50.080 --> 0:41:52.920
<v Speaker 3>Ship is like, you know, everybody but everybody in my

0:41:53.120 --> 0:41:55.840
<v Speaker 3>age group complained that we ain't got like a Brandy

0:41:56.040 --> 0:41:59.440
<v Speaker 3>Monica win got. Well, you know y'all putting ship out,

0:41:59.560 --> 0:42:02.520
<v Speaker 3>you know cause liney with that folded you know what

0:42:02.560 --> 0:42:04.000
<v Speaker 3>I'm saying, that's that was.

0:42:04.160 --> 0:42:05.399
<v Speaker 2>Real n B ship whatever.

0:42:06.160 --> 0:42:08.240
<v Speaker 3>You know what I'm saying. This ship right here sounded

0:42:08.320 --> 0:42:10.520
<v Speaker 3>like a joint too. It sounds like a big boy,

0:42:10.760 --> 0:42:12.800
<v Speaker 3>you know what I mean. So it's like, you know,

0:42:12.920 --> 0:42:16.320
<v Speaker 3>y'all coming with ship, you know, I think I you know,

0:42:16.400 --> 0:42:19.000
<v Speaker 3>we're so used to begging the girls on our records.

0:42:20.760 --> 0:42:25.000
<v Speaker 3>How about you everything give me? Well, you kind of

0:42:25.080 --> 0:42:29.759
<v Speaker 3>said that right there with you gonna need another suitcase.

0:42:29.880 --> 0:42:32.600
<v Speaker 3>That means you buying that ship. You're about to take

0:42:32.640 --> 0:42:35.879
<v Speaker 3>a shopping up. You're about to get some new ship.

0:42:36.040 --> 0:42:39.960
<v Speaker 3>So you buying still y'all still they cut that ship off,

0:42:40.680 --> 0:42:45.879
<v Speaker 3>same ship, different different slang. He buys some ship out

0:42:45.920 --> 0:42:47.360
<v Speaker 3>there a.

0:42:47.320 --> 0:42:52.040
<v Speaker 2>Whole lot of the suitcase that ship. I appreciate that. Yeah, man,

0:42:52.200 --> 0:42:56.480
<v Speaker 2>So what's to like you you you're going on tour

0:42:56.560 --> 0:42:57.879
<v Speaker 2>to support this thing right here?

0:42:58.160 --> 0:43:01.920
<v Speaker 1>Definitely definitely going on some tours. We got we got

0:43:02.000 --> 0:43:03.880
<v Speaker 1>one in the works right now. We just lining updates on.

0:43:04.600 --> 0:43:08.160
<v Speaker 1>But that's what another artist, but definitely one specific for

0:43:08.400 --> 0:43:09.560
<v Speaker 1>the same difference for sure.

0:43:10.280 --> 0:43:10.600
<v Speaker 2>Mm hm.

0:43:10.680 --> 0:43:12.399
<v Speaker 3>You know what I'm saying, And what could you say

0:43:12.440 --> 0:43:15.040
<v Speaker 3>about the ups and downs of the music business, because

0:43:15.080 --> 0:43:17.719
<v Speaker 3>you know, some days you're on top, some days.

0:43:18.160 --> 0:43:20.920
<v Speaker 1>You knew warm and Yeah, for me, I just think

0:43:21.040 --> 0:43:23.120
<v Speaker 1>like everybody had a time, you know what I'm saying,

0:43:23.160 --> 0:43:25.720
<v Speaker 1>Like it's like a cycle, like just go around. Everybody

0:43:25.760 --> 0:43:27.600
<v Speaker 1>had their time, you know what I'm saying, Catch a moment,

0:43:27.840 --> 0:43:30.280
<v Speaker 1>keep it rocking, go back to the drawing boards. Should

0:43:30.280 --> 0:43:31.480
<v Speaker 1>be ready when it come back to you. You know

0:43:31.520 --> 0:43:35.319
<v Speaker 1>what I'm saying, Like, don't get comfortable and just yeah,

0:43:35.440 --> 0:43:36.200
<v Speaker 1>just wait for your time.

0:43:36.400 --> 0:43:40.320
<v Speaker 3>Real many artists have had to fight the adversity. You know,

0:43:40.440 --> 0:43:42.520
<v Speaker 3>you could you could be on top of the world.

0:43:43.200 --> 0:43:46.600
<v Speaker 3>Oh yeah, come back this ship that I sleeping on you.

0:43:46.680 --> 0:43:49.560
<v Speaker 3>Then you gotta come back with a frisbee. Get the

0:43:49.680 --> 0:43:50.160
<v Speaker 3>mother fuck.

0:43:51.400 --> 0:43:54.560
<v Speaker 2>Yeah. That's you know, that's that's how I judge artists.

