WEBVTT - The Devin The Dude Episode

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<v Speaker 1>Get get no Boys, it's back and rehoaded all in

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<v Speaker 1>your mind. Yeah, not deep throating. This is for the streets,

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<v Speaker 1>the real the railroading, the distant franchise, the truth escapegoating,

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<v Speaker 1>and they ain't know when we speak the truth, so

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<v Speaker 1>they quoted because we wrote it. The North South East

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<v Speaker 1>coat is the g b my keeping your head bobbing.

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<v Speaker 1>It ain't no stopping and wants to be drops head by.

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<v Speaker 1>And then the system is so corrupt they throw the

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<v Speaker 1>rock out of their heads and then blame it on us.

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<v Speaker 1>Don't get it twisted on code and we danced for

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<v Speaker 1>no furntament biscuits. It's Willie d y'all scar faces in

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<v Speaker 1>the building. Collectively we are the ghetto Boys. Reloaded, Reloaded

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<v Speaker 1>with another episode of information and instructions to help you

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<v Speaker 1>navigate through this wild, crazy, beautiful world. In the studio,

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<v Speaker 1>Devin the the Dude, What's What's what's up? Cool? And man?

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<v Speaker 1>Good to be here, Man, damn. This is one of

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<v Speaker 1>the most unique voices in hip hop ever. One of

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<v Speaker 1>the most talented guys I've ever met in my life.

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<v Speaker 1>Kevin the Dude, Oh man, I appreciate it, sir man,

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<v Speaker 1>good looking out man. I had had wonderful mentorship. You

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<v Speaker 1>know what I'm saying. You know what I'm saying, coming

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<v Speaker 1>up wrap a lot. Yeah, Man, y'all was the epitome,

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<v Speaker 1>you know what I'm saying. And everybody in Houston, in Texas,

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<v Speaker 1>in the South actually wanted to be a part of

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<v Speaker 1>the movement. Ya was, y'all was having Man y'all was

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<v Speaker 1>like trimp setters, y'all groundbreaking, set the blueprint of independent

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<v Speaker 1>rap period. I first heard Devin on um a song

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<v Speaker 1>um he said, uh, and when you finished white in

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<v Speaker 1>my dick all turned the channel twenty. It's all as

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<v Speaker 1>I don't want to get off. That's what I like saying. Man, Now,

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<v Speaker 1>what do you first meet that I don't remember. I

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<v Speaker 1>think we were Digital Services a studio that we record.

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<v Speaker 1>We were recording that because I know he remembered what

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<v Speaker 1>are you high when when you met? She definitely would remember, uh,

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<v Speaker 1>digital services, Yeah, but I don't remember what. Yeah, John Ryan,

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<v Speaker 1>Yeah much love Big Chicken, Big Chicken. That wasn't Big

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<v Speaker 1>Chicken when that digital He came later with Mike, No,

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<v Speaker 1>he came in. He came to hippie house. Yeah yeah, yeah,

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<v Speaker 1>Big Chicken. Cut all these fingers off, man, What do

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<v Speaker 1>you mean? I said, That's what I said. He cut

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<v Speaker 1>the fucking fingers off, bro. And he was a hell

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<v Speaker 1>of a guitarist because cut his fingers out by accident.

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<v Speaker 1>You know, you worked with that would cut his fingers off.

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<v Speaker 1>He helped build built the Hippie house. But with him, Yeah,

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<v Speaker 1>shout out the big chicken. Let's take it back there,

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<v Speaker 1>let's go back to punt at Michigan. You know what,

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<v Speaker 1>I get that a lot, man, because you know, you

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<v Speaker 1>look at my Wikipedia page or whatever. Were you born

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<v Speaker 1>in Punty? Yes, but you were raised in St. Petersburg. Yes.

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<v Speaker 1>I am the only uh sibling of mine just was

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<v Speaker 1>born in Punty. Nobody in my family ever was born

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<v Speaker 1>in Pty. Uh. My mom was pregnant with me at

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<v Speaker 1>the time, and we were all from St. Petersburg, Florida.

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<v Speaker 1>The car industry was booming, and I think my my

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<v Speaker 1>my dad was trying to get a job and my

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<v Speaker 1>my grandfather was living in Michigan at the time. So

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<v Speaker 1>Mama that was pregnant with me moved to uh, moved

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<v Speaker 1>to a Punty act just you know, for the summer,

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<v Speaker 1>you know, and so he could get a job and

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<v Speaker 1>try to get situated, but they didn't. They didn't like

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<v Speaker 1>it was too cold, and it was she was just

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<v Speaker 1>she was uncomfortable and she just decided as soon as

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<v Speaker 1>I was born, she was gonna go back to Florida.

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<v Speaker 1>So after two months or so, uh, when we'll move

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<v Speaker 1>back to Florida. So is that where the majority of

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<v Speaker 1>your family is? Yeah, that's most of my family in

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<v Speaker 1>East Texas, Texas, Canada. Uh yeah, yeah, we kind of

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<v Speaker 1>migrated from there. My grandmother started migrating for Florida back

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<v Speaker 1>in like seventy nine, seven, seventy eight, seventy something like that.

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<v Speaker 1>Texas Lefkin, I'm pretty sure I do. Yeah, we'll be

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<v Speaker 1>doing a lot of but I'm pretty sure I got

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<v Speaker 1>somebody in loving this kind. Yeah, so you left immediately,

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<v Speaker 1>your mom left once she had you, and then you're

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<v Speaker 1>in St. Petersburg. How long are you that before you

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<v Speaker 1>make them jump to Houston? And there in the middle

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<v Speaker 1>third grade going to fourth grade? Okay, third grade, going

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<v Speaker 1>to fourth grade. And uh, my my grandmother we called

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<v Speaker 1>her Mama Candy. She moved first. She once she was

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<v Speaker 1>really in the in the church scene, holding this church.

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<v Speaker 1>I'm talking to five five times a day, five times

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<v Speaker 1>a week. You know, they go to church. You know,

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<v Speaker 1>she was real you know, you know, Christian, and she

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<v Speaker 1>moved because they had lack of things, saying that Florida

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<v Speaker 1>was gonna end up being submerged and water and stuff

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<v Speaker 1>was going to be wiped out or back then there

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<v Speaker 1>was there's a lot of Evangelus, a lot of Christian tense,

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<v Speaker 1>and a lot of stuff going on back then. So

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<v Speaker 1>she she moved with with with her family, all uncles, stuff.

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<v Speaker 1>They moved, and she was trying to get my mother

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<v Speaker 1>to come, trying to get so hard to give my

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<v Speaker 1>mother to come to Texas. And they had had some

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<v Speaker 1>land out in Douglas Field, Texas a hundred and nine people.

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<v Speaker 1>So they just boom it still it might be two

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<v Speaker 1>hundred people now that will be will be here. But

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<v Speaker 1>cas the boe we cause the boom, you know, he

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<v Speaker 1>went from you people. Man, that's you know, you know

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<v Speaker 1>they you know cousins and stuff. They you know, they're

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<v Speaker 1>doing the country with their cousins. I was just looking,

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<v Speaker 1>Yeah that's crazy. But yeah, man, uh but much love

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<v Speaker 1>to the like the Washingtons and the Drayton's and you

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<v Speaker 1>know the families out there in Douglas Ville. Uh. They

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<v Speaker 1>was neighbors and they kind of taught us how to

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<v Speaker 1>kind of live off the land. Man. You know, we

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<v Speaker 1>was from the city where you know when they really

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<v Speaker 1>know what was that. We know we had to chop

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<v Speaker 1>wood to get ready for the winter. We know we

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<v Speaker 1>had to plant a lot of seeds and go in

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<v Speaker 1>the garden and take care of it. I thought it

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<v Speaker 1>was just fun at first. My grandmother had me out

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<v Speaker 1>there picking purple hoole peas and with a purple and

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<v Speaker 1>I was just having fun. And then the second week

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<v Speaker 1>or so, it wasn't so fun. It wasn't so fun.

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<v Speaker 1>It was like, man, it was like work work, And

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<v Speaker 1>I was like, whoa, it was well water all that,

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<v Speaker 1>you know what I'm saying. And it was I had

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<v Speaker 1>to go next door and my grandmother made preservatives and

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<v Speaker 1>I had to go next door to take the preservatives

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<v Speaker 1>over there and to trade them off for for eggs.

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<v Speaker 1>This is Douglasville, Texas. It's right, it's a town. I mean,

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<v Speaker 1>what's smaller than the town? I don't know, but that's

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<v Speaker 1>where that is. The biggest time was it was called

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<v Speaker 1>New Boston and we eventually moved moved to the Victor

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<v Speaker 1>but much love to other people in Boston too, man, Boston, Texas.

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<v Speaker 1>But it was we had, you know, walked a mile

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<v Speaker 1>down the dirt road just to get on the bus

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<v Speaker 1>to travel thirty miles to school every day you went

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<v Speaker 1>to school out there. Yeah, Atlanta Rabbits. Much love to

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<v Speaker 1>Atlanta Rabbits. As my first Texas school ever, you know,

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<v Speaker 1>and it was the elementary school. And then uh, eventually

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<v Speaker 1>we moved to New Boston. Uh New Boston Lions, you

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<v Speaker 1>know what I'm saying that. Then uh, after that, my

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<v Speaker 1>mom was like she she just wanted to get away.

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<v Speaker 1>She needed somewhere bigger to stay with a lot of

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<v Speaker 1>kids and stuff. She had our kids. So she layed

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<v Speaker 1>at the job in Houston and like eighty two, eight one,

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<v Speaker 1>eighty two, you got a job like in Houston, and

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<v Speaker 1>like eighty three, we just started coming, you know. She

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<v Speaker 1>she moved us in, she said for us, and uh,

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<v Speaker 1>you know, start chilling in Houston and back then every

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<v Speaker 1>time we get in trouble, my mom was sending us

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<v Speaker 1>to the country to New Boston. So I was going

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<v Speaker 1>back and forth, back and forth from Houston to New Boston,

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<v Speaker 1>Texas until I graduated. Yeah, and when I graduated. I had.

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<v Speaker 1>I just wanted to get out of there. I just

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<v Speaker 1>wanted to, you know, shout out talking to Rhode Dogson

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<v Speaker 1>New Boston too. Man, what what what made you want

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<v Speaker 1>to start rapping down? Um? And when did you know that?

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<v Speaker 1>You was like, really fucking dope? You know what? What

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<v Speaker 1>when did I start rapping? Maybe start rap? Actually? I

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<v Speaker 1>was breakdancing, you know, even from Florida coming to Texas.

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<v Speaker 1>Were just know we was we were just doing a

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<v Speaker 1>robot and stuff like that. We had groups and my

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<v Speaker 1>my older brother Donny, you know, not a chilling cool

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<v Speaker 1>and the mother that's why most of my stuff, that's

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<v Speaker 1>where I get it from. The d lack what man?

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<v Speaker 1>You know what before I left, when she I went,

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<v Speaker 1>she sent for me before my mom, my mom and

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<v Speaker 1>the rest of my family came to Texas. So she

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<v Speaker 1>kept sit sending for me. She promised me a shelling pony. Yeah,

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<v Speaker 1>and I was like I wanted and I wanted I

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<v Speaker 1>always wanted one. She I never got it, but she

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<v Speaker 1>she bought me up there. You know what I'm saying.

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<v Speaker 1>She got And then then I realized what it was. Uh,

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<v Speaker 1>it wasn't really a chilling point. It was something bigger

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<v Speaker 1>than that, but it was something to ride off with.

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<v Speaker 1>It was something significant and it kind of meant the

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<v Speaker 1>same thing because that shed the pony did back then.

