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Speaker 1: So one of the things that's fun about living so

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Speaker 1: close to Danielle is that we tend to go places.

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Speaker 1: Everywhere we have to be at the same place together.

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Speaker 1: It makes sense we hop in the same car Danielle

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Speaker 1: Norris drives, and the conversations we've we've realized between all

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Speaker 1: three of us are just endless. We just so for

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Speaker 1: some reason, it's like now we're trying to run out

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Speaker 1: of stuff to say, because we could use this.

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Speaker 2: We literally stop recording and keep talking. I noticed when

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Speaker 2: we were at breakfast, we kept going. It was like

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Speaker 2: no one's even recording our filming notes, and it's just

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Speaker 2: like it never stopped.

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Speaker 1: Yeah, so we're we're going and the conversations go all

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Speaker 1: over the place. So this one started where she was

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Speaker 1: talking about Keaton waking up because Keaton at the time

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Speaker 1: was kind of battling a little bit of a fever. Yeah,

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Speaker 1: and he felt but She's like, he felt great when

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Speaker 1: when we woke up in the morning. You know, he

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Speaker 1: wanted to wrestle right away and we were playing Hulk,

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Speaker 1: and but he's got this little fever and little stuff.

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Speaker 1: And I said, well, you realize, if you know, maybe

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Speaker 1: he's turning into the actual Hulk has he been exposed

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Speaker 1: to any gamma radiation, to which then Danielle kind of

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Speaker 1: says what, And I get to spend the next fifteen

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Speaker 1: minutes really explaining the backstory of doctor Bruce Banner and

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Speaker 1: the Hulk.

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Speaker 2: Bruce band.

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Speaker 3: Yeah, it wasn't the gamma rays that confused me. You said,

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Speaker 3: what if he because he could be smart Hulk, And

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Speaker 3: I said.

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Speaker 4: Right, what, what's smart Hulk?

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Speaker 3: Yeah, and then we had a great conversation about smart Hulk.

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Speaker 1: Well, the thing that was so funny was that you

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Speaker 1: were telling me that you had kind of like the

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Speaker 1: basic Hahul story that you read your kid, and she's like, so, no,

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Speaker 1: I read him a story and it's Hulk green, Hulk angry.

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Speaker 4: Yeah.

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Speaker 1: It's like, oh no, there's so much more. But then

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Speaker 1: in the perfect Danielle is right when she finished telling

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Speaker 1: the story, she's like, but the doctor Bruce Banner in

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Speaker 1: the book is hot.

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Speaker 4: He's hot. Oh yeah, it's.

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Speaker 3: It's a real simple comic book for like the earliest reader.

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Speaker 3: So literally the book goes, Hulk is green, Hulk is strong,

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Speaker 3: Hulk is a good person.

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Speaker 4: He likes to the.

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Speaker 3: Bruce Banner story, where we find out how he became

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Speaker 3: the Hulk, And I'm like.

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Speaker 4: Whoa Bruce Banner? Huh?

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Speaker 1: Danyell wants to wake up to find those purple shorts

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Speaker 1: on her floor.

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Speaker 2: I'm telling you, but this is where I get so

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Speaker 2: overwhelmed with comic mythology. It's so dense and there's so

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Speaker 2: many layers, like did you ever did you actually read

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Speaker 2: comics when you were a kid? Will like? Is that

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Speaker 2: where it started?

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Speaker 1: Or I didn't? I actually, but I read mythology, don't

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Speaker 1: you remember? Like Hamilton? Is that the famous mythology book

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Speaker 1: that everybody needs in school? And then I, you know,

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Speaker 1: I just dove into But that's what comic books are.

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Speaker 1: It's it's americanology. I mean, so it's but no, I

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Speaker 1: did start comic book reading till later. So you okay,

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Speaker 1: but you do? Do you read comics now?

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Speaker 2: Or is you mostly like cartoons movies?

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Speaker 1: It's cartoons, movies and the lore like that. But if

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Speaker 1: somebody says to me, like, you've got to read this,

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Speaker 1: you know, this group of comics, then I'll jump in

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Speaker 1: and I'll read I want it. I've always wanted to

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Speaker 1: do X Men from the beginning, But depending on who

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Speaker 1: you ask, I know, the ninety different versions you're supposed

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Speaker 1: to read. Yeah, that's the thing.

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Speaker 2: Like I because I remember when I was a kid,

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Speaker 2: like I don't know, second or third grade, we we

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Speaker 2: got pen pals at another school, you know, and so

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Speaker 2: we were like and I became pen pals with this

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Speaker 2: kid and he was like really into X Men.

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Speaker 1: I decided like, oh, I'm gonna I'm gonna get into

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Speaker 1: X Men.

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Speaker 2: And then I just got so lost. I have no

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Speaker 2: idea where to start. It was like, do I go

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Speaker 2: to sixties X Men? Do I go to eighties X Men?

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Speaker 2: Do I do the cartoons? It was like, yeah, oh

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Speaker 2: my god. I mean and now, of course this is

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Speaker 2: kind of standard, Like I feel like there must be

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Speaker 2: like lists online of like start here.

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Speaker 1: Yeah, there are, and it's where you can start and

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Speaker 1: where you can go and do all that stuff. But

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Speaker 1: any opportunity I get to nerd out to Danielle is

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Speaker 1: a lot of fun because she's like, what is smart Hulk?

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Speaker 1: I'm like, okay. So doctor Bruce Banner realized that the

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Speaker 1: balance the whole fund was that he was trying to

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Speaker 1: get rid of the Hulk his entire life, to just

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Speaker 1: go back to be Bruce Banner but what turns out

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Speaker 1: is he just the best part was adding Bruce Banner

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Speaker 1: to the Hulk, so he always walks around his Hulk now,

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Speaker 1: but he's Smart home. She's like, oh god, so yeah,

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Speaker 1: whenever I can.

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Speaker 3: And I love it because now with my boys, I

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Speaker 3: want to know all of it so that I can

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Speaker 3: participate in it with them. You know, whereas before I'd

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Speaker 3: be like, okay, whatever, well, cool story about Smart.

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Speaker 2: It reaches it reaches a saturation point.

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Speaker 1: Trust me, oh I got to. I got you know.

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Speaker 2: Indy went through his Star Wars face. He like, now

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Speaker 2: he can't stand Star Wars. You just go through like

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Speaker 2: months of everything is this one thing. And so luckily

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Speaker 2: Will came to my brother's house for brunch when he

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Speaker 2: was going through like his heavy lightsaber.

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Speaker 1: It was it was not just Star Wars.

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Speaker 2: It's very specific lightsaber. And I saw Will and Indie

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Speaker 2: just start getting into the different colored lightsabers, and I

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Speaker 2: was like, thank god he has Will because he would

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Speaker 2: always ask me. He's like, well, what a white lightsabers

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Speaker 2: kind of crystals makes the red lightsaber? What? And I

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Speaker 2: was like uh, And Will was just like, oh, well,

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Speaker 2: he's a Sith lord who came from this planet, and

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Speaker 2: the kyber crystals from this and if you're talking a

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Speaker 2: yellow lightsaber, those was only this order of Jedi. And

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Speaker 2: I'm like, oh my god, than I know, fine, great,

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Speaker 2: but I'm not I can only my patients only go

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Speaker 2: so far. Do you want to talk Shakespeare writer.

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Speaker 3: I'd actually like to know more about your pen pal.

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Speaker 3: Did your pen pal know you were? Like who you were?

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Speaker 3: Did you guys know each other?

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Speaker 2: This was like second or third grade early on. Yeah,

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Speaker 2: this is before I was acting.

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Speaker 3: But so did you like it was just like a

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Speaker 3: neighboring school, like a neighborhood.

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Speaker 2: Yeah, it was like our school got paired up with

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Speaker 2: another school in another city, another town somewhere. I have

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Speaker 2: no idea California. Yeah, I was still in California.

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Speaker 1: Yeah.

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Speaker 2: I've only really had like two pen pals. It was that.

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Speaker 2: And then Aaron Metchick, who was on our show, was

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Speaker 2: in another production of Lay Miz, and he and I

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Speaker 2: started writing letters back to each other while we were

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Speaker 2: doing La Miz. He was in a different production and

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Speaker 2: I saw him. I had lunch with him like a

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Speaker 2: couple of months ago. It was so great.

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Speaker 1: Cool. Yeah, he's he runs.

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Speaker 2: An acting studio. Now for kids actually in la and

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Speaker 2: then San Luis Obispo, which is where he's from, and

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Speaker 2: so he started this acting studio there and then he

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Speaker 2: opened it up down here.

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Speaker 1: So I think I'm going to.

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Speaker 2: Go visit his school and like meet his students and stuff.

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Speaker 1: But it was so good to see him. When you

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Speaker 1: were younger, did you did your class ever do when

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Speaker 1: it was still okay to release balloons? Did you ever

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Speaker 1: do writing the notes and balloons and then letting the

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Speaker 1: balloon go? And then months later you'd get like a

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Speaker 1: letter from somebody going, I'm in Michigan and I found

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Speaker 1: your balloon. Yeah, it was really Yeah.

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Speaker 2: You actually got a letter about I feel like we

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Speaker 2: did that that just never heard, you know, some bird.

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Speaker 1: It was like a message in a bottle, you know

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Speaker 1: it was. It was totally But how do.

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Speaker 4: You guide where the balloons land?

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Speaker 2: How'd you like a message in a bottle?

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Speaker 4: You just one?

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Speaker 1: Yeah, and I remember it was probably third grade. She's like,

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Speaker 1: we got two letters back from the balloons we released.

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Speaker 1: Here's one from Rhode Island and here's one from where

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Speaker 1: they just go on the wind. And somebody picks him

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Speaker 1: up and writes back like, Hi, I'm a student, and

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Speaker 1: I was just want of if you find this, please

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Speaker 1: write here in the East Coast.

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Speaker 2: It actually would work because there are enough towns and

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Speaker 2: like you know, there's enough density that you could at

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Speaker 2: your balloon would actually read somewhere.

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Speaker 1: Maybe or maybe your teacher.

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Speaker 4: Was just I think they were lying.

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Speaker 1: My god, I think they lying to me. My life

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Speaker 1: would not be the same.

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Speaker 3: I know, I'm sorry to put that thought in your head,

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Speaker 3: but well, I'm just happy that writer's pen pal relationship

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Speaker 3: turned out better than mine, who ended up being the

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Speaker 3: creepy guy protruded to be a girl.

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Speaker 4: That's the only pen pell I've ever had. Yeah, that

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Speaker 4: ruined pen pals for.

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Speaker 1: Me to the pen pals from that moment.

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Speaker 3: But you know what, I could probably release a balloon

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Speaker 3: to Will's house.

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Speaker 1: You can we just drone it. At this point, I

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Speaker 1: just send Danielle stuff by drone. I think that would

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Speaker 1: be better.

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Speaker 4: We do have a drone, so I could send one

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Speaker 4: to you. Oh jes, Welcome to Pod meets World.

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Speaker 3: I'm Danielle Vishel, I'm right strong, and I'm WILFORDO. Welcome

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Speaker 3: to day's episode. We are recapping season four, episode seventeen,

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Speaker 3: A Long Walk to Pittsburgh, Part two. It originally aired

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Speaker 3: Valentine's Day, February fourteenth, nineteen ninety seven.

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Speaker 1: Right makes sense.

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Speaker 3: The synopsis is that Corey is despondent without Tapanga until

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Speaker 3: one rainy evening she shows up on the Matthews doorstep.

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Speaker 3: Now Corey and Tapanga must convince Corey's parents and Topanga's

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Speaker 3: aunt that they are truly in love and belong together

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Speaker 3: in Philadelphia.

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Speaker 1: Wait February fourteenth, Sorry before you jump in February is it?

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Speaker 2: Wasn't it?

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Speaker 1: February sweeps?

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Speaker 2: Oh, this has been a sweet episode.

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Speaker 1: Sense that this is a sweeps episode, Big guest star,

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Speaker 1: big ride line. I think this is probably a sweeps

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Speaker 1: episode that was thinking.

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Speaker 3: Yeah, a two parter. It was directed by Jeff McCracken.

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Speaker 3: It was written by Mark Blutman and Howard Buskang. And

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Speaker 3: before I jump into our very special guest star or

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Speaker 3: guest stars, did you guys have any over all feelings

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Speaker 3: about the episode?

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Speaker 1: I actually I liked it. You know you know what

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Speaker 1: I liked about it? Is it? I mean, I again

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Speaker 1: the same thing that happened last week. I thought I

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Speaker 1: was kind of forcing my comedy a little bit. Not

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Speaker 1: it was a little big, But I liked how it

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Speaker 1: felt like a play. It felt very contained and it

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Speaker 1: was you know, we can get into the hole. They've

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Speaker 1: rewritten the qory into Pega saga obviously for the episode,

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Speaker 1: and that's a whole thing story wise, but the actual

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Speaker 1: you know, the feenie scene and the parents doing what

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Speaker 1: they do, and and I thought Ben was good. So

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Speaker 1: I liked the play aspect of the episode.

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Speaker 2: Yeah, writer, I really really didn't like this episode.

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Speaker 1: Really.

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Speaker 2: Yeah, yeah, I'm going to be the stick of the

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Speaker 2: mud again.

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Speaker 1: Yeah.

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Speaker 2: Now, I think this is like a I mean, you know,

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Speaker 2: we've talked about this a lot. Is you know, how

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Speaker 2: the show changes and and like you said, rewrites the

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Speaker 2: Corey to Panga thing. But I I feel like this

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Speaker 2: is a just it's a huge diversion from our It

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Speaker 2: rewrites the premise of Boymut's world. To me, like, I

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Speaker 2: just found this so true and and you know the

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Speaker 2: play factor. I like what you were saying about it

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Speaker 2: being contained, but to me, it felt more like pageantry.

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Speaker 2: It felt more like a like a trial of sorts.

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Speaker 2: Like weirdly it felt like this I don't know, it

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Speaker 2: just you know, I we can get into it as

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Speaker 2: we go through. But like, yeah, I thought this is

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Speaker 2: you know, this is one of those things like there

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Speaker 2: are so many people who probably really love Boymuts World

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Speaker 2: for the love story, for the Corey to Panga thing,

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Speaker 2: and I feel like this episode is the like rewriting

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Speaker 2: the premise of Boy Meets World to lock that in

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Speaker 2: and to make that the sort of new central tenet

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Speaker 2: of And it's been hinted at, it's been talked about,

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Speaker 2: it's been danced around, and I think from now on

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Speaker 2: we're just in a different show. We're in a show

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Speaker 2: that's about Corey and Topanga's love. And I think for

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Speaker 2: a lot of fans that is what they love about

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Speaker 2: Boy Meets World. For me, it's not, you know, and

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Speaker 2: I can see that this is the turning point this episode,

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Speaker 2: and I you know, for me, that's a big mistake

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Speaker 2: because I think, you know, and I'm sure we'll go

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Speaker 2: back to the other version of Boy Meets World and

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Speaker 2: other episodes and stuff, but for me, this is a

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Speaker 2: like it's a big writing like it's a huge, bold choice,

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Speaker 2: and I don't like it. I don't think it's good.

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Speaker 2: You know, I can get into why, but I just

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Speaker 2: think it it undermines what I really loved about the

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Speaker 2: first you know what we've been watching like there's something

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Speaker 2: so special about boy meets World and the approach to

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Speaker 2: the world, and instead now it's it's a romance and

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Speaker 2: that's just a different type of story. Yeah.

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Speaker 1: I get what you're saying, but I'm sorry. You go ahead, Danielle.

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Speaker 4: No, I was gonna say, I You're right. It is.

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Speaker 3: It is completely rewriting the what feels like we've set

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Speaker 3: up for all three and a half now seasons of

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Speaker 3: the show. It feels like we're changing the idea of

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Speaker 3: what the show is. But I actually, and even though

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Speaker 3: I don't necessarily agree with the idea that the Big

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Speaker 3: Swing is these two people are gonna are supposed to

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Speaker 3: be together and come hell or high water, they're going

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Speaker 3: to make it work together. Why I may while I

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Speaker 3: may not agree, and I feel more like an Amy

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Speaker 3: Matthews in my real life, there is a part of

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Speaker 3: me that takes if I take myself out of it,

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Speaker 3: I really just respect and appreciate the Big Swing in

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Speaker 3: the Bold Choice, and I recognize how unique it was

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Speaker 3: for its time to do that, to say, what if

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Speaker 3: we're the show that says two people who love each other,

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Speaker 3: no matter how old they are, should fight, come hell

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Speaker 3: or high water to be together. And instead of the

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Speaker 3: idea that you should just go and hook up with

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Speaker 3: many different people until you decide to pick one and

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Speaker 3: then settle down, what if it's okay to only love

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Speaker 3: one person and to be with one person. So, on

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Speaker 3: the one hand, I personally Danielle will feel more like Amy.

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Speaker 3: On the other hand, I actually love the idea of

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Speaker 3: taking the freaking risk and taking that move.

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Speaker 1: I also think it's right. But I also think it's

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Speaker 1: perfectly in a way. It's perfectly in keeping with Boym's

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Speaker 1: world because we've talked about the shifts that the show

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Speaker 1: does all the time, and they're big. It's like Corey's

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Speaker 1: a little kid and it's about Corey and his home life,

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Speaker 1: and then it shifts and it's about Sean and his homelike,

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Speaker 1: and then it's about Eric and Sean, and now it's

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Speaker 1: about Corey and Tapanga. Like it's one more new shift

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Speaker 1: into what the show is going to be. And it

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Speaker 1: keeps doing it every once in a while where they're

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Speaker 1: just go, all right, now we're gonna focus on this,

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Speaker 1: and if we have to rewrite stuff to focus on

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Speaker 1: this that's what we're gonna do. I mean, it was

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Speaker 1: like when they brought in Verna, she was this wacky,

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Speaker 1: funny character that we just heard about, and then we

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Speaker 1: bring her in and we show Sean's home life and

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Speaker 1: they have to rewrite what Verna was to bring in

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Speaker 1: that character. So now to show Corey and too Panga,

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Speaker 1: they have to rewrite the history to me, make it fate,

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Speaker 1: you know, kind of a destiny. And I think it

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Speaker 1: will then culminate in all of us being together at

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Speaker 1: college where it's like everybody's had their moment and then

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Speaker 1: we're all kind of an ensemble again back.

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Speaker 3: And it's not too unlike what we talked about earlier

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Speaker 3: for pre show chatter, the toddler stages where you go

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Speaker 3: through things where for months it's all about pop Patrol

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Speaker 3: and then it's all about Power Rangers. When you're a teenager,

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Speaker 3: you go from it's all about your family to it's

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Speaker 3: all about my friends too.

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Speaker 4: It's all about my girlfriend. I love my girlfriendster.

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Speaker 3: Yeah, And so those phases may last a little longer

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Speaker 3: when you're a teenager, or maybe they don't than they

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Speaker 3: do in the toddler years. But I mean, I feel

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Speaker 3: very much Like you know, I had my core group

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Speaker 3: of girlfriends as a teenager, but there was always a

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Speaker 3: different one I was super close to. It was like

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Speaker 3: Vanessa and I are bfs forever, and then six months

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Speaker 3: later it was like you were in a different class

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Speaker 3: with someone else, and now all of a sudden, this

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Speaker 3: part since your bff. And then of course there's the

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Speaker 3: rotating cast of relationships you have. So it doesn't feel

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Speaker 3: unlike real life that this has taken this trajectory at sixteen,

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Speaker 3: seventeen years old.

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Speaker 2: Well, but but real life has adjusted.

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Speaker 1: The thing that's the thing for me is like it's

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Speaker 1: a big change.

