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Speaker 1: Coachella coming up boom same day. Justin Bieber shipping to

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Speaker 1: be a movie. You gotta come this year. Man, appreciate

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Speaker 1: this weapon for my sake. Gang all right, two three songs?

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Speaker 1: Whatever then, no care, no care. Jada Kiss first ever

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Speaker 1: Coachell legendary fact.

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Speaker 2: That's gonna go. Do you get Yeah?

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Speaker 3: Yeah?

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Speaker 2: What up? Y'alls?

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Speaker 4: Joe cracked the dawn. You know what it is, your boy,

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Speaker 4: Jada Kiss. This is the Joe and Jada Show. Every

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Speaker 4: show legendary, every show I can you don't play around

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Speaker 4: with you guys, nor do we have for brown. You're

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Speaker 4: not doing what you're doing.

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Speaker 3: Just keep going, Just keep going, your kiss, don't HiPE

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Speaker 3: me up.

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Speaker 2: Don't be doing what we're doing. I'm not trying to

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Speaker 2: so bad. I've been.

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Speaker 4: Screw it man Weather, it's breaking, I mean, go bad

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Speaker 4: every now and didn't Now. When you're think of today's guests,

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Speaker 4: as we told you, every show legendary, every show iconic,

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Speaker 4: you think it's somebody who came in with his group,

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Speaker 4: made a hell of an impact with the group, knocked

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Speaker 4: them out, The parker knocked them out, the shout out

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Speaker 4: the mic will they knocked them.

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Speaker 2: They came in and I.

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Speaker 4: Say, hit a few grand slams. You know what I mean,

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Speaker 4: never compromised. They'll always stay solid. Every time you see

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Speaker 4: them with the group without the group, always love, always

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Speaker 4: got that good energy. Transition to a solo artist, hit

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Speaker 4: even more out the park, you know what I mean?

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Speaker 4: Back paused, He couldn't strike out. There's no such thing. Anything,

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Speaker 4: Anything he touched light up, you know what I mean.

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Speaker 4: I think I even seen him on the helicopter playing

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Speaker 4: a video game, and she was the only shit I

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Speaker 4: haven't seen. He was in the hand plan, don't making

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Speaker 4: all kinds of history, you know what I mean. Now

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Speaker 4: you're about to do it again. He felt like, you

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Speaker 4: know what I mean. He looked at the ball, he

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Speaker 4: looked at the raptors, felt like putting.

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Speaker 2: Some more home runs. So you're gonna do it again.

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Speaker 4: When you think a drip, when you think of ice,

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Speaker 4: you think of somebody who just does whatever the fuck

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Speaker 4: he wants, and it looks like he's having fun doing it.

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Speaker 2: Ladies and gentleman makes some noise for my brother sway

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Speaker 2: leag what what what what out? What's headning? What's heady?

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Speaker 1: What's hendy? Sweat least like same difference man. Appreciate that.

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Speaker 1: My brother's for real. Thank you for having for real.

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Speaker 2: Appreciate you, my brother. You know what I mean. And

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Speaker 2: the legends. You know what I'm saying. That's to me

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Speaker 2: got me lit he.

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Speaker 3: Smokes a legendary ship before you walked in there, right,

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Speaker 3: you look like you're on that who BONDI chronic. Oh no,

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Speaker 3: so so we're living squeeze plate so living living you

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Speaker 3: just got He just looked like.

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Speaker 5: He kind of It's a different kind of image. Oh ship,

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Speaker 5: I take a shot. You know what I'm saying, bro,

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Speaker 5: Double shopping time, two times of fellow.

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Speaker 3: We gotta guy, don't wait a minute. Way you don't

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Speaker 3: gotta do you gotta I gotta do nothing. Whi's two

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Speaker 3: time of selling no no, no, no no, He's gonna take.

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Speaker 2: Care of you.

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Speaker 4: Two time of fella like Jims. You want to do

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Speaker 4: the honest, My fuck, I know you want to shine.

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Speaker 4: I'm care my brothers, Form one, take care of them.

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Speaker 4: Before I said, I notice when I go home and

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Speaker 4: watch the show, you try to get me smacked.

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Speaker 2: You.

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Speaker 4: It's shipping you're talking about. I'm shooting at you. You

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Speaker 4: try to make them slide. You much more fun on

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Speaker 4: eighteen hundred. That's difference. You think you more fun smoked out.

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Speaker 3: When you drink? You legendary Jada? Because I drink, I

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Speaker 3: might get us in trouble. Oh, big child, Seek the king,

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Speaker 3: Seek the Kingdom. Give a toast to sway lead Mac,

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Speaker 3: come on, let's do it. Eighteen hundred, eighteen hundred.

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Speaker 2: You know what it is?

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Speaker 3: Damn the flag on the plate. No, it's eighteen hundred.

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Speaker 3: You got to clean one. If I drink that shit,

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Speaker 3: y'all be character drink you can hit the repord, hit

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Speaker 3: hit the white ground less less.

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Speaker 4: Less sugar for for the thing the pack man bro,

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Speaker 4: legendary leader all the way up.

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Speaker 3: Well, I took my sipper badyro. Why much y'all want

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Speaker 3: me to drink half the bottle? Got me eighteen hundred out?

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Speaker 3: I don't get on that time. Man, that's quite my brother.

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Speaker 3: How did you get discovered? How do you get in

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Speaker 3: the game?

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Speaker 2: Was it?

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Speaker 3: Mike will Oh? I just see you come out of nowhere,

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Speaker 3: just like Jada Jad. They ain't exaggerating the line. You

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Speaker 3: just came out and your ship was legendary. Like how

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Speaker 3: did you get your start? I grew up in Mississippi

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Speaker 3: and long story short.

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Speaker 1: My DJ was cousins with Mike Willis producers the Ear Drummers,

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Speaker 1: So it's my homies p Nasty and Mars. They first

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Speaker 1: got in touch with us and they heard our music

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Speaker 1: that was making from Misissippi. So they told us, men,

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Speaker 1: I'll come to Atlanta, may ill work with us. You

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Speaker 1: know what I'm saying, to lock in with us, see

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Speaker 1: what comes from it. So we was working at McDonald's,

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Speaker 1: just doing we could get some money at the time.

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Speaker 1: So Boom, one of my homies, he had a truck,

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Speaker 1: So we got there, drove that shit Fromsissippi to Atlanta

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Speaker 1: and just locked in like a whole year in the

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Speaker 1: basement and just cooking up with Mike will cooking up

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Speaker 1: with the Ear Drummers, just creating a new sound. And

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Speaker 1: Mike will Will come over and hear the songs. He'll

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Speaker 1: be like, yo, y'all boys hard, you know what I'm saying.

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Speaker 1: He always paid show mad love. And then he had

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Speaker 1: an idea for a group here drummers Beckwards and if

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Speaker 1: he felt like the sound like matched that name, and

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Speaker 1: we was like, shit, that's hard, you know what I'm saying.

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Speaker 2: So Boom, yeah, sure, sure, you know what that's how

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Speaker 2: it haven't.

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Speaker 3: You know what's crazy is it's good to have money, yeah, right,

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Speaker 3: and success, But it was nothing more priceless than that

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Speaker 3: time when you was in the basement creating that music

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Speaker 3: and all, like, you know, I'm at Brison Tilla and

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Speaker 3: my man rich the Barber's house. He used to live

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Speaker 3: in Richard Barbers house. He was making that whole first

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Speaker 3: album in his kitchen.

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Speaker 2: Damn.

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Speaker 3: So I got to see that product. Of course, you

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Speaker 3: got the big mansion. Now you can't the fuck up.

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Speaker 3: But it was you know, that's a priceless time when

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Speaker 3: you when you're there learning the ropes and you coming

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Speaker 3: up with these hits, and you coming up with that

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Speaker 3: sound and you know, and dreaming. So so after that year,

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Speaker 3: y'all put out this music and then the next thing,

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Speaker 3: you know, you explode.

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Speaker 2: How did that feel?

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Speaker 3: Making a transition from nobody knowing you to now you

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Speaker 3: the biggest ship in the game.

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Speaker 2: Man?

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Speaker 1: It was crazy because like when we live in Atlanta,

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Speaker 1: it's like some of these clubs, you know, I'm saying.

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Speaker 1: It turned us around. So many people told us, now

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Speaker 1: we can't even play this, you know what I'm saying.

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Speaker 1: So but we on foot with it. You know, they

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Speaker 1: were working every club. We screamed our ship out in

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Speaker 1: the streets. You know, I'm saying, we handing out CDs everything.

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Speaker 1: So the turnaround was crazy, Like the same clubs it

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Speaker 1: was turning us around, same spots that turned us around.

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Speaker 2: They're like they.

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Speaker 1: Welcoming, they working us, open arms and yeah, booking and

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Speaker 1: sending bags.

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Speaker 2: So it's like, damn shit crazy.

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Speaker 3: It was crazy why fid Lucci was head and he forgot.

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Speaker 3: But I remember one night I come off the club.

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Speaker 3: He's performing on top of the call and this song,

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Speaker 3: and they was like, Yo, that's why Finn, I mean,

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Speaker 3: Atlanta got a different type of grind. Motherfuck's gonna do

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Speaker 3: what they gotta do. He told me about that, But

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Speaker 3: I remember watching Wi fed Lucci on top of a

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Speaker 3: fucking call perform in this song outside the club.

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Speaker 2: I said, man, that motherfuckers ron and hungry to come

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Speaker 2: up for show, super hungry doing whatever.

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Speaker 3: That's really nuts because that's the way I didn't think

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Speaker 3: your era yah y'all was doing that. That's how we

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Speaker 3: came up, like giving the vinyl to the DJ. He

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Speaker 3: going to every club and you fizzed. Uh you can't really, Yeah,

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Speaker 3: you can't be successful just in the corner sitting on you.

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Speaker 3: You gotta like you come on tutime two time. That's

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Speaker 3: what we're supposed to give. Let me tell you something.

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Speaker 3: Thank you brother, but you can't be you know, in

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Speaker 3: your sad. My daughter, my daughter got a little podcast

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Speaker 3: shout out to as He as If and she's making

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Speaker 3: he saying she's doing ship. But she's doing ship because

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Speaker 3: she out there and everybody face and working and doing

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Speaker 3: whatever she's gonna do, pleas networking and getting the relationship.

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Speaker 3: So every time she comes out with a new breakthrough,

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Speaker 3: I'm like, yeah, but she she.

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Speaker 2: Gotta be outreak.

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Speaker 3: God, nobody gonna be able to give you that success

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Speaker 3: or get you to where you're going without you out

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Speaker 3: there grind and putting in that work.

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Speaker 2: It's just the way it is.

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Speaker 3: I think if I put out a new record, I

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Speaker 3: got I gotta do the same ship now twenty twenty six,

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Speaker 3: Like pull up on the club and be like yo,

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Speaker 3: play this ship, yo, this and this and that.

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Speaker 2: I mean, it's always been where it's at. It's always

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Speaker 2: been where you get the best success, best reaction, the

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Speaker 2: best reaction.

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Speaker 4: Bro, it's new singing, don't even call featuring Rich the Kid,

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Speaker 4: which shout out the Rich the Kid shot rich, How

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Speaker 4: did that happen?

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Speaker 2: What made you? How did this song happen? How did

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Speaker 2: the vision come or made you make it? The lead single?

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Speaker 2: What his head about it? Yes?

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Speaker 1: I live in Miami, shit right now. So that song,

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Speaker 1: like I gave it to a couple of d jas.

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Speaker 1: It ended up like blowing up crazy in Miami. So

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Speaker 1: all the girls knowing in Miami and ship, you know

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Speaker 1: what I'm saying. I always see Rich the Kid out there.

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Speaker 1: He lived out there, so boom. We always crossed paths.

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Speaker 1: I mean my I mean my rose Rece Nigga and

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Speaker 1: his g wagon sitting up fifty feet. We always see

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Speaker 1: to other big ship. Yeah he got that, he got

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Speaker 1: that Bribes's kid.

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Speaker 2: It's like three fifty four.

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Speaker 1: Yeah, oh yeah, yeah, I know it's I know it's

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Speaker 1: him every time.

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Speaker 2: Just step up down Niggah them Senior Citizen the sister.

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Speaker 2: Yeah for sure, I'm not exactly. I gotta get on

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Speaker 2: the bok. Yeah this ship like Riches drug, you got

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Speaker 2: this crazy. I just bought a g wagon. I played myself.

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Speaker 2: That'sh it hard. But you always see brother. Then we're like.

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Speaker 3: Doing, yeah, right on white cocaine, right on white. Crazy

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Speaker 3: for that Miami. So when we come down, you see

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Speaker 3: that ship exactly how rich, right white on white ship.

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Speaker 3: You know what I'm saying that the Rose Royce doing.

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Speaker 1: Oh yeah, my ship. You're telling your ship got white?

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Speaker 1: Oh I got I got the Rose Reight truck d

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Speaker 1: good coloring it. You're coloring black bads.

