WEBVTT - #494 - Tha Eastsidaz

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<v Speaker 1>Jeez up this big tray e, Little Goldie Low and

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<v Speaker 1>we the East Siders check us out on the Bootleg

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<v Speaker 1>cav podcast.

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<v Speaker 2>Before we start the episode, man, I got to remind

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<v Speaker 2>everybody that we are on the radio in eighty cities

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<v Speaker 2>every single day across the country. Man Real ninety two

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<v Speaker 2>to three every day Monday through Friday in Los Angeles,

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<v Speaker 2>Wild ninety four to one in Tampa, Kkfur and Phoenix.

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<v Speaker 3>We're all over the place, Miami, Vegas. We can go

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<v Speaker 3>on and on.

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<v Speaker 2>We want to give a shout out to our latest affiliate.

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<v Speaker 2>Shout out to Knoxville, Tennessee, Man Hot one oh four

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<v Speaker 2>point five for being the latest city to join the

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<v Speaker 2>Bootleg CAV Show network. All right, now, I don't ever

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<v Speaker 2>really talk about the radio show on the podcast, keep

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<v Speaker 2>them separate. But if you want to listen to the

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<v Speaker 2>radio show, you can click the link in the bio

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<v Speaker 2>for a list of all the cities you can listen

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<v Speaker 2>to at Yeah, that makes sense.

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<v Speaker 3>Let's get to the interview, Yo.

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<v Speaker 2>Bootlet cav Podcasts special guests in here, Man, Trey D

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<v Speaker 2>and Goldie Loke the East Side of It their backs

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<v Speaker 2>bo Leg. Hey Man, so y'all just dropped this new EP. Now,

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<v Speaker 2>is this the first body of work since like oh

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<v Speaker 2>one or y'all already put you guys have been putting

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<v Speaker 2>out some like INDEPENDENTI shit.

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<v Speaker 3>But in terms of like being.

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<v Speaker 2>Under like back with Snoop officially, like in terms of

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<v Speaker 2>like the paperwork and shit, like, is this like y'all's

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<v Speaker 2>first time like dropping with Snooping in that long well?

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<v Speaker 1>When I touched down in twenty fourteen, I did like

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<v Speaker 1>ten and a half and I came home and we

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<v Speaker 1>got together and did a mix tape we did, matter

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<v Speaker 1>of fact, we did That's My Work Volume four with

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<v Speaker 1>Snoop Dogg. And we had dropped a single called get

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<v Speaker 1>You right off of There, did a video to it

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<v Speaker 1>and everything, and it was pretty well received, you know

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<v Speaker 1>what I'm saying. And we did our own thing, dropped

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<v Speaker 1>a few songs in the entrim. We always you know,

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<v Speaker 1>through shows with Dog and all that, for sure, you know,

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<v Speaker 1>we always in the mix. But like you said, when

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<v Speaker 1>we got in here, just having some brand new music

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<v Speaker 1>out there, just letting the people feel us and know

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<v Speaker 1>that we still you know, swag like that. That's a

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<v Speaker 1>that's a good feeling.

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<v Speaker 2>Like I feel so old. I don't even talk about

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<v Speaker 2>hold y'all you When I was looking at the Spotify

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<v Speaker 2>because I like vividly remember going and buying the first album,

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<v Speaker 2>and that shit came out in the year two thousand,

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<v Speaker 2>I'm like, god, damn, yeah, yeah, like twenty four years

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<v Speaker 2>ago had some change.

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<v Speaker 4>We brought the Millennium Man right though.

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<v Speaker 2>And that was kind of like you guys were kind

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<v Speaker 2>of like what like I want to say, like kind

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<v Speaker 2>of kicked.

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<v Speaker 3>Off like like Snoop as like a label owner.

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<v Speaker 2>I felt like you guys were like kind of like

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<v Speaker 2>the first guys he was presenting as like this is

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<v Speaker 2>like my shit, you know what I'm saying.

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<v Speaker 1>Yeah, yeah, it was us, and then the Doggies Age

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<v Speaker 1>Doggies Angels.

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<v Speaker 3>Yeah yeah, I remember Doggi's Angels.

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<v Speaker 4>Yeah yeah.

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<v Speaker 1>They came up behind us, and then we dropped the

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<v Speaker 1>second one after them. We dropped a dud to trace

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<v Speaker 1>the old fashioned Yeah. I was working on our third one, and.

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<v Speaker 3>Then you got locked up.

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<v Speaker 5>Yeah damn. We did the movie movie. Yeah. Yeah.

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<v Speaker 2>What do you guys remember about that time, like working

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<v Speaker 2>on that first album kind of knowing you I mean

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<v Speaker 2>at the time, I mean obviously your two thousand Snoops

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<v Speaker 2>fucking you know, on top of the world. The No

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<v Speaker 2>Limit shit's happening, you guys kind of be in the

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<v Speaker 2>face of his label, like what what what do you

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<v Speaker 2>remember about that era of like you guys working on

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<v Speaker 2>that first album.

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<v Speaker 4>M hm.

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<v Speaker 1>Ship you was bringing new gold, y'all. I feel that

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<v Speaker 1>I've been I've been diffite and dabbing on verse.

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<v Speaker 4>You know I did with the dog Paan I fucked

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<v Speaker 4>with uh.

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<v Speaker 1>You know because this was during the No Limit years,

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<v Speaker 1>right right after he had just dropped his No Limit last.

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<v Speaker 4>The Last Meal.

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<v Speaker 3>Yeah, yeah, yeah, yeah, yeah, and.

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<v Speaker 4>Yeah he came on after that.

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<v Speaker 1>Yeah, and then we had the hood behind us, So

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<v Speaker 1>that really felt good because you know, we represent two

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<v Speaker 1>different different sets in the hood, so you know, to

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<v Speaker 1>have all home boys come together and start you know,

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<v Speaker 1>partying together and hanging out together, that was a big.

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<v Speaker 4>Accomplishment for us.

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<v Speaker 1>Yeah, you know, because you know, prior to that, it

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<v Speaker 1>was you know, just a lot of gun playing, you know,

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<v Speaker 1>conflict every time you know, the two sides met up anywhere.

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<v Speaker 1>So for us to bridge that gap, that was the

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<v Speaker 1>biggest part of the east side of this project.

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<v Speaker 2>Was that, like something that you guys knew was important like,

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<v Speaker 2>was Snoop kind of the catalysts to say, hey, we

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<v Speaker 2>got to bring bring everybody together from Long Beach so

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<v Speaker 2>you guys can move to that like kind of together

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<v Speaker 2>in the same way. Or was it just like y'all

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<v Speaker 2>it just was already.

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<v Speaker 4>Moving like that individuals, right, Yeah, you.

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<v Speaker 6>Know what I'm saying, because Long Beach, you know, you know,

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<v Speaker 6>we all either related somehow anyway, you know what I

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<v Speaker 6>mean a little bit. Yeah, So so it just came

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<v Speaker 6>about about you know, us as individuals smashing for the

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<v Speaker 6>city a certain way, being stand up guys.

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<v Speaker 1>You know, he probably had the foresight that that would

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<v Speaker 1>happen by bringing us together. Og me from my hood,

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<v Speaker 1>young homie from his hood.

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<v Speaker 5>You know, just.

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<v Speaker 7>That that divide right there, just bridging that divide was

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<v Speaker 7>you know, it was probably something he conceived that would

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<v Speaker 7>bring some healing about to the city, you know, because

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<v Speaker 7>he always been, you know, pushing about the city.

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<v Speaker 1>He ain't never been no device in person or nothing

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<v Speaker 1>like that.

