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Speaker 1: Get get no Boys, it's back and rehoaded all in

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Speaker 1: your mind. Yeah, not deep throating. This is for the streets,

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Speaker 1: the real the railroading, the distant franchise, the truth escapegoating,

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Speaker 1: and they ain't know when we speak the truth, so

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Speaker 1: they quoted because we wrote it. The North South East

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Speaker 1: coat is the g b my keeping your head bobbing.

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Speaker 1: It ain't no stopping and wants to be drops head by.

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Speaker 1: And then the system is so corrupt they throw the

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Speaker 1: rock out of their heads and then blame it on us.

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Speaker 1: Don't get it twisted on code and we danced for

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Speaker 1: no furntament biscuits. It's Willie d y'all scar faces in

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Speaker 1: the building. Collectively we are the ghetto Boys. Reloaded, Reloaded

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Speaker 1: with another episode of information and instructions to help you

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Speaker 1: navigate through this wild, crazy, beautiful world. In the studio,

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Speaker 1: Devin the the Dude, What's What's what's up? Cool? And man?

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Speaker 1: Good to be here, Man, damn. This is one of

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Speaker 1: the most unique voices in hip hop ever. One of

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Speaker 1: the most talented guys I've ever met in my life.

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Speaker 1: Kevin the Dude, Oh man, I appreciate it, sir man,

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Speaker 1: good looking out man. I had had wonderful mentorship. You

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Speaker 1: know what I'm saying. You know what I'm saying, coming

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Speaker 1: up wrap a lot. Yeah, Man, y'all was the epitome,

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Speaker 1: you know what I'm saying. And everybody in Houston, in Texas,

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Speaker 1: in the South actually wanted to be a part of

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Speaker 1: the movement. Ya was, y'all was having Man y'all was

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Speaker 1: like trimp setters, y'all groundbreaking, set the blueprint of independent

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Speaker 1: rap period. I first heard Devin on um a song

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Speaker 1: um he said, uh, and when you finished white in

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Speaker 1: my dick all turned the channel twenty. It's all as

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Speaker 1: I don't want to get off. That's what I like saying. Man, Now,

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Speaker 1: what do you first meet that I don't remember. I

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Speaker 1: think we were Digital Services a studio that we record.

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Speaker 1: We were recording that because I know he remembered what

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Speaker 1: are you high when when you met? She definitely would remember, uh,

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Speaker 1: digital services, Yeah, but I don't remember what. Yeah, John Ryan,

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Speaker 1: Yeah much love Big Chicken, Big Chicken. That wasn't Big

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Speaker 1: Chicken when that digital He came later with Mike, No,

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Speaker 1: he came in. He came to hippie house. Yeah yeah, yeah,

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Speaker 1: Big Chicken. Cut all these fingers off, man, What do

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Speaker 1: you mean? I said, That's what I said. He cut

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Speaker 1: the fucking fingers off, bro. And he was a hell

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Speaker 1: of a guitarist because cut his fingers out by accident.

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Speaker 1: You know, you worked with that would cut his fingers off.

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Speaker 1: He helped build built the Hippie house. But with him, Yeah,

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Speaker 1: shout out the big chicken. Let's take it back there,

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Speaker 1: let's go back to punt at Michigan. You know what,

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Speaker 1: I get that a lot, man, because you know, you

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Speaker 1: look at my Wikipedia page or whatever. Were you born

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Speaker 1: in Punty? Yes, but you were raised in St. Petersburg. Yes.

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Speaker 1: I am the only uh sibling of mine just was

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Speaker 1: born in Punty. Nobody in my family ever was born

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Speaker 1: in Pty. Uh. My mom was pregnant with me at

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Speaker 1: the time, and we were all from St. Petersburg, Florida.

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Speaker 1: The car industry was booming, and I think my my

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Speaker 1: my dad was trying to get a job and my

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Speaker 1: my grandfather was living in Michigan at the time. So

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Speaker 1: Mama that was pregnant with me moved to uh, moved

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Speaker 1: to a Punty act just you know, for the summer,

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Speaker 1: you know, and so he could get a job and

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Speaker 1: try to get situated, but they didn't. They didn't like

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Speaker 1: it was too cold, and it was she was just

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Speaker 1: she was uncomfortable and she just decided as soon as

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Speaker 1: I was born, she was gonna go back to Florida.

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Speaker 1: So after two months or so, uh, when we'll move

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Speaker 1: back to Florida. So is that where the majority of

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Speaker 1: your family is? Yeah, that's most of my family in

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Speaker 1: East Texas, Texas, Canada. Uh yeah, yeah, we kind of

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Speaker 1: migrated from there. My grandmother started migrating for Florida back

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Speaker 1: in like seventy nine, seven, seventy eight, seventy something like that.

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Speaker 1: Texas Lefkin, I'm pretty sure I do. Yeah, we'll be

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Speaker 1: doing a lot of but I'm pretty sure I got

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Speaker 1: somebody in loving this kind. Yeah, so you left immediately,

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Speaker 1: your mom left once she had you, and then you're

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Speaker 1: in St. Petersburg. How long are you that before you

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Speaker 1: make them jump to Houston? And there in the middle

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Speaker 1: third grade going to fourth grade? Okay, third grade, going

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Speaker 1: to fourth grade. And uh, my my grandmother we called

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Speaker 1: her Mama Candy. She moved first. She once she was

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Speaker 1: really in the in the church scene, holding this church.

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Speaker 1: I'm talking to five five times a day, five times

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Speaker 1: a week. You know, they go to church. You know,

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Speaker 1: she was real you know, you know, Christian, and she

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Speaker 1: moved because they had lack of things, saying that Florida

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Speaker 1: was gonna end up being submerged and water and stuff

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Speaker 1: was going to be wiped out or back then there

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Speaker 1: was there's a lot of Evangelus, a lot of Christian tense,

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Speaker 1: and a lot of stuff going on back then. So

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Speaker 1: she she moved with with with her family, all uncles, stuff.

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Speaker 1: They moved, and she was trying to get my mother

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Speaker 1: to come, trying to get so hard to give my

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Speaker 1: mother to come to Texas. And they had had some

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Speaker 1: land out in Douglas Field, Texas a hundred and nine people.

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Speaker 1: So they just boom it still it might be two

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Speaker 1: hundred people now that will be will be here. But

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Speaker 1: cas the boe we cause the boom, you know, he

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Speaker 1: went from you people. Man, that's you know, you know

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Speaker 1: they you know cousins and stuff. They you know, they're

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Speaker 1: doing the country with their cousins. I was just looking,

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Speaker 1: Yeah that's crazy. But yeah, man, uh but much love

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Speaker 1: to the like the Washingtons and the Drayton's and you

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Speaker 1: know the families out there in Douglas Ville. Uh. They

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Speaker 1: was neighbors and they kind of taught us how to

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Speaker 1: kind of live off the land. Man. You know, we

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Speaker 1: was from the city where you know when they really

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Speaker 1: know what was that. We know we had to chop

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Speaker 1: wood to get ready for the winter. We know we

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Speaker 1: had to plant a lot of seeds and go in

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Speaker 1: the garden and take care of it. I thought it

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Speaker 1: was just fun at first. My grandmother had me out

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Speaker 1: there picking purple hoole peas and with a purple and

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Speaker 1: I was just having fun. And then the second week

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Speaker 1: or so, it wasn't so fun. It wasn't so fun.

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Speaker 1: It was like, man, it was like work work, And

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Speaker 1: I was like, whoa, it was well water all that,

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Speaker 1: you know what I'm saying. And it was I had

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Speaker 1: to go next door and my grandmother made preservatives and

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Speaker 1: I had to go next door to take the preservatives

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Speaker 1: over there and to trade them off for for eggs.

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Speaker 1: This is Douglasville, Texas. It's right, it's a town. I mean,

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Speaker 1: what's smaller than the town? I don't know, but that's

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Speaker 1: where that is. The biggest time was it was called

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Speaker 1: New Boston and we eventually moved moved to the Victor

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Speaker 1: but much love to other people in Boston too, man, Boston, Texas.

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Speaker 1: But it was we had, you know, walked a mile

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Speaker 1: down the dirt road just to get on the bus

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Speaker 1: to travel thirty miles to school every day you went

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Speaker 1: to school out there. Yeah, Atlanta Rabbits. Much love to

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Speaker 1: Atlanta Rabbits. As my first Texas school ever, you know,

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Speaker 1: and it was the elementary school. And then uh, eventually

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Speaker 1: we moved to New Boston. Uh New Boston Lions, you

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Speaker 1: know what I'm saying that. Then uh, after that, my

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Speaker 1: mom was like she she just wanted to get away.

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Speaker 1: She needed somewhere bigger to stay with a lot of

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Speaker 1: kids and stuff. She had our kids. So she layed

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Speaker 1: at the job in Houston and like eighty two, eight one,

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Speaker 1: eighty two, you got a job like in Houston, and

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Speaker 1: like eighty three, we just started coming, you know. She

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Speaker 1: she moved us in, she said for us, and uh,

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Speaker 1: you know, start chilling in Houston and back then every

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Speaker 1: time we get in trouble, my mom was sending us

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Speaker 1: to the country to New Boston. So I was going

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Speaker 1: back and forth, back and forth from Houston to New Boston,

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Speaker 1: Texas until I graduated. Yeah, and when I graduated. I had.

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Speaker 1: I just wanted to get out of there. I just

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Speaker 1: wanted to, you know, shout out talking to Rhode Dogson

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Speaker 1: New Boston too. Man, what what what made you want

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Speaker 1: to start rapping down? Um? And when did you know that?

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Speaker 1: You was like, really fucking dope? You know what? What

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Speaker 1: when did I start rapping? Maybe start rap? Actually? I

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Speaker 1: was breakdancing, you know, even from Florida coming to Texas.

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Speaker 1: Were just know we was we were just doing a

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Speaker 1: robot and stuff like that. We had groups and my

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Speaker 1: my older brother Donny, you know, not a chilling cool

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Speaker 1: and the mother that's why most of my stuff, that's

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Speaker 1: where I get it from. The d lack what man?

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Speaker 1: You know what before I left, when she I went,

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Speaker 1: she sent for me before my mom, my mom and

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Speaker 1: the rest of my family came to Texas. So she

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Speaker 1: kept sit sending for me. She promised me a shelling pony. Yeah,

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Speaker 1: and I was like I wanted and I wanted I

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Speaker 1: always wanted one. She I never got it, but she

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Speaker 1: she bought me up there. You know what I'm saying.

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Speaker 1: She got And then then I realized what it was. Uh,

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Speaker 1: it wasn't really a chilling point. It was something bigger

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Speaker 1: than that, but it was something to ride off with.

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Speaker 1: It was something significant and it kind of meant the

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Speaker 1: same thing because that shed the pony did back then.