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Speaker 2: You know what I'm saying. I forgot down it up.

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Speaker 3: They nothing like it in the Reaper like that here.

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Speaker 2: You can't. You're in New York. I got mine here.

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Speaker 2: It's traffic too crazy. I love them.

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Speaker 3: Traffic's too crazy. But you know I'm from here. So

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Speaker 3: where would you say you more from? At Ol or Mississippi?

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Speaker 2: Definitely Mississippi. I am from. I know that.

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Speaker 3: I know the DNA in New York City is it's

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Speaker 3: hard for motherfuckers. Man, it's too much jealousy. When I

224
00:11:28,520 --> 00:11:31,920
Speaker 3: come down the block in that Room's Royce is just hard, man,

225
00:11:32,160 --> 00:11:34,679
Speaker 3: motherfucker crossing the street and see that ship in the

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Speaker 3: house and all that that ship. I might have drove

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Speaker 3: it one time in New York City, like that's just

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Speaker 3: sitting there for no reason.

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Speaker 2: It's just I can't even a wait.

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Speaker 3: As fast as I pull that bitch out the fastest

231
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Speaker 3: on the day, like today's nice, that ship be back

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Speaker 3: in the fucking gropinis is.

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Speaker 2: Like niggas can't. They just can't. They can't para lot.

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Speaker 2: They can't take that ship. They faced me like you

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Speaker 2: just they discussed.

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Speaker 3: That's I'm telling you nobody, you can't take that here

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Speaker 3: here in Miami. You go to Carbone anywhere seventy two

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Speaker 3: Roach Royce. Yeah, it shouldn't look like a skateboard out there.

239
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Speaker 3: So many motherfuckers got them hits over a year. Good luck,

240
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Speaker 3: tell you good luck. I drove through the same blocks.

241
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Speaker 3: I always drove through it, bro motherfuckers like yo, crack, whatep,

242
00:12:32,600 --> 00:12:36,320
Speaker 3: y'oll you come down with that big body. Motherfuckers be

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Speaker 3: like that ship turned a head. They just tight just

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Speaker 3: hate you.

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Speaker 2: You know. I come up in the era where that's motivation.

246
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Speaker 3: So I used to see the guys who used to

247
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Speaker 3: hustle or so to own number spots and this this that,

248
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Speaker 3: or see a motherfucker fly, You see a motherfucking your hood.

249
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Speaker 3: I comfort it was horrible, like nobody was flying. If

250
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Speaker 3: one motherfucker was fly. We used to look at him like, yeah,

251
00:13:02,920 --> 00:13:06,839
Speaker 3: motherfucker fly One day your little v Bombay said give

252
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Speaker 3: me a little something. And you know we always took

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Speaker 3: it as inspiration, right. You know what I'm saying now,

254
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Speaker 3: I don't know where that switch off is. Now is

255
00:13:16,480 --> 00:13:19,760
Speaker 3: looking like they almost assume you rubbing it in their

256
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Speaker 3: face that you're successful. They take it another way now.

257
00:13:24,760 --> 00:13:30,680
Speaker 3: Before it used to be like inspiration. Miami, everybody got money.

258
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Speaker 2: I don't know what. It's some fake shit. It's like,

259
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Speaker 2: is everybody rich?

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Speaker 3: Like I lived there for twenty three years, Like everywhere

261
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Speaker 3: I go, it's fucking They got ballet and Walgreens. God,

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Speaker 3: motherfucker Miami. One of the biggest crooks in the world

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Speaker 3: is the ballet. They got ballet and CBS. Motherfucker. You

264
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Speaker 3: go to CBS, they collected some talannoid. They'd be like, Yo,

265
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Speaker 3: Valet the car beat. You be like, what vallet? You

266
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Speaker 3: need cash in Miami to tip on these valets?

267
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Speaker 2: Mother fuck herself fat.

268
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Speaker 1: And they're gonna change the price to it. See you

269
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Speaker 1: put up in that rose race, it's automatically a hundred.

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Speaker 3: I had this one Mexican dude wearing all the clubs.

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Speaker 3: He was the ballet of all he was the boss,

272
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Speaker 3: my fucking man. Yeah, in the prime time when we

273
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Speaker 3: in the club seven days a week, my man ran

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Speaker 3: the whole shit. So I'll come Yo, Poppy, Hey, you

275
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Speaker 3: take leadership man. One day they deported that nigga. Nigga

276
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Speaker 3: said new boss one hundred dollars front. I used to

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Speaker 3: pay this nigga fifty dollars for like ten fifteen years.

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Speaker 2: They couldn't wait for new Boss.

279
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Speaker 3: They was like, he barted, Poppy, Poppy, your man gone gone,

280
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Speaker 3: new Boss one hundred up front. Gundaw I said, damn

281
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Speaker 3: man couldn't wait to tell me that shit.

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Speaker 2: Get them niggas your man, Lady, you gotta.

283
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Speaker 4: Cool with everybody for real, when you're dropping the whole

284
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Speaker 4: project are you? Are you gonna drop a project?

285
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Speaker 1: Yeah, I'm dropping a project sixteen and me janiku, what's malone?

286
00:15:06,400 --> 00:15:07,160
Speaker 1: French Montana?

287
00:15:07,400 --> 00:15:11,160
Speaker 2: Were you all dropping on that day? Now? They fresh.

288
00:15:13,880 --> 00:15:16,440
Speaker 3: Sample on my last album, man, She looked out, let

289
00:15:16,440 --> 00:15:20,000
Speaker 3: me clear the sample. Yeah, she hated the sign too.

290
00:15:20,880 --> 00:15:23,000
Speaker 3: She was like, Yo, I hate the song man. You

291
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Speaker 3: sound like a chip.

292
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Speaker 2: Joe crat. You know me. I call a beautician, nail polished.

293
00:15:29,520 --> 00:15:32,720
Speaker 3: Lady, the lady who do their eyes when I'm on

294
00:15:32,760 --> 00:15:38,600
Speaker 3: you ports, They're gonna find you, sway Lee everywhere you go.

295
00:15:38,680 --> 00:15:41,480
Speaker 2: The barber that, this, that, and the head the fat

296
00:15:41,480 --> 00:15:43,520
Speaker 2: guy is looking for you. The fact guy's looking for you,

297
00:15:43,560 --> 00:15:45,600
Speaker 2: the fact that you get it, you finally be like, Yo.

298
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Speaker 3: Ain't no way I can go. This motherfucker looking for me.

299
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Speaker 3: She cleared it from me, but she's she's legendary. Who

300
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Speaker 3: else you got French mantana?

301
00:15:55,720 --> 00:15:56,760
Speaker 2: So everything good now?

302
00:15:56,800 --> 00:15:59,120
Speaker 3: Because I'm forgettable, they say, You know, there was a

303
00:15:59,240 --> 00:16:00,800
Speaker 3: mixed up of communication.

304
00:16:01,920 --> 00:16:03,040
Speaker 2: I think what it was like.

305
00:16:03,600 --> 00:16:05,520
Speaker 1: It looked one way on the internet, but in real life,

306
00:16:05,560 --> 00:16:07,800
Speaker 1: it's just it just wasn't the traditional way you go

307
00:16:07,840 --> 00:16:10,680
Speaker 1: about clearing the song, you know what I'm saying. But

308
00:16:10,720 --> 00:16:13,760
Speaker 1: the outcome of the song was everything we could have imagine.

309
00:16:13,800 --> 00:16:16,200
Speaker 1: I'm saying, everything we wanted. So it was a lot

310
00:16:16,200 --> 00:16:17,480
Speaker 1: going on at the time, you know what I'm saying.

311
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Speaker 2: But you know what I'm saying, Mike would work yourself out.

312
00:16:21,240 --> 00:16:23,520
Speaker 3: As rich as he is, he still talked to himself

313
00:16:23,560 --> 00:16:25,280
Speaker 3: on the park bench about that song.

314
00:16:25,720 --> 00:16:27,440
Speaker 2: I mean, yeah, because every time I get around and

315
00:16:27,440 --> 00:16:31,320
Speaker 2: he'd be like, yeah, man, that was my song. Man Ship, I'd.

316
00:16:31,200 --> 00:16:34,400
Speaker 3: Be like, Yo, Mike, Mike, Mike, when he came understanding

317
00:16:34,400 --> 00:16:36,400
Speaker 3: on it, he's standing on it, standing on your man.

318
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Speaker 2: Yeah, but you know, I don't know what he like,

319
00:16:40,000 --> 00:16:45,400
Speaker 2: yo man, you know for real, for real, Yeah, I can't.

320
00:16:46,200 --> 00:16:48,000
Speaker 3: We're gonna go to the grave with that one. But

321
00:16:48,120 --> 00:16:50,680
Speaker 3: that one, I'm telling you every time happened.

322
00:16:50,720 --> 00:16:52,720
Speaker 1: But I get it because it's like it was a

323
00:16:52,760 --> 00:16:54,920
Speaker 1: long story, you know what I'm saying, Like it's kind

324
00:16:54,960 --> 00:16:55,760
Speaker 1: of like some back door ship.

325
00:16:55,800 --> 00:16:57,720
Speaker 2: It's like seeing the opportunity and season, you know what

326
00:16:57,760 --> 00:16:59,040
Speaker 2: I'm saying. Basically, what it.

327
00:16:58,920 --> 00:17:01,280
Speaker 3: Was the best thing is that it came out and

328
00:17:01,400 --> 00:17:04,840
Speaker 3: this went like twenty million or ten millions some while

329
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Speaker 3: ship right.

330
00:17:05,720 --> 00:17:09,000
Speaker 1: For sure, classic like real classic, definitely connected with the

331
00:17:09,040 --> 00:17:09,880
Speaker 1: people and them.

332
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Speaker 2: Ship's coming time.

333
00:17:11,320 --> 00:17:15,120
Speaker 1: Yeah, that came at a good time for real when

334
00:17:15,160 --> 00:17:16,200
Speaker 1: nothing like that coming out.

335
00:17:16,359 --> 00:17:19,520
Speaker 2: Especially that ship was a fucking UFO.

336
00:17:19,880 --> 00:17:20,000
Speaker 6: Right.

337
00:17:21,160 --> 00:17:23,480
Speaker 3: That ship to this day when it come on is different,

338
00:17:24,359 --> 00:17:26,560
Speaker 3: sounds like a movie when it up, it's a different,

339
00:17:27,680 --> 00:17:31,240
Speaker 3: like that's a different type of thing, bro. With that ship,

340
00:17:31,359 --> 00:17:33,199
Speaker 3: come on, man, come on, let's keep it real. But

341
00:17:33,280 --> 00:17:36,679
Speaker 3: that unforgettable that ship, come on. I watched I watched

342
00:17:36,680 --> 00:17:40,000
Speaker 3: that nigga go for Jet Blue. He was private every day,

343
00:17:40,320 --> 00:17:42,960
Speaker 3: Yeah for sure. Then he married the Princess of Dubai.

344
00:17:43,040 --> 00:17:45,520
Speaker 3: I'm looking at all that ship off that unforgettable.

345
00:17:45,640 --> 00:17:48,719
Speaker 2: It's crazy. God, this motherfucking ball stopped.

346
00:17:48,960 --> 00:17:51,200
Speaker 1: It's one of them caliber songs for a timely song

347
00:17:51,280 --> 00:17:54,200
Speaker 1: for real. Yeah, you're about to kick off for college

348
00:17:54,200 --> 00:17:57,199
Speaker 1: tool not a college story. I was just doing a

349
00:17:57,200 --> 00:17:59,760
Speaker 1: couple of stops the doll, yeah exactly. So I went

350
00:17:59,800 --> 00:18:03,720
Speaker 1: to HBCUs, I went to more houses spelling in Atlanta.

351
00:18:03,800 --> 00:18:06,800
Speaker 1: Then I just talking to the colleges like yeah, just

352
00:18:06,800 --> 00:18:08,919
Speaker 1: like finding you and them know what's going on yet.

353
00:18:09,080 --> 00:18:12,960
Speaker 2: Wow, you're great, sneak, You're not scared. I ain't scared.

354
00:18:13,000 --> 00:18:14,720
Speaker 2: You know what I'm saying. Basically, just letting the music talk.

355
00:18:14,800 --> 00:18:16,320
Speaker 1: You know what I'm saying, telling the coolest thing they

356
00:18:16,359 --> 00:18:19,119
Speaker 1: can do is be smart, just motivating them, getting ready

357
00:18:20,000 --> 00:18:21,000
Speaker 1: put them on the album too.

358
00:18:21,080 --> 00:18:23,040
Speaker 2: You know what I'm saying. Just tapping in with the

359
00:18:23,040 --> 00:18:24,160
Speaker 2: future and ship. You know what I'm saying.

360
00:18:24,680 --> 00:18:28,720
Speaker 3: That's yeah, later, I'm going to n YU after this. Yeah,

361
00:18:29,359 --> 00:18:31,679
Speaker 3: doing ship. You know what's crazy is a lot of

362
00:18:33,480 --> 00:18:35,520
Speaker 3: you know, I've been doing this ship a minute like

363
00:18:35,800 --> 00:18:39,160
Speaker 3: interviewing and and all that, and a lot of the youth.

