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Speaker 1: Jeez up this big tray e, Little Goldie Low and

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Speaker 1: we the East Siders check us out on the Bootleg

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Speaker 1: cav podcast.

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Speaker 2: Before we start the episode, man, I got to remind

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Speaker 2: everybody that we are on the radio in eighty cities

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Speaker 2: every single day across the country. Man Real ninety two

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Speaker 2: to three every day Monday through Friday in Los Angeles,

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Speaker 2: Wild ninety four to one in Tampa, Kkfur and Phoenix.

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Speaker 3: We're all over the place, Miami, Vegas. We can go

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Speaker 3: on and on.

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Speaker 2: We want to give a shout out to our latest affiliate.

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Speaker 2: Shout out to Knoxville, Tennessee, Man Hot one oh four

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Speaker 2: point five for being the latest city to join the

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Speaker 2: Bootleg CAV Show network. All right, now, I don't ever

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Speaker 2: really talk about the radio show on the podcast, keep

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Speaker 2: them separate. But if you want to listen to the

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Speaker 2: radio show, you can click the link in the bio

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Speaker 2: for a list of all the cities you can listen

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Speaker 2: to at Yeah, that makes sense.

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Speaker 3: Let's get to the interview, Yo.

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Speaker 2: Bootlet cav Podcasts special guests in here, Man, Trey D

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Speaker 2: and Goldie Loke the East Side of It their backs

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Speaker 2: bo Leg. Hey Man, so y'all just dropped this new EP. Now,

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Speaker 2: is this the first body of work since like oh

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Speaker 2: one or y'all already put you guys have been putting

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Speaker 2: out some like INDEPENDENTI shit.

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Speaker 3: But in terms of like being.

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Speaker 2: Under like back with Snoop officially, like in terms of

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Speaker 2: like the paperwork and shit, like, is this like y'all's

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Speaker 2: first time like dropping with Snooping in that long well?

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Speaker 1: When I touched down in twenty fourteen, I did like

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Speaker 1: ten and a half and I came home and we

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Speaker 1: got together and did a mix tape we did, matter

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Speaker 1: of fact, we did That's My Work Volume four with

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Speaker 1: Snoop Dogg. And we had dropped a single called get

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Speaker 1: You right off of There, did a video to it

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Speaker 1: and everything, and it was pretty well received, you know

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Speaker 1: what I'm saying. And we did our own thing, dropped

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Speaker 1: a few songs in the entrim. We always you know,

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Speaker 1: through shows with Dog and all that, for sure, you know,

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Speaker 1: we always in the mix. But like you said, when

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Speaker 1: we got in here, just having some brand new music

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Speaker 1: out there, just letting the people feel us and know

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Speaker 1: that we still you know, swag like that. That's a

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Speaker 1: that's a good feeling.

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Speaker 2: Like I feel so old. I don't even talk about

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Speaker 2: hold y'all you When I was looking at the Spotify

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Speaker 2: because I like vividly remember going and buying the first album,

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Speaker 2: and that shit came out in the year two thousand,

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Speaker 2: I'm like, god, damn, yeah, yeah, like twenty four years

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Speaker 2: ago had some change.

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Speaker 4: We brought the Millennium Man right though.

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Speaker 2: And that was kind of like you guys were kind

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Speaker 2: of like what like I want to say, like kind

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Speaker 2: of kicked.

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Speaker 3: Off like like Snoop as like a label owner.

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Speaker 2: I felt like you guys were like kind of like

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Speaker 2: the first guys he was presenting as like this is

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Speaker 2: like my shit, you know what I'm saying.

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Speaker 1: Yeah, yeah, it was us, and then the Doggies Age

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Speaker 1: Doggies Angels.

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Speaker 3: Yeah yeah, I remember Doggi's Angels.

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Speaker 4: Yeah yeah.

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Speaker 1: They came up behind us, and then we dropped the

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Speaker 1: second one after them. We dropped a dud to trace

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Speaker 1: the old fashioned Yeah. I was working on our third one, and.

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Speaker 3: Then you got locked up.

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Speaker 5: Yeah damn. We did the movie movie. Yeah. Yeah.

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Speaker 2: What do you guys remember about that time, like working

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Speaker 2: on that first album kind of knowing you I mean

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Speaker 2: at the time, I mean obviously your two thousand Snoops

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Speaker 2: fucking you know, on top of the world. The No

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Speaker 2: Limit shit's happening, you guys kind of be in the

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Speaker 2: face of his label, like what what what do you

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Speaker 2: remember about that era of like you guys working on

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Speaker 2: that first album.

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Speaker 4: M hm.

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Speaker 1: Ship you was bringing new gold, y'all. I feel that

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Speaker 1: I've been I've been diffite and dabbing on verse.

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Speaker 4: You know I did with the dog Paan I fucked

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Speaker 4: with uh.

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Speaker 1: You know because this was during the No Limit years,

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Speaker 1: right right after he had just dropped his No Limit last.

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Speaker 4: The Last Meal.

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Speaker 3: Yeah, yeah, yeah, yeah, yeah, and.

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Speaker 4: Yeah he came on after that.

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Speaker 1: Yeah, and then we had the hood behind us, So

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Speaker 1: that really felt good because you know, we represent two

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Speaker 1: different different sets in the hood, so you know, to

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Speaker 1: have all home boys come together and start you know,

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Speaker 1: partying together and hanging out together, that was a big.

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Speaker 4: Accomplishment for us.

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Speaker 1: Yeah, you know, because you know, prior to that, it

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Speaker 1: was you know, just a lot of gun playing, you know,

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Speaker 1: conflict every time you know, the two sides met up anywhere.

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Speaker 1: So for us to bridge that gap, that was the

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Speaker 1: biggest part of the east side of this project.

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Speaker 2: Was that, like something that you guys knew was important like,

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Speaker 2: was Snoop kind of the catalysts to say, hey, we

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Speaker 2: got to bring bring everybody together from Long Beach so

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Speaker 2: you guys can move to that like kind of together

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Speaker 2: in the same way. Or was it just like y'all

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Speaker 2: it just was already.

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Speaker 4: Moving like that individuals, right, Yeah, you.

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Speaker 6: Know what I'm saying, because Long Beach, you know, you know,

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Speaker 6: we all either related somehow anyway, you know what I

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Speaker 6: mean a little bit. Yeah, So so it just came

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Speaker 6: about about you know, us as individuals smashing for the

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Speaker 6: city a certain way, being stand up guys.

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Speaker 1: You know, he probably had the foresight that that would

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Speaker 1: happen by bringing us together. Og me from my hood,

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Speaker 1: young homie from his hood.