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Speaker 2: It's because I think the story I guess the story

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Speaker 2: logic of the show was always you know, in the

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Speaker 2: title Boy Meets World, like you know that the poignancy,

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Speaker 2: the beauty of it was that the show is going

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Speaker 2: to be this magnifying glass on all the small experiences

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Speaker 2: at this eleven year old maybe sixteen year old now

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Speaker 2: kid is having, and so all the experiences of like

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Speaker 2: thinking he's right, thinking he can change the world, meet

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Speaker 2: up against the world, and meet up against mister Feenie

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Speaker 2: and detention and whatever the situation is, and then like

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Speaker 2: he pushes back and says, no, the world is this way,

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Speaker 2: and then he learns his lesson in the world maybe

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Speaker 2: adjusts a little bit right, and like there's like a

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Speaker 2: little show to shift each way, and we come back

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Speaker 2: next week and he does it all again, and like

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Speaker 2: that is what's beautiful is that, like the the what's

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Speaker 2: been beautiful so far is that the adult world is

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Speaker 2: kind of messy. The kid world is kind of messy,

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Speaker 2: and they're kind of neither one is like right or

357
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Speaker 2: winning this argument. And then this one, Corey into Panga

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Speaker 2: win the argument. It's like and that is just fundamentally like,

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Speaker 2: oh now the it's like it's it's boy conquers world,

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Speaker 2: you know, at the end of this episode, and I

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Speaker 2: was like, well, wait, that's not the point of the show.

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Speaker 2: The point of the show is that you learn that

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Speaker 2: all those experiences, things that you think are so important,

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Speaker 2: are little not You're still a kid, and like the

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Speaker 2: show itself makes it important by highlighting and telling that story,

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Speaker 2: but the world of the show doesn't adjust to fit

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Speaker 2: the kid's view. That's like and in this one, we

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Speaker 2: watch the pillars fault, like he literally goes, well, she's

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Speaker 2: got to live in that you know, she's all the

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Speaker 2: way in Pittsburgh. Boom to Panga shows up and then

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Speaker 2: well we got to you know, my parents are never

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Speaker 2: gonna let us do it. And then one by one

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Speaker 2: the parents and then well Ant Proud and Aunt Prue

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Speaker 2: and then Fiene and it's like literally goes on trial

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Speaker 2: and Corey wins every argument and at the end, Boy

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Speaker 2: gets Love conquers all and Boy, you know, Boy conquers world.

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Speaker 2: And I was kind of like, but that's that's not

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Speaker 2: the show.

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Speaker 3: That is exactly what Jensen said. Jensen said, Normally they'd

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Speaker 3: be losing. Normally they would lose the argument. They wouldn't

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Speaker 3: be they would be on the wrong side, they wouldn't

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Speaker 3: be on the right side. And I actually, I will

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Speaker 3: get into it when we start when we let's just

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Speaker 3: jump in and recap the show. But I see your perspective,

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Speaker 3: and I would if it weren't for the fact that

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Speaker 3: all of the adults are on the other side, and

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Speaker 3: they're actually the reason they win is not because they

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Speaker 3: love each other and they should be able to be together.

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Speaker 3: It's because of all the other reasons. That's the only

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Speaker 3: reason I actually ended up enjoying the episode. So we'll

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Speaker 3: talk about it. Let's jump into our recap. Guest starring

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Speaker 3: Olivia Hussey as Aunt Pruden's curtis a stunt casting if

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Speaker 3: I've ever seen one. She is best known as Juliet

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Speaker 3: in the nineteen sixty eight movie of Shakespeare's Romeo and Juliet,

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Speaker 3: making her the most famous teen in Hollywood at the time,

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Speaker 3: a movie that was shown in classrooms around the country,

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Speaker 3: despite the fact that she was only fifteen years old

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Speaker 3: and the film included a topless scene. She was allegedly

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Speaker 3: unaware was being filmed until the day of and then

400
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Speaker 3: was told that no nudity would actually be seen on screen.

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Speaker 3: In twenty twenty three, Olivia and her co star Leonard Whiting,

402
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Speaker 3: whose butt was also shown, sued Paramount Pictures for abuse

403
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Speaker 3: and distributing the underage scene. Do you guys remember working

404
00:18:34,520 --> 00:18:35,720
Speaker 3: with her.

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Speaker 1: I remember how exciting it was that she was going

406
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Speaker 1: to be there, because this was one of those I mean,

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Speaker 1: this was a movie I think they showed us in

408
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Speaker 1: high school. I believe they also caught it. They might

409
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Speaker 1: have edited out on the top of community by this point. Yeah,

410
00:18:52,080 --> 00:18:54,399
Speaker 1: but I mean it was Romeo and Juliet. It it

411
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Speaker 1: was at that time. I think kind of the quintessential

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Speaker 1: version of Romeo and Juliet was that film. I remember

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Speaker 1: her being very very sweet. Yeah, when she walked on camera.

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Speaker 1: In my head, and again this is just because of

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Speaker 1: my age at the time, I remember her being a

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Speaker 1: lot older.

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Speaker 4: Oh wow.

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Speaker 1: Yeah, And so when I saw her she walked down,

419
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Speaker 1: I was like, oh my god, she's stunning. Like she

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Speaker 1: I don't I remember for some reason, I remember her

421
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Speaker 1: being closer to Bill's age.

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Speaker 2: Oh well, because in your mind she was fifteen. Probably

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Speaker 2: still right, she's so old.

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Speaker 1: But it wasn't like that at all. I mean she

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Speaker 1: was and she was good. I mean I remember her

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Speaker 1: being incredibly.

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Speaker 4: Nervous, Yes, very nervous.

428
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Speaker 3: I think my only memory of working with her is

429
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Speaker 3: really just that she was very quiet.

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Speaker 1: Yeah, and very quiet, very nervous. She and would talk.

431
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Speaker 1: She remember her saying that, like, I'm just very nervous

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Speaker 1: to be in front of the audience. And so it was.

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Speaker 1: But she was very sweet.

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Speaker 4: Yeah, writer, do you have any memories of you actually

435
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Speaker 4: didn't really.

436
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Speaker 2: Want to know. It's funny that you said that she

437
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Speaker 2: was nervous, because that was my feeling watching it. But

438
00:19:50,640 --> 00:19:52,480
Speaker 2: I wonder how much of that is that I did

439
00:19:52,560 --> 00:19:56,399
Speaker 2: remember that fact too, Like there felt like attention to me.

440
00:19:56,480 --> 00:19:58,520
Speaker 2: When I was watching the episode, I was like, what's happening.

441
00:19:58,840 --> 00:20:01,080
Speaker 2: There's a lot of pressure on her, you know, obviously

442
00:20:01,160 --> 00:20:03,760
Speaker 2: the big entrance, and like wondering if anybody's gonna even

443
00:20:03,800 --> 00:20:04,199
Speaker 2: know she is.

444
00:20:04,200 --> 00:20:06,520
Speaker 1: So they teat it up as much as they can, and.

445
00:20:06,440 --> 00:20:08,399
Speaker 2: I don't think we had an audience this week. I

446
00:20:08,440 --> 00:20:09,479
Speaker 2: feel like, I don't know why.

447
00:20:09,520 --> 00:20:12,160
Speaker 1: I'm assuming we did, because don't you remember when when

448
00:20:12,640 --> 00:20:16,120
Speaker 1: when Tapega shows up they had to cut because they

449
00:20:16,160 --> 00:20:18,760
Speaker 1: went crazy when she showed up and they were it

450
00:20:18,840 --> 00:20:22,159
Speaker 1: lasted forever, so they remember they had to cut it

451
00:20:22,200 --> 00:20:23,280
Speaker 1: down for the actual edit.

452
00:20:23,680 --> 00:20:26,159
Speaker 2: Yeah, I felt myself kind of nervous watching it, and

453
00:20:26,800 --> 00:20:29,879
Speaker 2: I but I also just feel like there was a

454
00:20:30,000 --> 00:20:32,080
Speaker 2: kind of a missed opportunity. I didn't feel like she

455
00:20:32,119 --> 00:20:34,560
Speaker 2: got to do that now. I didn't know what was happening.

456
00:20:34,640 --> 00:20:37,360
Speaker 2: I didn't quite understand her position in the scenes, and

457
00:20:37,440 --> 00:20:39,840
Speaker 2: like her going head to head with Phoenie, I'm so,

458
00:20:39,960 --> 00:20:40,800
Speaker 2: what is this is?

459
00:20:40,840 --> 00:20:42,160
Speaker 1: This didn't make a whole lot of sense.

460
00:20:42,240 --> 00:20:43,399
Speaker 2: It didn't make a whole lot of sense, and it

461
00:20:43,440 --> 00:20:46,520
Speaker 2: didn't like it just didn't. It didn't quite pay off,

462
00:20:46,520 --> 00:20:48,760
Speaker 2: Like it didn't plan out, like I even when they

463
00:20:48,880 --> 00:20:52,520
Speaker 2: kind of go at each other in this like what

464
00:20:52,640 --> 00:20:54,800
Speaker 2: I assume was was sort of meant to be this

465
00:20:54,960 --> 00:20:59,320
Speaker 2: like meeting of the minds and like smart verbose and

466
00:20:59,320 --> 00:21:01,840
Speaker 2: they actually say for most people like going at it,

467
00:21:02,000 --> 00:21:03,160
Speaker 2: but it just didn't land.

468
00:21:03,200 --> 00:21:03,399
Speaker 1: For me.

469
00:21:03,440 --> 00:21:05,119
Speaker 2: I was kind of like, what is this. I'm not

470
00:21:05,119 --> 00:21:07,679
Speaker 2: sure they're oppositional or even the tools that they have

471
00:21:07,760 --> 00:21:09,800
Speaker 2: to be oppositional are not that great.

472
00:21:10,480 --> 00:21:13,159
Speaker 3: Was it was a it was a fever dream of

473
00:21:13,240 --> 00:21:17,960
Speaker 3: the writers to get Hussy and Bill days together acting

474
00:21:18,119 --> 00:21:21,399
Speaker 3: their faces off with each other, but the characters didn't

475
00:21:21,440 --> 00:21:21,880
Speaker 3: have enough.

476
00:21:24,240 --> 00:21:25,120
Speaker 1: Yeah, exactly, I would.

477
00:21:25,280 --> 00:21:27,199
Speaker 2: I mean, it would have been interesting to try and

478
00:21:27,240 --> 00:21:29,760
Speaker 2: find a way to like allow her to actually be

479
00:21:31,080 --> 00:21:33,640
Speaker 2: on stage or in some context, or like for them

480
00:21:33,680 --> 00:21:36,240
Speaker 2: to do a Shakespeare thing or I don't know, but

481
00:21:36,359 --> 00:21:39,000
Speaker 2: obviously they they couldn't quite figure that out or make

482
00:21:39,080 --> 00:21:41,280
Speaker 2: that work, so it just, I don't know, it felt

483
00:21:41,320 --> 00:21:43,600
Speaker 2: it felt like a lot of expectation and held breath

484
00:21:43,640 --> 00:21:45,240
Speaker 2: to me, like I.

485
00:21:45,160 --> 00:21:47,560
Speaker 1: Just I just love the idea that they keep using

486
00:21:47,600 --> 00:21:50,680
Speaker 1: Romeo and Juliet as the pinnacle of how young love

487
00:21:50,960 --> 00:21:52,520
Speaker 1: conquers all they died.

488
00:21:52,840 --> 00:21:57,119
Speaker 2: I don't get me started. That's what drives me so crazy.

489
00:21:57,520 --> 00:21:59,399
Speaker 2: That's where I started like writing all these notes. I

490
00:21:59,440 --> 00:22:01,880
Speaker 2: was like, what the whole point I mean? And that's

491
00:22:02,160 --> 00:22:04,040
Speaker 2: it gets to, you know what I was saying, Like,

492
00:22:04,080 --> 00:22:07,160
Speaker 2: the whole point of Romeo and Juliet is that their kids,

493
00:22:07,600 --> 00:22:11,960
Speaker 2: they don't know. That's the point. They're thirteen. They think

494
00:22:11,960 --> 00:22:14,919
Speaker 2: they're in love. When we meet Romeo, he's broken up

495
00:22:14,960 --> 00:22:19,080
Speaker 2: over his last girlfriend. He's obsessed with her. So Romo's

496
00:22:19,240 --> 00:22:23,160
Speaker 2: love sick teenager. He's writers, strong, writer thirteen, and he's

497
00:22:23,200 --> 00:22:25,800
Speaker 2: an idiot. That's the whole point, is like, it's not

498
00:22:26,080 --> 00:22:27,840
Speaker 2: the point of the play is not that Romeo and

499
00:22:27,920 --> 00:22:30,280
Speaker 2: Juliet are right. The point of the play is that

500
00:22:30,320 --> 00:22:33,800
Speaker 2: they're young, idiot kids who love each other and they

501
00:22:33,800 --> 00:22:36,640
Speaker 2: shouldn't have died, but they took themselves so seriously because

502
00:22:36,640 --> 00:22:38,720
Speaker 2: of the corrupt adults. You know, they were in opposite

503
00:22:39,080 --> 00:22:41,199
Speaker 2: and it's like that is the worst metaphor for them,

504
00:22:41,320 --> 00:22:44,199
Speaker 2: or the worst parallel for this, Like the point of

505
00:22:44,240 --> 00:22:47,000
Speaker 2: Boy Meets World is that the adults are actually pretty

506
00:22:47,040 --> 00:22:50,280
Speaker 2: great and nuanced and willing to listen to the kids

507
00:22:50,480 --> 00:22:53,480
Speaker 2: and the kids still just don't have power, but in

508
00:22:53,560 --> 00:22:56,640
Speaker 2: this this episode we completely subvert the power, like now

509
00:22:56,640 --> 00:22:58,560
Speaker 2: the kids have all the power. It's so weird to me.

510
00:22:59,040 --> 00:23:02,360
Speaker 3: It's also guest star and Katie Johnston as Rosie Sparrow,

511
00:23:02,480 --> 00:23:04,479
Speaker 3: a new addition to the Trio Club if you can

512
00:23:04,560 --> 00:23:08,119
Speaker 3: believe it, joining Hillary Tuck, Willie Garson, Jonathan Kaplan, and

513
00:23:08,160 --> 00:23:14,119
Speaker 3: maybe Phil Leeds. Katie Johnson played Hillary aka fish Girl

514
00:23:14,480 --> 00:23:16,040
Speaker 3: in Corey's Alternative Friends.

515
00:23:16,119 --> 00:23:18,640
Speaker 4: Yes, Bonnie in Breaking.

516
00:23:18,359 --> 00:23:21,159
Speaker 3: Up is really, really, really hard to do, and now

517
00:23:21,400 --> 00:23:23,040
Speaker 3: she is British Rosie.

518
00:23:24,160 --> 00:23:26,080
Speaker 1: I thought she was British by the accent.

519
00:23:26,359 --> 00:23:27,600
Speaker 4: Oh, sure you did.

520
00:23:31,680 --> 00:23:34,920
Speaker 2: Well? No, okay, I thought my exit was actually pretty good.

521
00:23:35,119 --> 00:23:38,000
Speaker 1: Yours. No, I was surprised. I was like, yeah, the

522
00:23:38,280 --> 00:23:41,280
Speaker 1: two girls, they weren't. They weren't the best accents I've

523
00:23:41,280 --> 00:23:43,560
Speaker 1: ever heard in my life. If I'm I'm being honest.

524
00:23:43,440 --> 00:23:47,199
Speaker 3: That's okay, you're you're I don't know about the I

525
00:23:47,200 --> 00:23:49,720
Speaker 3: don't know when he is actually British. Emma Ridley as

526
00:23:49,800 --> 00:23:52,960
Speaker 3: Becky Sparrow. You may recognize her as Ozma in the

527
00:23:52,960 --> 00:23:56,040
Speaker 3: Wizard of Oz sequel, And yes she is British, then

528
00:23:56,760 --> 00:23:59,960
Speaker 3: hers is fine. Yeah, returned to OZ, but Boy Meets

529
00:24:00,000 --> 00:24:03,200
Speaker 3: This World was her last of only four acting credits.

530
00:24:03,480 --> 00:24:07,959
Speaker 3: Really so yeah, so those are our guest stars jumping

531
00:24:07,960 --> 00:24:08,920
Speaker 3: into our recap.

532
00:24:09,280 --> 00:24:11,000
Speaker 4: This episode kicks off with a.

533
00:24:10,960 --> 00:24:13,439
Speaker 3: Previously seene on and we see a recap of what

534
00:24:13,480 --> 00:24:14,280
Speaker 3: happened in part one.

535
00:24:14,320 --> 00:24:16,800
Speaker 2: Okay, did you guys have like the crazy voice?

536
00:24:16,960 --> 00:24:17,200
Speaker 4: What?

537
00:24:17,280 --> 00:24:17,480
Speaker 1: Like?

538
00:24:17,800 --> 00:24:19,480
Speaker 2: James Earl Jones was introducing.

539
00:24:20,359 --> 00:24:22,359
Speaker 4: It was Crael. It was wild.

540
00:24:22,640 --> 00:24:23,880
Speaker 1: Why wouldn't it be one of us?

541
00:24:24,320 --> 00:24:26,240
Speaker 2: I know, I thought it would be banned or somebody like,

542
00:24:26,560 --> 00:24:26,920
Speaker 2: but it.

543
00:24:26,840 --> 00:24:29,040
Speaker 1: Was like Bill, how do you use Bill? Daniel's voice

544
00:24:29,160 --> 00:24:29,760
Speaker 1: was so.

545
00:24:29,840 --> 00:24:33,600
Speaker 2: Dramatic and deep, and I was like, oh, this is serious, yes,

546
00:24:34,720 --> 00:24:36,000
Speaker 2: very weird, so funny.

547
00:24:36,240 --> 00:24:37,800
Speaker 4: So then we're in the Matthews living room.

548
00:24:37,880 --> 00:24:40,359
Speaker 3: Sean is making out with a girl as her friend

549
00:24:40,400 --> 00:24:43,439
Speaker 3: sits next to them uncomfortably. The camera pans to a

550
00:24:43,520 --> 00:24:46,800
Speaker 3: nearby chair, where Corey is awkwardly sitting. The girl making

551
00:24:46,800 --> 00:24:49,199
Speaker 3: out with Sean pulls away and speaks in a British accent,

552
00:24:49,400 --> 00:24:53,680
Speaker 3: don't be such a rushy boy. Sean laughs, A rushy boy.

553
00:24:54,359 --> 00:24:58,159
Speaker 3: Corey painfully smiles back. The girl continues, since Rosie and

554
00:24:58,200 --> 00:24:59,919
Speaker 3: I have been in America, we really haven't been on

555
00:25:00,080 --> 00:25:02,879
Speaker 3: very many dates, you know. Rosie chimes in, yes, and

556
00:25:02,920 --> 00:25:04,919
Speaker 3: I suppose Becky and I have a little catching up

557
00:25:04,960 --> 00:25:07,919
Speaker 3: to do, And then the girl's giggle and Sean is

558
00:25:08,200 --> 00:25:11,880
Speaker 3: loving it. Becky leans back into Sean and Rosie diverts

559
00:25:11,880 --> 00:25:15,080
Speaker 3: her attention to Corey. She points out, anyone can sit

560
00:25:15,119 --> 00:25:17,440
Speaker 3: on a couch, but you were clever enough to choose

561
00:25:17,480 --> 00:25:21,280
Speaker 3: the cozy chair. She gets up and starts massaging Corey's shoulders.

562
00:25:21,480 --> 00:25:26,040
Speaker 3: Clever indeed, she announces, are you just as clever? Becky

563
00:25:26,040 --> 00:25:28,639
Speaker 3: slides her hands down Corey's arms, but quickly picks up

564
00:25:28,640 --> 00:25:31,560
Speaker 3: the phone, pretending to talk to Tapega. Rosie is confused.

565
00:25:31,760 --> 00:25:34,320
Speaker 3: Did anyone hear the phone ring? Nope, she didn't hear anything.

566
00:25:34,720 --> 00:25:36,760
Speaker 3: Sean's annoyed. He walks over to Corey and hangs up

567
00:25:36,800 --> 00:25:39,480
Speaker 3: the phone. Cory's mad, by.

568
00:25:39,400 --> 00:25:41,439
Speaker 2: The way, because I was like, I had that phone

569
00:25:41,600 --> 00:25:44,560
Speaker 2: and that exact phone in my house. It's like, oh

570
00:25:44,920 --> 00:25:45,639
Speaker 2: I miss those.

571
00:25:46,160 --> 00:25:46,840
Speaker 1: Yeah.

572
00:25:47,119 --> 00:25:51,679
Speaker 2: I was very confused, so are Corey? And to Panga,

573
00:25:51,720 --> 00:25:55,560
Speaker 2: I just I mean, yeah, that's what I didn't get from.

574
00:25:55,600 --> 00:25:56,320
Speaker 1: It was so weird.