364
00:18:39,720 --> 00:18:41,920
Speaker 2: They don't really talk like that. They don't really get

365
00:18:41,920 --> 00:18:42,480
Speaker 2: out like that.

366
00:18:42,600 --> 00:18:45,000
Speaker 3: Biggest stars in the world when you start talking to

367
00:18:45,040 --> 00:18:48,280
Speaker 3: them in like interviews, they ain't got no fluidy, they

368
00:18:48,320 --> 00:18:51,919
Speaker 3: ain't got ship to say you taking the bull botty horns,

369
00:18:51,960 --> 00:18:54,920
Speaker 3: going to the schools and talking to them. That's that's

370
00:18:54,960 --> 00:18:56,720
Speaker 3: pretty unique in this day and narrow.

371
00:18:57,240 --> 00:18:59,239
Speaker 2: You know what I'm saying. Yeah, yeah, it's a lot

372
00:18:59,240 --> 00:19:01,840
Speaker 2: of mysterious serious cost too much to.

373
00:19:01,880 --> 00:19:05,160
Speaker 3: Be Thank you for letting me know. Because I'm going home.

374
00:19:05,240 --> 00:19:07,680
Speaker 3: I look at my ship. My ship be looking all crazy.

375
00:19:08,320 --> 00:19:12,480
Speaker 3: It's like the hanger is still on that bitch ship

376
00:19:12,520 --> 00:19:14,920
Speaker 3: me up like that ship.

377
00:19:15,320 --> 00:19:18,080
Speaker 2: It's that elephant skin. God, I say something different for

378
00:19:18,400 --> 00:19:20,320
Speaker 2: it's the elephant skin. That Ain't that count?

379
00:19:20,400 --> 00:19:20,480
Speaker 3: Right?

380
00:19:20,840 --> 00:19:22,040
Speaker 2: Ain't that count? You know?

381
00:19:22,080 --> 00:19:24,520
Speaker 3: It's crazy? I love that ship man. And I was

382
00:19:24,640 --> 00:19:28,120
Speaker 3: I was riding in Miami and I seen this girl.

383
00:19:28,240 --> 00:19:32,040
Speaker 3: She walked by. She had this ship in Burgundy with

384
00:19:32,080 --> 00:19:37,080
Speaker 3: the elephant skin. I s damn, I seen the elephant skin.

385
00:19:37,800 --> 00:19:40,240
Speaker 3: And I went to the webster in Bell Harbor and

386
00:19:40,280 --> 00:19:43,040
Speaker 3: I walked in. They had the purple elephant skin ship.

387
00:19:43,040 --> 00:19:44,640
Speaker 3: I was like, Yo, I need this ship.

388
00:19:44,800 --> 00:19:47,520
Speaker 2: Is the alephant real elephant skin I don't know.

389
00:19:47,640 --> 00:19:50,920
Speaker 1: But back on my call, I'm like, what's the numbers

390
00:19:50,960 --> 00:19:51,080
Speaker 1: on that?

391
00:19:51,200 --> 00:19:55,360
Speaker 2: And I don't know. It's the elephant skin print for sure.

392
00:19:55,320 --> 00:20:01,320
Speaker 3: Rhino or some ship. Don't do that kish with that ship. Man,

393
00:20:01,400 --> 00:20:05,960
Speaker 3: gotta respect the premises this ship. That's a different type

394
00:20:05,960 --> 00:20:08,680
Speaker 3: of like that. It's the material that damn. Now, we

395
00:20:08,880 --> 00:20:10,840
Speaker 3: love this ship though, you know what I'm saying. We

396
00:20:11,000 --> 00:20:13,040
Speaker 3: come on here, we get to have a great time,

397
00:20:13,160 --> 00:20:17,200
Speaker 3: vibe with people, preserve the culture, give everybody a place

398
00:20:17,240 --> 00:20:20,000
Speaker 3: where they could come feel like home, you know.

399
00:20:20,160 --> 00:20:22,560
Speaker 2: And and always it's always for the.

400
00:20:22,600 --> 00:20:25,240
Speaker 3: Uplift man, it's never with the negative ship, not the

401
00:20:25,320 --> 00:20:30,199
Speaker 3: Joe with Jada show this ship winning positivity and in

402
00:20:30,280 --> 00:20:33,320
Speaker 3: this world now it's big, it's so hard.

403
00:20:33,040 --> 00:20:37,680
Speaker 2: To be positive. You was you and Rich that one

404
00:20:37,760 --> 00:20:39,240
Speaker 2: in the studio you sent them the.

405
00:20:39,200 --> 00:20:42,359
Speaker 1: Foul Yeah, no, we ain't do the internet collbling now

406
00:20:42,400 --> 00:20:43,879
Speaker 1: And that was that was in person. Like you know

407
00:20:43,880 --> 00:20:46,359
Speaker 1: what I'm saying, Brousy put up on me. Shit, we

408
00:20:46,400 --> 00:20:49,040
Speaker 1: did like three other songs too, so let's yeah, we

409
00:20:49,080 --> 00:20:50,400
Speaker 1: actually work on take me and Rich?

410
00:20:51,080 --> 00:20:52,640
Speaker 2: Yeah, yeah, hell yeah.

411
00:20:53,320 --> 00:20:56,359
Speaker 1: That'd be nice. Turning the Coachella too. How you feel

412
00:20:56,359 --> 00:20:59,960
Speaker 1: about that? Oh yeah, Coachella coming up, bun same day.

413
00:21:00,080 --> 00:21:03,160
Speaker 1: Justin Bieber Shipping to be a movie. A lot of surprises,

414
00:21:03,160 --> 00:21:04,160
Speaker 1: a lot of homies coming out.

415
00:21:04,320 --> 00:21:05,000
Speaker 2: You know what I'm saying.

416
00:21:05,720 --> 00:21:07,520
Speaker 1: I think I got some damn robots finna pull up

417
00:21:07,520 --> 00:21:08,360
Speaker 1: and dance with me and ship.

418
00:21:08,440 --> 00:21:10,440
Speaker 2: So it's gonna be It's gonna be lit.

419
00:21:11,960 --> 00:21:15,960
Speaker 1: Roadbot them humanoid robots. Yeah, they pulling up in the stadium. Yeah,

420
00:21:16,480 --> 00:21:19,200
Speaker 1: that's the Hey, y'all, y'all going out there.

421
00:21:20,600 --> 00:21:25,520
Speaker 2: Up, I might pull up. You are out there, you

422
00:21:25,600 --> 00:21:30,719
Speaker 2: might put crazy. I never I never been there.

423
00:21:30,920 --> 00:21:33,480
Speaker 3: You would rip that ship, ripped that ship down like

424
00:21:33,520 --> 00:21:37,320
Speaker 3: two three years ago, caught a fucking body your fucking

425
00:21:37,400 --> 00:21:40,959
Speaker 3: turn that ship on. God, the paint off that bitch

426
00:21:41,080 --> 00:21:44,879
Speaker 3: niggas is like, yo, what coach? Then I had the

427
00:21:44,960 --> 00:21:49,520
Speaker 3: crib across the street, dumb ship going crazy. Ship looked

428
00:21:49,560 --> 00:21:51,600
Speaker 3: like you know, they had the cactus and all that

429
00:21:51,640 --> 00:21:56,159
Speaker 3: ship in the middle with Yeah, nah.

430
00:21:56,760 --> 00:21:58,760
Speaker 1: You gotta come this year, man, I appreciate it. Pull

431
00:21:58,880 --> 00:22:01,960
Speaker 1: up so it's a great. Yeah, man, tell me that man.

432
00:22:02,040 --> 00:22:06,960
Speaker 2: Look he got you catch your body out there you

433
00:22:07,000 --> 00:22:09,560
Speaker 2: want the weather for my sake? Gang all right? Two

434
00:22:09,600 --> 00:22:14,440
Speaker 2: three songs whatever, no care, no cap the first A,

435
00:22:14,840 --> 00:22:17,400
Speaker 2: the first average like that? How many years you've been

436
00:22:17,400 --> 00:22:25,640
Speaker 2: in the around? Literally to me? You right, y'all?

437
00:22:25,720 --> 00:22:29,600
Speaker 1: Let me ask yourself, Jada kids first ever coaching legendary

438
00:22:30,400 --> 00:22:31,560
Speaker 1: fact that's gonna go.

439
00:22:31,640 --> 00:22:36,160
Speaker 3: Do you get exactly like will you pull up just yeah?

440
00:22:36,320 --> 00:22:40,120
Speaker 2: Yeah, I've never been there. You know what coach.

441
00:22:40,960 --> 00:22:45,440
Speaker 3: Body like a model for and that ship and go

442
00:22:45,760 --> 00:22:49,159
Speaker 3: down to her ass. You do that coach that ship

443
00:22:49,240 --> 00:22:51,760
Speaker 3: over there be a moment you know me, a moment

444
00:22:51,800 --> 00:22:56,320
Speaker 3: for real crazy. No, that's it, I think me personally.

445
00:22:56,520 --> 00:22:58,880
Speaker 3: Fans don't take this no wrong way. I really don't

446
00:22:58,880 --> 00:23:02,040
Speaker 3: be caring and I go do my job. I rip

447
00:23:02,080 --> 00:23:05,520
Speaker 3: it down legendary. I know what I'm gonna do. So

448
00:23:05,520 --> 00:23:09,440
Speaker 3: I'm gonna rip that shit all bless you if you

449
00:23:09,560 --> 00:23:12,080
Speaker 3: put me to perform before you or so, because I'm

450
00:23:12,080 --> 00:23:14,119
Speaker 3: coming to tear the paint of that bitch.

451
00:23:14,200 --> 00:23:15,640
Speaker 2: That's all say saying about behind.

452
00:23:15,800 --> 00:23:17,520
Speaker 3: You know a lot of rappers they want to go

453
00:23:17,680 --> 00:23:19,800
Speaker 3: list so they want to just be careful what you

454
00:23:19,840 --> 00:23:22,000
Speaker 3: wish for when I step on that bitch. You get

455
00:23:22,040 --> 00:23:25,560
Speaker 3: me on that shit over and if they give me

456
00:23:25,680 --> 00:23:29,000
Speaker 3: fifteen twenty like the shorter of the worst, because I

457
00:23:29,119 --> 00:23:32,680
Speaker 3: just give you a minute of all these shits, you

458
00:23:32,880 --> 00:23:35,560
Speaker 3: dizzy by the fifteenth one, I'm out of it.

459
00:23:37,119 --> 00:23:39,520
Speaker 2: But you this shit go. You know what I'm saying.

460
00:23:39,560 --> 00:23:41,840
Speaker 3: Some people want to go list some people in there.

461
00:23:41,840 --> 00:23:45,240
Speaker 3: I don't give a fuck. I'm like, I got my chet.

462
00:23:45,560 --> 00:23:49,680
Speaker 3: Oh y'all got my shit? Okay, give me bring it down.

463
00:23:49,760 --> 00:23:52,360
Speaker 3: The fans they gonna get that same and I give

464
00:23:52,400 --> 00:23:55,080
Speaker 3: them the same energy. If his one fan and it's

465
00:23:55,840 --> 00:23:59,880
Speaker 3: one hundred thousand fans, they don't get in the same love.

466
00:24:00,280 --> 00:24:03,720
Speaker 2: So but yeah, Coach Chelling, that's going to be nice

467
00:24:03,840 --> 00:24:06,800
Speaker 2: just to be win is be that's the first time.

468
00:24:06,840 --> 00:24:08,720
Speaker 1: So that's the first time I'm doing in new music

469
00:24:08,720 --> 00:24:11,080
Speaker 1: sisode running a coach Sello.

470
00:24:12,320 --> 00:24:15,080
Speaker 2: Yeah, that's going to be crazy. Coachll is where you go.

471
00:24:18,640 --> 00:24:22,000
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Speaker 2: What sut with the Chipotle? Chipotle?

511
00:26:21,160 --> 00:26:21,320
Speaker 3: Man?

512
00:26:21,320 --> 00:26:24,360
Speaker 2: That was? That was sposhot of Chippotle. You got down.

513
00:26:25,119 --> 00:26:26,120
Speaker 2: So we did this whole thing.

514
00:26:26,160 --> 00:26:27,520
Speaker 1: It was like by when get one free, you show

515
00:26:27,560 --> 00:26:30,280
Speaker 1: your tattoos, they give you a free burrito. You know

516
00:26:30,320 --> 00:26:32,760
Speaker 1: what I'm saying. Yeah, Then we did Yeah, it was crazy.