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Speaker 5: You know, just.

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Speaker 7: That that divide right there, just bridging that divide was

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Speaker 7: you know, it was probably something he conceived that would

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Speaker 7: bring some healing about to the city, you know, because

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Speaker 7: he always been, you know, pushing about the city.

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Speaker 1: He ain't never been no device in person or nothing

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Speaker 1: like that.

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Speaker 2: Sure, I wondered so around the year two thousand, I'm

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Speaker 2: trying to put myself in a time machine here. The

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Speaker 2: fact you guys have an album out on Death Throw.

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Speaker 2: If you guys would have heard that in two thousand,

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Speaker 2: you guys have been like, that's fucking wild. Yeah, because

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Speaker 2: around that time, should drop the Chronic two thousand, right,

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Speaker 2: which no, no, he remember, should drop like the weird

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Speaker 2: Chronic two thousand.

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Speaker 3: I don't remember that there was a guy on this

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Speaker 3: remember that?

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Speaker 2: Do you guys remember there was a dude on that

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Speaker 2: album who sounded just like Snoop Dog when he wrapped.

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Speaker 3: Top Dog, top Dog, he sounded just like the top Dog.

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Speaker 2: So I like Sugar drop that album to kind of

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Speaker 2: like stop any momentum that Dre had for the Chronic

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Speaker 2: two thousand and one.

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Speaker 4: Right, But it didn't.

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Speaker 2: But I'm saying like that was like a real like

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Speaker 2: interesting time because at the time, obviously Snoop and Sugar

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Speaker 2: not seeing eye to eye. What was that like just

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Speaker 2: like kind of being around for that kind of because

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Speaker 2: that was like a very interesting time. Snoops obviously he

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Speaker 2: decided to go to No Limit. There's this weird Chronic

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Speaker 2: album that drops. Chronical two thousand one is about to drive.

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Speaker 2: I think it was out in two by two thousand,

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Speaker 2: I think it did drop. I think it dropped in

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Speaker 2: two thousand.

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Speaker 1: Yeah, okay, okay, were ninety nine what was it fuzzy?

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Speaker 4: It was.

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Speaker 5: It was on out there in the streets.

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Speaker 3: It was crazy.

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Speaker 5: It was on. Yeah, it was on and popping yeah everywhere.

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Speaker 1: Yeah, it was no telling what was gonna go down

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Speaker 1: when you know, when we interacted with different clicks and

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Speaker 1: cruise like that.

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Speaker 4: But you know, we was pushing with dogs. So it

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Speaker 4: was whatever.

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Speaker 2: You guys coming from the street side, and then there's

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Speaker 2: like the street side mixing with the wrap side.

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Speaker 3: Yeah, it's label ship.

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Speaker 1: Yeah, and you gotta stand on what you stand on

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Speaker 1: regardless because UK say, oh, there's just some rap ship

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Speaker 1: and handled that a different way than you would handle business.

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Speaker 4: On the other side.

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Speaker 1: So yeah, it was wild man, it was.

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Speaker 4: It was. It was a very interesting time in hip hop.

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Speaker 2: And now you guys have you have a death Row

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Speaker 2: chain on, you have a project. I guess it's crazy

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Speaker 2: how this guy bought death.

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Speaker 4: Row right right, Yeah it is, it is.

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Speaker 2: And now you can get death throw hard seltzers, you

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Speaker 2: could get death throw I mean there's the death Row

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Speaker 2: logo fucking everything.

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Speaker 3: You need some death throw rims.

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Speaker 1: I gotta see them with you. Yeah, that's crazy though,

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Speaker 1: that would be hard some some label rims.

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Speaker 5: Everybody.

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Speaker 4: Yeah, yeah, I knew.

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Speaker 5: The ship was coming. Though I knew the ship was

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Speaker 5: gonna happen.

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Speaker 2: Yeah, now it's been up to see man, and I

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Speaker 2: just loved, like love to see like just like you know,

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Speaker 2: I have bought Doggy Style is the most important album

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Speaker 2: in my life. Time changed my life. So I have

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Speaker 2: like every piece of Doggy Style random. I got the jacket,

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Speaker 2: I got the bump box, I got boom box of

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Speaker 2: my garage and stuff. I got every fucking I got

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Speaker 2: every copy of the CD that ever was printed. It's

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Speaker 2: like that album, Like really, that's my bucket list interviews.

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Speaker 2: When I interviewed Stoop, I'm be like, man, I wouldn't

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Speaker 2: be here without you, buddy.

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Speaker 4: That's right.

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Speaker 2: I got Doggy Style because you remember, back in the

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Speaker 2: day I used to get in the magazines, you would be.

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Speaker 3: Able to order like fifteen CS for a penny.

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Speaker 5: Yeah, I.

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Speaker 4: Remember that.

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Speaker 2: My grandma got Doggy Style on accident in the mail.

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Speaker 2: I was like five, and she gave it to me

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Speaker 2: because she was an old lady and she just saw

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Speaker 2: a cartoon on the front. And I learned that whole whoa.

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Speaker 2: And by the time my mom found out what I

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Speaker 2: was listening to, already knew the whole sit by her.

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Speaker 3: She took it was too late.

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Speaker 4: You beat on the table.

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Speaker 2: To me, it's just there's doggy styllon and everything else.

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Speaker 1: Right right, it would be too just getting familiar with

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Speaker 1: it at that impression of the skits like no.

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Speaker 2: Man, the skits like are you being like you feel

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Speaker 2: like you was there? Yeah, beginning the murder was the case.

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Speaker 5: Yeah.

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Speaker 4: Yeah.

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Speaker 1: You go back and listen to all Doctor Droit productions.

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Speaker 1: Though he's one of the masters of skits, he always

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Speaker 1: inject you know, some humor or some you know.

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Speaker 3: Skits on albums.

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Speaker 4: I feel like scratching, yeah.

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Speaker 1: You know what I mean, and the DJ the call

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Speaker 1: and response with the you know, the back and forth

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Speaker 1: you say something when you leave a word out and

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Speaker 1: the DJ filling in with the scratching the something. Yes,

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Speaker 1: it's yes. Hip hop is going in a whole different direction.

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Speaker 3: Talk about this new project still Easte.

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Speaker 2: How long were you guys working on it, these songs,

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Speaker 2: like is it a mixture of older stuff you guys

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Speaker 2: had or is this all new stuff you got?

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Speaker 5: Yeah?

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Speaker 2: All what inspired it to be? Like time to finally

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Speaker 2: like let's let's let's do ep, let's get together let's

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Speaker 2: make some ship. Mm hmm.