575
00:25:56,520 --> 00:25:58,840
Speaker 3: It wasn't set up in any way because you find

576
00:25:58,840 --> 00:26:01,720
Speaker 3: out later after to Panga's already there and they're sitting

577
00:26:01,760 --> 00:26:04,119
Speaker 3: on the couch that they had been talking every day,

578
00:26:04,240 --> 00:26:06,960
Speaker 3: and then at this point it had been a Monday

579
00:26:06,960 --> 00:26:10,240
Speaker 3: and a Tuesday and a Wednesday that had passed, and

580
00:26:11,400 --> 00:26:13,280
Speaker 3: they tried to set it up in the first one.

581
00:26:13,720 --> 00:26:14,920
Speaker 1: I think they tried to set it up in the

582
00:26:14,920 --> 00:26:17,879
Speaker 1: first one that he says to her something along the

583
00:26:17,920 --> 00:26:19,800
Speaker 1: lines of is it fair if I'm not there for

584
00:26:19,840 --> 00:26:21,639
Speaker 1: you not to see other people? And that's kind of

585
00:26:21,640 --> 00:26:23,560
Speaker 1: where they left it where then she comes and says,

586
00:26:23,600 --> 00:26:26,840
Speaker 1: I'm coming to say goodbye, and he may do it.

587
00:26:26,880 --> 00:26:29,720
Speaker 1: So I think they're trying to say that they're giving

588
00:26:29,720 --> 00:26:32,000
Speaker 1: each other space and they can hang out with other people.

589
00:26:32,040 --> 00:26:33,159
Speaker 1: But I don't think so.

590
00:26:33,760 --> 00:26:36,679
Speaker 2: I don't think so. Yeah, and I just I guess

591
00:26:36,720 --> 00:26:40,399
Speaker 2: the only reason I just didn't understand Shawn's point, Like

592
00:26:40,600 --> 00:26:43,879
Speaker 2: Shawn's saying, make out with this girl, get over to Panga,

593
00:26:43,960 --> 00:26:48,240
Speaker 2: which is a little odd considering how he was in

594
00:26:48,280 --> 00:26:50,320
Speaker 2: the previous episode where he was like, you're going to

595
00:26:50,400 --> 00:26:53,760
Speaker 2: end up together a TV believes it, And then I

596
00:26:53,800 --> 00:26:55,840
Speaker 2: think that that becomes a thing where Shawn's the one

597
00:26:55,840 --> 00:26:59,080
Speaker 2: who actually believes in their love even more than Corey

598
00:26:59,080 --> 00:27:01,439
Speaker 2: and Topanga at time, so it was weird for Sean

599
00:27:01,480 --> 00:27:03,960
Speaker 2: to be rooting, and I thought, well, I don't know.

600
00:27:04,000 --> 00:27:05,639
Speaker 2: I guess maybe if it had just been clear like

601
00:27:05,760 --> 00:27:08,520
Speaker 2: Topanga and I are taking a break or we you know,

602
00:27:08,560 --> 00:27:10,640
Speaker 2: we said, and then it would be like and then

603
00:27:10,680 --> 00:27:13,720
Speaker 2: Corey's not able to do that exact Sean saying, you

604
00:27:13,760 --> 00:27:15,320
Speaker 2: have to be able to do this to try it

605
00:27:15,359 --> 00:27:18,159
Speaker 2: out and know that you can move on. But I

606
00:27:18,160 --> 00:27:20,240
Speaker 2: don't know why they left it kind of messy. I mean,

607
00:27:20,280 --> 00:27:22,720
Speaker 2: I understand real life is messy and you have these

608
00:27:22,760 --> 00:27:25,360
Speaker 2: sort of like half breakups, but I guess I kind

609
00:27:25,359 --> 00:27:28,000
Speaker 2: of want to just know for the sake of whether

610
00:27:28,040 --> 00:27:29,600
Speaker 2: I should be on Sean's side or not.

611
00:27:30,680 --> 00:27:34,480
Speaker 3: Sean, you could have said, Cory, you went too. Panga

612
00:27:34,520 --> 00:27:37,199
Speaker 3: talked about this, You're going to give each other space.

613
00:27:37,320 --> 00:27:40,520
Speaker 3: How are you you have to dive into normal life like.

614
00:27:41,080 --> 00:27:42,840
Speaker 2: Or even just I know you're not going to make

615
00:27:42,840 --> 00:27:44,800
Speaker 2: out with this girl, but just go along so I

616
00:27:44,800 --> 00:27:46,439
Speaker 2: can make out with the other girl, you know, like,

617
00:27:46,600 --> 00:27:48,960
Speaker 2: just be my wingman. You don't have to do anything,

618
00:27:49,400 --> 00:27:51,439
Speaker 2: but just don't you know, it's it's really it's I

619
00:27:51,480 --> 00:27:53,359
Speaker 2: was thinking of the swinger scene, you know, puppy dogs

620
00:27:53,359 --> 00:27:56,199
Speaker 2: and ice cream, like where you know, John Favreau is

621
00:27:56,200 --> 00:27:58,880
Speaker 2: bringing down Vince Vaughan's game because he keeps talking about

622
00:27:58,920 --> 00:28:01,000
Speaker 2: his breakup, which is kind of what this was like,

623
00:28:01,080 --> 00:28:03,280
Speaker 2: almost verbatim, And I was like, it could have been

624
00:28:03,320 --> 00:28:05,720
Speaker 2: fine for him to not be making out, but just don't.

625
00:28:05,800 --> 00:28:07,800
Speaker 1: Don't bring up to Panga while they're having on this

626
00:28:07,880 --> 00:28:09,720
Speaker 1: double date. You know, let me have my date.

627
00:28:10,040 --> 00:28:13,000
Speaker 2: But instead Sean's kind of already making out, Like what

628
00:28:13,040 --> 00:28:13,720
Speaker 2: does he care?

629
00:28:13,880 --> 00:28:16,800
Speaker 3: Really, I know, it's weird. They wanted to have their

630
00:28:16,800 --> 00:28:18,920
Speaker 3: cake and eat it too. With your character, you're both

631
00:28:19,040 --> 00:28:21,720
Speaker 3: super supportive of his relationship and on his team, but

632
00:28:21,840 --> 00:28:24,800
Speaker 3: also old Sean, which was come on, dude, we just

633
00:28:24,800 --> 00:28:27,120
Speaker 3: got to make out as many girls as wegan, right.

634
00:28:27,400 --> 00:28:27,920
Speaker 4: Yeah.

635
00:28:28,040 --> 00:28:30,919
Speaker 3: So Corey says, you hung up the phone onto Pega

636
00:28:31,000 --> 00:28:33,600
Speaker 3: Shonfire's back. I hung up on nobody. The phone has

637
00:28:33,640 --> 00:28:35,840
Speaker 3: to ring for somebody to be on it. Corey is

638
00:28:35,920 --> 00:28:38,880
Speaker 3: killing him. Corey retorts, I haven't done anything. Sean admits

639
00:28:38,920 --> 00:28:41,160
Speaker 3: that's exactly what the problem is. You have a beautiful

640
00:28:41,160 --> 00:28:44,200
Speaker 3: girl from another country who doesn't understand our language, and

641
00:28:44,280 --> 00:28:47,240
Speaker 3: you haven't done a thing. And this is where I

642
00:28:47,320 --> 00:28:50,840
Speaker 3: notice that writer, you have a black fingernail.

643
00:28:51,200 --> 00:28:53,120
Speaker 1: I saw that too, was it? I think it was?

644
00:28:53,960 --> 00:28:55,160
Speaker 4: It's a middle finger.

645
00:28:55,440 --> 00:28:57,040
Speaker 2: Yeah, he has smashed my finger.

646
00:28:57,160 --> 00:28:59,560
Speaker 4: You smashed your finger. Do you remember why you would

647
00:28:59,600 --> 00:29:00,520
Speaker 4: have smashed your finger?

648
00:29:00,960 --> 00:29:03,720
Speaker 2: No, I don't, but I definitely remember smashing my finger

649
00:29:03,880 --> 00:29:07,720
Speaker 2: and I needed to get like if blood builds up

650
00:29:07,760 --> 00:29:11,200
Speaker 2: under his fingernail hole in it? Yeah, so I remember

651
00:29:11,240 --> 00:29:12,640
Speaker 2: having to having to do that.

652
00:29:12,720 --> 00:29:16,600
Speaker 1: But yeah, were you smelting something? Maybe that's possible. You

653
00:29:16,600 --> 00:29:18,520
Speaker 1: could have been making Are I just slammed it in

654
00:29:18,600 --> 00:29:19,320
Speaker 1: a car door?

655
00:29:19,560 --> 00:29:24,080
Speaker 3: Yeah, he was making a wooden rose for some woman.

656
00:29:30,360 --> 00:29:32,880
Speaker 3: So the girls are giggling again. They do a lot

657
00:29:33,040 --> 00:29:36,760
Speaker 3: of giggling in the scene. Sean begs Corey to move faster.

658
00:29:36,880 --> 00:29:39,480
Speaker 3: They're only here on a six month visa. Corey explains

659
00:29:39,520 --> 00:29:41,800
Speaker 3: he's worried about to pang, but Sean puts his hand

660
00:29:41,840 --> 00:29:43,920
Speaker 3: over his mouth to prevent him from saying her full name.

661
00:29:44,240 --> 00:29:46,280
Speaker 4: Please for one night, I beg of you.

662
00:29:46,480 --> 00:29:51,680
Speaker 3: There is no to pang, so Corey bravely takes a

663
00:29:51,760 --> 00:29:54,320
Speaker 3: seat on the couch while Becky gets on Sean's lap

664
00:29:54,400 --> 00:29:56,760
Speaker 3: to start making out again. Corey and Rosie still just

665
00:29:56,800 --> 00:29:59,440
Speaker 3: stare at each other awkwardly. Well, I guess we should

666
00:29:59,480 --> 00:30:02,320
Speaker 3: kiss now, Cory says. She responds, I suppose we could.

667
00:30:02,800 --> 00:30:03,400
Speaker 4: We don't have to.

668
00:30:04,080 --> 00:30:07,080
Speaker 3: So when nothing happens, she asks, do I make you sad?

669
00:30:07,560 --> 00:30:10,000
Speaker 3: Corey responds no, and I think you're very delightful. I

670
00:30:10,040 --> 00:30:13,280
Speaker 3: think you speak English quite well. She smiles and inches

671
00:30:13,280 --> 00:30:15,920
Speaker 3: closer to him. He continues, I've just been going out

672
00:30:15,920 --> 00:30:18,240
Speaker 3: with this girl for like sixteen years.

673
00:30:18,920 --> 00:30:22,960
Speaker 1: No, Sean, I just sat there going I know, I know. Wow.

674
00:30:23,360 --> 00:30:27,080
Speaker 3: No, you weren't, He even says in his speech about

675
00:30:27,160 --> 00:30:30,200
Speaker 3: what their relationship is. Later, he calls those the lost years.

676
00:30:30,280 --> 00:30:33,080
Speaker 3: It's like if you have lost years right there.

677
00:30:33,240 --> 00:30:36,080
Speaker 5: You haven't been going out for sixteen years, and you're

678
00:30:36,120 --> 00:30:38,880
Speaker 5: sixteen years old, and you're calling the lost years is

679
00:30:38,960 --> 00:30:41,920
Speaker 5: like eight years of sixteen by the.

680
00:30:41,920 --> 00:30:46,600
Speaker 3: Way, all of them being the years we have seen exactly.

681
00:30:48,840 --> 00:30:51,640
Speaker 3: So Sean mid makeout, pretends to cough, I'll kill you.

682
00:30:52,200 --> 00:30:55,160
Speaker 3: Corey lowers his voice to a whisper. A girl named Tapanga.

683
00:30:55,520 --> 00:30:58,280
Speaker 3: He explains the story about meeting Topanga when they were

684
00:30:58,360 --> 00:31:01,760
Speaker 3: eight months old in the sandbox. Rosie asks she was

685
00:31:01,840 --> 00:31:04,600
Speaker 3: your first girlfriend then, and Corey nuts I'm pretty sure

686
00:31:05,000 --> 00:31:06,880
Speaker 3: two weeks ago she moved to Pittsburgh, and I never

687
00:31:06,960 --> 00:31:09,040
Speaker 3: got a chance to say goodbye and that I love her.

688
00:31:09,360 --> 00:31:11,440
Speaker 3: He wonders if he'll ever get the chance to tell her.

689
00:31:11,560 --> 00:31:12,040
Speaker 4: Will she know?

690
00:31:12,600 --> 00:31:14,400
Speaker 1: Have they not spoken in these two weeks?

691
00:31:14,600 --> 00:31:17,040
Speaker 4: It's like he, this is weird.

692
00:31:17,160 --> 00:31:18,800
Speaker 3: He never got a chance to say goodbye and tell

693
00:31:18,840 --> 00:31:21,280
Speaker 3: her that he loves her, and yet like, so then

694
00:31:21,360 --> 00:31:22,600
Speaker 3: you just haven't spoken at all.

695
00:31:22,760 --> 00:31:25,440
Speaker 4: You haven't addressed that with her, Like, I'm so sorry.

696
00:31:25,520 --> 00:31:27,360
Speaker 3: I screwed that up. I really didn't think you were

697
00:31:27,400 --> 00:31:28,840
Speaker 3: gonna go. I should have said goodbye.

698
00:31:29,400 --> 00:31:31,760
Speaker 1: It's it also doesn't make any sense that he they've

699
00:31:31,760 --> 00:31:33,880
Speaker 1: already established that he has a license and that it's

700
00:31:33,880 --> 00:31:35,880
Speaker 1: a five hour drive, and Eric drives there all the time.

701
00:31:35,920 --> 00:31:37,920
Speaker 1: How has he not already been there at least once.

702
00:31:38,320 --> 00:31:39,680
Speaker 4: Yeah, I don't know.

703
00:31:39,880 --> 00:31:41,719
Speaker 3: Maybe to pay I thought maybe Topeg is mad at

704
00:31:41,760 --> 00:31:43,840
Speaker 3: him for not saying a proper goodbye, Like maybe there

705
00:31:43,920 --> 00:31:46,240
Speaker 3: has been some tension between them for these two weeks,

706
00:31:46,320 --> 00:31:49,080
Speaker 3: that the way they ended things made her upset, Right,

707
00:31:49,240 --> 00:31:52,400
Speaker 3: But I know this part, this setup is not It

708
00:31:52,760 --> 00:31:53,040
Speaker 3: was bad.

709
00:31:53,160 --> 00:31:55,160
Speaker 2: Yeah, the point of the scene is that Corey's not

710
00:31:55,320 --> 00:31:57,080
Speaker 2: over to pank and he can't move on, and Sean

711
00:31:57,160 --> 00:31:59,280
Speaker 2: wants him to move on, right, Yeah, so why not

712
00:31:59,440 --> 00:32:01,960
Speaker 2: be very clear about that? Like ya, Topanga and I

713
00:32:02,000 --> 00:32:04,480
Speaker 2: had a conversation that we can see other people, and

714
00:32:04,760 --> 00:32:06,640
Speaker 2: I'm not able to because I'm still in love with

715
00:32:06,680 --> 00:32:08,040
Speaker 2: her exactly.

716
00:32:09,120 --> 00:32:11,240
Speaker 3: Was upset with the way I couldn't handle a goodbye,

717
00:32:11,280 --> 00:32:12,960
Speaker 3: and that if I couldn't even handle a goodbye, how

718
00:32:13,000 --> 00:32:14,680
Speaker 3: could I possibly handle long distance?

719
00:32:15,080 --> 00:32:18,080
Speaker 1: And we decided that decided to take a break, to

720
00:32:18,160 --> 00:32:18,880
Speaker 1: take a break in sea.

721
00:32:18,960 --> 00:32:21,080
Speaker 2: I'm heartbroken and I'm still in love exactly, and then

722
00:32:21,120 --> 00:32:22,520
Speaker 2: she shows up at the door. It would have been

723
00:32:22,560 --> 00:32:24,840
Speaker 2: the same story, but it's interesting thing.

724
00:32:24,880 --> 00:32:27,160
Speaker 1: I wanted to keep it to There's a thousand jokes

725
00:32:27,200 --> 00:32:29,240
Speaker 1: you can do. It's it's Sean going. She said to

726
00:32:29,320 --> 00:32:32,640
Speaker 1: move on, So move on to the couch. I mean, like,

727
00:32:32,680 --> 00:32:34,400
Speaker 1: there's so many different ways you could have gone with it.

728
00:32:34,760 --> 00:32:36,880
Speaker 1: One line and it would have made it a lot.

729
00:32:37,160 --> 00:32:41,120
Speaker 3: So even more romantic if they had both agreed we

730
00:32:41,280 --> 00:32:43,320
Speaker 3: have to take some space and I'm going.

731
00:32:43,240 --> 00:32:46,160
Speaker 2: To be the smart thing and not be teenagers. And

732
00:32:46,280 --> 00:32:46,960
Speaker 2: we can't help it.

733
00:32:47,040 --> 00:32:49,600
Speaker 3: We just all and I just want to see your face.

734
00:32:49,800 --> 00:33:04,280
Speaker 3: I had to see your face. So Rosie reveals that

735
00:33:04,400 --> 00:33:07,080
Speaker 3: this is the most beautiful and heartfelt thing she's ever heard.

736
00:33:07,320 --> 00:33:09,120
Speaker 3: Would you mind very much if I cried my eyes

737
00:33:09,160 --> 00:33:11,840
Speaker 3: out just right now? Corey responds with a shaky voice.

738
00:33:11,880 --> 00:33:14,200
Speaker 3: Would it be okay if I cried with you? They hug,

739
00:33:14,280 --> 00:33:16,560
Speaker 3: and as they start to cry, Sean and Becky think

740
00:33:16,600 --> 00:33:20,120
Speaker 3: the embrace is a makeout session. Becky notices he seems

741
00:33:20,160 --> 00:33:23,120
Speaker 3: to be quite the rushy boy too. Sean smiles, I

742
00:33:23,240 --> 00:33:25,680
Speaker 3: taught him everything he knows, and they go back to

743
00:33:25,880 --> 00:33:26,680
Speaker 3: mauling each other.

744
00:33:27,160 --> 00:33:28,240
Speaker 4: That's a long scene.

745
00:33:28,560 --> 00:33:30,200
Speaker 1: It is a lot of scene. You don't really learn

746
00:33:30,320 --> 00:33:33,720
Speaker 1: anything at all except that Corey's not over to Pango,

747
00:33:33,720 --> 00:33:36,880
Speaker 1: which we kind of would have guessed anyway, you know, I.

748
00:33:36,920 --> 00:33:40,480
Speaker 3: Mean taking our time machine idea. Why couldn't this scene

749
00:33:40,520 --> 00:33:43,760
Speaker 3: have taken place in Chubby's where Sean is on a

750
00:33:43,880 --> 00:33:46,840
Speaker 3: date alone and Corey keeps wanting to talk to Sean

751
00:33:47,000 --> 00:33:49,600
Speaker 3: about his situation with Tapanga, And then.

752
00:33:49,600 --> 00:33:51,800
Speaker 4: She said maybe we just need to take a break

753
00:33:51,840 --> 00:33:52,520
Speaker 4: and we can't live.

754
00:33:52,440 --> 00:33:55,400
Speaker 3: With in Sean's like, okay, I love you, but let's

755
00:33:55,600 --> 00:33:57,920
Speaker 3: he could have been just interrupting and we get all

756
00:33:58,040 --> 00:34:02,840
Speaker 3: the exposition about what the update is without it needing

757
00:34:03,080 --> 00:34:03,400
Speaker 3: I mean, it.

758
00:34:03,440 --> 00:34:06,400
Speaker 2: Was tell I'm so uncomfortable in this episode, like I'm

759
00:34:06,520 --> 00:34:09,239
Speaker 2: just checked out, you know, And I think part of

760
00:34:09,280 --> 00:34:15,080
Speaker 2: it is it feels for Sean, it just doesn't It feels.

761
00:34:14,800 --> 00:34:16,959
Speaker 1: Like we've a rased, We've gone back to season two. Sean.

762
00:34:17,239 --> 00:34:18,880
Speaker 1: It's just like character reset.

763
00:34:19,160 --> 00:34:23,000
Speaker 2: And I've never loved to Panga, never had the connections

764
00:34:23,040 --> 00:34:24,840
Speaker 2: and fought for Corey and Topanga the way I have.