517
00:26:32,960 --> 00:26:36,040
Speaker 1: Then we did like a uh like we dropped custom

518
00:26:36,119 --> 00:26:38,679
Speaker 1: little tattoos. You just add water and dropped them for

519
00:26:38,680 --> 00:26:41,719
Speaker 1: the fans and ship. It was crazy with Chipotle, Chipole,

520
00:26:42,200 --> 00:26:45,200
Speaker 1: we need less guarantee. I'm the first we got to

521
00:26:45,240 --> 00:26:48,200
Speaker 1: send us something. They should have just sent the ship

522
00:26:48,240 --> 00:26:48,840
Speaker 1: because you was.

523
00:26:48,800 --> 00:26:53,639
Speaker 2: Coming up here. Chipotle ley out, Yeah, Chipotle good fire.

524
00:26:53,960 --> 00:26:54,840
Speaker 2: You always wanted to.

525
00:26:54,880 --> 00:26:59,600
Speaker 1: It's quality steak everything, Chipotle good as fun for real.

526
00:26:59,840 --> 00:27:02,040
Speaker 2: I used to go there. You don't go there in

527
00:27:02,040 --> 00:27:05,880
Speaker 2: the morning. Lord, I went to the doctors in five

528
00:27:07,040 --> 00:27:16,280
Speaker 2: god shooting and shut out right now whole month eighty five.

529
00:27:16,680 --> 00:27:17,920
Speaker 2: No pork man, no pork.

530
00:27:18,600 --> 00:27:20,760
Speaker 3: Well, I ain't need parks since I'm twelve years old,

531
00:27:20,760 --> 00:27:23,000
Speaker 3: and you try to find another Puerto Rican dude that

532
00:27:23,080 --> 00:27:27,720
Speaker 3: ain't need park, that shit is impossible. They set me

533
00:27:27,800 --> 00:27:30,000
Speaker 3: to go buy park today. They're like, you know, my

534
00:27:30,040 --> 00:27:34,200
Speaker 3: wife is like, kitchen's not gonna give me some food.

535
00:27:34,240 --> 00:27:37,000
Speaker 3: I said, you want the park, you want to swim?

536
00:27:38,280 --> 00:27:40,600
Speaker 3: Come my shit allergic keeping. If I put it in

537
00:27:40,640 --> 00:27:42,800
Speaker 3: the back seat, I can't even beat next to the

538
00:27:42,800 --> 00:27:44,080
Speaker 3: swep pork.

539
00:27:44,480 --> 00:27:46,679
Speaker 2: I hate it so good. When my daughter made some

540
00:27:46,760 --> 00:27:49,760
Speaker 2: bacon this morning, I walked by damn malling good as

541
00:27:49,760 --> 00:27:57,160
Speaker 2: a mother for relation up. Tell you something about I've

542
00:27:57,200 --> 00:27:58,960
Speaker 2: seen Jewish friends.

543
00:28:00,760 --> 00:28:03,239
Speaker 3: The only thing the Muslims and the Jews agree with

544
00:28:03,440 --> 00:28:04,480
Speaker 3: is they don't want pork.

545
00:28:04,880 --> 00:28:07,000
Speaker 2: I don't know how they agreed with that one. Right,

546
00:28:07,520 --> 00:28:12,160
Speaker 2: so they both don't eat what That's great.

547
00:28:13,080 --> 00:28:15,960
Speaker 3: No, I'm saying they don't agree with shit, but they

548
00:28:16,040 --> 00:28:19,800
Speaker 3: agree that you should not eat the pork. I walk

549
00:28:19,880 --> 00:28:22,159
Speaker 3: in the airport, I catch one of my Jewish friends

550
00:28:22,160 --> 00:28:23,800
Speaker 3: eating the bacon, egen cheese.

551
00:28:25,840 --> 00:28:29,840
Speaker 2: Like, yo, brother, what's up Jewish? I don't eat this ship.

552
00:28:29,960 --> 00:28:32,040
Speaker 2: I'm just I'm twelve years old.

553
00:28:32,080 --> 00:28:35,960
Speaker 3: I go, friend, he ordering the sausage, egg and cheese

554
00:28:35,960 --> 00:28:38,760
Speaker 3: and McDonald's to say, your blood you know this ship,

555
00:28:38,880 --> 00:28:44,440
Speaker 3: paul though blood whatever I call a nigga. Yo, listen,

556
00:28:44,480 --> 00:28:46,520
Speaker 3: you know this ship pork? Nah, this shit ain't park.

557
00:28:46,560 --> 00:28:50,520
Speaker 3: Oh no, it's pork. And you eating this ship like

558
00:28:51,400 --> 00:28:55,320
Speaker 3: you know, you gotta stay true to its nonife for God,

559
00:28:56,200 --> 00:28:57,880
Speaker 3: nobody ever catch me eat pork.

560
00:28:57,960 --> 00:29:00,600
Speaker 2: Let me tell you something. I got one friend. He's Jewish. Richetabar.

561
00:29:01,600 --> 00:29:06,040
Speaker 2: Where we was at Costa Rica. The man told the.

562
00:29:06,160 --> 00:29:12,680
Speaker 3: Man theybe one hundred times we went sat down for

563
00:29:12,760 --> 00:29:18,560
Speaker 3: breakfast in the airport. He told the man, please no pork,

564
00:29:18,960 --> 00:29:22,240
Speaker 3: I'm Jewish. Please no pork, no bacon, no handle that

565
00:29:22,320 --> 00:29:26,200
Speaker 3: the man told this guy were a hundred times. The

566
00:29:26,320 --> 00:29:31,520
Speaker 3: man gets a sandwich. He took a bite. That nigga

567
00:29:31,600 --> 00:29:34,720
Speaker 3: hit that table. So I see yo. He said, motherfucker,

568
00:29:35,240 --> 00:29:40,240
Speaker 3: I told you Richard, your motherfucker.

569
00:29:40,720 --> 00:29:43,200
Speaker 2: I told you one hundred times. I think of it.

570
00:29:43,520 --> 00:29:46,400
Speaker 3: He had a little Park in there, and he told

571
00:29:46,400 --> 00:29:49,960
Speaker 3: the man one hundred times that he don't eat Park.

572
00:29:50,600 --> 00:29:52,320
Speaker 3: He wanted to kill this man. I was like, yo,

573
00:29:52,360 --> 00:29:55,520
Speaker 3: were in the airport. That's the one place you don't

574
00:29:55,560 --> 00:29:57,160
Speaker 3: want to fight. You don't want to be tough.

575
00:29:57,240 --> 00:29:57,360
Speaker 2: You know.

576
00:29:57,600 --> 00:30:00,000
Speaker 3: You gotta handle your losses there and keep it moving,

577
00:30:00,320 --> 00:30:03,720
Speaker 3: your airpop because you want to fly. Well, he lost

578
00:30:03,760 --> 00:30:04,760
Speaker 3: this and help mind?

579
00:30:05,120 --> 00:30:05,760
Speaker 2: Is that serious?

580
00:30:05,920 --> 00:30:06,080
Speaker 6: Guy?

581
00:30:06,160 --> 00:30:07,040
Speaker 2: Yeah? I can't do it.

582
00:30:07,120 --> 00:30:07,280
Speaker 3: Man.

583
00:30:07,360 --> 00:30:11,000
Speaker 2: The pork ship, I don't know. Fuck it. No pork right,

584
00:30:11,120 --> 00:30:13,920
Speaker 2: no pork, no boat. He ain't got no park they do.

585
00:30:13,920 --> 00:30:18,840
Speaker 2: They got the trading pork. Yeah you got it for god.

586
00:30:22,560 --> 00:30:26,239
Speaker 3: That's not for the convention now, because you know they

587
00:30:26,320 --> 00:30:29,200
Speaker 3: mixed that ship up. They put the pork on the grill,

588
00:30:31,520 --> 00:30:35,240
Speaker 3: on the grill the chicken, so you might they mix.

589
00:30:35,120 --> 00:30:39,040
Speaker 2: It up on you. You finished. You can't up for real.

590
00:30:39,920 --> 00:30:43,840
Speaker 3: I'm so anti Park. I don't even know why, man, tik,

591
00:30:44,200 --> 00:30:47,400
Speaker 3: I'm so anti Park. Did I get mad when I

592
00:30:47,440 --> 00:30:49,400
Speaker 3: go to it? Like a fucking boat digger and the

593
00:30:49,480 --> 00:30:52,040
Speaker 3: Muslim dude is making the ham and cheese. I'm like, yo,

594
00:30:52,080 --> 00:30:55,720
Speaker 3: this ship a violation, man, Like, fucking part of this?

595
00:30:56,040 --> 00:30:59,040
Speaker 3: What part of the sipehe is this? You Muslim?

596
00:30:59,080 --> 00:31:01,480
Speaker 2: And you cutting up a damn it cheesy? I guess like.

597
00:31:01,480 --> 00:31:05,320
Speaker 8: Business is business. You just can't eat it. Ken't supposed

598
00:31:05,360 --> 00:31:08,080
Speaker 8: to have it in the store if you was okay,

599
00:31:08,120 --> 00:31:13,760
Speaker 8: word damn no, I mean that's what I'm talking about.

600
00:31:14,600 --> 00:31:19,960
Speaker 2: St law. That's what it's called. Stuff A lot means

601
00:31:19,960 --> 00:31:28,800
Speaker 2: you violated. Damn. It's how I'm that's the start stoff

602
00:31:28,800 --> 00:31:31,240
Speaker 2: for law, stoff for law. It's like the five percent

603
00:31:31,240 --> 00:31:32,160
Speaker 2: of laws.

604
00:31:32,240 --> 00:31:34,800
Speaker 4: If you pull out a bacon egg right now, that's

605
00:31:34,800 --> 00:31:35,560
Speaker 4: whatever it hit you.

606
00:31:35,640 --> 00:31:43,400
Speaker 2: But what's the name of now? Same difference, same it's different.

607
00:31:43,680 --> 00:31:47,800
Speaker 2: Incredible how you come up with that title?

608
00:31:47,920 --> 00:31:51,880
Speaker 1: Same difference, Same difference is just like it's like a

609
00:31:51,920 --> 00:31:53,400
Speaker 1: play on versatility kind of in a way.

610
00:31:53,480 --> 00:31:56,000
Speaker 4: You gotta get a new pillow ship that's going down.

611
00:31:56,520 --> 00:32:03,760
Speaker 4: So the episode New cow Man, we need a new couch.

612
00:32:04,000 --> 00:32:09,120
Speaker 2: What is your velvet? Lord? You mean Lord.

613
00:32:08,800 --> 00:32:18,680
Speaker 3: Bannat and a nice livery CARDI b sat white Dan

614
00:32:19,240 --> 00:32:22,360
Speaker 3: and this to me that ship. She did a lot

615
00:32:22,400 --> 00:32:26,200
Speaker 3: of This is a famous couch. You want to you

616
00:32:26,240 --> 00:32:27,000
Speaker 3: know what's crazy?

617
00:32:27,120 --> 00:32:30,960
Speaker 2: I need this. You know what's crazy is Smithsony. You know.

618
00:32:31,080 --> 00:32:34,560
Speaker 3: You know when I when Hollywood put some wax figures

619
00:32:34,600 --> 00:32:36,960
Speaker 3: on his mother. When I used to coach at the

620
00:32:38,200 --> 00:32:41,000
Speaker 3: we had I'm telling you they had.

621
00:32:44,800 --> 00:32:45,280
Speaker 2: I'm playing.

622
00:32:45,280 --> 00:32:50,120
Speaker 9: No, I can't. I wondered one of the facts those stories.

623
00:32:52,080 --> 00:32:55,200
Speaker 9: I'm just like, you just did it to do it?

624
00:32:54,520 --> 00:32:58,080
Speaker 9: I really wanted to do that.

625
00:33:00,080 --> 00:33:03,120
Speaker 2: Listen. Let me tell you.

626
00:33:02,960 --> 00:33:07,280
Speaker 3: Solid I had no clue why I caught the flag.

627
00:33:08,600 --> 00:33:10,640
Speaker 3: I was gonna tell you an innocent story.

628
00:33:10,800 --> 00:33:15,480
Speaker 2: Yeah, fucking around for you want to now you flag?

629
00:33:16,480 --> 00:33:16,960
Speaker 2: I came here.

630
00:33:17,000 --> 00:33:19,600
Speaker 3: I made him throw a flag at the locks of

631
00:33:19,800 --> 00:33:21,239
Speaker 3: then he didn't want to throw it at him. I

632
00:33:21,280 --> 00:33:25,120
Speaker 3: was like, throw it, motherfucker. You know he deserves it.

