WEBVTT - Lessons of Vesuvius, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>I Heart Radios How Stuff Works. Hey, you, welcome to

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<v Speaker 1>Stuff to Blow your Mind. My name is Robert Lamb

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<v Speaker 1>and I'm Joe McCormick, and we're back following up our

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<v Speaker 1>last episode about the eruption of Mount Vesuvius in seventy nine.

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<v Speaker 1>You know, Robert, this is something that I have wanted

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<v Speaker 1>to do an episode about for a long time. I

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<v Speaker 1>think it was mainly just because I love those letters

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<v Speaker 1>of Plenties and I wanted to read them and talk

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<v Speaker 1>about them. But there was a reason that we just

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<v Speaker 1>recently decided, Okay, it's time to do Vesuvius, And it

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<v Speaker 1>was because of a new study I read about that

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<v Speaker 1>set the lava of my heart flowing anew. And so

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<v Speaker 1>here we are because a lot of the really great

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<v Speaker 1>and shocking research about Vesuvius is like basically, what happened

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<v Speaker 1>to people's bodies when when the volcano erupted? Oh absolutely,

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<v Speaker 1>I mentioned in the first episode, how I how much,

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<v Speaker 1>how clearly I remember looking through at only Geographic when

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<v Speaker 1>I was a child and and seeing these images of

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<v Speaker 1>the remains of uh In Pompeii and Herculaneum uh one

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<v Speaker 1>in particular, I remember, was a photograph of this one

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<v Speaker 1>bit of human remains that are referred to as ring

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<v Speaker 1>Lady because it is the skeleton and you see, uh,

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<v Speaker 1>these these rings there, and it's just like the skeleton

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<v Speaker 1>emerging from the you know, half half revealed in the

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<v Speaker 1>in the ash and soil, and it was just very haunting.

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<v Speaker 1>It's this idea of this place just buried and frozen

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<v Speaker 1>in time. I'm looking at this image. Does she have

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<v Speaker 1>rings on her fingers but also bigger rings down around

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<v Speaker 1>her like her elbow? Yes, I believe so. And I

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<v Speaker 1>think another photo included in our notes is rather small,

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<v Speaker 1>but I believe they are serpents too, their like, you know,

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<v Speaker 1>precious metal serpents. Uh. So you know that all these

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<v Speaker 1>little details like that, you know, always were just very

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<v Speaker 1>intriguing me. Such a dramatic moment in history, and then

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<v Speaker 1>to have so much of it preserved, Yeah, in some

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<v Speaker 1>cases preserved in a shockingly pristine way, but in other

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<v Speaker 1>cases transformed in an even more shocking way. So this

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<v Speaker 1>new study that that I was reading about was by

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<v Speaker 1>pure Paolo Petrona, published in the New England Journal of

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<v Speaker 1>Medicine just this month or just last month in January. Actually,

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<v Speaker 1>so Patroni was the lead author, but there were a

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<v Speaker 1>bunch of authors named on it. And I'm not going

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<v Speaker 1>to say the name of the study because that might

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<v Speaker 1>spoil a little bit about what happened. But basically, there

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<v Speaker 1>have been a lot of modern analyzes trying to understand

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<v Speaker 1>exactly what happened to the bodies of the victims of

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<v Speaker 1>Vesuvius in settlements like Pompeii and Herculaneum. It's like some

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<v Speaker 1>of them the ones people were most familiar with, or

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<v Speaker 1>when essentially the like the the the ashes that formed

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<v Speaker 1>around body have been used as a kind of mold,

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<v Speaker 1>you know, pour a substance down in there, let it uh,

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<v Speaker 1>you know, harden, and then when you bring it back out,

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<v Speaker 1>you have this this picture of these these humans from

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<v Speaker 1>any nine see at the basically the moment of death. Yeah,

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<v Speaker 1>And in a lot of cases, these people died under

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<v Speaker 1>circumstances so extreme that it's difficult to imagine exactly how

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<v Speaker 1>it would play out on our soft, fluid filled bodies. Um.

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<v Speaker 1>This particular study concerns one such case, which got a

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<v Speaker 1>good right up in the New York Times by Jennifer Pinkowski.

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<v Speaker 1>So this study looked at one specific body exhumed from

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<v Speaker 1>the buried ruins of Herculaneum, and this was a man

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<v Speaker 1>who was believed to have been in his mid twenties,

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<v Speaker 1>and he was found lying on a wooden bed in

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<v Speaker 1>the colleg Gum august Stallium, which was a building on

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<v Speaker 1>the main street of the town away from the waterfront.

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<v Speaker 1>And the man's ash entombed remains were discovered sometime in

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<v Speaker 1>the nineteen sixties, but more recently researchers were able to

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<v Speaker 1>extract a strange object from inside the dead man's head.