765
00:34:25,080 --> 00:34:27,719
Speaker 2: Or you know, it's so I think, you know.

766
00:34:28,640 --> 00:34:29,759
Speaker 1: I can. I can just tell that.

767
00:34:29,960 --> 00:34:32,000
Speaker 2: Like at that age, even I was probably just like,

768
00:34:32,080 --> 00:34:33,640
Speaker 2: what am I doing? This doesn't make sense to me?

769
00:34:33,760 --> 00:34:37,320
Speaker 1: All right, But it's a strange juxtaposition for your performance,

770
00:34:37,400 --> 00:34:39,879
Speaker 1: especially because even Sue pointed it out. You might feel

771
00:34:39,920 --> 00:34:42,839
Speaker 1: like you were checked out, but your timing is way

772
00:34:42,920 --> 00:34:47,320
Speaker 1: better than that, Like it's getting better as a comedic.

773
00:34:47,360 --> 00:34:48,960
Speaker 1: I feel like I wasn't committed. I feel like I could.

774
00:34:50,719 --> 00:34:52,960
Speaker 1: I've never seen these before. Looked up and she was like, wow,

775
00:34:52,960 --> 00:34:54,840
Speaker 1: writers really like hitting his stride with this stuff. So

776
00:34:55,000 --> 00:34:58,680
Speaker 1: you see funny. I was watching, Man, I'm out of it.

777
00:34:58,760 --> 00:35:01,000
Speaker 1: I don't care about my so with Eric in this,

778
00:35:01,160 --> 00:35:03,480
Speaker 1: I was like what is Eric doing in this sense? Yeah.

779
00:35:07,719 --> 00:35:09,560
Speaker 3: Then we get a commercial break, and when we come

780
00:35:09,640 --> 00:35:13,919
Speaker 3: back to Panga, we're in Topanga's an abandoned room, which

781
00:35:14,600 --> 00:35:16,000
Speaker 3: I don't know carpet.

782
00:35:16,280 --> 00:35:17,200
Speaker 1: I don't remember that.

783
00:35:17,560 --> 00:35:20,920
Speaker 3: I also do not recognize the room at all in

784
00:35:21,120 --> 00:35:23,719
Speaker 3: any way, shape or form. Corey is sitting on the

785
00:35:23,719 --> 00:35:26,000
Speaker 3: floor of Topanga's empty room, looking like a sad ben

786
00:35:26,040 --> 00:35:28,839
Speaker 3: Affleck meme. And there's a knock at the window. It's

787
00:35:29,040 --> 00:35:32,680
Speaker 3: Eric dressed like a police sketch, retrieving Corey for dinner.

788
00:35:32,800 --> 00:35:34,960
Speaker 2: I know, And I was like, oh, on the ground floor.

789
00:35:35,120 --> 00:35:36,960
Speaker 2: I didn't quite realize that for some reason. I was like,

790
00:35:37,320 --> 00:35:39,000
Speaker 2: I guess I just imagined it was like the boy's

791
00:35:39,040 --> 00:35:40,960
Speaker 2: bedroom recorder was climbing a tree to get up there.

792
00:35:41,000 --> 00:35:43,359
Speaker 2: But I was like, oh, Eric's stand he's hovering. Yeah,

793
00:35:43,400 --> 00:35:44,440
Speaker 2: Oh no, he's on the ground.

794
00:35:44,520 --> 00:35:46,640
Speaker 3: So then we follow up that very long scene we

795
00:35:46,800 --> 00:35:48,960
Speaker 3: just had with a scene that is at most four

796
00:35:49,040 --> 00:35:49,800
Speaker 3: seconds long.

797
00:35:50,080 --> 00:35:53,000
Speaker 1: Corey Dinner. Goreat dinner, Corey Dinner. Thank you. I just

798
00:35:53,080 --> 00:35:54,160
Speaker 1: recreated the entire scene.

799
00:35:54,239 --> 00:35:56,680
Speaker 4: There it is, you've seen it. Then we're in the

800
00:35:56,719 --> 00:35:57,480
Speaker 4: Matthew's kitchen.

801
00:35:57,640 --> 00:36:00,359
Speaker 3: Eric escorts Corey into the house they are both completely

802
00:36:00,440 --> 00:36:01,279
Speaker 3: drenched from the rain.

803
00:36:01,640 --> 00:36:03,919
Speaker 4: Eric is treating him like a lost puppy. Good boy,

804
00:36:04,080 --> 00:36:05,160
Speaker 4: let's get you out of the rain.

805
00:36:05,960 --> 00:36:08,920
Speaker 1: That sweatshirt to like a month ago, that gray sweatshirt

806
00:36:09,000 --> 00:36:12,680
Speaker 1: didn't have They weren't moth holes, but there were holes

807
00:36:12,719 --> 00:36:17,520
Speaker 1: all of it. Yeste cigarette burns all my old clothes

808
00:36:18,320 --> 00:36:19,400
Speaker 1: will close.

809
00:36:19,400 --> 00:36:20,640
Speaker 4: Its true, it's true.

810
00:36:23,360 --> 00:36:26,400
Speaker 3: Alan looks at his despondent son with concern. I know

811
00:36:26,560 --> 00:36:28,279
Speaker 3: this is tough on you, but you can't go on

812
00:36:28,360 --> 00:36:31,759
Speaker 3: avoiding life. Eric chimes in, He's absolutely right. I had

813
00:36:31,760 --> 00:36:34,840
Speaker 3: the same problem when I broke up with Francesca. Alan asks,

814
00:36:34,960 --> 00:36:38,879
Speaker 3: who's Francesca. Eric slyly whispers there is no Francesca. I'm

815
00:36:38,920 --> 00:36:42,160
Speaker 3: just trying to help. Alan whispers back, nobody wants.

816
00:36:41,960 --> 00:36:50,080
Speaker 4: That, and the way you do. Okay, okay, it's so funny.

817
00:36:50,480 --> 00:36:51,719
Speaker 4: Alan asks Corey.

818
00:36:51,680 --> 00:36:53,760
Speaker 3: Why don't we just drive down to Pittsburgh this weekend.

819
00:36:53,840 --> 00:36:55,840
Speaker 3: I need to see some suppliers and you can spend

820
00:36:55,880 --> 00:37:00,600
Speaker 3: some time with Tapanga. That's a great dad. Hell yeah,

821
00:37:01,040 --> 00:37:02,160
Speaker 3: what a great dad.

822
00:37:02,360 --> 00:37:04,880
Speaker 4: Move. Hey, you know what I was thinking. I've actually

823
00:37:04,920 --> 00:37:07,320
Speaker 4: got to go to Pittsburgh. Do you want to go

824
00:37:07,520 --> 00:37:09,600
Speaker 4: with me? And you can spend some time with her

825
00:37:09,640 --> 00:37:10,600
Speaker 4: and I'll get my work done.

826
00:37:10,840 --> 00:37:14,239
Speaker 2: Ah great, Yeah, guess where this kind of stuff doesn't happen.

827
00:37:14,560 --> 00:37:16,560
Speaker 2: Romeo and Juliet exactly.

828
00:37:16,920 --> 00:37:21,719
Speaker 1: It's Romeo and Juliette Rider. It's about kid love. It

829
00:37:21,840 --> 00:37:24,160
Speaker 1: is the ultimate kid love. It worked out. They're still

830
00:37:24,200 --> 00:37:24,800
Speaker 1: together today.

831
00:37:25,880 --> 00:37:27,560
Speaker 2: They used to rewrite it to like make it a

832
00:37:27,640 --> 00:37:28,520
Speaker 2: happy end, and it's like.

833
00:37:28,640 --> 00:37:29,200
Speaker 4: That's not that.

834
00:37:29,320 --> 00:37:31,560
Speaker 1: Well, that's the version I think they read before they

835
00:37:31,880 --> 00:37:34,800
Speaker 1: read about it lasts forever.

836
00:37:35,200 --> 00:37:37,160
Speaker 2: I do feel like I have a chip on my

837
00:37:37,160 --> 00:37:39,680
Speaker 2: shoulder about Romeo and Juliet in the popular conception, because

838
00:37:39,719 --> 00:37:43,240
Speaker 2: it's it's so misinterpreted as this like love story, this great,

839
00:37:43,360 --> 00:37:45,719
Speaker 2: you know, platonic ideal of young and it's like, no,

840
00:37:46,480 --> 00:37:48,520
Speaker 2: that's not the point of the play. If it was

841
00:37:48,600 --> 00:37:51,560
Speaker 2: just a romance, there's tons of those stories, right. A

842
00:37:51,600 --> 00:37:54,680
Speaker 2: good romance is just two people that shouldn't be together

843
00:37:54,840 --> 00:37:56,920
Speaker 2: end up together, and that's great. But that's not what

844
00:37:57,040 --> 00:37:59,400
Speaker 2: makes Romeo and Juliet great. What makes Roman and Juliet

845
00:37:59,400 --> 00:38:01,640
Speaker 2: great is that it's complicated than that, and that they're

846
00:38:01,680 --> 00:38:03,920
Speaker 2: not right, and that the parents have to learn from

847
00:38:03,960 --> 00:38:05,439
Speaker 2: them and they have to learn from it. It's great.

848
00:38:06,760 --> 00:38:08,960
Speaker 3: Amy says she doesn't think that's the best idea, and

849
00:38:09,080 --> 00:38:12,640
Speaker 3: Corey defensively responds, you've made it really clear how you feel.

850
00:38:13,040 --> 00:38:15,160
Speaker 3: My feelings are for you. I don't want you to

851
00:38:15,239 --> 00:38:18,320
Speaker 3: be in pain, she explains. Corey doesn't hesitate. No, you

852
00:38:18,480 --> 00:38:21,040
Speaker 3: just don't want me into Panga to be together. Amy clarifies,

853
00:38:21,160 --> 00:38:23,280
Speaker 3: I don't want you to be sick over to Panga.

854
00:38:23,560 --> 00:38:25,880
Speaker 3: She isn't here anymore. I think this presents a good

855
00:38:25,920 --> 00:38:27,880
Speaker 3: opportunity to get to know other girls.

856
00:38:28,480 --> 00:38:30,320
Speaker 4: Corey's very reasonable.

857
00:38:31,520 --> 00:38:33,400
Speaker 3: My mom my mom used to say to me all

858
00:38:33,440 --> 00:38:36,080
Speaker 3: the time, Danielle, if you're constantly wrapped up with the

859
00:38:36,160 --> 00:38:38,719
Speaker 3: wrong person, how are you ever supposed to be available

860
00:38:38,800 --> 00:38:39,960
Speaker 3: for the right person?

861
00:38:40,160 --> 00:38:40,560
Speaker 1: Exactly?

862
00:38:40,840 --> 00:38:42,480
Speaker 3: And not that Amy is saying to Pega is the

863
00:38:42,520 --> 00:38:46,359
Speaker 3: wrong person, but more about you can't she isn't here.

864
00:38:46,960 --> 00:38:50,279
Speaker 2: Yeah, So Betsy is so good in this APPA.

865
00:38:50,400 --> 00:38:51,279
Speaker 4: I know she is.

866
00:38:52,080 --> 00:38:55,520
Speaker 2: And so when she was hired, right, she's she's like

867
00:38:56,160 --> 00:38:58,160
Speaker 2: we were talking to her this weekend, and she's one

868
00:38:58,200 --> 00:39:00,960
Speaker 2: of the few adults who had done sitcom yeah, because

869
00:39:01,000 --> 00:39:03,960
Speaker 2: Bill and Rusty had not neither of them had ever

870
00:39:04,000 --> 00:39:06,080
Speaker 2: done a sitcom before, and she was the sitcom pro

871
00:39:06,760 --> 00:39:09,560
Speaker 2: and yet you know, and she was very funny in

872
00:39:09,640 --> 00:39:12,360
Speaker 2: the early seasons, but like now, like here, she is

873
00:39:12,920 --> 00:39:17,880
Speaker 2: just carrying a very nuanced, dramatic like through line that

874
00:39:18,120 --> 00:39:20,680
Speaker 2: is tough because you know, you don't want her to

875
00:39:20,719 --> 00:39:24,000
Speaker 2: be a monster, right, and what she's saying is very reasonable,

876
00:39:24,040 --> 00:39:25,600
Speaker 2: and just I loved watching her.

877
00:39:25,640 --> 00:39:27,440
Speaker 1: I was like, wow, this is her last episode, so

878
00:39:27,760 --> 00:39:29,120
Speaker 1: I would say, and it's.

879
00:39:29,040 --> 00:39:30,080
Speaker 2: A drama episode.

880
00:39:30,120 --> 00:39:30,920
Speaker 1: How funny is that?

881
00:39:31,160 --> 00:39:34,600
Speaker 2: Like she can do drama so well, yeah, really great.

882
00:39:35,040 --> 00:39:37,480
Speaker 3: So Corey fights back, I don't want to know other girls.

883
00:39:37,680 --> 00:39:39,319
Speaker 3: He and Tepanga would have been together for the rest

884
00:39:39,360 --> 00:39:42,560
Speaker 3: of their lives. Amy doesn't think that's true. She insists

885
00:39:42,640 --> 00:39:44,440
Speaker 3: you both have to get to know other people to

886
00:39:44,480 --> 00:39:46,839
Speaker 3: make a choice like that. I had relationships with four

887
00:39:46,920 --> 00:39:49,480
Speaker 3: other men before I met your father. Eric doesn't want

888
00:39:49,480 --> 00:39:51,760
Speaker 3: to hear that. Ma Alan is confused.

889
00:39:52,120 --> 00:39:56,360
Speaker 2: I know, three, four seems like not that many. No,

890
00:39:56,440 --> 00:39:57,640
Speaker 2: but I guess they were pretty young.

891
00:39:57,600 --> 00:39:59,560
Speaker 4: Right, they were in their early twenties.

892
00:40:00,040 --> 00:40:01,440
Speaker 1: Yeah, I think they met its supposed to have met

893
00:40:01,480 --> 00:40:03,440
Speaker 1: a teenager's late teens, early twenties, and so.

894
00:40:03,600 --> 00:40:06,399
Speaker 3: Yeah, wow, yeah, So Corey tells his mom, I'm sure

895
00:40:06,440 --> 00:40:08,279
Speaker 3: you'll be really happy to know that I'm not going

896
00:40:08,320 --> 00:40:10,839
Speaker 3: to Pittsburgh. He's realized he's been the one who's making

897
00:40:10,840 --> 00:40:12,880
Speaker 3: all the calls, He's been the one writing all the letters,

898
00:40:12,960 --> 00:40:14,879
Speaker 3: and he will not be the one who travels three

899
00:40:14,960 --> 00:40:17,160
Speaker 3: hundred miles to be rejected and look like a fool.

900
00:40:17,520 --> 00:40:19,880
Speaker 3: He concludes, if life doesn't want me into Panga to

901
00:40:19,960 --> 00:40:23,040
Speaker 3: be together, then you can't fight life. He opens the

902
00:40:23,120 --> 00:40:26,080
Speaker 3: back door and turns around to see to Penga standing

903
00:40:26,120 --> 00:40:29,880
Speaker 3: there also drenched. Do y'all remember this, Danielle, Oh, I

904
00:40:30,040 --> 00:40:34,279
Speaker 3: remember it vividly. Yes, I remember so the way the

905
00:40:35,000 --> 00:40:37,160
Speaker 3: Matthew's living room was right in front of the audience,

906
00:40:37,239 --> 00:40:41,720
Speaker 3: and that therefore the backyard sideyard Feenie's yard was also

907
00:40:41,840 --> 00:40:42,440
Speaker 3: right in front.

908
00:40:42,320 --> 00:40:42,880
Speaker 4: Of the audience.

909
00:40:43,200 --> 00:40:46,960
Speaker 3: And they put up a big black screen so that

910
00:40:47,080 --> 00:40:50,480
Speaker 3: I could walk down the backyard and be at the

911
00:40:50,560 --> 00:40:53,680
Speaker 3: back door without the audience knowing, because they wanted the reaction,

912
00:40:53,880 --> 00:40:54,840
Speaker 3: the surprise reaction.

913
00:40:55,360 --> 00:40:58,680
Speaker 4: Yeah, and I remember the very first time.

914
00:40:58,600 --> 00:41:01,600
Speaker 3: We did it, like Will said, you reveal me at

915
00:41:01,640 --> 00:41:05,680
Speaker 3: the door, and the audience gasped a big gasp, and

916
00:41:05,880 --> 00:41:09,959
Speaker 3: then they started cheering, and they cheered for a long time,

917
00:41:10,160 --> 00:41:12,239
Speaker 3: and we just had to stand there staring at each

918
00:41:12,280 --> 00:41:13,440
Speaker 3: other with that.

919
00:41:13,560 --> 00:41:16,560
Speaker 1: I bet you know it was in the entire run

920
00:41:16,640 --> 00:41:18,680
Speaker 1: of Boy Mets Rold. I bet you it was the longest,

921
00:41:19,239 --> 00:41:22,880
Speaker 1: most genuine audience reaction we'd ever had, you think, so,

922
00:41:23,200 --> 00:41:25,400
Speaker 1: say I do. I can't think of another moment that

923
00:41:25,520 --> 00:41:27,399
Speaker 1: was because I remember all of us sitting there, because

924
00:41:27,440 --> 00:41:29,799
Speaker 1: we're all in the scene at this point, and all

925
00:41:29,880 --> 00:41:33,920
Speaker 1: of us just sitting there holding and holding, and when

926
00:41:33,920 --> 00:41:36,600
Speaker 1: you're on a stage like that and the audience is there,

927
00:41:37,360 --> 00:41:40,879
Speaker 1: five seconds feels like fifty seconds. So thirty seconds felt

928
00:41:41,000 --> 00:41:43,319
Speaker 1: like minutes that we were sitting there as they were

929
00:41:43,360 --> 00:41:45,120
Speaker 1: going off, and I can't think of another reaction that

930
00:41:45,360 --> 00:41:47,600
Speaker 1: was that long or real.

931
00:41:48,440 --> 00:41:51,520
Speaker 3: It's so funny too, because since we've been doing the

932
00:41:51,760 --> 00:41:54,520
Speaker 3: I remember it vividly and I remember thinking, Wow, this

933
00:41:54,880 --> 00:41:58,279
Speaker 3: was way more than I was expecting. And as we're

934
00:41:58,320 --> 00:42:01,359
Speaker 3: doing the rewatch, I'm thinking, I guess it's different if

935
00:42:01,400 --> 00:42:05,879
Speaker 3: you're young, because we've had to be told so much

936
00:42:06,080 --> 00:42:09,440
Speaker 3: about their relationship that it it does feel to me

937
00:42:09,760 --> 00:42:12,600
Speaker 3: like a little all of this feels a little anti climactic,

938
00:42:12,920 --> 00:42:16,320
Speaker 3: like Okay, God settled down, guys.

939
00:42:17,360 --> 00:42:17,839
Speaker 2: She's there.

940
00:42:17,960 --> 00:42:20,759
Speaker 1: It's fine. Yeah, very briefly, I have a technical question

941
00:42:21,400 --> 00:42:23,040
Speaker 1: the rain outside.

942
00:42:24,080 --> 00:42:24,239
Speaker 2: Is it?

943
00:42:24,800 --> 00:42:26,480
Speaker 1: Because I don't remember how they did this. Was it

944
00:42:26,719 --> 00:42:29,120
Speaker 1: just did they wet you down and then it was

945
00:42:29,239 --> 00:42:32,680
Speaker 1: sheeting on the windows or was there a rain machine

946
00:42:32,719 --> 00:42:35,640
Speaker 1: outside the door? So you're actually getting rained on outside

947
00:42:35,680 --> 00:42:35,960
Speaker 1: the door.

948
00:42:36,200 --> 00:42:37,880
Speaker 3: No, I wasn't getting rained on. I was just all

949
00:42:37,920 --> 00:42:39,600
Speaker 3: wet and sprayed down and then they had the rain

950
00:42:39,640 --> 00:42:40,040
Speaker 3: on the window.

951
00:42:40,080 --> 00:42:40,719
Speaker 1: That's what I figured.