0:43:55.120 --> 0:43:58.600
<v Speaker 3>Yeah, personally right, Like, I've seen some artists that I

0:43:58.760 --> 0:44:02.160
<v Speaker 3>was like, I don't know if this person got it.

0:44:02.520 --> 0:44:04.600
<v Speaker 3>You know, I always say to make a hit wreck,

0:44:04.800 --> 0:44:08.880
<v Speaker 3>just one hit record is a miracle because it on

0:44:09.040 --> 0:44:09.360
<v Speaker 3>you and you.

0:44:09.360 --> 0:44:11.719
<v Speaker 2>Put it on the goals, clean over the heads for sure.

0:44:12.360 --> 0:44:14.440
<v Speaker 3>No, No, I'm just saying, you actually want to hit

0:44:14.560 --> 0:44:17.840
<v Speaker 3>Wonder is better than being on your couch trying to

0:44:17.880 --> 0:44:20.319
<v Speaker 3>make music for twenty years and never happen to hit

0:44:21.080 --> 0:44:24.000
<v Speaker 3>one hit Wonder. But imagine the guys that keep making

0:44:24.120 --> 0:44:29.320
<v Speaker 3>those hits. Those guys and girls are exceptional. When I

0:44:29.440 --> 0:44:32.160
<v Speaker 3>see that, that's when I go all right, this person

0:44:32.280 --> 0:44:34.040
<v Speaker 3>trying to stick You know how many artists I've seen

0:44:34.080 --> 0:44:37.279
<v Speaker 3>him come and then when they come the second or

0:44:37.360 --> 0:44:38.920
<v Speaker 3>third time with another one, I'd be.

0:44:39.000 --> 0:44:41.400
<v Speaker 2>Like, Oh, they want to hit, they want to stick around.

0:44:42.040 --> 0:44:42.920
<v Speaker 2>No motherfucker hear this.

0:44:42.960 --> 0:44:47.799
<v Speaker 4>Sund I felt about Big Bopy your teams. He came

0:44:47.880 --> 0:44:51.640
<v Speaker 4>in and put it over there. Every every time he

0:44:51.719 --> 0:44:52.160
<v Speaker 4>got up.

0:44:53.120 --> 0:44:58.840
<v Speaker 11>I said, wait, yeah, the ground that's the person he

0:44:59.360 --> 0:45:03.320
<v Speaker 11>ain't gonna play takes a real estate in because you

0:45:03.400 --> 0:45:05.680
<v Speaker 11>know some people they just passing to the cup.

0:45:05.520 --> 0:45:06.560
<v Speaker 2>For a couple of green tea.

0:45:06.640 --> 0:45:09.200
<v Speaker 3>They are couple of green tea before you know what,

0:45:09.320 --> 0:45:13.319
<v Speaker 3>the cessation is gone green tea and now motherfucker had

0:45:13.400 --> 0:45:13.799
<v Speaker 3>a pub.

0:45:13.920 --> 0:45:17.239
<v Speaker 2>Me and you right, they had a pub and you.

0:45:24.960 --> 0:45:27.720
<v Speaker 3>You know, sometimes you've ever been in like a jazz joint,

0:45:27.880 --> 0:45:32.359
<v Speaker 3>not saying jazz, but I've been there like little restaurants

0:45:32.520 --> 0:45:34.360
<v Speaker 3>where a guy or girl.

0:45:35.120 --> 0:45:37.880
<v Speaker 2>They seemed like Whitney Houston, and you're sitting there and

0:45:37.920 --> 0:45:42.160
<v Speaker 2>you wondering your wife happened, Why this young lady ain't

0:45:42.200 --> 0:45:44.440
<v Speaker 2>the biggest in the world, why this guy.

0:45:44.920 --> 0:45:47.880
<v Speaker 4>Ain't know the right people? And then it wasn't the moment,

0:45:48.200 --> 0:45:53.560
<v Speaker 4>and then people take getting on and making it for Granted,

0:45:55.000 --> 0:45:55.880
<v Speaker 4>everybody could do it.

0:45:55.960 --> 0:45:56.840
<v Speaker 2>Everybody do it.

0:45:58.800 --> 0:46:02.239
<v Speaker 3>Yeah, it different elements to it. But what I do

0:46:02.480 --> 0:46:09.799
<v Speaker 3>know is that people gotta like you. So many talented

0:46:10.000 --> 0:46:14.360
<v Speaker 3>people that never succeeded. And I can't give you the

0:46:14.440 --> 0:46:18.160
<v Speaker 3>reason why, because they write hits for everybody else.

0:46:19.000 --> 0:46:19.200
<v Speaker 2>I know.