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<v Speaker 1>And it is a warped, black, shiny fragment of glassy material.

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<v Speaker 1>What is it? Well, I mean, if if one worked

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<v Speaker 1>it to guess, you might think, well, this must be

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<v Speaker 1>a piece of you know, volcanic shrapnel, something that you know,

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<v Speaker 1>flying through the air and become it gets embedded in

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<v Speaker 1>the skull, right sure. And when I was looking at

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<v Speaker 1>images of the fragment, I was thinking exactly along those lines,

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<v Speaker 1>because it reminded me a bit of the appearance of

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<v Speaker 1>tech tits, which are these gravel sized pieces of natural

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<v Speaker 1>glass that are formed from terrestrial material, including things like sand,

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<v Speaker 1>which get rapidly superheated to the melting point during meteorite impacts. So,

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<v Speaker 1>like you know, a meteor hits the surface, it kicks

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<v Speaker 1>up a lot of stuff is some of it quickly

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<v Speaker 1>melts and turns into glass. And natural impact glass is amazing.

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<v Speaker 1>I think we talked about it a bit in our

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<v Speaker 1>episode about the Kabba Um but but yeah, just to

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<v Speaker 1>imagine that, like an object falling from space hits the

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<v Speaker 1>surface of the Earth, throws up this big explosion of debris,

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<v Speaker 1>and some of that debris gets so hot from the

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<v Speaker 1>impact it turns into a shower of glass. So anyway,

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<v Speaker 1>the images of this object extract it from the man's

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<v Speaker 1>head look kind of like tech tits or kind of

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<v Speaker 1>like obsidian. But it also has this crazy complicated shape

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<v Speaker 1>and texture with these sharp hooks and crags and little

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<v Speaker 1>rounded divots as if created by frozen bubbles. And so anyway,

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<v Speaker 1>the authors of this study believe the evidence tells us

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<v Speaker 1>what the glassy material is. It's vitrified brain tissue, human

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<v Speaker 1>brain turned into glass. Hence the name of the study.

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<v Speaker 1>Heat induced brain vitrification from the vesuvious eruption in CE

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<v Speaker 1>seventy nine uh and is summarized in Pinkowski's article. According

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<v Speaker 1>to pure Paolo Patrona, who is a forensic anthropologist at

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<v Speaker 1>the University Federico, the second of Naples and the first

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<v Speaker 1>author on the study, again, the man's brain quote turned

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<v Speaker 1>to glass as a result of high heat from the

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<v Speaker 1>pyroclastic flow, and the victim's skull exploded. Now, this is

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<v Speaker 1>not actually the first case of research indicating that heat

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<v Speaker 1>from the volcanic eruption caused people's heads to explode. That

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<v Speaker 1>that's the thing that had been established by some previous

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<v Speaker 1>research right. In fact, one of the older episodes of

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<v Speaker 1>Stuff to Blow Your Mind, I think titled stuff that

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<v Speaker 1>will literally blow your mind. Well, that's one of the

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<v Speaker 1>things we mentioned as being something that could actually make

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<v Speaker 1>your your head pop, would be becoming caught in say

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<v Speaker 1>a pyroclastic flow like this. Yeah, not not to be

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<v Speaker 1>too grim, but I mean I think of the comparison

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<v Speaker 1>to like when we've discussed our problems microwaving butter, where

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<v Speaker 1>there's like too much vapor formation, very rapidly rapid temperature

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<v Speaker 1>change like that. Yeah. So, to quote some text from

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<v Speaker 1>the study itself, and this was quoted secondarily from the

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<v Speaker 1>BBC quote the detection of glassy material from the victim's head,

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<v Speaker 1>of proteins expressed in the human brain, and if fatty

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<v Speaker 1>acids found in human hair indicates the thermally induced preservation

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<v Speaker 1>of vitrified human brain tissue. So first you'd have extreme

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<v Speaker 1>radiant heat which would pretty much instantly ignite fat in

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<v Speaker 1>the body and vapor rise fluid content and body tissues.

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<v Speaker 1>What kind of heat are we talking about? Well, analysis

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<v Speaker 1>of the charred wood nearby shows temperatures right around the

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<v Speaker 1>man probably reached to something like five hundred and twenty

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<v Speaker 1>degrees celsius, which is over nine hundred and sixty degrees fahrenheit,

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<v Speaker 1>which I believe is hotter than the average surface temperature

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<v Speaker 1>on the planet Venus. Uh. So we're we're in extreme

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<v Speaker 1>territory here and uh And though I should say that

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<v Speaker 1>not all experts are convinced that the black glass is

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<v Speaker 1>truly the man's brain, because Pinkowski Uh in her article

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<v Speaker 1>for The Times, also quote somebody named Christina Kilgrove, who

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<v Speaker 1>is a bioarchaeologist at the University of North Carolina Chapel Hill,

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<v Speaker 1>who's done firsthand research on Vesuvius and of the brain

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<v Speaker 1>to glass study. She says, quote, while their analysis is intriguing.