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<v Speaker 2>Sure, I wondered so around the year two thousand, I'm

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<v Speaker 2>trying to put myself in a time machine here. The

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<v Speaker 2>fact you guys have an album out on Death Throw.

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<v Speaker 2>If you guys would have heard that in two thousand,

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<v Speaker 2>you guys have been like, that's fucking wild. Yeah, because

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<v Speaker 2>around that time, should drop the Chronic two thousand, right,

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<v Speaker 2>which no, no, he remember, should drop like the weird

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<v Speaker 2>Chronic two thousand.

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<v Speaker 3>I don't remember that there was a guy on this

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<v Speaker 3>remember that?

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<v Speaker 2>Do you guys remember there was a dude on that

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<v Speaker 2>album who sounded just like Snoop Dog when he wrapped.

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<v Speaker 3>Top Dog, top Dog, he sounded just like the top Dog.

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<v Speaker 2>So I like Sugar drop that album to kind of

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<v Speaker 2>like stop any momentum that Dre had for the Chronic

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<v Speaker 2>two thousand and one.

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<v Speaker 4>Right, But it didn't.

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<v Speaker 2>But I'm saying like that was like a real like

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<v Speaker 2>interesting time because at the time, obviously Snoop and Sugar

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<v Speaker 2>not seeing eye to eye. What was that like just

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<v Speaker 2>like kind of being around for that kind of because

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<v Speaker 2>that was like a very interesting time. Snoops obviously he

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<v Speaker 2>decided to go to No Limit. There's this weird Chronic

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<v Speaker 2>album that drops. Chronical two thousand one is about to drive.

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<v Speaker 2>I think it was out in two by two thousand,

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<v Speaker 2>I think it did drop. I think it dropped in

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<v Speaker 2>two thousand.

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<v Speaker 1>Yeah, okay, okay, were ninety nine what was it fuzzy?

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<v Speaker 4>It was.

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<v Speaker 5>It was on out there in the streets.

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<v Speaker 3>It was crazy.

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<v Speaker 5>It was on. Yeah, it was on and popping yeah everywhere.

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<v Speaker 1>Yeah, it was no telling what was gonna go down

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<v Speaker 1>when you know, when we interacted with different clicks and

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<v Speaker 1>cruise like that.

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<v Speaker 4>But you know, we was pushing with dogs. So it

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<v Speaker 4>was whatever.

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<v Speaker 2>You guys coming from the street side, and then there's

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<v Speaker 2>like the street side mixing with the wrap side.

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<v Speaker 3>Yeah, it's label ship.

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<v Speaker 1>Yeah, and you gotta stand on what you stand on

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<v Speaker 1>regardless because UK say, oh, there's just some rap ship

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<v Speaker 1>and handled that a different way than you would handle business.

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<v Speaker 4>On the other side.

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<v Speaker 1>So yeah, it was wild man, it was.

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<v Speaker 4>It was. It was a very interesting time in hip hop.

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<v Speaker 2>And now you guys have you have a death Row

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<v Speaker 2>chain on, you have a project. I guess it's crazy

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<v Speaker 2>how this guy bought death.

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<v Speaker 4>Row right right, Yeah it is, it is.

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<v Speaker 2>And now you can get death throw hard seltzers, you

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<v Speaker 2>could get death throw I mean there's the death Row

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<v Speaker 2>logo fucking everything.

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<v Speaker 3>You need some death throw rims.

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<v Speaker 1>I gotta see them with you. Yeah, that's crazy though,

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<v Speaker 1>that would be hard some some label rims.

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<v Speaker 5>Everybody.

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<v Speaker 4>Yeah, yeah, I knew.

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<v Speaker 5>The ship was coming. Though I knew the ship was

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<v Speaker 5>gonna happen.

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<v Speaker 2>Yeah, now it's been up to see man, and I

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<v Speaker 2>just loved, like love to see like just like you know,

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<v Speaker 2>I have bought Doggy Style is the most important album

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<v Speaker 2>in my life. Time changed my life. So I have

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<v Speaker 2>like every piece of Doggy Style random. I got the jacket,

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<v Speaker 2>I got the bump box, I got boom box of

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<v Speaker 2>my garage and stuff. I got every fucking I got

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<v Speaker 2>every copy of the CD that ever was printed. It's

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<v Speaker 2>like that album, Like really, that's my bucket list interviews.

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<v Speaker 2>When I interviewed Stoop, I'm be like, man, I wouldn't

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<v Speaker 2>be here without you, buddy.

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<v Speaker 4>That's right.

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<v Speaker 2>I got Doggy Style because you remember, back in the

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<v Speaker 2>day I used to get in the magazines, you would be.

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<v Speaker 3>Able to order like fifteen CS for a penny.

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<v Speaker 5>Yeah, I.

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<v Speaker 4>Remember that.

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<v Speaker 2>My grandma got Doggy Style on accident in the mail.

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<v Speaker 2>I was like five, and she gave it to me

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<v Speaker 2>because she was an old lady and she just saw

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<v Speaker 2>a cartoon on the front. And I learned that whole whoa.

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<v Speaker 2>And by the time my mom found out what I

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<v Speaker 2>was listening to, already knew the whole sit by her.

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<v Speaker 3>She took it was too late.

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<v Speaker 4>You beat on the table.

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<v Speaker 2>To me, it's just there's doggy styllon and everything else.

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<v Speaker 1>Right right, it would be too just getting familiar with

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<v Speaker 1>it at that impression of the skits like no.

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<v Speaker 2>Man, the skits like are you being like you feel

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<v Speaker 2>like you was there? Yeah, beginning the murder was the case.

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<v Speaker 5>Yeah.

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<v Speaker 4>Yeah.

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<v Speaker 1>You go back and listen to all Doctor Droit productions.

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<v Speaker 1>Though he's one of the masters of skits, he always

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<v Speaker 1>inject you know, some humor or some you know.

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<v Speaker 3>Skits on albums.

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<v Speaker 4>I feel like scratching, yeah.

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<v Speaker 1>You know what I mean, and the DJ the call

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<v Speaker 1>and response with the you know, the back and forth

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<v Speaker 1>you say something when you leave a word out and

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<v Speaker 1>the DJ filling in with the scratching the something. Yes,

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<v Speaker 1>it's yes. Hip hop is going in a whole different direction.

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<v Speaker 3>Talk about this new project still Easte.

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<v Speaker 2>How long were you guys working on it, these songs,

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<v Speaker 2>like is it a mixture of older stuff you guys

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<v Speaker 2>had or is this all new stuff you got?

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<v Speaker 5>Yeah?

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<v Speaker 2>All what inspired it to be? Like time to finally

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<v Speaker 2>like let's let's let's do ep, let's get together let's

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<v Speaker 2>make some ship. Mm hmm.

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<v Speaker 1>Well, we had been in there with him. We had

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<v Speaker 1>been in we had been in the lab with him

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<v Speaker 1>a couple of times planning on dropping some in side

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<v Speaker 1>of ship. But you know, scheduling is always a motherfucker.

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<v Speaker 1>Then when you're dealing with the largest president hip hop,

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<v Speaker 1>you know what I mean. You know, it's hard to

0:10:22.559 --> 0:10:25.240
<v Speaker 1>lock him down for a particular time to get get

0:10:25.280 --> 0:10:27.920
<v Speaker 1>it done. But he let us know after he was

0:10:28.720 --> 0:10:31.200
<v Speaker 1>producing the Dog Pounds album, he was like, you know,

0:10:31.559 --> 0:10:33.760
<v Speaker 1>I'm only gonna have this window, man, and I need

0:10:33.840 --> 0:10:36.280
<v Speaker 1>y'all to you know, give me something, you know, so

0:10:36.320 --> 0:10:39.200
<v Speaker 1>we can get together and you know, do some world

0:10:39.240 --> 0:10:41.400
<v Speaker 1>tours and ship next year, you know, and all that

0:10:41.480 --> 0:10:44.400
<v Speaker 1>with the family, you know, the Doghouse, dog Pound Family,

0:10:45.120 --> 0:10:45.680
<v Speaker 1>death Row.