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<v Speaker 1>It took me a long time to realize what it was,

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<v Speaker 1>but it was. It was. You know, she didn't allow

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<v Speaker 1>me to have circule of music. I couldn't we couldn't play.

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<v Speaker 1>I feel like circular circular. I mean like what what

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<v Speaker 1>what are you talking about? Like, what's bigger than the

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<v Speaker 1>Shelling Pony? What are you talking about? Okay? The Shelling

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<v Speaker 1>Pony to me as a kid, was big enough for

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<v Speaker 1>me to get on and ride around and show off

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<v Speaker 1>and I can. It's like a ride to me as

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<v Speaker 1>as a kid. You always think about like a horse,

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<v Speaker 1>but it's not a big, intimidating horse. It's a cute

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<v Speaker 1>little pony that you can ride and you know you can.

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<v Speaker 1>You can still maneuver and just have fun with it.

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<v Speaker 1>And I always wanted one, you know, back then it

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<v Speaker 1>was like many bikes and stuff and go across something

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<v Speaker 1>you can get on the ride. Shelling Pony was like

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<v Speaker 1>a little ride to me that I wasn't intimidated body

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<v Speaker 1>because when they came from Florida to Texas a big

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<v Speaker 1>horse and it was the bigger, but the selling pony

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<v Speaker 1>was cool. I can get on it and I never

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<v Speaker 1>got it, but she she instilled in me a ride

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<v Speaker 1>that I had I can have for life. It wasn't

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<v Speaker 1>it wasn't selling pony, it wasn't the horse. It wasn't nothing.

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<v Speaker 1>That's that you can literally drive or ride. But it's

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<v Speaker 1>a simple in life. Yes, It's like I had to

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<v Speaker 1>go to church every every day. I went like three

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<v Speaker 1>or four times a week. I kept falling asleep in church.

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<v Speaker 1>She kept hitting me, getting getting me up to the

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<v Speaker 1>point where she talked to her to the to the

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<v Speaker 1>pastor and asked if I could join the choir. And

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<v Speaker 1>I was the only kid in the choir because I

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<v Speaker 1>kept falling asleep and the churn and see was embarrassing

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<v Speaker 1>want that. She just would stand up and saying, you know,

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<v Speaker 1>so I was the only kid in there me And uh,

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<v Speaker 1>what other kid was that? Maybe? Uh thinker? Yeah? Yeah,

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<v Speaker 1>yeah he was like he played tampaein too, you know. Yeah, yeah,

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<v Speaker 1>I wish your solo. Do you remember you know what

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<v Speaker 1>funny you ask? It was something really simple? He was

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<v Speaker 1>so many times I did not have a time you

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<v Speaker 1>know what I told nobody, But he gave me a try,

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<v Speaker 1>and I did not have to die, you know what

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<v Speaker 1>I do, but something like real simple and I'm bless Yes,

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<v Speaker 1>I'm blessing, you know, something real simple. But he used

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<v Speaker 1>cold back then I wrote the church up. But there

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<v Speaker 1>was a holy dis church when they running around and

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<v Speaker 1>fast speaking time. I didn't understand that, you know, fell

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<v Speaker 1>church sleep, but I ain't never you know, but it

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<v Speaker 1>was interesting to watch and it was just really really

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<v Speaker 1>you know, it was just the spirit was there and

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<v Speaker 1>it was just music for the most part. And then

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<v Speaker 1>you know, just when I go to church. Do you

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<v Speaker 1>ever go to church? Hal, No, I didn't. I didn't

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<v Speaker 1>go to the church. Half when I started getting high,

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<v Speaker 1>stopped going to church. Stop going to church. My getting happens.

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<v Speaker 1>The reason I don't know, well, you know, and then

0:13:26.040 --> 0:13:30.160
<v Speaker 1>later I'll go to church. Cut your snap, m you

0:13:30.240 --> 0:13:34.920
<v Speaker 1>cut your snap. I caught my snap. Cut your snap

0:13:35.080 --> 0:13:38.120
<v Speaker 1>exactly like I'm going to church. What the hell is

0:13:38.160 --> 0:13:41.480
<v Speaker 1>that going to this? No, that ain't there. Den theyve

0:13:41.559 --> 0:13:44.360
<v Speaker 1>got some weed in his pocket and and and a

0:13:44.440 --> 0:13:49.079
<v Speaker 1>cooler full of bill in the car right here. I

0:13:49.080 --> 0:13:52.319
<v Speaker 1>remember when I first heard um fat enough for everybody.

0:13:52.840 --> 0:13:57.880
<v Speaker 1>I heard the original alright, squad questions, love Baby, Yeah,

0:13:58.040 --> 0:14:00.360
<v Speaker 1>and and and and I thought it was the most

0:14:00.679 --> 0:14:08.480
<v Speaker 1>UM original shift I had ever heard. And Um, I

0:14:08.559 --> 0:14:13.480
<v Speaker 1>heard Dare's voice. Man, I wanted to put Devin and

0:14:13.480 --> 0:14:16.880
<v Speaker 1>and d MG and a couple more Smitty and a

0:14:16.920 --> 0:14:22.280
<v Speaker 1>couple more UM artists were unique voices in this group. Man.

0:14:23.400 --> 0:14:28.360
<v Speaker 1>And we started making records, Man, and the ship started

0:14:28.360 --> 0:14:32.400
<v Speaker 1>sounding better and better and better and better, and we

0:14:32.520 --> 0:14:37.360
<v Speaker 1>ended up naming the group Face Monk. And Um, I

0:14:37.400 --> 0:14:40.440
<v Speaker 1>just saw I just saw something in Devon, you know,

0:14:40.880 --> 0:14:44.800
<v Speaker 1>back when I guess nobody's seen that ship because we

0:14:44.920 --> 0:14:49.280
<v Speaker 1>actually sat down and did a solo album together. And

0:14:49.320 --> 0:14:55.120
<v Speaker 1>then that's when I really had the opportunity there to

0:14:55.240 --> 0:15:00.320
<v Speaker 1>see how dope Devin was. Man, and the first song

0:15:00.440 --> 0:15:03.880
<v Speaker 1>the Dude, you know, remember Wayne played the horn on

0:15:03.960 --> 0:15:07.800
<v Speaker 1>the ship and then they played the bass on the ship.

0:15:08.440 --> 0:15:11.320
<v Speaker 1>Got talented family. I got talented in my family. Man.

0:15:11.360 --> 0:15:16.640
<v Speaker 1>You know, uncle uncle Wayne died and and Man, I

0:15:16.720 --> 0:15:20.720
<v Speaker 1>know he would be super proud to to to know

0:15:20.920 --> 0:15:25.640
<v Speaker 1>that you took your career into your own hands and

0:15:25.800 --> 0:15:29.480
<v Speaker 1>and and started making albums and moving forward rather than

0:15:30.440 --> 0:15:33.560
<v Speaker 1>doing like a whole lot of other artists. Excuse me,

0:15:34.760 --> 0:15:36.800
<v Speaker 1>that just ended up saying, you know what, man, fun

0:15:36.920 --> 0:15:39.760
<v Speaker 1>this music ship, I'm gonna give me a job. And

0:15:39.880 --> 0:15:42.160
<v Speaker 1>you you you knew what you had and you stood

0:15:42.160 --> 0:15:45.200
<v Speaker 1>on that ship. Man. That was that's that's just so

0:15:45.280 --> 0:15:50.640
<v Speaker 1>dope to me. There. You was pretty much one of

0:15:50.720 --> 0:15:54.800
<v Speaker 1>the biggest influences of that. I never thought to be

0:15:55.560 --> 0:15:59.840
<v Speaker 1>a solo artists. I never wanted to be so large.

0:16:00.000 --> 0:16:02.440
<v Speaker 1>Always wanted to be in a group great to assay, basketball,

0:16:02.520 --> 0:16:04.520
<v Speaker 1>football group. I just want to be a good team

0:16:04.560 --> 0:16:06.600
<v Speaker 1>member and everything, you know what I'm saying. And I

0:16:06.640 --> 0:16:09.320
<v Speaker 1>found like a cool group with Oscar rob Quest and

0:16:09.640 --> 0:16:12.240
<v Speaker 1>when who was like solid and when you came on

0:16:12.360 --> 0:16:14.520
<v Speaker 1>and he was like, man, y'all are dope. Man, you

0:16:14.520 --> 0:16:16.280
<v Speaker 1>know what I'm saying. You you're a dope. You really

0:16:16.760 --> 0:16:19.440
<v Speaker 1>kind of like, say, man, you you ever thought about

0:16:19.480 --> 0:16:22.000
<v Speaker 1>doing a solo solo album? You asked me. I like

0:16:22.880 --> 0:16:25.200
<v Speaker 1>and not really, you know, saying I would like the

0:16:25.200 --> 0:16:27.960
<v Speaker 1>group I say, he said, you said, man, man, you'll

0:16:28.000 --> 0:16:30.120
<v Speaker 1>be a dope solr this man just just think just

0:16:30.160 --> 0:16:33.040
<v Speaker 1>think on him. And I pondered on it, but I

0:16:33.080 --> 0:16:35.160
<v Speaker 1>never gave it a thought. I don't know if you

0:16:35.400 --> 0:16:37.120
<v Speaker 1>passed that on the jail or something. But I know

0:16:37.320 --> 0:16:39.680
<v Speaker 1>he asked me one time too at digital in the

0:16:39.800 --> 0:16:44.640
<v Speaker 1>parking lot. I said, damn, you was thinking about going solo.

0:16:44.720 --> 0:16:49.200
<v Speaker 1>And before I can answer it, um beatose brother, rest

0:16:49.280 --> 0:16:51.760
<v Speaker 1>in peace. Man, You're like, definit ain't ready? Man, three

0:16:51.800 --> 0:16:56.560
<v Speaker 1>two terms? It's three two terms? Uh the beat brother,

0:16:57.000 --> 0:17:02.400
<v Speaker 1>he's passed well, so man, Tenny saying something like that.

0:17:02.560 --> 0:17:04.800
<v Speaker 1>I don't believe that really, yeah, because I think he

0:17:04.880 --> 0:17:06.920
<v Speaker 1>was done with three too, right. I don't I don't

0:17:06.920 --> 0:17:09.240
<v Speaker 1>know how he wouldn't. I don't want to say the wrong.

0:17:09.280 --> 0:17:10.399
<v Speaker 1>I don't want to get it. But it was it

0:17:10.480 --> 0:17:15.919
<v Speaker 1>was something by that short price getting dude gangster type. Yeah,

0:17:16.000 --> 0:17:18.840
<v Speaker 1>but it's on three two. It's three two up next

0:17:19.680 --> 0:17:22.840
<v Speaker 1>and I was like, you talking about nig We didn't

0:17:22.840 --> 0:17:25.560
<v Speaker 1>even talk to me. Yeah, I'm ready to Jay, Yeah,

0:17:25.560 --> 0:17:27.159
<v Speaker 1>I'm ready. Man. I don't know what the you know, man,

0:17:27.160 --> 0:17:29.639
<v Speaker 1>because we just kind of got into it and men,

0:17:29.720 --> 0:17:32.000
<v Speaker 1>he was about to, you know, go at it with words,

0:17:32.280 --> 0:17:35.399
<v Speaker 1>and I wasn't thinking about the solo until you know

0:17:36.080 --> 0:17:38.920
<v Speaker 1>he's talking, Devin, ain't ready. It's three to surting to go.