0:46:20.160 --> 0:46:26.239
<v Speaker 3>Listen that I can't do that because it's not fair

0:46:26.280 --> 0:46:28.960
<v Speaker 3>in the name, No, I can't do that.

0:46:29.320 --> 0:46:33.239
<v Speaker 4>But but that's still if you rate for people and

0:46:33.760 --> 0:46:36.560
<v Speaker 4>you get the you're just doing your money and all that,

0:46:36.800 --> 0:46:38.040
<v Speaker 4>and you just want to be lit.

0:46:38.719 --> 0:46:42.040
<v Speaker 3>I think you a bird well, they all want to

0:46:42.080 --> 0:46:46.000
<v Speaker 3>be lit. So anybody who writes smash hits for everybody,

0:46:46.280 --> 0:46:49.960
<v Speaker 3>tell anyboy, would.

0:46:49.760 --> 0:46:54.640
<v Speaker 4>You rather write smash hits and receive what you supposed

0:46:54.719 --> 0:46:58.920
<v Speaker 4>to receive, or get the hits writ for.

0:46:59.040 --> 0:46:59.879
<v Speaker 2>You and be lit?

0:47:00.680 --> 0:47:00.920
<v Speaker 4>You you?

0:47:01.920 --> 0:47:05.800
<v Speaker 2>Yeah, No, I'm with you. But what I'm saying to

0:47:05.920 --> 0:47:12.480
<v Speaker 2>you is, unfortunately I watched yeah front line. I watched guys.

0:47:13.640 --> 0:47:18.480
<v Speaker 3>Who wrote albums for guys to sol ten twenty million

0:47:18.600 --> 0:47:21.000
<v Speaker 3>with that album, and they filthy rich, and then they

0:47:21.080 --> 0:47:23.200
<v Speaker 3>try to do their own album, and when you hear it,

0:47:23.960 --> 0:47:24.319
<v Speaker 3>it's so.

0:47:24.640 --> 0:47:30.000
<v Speaker 2>Fire right, and then you like the fan it looks

0:47:30.320 --> 0:47:31.680
<v Speaker 2>like Beyonce would have sung that.

0:47:31.960 --> 0:47:34.920
<v Speaker 3>If us sure would have sung that record, if this

0:47:35.120 --> 0:47:38.120
<v Speaker 3>one would have disc like, you know, they just finished

0:47:38.160 --> 0:47:41.319
<v Speaker 3>coming from giving out the biggest hits in the world.

0:47:41.400 --> 0:47:43.080
<v Speaker 3>Then they do their own album. They like, all right,

0:47:43.120 --> 0:47:45.480
<v Speaker 3>it's time for my ship. Can't blame them for wanting

0:47:45.520 --> 0:47:48.480
<v Speaker 3>to be a starter album. It's incredible too, but they

0:47:48.560 --> 0:47:52.320
<v Speaker 3>don't go that. You just give a football, start with

0:47:52.440 --> 0:48:04.960
<v Speaker 3>a helmet, a start your face. He top five, you

0:48:05.120 --> 0:48:05.839
<v Speaker 3>got that ship?

0:48:06.520 --> 0:48:10.000
<v Speaker 2>Heard me? Your boss? You just want to be seen,

0:48:10.360 --> 0:48:12.719
<v Speaker 2>You just want to be seen. They know it's you.

0:48:15.280 --> 0:48:18.759
<v Speaker 3>That's how I feel. People gotta like you. It's just

0:48:18.840 --> 0:48:22.520
<v Speaker 3>the bottom line, that's that's how I feel about and me,

0:48:23.360 --> 0:48:25.320
<v Speaker 3>I studied game. It took me a long time to

0:48:25.440 --> 0:48:28.320
<v Speaker 3>understand that. Like I'm sitting there, and you know, I

0:48:28.440 --> 0:48:30.879
<v Speaker 3>got friends that are writings, that could write big hits

0:48:30.920 --> 0:48:33.759
<v Speaker 3>and them that and they want to be artists. And

0:48:33.920 --> 0:48:36.720
<v Speaker 3>to me, the music is incredible. These guys are handsome,

0:48:37.440 --> 0:48:41.080
<v Speaker 3>woman is beautiful, and for some reason they just don't connect,

0:48:42.440 --> 0:48:45.600
<v Speaker 3>you know, And and that's crazy, you know. Sometimes to me,

0:48:45.840 --> 0:48:48.800
<v Speaker 3>I don't know. I guess we're all up on this

0:48:48.920 --> 0:48:53.360
<v Speaker 3>couch because we think we know music. Or sometimes I

0:48:53.520 --> 0:48:56.279
<v Speaker 3>hear records or I see artists that I know for

0:48:56.360 --> 0:48:58.399
<v Speaker 3>a fact. I'll be like, oh no, she's out of here.