0:10:46.080 --> 0:10:51.160
<v Speaker 4>And I think we put this together in about about

0:10:51.200 --> 0:10:51.960
<v Speaker 4>ten days.

0:10:52.360 --> 0:10:53.960
<v Speaker 2>Well I was about to say that the Dog Pound

0:10:53.960 --> 0:10:57.600
<v Speaker 2>album just dropped recently. Yeah, yeah, so you guys really

0:10:57.640 --> 0:10:58.440
<v Speaker 2>cook this thing up.

0:10:58.520 --> 0:11:00.199
<v Speaker 4>Oh yeah. We fell in there when right.

0:11:00.120 --> 0:11:02.240
<v Speaker 6>The work we was already kind of working on it,

0:11:02.520 --> 0:11:04.120
<v Speaker 6>you know what I mean, And we came back to

0:11:04.240 --> 0:11:04.840
<v Speaker 6>missed him up.

0:11:04.960 --> 0:11:05.160
<v Speaker 5>Yeah.

0:11:05.360 --> 0:11:08.080
<v Speaker 1>Yeah, we had with just want going down the song

0:11:08.160 --> 0:11:12.120
<v Speaker 1>with Battle cat We had did that already, but we

0:11:12.200 --> 0:11:16.320
<v Speaker 1>hadn't spearheaded it for no particular project.

0:11:16.400 --> 0:11:17.319
<v Speaker 4>Yeah, you know what I mean.

0:11:17.360 --> 0:11:20.000
<v Speaker 1>It was something that we was going to add to

0:11:20.080 --> 0:11:22.200
<v Speaker 1>the catalog of things we was doing in there and

0:11:22.240 --> 0:11:23.480
<v Speaker 1>build something from there.

0:11:23.520 --> 0:11:25.600
<v Speaker 6>But in the midst of help us with the NFT

0:11:25.800 --> 0:11:27.640
<v Speaker 6>music and all that kind of stuff.

0:11:27.880 --> 0:11:31.000
<v Speaker 2>What's it like working with the October guy October London

0:11:31.120 --> 0:11:32.920
<v Speaker 2>is like I feel like I always tell people like

0:11:32.960 --> 0:11:35.560
<v Speaker 2>Snoop got this guy. He sounds like he's from like

0:11:35.760 --> 0:11:37.760
<v Speaker 2>fucking nineteen seventy nine, Like he's.

0:11:37.600 --> 0:11:38.640
<v Speaker 3>Making real R and B.

0:11:39.160 --> 0:11:43.120
<v Speaker 2>Yeah, like he's making like real dope R and B music.

0:11:43.160 --> 0:11:45.480
<v Speaker 3>It's like been missing bad man.

0:11:45.840 --> 0:11:47.960
<v Speaker 4>Yeah, he's cold, Yeah, bad man.

0:11:48.040 --> 0:11:49.240
<v Speaker 5>He shout out to him.

0:11:49.280 --> 0:11:50.679
<v Speaker 4>He knocked that. He knocked that.

0:11:50.880 --> 0:11:53.800
<v Speaker 1>Uh, he knocked that hook out, Like he knocked that

0:11:53.920 --> 0:11:58.400
<v Speaker 1>chorus out just like in ten minutes, you know what

0:11:58.440 --> 0:12:01.080
<v Speaker 1>I mean. He felt the song and he went there

0:12:01.080 --> 0:12:03.560
<v Speaker 1>and laid the chorus down. And in the midst of

0:12:03.640 --> 0:12:07.080
<v Speaker 1>us recording, I think we did like about like three

0:12:07.160 --> 0:12:10.120
<v Speaker 1>or four songs one day. I think Goldie did four.

0:12:10.200 --> 0:12:12.199
<v Speaker 1>I did three because Goldie had he had it was

0:12:12.240 --> 0:12:14.680
<v Speaker 1>a verse. I think he had to do gangster fide,

0:12:15.040 --> 0:12:17.320
<v Speaker 1>so he had to get back on there. So we

0:12:17.320 --> 0:12:20.199
<v Speaker 1>was just recording one day, just back to back, and

0:12:20.240 --> 0:12:22.800
<v Speaker 1>he slid that track to London and London hit us

0:12:22.840 --> 0:12:25.240
<v Speaker 1>back with that and it was just go yeah, you.

0:12:25.200 --> 0:12:26.079
<v Speaker 5>Know, it was go.

0:12:26.320 --> 0:12:29.560
<v Speaker 2>I wonder you guys had Mob Deep on your second project?

0:12:30.160 --> 0:12:32.440
<v Speaker 2>What was it like, because around that time, it's like,

0:12:32.480 --> 0:12:35.600
<v Speaker 2>oh one, so, I mean the East Coast West Cooast

0:12:35.600 --> 0:12:37.320
<v Speaker 2>Ship's kind of over with at that point in time.

0:12:39.080 --> 0:12:41.360
<v Speaker 2>Whose idea was it to work with Mob Deep? And

0:12:41.480 --> 0:12:43.320
<v Speaker 2>you know, obviously Prodigy rest in peace to him, one

0:12:43.320 --> 0:12:43.800
<v Speaker 2>of the goats.

0:12:43.880 --> 0:12:44.880
<v Speaker 5>I thought that was dope.

0:12:45.080 --> 0:12:49.080
<v Speaker 1>That was Snoop Dogg's idea, and we had did We

0:12:49.280 --> 0:12:52.280
<v Speaker 1>did a song called dal Sheldon I Kill with with

0:12:52.440 --> 0:12:55.080
<v Speaker 1>Mob Deep when they was doing murder music I did.

0:12:55.720 --> 0:12:57.760
<v Speaker 1>I was out there with dog and you know, I

0:12:57.800 --> 0:12:59.719
<v Speaker 1>wrote a verse and he was like you was like,

0:12:59.760 --> 0:13:02.320
<v Speaker 1>what's you're getting on the cut? I'm like, hell, yeah,

0:13:02.320 --> 0:13:04.800
<v Speaker 1>I'm getting on it. I'm welcome. So he was like, man,

0:13:04.880 --> 0:13:07.280
<v Speaker 1>drop your ship. He's like me, He's like, man, drop

0:13:07.360 --> 0:13:10.000
<v Speaker 1>that ship. So we had a relationship.

0:13:10.120 --> 0:13:11.720
<v Speaker 3>So you was already in the studio with Prodigy.

0:13:11.920 --> 0:13:14.319
<v Speaker 1>Yeah, I've been in that studio win before and then

0:13:14.480 --> 0:13:17.000
<v Speaker 1>I got him on my one of my subsequent albums

0:13:17.000 --> 0:13:18.559
<v Speaker 1>on a song called General salute Me.

0:13:18.720 --> 0:13:20.400
<v Speaker 3>You guys hard.

0:13:20.600 --> 0:13:23.280
<v Speaker 1>So we had that report and then I guess Dog

0:13:23.400 --> 0:13:26.840
<v Speaker 1>wanted to give us some East Coast flavor on the

0:13:26.880 --> 0:13:29.439
<v Speaker 1>second album as well, because it was straight West on.

0:13:29.440 --> 0:13:30.040
<v Speaker 4>The first one.

0:13:30.400 --> 0:13:33.600
<v Speaker 1>And that's that's that was a group that he called on.

0:13:33.640 --> 0:13:37.520
<v Speaker 1>We was in the studio, uh Premiere DJ Premier came through.