633
00:33:25,200 --> 00:33:27,640
Speaker 3: He was like, fuck did he do it? Let me

634
00:33:27,680 --> 00:33:29,360
Speaker 3: tell you someone that when I used to be at

635
00:33:29,360 --> 00:33:35,280
Speaker 3: the Rucker. Yeah, they had this announcer, Hannibal boy boy

636
00:33:35,520 --> 00:33:40,280
Speaker 3: boy boy, Hannibal. So Hannibal. You know when when jay

637
00:33:40,360 --> 00:33:42,920
Speaker 3: Z had a team who used to bring Beyonce did

638
00:33:43,600 --> 00:33:47,960
Speaker 3: so one time. Beyonce must have said whatever he forever

639
00:33:48,400 --> 00:33:53,320
Speaker 3: night time he start every game. Yeah, boy boy, it's

640
00:33:53,400 --> 00:33:56,000
Speaker 3: handed the most elect you find one. You see this

641
00:33:56,160 --> 00:33:59,120
Speaker 3: cheek right here, This is where Beyonce gave me the

642
00:33:59,200 --> 00:34:02,680
Speaker 3: kiss that in my cheap boy boy. That's right, brother,

643
00:34:03,080 --> 00:34:07,200
Speaker 3: this yo, that's what's his claim to fame till he

644
00:34:07,280 --> 00:34:09,440
Speaker 3: didn't fucking announce a gamer.

645
00:34:09,520 --> 00:34:12,080
Speaker 4: There's some people that won't ever wash the face again

646
00:34:12,200 --> 00:34:13,360
Speaker 4: if they get a kiss from the.

647
00:34:14,440 --> 00:34:17,960
Speaker 2: That's a fact. That's a flex is it? If it's confirmed,

648
00:34:18,000 --> 00:34:18,719
Speaker 2: that's a flex though.

649
00:34:18,840 --> 00:34:21,640
Speaker 3: Nah, But that's a hello, you know, hello, she with

650
00:34:21,760 --> 00:34:24,600
Speaker 3: her husband. I'm just saying, the man ain't never let

651
00:34:24,640 --> 00:34:29,200
Speaker 3: that ship go. That was like, you know, I'm loving it.

652
00:34:29,719 --> 00:34:30,800
Speaker 2: That ship his ship.

653
00:34:31,360 --> 00:34:34,440
Speaker 3: That ship was his just doing. This ship was his logo.

654
00:34:35,120 --> 00:34:38,600
Speaker 3: That was his Nike swash. We got new music to hear.

655
00:34:39,440 --> 00:34:43,080
Speaker 2: You're gonna play something, don't sweet nash. Oh she got some.

656
00:34:43,719 --> 00:34:47,439
Speaker 2: Oh I brought the vibe for sure. Nah, we need

657
00:34:47,440 --> 00:34:48,880
Speaker 2: to bar line it up.

658
00:34:49,120 --> 00:34:52,600
Speaker 1: I don't come empty handy man, talking about baby god

659
00:34:53,080 --> 00:34:53,600
Speaker 1: s were.

660
00:34:53,480 --> 00:34:54,439
Speaker 2: Playing the Freshman Tanna.

661
00:34:54,880 --> 00:34:56,200
Speaker 1: I feel like, yeah, we're in New York man, we

662
00:34:56,200 --> 00:34:58,319
Speaker 1: gotta yeah, we gotta play fresh monannas on the French

663
00:34:58,440 --> 00:35:00,480
Speaker 1: Born to younger boy in my my.

664
00:35:00,480 --> 00:35:06,200
Speaker 4: Cards, make sure you're freaking it's you called suitcase Suitcase.

665
00:35:05,800 --> 00:35:09,280
Speaker 1: For real feature fresh one talent right here man, same difference,

666
00:35:09,880 --> 00:35:11,760
Speaker 1: same same same brand, new.

667
00:35:11,680 --> 00:35:16,719
Speaker 4: Ship stream April third streaming now same platforings in the

668
00:35:17,200 --> 00:35:17,919
Speaker 4: different game.

669
00:35:19,040 --> 00:35:24,480
Speaker 2: You know what it is? Home runs ship back of

670
00:35:24,520 --> 00:35:28,000
Speaker 2: the Then I'm gonna go get the mall hit it again.

671
00:35:28,400 --> 00:35:37,160
Speaker 2: And by the glizzy, what ship is about? The concession sting?

672
00:35:37,440 --> 00:35:37,880
Speaker 2: You ready?

673
00:35:40,040 --> 00:35:40,200
Speaker 10: Right?

674
00:35:40,280 --> 00:35:46,879
Speaker 2: He racked it up. It sounds like it's out of here,

675
00:35:47,040 --> 00:35:49,200
Speaker 2: right real, You're gonna.

676
00:35:48,960 --> 00:36:00,719
Speaker 6: Need another storm, like a feud day. Really what you're saying?

677
00:36:01,760 --> 00:36:09,400
Speaker 10: Yeah, yeah, I mean we kind of like the way

678
00:36:09,280 --> 00:36:14,759
Speaker 10: I said that I would blood away feet kicked off

679
00:36:14,800 --> 00:36:20,760
Speaker 10: at my vacation place and all your wars gone, give

680
00:36:20,840 --> 00:36:24,279
Speaker 10: me up for me, come to do.

681
00:36:24,960 --> 00:36:27,640
Speaker 6: Make young dreams come true.

682
00:36:27,840 --> 00:36:28,160
Speaker 2: Friends.

683
00:36:28,239 --> 00:36:32,120
Speaker 6: After Club Brown two, you too, You.

684
00:36:32,320 --> 00:36:33,200
Speaker 2: Too, too too.

685
00:36:34,960 --> 00:36:37,560
Speaker 6: I was gonna be the man in the midst and

686
00:36:37,760 --> 00:36:38,920
Speaker 6: on the one.

687
00:36:38,840 --> 00:36:41,480
Speaker 2: I can beat you Boomo in the back of.

688
00:36:41,520 --> 00:36:44,160
Speaker 6: The spin on the phone on my head when I

689
00:36:44,280 --> 00:36:47,160
Speaker 6: heard you, I'll be back on bullshit if I'm tugging

690
00:36:47,200 --> 00:36:49,800
Speaker 6: trigger Pomo the shots and just sumit.

691
00:36:50,400 --> 00:36:51,000
Speaker 5: Let's close.

692
00:36:51,080 --> 00:36:53,880
Speaker 6: When the nigga starts to spin. Let's close when the

693
00:36:53,960 --> 00:36:57,520
Speaker 6: nigga starts being in the smoke blue a few kisses,

694
00:36:58,160 --> 00:36:59,120
Speaker 6: let's fast.

695
00:36:58,840 --> 00:36:59,680
Speaker 3: To the left of the.

696
00:37:02,080 --> 00:37:02,319
Speaker 7: Hope.

697
00:37:02,400 --> 00:37:06,040
Speaker 6: He's worked the step fight, so no shout.

698
00:37:06,080 --> 00:37:07,120
Speaker 2: He ride me so fast?

699
00:37:07,200 --> 00:37:07,800
Speaker 5: Need a ticket?

700
00:37:08,440 --> 00:37:11,200
Speaker 2: I would travel to the bag, go and get it. Ba.

701
00:37:11,680 --> 00:37:12,960
Speaker 6: She don't ride in a limmit.

702
00:37:13,600 --> 00:37:15,520
Speaker 2: I'll be shocking with I land in the city.

703
00:37:15,920 --> 00:37:18,920
Speaker 6: Walk though, really got people like I finished she told

704
00:37:18,960 --> 00:37:21,839
Speaker 6: your n this, hands off the song limit. You're gonna

705
00:37:21,840 --> 00:37:29,000
Speaker 6: need another stonecase yo, maybe thinking like a few days right,

706
00:37:30,680 --> 00:37:37,120
Speaker 6: that's right, really got you saying crazy days. I mean

707
00:37:37,160 --> 00:37:38,400
Speaker 6: we feel like then an.

708
00:37:38,360 --> 00:37:42,640
Speaker 10: Way take that.

709
00:37:42,719 --> 00:37:47,880
Speaker 6: I would pull it away. She kicked off at my

710
00:37:48,000 --> 00:37:52,920
Speaker 6: vacation in place and your word's gone on man.

711
00:37:53,080 --> 00:37:55,719
Speaker 7: Yeah, sweatsuits, go y'all bag and then go on me

712
00:37:55,800 --> 00:37:58,280
Speaker 7: down me and sure to get freaky in the version

713
00:37:58,320 --> 00:37:59,759
Speaker 7: out man about it.

714
00:38:00,040 --> 00:38:02,400
Speaker 2: Hell, look, you keep a trip. It counts on the

715
00:38:02,480 --> 00:38:03,320
Speaker 2: phone making.

716
00:38:04,280 --> 00:38:10,480
Speaker 7: The bohen you keeping the Drilla cell coming lb suitcases

717
00:38:10,560 --> 00:38:11,560
Speaker 7: got watching them.

718
00:38:11,800 --> 00:38:15,000
Speaker 3: Three quarter milim like a comfort coming might blow a

719
00:38:15,080 --> 00:38:16,440
Speaker 3: fiftieth of bitch, don't know.

720
00:38:17,000 --> 00:38:20,440
Speaker 2: Red Roary Glass Dyll and Rick Clair Road Everything New

721
00:38:20,600 --> 00:38:24,200
Speaker 2: Seasons for no reason. Jungle Boys, Montanas, you wait through.

722
00:38:24,120 --> 00:38:33,879
Speaker 6: He okays, Yo, maybe thinking like a few days really

723
00:38:34,000 --> 00:38:35,680
Speaker 6: got you saying crazy things.

724
00:38:39,080 --> 00:38:45,560
Speaker 10: We connect to know anyway, they say that, I would plod.

725
00:38:45,360 --> 00:38:52,400
Speaker 6: Away feet kicked up at my vacage in place and

726
00:38:52,880 --> 00:38:55,120
Speaker 6: Young Wars don gold.

727
00:39:00,560 --> 00:39:20,120
Speaker 2: Change contrue. Thank you. Yeah, you're doing that, coach. I'm

728
00:39:20,120 --> 00:39:22,439
Speaker 2: gonna see what they really fun with before I really

729
00:39:22,600 --> 00:39:22,960
Speaker 2: like that.

730
00:39:23,800 --> 00:39:25,440
Speaker 3: I'm gonna tell you what's crazy. You could be a

731
00:39:25,520 --> 00:39:28,680
Speaker 3: problem for me if I own your record label. Every

732
00:39:28,840 --> 00:39:29,880
Speaker 3: record I hear from.

733
00:39:29,760 --> 00:39:34,040
Speaker 2: You, I think it's a fucking blow the whole bag. Bro.

734
00:39:34,239 --> 00:39:35,600
Speaker 2: I'd be like, Yo, that's it.

735
00:39:36,280 --> 00:39:38,920
Speaker 3: But I'll be spending my life savings on them ships

736
00:39:38,960 --> 00:39:42,479
Speaker 3: like running up you get that ship.

737
00:39:42,640 --> 00:39:45,719
Speaker 2: I never heard a song that I don't say it.

738
00:39:46,160 --> 00:39:49,399
Speaker 2: I appreciate that you don't got no album films. Yeah,

739
00:39:49,440 --> 00:39:50,560
Speaker 2: I don't do the side of something.

740
00:39:52,480 --> 00:39:52,680
Speaker 7: On you.

741
00:39:53,920 --> 00:39:56,000
Speaker 2: I'm telling straight New Twick.

742
00:39:56,160 --> 00:40:02,600
Speaker 3: Miss Nah his ship crazy, his ship, he's crazy. That

743
00:40:02,680 --> 00:40:05,600
Speaker 3: record right there was that was perfect. And you and

744
00:40:05,680 --> 00:40:08,960
Speaker 3: French you already got that chemistry. You know, they know

745
00:40:09,120 --> 00:40:10,120
Speaker 3: them voices, you know.

746
00:40:10,760 --> 00:40:14,200
Speaker 2: Together got that ship. Yeah they're so different, but they contrast.

747
00:40:14,280 --> 00:40:19,759
Speaker 3: Well, yeah, that's hard. That's hard sand of jungle boys. Man,

748
00:40:19,760 --> 00:40:20,520
Speaker 3: shout out my town.

749
00:40:21,200 --> 00:40:22,000
Speaker 2: You're doing ship.

750
00:40:22,239 --> 00:40:24,680
Speaker 3: So you got Montanna on there, you got your Ico

751
00:40:25,120 --> 00:40:29,279
Speaker 3: pust some alone now my loan, I just felt like

752
00:40:29,400 --> 00:40:34,640
Speaker 3: making the fucking record right alone. He don't get mother

753
00:40:35,040 --> 00:40:37,560
Speaker 3: might have played the guitar and all that. Yeah, he

754
00:40:37,920 --> 00:40:40,800
Speaker 3: slamming that bit whatever like that motherfucker post alone.

755
00:40:40,880 --> 00:40:44,960
Speaker 2: That's another one. He's like rock. That's that ship right there.

756
00:40:45,000 --> 00:40:48,640
Speaker 3: Because he had them juicyes. I heard them juicy joms.

757
00:40:48,680 --> 00:40:56,600
Speaker 3: I said, he got Jada Jay, that juice man playing

758
00:40:56,680 --> 00:40:58,879
Speaker 3: the minute and the beat was who did that mic?

759
00:40:58,960 --> 00:41:02,960
Speaker 2: Well? That damn? I don't even who that man? Whoever

760
00:41:03,080 --> 00:41:03,480
Speaker 2: played that?