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Speaker 1: Well, we had been in there with him. We had

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Speaker 1: been in we had been in the lab with him

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Speaker 1: a couple of times planning on dropping some in side

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Speaker 1: of ship. But you know, scheduling is always a motherfucker.

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Speaker 1: Then when you're dealing with the largest president hip hop,

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Speaker 1: you know what I mean. You know, it's hard to

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Speaker 1: lock him down for a particular time to get get

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Speaker 1: it done. But he let us know after he was

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Speaker 1: producing the Dog Pounds album, he was like, you know,

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Speaker 1: I'm only gonna have this window, man, and I need

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Speaker 1: y'all to you know, give me something, you know, so

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Speaker 1: we can get together and you know, do some world

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Speaker 1: tours and ship next year, you know, and all that

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Speaker 1: with the family, you know, the Doghouse, dog Pound Family,

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Speaker 1: death Row.

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Speaker 4: And I think we put this together in about about

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Speaker 4: ten days.

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Speaker 2: Well I was about to say that the Dog Pound

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Speaker 2: album just dropped recently. Yeah, yeah, so you guys really

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Speaker 2: cook this thing up.

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Speaker 4: Oh yeah. We fell in there when right.

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Speaker 6: The work we was already kind of working on it,

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Speaker 6: you know what I mean, And we came back to

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Speaker 6: missed him up.

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Speaker 5: Yeah.

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Speaker 1: Yeah, we had with just want going down the song

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Speaker 1: with Battle cat We had did that already, but we

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Speaker 1: hadn't spearheaded it for no particular project.

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Speaker 4: Yeah, you know what I mean.

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Speaker 1: It was something that we was going to add to

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Speaker 1: the catalog of things we was doing in there and

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Speaker 1: build something from there.

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Speaker 6: But in the midst of help us with the NFT

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Speaker 6: music and all that kind of stuff.

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Speaker 2: What's it like working with the October guy October London

265
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Speaker 2: is like I feel like I always tell people like

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Speaker 2: Snoop got this guy. He sounds like he's from like

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Speaker 2: fucking nineteen seventy nine, Like he's.

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Speaker 3: Making real R and B.

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Speaker 2: Yeah, like he's making like real dope R and B music.

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Speaker 3: It's like been missing bad man.

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Speaker 4: Yeah, he's cold, Yeah, bad man.

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Speaker 5: He shout out to him.

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Speaker 4: He knocked that. He knocked that.

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Speaker 1: Uh, he knocked that hook out, Like he knocked that

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Speaker 1: chorus out just like in ten minutes, you know what

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Speaker 1: I mean. He felt the song and he went there

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Speaker 1: and laid the chorus down. And in the midst of

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Speaker 1: us recording, I think we did like about like three

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Speaker 1: or four songs one day. I think Goldie did four.

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Speaker 1: I did three because Goldie had he had it was

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Speaker 1: a verse. I think he had to do gangster fide,

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Speaker 1: so he had to get back on there. So we

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Speaker 1: was just recording one day, just back to back, and

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Speaker 1: he slid that track to London and London hit us

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Speaker 1: back with that and it was just go yeah, you.

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Speaker 5: Know, it was go.

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Speaker 2: I wonder you guys had Mob Deep on your second project?

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Speaker 2: What was it like, because around that time, it's like,

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Speaker 2: oh one, so, I mean the East Coast West Cooast

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Speaker 2: Ship's kind of over with at that point in time.

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Speaker 2: Whose idea was it to work with Mob Deep? And

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Speaker 2: you know, obviously Prodigy rest in peace to him, one

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Speaker 2: of the goats.

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Speaker 5: I thought that was dope.

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Speaker 1: That was Snoop Dogg's idea, and we had did We

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Speaker 1: did a song called dal Sheldon I Kill with with

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Speaker 1: Mob Deep when they was doing murder music I did.

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Speaker 1: I was out there with dog and you know, I

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Speaker 1: wrote a verse and he was like you was like,

300
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Speaker 1: what's you're getting on the cut? I'm like, hell, yeah,

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Speaker 1: I'm getting on it. I'm welcome. So he was like, man,

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Speaker 1: drop your ship. He's like me, He's like, man, drop

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Speaker 1: that ship. So we had a relationship.

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Speaker 3: So you was already in the studio with Prodigy.

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Speaker 1: Yeah, I've been in that studio win before and then

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Speaker 1: I got him on my one of my subsequent albums

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Speaker 1: on a song called General salute Me.

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Speaker 3: You guys hard.

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Speaker 1: So we had that report and then I guess Dog

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Speaker 1: wanted to give us some East Coast flavor on the

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Speaker 1: second album as well, because it was straight West on.

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Speaker 4: The first one.

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Speaker 1: And that's that's that was a group that he called on.

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Speaker 1: We was in the studio, uh Premiere DJ Premier came through.

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Speaker 4: I think we did. Did we do a song with

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Speaker 4: a little more that night too? Yeah?

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Speaker 1: Yeah, so we was I don't forget what studio we

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Speaker 1: was in.

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Speaker 2: I always feel like Snooper was like kind of like

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Speaker 2: the guy who was like pretty level headed throughout all

321
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Speaker 2: that because he had a lot of like love for

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Speaker 2: the East Coast and like had a lot of relationships

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Speaker 2: with a lot of those artists and so and and

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Speaker 2: like you said, like getting that had to be crazy

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Speaker 2: just working with Prodigy and.

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Speaker 6: We was moving and ship like yeah, we was really

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Speaker 6: moving around with Snoop as well like that to building relationships.

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Speaker 5: Yeah yeah, And it just came about you.

329
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Speaker 2: Guys have a lot of music with Nate who I

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Speaker 2: feel like we still haven't necessary I mean, there's been

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Speaker 2: artists who have come that have had like their grips

332
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Speaker 2: on being the hook guy in hip hop type dollar

333
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Speaker 2: Sign or a Conti paint, et cetera. I just feel

334
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Speaker 2: like they've never been the same since Nate passed away.

335
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Speaker 2: His son is really dope to in Hell's Dope and

336
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Speaker 2: sounds very But what can you tell me, because you

337
00:14:35,280 --> 00:14:36,720
Speaker 2: guys do have a lot of records with Nate. What

338
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Speaker 2: was it like just working with him?

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Speaker 3: Was it? And what was his writing process like?

340
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Speaker 4: M mmmm?

341
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Speaker 5: What Nate?