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Speaker 1: It took me a long time to realize what it was,

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Speaker 1: but it was. It was. You know, she didn't allow

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Speaker 1: me to have circule of music. I couldn't we couldn't play.

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Speaker 1: I feel like circular circular. I mean like what what

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Speaker 1: what are you talking about? Like, what's bigger than the

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Speaker 1: Shelling Pony? What are you talking about? Okay? The Shelling

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Speaker 1: Pony to me as a kid, was big enough for

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Speaker 1: me to get on and ride around and show off

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Speaker 1: and I can. It's like a ride to me as

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Speaker 1: as a kid. You always think about like a horse,

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Speaker 1: but it's not a big, intimidating horse. It's a cute

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Speaker 1: little pony that you can ride and you know you can.

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Speaker 1: You can still maneuver and just have fun with it.

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Speaker 1: And I always wanted one, you know, back then it

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Speaker 1: was like many bikes and stuff and go across something

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Speaker 1: you can get on the ride. Shelling Pony was like

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Speaker 1: a little ride to me that I wasn't intimidated body

185
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Speaker 1: because when they came from Florida to Texas a big

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Speaker 1: horse and it was the bigger, but the selling pony

187
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Speaker 1: was cool. I can get on it and I never

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Speaker 1: got it, but she she instilled in me a ride

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Speaker 1: that I had I can have for life. It wasn't

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Speaker 1: it wasn't selling pony, it wasn't the horse. It wasn't nothing.

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Speaker 1: That's that you can literally drive or ride. But it's

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Speaker 1: a simple in life. Yes, It's like I had to

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Speaker 1: go to church every every day. I went like three

194
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Speaker 1: or four times a week. I kept falling asleep in church.

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Speaker 1: She kept hitting me, getting getting me up to the

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Speaker 1: point where she talked to her to the to the

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Speaker 1: pastor and asked if I could join the choir. And

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Speaker 1: I was the only kid in the choir because I

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Speaker 1: kept falling asleep and the churn and see was embarrassing

200
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Speaker 1: want that. She just would stand up and saying, you know,

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Speaker 1: so I was the only kid in there me And uh,

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Speaker 1: what other kid was that? Maybe? Uh thinker? Yeah? Yeah,

203
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Speaker 1: yeah he was like he played tampaein too, you know. Yeah, yeah,

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Speaker 1: I wish your solo. Do you remember you know what

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Speaker 1: funny you ask? It was something really simple? He was

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Speaker 1: so many times I did not have a time you

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Speaker 1: know what I told nobody, But he gave me a try,

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Speaker 1: and I did not have to die, you know what

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Speaker 1: I do, but something like real simple and I'm bless Yes,

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Speaker 1: I'm blessing, you know, something real simple. But he used

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Speaker 1: cold back then I wrote the church up. But there

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Speaker 1: was a holy dis church when they running around and

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Speaker 1: fast speaking time. I didn't understand that, you know, fell

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Speaker 1: church sleep, but I ain't never you know, but it

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Speaker 1: was interesting to watch and it was just really really

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Speaker 1: you know, it was just the spirit was there and

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Speaker 1: it was just music for the most part. And then

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Speaker 1: you know, just when I go to church. Do you

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Speaker 1: ever go to church? Hal, No, I didn't. I didn't

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Speaker 1: go to the church. Half when I started getting high,

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Speaker 1: stopped going to church. Stop going to church. My getting happens.

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Speaker 1: The reason I don't know, well, you know, and then

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Speaker 1: later I'll go to church. Cut your snap, m you

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Speaker 1: cut your snap. I caught my snap. Cut your snap

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Speaker 1: exactly like I'm going to church. What the hell is

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Speaker 1: that going to this? No, that ain't there. Den theyve

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Speaker 1: got some weed in his pocket and and and a

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Speaker 1: cooler full of bill in the car right here. I

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Speaker 1: remember when I first heard um fat enough for everybody.

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Speaker 1: I heard the original alright, squad questions, love Baby, Yeah,

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Speaker 1: and and and and I thought it was the most

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Speaker 1: UM original shift I had ever heard. And Um, I

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Speaker 1: heard Dare's voice. Man, I wanted to put Devin and

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Speaker 1: and d MG and a couple more Smitty and a

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Speaker 1: couple more UM artists were unique voices in this group. Man.

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Speaker 1: And we started making records, Man, and the ship started

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Speaker 1: sounding better and better and better and better, and we

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Speaker 1: ended up naming the group Face Monk. And Um, I

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Speaker 1: just saw I just saw something in Devon, you know,

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Speaker 1: back when I guess nobody's seen that ship because we

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Speaker 1: actually sat down and did a solo album together. And

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Speaker 1: then that's when I really had the opportunity there to

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Speaker 1: see how dope Devin was. Man, and the first song

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Speaker 1: the Dude, you know, remember Wayne played the horn on

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Speaker 1: the ship and then they played the bass on the ship.

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Speaker 1: Got talented family. I got talented in my family. Man.

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Speaker 1: You know, uncle uncle Wayne died and and Man, I

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Speaker 1: know he would be super proud to to to know

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Speaker 1: that you took your career into your own hands and

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Speaker 1: and and started making albums and moving forward rather than

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Speaker 1: doing like a whole lot of other artists. Excuse me,

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Speaker 1: that just ended up saying, you know what, man, fun

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Speaker 1: this music ship, I'm gonna give me a job. And

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Speaker 1: you you you knew what you had and you stood

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Speaker 1: on that ship. Man. That was that's that's just so

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Speaker 1: dope to me. There. You was pretty much one of

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Speaker 1: the biggest influences of that. I never thought to be

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Speaker 1: a solo artists. I never wanted to be so large.

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Speaker 1: Always wanted to be in a group great to assay, basketball,

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Speaker 1: football group. I just want to be a good team

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Speaker 1: member and everything, you know what I'm saying. And I

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Speaker 1: found like a cool group with Oscar rob Quest and

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Speaker 1: when who was like solid and when you came on

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Speaker 1: and he was like, man, y'all are dope. Man, you

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Speaker 1: know what I'm saying. You you're a dope. You really

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Speaker 1: kind of like, say, man, you you ever thought about

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Speaker 1: doing a solo solo album? You asked me. I like

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Speaker 1: and not really, you know, saying I would like the

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Speaker 1: group I say, he said, you said, man, man, you'll

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Speaker 1: be a dope solr this man just just think just

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Speaker 1: think on him. And I pondered on it, but I

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Speaker 1: never gave it a thought. I don't know if you

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Speaker 1: passed that on the jail or something. But I know

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Speaker 1: he asked me one time too at digital in the

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Speaker 1: parking lot. I said, damn, you was thinking about going solo.

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Speaker 1: And before I can answer it, um beatose brother, rest

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Speaker 1: in peace. Man, You're like, definit ain't ready? Man, three

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Speaker 1: two terms? It's three two terms? Uh the beat brother,

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Speaker 1: he's passed well, so man, Tenny saying something like that.

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Speaker 1: I don't believe that really, yeah, because I think he

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Speaker 1: was done with three too, right. I don't I don't

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Speaker 1: know how he wouldn't. I don't want to say the wrong.

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Speaker 1: I don't want to get it. But it was it

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Speaker 1: was something by that short price getting dude gangster type. Yeah,

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Speaker 1: but it's on three two. It's three two up next

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Speaker 1: and I was like, you talking about nig We didn't

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Speaker 1: even talk to me. Yeah, I'm ready to Jay, Yeah,

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Speaker 1: I'm ready. Man. I don't know what the you know, man,

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Speaker 1: because we just kind of got into it and men,

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Speaker 1: he was about to, you know, go at it with words,

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Speaker 1: and I wasn't thinking about the solo until you know

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Speaker 1: he's talking, Devin, ain't ready. It's three to surting to go.

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Speaker 1: You know, you know who's next, I like, no, hell,

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Speaker 1: it must have been really hot man, because I've never

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Speaker 1: seen well. It was some inside stuff, man, Man, I

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Speaker 1: love three too. That's my that's my nigger man. But

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Speaker 1: it was rest in peace three man. You know, he

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Speaker 1: delved for the city man, he really represent but it

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Speaker 1: was some internal stuff that you know. He was kind

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Speaker 1: of going at me with I shook it off, shook

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Speaker 1: it off here, You'll never know, bring it on. He

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00:18:10,960 --> 00:18:16,920
Speaker 1: was talking about me, yeah, you know in his first

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Speaker 1: couple of lines, because he was free with just freestyle,

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Speaker 1: gonna bring it on. And he came in. He came

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Speaker 1: in digital and listened to everybody's verses and then he

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Speaker 1: stopped after the art score he heard uh. Then he

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Speaker 1: he said, let me go in there and he started rapping.

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Speaker 1: But it was something you know, Damn, I see it.

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Speaker 1: Now I'm at the window of your cocks and caddy.

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Speaker 1: You heard I roll a fatty. I was a fast

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Speaker 1: squab twist this meet, and they can need a fast

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Speaker 1: squab twist. The wonder fun this system made a fusty

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Speaker 1: but you know what that And then you came in

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Speaker 1: like you heard I roll a fatty. Now I'm at

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Speaker 1: the window the cocks like I've no known who got it, nobody.

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Speaker 1: I don't think that was the case. No, no, no, no,

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Speaker 1: no if but Devin, I'm not gonna I'm not gonna

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Speaker 1: ride with that one man. I hope it's you know,

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Speaker 1: I would like to say, I would like to say,

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Speaker 1: you're probably right, but no, but it was. It was

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Speaker 1: It was just like a competition at the time, a

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Speaker 1: friendly competition. It wasn't nothing personal, but he really wanted

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Speaker 1: to He wanted to be up next, you know, either

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Speaker 1: with the convicts or whatever. He he really had a

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Speaker 1: lot of thrive and wanted to whoever in my way

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Speaker 1: up in the fresh. But three two was really really cool.

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Speaker 1: I mean he freestyled off the top, like really just

328
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Speaker 1: lasting everybody. We had fun. He's coming to rob House

329
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Speaker 1: all the time. Him and Big mikey byby hot but

330
00:19:41,720 --> 00:19:44,840
Speaker 1: they left weight. We freestyle, drank smoke. But we was

331
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Speaker 1: really cool. We was all cousins. We was all like

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Speaker 1: hip hop cousins, and it was all friendly. But that line,

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Speaker 1: it was it was kind of about be you know,

334
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Speaker 1: because but I never said this thing, and I thought,

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00:19:56,840 --> 00:20:00,679
Speaker 1: you know, if it wasn't really now impact, I know

336
00:20:00,800 --> 00:20:04,760
Speaker 1: you said something one of your songs. Man, I'm just

337
00:20:04,800 --> 00:20:07,080
Speaker 1: trying to hear. I'm trying to remember all these songs.