0:17:39.040 --> 0:17:41.920
<v Speaker 1>You know, you know who's next, I like, no, hell,

0:17:42.760 --> 0:17:44.720
<v Speaker 1>it must have been really hot man, because I've never

0:17:44.760 --> 0:17:51.439
<v Speaker 1>seen well. It was some inside stuff, man, Man, I

0:17:51.480 --> 0:17:54.800
<v Speaker 1>love three too. That's my that's my nigger man. But

0:17:54.840 --> 0:17:56.679
<v Speaker 1>it was rest in peace three man. You know, he

0:17:56.960 --> 0:18:00.040
<v Speaker 1>delved for the city man, he really represent but it

0:18:00.080 --> 0:18:04.440
<v Speaker 1>was some internal stuff that you know. He was kind

0:18:04.480 --> 0:18:07.119
<v Speaker 1>of going at me with I shook it off, shook

0:18:07.119 --> 0:18:10.919
<v Speaker 1>it off here, You'll never know, bring it on. He

0:18:10.960 --> 0:18:16.920
<v Speaker 1>was talking about me, yeah, you know in his first

0:18:16.960 --> 0:18:19.120
<v Speaker 1>couple of lines, because he was free with just freestyle,

0:18:19.200 --> 0:18:22.120
<v Speaker 1>gonna bring it on. And he came in. He came

0:18:22.160 --> 0:18:26.520
<v Speaker 1>in digital and listened to everybody's verses and then he

0:18:26.680 --> 0:18:30.000
<v Speaker 1>stopped after the art score he heard uh. Then he

0:18:30.000 --> 0:18:31.840
<v Speaker 1>he said, let me go in there and he started rapping.

0:18:32.920 --> 0:18:36.920
<v Speaker 1>But it was something you know, Damn, I see it.

0:18:37.640 --> 0:18:39.399
<v Speaker 1>Now I'm at the window of your cocks and caddy.

0:18:39.800 --> 0:18:41.520
<v Speaker 1>You heard I roll a fatty. I was a fast

0:18:41.520 --> 0:18:43.440
<v Speaker 1>squab twist this meet, and they can need a fast

0:18:43.440 --> 0:18:45.680
<v Speaker 1>squab twist. The wonder fun this system made a fusty

0:18:45.720 --> 0:18:47.760
<v Speaker 1>but you know what that And then you came in

0:18:47.880 --> 0:18:49.679
<v Speaker 1>like you heard I roll a fatty. Now I'm at

0:18:49.680 --> 0:18:52.959
<v Speaker 1>the window the cocks like I've no known who got it, nobody.

0:18:53.040 --> 0:18:55.040
<v Speaker 1>I don't think that was the case. No, no, no, no,

0:18:55.040 --> 0:18:57.120
<v Speaker 1>no if but Devin, I'm not gonna I'm not gonna

0:18:57.160 --> 0:19:01.359
<v Speaker 1>ride with that one man. I hope it's you know,

0:19:01.520 --> 0:19:04.680
<v Speaker 1>I would like to say, I would like to say,

0:19:05.080 --> 0:19:09.560
<v Speaker 1>you're probably right, but no, but it was. It was

0:19:10.640 --> 0:19:12.800
<v Speaker 1>It was just like a competition at the time, a

0:19:12.960 --> 0:19:17.840
<v Speaker 1>friendly competition. It wasn't nothing personal, but he really wanted

0:19:17.920 --> 0:19:22.440
<v Speaker 1>to He wanted to be up next, you know, either

0:19:22.520 --> 0:19:24.600
<v Speaker 1>with the convicts or whatever. He he really had a

0:19:24.640 --> 0:19:27.360
<v Speaker 1>lot of thrive and wanted to whoever in my way

0:19:27.400 --> 0:19:31.120
<v Speaker 1>up in the fresh. But three two was really really cool.

0:19:31.200 --> 0:19:33.600
<v Speaker 1>I mean he freestyled off the top, like really just

0:19:33.880 --> 0:19:36.639
<v Speaker 1>lasting everybody. We had fun. He's coming to rob House

0:19:36.760 --> 0:19:41.399
<v Speaker 1>all the time. Him and Big mikey byby hot but

0:19:41.720 --> 0:19:44.840
<v Speaker 1>they left weight. We freestyle, drank smoke. But we was

0:19:44.880 --> 0:19:46.679
<v Speaker 1>really cool. We was all cousins. We was all like

0:19:46.760 --> 0:19:50.920
<v Speaker 1>hip hop cousins, and it was all friendly. But that line,

0:19:50.920 --> 0:19:52.800
<v Speaker 1>it was it was kind of about be you know,

0:19:53.119 --> 0:19:56.840
<v Speaker 1>because but I never said this thing, and I thought,

0:19:56.840 --> 0:20:00.679
<v Speaker 1>you know, if it wasn't really now impact, I know

0:20:00.800 --> 0:20:04.760
<v Speaker 1>you said something one of your songs. Man, I'm just

0:20:04.800 --> 0:20:07.080
<v Speaker 1>trying to hear. I'm trying to remember all these songs.

0:20:07.119 --> 0:20:09.840
<v Speaker 1>But you probably responded no no, no no no no

0:20:09.840 --> 0:20:12.120
<v Speaker 1>no no no. It didn't It didn't deserve a respond

0:20:12.320 --> 0:20:15.080
<v Speaker 1>never ever, ever. And I never got offended. I never

0:20:15.520 --> 0:20:17.080
<v Speaker 1>I'm like, oh, I wish I had a chance to

0:20:17.119 --> 0:20:19.800
<v Speaker 1>go back in the boot. That was the thing I felt.

0:20:19.880 --> 0:20:22.800
<v Speaker 1>But yeah, it was it was. It was another man, man,

0:20:22.920 --> 0:20:25.560
<v Speaker 1>What's love? What's the three too? Man? It was really

0:20:25.600 --> 0:20:30.120
<v Speaker 1>compos reloged podcast when be right back after the poet?

0:20:37.119 --> 0:20:41.919
<v Speaker 1>You got a cult following the devil like and you

0:20:42.000 --> 0:20:45.560
<v Speaker 1>got mixed U When when when we look out into

0:20:45.600 --> 0:20:51.960
<v Speaker 1>the crowd of your contructs, you see everybody. I think

0:20:51.960 --> 0:20:56.240
<v Speaker 1>that you have tapped into a market for everybody, you know.

0:20:56.280 --> 0:21:00.280
<v Speaker 1>I mean, everybody's at your show, bro, and everybody's high.

0:21:00.440 --> 0:21:03.920
<v Speaker 1>I think that's the bridge, you know, not only getting

0:21:04.000 --> 0:21:07.720
<v Speaker 1>high but having a good time, having a good time. Man.

0:21:08.640 --> 0:21:11.480
<v Speaker 1>I don't really get I don't really get into a

0:21:11.520 --> 0:21:15.760
<v Speaker 1>lot of racial stuff, you know, but you know, to me,

0:21:15.920 --> 0:21:18.920
<v Speaker 1>a color is just a color. You know, a person

0:21:19.000 --> 0:21:23.080
<v Speaker 1>as a person. Uh, there's a lot of you know,

0:21:23.920 --> 0:21:26.840
<v Speaker 1>good and bad, and every race and create or whatever.

0:21:26.960 --> 0:21:32.600
<v Speaker 1>So I try a lot of people. Everybody's in your crowd.

0:21:32.200 --> 0:21:36.720
<v Speaker 1>It's well diversed. You have a cult following. Bro. Like,

0:21:36.800 --> 0:21:38.959
<v Speaker 1>every time I called that, well what what what David Man?

0:21:39.040 --> 0:21:42.679
<v Speaker 1>David I don't do I'm like, fuck, when does he

0:21:42.800 --> 0:21:47.120
<v Speaker 1>have time to record? You're always on tour, fucking dope.

0:21:47.200 --> 0:21:50.879
<v Speaker 1>Damn you got fans all over the world and the music.

0:21:51.640 --> 0:21:54.120
<v Speaker 1>I like mingling with him too. Man, after the show,

0:21:54.240 --> 0:21:56.560
<v Speaker 1>just getting right off the stage and going straight out there,

0:21:56.600 --> 0:21:59.399
<v Speaker 1>you know, before they clean up a club and kick everybody.

0:21:59.480 --> 0:22:01.160
<v Speaker 1>I like to go round that, you know, go out

0:22:01.560 --> 0:22:03.919
<v Speaker 1>and just you know, show up, just to you know,

0:22:03.960 --> 0:22:06.359
<v Speaker 1>touch them and take pictures and just I mean, if

0:22:06.400 --> 0:22:12.880
<v Speaker 1>it wasn't for them, man, it just appreciate it at

0:22:12.920 --> 0:22:15.440
<v Speaker 1>this day and age, at my you know, this point

0:22:15.440 --> 0:22:17.439
<v Speaker 1>in my life, at this you know, the age that

0:22:17.480 --> 0:22:21.760
<v Speaker 1>I am to be appreciated for the past music. It's just,

0:22:22.720 --> 0:22:24.919
<v Speaker 1>you know, I can't ask for that, nails. You know,

0:22:25.119 --> 0:22:29.560
<v Speaker 1>it would be selfish of me to just and you know,

0:22:29.760 --> 0:22:31.600
<v Speaker 1>get off the stage and just go and get my

0:22:31.640 --> 0:22:34.199
<v Speaker 1>money and gip to the next show. Now it's you know,

0:22:34.359 --> 0:22:37.520
<v Speaker 1>it's a lot more than that. You had the opportunity

0:22:37.560 --> 0:22:40.600
<v Speaker 1>to work with Dr Dre Yes, sir, yes, sir, that

0:22:40.720 --> 0:22:43.199
<v Speaker 1>was a he was that experience. I was wonderful. That

0:22:43.280 --> 0:22:48.240
<v Speaker 1>was wonderful. That was about um Actually it was I

0:22:48.400 --> 0:22:50.800
<v Speaker 1>was just at at the crib man. That was a

0:22:50.800 --> 0:22:55.760
<v Speaker 1>crib nineties something like that somewhere. But then and a

0:22:55.760 --> 0:22:59.240
<v Speaker 1>call from rapping Lot. It was Rico. I'm much love

0:22:59.359 --> 0:23:03.280
<v Speaker 1>Ricos who you know? Uh? He just he said, damn

0:23:03.760 --> 0:23:06.720
<v Speaker 1>um man. Dr Trey about to get ready to call you. Man,

0:23:06.880 --> 0:23:09.080
<v Speaker 1>he WoT you work on me on his is that

0:23:09.160 --> 0:23:12.159
<v Speaker 1>when I was like you you're ship and like you

0:23:12.200 --> 0:23:14.440
<v Speaker 1>ain't you? He said, no, man, I ain't. I'm for real,

0:23:14.880 --> 0:23:17.840
<v Speaker 1>stay by the phone. He's gonna call you. So our

0:23:17.960 --> 0:23:23.159
<v Speaker 1>pass two hours pass. I'm like, man, and I know

0:23:23.240 --> 0:23:25.720
<v Speaker 1>he just watching him. I was checking from see it

0:23:25.840 --> 0:23:28.639
<v Speaker 1>was April first or whatever. I like, all right, let

0:23:28.680 --> 0:23:31.800
<v Speaker 1>me see so I totally forgot about it. Three hours

0:23:31.840 --> 0:23:36.520
<v Speaker 1>pass whatever, vone rang, I'm not Salni. I just picked

0:23:36.600 --> 0:23:44.159
<v Speaker 1>hello Yo, it's Devin. Yeah, and just do what do

0:23:44.280 --> 0:23:50.200
<v Speaker 1>fuck you do? Yo? Tray kicking the you know what

0:23:50.200 --> 0:23:53.080
<v Speaker 1>I'm saying that break back the boys, just as I

0:23:53.119 --> 0:23:55.480
<v Speaker 1>did that on this And it was just trigling me

0:23:55.640 --> 0:24:01.080
<v Speaker 1>just like Dr Trey. And I heard you say when

0:24:01.119 --> 0:24:03.480
<v Speaker 1>you was talking about Rico told you that Drey was

0:24:03.520 --> 0:24:06.840
<v Speaker 1>gonna call you, he sounded like yes, some excitement he bus,

0:24:06.840 --> 0:24:17.119
<v Speaker 1>But that's not how Rico talked. Sometimes. That car was

0:24:17.160 --> 0:24:20.040
<v Speaker 1>more like a Drey about to call you. Yeah, pick

0:24:20.080 --> 0:24:23.119
<v Speaker 1>up the phone. It was more, it was very a

0:24:23.119 --> 0:24:25.400
<v Speaker 1>lot more reserved, more and more reserved. But back then

0:24:25.480 --> 0:24:28.440
<v Speaker 1>he was you know, he was you know, he bore,

0:24:28.520 --> 0:24:31.320
<v Speaker 1>laid back. Now yeah he just started looking and getting strong.

