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Speaker 1: I think it's awesome. Man, I think it kicks ass

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Speaker 1: you all are doing this.

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Speaker 2: I've been saying, actually, it's so smart for you guys

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Speaker 2: to created like this collective and really.

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Speaker 3: Take advantage of like the the vacuum that exists right now.

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Speaker 1: And no question many I guess we forgot to ask

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Speaker 1: this at some point. Can we just put on a

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Speaker 1: little show for the nice people? Can we just put

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Speaker 1: on a little show for the nice people?

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Speaker 3: And I don't I don't think you guys are right

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Speaker 3: for this necessarily.

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Speaker 4: But we've been talking about on the show.

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Speaker 3: Should the super Bowl halftime show be comedy this year?

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Speaker 1: Yeah? And I and I yes, it's We didn't even

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Speaker 1: have the conversation about that for this one. I think

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Speaker 1: because we both kind of thought like, that's not I

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Speaker 1: we have been talking, Yes, we've been talking to a

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Speaker 1: few different people.

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Speaker 5: Yeah, but you don't want us to talk about that

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Speaker 5: at all.

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Speaker 6: We don't have to.

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Speaker 3: Say about it, Kevin, you can cut it out. If

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Speaker 3: it doesn't make sense.

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Speaker 5: It's got to be Chappelle.

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Speaker 1: Okay, Well, we talked to we talked to Will Hines.

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Speaker 1: Will Hines, we talked about doing stand up.

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Speaker 3: Yeah, we were gonna have Bill Hines do a stand

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Speaker 3: up set.

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Speaker 4: Yeah, maybe open up for Chappelle, but they kind of

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Speaker 4: touched each other.

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Speaker 3: Yeah.

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Speaker 5: Will does a lot of the same stuff.

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Speaker 2: I'd like to see them on stage at the same time,

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Speaker 2: I don't want one opener.

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Speaker 1: What to me?

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Speaker 4: There two icons?

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Speaker 6: Yeah, two mics out there. Will looks up to.

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Speaker 3: Ideally a third mic for Neil Brennan as well.

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Speaker 5: Sure, he's all three you need.

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Speaker 2: Problem there's three for Neil, one for Will and one

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Speaker 2: for Ja maybe one for John Mayor to he's gonna

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Speaker 2: need a low one.

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Speaker 3: So seven mics, Kevin, are you writing this down?

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Speaker 1: Yes?

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Speaker 5: And like you guys are producing.

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Speaker 1: Wow, that's crazy.

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Speaker 6: Yeah you have to. Yeah, you got to make decisions

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Speaker 6: and stuff, and the quad is ticking.

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Speaker 1: But I think even even then with like these guys

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Speaker 1: are three more mics.

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Speaker 4: It's just like you get the young people with Bill Hines,

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Speaker 4: and then you get kind of the older crowd with Chappelle,

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Speaker 4: Like you kind of everybody's happy.

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Speaker 6: And then we scoop up everybody. That's right.

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Speaker 4: You get the watch perverts with Mayor mm hmm. Yeah.

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Speaker 3: But you know, I don't want to get bogged down

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Speaker 3: in the I want to talk about what you guys

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Speaker 3: are doing, just because, just because I think it's actually

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Speaker 3: really exactly what you guys.

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Speaker 4: Should be doing right now.

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Speaker 3: It's so perfect for you, Like it's a little show.

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Speaker 3: It's just what you should be doing.

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Speaker 4: I mean we haven't talked about in the room a

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Speaker 4: I yeah, yeah, I mean.

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Speaker 6: This is something I can't do go to a live

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Speaker 6: theater with a little bit.

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Speaker 1: These guys are doing a show. It's called pretty Funny.

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Speaker 6: Oh yeah, we should say that it's.

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Speaker 1: The lyric hyperiod Monday of every Yeah, easy to remember,

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Speaker 1: Monday of every third.

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Speaker 5: Monday of every month at seven fifteen pm.

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Speaker 6: Past seven on the third Monday of every month. You

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Speaker 6: better be in our seats.

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Speaker 5: And now that's obviously like the big dog slot there.

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Speaker 1: You know.

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Speaker 4: Oh yeah, so take out your flow app and put

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Speaker 4: it down in there that it's the third Monday of

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Speaker 4: every month.

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Speaker 3: Monday, seven fifteen. I try to get there by seven.

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Speaker 5: Yeah, that's amart idea. Get yourself a topo. Yeah, and

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Speaker 5: our crowds are all synced up menstruation wise, so feel free. Yeah,

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Speaker 5: it makes it easy on everybody. Everyone.

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Speaker 3: That's the thing about the live experience that you don't

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Speaker 3: get that with these likes.

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Speaker 5: And no, I'd like to see twitch get everyone to

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Speaker 5: have their period.

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Speaker 1: I love the show Man. My kid's obsessed with this Rizzler.

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Speaker 7: Yeah, Wrizzler and trying to talk to you about like

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Speaker 7: what the Wrizzler did now, and I'm like, that's it.

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Speaker 1: Get in the car. You're going to see pretty fun.

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Speaker 3: You're going to a real show, a real show for this.

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Speaker 5: My nephews are obsessed with Big Justice and I need

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Speaker 5: them to like like them to see something.

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Speaker 1: Get in the car. We're going to the show. And

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Speaker 1: so we're driving there and they're like. My kid is like,

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Speaker 1: why are we going somewhere? I'm used to the Rizzler

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Speaker 1: just like being where I am. Yeah, I've got it

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Speaker 1: on my well, this real show, Like we have to

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Speaker 1: travel to get there. He's like, why is that better?

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Speaker 1: What's like, what's an improvement.

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Speaker 5: That the answer to that?

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Speaker 3: Yeah, we've been trying to be getting that question.

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Speaker 6: Yeah, it's like, so you.

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Speaker 1: Guys don't know. I was hoping for next time. Okay,

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Speaker 1: that's interesting. You guys don't know either.

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Speaker 4: I've been pinned by that question a few times.

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Speaker 1: Because we get there and he's like, how do I

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Speaker 1: start it? And I'm like, well, you don't say they

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Speaker 1: decided when to start it. And he's like, well didn't

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Speaker 1: we pay for I saw you pay on the way in.

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Speaker 1: And I'm used to with the rizzler. I can start

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Speaker 1: and stop it wherever I want.

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Speaker 2: Well, if I have to go to the back from

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Speaker 2: the rizzler just freezes, yeah, I'm done going.

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Speaker 6: Well, we have kids try to pause us during the show.

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Speaker 6: They try to rewind. It's very frustrating to have to.

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Speaker 4: Sometimes I'll pacify them and I'll go back ten seconds

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Speaker 4: or so and just kind of redo it. But that's exhausting,

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Speaker 4: and then that adds on the entire time of the show.

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Speaker 1: And I was saying him, it's frustrating for them when

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Speaker 1: you're doing that, but he was like, but isn't Is

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Speaker 1: this for them or for me?

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Speaker 4: Well, again, we don't know the answer to that. And

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Speaker 4: if life were easier, we would have those popsicle sticks

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Speaker 4: with the answer on the one side. Yeah, and those

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Speaker 4: those don't exist.

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Speaker 2: I feel like what I've got is is just the

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Speaker 2: question side of the popsicles.

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Speaker 5: Yes, it's crazy, it is.

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Speaker 4: Give us the other side.

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Speaker 3: Somebody flip over God or whoever we flipped twelve pops

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Speaker 3: and no answers.

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Speaker 6: Yeah, just my only question.

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Speaker 4: So we're slamming these popsicles before every show, trying to

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Speaker 4: get some of the answers, but we end up you haven't.

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Speaker 1: Okay, yeah, did.

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Speaker 5: The kid enjoy the show? I know he shouted out

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Speaker 5: the Wrizzler is a suggestion.

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Speaker 1: Well, well what he was saying that he was saying,

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Speaker 1: which one is the Wrizzler? And I was like, well

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Speaker 1: that the Wrizzler's not here? Is like, well, that is

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Speaker 1: the Costco guy and I was like, well no, it's.

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Speaker 5: That's not the Wrizzler's not the Costco guy.

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Speaker 1: No, no, no, he was saying. I think he was

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Speaker 1: saying that you were the Costco guy, and I.

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Speaker 5: Think I'm not a kid who eats at Costco.

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Speaker 1: The Costco guy. So the Rizzlers, I don't really know

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Speaker 1: this stuff. The Wrizzler is a kid, the.

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Speaker 5: Wl is the kid's friend. Big Justice is the dad,

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Speaker 5: and then I think it's DJ is David Junior or

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Speaker 5: something is.

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Speaker 1: So who's so who's the Costco guy?

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Speaker 5: I think the Costco guy is a father and son duo.

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Speaker 5: They're like one. It's like Master Blaster from beyond the Thunderdome.

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Speaker 4: Anybody else missed? Damn Daniel? I remember Missiel? Then Daniel,

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Speaker 4: no costco guy, Just are we talking about?

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Speaker 6: We had a what's a ridler?

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Speaker 4: I hate to be an old man here. We had

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Speaker 4: all we needed with Damn Daniel. We sure did.

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Speaker 5: Yeah, Damn Daniels. When the Internet peaked, I thought it

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Speaker 5: was the grape stomp Lady, But then Damn Daniel just

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Speaker 5: showed that.

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Speaker 4: Yeah.

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Speaker 6: I would have been fine calling it Charlie bit my finger,

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Speaker 6: you know, like I would have been fine being like

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Speaker 6: the bridge tried.

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Speaker 5: To did they Yeah, the bridge they tried.

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Speaker 6: Yeah, maybe they were right.

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Speaker 4: All we needed were four screens, and Damn Daniel. Now

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Speaker 4: we got what fifteen screens? Yeah, I mean screens everywhere.

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Speaker 6: Screen.

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Speaker 4: How many screens are in your car when you're driving

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Speaker 4: to your show?

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Speaker 5: Too many?

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Speaker 6: But you go, that's cool, that's good, Tonny screen car man.

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Speaker 1: Yeah, but you guys someday.

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Speaker 5: Well there's the windshield. I guess it's kind of like

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Speaker 5: a life screen.

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Speaker 1: Yeah, and some people call it a wind screens.

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Speaker 4: Yeah, yeah, true, Yeah, I've got I've got a huge

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Speaker 4: wind screen in my car. Now. It took a lot

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Speaker 4: of it took. It took a lot to get me there.

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Speaker 4: I tinted the wind screen.

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Speaker 1: It's big.

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Speaker 5: Huh, it's made for this material about my wind screen.

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Speaker 1: Oh yeah, it's like damn and it's big. It's huge.

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Speaker 4: It's you don't get that kind of thing overnight. Like

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Speaker 4: it takes some work.

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Speaker 1: It's been growing.

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Speaker 4: Yeah, you grow it, you raise the foster.

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Speaker 6: Yeah, it's like a kombucha mothers.

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Speaker 3: Okay, so it's not fitted to the car.

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Speaker 6: That's what it's doing good.

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Speaker 4: Yeah, that's right. I just making sure.

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Speaker 1: Yeah.

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Speaker 5: Yeah, we our tickets are eight bucks a pop and

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Speaker 5: we sell between twenty and thirty every month.

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Speaker 6: So yeah, we're.

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Speaker 5: Doing pretty fucking Go to show tonight, we got to show.

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Speaker 6: Oh yeah, when does that or I guess depending on

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Speaker 6: when people are.

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Speaker 4: Yeah, it depends.

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Speaker 1: How had a show last days ago, eight days eight.

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Speaker 6: Days ago we had a show.

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Speaker 5: Yeah, sorry, you guys couldn't be there. Listeners in the

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Speaker 5: pop Well, you can.

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Speaker 4: Get to jump on the next one.

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Speaker 3: Yeah, because there's the twenty to thirty. These things are

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Speaker 3: going to sell. So if you get you know.

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Speaker 6: In Los Angeles, Yeah, it's Los Angeles, Los Angeles, California,

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Speaker 6: and you guys aren't filming at once.

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Speaker 1: It's done, it's done streaming.

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Speaker 5: We do not have that technology.

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Speaker 1: My kid is like, well, what if I liked part

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Speaker 1: of it and I want to see you like again,

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Speaker 1: why is that?

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Speaker 6: That's the magic? That's the magic that I think has

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Speaker 6: been pointed out in a lot of like it's that

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Speaker 6: it's isn't.

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Speaker 1: It magical to be able to hear something? Again?

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Speaker 5: That magic?

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Speaker 4: Some magic we do actually incorporate some elements, which is Chinese,

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Speaker 4: Chinese black man, Chinese black magic.

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Speaker 6: Yeah, pretty exclusively Chinese black magic.

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Speaker 4: Actually, it's that's kind of all we know.

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Speaker 5: Coaches us, so he's he's kind of got you know,

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Speaker 5: we're under his kind of sorcery umbrella.

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Speaker 4: What makes the black magic Chinese? Well, it was.

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Speaker 5: Taught to him by an ancient.

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Speaker 4: Listen to this guy trying to trap Yeah, yeah, you

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Speaker 4: guys hear this. You guys hear the real question.

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Speaker 5: What wats the food Chinese?

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Speaker 4: Yeah, we're not. This is like, you know, there wasn't

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Speaker 4: any intro anything, but now we're officially on Hollywood hand book.

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Speaker 4: We're getting trapped left and right.

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Speaker 5: And m Night Shyamalan, consider us fucking trapped.

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Speaker 1: You'd be Josh Hart.