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00:20:07,119 --> 00:20:09,840
Speaker 1: But you probably responded no no, no no no no

339
00:20:09,840 --> 00:20:12,120
Speaker 1: no no no. It didn't It didn't deserve a respond

340
00:20:12,320 --> 00:20:15,080
Speaker 1: never ever, ever. And I never got offended. I never

341
00:20:15,520 --> 00:20:17,080
Speaker 1: I'm like, oh, I wish I had a chance to

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Speaker 1: go back in the boot. That was the thing I felt.

343
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Speaker 1: But yeah, it was it was. It was another man, man,

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Speaker 1: What's love? What's the three too? Man? It was really

345
00:20:25,600 --> 00:20:30,120
Speaker 1: compos reloged podcast when be right back after the poet?

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Speaker 1: You got a cult following the devil like and you

347
00:20:42,000 --> 00:20:45,560
Speaker 1: got mixed U When when when we look out into

348
00:20:45,600 --> 00:20:51,960
Speaker 1: the crowd of your contructs, you see everybody. I think

349
00:20:51,960 --> 00:20:56,240
Speaker 1: that you have tapped into a market for everybody, you know.

350
00:20:56,280 --> 00:21:00,280
Speaker 1: I mean, everybody's at your show, bro, and everybody's high.

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00:21:00,440 --> 00:21:03,920
Speaker 1: I think that's the bridge, you know, not only getting

352
00:21:04,000 --> 00:21:07,720
Speaker 1: high but having a good time, having a good time. Man.

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Speaker 1: I don't really get I don't really get into a

354
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Speaker 1: lot of racial stuff, you know, but you know, to me,

355
00:21:15,920 --> 00:21:18,920
Speaker 1: a color is just a color. You know, a person

356
00:21:19,000 --> 00:21:23,080
Speaker 1: as a person. Uh, there's a lot of you know,

357
00:21:23,920 --> 00:21:26,840
Speaker 1: good and bad, and every race and create or whatever.

358
00:21:26,960 --> 00:21:32,600
Speaker 1: So I try a lot of people. Everybody's in your crowd.

359
00:21:32,200 --> 00:21:36,720
Speaker 1: It's well diversed. You have a cult following. Bro. Like,

360
00:21:36,800 --> 00:21:38,959
Speaker 1: every time I called that, well what what what David Man?

361
00:21:39,040 --> 00:21:42,679
Speaker 1: David I don't do I'm like, fuck, when does he

362
00:21:42,800 --> 00:21:47,120
Speaker 1: have time to record? You're always on tour, fucking dope.

363
00:21:47,200 --> 00:21:50,879
Speaker 1: Damn you got fans all over the world and the music.

364
00:21:51,640 --> 00:21:54,120
Speaker 1: I like mingling with him too. Man, after the show,

365
00:21:54,240 --> 00:21:56,560
Speaker 1: just getting right off the stage and going straight out there,

366
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Speaker 1: you know, before they clean up a club and kick everybody.

367
00:21:59,480 --> 00:22:01,160
Speaker 1: I like to go round that, you know, go out

368
00:22:01,560 --> 00:22:03,919
Speaker 1: and just you know, show up, just to you know,

369
00:22:03,960 --> 00:22:06,359
Speaker 1: touch them and take pictures and just I mean, if

370
00:22:06,400 --> 00:22:12,880
Speaker 1: it wasn't for them, man, it just appreciate it at

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Speaker 1: this day and age, at my you know, this point

372
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Speaker 1: in my life, at this you know, the age that

373
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Speaker 1: I am to be appreciated for the past music. It's just,

374
00:22:22,720 --> 00:22:24,919
Speaker 1: you know, I can't ask for that, nails. You know,

375
00:22:25,119 --> 00:22:29,560
Speaker 1: it would be selfish of me to just and you know,

376
00:22:29,760 --> 00:22:31,600
Speaker 1: get off the stage and just go and get my

377
00:22:31,640 --> 00:22:34,199
Speaker 1: money and gip to the next show. Now it's you know,

378
00:22:34,359 --> 00:22:37,520
Speaker 1: it's a lot more than that. You had the opportunity

379
00:22:37,560 --> 00:22:40,600
Speaker 1: to work with Dr Dre Yes, sir, yes, sir, that

380
00:22:40,720 --> 00:22:43,199
Speaker 1: was a he was that experience. I was wonderful. That

381
00:22:43,280 --> 00:22:48,240
Speaker 1: was wonderful. That was about um Actually it was I

382
00:22:48,400 --> 00:22:50,800
Speaker 1: was just at at the crib man. That was a

383
00:22:50,800 --> 00:22:55,760
Speaker 1: crib nineties something like that somewhere. But then and a

384
00:22:55,760 --> 00:22:59,240
Speaker 1: call from rapping Lot. It was Rico. I'm much love

385
00:22:59,359 --> 00:23:03,280
Speaker 1: Ricos who you know? Uh? He just he said, damn

386
00:23:03,760 --> 00:23:06,720
Speaker 1: um man. Dr Trey about to get ready to call you. Man,

387
00:23:06,880 --> 00:23:09,080
Speaker 1: he WoT you work on me on his is that

388
00:23:09,160 --> 00:23:12,159
Speaker 1: when I was like you you're ship and like you

389
00:23:12,200 --> 00:23:14,440
Speaker 1: ain't you? He said, no, man, I ain't. I'm for real,

390
00:23:14,880 --> 00:23:17,840
Speaker 1: stay by the phone. He's gonna call you. So our

391
00:23:17,960 --> 00:23:23,159
Speaker 1: pass two hours pass. I'm like, man, and I know

392
00:23:23,240 --> 00:23:25,720
Speaker 1: he just watching him. I was checking from see it

393
00:23:25,840 --> 00:23:28,639
Speaker 1: was April first or whatever. I like, all right, let

394
00:23:28,680 --> 00:23:31,800
Speaker 1: me see so I totally forgot about it. Three hours

395
00:23:31,840 --> 00:23:36,520
Speaker 1: pass whatever, vone rang, I'm not Salni. I just picked

396
00:23:36,600 --> 00:23:44,159
Speaker 1: hello Yo, it's Devin. Yeah, and just do what do

397
00:23:44,280 --> 00:23:50,200
Speaker 1: fuck you do? Yo? Tray kicking the you know what

398
00:23:50,200 --> 00:23:53,080
Speaker 1: I'm saying that break back the boys, just as I

399
00:23:53,119 --> 00:23:55,480
Speaker 1: did that on this And it was just trigling me

400
00:23:55,640 --> 00:24:01,080
Speaker 1: just like Dr Trey. And I heard you say when

401
00:24:01,119 --> 00:24:03,480
Speaker 1: you was talking about Rico told you that Drey was

402
00:24:03,520 --> 00:24:06,840
Speaker 1: gonna call you, he sounded like yes, some excitement he bus,

403
00:24:06,840 --> 00:24:17,119
Speaker 1: But that's not how Rico talked. Sometimes. That car was

404
00:24:17,160 --> 00:24:20,040
Speaker 1: more like a Drey about to call you. Yeah, pick

405
00:24:20,080 --> 00:24:23,119
Speaker 1: up the phone. It was more, it was very a

406
00:24:23,119 --> 00:24:25,400
Speaker 1: lot more reserved, more and more reserved. But back then

407
00:24:25,480 --> 00:24:28,440
Speaker 1: he was you know, he was you know, he bore,

408
00:24:28,520 --> 00:24:31,320
Speaker 1: laid back. Now yeah he just started looking and getting strong.

409
00:24:31,400 --> 00:24:35,160
Speaker 1: He got didn't got muscles now and an energy. Yeah

410
00:24:35,240 --> 00:24:41,080
Speaker 1: he'd rather let him or wait. But yeah, and then

411
00:24:41,080 --> 00:24:43,440
Speaker 1: he called and you got in touch with me man

412
00:24:43,520 --> 00:24:46,840
Speaker 1: and told me about the project and man, flow out

413
00:24:46,880 --> 00:24:51,320
Speaker 1: that man, that was incredible. Man, that experience, I'm sure

414
00:24:51,359 --> 00:24:54,560
Speaker 1: just to see him work, to see him work. You

415
00:24:54,600 --> 00:24:56,359
Speaker 1: said you got to call in two thousand and seventeen,

416
00:24:56,400 --> 00:24:58,840
Speaker 1: But the chronic didn't come out to two thousand one

417
00:24:59,000 --> 00:25:04,920
Speaker 1: word one, not at nine nine or something like along.

418
00:25:06,200 --> 00:25:12,879
Speaker 1: It was because my album was out, you know, my

419
00:25:12,920 --> 00:25:14,639
Speaker 1: albums out. So that's why you were, like, dude, what

420
00:25:15,119 --> 00:25:18,320
Speaker 1: you wanted? Dude? Like I heard that for us like

421
00:25:18,680 --> 00:25:24,639
Speaker 1: Dray kicking. But yeah, man, he said, he really you know,

422
00:25:24,680 --> 00:25:27,960
Speaker 1: he was listening to us as the Odd Squad. He said,

423
00:25:28,000 --> 00:25:31,080
Speaker 1: he had our first demo tape. I'm telling you, bro,

424
00:25:31,240 --> 00:25:35,520
Speaker 1: I had that motherfucker' Snoop. I was listening to that

425
00:25:35,800 --> 00:25:38,320
Speaker 1: on the first Chronic tour. They were listening to the

426
00:25:38,320 --> 00:25:41,280
Speaker 1: Odd Squad you know, demo tape before you came out.

427
00:25:41,359 --> 00:25:46,159
Speaker 1: I was like, wow, yeah, no, dad, y'all. Man, that

428
00:25:46,320 --> 00:25:51,919
Speaker 1: fucking blood blood smoking that we feeling fine? Got me

429
00:25:52,000 --> 00:25:55,920
Speaker 1: a party in the bad as that ship there, man, Wow,

430
00:25:56,520 --> 00:25:58,200
Speaker 1: him the Snoop Snoop told me that they used to

431
00:25:58,240 --> 00:26:01,439
Speaker 1: listen to Pushy like Dope all the time, that pussy

432
00:26:01,520 --> 00:26:05,560
Speaker 1: like dope and uh smoking a weird yeah, yeah, but

433
00:26:05,640 --> 00:26:08,000
Speaker 1: that was that was That was good, just good to hear,

434
00:26:08,160 --> 00:26:11,040
Speaker 1: just that he was listening or heard about me. Man,

435
00:26:11,119 --> 00:26:17,200
Speaker 1: it was just wow. Besides the fact that you went

436
00:26:17,280 --> 00:26:20,160
Speaker 1: down and you discovered that he was a huge fan

437
00:26:20,240 --> 00:26:22,960
Speaker 1: of yours. What's one of the things that surprised you

438
00:26:23,040 --> 00:26:27,040
Speaker 1: most about Dre, not not not even necessarily as a professional,

439
00:26:27,600 --> 00:26:29,320
Speaker 1: just as a person. What's one of the things that

440
00:26:29,800 --> 00:26:33,480
Speaker 1: because you know, because Drey is pretty much an introvert

441
00:26:34,160 --> 00:26:40,199
Speaker 1: compared to a lot of celebrities and superstars, but inside

442
00:26:41,680 --> 00:26:44,640
Speaker 1: inside of the studio itself, I'd never really just cheered

443
00:26:44,640 --> 00:26:47,520
Speaker 1: with Drey on the outside of the studio chilling vibe

444
00:26:47,520 --> 00:26:51,240
Speaker 1: and or whatever. But I know on the inside it's

445
00:26:51,280 --> 00:26:56,879
Speaker 1: just total control of of of of of the music

446
00:26:56,960 --> 00:26:59,800
Speaker 1: I'm talking about. We'll have six seven people in there.