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Speaker 1: Nate added his own essence to the song. He didn't

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Speaker 1: really he directed songs more or less. He you know,

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Speaker 1: he was when he laid the hook. You was just

345
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Speaker 1: expected to follow what he late. He wouldn't come in

346
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Speaker 1: and be like, so, what we're talking about today?

347
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Speaker 5: Or you know?

348
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Speaker 4: Was it?

349
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Speaker 1: He would feel the track like most of us do,

350
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Speaker 1: and he would just do his thing, and everybody had

351
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Speaker 1: just follow suit because you know, when they.

352
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Speaker 4: Get on the track, it's pretty much a rap. So

353
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Speaker 4: it was always a pleasure.

354
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Speaker 5: Man.

355
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Speaker 1: I worked with him at his house, work with him

356
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Speaker 1: different studios. I was on I was on his U

357
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Speaker 1: his first time a g Folk Classics volume.

358
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Speaker 4: One The Bag of weeds.

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Speaker 1: So you know, I've been out of been out to

360
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Speaker 1: his people house with him and Clarksdale, Mississippi a couple

361
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Speaker 1: of times. So Nate was a good friend of mine

362
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Speaker 1: as well as a colleague appear you know, DPGC member.

363
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Speaker 4: He was dope, man. He was just dope all around.

364
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Speaker 4: And he wasn't no joke.

365
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Speaker 2: What was it like like because I feel like we

366
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Speaker 2: didn't see a lot of like Nate Dogg interviews because

367
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Speaker 2: he was kind of like he kind of felt like

368
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Speaker 2: an introvert a little bit he did. He wasn't out

369
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Speaker 2: there like everybody else.

370
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Speaker 4: Right, right, but he knew he was a bad motherfucker.

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Speaker 4: That's what he did.

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Speaker 2: Was there anything about like him that you think people

373
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Speaker 2: didn't really know about like because he seemed like you know,

374
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Speaker 2: we just I feel like I always saw the music videos,

375
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Speaker 2: didn't see a lot of interviews with him and ship

376
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Speaker 2: like he always felt like he was playing the cut.

377
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Speaker 4: You know. It was just a solid dude. Man.

378
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Speaker 1: He was a gangster in his hard you know, he

379
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Speaker 1: wasn't gonna let nobody playing play with him.

380
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Speaker 4: You know, he loved women.

381
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Speaker 1: You know you're getting you getting the limo with Nate

382
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Speaker 1: and it be eight women in there like these all mine, damn,

383
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Speaker 1: you know, so you know that's you know, they was

384
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Speaker 1: a player to the heart.

385
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Speaker 4: Man.

386
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Speaker 3: I don't even know biagra back then. They don't have

387
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Speaker 3: to be off that.

388
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Speaker 1: It was that Brown, was that Jack? Yeah, he asked

389
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Speaker 1: him here to see. That's all some weed. That's it.

390
00:16:44,280 --> 00:16:47,280
Speaker 1: That's all the bus for you go.

391
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Speaker 2: I'm curious when he ends up going to jail for

392
00:16:49,520 --> 00:16:50,920
Speaker 2: for as long as he was in prison for ten

393
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Speaker 2: and a half years. Like you said, where did like

394
00:16:53,240 --> 00:16:56,000
Speaker 2: did you kind of feel like ship because you guys

395
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Speaker 2: are moving together. You guys are known as the East Side.

396
00:16:57,880 --> 00:17:00,000
Speaker 2: It's like, how did you kind of maneuver it through

397
00:17:00,080 --> 00:17:02,560
Speaker 2: out that time of him being gone? And and like

398
00:17:02,640 --> 00:17:04,840
Speaker 2: did you ever lose any sort of motivation to do

399
00:17:04,920 --> 00:17:07,480
Speaker 2: the music full time or not?

400
00:17:07,600 --> 00:17:07,840
Speaker 5: Really?

401
00:17:08,600 --> 00:17:11,399
Speaker 6: It just just kept moving, you know, just keeping the

402
00:17:11,400 --> 00:17:14,720
Speaker 6: brand alive and you know, getting the merchandise going, and

403
00:17:14,800 --> 00:17:17,439
Speaker 6: you know, just start start doing different things, you know,

404
00:17:19,000 --> 00:17:21,280
Speaker 6: you know, and just and just getting some time out,

405
00:17:21,520 --> 00:17:24,040
Speaker 6: you know what I mean, to reflect on everything, and

406
00:17:24,720 --> 00:17:26,560
Speaker 6: you know, and just keeping that thing moving as much

407
00:17:26,600 --> 00:17:29,200
Speaker 6: as I can social wise, you know what I'm saying,

408
00:17:29,840 --> 00:17:32,240
Speaker 6: And just and just trying to keep everything moving.

409
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Speaker 5: You know, I still stayed active with Snoop. We did

410
00:17:34,640 --> 00:17:35,080
Speaker 5: the war.

411
00:17:35,040 --> 00:17:38,240
Speaker 6: Zone project m C A Cam you know what I'm saying.

412
00:17:38,320 --> 00:17:41,840
Speaker 6: Then I did an overseas joint with the dubstep music

413
00:17:41,960 --> 00:17:43,480
Speaker 6: so we just do steps.

414
00:17:43,680 --> 00:17:43,880
Speaker 5: Yeah.

415
00:17:43,880 --> 00:17:45,800
Speaker 6: I did a whole project with what you know what

416
00:17:45,840 --> 00:17:47,600
Speaker 6: I mean, soot shit.

417
00:17:47,800 --> 00:17:48,040
Speaker 4: Yeah.

418
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Speaker 5: Man, they call dog and say, Man, that dude Goldie Man.

419
00:17:50,840 --> 00:17:53,280
Speaker 2: We needing you're rapping over dubsteck.

420
00:17:53,359 --> 00:17:54,760
Speaker 5: Man. I did a whole project.

421
00:17:54,760 --> 00:17:56,640
Speaker 3: Hey did you have Did you go toward that kind

422
00:17:56,640 --> 00:17:58,760
Speaker 3: of shit overseas? I should have because they are.

423
00:17:58,760 --> 00:18:01,480
Speaker 5: Still and still probably they waiting on me right now.

424
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Speaker 3: You go over there.

425
00:18:05,560 --> 00:18:08,560
Speaker 6: Wild yeah, man, But you know, to stay doing all

426
00:18:08,600 --> 00:18:11,480
Speaker 6: kinds of different things to stay motivated, you know what

427
00:18:11,560 --> 00:18:14,440
Speaker 6: I mean, and and wait for da touchdown so we could.

428
00:18:14,240 --> 00:18:17,160
Speaker 4: Do what we do, are you? I mean?