761
00:41:04,680 --> 00:41:07,080
Speaker 1: I just you know, like random producers. The music on

762
00:41:07,160 --> 00:41:10,000
Speaker 1: the on the back that was like crazy. That was crazy,

763
00:41:10,200 --> 00:41:15,400
Speaker 1: Thank you bro, oh my boy swine, no doubt that

764
00:41:15,520 --> 00:41:20,080
Speaker 1: beat was legend that credible. What was that sample or sympathizer?

765
00:41:21,440 --> 00:41:25,160
Speaker 1: That ship was crazy. I was listening to that. I said, damn,

766
00:41:25,200 --> 00:41:28,480
Speaker 1: they did like some baby face the fad that you know,

767
00:41:28,640 --> 00:41:31,840
Speaker 1: because uh, would you call that R and B?

768
00:41:33,320 --> 00:41:34,799
Speaker 2: I call it kind of like R and B pop,

769
00:41:34,920 --> 00:41:38,680
Speaker 2: like some ship, you know, like it's like it's like

770
00:41:38,719 --> 00:41:40,000
Speaker 2: a fine line I don't really know.

771
00:41:40,920 --> 00:41:44,680
Speaker 3: Yeah, because kind of like to me, it's like, you know,

772
00:41:44,800 --> 00:41:47,880
Speaker 3: everybody always complained because they got that little bounce.

773
00:41:48,080 --> 00:41:50,040
Speaker 2: No, that's incredible, But the.

774
00:41:50,080 --> 00:41:52,920
Speaker 3: Ship is like, you know, everybody but everybody in my

775
00:41:53,120 --> 00:41:55,840
Speaker 3: age group complained that we ain't got like a Brandy

776
00:41:56,040 --> 00:41:59,440
Speaker 3: Monica win got. Well, you know y'all putting ship out,

777
00:41:59,560 --> 00:42:02,520
Speaker 3: you know cause liney with that folded you know what

778
00:42:02,560 --> 00:42:04,000
Speaker 3: I'm saying, that's that was.

779
00:42:04,160 --> 00:42:05,399
Speaker 2: Real n B ship whatever.

780
00:42:06,160 --> 00:42:08,240
Speaker 3: You know what I'm saying. This ship right here sounded

781
00:42:08,320 --> 00:42:10,520
Speaker 3: like a joint too. It sounds like a big boy,

782
00:42:10,760 --> 00:42:12,800
Speaker 3: you know what I mean. So it's like, you know,

783
00:42:12,920 --> 00:42:16,320
Speaker 3: y'all coming with ship, you know, I think I you know,

784
00:42:16,400 --> 00:42:19,000
Speaker 3: we're so used to begging the girls on our records.

785
00:42:20,760 --> 00:42:25,000
Speaker 3: How about you everything give me? Well, you kind of

786
00:42:25,080 --> 00:42:29,759
Speaker 3: said that right there with you gonna need another suitcase.

787
00:42:29,880 --> 00:42:32,600
Speaker 3: That means you buying that ship. You're about to take

788
00:42:32,640 --> 00:42:35,879
Speaker 3: a shopping up. You're about to get some new ship.

789
00:42:36,040 --> 00:42:39,960
Speaker 3: So you buying still y'all still they cut that ship off,

790
00:42:40,680 --> 00:42:45,879
Speaker 3: same ship, different different slang. He buys some ship out

791
00:42:45,920 --> 00:42:47,360
Speaker 3: there a.

792
00:42:47,320 --> 00:42:52,040
Speaker 2: Whole lot of the suitcase that ship. I appreciate that. Yeah, man,

793
00:42:52,200 --> 00:42:56,480
Speaker 2: So what's to like you you you're going on tour

794
00:42:56,560 --> 00:42:57,879
Speaker 2: to support this thing right here?

795
00:42:58,160 --> 00:43:01,920
Speaker 1: Definitely definitely going on some tours. We got we got

796
00:43:02,000 --> 00:43:03,880
Speaker 1: one in the works right now. We just lining updates on.

797
00:43:04,600 --> 00:43:08,160
Speaker 1: But that's what another artist, but definitely one specific for

798
00:43:08,400 --> 00:43:09,560
Speaker 1: the same difference for sure.

799
00:43:10,280 --> 00:43:10,600
Speaker 2: Mm hm.

800
00:43:10,680 --> 00:43:12,399
Speaker 3: You know what I'm saying, And what could you say

801
00:43:12,440 --> 00:43:15,040
Speaker 3: about the ups and downs of the music business, because

802
00:43:15,080 --> 00:43:17,719
Speaker 3: you know, some days you're on top, some days.

803
00:43:18,160 --> 00:43:20,920
Speaker 1: You knew warm and Yeah, for me, I just think

804
00:43:21,040 --> 00:43:23,120
Speaker 1: like everybody had a time, you know what I'm saying,

805
00:43:23,160 --> 00:43:25,720
Speaker 1: Like it's like a cycle, like just go around. Everybody

806
00:43:25,760 --> 00:43:27,600
Speaker 1: had their time, you know what I'm saying, Catch a moment,

807
00:43:27,840 --> 00:43:30,280
Speaker 1: keep it rocking, go back to the drawing boards. Should

808
00:43:30,280 --> 00:43:31,480
Speaker 1: be ready when it come back to you. You know

809
00:43:31,520 --> 00:43:35,319
Speaker 1: what I'm saying, Like, don't get comfortable and just yeah,

810
00:43:35,440 --> 00:43:36,200
Speaker 1: just wait for your time.

811
00:43:36,400 --> 00:43:40,320
Speaker 3: Real many artists have had to fight the adversity. You know,

812
00:43:40,440 --> 00:43:42,520
Speaker 3: you could you could be on top of the world.

813
00:43:43,200 --> 00:43:46,600
Speaker 3: Oh yeah, come back this ship that I sleeping on you.

814
00:43:46,680 --> 00:43:49,560
Speaker 3: Then you gotta come back with a frisbee. Get the

815
00:43:49,680 --> 00:43:50,160
Speaker 3: mother fuck.

816
00:43:51,400 --> 00:43:54,560
Speaker 2: Yeah. That's you know, that's that's how I judge artists.

817
00:43:55,120 --> 00:43:58,600
Speaker 3: Yeah, personally right, Like, I've seen some artists that I

818
00:43:58,760 --> 00:44:02,160
Speaker 3: was like, I don't know if this person got it.

819
00:44:02,520 --> 00:44:04,600
Speaker 3: You know, I always say to make a hit wreck,

820
00:44:04,800 --> 00:44:08,880
Speaker 3: just one hit record is a miracle because it on

821
00:44:09,040 --> 00:44:09,360
Speaker 3: you and you.

822
00:44:09,360 --> 00:44:11,719
Speaker 2: Put it on the goals, clean over the heads for sure.

823
00:44:12,360 --> 00:44:14,440
Speaker 3: No, No, I'm just saying, you actually want to hit

824
00:44:14,560 --> 00:44:17,840
Speaker 3: Wonder is better than being on your couch trying to

825
00:44:17,880 --> 00:44:20,319
Speaker 3: make music for twenty years and never happen to hit

826
00:44:21,080 --> 00:44:24,000
Speaker 3: one hit Wonder. But imagine the guys that keep making

827
00:44:24,120 --> 00:44:29,320
Speaker 3: those hits. Those guys and girls are exceptional. When I

828
00:44:29,440 --> 00:44:32,160
Speaker 3: see that, that's when I go all right, this person

829
00:44:32,280 --> 00:44:34,040
Speaker 3: trying to stick You know how many artists I've seen

830
00:44:34,080 --> 00:44:37,279
Speaker 3: him come and then when they come the second or

831
00:44:37,360 --> 00:44:38,920
Speaker 3: third time with another one, I'd be.

832
00:44:39,000 --> 00:44:41,400
Speaker 2: Like, Oh, they want to hit, they want to stick around.

833
00:44:42,040 --> 00:44:42,920
Speaker 2: No motherfucker hear this.

834
00:44:42,960 --> 00:44:47,799
Speaker 4: Sund I felt about Big Bopy your teams. He came

835
00:44:47,880 --> 00:44:51,640
Speaker 4: in and put it over there. Every every time he

836
00:44:51,719 --> 00:44:52,160
Speaker 4: got up.

837
00:44:53,120 --> 00:44:58,840
Speaker 11: I said, wait, yeah, the ground that's the person he

838
00:44:59,360 --> 00:45:03,320
Speaker 11: ain't gonna play takes a real estate in because you

839
00:45:03,400 --> 00:45:05,680
Speaker 11: know some people they just passing to the cup.

840
00:45:05,520 --> 00:45:06,560
Speaker 2: For a couple of green tea.

841
00:45:06,640 --> 00:45:09,200
Speaker 3: They are couple of green tea before you know what,

842
00:45:09,320 --> 00:45:13,319
Speaker 3: the cessation is gone green tea and now motherfucker had

843
00:45:13,400 --> 00:45:13,799
Speaker 3: a pub.

844
00:45:13,920 --> 00:45:17,239
Speaker 2: Me and you right, they had a pub and you.

845
00:45:24,960 --> 00:45:27,720
Speaker 3: You know, sometimes you've ever been in like a jazz joint,

846
00:45:27,880 --> 00:45:32,359
Speaker 3: not saying jazz, but I've been there like little restaurants

847
00:45:32,520 --> 00:45:34,360
Speaker 3: where a guy or girl.

848
00:45:35,120 --> 00:45:37,880
Speaker 2: They seemed like Whitney Houston, and you're sitting there and

849
00:45:37,920 --> 00:45:42,160
Speaker 2: you wondering your wife happened, Why this young lady ain't

850
00:45:42,200 --> 00:45:44,440
Speaker 2: the biggest in the world, why this guy.

851
00:45:44,920 --> 00:45:47,880
Speaker 4: Ain't know the right people? And then it wasn't the moment,

852
00:45:48,200 --> 00:45:53,560
Speaker 4: and then people take getting on and making it for Granted,

853
00:45:55,000 --> 00:45:55,880
Speaker 4: everybody could do it.

854
00:45:55,960 --> 00:45:56,840
Speaker 2: Everybody do it.

855
00:45:58,800 --> 00:46:02,239
Speaker 3: Yeah, it different elements to it. But what I do

856
00:46:02,480 --> 00:46:09,799
Speaker 3: know is that people gotta like you. So many talented

857
00:46:10,000 --> 00:46:14,360
Speaker 3: people that never succeeded. And I can't give you the

858
00:46:14,440 --> 00:46:18,160
Speaker 3: reason why, because they write hits for everybody else.

859
00:46:19,000 --> 00:46:19,200
Speaker 2: I know.

860
00:46:20,160 --> 00:46:26,239
Speaker 3: Listen that I can't do that because it's not fair

861
00:46:26,280 --> 00:46:28,960
Speaker 3: in the name, No, I can't do that.

862
00:46:29,320 --> 00:46:33,239
Speaker 4: But but that's still if you rate for people and

863
00:46:33,760 --> 00:46:36,560
Speaker 4: you get the you're just doing your money and all that,

864
00:46:36,800 --> 00:46:38,040
Speaker 4: and you just want to be lit.

865
00:46:38,719 --> 00:46:42,040
Speaker 3: I think you a bird well, they all want to

866
00:46:42,080 --> 00:46:46,000
Speaker 3: be lit. So anybody who writes smash hits for everybody,

867
00:46:46,280 --> 00:46:49,960
Speaker 3: tell anyboy, would.

868
00:46:49,760 --> 00:46:54,640
Speaker 4: You rather write smash hits and receive what you supposed

869
00:46:54,719 --> 00:46:58,920
Speaker 4: to receive, or get the hits writ for.

870
00:46:59,040 --> 00:46:59,879
Speaker 2: You and be lit?

871
00:47:00,680 --> 00:47:00,920
Speaker 4: You you?

872
00:47:01,920 --> 00:47:05,800
Speaker 2: Yeah, No, I'm with you. But what I'm saying to

873
00:47:05,920 --> 00:47:12,480
Speaker 2: you is, unfortunately I watched yeah front line. I watched guys.

874
00:47:13,640 --> 00:47:18,480
Speaker 3: Who wrote albums for guys to sol ten twenty million

875
00:47:18,600 --> 00:47:21,000
Speaker 3: with that album, and they filthy rich, and then they

876
00:47:21,080 --> 00:47:23,200
Speaker 3: try to do their own album, and when you hear it,

877
00:47:23,960 --> 00:47:24,319
Speaker 3: it's so.

878
00:47:24,640 --> 00:47:30,000
Speaker 2: Fire right, and then you like the fan it looks

879
00:47:30,320 --> 00:47:31,680
Speaker 2: like Beyonce would have sung that.

880
00:47:31,960 --> 00:47:34,920
Speaker 3: If us sure would have sung that record, if this

881
00:47:35,120 --> 00:47:38,120
Speaker 3: one would have disc like, you know, they just finished

882
00:47:38,160 --> 00:47:41,319
Speaker 3: coming from giving out the biggest hits in the world.