952
00:42:40,760 --> 00:42:43,200
Speaker 3: Oh that's what I Yeah, so I I you know,

953
00:42:43,239 --> 00:42:46,000
Speaker 3: that's why my hair still looks glorious. It's like brushed

954
00:42:46,440 --> 00:42:50,000
Speaker 3: back away from my face. It was like I remember

955
00:42:50,239 --> 00:42:52,799
Speaker 3: being like, she needs to look like a wet rat,

956
00:42:53,360 --> 00:42:54,640
Speaker 3: but we still want her to be cute.

957
00:42:55,640 --> 00:42:58,400
Speaker 1: Okay, So like from Joey the Rat, who was cute.

958
00:43:00,320 --> 00:43:01,760
Speaker 2: A sexy Joey the Rat.

959
00:43:03,600 --> 00:43:05,400
Speaker 4: Where's my where's my fleece? Cropped up?

960
00:43:06,520 --> 00:43:07,359
Speaker 1: Well, you are in the rain.

961
00:43:07,800 --> 00:43:11,000
Speaker 2: But what choice has Corey made? What has Corey? What

962
00:43:11,320 --> 00:43:13,160
Speaker 2: has Corey done in this entire episode?

963
00:43:13,239 --> 00:43:15,600
Speaker 3: Well, the funny thing is that it feels like what

964
00:43:15,760 --> 00:43:20,440
Speaker 3: he's just decided is I'm done with Tipega right before

965
00:43:20,560 --> 00:43:22,680
Speaker 3: she shows up. It feels like he says, you know,

966
00:43:22,719 --> 00:43:24,800
Speaker 3: because I mean he does he says, if life doesn't

967
00:43:24,800 --> 00:43:26,799
Speaker 3: want us to be together, you can't fight life.

968
00:43:26,880 --> 00:43:30,040
Speaker 4: So I'm basically that's it. I'm out. I guess I'm

969
00:43:30,160 --> 00:43:33,600
Speaker 4: just gonna have to I'm sad, but I'm I'm moving on.

970
00:43:34,120 --> 00:43:36,160
Speaker 2: Chooses to break up. But that's why they had to

971
00:43:36,200 --> 00:43:37,880
Speaker 2: keep it vague in the beginning, because they wanted they

972
00:43:38,000 --> 00:43:41,040
Speaker 2: had to highlight that he is choosing to still be

973
00:43:41,080 --> 00:43:43,640
Speaker 2: able not to move on to to break up with

974
00:43:43,760 --> 00:43:46,719
Speaker 2: her at this moment. And it just, you know, right

975
00:43:46,800 --> 00:43:49,839
Speaker 2: at the act break there she is there, she is okay, Yeah,

976
00:43:49,920 --> 00:43:51,759
Speaker 2: that makes sense because his dad does say we can

977
00:43:51,840 --> 00:43:52,440
Speaker 2: go visit.

978
00:43:52,239 --> 00:43:53,320
Speaker 1: Her, and he goes no.

979
00:43:54,239 --> 00:43:56,920
Speaker 3: It's just also weird because in that moment, this is

980
00:43:57,000 --> 00:44:00,239
Speaker 3: the first reveal that he's made the phone calls, he's

981
00:44:00,280 --> 00:44:01,080
Speaker 3: written the letters.

982
00:44:01,440 --> 00:44:03,400
Speaker 4: There's been no In that first.

983
00:44:03,320 --> 00:44:06,759
Speaker 3: Scene with the makeout stuff, he doesn't say like and

984
00:44:06,920 --> 00:44:09,479
Speaker 3: and and I've been trying so hard since she's been gone,

985
00:44:09,520 --> 00:44:11,520
Speaker 3: and now I'm she's not writing me back, or we

986
00:44:11,560 --> 00:44:13,400
Speaker 3: haven't talked in a few days, and I'm starting to

987
00:44:13,480 --> 00:44:16,520
Speaker 3: wonder if maybe there's somebody else. None of that set up.

988
00:44:16,600 --> 00:44:19,680
Speaker 3: It's just like, but we find it out here in

989
00:44:19,800 --> 00:44:23,279
Speaker 3: the scene, right before she shows up. So there's a lot,

990
00:44:23,600 --> 00:44:26,759
Speaker 3: there's a lot of this needed to be a three parter.

991
00:44:27,920 --> 00:44:29,480
Speaker 1: No, it's just that first scene needs to be. If

992
00:44:29,520 --> 00:44:32,120
Speaker 1: that first scene was different and just they got rid

993
00:44:32,120 --> 00:44:34,040
Speaker 1: of the messiness of the first scene, it.

994
00:44:34,080 --> 00:44:37,560
Speaker 4: Would really needed a rewrite to set the rest.

995
00:44:37,400 --> 00:44:39,640
Speaker 1: Of this up. Absolutely. If it's just Corey on the

996
00:44:39,680 --> 00:44:42,240
Speaker 1: phone leaving a message to Pega, I'm leaving another message

997
00:44:42,280 --> 00:44:43,960
Speaker 1: for you. I don't know where you are, I mean

998
00:44:44,040 --> 00:44:44,560
Speaker 1: something like that.

999
00:44:44,800 --> 00:44:48,000
Speaker 2: Yes, it's more like an argument. It's more like a discussion,

1000
00:44:48,360 --> 00:44:51,680
Speaker 2: and it's more like Corey laying out his vision of

1001
00:44:51,719 --> 00:44:53,400
Speaker 2: the world. And now we get into it. Now it's

1002
00:44:53,440 --> 00:44:56,520
Speaker 2: just going to be monologues and debates and then everything

1003
00:44:56,560 --> 00:45:00,400
Speaker 2: that gets changed, the change the entire Corey to Pango relaationship.

1004
00:45:00,440 --> 00:45:03,480
Speaker 1: You now, after this episode, you need to believe they

1005
00:45:03,560 --> 00:45:05,360
Speaker 1: have been together since they were eight months old and

1006
00:45:05,400 --> 00:45:08,080
Speaker 1: there forever and new minutes to do it.

1007
00:45:08,200 --> 00:45:12,120
Speaker 2: This is the new testament of we're rewriting, We're now

1008
00:45:12,200 --> 00:45:14,320
Speaker 2: and to the next stage, and you have to just

1009
00:45:14,440 --> 00:45:15,400
Speaker 2: accept this as.

1010
00:45:15,280 --> 00:45:17,000
Speaker 1: The real exactly that's what they did.

1011
00:45:17,239 --> 00:45:19,000
Speaker 2: The whole point is that you're a kid, I know,

1012
00:45:19,200 --> 00:45:20,120
Speaker 2: you don't know anything.

1013
00:45:32,040 --> 00:45:33,920
Speaker 3: So then we go to a commercial break. We're back

1014
00:45:33,960 --> 00:45:36,560
Speaker 3: in the Matthew's kitchen. Tapanga asks Corey if he's going

1015
00:45:36,640 --> 00:45:38,960
Speaker 3: to hug her, and he does. I missed you so much,

1016
00:45:39,040 --> 00:45:41,360
Speaker 3: he admits. Allan and Amy both say hi to her,

1017
00:45:41,400 --> 00:45:43,279
Speaker 3: and Amy asks if her parents would like to come in.

1018
00:45:43,600 --> 00:45:46,240
Speaker 3: Eric closes the door and announces there are no parents.

1019
00:45:46,760 --> 00:45:49,800
Speaker 3: Amy asks your parents dropped you off? And Eric answers,

1020
00:45:49,920 --> 00:45:52,239
Speaker 3: I'm betting no, and you're eating licorice.

1021
00:45:52,600 --> 00:45:56,320
Speaker 1: I love the act's favorite. You ask for that. You

1022
00:45:56,440 --> 00:45:57,879
Speaker 1: must have asked for that, right I did. I think

1023
00:45:57,880 --> 00:45:59,960
Speaker 1: I was at the Brad Pitt eating stage.

1024
00:46:00,160 --> 00:46:00,959
Speaker 4: Yeah, of your.

1025
00:46:00,880 --> 00:46:05,120
Speaker 1: Career, of my career, which is I totally think it works, man.

1026
00:46:05,200 --> 00:46:06,920
Speaker 2: I mean it's like, yeah, because you had the toothpick

1027
00:46:06,960 --> 00:46:09,279
Speaker 2: in the previous episode like two episodes, and yeah, I

1028
00:46:09,320 --> 00:46:11,560
Speaker 2: think it's but in this case, like there's nothing for

1029
00:46:11,640 --> 00:46:14,400
Speaker 2: you to do now, and it makes it so much

1030
00:46:14,440 --> 00:46:16,680
Speaker 2: funnier if you're like, man, I'm just you know, you're

1031
00:46:16,719 --> 00:46:18,800
Speaker 2: basically eating popcorn, right, it's like the idea of like

1032
00:46:19,000 --> 00:46:20,759
Speaker 2: can't wait and that's the rest of your part for

1033
00:46:20,800 --> 00:46:23,160
Speaker 2: the rest of the Yes, that's it. It totally works.

1034
00:46:23,640 --> 00:46:25,480
Speaker 4: So funny, so uh.

1035
00:46:25,880 --> 00:46:28,800
Speaker 3: Tapega tells Corey she couldn't be without him. Amy asks,

1036
00:46:28,880 --> 00:46:31,320
Speaker 3: your parents don't know you're here, do they? Tapanga shakes

1037
00:46:31,360 --> 00:46:34,600
Speaker 3: her head. Well, Eric narrates no, no, they don't. Alan

1038
00:46:34,719 --> 00:46:36,719
Speaker 3: knows this is trouble. Your parents are going to be

1039
00:46:36,840 --> 00:46:39,120
Speaker 3: very worried about you, and she gets defensive. They weren't

1040
00:46:39,120 --> 00:46:41,799
Speaker 3: worried about me when they decided to move. Tapega told

1041
00:46:41,840 --> 00:46:43,480
Speaker 3: her parents how much Corey meant to her and how

1042
00:46:43,520 --> 00:46:45,520
Speaker 3: she couldn't be away from him. They just told her

1043
00:46:45,600 --> 00:46:48,080
Speaker 3: she was too young to say things like that. Tapega

1044
00:46:48,120 --> 00:46:50,560
Speaker 3: explains she didn't run away from her parents, She ran

1045
00:46:50,600 --> 00:46:53,520
Speaker 3: away to Corey. Alan turns to Amy. It just got

1046
00:46:53,600 --> 00:46:56,640
Speaker 3: serious now. Amy tells Tapanga she has to call her parents,

1047
00:46:56,719 --> 00:46:59,120
Speaker 3: and Corey tries to stop her. Her parents don't understand her,

1048
00:46:59,280 --> 00:47:02,760
Speaker 3: just like his parents don't understand him. Amy calmly tells Tapanga,

1049
00:47:02,920 --> 00:47:05,279
Speaker 3: I know you, miss Corey, but to come here without

1050
00:47:05,320 --> 00:47:08,799
Speaker 3: your parents' permission, that's just wrong. Corey yells, how can

1051
00:47:08,880 --> 00:47:10,680
Speaker 3: it be wrong if she loves me enough to do that.

1052
00:47:10,920 --> 00:47:13,320
Speaker 3: I'm sorry I didn't do it myself. And to Panga,

1053
00:47:13,360 --> 00:47:15,040
Speaker 3: let's add a little smile all right.

1054
00:47:15,000 --> 00:47:17,840
Speaker 2: Then this is I mean, that is like some whacked

1055
00:47:17,880 --> 00:47:18,400
Speaker 2: up logic.

1056
00:47:19,280 --> 00:47:19,640
Speaker 1: I mean.

1057
00:47:21,760 --> 00:47:25,440
Speaker 2: It's so self justified, right, Like, well, how can it

1058
00:47:25,520 --> 00:47:28,440
Speaker 2: be wrong if because I'm in love and if I

1059
00:47:28,560 --> 00:47:30,600
Speaker 2: do something out of love that it can't be wrong.

1060
00:47:30,680 --> 00:47:32,960
Speaker 2: Therefore it's not wrong, right, It's you know, it's like,

1061
00:47:34,000 --> 00:47:37,120
Speaker 2: how can it be bad if love can't be bad

1062
00:47:37,200 --> 00:47:39,239
Speaker 2: and I love you, therefore I can do nothing bad.

1063
00:47:40,040 --> 00:47:43,320
Speaker 2: It's like, this is really not healthy. This is logic,

1064
00:47:43,520 --> 00:47:46,960
Speaker 2: but it's too sure, but the show bends to it

1065
00:47:47,320 --> 00:47:49,600
Speaker 2: for the rest of I mean, this is this is

1066
00:47:49,640 --> 00:47:52,960
Speaker 2: the escalation that we set up. Now there's no way out.

1067
00:47:53,040 --> 00:47:54,880
Speaker 1: She has to go not go to Yale. They have

1068
00:47:55,040 --> 00:47:55,680
Speaker 1: to get married.

1069
00:47:55,920 --> 00:47:58,320
Speaker 2: Like you've you've changed the rules of the show. You

1070
00:47:58,480 --> 00:48:01,640
Speaker 2: said from now on, Corey. Is you know this love

1071
00:48:02,080 --> 00:48:05,440
Speaker 2: is going to defy all the adults, It's going to

1072
00:48:05,520 --> 00:48:08,480
Speaker 2: defy reality, and you're going to it's and that that

1073
00:48:08,719 --> 00:48:12,080
Speaker 2: is just and that it's like whoa, Okay, now you

1074
00:48:12,120 --> 00:48:14,200
Speaker 2: can do nothing wrong, but if you're doing it for love.

1075
00:48:14,400 --> 00:48:17,320
Speaker 3: I think the world doesn't feel yet like it's bending

1076
00:48:17,400 --> 00:48:20,200
Speaker 3: to it to me because every adult in the scene

1077
00:48:20,280 --> 00:48:21,400
Speaker 3: is still saying.

1078
00:48:21,400 --> 00:48:23,560
Speaker 2: Right, But the point of this episode is that every

1079
00:48:23,600 --> 00:48:26,560
Speaker 2: adult bends like every and then the whole reality bends.

1080
00:48:26,680 --> 00:48:29,560
Speaker 3: They don't bend because they agree, you're right, you're in

1081
00:48:29,600 --> 00:48:32,200
Speaker 3: love and you should be together. They bend because the

1082
00:48:32,360 --> 00:48:35,440
Speaker 3: idea that Tapanga has lived here her entire life and

1083
00:48:35,520 --> 00:48:37,839
Speaker 3: has grown up here, and it's only one year before

1084
00:48:37,880 --> 00:48:41,200
Speaker 3: she's going to move for college anyway, And so they

1085
00:48:41,280 --> 00:48:43,640
Speaker 3: end up agreeing kind of like, not because you should

1086
00:48:43,680 --> 00:48:47,160
Speaker 3: be with Corey, but because really it's there. It is

1087
00:48:47,200 --> 00:48:49,440
Speaker 3: a lot to ask of a seventeen year old kid

1088
00:48:49,640 --> 00:48:52,880
Speaker 3: to move the last year of high school and uproot

1089
00:48:52,960 --> 00:48:56,680
Speaker 3: their entire life if there is another solution so that

1090
00:48:56,840 --> 00:48:59,719
Speaker 3: she could stay. Not because I think she should stay

1091
00:48:59,719 --> 00:49:03,320
Speaker 3: because you and Corey should be together necessarily, but because

1092
00:49:03,960 --> 00:49:07,320
Speaker 3: it is an uprooting of your life and all of

1093
00:49:07,360 --> 00:49:09,800
Speaker 3: the adults, including Aunt Prue, because I didn't remember that

1094
00:49:09,920 --> 00:49:12,360
Speaker 3: Aunt Prudence actually still.

1095
00:49:12,280 --> 00:49:15,279
Speaker 4: Says, I do not love this relationship.

1096
00:49:15,440 --> 00:49:18,839
Speaker 3: I actually think this is an illness, and I don't

1097
00:49:18,880 --> 00:49:21,239
Speaker 3: love the exclusivity of it. I don't like any of that,

1098
00:49:21,680 --> 00:49:25,560
Speaker 3: but I do think you should be allowed for one

1099
00:49:25,640 --> 00:49:27,640
Speaker 3: more year of your life before you decide where you're

1100
00:49:27,640 --> 00:49:29,279
Speaker 3: going to go to college. You should be able to

1101
00:49:29,400 --> 00:49:32,239
Speaker 3: stay in this place, not because we're going to get

1102
00:49:32,239 --> 00:49:34,799
Speaker 3: you an apartment and emancipate you and change your entire life,

1103
00:49:34,840 --> 00:49:35,719
Speaker 3: but because you could live with me.

1104
00:49:36,160 --> 00:49:39,480
Speaker 2: But Aunt Prue is just like the Deis x Makina

1105
00:49:39,520 --> 00:49:41,719
Speaker 2: who comes in and fixes the situation. Yeah, but the

1106
00:49:41,760 --> 00:49:46,200
Speaker 2: whole situation, Like you do convince Alan than Amy than FIENI,

1107
00:49:46,440 --> 00:49:49,040
Speaker 2: You watch all the pillars fall of the adult world,

1108
00:49:49,320 --> 00:49:52,720
Speaker 2: and they all bend to this logic that Corey just stated,

1109
00:49:52,800 --> 00:49:54,640
Speaker 2: which is, how can it be crazy if we're in love?

1110
00:49:54,880 --> 00:49:57,160
Speaker 2: And then they're all going to try and support them,

1111
00:49:57,960 --> 00:50:00,920
Speaker 2: you know, and they change their minds, and the situation

1112
00:50:01,120 --> 00:50:03,880
Speaker 2: then just magically gets fixed by am Pru showing up

1113
00:50:03,880 --> 00:50:05,040
Speaker 2: and saying why she can stay with me?

1114
00:50:05,560 --> 00:50:07,319
Speaker 1: Okay, but like, and that's what I mean.

1115
00:50:07,400 --> 00:50:10,560
Speaker 2: The whole reality of Boy Meets World is no longer

1116
00:50:10,680 --> 00:50:13,560
Speaker 2: that the adults, that the powerlessness of childhood is the

1117
00:50:13,600 --> 00:50:15,600
Speaker 2: whole point of the show, and now it's no longer

1118
00:50:15,640 --> 00:50:17,719
Speaker 2: the point. The point is that they are empowered through

1119
00:50:17,760 --> 00:50:20,600
Speaker 2: their love, and they are they are better than the adults,

1120
00:50:20,640 --> 00:50:22,040
Speaker 2: they are better than the world, and they're going to

1121
00:50:22,080 --> 00:50:24,560
Speaker 2: make it no matter what. And that's just that's a romance.

1122
00:50:24,600 --> 00:50:27,000
Speaker 2: It's a romance story, and they're gonna and you know,

1123
00:50:27,239 --> 00:50:29,480
Speaker 2: now we've set ourselves up. That's why I thought maybe God,

1124
00:50:29,760 --> 00:50:32,680
Speaker 2: you know, it's kind of short sighted because now the

1125
00:50:32,760 --> 00:50:35,040
Speaker 2: show has to keep insistent for it, and it has

1126
00:50:35,080 --> 00:50:38,160
Speaker 2: to keep digging in deeper in order to rationalize this.

1127
00:50:39,080 --> 00:50:41,360
Speaker 1: But it gets even crazier because if they're juniors in

1128
00:50:41,440 --> 00:50:43,920
Speaker 1: high school, they're engaged in a year.

1129
00:50:44,239 --> 00:50:47,680
Speaker 4: Right, Oh yeah, I propose graduation going in high school graduation.

1130
00:50:47,840 --> 00:50:49,480
Speaker 1: Yeah, yeah, they're engaged here.

1131
00:50:50,160 --> 00:50:51,560
Speaker 2: Well, can it be crazy if you're in love?

1132
00:50:52,200 --> 00:50:54,560
Speaker 3: Amy begs Alan to help her here he jumps in.

1133
00:50:54,680 --> 00:50:57,400
Speaker 3: First of all, we are not the enemy. We understand

1134
00:50:57,440 --> 00:50:59,040
Speaker 3: that you two want to be together, but this is

1135
00:50:59,120 --> 00:51:00,960
Speaker 3: not the way to go about it. Amy tells them

1136
00:51:01,000 --> 00:51:03,200
Speaker 3: she's calling, and just in case you thought, well, how

1137
00:51:03,280 --> 00:51:07,040
Speaker 3: does she know Tapanga's number, the kitchen whiteboard actually says.

1138
00:51:06,920 --> 00:51:10,560
Speaker 4: To the phone number.