0:13:38.360 --> 0:13:39.719
<v Speaker 4>I think we did. Did we do a song with

0:13:39.760 --> 0:13:42.320
<v Speaker 4>a little more that night too? Yeah?

0:13:42.480 --> 0:13:45.120
<v Speaker 1>Yeah, so we was I don't forget what studio we

0:13:45.120 --> 0:13:45.360
<v Speaker 1>was in.

0:13:45.600 --> 0:13:47.400
<v Speaker 2>I always feel like Snooper was like kind of like

0:13:47.480 --> 0:13:49.800
<v Speaker 2>the guy who was like pretty level headed throughout all

0:13:49.840 --> 0:13:52.080
<v Speaker 2>that because he had a lot of like love for

0:13:52.120 --> 0:13:54.839
<v Speaker 2>the East Coast and like had a lot of relationships

0:13:54.840 --> 0:13:58.720
<v Speaker 2>with a lot of those artists and so and and

0:13:58.760 --> 0:14:01.120
<v Speaker 2>like you said, like getting that had to be crazy

0:14:01.280 --> 0:14:02.360
<v Speaker 2>just working with Prodigy and.

0:14:02.320 --> 0:14:05.320
<v Speaker 6>We was moving and ship like yeah, we was really

0:14:05.400 --> 0:14:09.080
<v Speaker 6>moving around with Snoop as well like that to building relationships.

0:14:09.160 --> 0:14:11.600
<v Speaker 5>Yeah yeah, And it just came about you.

0:14:11.480 --> 0:14:14.480
<v Speaker 2>Guys have a lot of music with Nate who I

0:14:14.520 --> 0:14:17.080
<v Speaker 2>feel like we still haven't necessary I mean, there's been

0:14:17.160 --> 0:14:20.720
<v Speaker 2>artists who have come that have had like their grips

0:14:20.720 --> 0:14:23.720
<v Speaker 2>on being the hook guy in hip hop type dollar

0:14:23.800 --> 0:14:26.080
<v Speaker 2>Sign or a Conti paint, et cetera. I just feel

0:14:26.080 --> 0:14:28.040
<v Speaker 2>like they've never been the same since Nate passed away.

0:14:28.600 --> 0:14:30.680
<v Speaker 2>His son is really dope to in Hell's Dope and

0:14:30.840 --> 0:14:35.240
<v Speaker 2>sounds very But what can you tell me, because you

0:14:35.280 --> 0:14:36.720
<v Speaker 2>guys do have a lot of records with Nate. What

0:14:36.800 --> 0:14:38.000
<v Speaker 2>was it like just working with him?

0:14:38.120 --> 0:14:40.120
<v Speaker 3>Was it? And what was his writing process like?

0:14:41.520 --> 0:14:43.680
<v Speaker 4>M mmmm?

0:14:46.200 --> 0:14:46.760
<v Speaker 5>What Nate?

0:14:47.520 --> 0:14:51.400
<v Speaker 1>Nate added his own essence to the song. He didn't

0:14:51.440 --> 0:14:54.960
<v Speaker 1>really he directed songs more or less. He you know,

0:14:55.240 --> 0:14:58.560
<v Speaker 1>he was when he laid the hook. You was just

0:14:58.640 --> 0:15:01.120
<v Speaker 1>expected to follow what he late. He wouldn't come in

0:15:01.160 --> 0:15:03.560
<v Speaker 1>and be like, so, what we're talking about today?

0:15:03.840 --> 0:15:04.360
<v Speaker 5>Or you know?

0:15:04.600 --> 0:15:04.960
<v Speaker 4>Was it?

0:15:05.040 --> 0:15:07.840
<v Speaker 1>He would feel the track like most of us do,

0:15:08.160 --> 0:15:10.280
<v Speaker 1>and he would just do his thing, and everybody had

0:15:10.280 --> 0:15:12.960
<v Speaker 1>just follow suit because you know, when they.

0:15:12.960 --> 0:15:15.320
<v Speaker 4>Get on the track, it's pretty much a rap. So

0:15:16.000 --> 0:15:17.240
<v Speaker 4>it was always a pleasure.

0:15:17.240 --> 0:15:17.360
<v Speaker 5>Man.

0:15:17.400 --> 0:15:19.240
<v Speaker 1>I worked with him at his house, work with him

0:15:19.240 --> 0:15:21.840
<v Speaker 1>different studios. I was on I was on his U

0:15:22.320 --> 0:15:26.080
<v Speaker 1>his first time a g Folk Classics volume.

0:15:25.760 --> 0:15:26.880
<v Speaker 4>One The Bag of weeds.

0:15:26.960 --> 0:15:29.360
<v Speaker 1>So you know, I've been out of been out to

0:15:29.400 --> 0:15:32.240
<v Speaker 1>his people house with him and Clarksdale, Mississippi a couple

0:15:32.280 --> 0:15:34.600
<v Speaker 1>of times. So Nate was a good friend of mine

0:15:34.640 --> 0:15:38.400
<v Speaker 1>as well as a colleague appear you know, DPGC member.

0:15:39.040 --> 0:15:41.080
<v Speaker 4>He was dope, man. He was just dope all around.

0:15:41.080 --> 0:15:42.040
<v Speaker 4>And he wasn't no joke.

0:15:42.600 --> 0:15:45.160
<v Speaker 2>What was it like like because I feel like we

0:15:45.200 --> 0:15:47.440
<v Speaker 2>didn't see a lot of like Nate Dogg interviews because

0:15:47.440 --> 0:15:49.520
<v Speaker 2>he was kind of like he kind of felt like

0:15:49.560 --> 0:15:52.040
<v Speaker 2>an introvert a little bit he did. He wasn't out

0:15:52.040 --> 0:15:53.480
<v Speaker 2>there like everybody else.

0:15:53.600 --> 0:15:56.240
<v Speaker 4>Right, right, but he knew he was a bad motherfucker.

0:15:56.880 --> 0:15:57.600
<v Speaker 4>That's what he did.

0:15:57.800 --> 0:15:59.600
<v Speaker 2>Was there anything about like him that you think people

0:15:59.600 --> 0:16:01.960
<v Speaker 2>didn't really know about like because he seemed like you know,

0:16:02.040 --> 0:16:03.840
<v Speaker 2>we just I feel like I always saw the music videos,

0:16:03.840 --> 0:16:05.240
<v Speaker 2>didn't see a lot of interviews with him and ship

0:16:05.280 --> 0:16:06.960
<v Speaker 2>like he always felt like he was playing the cut.

0:16:07.000 --> 0:16:10.800
<v Speaker 4>You know. It was just a solid dude. Man.

0:16:10.840 --> 0:16:13.280
<v Speaker 1>He was a gangster in his hard you know, he

0:16:13.400 --> 0:16:15.880
<v Speaker 1>wasn't gonna let nobody playing play with him.

0:16:16.240 --> 0:16:17.840
<v Speaker 4>You know, he loved women.

0:16:18.520 --> 0:16:21.720
<v Speaker 1>You know you're getting you getting the limo with Nate

0:16:21.760 --> 0:16:25.280
<v Speaker 1>and it be eight women in there like these all mine, damn,

0:16:25.480 --> 0:16:30.400
<v Speaker 1>you know, so you know that's you know, they was

0:16:30.400 --> 0:16:31.440
<v Speaker 1>a player to the heart.

0:16:31.480 --> 0:16:31.640
<v Speaker 4>Man.

0:16:31.680 --> 0:16:35.640
<v Speaker 3>I don't even know biagra back then. They don't have

0:16:35.720 --> 0:16:36.120
<v Speaker 3>to be off that.