0:24:31.400 --> 0:24:35.160
<v Speaker 1>He got didn't got muscles now and an energy. Yeah

0:24:35.240 --> 0:24:41.080
<v Speaker 1>he'd rather let him or wait. But yeah, and then

0:24:41.080 --> 0:24:43.440
<v Speaker 1>he called and you got in touch with me man

0:24:43.520 --> 0:24:46.840
<v Speaker 1>and told me about the project and man, flow out

0:24:46.880 --> 0:24:51.320
<v Speaker 1>that man, that was incredible. Man, that experience, I'm sure

0:24:51.359 --> 0:24:54.560
<v Speaker 1>just to see him work, to see him work. You

0:24:54.600 --> 0:24:56.359
<v Speaker 1>said you got to call in two thousand and seventeen,

0:24:56.400 --> 0:24:58.840
<v Speaker 1>But the chronic didn't come out to two thousand one

0:24:59.000 --> 0:25:04.920
<v Speaker 1>word one, not at nine nine or something like along.

0:25:06.200 --> 0:25:12.879
<v Speaker 1>It was because my album was out, you know, my

0:25:12.920 --> 0:25:14.639
<v Speaker 1>albums out. So that's why you were, like, dude, what

0:25:15.119 --> 0:25:18.320
<v Speaker 1>you wanted? Dude? Like I heard that for us like

0:25:18.680 --> 0:25:24.639
<v Speaker 1>Dray kicking. But yeah, man, he said, he really you know,

0:25:24.680 --> 0:25:27.960
<v Speaker 1>he was listening to us as the Odd Squad. He said,

0:25:28.000 --> 0:25:31.080
<v Speaker 1>he had our first demo tape. I'm telling you, bro,

0:25:31.240 --> 0:25:35.520
<v Speaker 1>I had that motherfucker' Snoop. I was listening to that

0:25:35.800 --> 0:25:38.320
<v Speaker 1>on the first Chronic tour. They were listening to the

0:25:38.320 --> 0:25:41.280
<v Speaker 1>Odd Squad you know, demo tape before you came out.

0:25:41.359 --> 0:25:46.159
<v Speaker 1>I was like, wow, yeah, no, dad, y'all. Man, that

0:25:46.320 --> 0:25:51.919
<v Speaker 1>fucking blood blood smoking that we feeling fine? Got me

0:25:52.000 --> 0:25:55.920
<v Speaker 1>a party in the bad as that ship there, man, Wow,

0:25:56.520 --> 0:25:58.200
<v Speaker 1>him the Snoop Snoop told me that they used to

0:25:58.240 --> 0:26:01.439
<v Speaker 1>listen to Pushy like Dope all the time, that pussy

0:26:01.520 --> 0:26:05.560
<v Speaker 1>like dope and uh smoking a weird yeah, yeah, but

0:26:05.640 --> 0:26:08.000
<v Speaker 1>that was that was That was good, just good to hear,

0:26:08.160 --> 0:26:11.040
<v Speaker 1>just that he was listening or heard about me. Man,

0:26:11.119 --> 0:26:17.200
<v Speaker 1>it was just wow. Besides the fact that you went

0:26:17.280 --> 0:26:20.160
<v Speaker 1>down and you discovered that he was a huge fan

0:26:20.240 --> 0:26:22.960
<v Speaker 1>of yours. What's one of the things that surprised you

0:26:23.040 --> 0:26:27.040
<v Speaker 1>most about Dre, not not not even necessarily as a professional,

0:26:27.600 --> 0:26:29.320
<v Speaker 1>just as a person. What's one of the things that

0:26:29.800 --> 0:26:33.480
<v Speaker 1>because you know, because Drey is pretty much an introvert

0:26:34.160 --> 0:26:40.199
<v Speaker 1>compared to a lot of celebrities and superstars, but inside

0:26:41.680 --> 0:26:44.640
<v Speaker 1>inside of the studio itself, I'd never really just cheered

0:26:44.640 --> 0:26:47.520
<v Speaker 1>with Drey on the outside of the studio chilling vibe

0:26:47.520 --> 0:26:51.240
<v Speaker 1>and or whatever. But I know on the inside it's

0:26:51.280 --> 0:26:56.879
<v Speaker 1>just total control of of of of of the music

0:26:56.960 --> 0:26:59.800
<v Speaker 1>I'm talking about. We'll have six seven people in there.

0:27:00.240 --> 0:27:02.960
<v Speaker 1>Everybody's on the instrument, somebody's on the base, somebody's on

0:27:03.000 --> 0:27:07.080
<v Speaker 1>a good start, somebody's on the keyboard. I had male

0:27:07.160 --> 0:27:12.320
<v Speaker 1>man on the imp, somebody on the upright base, most

0:27:12.680 --> 0:27:17.040
<v Speaker 1>upbreak base. And they he gave me a debt, a

0:27:17.160 --> 0:27:21.960
<v Speaker 1>debt tape, and he and him and when he gave

0:27:22.000 --> 0:27:24.600
<v Speaker 1>it to the engineer, the engineer putting, and he gave

0:27:24.680 --> 0:27:26.840
<v Speaker 1>me a piece of paper with what was onto that

0:27:27.040 --> 0:27:31.239
<v Speaker 1>tape was like a hundred and seven numbers, all skeletons. Now,

0:27:31.359 --> 0:27:33.239
<v Speaker 1>he was like a minute and a half a minute here,

0:27:33.359 --> 0:27:37.880
<v Speaker 1>you know, all skeleton songs with maybe five six instruments

0:27:37.920 --> 0:27:41.639
<v Speaker 1>at the most in it. And he said, if you

0:27:41.680 --> 0:27:43.399
<v Speaker 1>hear something, you're like, man, just living there. We're like,

0:27:43.480 --> 0:27:47.320
<v Speaker 1>oh man, you know what I'm saying. So they started playing,

0:27:49.560 --> 0:27:51.560
<v Speaker 1>you know, they kept going, and they only played like

0:27:51.800 --> 0:27:54.879
<v Speaker 1>ten seconds of each to see if I like. And

0:27:55.119 --> 0:27:57.239
<v Speaker 1>I couldn't really get a chance to absorb each one

0:27:57.240 --> 0:27:59.359
<v Speaker 1>because they were dope, but I couldn't, like try to

0:27:59.680 --> 0:28:02.800
<v Speaker 1>feel it, so I can probably play some money right there.

0:28:03.440 --> 0:28:06.280
<v Speaker 1>So he's going through it, and they got like seventeen eighteen,

0:28:07.240 --> 0:28:09.119
<v Speaker 1>and I'm mail man, say go back to numer twelve. Man,

0:28:09.160 --> 0:28:11.680
<v Speaker 1>he was feeling in twelve. Went back to number twelve

0:28:11.720 --> 0:28:15.280
<v Speaker 1>and he was do do do do? Do? Do? Do? Do?

0:28:16.359 --> 0:28:18.280
<v Speaker 1>I just want to like, he said, you like that,

0:28:18.440 --> 0:28:22.800
<v Speaker 1>like that's dope. Coom boom. He'd shut everything down and

0:28:22.880 --> 0:28:27.000
<v Speaker 1>he told everybody about the number boom and everybody just

0:28:27.400 --> 0:28:31.040
<v Speaker 1>got to their position and start redoing that song, and

0:28:32.200 --> 0:28:36.160
<v Speaker 1>to play the song longer, stopping it too fast, Give

0:28:36.160 --> 0:28:39.440
<v Speaker 1>me thirty seconds, let me let me feel it. Me

0:28:39.680 --> 0:28:46.920
<v Speaker 1>say something, I mean, how arrogant? Would I know? It's

0:28:46.920 --> 0:28:50.360
<v Speaker 1>just like I was just honored. I was just honored, man,

0:28:50.600 --> 0:28:52.840
<v Speaker 1>But I was afraid I have to listen to all

0:28:53.000 --> 0:28:56.040
<v Speaker 1>this stuff. How are you going to choose a song

0:28:56.160 --> 0:28:58.760
<v Speaker 1>to two hundred and seven trade? Trade? You know what

0:28:58.760 --> 0:29:02.000
<v Speaker 1>I'm saying, Nicole is part about Dre. Dre would start

0:29:02.080 --> 0:29:03.960
<v Speaker 1>to he would put the daddy in and just press

0:29:04.040 --> 0:29:07.800
<v Speaker 1>record and just make ship. You know this ship, so

0:29:08.080 --> 0:29:10.320
<v Speaker 1>it ain't no tilling what's on them? And I don't

0:29:10.320 --> 0:29:13.400
<v Speaker 1>know tell you what though. And after that, I don't

0:29:13.400 --> 0:29:15.040
<v Speaker 1>want to give his a game away and I'm no,

0:29:16.200 --> 0:29:19.160
<v Speaker 1>yeah man. But look after that, you know, we decided,

0:29:19.400 --> 0:29:21.440
<v Speaker 1>you know what, we don't go with and we did

0:29:21.520 --> 0:29:24.280
<v Speaker 1>the song. I'll come back to the actual song. But

0:29:25.480 --> 0:29:29.240
<v Speaker 1>he started having like a studio session where he just

0:29:29.480 --> 0:29:32.920
<v Speaker 1>had Maleman was on there on the beat, the tempo

0:29:33.000 --> 0:29:36.719
<v Speaker 1>was made, the eighty five tempo, have that going. Boom,

0:29:36.920 --> 0:29:39.920
<v Speaker 1>He'll just he'll just get the tip altogether. Boom mill Man,

0:29:40.160 --> 0:29:48.680
<v Speaker 1>come up with it like a beat. He'll wait, We'll say,

0:29:48.960 --> 0:29:51.360
<v Speaker 1>he'll just wait and if it ain't right, it's a look.

0:29:51.600 --> 0:29:55.280
<v Speaker 1>It's like a feeling, and he'll know what it's right

0:29:55.280 --> 0:30:02.320
<v Speaker 1>because here, you know, something to do. Point base player,

0:30:02.800 --> 0:30:08.920
<v Speaker 1>coom boom. He pointed the other keyboard toom. He came

0:30:09.000 --> 0:30:11.760
<v Speaker 1>to the jam and then the guitar. Let's start doing.