0:48:58.920 --> 0:49:00.880
<v Speaker 3>This guy's out of here. And then it don't go,

0:49:01.040 --> 0:49:04.600
<v Speaker 3>and I'm confused because I'm like, for sure that was

0:49:04.680 --> 0:49:07.080
<v Speaker 3>supposed to be out of here. But I think it's

0:49:07.120 --> 0:49:09.640
<v Speaker 3>all God's doing. I think it's all that. Once again,

0:49:09.760 --> 0:49:13.120
<v Speaker 3>I just it all came back to people gotta like you.

0:49:13.760 --> 0:49:16.160
<v Speaker 3>I always use Cardi B as an example. But people

0:49:16.280 --> 0:49:19.440
<v Speaker 3>thought she was funny and they liked her before they

0:49:19.480 --> 0:49:21.640
<v Speaker 3>ever knew she was ever gonna put out a record

0:49:22.440 --> 0:49:24.680
<v Speaker 3>and then she put out of here the Bowdack Yellow.

0:49:24.800 --> 0:49:26.880
<v Speaker 3>You're like, damn on top of that, we love her.

0:49:27.000 --> 0:49:29.719
<v Speaker 3>Why it's home, you know.

0:49:29.920 --> 0:49:32.040
<v Speaker 2>And that's that's what I that that.

0:49:32.360 --> 0:49:34.840
<v Speaker 3>You know, if there's any artist out there and looking,

0:49:35.400 --> 0:49:37.560
<v Speaker 3>you gotta find a way to get that connection with

0:49:37.680 --> 0:49:40.440
<v Speaker 3>the people. And I think that's the most priceless thing,

0:49:40.680 --> 0:49:42.880
<v Speaker 3>you know, for us. We take it for granted. You

0:49:43.000 --> 0:49:44.960
<v Speaker 3>think you are hit maker, you think you a hit maker.

0:49:45.320 --> 0:49:46.240
<v Speaker 3>Now it's the people.

0:49:46.640 --> 0:49:47.520
<v Speaker 2>I am a hit.

0:49:49.200 --> 0:49:52.680
<v Speaker 3>Yeah, but somebody gotta like your hit And so what

0:49:52.760 --> 0:49:55.600
<v Speaker 3>I'm saying to you is when you go outside, okay,

0:49:55.719 --> 0:49:58.440
<v Speaker 3>but when you walk out in the stadium and there

0:49:58.880 --> 0:50:04.680
<v Speaker 3>a that's that's the blessing. That's that's the blessing. Because

0:50:04.719 --> 0:50:08.799
<v Speaker 3>some people got music like that. Crickets some people got

0:50:09.200 --> 0:50:14.320
<v Speaker 3>music like that and cricket mania. Yeah, yeah, you know

0:50:14.320 --> 0:50:16.440
<v Speaker 3>what I'm saying that that that Ricky mania.

0:50:17.400 --> 0:50:21.319
<v Speaker 2>Damn. I learned that one day.

0:50:21.480 --> 0:50:25.040
<v Speaker 3>One day, I go, I go, I'm performing last year

0:50:25.080 --> 0:50:29.879
<v Speaker 3>in Ohio, and listen, my daughter's way more into swed

0:50:30.000 --> 0:50:32.560
<v Speaker 3>Lee's music than Fat Joe. Like, I don't even think

0:50:32.600 --> 0:50:35.719
<v Speaker 3>she's a fan. I don't know how to expend. She like,

0:50:35.840 --> 0:50:39.600
<v Speaker 3>you know the Travis All, the Young Popper ship. She

0:50:39.880 --> 0:50:42.880
<v Speaker 3>come in Ohio to my show. She got her girlfriend

0:50:42.920 --> 0:50:45.759
<v Speaker 3>who go to college, her boyfriend. They come to my

0:50:45.920 --> 0:50:51.000
<v Speaker 3>show and somehow the pink got tore off the wall.

0:50:51.120 --> 0:50:53.600
<v Speaker 3>Fat Joe went up in there and caught that body that.

0:50:56.360 --> 0:51:02.560
<v Speaker 2>Thousand. I think it was God assisted me that day

0:51:02.640 --> 0:51:04.600
<v Speaker 2>so I can look like a hero. I come back

0:51:04.719 --> 0:51:07.920
<v Speaker 2>half to my thought. I'm not dad. You think your

0:51:08.000 --> 0:51:11.759
<v Speaker 2>father whack like I'm tearing this ship, Dawn. You know

0:51:11.800 --> 0:51:14.360
<v Speaker 2>what I'm saying. But you know, it is what it is.

0:51:14.760 --> 0:51:17.680
<v Speaker 2>You know, people gotta like you, definitely. That's the end

0:51:17.719 --> 0:51:21.000
<v Speaker 2>of the day and that and that's hard. You gotta

0:51:21.080 --> 0:51:22.440
<v Speaker 2>keep you know, people don't understand.