0:16:36.800 --> 0:16:41.200
<v Speaker 1>It was that Brown, was that Jack? Yeah, he asked

0:16:41.240 --> 0:16:43.960
<v Speaker 1>him here to see. That's all some weed. That's it.

0:16:44.280 --> 0:16:47.280
<v Speaker 1>That's all the bus for you go.

0:16:47.480 --> 0:16:49.520
<v Speaker 2>I'm curious when he ends up going to jail for

0:16:49.520 --> 0:16:50.920
<v Speaker 2>for as long as he was in prison for ten

0:16:50.920 --> 0:16:53.000
<v Speaker 2>and a half years. Like you said, where did like

0:16:53.240 --> 0:16:56.000
<v Speaker 2>did you kind of feel like ship because you guys

0:16:56.000 --> 0:16:57.840
<v Speaker 2>are moving together. You guys are known as the East Side.

0:16:57.880 --> 0:17:00.000
<v Speaker 2>It's like, how did you kind of maneuver it through

0:17:00.080 --> 0:17:02.560
<v Speaker 2>out that time of him being gone? And and like

0:17:02.640 --> 0:17:04.840
<v Speaker 2>did you ever lose any sort of motivation to do

0:17:04.920 --> 0:17:07.480
<v Speaker 2>the music full time or not?

0:17:07.600 --> 0:17:07.840
<v Speaker 5>Really?

0:17:08.600 --> 0:17:11.399
<v Speaker 6>It just just kept moving, you know, just keeping the

0:17:11.400 --> 0:17:14.720
<v Speaker 6>brand alive and you know, getting the merchandise going, and

0:17:14.800 --> 0:17:17.439
<v Speaker 6>you know, just start start doing different things, you know,

0:17:19.000 --> 0:17:21.280
<v Speaker 6>you know, and just and just getting some time out,

0:17:21.520 --> 0:17:24.040
<v Speaker 6>you know what I mean, to reflect on everything, and

0:17:24.720 --> 0:17:26.560
<v Speaker 6>you know, and just keeping that thing moving as much

0:17:26.600 --> 0:17:29.200
<v Speaker 6>as I can social wise, you know what I'm saying,

0:17:29.840 --> 0:17:32.240
<v Speaker 6>And just and just trying to keep everything moving.

0:17:32.320 --> 0:17:34.640
<v Speaker 5>You know, I still stayed active with Snoop. We did

0:17:34.640 --> 0:17:35.080
<v Speaker 5>the war.

0:17:35.040 --> 0:17:38.240
<v Speaker 6>Zone project m C A Cam you know what I'm saying.

0:17:38.320 --> 0:17:41.840
<v Speaker 6>Then I did an overseas joint with the dubstep music

0:17:41.960 --> 0:17:43.480
<v Speaker 6>so we just do steps.

0:17:43.680 --> 0:17:43.880
<v Speaker 5>Yeah.

0:17:43.880 --> 0:17:45.800
<v Speaker 6>I did a whole project with what you know what

0:17:45.840 --> 0:17:47.600
<v Speaker 6>I mean, soot shit.

0:17:47.800 --> 0:17:48.040
<v Speaker 4>Yeah.

0:17:48.160 --> 0:17:50.960
<v Speaker 5>Man, they call dog and say, Man, that dude Goldie Man.

0:17:50.840 --> 0:17:53.280
<v Speaker 2>We needing you're rapping over dubsteck.

0:17:53.359 --> 0:17:54.760
<v Speaker 5>Man. I did a whole project.

0:17:54.760 --> 0:17:56.640
<v Speaker 3>Hey did you have Did you go toward that kind

0:17:56.640 --> 0:17:58.760
<v Speaker 3>of shit overseas? I should have because they are.

0:17:58.760 --> 0:18:01.480
<v Speaker 5>Still and still probably they waiting on me right now.

0:18:01.560 --> 0:18:02.160
<v Speaker 3>You go over there.

0:18:05.560 --> 0:18:08.560
<v Speaker 6>Wild yeah, man, But you know, to stay doing all

0:18:08.600 --> 0:18:11.480
<v Speaker 6>kinds of different things to stay motivated, you know what

0:18:11.560 --> 0:18:14.440
<v Speaker 6>I mean, and and wait for da touchdown so we could.

0:18:14.240 --> 0:18:17.160
<v Speaker 4>Do what we do, are you? I mean?

0:18:17.880 --> 0:18:20.439
<v Speaker 2>Obviously, I feel like we're in this kind of dope

0:18:20.520 --> 0:18:24.040
<v Speaker 2>moment of West Coast music where we just got you know,

0:18:24.960 --> 0:18:27.760
<v Speaker 2>Kendrick Calmars got the biggest song of the year, Tyler,

0:18:27.800 --> 0:18:30.240
<v Speaker 2>the creators got the number one song in the country.

0:18:31.040 --> 0:18:33.560
<v Speaker 2>You guys just dropped Dog Pound, just drop Why g

0:18:33.760 --> 0:18:38.160
<v Speaker 2>dropped this year? We uh we have this missionary album

0:18:38.200 --> 0:18:42.200
<v Speaker 2>coming out that's huge, which is gonna be big. I'm

0:18:42.240 --> 0:18:44.879
<v Speaker 2>just curious, like, how excited are you guys for everybody

0:18:44.880 --> 0:18:47.600
<v Speaker 2>to like finally hear this missionary album because I know

0:18:47.680 --> 0:18:50.080
<v Speaker 2>that Snoop had a listening session like last week of

0:18:50.080 --> 0:18:52.200
<v Speaker 2>the week before. I wasn't in town, but I'm hearing

0:18:52.200 --> 0:18:56.320
<v Speaker 2>it's amazing. Do you like if y'all feel like this

0:18:56.440 --> 0:18:59.080
<v Speaker 2>is like it's back in La now like that all

0:18:59.119 --> 0:18:59.639
<v Speaker 2>over again?

0:19:00.160 --> 0:19:02.760
<v Speaker 5>What it feels like to me all over again?

0:19:03.040 --> 0:19:05.959
<v Speaker 4>Yeah, Very invited me to up there to hear the album.

0:19:06.280 --> 0:19:08.320
<v Speaker 1>I saw him at the Olympics when they did the

0:19:08.359 --> 0:19:11.320
<v Speaker 1>closing ceremonial Long Beach, so he told me come put

0:19:11.359 --> 0:19:14.520
<v Speaker 1>my ear on it, and uh yeah, he went. He

0:19:14.600 --> 0:19:17.040
<v Speaker 1>went there sonically, you know what I mean. And it's

0:19:17.040 --> 0:19:21.639
<v Speaker 1>a it's a diverse project. It's a mature project, you know.

0:19:22.720 --> 0:19:27.240
<v Speaker 1>And you know Dre is always evolving as a producer,

0:19:27.600 --> 0:19:33.280
<v Speaker 1>so Dog trusted him to give him the soundscape of

0:19:33.320 --> 0:19:37.680
<v Speaker 1>what where he's seen him at musically, and I.

0:19:37.600 --> 0:19:39.720
<v Speaker 4>Think it worked for sure. I think it worked for

0:19:39.800 --> 0:19:41.600
<v Speaker 4>both of them. You know. Yo.