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Speaker 5: Oh, yeah, we'd be trapped. You'd be the woman from

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Speaker 5: the original parent Trap who's playing the psychologist.

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Speaker 1: Yes, yes, and his daughter actually helped out a lot,

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Speaker 1: Lady Raven. No, the other one, the other one actually

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Speaker 1: is doing it doing it on Yeah, so they actually

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Speaker 1: all work together. Now the show's kicking ass.

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Speaker 4: Yeah, actually done nothing. It was not intended to be

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Speaker 4: a thing at all. To me.

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Speaker 1: He likes to know where stuff is from. That's great,

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Speaker 1: and why yeah.

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Speaker 2: No, The logic is, uh, I don't think saying the

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Speaker 2: name of a country or something should be like a

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Speaker 2: dirty word, Like.

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Speaker 4: I don't think that's element.

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Speaker 6: Should be able to say no. And I think wed

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Speaker 6: that pretty workish pasta.

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Speaker 1: You said.

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Speaker 6: Pasta.

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Speaker 5: That's why I say whatever you want. And now, of

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Speaker 5: course Turkish pasta is a slur, but like that's that's

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Speaker 5: one of the ones we're not Can we bleep that out?

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Speaker 6: We just pasta.

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Speaker 3: I just think, you know, everybody gets so sensitive the

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Speaker 3: second you attach a country.

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Speaker 4: Or anything to Italian sorcery.

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Speaker 3: It's that should be okay, should be totally fine.

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Speaker 6: Italian sorcery is just stuff because.

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Speaker 4: Behavior and the idea of Italian American Yes, yes, sorcery.

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Speaker 1: Yes, anyone any ethnicity is doing black magic. It's like

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Speaker 1: that's bad to say.

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Speaker 5: Now, well it's up do you, even as it's confusing

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Speaker 5: because there are also black magicians like black guys who

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Speaker 5: do magic, of course, And sure, that's why you have

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Speaker 5: to say Chinese black.

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Speaker 4: I think that should be fine.

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Speaker 6: It should be fine to say what grapis just said.

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Speaker 4: I think I think it is.

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Speaker 5: That's what else.

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Speaker 6: That's that's why I'm not repeating it, because it's just so.

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Speaker 4: Fun to say Chinese black magic.

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Speaker 6: Well, yeah, yeah, that's right. All of this this is

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Speaker 6: just a great area that.

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Speaker 5: Don't get me started on black Chinese magic.

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Speaker 3: And yeah, and and I don't see any reason not

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Speaker 3: to live in this.

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Speaker 6: Yeah I'm comfortable.

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Speaker 4: Yeah, I'm good.

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Speaker 6: I mean, I'm so good. And this is and at

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Speaker 6: our live shows, it's that kind of spontaneity that we

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Speaker 6: like to ride.

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Speaker 1: And it's not recorded and not shared ever. Again, it

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Speaker 1: is not because they're saying stuff that.

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Speaker 6: It's like people have tried recording. It is unrecordable. People

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Speaker 6: have set up mics.

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Speaker 5: It doesn't translate well the video. And also there's like

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Speaker 5: a weird like watermark over us. If you try to film.

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Speaker 6: Yeah, there's almost like a phantom image that appears like

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Speaker 6: it ruins the.

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Speaker 1: What's the image? What's the water?

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Speaker 5: Do you know? Do you know goatsy?

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Speaker 1: Yeah?

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00:12:52,280 --> 00:12:53,880
Speaker 5: Yeah, it's like a goatsy type.

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Speaker 4: I know somebody that I.

301
00:12:56,920 --> 00:13:03,959
Speaker 6: Used to know, right, almost almost one.

302
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Speaker 5: But to be fair, is somebody that we used to

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Speaker 5: know talks about fucking damn Daniel GOTSI kicked the whole

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Speaker 5: thing off.

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Speaker 6: That's we should Yeah, we should hate all day.

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00:13:14,040 --> 00:13:16,319
Speaker 4: I hate to put my old man hat back on,

307
00:13:16,520 --> 00:13:19,720
Speaker 4: but we had all we needed when we had Gosy. Yes,

308
00:13:20,400 --> 00:13:22,160
Speaker 4: maybe should leave well enough alone.

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00:13:22,240 --> 00:13:24,840
Speaker 5: Sometimes you just putting this buffalo Bill's top hat on.

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Speaker 6: Yeah, my old man hat.

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Speaker 4: That's what I wore a rich stadium.

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Speaker 3: I'll tell you what though. This shows kicking ass, and

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Speaker 3: I'm happy for you guys.

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Speaker 1: It's just what you should be doing.

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Speaker 4: Really kicking button.

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Speaker 6: Yeah, getting back to our roots, and it's the perfect

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Speaker 6: thing for us right now.

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Speaker 3: Just can people laugh, goofing around, you know, and important

319
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Speaker 3: and messing with each other on food?

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Speaker 1: Have something to sip on, right, Yeah, it's actually bad

321
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Speaker 1: for the show to eat.

322
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Speaker 6: Okay, So my kid again was like, oh yeah.

323
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Speaker 8: I.

324
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Speaker 1: Literally whatever I want.

325
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Speaker 5: He's not eatwizzlers watching wrizzlers.

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Speaker 1: Will The point is that he can but here like

327
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Speaker 1: they have the food, but it's not allowed to go

328
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Speaker 1: in into this room, right, you.

329
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Speaker 4: Know, And that's fucked up. It's like, no, you can't eat.

330
00:14:20,600 --> 00:14:23,120
Speaker 4: You have to focus on the show. I'm your dad.

331
00:14:23,200 --> 00:14:28,240
Speaker 4: I'm not some wrizzler mechanic works, Yes, exactly.

332
00:14:28,040 --> 00:14:30,320
Speaker 6: We we will. We don't hesitate to kind of break

333
00:14:30,320 --> 00:14:32,000
Speaker 6: the fourth wall and go out into the crowd and

334
00:14:32,080 --> 00:14:34,400
Speaker 6: kind of integrate that type of bad behavior into the show.

335
00:14:34,880 --> 00:14:36,680
Speaker 6: Like that's something that we kind of bravely do.

336
00:14:36,760 --> 00:14:38,960
Speaker 3: That was something that I was really impressed with when

337
00:14:39,000 --> 00:14:42,040
Speaker 3: when I went the way that you would kind of

338
00:14:42,080 --> 00:14:44,960
Speaker 3: attack the audience a couple of people trying to take

339
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Speaker 3: pictures of us.

340
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Speaker 5: Yeah, it's antagonistic from the jump. That's kind of our

341
00:14:48,760 --> 00:14:49,960
Speaker 5: thing too, is where.

342
00:14:50,360 --> 00:14:55,080
Speaker 4: But look, I don't Sonny Corleone character where I'll like

343
00:14:55,240 --> 00:15:00,040
Speaker 4: smash the cameras and throw some money down integrates and

344
00:15:00,040 --> 00:15:02,560
Speaker 4: and I kind of work it into the show and

345
00:15:02,760 --> 00:15:07,000
Speaker 4: it can get very It's it's the kind of joke

346
00:15:07,080 --> 00:15:09,920
Speaker 4: you don't pick up on until far after the show,

347
00:15:10,400 --> 00:15:13,240
Speaker 4: in the moment it's actually kind of thrilling and scary.

348
00:15:13,800 --> 00:15:21,280
Speaker 1: But that must eight bucks a ticket. That unless I'm I.

349
00:15:21,200 --> 00:15:23,560
Speaker 4: Started ripping money and half to make.

350
00:15:23,440 --> 00:15:25,240
Speaker 1: It appear to be more and more money.

351
00:15:25,320 --> 00:15:29,600
Speaker 5: Yes, but that's pre ripping his money like before the show,

352
00:15:29,600 --> 00:15:30,320
Speaker 5: and he says, if you.

353
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Speaker 1: Have hard to do, if you need to do it

354
00:15:32,000 --> 00:15:36,200
Speaker 1: right there, like it's it's harder to rip, like yeah, and.

355
00:15:36,160 --> 00:15:37,720
Speaker 6: You say, like, if you take this piece to the bank,

356
00:15:37,720 --> 00:15:40,880
Speaker 6: they'll give you the full bill, like they have to

357
00:15:41,000 --> 00:15:42,720
Speaker 6: tape it, but then they they don't.

358
00:15:43,000 --> 00:15:45,440
Speaker 4: There's also that's like stamps.

359
00:15:45,440 --> 00:15:48,960
Speaker 1: You can take stamps into know that is true. There's fibers,

360
00:15:48,600 --> 00:15:50,040
Speaker 1: stamps money you can use.

361
00:15:50,120 --> 00:15:53,600
Speaker 3: Yeah, you can use stamps to buy like it's currency.

362
00:15:53,840 --> 00:15:56,920
Speaker 1: Well, yeah, you get you can take it.

363
00:15:56,920 --> 00:16:00,120
Speaker 4: It's true. Like what I've been doing is dripping of

364
00:16:00,200 --> 00:16:03,200
Speaker 4: stamp by man, I'll smash their phone and they'll drop

365
00:16:03,400 --> 00:16:07,520
Speaker 4: like maybe page after page of stamps on the ground. Yeah,

366
00:16:07,840 --> 00:16:09,960
Speaker 4: folds are fucking expensive. It's a lot of stamps.

367
00:16:10,040 --> 00:16:12,680
Speaker 5: Yeah, we have the upside down plane stamp that we're

368
00:16:12,680 --> 00:16:17,280
Speaker 5: holding on too in case we break. But until then,

369
00:16:17,760 --> 00:16:19,920
Speaker 5: where you know, we're just making do with our sesame

370
00:16:19,960 --> 00:16:21,560
Speaker 5: street stamps or We've.

371
00:16:21,360 --> 00:16:23,280
Speaker 6: Had to learn so much about them stamps, which ones

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00:16:23,320 --> 00:16:24,000
Speaker 6: are more valuable.

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Speaker 4: Which It's been fun. It's been a fun ride thing.

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00:16:26,680 --> 00:16:29,080
Speaker 5: It's actually been. It's probably the highlight of doing the

375
00:16:29,080 --> 00:16:32,040
Speaker 5: Improv show again is you know, going deep on stamps

376
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Speaker 5: and stuff.

377
00:16:32,680 --> 00:16:35,200
Speaker 4: It's been a really good time going like being with

378
00:16:35,240 --> 00:16:38,640
Speaker 4: my buds, Yeah, going deep on stamps, getting back to our.

379
00:16:38,640 --> 00:16:41,280
Speaker 6: Roots, making people laugh. A show for the people. That's

380
00:16:41,320 --> 00:16:43,280
Speaker 6: the thing too, is if you're not one of the people, Like,

381
00:16:43,320 --> 00:16:45,320
Speaker 6: if you're we're not doing shows. We're not doing shows.

382
00:16:45,480 --> 00:16:46,800
Speaker 6: If your industry, you gotta leave.

383
00:16:46,880 --> 00:16:47,560
Speaker 5: Yeah the show.

384
00:16:48,440 --> 00:16:49,520
Speaker 6: Yeah, it's for people.

385
00:16:49,640 --> 00:16:53,000
Speaker 4: Worried about the and it's like, hey, when the fuck

386
00:16:53,360 --> 00:16:55,680
Speaker 4: have is the Wrizzler been on a stamp?

387
00:16:55,760 --> 00:16:56,240
Speaker 5: He has it?

388
00:16:56,560 --> 00:16:56,760
Speaker 1: Yeah?

389
00:16:56,800 --> 00:17:01,800
Speaker 4: Okay yeah not yet, not yet. I mean maybe it'd

390
00:17:01,800 --> 00:17:06,120
Speaker 4: be a good idea for the post office, but over yeah.

391
00:17:08,680 --> 00:17:10,960
Speaker 5: Your kid's gonna get real in the snail mail soon,

392
00:17:11,080 --> 00:17:13,640
Speaker 5: take it from me if he gets the fucking Wrizzler stamps.

393
00:17:14,160 --> 00:17:17,280
Speaker 1: Damn. And do you guys ever think about doing.

394
00:17:17,119 --> 00:17:22,399
Speaker 4: Fringe, doing fringe or French doing French like I fringe

395
00:17:22,400 --> 00:17:26,960
Speaker 4: on than we currently have we do? Bringing up we

396
00:17:26,960 --> 00:17:29,280
Speaker 4: didn't wear our costumes for disappearance. We didn't want to

397
00:17:29,280 --> 00:17:32,959
Speaker 4: freak your audience out. But normally when we we we

398
00:17:32,960 --> 00:17:34,400
Speaker 4: wear fringe.

399
00:17:34,480 --> 00:17:36,720
Speaker 6: And kind of do little twirls in moments where maybe

400
00:17:36,720 --> 00:17:38,400
Speaker 6: we don't know what to say in the improv scene

401
00:17:38,480 --> 00:17:39,200
Speaker 6: or maybe.

402
00:17:39,040 --> 00:17:40,760
Speaker 4: Yeah, visually it's so arresting.

403
00:17:40,880 --> 00:17:43,840
Speaker 2: There are so many moments of long silence where I'm

404
00:17:43,880 --> 00:17:45,679
Speaker 2: just hypnotized, but.

405
00:17:46,240 --> 00:17:47,600
Speaker 4: We're aiming by this special.

406
00:17:48,240 --> 00:17:50,040
Speaker 6: In those moments where I'm toiling, I am thinking, I'm

407
00:17:50,040 --> 00:17:52,359
Speaker 6: trying to being like, what should I say? Where are we?