1139
00:51:11,520 --> 00:51:14,040
Speaker 3: So Corey runs to Topanga and promises no one will

1140
00:51:14,080 --> 00:51:16,040
Speaker 3: take her away from him. He turns to his parents

1141
00:51:16,080 --> 00:51:19,160
Speaker 3: and Alan's eyes we have to They embrace and kind

1142
00:51:19,200 --> 00:51:21,799
Speaker 3: of touch noses, and then we're in the Matthews living

1143
00:51:21,880 --> 00:51:24,320
Speaker 3: room to Panga now and very comfy looking sweats is

1144
00:51:24,400 --> 00:51:26,759
Speaker 3: drying off her hair while Corey recaps all the days

1145
00:51:26,800 --> 00:51:29,880
Speaker 3: they haven't spoken to each other since she's left. She explains,

1146
00:51:30,040 --> 00:51:31,320
Speaker 3: I could have sat and talked to you on the

1147
00:51:31,360 --> 00:51:33,360
Speaker 3: phone every day, but it was just the phone, and

1148
00:51:33,480 --> 00:51:35,279
Speaker 3: every time I hung up it got harder for me.

1149
00:51:35,480 --> 00:51:38,319
Speaker 3: I just tried to stay busy. He gets defensive. Does

1150
00:51:38,400 --> 00:51:41,400
Speaker 3: busy include going to the school dance with your new friends?

1151
00:51:42,080 --> 00:51:43,920
Speaker 4: Oh, Corey, calm down.

1152
00:51:44,000 --> 00:51:45,560
Speaker 2: I know he was trying to make out with somebody

1153
00:51:45,680 --> 00:51:49,280
Speaker 2: or thought Sean.

1154
00:51:50,040 --> 00:51:51,040
Speaker 5: It was so weird.

1155
00:51:51,200 --> 00:51:53,120
Speaker 4: It was like, where did he even get that idea?

1156
00:51:53,239 --> 00:51:54,640
Speaker 4: And why is he so angry at.

1157
00:51:54,560 --> 00:51:57,319
Speaker 2: The where she did? Right?

1158
00:51:59,480 --> 00:52:01,879
Speaker 1: Yeah, I almost read it like he was almost doing

1159
00:52:01,920 --> 00:52:03,759
Speaker 1: it tongue in cheek, but maybe not, Like does that

1160
00:52:03,840 --> 00:52:05,960
Speaker 1: include going to your you know? Maybe?

1161
00:52:06,120 --> 00:52:06,480
Speaker 2: I don't know.

1162
00:52:06,560 --> 00:52:09,000
Speaker 1: It seemed like he had to of a lilt to it,

1163
00:52:09,080 --> 00:52:10,520
Speaker 1: but not yet. It was a little strange.

1164
00:52:11,000 --> 00:52:13,600
Speaker 3: She questions, how'd you know? He admits that it was

1165
00:52:13,680 --> 00:52:15,120
Speaker 3: just a guess and to Pega says it was just

1166
00:52:15,200 --> 00:52:17,279
Speaker 3: something to do. She had a lousy time because all

1167
00:52:17,320 --> 00:52:20,040
Speaker 3: she could think about was Corey and the audience loudly

1168
00:52:20,360 --> 00:52:24,800
Speaker 3: Oh favorite writer was really stabbing himself in the eyeball

1169
00:52:24,840 --> 00:52:28,799
Speaker 3: there to Pega wonders, you missed a phone caller too?

1170
00:52:28,880 --> 00:52:29,320
Speaker 1: Where were you?

1171
00:52:29,800 --> 00:52:32,040
Speaker 3: Corey responds if I missed a phone calls because I

1172
00:52:32,120 --> 00:52:34,080
Speaker 3: was at the mailbox checking for a letter.

1173
00:52:34,440 --> 00:52:38,320
Speaker 4: And on cue, Sean bursts through the door. The Sparrows

1174
00:52:38,320 --> 00:52:41,080
Speaker 4: sister's call. They want to see us again. The audience

1175
00:52:41,320 --> 00:52:41,799
Speaker 4: can't see.

1176
00:52:41,920 --> 00:52:45,840
Speaker 3: To Pegau, it's just a random person there bodies and

1177
00:52:46,200 --> 00:52:50,640
Speaker 3: the audience loves this. It's a big reaction to this happening.

1178
00:52:50,920 --> 00:52:55,879
Speaker 3: Sean continues, Naturally, I told them you were married. Great timing, yep,

1179
00:52:56,120 --> 00:52:59,960
Speaker 3: all very very funny. To Pega smiles. The Sparrow sisters,

1180
00:53:00,200 --> 00:53:03,160
Speaker 3: they were in your mailbox, were they? Corey responds, trust me,

1181
00:53:03,360 --> 00:53:03,800
Speaker 3: I love you?

1182
00:53:04,120 --> 00:53:07,799
Speaker 4: She smiles. I know you do. I love you too. Cool.

1183
00:53:08,160 --> 00:53:08,319
Speaker 2: Cool.

1184
00:53:08,480 --> 00:53:10,760
Speaker 1: You also notice that your hair, your hair keeps getting

1185
00:53:10,800 --> 00:53:13,920
Speaker 1: wetter and then's dry and it's wet. I know.

1186
00:53:15,560 --> 00:53:17,400
Speaker 3: It kept it was bothering me the whole time. It's like,

1187
00:53:17,480 --> 00:53:19,200
Speaker 3: just stick with the fact that her hair is dry. Now,

1188
00:53:19,320 --> 00:53:21,840
Speaker 3: it's been enough time that her hair has dried, please,

1189
00:53:22,680 --> 00:53:24,080
Speaker 3: or that I tried it with a hair dryer.

1190
00:53:24,160 --> 00:53:25,279
Speaker 4: We do not need to keep going.

1191
00:53:26,320 --> 00:53:28,840
Speaker 2: Say your hair's wet. You're wearing Corey's clothes.

1192
00:53:30,080 --> 00:53:31,040
Speaker 1: Yeah, that's why.

1193
00:53:31,880 --> 00:53:33,239
Speaker 2: Wait, her hair's not wet enough.

1194
00:53:33,880 --> 00:53:35,760
Speaker 4: Maybe her hair's a mess something.

1195
00:53:36,480 --> 00:53:39,440
Speaker 1: It was several levels of dampness. It was so went.

1196
00:53:39,520 --> 00:53:42,279
Speaker 3: It went back and forth so many times. So then

1197
00:53:42,600 --> 00:53:44,960
Speaker 3: Sean puts two and two together. Your hair's wet, You're

1198
00:53:45,000 --> 00:53:48,000
Speaker 3: wearing Corey's clothes. He ran away, didn't you. She nods

1199
00:53:48,000 --> 00:53:50,840
Speaker 3: and he laughs. She gets that from me. Then Corey's

1200
00:53:50,880 --> 00:53:53,080
Speaker 3: parents walk down the stairs and Sean exclaims, hey, she

1201
00:53:53,200 --> 00:53:56,040
Speaker 3: ran away. But Alan and Amy aren't pleased, so Sean

1202
00:53:56,200 --> 00:53:59,680
Speaker 3: changes his tone, bad bad, bad girl, and then you

1203
00:53:59,760 --> 00:54:03,080
Speaker 3: run out of the house. I love this drive I

1204
00:54:03,160 --> 00:54:05,480
Speaker 3: love I love the drive by involved.

1205
00:54:05,160 --> 00:54:06,000
Speaker 1: Drive by Sean.

1206
00:54:07,200 --> 00:54:08,960
Speaker 2: I wonder if there's ever a draft or that tried

1207
00:54:09,000 --> 00:54:11,520
Speaker 2: to keep me around for any of this discussion.

1208
00:54:11,760 --> 00:54:12,319
Speaker 4: And by the way, it.

1209
00:54:12,320 --> 00:54:14,640
Speaker 3: Would have been funny for you and Eric to be

1210
00:54:15,000 --> 00:54:18,279
Speaker 3: in kahoots on oh I eating popcorn. It's the meme,

1211
00:54:18,440 --> 00:54:19,879
Speaker 3: you guys, would have been the meme of just sitting

1212
00:54:19,920 --> 00:54:20,760
Speaker 3: back eating popcorn.

1213
00:54:21,280 --> 00:54:23,600
Speaker 2: Yeah. And it just I just don't know where Sean's at, Like,

1214
00:54:23,719 --> 00:54:25,719
Speaker 2: is he rooting for Topanga great this point?

1215
00:54:25,840 --> 00:54:27,160
Speaker 4: Is he not it's there.

1216
00:54:27,680 --> 00:54:30,440
Speaker 1: It's not about you, it's not about they did that

1217
00:54:30,560 --> 00:54:32,560
Speaker 1: last episode. You had an opinion, You don't need an

1218
00:54:32,560 --> 00:54:33,480
Speaker 1: opinion this episode.

1219
00:54:33,680 --> 00:54:37,480
Speaker 3: Sure, Ellen reveals they called Tapega's parents and Amy continues,

1220
00:54:37,640 --> 00:54:40,600
Speaker 3: and later on, Corey angrily cuts her off, and later

1221
00:54:40,719 --> 00:54:43,000
Speaker 3: on what she's going back to her house? Then fine,

1222
00:54:43,040 --> 00:54:45,759
Speaker 3: I'm going with her. Amy reminds him, you live here.

1223
00:54:45,960 --> 00:54:47,239
Speaker 3: Tapanga lives in Pittsburgh.

1224
00:54:47,440 --> 00:54:48,120
Speaker 4: I didn't do it.

1225
00:54:48,320 --> 00:54:51,400
Speaker 3: Stop jumping on me. Cory argues, I'm jumping on you

1226
00:54:51,520 --> 00:54:54,279
Speaker 3: because you seem happy about this. Why don't you want

1227
00:54:54,360 --> 00:54:56,760
Speaker 3: us to be together? I do not think she seems

1228
00:54:56,800 --> 00:55:00,600
Speaker 3: happy about this. She's not happy at all. And I

1229
00:55:00,719 --> 00:55:03,399
Speaker 3: love their argument because I can totally see myself having

1230
00:55:03,440 --> 00:55:07,640
Speaker 3: this conversation with Adler. Adler, I'm not the enemy here.

1231
00:55:08,200 --> 00:55:11,000
Speaker 3: Let's let's work together. I understand.

1232
00:55:11,160 --> 00:55:13,279
Speaker 4: I'm hearing you. I love writer.

1233
00:55:13,400 --> 00:55:16,160
Speaker 3: We've talked about it a lot in parenting, just validating

1234
00:55:16,239 --> 00:55:17,160
Speaker 3: your kids feelings.

1235
00:55:18,000 --> 00:55:21,960
Speaker 4: They do it so often in this episode. I have

1236
00:55:22,200 --> 00:55:22,560
Speaker 4: heard you.

1237
00:55:23,120 --> 00:55:27,480
Speaker 3: You want to be together, you love each other. Please

1238
00:55:27,560 --> 00:55:28,480
Speaker 3: stop attacking us.

1239
00:55:28,680 --> 00:55:31,440
Speaker 1: Wait you and talk to me like that all the time?

1240
00:55:31,480 --> 00:55:32,840
Speaker 1: Are you validating my feelings?

1241
00:55:33,480 --> 00:55:37,120
Speaker 2: Do you validate your feelings. That is right, It's okay

1242
00:55:37,239 --> 00:55:39,479
Speaker 2: that you feel this way. It's okay that you feel

1243
00:55:39,520 --> 00:55:43,520
Speaker 2: that way. It's like, it's one of the most human

1244
00:55:43,920 --> 00:55:45,920
Speaker 2: things that we all take for granted. Is that just

1245
00:55:46,120 --> 00:55:49,320
Speaker 2: having like your feelings said back to you is so powerful.

1246
00:55:49,400 --> 00:55:52,919
Speaker 3: You're like, great, yeah, it really, it's it's so good.

1247
00:56:04,800 --> 00:56:06,720
Speaker 3: Eric frantically runs into the room from the kitchen.

1248
00:56:06,800 --> 00:56:07,440
Speaker 4: I hear yelling.

1249
00:56:07,680 --> 00:56:10,000
Speaker 3: Alan tells him to go upstairs, but Eric doesn't budge.

1250
00:56:10,040 --> 00:56:13,000
Speaker 3: I hear yelling, I'm not involved. I'm staying so again. Now,

1251
00:56:13,120 --> 00:56:15,440
Speaker 3: your whole point through the rest of this is just drama,

1252
00:56:15,600 --> 00:56:16,360
Speaker 3: and I'm not in it.

1253
00:56:16,480 --> 00:56:18,239
Speaker 2: I want to watch it, which is we need the

1254
00:56:18,280 --> 00:56:21,000
Speaker 2: comic relief, right, we need to break it up just

1255
00:56:21,080 --> 00:56:22,040
Speaker 2: to help it at some point.

1256
00:56:22,160 --> 00:56:24,960
Speaker 3: Yeah, and then Amy continues to Corey, you cannot make

1257
00:56:25,040 --> 00:56:29,320
Speaker 3: adult life decisions without adult life experiences behind those decisions

1258
00:56:29,400 --> 00:56:34,080
Speaker 3: to make them stand up valid good point. Corey simply states,

1259
00:56:34,440 --> 00:56:35,120
Speaker 3: I love her.

1260
00:56:37,000 --> 00:56:37,279
Speaker 4: That's it.

1261
00:56:37,640 --> 00:56:42,000
Speaker 3: That's the entire episode of That's all that matters, So

1262
00:56:42,320 --> 00:56:45,320
Speaker 3: you say, Amy responds, but what does love mean to you?

1263
00:56:45,480 --> 00:56:48,280
Speaker 3: At sixteen years old? Amy says she's been with Alan

1264
00:56:48,360 --> 00:56:50,760
Speaker 3: for twenty two years and she is just now beginning

1265
00:56:50,800 --> 00:56:53,920
Speaker 3: to realize what love really means. Eric loudly questions, was

1266
00:56:54,000 --> 00:56:57,279
Speaker 3: I a big surprise? They completely disregard him?

1267
00:56:57,800 --> 00:56:59,319
Speaker 2: Amy, does that make sense? I don't.

1268
00:56:59,400 --> 00:56:59,759
Speaker 1: I didn't know.

1269
00:57:00,040 --> 00:57:02,600
Speaker 2: I didn't get an jor because if they were together

1270
00:57:03,560 --> 00:57:06,600
Speaker 2: for that meant long? Because Eric's nineteen, right, So it's

1271
00:57:06,640 --> 00:57:08,160
Speaker 2: not what I know.

1272
00:57:08,560 --> 00:57:08,839
Speaker 1: I don't.

1273
00:57:08,880 --> 00:57:10,640
Speaker 2: What is a joke that that that she's slept with

1274
00:57:10,719 --> 00:57:15,040
Speaker 2: somebody else? Because she's saying because she says, I'm just

1275
00:57:15,160 --> 00:57:16,880
Speaker 2: now beginning to understand. So is he saying like, oh,

1276
00:57:16,920 --> 00:57:19,120
Speaker 2: you guys still haven't made love, so I couldn't have

1277
00:57:19,160 --> 00:57:19,720
Speaker 2: been right?

1278
00:57:19,960 --> 00:57:23,480
Speaker 3: I don't or I definitely don't think it's a cheating thing.

1279
00:57:23,760 --> 00:57:27,040
Speaker 3: I think it's more like, if you weren't I was,

1280
00:57:27,160 --> 00:57:29,880
Speaker 3: I should have been born from love. Babies are born

1281
00:57:29,960 --> 00:57:32,560
Speaker 3: from love, and so if I was born and you

1282
00:57:32,760 --> 00:57:33,760
Speaker 3: didn't love him.

1283
00:57:33,680 --> 00:57:37,400
Speaker 4: Yet, okay, god, I must have been a big surprise.

1284
00:57:37,480 --> 00:57:39,480
Speaker 4: But it's a lot of it's a lot of math

1285
00:57:39,800 --> 00:57:40,440
Speaker 4: for ye.

1286
00:57:41,160 --> 00:57:44,320
Speaker 3: For I feel like there's a there's a punchier, harder

1287
00:57:44,440 --> 00:57:46,480
Speaker 3: joke there than was I a big surprise?

1288
00:57:46,560 --> 00:57:47,600
Speaker 4: But it's still funny.

1289
00:57:47,720 --> 00:57:50,040
Speaker 1: It's still funny. I mean, just anything Eric says, at

1290
00:57:50,120 --> 00:57:51,920
Speaker 1: this point, it's like a break and you're.

1291
00:57:51,800 --> 00:57:53,480
Speaker 4: Like, ah, exactly, You're like, thank you.

1292
00:57:54,440 --> 00:57:57,120
Speaker 3: Amy asks Corey to tell her what love means then,

1293
00:57:57,160 --> 00:57:59,520
Speaker 3: and he tells them, I haven't been together with Tapanga

1294
00:57:59,560 --> 00:58:01,760
Speaker 3: for twenty two two years, but we have been together

1295
00:58:01,840 --> 00:58:02,600
Speaker 3: for sixteen.

1296
00:58:02,800 --> 00:58:05,640
Speaker 4: Okay, that's a lot longer than most couples.

1297
00:58:06,640 --> 00:58:11,400
Speaker 3: Cool, Corey reminds them, building the alternate timeline piece by piece.

1298
00:58:11,600 --> 00:58:13,840
Speaker 3: When we were born, you told me that we used

1299
00:58:13,880 --> 00:58:16,280
Speaker 3: to take walks in our strollers together around the block.

1300
00:58:16,520 --> 00:58:18,400
Speaker 3: When we were two, we were best friends. When we

1301
00:58:18,480 --> 00:58:20,760
Speaker 3: were six, Eric made fun of me because it wasn't

1302
00:58:20,800 --> 00:58:22,520
Speaker 3: cool to have a best friend that's a girl. So

1303
00:58:22,680 --> 00:58:25,160
Speaker 3: for the next seven years I threw dirt at her.

1304
00:58:26,600 --> 00:58:29,840
Speaker 3: So for seven of the sixteen years you were he.

1305
00:58:29,880 --> 00:58:34,120
Speaker 1: Was throwing Yeah, you were not together. It's a significant

1306
00:58:34,320 --> 00:58:36,640
Speaker 1: Fifty percent is a significant.

1307
00:58:36,440 --> 00:58:39,640
Speaker 3: A significant portion, especially when the other portion of it

1308
00:58:39,800 --> 00:58:42,040
Speaker 3: is from eight months to six.

1309
00:58:42,160 --> 00:58:45,880
Speaker 1: Yes, exactly. It's like me, it's like, well, I haven't

1310
00:58:45,920 --> 00:58:48,840
Speaker 1: smoked for ten years. From zero to ten, I was

1311
00:58:48,960 --> 00:58:50,680
Speaker 1: not a smoker. It's like that's.

1312
00:58:51,400 --> 00:58:55,360
Speaker 4: Exactly, yeah, exactly. It's so so funny.

1313
00:58:56,320 --> 00:58:58,720
Speaker 3: I like to call those the last years to Panka

1314
00:58:58,720 --> 00:59:00,520
Speaker 3: asks Eric, you were the one who made him throw

1315
00:59:00,560 --> 00:59:03,720
Speaker 3: dirt at me, and eric'scoss you were a girl noogie head,

1316
00:59:04,000 --> 00:59:04,320
Speaker 3: which is.

1317
00:59:04,400 --> 00:59:06,840
Speaker 1: Just such a weird And that's when I was like, ooh, okay,

1318
00:59:07,000 --> 00:59:08,440
Speaker 1: I didn't know what else to do. But in my

1319
00:59:08,720 --> 00:59:10,640
Speaker 1: as I'm sitting there watching him, like, how would I

1320
00:59:10,720 --> 00:59:13,600
Speaker 1: do that? Now, that's what I realized. I wouldn't. I

1321
00:59:13,600 --> 00:59:16,280
Speaker 1: would be like, we do something other than NOGGI. Heead,

1322
00:59:16,480 --> 00:59:18,280
Speaker 1: it's just not working for me.

1323
00:59:18,680 --> 00:59:19,800
Speaker 4: I thought it was kind of cute.

1324
00:59:20,320 --> 00:59:23,840
Speaker 3: Corey Can continues transitioning into the real timeline. When I

1325
00:59:23,960 --> 00:59:26,120
Speaker 3: was thirteen, she put me up against my locker and

1326
00:59:26,240 --> 00:59:28,360
Speaker 3: she kissed me. She gave me my first kiss. She

1327
00:59:28,480 --> 00:59:32,080
Speaker 3: taught me how to dance, and Corey closes with that's

1328
00:59:32,160 --> 00:59:32,560
Speaker 3: what I like.