0:51:22.480 --> 0:51:25.160
<v Speaker 3>You got to keep working on that until they get

0:51:25.200 --> 0:51:27.400
<v Speaker 3>that energy and they really fuck with you like that

0:51:27.520 --> 0:51:31.520
<v Speaker 3>because this ain't an overnight thing. Sometimes it is and

0:51:31.640 --> 0:51:36.520
<v Speaker 3>you be like gold all in my watch, don't believe me,

0:51:36.760 --> 0:51:43.960
<v Speaker 3>just watch, don't believe Yeah. Yeah, Trina had James, I

0:51:44.080 --> 0:51:47.640
<v Speaker 3>love you, I love him. That's one of the greatest

0:51:47.680 --> 0:51:52.440
<v Speaker 3>songs that all that is important to I love Trinity.

0:51:53.680 --> 0:51:56.760
<v Speaker 2>Very you know mad ship about hip hop.

0:51:58.080 --> 0:52:00.759
<v Speaker 3>Game tell you so I remember when that song number one,

0:52:00.840 --> 0:52:04.120
<v Speaker 3>I walked out in the club. I felt like, you

0:52:04.200 --> 0:52:07.400
<v Speaker 3>know what, what's that a New Orleans? Where you walking?

0:52:07.440 --> 0:52:10.680
<v Speaker 3>They got the band behind you? Oh yeah, I walked

0:52:10.680 --> 0:52:12.640
<v Speaker 3>in there that fun but they got the trumpets And

0:52:14.360 --> 0:52:16.200
<v Speaker 3>I walked up in the club one day that ship.

0:52:16.600 --> 0:52:20.920
<v Speaker 3>I was sit, that's just cold doll in. My wife,

0:52:21.920 --> 0:52:22.759
<v Speaker 3>don't believe it.

0:52:23.000 --> 0:52:24.480
<v Speaker 4>Just as you get.

0:52:24.840 --> 0:52:26.880
<v Speaker 3>I was walking in that bitch like I thought that

0:52:27.000 --> 0:52:31.600
<v Speaker 3>someone was about me. You fucking kidding me? That's ship

0:52:32.440 --> 0:52:36.279
<v Speaker 3>shout out turning that James, that's my weather comoth.

0:52:37.239 --> 0:52:39.520
<v Speaker 2>So what we're looking for? So you said rich the kid?

0:52:39.600 --> 0:52:43.160
<v Speaker 2>You rocking with him all single? We got our same

0:52:43.280 --> 0:52:46.799
<v Speaker 2>difference in that difference. Right now we're gonna drop another.

0:52:46.800 --> 0:52:49.320
<v Speaker 2>You're gonna drop an dropping the same day as album.

0:52:49.840 --> 0:52:55.239
<v Speaker 3>That's the three piece come the first got to be

0:52:55.440 --> 0:52:56.480
<v Speaker 3>disrespect kid.

0:52:57.120 --> 0:52:58.640
<v Speaker 2>You know what I'm saying him in the stomach.

0:53:00.120 --> 0:53:05.040
<v Speaker 3>Disrespect Jamnee. She ain't never whacked either. She's so cold,

0:53:05.160 --> 0:53:10.400
<v Speaker 3>special girl. Everybody loves her fan basis. It's almost like

0:53:10.520 --> 0:53:13.920
<v Speaker 3>wou tag ten toes sure her fan basis like a

0:53:14.120 --> 0:53:14.520
<v Speaker 3>Colt Bro.

0:53:14.600 --> 0:53:15.880
<v Speaker 1>I went to one of the shows, Bro, it was

0:53:16.920 --> 0:53:21.080
<v Speaker 1>straight girls, Bro twenty thousand and thirty thousand girls. I'm

0:53:21.239 --> 0:53:24.680
<v Speaker 1>like this crazy, Like, you know what's.

0:53:24.600 --> 0:53:27.640
<v Speaker 3>Crazy is I had the way old a little bit

0:53:27.719 --> 0:53:29.480
<v Speaker 3>older than me, a tad bit older than me.

0:53:29.640 --> 0:53:30.960
<v Speaker 2>Yeah, legends.

0:53:31.400 --> 0:53:34.359
<v Speaker 3>I had like three or four shows concerts with Salt

0:53:34.400 --> 0:53:38.719
<v Speaker 3>and Pepper. It was nobody of fact Joe fan and

0:53:38.840 --> 0:53:41.480
<v Speaker 3>none of them shows. The shit just girls.