447
00:27:00,240 --> 00:27:02,960
Speaker 1: Everybody's on the instrument, somebody's on the base, somebody's on

448
00:27:03,000 --> 00:27:07,080
Speaker 1: a good start, somebody's on the keyboard. I had male

449
00:27:07,160 --> 00:27:12,320
Speaker 1: man on the imp, somebody on the upright base, most

450
00:27:12,680 --> 00:27:17,040
Speaker 1: upbreak base. And they he gave me a debt, a

451
00:27:17,160 --> 00:27:21,960
Speaker 1: debt tape, and he and him and when he gave

452
00:27:22,000 --> 00:27:24,600
Speaker 1: it to the engineer, the engineer putting, and he gave

453
00:27:24,680 --> 00:27:26,840
Speaker 1: me a piece of paper with what was onto that

454
00:27:27,040 --> 00:27:31,239
Speaker 1: tape was like a hundred and seven numbers, all skeletons. Now,

455
00:27:31,359 --> 00:27:33,239
Speaker 1: he was like a minute and a half a minute here,

456
00:27:33,359 --> 00:27:37,880
Speaker 1: you know, all skeleton songs with maybe five six instruments

457
00:27:37,920 --> 00:27:41,639
Speaker 1: at the most in it. And he said, if you

458
00:27:41,680 --> 00:27:43,399
Speaker 1: hear something, you're like, man, just living there. We're like,

459
00:27:43,480 --> 00:27:47,320
Speaker 1: oh man, you know what I'm saying. So they started playing,

460
00:27:49,560 --> 00:27:51,560
Speaker 1: you know, they kept going, and they only played like

461
00:27:51,800 --> 00:27:54,879
Speaker 1: ten seconds of each to see if I like. And

462
00:27:55,119 --> 00:27:57,239
Speaker 1: I couldn't really get a chance to absorb each one

463
00:27:57,240 --> 00:27:59,359
Speaker 1: because they were dope, but I couldn't, like try to

464
00:27:59,680 --> 00:28:02,800
Speaker 1: feel it, so I can probably play some money right there.

465
00:28:03,440 --> 00:28:06,280
Speaker 1: So he's going through it, and they got like seventeen eighteen,

466
00:28:07,240 --> 00:28:09,119
Speaker 1: and I'm mail man, say go back to numer twelve. Man,

467
00:28:09,160 --> 00:28:11,680
Speaker 1: he was feeling in twelve. Went back to number twelve

468
00:28:11,720 --> 00:28:15,280
Speaker 1: and he was do do do do? Do? Do? Do? Do?

469
00:28:16,359 --> 00:28:18,280
Speaker 1: I just want to like, he said, you like that,

470
00:28:18,440 --> 00:28:22,800
Speaker 1: like that's dope. Coom boom. He'd shut everything down and

471
00:28:22,880 --> 00:28:27,000
Speaker 1: he told everybody about the number boom and everybody just

472
00:28:27,400 --> 00:28:31,040
Speaker 1: got to their position and start redoing that song, and

473
00:28:32,200 --> 00:28:36,160
Speaker 1: to play the song longer, stopping it too fast, Give

474
00:28:36,160 --> 00:28:39,440
Speaker 1: me thirty seconds, let me let me feel it. Me

475
00:28:39,680 --> 00:28:46,920
Speaker 1: say something, I mean, how arrogant? Would I know? It's

476
00:28:46,920 --> 00:28:50,360
Speaker 1: just like I was just honored. I was just honored, man,

477
00:28:50,600 --> 00:28:52,840
Speaker 1: But I was afraid I have to listen to all

478
00:28:53,000 --> 00:28:56,040
Speaker 1: this stuff. How are you going to choose a song

479
00:28:56,160 --> 00:28:58,760
Speaker 1: to two hundred and seven trade? Trade? You know what

480
00:28:58,760 --> 00:29:02,000
Speaker 1: I'm saying, Nicole is part about Dre. Dre would start

481
00:29:02,080 --> 00:29:03,960
Speaker 1: to he would put the daddy in and just press

482
00:29:04,040 --> 00:29:07,800
Speaker 1: record and just make ship. You know this ship, so

483
00:29:08,080 --> 00:29:10,320
Speaker 1: it ain't no tilling what's on them? And I don't

484
00:29:10,320 --> 00:29:13,400
Speaker 1: know tell you what though. And after that, I don't

485
00:29:13,400 --> 00:29:15,040
Speaker 1: want to give his a game away and I'm no,

486
00:29:16,200 --> 00:29:19,160
Speaker 1: yeah man. But look after that, you know, we decided,

487
00:29:19,400 --> 00:29:21,440
Speaker 1: you know what, we don't go with and we did

488
00:29:21,520 --> 00:29:24,280
Speaker 1: the song. I'll come back to the actual song. But

489
00:29:25,480 --> 00:29:29,240
Speaker 1: he started having like a studio session where he just

490
00:29:29,480 --> 00:29:32,920
Speaker 1: had Maleman was on there on the beat, the tempo

491
00:29:33,000 --> 00:29:36,719
Speaker 1: was made, the eighty five tempo, have that going. Boom,

492
00:29:36,920 --> 00:29:39,920
Speaker 1: He'll just he'll just get the tip altogether. Boom mill Man,

493
00:29:40,160 --> 00:29:48,680
Speaker 1: come up with it like a beat. He'll wait, We'll say,

494
00:29:48,960 --> 00:29:51,360
Speaker 1: he'll just wait and if it ain't right, it's a look.

495
00:29:51,600 --> 00:29:55,280
Speaker 1: It's like a feeling, and he'll know what it's right

496
00:29:55,280 --> 00:30:02,320
Speaker 1: because here, you know, something to do. Point base player,

497
00:30:02,800 --> 00:30:08,920
Speaker 1: coom boom. He pointed the other keyboard toom. He came

498
00:30:09,000 --> 00:30:11,760
Speaker 1: to the jam and then the guitar. Let's start doing.

499
00:30:12,120 --> 00:30:13,960
Speaker 1: And then by the time you know, it's like six

500
00:30:14,080 --> 00:30:16,760
Speaker 1: seven people in that Chamman, and they went for like

501
00:30:17,320 --> 00:30:20,560
Speaker 1: three minutes and they'll stop. The whole ship's boom. Let's

502
00:30:20,560 --> 00:30:24,280
Speaker 1: start back over again with another temple eighty eight eighties,

503
00:30:24,360 --> 00:30:28,920
Speaker 1: you know whatever, and and then point over here he

504
00:30:29,040 --> 00:30:32,520
Speaker 1: did like seven songs and ten minutes, six songs and

505
00:30:32,640 --> 00:30:36,280
Speaker 1: ten minutes skeletons, and I was like, oh, that's how

506
00:30:36,360 --> 00:30:39,560
Speaker 1: we got you know what. But it was so fucking cold,

507
00:30:39,560 --> 00:30:41,880
Speaker 1: and he chorreographed that ship to the t and he

508
00:30:42,000 --> 00:30:45,440
Speaker 1: was like, he's a man. I never seen Quincy Jones

509
00:30:45,520 --> 00:30:51,400
Speaker 1: work man was you got? This is why I took

510
00:30:51,440 --> 00:30:55,240
Speaker 1: offense to this video that I watched yesterday. I don't

511
00:30:55,280 --> 00:31:00,640
Speaker 1: know the guy's name, but he said that R and

512
00:31:00,760 --> 00:31:07,120
Speaker 1: B artists we're talented, and hip hop artists was cool.

513
00:31:07,840 --> 00:31:10,440
Speaker 1: It's like he was like he was talking about the

514
00:31:10,560 --> 00:31:15,600
Speaker 1: difference between the two genres, and it was almost like

515
00:31:15,880 --> 00:31:19,920
Speaker 1: what he was implying that hip hop artists didn't really

516
00:31:19,960 --> 00:31:23,760
Speaker 1: have talent. It's just we made it something cool. We

517
00:31:23,840 --> 00:31:26,960
Speaker 1: made music cool, We we did something cool, not necessarily

518
00:31:27,000 --> 00:31:30,400
Speaker 1: that hip hop artists were talented talented, and that what

519
00:31:30,600 --> 00:31:37,120
Speaker 1: he just said. Uh, totally distraught that philosophy, Uh, that

520
00:31:37,360 --> 00:31:40,760
Speaker 1: theory that he has right like saying that, you know,

521
00:31:40,920 --> 00:31:43,360
Speaker 1: it's just just cool, Like, yeah, it's some cats out

522
00:31:43,400 --> 00:31:45,880
Speaker 1: there that's that bank on't just trying to be cool,

523
00:31:46,000 --> 00:31:49,320
Speaker 1: that personality or whatever. But I know, I know, I

524
00:31:49,480 --> 00:31:51,480
Speaker 1: know some artists. I bet your ass can right that ship,

525
00:31:52,440 --> 00:31:54,520
Speaker 1: you know what I'm talking about, Like, I bet you

526
00:31:54,720 --> 00:31:59,480
Speaker 1: can't produce the ship that they produced. Talking about making

527
00:31:59,520 --> 00:32:01,640
Speaker 1: just you know, just making it cool or whatever. I mean,

528
00:32:01,680 --> 00:32:03,760
Speaker 1: he said some other things I can't really remember, but

529
00:32:03,840 --> 00:32:07,280
Speaker 1: I just remember that overall he had a uh, he

530
00:32:07,360 --> 00:32:09,680
Speaker 1: had a good angle on it. But when he said

531
00:32:09,760 --> 00:32:13,440
Speaker 1: that piece about hip hop or you know, artists just

532
00:32:13,560 --> 00:32:17,440
Speaker 1: being cool, It's like, Yeah, he lost me with that that.