408
00:17:52,520 --> 00:17:52,600
Speaker 1: Like?

409
00:17:52,680 --> 00:17:56,080
Speaker 6: What even happened in the crowd.

410
00:17:56,119 --> 00:17:58,240
Speaker 5: I'm gonna go out there and sat his little fucking ass.

411
00:17:58,280 --> 00:18:01,560
Speaker 4: I've attached some beads to my friend ringe to kind

412
00:18:01,560 --> 00:18:03,840
Speaker 4: of give me almost like rattlesnake effect.

413
00:18:03,880 --> 00:18:04,840
Speaker 6: Yeah, it's him nothing.

414
00:18:05,320 --> 00:18:08,320
Speaker 5: I've got little Christmas bells, like little elf shoe bells

415
00:18:08,320 --> 00:18:11,000
Speaker 5: at the end of some of my fringe too. Because

416
00:18:11,040 --> 00:18:12,760
Speaker 5: I used to get lost a little bit before the show.

417
00:18:12,760 --> 00:18:14,040
Speaker 5: I would be wandering off and they.

418
00:18:14,240 --> 00:18:16,600
Speaker 4: And I find him. It would be impossible to find

419
00:18:16,640 --> 00:18:18,600
Speaker 4: this guy. And I thought he was doing kind of

420
00:18:18,640 --> 00:18:21,640
Speaker 4: like big time in US. Yeah, just showing up late

421
00:18:21,720 --> 00:18:24,119
Speaker 4: to set kind of thing. He was a actor, but

422
00:18:24,200 --> 00:18:27,160
Speaker 4: he was completely lost and he doesn't dom anything on

423
00:18:27,200 --> 00:18:29,520
Speaker 4: your fringe, anything hatched. I know we had.

424
00:18:29,440 --> 00:18:32,360
Speaker 3: Beads here, and I know we had bells.

425
00:18:32,920 --> 00:18:33,840
Speaker 4: I'm just curious.

426
00:18:34,080 --> 00:18:39,679
Speaker 6: It's there's nothing attached to but it's so long. Nothing well, no,

427
00:18:39,720 --> 00:18:41,639
Speaker 6: but it's not attached, but it hits the floor, so

428
00:18:41,680 --> 00:18:43,080
Speaker 6: I kind of seemed to float around.

429
00:18:43,320 --> 00:18:46,240
Speaker 4: Trust you know, you wouldn't believe the questions we get

430
00:18:46,240 --> 00:18:48,960
Speaker 4: asked after the show. They're not about the show, they're

431
00:18:49,000 --> 00:18:53,240
Speaker 4: not the content. None of the how long that guy's fringe.

432
00:18:53,000 --> 00:18:56,000
Speaker 1: Was, because it's not a big theater, you know, where

433
00:18:56,000 --> 00:18:57,240
Speaker 1: he's not condusive.

434
00:18:57,960 --> 00:19:00,080
Speaker 6: We can fairly all be on the stage.

435
00:19:00,440 --> 00:19:02,960
Speaker 1: Even without big stuff hanging all.

436
00:19:03,080 --> 00:19:06,800
Speaker 5: Yeah, without his like weirdly orco movement that he's been

437
00:19:06,840 --> 00:19:09,919
Speaker 5: doing up there. It works for the show.

438
00:19:09,680 --> 00:19:13,240
Speaker 3: But it is weirdly, it's weirdly a little orco. But

439
00:19:13,840 --> 00:19:16,560
Speaker 3: when you're in it, you the pest control guy.

440
00:19:19,359 --> 00:19:22,399
Speaker 4: There are bugs there, but we've got a bug problem.

441
00:19:23,760 --> 00:19:26,480
Speaker 5: Yeah, but what's not we should say, it's not lyric iperiance,

442
00:19:26,800 --> 00:19:29,359
Speaker 5: it's our bugs. It's our bugs. We brought cicadas and

443
00:19:29,480 --> 00:19:31,439
Speaker 5: lantern flies in to see who you're.

444
00:19:31,359 --> 00:19:34,240
Speaker 1: Sort of sweeping them into the theater with your fringe.

445
00:19:34,560 --> 00:19:36,520
Speaker 6: That's what. We found a lot of them on our outfits,

446
00:19:36,560 --> 00:19:38,640
Speaker 6: so we do some of these tourls. Cicadas are kind

447
00:19:38,640 --> 00:19:40,320
Speaker 6: of released different bugs.

448
00:19:40,359 --> 00:19:42,120
Speaker 4: We thought we would bring them out with us as

449
00:19:42,200 --> 00:19:44,199
Speaker 4: fast as we brought them in, but that's not how

450
00:19:44,240 --> 00:19:46,560
Speaker 4: it works. Kind of once they get out there sort

451
00:19:46,600 --> 00:19:49,919
Speaker 4: of there, and we've tried various magics to get them out,

452
00:19:50,040 --> 00:19:52,440
Speaker 4: but it doesn't work. Black magic.

453
00:19:52,760 --> 00:19:55,919
Speaker 6: We don't have to get into all we've we've kind

454
00:19:55,960 --> 00:19:57,680
Speaker 6: of accumulated a lot of tricks in our kind of

455
00:19:57,680 --> 00:19:59,880
Speaker 6: twenty years of improvising together. We have.

456
00:20:00,720 --> 00:20:03,399
Speaker 5: I mean, Dom's fringe is one thing. But you got

457
00:20:03,520 --> 00:20:06,639
Speaker 5: to see this guy Tuesdays. Tuesdays from eight am to

458
00:20:06,680 --> 00:20:09,600
Speaker 5: ten am, he walks all the west side of Santa

459
00:20:09,600 --> 00:20:13,520
Speaker 5: Monica Boulevard. Wow, just get And on Thursdays ten to

460
00:20:13,600 --> 00:20:15,760
Speaker 5: twelve he's on the other side of the street, walking

461
00:20:15,840 --> 00:20:17,720
Speaker 5: down just gathering up ship.

462
00:20:17,880 --> 00:20:21,800
Speaker 6: Just yell crabs and say, just like all sorts of ship,

463
00:20:22,000 --> 00:20:25,320
Speaker 6: all the street cribs, crabs up here the beach.

464
00:20:25,400 --> 00:20:28,400
Speaker 4: Yeah then and so yeah, we don't don't have the rizzler,

465
00:20:28,560 --> 00:20:30,080
Speaker 4: but we have street crab.

466
00:20:30,800 --> 00:20:33,520
Speaker 5: We've got look, we don't let you eat during our show.

467
00:20:33,520 --> 00:20:36,120
Speaker 5: But do we cook a crab pot for the audience

468
00:20:36,119 --> 00:20:36,760
Speaker 5: after the show?

469
00:20:37,119 --> 00:20:41,400
Speaker 6: Yes, we have a crab crab that I've accumulated from

470
00:20:41,440 --> 00:20:43,000
Speaker 6: the street with my fringe.

471
00:20:42,680 --> 00:20:47,639
Speaker 4: Out that lip my Sonny Corleone character, and he'll be

472
00:20:47,720 --> 00:20:49,760
Speaker 4: a little bit more charming and kind of pinch your

473
00:20:49,840 --> 00:20:51,640
Speaker 4: cheek and be like, try to crabs.

474
00:20:51,720 --> 00:20:56,320
Speaker 6: Come on, the sunny come on so much. Can I

475
00:20:56,320 --> 00:20:58,440
Speaker 6: just say, your Sunny Corleone character is really I feel

476
00:20:58,440 --> 00:20:59,399
Speaker 6: like dimensionalized.

477
00:20:59,480 --> 00:21:01,440
Speaker 3: I appreciate we started the show.

478
00:21:01,880 --> 00:21:05,000
Speaker 6: He's a host of the show, and yeah he comes

479
00:21:05,000 --> 00:21:07,119
Speaker 6: out greets. We don't come out for the first twenty minutes.

480
00:21:07,160 --> 00:21:09,280
Speaker 5: And it's kind of kind of complicated because Ben has

481
00:21:09,320 --> 00:21:11,760
Speaker 5: all these different versions of the Sonny Corleone character that

482
00:21:11,840 --> 00:21:13,800
Speaker 5: I think it's just his personality.

483
00:21:14,240 --> 00:21:16,159
Speaker 4: But like when you look back at the early versions

484
00:21:16,200 --> 00:21:18,320
Speaker 4: of the show which are recorded, uh yeah.

485
00:21:18,200 --> 00:21:19,800
Speaker 3: But when you do look back, you can't look, but

486
00:21:19,840 --> 00:21:20,240
Speaker 3: when you.

487
00:21:20,200 --> 00:21:22,400
Speaker 4: Look back in your mind at them.

488
00:21:22,680 --> 00:21:25,399
Speaker 5: We do a collective memory therapy with an m d

489
00:21:25,560 --> 00:21:27,080
Speaker 5: M A specialist.

490
00:21:26,520 --> 00:21:28,960
Speaker 6: So it's imprinted. We do an imprint after a memory and.

491
00:21:29,000 --> 00:21:31,960
Speaker 4: Every show we do an imprint with a memory specialist

492
00:21:32,000 --> 00:21:33,720
Speaker 4: with mushrooms and m D m A.

493
00:21:35,040 --> 00:21:39,520
Speaker 5: Can't we call it hippie flipping? Ye, memory imprinting, and

494
00:21:39,520 --> 00:21:42,080
Speaker 5: it helps us never forget the show because we refuse

495
00:21:42,160 --> 00:21:43,080
Speaker 5: to repeat ourselves.

496
00:21:43,160 --> 00:21:46,760
Speaker 4: Month you know, we never say, whatever you do, do

497
00:21:46,960 --> 00:21:49,159
Speaker 4: not call it hippi flipping in front of these people.

498
00:21:49,520 --> 00:21:52,400
Speaker 6: They will get so fucking mad and it almost ruin

499
00:21:52,440 --> 00:21:52,840
Speaker 6: your trail.

500
00:21:53,080 --> 00:21:55,760
Speaker 4: Yes, and it's like wildly out of character for them.

501
00:21:55,840 --> 00:21:57,400
Speaker 4: I mean, they get so point.

502
00:21:57,440 --> 00:21:58,760
Speaker 6: That's what gets imprinted on the memory.

503
00:21:58,880 --> 00:21:59,960
Speaker 1: Yeah, that the anger.

504
00:22:00,040 --> 00:22:04,199
Speaker 5: Yeah, they sure you were advice turkish. Hippie flip is

505
00:22:04,240 --> 00:22:08,200
Speaker 5: a slur as well, yeah something Okay, Yeah, so let's

506
00:22:08,400 --> 00:22:10,439
Speaker 5: let's let's I'll keep saying all the things that are

507
00:22:10,480 --> 00:22:11,760
Speaker 5: slurs so no one else says them.

508
00:22:11,760 --> 00:22:13,560
Speaker 2: Okay, Well, as long as you're saying, hey, this is

509
00:22:13,600 --> 00:22:17,720
Speaker 2: a slur, not to say my understanding is that that's that's.

510
00:22:17,640 --> 00:22:22,200
Speaker 6: That's what I was. That's like an analytical or over

511
00:22:22,280 --> 00:22:24,600
Speaker 6: whatever it is. It's very smart to do that. It's

512
00:22:24,680 --> 00:22:29,720
Speaker 6: very smart to do that. Yeah.

513
00:22:30,880 --> 00:22:33,600
Speaker 2: Well, I think, like you know, we've done obviously a

514
00:22:33,600 --> 00:22:37,159
Speaker 2: lot of exploration of you know, what the show is

515
00:22:37,200 --> 00:22:39,119
Speaker 2: and why you guys do and why it's so important

516
00:22:39,119 --> 00:22:41,200
Speaker 2: to come out. But what I thought could be fun

517
00:22:41,359 --> 00:22:44,440
Speaker 2: to do just because we have all of the pretty

518
00:22:44,480 --> 00:22:49,200
Speaker 2: funny guys here, and Hayes and I are fans, even

519
00:22:49,200 --> 00:22:53,439
Speaker 2: if his kid would rather see The Rizzler and we

520
00:22:53,760 --> 00:22:58,200
Speaker 2: and we wanted to maybe as a promotion, say, uh,

521
00:22:58,280 --> 00:23:00,560
Speaker 2: let's hear a little in pro and I know you

522
00:23:00,560 --> 00:23:03,679
Speaker 2: hate oh my god, but well, hear a little bit

523
00:23:03,720 --> 00:23:05,480
Speaker 2: of improv like one of the scenes that you might

524
00:23:05,520 --> 00:23:06,160
Speaker 2: do in the show.

525
00:23:06,480 --> 00:23:08,880
Speaker 9: They didn't tell us oh god, all right, but that's

526
00:23:08,920 --> 00:23:11,879
Speaker 9: what makes it improv, sure, And so I thought that

527
00:23:11,920 --> 00:23:14,240
Speaker 9: it could be cool for everyone to say, hey, this

528
00:23:14,280 --> 00:23:16,000
Speaker 9: is the kind of thing you might hear if you

529
00:23:16,000 --> 00:23:18,480
Speaker 9: go to the theater and maybe shell out that eight

530
00:23:18,680 --> 00:23:22,560
Speaker 9: bucks right and leave your phone, yes please?

531
00:23:25,000 --> 00:23:27,400
Speaker 4: Yeah, And I'll.