0:19:41.960 --> 0:19:44.800
<v Speaker 2>Uh Trady, I wanted to ask you because you've had

0:19:44.960 --> 0:19:48.400
<v Speaker 2>like your You're like, how much fans do you have

0:19:48.480 --> 0:19:50.199
<v Speaker 2>to come up to you in public that only know

0:19:50.280 --> 0:19:53.720
<v Speaker 2>you from your interviews because you're like your lad interviews

0:19:53.760 --> 0:19:57.240
<v Speaker 2>go pretty crazy, right right, So like there's probably people

0:19:57.280 --> 0:19:58.800
<v Speaker 2>who just come up to you because they saw you

0:19:58.880 --> 0:20:02.920
<v Speaker 2>like talk online, Like is that like a new thing

0:20:03.000 --> 0:20:04.680
<v Speaker 2>for you to like have, like this whole other fan

0:20:04.720 --> 0:20:07.679
<v Speaker 2>base that might not necessarily be hip to the East sides.

0:20:08.600 --> 0:20:12.880
<v Speaker 1>I see, I encountered different people here and there would

0:20:12.920 --> 0:20:15.199
<v Speaker 1>who would say that, like, you know, and I know

0:20:15.320 --> 0:20:17.280
<v Speaker 1>that's where they know me from because you can look

0:20:17.320 --> 0:20:19.680
<v Speaker 1>at them and tell they don't listen to the East

0:20:19.760 --> 0:20:21.240
<v Speaker 1>side of the caster wrap.

0:20:21.720 --> 0:20:24.720
<v Speaker 4>Well you know you could, you could, you know.

0:20:25.640 --> 0:20:30.200
<v Speaker 1>Guess that they probably wouldn't. And you know, it's good,

0:20:30.280 --> 0:20:35.200
<v Speaker 1>you know, it's good that people appreciate my perspective on things,

0:20:35.280 --> 0:20:37.000
<v Speaker 1>me being who I am, because you know, I don't

0:20:37.040 --> 0:20:40.520
<v Speaker 1>try to be politically correct or know it all or

0:20:40.560 --> 0:20:42.919
<v Speaker 1>nothing like that. You know, I just speak from the

0:20:42.960 --> 0:20:46.359
<v Speaker 1>heart about different things that we discuss. And you know,

0:20:46.440 --> 0:20:48.439
<v Speaker 1>we had we had a pretty good run, you know,

0:20:48.520 --> 0:20:52.399
<v Speaker 1>four or five years sitting up you know, discussing the

0:20:52.480 --> 0:20:55.720
<v Speaker 1>latest and things like that. So I think that helped

0:20:55.720 --> 0:21:01.520
<v Speaker 1>people get to know my personality, know as outside of

0:21:01.640 --> 0:21:03.800
<v Speaker 1>just music, outside of my bars.

0:21:04.280 --> 0:21:06.320
<v Speaker 4>So it helped. It worked.

0:21:06.640 --> 0:21:10.240
<v Speaker 1>And you know, I'm not really out there like that

0:21:10.320 --> 0:21:12.280
<v Speaker 1>in the streets moving around for a lot of people

0:21:12.280 --> 0:21:14.439
<v Speaker 1>to see me and and and approach me. You know,

0:21:14.480 --> 0:21:16.280
<v Speaker 1>I really just come out when it's time to make

0:21:16.320 --> 0:21:17.400
<v Speaker 1>a move or get some dough.

0:21:17.760 --> 0:21:20.159
<v Speaker 2>You also, I follow you, I've been following you for

0:21:20.200 --> 0:21:23.800
<v Speaker 2>some years on Instagram. And you work out a lot,

0:21:24.400 --> 0:21:27.680
<v Speaker 2>You'll be fucking jacked, like doing the fucking prison workouts

0:21:27.680 --> 0:21:29.800
<v Speaker 2>in the backyard and ship dog like that should be

0:21:29.800 --> 0:21:30.640
<v Speaker 2>having me motivated.

0:21:31.160 --> 0:21:33.919
<v Speaker 3>I like, I'm like, damn trading. I don't know how

0:21:33.920 --> 0:21:35.920
<v Speaker 3>old you are, but you know I'm thirty seven.

0:21:37.040 --> 0:21:38.880
<v Speaker 2>But I'm like, man, if Trady could be out here

0:21:38.920 --> 0:21:41.240
<v Speaker 2>fucking getting it in looking like a goddamn rock, I

0:21:41.280 --> 0:21:46.840
<v Speaker 2>need to figure my ship out. Are you Are you

0:21:47.400 --> 0:21:48.880
<v Speaker 2>with him on the fitness or are you slap?

0:21:48.960 --> 0:21:50.200
<v Speaker 3>Do you slip it?

0:21:50.400 --> 0:21:50.640
<v Speaker 5>Okay?

0:21:50.640 --> 0:21:53.680
<v Speaker 3>Okay, so you work out too here and there, here

0:21:53.680 --> 0:21:54.640
<v Speaker 3>and there, but not like him.

0:21:54.840 --> 0:21:58.720
<v Speaker 2>I just move around because this guy he's doing get

0:21:58.760 --> 0:22:01.560
<v Speaker 2>his burpy's in the programs, and.

0:22:02.600 --> 0:22:07.119
<v Speaker 5>I want you not getting my curlan. I do certain

0:22:07.160 --> 0:22:09.080
<v Speaker 5>things here and there when I feel I got to

0:22:09.119 --> 0:22:11.359
<v Speaker 5>tighten them up, you know what I mean? He stay

0:22:11.400 --> 0:22:13.000
<v Speaker 5>on it though. You know I used to be on

0:22:13.080 --> 0:22:14.440
<v Speaker 5>that ship too all the time. My brother.

0:22:14.600 --> 0:22:16.800
<v Speaker 1>Yeah, I seen the dumb bells and the man came,

0:22:16.920 --> 0:22:18.640
<v Speaker 1>you know, came out still sucking around.

0:22:18.720 --> 0:22:22.720
<v Speaker 5>Don't get it to it. We still pushing that line.

0:22:23.640 --> 0:22:25.679
<v Speaker 2>I do feel like there are a few guys like

0:22:26.200 --> 0:22:28.359
<v Speaker 2>in like the landscape of West Coast history who get

0:22:28.400 --> 0:22:31.080
<v Speaker 2>a little slept on, and I think Cocaine's one of them.

0:22:31.359 --> 0:22:33.399
<v Speaker 2>Butch Cassidy is one of them. But Cassidy is on

0:22:33.440 --> 0:22:37.760
<v Speaker 2>the new project. I think he's I mean he's been

0:22:37.800 --> 0:22:40.800
<v Speaker 2>on some just classics, especially with Snoop. Uh what was

0:22:40.840 --> 0:22:42.840
<v Speaker 2>it like kind of getting back with him and making

0:22:42.880 --> 0:22:44.480
<v Speaker 2>sure he was he was included on the new EP.

0:22:45.400 --> 0:22:47.520
<v Speaker 1>We were all in the studio recording and he was

0:22:47.560 --> 0:22:50.000
<v Speaker 1>doing his solo project then and.

0:22:51.720 --> 0:22:53.560
<v Speaker 4>Snoop was playing us some tracks.

0:22:53.880 --> 0:22:57.080
<v Speaker 1>And had you left that day, Godie, or was you

0:22:57.119 --> 0:22:57.680
<v Speaker 1>still there?

0:22:57.880 --> 0:22:59.800
<v Speaker 5>I was still there working on but you had to

0:23:00.200 --> 0:23:00.520
<v Speaker 5>I think.

0:23:00.440 --> 0:23:02.760
<v Speaker 4>You had to go ahead.

0:23:02.800 --> 0:23:04.920
<v Speaker 5>It was it was his birthday party exactly.

0:23:05.080 --> 0:23:09.960
<v Speaker 1>So Snoop played that track that gangs the fire track,

0:23:11.320 --> 0:23:14.480
<v Speaker 1>and I just seen Butch Cassidy walk out the room

0:23:14.520 --> 0:23:17.000
<v Speaker 1>and go back to his session, and I was like,

0:23:17.960 --> 0:23:21.840
<v Speaker 1>he has to get on this song, right if I'm

0:23:21.880 --> 0:23:23.000
<v Speaker 1>fucking with this track?