0:30:12.120 --> 0:30:13.960
<v Speaker 1>And then by the time you know, it's like six

0:30:14.080 --> 0:30:16.760
<v Speaker 1>seven people in that Chamman, and they went for like

0:30:17.320 --> 0:30:20.560
<v Speaker 1>three minutes and they'll stop. The whole ship's boom. Let's

0:30:20.560 --> 0:30:24.280
<v Speaker 1>start back over again with another temple eighty eight eighties,

0:30:24.360 --> 0:30:28.920
<v Speaker 1>you know whatever, and and then point over here he

0:30:29.040 --> 0:30:32.520
<v Speaker 1>did like seven songs and ten minutes, six songs and

0:30:32.640 --> 0:30:36.280
<v Speaker 1>ten minutes skeletons, and I was like, oh, that's how

0:30:36.360 --> 0:30:39.560
<v Speaker 1>we got you know what. But it was so fucking cold,

0:30:39.560 --> 0:30:41.880
<v Speaker 1>and he chorreographed that ship to the t and he

0:30:42.000 --> 0:30:45.440
<v Speaker 1>was like, he's a man. I never seen Quincy Jones

0:30:45.520 --> 0:30:51.400
<v Speaker 1>work man was you got? This is why I took

0:30:51.440 --> 0:30:55.240
<v Speaker 1>offense to this video that I watched yesterday. I don't

0:30:55.280 --> 0:31:00.640
<v Speaker 1>know the guy's name, but he said that R and

0:31:00.760 --> 0:31:07.120
<v Speaker 1>B artists we're talented, and hip hop artists was cool.

0:31:07.840 --> 0:31:10.440
<v Speaker 1>It's like he was like he was talking about the

0:31:10.560 --> 0:31:15.600
<v Speaker 1>difference between the two genres, and it was almost like

0:31:15.880 --> 0:31:19.920
<v Speaker 1>what he was implying that hip hop artists didn't really

0:31:19.960 --> 0:31:23.760
<v Speaker 1>have talent. It's just we made it something cool. We

0:31:23.840 --> 0:31:26.960
<v Speaker 1>made music cool, We we did something cool, not necessarily

0:31:27.000 --> 0:31:30.400
<v Speaker 1>that hip hop artists were talented talented, and that what

0:31:30.600 --> 0:31:37.120
<v Speaker 1>he just said. Uh, totally distraught that philosophy, Uh, that

0:31:37.360 --> 0:31:40.760
<v Speaker 1>theory that he has right like saying that, you know,

0:31:40.920 --> 0:31:43.360
<v Speaker 1>it's just just cool, Like, yeah, it's some cats out

0:31:43.400 --> 0:31:45.880
<v Speaker 1>there that's that bank on't just trying to be cool,

0:31:46.000 --> 0:31:49.320
<v Speaker 1>that personality or whatever. But I know, I know, I

0:31:49.480 --> 0:31:51.480
<v Speaker 1>know some artists. I bet your ass can right that ship,

0:31:52.440 --> 0:31:54.520
<v Speaker 1>you know what I'm talking about, Like, I bet you

0:31:54.720 --> 0:31:59.480
<v Speaker 1>can't produce the ship that they produced. Talking about making

0:31:59.520 --> 0:32:01.640
<v Speaker 1>just you know, just making it cool or whatever. I mean,

0:32:01.680 --> 0:32:03.760
<v Speaker 1>he said some other things I can't really remember, but

0:32:03.840 --> 0:32:07.280
<v Speaker 1>I just remember that overall he had a uh, he

0:32:07.360 --> 0:32:09.680
<v Speaker 1>had a good angle on it. But when he said

0:32:09.760 --> 0:32:13.440
<v Speaker 1>that piece about hip hop or you know, artists just

0:32:13.560 --> 0:32:17.440
<v Speaker 1>being cool, It's like, Yeah, he lost me with that that.

0:32:17.640 --> 0:32:20.360
<v Speaker 1>You know, it takes uh to do it right, to

0:32:20.440 --> 0:32:22.760
<v Speaker 1>do it right right, and especially to do it a

0:32:22.840 --> 0:32:26.680
<v Speaker 1>long time. It takes kell of talent and and uh

0:32:27.560 --> 0:32:32.360
<v Speaker 1>not the uh like Devin, you you are very fucking

0:32:32.880 --> 0:32:36.120
<v Speaker 1>ain'tle with your ship, you know, with your with your

0:32:36.240 --> 0:32:39.080
<v Speaker 1>with your music, bro, because I have seen you said

0:32:39.120 --> 0:32:42.000
<v Speaker 1>at the board and mixed vocals and I'm sitting there like, bro,

0:32:42.840 --> 0:32:52.440
<v Speaker 1>dare this ship is right and I gotta get this

0:32:52.600 --> 0:32:58.880
<v Speaker 1>up to him. It's a song called Sticky Green on

0:32:59.080 --> 0:33:08.200
<v Speaker 1>Davi's first that um we did together, and I actually

0:33:08.280 --> 0:33:12.840
<v Speaker 1>make that motherfucker a boy myself. Were you a part time?

0:33:12.920 --> 0:33:16.800
<v Speaker 1>I believe not for the whole mix with in and out. Yeah,

0:33:16.920 --> 0:33:21.760
<v Speaker 1>but I got one off man without Devin coming in vocals.

0:33:21.760 --> 0:33:25.280
<v Speaker 1>I was like, god, I used to get Mike being here.

0:33:25.880 --> 0:33:27.719
<v Speaker 1>I know you did should I used to give Mike

0:33:27.800 --> 0:33:31.120
<v Speaker 1>Dean hell man. Shout out to Mike Dean. Mike Dean

0:33:31.240 --> 0:33:33.600
<v Speaker 1>was a bad mom. He is a bad motherfucker on

0:33:34.840 --> 0:33:39.680
<v Speaker 1>calling the Rick Rubin the Rappelite. How do you how

0:33:39.720 --> 0:33:45.440
<v Speaker 1>do you feel about Brad still in the name face Mob?

0:33:45.560 --> 0:33:48.680
<v Speaker 1>I mean that was your group, right, face right? No,

0:33:50.160 --> 0:33:56.720
<v Speaker 1>what the fun Willie? That's faces group. Let's face his

0:33:56.920 --> 0:34:01.880
<v Speaker 1>mob and the funk Willie? Oh god, well Face had

0:34:01.920 --> 0:34:04.160
<v Speaker 1>a man. He was gonna man. He was doing a

0:34:04.240 --> 0:34:06.200
<v Speaker 1>big he had a lot of artists were about to

0:34:06.200 --> 0:34:09.840
<v Speaker 1>get ready to come out with different solo u and

0:34:09.960 --> 0:34:13.000
<v Speaker 1>he was telling me, man, you know while everybody's chilling

0:34:13.040 --> 0:34:17.000
<v Speaker 1>and uh solo mode. Man, we got so much talent together. Man,

0:34:17.200 --> 0:34:19.719
<v Speaker 1>I want to put this group together until you know,

0:34:19.800 --> 0:34:21.600
<v Speaker 1>we started doing the solo projects. I want you to

0:34:21.640 --> 0:34:24.400
<v Speaker 1>come to help me out. You know, it's called a

0:34:24.440 --> 0:34:26.320
<v Speaker 1>face mob and if you just come to do a

0:34:26.400 --> 0:34:28.880
<v Speaker 1>few hooks, you need to be cool. And everybody was

0:34:28.920 --> 0:34:32.520
<v Speaker 1>so dope, bad man, everybody I mean that was not

0:34:32.640 --> 0:34:36.520
<v Speaker 1>a weak link. Yeah, man, it was the other side

0:34:36.600 --> 0:34:44.920
<v Speaker 1>of the Hey. Yeah, at any time we do it

0:34:45.040 --> 0:34:56.759
<v Speaker 1>on the other sadle on the he was cold, okay, man, man,

0:34:58.440 --> 0:35:00.800
<v Speaker 1>and then you can you still break down? You know,

0:35:00.960 --> 0:35:04.600
<v Speaker 1>I got one more wind mill in me one mode.

0:35:06.760 --> 0:35:09.200
<v Speaker 1>You know what I'm saying. That's you know, you know

0:35:10.200 --> 0:35:12.560
<v Speaker 1>you got one more. That's why I got one. You

0:35:13.000 --> 0:35:17.759
<v Speaker 1>don't use that wise hunt up video, you know what

0:35:17.800 --> 0:35:20.919
<v Speaker 1>I'm saying. But if the right song, come on, there's

0:35:20.960 --> 0:35:22.719
<v Speaker 1>one song, if you play it, I have to try

0:35:22.760 --> 0:35:25.120
<v Speaker 1>to do something anyway. So I can't. I'm not gonna

0:35:25.120 --> 0:35:27.600
<v Speaker 1>take a song. I'm gonna find that my you know

0:35:27.640 --> 0:35:31.920
<v Speaker 1>what I'm if you work with a lot of artists

0:35:32.040 --> 0:35:34.640
<v Speaker 1>about the years. You know you're starting off with Brad

0:35:35.480 --> 0:35:42.040
<v Speaker 1>you know you work with um Slam you I'm trying

0:35:42.040 --> 0:35:47.359
<v Speaker 1>to blank them. Snoop Yeah, snoop. Can do you work

0:35:47.400 --> 0:35:59.600
<v Speaker 1>with Bond Bright, work with Dred three Stacks? Yeah? Hell yeah? Man?

0:36:00.080 --> 0:36:04.600
<v Speaker 1>Else quite a few people, Man, it's because it's been

0:36:04.640 --> 0:36:06.640
<v Speaker 1>a blessing, man, just for people to reach out. Man,

0:36:06.760 --> 0:36:11.520
<v Speaker 1>for real. It's just overwhelmeding just to to be asked, uh,

0:36:11.920 --> 0:36:15.719
<v Speaker 1>to be a part of somebody's project life. You know

0:36:15.719 --> 0:36:19.479
<v Speaker 1>what I'm saying, just to and uh. I love working

0:36:19.520 --> 0:36:21.160
<v Speaker 1>with people who want me to be a part of

0:36:21.239 --> 0:36:23.719
<v Speaker 1>what they're doing. You know what I'm saying locally, you know,

0:36:23.920 --> 0:36:26.960
<v Speaker 1>from from from here to up there. You know, it's

0:36:27.000 --> 0:36:29.640
<v Speaker 1>just a blessing to be reached out upon. You know.

0:36:29.760 --> 0:36:33.279
<v Speaker 1>I never thought that I could make a living. Uh uh,

0:36:34.680 --> 0:36:37.880
<v Speaker 1>you know, provide for my family by notice, back in

0:36:37.960 --> 0:36:40.520
<v Speaker 1>the day, I st just a hobby of I'd really

0:36:40.560 --> 0:36:41.880
<v Speaker 1>like to do it. I just want to give a

0:36:41.960 --> 0:36:44.560
<v Speaker 1>record contract and the semi hous of Ville. That's all

0:36:44.600 --> 0:36:49.839
<v Speaker 1>I want. Oh, what a job is? Speaking of your family, man,

0:36:49.920 --> 0:36:53.319
<v Speaker 1>how did your family take that once you when they

0:36:53.400 --> 0:36:56.600
<v Speaker 1>found out, man Devin is doing his thing, like he's

0:36:56.640 --> 0:36:59.600
<v Speaker 1>messing with this rap thing he's on, Like, how did

0:37:00.320 --> 0:37:03.920
<v Speaker 1>they respond to that? With my mom, she was always

0:37:04.880 --> 0:37:06.520
<v Speaker 1>she didn't care what I do long as I stayed

0:37:06.520 --> 0:37:09.880
<v Speaker 1>out of trouble and I was able to provide. She

0:37:10.080 --> 0:37:12.960
<v Speaker 1>she she I told I wanted to pursue a rap

0:37:13.040 --> 0:37:15.080
<v Speaker 1>career once I got to high school and I wanted

0:37:15.120 --> 0:37:17.320
<v Speaker 1>to I want to go to the Art Institute of Houston.