532
00:23:27,400 --> 00:23:29,240
Speaker 1: Just like be gentle with me a little bit, because,

533
00:23:29,240 --> 00:23:31,960
Speaker 1: like I I it's been a really really long time

534
00:23:32,000 --> 00:23:34,000
Speaker 1: since I've done anything like this. We've just kind of

535
00:23:34,040 --> 00:23:38,480
Speaker 1: been in the studio. Sure will doing this and it's

536
00:23:38,560 --> 00:23:38,880
Speaker 1: just like.

537
00:23:40,920 --> 00:23:43,560
Speaker 6: Me and like, you know, we're in your environment. You know,

538
00:23:43,600 --> 00:23:45,320
Speaker 6: we're used to the being with the people, kind of

539
00:23:45,320 --> 00:23:47,160
Speaker 6: having them shoulder to shoulder with us, so this will

540
00:23:47,160 --> 00:23:48,360
Speaker 6: be interesting for us too.

541
00:23:48,440 --> 00:23:49,920
Speaker 4: Yeah, I think it could be fun.

542
00:23:49,960 --> 00:23:52,159
Speaker 5: And so we're also desperate to get asses and seats

543
00:23:52,200 --> 00:23:54,120
Speaker 5: and we know what you guys will kind of listenership.

544
00:23:54,160 --> 00:23:56,359
Speaker 5: You guys have based in the silver Lake area. Yeah,

545
00:23:56,480 --> 00:23:58,359
Speaker 5: so we're down to we're down to clown.

546
00:23:58,760 --> 00:23:59,320
Speaker 6: Yeah, that's clown.

547
00:23:59,400 --> 00:24:00,520
Speaker 5: We're gonna do in, not clown.

548
00:24:00,560 --> 00:24:04,000
Speaker 6: Sorry, Chad Domiani, No, no, no, please, we are community different.

549
00:24:04,240 --> 00:24:05,800
Speaker 6: That's a different thing that we can't be.

550
00:24:06,240 --> 00:24:09,560
Speaker 5: We've expressed interest in joining the clown community. We've submitted

551
00:24:09,560 --> 00:24:13,160
Speaker 5: a countless resumes, and they just make clown.

552
00:24:12,960 --> 00:24:14,800
Speaker 4: Night Live rejected us.

553
00:24:15,359 --> 00:24:18,119
Speaker 6: I send a packet to Clown Night last. Yeah, but

554
00:24:18,760 --> 00:24:19,600
Speaker 6: I haven't heard much.

555
00:24:19,760 --> 00:24:23,080
Speaker 4: I haven't heard jack Ship. We don't want to get

556
00:24:23,119 --> 00:24:26,040
Speaker 4: stuck on this, but like it's a touchy area. No,

557
00:24:26,119 --> 00:24:27,960
Speaker 4: but yeah, I know that you had.

558
00:24:28,040 --> 00:24:30,720
Speaker 3: I think you had your interview with clown Michaels right

559
00:24:30,760 --> 00:24:32,359
Speaker 3: where you actually went in and I.

560
00:24:32,600 --> 00:24:34,720
Speaker 6: Waited so long to go in? How long did you wait?

561
00:24:35,040 --> 00:24:38,000
Speaker 4: He had me there. I was in one of my

562
00:24:38,200 --> 00:24:44,440
Speaker 4: clown heroes dressing rooms forever, eating his clown candy from

563
00:24:44,600 --> 00:24:47,960
Speaker 4: like you know, the off season, and I'm there starving.

564
00:24:48,040 --> 00:24:52,120
Speaker 4: I'm there for hours and then I meet with clown clown.

565
00:24:52,040 --> 00:24:58,400
Speaker 8: Floor Man from Clown and Thompson's Dressing Room to Michaels,

566
00:24:59,240 --> 00:25:03,960
Speaker 8: I think you go out clown actually clown Lorn.

567
00:25:04,320 --> 00:25:07,640
Speaker 4: Michaels clowns because these are three different guys we're talking about.

568
00:25:07,760 --> 00:25:09,800
Speaker 5: Yeah, but they run clown Night Live.

569
00:25:10,080 --> 00:25:14,439
Speaker 1: Yes, it is different, and I'm not like a student

570
00:25:14,440 --> 00:25:17,719
Speaker 1: of this stuff. But my understanding is that clowning is

571
00:25:17,760 --> 00:25:21,600
Speaker 1: about like moving around. What you guys do is is

572
00:25:21,760 --> 00:25:28,440
Speaker 1: not there's nothing withounding is about like moving around and

573
00:25:28,520 --> 00:25:32,439
Speaker 1: you can talk sometimes, but it's like you're it's really

574
00:25:33,200 --> 00:25:36,280
Speaker 1: you're moving around and you're talking and you're like doing

575
00:25:36,800 --> 00:25:38,800
Speaker 1: you can do like jokes and stuff.

576
00:25:38,920 --> 00:25:42,679
Speaker 5: There's an element like uh, like you know, clowning. The

577
00:25:42,680 --> 00:25:44,399
Speaker 5: reason we thought we'd be good at clowning is because

578
00:25:44,600 --> 00:25:47,160
Speaker 5: there's something antagonistic with the crowd of like I, dare

579
00:25:47,240 --> 00:25:48,560
Speaker 5: you interact with me?

580
00:25:49,000 --> 00:25:51,120
Speaker 6: Yeah, which is I feel that way all the time.

581
00:25:51,320 --> 00:25:53,480
Speaker 5: That's how I feel as an audience member. I'm I

582
00:25:53,480 --> 00:25:54,880
Speaker 5: feel like I'm always being dared.

583
00:25:54,880 --> 00:25:56,600
Speaker 1: Ready to be interact the way you guys do.

584
00:25:56,680 --> 00:25:59,639
Speaker 4: It is like we got a lot of in the

585
00:25:59,680 --> 00:26:02,760
Speaker 4: audience for a while too. We can't get stuck on that.

586
00:26:02,880 --> 00:26:04,720
Speaker 4: But yeah, let's clown.

587
00:26:04,680 --> 00:26:09,879
Speaker 7: Or we're gonna clown, going to do that, Let's do

588
00:26:09,920 --> 00:26:12,320
Speaker 7: a little bit of improve And so Kevin I had

589
00:26:12,320 --> 00:26:15,000
Speaker 7: asked him to kind of collect some suggestions.

590
00:26:15,359 --> 00:26:19,280
Speaker 9: Uh, they got you in on this, Kevin.

591
00:26:19,960 --> 00:26:23,000
Speaker 5: The least have done is let us know, Man, I

592
00:26:23,040 --> 00:26:23,640
Speaker 5: remember this.

593
00:26:24,800 --> 00:26:32,240
Speaker 1: So what so what's the what is the Kevin is

594
00:26:32,240 --> 00:26:35,480
Speaker 1: gonna share? He's going to share a suggestion that he

595
00:26:35,600 --> 00:26:39,479
Speaker 1: got that's right from the social media or something that's right. Okay,

596
00:26:40,560 --> 00:26:43,719
Speaker 1: the suggestion is medicine.

597
00:26:44,320 --> 00:26:46,680
Speaker 4: Medicine, medicine. I wonder if they'll do with that.

598
00:26:47,080 --> 00:26:54,840
Speaker 10: Okay, Oh you know what the perfect medicine is.

599
00:26:57,080 --> 00:26:59,399
Speaker 4: To Nata looking at Cowboy TV.

600
00:27:00,040 --> 00:27:03,280
Speaker 5: Oh yeah, kick back here, have a little sip of

601
00:27:03,359 --> 00:27:08,600
Speaker 5: the old medicine. Taking a look at the medicinal TV

602
00:27:08,760 --> 00:27:09,440
Speaker 5: in front of us.

603
00:27:09,800 --> 00:27:13,199
Speaker 10: Past me some medicine, please, by which I mean a

604
00:27:13,280 --> 00:27:18,800
Speaker 10: big peg of mershmallows.

605
00:27:18,520 --> 00:27:20,840
Speaker 6: You should I throw another log on the Cowboy TV

606
00:27:20,960 --> 00:27:22,240
Speaker 6: or people happy with what's on?

607
00:27:22,280 --> 00:27:24,800
Speaker 3: That'll change the channel reception.

608
00:27:25,040 --> 00:27:25,760
Speaker 4: But there we go.

609
00:27:26,240 --> 00:27:28,800
Speaker 10: You know a lot of people on their regular TVs

610
00:27:28,880 --> 00:27:34,879
Speaker 10: watch medical drummers, but for Cowboy TV, it's one of

611
00:27:34,920 --> 00:27:38,480
Speaker 10: these logs is sick and he's got to burn up.

612
00:27:39,320 --> 00:27:44,159
Speaker 5: Absolutely logs anatomy.

613
00:27:43,160 --> 00:27:45,720
Speaker 3: The sorry, the good Text you got something you're trying

614
00:27:45,760 --> 00:27:46,040
Speaker 3: to say?

615
00:27:46,160 --> 00:27:49,840
Speaker 5: Text what's going on? Tech?

616
00:27:49,960 --> 00:27:53,240
Speaker 6: Text Boots, Text Boots, I live and breathe. You're about

617
00:27:53,240 --> 00:27:55,119
Speaker 6: to speak with the first time ever, Boots.

618
00:27:55,160 --> 00:27:56,720
Speaker 4: I barely heard the sneak.

619
00:27:56,480 --> 00:27:56,720
Speaker 5: Up on.

620
00:27:58,680 --> 00:28:01,240
Speaker 10: A heck of a fire in by fire, I mean

621
00:28:01,320 --> 00:28:02,160
Speaker 10: Cowboy TV.

622
00:28:02,400 --> 00:28:04,560
Speaker 4: It's even rattled, text Boots.

623
00:28:05,760 --> 00:28:09,680
Speaker 5: That is a big surprise. All right, mister Boots, out

624
00:28:09,720 --> 00:28:10,160
Speaker 5: with it.

625
00:28:10,400 --> 00:28:12,560
Speaker 3: Come on now, let's hear it.

626
00:28:14,880 --> 00:28:16,520
Speaker 1: Why did the sound start?

627
00:28:17,480 --> 00:28:17,879
Speaker 5: I don't know.

628
00:28:17,920 --> 00:28:21,000
Speaker 4: We're not wearing a headphones or hear this.

629
00:28:21,119 --> 00:28:22,359
Speaker 1: There's a fire sound.

630
00:28:22,600 --> 00:28:24,840
Speaker 6: Oh that's perfect actually where the scene wound up.

631
00:28:25,560 --> 00:28:29,080
Speaker 4: But why that really matches the scene? You're kind of

632
00:28:29,119 --> 00:28:29,840
Speaker 4: part of the show.

633
00:28:30,040 --> 00:28:33,400
Speaker 1: It's that stopped now, but it was playing a second ago.

634
00:28:33,560 --> 00:28:34,240
Speaker 1: There was a fire.

635
00:28:34,400 --> 00:28:36,480
Speaker 5: That happens to us a lot at the lyrics. Someone

636
00:28:36,520 --> 00:28:39,040
Speaker 5: will start a fire during our show and we'll hear

637
00:28:39,080 --> 00:28:39,800
Speaker 5: it and then we'll just.

638
00:28:39,760 --> 00:28:40,800
Speaker 6: We'll smell I smell it.

639
00:28:40,880 --> 00:28:42,280
Speaker 1: Is that why this happened?

640
00:28:42,360 --> 00:28:43,840
Speaker 5: I have no idea why it happened. I don't have

641
00:28:43,840 --> 00:28:44,400
Speaker 5: headphones on.

642
00:28:45,000 --> 00:28:46,920
Speaker 6: It's just kind of where the scene took us again.

643
00:28:46,760 --> 00:28:48,680
Speaker 4: We're sort of more in I know you're used to

644
00:28:48,760 --> 00:28:52,200
Speaker 4: like being digitally connected and that's why you have the

645
00:28:52,240 --> 00:28:53,760
Speaker 4: headphones on all the times.

646
00:28:54,560 --> 00:28:55,720
Speaker 6: Well, and I know it was.

647
00:28:55,640 --> 00:28:59,400
Speaker 1: The same sound from Cowboy TV. You started doing the

648
00:28:59,800 --> 00:29:02,200
Speaker 1: same cowboys rolled with the suggestion.

649
00:29:02,320 --> 00:29:05,840
Speaker 4: I thought, medicine you, I know, and I said, like,

650
00:29:06,000 --> 00:29:11,600
Speaker 4: medicine is like Cowboy TV. What's healing watching?

651
00:29:12,280 --> 00:29:13,680
Speaker 6: Can I give you a note? Real quick?

652
00:29:13,920 --> 00:29:14,480
Speaker 5: Is that? Okay?

653
00:29:14,560 --> 00:29:15,400
Speaker 6: Are we given notes?

654
00:29:15,480 --> 00:29:15,640
Speaker 4: Well?

655
00:29:15,640 --> 00:29:15,960
Speaker 1: Why not?

656
00:29:16,080 --> 00:29:17,200
Speaker 4: I mean, we're all trying to make each other.

657
00:29:17,280 --> 00:29:18,760
Speaker 6: I don't know if you could tell, but we were

658
00:29:18,840 --> 00:29:21,120
Speaker 6: kind of teeing you up to be a guy named text?

659
00:29:22,000 --> 00:29:23,520
Speaker 6: Did you did you get that feeling?

660
00:29:23,800 --> 00:29:28,040
Speaker 1: I text talk and I think we were.