1329
00:59:34,320 --> 00:59:36,000
Speaker 1: He was twelve, twelveleven or twelve?

1330
00:59:36,040 --> 00:59:37,000
Speaker 4: Yeah, well yeah, and it was.

1331
00:59:37,360 --> 00:59:40,400
Speaker 3: And it was both of our first kiss and he

1332
00:59:40,520 --> 00:59:43,120
Speaker 3: closes with that's what I think love is. When I'm

1333
00:59:43,160 --> 00:59:46,440
Speaker 3: better because she's here and now she won't be. Dapanga

1334
00:59:46,520 --> 00:59:48,320
Speaker 3: tells him why it's a good thing that Corey is

1335
00:59:48,360 --> 00:59:50,520
Speaker 3: the only boy she's ever loved. She gives a sweet

1336
00:59:50,520 --> 00:59:52,760
Speaker 3: little speech about wanting to do the things people who

1337
00:59:52,840 --> 00:59:55,560
Speaker 3: were in love do and with Corey instead of some

1338
00:59:55,760 --> 00:59:56,960
Speaker 3: random guy in Pittsburgh.

1339
00:59:57,120 --> 00:59:59,440
Speaker 1: Do do you do you remember this? Do you remember

1340
00:59:59,520 --> 01:00:01,760
Speaker 1: Michael's talking to you about this? This was during a

1341
01:00:01,840 --> 01:00:03,919
Speaker 1: note session? Oh yeah, no, this was during a note session.

1342
01:00:03,920 --> 01:00:06,680
Speaker 1: I guess you ran by it one time and he's like,

1343
01:00:07,080 --> 01:00:09,720
Speaker 1: do you realize what you're saying? You're saying we want

1344
01:00:09,760 --> 01:00:11,800
Speaker 1: to lose our virginity together. I don't want to do

1345
01:00:11,880 --> 01:00:14,120
Speaker 1: it with some other random guy. And he like laid

1346
01:00:14,160 --> 01:00:15,880
Speaker 1: it out for you where he's like, you are saying

1347
01:00:15,960 --> 01:00:18,600
Speaker 1: that you guys want to eventually have sex together for

1348
01:00:18,680 --> 01:00:20,280
Speaker 1: the first time ever. And I remember saying it. I

1349
01:00:20,440 --> 01:00:22,680
Speaker 1: was like, Okay, I think she got it, but you

1350
01:00:22,720 --> 01:00:24,520
Speaker 1: don't need to bracket it as much as you did,

1351
01:00:24,680 --> 01:00:27,080
Speaker 1: Like it was right. Yeah, but I just think it's

1352
01:00:27,080 --> 01:00:28,760
Speaker 1: one of the few memories I have from this week.

1353
01:00:28,960 --> 01:00:30,439
Speaker 4: Was maybe that's why I read.

1354
01:00:30,480 --> 01:00:32,600
Speaker 3: I understood it so clearly when I was watching it,

1355
01:00:32,680 --> 01:00:36,200
Speaker 3: I was like, wow, really spelling it out.

1356
01:00:36,320 --> 01:00:38,480
Speaker 1: There's the way we pointed that out. Do you realize

1357
01:00:38,520 --> 01:00:39,040
Speaker 1: what it saying?

1358
01:00:39,200 --> 01:00:42,120
Speaker 2: Like, Okay, her argument is like, why would I just

1359
01:00:42,960 --> 01:00:45,600
Speaker 2: you know, have an I guess love making experience or

1360
01:00:45,720 --> 01:00:48,320
Speaker 2: just a relationship with some random guy because he happens

1361
01:00:48,320 --> 01:00:50,480
Speaker 2: to live in Pittsburgh as opposed to the guy who

1362
01:00:50,640 --> 01:00:53,360
Speaker 2: just happened to be born four blocks away from me. Like,

1363
01:00:54,200 --> 01:00:57,680
Speaker 2: why is this any better necessarily? Right? Like, well, we

1364
01:00:57,760 --> 01:00:58,040
Speaker 2: were just.

1365
01:01:00,120 --> 01:01:02,120
Speaker 4: Sixteen years The idea is, just.

1366
01:01:02,680 --> 01:01:03,600
Speaker 1: What does that make it better?

1367
01:01:03,680 --> 01:01:06,440
Speaker 2: Just because you know somebody for sixteen years doesn't especially

1368
01:01:06,440 --> 01:01:09,720
Speaker 2: if you're a kid, That doesn't mean that doesn't rationalize

1369
01:01:09,960 --> 01:01:11,680
Speaker 2: that you should have sex with them, right, Like, that

1370
01:01:11,760 --> 01:01:12,360
Speaker 2: doesn't make.

1371
01:01:12,520 --> 01:01:13,840
Speaker 1: Sure we've known a lot of people.

1372
01:01:13,880 --> 01:01:15,160
Speaker 4: For them, we would have all lived together.

1373
01:01:15,600 --> 01:01:19,160
Speaker 1: Yeah, I think what they what he's trying to say

1374
01:01:19,280 --> 01:01:24,040
Speaker 1: is that Topanga, they've already established that Tapanga is chased

1375
01:01:24,120 --> 01:01:29,080
Speaker 1: in her way, so eventually she wanted to experience this

1376
01:01:29,240 --> 01:01:31,720
Speaker 1: with a person she had this deep spiritual connection with.

1377
01:01:31,880 --> 01:01:34,440
Speaker 3: Correct And the idea for Tapanga is that this is

1378
01:01:34,520 --> 01:01:37,080
Speaker 3: the age when that kind of stuff starts to happen.

1379
01:01:37,600 --> 01:01:40,760
Speaker 3: And if it's gonna happen when I'm living in another place,

1380
01:01:40,800 --> 01:01:42,520
Speaker 3: it's going to be with somebody I haven't had a

1381
01:01:42,600 --> 01:01:46,040
Speaker 3: sixteen year history with with, It's gonna be with somebody.

1382
01:01:46,640 --> 01:01:49,040
Speaker 2: Right, and I love that probably be better I can't

1383
01:01:49,200 --> 01:01:51,440
Speaker 2: like the idea to me of like the fact that

1384
01:01:51,520 --> 01:01:53,400
Speaker 2: we were born in the same town, come from the

1385
01:01:53,440 --> 01:01:58,320
Speaker 2: same class, race, you know, a subset of whatever you

1386
01:01:58,520 --> 01:02:01,800
Speaker 2: take categors in her mouth, I'm saying, just in life,

1387
01:02:01,920 --> 01:02:05,320
Speaker 2: like like I believe, like no, go out, experience, meet

1388
01:02:05,400 --> 01:02:08,800
Speaker 2: more people. The chances of you finding somebody great. Increase

1389
01:02:08,960 --> 01:02:10,960
Speaker 2: the diversity of people that you meet in the world.

1390
01:02:11,280 --> 01:02:14,200
Speaker 2: So explore the world, move to another city, change and

1391
01:02:14,360 --> 01:02:16,960
Speaker 2: you will more likely find a good person.

1392
01:02:17,160 --> 01:02:19,640
Speaker 1: Why do you have to just stay in your try

1393
01:02:19,960 --> 01:02:21,480
Speaker 1: for your small little subject?

1394
01:02:23,280 --> 01:02:25,640
Speaker 4: Very clear together, very clear writer.

1395
01:02:26,160 --> 01:02:27,880
Speaker 1: That's but that's the answer. That's what they say, that's

1396
01:02:27,880 --> 01:02:29,840
Speaker 1: the answer. It is No, they're just bethouse. It's faith.

1397
01:02:29,920 --> 01:02:32,320
Speaker 2: Yeah, it's supernatural. I mean that's the thing. It's it's

1398
01:02:32,320 --> 01:02:33,840
Speaker 2: an article of faith, right, I mean that's what we're

1399
01:02:33,840 --> 01:02:36,360
Speaker 2: talking about, because he says love is faith, so it's

1400
01:02:36,640 --> 01:02:38,439
Speaker 2: just have faith in this. Yeah.

1401
01:02:39,040 --> 01:02:41,400
Speaker 4: Eric asks, should I call the caterers? And then the

1402
01:02:41,440 --> 01:02:43,400
Speaker 4: doorbell rings? Any jokes? Never mind, they're here.

1403
01:02:43,760 --> 01:02:46,960
Speaker 3: Alan reveals it's actually Topanga's aunt to Peg gets shocked.

1404
01:02:47,320 --> 01:02:48,080
Speaker 4: My aunt Prudence.

1405
01:02:48,320 --> 01:02:50,920
Speaker 3: Corey's hopeful maybe she'll be on our side. Corey is

1406
01:02:50,920 --> 01:02:53,160
Speaker 3: still convinced he and to Panga are Romeo and Juliet,

1407
01:02:53,280 --> 01:02:55,160
Speaker 3: But to Pega says her aunt has never been in love,

1408
01:02:55,280 --> 01:02:57,160
Speaker 3: never been married, and wouldn't even know who Romeo and

1409
01:02:57,280 --> 01:02:58,120
Speaker 3: Juliet were.

1410
01:02:58,360 --> 01:02:59,680
Speaker 4: Sat up, sat ups thatt uh.

1411
01:03:00,680 --> 01:03:05,040
Speaker 3: The door opens to reveal Aunt Prudence aka Olivia Hussey

1412
01:03:05,440 --> 01:03:07,720
Speaker 3: nineteen sixty eight's Juliet.

1413
01:03:07,880 --> 01:03:10,520
Speaker 1: And there's no way our audience would know who that was.

1414
01:03:10,640 --> 01:03:11,760
Speaker 4: That's exactly what I said.

1415
01:03:12,040 --> 01:03:16,680
Speaker 3: They gave a raucous applause, and that was definitely asked

1416
01:03:16,760 --> 01:03:18,240
Speaker 3: for applause, lights.

1417
01:03:18,040 --> 01:03:21,400
Speaker 4: Please, please please. The crowd gives a rowdy applause.

1418
01:03:21,600 --> 01:03:24,120
Speaker 3: Eric sees her and asks, how is that possible? Because

1419
01:03:24,280 --> 01:03:27,520
Speaker 3: my aunt looks like an elephant. Alan reminds him that's

1420
01:03:27,640 --> 01:03:30,600
Speaker 3: my sister you're talking about, Eric, Lass She.

1421
01:03:30,680 --> 01:03:35,480
Speaker 1: Does, man, just pointing at it right in her face.

1422
01:03:35,560 --> 01:03:38,040
Speaker 4: How is that possible? I know, it's so funny.

1423
01:03:38,840 --> 01:03:41,440
Speaker 3: Aunt pru strolls in and greets her niece, then refers

1424
01:03:41,480 --> 01:03:43,520
Speaker 3: to Corey as the young man who has her niece

1425
01:03:43,600 --> 01:03:46,640
Speaker 3: so smitten. Corey begs her not to take to Panga

1426
01:03:46,680 --> 01:03:49,520
Speaker 3: away from him. She apologizes. Her instructions are to take

1427
01:03:49,600 --> 01:03:51,280
Speaker 3: to Panga home with her and put her on a

1428
01:03:51,360 --> 01:03:54,000
Speaker 3: train to Pittsburgh first thing in the morning. To Penga

1429
01:03:54,040 --> 01:03:56,200
Speaker 3: begs him to help, but he's convinced everyone wants them

1430
01:03:56,240 --> 01:04:00,000
Speaker 3: apart except Alan. Corey asks if he's really going to

1431
01:04:00,280 --> 01:04:03,360
Speaker 3: let them take Tapanga away, and Alan says, I don't

1432
01:04:03,400 --> 01:04:05,280
Speaker 3: think I'm going to have to, and you're right right.

1433
01:04:05,520 --> 01:04:07,320
Speaker 3: This is where I forgot about this part where like

1434
01:04:07,800 --> 01:04:11,040
Speaker 3: all of a sudden, the adults kind of just crumble.

1435
01:04:12,760 --> 01:04:15,520
Speaker 3: Alan explains, you may have known Tapanga since you were born,

1436
01:04:15,600 --> 01:04:18,000
Speaker 3: but I've known your mother like forever. And what I

1437
01:04:18,080 --> 01:04:19,800
Speaker 3: know about your mother and the thing I respect in

1438
01:04:19,880 --> 01:04:21,600
Speaker 3: her the most, is that she has always put her

1439
01:04:21,680 --> 01:04:25,480
Speaker 3: faith in love when she sees it, he emphasizes, which

1440
01:04:25,520 --> 01:04:27,680
Speaker 3: is why she chose me when her parents told her

1441
01:04:27,760 --> 01:04:28,600
Speaker 3: not to love.

1442
01:04:29,040 --> 01:04:29,680
Speaker 1: Is faith?

1443
01:04:30,200 --> 01:04:33,160
Speaker 3: Do you love your mother? Corey answers yes, and Alan

1444
01:04:33,240 --> 01:04:36,920
Speaker 3: tells him, then have faith. Amy slowly strolls over to Tapanga.

1445
01:04:37,400 --> 01:04:39,760
Speaker 3: It would be wrong, and then she turns to Aunt

1446
01:04:39,840 --> 01:04:42,200
Speaker 3: Prue and finishes for Tapega to go back to.

1447
01:04:42,200 --> 01:04:45,200
Speaker 2: Pittsburgh and changes for Betsy.

1448
01:04:45,960 --> 01:04:47,360
Speaker 4: That is the part I don't know.

1449
01:04:47,640 --> 01:04:50,400
Speaker 2: This is the big turn, is that she's been basically

1450
01:04:50,480 --> 01:04:52,520
Speaker 2: saying the same thing, and Pru has been saying, but

1451
01:04:52,600 --> 01:04:56,480
Speaker 2: then right now because of what Rusty says, She.

1452
01:04:57,120 --> 01:05:02,080
Speaker 1: Rusty, but Rusty specifically says he's reminding her your parents

1453
01:05:02,240 --> 01:05:05,280
Speaker 1: did not want me to be with you either. Yeah,

1454
01:05:05,360 --> 01:05:08,040
Speaker 1: and look what he says, like the way that your

1455
01:05:08,080 --> 01:05:11,760
Speaker 1: parents did. So I think he's reminding her this was us. Yes,

1456
01:05:12,080 --> 01:05:14,560
Speaker 1: we are, these two and we How great would it

1457
01:05:14,640 --> 01:05:17,480
Speaker 1: have been had your parents been supportive of us when

1458
01:05:17,560 --> 01:05:20,440
Speaker 1: we needed them to be? So let's be supportive of

1459
01:05:20,520 --> 01:05:22,800
Speaker 1: them now. I think that's what they were going. Yeah,

1460
01:05:23,760 --> 01:05:26,000
Speaker 1: and necessarily worked, but that's what they're going.

1461
01:05:26,040 --> 01:05:26,960
Speaker 4: But that is what they're going for.

1462
01:05:27,120 --> 01:05:30,400
Speaker 3: You're absolutely right, Prudence has taken aback. Certainly, you're not

1463
01:05:30,520 --> 01:05:33,320
Speaker 3: suggesting I let some puppy love between two sixteen year

1464
01:05:33,360 --> 01:05:36,880
Speaker 3: old children interfere with her parents' wishes, and Amy nods,

1465
01:05:36,920 --> 01:05:39,120
Speaker 3: explaining that Topanga was born and raised in Philly and

1466
01:05:39,200 --> 01:05:41,720
Speaker 3: forcing Tapanga to Pittsburgh for one year before she has

1467
01:05:41,800 --> 01:05:45,480
Speaker 3: to leave again for college is irresponsible. Prudence is pleased

1468
01:05:45,520 --> 01:05:48,720
Speaker 3: to hear Amy calling Toapanga's parents irresponsible, so she sits down,

1469
01:05:48,840 --> 01:05:52,320
Speaker 3: inviting Amy to continue. Amy brings Tapanga into her arms

1470
01:05:52,360 --> 01:05:54,480
Speaker 3: as they PLoP down on the couch. She's known to

1471
01:05:54,560 --> 01:05:57,320
Speaker 3: Panga for sixteen years too, it's hard not to love her.

1472
01:05:57,640 --> 01:05:59,680
Speaker 4: No matter how old he is. It will be hard

1473
01:05:59,720 --> 01:06:00,760
Speaker 4: for him to find better.

1474
01:06:01,480 --> 01:06:05,080
Speaker 3: And I got emotional watching it because I remember getting

1475
01:06:05,120 --> 01:06:08,080
Speaker 3: emotional in the moment every time with Betsy.

1476
01:06:08,480 --> 01:06:10,200
Speaker 1: You could tell it was very real, that moment that

1477
01:06:10,240 --> 01:06:11,600
Speaker 1: you had with her. You could tell you were choked

1478
01:06:11,680 --> 01:06:11,880
Speaker 1: up there.

1479
01:06:12,040 --> 01:06:14,280
Speaker 4: Yeah, I was choked up. Betsy was choked up.

1480
01:06:15,400 --> 01:06:18,200
Speaker 3: And you know, because I do remember for Betsy and

1481
01:06:18,320 --> 01:06:21,720
Speaker 3: I this feeling of like we love each other so much.

1482
01:06:22,120 --> 01:06:24,080
Speaker 3: And so the fact that she gets to say to me,

1483
01:06:24,640 --> 01:06:28,040
Speaker 3: even though I don't necessarily agree with their relationship to Panga,

1484
01:06:28,160 --> 01:06:29,959
Speaker 3: it's not because to Panga isn't good.

1485
01:06:30,320 --> 01:06:31,000
Speaker 4: She's great.

1486
01:06:31,360 --> 01:06:34,440
Speaker 3: And that part was that's part such a nice feeling.

1487
01:06:34,480 --> 01:06:36,480
Speaker 3: It's not that I don't love you. I think you're

1488
01:06:36,560 --> 01:06:39,560
Speaker 3: the best, it's just all this other stuff. So I

1489
01:06:39,640 --> 01:06:43,520
Speaker 3: remember getting choked up there. Amy tells Corey, you're my son.

1490
01:06:43,760 --> 01:06:45,919
Speaker 3: I never want you to be in pain. Prudence asked

1491
01:06:45,960 --> 01:06:47,800
Speaker 3: the kids if they would excuse them so she could

1492
01:06:47,800 --> 01:06:50,439
Speaker 3: speak to Amy and Allen alone, and they oblige. Walking

1493
01:06:50,480 --> 01:06:53,040
Speaker 3: into the kitchen, Alan gives them a reassuring nod and

1494
01:06:53,120 --> 01:06:56,640
Speaker 3: a weirdly timed one shot. Eric, still in the room,

1495
01:06:56,680 --> 01:06:58,440
Speaker 3: puts his feet up on the table to get comfortable.

1496
01:06:58,600 --> 01:06:59,360
Speaker 4: Oh, I'm staying.

1497
01:07:00,240 --> 01:07:02,480
Speaker 3: And then we're in the Matthew's backyard. Cory and t

1498
01:07:02,560 --> 01:07:04,800
Speaker 3: Banker are sitting on the bench waiting for a final decision.

1499
01:07:05,000 --> 01:07:07,160
Speaker 3: Phoene walks outside to find them together, and they break

1500
01:07:07,200 --> 01:07:10,800
Speaker 3: apart from their cuddling position. Phoenie insists, this isn't the classroom,

1501
01:07:10,920 --> 01:07:14,080
Speaker 3: as you were. Phoene asks, even though this isn't the classroom,

1502
01:07:14,120 --> 01:07:15,480
Speaker 3: would you mind if I taught you a lesson?

1503
01:07:15,520 --> 01:07:15,840
Speaker 4: Anyway?

1504
01:07:16,080 --> 01:07:18,920
Speaker 3: They nod, and Phoenie continues, believe it or not, there

1505
01:07:19,000 --> 01:07:20,600
Speaker 3: was a time in my life where I cared for

1506
01:07:20,680 --> 01:07:23,560
Speaker 3: someone as deeply as you two care for each other. Now,

1507
01:07:24,080 --> 01:07:27,280
Speaker 3: Corey surprised you believe we love each other. Phoene moves on,

1508
01:07:27,560 --> 01:07:30,680
Speaker 3: and for no reason, I understood My wife was taken

1509
01:07:30,760 --> 01:07:34,200
Speaker 3: from me, and I haven't been so deeply in love since.