533
00:32:17,640 --> 00:32:20,360
Speaker 1: You know, it takes uh to do it right, to

534
00:32:20,440 --> 00:32:22,760
Speaker 1: do it right right, and especially to do it a

535
00:32:22,840 --> 00:32:26,680
Speaker 1: long time. It takes kell of talent and and uh

536
00:32:27,560 --> 00:32:32,360
Speaker 1: not the uh like Devin, you you are very fucking

537
00:32:32,880 --> 00:32:36,120
Speaker 1: ain'tle with your ship, you know, with your with your

538
00:32:36,240 --> 00:32:39,080
Speaker 1: with your music, bro, because I have seen you said

539
00:32:39,120 --> 00:32:42,000
Speaker 1: at the board and mixed vocals and I'm sitting there like, bro,

540
00:32:42,840 --> 00:32:52,440
Speaker 1: dare this ship is right and I gotta get this

541
00:32:52,600 --> 00:32:58,880
Speaker 1: up to him. It's a song called Sticky Green on

542
00:32:59,080 --> 00:33:08,200
Speaker 1: Davi's first that um we did together, and I actually

543
00:33:08,280 --> 00:33:12,840
Speaker 1: make that motherfucker a boy myself. Were you a part time?

544
00:33:12,920 --> 00:33:16,800
Speaker 1: I believe not for the whole mix with in and out. Yeah,

545
00:33:16,920 --> 00:33:21,760
Speaker 1: but I got one off man without Devin coming in vocals.

546
00:33:21,760 --> 00:33:25,280
Speaker 1: I was like, god, I used to get Mike being here.

547
00:33:25,880 --> 00:33:27,719
Speaker 1: I know you did should I used to give Mike

548
00:33:27,800 --> 00:33:31,120
Speaker 1: Dean hell man. Shout out to Mike Dean. Mike Dean

549
00:33:31,240 --> 00:33:33,600
Speaker 1: was a bad mom. He is a bad motherfucker on

550
00:33:34,840 --> 00:33:39,680
Speaker 1: calling the Rick Rubin the Rappelite. How do you how

551
00:33:39,720 --> 00:33:45,440
Speaker 1: do you feel about Brad still in the name face Mob?

552
00:33:45,560 --> 00:33:48,680
Speaker 1: I mean that was your group, right, face right? No,

553
00:33:50,160 --> 00:33:56,720
Speaker 1: what the fun Willie? That's faces group. Let's face his

554
00:33:56,920 --> 00:34:01,880
Speaker 1: mob and the funk Willie? Oh god, well Face had

555
00:34:01,920 --> 00:34:04,160
Speaker 1: a man. He was gonna man. He was doing a

556
00:34:04,240 --> 00:34:06,200
Speaker 1: big he had a lot of artists were about to

557
00:34:06,200 --> 00:34:09,840
Speaker 1: get ready to come out with different solo u and

558
00:34:09,960 --> 00:34:13,000
Speaker 1: he was telling me, man, you know while everybody's chilling

559
00:34:13,040 --> 00:34:17,000
Speaker 1: and uh solo mode. Man, we got so much talent together. Man,

560
00:34:17,200 --> 00:34:19,719
Speaker 1: I want to put this group together until you know,

561
00:34:19,800 --> 00:34:21,600
Speaker 1: we started doing the solo projects. I want you to

562
00:34:21,640 --> 00:34:24,400
Speaker 1: come to help me out. You know, it's called a

563
00:34:24,440 --> 00:34:26,320
Speaker 1: face mob and if you just come to do a

564
00:34:26,400 --> 00:34:28,880
Speaker 1: few hooks, you need to be cool. And everybody was

565
00:34:28,920 --> 00:34:32,520
Speaker 1: so dope, bad man, everybody I mean that was not

566
00:34:32,640 --> 00:34:36,520
Speaker 1: a weak link. Yeah, man, it was the other side

567
00:34:36,600 --> 00:34:44,920
Speaker 1: of the Hey. Yeah, at any time we do it

568
00:34:45,040 --> 00:34:56,759
Speaker 1: on the other sadle on the he was cold, okay, man, man,

569
00:34:58,440 --> 00:35:00,800
Speaker 1: and then you can you still break down? You know,

570
00:35:00,960 --> 00:35:04,600
Speaker 1: I got one more wind mill in me one mode.

571
00:35:06,760 --> 00:35:09,200
Speaker 1: You know what I'm saying. That's you know, you know

572
00:35:10,200 --> 00:35:12,560
Speaker 1: you got one more. That's why I got one. You

573
00:35:13,000 --> 00:35:17,759
Speaker 1: don't use that wise hunt up video, you know what

574
00:35:17,800 --> 00:35:20,919
Speaker 1: I'm saying. But if the right song, come on, there's

575
00:35:20,960 --> 00:35:22,719
Speaker 1: one song, if you play it, I have to try

576
00:35:22,760 --> 00:35:25,120
Speaker 1: to do something anyway. So I can't. I'm not gonna

577
00:35:25,120 --> 00:35:27,600
Speaker 1: take a song. I'm gonna find that my you know

578
00:35:27,640 --> 00:35:31,920
Speaker 1: what I'm if you work with a lot of artists

579
00:35:32,040 --> 00:35:34,640
Speaker 1: about the years. You know you're starting off with Brad

580
00:35:35,480 --> 00:35:42,040
Speaker 1: you know you work with um Slam you I'm trying

581
00:35:42,040 --> 00:35:47,359
Speaker 1: to blank them. Snoop Yeah, snoop. Can do you work

582
00:35:47,400 --> 00:35:59,600
Speaker 1: with Bond Bright, work with Dred three Stacks? Yeah? Hell yeah? Man?

583
00:36:00,080 --> 00:36:04,600
Speaker 1: Else quite a few people, Man, it's because it's been

584
00:36:04,640 --> 00:36:06,640
Speaker 1: a blessing, man, just for people to reach out. Man,

585
00:36:06,760 --> 00:36:11,520
Speaker 1: for real. It's just overwhelmeding just to to be asked, uh,

586
00:36:11,920 --> 00:36:15,719
Speaker 1: to be a part of somebody's project life. You know

587
00:36:15,719 --> 00:36:19,479
Speaker 1: what I'm saying, just to and uh. I love working

588
00:36:19,520 --> 00:36:21,160
Speaker 1: with people who want me to be a part of

589
00:36:21,239 --> 00:36:23,719
Speaker 1: what they're doing. You know what I'm saying locally, you know,

590
00:36:23,920 --> 00:36:26,960
Speaker 1: from from from here to up there. You know, it's

591
00:36:27,000 --> 00:36:29,640
Speaker 1: just a blessing to be reached out upon. You know.

592
00:36:29,760 --> 00:36:33,279
Speaker 1: I never thought that I could make a living. Uh uh,

593
00:36:34,680 --> 00:36:37,880
Speaker 1: you know, provide for my family by notice, back in

594
00:36:37,960 --> 00:36:40,520
Speaker 1: the day, I st just a hobby of I'd really

595
00:36:40,560 --> 00:36:41,880
Speaker 1: like to do it. I just want to give a

596
00:36:41,960 --> 00:36:44,560
Speaker 1: record contract and the semi hous of Ville. That's all

597
00:36:44,600 --> 00:36:49,839
Speaker 1: I want. Oh, what a job is? Speaking of your family, man,

598
00:36:49,920 --> 00:36:53,319
Speaker 1: how did your family take that once you when they

599
00:36:53,400 --> 00:36:56,600
Speaker 1: found out, man Devin is doing his thing, like he's

600
00:36:56,640 --> 00:36:59,600
Speaker 1: messing with this rap thing he's on, Like, how did

601
00:37:00,320 --> 00:37:03,920
Speaker 1: they respond to that? With my mom, she was always

602
00:37:04,880 --> 00:37:06,520
Speaker 1: she didn't care what I do long as I stayed

603
00:37:06,520 --> 00:37:09,880
Speaker 1: out of trouble and I was able to provide. She

604
00:37:10,080 --> 00:37:12,960
Speaker 1: she she I told I wanted to pursue a rap

605
00:37:13,040 --> 00:37:15,080
Speaker 1: career once I got to high school and I wanted

606
00:37:15,120 --> 00:37:17,320
Speaker 1: to I want to go to the Art Institute of Houston.

607
00:37:17,480 --> 00:37:19,880
Speaker 1: So she helped me to go to the Art Institute

608
00:37:19,920 --> 00:37:23,440
Speaker 1: of Houston to try to pursue that. How many years

609
00:37:23,480 --> 00:37:27,640
Speaker 1: did do that? Actually I did year so but I

610
00:37:27,760 --> 00:37:31,359
Speaker 1: know I was too much from completing, uh the whole

611
00:37:31,440 --> 00:37:34,000
Speaker 1: of something. And I was I was gonna be able

612
00:37:34,000 --> 00:37:36,200
Speaker 1: to get a degree. You get a degree the first

613
00:37:36,280 --> 00:37:41,800
Speaker 1: year they was having got degrees for that, uh for

614
00:37:42,840 --> 00:37:48,800
Speaker 1: music business, yeah, broadcast, music video, music video business for broadcast.

615
00:37:49,880 --> 00:37:53,480
Speaker 1: All that too much left and we gotta I got

616
00:37:53,600 --> 00:37:58,600
Speaker 1: a record deal with Raphilized and me and jug was

617
00:37:58,680 --> 00:38:03,600
Speaker 1: that jug dext you know, so he was. It was like, man,

618
00:38:04,440 --> 00:38:06,680
Speaker 1: we got to deal. That's where we came to school

619
00:38:06,760 --> 00:38:12,439
Speaker 1: for huh man, the school and I regret I still

620
00:38:12,520 --> 00:38:15,120
Speaker 1: did at to this day. I still want to go

621
00:38:15,200 --> 00:38:16,719
Speaker 1: get my two months so I get my degree so

622
00:38:16,760 --> 00:38:19,560
Speaker 1: I can at least teach or talk or go to

623
00:38:19,800 --> 00:38:25,520
Speaker 1: some school programs. And that's you know, professor, Professor Devon

624
00:38:25,560 --> 00:38:32,960
Speaker 1: to do packed out. Oh yeah, they'll be come to

625
00:38:33,400 --> 00:38:36,080
Speaker 1: they'll come to class high to know, you ain't gonna

626
00:38:36,120 --> 00:38:40,880
Speaker 1: say nothing about us coming from that, not at up

627
00:38:41,440 --> 00:38:48,160
Speaker 1: especially you can get the work done. Man. Man, I

628
00:38:48,239 --> 00:38:51,239
Speaker 1: believe some about the students would come high, you bet ye.