661
00:29:28,400 --> 00:29:30,360
Speaker 3: So that can be a gift, A statement like that

662
00:29:30,400 --> 00:29:31,160
Speaker 3: can be a real guy.

663
00:29:31,160 --> 00:29:32,960
Speaker 5: And you chose to take that gift and say, why

664
00:29:33,080 --> 00:29:35,240
Speaker 5: is this sound in my headphones? You're the only one wearing.

665
00:29:36,000 --> 00:29:38,320
Speaker 4: I didn't feel like saying I didn't feel like it

666
00:29:38,360 --> 00:29:43,440
Speaker 4: was like if like, if we were at the lyric hyperiod,

667
00:29:44,440 --> 00:29:46,840
Speaker 4: my Sonny Corlione character probably would have beat the ship

668
00:29:46,840 --> 00:29:47,479
Speaker 4: out of you.

669
00:29:47,560 --> 00:29:50,320
Speaker 5: Yeah, if this was the lyric period, we would of

670
00:29:50,320 --> 00:29:52,720
Speaker 5: course rolled with it. When the fourth guy just randomly

671
00:29:52,800 --> 00:29:55,239
Speaker 5: joined the scene, but when the fifth guy didn't do

672
00:29:55,280 --> 00:29:55,600
Speaker 5: what he was.

673
00:29:55,560 --> 00:29:56,320
Speaker 6: Gonna start talking.

674
00:29:57,640 --> 00:29:59,680
Speaker 1: Yeah, So because I agree, I didn't do a great

675
00:29:59,760 --> 00:30:02,320
Speaker 1: job the scene, but people really were paying a lot

676
00:30:02,320 --> 00:30:04,440
Speaker 1: of attention to the fact that I hadn't been talking

677
00:30:04,480 --> 00:30:06,960
Speaker 1: that much when Gabors didn't talk that much either.

678
00:30:08,400 --> 00:30:09,920
Speaker 6: Should you don't need to keep score like that. I

679
00:30:09,960 --> 00:30:12,080
Speaker 6: don't think a zero.

680
00:30:12,240 --> 00:30:16,160
Speaker 1: Game character was flossing, okay, because he had just see

681
00:30:16,200 --> 00:30:17,560
Speaker 1: you moving like you were flossing.

682
00:30:17,600 --> 00:30:21,320
Speaker 6: But I guess the radio and it's just one scene,

683
00:30:21,360 --> 00:30:22,440
Speaker 6: like you know what I mean, Like we do a

684
00:30:22,440 --> 00:30:22,840
Speaker 6: bunch of.

685
00:30:22,760 --> 00:30:26,800
Speaker 1: This was my question. This is like, I mean, the

686
00:30:26,880 --> 00:30:29,560
Speaker 1: fire is the most confusing thing for me, Like I

687
00:30:29,560 --> 00:30:31,880
Speaker 1: don't know why that would start playing because we started

688
00:30:31,880 --> 00:30:33,760
Speaker 1: looking because the suggestion was medicine.

689
00:30:33,840 --> 00:30:35,160
Speaker 6: You must have seen even start to.

690
00:30:35,400 --> 00:30:38,520
Speaker 1: Question, I don't that like that that Actually I should

691
00:30:38,520 --> 00:30:42,200
Speaker 1: have said something then, because that didn't feel like a

692
00:30:42,240 --> 00:30:43,959
Speaker 1: normal suggestion to me at all.

693
00:30:44,440 --> 00:30:46,920
Speaker 4: Maybe we roll with it. Maybe we do another one

694
00:30:46,960 --> 00:30:48,760
Speaker 4: where we just kind of roll with it and.

695
00:30:48,680 --> 00:30:53,440
Speaker 2: Like being outside the scene and judging it and going

696
00:30:53,480 --> 00:30:55,120
Speaker 2: this is what I thought would happen, Because I think

697
00:30:55,160 --> 00:30:57,320
Speaker 2: that's a really bad way to approach improv is to

698
00:30:57,360 --> 00:30:59,560
Speaker 2: go like, oh I expected this or I didn't.

699
00:30:59,320 --> 00:31:00,440
Speaker 6: Expect you can't.

700
00:31:00,760 --> 00:31:01,520
Speaker 4: That's instructive.

701
00:31:02,040 --> 00:31:04,080
Speaker 2: Yeah, I think that what you should just do is

702
00:31:04,120 --> 00:31:06,240
Speaker 2: go like, Okay, this is what's happening.

703
00:31:06,240 --> 00:31:08,680
Speaker 4: How can I either add to it or but what Okay,

704
00:31:09,240 --> 00:31:12,160
Speaker 4: let's not worry about like your weird feelings with Gabril.

705
00:31:12,040 --> 00:31:14,040
Speaker 5: Agree to what.

706
00:31:16,880 --> 00:31:18,840
Speaker 1: I should not have made it about that. I was

707
00:31:18,880 --> 00:31:20,840
Speaker 1: reacting to the fact that I feel like I was

708
00:31:20,840 --> 00:31:26,400
Speaker 1: getting But it's not about like how I how anyone?

709
00:31:27,080 --> 00:31:28,640
Speaker 5: Jesus, I can't even talk now.

710
00:31:29,800 --> 00:31:34,120
Speaker 3: I'm sorry Gabriel and its Can we go back to

711
00:31:34,160 --> 00:31:34,680
Speaker 3: the well.

712
00:31:36,800 --> 00:31:41,440
Speaker 1: Explain it to Dom and Gabe? Yeah? Well idid explaining it?

713
00:31:41,560 --> 00:31:43,320
Speaker 1: But like I will say it out loud, started just

714
00:31:43,360 --> 00:31:50,280
Speaker 1: one second. Please. So Bang and Sean have so many

715
00:31:50,320 --> 00:31:53,400
Speaker 1: times on this show done this thing where like they

716
00:31:53,440 --> 00:31:57,080
Speaker 1: have been trying to introduce a concept called Cowboy TV

717
00:31:57,520 --> 00:31:58,959
Speaker 1: to the show. Were they?

718
00:32:00,080 --> 00:32:05,280
Speaker 4: Yere, I got that from the scene, that's what we

719
00:32:05,280 --> 00:32:08,280
Speaker 4: were feeling. Yeah, there, and it just kind of naturally happened.

720
00:32:11,200 --> 00:32:15,160
Speaker 6: So do we kind of back into an old idea?

721
00:32:16,080 --> 00:32:17,960
Speaker 1: Makes me feel kind of stupid? Does it seemed like

722
00:32:18,080 --> 00:32:21,040
Speaker 1: you guys might have known what Cowboy TV.

723
00:32:21,800 --> 00:32:23,520
Speaker 5: I know what Cowboy TV is. You think I like

724
00:32:23,600 --> 00:32:26,600
Speaker 5: pick random episodes, but you just heard Cowboy TV and

725
00:32:26,640 --> 00:32:31,440
Speaker 5: you automatically makes sense because cowboys didn't have TV, but

726
00:32:31,480 --> 00:32:33,040
Speaker 5: they would sit and stare at the fire.

727
00:32:32,840 --> 00:32:34,840
Speaker 6: And fires are hypnotically.

728
00:32:35,840 --> 00:32:39,480
Speaker 4: Television artist has a signature, and like I hear John

729
00:32:39,520 --> 00:32:41,880
Speaker 4: Williams score, I can tell John Williams even though it's

730
00:32:41,920 --> 00:32:44,840
Speaker 4: a different score. And maybe my fallback is stuff that's

731
00:32:44,960 --> 00:32:49,560
Speaker 4: kind of like Cowboy TV of Corleon.

732
00:32:49,640 --> 00:32:58,520
Speaker 3: I think you basically where Carleon Sonny Corleoni is, Yeah,

733
00:32:58,560 --> 00:33:01,680
Speaker 3: a bit of his cavalier.

734
00:33:02,120 --> 00:33:04,600
Speaker 1: Yeah, but this isn't something that happens in the in

735
00:33:04,640 --> 00:33:05,080
Speaker 1: the show.

736
00:33:05,560 --> 00:33:07,640
Speaker 6: I haven't heard that character in the show. Yeah, no,

737
00:33:07,760 --> 00:33:10,000
Speaker 6: I mean that again, like sometimes you back into stuff

738
00:33:10,000 --> 00:33:11,200
Speaker 6: you're like, oh, this is kind of like a sketch

739
00:33:11,240 --> 00:33:12,640
Speaker 6: I did, Oh, this is kind of like and but

740
00:33:12,680 --> 00:33:13,640
Speaker 6: it's all just kind of.

741
00:33:13,680 --> 00:33:18,200
Speaker 4: Also, we do so much freaky mystical stuff beforehand, including today,

742
00:33:18,320 --> 00:33:20,600
Speaker 4: that like I never know what's going to come out

743
00:33:20,600 --> 00:33:21,080
Speaker 4: of my mouth.

744
00:33:22,040 --> 00:33:25,840
Speaker 6: I'm more what's your what's your what's your accusation?

745
00:33:26,400 --> 00:33:28,520
Speaker 2: Like it just feels like there's like something of a

746
00:33:29,280 --> 00:33:32,200
Speaker 2: I wasn't gonna say it, but it does feel like

747
00:33:32,280 --> 00:33:35,479
Speaker 2: you are you believe there's some conspiracy or something.

748
00:33:36,080 --> 00:33:38,440
Speaker 1: The fact, so to me, it's most and I keep

749
00:33:38,440 --> 00:33:40,160
Speaker 1: coming coming back to this. I'm sorry, and I know

750
00:33:40,200 --> 00:33:42,959
Speaker 1: you can't hear. It's the fact that the fire started playing,

751
00:33:43,280 --> 00:33:45,440
Speaker 1: because that suggests to me that there's like a pre

752
00:33:45,640 --> 00:33:46,680
Speaker 1: planned thing.

753
00:33:46,960 --> 00:33:48,480
Speaker 5: But none of us about you know what.

754
00:33:48,520 --> 00:33:54,000
Speaker 4: I'm just going like, I follow his on letterbox and

755
00:33:54,160 --> 00:33:56,880
Speaker 4: last night he watched the Net and I think that's

756
00:33:57,000 --> 00:34:02,480
Speaker 4: kind of what's happening, kind of paranoid about you want.

757
00:34:03,360 --> 00:34:05,920
Speaker 6: You can't watch that movie that late, that'll just get

758
00:34:05,960 --> 00:34:06,360
Speaker 6: you all.

759
00:34:06,200 --> 00:34:10,160
Speaker 4: Paranog Yes, no, this isn't Mozart's Ghosts. Okay, this is

760
00:34:10,200 --> 00:34:12,759
Speaker 4: insane program in the Net.

761
00:34:12,880 --> 00:34:15,920
Speaker 6: Yeah, Okay, Dennis Miller isn't here.

762
00:34:15,960 --> 00:34:21,120
Speaker 4: We're not in the nest, So so maybe shake off, okay, babe, Maybe.

763
00:34:22,680 --> 00:34:25,600
Speaker 2: Maybe he'll show up at the next scene.

764
00:34:26,600 --> 00:34:29,640
Speaker 4: Have you ever heard of art therapy at all? His like,

765
00:34:30,200 --> 00:34:35,600
Speaker 4: it's the concept is the concept is art you kind

766
00:34:35,640 --> 00:34:38,120
Speaker 4: of heal? And maybe we should do another scene and

767
00:34:38,120 --> 00:34:39,040
Speaker 4: try to snap.

768
00:34:38,800 --> 00:34:40,000
Speaker 6: To kind of heal that first scene.

769
00:34:40,080 --> 00:34:42,719
Speaker 5: Kenry said we had about eight thousand suggestions. We had

770
00:34:42,719 --> 00:34:44,279
Speaker 5: to get through. Yeah, so do you want to pick

771
00:34:44,280 --> 00:34:44,799
Speaker 5: a second one?

772
00:34:44,840 --> 00:34:46,640
Speaker 1: One? So that was the fat? Was the one you

773
00:34:46,680 --> 00:34:50,200
Speaker 1: picked out of eight thousand? Was medicine? Yeah, it's good.

774
00:34:50,239 --> 00:34:53,000
Speaker 1: It wasn't food, which is actually who was that from?

775
00:34:53,640 --> 00:34:54,960
Speaker 4: Todd? What's up?

776
00:34:55,040 --> 00:34:55,279
Speaker 5: Todd?

777
00:34:55,320 --> 00:34:55,560
Speaker 4: Thanks?

778
00:34:55,800 --> 00:34:56,439
Speaker 6: Thank you Todd.

779
00:34:56,440 --> 00:34:59,480
Speaker 2: That was the keep on listen and keep on see

780
00:34:59,480 --> 00:35:02,240
Speaker 2: you what the lyrics hypeerioday, it's.

781
00:35:02,120 --> 00:35:04,200
Speaker 6: Third Monday, quarter past seven. See you there.

782
00:35:06,640 --> 00:35:09,040
Speaker 5: You can buy tickets at event bright dot com slash

783
00:35:09,080 --> 00:35:11,760
Speaker 5: pretty funny.

784
00:35:09,719 --> 00:35:15,239
Speaker 1: So what happened was you got you just started doing

785
00:35:15,239 --> 00:35:16,600
Speaker 1: a cowboy type character?

786
00:35:16,800 --> 00:35:19,200
Speaker 4: Yeah, I don't know. Medicine has just made me think

787
00:35:19,600 --> 00:35:20,600
Speaker 4: on medicine.