429
00:18:17,880 --> 00:18:20,439
Speaker 2: Obviously, I feel like we're in this kind of dope

430
00:18:20,520 --> 00:18:24,040
Speaker 2: moment of West Coast music where we just got you know,

431
00:18:24,960 --> 00:18:27,760
Speaker 2: Kendrick Calmars got the biggest song of the year, Tyler,

432
00:18:27,800 --> 00:18:30,240
Speaker 2: the creators got the number one song in the country.

433
00:18:31,040 --> 00:18:33,560
Speaker 2: You guys just dropped Dog Pound, just drop Why g

434
00:18:33,760 --> 00:18:38,160
Speaker 2: dropped this year? We uh we have this missionary album

435
00:18:38,200 --> 00:18:42,200
Speaker 2: coming out that's huge, which is gonna be big. I'm

436
00:18:42,240 --> 00:18:44,879
Speaker 2: just curious, like, how excited are you guys for everybody

437
00:18:44,880 --> 00:18:47,600
Speaker 2: to like finally hear this missionary album because I know

438
00:18:47,680 --> 00:18:50,080
Speaker 2: that Snoop had a listening session like last week of

439
00:18:50,080 --> 00:18:52,200
Speaker 2: the week before. I wasn't in town, but I'm hearing

440
00:18:52,200 --> 00:18:56,320
Speaker 2: it's amazing. Do you like if y'all feel like this

441
00:18:56,440 --> 00:18:59,080
Speaker 2: is like it's back in La now like that all

442
00:18:59,119 --> 00:18:59,639
Speaker 2: over again?

443
00:19:00,160 --> 00:19:02,760
Speaker 5: What it feels like to me all over again?

444
00:19:03,040 --> 00:19:05,959
Speaker 4: Yeah, Very invited me to up there to hear the album.

445
00:19:06,280 --> 00:19:08,320
Speaker 1: I saw him at the Olympics when they did the

446
00:19:08,359 --> 00:19:11,320
Speaker 1: closing ceremonial Long Beach, so he told me come put

447
00:19:11,359 --> 00:19:14,520
Speaker 1: my ear on it, and uh yeah, he went. He

448
00:19:14,600 --> 00:19:17,040
Speaker 1: went there sonically, you know what I mean. And it's

449
00:19:17,040 --> 00:19:21,639
Speaker 1: a it's a diverse project. It's a mature project, you know.

450
00:19:22,720 --> 00:19:27,240
Speaker 1: And you know Dre is always evolving as a producer,

451
00:19:27,600 --> 00:19:33,280
Speaker 1: so Dog trusted him to give him the soundscape of

452
00:19:33,320 --> 00:19:37,680
Speaker 1: what where he's seen him at musically, and I.

453
00:19:37,600 --> 00:19:39,720
Speaker 4: Think it worked for sure. I think it worked for

454
00:19:39,800 --> 00:19:41,600
Speaker 4: both of them. You know. Yo.

455
00:19:41,960 --> 00:19:44,800
Speaker 2: Uh Trady, I wanted to ask you because you've had

456
00:19:44,960 --> 00:19:48,400
Speaker 2: like your You're like, how much fans do you have

457
00:19:48,480 --> 00:19:50,199
Speaker 2: to come up to you in public that only know

458
00:19:50,280 --> 00:19:53,720
Speaker 2: you from your interviews because you're like your lad interviews

459
00:19:53,760 --> 00:19:57,240
Speaker 2: go pretty crazy, right right, So like there's probably people

460
00:19:57,280 --> 00:19:58,800
Speaker 2: who just come up to you because they saw you

461
00:19:58,880 --> 00:20:02,920
Speaker 2: like talk online, Like is that like a new thing

462
00:20:03,000 --> 00:20:04,680
Speaker 2: for you to like have, like this whole other fan

463
00:20:04,720 --> 00:20:07,679
Speaker 2: base that might not necessarily be hip to the East sides.

464
00:20:08,600 --> 00:20:12,880
Speaker 1: I see, I encountered different people here and there would

465
00:20:12,920 --> 00:20:15,199
Speaker 1: who would say that, like, you know, and I know

466
00:20:15,320 --> 00:20:17,280
Speaker 1: that's where they know me from because you can look

467
00:20:17,320 --> 00:20:19,680
Speaker 1: at them and tell they don't listen to the East

468
00:20:19,760 --> 00:20:21,240
Speaker 1: side of the caster wrap.

469
00:20:21,720 --> 00:20:24,720
Speaker 4: Well you know you could, you could, you know.

470
00:20:25,640 --> 00:20:30,200
Speaker 1: Guess that they probably wouldn't. And you know, it's good,

471
00:20:30,280 --> 00:20:35,200
Speaker 1: you know, it's good that people appreciate my perspective on things,

472
00:20:35,280 --> 00:20:37,000
Speaker 1: me being who I am, because you know, I don't

473
00:20:37,040 --> 00:20:40,520
Speaker 1: try to be politically correct or know it all or

474
00:20:40,560 --> 00:20:42,919
Speaker 1: nothing like that. You know, I just speak from the

475
00:20:42,960 --> 00:20:46,359
Speaker 1: heart about different things that we discuss. And you know,

476
00:20:46,440 --> 00:20:48,439
Speaker 1: we had we had a pretty good run, you know,

477
00:20:48,520 --> 00:20:52,399
Speaker 1: four or five years sitting up you know, discussing the

478
00:20:52,480 --> 00:20:55,720
Speaker 1: latest and things like that. So I think that helped

479
00:20:55,720 --> 00:21:01,520
Speaker 1: people get to know my personality, know as outside of

480
00:21:01,640 --> 00:21:03,800
Speaker 1: just music, outside of my bars.

481
00:21:04,280 --> 00:21:06,320
Speaker 4: So it helped. It worked.

482
00:21:06,640 --> 00:21:10,240
Speaker 1: And you know, I'm not really out there like that

483
00:21:10,320 --> 00:21:12,280
Speaker 1: in the streets moving around for a lot of people

484
00:21:12,280 --> 00:21:14,439
Speaker 1: to see me and and and approach me. You know,

485
00:21:14,480 --> 00:21:16,280
Speaker 1: I really just come out when it's time to make

486
00:21:16,320 --> 00:21:17,400
Speaker 1: a move or get some dough.