0:53:42.320 --> 0:53:44.719
<v Speaker 2>There was no dudes with raizor blades in their mouth

0:53:44.800 --> 0:53:47.600
<v Speaker 2>and armby jackets, none of that ship. I look out there,

0:53:48.840 --> 0:53:51.360
<v Speaker 2>all the girls out here, this shit is. That's a

0:53:51.400 --> 0:53:53.560
<v Speaker 2>good dimo, that's a good demographic win, and that's the

0:53:53.600 --> 0:53:56.759
<v Speaker 2>greatest ever draft. For sure. I think my fans are

0:53:56.840 --> 0:53:57.440
<v Speaker 2>more guys.

0:53:57.560 --> 0:54:00.840
<v Speaker 3>Though I got some, I got girl hits, but I

0:54:00.920 --> 0:54:04.160
<v Speaker 3>think my demographic is more dudes. In fact, I know

0:54:04.360 --> 0:54:07.439
<v Speaker 3>my demographic is more dudes. I remember when I first

0:54:07.480 --> 0:54:10.360
<v Speaker 3>saw a girl at my show, I couldn't believe. Like

0:54:10.480 --> 0:54:14.120
<v Speaker 3>the first five years, first first five years, I have

0:54:14.280 --> 0:54:17.760
<v Speaker 3>motherfuckers with army jackets raise it while I'm performing.

0:54:17.800 --> 0:54:19.200
<v Speaker 2>They spitting out raising.

0:54:19.000 --> 0:54:23.000
<v Speaker 3>Blade ship niggas motherfucker looking at me, hard as hell

0:54:23.160 --> 0:54:27.239
<v Speaker 3>ship and he's like, oh ship is female at the show.

0:54:27.960 --> 0:54:33.279
<v Speaker 2>This ship was crazy. They paid for tickets. Females pay

0:54:33.440 --> 0:54:34.000
<v Speaker 2>ticket like you.

0:54:34.600 --> 0:54:37.520
<v Speaker 3>The first time you have female fans like she was

0:54:37.600 --> 0:54:39.799
<v Speaker 3>a bottle for a year and a half. That's that's

0:54:39.840 --> 0:54:45.040
<v Speaker 3>when you saw the before that so locks every where

0:54:45.680 --> 0:54:51.120
<v Speaker 3>hardcore hip hop. You had girls at your show, be honest, Yes,

0:54:51.680 --> 0:54:54.600
<v Speaker 3>Oh no, I didn't have that. I had hard go ahead,

0:54:54.920 --> 0:54:59.560
<v Speaker 3>I had I had the original group like y'all. No, no,

0:55:00.239 --> 0:55:03.840
<v Speaker 3>we had the original gangsters at our fucking show. They

0:55:04.000 --> 0:55:05.800
<v Speaker 3>was pulling up with a machine because I had a

0:55:05.960 --> 0:55:09.000
<v Speaker 3>midget with a machine gun under his wheelchair.

0:55:09.640 --> 0:55:11.319
<v Speaker 2>Fuck y'all talking about.

0:55:13.000 --> 0:55:14.759
<v Speaker 4>Yo, let me tell you something you gotta use to

0:55:14.880 --> 0:55:18.960
<v Speaker 4>let him use the bath for man, Scott Rizzy, Young

0:55:19.080 --> 0:55:22.920
<v Speaker 4>Scott riz you ain't got the young June sky sliding up.

0:55:30.040 --> 0:55:32.440
<v Speaker 3>Let me splain said that you broke this man right here.

0:55:32.600 --> 0:55:35.560
<v Speaker 3>Every time I take an old man, pissed, the man

0:55:35.680 --> 0:55:39.320
<v Speaker 3>says Scott Rizzi. That's the medicine on the commercial to

0:55:39.400 --> 0:55:42.000
<v Speaker 3>Scott Rizzie. One day, I look at that ship. I

0:55:42.080 --> 0:55:44.959
<v Speaker 3>looked the ship. Oh, nothing to ship, don't got nothing

0:55:45.000 --> 0:55:47.200
<v Speaker 3>to do with pissing or nothing like that. I said, Yo,

0:55:47.280 --> 0:55:48.360
<v Speaker 3>this motherfucker.

0:55:48.040 --> 0:55:50.759
<v Speaker 2>Been calling you like a year.

0:55:51.440 --> 0:55:55.960
<v Speaker 3>That ship ain't got the prostag. Oh yeah, prostate. That's

0:55:56.640 --> 0:55:59.120
<v Speaker 3>everybody gotta be careful, you know what I'm saying. It's

0:55:59.160 --> 0:56:02.839
<v Speaker 3>a tough time, Like, oh this guy Men's Health.

0:56:03.200 --> 0:56:04.120
<v Speaker 2>What the sky Rizzy do.

0:56:05.200 --> 0:56:09.200
<v Speaker 3>Scott Rizzy? They don't got nothing to do with pisson.