788
00:35:20,840 --> 00:35:23,000
Speaker 6: We do what's called A to C right where you

789
00:35:23,000 --> 00:35:24,480
Speaker 6: go like, medicine makes you think.

790
00:35:24,360 --> 00:35:25,880
Speaker 5: Of this can immediately be.

791
00:35:29,440 --> 00:35:31,000
Speaker 4: Soul, a good fire.

792
00:35:30,920 --> 00:35:32,200
Speaker 6: The boom A to B two C.

793
00:35:32,719 --> 00:35:35,000
Speaker 4: You want to go med Yeah, right.

794
00:35:34,760 --> 00:35:37,120
Speaker 1: And now, I honestly can't remember if the fire was

795
00:35:37,160 --> 00:35:38,720
Speaker 1: starting before or after you started.

796
00:35:39,160 --> 00:35:42,040
Speaker 6: You're the only one that Yeah, I can't.

797
00:35:42,120 --> 00:35:43,840
Speaker 4: I can't help you with the fire part of it.

798
00:35:44,040 --> 00:35:46,279
Speaker 5: Do we know who started the fire? Sound effect? It's

799
00:35:46,280 --> 00:35:47,280
Speaker 5: got to be Kevin, right.

800
00:35:47,480 --> 00:35:49,759
Speaker 1: I mean I keep looking at him, but I mean,

801
00:35:49,880 --> 00:35:50,520
Speaker 1: last time I.

802
00:35:50,600 --> 00:35:52,960
Speaker 4: Checked, it's always been burning since the world has been turned.

803
00:35:52,960 --> 00:35:55,680
Speaker 6: Okay, this guy's ready to go.

804
00:35:55,920 --> 00:35:56,960
Speaker 5: How can we sleep?

805
00:35:59,160 --> 00:35:59,799
Speaker 4: Was that going?

806
00:36:00,080 --> 00:36:02,320
Speaker 1: Billy's using the fire? Kevin?

807
00:36:02,840 --> 00:36:05,080
Speaker 6: The suggestion is skincare.

808
00:36:04,719 --> 00:36:05,719
Speaker 5: Skin care?

809
00:36:05,920 --> 00:36:07,520
Speaker 6: Thank you, thank you for skincare.

810
00:36:08,239 --> 00:36:09,920
Speaker 1: Is this what we're gonna do?

811
00:36:09,920 --> 00:36:10,359
Speaker 6: Another scene?

812
00:36:10,400 --> 00:36:13,640
Speaker 1: I skin care? Okay, skin care? The fires.

813
00:36:14,640 --> 00:36:16,959
Speaker 5: I'm telling you this is driving my skin out? Over here?

814
00:36:17,760 --> 00:36:20,080
Speaker 4: Who driving your skin out?

815
00:36:20,200 --> 00:36:26,800
Speaker 1: Okay? The fire in a little appointment, A little that didn't.

816
00:36:25,800 --> 00:36:27,000
Speaker 5: You want to rub it on there?

817
00:36:27,400 --> 00:36:30,000
Speaker 3: But perhaps that could be a soothing bone. Because I

818
00:36:30,040 --> 00:36:32,640
Speaker 3: sat a little too close to the Cowboy TV.

819
00:36:32,960 --> 00:36:33,880
Speaker 1: Got my Cowboy.

820
00:36:34,719 --> 00:36:36,880
Speaker 6: I leaned in for one of my favorite parts on

821
00:36:36,960 --> 00:36:39,480
Speaker 6: the show of Cowboy Cowboy TV. And I tell you

822
00:36:39,520 --> 00:36:40,560
Speaker 6: I got my nose burned.

823
00:36:40,800 --> 00:36:43,080
Speaker 10: It singed it, it singed it, and then did you

824
00:36:43,160 --> 00:36:46,239
Speaker 10: notice it died down almost like it was a commercial.

825
00:36:47,520 --> 00:36:51,800
Speaker 5: Sorry this episode, Cowboy, keep it keep it playing.

826
00:36:51,920 --> 00:36:54,000
Speaker 1: Keep the fire playing, Kevin, because I want to talk

827
00:36:54,000 --> 00:36:56,759
Speaker 1: to you about excuse me, you keep doing your scene.

828
00:36:56,760 --> 00:37:00,239
Speaker 1: If you want to text Boots, I just need to

829
00:37:00,239 --> 00:37:05,200
Speaker 1: share Boots, there's a snake. I am not text Boots.

830
00:37:06,840 --> 00:37:09,120
Speaker 4: Out of body experience.

831
00:37:10,880 --> 00:37:14,160
Speaker 5: Savingport podcaster turned kind of like, good.

832
00:37:17,480 --> 00:37:21,520
Speaker 4: We're sorry, no, no, no, we just gotta let him

833
00:37:21,520 --> 00:37:27,520
Speaker 4: have his boots. Is channeling something? Wow, he was put

834
00:37:27,520 --> 00:37:27,799
Speaker 4: in a.

835
00:37:27,760 --> 00:37:30,640
Speaker 3: Trance by the Cowboy TV and hypnotized to believe it.

836
00:37:31,080 --> 00:37:33,759
Speaker 1: I was really ready to do improv. I was. I

837
00:37:33,800 --> 00:37:37,799
Speaker 1: was nervous about doing it, but I was excited to

838
00:37:39,560 --> 00:37:43,560
Speaker 1: its not it's been a long It's just been a

839
00:37:43,600 --> 00:37:46,600
Speaker 1: long time since I've done it. And that's not it's

840
00:37:46,600 --> 00:37:47,520
Speaker 1: just been a long time.

841
00:37:48,280 --> 00:37:51,359
Speaker 5: Now, what's going on with your skincare conditions over there?

842
00:37:51,440 --> 00:37:54,200
Speaker 1: Sir? That then, that doesn't sound like a cowboy to me.

843
00:37:54,840 --> 00:37:59,800
Speaker 1: That's the thing that I'm a Turkish sniper.

844
00:38:00,040 --> 00:38:03,839
Speaker 4: I've heard enough, okay, like you lay off for five

845
00:38:04,320 --> 00:38:05,160
Speaker 4: But that's that.

846
00:38:05,760 --> 00:38:07,759
Speaker 1: Like the only thing that I have to go on

847
00:38:07,800 --> 00:38:11,040
Speaker 1: that like, that doesn't sound like cowboy. That is why

848
00:38:11,080 --> 00:38:12,240
Speaker 1: I feel kind of crazy.

849
00:38:12,440 --> 00:38:14,960
Speaker 5: Let's see one I talked not enough scene too, I

850
00:38:15,040 --> 00:38:16,880
Speaker 5: talk wrong. Jesus fucking Christ.

851
00:38:17,000 --> 00:38:18,879
Speaker 3: And let's not give Gabriis notes all the time.

852
00:38:18,880 --> 00:38:20,759
Speaker 4: I actually liked a lot of what he was doing

853
00:38:20,800 --> 00:38:21,320
Speaker 4: in the scene.

854
00:38:21,320 --> 00:38:23,919
Speaker 3: It wasn't perfect, but it was stuff to it.

855
00:38:24,200 --> 00:38:27,040
Speaker 1: But it's like I got I don't think I'm not

856
00:38:27,280 --> 00:38:30,880
Speaker 1: criticized doing something that's not like I I love that

857
00:38:31,000 --> 00:38:32,080
Speaker 1: it wasn't like a.

858
00:38:32,440 --> 00:38:34,160
Speaker 6: Can I give you a note? It's okay to give

859
00:38:34,160 --> 00:38:34,440
Speaker 6: you a.

860
00:38:34,680 --> 00:38:40,400
Speaker 2: Read's actually been pretty kind with his participating this.

861
00:38:40,600 --> 00:38:43,000
Speaker 1: I felt like and I wanted to know there was

862
00:38:43,000 --> 00:38:44,919
Speaker 1: no within in it.

863
00:38:45,080 --> 00:38:45,719
Speaker 6: Within the scene.

864
00:38:45,760 --> 00:38:47,600
Speaker 3: I felt like you were a little detached.

865
00:38:48,080 --> 00:38:51,000
Speaker 1: I was participating the attachments.

866
00:38:51,040 --> 00:38:52,960
Speaker 3: I heard the fire period, you're an agreement.

867
00:38:53,000 --> 00:38:54,040
Speaker 5: I felt it a little to you.

868
00:38:54,160 --> 00:38:56,760
Speaker 1: Kevin didn't answer my question about like where the fire

869
00:38:56,920 --> 00:39:00,400
Speaker 1: was and started doing guys.

870
00:39:00,400 --> 00:39:03,040
Speaker 4: Guys. Guys were all talking over each other. Let's just

871
00:39:03,080 --> 00:39:06,960
Speaker 4: go through what happened. Boots was a character Hayes was

872
00:39:07,080 --> 00:39:09,080
Speaker 4: playing who was having some sort.

873
00:39:08,840 --> 00:39:12,480
Speaker 1: Of I said. I said in I said that my

874
00:39:12,640 --> 00:39:13,960
Speaker 1: name was not text Boots.

875
00:39:14,000 --> 00:39:16,480
Speaker 2: We took we were able, We were able to use

876
00:39:16,520 --> 00:39:18,440
Speaker 2: as a gift that was a statement, and we use

877
00:39:18,520 --> 00:39:20,920
Speaker 2: that to sort of create more context around the scene

878
00:39:21,120 --> 00:39:22,720
Speaker 2: because we all operated an agreement.

879
00:39:22,760 --> 00:39:24,239
Speaker 4: I think we were able to support your.

880
00:39:25,920 --> 00:39:26,719
Speaker 1: The second time.

881
00:39:26,920 --> 00:39:29,799
Speaker 4: And I actually think part of the problem is you're

882
00:39:29,800 --> 00:39:32,000
Speaker 4: having a hard time breaking out of being text right

883
00:39:32,040 --> 00:39:34,440
Speaker 4: now and getting.

884
00:39:36,400 --> 00:39:36,680
Speaker 5: TV.

885
00:39:37,960 --> 00:39:40,839
Speaker 1: And my mistake was actually going with it as much

886
00:39:40,880 --> 00:39:43,640
Speaker 1: as I did the first time. It was so obviously

887
00:39:43,760 --> 00:39:46,160
Speaker 1: that you were just trying to do Cowboy TV. I

888
00:39:46,200 --> 00:39:48,360
Speaker 1: don't know why I even for a second thought that

889
00:39:48,400 --> 00:39:51,000
Speaker 1: you just organically fell out. Okay, let's stop.

890
00:39:51,120 --> 00:39:55,279
Speaker 4: Let's stop, and that's what I want to do. That's

891
00:39:55,360 --> 00:39:59,640
Speaker 4: great scene, great job, good job. That wasn't the scene

892
00:39:59,680 --> 00:40:01,000
Speaker 4: I mean in front of him.

893
00:40:01,760 --> 00:40:03,719
Speaker 5: We can't break the fourth wall every time, but I

894
00:40:03,760 --> 00:40:05,480
Speaker 5: do think every once in a while it's like it

895
00:40:05,520 --> 00:40:07,640
Speaker 5: can be fun. Yeah, it's like paprika. You don't need

896
00:40:07,640 --> 00:40:08,600
Speaker 5: a ton of it, but just.

897
00:40:08,840 --> 00:40:10,680
Speaker 4: Like maybe leave it here and don't bring it home.

898
00:40:10,800 --> 00:40:12,400
Speaker 6: I mean, do you want to initiate a scene or

899
00:40:12,440 --> 00:40:14,560
Speaker 6: something like? It feels like the jumping off point is

900
00:40:14,560 --> 00:40:17,040
Speaker 6: giving you like I don't know. I mean, I don't if.

901
00:40:16,920 --> 00:40:18,080
Speaker 1: What do you mean initiated?

902
00:40:18,160 --> 00:40:20,760
Speaker 6: You need a safeword, like someone who start a suggestion

903
00:40:20,880 --> 00:40:22,360
Speaker 6: and then you could start the scene. It feels like

904
00:40:22,640 --> 00:40:24,799
Speaker 6: a safe word. Do you need a safe word as well?

905
00:40:24,960 --> 00:40:25,960
Speaker 1: A safe word?

906
00:40:26,480 --> 00:40:31,040
Speaker 11: I think Ben suggested a safe word having Yeah, I mean,

907
00:40:31,200 --> 00:40:33,759
Speaker 11: this isn't normal for improv scenes, but I haven't worked

908
00:40:33,760 --> 00:40:37,080
Speaker 11: with somebody of your caliber of commitment, and maybe like

909
00:40:37,160 --> 00:40:39,880
Speaker 11: a safe word or this is something like in the

910
00:40:40,000 --> 00:40:41,160
Speaker 11: something to let us know.

911
00:40:41,080 --> 00:40:44,000
Speaker 6: Yeah, you're not enjoying it's too much because.

912
00:40:43,800 --> 00:40:46,680
Speaker 4: Part of your characters seemed to be there. Our Turkish

913
00:40:46,680 --> 00:40:51,640
Speaker 4: guru sometimes freak frequently will will work in a subliminal

914
00:40:52,280 --> 00:40:54,400
Speaker 4: code word that can kind of snap us out of

915
00:40:54,400 --> 00:40:55,600
Speaker 4: it if shit goes wrong.

916
00:40:55,920 --> 00:41:00,000
Speaker 5: Yeah, for us, for a while, it was Cowboy TV snaps.

917
00:40:59,680 --> 00:41:03,320
Speaker 3: Us out of our like, yeah, not anymore.