0:37:17.480 --> 0:37:19.880
<v Speaker 1>So she helped me to go to the Art Institute

0:37:19.920 --> 0:37:23.440
<v Speaker 1>of Houston to try to pursue that. How many years

0:37:23.480 --> 0:37:27.640
<v Speaker 1>did do that? Actually I did year so but I

0:37:27.760 --> 0:37:31.359
<v Speaker 1>know I was too much from completing, uh the whole

0:37:31.440 --> 0:37:34.000
<v Speaker 1>of something. And I was I was gonna be able

0:37:34.000 --> 0:37:36.200
<v Speaker 1>to get a degree. You get a degree the first

0:37:36.280 --> 0:37:41.800
<v Speaker 1>year they was having got degrees for that, uh for

0:37:42.840 --> 0:37:48.800
<v Speaker 1>music business, yeah, broadcast, music video, music video business for broadcast.

0:37:49.880 --> 0:37:53.480
<v Speaker 1>All that too much left and we gotta I got

0:37:53.600 --> 0:37:58.600
<v Speaker 1>a record deal with Raphilized and me and jug was

0:37:58.680 --> 0:38:03.600
<v Speaker 1>that jug dext you know, so he was. It was like, man,

0:38:04.440 --> 0:38:06.680
<v Speaker 1>we got to deal. That's where we came to school

0:38:06.760 --> 0:38:12.439
<v Speaker 1>for huh man, the school and I regret I still

0:38:12.520 --> 0:38:15.120
<v Speaker 1>did at to this day. I still want to go

0:38:15.200 --> 0:38:16.719
<v Speaker 1>get my two months so I get my degree so

0:38:16.760 --> 0:38:19.560
<v Speaker 1>I can at least teach or talk or go to

0:38:19.800 --> 0:38:25.520
<v Speaker 1>some school programs. And that's you know, professor, Professor Devon

0:38:25.560 --> 0:38:32.960
<v Speaker 1>to do packed out. Oh yeah, they'll be come to

0:38:33.400 --> 0:38:36.080
<v Speaker 1>they'll come to class high to know, you ain't gonna

0:38:36.120 --> 0:38:40.880
<v Speaker 1>say nothing about us coming from that, not at up

0:38:41.440 --> 0:38:48.160
<v Speaker 1>especially you can get the work done. Man. Man, I

0:38:48.239 --> 0:38:51.239
<v Speaker 1>believe some about the students would come high, you bet ye.

0:38:51.680 --> 0:38:53.759
<v Speaker 1>The students would come out and I'm saying, hey man,

0:38:55.239 --> 0:38:57.080
<v Speaker 1>it's your body. Man. Whatever you want to do to

0:38:57.200 --> 0:38:59.080
<v Speaker 1>your body's your body. As long as you can get

0:38:59.120 --> 0:39:02.560
<v Speaker 1>the work done you had, because you can't just be

0:39:02.680 --> 0:39:06.000
<v Speaker 1>having anybody feeling that right oh yeah, and started looking

0:39:06.000 --> 0:39:09.759
<v Speaker 1>at you like what kind of teacher are you? And

0:39:09.840 --> 0:39:14.640
<v Speaker 1>I never wanted weed to be the forefront of my

0:39:14.800 --> 0:39:17.520
<v Speaker 1>career with it because that made a movie about it. No, No,

0:39:17.640 --> 0:39:24.960
<v Speaker 1>I was asked to my career make a movie in

0:39:25.040 --> 0:39:29.520
<v Speaker 1>a movie. Yeah, I mean you know that that was

0:39:29.680 --> 0:39:34.040
<v Speaker 1>you and a little little Yeah, do a part too,

0:39:36.120 --> 0:39:37.640
<v Speaker 1>that would be nice. I would love to do it.

0:39:38.200 --> 0:39:42.320
<v Speaker 1>But yeah, cope. Daniels direct and producer that much. Eddie Griffin,

0:39:43.880 --> 0:39:46.719
<v Speaker 1>he executive produced that. To Eddie Griffin, he was, yeah,

0:39:46.760 --> 0:39:48.399
<v Speaker 1>he was. He was in the movie too, the white

0:39:48.440 --> 0:39:52.840
<v Speaker 1>guy in the bar. What yeah, Eddie Griffin, Yeah he was.

0:39:53.480 --> 0:39:55.200
<v Speaker 1>He was made over as the white guy. He was

0:39:56.200 --> 0:40:00.200
<v Speaker 1>makeup on everything. Do you do you every want to

0:40:00.239 --> 0:40:04.080
<v Speaker 1>do anymore? Active? I would? I wouldn't not, I would.

0:40:04.080 --> 0:40:06.680
<v Speaker 1>I would love to actually, but you know, I mean

0:40:06.880 --> 0:40:09.880
<v Speaker 1>I would would be pursued it. Actually. I wanted to

0:40:09.960 --> 0:40:12.480
<v Speaker 1>do it in a different ride. I wanted to do right.

0:40:12.520 --> 0:40:15.480
<v Speaker 1>I want to do more writing. I wanted to test

0:40:16.480 --> 0:40:18.319
<v Speaker 1>that shouldn't be funny. I want to write a mother

0:40:19.200 --> 0:40:21.759
<v Speaker 1>just write skit so whatever. You know, we have kind

0:40:21.760 --> 0:40:25.000
<v Speaker 1>of crazy idea stuff. So but boy, I know you

0:40:25.160 --> 0:40:30.160
<v Speaker 1>and UM and Jug and Rob Boy. If y'all had

0:40:30.200 --> 0:40:36.759
<v Speaker 1>go pros in the studio, boy, I know that ship

0:40:36.960 --> 0:40:40.920
<v Speaker 1>is funny as fuck, like like we can't. We couldn't

0:40:40.920 --> 0:40:45.400
<v Speaker 1>get work done because we'd be laughing at some motherfucking

0:40:45.480 --> 0:40:50.520
<v Speaker 1>hard man. Devin is is funny as fun man. Can

0:40:50.560 --> 0:41:01.440
<v Speaker 1>I smoke with y'all? No, the podcast will be right

0:41:01.480 --> 0:41:11.120
<v Speaker 1>back after the poet. Then the first time you went overseas?

0:41:11.400 --> 0:41:14.959
<v Speaker 1>What what country did you visit to play? I don't

0:41:14.960 --> 0:41:20.520
<v Speaker 1>know the Seas with mm hmmm. I might have to

0:41:20.600 --> 0:41:28.200
<v Speaker 1>call up Matchinsils because Matinsil is my international manager. I

0:41:28.280 --> 0:41:33.080
<v Speaker 1>believe so feeling, you know what, because I know I

0:41:34.480 --> 0:41:38.680
<v Speaker 1>played Finland and just played maybe a month before that.

0:41:38.920 --> 0:41:40.759
<v Speaker 1>It was feeling. I remember doing a lot of uh

0:41:42.200 --> 0:41:45.319
<v Speaker 1>I've did some recording and stuff over there's a studio record. Yeah,

0:41:45.440 --> 0:41:49.000
<v Speaker 1>feeling yeah. But since then, you know, it's been a

0:41:49.160 --> 0:41:54.400
<v Speaker 1>quite a few uh places I visit over that man,

0:41:56.280 --> 0:41:59.120
<v Speaker 1>it was cracked out each time. Man, it was man.

0:41:59.160 --> 0:42:01.680
<v Speaker 1>It was a blessing. Man. And I then not realize

0:42:01.719 --> 0:42:04.560
<v Speaker 1>that they listened to me or to hip hop in

0:42:04.640 --> 0:42:08.680
<v Speaker 1>general that much. And they are really into it. They

0:42:08.719 --> 0:42:13.719
<v Speaker 1>are really into the history the places before all this

0:42:14.080 --> 0:42:17.840
<v Speaker 1>uh social media, social media and Wikipedia and all this

0:42:18.000 --> 0:42:22.160
<v Speaker 1>right here. They would really know about hip hop, graffiti,

0:42:22.480 --> 0:42:25.719
<v Speaker 1>DJ and the history of these people and where they

0:42:25.760 --> 0:42:28.160
<v Speaker 1>came from and how they grew up and stuff. And

0:42:28.600 --> 0:42:30.799
<v Speaker 1>you know, I'm like, how did you know all this? Man?

0:42:31.160 --> 0:42:34.960
<v Speaker 1>They asked me about ka Reno Man. Man asked me

0:42:35.000 --> 0:42:40.880
<v Speaker 1>about Man that's the Godfather. Yeah, Man, you know about Lukiki.

0:42:40.960 --> 0:42:44.560
<v Speaker 1>They know it tripped me out, But look Kiki packed

0:42:44.560 --> 0:42:47.359
<v Speaker 1>out a spot in Japan and some ship, right man, Man,

0:42:47.920 --> 0:42:54.000
<v Speaker 1>Man Me too, Me too, man. Man. When I went

0:42:54.040 --> 0:42:57.520
<v Speaker 1>out there, dude Duke, I spoke with the editor of

0:42:57.600 --> 0:43:00.920
<v Speaker 1>the magazine. He was interviewing me, and he said, Willie

0:43:01.080 --> 0:43:05.480
<v Speaker 1>d you know you're in concert the same night as

0:43:05.600 --> 0:43:08.520
<v Speaker 1>fifty cent, And I said, yeah, I heard. He said, yeah,

0:43:08.640 --> 0:43:11.759
<v Speaker 1>but you have nothing to worthy about. They're coming to

0:43:11.880 --> 0:43:15.239
<v Speaker 1>see fifty because he's hot. They're coming to see you

0:43:15.480 --> 0:43:19.560
<v Speaker 1>because you. I let you tell me that ship and

0:43:19.600 --> 0:43:21.719
<v Speaker 1>I thought it was just gassing me up and I

0:43:21.800 --> 0:43:24.480
<v Speaker 1>showed up in the airport. It was on so Michael Jackson.

0:43:24.560 --> 0:43:26.560
<v Speaker 1>She was like three d people in the airport with

0:43:26.680 --> 0:43:29.239
<v Speaker 1>signs and ship. What were feeling? And I saw the

0:43:29.880 --> 0:43:34.440
<v Speaker 1>promoter Yarrow yea, And I said, man, you didn't have

0:43:34.480 --> 0:43:37.440
<v Speaker 1>to do all this. He said, the motherfucker's did it on.

0:43:37.560 --> 0:43:39.640
<v Speaker 1>I don't know the motherfucker's what he said, don't know

0:43:39.719 --> 0:43:43.480
<v Speaker 1>the motherfucker's They heard you what comment? I guess yeah.

0:43:45.120 --> 0:43:48.920
<v Speaker 1>And they were outside, like in the snow. It was

0:43:49.080 --> 0:43:52.360
<v Speaker 1>fifteen below. They were in the snow. I didn't go

0:43:52.440 --> 0:43:55.399
<v Speaker 1>on to four am, but they were in the snow

0:43:55.480 --> 0:43:59.560
<v Speaker 1>at noon. They were in snow at noon, standing in line.

0:44:00.440 --> 0:44:02.120
<v Speaker 1>I didn't know what the hell because we we we

0:44:02.320 --> 0:44:05.160
<v Speaker 1>were pad we we went to a subway and it

0:44:05.320 --> 0:44:08.440
<v Speaker 1>was the subway was like a block away, uh from

0:44:08.480 --> 0:44:12.759
<v Speaker 1>the hotel and the venue. The Virgin Company was right

0:44:12.800 --> 0:44:15.359
<v Speaker 1>in the middle. And so we walked back. We got

0:44:15.440 --> 0:44:18.040
<v Speaker 1>dropped off and we walked back. And as we're walking back,

0:44:19.600 --> 0:44:21.600
<v Speaker 1>I look over to my left and I see all

0:44:21.640 --> 0:44:23.640
<v Speaker 1>of these people standing in line, you know, a few

0:44:23.719 --> 0:44:27.319
<v Speaker 1>hundred people standing in line, And uh, I said, what's

0:44:27.320 --> 0:44:29.560
<v Speaker 1>going on over there? I mean I'm man, I'm totally

0:44:29.680 --> 0:44:34.160
<v Speaker 1>just just oblivious. Was, you know, to my juice in Finland.