1510
01:07:35,000 --> 01:07:35,720
Speaker 4: Cory smiles.

1511
01:07:35,800 --> 01:07:37,840
Speaker 1: I know I knew, you knew it, you knew it

1512
01:07:37,920 --> 01:07:39,840
Speaker 1: was coming. But every time he talks about it, and

1513
01:07:39,960 --> 01:07:43,760
Speaker 1: you just see, Lilian, this man who never never remarried,

1514
01:07:43,880 --> 01:07:45,840
Speaker 1: never did anything just found the love of his life

1515
01:07:45,880 --> 01:07:47,600
Speaker 1: and then she was gone and you don't really know how,

1516
01:07:48,160 --> 01:07:50,960
Speaker 1: and it's just very You put yourself in that when

1517
01:07:50,960 --> 01:07:52,440
Speaker 1: you're married or you have a part and you put

1518
01:07:52,440 --> 01:07:55,640
Speaker 1: yourself in that position and it's cut wrenching, gut wrenching.

1519
01:07:56,080 --> 01:07:57,760
Speaker 2: So, yeah, that was such a great backstory.

1520
01:07:57,960 --> 01:08:01,800
Speaker 1: Oh it's awesome, and he's just so we talk about

1521
01:08:01,800 --> 01:08:05,000
Speaker 1: it every week, but it's so on another level acting

1522
01:08:05,120 --> 01:08:08,000
Speaker 1: with him where there's not a false moment ever.

1523
01:08:08,680 --> 01:08:12,040
Speaker 4: Ever, it also reminded me of my grandfather.

1524
01:08:12,240 --> 01:08:15,240
Speaker 3: Have a very lovely story about my grandfather who married

1525
01:08:15,280 --> 01:08:18,439
Speaker 3: my grandmother when they were in their late twenties early thirties.

1526
01:08:18,880 --> 01:08:22,599
Speaker 3: They left Malta on their honeymoon. Their honeymoon was taking

1527
01:08:22,880 --> 01:08:26,240
Speaker 3: the Queen Mary. On the last trip the Queen Mary

1528
01:08:26,360 --> 01:08:30,120
Speaker 3: took from Malta to where it docked, and they actually

1529
01:08:30,200 --> 01:08:32,040
Speaker 3: took it to New York. It was the last trip

1530
01:08:32,120 --> 01:08:36,080
Speaker 3: it took. They came over here. They moved to San Francisco.

1531
01:08:36,439 --> 01:08:39,320
Speaker 3: They had my mom and my two aunts, and then

1532
01:08:39,320 --> 01:08:41,840
Speaker 3: they moved to southern California. Back no one of my

1533
01:08:41,840 --> 01:08:43,960
Speaker 3: time about they live. They lived in San Francisco, then

1534
01:08:44,000 --> 01:08:47,280
Speaker 3: they moved down to southern California, raised their kids, had

1535
01:08:47,320 --> 01:08:49,880
Speaker 3: all these grandkids, and then at my grand My grandmother

1536
01:08:50,000 --> 01:08:52,680
Speaker 3: was fifty five years old and I was two when

1537
01:08:53,040 --> 01:08:56,040
Speaker 3: she died of leukemia, and her youngest daughter, my mom,

1538
01:08:56,479 --> 01:09:00,960
Speaker 3: was twenty five, and my grandfather lived to be ninety

1539
01:09:01,080 --> 01:09:03,200
Speaker 3: nine and a half. He just passed away a year ago.

1540
01:09:03,720 --> 01:09:07,120
Speaker 3: And he never remarried. He never dated, and I just

1541
01:09:07,479 --> 01:09:10,600
Speaker 3: always thought like, wow, what a love story. He just

1542
01:09:10,760 --> 01:09:13,040
Speaker 3: never you know, it was just never going to be

1543
01:09:13,080 --> 01:09:15,040
Speaker 3: the same. And one day I got up the courage

1544
01:09:15,080 --> 01:09:19,320
Speaker 3: to ask him, Papa, why didn't you ever date anyone

1545
01:09:19,479 --> 01:09:23,160
Speaker 3: after Grandma died? Why didn't you ever want to get remarried?

1546
01:09:23,280 --> 01:09:25,160
Speaker 3: Was it just because she was the love of your life?

1547
01:09:25,240 --> 01:09:27,600
Speaker 3: And he said get married again? No, I made that

1548
01:09:27,640 --> 01:09:28,240
Speaker 3: mistake once.

1549
01:09:32,320 --> 01:09:34,000
Speaker 1: He's like, I don't have to do that again.

1550
01:09:35,280 --> 01:09:36,719
Speaker 2: Oh oh.

1551
01:09:38,800 --> 01:09:39,720
Speaker 1: You never dated though.

1552
01:09:39,840 --> 01:09:42,280
Speaker 5: He never even dated, Nope, never even dated. Just had

1553
01:09:42,320 --> 01:09:45,320
Speaker 5: his had a garage with a workshop and worked on

1554
01:09:45,439 --> 01:09:50,519
Speaker 5: his totally. That's so independent. And had three daughters and

1555
01:09:50,720 --> 01:09:53,320
Speaker 5: was like they're grown and married and I have grandkids and.

1556
01:09:54,400 --> 01:09:58,400
Speaker 1: That's really yeah, No, why would I do that again?

1557
01:09:58,479 --> 01:10:01,439
Speaker 4: Yeah? I made that mistake once. It was like, oh oh, Okay,

1558
01:10:01,560 --> 01:10:04,120
Speaker 4: well I'm gonna I actually liked the one where I

1559
01:10:04,160 --> 01:10:05,000
Speaker 4: didn't ask and I.

1560
01:10:06,520 --> 01:10:09,759
Speaker 1: It was the grandma was your only love? So would

1561
01:10:09,760 --> 01:10:12,120
Speaker 1: I talk about that? When you see like the polygamous things,

1562
01:10:12,160 --> 01:10:14,599
Speaker 1: and she's ever like the idea of having multiple lives,

1563
01:10:14,640 --> 01:10:18,000
Speaker 1: I'm like, are you kidding? Thank you so much?

1564
01:10:18,120 --> 01:10:22,280
Speaker 4: Work so much.

1565
01:10:22,600 --> 01:10:24,320
Speaker 1: Now. My grandmother, we all had that, My grandm my

1566
01:10:24,400 --> 01:10:28,000
Speaker 1: mom's mom. My grandfather died when he was like fifty one,

1567
01:10:28,120 --> 01:10:30,559
Speaker 1: and she spent the rest of her life alone. She traveled,

1568
01:10:30,600 --> 01:10:32,040
Speaker 1: she saw the world. She had a bunch of friends,

1569
01:10:32,080 --> 01:10:34,519
Speaker 1: but never remarried. I don't think dated much. It was

1570
01:10:34,680 --> 01:10:36,479
Speaker 1: just it was different back then, totally.

1571
01:10:36,920 --> 01:10:39,479
Speaker 3: So Phoene preaches on, I believe that when you find love,

1572
01:10:39,560 --> 01:10:41,479
Speaker 3: you hold onto it and cherish it because there is

1573
01:10:41,600 --> 01:10:44,280
Speaker 3: nothing finer and it may never come again, And that,

1574
01:10:44,520 --> 01:10:46,720
Speaker 3: my DearS, is the most important thing that I could

1575
01:10:46,760 --> 01:10:49,320
Speaker 3: teach you. It's revealed that Prudence, Amy and Allen are

1576
01:10:49,360 --> 01:10:52,439
Speaker 3: outside listening in on Phoene's lesson, and Prudence abruptly asks

1577
01:10:52,560 --> 01:10:55,960
Speaker 3: who is that guy? Tapanga answers, that's mister Feenie. Corey

1578
01:10:56,040 --> 01:10:59,720
Speaker 3: ads he knows everything. Prudence insists, no, he doesn't the

1579
01:10:59,800 --> 01:11:04,360
Speaker 3: audience wildly ooh that this bold statement. The prisoners were

1580
01:11:04,400 --> 01:11:05,400
Speaker 3: on one for this taping.

1581
01:11:05,640 --> 01:11:08,360
Speaker 2: Yeah, I just I was just so lost. I just

1582
01:11:08,439 --> 01:11:12,479
Speaker 2: don't know. I didn't understand the tension. I didn't understand what.

1583
01:11:13,479 --> 01:11:16,240
Speaker 2: I just didn't. I just, yeah, what is Phoene doing?

1584
01:11:16,400 --> 01:11:19,200
Speaker 1: Like they wanted to, I think you're right exactly what

1585
01:11:19,240 --> 01:11:22,000
Speaker 1: you said at the beginning. They wanted two old school

1586
01:11:22,200 --> 01:11:24,400
Speaker 1: stage actors to go at it on stage, and they

1587
01:11:24,439 --> 01:11:27,160
Speaker 1: didn't really think about why we're going to say or why.

1588
01:11:27,320 --> 01:11:29,160
Speaker 2: It was just that, I mean, just create a story

1589
01:11:29,240 --> 01:11:31,640
Speaker 2: where they're actually in opposition to each other. They have

1590
01:11:32,120 --> 01:11:34,920
Speaker 2: because right now, what is the problem. The problem is

1591
01:11:34,960 --> 01:11:37,240
Speaker 2: that she's got to go home back to Pittsburgh and

1592
01:11:37,400 --> 01:11:40,760
Speaker 2: like and but everybody's really in supportive the.

1593
01:11:42,960 --> 01:11:46,120
Speaker 3: That Feene is actually saying, because he's flat out says

1594
01:11:46,240 --> 01:11:48,679
Speaker 3: the love you have, hold on to it and don't

1595
01:11:48,720 --> 01:11:52,080
Speaker 3: let anybody take it from you. And Prudence is like, honestly,

1596
01:11:52,280 --> 01:11:55,240
Speaker 3: you guys should be dating others. So that's where they're

1597
01:11:55,320 --> 01:11:59,080
Speaker 3: in opposition. It's just not necessarily set up as well.

1598
01:11:59,479 --> 01:12:02,320
Speaker 3: Phoene wan beg your pardon, She explains, I don't know

1599
01:12:02,400 --> 01:12:05,000
Speaker 3: that I appreciate what you're teaching these children. She compares

1600
01:12:05,040 --> 01:12:07,479
Speaker 3: Phoene to being just as irresponsible as to Pang his parents.

1601
01:12:07,520 --> 01:12:10,360
Speaker 3: In the situation, Phoene stands his ground. If you choose

1602
01:12:10,439 --> 01:12:13,240
Speaker 3: to question my opinions, then you disregard thirty eight years

1603
01:12:13,280 --> 01:12:15,160
Speaker 3: in the public school system where I have borne the

1604
01:12:15,200 --> 01:12:19,280
Speaker 3: responsibility of those opinions for thirty thousand students, none held

1605
01:12:19,320 --> 01:12:22,240
Speaker 3: in higher regard than mister Matthews and Miss Laurence. Corey

1606
01:12:22,360 --> 01:12:24,760
Speaker 3: is shocked again you like me, Phoene tells him to

1607
01:12:24,760 --> 01:12:27,640
Speaker 3: stay out of it. Prudence responds, the only thing I

1608
01:12:27,800 --> 01:12:31,280
Speaker 3: presume is that you are as verbose as you are snappy. Phoene,

1609
01:12:31,479 --> 01:12:34,240
Speaker 3: trying to have a less verbose comeback, settles on, well,

1610
01:12:34,320 --> 01:12:35,280
Speaker 3: then there we are.

1611
01:12:35,680 --> 01:12:38,080
Speaker 1: Oh it's a great None of it makes any sense.

1612
01:12:38,120 --> 01:12:39,639
Speaker 1: It's totally unnecessary, but it's.

1613
01:12:39,560 --> 01:12:43,880
Speaker 2: A great response. And I like the aside where you know,

1614
01:12:44,000 --> 01:12:47,360
Speaker 2: Corey says you like me. I love that little bit. Yeah,

1615
01:12:47,360 --> 01:12:48,439
Speaker 2: but I don't know what's happening.

1616
01:12:48,439 --> 01:12:51,519
Speaker 1: I don't know what there'sides him raising thirty thousand are

1617
01:12:51,560 --> 01:12:53,479
Speaker 1: helping me. Thirty thousand kids have anything to do with

1618
01:12:53,560 --> 01:12:55,840
Speaker 1: Corey and Tipanga being in love. Well, I hate hearing

1619
01:12:55,920 --> 01:12:58,360
Speaker 1: Phoene be defensive too, Like, I don't think he should

1620
01:12:58,360 --> 01:12:59,800
Speaker 1: ever have to be defensive like Phoenie.

1621
01:13:00,040 --> 01:13:01,519
Speaker 4: You know, I should understand his point.

1622
01:13:02,040 --> 01:13:04,400
Speaker 2: Yeah, he's just confident, like he's just he's all known.

1623
01:13:04,479 --> 01:13:07,360
Speaker 1: So I also, if Aunt Prudence lives in town so

1624
01:13:07,479 --> 01:13:09,599
Speaker 1: she can stay in school, why not give a backstory

1625
01:13:09,600 --> 01:13:10,479
Speaker 1: where they've known each other?

1626
01:13:10,680 --> 01:13:10,800
Speaker 2: Right?

1627
01:13:10,880 --> 01:13:13,400
Speaker 4: Also, wouldn't they have seen each other at Chubby's.

1628
01:13:13,680 --> 01:13:15,880
Speaker 1: Yeah, I mean exactly the one restaurant in town. I

1629
01:13:15,920 --> 01:13:19,360
Speaker 1: mean something, Oh, lovely, Prudence, you're back, something to give

1630
01:13:19,439 --> 01:13:21,000
Speaker 1: them some kind right they have?

1631
01:13:21,320 --> 01:13:23,559
Speaker 2: They have a Shakespeare club together, and they hate each other.

1632
01:13:23,560 --> 01:13:26,320
Speaker 2: They're on opposite sides of every play.

1633
01:13:27,560 --> 01:13:29,760
Speaker 1: I'm tamed and tamed and tamed, and yet the shrew

1634
01:13:29,880 --> 01:13:33,599
Speaker 1: is still here. Yeah, something like that. There's so many

1635
01:13:33,640 --> 01:13:35,360
Speaker 1: things you can do. Yeah.

1636
01:13:35,560 --> 01:13:37,960
Speaker 4: Amy tells Stefanga that her aunt has something to tell her.

1637
01:13:38,160 --> 01:13:40,560
Speaker 3: Prudence reveals I've spoken to your parents, and while I

1638
01:13:40,640 --> 01:13:44,439
Speaker 3: don't condone the intensity or exclusivity of this relationship, I

1639
01:13:44,600 --> 01:13:47,160
Speaker 3: also cannot condone the actions of my sister and brother

1640
01:13:47,240 --> 01:13:47,599
Speaker 3: in law.

1641
01:13:48,000 --> 01:13:49,240
Speaker 4: The verdict has been reached.

1642
01:13:49,439 --> 01:13:52,400
Speaker 3: If Tapanga would like to stay in Philadelphia, she's welcome

1643
01:13:52,439 --> 01:13:55,040
Speaker 3: to stay with her and Aunt Prudence while she finishes

1644
01:13:55,080 --> 01:13:58,280
Speaker 3: the remainder of high school. After Prudence finishes her spiel,

1645
01:13:58,479 --> 01:14:02,880
Speaker 3: Phoene asks, I'm Topenga, gives her aunt a giant hug

1646
01:14:02,960 --> 01:14:05,519
Speaker 3: and relief, then embraces Corey, knowing they'll be able to

1647
01:14:05,600 --> 01:14:06,200
Speaker 3: stay together.

1648
01:14:06,560 --> 01:14:07,600
Speaker 4: The audience gives them a.

1649
01:14:07,640 --> 01:14:10,360
Speaker 3: Huge round of applause, and Amy and Allen gaze at

1650
01:14:10,400 --> 01:14:13,040
Speaker 3: the two with happiness as they hold each other lovingly.

1651
01:14:14,120 --> 01:14:15,640
Speaker 1: And that's it.

1652
01:14:16,880 --> 01:14:20,760
Speaker 2: No tag, no tag, nothing, I mean, it's yeah, it's

1653
01:14:20,800 --> 01:14:22,040
Speaker 2: a yeah.

1654
01:14:22,760 --> 01:14:23,320
Speaker 1: You guys liked it.

1655
01:14:23,360 --> 01:14:24,879
Speaker 2: Though you liked this episode, you think.

1656
01:14:24,800 --> 01:14:28,840
Speaker 3: I overall did not. I agreed with every point you made,

1657
01:14:29,000 --> 01:14:30,920
Speaker 3: especially the preu stuff, and yet.

1658
01:14:30,840 --> 01:14:33,280
Speaker 4: Somehow I still I still kind of enjoyed it.

1659
01:14:33,479 --> 01:14:35,240
Speaker 1: Yes, that's how I look at it too. I like, again,

1660
01:14:35,280 --> 01:14:38,560
Speaker 1: I liked it. If we once again have to just

1661
01:14:38,720 --> 01:14:41,160
Speaker 1: say you have to be in on this now, you

1662
01:14:41,439 --> 01:14:43,479
Speaker 1: just have to accept this is what it's going to be,

1663
01:14:43,920 --> 01:14:47,400
Speaker 1: then it was good actors. Honestly, you know, on one

1664
01:14:47,439 --> 01:14:49,040
Speaker 1: small stage, it seemed like most of it took place

1665
01:14:49,080 --> 01:14:52,439
Speaker 1: in the living room. It was very like that. I enjoyed.

1666
01:14:52,479 --> 01:14:55,200
Speaker 1: I enjoyed seeing everybody act the adults getting a chance

1667
01:14:55,240 --> 01:14:58,040
Speaker 1: to act. Betsy killing it stuff like that was was great,

1668
01:14:58,080 --> 01:15:00,599
Speaker 1: but no, iget exactly what Danie I said. I agree

1669
01:15:00,640 --> 01:15:03,519
Speaker 1: with every point you made because they're all accurate, but

1670
01:15:04,200 --> 01:15:06,080
Speaker 1: I guess I have to just be like, I don't care.

1671
01:15:06,640 --> 01:15:07,720
Speaker 2: It's kind of, you know, it's kind of like the

1672
01:15:08,560 --> 01:15:11,160
Speaker 2: montage that you gave us crap for falling in love with.

1673
01:15:13,080 --> 01:15:16,519
Speaker 2: I guess we are now a romance show. We are

1674
01:15:17,000 --> 01:15:19,280
Speaker 2: love story love Sorry, and there you go.

1675
01:15:19,960 --> 01:15:21,719
Speaker 3: Well, thank you all for joining us for this episode

1676
01:15:21,720 --> 01:15:23,640
Speaker 3: of Pod Meets World. As always, you can follow us

1677
01:15:23,680 --> 01:15:26,000
Speaker 3: on Instagram pod Meets World Show. You can send us

1678
01:15:26,040 --> 01:15:28,360
Speaker 3: your emails pod meets World Show at gmail dot.

1679
01:15:28,280 --> 01:15:32,439
Speaker 1: Com and we have merch Romeo and Juliet was actually

1680
01:15:32,479 --> 01:15:33,920
Speaker 1: a tragedy March.

1681
01:15:34,960 --> 01:15:38,200
Speaker 4: Podmeets Worldshow dot com will send us out.

1682
01:15:38,960 --> 01:15:43,240
Speaker 1: We love you all. I've dismissed. Podmeats World is nheart

1683
01:15:43,320 --> 01:15:47,080
Speaker 1: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder Strong.

1684
01:15:47,439 --> 01:15:51,400
Speaker 1: Executive producers Jensenkarp and Amy Sugarman. Executive in charge of production,

1685
01:15:51,560 --> 01:15:56,040
Speaker 1: Danielle Romo, producer and editor Tara Sudbaksh Producer Maddy Moore,

1686
01:15:56,360 --> 01:15:59,040
Speaker 1: engineer and Boy Meets World super fan Easton Allen. Our

1687
01:15:59,120 --> 01:16:01,200
Speaker 1: theme song is by Isle Morton of Typhoon and you

1688
01:16:01,240 --> 01:16:03,880
Speaker 1: can follow us on Instagram at Podmets World Show or

1689
01:16:03,960 --> 01:16:06,599
Speaker 1: email us at Podmetsworldshow at gmail dot com