918
00:41:03,320 --> 00:41:04,400
Speaker 5: We've had to switch safe for it.

919
00:41:04,520 --> 00:41:06,879
Speaker 1: But okay, And that was him, And that's another one

920
00:41:06,880 --> 00:41:12,600
Speaker 1: of these weird sorry eleven eleven. This one guy, but

921
00:41:12,760 --> 00:41:14,719
Speaker 1: he said that that was not a costume that he's

922
00:41:14,760 --> 00:41:20,000
Speaker 1: ever been familiar with, and now he's made that's a familiar.

923
00:41:19,560 --> 00:41:20,799
Speaker 5: With the concept. I'm not boring.

924
00:41:22,000 --> 00:41:24,680
Speaker 4: Look at your familiar it's eleven eleven. The more you

925
00:41:24,719 --> 00:41:27,400
Speaker 4: recognize that, the more you'll see it everywhere. This is

926
00:41:27,480 --> 00:41:30,960
Speaker 4: just weird connections that happen, and there's a connection between

927
00:41:31,000 --> 00:41:34,080
Speaker 4: all of us and on stage that happens. He will be.

928
00:41:35,480 --> 00:41:36,840
Speaker 5: Have you not heard of cowboys?

929
00:41:36,880 --> 00:41:38,720
Speaker 3: But you're gonna start seeing that everywhere, and you're.

930
00:41:38,560 --> 00:41:39,920
Speaker 6: Gonna start seeing eleven four four.

931
00:41:40,320 --> 00:41:41,640
Speaker 1: I heard of cowboys? Wait?

932
00:41:41,800 --> 00:41:44,560
Speaker 4: Pretty fucking weird, right, it's eleven forty four one one

933
00:41:44,640 --> 00:41:45,160
Speaker 4: four four.

934
00:41:45,800 --> 00:41:48,759
Speaker 5: He's half fucking right dude, by hip fire, and that's

935
00:41:48,760 --> 00:41:50,439
Speaker 5: the magic of him. That's a gift God.

936
00:41:50,480 --> 00:41:52,440
Speaker 4: And maybe it was eleven eleven if you've been in

937
00:41:52,480 --> 00:41:55,960
Speaker 4: some sort of fugue state for you know that much longer?

938
00:41:56,719 --> 00:41:58,040
Speaker 5: All right, So any notes for me?

939
00:41:58,239 --> 00:41:58,759
Speaker 1: But why?

940
00:41:59,080 --> 00:41:59,720
Speaker 3: But why?

941
00:42:00,000 --> 00:42:05,120
Speaker 4: I don't under why I got an I gotta, I

942
00:42:05,160 --> 00:42:08,720
Speaker 4: got a note, kicked ass man a little too funny,

943
00:42:08,719 --> 00:42:09,560
Speaker 4: save something for us?

944
00:42:10,080 --> 00:42:12,080
Speaker 5: You got it. That's a classic note. I said all

945
00:42:12,080 --> 00:42:17,120
Speaker 5: the time that really shout out George. But that my

946
00:42:17,719 --> 00:42:22,400
Speaker 5: death level. One teacher told me funk off at the

947
00:42:22,640 --> 00:42:26,719
Speaker 5: class show deaf, I don't it's a true story.

948
00:42:26,760 --> 00:42:30,160
Speaker 4: Hey, this is like locals, Like this is a little local.

949
00:42:30,600 --> 00:42:32,520
Speaker 6: We've been doing this a long time. We've had these

950
00:42:32,560 --> 00:42:34,719
Speaker 6: like old school instructors who couldn't always hear.

951
00:42:34,840 --> 00:42:39,480
Speaker 5: All right, So new suggestion now with Haze's Hey.

952
00:42:39,760 --> 00:42:41,200
Speaker 2: Do you want to start? You want to have the

953
00:42:41,200 --> 00:42:43,000
Speaker 2: first line of the scene? Does that make you more comfortably?

954
00:42:43,000 --> 00:42:46,719
Speaker 3: You feel like you're getting sort of cornered by.

955
00:42:46,080 --> 00:42:48,239
Speaker 1: Doing I'll tell you what I'm worried about, Like I'm

956
00:42:48,239 --> 00:42:50,719
Speaker 1: worried that I'll do the first line and then the

957
00:42:50,760 --> 00:42:53,200
Speaker 1: fire sound is going to start, and then you guys

958
00:42:53,200 --> 00:42:54,239
Speaker 1: will start doing we.

959
00:42:54,160 --> 00:42:59,400
Speaker 6: Don't even control I don't hear it, but I'm assuming.

960
00:42:59,239 --> 00:43:05,080
Speaker 1: Regardless, regardless of that fire, the fire sound is happening.

961
00:43:06,719 --> 00:43:10,800
Speaker 1: Say anything except what the what the is to start

962
00:43:10,840 --> 00:43:14,440
Speaker 1: the scene? I won't say anything, So help you.

963
00:43:14,440 --> 00:43:15,800
Speaker 4: You've said what you're worried about.

964
00:43:16,160 --> 00:43:18,600
Speaker 3: Can I say what I'm worried about. I'm worried that

965
00:43:18,640 --> 00:43:20,920
Speaker 3: we're all going to be kind of inflow on this

966
00:43:21,040 --> 00:43:24,719
Speaker 3: scene that was really fun and alive, and one of

967
00:43:24,760 --> 00:43:30,560
Speaker 3: the players will kind of grind it to a halt.

968
00:43:30,760 --> 00:43:32,839
Speaker 3: It could be anyone here.

969
00:43:33,680 --> 00:43:37,520
Speaker 1: I think I think you're talking about me.

970
00:43:37,680 --> 00:43:39,759
Speaker 4: It just said it was me. I'm being like a

971
00:43:40,120 --> 00:43:43,200
Speaker 4: real stick in the mud about I'm hearing things and

972
00:43:44,520 --> 00:43:46,839
Speaker 4: I'm like, what.

973
00:43:46,880 --> 00:43:50,040
Speaker 1: Is like doing the same thing over and over? Is that? Like,

974
00:43:50,520 --> 00:43:52,399
Speaker 1: like again, I haven't done this in a long time.

975
00:43:52,440 --> 00:43:54,640
Speaker 1: But let's let's just say I don't know if it's

976
00:43:54,640 --> 00:43:57,399
Speaker 1: a reference to Cowboy TV and what you've been doing

977
00:43:57,440 --> 00:43:59,640
Speaker 1: on shows before, Like I don't understand.

978
00:44:00,160 --> 00:44:02,399
Speaker 3: Let's just say we've to clear the air.

979
00:44:02,680 --> 00:44:05,920
Speaker 2: Yeah, Ban Bang and I have brought the concept of

980
00:44:05,920 --> 00:44:08,480
Speaker 2: Cowboy TV to you multiple times as a podcast.

981
00:44:08,520 --> 00:44:11,360
Speaker 1: Yeah, movie, they have talked about that.

982
00:44:11,680 --> 00:44:13,000
Speaker 4: Yeah happened. I believe this.

983
00:44:13,160 --> 00:44:16,200
Speaker 1: I don't know, and and and you you use it

984
00:44:16,520 --> 00:44:19,080
Speaker 1: on TV as a familiar.

985
00:44:20,920 --> 00:44:22,120
Speaker 4: With that that was our guru.

986
00:44:22,800 --> 00:44:28,279
Speaker 3: Okay, that's the guru gurus from Dom and gabers that

987
00:44:28,320 --> 00:44:29,280
Speaker 3: I'm saying, are you whatever?

988
00:44:29,440 --> 00:44:32,560
Speaker 1: Like that's so crazy. That's something that that I've been

989
00:44:32,719 --> 00:44:34,440
Speaker 1: doing on another see.

990
00:44:34,160 --> 00:44:37,000
Speaker 4: The magic all around us? So that doesn't know eleven

991
00:44:37,080 --> 00:44:39,920
Speaker 4: eleven right, you see it, you'll see it. That's fine,

992
00:44:40,120 --> 00:44:41,959
Speaker 4: that's eleven forty four in your case.

993
00:44:42,040 --> 00:44:45,719
Speaker 1: So that's been that's been happening on only twice a

994
00:44:45,760 --> 00:44:50,399
Speaker 1: day when when when when bang comes on here, that's

995
00:44:50,440 --> 00:44:53,000
Speaker 1: been happening. You can see that often. You've been like

996
00:44:53,080 --> 00:44:55,840
Speaker 1: trying to Cowboy TV into it. I don't know. We

997
00:44:56,440 --> 00:44:58,440
Speaker 1: make me to do it or make me listen to it?

998
00:44:58,760 --> 00:45:01,279
Speaker 1: I don't I just want to like it does get

999
00:45:01,280 --> 00:45:02,880
Speaker 1: me pissed off. And I don't know if that's like

1000
00:45:02,920 --> 00:45:05,120
Speaker 1: the idea is to is to it?

1001
00:45:06,400 --> 00:45:08,719
Speaker 3: But you what you yes, And speaking of note, taking

1002
00:45:08,800 --> 00:45:11,160
Speaker 3: what you said last time and direct quote people can

1003
00:45:11,200 --> 00:45:14,360
Speaker 3: go back into the episode was if there were more Cowboys,

1004
00:45:14,680 --> 00:45:15,200
Speaker 3: I would.

1005
00:45:15,040 --> 00:45:20,800
Speaker 1: Be absolutely not something that you said never, that's never

1006
00:45:20,920 --> 00:45:21,880
Speaker 1: been an issue for me.

1007
00:45:22,080 --> 00:45:25,279
Speaker 4: Well, this is maybe I actually know. I actually know

1008
00:45:25,400 --> 00:45:28,680
Speaker 4: how deep into the podcast. It was, weirdly, eleven minutes

1009
00:45:28,719 --> 00:45:31,520
Speaker 4: forty four seconds into the last episode we did that

1010
00:45:31,680 --> 00:45:35,239
Speaker 4: you brought up that's a wanting to have more cowboys

1011
00:45:35,280 --> 00:45:37,520
Speaker 4: on Cowboy TV. Last time I was on that picture of.

1012
00:45:37,520 --> 00:45:39,840
Speaker 5: Them getting to a point in the first eleven minutes.

1013
00:45:39,640 --> 00:45:43,560
Speaker 1: Because last time you were on there to promote another

1014
00:45:43,680 --> 00:45:46,239
Speaker 1: podcast that we've spent a lot of time on. Now

1015
00:45:46,360 --> 00:45:48,360
Speaker 1: I don't even know if that one was real, because

1016
00:45:48,400 --> 00:45:49,920
Speaker 1: then you went out of the room to like go,

1017
00:45:50,000 --> 00:45:52,480
Speaker 1: I assure you, they'll play a clip of it, and

1018
00:45:52,520 --> 00:45:53,960
Speaker 1: it was just Cowboy TV.

1019
00:45:54,760 --> 00:45:56,719
Speaker 4: I can assure you that our show is real. You

1020
00:45:56,760 --> 00:46:01,200
Speaker 4: can look it up online and really is pretty funny.

1021
00:46:02,960 --> 00:46:03,200
Speaker 5: Are you?

1022
00:46:03,320 --> 00:46:04,560
Speaker 1: Are you doing that other show?

1023
00:46:04,600 --> 00:46:05,720
Speaker 5: Still pretty funny?

1024
00:46:06,000 --> 00:46:08,839
Speaker 4: Every third we don other podcast my podcast. You can

1025
00:46:08,840 --> 00:46:11,880
Speaker 4: find it, The Rod Shapes. It's out there. Yeah, people loved.

1026
00:46:11,640 --> 00:46:15,120
Speaker 1: It, Okay, because I've been worried that that loved it. Wait,

1027
00:46:15,160 --> 00:46:16,799
Speaker 1: you're saying you're not doing it, Well, it was just

1028
00:46:16,840 --> 00:46:19,320
Speaker 1: season one is out. I might do another scenory to

1029
00:46:19,400 --> 00:46:22,200
Speaker 1: do at some point, but I don't know. Okay, because

1030
00:46:22,200 --> 00:46:25,120
Speaker 1: I worried about like that wasn't real.

1031
00:46:24,960 --> 00:46:27,080
Speaker 4: And and that was just happens in these scenes.

1032
00:46:27,200 --> 00:46:28,080
Speaker 1: That was the way to do.

1033
00:46:29,320 --> 00:46:32,000
Speaker 3: One more suggestion and that's like, let's just let Hay

1034
00:46:32,120 --> 00:46:32,520
Speaker 3: start it.

1035
00:46:32,600 --> 00:46:33,719
Speaker 6: Yeah, kick this off.

1036
00:46:37,080 --> 00:46:39,360
Speaker 5: We're just using suggestions from Todd, right.

1037
00:46:39,480 --> 00:46:42,640
Speaker 4: Just to Todd again, he's on it.

1038
00:46:42,719 --> 00:46:43,319
Speaker 1: He's really good.

1039
00:46:44,480 --> 00:46:45,040
Speaker 6: There's a lot.

1040
00:46:46,760 --> 00:46:49,239
Speaker 1: But can we wait a second where like we and

1041
00:46:49,280 --> 00:46:50,600
Speaker 1: I know there's a lot of let me hear what

1042
00:46:50,680 --> 00:46:52,640
Speaker 1: it is and let me think about it for a second,

1043
00:46:52,760 --> 00:46:55,360
Speaker 1: please please, And I know that's not like a trition

1044
00:46:56,280 --> 00:46:56,920
Speaker 1: a little.