629
00:38:51,680 --> 00:38:53,759
Speaker 1: The students would come out and I'm saying, hey man,

630
00:38:55,239 --> 00:38:57,080
Speaker 1: it's your body. Man. Whatever you want to do to

631
00:38:57,200 --> 00:38:59,080
Speaker 1: your body's your body. As long as you can get

632
00:38:59,120 --> 00:39:02,560
Speaker 1: the work done you had, because you can't just be

633
00:39:02,680 --> 00:39:06,000
Speaker 1: having anybody feeling that right oh yeah, and started looking

634
00:39:06,000 --> 00:39:09,759
Speaker 1: at you like what kind of teacher are you? And

635
00:39:09,840 --> 00:39:14,640
Speaker 1: I never wanted weed to be the forefront of my

636
00:39:14,800 --> 00:39:17,520
Speaker 1: career with it because that made a movie about it. No, No,

637
00:39:17,640 --> 00:39:24,960
Speaker 1: I was asked to my career make a movie in

638
00:39:25,040 --> 00:39:29,520
Speaker 1: a movie. Yeah, I mean you know that that was

639
00:39:29,680 --> 00:39:34,040
Speaker 1: you and a little little Yeah, do a part too,

640
00:39:36,120 --> 00:39:37,640
Speaker 1: that would be nice. I would love to do it.

641
00:39:38,200 --> 00:39:42,320
Speaker 1: But yeah, cope. Daniels direct and producer that much. Eddie Griffin,

642
00:39:43,880 --> 00:39:46,719
Speaker 1: he executive produced that. To Eddie Griffin, he was, yeah,

643
00:39:46,760 --> 00:39:48,399
Speaker 1: he was. He was in the movie too, the white

644
00:39:48,440 --> 00:39:52,840
Speaker 1: guy in the bar. What yeah, Eddie Griffin, Yeah he was.

645
00:39:53,480 --> 00:39:55,200
Speaker 1: He was made over as the white guy. He was

646
00:39:56,200 --> 00:40:00,200
Speaker 1: makeup on everything. Do you do you every want to

647
00:40:00,239 --> 00:40:04,080
Speaker 1: do anymore? Active? I would? I wouldn't not, I would.

648
00:40:04,080 --> 00:40:06,680
Speaker 1: I would love to actually, but you know, I mean

649
00:40:06,880 --> 00:40:09,880
Speaker 1: I would would be pursued it. Actually. I wanted to

650
00:40:09,960 --> 00:40:12,480
Speaker 1: do it in a different ride. I wanted to do right.

651
00:40:12,520 --> 00:40:15,480
Speaker 1: I want to do more writing. I wanted to test

652
00:40:16,480 --> 00:40:18,319
Speaker 1: that shouldn't be funny. I want to write a mother

653
00:40:19,200 --> 00:40:21,759
Speaker 1: just write skit so whatever. You know, we have kind

654
00:40:21,760 --> 00:40:25,000
Speaker 1: of crazy idea stuff. So but boy, I know you

655
00:40:25,160 --> 00:40:30,160
Speaker 1: and UM and Jug and Rob Boy. If y'all had

656
00:40:30,200 --> 00:40:36,759
Speaker 1: go pros in the studio, boy, I know that ship

657
00:40:36,960 --> 00:40:40,920
Speaker 1: is funny as fuck, like like we can't. We couldn't

658
00:40:40,920 --> 00:40:45,400
Speaker 1: get work done because we'd be laughing at some motherfucking

659
00:40:45,480 --> 00:40:50,520
Speaker 1: hard man. Devin is is funny as fun man. Can

660
00:40:50,560 --> 00:41:01,440
Speaker 1: I smoke with y'all? No, the podcast will be right

661
00:41:01,480 --> 00:41:11,120
Speaker 1: back after the poet. Then the first time you went overseas?

662
00:41:11,400 --> 00:41:14,959
Speaker 1: What what country did you visit to play? I don't

663
00:41:14,960 --> 00:41:20,520
Speaker 1: know the Seas with mm hmmm. I might have to

664
00:41:20,600 --> 00:41:28,200
Speaker 1: call up Matchinsils because Matinsil is my international manager. I

665
00:41:28,280 --> 00:41:33,080
Speaker 1: believe so feeling, you know what, because I know I

666
00:41:34,480 --> 00:41:38,680
Speaker 1: played Finland and just played maybe a month before that.

667
00:41:38,920 --> 00:41:40,759
Speaker 1: It was feeling. I remember doing a lot of uh

668
00:41:42,200 --> 00:41:45,319
Speaker 1: I've did some recording and stuff over there's a studio record. Yeah,

669
00:41:45,440 --> 00:41:49,000
Speaker 1: feeling yeah. But since then, you know, it's been a

670
00:41:49,160 --> 00:41:54,400
Speaker 1: quite a few uh places I visit over that man,

671
00:41:56,280 --> 00:41:59,120
Speaker 1: it was cracked out each time. Man, it was man.

672
00:41:59,160 --> 00:42:01,680
Speaker 1: It was a blessing. Man. And I then not realize

673
00:42:01,719 --> 00:42:04,560
Speaker 1: that they listened to me or to hip hop in

674
00:42:04,640 --> 00:42:08,680
Speaker 1: general that much. And they are really into it. They

675
00:42:08,719 --> 00:42:13,719
Speaker 1: are really into the history the places before all this

676
00:42:14,080 --> 00:42:17,840
Speaker 1: uh social media, social media and Wikipedia and all this

677
00:42:18,000 --> 00:42:22,160
Speaker 1: right here. They would really know about hip hop, graffiti,

678
00:42:22,480 --> 00:42:25,719
Speaker 1: DJ and the history of these people and where they

679
00:42:25,760 --> 00:42:28,160
Speaker 1: came from and how they grew up and stuff. And

680
00:42:28,600 --> 00:42:30,799
Speaker 1: you know, I'm like, how did you know all this? Man?

681
00:42:31,160 --> 00:42:34,960
Speaker 1: They asked me about ka Reno Man. Man asked me

682
00:42:35,000 --> 00:42:40,880
Speaker 1: about Man that's the Godfather. Yeah, Man, you know about Lukiki.

683
00:42:40,960 --> 00:42:44,560
Speaker 1: They know it tripped me out, But look Kiki packed

684
00:42:44,560 --> 00:42:47,359
Speaker 1: out a spot in Japan and some ship, right man, Man,

685
00:42:47,920 --> 00:42:54,000
Speaker 1: Man Me too, Me too, man. Man. When I went

686
00:42:54,040 --> 00:42:57,520
Speaker 1: out there, dude Duke, I spoke with the editor of

687
00:42:57,600 --> 00:43:00,920
Speaker 1: the magazine. He was interviewing me, and he said, Willie

688
00:43:01,080 --> 00:43:05,480
Speaker 1: d you know you're in concert the same night as

689
00:43:05,600 --> 00:43:08,520
Speaker 1: fifty cent, And I said, yeah, I heard. He said, yeah,

690
00:43:08,640 --> 00:43:11,759
Speaker 1: but you have nothing to worthy about. They're coming to

691
00:43:11,880 --> 00:43:15,239
Speaker 1: see fifty because he's hot. They're coming to see you

692
00:43:15,480 --> 00:43:19,560
Speaker 1: because you. I let you tell me that ship and

693
00:43:19,600 --> 00:43:21,719
Speaker 1: I thought it was just gassing me up and I

694
00:43:21,800 --> 00:43:24,480
Speaker 1: showed up in the airport. It was on so Michael Jackson.

695
00:43:24,560 --> 00:43:26,560
Speaker 1: She was like three d people in the airport with

696
00:43:26,680 --> 00:43:29,239
Speaker 1: signs and ship. What were feeling? And I saw the

697
00:43:29,880 --> 00:43:34,440
Speaker 1: promoter Yarrow yea, And I said, man, you didn't have

698
00:43:34,480 --> 00:43:37,440
Speaker 1: to do all this. He said, the motherfucker's did it on.

699
00:43:37,560 --> 00:43:39,640
Speaker 1: I don't know the motherfucker's what he said, don't know

700
00:43:39,719 --> 00:43:43,480
Speaker 1: the motherfucker's They heard you what comment? I guess yeah.

701
00:43:45,120 --> 00:43:48,920
Speaker 1: And they were outside, like in the snow. It was

702
00:43:49,080 --> 00:43:52,360
Speaker 1: fifteen below. They were in the snow. I didn't go

703
00:43:52,440 --> 00:43:55,399
Speaker 1: on to four am, but they were in the snow

704
00:43:55,480 --> 00:43:59,560
Speaker 1: at noon. They were in snow at noon, standing in line.

705
00:44:00,440 --> 00:44:02,120
Speaker 1: I didn't know what the hell because we we we

706
00:44:02,320 --> 00:44:05,160
Speaker 1: were pad we we went to a subway and it

707
00:44:05,320 --> 00:44:08,440
Speaker 1: was the subway was like a block away, uh from

708
00:44:08,480 --> 00:44:12,759
Speaker 1: the hotel and the venue. The Virgin Company was right

709
00:44:12,800 --> 00:44:15,359
Speaker 1: in the middle. And so we walked back. We got

710
00:44:15,440 --> 00:44:18,040
Speaker 1: dropped off and we walked back. And as we're walking back,

711
00:44:19,600 --> 00:44:21,600
Speaker 1: I look over to my left and I see all

712
00:44:21,640 --> 00:44:23,640
Speaker 1: of these people standing in line, you know, a few

713
00:44:23,719 --> 00:44:27,319
Speaker 1: hundred people standing in line, And uh, I said, what's

714
00:44:27,320 --> 00:44:29,560
Speaker 1: going on over there? I mean I'm man, I'm totally

715
00:44:29,680 --> 00:44:34,160
Speaker 1: just just oblivious. Was, you know, to my juice in Finland.

716
00:44:34,719 --> 00:44:37,200
Speaker 1: So I'm like, you know what's going on over there?

717
00:44:37,239 --> 00:44:39,960
Speaker 1: He said, Uh, the motherfucker's are down for you. They

718
00:44:40,040 --> 00:44:44,839
Speaker 1: think they're gonna miss something. And I showed up, dude.

719
00:44:45,640 --> 00:44:48,359
Speaker 1: So the Virgin Company. I don't know if it's still

720
00:44:48,440 --> 00:44:52,680
Speaker 1: that at that building, but it's it reminds uh, it's

721
00:44:53,160 --> 00:44:57,520
Speaker 1: it reminds you of like the House of Blues, two stories, whole,

722
00:44:57,600 --> 00:45:01,120
Speaker 1: two thousand people, balcony and all these types. Uh. And

723
00:45:02,000 --> 00:45:05,120
Speaker 1: I show up, bro, and they're rumbling. I come out.