883
00:47:41,400 --> 00:47:43,080
Speaker 3: Then they do their own album. They like, all right,

884
00:47:43,120 --> 00:47:45,480
Speaker 3: it's time for my ship. Can't blame them for wanting

885
00:47:45,520 --> 00:47:48,480
Speaker 3: to be a starter album. It's incredible too, but they

886
00:47:48,560 --> 00:47:52,320
Speaker 3: don't go that. You just give a football, start with

887
00:47:52,440 --> 00:48:04,960
Speaker 3: a helmet, a start your face. He top five, you

888
00:48:05,120 --> 00:48:05,839
Speaker 3: got that ship?

889
00:48:06,520 --> 00:48:10,000
Speaker 2: Heard me? Your boss? You just want to be seen,

890
00:48:10,360 --> 00:48:12,719
Speaker 2: You just want to be seen. They know it's you.

891
00:48:15,280 --> 00:48:18,759
Speaker 3: That's how I feel. People gotta like you. It's just

892
00:48:18,840 --> 00:48:22,520
Speaker 3: the bottom line, that's that's how I feel about and me,

893
00:48:23,360 --> 00:48:25,320
Speaker 3: I studied game. It took me a long time to

894
00:48:25,440 --> 00:48:28,320
Speaker 3: understand that. Like I'm sitting there, and you know, I

895
00:48:28,440 --> 00:48:30,879
Speaker 3: got friends that are writings, that could write big hits

896
00:48:30,920 --> 00:48:33,759
Speaker 3: and them that and they want to be artists. And

897
00:48:33,920 --> 00:48:36,720
Speaker 3: to me, the music is incredible. These guys are handsome,

898
00:48:37,440 --> 00:48:41,080
Speaker 3: woman is beautiful, and for some reason they just don't connect,

899
00:48:42,440 --> 00:48:45,600
Speaker 3: you know, And and that's crazy, you know. Sometimes to me,

900
00:48:45,840 --> 00:48:48,800
Speaker 3: I don't know. I guess we're all up on this

901
00:48:48,920 --> 00:48:53,360
Speaker 3: couch because we think we know music. Or sometimes I

902
00:48:53,520 --> 00:48:56,279
Speaker 3: hear records or I see artists that I know for

903
00:48:56,360 --> 00:48:58,399
Speaker 3: a fact. I'll be like, oh no, she's out of here.

904
00:48:58,920 --> 00:49:00,880
Speaker 3: This guy's out of here. And then it don't go,

905
00:49:01,040 --> 00:49:04,600
Speaker 3: and I'm confused because I'm like, for sure that was

906
00:49:04,680 --> 00:49:07,080
Speaker 3: supposed to be out of here. But I think it's

907
00:49:07,120 --> 00:49:09,640
Speaker 3: all God's doing. I think it's all that. Once again,

908
00:49:09,760 --> 00:49:13,120
Speaker 3: I just it all came back to people gotta like you.

909
00:49:13,760 --> 00:49:16,160
Speaker 3: I always use Cardi B as an example. But people

910
00:49:16,280 --> 00:49:19,440
Speaker 3: thought she was funny and they liked her before they

911
00:49:19,480 --> 00:49:21,640
Speaker 3: ever knew she was ever gonna put out a record

912
00:49:22,440 --> 00:49:24,680
Speaker 3: and then she put out of here the Bowdack Yellow.

913
00:49:24,800 --> 00:49:26,880
Speaker 3: You're like, damn on top of that, we love her.

914
00:49:27,000 --> 00:49:29,719
Speaker 3: Why it's home, you know.

915
00:49:29,920 --> 00:49:32,040
Speaker 2: And that's that's what I that that.

916
00:49:32,360 --> 00:49:34,840
Speaker 3: You know, if there's any artist out there and looking,

917
00:49:35,400 --> 00:49:37,560
Speaker 3: you gotta find a way to get that connection with

918
00:49:37,680 --> 00:49:40,440
Speaker 3: the people. And I think that's the most priceless thing,

919
00:49:40,680 --> 00:49:42,880
Speaker 3: you know, for us. We take it for granted. You

920
00:49:43,000 --> 00:49:44,960
Speaker 3: think you are hit maker, you think you a hit maker.

921
00:49:45,320 --> 00:49:46,240
Speaker 3: Now it's the people.

922
00:49:46,640 --> 00:49:47,520
Speaker 2: I am a hit.

923
00:49:49,200 --> 00:49:52,680
Speaker 3: Yeah, but somebody gotta like your hit And so what

924
00:49:52,760 --> 00:49:55,600
Speaker 3: I'm saying to you is when you go outside, okay,

925
00:49:55,719 --> 00:49:58,440
Speaker 3: but when you walk out in the stadium and there

926
00:49:58,880 --> 00:50:04,680
Speaker 3: a that's that's the blessing. That's that's the blessing. Because

927
00:50:04,719 --> 00:50:08,799
Speaker 3: some people got music like that. Crickets some people got

928
00:50:09,200 --> 00:50:14,320
Speaker 3: music like that and cricket mania. Yeah, yeah, you know

929
00:50:14,320 --> 00:50:16,440
Speaker 3: what I'm saying that that that Ricky mania.

930
00:50:17,400 --> 00:50:21,319
Speaker 2: Damn. I learned that one day.

931
00:50:21,480 --> 00:50:25,040
Speaker 3: One day, I go, I go, I'm performing last year

932
00:50:25,080 --> 00:50:29,879
Speaker 3: in Ohio, and listen, my daughter's way more into swed

933
00:50:30,000 --> 00:50:32,560
Speaker 3: Lee's music than Fat Joe. Like, I don't even think

934
00:50:32,600 --> 00:50:35,719
Speaker 3: she's a fan. I don't know how to expend. She like,

935
00:50:35,840 --> 00:50:39,600
Speaker 3: you know the Travis All, the Young Popper ship. She

936
00:50:39,880 --> 00:50:42,880
Speaker 3: come in Ohio to my show. She got her girlfriend

937
00:50:42,920 --> 00:50:45,759
Speaker 3: who go to college, her boyfriend. They come to my

938
00:50:45,920 --> 00:50:51,000
Speaker 3: show and somehow the pink got tore off the wall.

939
00:50:51,120 --> 00:50:53,600
Speaker 3: Fat Joe went up in there and caught that body that.

940
00:50:56,360 --> 00:51:02,560
Speaker 2: Thousand. I think it was God assisted me that day

941
00:51:02,640 --> 00:51:04,600
Speaker 2: so I can look like a hero. I come back

942
00:51:04,719 --> 00:51:07,920
Speaker 2: half to my thought. I'm not dad. You think your

943
00:51:08,000 --> 00:51:11,759
Speaker 2: father whack like I'm tearing this ship, Dawn. You know

944
00:51:11,800 --> 00:51:14,360
Speaker 2: what I'm saying. But you know, it is what it is.

945
00:51:14,760 --> 00:51:17,680
Speaker 2: You know, people gotta like you, definitely. That's the end

946
00:51:17,719 --> 00:51:21,000
Speaker 2: of the day and that and that's hard. You gotta

947
00:51:21,080 --> 00:51:22,440
Speaker 2: keep you know, people don't understand.

948
00:51:22,480 --> 00:51:25,160
Speaker 3: You got to keep working on that until they get

949
00:51:25,200 --> 00:51:27,400
Speaker 3: that energy and they really fuck with you like that

950
00:51:27,520 --> 00:51:31,520
Speaker 3: because this ain't an overnight thing. Sometimes it is and

951
00:51:31,640 --> 00:51:36,520
Speaker 3: you be like gold all in my watch, don't believe me,

952
00:51:36,760 --> 00:51:43,960
Speaker 3: just watch, don't believe Yeah. Yeah, Trina had James, I

953
00:51:44,080 --> 00:51:47,640
Speaker 3: love you, I love him. That's one of the greatest

954
00:51:47,680 --> 00:51:52,440
Speaker 3: songs that all that is important to I love Trinity.

955
00:51:53,680 --> 00:51:56,760
Speaker 2: Very you know mad ship about hip hop.

956
00:51:58,080 --> 00:52:00,759
Speaker 3: Game tell you so I remember when that song number one,

957
00:52:00,840 --> 00:52:04,120
Speaker 3: I walked out in the club. I felt like, you

958
00:52:04,200 --> 00:52:07,400
Speaker 3: know what, what's that a New Orleans? Where you walking?

959
00:52:07,440 --> 00:52:10,680
Speaker 3: They got the band behind you? Oh yeah, I walked

960
00:52:10,680 --> 00:52:12,640
Speaker 3: in there that fun but they got the trumpets And

961
00:52:14,360 --> 00:52:16,200
Speaker 3: I walked up in the club one day that ship.

962
00:52:16,600 --> 00:52:20,920
Speaker 3: I was sit, that's just cold doll in. My wife,

963
00:52:21,920 --> 00:52:22,759
Speaker 3: don't believe it.

964
00:52:23,000 --> 00:52:24,480
Speaker 4: Just as you get.

965
00:52:24,840 --> 00:52:26,880
Speaker 3: I was walking in that bitch like I thought that

966
00:52:27,000 --> 00:52:31,600
Speaker 3: someone was about me. You fucking kidding me? That's ship

967
00:52:32,440 --> 00:52:36,279
Speaker 3: shout out turning that James, that's my weather comoth.

968
00:52:37,239 --> 00:52:39,520
Speaker 2: So what we're looking for? So you said rich the kid?

969
00:52:39,600 --> 00:52:43,160
Speaker 2: You rocking with him all single? We got our same

970
00:52:43,280 --> 00:52:46,799
Speaker 2: difference in that difference. Right now we're gonna drop another.

971
00:52:46,800 --> 00:52:49,320
Speaker 2: You're gonna drop an dropping the same day as album.

972
00:52:49,840 --> 00:52:55,239
Speaker 3: That's the three piece come the first got to be

973
00:52:55,440 --> 00:52:56,480
Speaker 3: disrespect kid.

974
00:52:57,120 --> 00:52:58,640
Speaker 2: You know what I'm saying him in the stomach.

975
00:53:00,120 --> 00:53:05,040
Speaker 3: Disrespect Jamnee. She ain't never whacked either. She's so cold,

976
00:53:05,160 --> 00:53:10,400
Speaker 3: special girl. Everybody loves her fan basis. It's almost like

977
00:53:10,520 --> 00:53:13,920
Speaker 3: wou tag ten toes sure her fan basis like a

978
00:53:14,120 --> 00:53:14,520
Speaker 3: Colt Bro.

979
00:53:14,600 --> 00:53:15,880
Speaker 1: I went to one of the shows, Bro, it was

980
00:53:16,920 --> 00:53:21,080
Speaker 1: straight girls, Bro twenty thousand and thirty thousand girls. I'm

981
00:53:21,239 --> 00:53:24,680
Speaker 1: like this crazy, Like, you know what's.

982
00:53:24,600 --> 00:53:27,640
Speaker 3: Crazy is I had the way old a little bit

983
00:53:27,719 --> 00:53:29,480
Speaker 3: older than me, a tad bit older than me.

984
00:53:29,640 --> 00:53:30,960
Speaker 2: Yeah, legends.

985
00:53:31,400 --> 00:53:34,359
Speaker 3: I had like three or four shows concerts with Salt

986
00:53:34,400 --> 00:53:38,719
Speaker 3: and Pepper. It was nobody of fact Joe fan and

987
00:53:38,840 --> 00:53:41,480
Speaker 3: none of them shows. The shit just girls.

988
00:53:42,320 --> 00:53:44,719
Speaker 2: There was no dudes with raizor blades in their mouth

989
00:53:44,800 --> 00:53:47,600
Speaker 2: and armby jackets, none of that ship. I look out there,

990
00:53:48,840 --> 00:53:51,360
Speaker 2: all the girls out here, this shit is. That's a

991
00:53:51,400 --> 00:53:53,560
Speaker 2: good dimo, that's a good demographic win, and that's the

992
00:53:53,600 --> 00:53:56,759
Speaker 2: greatest ever draft. For sure. I think my fans are

993
00:53:56,840 --> 00:53:57,440
Speaker 2: more guys.

994
00:53:57,560 --> 00:54:00,840
Speaker 3: Though I got some, I got girl hits, but I

995
00:54:00,920 --> 00:54:04,160
Speaker 3: think my demographic is more dudes. In fact, I know

996
00:54:04,360 --> 00:54:07,439
Speaker 3: my demographic is more dudes. I remember when I first

997
00:54:07,480 --> 00:54:10,360
Speaker 3: saw a girl at my show, I couldn't believe. Like

998
00:54:10,480 --> 00:54:14,120
Speaker 3: the first five years, first first five years, I have

999
00:54:14,280 --> 00:54:17,760
Speaker 3: motherfuckers with army jackets raise it while I'm performing.