0:23:23.400 --> 0:23:25.120
<v Speaker 4>And I am. I'm like, no, we.

0:23:25.119 --> 0:23:30.240
<v Speaker 1>Got what studio in in the starship, but come on

0:23:30.359 --> 0:23:34.159
<v Speaker 1>down here. I said, yeah, you know, tired of the

0:23:34.200 --> 0:23:35.960
<v Speaker 1>track gangs to five man, do your thing?

0:23:36.160 --> 0:23:36.600
<v Speaker 3>What you want?

0:23:37.320 --> 0:23:39.480
<v Speaker 4>He did his thing.

0:23:39.640 --> 0:23:44.560
<v Speaker 1>That's that's that's like that and uh that I told

0:23:44.600 --> 0:23:47.440
<v Speaker 1>Anne this song, it's just the vibe of those songs

0:23:47.560 --> 0:23:50.240
<v Speaker 1>kind of like, you know, take me there.

0:23:50.560 --> 0:23:52.359
<v Speaker 4>So it was dope me.

0:23:52.560 --> 0:23:55.360
<v Speaker 6>But you know he cousins when they dog, they come

0:23:55.359 --> 0:23:58.680
<v Speaker 6>from the same church. Yeah, oh crazy, Yeah, yeah, they

0:23:58.680 --> 0:24:00.000
<v Speaker 6>come from the same first cousin.

0:24:01.480 --> 0:24:01.680
<v Speaker 5>Yo.

0:24:01.800 --> 0:24:04.840
<v Speaker 2>How fun was it shooting the I Love It music video?

0:24:06.280 --> 0:24:09.040
<v Speaker 2>Because that is one of the like that's a legendary video,

0:24:11.280 --> 0:24:13.520
<v Speaker 2>y'all like that.

0:24:13.880 --> 0:24:14.880
<v Speaker 3>How fun was that day?

0:24:16.960 --> 0:24:19.560
<v Speaker 4>Man? I don't even know when I caught up with you.

0:24:20.280 --> 0:24:22.600
<v Speaker 1>I think I I think I came. I think I

0:24:22.640 --> 0:24:24.639
<v Speaker 1>came with a couple of homies and we parked on

0:24:24.640 --> 0:24:26.560
<v Speaker 1>the other side and we were just seeing all that

0:24:26.600 --> 0:24:27.639
<v Speaker 1>activity and everything.

0:24:27.640 --> 0:24:29.760
<v Speaker 4>It was a little bit late, but you know, he

0:24:29.800 --> 0:24:31.040
<v Speaker 4>had Gary.

0:24:30.760 --> 0:24:33.640
<v Speaker 3>Coleman resting that video was crazy.

0:24:33.760 --> 0:24:36.640
<v Speaker 1>Yeah, he was doing all these different characters and ship

0:24:36.760 --> 0:24:39.479
<v Speaker 1>and that's when I found out I couldn't run fifty

0:24:39.560 --> 0:24:41.200
<v Speaker 1>yards for.

0:24:41.480 --> 0:24:45.560
<v Speaker 3>Me with the that's funny right here.

0:24:45.359 --> 0:24:48.600
<v Speaker 4>And when I spinned bringing back there. So yeah, we

0:24:48.720 --> 0:24:49.760
<v Speaker 4>had a ball though. Man.

0:24:49.800 --> 0:24:54.480
<v Speaker 1>It was just just just having you know, the comedic

0:24:54.640 --> 0:24:57.679
<v Speaker 1>side of everything and then you know, having such a

0:24:57.720 --> 0:25:01.240
<v Speaker 1>good song, a feel good song, a feel good video

0:25:01.359 --> 0:25:04.600
<v Speaker 1>with it. I think they helped prepare us to when

0:25:04.640 --> 0:25:07.280
<v Speaker 1>we went, you know, double platinum.

0:25:06.920 --> 0:25:07.480
<v Speaker 5>Great record.

0:25:07.520 --> 0:25:10.000
<v Speaker 3>Yeah, that's biggest, bigger than.

0:25:10.600 --> 0:25:12.040
<v Speaker 4>I think that was the big I think that was

0:25:12.080 --> 0:25:12.960
<v Speaker 4>the big big.

0:25:13.080 --> 0:25:14.639
<v Speaker 3>Yeah.

0:25:14.720 --> 0:25:16.879
<v Speaker 2>I want to get your guys' take because we have

0:25:17.040 --> 0:25:19.960
<v Speaker 2>like where I feel like sometimes when we think about

0:25:19.960 --> 0:25:23.080
<v Speaker 2>West Coast hip hop, we always kind of forget to

0:25:23.160 --> 0:25:27.159
<v Speaker 2>include Tyler the creator in those conversations. And he's like

0:25:27.200 --> 0:25:30.280
<v Speaker 2>a part of this like new generation of kids who

0:25:30.280 --> 0:25:33.400
<v Speaker 2>grew up in LA but don't necessarily sound like traditional

0:25:33.440 --> 0:25:35.919
<v Speaker 2>West Coast gangster rap. I just wonder, like, what are

0:25:35.960 --> 0:25:39.000
<v Speaker 2>your guys take on a guy like Tyler who's fuck man.

0:25:39.040 --> 0:25:40.560
<v Speaker 2>When it's all said and done, he you know, he

0:25:40.640 --> 0:25:42.719
<v Speaker 2>might be on that Mount Rushmore next to like Snoop

0:25:42.840 --> 0:25:44.880
<v Speaker 2>and Cube and those guys, Like, what do you guys

0:25:44.880 --> 0:25:47.160
<v Speaker 2>think about Tyler? Like, are you guys vans? You guys ever?

0:25:47.400 --> 0:25:52.480
<v Speaker 3>Like you know, you know, not folks would.

0:25:55.000 --> 0:26:03.040
<v Speaker 1>New music. I gravitate to the or prominent songs that's

0:26:03.080 --> 0:26:03.960
<v Speaker 1>out there.

0:26:03.840 --> 0:26:04.080
<v Speaker 4>You know.

0:26:04.320 --> 0:26:08.320
<v Speaker 1>And I'm not really regional in my taste of music.

0:26:08.760 --> 0:26:08.960
<v Speaker 4>You know.

0:26:09.440 --> 0:26:12.640
<v Speaker 1>I bumped some South shit, I bumped East Coast shit,

0:26:12.720 --> 0:26:15.680
<v Speaker 1>I bump all ship all that shit. So as far

0:26:15.720 --> 0:26:19.560
<v Speaker 1>as being into Tyler Creator as an artist, I'm very

0:26:19.600 --> 0:26:23.120
<v Speaker 1>aware of who he is, but his music. I haven't

0:26:23.359 --> 0:26:25.640
<v Speaker 1>locked in on him as an artist to be able

0:26:25.640 --> 0:26:30.960
<v Speaker 1>to even critique, right, you know that. Yeah, I'm gonna

0:26:31.000 --> 0:26:32.560
<v Speaker 1>be honest. You know, I ain't gonna sit there and

0:26:32.600 --> 0:26:35.840
<v Speaker 1>act like you know, oh yeah, I'm not gonna do that.

0:26:36.119 --> 0:26:39.960
<v Speaker 2>There was this list that came out that beat out

0:26:40.000 --> 0:26:42.320
<v Speaker 2>Did he Broke Down? Like the top ten West Coast

0:26:42.400 --> 0:26:46.560
<v Speaker 2>albums of all time? And I think number one, I

0:26:46.560 --> 0:26:48.080
<v Speaker 2>forget who he had is number one? Was it the

0:26:48.160 --> 0:26:51.920
<v Speaker 2>chronic he had the Chronics number one? Doggy Styles number two.