0:44:34.719 --> 0:44:37.200
<v Speaker 1>So I'm like, you know what's going on over there?

0:44:37.239 --> 0:44:39.960
<v Speaker 1>He said, Uh, the motherfucker's are down for you. They

0:44:40.040 --> 0:44:44.839
<v Speaker 1>think they're gonna miss something. And I showed up, dude.

0:44:45.640 --> 0:44:48.359
<v Speaker 1>So the Virgin Company. I don't know if it's still

0:44:48.440 --> 0:44:52.680
<v Speaker 1>that at that building, but it's it reminds uh, it's

0:44:53.160 --> 0:44:57.520
<v Speaker 1>it reminds you of like the House of Blues, two stories, whole,

0:44:57.600 --> 0:45:01.120
<v Speaker 1>two thousand people, balcony and all these types. Uh. And

0:45:02.000 --> 0:45:05.120
<v Speaker 1>I show up, bro, and they're rumbling. I come out.

0:45:05.480 --> 0:45:08.640
<v Speaker 1>You know, typically when I do my show, I'll come

0:45:08.640 --> 0:45:11.200
<v Speaker 1>out and maybe for like a minute, I have a

0:45:11.400 --> 0:45:14.879
<v Speaker 1>one minute intro, and then I go out there, man,

0:45:15.800 --> 0:45:20.120
<v Speaker 1>and the people started tripping so hard. I circled around,

0:45:21.040 --> 0:45:24.160
<v Speaker 1>said keep that ship going. And I came back and

0:45:24.239 --> 0:45:39.520
<v Speaker 1>I was like, really touch And then I come back,

0:45:39.880 --> 0:45:41.680
<v Speaker 1>I said watch this. I go to my boy, I said,

0:45:42.400 --> 0:45:45.719
<v Speaker 1>watch this, go back to the front and touch another chicken.

0:45:45.800 --> 0:45:49.480
<v Speaker 1>She just it was something to see, man. But they

0:45:49.520 --> 0:45:52.319
<v Speaker 1>are the point is that they really do appreciate real

0:45:52.440 --> 0:45:57.040
<v Speaker 1>hip hop. They really do appreciate it, man. They they

0:45:57.080 --> 0:46:00.000
<v Speaker 1>show a lot of love. Uh, and you you don't

0:46:00.080 --> 0:46:03.800
<v Speaker 1>have to have a hot album out today if you

0:46:03.880 --> 0:46:06.680
<v Speaker 1>give them a hot album from back into day. Yeah,

0:46:07.120 --> 0:46:10.200
<v Speaker 1>you're you're good. Yeah, that's just that's the part of it.

0:46:10.280 --> 0:46:14.080
<v Speaker 1>It's the part about you're doing. Yeah. You know, we

0:46:14.600 --> 0:46:15.840
<v Speaker 1>used to do that ship. We used to be on

0:46:17.239 --> 0:46:20.200
<v Speaker 1>We used to be on stage. You used to be

0:46:20.320 --> 0:46:23.440
<v Speaker 1>on stage and you know when you go up to

0:46:23.560 --> 0:46:25.480
<v Speaker 1>the front, you know, and you know they do do

0:46:25.600 --> 0:46:27.960
<v Speaker 1>little Michael Jacks's name, you touch one of them chicks

0:46:28.000 --> 0:46:32.960
<v Speaker 1>and they start fighting and ship falling out. We used

0:46:32.960 --> 0:46:37.040
<v Speaker 1>to do that, like watch this. I mean Brad didn't

0:46:37.040 --> 0:46:40.480
<v Speaker 1>do he couldn't. We couldn't get the women. He couldn't

0:46:40.480 --> 0:46:42.080
<v Speaker 1>get the women to do that type of ship. But

0:46:42.200 --> 0:46:45.360
<v Speaker 1>you know used to love so you know how that

0:46:48.080 --> 0:46:53.359
<v Speaker 1>love man? Yeah, that was build. That was touching all

0:46:53.360 --> 0:46:56.000
<v Speaker 1>the women making them pass out. Really was back there

0:46:56.080 --> 0:47:06.600
<v Speaker 1>looking at me like what the is? Yeah? Okay, man, man,

0:47:06.760 --> 0:47:08.920
<v Speaker 1>this is wonderful right here. Glad to see y'all doing this.

0:47:09.080 --> 0:47:11.000
<v Speaker 1>Man for real, this is when we do. You'll make

0:47:11.040 --> 0:47:13.560
<v Speaker 1>a major moves, man, and you gotta look good on

0:47:13.680 --> 0:47:17.279
<v Speaker 1>on on TV. Man. I like that intro from intro.

0:47:17.600 --> 0:47:21.800
<v Speaker 1>Man just your your career, man, I have followed it,

0:47:21.920 --> 0:47:25.319
<v Speaker 1>I have watched you grow, and I can honestly say, man,

0:47:25.360 --> 0:47:28.640
<v Speaker 1>I am very very proud of what you do and

0:47:28.760 --> 0:47:32.239
<v Speaker 1>what you've done in your accomplishments to date, you know,

0:47:32.400 --> 0:47:37.839
<v Speaker 1>and I look forward to to watching you grow even more. Bronk. Yeah, man,

0:47:37.880 --> 0:47:40.879
<v Speaker 1>you you fucking did that. But appreciate you. Man, You're

0:47:40.960 --> 0:47:44.040
<v Speaker 1>the ones who kind of gave me, you know, catapulted me. Man,

0:47:44.120 --> 0:47:45.640
<v Speaker 1>gave me the start. You don't want to gave me

0:47:45.760 --> 0:47:49.680
<v Speaker 1>my name. My name is just Devin name. He put

0:47:49.719 --> 0:47:52.279
<v Speaker 1>the dude on that. I mean, okay, it was just

0:47:52.400 --> 0:47:54.680
<v Speaker 1>Devon and we was working on the album. I needed

0:47:54.719 --> 0:47:56.920
<v Speaker 1>two or three songs left. He said, Man, what do

0:47:56.960 --> 0:48:02.040
<v Speaker 1>you just listen to when your little like man Quzzy Jones, Dude,

0:48:02.080 --> 0:48:04.960
<v Speaker 1>that's my favorite album. You gotta we Gotta, which I

0:48:05.040 --> 0:48:06.680
<v Speaker 1>was like, yeah, it's in the bat room. We went

0:48:06.719 --> 0:48:08.560
<v Speaker 1>to the bat room to get the final from Domo,

0:48:09.040 --> 0:48:14.319
<v Speaker 1>came back and he played it. We just start breaking

0:48:14.360 --> 0:48:17.319
<v Speaker 1>everything he wanted to start it producing and getting all

0:48:17.360 --> 0:48:20.480
<v Speaker 1>together and boom. I came back like thirty minutes the

0:48:20.520 --> 0:48:25.520
<v Speaker 1>beat was already Yeah. I was like, who rendition of

0:48:25.840 --> 0:48:28.239
<v Speaker 1>the dude, you know, smoking on the sweet while they

0:48:28.280 --> 0:48:32.279
<v Speaker 1>getting it's nothing. Has so much fun working on that record. Man.

0:48:32.280 --> 0:48:34.000
<v Speaker 1>As soon as soon as I finished the record, he

0:48:34.120 --> 0:48:36.960
<v Speaker 1>was like, he said, that's it. That's your name, that's

0:48:36.960 --> 0:48:38.279
<v Speaker 1>the name of the album. I was like, I like,

0:48:39.520 --> 0:48:42.440
<v Speaker 1>that's Quizzy Jones. No you to do that. He kept up, Man,

0:48:42.480 --> 0:48:48.279
<v Speaker 1>you do man, But we shot a commercial dog commercial. Bro,

0:48:48.400 --> 0:48:51.239
<v Speaker 1>do you have that commercial David for that album? The

0:48:51.440 --> 0:48:53.759
<v Speaker 1>commercial we shot man where I pulled up in the

0:48:53.840 --> 0:48:55.520
<v Speaker 1>van to pick you up, but the show it we didn't.

0:48:56.280 --> 0:48:58.480
<v Speaker 1>Yeah right, damn no, I don't know who got that.

0:48:58.719 --> 0:49:03.640
<v Speaker 1>That motherfucking commercial is the that will be something good

0:49:03.680 --> 0:49:06.759
<v Speaker 1>to see you. So I directed Devon's uh you know

0:49:06.800 --> 0:49:09.640
<v Speaker 1>how to shoot commercials for people albums and ship? So

0:49:09.719 --> 0:49:13.399
<v Speaker 1>I directed one of Devon's uh commercials. Man, that's where

0:49:13.400 --> 0:49:16.080
<v Speaker 1>I pull up in a big gass white fifteen passengers

0:49:16.080 --> 0:49:18.399
<v Speaker 1>band pick him up with a concert made you see

0:49:18.800 --> 0:49:27.759
<v Speaker 1>I'm knocking on the bathroom though, Yeah, I wonder who

0:49:27.840 --> 0:49:31.320
<v Speaker 1>got that. That's still around? That would be some That

0:49:31.400 --> 0:49:36.600
<v Speaker 1>ship is great and then then walking out of the bathroom,

0:49:36.640 --> 0:49:38.480
<v Speaker 1>walking out of the house with the toilet paper on

0:49:38.560 --> 0:49:47.279
<v Speaker 1>his shoe to know where all this stuff is what

0:49:47.440 --> 0:49:50.920
<v Speaker 1>are you into other than music? You know and honestly

0:49:51.040 --> 0:49:54.839
<v Speaker 1>your favorite pastime. But but what are you into besides that? Man?

0:49:54.960 --> 0:49:58.239
<v Speaker 1>You know, on a personal level, I like on on

0:49:58.360 --> 0:50:00.880
<v Speaker 1>the hobby type thing. It's for times are like I

0:50:01.120 --> 0:50:06.720
<v Speaker 1>love a remote control stuff. I love our cars, drones.

0:50:07.080 --> 0:50:10.200
<v Speaker 1>I started off with just flying helicopters. You know, at

0:50:10.320 --> 0:50:14.080
<v Speaker 1>a helicopter is way way harder than a drowne to fly,

0:50:14.920 --> 0:50:18.640
<v Speaker 1>and then a drone is a lot easier to fly

0:50:18.800 --> 0:50:23.160
<v Speaker 1>than a quad copter. What the copter is? What it

0:50:23.440 --> 0:50:26.080
<v Speaker 1>was in the beginning, before they started coming out with

0:50:26.160 --> 0:50:28.719
<v Speaker 1>the word drone, it was just a quad copter. We

0:50:28.800 --> 0:50:33.600
<v Speaker 1>had a helicopter to fly, you know, we're just one propeller.

0:50:33.680 --> 0:50:36.520
<v Speaker 1>Then you had a quad copter with for propeller. That

0:50:36.640 --> 0:50:41.239
<v Speaker 1>was it. But every move, every movement of your fingertips

0:50:41.280 --> 0:50:43.759
<v Speaker 1>or whatever, it does something and you cannot let it

0:50:43.840 --> 0:50:47.880
<v Speaker 1>go or we're just they're just crashing the sup. It

0:50:48.000 --> 0:50:51.920
<v Speaker 1>was just your your total you're in total controller. Now

0:50:52.080 --> 0:50:55.359
<v Speaker 1>it's obstacle avoidance and all kinds of stuff. You can

0:50:56.719 --> 0:50:58.920
<v Speaker 1>down and talk and it'll still be flying all that.