1000
00:54:17,800 --> 00:54:19,200
Speaker 2: They spitting out raising.

1001
00:54:19,000 --> 00:54:23,000
Speaker 3: Blade ship niggas motherfucker looking at me, hard as hell

1002
00:54:23,160 --> 00:54:27,239
Speaker 3: ship and he's like, oh ship is female at the show.

1003
00:54:27,960 --> 00:54:33,279
Speaker 2: This ship was crazy. They paid for tickets. Females pay

1004
00:54:33,440 --> 00:54:34,000
Speaker 2: ticket like you.

1005
00:54:34,600 --> 00:54:37,520
Speaker 3: The first time you have female fans like she was

1006
00:54:37,600 --> 00:54:39,799
Speaker 3: a bottle for a year and a half. That's that's

1007
00:54:39,840 --> 00:54:45,040
Speaker 3: when you saw the before that so locks every where

1008
00:54:45,680 --> 00:54:51,120
Speaker 3: hardcore hip hop. You had girls at your show, be honest, Yes,

1009
00:54:51,680 --> 00:54:54,600
Speaker 3: Oh no, I didn't have that. I had hard go ahead,

1010
00:54:54,920 --> 00:54:59,560
Speaker 3: I had I had the original group like y'all. No, no,

1011
00:55:00,239 --> 00:55:03,840
Speaker 3: we had the original gangsters at our fucking show. They

1012
00:55:04,000 --> 00:55:05,800
Speaker 3: was pulling up with a machine because I had a

1013
00:55:05,960 --> 00:55:09,000
Speaker 3: midget with a machine gun under his wheelchair.

1014
00:55:09,640 --> 00:55:11,319
Speaker 2: Fuck y'all talking about.

1015
00:55:13,000 --> 00:55:14,759
Speaker 4: Yo, let me tell you something you gotta use to

1016
00:55:14,880 --> 00:55:18,960
Speaker 4: let him use the bath for man, Scott Rizzy, Young

1017
00:55:19,080 --> 00:55:22,920
Speaker 4: Scott riz you ain't got the young June sky sliding up.

1018
00:55:30,040 --> 00:55:32,440
Speaker 3: Let me splain said that you broke this man right here.

1019
00:55:32,600 --> 00:55:35,560
Speaker 3: Every time I take an old man, pissed, the man

1020
00:55:35,680 --> 00:55:39,320
Speaker 3: says Scott Rizzi. That's the medicine on the commercial to

1021
00:55:39,400 --> 00:55:42,000
Speaker 3: Scott Rizzie. One day, I look at that ship. I

1022
00:55:42,080 --> 00:55:44,959
Speaker 3: looked the ship. Oh, nothing to ship, don't got nothing

1023
00:55:45,000 --> 00:55:47,200
Speaker 3: to do with pissing or nothing like that. I said, Yo,

1024
00:55:47,280 --> 00:55:48,360
Speaker 3: this motherfucker.

1025
00:55:48,040 --> 00:55:50,759
Speaker 2: Been calling you like a year.

1026
00:55:51,440 --> 00:55:55,960
Speaker 3: That ship ain't got the prostag. Oh yeah, prostate. That's

1027
00:55:56,640 --> 00:55:59,120
Speaker 3: everybody gotta be careful, you know what I'm saying. It's

1028
00:55:59,160 --> 00:56:02,839
Speaker 3: a tough time, Like, oh this guy Men's Health.

1029
00:56:03,200 --> 00:56:04,120
Speaker 2: What the sky Rizzy do.

1030
00:56:05,200 --> 00:56:09,200
Speaker 3: Scott Rizzy? They don't got nothing to do with pisson.

1031
00:56:09,760 --> 00:56:13,279
Speaker 3: But let me all trim Fire, Joe, you've seen that one.

1032
00:56:13,360 --> 00:56:16,359
Speaker 3: That's the latest one. They pushing that ship. I mean,

1033
00:56:16,400 --> 00:56:18,359
Speaker 3: when you like me and you watch and seeing none

1034
00:56:18,400 --> 00:56:20,360
Speaker 3: and all that shit, you at a certain age, they

1035
00:56:20,440 --> 00:56:25,800
Speaker 3: pushing medicine the number one ship. I'm surprised, yo, James.

1036
00:56:25,840 --> 00:56:28,400
Speaker 3: Why we ain't got a trim Fire or sky Rizzi

1037
00:56:28,600 --> 00:56:32,279
Speaker 3: or o zempic. We go v some ship on this show.

1038
00:56:32,360 --> 00:56:38,200
Speaker 3: We need some kind of medicine. They fucking paying the bills.

1039
00:56:39,080 --> 00:56:43,920
Speaker 3: Now listen, my brother, Men's Health, the eighteen hundred good

1040
00:56:43,960 --> 00:56:48,120
Speaker 3: as fuck. Huh tell us I'm sipping. I'm sipping slow,

1041
00:56:48,200 --> 00:56:51,840
Speaker 3: but yeah, tell us about you teaming up with the magazine,

1042
00:56:52,640 --> 00:56:55,120
Speaker 3: a men's health magazine. We did a little workout, y'all.

1043
00:56:55,120 --> 00:56:57,480
Speaker 1: I just wanted a couple of my workouts showing them

1044
00:56:57,960 --> 00:57:00,399
Speaker 1: how to achieve you know, the Sally buddy.

1045
00:57:03,280 --> 00:57:05,800
Speaker 3: Yeah, listen, I'll sell like one copy. I about do

1046
00:57:05,920 --> 00:57:09,200
Speaker 3: that ship. It was like and Body of twenty twenty six.

1047
00:57:09,400 --> 00:57:11,000
Speaker 3: Fat Joe's Men's Health.

1048
00:57:10,840 --> 00:57:16,400
Speaker 2: I'm right behind you. I'm only selling seven copies games. Yo, kiss.

1049
00:57:16,440 --> 00:57:18,200
Speaker 2: You could do a men's health. You can do it.

1050
00:57:18,600 --> 00:57:22,520
Speaker 2: It is tough for sure. Real, I'm pouring its working out.

1051
00:57:22,600 --> 00:57:25,280
Speaker 2: What kind of working out you? I ain't like working

1052
00:57:25,320 --> 00:57:25,720
Speaker 2: out right now?

1053
00:57:25,760 --> 00:57:28,760
Speaker 1: It's pretty important, ain't gonnat, because I'm trying to get

1054
00:57:28,960 --> 00:57:31,600
Speaker 1: right for Coach Chilla and shit, so trying to shock

1055
00:57:31,680 --> 00:57:32,920
Speaker 1: the world when I take my shirt.

1056
00:57:32,720 --> 00:57:34,840
Speaker 2: Off and ship, are you trying to do all that

1057
00:57:35,000 --> 00:57:37,760
Speaker 2: out there? Real? My shirt? You know what I'm saying.

1058
00:57:38,320 --> 00:57:41,440
Speaker 3: Ever, let me tell you something my prime time, Okay,

1059
00:57:41,680 --> 00:57:44,919
Speaker 3: in my prompt, in my plomp fat joke swamp. Yeah,

1060
00:57:45,040 --> 00:57:47,480
Speaker 3: I work out too, three times a day. There's no

1061
00:57:47,640 --> 00:57:51,720
Speaker 3: fucking lit fats like this. Damn Fat Joe did a

1062
00:57:51,800 --> 00:57:54,439
Speaker 3: lot of working out, picking up tires all that shit.

1063
00:57:55,040 --> 00:58:02,200
Speaker 2: I never had one muscle in my life. I went

1064
00:58:02,280 --> 00:58:06,080
Speaker 2: to jail. These motherfucker's doing the ball shit, he dude.

1065
00:58:06,120 --> 00:58:08,480
Speaker 2: They used to try to like, come on Joe, like

1066
00:58:09,080 --> 00:58:10,480
Speaker 2: the whole fucking jelous.

1067
00:58:11,240 --> 00:58:16,880
Speaker 3: I was Brian time I wake up ron I play

1068
00:58:17,040 --> 00:58:20,240
Speaker 3: handball on there I'm on top of my ship. Let

1069
00:58:20,320 --> 00:58:23,680
Speaker 3: me come on, Joe, you could do it. And I'd

1070
00:58:23,680 --> 00:58:29,680
Speaker 3: be like, I can't do ship. I can't get it.

1071
00:58:29,760 --> 00:58:30,880
Speaker 3: I can't get a muscle.

1072
00:58:31,360 --> 00:58:33,480
Speaker 2: I don't know. I tried. I mean they used to

1073
00:58:33,600 --> 00:58:36,000
Speaker 2: tell me, I think we're gonna have to do a

1074
00:58:36,080 --> 00:58:39,680
Speaker 2: show in the gym. I can't do it. We're gonna

1075
00:58:39,720 --> 00:58:40,760
Speaker 2: have to do a gym show.

1076
00:58:41,280 --> 00:58:43,920
Speaker 3: Bro, I can't get a Let me tell you something.

1077
00:58:43,960 --> 00:58:46,880
Speaker 3: I mean, they used to come up to me and

1078
00:58:46,960 --> 00:58:50,040
Speaker 3: tell me, yo, Joe. You know, I had guys come

1079
00:58:50,120 --> 00:58:53,000
Speaker 3: up to me and be like six months six packs,

1080
00:58:54,080 --> 00:58:56,160
Speaker 3: but they talking with the steroids and all that.

1081
00:58:57,080 --> 00:58:58,680
Speaker 2: Yeah, I wasn't really do all that.

1082
00:58:59,200 --> 00:59:01,360
Speaker 3: You know what I'm saying, Man, face you here an

1083
00:59:01,440 --> 00:59:06,160
Speaker 3: so as you don't take it? You seven you deflated sagging. Yeah,

1084
00:59:06,360 --> 00:59:09,280
Speaker 3: that's how that shit worked for the Melton schooler. Then

1085
00:59:09,320 --> 00:59:12,200
Speaker 3: you're gonna be seven fat jos. That man my security

1086
00:59:12,280 --> 00:59:15,120
Speaker 3: I looked at his phone that nigga be cocked du

1087
00:59:15,240 --> 00:59:15,680
Speaker 3: six pack.

1088
00:59:15,800 --> 00:59:18,200
Speaker 2: I'll be like, Yo, what happens son? Like yo with

1089
00:59:18,360 --> 00:59:18,760
Speaker 2: this ship?

1090
00:59:18,880 --> 00:59:19,000
Speaker 6: Right?

1091
00:59:19,080 --> 00:59:21,160
Speaker 2: He was like Yo, it's a long time ago. Like

1092
00:59:21,320 --> 00:59:25,320
Speaker 2: that he was on that yaller. You know what I'm saying, niggas.

1093
00:59:25,440 --> 00:59:27,880
Speaker 2: Niggas hit you with that. Y'all are right there. That's shit.

1094
00:59:28,000 --> 00:59:31,320
Speaker 2: I never wanted to do that. Yeah, now that'sh it.

1095
00:59:32,720 --> 00:59:34,480
Speaker 2: Same catch up to you, catch up to you for

1096
00:59:34,600 --> 00:59:35,600
Speaker 2: the same difference.

1097
00:59:35,840 --> 00:59:39,919
Speaker 4: That mean platform, we got flammable, we got don't even call,

1098
00:59:40,080 --> 00:59:41,920
Speaker 4: and we got that new one coming with you.

1099
00:59:42,120 --> 00:59:46,720
Speaker 1: Yeah, sixteen songs, sixteen by sixteen flavor for every neighbor.

1100
00:59:46,840 --> 00:59:49,120
Speaker 3: I can't wait, man, I want to download that album

1101
00:59:49,200 --> 00:59:52,520
Speaker 3: being there. I'm a journalist, see me shit, send us

1102
00:59:52,560 --> 00:59:56,080
Speaker 3: some ship out in saying you might be going to

1103
00:59:56,160 --> 00:59:58,440
Speaker 3: coach other If you know I'm going.

1104
00:59:58,280 --> 01:00:03,440
Speaker 2: There, you let me my daughter. I got ship up,

1105
01:00:03,680 --> 01:00:04,000
Speaker 2: let me know.

1106
01:00:04,000 --> 01:00:10,840
Speaker 3: I mean you need them bring and Jay Wine would

1107
01:00:11,000 --> 01:00:13,920
Speaker 3: the no fucking with you golf carts knowing that.

1108
01:00:16,360 --> 01:00:18,520
Speaker 2: James, you've been there, right, they got the golf cart.

1109
01:00:19,280 --> 01:00:21,720
Speaker 3: They'll treat you, specially sometimes when you go up and

1110
01:00:21,880 --> 01:00:27,160
Speaker 3: you know you off that sky Rizzy the motherfuckers to

1111
01:00:27,240 --> 01:00:30,280
Speaker 3: get us the golf courts just say that that is

1112
01:00:30,520 --> 01:00:34,200
Speaker 3: this cracking kiss got the sway le.

1113
01:00:35,800 --> 01:00:38,640
Speaker 2: Ring kiss sway. The same difference. You know what I'm saying,