724
00:45:05,480 --> 00:45:08,640
Speaker 1: You know, typically when I do my show, I'll come

725
00:45:08,640 --> 00:45:11,200
Speaker 1: out and maybe for like a minute, I have a

726
00:45:11,400 --> 00:45:14,879
Speaker 1: one minute intro, and then I go out there, man,

727
00:45:15,800 --> 00:45:20,120
Speaker 1: and the people started tripping so hard. I circled around,

728
00:45:21,040 --> 00:45:24,160
Speaker 1: said keep that ship going. And I came back and

729
00:45:24,239 --> 00:45:39,520
Speaker 1: I was like, really touch And then I come back,

730
00:45:39,880 --> 00:45:41,680
Speaker 1: I said watch this. I go to my boy, I said,

731
00:45:42,400 --> 00:45:45,719
Speaker 1: watch this, go back to the front and touch another chicken.

732
00:45:45,800 --> 00:45:49,480
Speaker 1: She just it was something to see, man. But they

733
00:45:49,520 --> 00:45:52,319
Speaker 1: are the point is that they really do appreciate real

734
00:45:52,440 --> 00:45:57,040
Speaker 1: hip hop. They really do appreciate it, man. They they

735
00:45:57,080 --> 00:46:00,000
Speaker 1: show a lot of love. Uh, and you you don't

736
00:46:00,080 --> 00:46:03,800
Speaker 1: have to have a hot album out today if you

737
00:46:03,880 --> 00:46:06,680
Speaker 1: give them a hot album from back into day. Yeah,

738
00:46:07,120 --> 00:46:10,200
Speaker 1: you're you're good. Yeah, that's just that's the part of it.

739
00:46:10,280 --> 00:46:14,080
Speaker 1: It's the part about you're doing. Yeah. You know, we

740
00:46:14,600 --> 00:46:15,840
Speaker 1: used to do that ship. We used to be on

741
00:46:17,239 --> 00:46:20,200
Speaker 1: We used to be on stage. You used to be

742
00:46:20,320 --> 00:46:23,440
Speaker 1: on stage and you know when you go up to

743
00:46:23,560 --> 00:46:25,480
Speaker 1: the front, you know, and you know they do do

744
00:46:25,600 --> 00:46:27,960
Speaker 1: little Michael Jacks's name, you touch one of them chicks

745
00:46:28,000 --> 00:46:32,960
Speaker 1: and they start fighting and ship falling out. We used

746
00:46:32,960 --> 00:46:37,040
Speaker 1: to do that, like watch this. I mean Brad didn't

747
00:46:37,040 --> 00:46:40,480
Speaker 1: do he couldn't. We couldn't get the women. He couldn't

748
00:46:40,480 --> 00:46:42,080
Speaker 1: get the women to do that type of ship. But

749
00:46:42,200 --> 00:46:45,360
Speaker 1: you know used to love so you know how that

750
00:46:48,080 --> 00:46:53,359
Speaker 1: love man? Yeah, that was build. That was touching all

751
00:46:53,360 --> 00:46:56,000
Speaker 1: the women making them pass out. Really was back there

752
00:46:56,080 --> 00:47:06,600
Speaker 1: looking at me like what the is? Yeah? Okay, man, man,

753
00:47:06,760 --> 00:47:08,920
Speaker 1: this is wonderful right here. Glad to see y'all doing this.

754
00:47:09,080 --> 00:47:11,000
Speaker 1: Man for real, this is when we do. You'll make

755
00:47:11,040 --> 00:47:13,560
Speaker 1: a major moves, man, and you gotta look good on

756
00:47:13,680 --> 00:47:17,279
Speaker 1: on on TV. Man. I like that intro from intro.

757
00:47:17,600 --> 00:47:21,800
Speaker 1: Man just your your career, man, I have followed it,

758
00:47:21,920 --> 00:47:25,319
Speaker 1: I have watched you grow, and I can honestly say, man,

759
00:47:25,360 --> 00:47:28,640
Speaker 1: I am very very proud of what you do and

760
00:47:28,760 --> 00:47:32,239
Speaker 1: what you've done in your accomplishments to date, you know,

761
00:47:32,400 --> 00:47:37,839
Speaker 1: and I look forward to to watching you grow even more. Bronk. Yeah, man,

762
00:47:37,880 --> 00:47:40,879
Speaker 1: you you fucking did that. But appreciate you. Man, You're

763
00:47:40,960 --> 00:47:44,040
Speaker 1: the ones who kind of gave me, you know, catapulted me. Man,

764
00:47:44,120 --> 00:47:45,640
Speaker 1: gave me the start. You don't want to gave me

765
00:47:45,760 --> 00:47:49,680
Speaker 1: my name. My name is just Devin name. He put

766
00:47:49,719 --> 00:47:52,279
Speaker 1: the dude on that. I mean, okay, it was just

767
00:47:52,400 --> 00:47:54,680
Speaker 1: Devon and we was working on the album. I needed

768
00:47:54,719 --> 00:47:56,920
Speaker 1: two or three songs left. He said, Man, what do

769
00:47:56,960 --> 00:48:02,040
Speaker 1: you just listen to when your little like man Quzzy Jones, Dude,

770
00:48:02,080 --> 00:48:04,960
Speaker 1: that's my favorite album. You gotta we Gotta, which I

771
00:48:05,040 --> 00:48:06,680
Speaker 1: was like, yeah, it's in the bat room. We went

772
00:48:06,719 --> 00:48:08,560
Speaker 1: to the bat room to get the final from Domo,

773
00:48:09,040 --> 00:48:14,319
Speaker 1: came back and he played it. We just start breaking

774
00:48:14,360 --> 00:48:17,319
Speaker 1: everything he wanted to start it producing and getting all

775
00:48:17,360 --> 00:48:20,480
Speaker 1: together and boom. I came back like thirty minutes the

776
00:48:20,520 --> 00:48:25,520
Speaker 1: beat was already Yeah. I was like, who rendition of

777
00:48:25,840 --> 00:48:28,239
Speaker 1: the dude, you know, smoking on the sweet while they

778
00:48:28,280 --> 00:48:32,279
Speaker 1: getting it's nothing. Has so much fun working on that record. Man.

779
00:48:32,280 --> 00:48:34,000
Speaker 1: As soon as soon as I finished the record, he

780
00:48:34,120 --> 00:48:36,960
Speaker 1: was like, he said, that's it. That's your name, that's

781
00:48:36,960 --> 00:48:38,279
Speaker 1: the name of the album. I was like, I like,

782
00:48:39,520 --> 00:48:42,440
Speaker 1: that's Quizzy Jones. No you to do that. He kept up, Man,

783
00:48:42,480 --> 00:48:48,279
Speaker 1: you do man, But we shot a commercial dog commercial. Bro,

784
00:48:48,400 --> 00:48:51,239
Speaker 1: do you have that commercial David for that album? The

785
00:48:51,440 --> 00:48:53,759
Speaker 1: commercial we shot man where I pulled up in the

786
00:48:53,840 --> 00:48:55,520
Speaker 1: van to pick you up, but the show it we didn't.

787
00:48:56,280 --> 00:48:58,480
Speaker 1: Yeah right, damn no, I don't know who got that.

788
00:48:58,719 --> 00:49:03,640
Speaker 1: That motherfucking commercial is the that will be something good

789
00:49:03,680 --> 00:49:06,759
Speaker 1: to see you. So I directed Devon's uh you know

790
00:49:06,800 --> 00:49:09,640
Speaker 1: how to shoot commercials for people albums and ship? So

791
00:49:09,719 --> 00:49:13,399
Speaker 1: I directed one of Devon's uh commercials. Man, that's where

792
00:49:13,400 --> 00:49:16,080
Speaker 1: I pull up in a big gass white fifteen passengers

793
00:49:16,080 --> 00:49:18,399
Speaker 1: band pick him up with a concert made you see

794
00:49:18,800 --> 00:49:27,759
Speaker 1: I'm knocking on the bathroom though, Yeah, I wonder who

795
00:49:27,840 --> 00:49:31,320
Speaker 1: got that. That's still around? That would be some That

796
00:49:31,400 --> 00:49:36,600
Speaker 1: ship is great and then then walking out of the bathroom,

797
00:49:36,640 --> 00:49:38,480
Speaker 1: walking out of the house with the toilet paper on

798
00:49:38,560 --> 00:49:47,279
Speaker 1: his shoe to know where all this stuff is what

799
00:49:47,440 --> 00:49:50,920
Speaker 1: are you into other than music? You know and honestly

800
00:49:51,040 --> 00:49:54,839
Speaker 1: your favorite pastime. But but what are you into besides that? Man?

801
00:49:54,960 --> 00:49:58,239
Speaker 1: You know, on a personal level, I like on on

802
00:49:58,360 --> 00:50:00,880
Speaker 1: the hobby type thing. It's for times are like I

803
00:50:01,120 --> 00:50:06,720
Speaker 1: love a remote control stuff. I love our cars, drones.

804
00:50:07,080 --> 00:50:10,200
Speaker 1: I started off with just flying helicopters. You know, at

805
00:50:10,320 --> 00:50:14,080
Speaker 1: a helicopter is way way harder than a drowne to fly,

806
00:50:14,920 --> 00:50:18,640
Speaker 1: and then a drone is a lot easier to fly

807
00:50:18,800 --> 00:50:23,160
Speaker 1: than a quad copter. What the copter is? What it

808
00:50:23,440 --> 00:50:26,080
Speaker 1: was in the beginning, before they started coming out with

809
00:50:26,160 --> 00:50:28,719
Speaker 1: the word drone, it was just a quad copter. We

810
00:50:28,800 --> 00:50:33,600
Speaker 1: had a helicopter to fly, you know, we're just one propeller.

811
00:50:33,680 --> 00:50:36,520
Speaker 1: Then you had a quad copter with for propeller. That

812
00:50:36,640 --> 00:50:41,239
Speaker 1: was it. But every move, every movement of your fingertips

813
00:50:41,280 --> 00:50:43,759
Speaker 1: or whatever, it does something and you cannot let it

814
00:50:43,840 --> 00:50:47,880
Speaker 1: go or we're just they're just crashing the sup. It

815
00:50:48,000 --> 00:50:51,920
Speaker 1: was just your your total you're in total controller. Now

816
00:50:52,080 --> 00:50:55,359
Speaker 1: it's obstacle avoidance and all kinds of stuff. You can

817
00:50:56,719 --> 00:50:58,920
Speaker 1: down and talk and it'll still be flying all that.

818
00:50:59,080 --> 00:51:03,080
Speaker 1: It's so easy. Remember one time I was working, I

819
00:51:03,160 --> 00:51:04,920
Speaker 1: had a drone, Bro, and I put that on the

820
00:51:04,960 --> 00:51:10,200
Speaker 1: fucking way up there, and then that it's cut off.

821
00:51:12,239 --> 00:51:14,200
Speaker 1: It sound like a battery issue with the remote. I

822
00:51:14,239 --> 00:51:16,680
Speaker 1: don't know what it will, but that motherfucker cut off, man.