0:56:09.760 --> 0:56:13.279
<v Speaker 3>But let me all trim Fire, Joe, you've seen that one.

0:56:13.360 --> 0:56:16.359
<v Speaker 3>That's the latest one. They pushing that ship. I mean,

0:56:16.400 --> 0:56:18.359
<v Speaker 3>when you like me and you watch and seeing none

0:56:18.400 --> 0:56:20.360
<v Speaker 3>and all that shit, you at a certain age, they

0:56:20.440 --> 0:56:25.800
<v Speaker 3>pushing medicine the number one ship. I'm surprised, yo, James.

0:56:25.840 --> 0:56:28.400
<v Speaker 3>Why we ain't got a trim Fire or sky Rizzi

0:56:28.600 --> 0:56:32.279
<v Speaker 3>or o zempic. We go v some ship on this show.

0:56:32.360 --> 0:56:38.200
<v Speaker 3>We need some kind of medicine. They fucking paying the bills.

0:56:39.080 --> 0:56:43.920
<v Speaker 3>Now listen, my brother, Men's Health, the eighteen hundred good

0:56:43.960 --> 0:56:48.120
<v Speaker 3>as fuck. Huh tell us I'm sipping. I'm sipping slow,

0:56:48.200 --> 0:56:51.840
<v Speaker 3>but yeah, tell us about you teaming up with the magazine,

0:56:52.640 --> 0:56:55.120
<v Speaker 3>a men's health magazine. We did a little workout, y'all.

0:56:55.120 --> 0:56:57.480
<v Speaker 1>I just wanted a couple of my workouts showing them

0:56:57.960 --> 0:57:00.399
<v Speaker 1>how to achieve you know, the Sally buddy.

0:57:03.280 --> 0:57:05.800
<v Speaker 3>Yeah, listen, I'll sell like one copy. I about do

0:57:05.920 --> 0:57:09.200
<v Speaker 3>that ship. It was like and Body of twenty twenty six.

0:57:09.400 --> 0:57:11.000
<v Speaker 3>Fat Joe's Men's Health.

0:57:10.840 --> 0:57:16.400
<v Speaker 2>I'm right behind you. I'm only selling seven copies games. Yo, kiss.

0:57:16.440 --> 0:57:18.200
<v Speaker 2>You could do a men's health. You can do it.

0:57:18.600 --> 0:57:22.520
<v Speaker 2>It is tough for sure. Real, I'm pouring its working out.

0:57:22.600 --> 0:57:25.280
<v Speaker 2>What kind of working out you? I ain't like working

0:57:25.320 --> 0:57:25.720
<v Speaker 2>out right now?

0:57:25.760 --> 0:57:28.760
<v Speaker 1>It's pretty important, ain't gonnat, because I'm trying to get

0:57:28.960 --> 0:57:31.600
<v Speaker 1>right for Coach Chilla and shit, so trying to shock

0:57:31.680 --> 0:57:32.920
<v Speaker 1>the world when I take my shirt.

0:57:32.720 --> 0:57:34.840
<v Speaker 2>Off and ship, are you trying to do all that

0:57:35.000 --> 0:57:37.760
<v Speaker 2>out there? Real? My shirt? You know what I'm saying.

0:57:38.320 --> 0:57:41.440
<v Speaker 3>Ever, let me tell you something my prime time, Okay,

0:57:41.680 --> 0:57:44.919
<v Speaker 3>in my prompt, in my plomp fat joke swamp. Yeah,

0:57:45.040 --> 0:57:47.480
<v Speaker 3>I work out too, three times a day. There's no

0:57:47.640 --> 0:57:51.720
<v Speaker 3>fucking lit fats like this. Damn Fat Joe did a

0:57:51.800 --> 0:57:54.439
<v Speaker 3>lot of working out, picking up tires all that shit.

0:57:55.040 --> 0:58:02.200
<v Speaker 2>I never had one muscle in my life. I went

0:58:02.280 --> 0:58:06.080
<v Speaker 2>to jail. These motherfucker's doing the ball shit, he dude.

0:58:06.120 --> 0:58:08.480
<v Speaker 2>They used to try to like, come on Joe, like

0:58:09.080 --> 0:58:10.480
<v Speaker 2>the whole fucking jelous.

0:58:11.240 --> 0:58:16.880
<v Speaker 3>I was Brian time I wake up ron I play

0:58:17.040 --> 0:58:20.240
<v Speaker 3>handball on there I'm on top of my ship. Let

0:58:20.320 --> 0:58:23.680
<v Speaker 3>me come on, Joe, you could do it. And I'd

0:58:23.680 --> 0:58:29.680
<v Speaker 3>be like, I can't do ship. I can't get it.