0:50:59.080 --> 0:51:03.080
<v Speaker 1>It's so easy. Remember one time I was working, I

0:51:03.160 --> 0:51:04.920
<v Speaker 1>had a drone, Bro, and I put that on the

0:51:04.960 --> 0:51:10.200
<v Speaker 1>fucking way up there, and then that it's cut off.

0:51:12.239 --> 0:51:14.200
<v Speaker 1>It sound like a battery issue with the remote. I

0:51:14.239 --> 0:51:16.680
<v Speaker 1>don't know what it will, but that motherfucker cut off, man.

0:51:17.560 --> 0:51:22.360
<v Speaker 1>And at least I won with them drunk like twelve hunting.

0:51:24.719 --> 0:51:26.640
<v Speaker 1>I watched that thirteen and I all hit the ground

0:51:26.680 --> 0:51:32.239
<v Speaker 1>and shadow like glass. It's devastating that it was all

0:51:32.320 --> 0:51:34.800
<v Speaker 1>in somebody. They make them better today, Yes, I don't know,

0:51:34.840 --> 0:51:41.319
<v Speaker 1>a lot better now I have a lot cheaper, less expensive. Yeah,

0:51:41.640 --> 0:51:44.680
<v Speaker 1>you get a fan of force. What they have they

0:51:44.719 --> 0:51:47.960
<v Speaker 1>moved up to, like what the Phantom team, I don't know.

0:51:48.000 --> 0:51:53.279
<v Speaker 1>I mean dj I, Magi, Magis, are you know something?

0:51:53.400 --> 0:51:56.200
<v Speaker 1>Top dogs? Now? You know they got the Minis and

0:51:56.400 --> 0:51:58.960
<v Speaker 1>they have some smaller versions and all kind of different

0:51:59.400 --> 0:52:03.600
<v Speaker 1>models now out. But yeah, I like the Maverick three.

0:52:04.520 --> 0:52:08.200
<v Speaker 1>Speaking of smaller versions, you got kids. I got seven kids.

0:52:08.280 --> 0:52:12.520
<v Speaker 1>You got seven kids, bro, Damn, that's a lot of kids.

0:52:12.600 --> 0:52:15.800
<v Speaker 1>About the kids in the two thousand's, Yeah, well I

0:52:16.040 --> 0:52:20.680
<v Speaker 1>was the youngest, and uh the youngest is five and old.

0:52:20.760 --> 0:52:22.480
<v Speaker 1>This is like thirty, you know what I'm saying. So

0:52:22.640 --> 0:52:26.719
<v Speaker 1>it's like I got two waves, two waves of kids.

0:52:26.760 --> 0:52:29.799
<v Speaker 1>You know, four of the seven are pretty much grown.

0:52:30.040 --> 0:52:34.840
<v Speaker 1>And I'm doing the only thing right now and happy more. No,

0:52:36.120 --> 0:52:38.680
<v Speaker 1>uh well, and we gotta say the same, you know.

0:52:39.120 --> 0:52:41.120
<v Speaker 1>That's it. Man. But no, I got a nice little

0:52:41.160 --> 0:52:48.000
<v Speaker 1>shut off valve that I got shut off valve that over.

0:52:49.360 --> 0:52:51.320
<v Speaker 1>Uh no, no, no, no, no, no, I got a

0:52:51.360 --> 0:52:54.400
<v Speaker 1>personal one. My brother did brother data he got you know,

0:52:55.080 --> 0:52:59.359
<v Speaker 1>he told man, he got like nine teams, so there's

0:52:59.400 --> 0:53:01.480
<v Speaker 1>time for him. Kid. Yeah. Yeah, we get a lot

0:53:01.520 --> 0:53:04.759
<v Speaker 1>of get a lot of a lot of fun. Yeah.

0:53:05.320 --> 0:53:08.399
<v Speaker 1>But yeah, but you know, I love each and every

0:53:08.440 --> 0:53:10.279
<v Speaker 1>one of them, and I love kids here. Man. I

0:53:10.400 --> 0:53:13.440
<v Speaker 1>just one time I walked in Devon's house, right, I'm

0:53:13.440 --> 0:53:15.959
<v Speaker 1>walking to devin house. Man, I said, it's a cute

0:53:16.000 --> 0:53:20.560
<v Speaker 1>little girl. Man. I looked at it. I say, you're here.

0:53:22.120 --> 0:53:28.160
<v Speaker 1>He said, yes, here. That was done that. I don't

0:53:28.160 --> 0:53:30.360
<v Speaker 1>even know where you came from because it was just

0:53:30.480 --> 0:53:32.200
<v Speaker 1>I was having kids at the time, and that was

0:53:32.360 --> 0:53:35.239
<v Speaker 1>She just popped up, like what do you what did

0:53:35.360 --> 0:53:43.000
<v Speaker 1>she get in? You're here? You're here? My son? I

0:53:43.360 --> 0:53:46.120
<v Speaker 1>got a son at Dante He started producing that eight

0:53:46.200 --> 0:53:49.160
<v Speaker 1>years old. Yeah, Dante is dope, man, He's funny. It's

0:53:49.200 --> 0:53:53.680
<v Speaker 1>fun too. He's hilarious wrapped here probably you know, I

0:53:53.800 --> 0:53:57.080
<v Speaker 1>got you know, he was talking at this day and

0:53:57.120 --> 0:53:58.800
<v Speaker 1>age and that type of rap. You know, it was

0:53:58.880 --> 0:54:00.879
<v Speaker 1>kind of that type rep you know what I'm saying.

0:54:00.920 --> 0:54:03.560
<v Speaker 1>So I was kind of like, man, you might just

0:54:03.719 --> 0:54:09.320
<v Speaker 1>you know, he's real talented. To man, he could. It

0:54:09.480 --> 0:54:14.720
<v Speaker 1>surprised me. But you know, my my nephews in these Texas,

0:54:14.760 --> 0:54:17.680
<v Speaker 1>to man, they they're all kind of talented. They gotta

0:54:18.480 --> 0:54:20.800
<v Speaker 1>made me like, well maybe I should try to do

0:54:20.960 --> 0:54:25.200
<v Speaker 1>something and do something really extra formed because they got

0:54:25.239 --> 0:54:29.479
<v Speaker 1>three nephews and my son. They they're like really really cool.

0:54:31.560 --> 0:54:34.120
<v Speaker 1>They forced me to do something for them because they

0:54:34.200 --> 0:54:39.560
<v Speaker 1>really they got a good project. Project. Yeah, when it's

0:54:39.600 --> 0:54:41.359
<v Speaker 1>time for you to go and you ain't got no more,

0:54:41.440 --> 0:54:44.040
<v Speaker 1>how you want to be remembered? You know what, Well,

0:54:44.280 --> 0:54:47.759
<v Speaker 1>if I could just be remembered, I would be cool.

0:54:48.160 --> 0:54:50.480
<v Speaker 1>Just remembered and then let him take it from there

0:54:50.920 --> 0:54:53.879
<v Speaker 1>and just do history, you know, because you you forget

0:54:53.880 --> 0:54:56.560
<v Speaker 1>about a lot of rappers and stuff and and and

0:54:56.640 --> 0:54:59.520
<v Speaker 1>a lot of greats that that's that's been here, and

0:55:00.160 --> 0:55:03.920
<v Speaker 1>and you don't really go down the rabbit hole of

0:55:04.080 --> 0:55:07.719
<v Speaker 1>what they contributions of what they did until that they

0:55:07.840 --> 0:55:11.360
<v Speaker 1>die whatever, and then some of them are not even remembered,

0:55:12.160 --> 0:55:13.920
<v Speaker 1>and then you gotta if you bring the name up,

0:55:14.080 --> 0:55:17.239
<v Speaker 1>but oh yeah, I remember. So just to be remembered

0:55:18.000 --> 0:55:21.840
<v Speaker 1>in a conversation, man, and just that's that's fine with me.

0:55:22.840 --> 0:55:26.640
<v Speaker 1>That's that's that's that's the last is the last question.

0:55:26.719 --> 0:55:31.560
<v Speaker 1>I'm gonna ask you promise, Okay, then we're gonna leave

0:55:33.719 --> 0:55:36.880
<v Speaker 1>what you're gonna do, and the people go home and

0:55:37.080 --> 0:55:40.160
<v Speaker 1>you want to smoke weed and the reps all gone.

0:55:40.800 --> 0:55:47.879
<v Speaker 1>Somebody had take that about Dube a track. Do me that, man.

0:55:49.200 --> 0:55:51.920
<v Speaker 1>They're always a pleasure to see you though. Man, the

0:55:51.960 --> 0:56:00.120
<v Speaker 1>pressure is always mine, man, last man I said, I

0:56:00.200 --> 0:56:02.960
<v Speaker 1>stopped hitting that note like three packs of black and

0:56:03.040 --> 0:56:16.960
<v Speaker 1>mouth got oh yeah, looking ahead ladies, man, I appreciate

0:56:17.040 --> 0:56:21.360
<v Speaker 1>the love. So dope man, And stay high, oh we'll do.

0:56:21.880 --> 0:56:24.200
<v Speaker 1>And that just highest spirit man, you know what I'm saying.

0:56:24.280 --> 0:56:26.759
<v Speaker 1>Just high, you know, and just living life and to

0:56:27.080 --> 0:56:29.759
<v Speaker 1>the best of your ability. Just just stay high mast

0:56:29.960 --> 0:56:33.360
<v Speaker 1>above water. That's what that means. I just always always

0:56:33.400 --> 0:56:36.080
<v Speaker 1>talk about how important the come line is when you're wrapping,

0:56:36.760 --> 0:56:39.480
<v Speaker 1>and Devin has some of the most amazing come lines

0:56:40.120 --> 0:56:44.239
<v Speaker 1>in the history of the art. I smoke weed, I

0:56:44.400 --> 0:56:47.200
<v Speaker 1>drink bru It's all a rapper back and sh that's

0:56:47.200 --> 0:56:55.239
<v Speaker 1>all I do. I love it, man, I remember that line.

0:56:56.000 --> 0:56:57.719
<v Speaker 1>Just put me just side all the time. You even

0:56:57.760 --> 0:57:04.480
<v Speaker 1>told me check this out, like mob if I'm hot

0:57:04.520 --> 0:57:08.960
<v Speaker 1>in how about you? You know that I don't just

0:57:09.080 --> 0:57:21.200
<v Speaker 1>want like that. There's more to it. But he was like, say, Mario, Hey,

0:57:21.280 --> 0:57:23.520
<v Speaker 1>what is that motherfucker's song? Dad? I don't want to

0:57:23.600 --> 0:57:36.080
<v Speaker 1>hear it. Uh take brass voice, man, what's the song? Damn?

0:57:36.760 --> 0:57:38.680
<v Speaker 1>I want Lee on that song too. What is the

0:57:38.800 --> 0:57:48.240
<v Speaker 1>name of that song? You? That's on the Comfort Brother album? Okay,

0:57:52.360 --> 0:57:56.960
<v Speaker 1>don't take much shit out man? That song they go.

0:58:19.720 --> 0:58:22.240
<v Speaker 1>This episode was produced by a King and brought to

0:58:22.320 --> 0:58:26.640
<v Speaker 1>you by The Black Effect Podcast Network and I Heart

0:58:26.960 --> 0:58:27.280
<v Speaker 1>Radio