823
00:51:17,560 --> 00:51:22,360
Speaker 1: And at least I won with them drunk like twelve hunting.

824
00:51:24,719 --> 00:51:26,640
Speaker 1: I watched that thirteen and I all hit the ground

825
00:51:26,680 --> 00:51:32,239
Speaker 1: and shadow like glass. It's devastating that it was all

826
00:51:32,320 --> 00:51:34,800
Speaker 1: in somebody. They make them better today, Yes, I don't know,

827
00:51:34,840 --> 00:51:41,319
Speaker 1: a lot better now I have a lot cheaper, less expensive. Yeah,

828
00:51:41,640 --> 00:51:44,680
Speaker 1: you get a fan of force. What they have they

829
00:51:44,719 --> 00:51:47,960
Speaker 1: moved up to, like what the Phantom team, I don't know.

830
00:51:48,000 --> 00:51:53,279
Speaker 1: I mean dj I, Magi, Magis, are you know something?

831
00:51:53,400 --> 00:51:56,200
Speaker 1: Top dogs? Now? You know they got the Minis and

832
00:51:56,400 --> 00:51:58,960
Speaker 1: they have some smaller versions and all kind of different

833
00:51:59,400 --> 00:52:03,600
Speaker 1: models now out. But yeah, I like the Maverick three.

834
00:52:04,520 --> 00:52:08,200
Speaker 1: Speaking of smaller versions, you got kids. I got seven kids.

835
00:52:08,280 --> 00:52:12,520
Speaker 1: You got seven kids, bro, Damn, that's a lot of kids.

836
00:52:12,600 --> 00:52:15,800
Speaker 1: About the kids in the two thousand's, Yeah, well I

837
00:52:16,040 --> 00:52:20,680
Speaker 1: was the youngest, and uh the youngest is five and old.

838
00:52:20,760 --> 00:52:22,480
Speaker 1: This is like thirty, you know what I'm saying. So

839
00:52:22,640 --> 00:52:26,719
Speaker 1: it's like I got two waves, two waves of kids.

840
00:52:26,760 --> 00:52:29,799
Speaker 1: You know, four of the seven are pretty much grown.

841
00:52:30,040 --> 00:52:34,840
Speaker 1: And I'm doing the only thing right now and happy more. No,

842
00:52:36,120 --> 00:52:38,680
Speaker 1: uh well, and we gotta say the same, you know.

843
00:52:39,120 --> 00:52:41,120
Speaker 1: That's it. Man. But no, I got a nice little

844
00:52:41,160 --> 00:52:48,000
Speaker 1: shut off valve that I got shut off valve that over.

845
00:52:49,360 --> 00:52:51,320
Speaker 1: Uh no, no, no, no, no, no, I got a

846
00:52:51,360 --> 00:52:54,400
Speaker 1: personal one. My brother did brother data he got you know,

847
00:52:55,080 --> 00:52:59,359
Speaker 1: he told man, he got like nine teams, so there's

848
00:52:59,400 --> 00:53:01,480
Speaker 1: time for him. Kid. Yeah. Yeah, we get a lot

849
00:53:01,520 --> 00:53:04,759
Speaker 1: of get a lot of a lot of fun. Yeah.

850
00:53:05,320 --> 00:53:08,399
Speaker 1: But yeah, but you know, I love each and every

851
00:53:08,440 --> 00:53:10,279
Speaker 1: one of them, and I love kids here. Man. I

852
00:53:10,400 --> 00:53:13,440
Speaker 1: just one time I walked in Devon's house, right, I'm

853
00:53:13,440 --> 00:53:15,959
Speaker 1: walking to devin house. Man, I said, it's a cute

854
00:53:16,000 --> 00:53:20,560
Speaker 1: little girl. Man. I looked at it. I say, you're here.

855
00:53:22,120 --> 00:53:28,160
Speaker 1: He said, yes, here. That was done that. I don't

856
00:53:28,160 --> 00:53:30,360
Speaker 1: even know where you came from because it was just

857
00:53:30,480 --> 00:53:32,200
Speaker 1: I was having kids at the time, and that was

858
00:53:32,360 --> 00:53:35,239
Speaker 1: She just popped up, like what do you what did

859
00:53:35,360 --> 00:53:43,000
Speaker 1: she get in? You're here? You're here? My son? I

860
00:53:43,360 --> 00:53:46,120
Speaker 1: got a son at Dante He started producing that eight

861
00:53:46,200 --> 00:53:49,160
Speaker 1: years old. Yeah, Dante is dope, man, He's funny. It's

862
00:53:49,200 --> 00:53:53,680
Speaker 1: fun too. He's hilarious wrapped here probably you know, I

863
00:53:53,800 --> 00:53:57,080
Speaker 1: got you know, he was talking at this day and

864
00:53:57,120 --> 00:53:58,800
Speaker 1: age and that type of rap. You know, it was

865
00:53:58,880 --> 00:54:00,879
Speaker 1: kind of that type rep you know what I'm saying.

866
00:54:00,920 --> 00:54:03,560
Speaker 1: So I was kind of like, man, you might just

867
00:54:03,719 --> 00:54:09,320
Speaker 1: you know, he's real talented. To man, he could. It

868
00:54:09,480 --> 00:54:14,720
Speaker 1: surprised me. But you know, my my nephews in these Texas,

869
00:54:14,760 --> 00:54:17,680
Speaker 1: to man, they they're all kind of talented. They gotta

870
00:54:18,480 --> 00:54:20,800
Speaker 1: made me like, well maybe I should try to do

871
00:54:20,960 --> 00:54:25,200
Speaker 1: something and do something really extra formed because they got

872
00:54:25,239 --> 00:54:29,479
Speaker 1: three nephews and my son. They they're like really really cool.

873
00:54:31,560 --> 00:54:34,120
Speaker 1: They forced me to do something for them because they

874
00:54:34,200 --> 00:54:39,560
Speaker 1: really they got a good project. Project. Yeah, when it's

875
00:54:39,600 --> 00:54:41,359
Speaker 1: time for you to go and you ain't got no more,

876
00:54:41,440 --> 00:54:44,040
Speaker 1: how you want to be remembered? You know what, Well,

877
00:54:44,280 --> 00:54:47,759
Speaker 1: if I could just be remembered, I would be cool.

878
00:54:48,160 --> 00:54:50,480
Speaker 1: Just remembered and then let him take it from there

879
00:54:50,920 --> 00:54:53,879
Speaker 1: and just do history, you know, because you you forget

880
00:54:53,880 --> 00:54:56,560
Speaker 1: about a lot of rappers and stuff and and and

881
00:54:56,640 --> 00:54:59,520
Speaker 1: a lot of greats that that's that's been here, and

882
00:55:00,160 --> 00:55:03,920
Speaker 1: and you don't really go down the rabbit hole of

883
00:55:04,080 --> 00:55:07,719
Speaker 1: what they contributions of what they did until that they

884
00:55:07,840 --> 00:55:11,360
Speaker 1: die whatever, and then some of them are not even remembered,

885
00:55:12,160 --> 00:55:13,920
Speaker 1: and then you gotta if you bring the name up,

886
00:55:14,080 --> 00:55:17,239
Speaker 1: but oh yeah, I remember. So just to be remembered

887
00:55:18,000 --> 00:55:21,840
Speaker 1: in a conversation, man, and just that's that's fine with me.

888
00:55:22,840 --> 00:55:26,640
Speaker 1: That's that's that's that's the last is the last question.

889
00:55:26,719 --> 00:55:31,560
Speaker 1: I'm gonna ask you promise, Okay, then we're gonna leave

890
00:55:33,719 --> 00:55:36,880
Speaker 1: what you're gonna do, and the people go home and

891
00:55:37,080 --> 00:55:40,160
Speaker 1: you want to smoke weed and the reps all gone.

892
00:55:40,800 --> 00:55:47,879
Speaker 1: Somebody had take that about Dube a track. Do me that, man.

893
00:55:49,200 --> 00:55:51,920
Speaker 1: They're always a pleasure to see you though. Man, the

894
00:55:51,960 --> 00:56:00,120
Speaker 1: pressure is always mine, man, last man I said, I

895
00:56:00,200 --> 00:56:02,960
Speaker 1: stopped hitting that note like three packs of black and

896
00:56:03,040 --> 00:56:16,960
Speaker 1: mouth got oh yeah, looking ahead ladies, man, I appreciate

897
00:56:17,040 --> 00:56:21,360
Speaker 1: the love. So dope man, And stay high, oh we'll do.

898
00:56:21,880 --> 00:56:24,200
Speaker 1: And that just highest spirit man, you know what I'm saying.

899
00:56:24,280 --> 00:56:26,759
Speaker 1: Just high, you know, and just living life and to

900
00:56:27,080 --> 00:56:29,759
Speaker 1: the best of your ability. Just just stay high mast

901
00:56:29,960 --> 00:56:33,360
Speaker 1: above water. That's what that means. I just always always

902
00:56:33,400 --> 00:56:36,080
Speaker 1: talk about how important the come line is when you're wrapping,

903
00:56:36,760 --> 00:56:39,480
Speaker 1: and Devin has some of the most amazing come lines

904
00:56:40,120 --> 00:56:44,239
Speaker 1: in the history of the art. I smoke weed, I

905
00:56:44,400 --> 00:56:47,200
Speaker 1: drink bru It's all a rapper back and sh that's

906
00:56:47,200 --> 00:56:55,239
Speaker 1: all I do. I love it, man, I remember that line.

907
00:56:56,000 --> 00:56:57,719
Speaker 1: Just put me just side all the time. You even

908
00:56:57,760 --> 00:57:04,480
Speaker 1: told me check this out, like mob if I'm hot

909
00:57:04,520 --> 00:57:08,960
Speaker 1: in how about you? You know that I don't just

910
00:57:09,080 --> 00:57:21,200
Speaker 1: want like that. There's more to it. But he was like, say, Mario, Hey,

911
00:57:21,280 --> 00:57:23,520
Speaker 1: what is that motherfucker's song? Dad? I don't want to

912
00:57:23,600 --> 00:57:36,080
Speaker 1: hear it. Uh take brass voice, man, what's the song? Damn?

913
00:57:36,760 --> 00:57:38,680
Speaker 1: I want Lee on that song too. What is the

914
00:57:38,800 --> 00:57:48,240
Speaker 1: name of that song? You? That's on the Comfort Brother album? Okay,

915
00:57:52,360 --> 00:57:56,960
Speaker 1: don't take much shit out man? That song they go.

916
00:58:19,720 --> 00:58:22,240
Speaker 1: This episode was produced by a King and brought to

917
00:58:22,320 --> 00:58:26,640
Speaker 1: you by The Black Effect Podcast Network and I Heart

918
00:58:26,960 --> 00:58:27,280
Speaker 1: Radio