0:26:51.960 --> 0:26:54.480
<v Speaker 2>I think I did my own and I put Doggy

0:26:54.480 --> 0:26:57.040
<v Speaker 2>Styles number one because I think it's just like again,

0:26:57.160 --> 0:27:01.199
<v Speaker 2>doggy Style and everything else. It's really like for me

0:27:01.280 --> 0:27:04.480
<v Speaker 2>for like with that with everything you know? Uh, but

0:27:04.560 --> 0:27:07.480
<v Speaker 2>what what? What are your guys' top three West Coast

0:27:07.480 --> 0:27:08.720
<v Speaker 2>albums each of y'all all time?

0:27:12.359 --> 0:27:17.840
<v Speaker 5>Mm hmm on you get your trade off. I'm thinking.

0:27:19.480 --> 0:27:28.680
<v Speaker 4>West costs all time? Definitely the chronic America's most wanted

0:27:30.440 --> 0:27:32.480
<v Speaker 4>and all lies on me.

0:27:32.880 --> 0:27:33.520
<v Speaker 5>I respect it.

0:27:33.840 --> 0:27:35.120
<v Speaker 3>No, doggy style.

0:27:37.119 --> 0:27:38.919
<v Speaker 4>The chronic interesting?

0:27:39.040 --> 0:27:41.000
<v Speaker 3>No, no, no, you picture three now your.

0:27:41.280 --> 0:27:49.240
<v Speaker 5>Chron chronic for show n W A which album?

0:27:49.280 --> 0:27:49.960
<v Speaker 4>Which one.

0:27:51.280 --> 0:27:51.440
<v Speaker 2>Man?

0:27:51.560 --> 0:27:54.760
<v Speaker 5>All that ship to be? I grew up on all

0:27:54.760 --> 0:28:04.280
<v Speaker 5>that stuff. But man and yeah and damn man, and.

0:28:05.880 --> 0:28:08.080
<v Speaker 3>Just say doggy style. It's doggy style. What are we

0:28:08.119 --> 0:28:10.760
<v Speaker 3>doing here again? Dogtown?

0:28:11.680 --> 0:28:15.840
<v Speaker 5>Yeah, Doggystown. Gotta go with Dogistyle, all right.

0:28:16.440 --> 0:28:18.359
<v Speaker 2>I respect the America's most Wanted choice. I put that

0:28:18.440 --> 0:28:20.880
<v Speaker 2>certificate over America's Most Wanted. But I understand why America's

0:28:20.920 --> 0:28:24.280
<v Speaker 2>most wanted is your pick. It's a great album. Class right,

0:28:25.280 --> 0:28:27.400
<v Speaker 2>went to the East Coast. Work with those producers, changed

0:28:27.480 --> 0:28:28.200
<v Speaker 2>up all kind of shit.

0:28:28.480 --> 0:28:29.960
<v Speaker 4>Yeah, I mean you broadened the sound.

0:28:29.960 --> 0:28:31.919
<v Speaker 1>When you take the sound somewhere, it's like what you

0:28:31.960 --> 0:28:34.240
<v Speaker 1>did with deuces and trays, you know what I mean.

0:28:34.320 --> 0:28:38.240
<v Speaker 1>We showed that we were beyond just three local act

0:28:38.480 --> 0:28:41.400
<v Speaker 1>you know what I mean, And we could trade boards

0:28:41.400 --> 0:28:45.880
<v Speaker 1>with Prodigy and you know Sister that caliber, you know,

0:28:46.160 --> 0:28:49.880
<v Speaker 1>Havoc and things like that. So you know the elevation

0:28:50.080 --> 0:28:54.880
<v Speaker 1>and the evolution that always impresses me and music and originality.

0:28:55.080 --> 0:28:57.800
<v Speaker 2>We're in a great time because ice Cube just dropped,

0:28:58.040 --> 0:29:00.000
<v Speaker 2>Snoops dropping, you guys just dropped.

0:29:00.120 --> 0:29:01.880
<v Speaker 3>We got a new Dog Pound album this year.

0:29:03.120 --> 0:29:07.720
<v Speaker 2>Uh exhibit exhibit exhibits on the way or just dropped. Okay,

0:29:07.760 --> 0:29:10.720
<v Speaker 2>shout out to X. It just feels like the West

0:29:10.720 --> 0:29:13.200
<v Speaker 2>Coast is back two their.

0:29:13.080 --> 0:29:14.680
<v Speaker 5>Back two thousand all over again.

0:29:15.000 --> 0:29:15.920
<v Speaker 3>Boy, y'all got.

0:29:15.960 --> 0:29:18.440
<v Speaker 2>To do a new Cali is Active, like twenty twenty

0:29:18.480 --> 0:29:21.160
<v Speaker 2>four with a new video, because think about it the

0:29:21.200 --> 0:29:23.640
<v Speaker 2>old like were you locked up when Kelly's Active came out?

0:29:24.640 --> 0:29:27.280
<v Speaker 2>You saw the music video, it was like everybody in

0:29:27.320 --> 0:29:29.960
<v Speaker 2>their mom from LA was in that mother except you obviously.

0:29:30.040 --> 0:29:36.680
<v Speaker 2>But but twenty twenty four, let's plant that seeding Snoop's head,

0:29:36.760 --> 0:29:37.600
<v Speaker 2>like Yo is.

0:29:37.600 --> 0:29:40.320
<v Speaker 5>Coming twenty twenty four, but give me a knapkin, but

0:29:40.640 --> 0:29:41.160
<v Speaker 5>it's coming.

0:29:41.400 --> 0:29:43.600
<v Speaker 3>And it was kind of shitting here trendy ac and you're.

0:29:43.520 --> 0:29:44.160
<v Speaker 5>About to see it.

0:29:44.280 --> 0:29:47.320
<v Speaker 6>Uh in the in the shows too, like the concerts

0:29:47.320 --> 0:29:49.800
<v Speaker 6>and stuff were pulling it all all the way around.

0:29:49.880 --> 0:29:50.440
<v Speaker 5>I'm assuming.

0:29:50.480 --> 0:29:52.760
<v Speaker 2>Yeah, I mean, look y'all man snooping on the road

0:29:52.840 --> 0:29:55.920
<v Speaker 2>so much doing this thing. Well, look, I appreciate y'all.

0:29:56.160 --> 0:29:58.880
<v Speaker 2>The new EP is out right now, go say East

0:29:59.280 --> 0:30:03.160
<v Speaker 2>still East? Uh? Any videos on the way? I know

0:30:03.160 --> 0:30:06.640
<v Speaker 2>you guys already three? I just watched one today. So

0:30:07.680 --> 0:30:09.120
<v Speaker 2>is there anything that isn't out yet? Do you guys

0:30:09.120 --> 0:30:09.840
<v Speaker 2>already shot?

0:30:11.360 --> 0:30:12.280
<v Speaker 4>No?

0:30:12.280 --> 0:30:15.440
<v Speaker 1>No, we we pretty much just dropped everything as a

0:30:16.000 --> 0:30:17.320
<v Speaker 1>you know, as a package deal.

0:30:17.920 --> 0:30:18.440
<v Speaker 4>Were back.

0:30:18.560 --> 0:30:22.040
<v Speaker 1>Here go three videos, Here go to EP. You know,

0:30:22.360 --> 0:30:24.640
<v Speaker 1>wait on the whole thing because it's coming.

0:30:24.400 --> 0:30:26.480
<v Speaker 3>There it is, you know, he said, I appreciate you.

0:30:26.560 --> 0:30:27.200
<v Speaker 4>Ill appreciate you.