487
00:21:17,760 --> 00:21:20,159
Speaker 2: You also, I follow you, I've been following you for

488
00:21:20,200 --> 00:21:23,800
Speaker 2: some years on Instagram. And you work out a lot,

489
00:21:24,400 --> 00:21:27,680
Speaker 2: You'll be fucking jacked, like doing the fucking prison workouts

490
00:21:27,680 --> 00:21:29,800
Speaker 2: in the backyard and ship dog like that should be

491
00:21:29,800 --> 00:21:30,640
Speaker 2: having me motivated.

492
00:21:31,160 --> 00:21:33,919
Speaker 3: I like, I'm like, damn trading. I don't know how

493
00:21:33,920 --> 00:21:35,920
Speaker 3: old you are, but you know I'm thirty seven.

494
00:21:37,040 --> 00:21:38,880
Speaker 2: But I'm like, man, if Trady could be out here

495
00:21:38,920 --> 00:21:41,240
Speaker 2: fucking getting it in looking like a goddamn rock, I

496
00:21:41,280 --> 00:21:46,840
Speaker 2: need to figure my ship out. Are you Are you

497
00:21:47,400 --> 00:21:48,880
Speaker 2: with him on the fitness or are you slap?

498
00:21:48,960 --> 00:21:50,200
Speaker 3: Do you slip it?

499
00:21:50,400 --> 00:21:50,640
Speaker 5: Okay?

500
00:21:50,640 --> 00:21:53,680
Speaker 3: Okay, so you work out too here and there, here

501
00:21:53,680 --> 00:21:54,640
Speaker 3: and there, but not like him.

502
00:21:54,840 --> 00:21:58,720
Speaker 2: I just move around because this guy he's doing get

503
00:21:58,760 --> 00:22:01,560
Speaker 2: his burpy's in the programs, and.

504
00:22:02,600 --> 00:22:07,119
Speaker 5: I want you not getting my curlan. I do certain

505
00:22:07,160 --> 00:22:09,080
Speaker 5: things here and there when I feel I got to

506
00:22:09,119 --> 00:22:11,359
Speaker 5: tighten them up, you know what I mean? He stay

507
00:22:11,400 --> 00:22:13,000
Speaker 5: on it though. You know I used to be on

508
00:22:13,080 --> 00:22:14,440
Speaker 5: that ship too all the time. My brother.

509
00:22:14,600 --> 00:22:16,800
Speaker 1: Yeah, I seen the dumb bells and the man came,

510
00:22:16,920 --> 00:22:18,640
Speaker 1: you know, came out still sucking around.

511
00:22:18,720 --> 00:22:22,720
Speaker 5: Don't get it to it. We still pushing that line.

512
00:22:23,640 --> 00:22:25,679
Speaker 2: I do feel like there are a few guys like

513
00:22:26,200 --> 00:22:28,359
Speaker 2: in like the landscape of West Coast history who get

514
00:22:28,400 --> 00:22:31,080
Speaker 2: a little slept on, and I think Cocaine's one of them.

515
00:22:31,359 --> 00:22:33,399
Speaker 2: Butch Cassidy is one of them. But Cassidy is on

516
00:22:33,440 --> 00:22:37,760
Speaker 2: the new project. I think he's I mean he's been

517
00:22:37,800 --> 00:22:40,800
Speaker 2: on some just classics, especially with Snoop. Uh what was

518
00:22:40,840 --> 00:22:42,840
Speaker 2: it like kind of getting back with him and making

519
00:22:42,880 --> 00:22:44,480
Speaker 2: sure he was he was included on the new EP.

520
00:22:45,400 --> 00:22:47,520
Speaker 1: We were all in the studio recording and he was

521
00:22:47,560 --> 00:22:50,000
Speaker 1: doing his solo project then and.

522
00:22:51,720 --> 00:22:53,560
Speaker 4: Snoop was playing us some tracks.

523
00:22:53,880 --> 00:22:57,080
Speaker 1: And had you left that day, Godie, or was you

524
00:22:57,119 --> 00:22:57,680
Speaker 1: still there?

525
00:22:57,880 --> 00:22:59,800
Speaker 5: I was still there working on but you had to

526
00:23:00,200 --> 00:23:00,520
Speaker 5: I think.

527
00:23:00,440 --> 00:23:02,760
Speaker 4: You had to go ahead.

528
00:23:02,800 --> 00:23:04,920
Speaker 5: It was it was his birthday party exactly.

529
00:23:05,080 --> 00:23:09,960
Speaker 1: So Snoop played that track that gangs the fire track,

530
00:23:11,320 --> 00:23:14,480
Speaker 1: and I just seen Butch Cassidy walk out the room

531
00:23:14,520 --> 00:23:17,000
Speaker 1: and go back to his session, and I was like,

532
00:23:17,960 --> 00:23:21,840
Speaker 1: he has to get on this song, right if I'm

533
00:23:21,880 --> 00:23:23,000
Speaker 1: fucking with this track?

534
00:23:23,400 --> 00:23:25,120
Speaker 4: And I am. I'm like, no, we.

535
00:23:25,119 --> 00:23:30,240
Speaker 1: Got what studio in in the starship, but come on

536
00:23:30,359 --> 00:23:34,159
Speaker 1: down here. I said, yeah, you know, tired of the

537
00:23:34,200 --> 00:23:35,960
Speaker 1: track gangs to five man, do your thing?

538
00:23:36,160 --> 00:23:36,600
Speaker 3: What you want?

539
00:23:37,320 --> 00:23:39,480
Speaker 4: He did his thing.

540
00:23:39,640 --> 00:23:44,560
Speaker 1: That's that's that's like that and uh that I told

541
00:23:44,600 --> 00:23:47,440
Speaker 1: Anne this song, it's just the vibe of those songs

542
00:23:47,560 --> 00:23:50,240
Speaker 1: kind of like, you know, take me there.

543
00:23:50,560 --> 00:23:52,359
Speaker 4: So it was dope me.

544
00:23:52,560 --> 00:23:55,360
Speaker 6: But you know he cousins when they dog, they come

545
00:23:55,359 --> 00:23:58,680
Speaker 6: from the same church. Yeah, oh crazy, Yeah, yeah, they

546
00:23:58,680 --> 00:24:00,000
Speaker 6: come from the same first cousin.

547
00:24:01,480 --> 00:24:01,680
Speaker 5: Yo.

548
00:24:01,800 --> 00:24:04,840
Speaker 2: How fun was it shooting the I Love It music video?

549
00:24:06,280 --> 00:24:09,040
Speaker 2: Because that is one of the like that's a legendary video,

550
00:24:11,280 --> 00:24:13,520
Speaker 2: y'all like that.

551
00:24:13,880 --> 00:24:14,880
Speaker 3: How fun was that day?

552
00:24:16,960 --> 00:24:19,560
Speaker 4: Man? I don't even know when I caught up with you.