1045
00:46:56,719 --> 00:46:59,200
Speaker 5: Yeah, of course you okay, that's why we say thank you.

1046
00:46:59,239 --> 00:47:00,959
Speaker 5: It's to get extra few seconds of thought.

1047
00:47:01,800 --> 00:47:11,480
Speaker 6: The suggestion from Todd is tenured ten t e n.

1048
00:47:11,640 --> 00:47:12,480
Speaker 4: You r e ed.

1049
00:47:12,840 --> 00:47:19,280
Speaker 1: That's correct, Okay, okay, give me one second.

1050
00:47:20,280 --> 00:47:24,560
Speaker 10: Well, no tened anniversary the first time I saw her

1051
00:47:24,600 --> 00:47:26,040
Speaker 10: a Cowboy TV.

1052
00:47:26,719 --> 00:47:30,000
Speaker 5: Text Boots take your time, sir, just whenever you're ready

1053
00:47:30,360 --> 00:47:33,040
Speaker 5: one rush, text boots.

1054
00:47:32,480 --> 00:47:38,560
Speaker 4: In thanks for coming back. The tenured anniversary is.

1055
00:47:38,680 --> 00:47:42,160
Speaker 10: It's good to gather all our friends around text Boots included.

1056
00:47:42,280 --> 00:47:45,520
Speaker 10: Even though he's having a rough time, well.

1057
00:47:45,200 --> 00:47:49,040
Speaker 4: He's been having a bad going and I've I've been.

1058
00:47:49,000 --> 00:47:50,319
Speaker 5: Annoyed with him.

1059
00:47:50,360 --> 00:47:53,120
Speaker 4: I'm getting mad with him. He made the first choice

1060
00:47:53,200 --> 00:47:57,040
Speaker 4: being annoyed and we're all okay with that now, Chux.

1061
00:47:56,840 --> 00:47:59,520
Speaker 5: Have you seen this episode of Cowboy TV before?

1062
00:47:59,760 --> 00:48:03,000
Speaker 10: Wow, we got ourselves a Scottish cowboy?

1063
00:48:03,400 --> 00:48:04,040
Speaker 1: What do you know?

1064
00:48:04,960 --> 00:48:07,600
Speaker 4: All different sizes and shapes of cow texts?

1065
00:48:07,680 --> 00:48:08,680
Speaker 6: Go ahead, my friend?

1066
00:48:08,840 --> 00:48:12,719
Speaker 1: Okay? Actually, so like, I actually I do want to

1067
00:48:12,760 --> 00:48:14,520
Speaker 1: talk as tests because I feel like that's the only

1068
00:48:14,560 --> 00:48:19,680
Speaker 1: way that anyone will everyone will listen to what I'm saying.

1069
00:48:19,719 --> 00:48:22,200
Speaker 1: So like, can I actually talk? For there's a fire here.

1070
00:48:22,280 --> 00:48:23,640
Speaker 1: I can hear it in my oh.

1071
00:48:23,719 --> 00:48:24,360
Speaker 6: I can feel it.

1072
00:48:26,440 --> 00:48:28,759
Speaker 3: I love to switch and it must be sweeps week

1073
00:48:28,800 --> 00:48:33,160
Speaker 3: because the fire is doing some big attention grabbing licks

1074
00:48:33,200 --> 00:48:34,240
Speaker 3: of the sky.

1075
00:48:35,040 --> 00:48:38,759
Speaker 10: All the fireflies are gathered around too, so you know

1076
00:48:38,920 --> 00:48:41,280
Speaker 10: that means a good rape crackled kabluey.

1077
00:48:43,040 --> 00:48:46,680
Speaker 1: So we're all cowboys. We're all here, and I actually like, like,

1078
00:48:46,920 --> 00:48:50,640
Speaker 1: you got that right? So how did we agree to

1079
00:48:50,840 --> 00:48:52,200
Speaker 1: all be here?

1080
00:48:52,800 --> 00:48:52,920
Speaker 5: Like?

1081
00:48:52,960 --> 00:48:55,760
Speaker 1: How did we all agree to like this be doing

1082
00:48:55,800 --> 00:48:56,480
Speaker 1: this right now?

1083
00:48:57,120 --> 00:48:57,239
Speaker 6: What?

1084
00:48:57,280 --> 00:48:59,839
Speaker 4: This brings me back to the popsicle thing of like

1085
00:49:00,680 --> 00:49:01,399
Speaker 4: wouldn't it be great?

1086
00:49:01,480 --> 00:49:02,560
Speaker 1: Are you not cowboys.

1087
00:49:02,680 --> 00:49:03,439
Speaker 4: It wouldn't it be great?

1088
00:49:04,200 --> 00:49:04,680
Speaker 1: Interesting?

1089
00:49:05,800 --> 00:49:06,960
Speaker 6: What's the poles?

1090
00:49:07,040 --> 00:49:08,600
Speaker 4: What a great blow to the scene.

1091
00:49:08,680 --> 00:49:09,840
Speaker 6: Yeah, that was amazing.

1092
00:49:10,160 --> 00:49:11,240
Speaker 1: Did you feel the virus?

1093
00:49:11,640 --> 00:49:14,400
Speaker 6: Did you we actually did you feel the natural end point?

1094
00:49:14,440 --> 00:49:14,640
Speaker 5: Hey?

1095
00:49:14,840 --> 00:49:17,439
Speaker 6: Did you feel that natural endpoint? That was great?

1096
00:49:17,520 --> 00:49:19,840
Speaker 5: Yeah, you're not anymore, we're back to the scene. You

1097
00:49:19,840 --> 00:49:22,800
Speaker 5: did a good really good That was amazing.

1098
00:49:22,800 --> 00:49:24,000
Speaker 2: I didn't know if you were gonna be able to

1099
00:49:24,120 --> 00:49:26,040
Speaker 2: roll with it, but it seems that.

1100
00:49:26,040 --> 00:49:28,719
Speaker 4: Was a really good ending by you. Really funny you

1101
00:49:28,840 --> 00:49:33,440
Speaker 4: bumped that blow. You nailed it, man like way to

1102
00:49:33,440 --> 00:49:33,920
Speaker 4: bounce back.

1103
00:49:33,960 --> 00:49:34,440
Speaker 1: You were ready.

1104
00:49:34,480 --> 00:49:36,160
Speaker 6: Those are the perfect edded points where everyone in the

1105
00:49:36,160 --> 00:49:37,240
Speaker 6: scene can kind of feel.

1106
00:49:37,080 --> 00:49:39,640
Speaker 4: I don't, I don't we don't have to do anything.

1107
00:49:39,760 --> 00:49:42,480
Speaker 1: I don't over I don't understand what I did. Like

1108
00:49:42,560 --> 00:49:43,200
Speaker 1: I actually like.

1109
00:49:43,239 --> 00:49:45,840
Speaker 2: Sometimes it happens you're just so in it, you're like channeling,

1110
00:49:46,040 --> 00:49:47,120
Speaker 2: and then everyone.

1111
00:49:47,000 --> 00:49:49,560
Speaker 5: Everyone text So that was interesting.

1112
00:49:49,680 --> 00:49:51,359
Speaker 6: You were texts kind of telling us you were going

1113
00:49:51,400 --> 00:49:52,520
Speaker 6: to talk his text, which I was.

1114
00:49:52,560 --> 00:49:54,080
Speaker 1: I didn't mean to break the fourth wall.

1115
00:49:54,160 --> 00:49:56,160
Speaker 4: Yeah we all here? Yeah?

1116
00:49:56,160 --> 00:49:57,040
Speaker 6: How did we all get here?

1117
00:49:57,160 --> 00:49:58,799
Speaker 2: Was a big I'm not angry? Do you have any

1118
00:49:58,800 --> 00:50:01,160
Speaker 2: notes for Gabris? Like, that's like you're kind.

1119
00:50:01,000 --> 00:50:02,480
Speaker 5: Of have a dry erase board with a bunch of

1120
00:50:02,480 --> 00:50:04,560
Speaker 5: ship rien now and a drawing of me, And is

1121
00:50:04,560 --> 00:50:05,640
Speaker 5: there anything you wanted to tell me?

1122
00:50:05,840 --> 00:50:09,440
Speaker 1: Well, he was doing a different voice again, he was

1123
00:50:10,640 --> 00:50:14,000
Speaker 1: we can can a non cowboy watch Cowboy TV. I'm

1124
00:50:14,000 --> 00:50:17,400
Speaker 1: sure it's like for everybody that happened. I mean, that

1125
00:50:17,560 --> 00:50:20,800
Speaker 1: is a new element. I will say this. It hasn't

1126
00:50:20,800 --> 00:50:24,879
Speaker 1: traditionally been that flexible, like like it has been kind

1127
00:50:24,880 --> 00:50:27,080
Speaker 1: of just cowboy voices. I'm kind of what that's like.

1128
00:50:27,400 --> 00:50:29,880
Speaker 1: And when I've tried to introduce like other elements to it,

1129
00:50:29,920 --> 00:50:33,000
Speaker 1: people are mostly like really resistant. It ends up being

1130
00:50:33,000 --> 00:50:33,319
Speaker 1: the same.

1131
00:50:33,440 --> 00:50:36,160
Speaker 3: What's another element that has been resisted that you've tried to.

1132
00:50:36,320 --> 00:50:38,920
Speaker 1: I don't you seem to remember every like the exact

1133
00:50:38,960 --> 00:50:41,480
Speaker 1: minute everything happened in other shows. I'm just going off

1134
00:50:41,719 --> 00:50:47,000
Speaker 1: what I have and so now, and that that's why

1135
00:50:47,040 --> 00:50:49,279
Speaker 1: I keep coming for Gabors. I guess because while while

1136
00:50:49,280 --> 00:50:51,759
Speaker 1: this is happening to me again, I see someone who

1137
00:50:51,880 --> 00:50:54,400
Speaker 1: is able to just like do other stuff within it.

1138
00:50:54,440 --> 00:50:55,240
Speaker 1: And that's fine.

1139
00:50:55,360 --> 00:50:57,680
Speaker 5: Now this is actually let me take a moment here,

1140
00:50:57,680 --> 00:50:59,600
Speaker 5: because this actually happens to me. A lot A lot

1141
00:50:59,600 --> 00:51:01,799
Speaker 5: of people see what I do on stage and think, oh,

1142
00:51:01,880 --> 00:51:04,239
Speaker 5: that's like how I'm supposed to do it. Now, I'm

1143
00:51:04,840 --> 00:51:06,239
Speaker 5: I'm different, I'm built.

1144
00:51:05,960 --> 00:51:08,640
Speaker 6: And he's different. The rules don't really apply to him.

1145
00:51:08,800 --> 00:51:12,839
Speaker 3: I'm there's a sense of play in a sense behind it.

1146
00:51:12,920 --> 00:51:17,120
Speaker 5: Just you get on board with twenty years and buy

1147
00:51:17,120 --> 00:51:18,760
Speaker 5: the books until you can throw the books.

1148
00:51:18,760 --> 00:51:20,719
Speaker 6: If you have like a behind a child, you can

1149
00:51:20,760 --> 00:51:23,279
Speaker 6: really just let yourself free and play and you don't

1150
00:51:23,280 --> 00:51:23,799
Speaker 6: have to think.

1151
00:51:23,840 --> 00:51:25,920
Speaker 5: If you're like me and as a young kid, you

1152
00:51:26,000 --> 00:51:27,960
Speaker 5: got your head stuck in between the couch and the

1153
00:51:28,040 --> 00:51:30,320
Speaker 5: radiator and it kind of crushed your head in a

1154
00:51:30,360 --> 00:51:32,799
Speaker 5: specific way that affected the way you think and act,

1155
00:51:33,239 --> 00:51:34,719
Speaker 5: then you could just kind of do what you want

1156
00:51:34,800 --> 00:51:37,000
Speaker 5: up there and like just like a pay go to

1157
00:51:37,040 --> 00:51:38,360
Speaker 5: bring a knife to a gunfight.

1158
00:51:40,080 --> 00:51:44,080
Speaker 1: Wow, that is a yeah, yeah, yeah.

1159
00:51:45,680 --> 00:51:49,000
Speaker 6: That's that's one he can say. That's another one.

1160
00:51:49,080 --> 00:51:52,960
Speaker 4: Untouchables. Did you make it through all of the net

1161
00:51:53,080 --> 00:51:54,960
Speaker 4: or did you shut it off early? Did you get scared?

1162
00:51:55,280 --> 00:51:59,120
Speaker 6: It doesn't just it was I was just I was

1163
00:51:59,520 --> 00:52:00,840
Speaker 6: really paying it walked it.

1164
00:52:00,920 --> 00:52:03,160
Speaker 1: I just well, yeah I just sat on letterbox and

1165
00:52:03,239 --> 00:52:05,080
Speaker 1: I watched it. But I wasn't like.

1166
00:52:05,040 --> 00:52:07,640
Speaker 4: There's no review walked into it. I just had it all.

1167
00:52:07,960 --> 00:52:10,080
Speaker 2: Drinks like a really rap drinks a Gibson in that

1168
00:52:10,239 --> 00:52:14,440
Speaker 2: Yeah that's what the yeah onion instead of yeah nay,

1169
00:52:15,760 --> 00:52:17,520
Speaker 2: yeah yeah.

1170
00:52:17,840 --> 00:52:18,920
Speaker 6: But some people watch it.

1171
00:52:19,480 --> 00:52:24,840
Speaker 3: Bye Hollywood, Hamburg,