0:58:29.760 --> 0:58:30.880
<v Speaker 3>I can't get a muscle.

0:58:31.360 --> 0:58:33.480
<v Speaker 2>I don't know. I tried. I mean they used to

0:58:33.600 --> 0:58:36.000
<v Speaker 2>tell me, I think we're gonna have to do a

0:58:36.080 --> 0:58:39.680
<v Speaker 2>show in the gym. I can't do it. We're gonna

0:58:39.720 --> 0:58:40.760
<v Speaker 2>have to do a gym show.

0:58:41.280 --> 0:58:43.920
<v Speaker 3>Bro, I can't get a Let me tell you something.

0:58:43.960 --> 0:58:46.880
<v Speaker 3>I mean, they used to come up to me and

0:58:46.960 --> 0:58:50.040
<v Speaker 3>tell me, yo, Joe. You know, I had guys come

0:58:50.120 --> 0:58:53.000
<v Speaker 3>up to me and be like six months six packs,

0:58:54.080 --> 0:58:56.160
<v Speaker 3>but they talking with the steroids and all that.

0:58:57.080 --> 0:58:58.680
<v Speaker 2>Yeah, I wasn't really do all that.

0:58:59.200 --> 0:59:01.360
<v Speaker 3>You know what I'm saying, Man, face you here an

0:59:01.440 --> 0:59:06.160
<v Speaker 3>so as you don't take it? You seven you deflated sagging. Yeah,

0:59:06.360 --> 0:59:09.280
<v Speaker 3>that's how that shit worked for the Melton schooler. Then

0:59:09.320 --> 0:59:12.200
<v Speaker 3>you're gonna be seven fat jos. That man my security

0:59:12.280 --> 0:59:15.120
<v Speaker 3>I looked at his phone that nigga be cocked du

0:59:15.240 --> 0:59:15.680
<v Speaker 3>six pack.

0:59:15.800 --> 0:59:18.200
<v Speaker 2>I'll be like, Yo, what happens son? Like yo with

0:59:18.360 --> 0:59:18.760
<v Speaker 2>this ship?

0:59:18.880 --> 0:59:19.000
<v Speaker 6>Right?

0:59:19.080 --> 0:59:21.160
<v Speaker 2>He was like Yo, it's a long time ago. Like

0:59:21.320 --> 0:59:25.320
<v Speaker 2>that he was on that yaller. You know what I'm saying, niggas.

0:59:25.440 --> 0:59:27.880
<v Speaker 2>Niggas hit you with that. Y'all are right there. That's shit.

0:59:28.000 --> 0:59:31.320
<v Speaker 2>I never wanted to do that. Yeah, now that'sh it.

0:59:32.720 --> 0:59:34.480
<v Speaker 2>Same catch up to you, catch up to you for

0:59:34.600 --> 0:59:35.600
<v Speaker 2>the same difference.

0:59:35.840 --> 0:59:39.919
<v Speaker 4>That mean platform, we got flammable, we got don't even call,

0:59:40.080 --> 0:59:41.920
<v Speaker 4>and we got that new one coming with you.

0:59:42.120 --> 0:59:46.720
<v Speaker 1>Yeah, sixteen songs, sixteen by sixteen flavor for every neighbor.

0:59:46.840 --> 0:59:49.120
<v Speaker 3>I can't wait, man, I want to download that album

0:59:49.200 --> 0:59:52.520
<v Speaker 3>being there. I'm a journalist, see me shit, send us

0:59:52.560 --> 0:59:56.080
<v Speaker 3>some ship out in saying you might be going to

0:59:56.160 --> 0:59:58.440
<v Speaker 3>coach other If you know I'm going.

0:59:58.280 --> 1:00:03.440
<v Speaker 2>There, you let me my daughter. I got ship up,

1:00:03.680 --> 1:00:04.000
<v Speaker 2>let me know.

1:00:04.000 --> 1:00:10.840
<v Speaker 3>I mean you need them bring and Jay Wine would

1:00:11.000 --> 1:00:13.920
<v Speaker 3>the no fucking with you golf carts knowing that.

1:00:16.360 --> 1:00:18.520
<v Speaker 2>James, you've been there, right, they got the golf cart.

1:00:19.280 --> 1:00:21.720
<v Speaker 3>They'll treat you, specially sometimes when you go up and

1:00:21.880 --> 1:00:27.160
<v Speaker 3>you know you off that sky Rizzy the motherfuckers to

1:00:27.240 --> 1:00:30.280
<v Speaker 3>get us the golf courts just say that that is

1:00:30.520 --> 1:00:34.200
<v Speaker 3>this cracking kiss got the sway le.

1:00:35.800 --> 1:00:38.640
<v Speaker 2>Ring kiss sway. The same difference. You know what I'm saying,