553
00:24:20,280 --> 00:24:22,600
Speaker 1: I think I I think I came. I think I

554
00:24:22,640 --> 00:24:24,639
Speaker 1: came with a couple of homies and we parked on

555
00:24:24,640 --> 00:24:26,560
Speaker 1: the other side and we were just seeing all that

556
00:24:26,600 --> 00:24:27,639
Speaker 1: activity and everything.

557
00:24:27,640 --> 00:24:29,760
Speaker 4: It was a little bit late, but you know, he

558
00:24:29,800 --> 00:24:31,040
Speaker 4: had Gary.

559
00:24:30,760 --> 00:24:33,640
Speaker 3: Coleman resting that video was crazy.

560
00:24:33,760 --> 00:24:36,640
Speaker 1: Yeah, he was doing all these different characters and ship

561
00:24:36,760 --> 00:24:39,479
Speaker 1: and that's when I found out I couldn't run fifty

562
00:24:39,560 --> 00:24:41,200
Speaker 1: yards for.

563
00:24:41,480 --> 00:24:45,560
Speaker 3: Me with the that's funny right here.

564
00:24:45,359 --> 00:24:48,600
Speaker 4: And when I spinned bringing back there. So yeah, we

565
00:24:48,720 --> 00:24:49,760
Speaker 4: had a ball though. Man.

566
00:24:49,800 --> 00:24:54,480
Speaker 1: It was just just just having you know, the comedic

567
00:24:54,640 --> 00:24:57,679
Speaker 1: side of everything and then you know, having such a

568
00:24:57,720 --> 00:25:01,240
Speaker 1: good song, a feel good song, a feel good video

569
00:25:01,359 --> 00:25:04,600
Speaker 1: with it. I think they helped prepare us to when

570
00:25:04,640 --> 00:25:07,280
Speaker 1: we went, you know, double platinum.

571
00:25:06,920 --> 00:25:07,480
Speaker 5: Great record.

572
00:25:07,520 --> 00:25:10,000
Speaker 3: Yeah, that's biggest, bigger than.

573
00:25:10,600 --> 00:25:12,040
Speaker 4: I think that was the big I think that was

574
00:25:12,080 --> 00:25:12,960
Speaker 4: the big big.

575
00:25:13,080 --> 00:25:14,639
Speaker 3: Yeah.

576
00:25:14,720 --> 00:25:16,879
Speaker 2: I want to get your guys' take because we have

577
00:25:17,040 --> 00:25:19,960
Speaker 2: like where I feel like sometimes when we think about

578
00:25:19,960 --> 00:25:23,080
Speaker 2: West Coast hip hop, we always kind of forget to

579
00:25:23,160 --> 00:25:27,159
Speaker 2: include Tyler the creator in those conversations. And he's like

580
00:25:27,200 --> 00:25:30,280
Speaker 2: a part of this like new generation of kids who

581
00:25:30,280 --> 00:25:33,400
Speaker 2: grew up in LA but don't necessarily sound like traditional

582
00:25:33,440 --> 00:25:35,919
Speaker 2: West Coast gangster rap. I just wonder, like, what are

583
00:25:35,960 --> 00:25:39,000
Speaker 2: your guys take on a guy like Tyler who's fuck man.

584
00:25:39,040 --> 00:25:40,560
Speaker 2: When it's all said and done, he you know, he

585
00:25:40,640 --> 00:25:42,719
Speaker 2: might be on that Mount Rushmore next to like Snoop

586
00:25:42,840 --> 00:25:44,880
Speaker 2: and Cube and those guys, Like, what do you guys

587
00:25:44,880 --> 00:25:47,160
Speaker 2: think about Tyler? Like, are you guys vans? You guys ever?

588
00:25:47,400 --> 00:25:52,480
Speaker 3: Like you know, you know, not folks would.

589
00:25:55,000 --> 00:26:03,040
Speaker 1: New music. I gravitate to the or prominent songs that's

590
00:26:03,080 --> 00:26:03,960
Speaker 1: out there.

591
00:26:03,840 --> 00:26:04,080
Speaker 4: You know.

592
00:26:04,320 --> 00:26:08,320
Speaker 1: And I'm not really regional in my taste of music.

593
00:26:08,760 --> 00:26:08,960
Speaker 4: You know.

594
00:26:09,440 --> 00:26:12,640
Speaker 1: I bumped some South shit, I bumped East Coast shit,

595
00:26:12,720 --> 00:26:15,680
Speaker 1: I bump all ship all that shit. So as far

596
00:26:15,720 --> 00:26:19,560
Speaker 1: as being into Tyler Creator as an artist, I'm very

597
00:26:19,600 --> 00:26:23,120
Speaker 1: aware of who he is, but his music. I haven't

598
00:26:23,359 --> 00:26:25,640
Speaker 1: locked in on him as an artist to be able

599
00:26:25,640 --> 00:26:30,960
Speaker 1: to even critique, right, you know that. Yeah, I'm gonna

600
00:26:31,000 --> 00:26:32,560
Speaker 1: be honest. You know, I ain't gonna sit there and

601
00:26:32,600 --> 00:26:35,840
Speaker 1: act like you know, oh yeah, I'm not gonna do that.

602
00:26:36,119 --> 00:26:39,960
Speaker 2: There was this list that came out that beat out

603
00:26:40,000 --> 00:26:42,320
Speaker 2: Did he Broke Down? Like the top ten West Coast

604
00:26:42,400 --> 00:26:46,560
Speaker 2: albums of all time? And I think number one, I

605
00:26:46,560 --> 00:26:48,080
Speaker 2: forget who he had is number one? Was it the

606
00:26:48,160 --> 00:26:51,920
Speaker 2: chronic he had the Chronics number one? Doggy Styles number two.

607
00:26:51,960 --> 00:26:54,480
Speaker 2: I think I did my own and I put Doggy

608
00:26:54,480 --> 00:26:57,040
Speaker 2: Styles number one because I think it's just like again,

609
00:26:57,160 --> 00:27:01,199
Speaker 2: doggy Style and everything else. It's really like for me

610
00:27:01,280 --> 00:27:04,480
Speaker 2: for like with that with everything you know? Uh, but

611
00:27:04,560 --> 00:27:07,480
Speaker 2: what what? What are your guys' top three West Coast

612
00:27:07,480 --> 00:27:08,720
Speaker 2: albums each of y'all all time?

613
00:27:12,359 --> 00:27:17,840
Speaker 5: Mm hmm on you get your trade off. I'm thinking.

614
00:27:19,480 --> 00:27:28,680
Speaker 4: West costs all time? Definitely the chronic America's most wanted

615
00:27:30,440 --> 00:27:32,480
Speaker 4: and all lies on me.

616
00:27:32,880 --> 00:27:33,520
Speaker 5: I respect it.

617
00:27:33,840 --> 00:27:35,120
Speaker 3: No, doggy style.

618
00:27:37,119 --> 00:27:38,919
Speaker 4: The chronic interesting?

619
00:27:39,040 --> 00:27:41,000
Speaker 3: No, no, no, you picture three now your.

620
00:27:41,280 --> 00:27:49,240
Speaker 5: Chron chronic for show n W A which album?

621
00:27:49,280 --> 00:27:49,960
Speaker 4: Which one.

622
00:27:51,280 --> 00:27:51,440
Speaker 2: Man?

623
00:27:51,560 --> 00:27:54,760
Speaker 5: All that ship to be? I grew up on all

624
00:27:54,760 --> 00:28:04,280
Speaker 5: that stuff. But man and yeah and damn man, and.

625
00:28:05,880 --> 00:28:08,080
Speaker 3: Just say doggy style. It's doggy style. What are we

626
00:28:08,119 --> 00:28:10,760
Speaker 3: doing here again? Dogtown?

627
00:28:11,680 --> 00:28:15,840
Speaker 5: Yeah, Doggystown. Gotta go with Dogistyle, all right.

628
00:28:16,440 --> 00:28:18,359
Speaker 2: I respect the America's most Wanted choice. I put that

629
00:28:18,440 --> 00:28:20,880
Speaker 2: certificate over America's Most Wanted. But I understand why America's

630
00:28:20,920 --> 00:28:24,280
Speaker 2: most wanted is your pick. It's a great album. Class right,

631
00:28:25,280 --> 00:28:27,400
Speaker 2: went to the East Coast. Work with those producers, changed

632
00:28:27,480 --> 00:28:28,200
Speaker 2: up all kind of shit.

633
00:28:28,480 --> 00:28:29,960
Speaker 4: Yeah, I mean you broadened the sound.

634
00:28:29,960 --> 00:28:31,919
Speaker 1: When you take the sound somewhere, it's like what you

635
00:28:31,960 --> 00:28:34,240
Speaker 1: did with deuces and trays, you know what I mean.

636
00:28:34,320 --> 00:28:38,240
Speaker 1: We showed that we were beyond just three local act

637
00:28:38,480 --> 00:28:41,400
Speaker 1: you know what I mean, And we could trade boards

638
00:28:41,400 --> 00:28:45,880
Speaker 1: with Prodigy and you know Sister that caliber, you know,

639
00:28:46,160 --> 00:28:49,880
Speaker 1: Havoc and things like that. So you know the elevation

640
00:28:50,080 --> 00:28:54,880
Speaker 1: and the evolution that always impresses me and music and originality.

641
00:28:55,080 --> 00:28:57,800
Speaker 2: We're in a great time because ice Cube just dropped,

642
00:28:58,040 --> 00:29:00,000
Speaker 2: Snoops dropping, you guys just dropped.

643
00:29:00,120 --> 00:29:01,880
Speaker 3: We got a new Dog Pound album this year.

644
00:29:03,120 --> 00:29:07,720
Speaker 2: Uh exhibit exhibit exhibits on the way or just dropped. Okay,

645
00:29:07,760 --> 00:29:10,720
Speaker 2: shout out to X. It just feels like the West

646
00:29:10,720 --> 00:29:13,200
Speaker 2: Coast is back two their.

647
00:29:13,080 --> 00:29:14,680
Speaker 5: Back two thousand all over again.

648
00:29:15,000 --> 00:29:15,920
Speaker 3: Boy, y'all got.

649
00:29:15,960 --> 00:29:18,440
Speaker 2: To do a new Cali is Active, like twenty twenty

650
00:29:18,480 --> 00:29:21,160
Speaker 2: four with a new video, because think about it the

651
00:29:21,200 --> 00:29:23,640
Speaker 2: old like were you locked up when Kelly's Active came out?

652
00:29:24,640 --> 00:29:27,280
Speaker 2: You saw the music video, it was like everybody in

653
00:29:27,320 --> 00:29:29,960
Speaker 2: their mom from LA was in that mother except you obviously.

654
00:29:30,040 --> 00:29:36,680
Speaker 2: But but twenty twenty four, let's plant that seeding Snoop's head,

655
00:29:36,760 --> 00:29:37,600
Speaker 2: like Yo is.

656
00:29:37,600 --> 00:29:40,320
Speaker 5: Coming twenty twenty four, but give me a knapkin, but

657
00:29:40,640 --> 00:29:41,160
Speaker 5: it's coming.

658
00:29:41,400 --> 00:29:43,600
Speaker 3: And it was kind of shitting here trendy ac and you're.

659
00:29:43,520 --> 00:29:44,160
Speaker 5: About to see it.

660
00:29:44,280 --> 00:29:47,320
Speaker 6: Uh in the in the shows too, like the concerts

661
00:29:47,320 --> 00:29:49,800
Speaker 6: and stuff were pulling it all all the way around.

662
00:29:49,880 --> 00:29:50,440
Speaker 5: I'm assuming.

663
00:29:50,480 --> 00:29:52,760
Speaker 2: Yeah, I mean, look y'all man snooping on the road

664
00:29:52,840 --> 00:29:55,920
Speaker 2: so much doing this thing. Well, look, I appreciate y'all.

665
00:29:56,160 --> 00:29:58,880
Speaker 2: The new EP is out right now, go say East

666
00:29:59,280 --> 00:30:03,160
Speaker 2: still East? Uh? Any videos on the way? I know

667
00:30:03,160 --> 00:30:06,640
Speaker 2: you guys already three? I just watched one today. So

668
00:30:07,680 --> 00:30:09,120
Speaker 2: is there anything that isn't out yet? Do you guys

669
00:30:09,120 --> 00:30:09,840
Speaker 2: already shot?

670
00:30:11,360 --> 00:30:12,280
Speaker 4: No?

671
00:30:12,280 --> 00:30:15,440
Speaker 1: No, we we pretty much just dropped everything as a

672
00:30:16,000 --> 00:30:17,320
Speaker 1: you know, as a package deal.

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Speaker 4: Were back.

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Speaker 1: Here go three videos, Here go to EP. You know,

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Speaker 1: wait on the whole thing because it's coming.

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Speaker 3: There it is, you know, he said, I appreciate you.

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Speaker 4: Ill appreciate you.