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<v Speaker 1>I do not think they've proved its human brain material,

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<v Speaker 1>nor nor have they ruled out other origins. The fatty

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<v Speaker 1>acids they identified are typical of vegetable or animal fat

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<v Speaker 1>or hair. So apparently, you know, once you start achieving

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<v Speaker 1>temperatures that potentially turn all kinds of organic material into glass,

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<v Speaker 1>you create some room for confusion. Maybe this is some

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<v Speaker 1>kind of other organic material that terrified, right, And and

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<v Speaker 1>then again this is like these are special circumstances to

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<v Speaker 1>create this these forensic remains, so it's difficult to compare

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<v Speaker 1>these to other cases. Now, that's not the only study

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<v Speaker 1>to come out recently about grim death scenes in these towns.

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<v Speaker 1>There was another one I was looking at that was

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<v Speaker 1>revising some earlier research about how some people had died

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<v Speaker 1>when their their remains were found within these stone houses

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<v Speaker 1>that were along the shores at Herculaneum that were sort

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<v Speaker 1>of known as the boat houses, to appear that people

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<v Speaker 1>died crowded inside. I think they had probably crowded into

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<v Speaker 1>the buildings for shelter. The buildings got closed up and

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<v Speaker 1>then got superheated, and the question was how did the

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<v Speaker 1>people die inside? And again it's a very grim scene.

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<v Speaker 1>But it looks like it's sort of turned. The buildings

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<v Speaker 1>provided some insulation from the flow of what was happening outside.

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<v Speaker 1>I'd but just gradually heated up and sort of worked

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<v Speaker 1>like an oven. It's kind of horrible to imagine. Oh yeah,

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<v Speaker 1>so yeah, they they managed to avoid like instant cooking,

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<v Speaker 1>but instead got slightly more gradual cooking. Now his luck

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<v Speaker 1>would habit there was. There was another very recent bit

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<v Speaker 1>of news concerning the eruption of the Suvious. In January,

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<v Speaker 1>a number of news sources ran a story about the

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<v Speaker 1>possible discovery of Plenty the Elder's skull. What yes, um

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<v Speaker 1>in one of the better red ups that the one

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<v Speaker 1>I was looking at, in fact, was Katherine J. Woo's

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<v Speaker 1>This two thousand year old skull may belong to Plenty

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<v Speaker 1>of the Elder, published on smithsonian dot Com. Okay, what's

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<v Speaker 1>the case here? Alright, So this, this latest wrinkle in

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<v Speaker 1>the story comes via Italian researchers regarding one of some

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<v Speaker 1>seventy skeletons buried together in the aftermath of the eruption.

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<v Speaker 1>So this particular body that they're looking at, or really

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<v Speaker 1>particularly particularly we're dealing with a skull and job on uh.

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<v Speaker 1>They were found to have the body that it's associated with,

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<v Speaker 1>found to have heavy or heavily ornamented short sword in

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<v Speaker 1>its possession, and jewels, all of this becoming of a

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<v Speaker 1>person of means. Perhaps they speculate a high ranking naval officer. Now,

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<v Speaker 1>these remains were unearthed about a hundred years ago, and

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<v Speaker 1>engineer Gennero Mathrone theorized that this might be Plenty Uh,

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<v Speaker 1>but there was no way to really explore this any further. Um.

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<v Speaker 1>You know, it's just kind of circumstance, like, hey, we

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<v Speaker 1>found a this this body looks like it was somebody

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<v Speaker 1>of of means. The most famous person of means to

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<v Speaker 1>have we know died uh in the eruption of Vesuvius

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<v Speaker 1>is of course Plenty of the elder. So he's thought,

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<v Speaker 1>I think this might be him. So fast forward to

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<v Speaker 1>the twenty one century and the skull and the jaw

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<v Speaker 1>are now in the possession of Rome's Museum of the

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<v Speaker 1>History of the Art of Medicine, and using DNA sequencing technology,

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<v Speaker 1>researchers found that it was the skull of Quote, a

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<v Speaker 1>man who could trace some of his lineage to Italy

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<v Speaker 1>and who likely died in his forties or fifties. Now

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<v Speaker 1>Plenty would have been fifty six, so it's possible. The jaw,

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<v Speaker 1>on the other hand, turned out to be from a

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<v Speaker 1>different individual of North African heritage. Okay, so it wasn't

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<v Speaker 1>even from the same head as to the rest of

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<v Speaker 1>the skull. So all of this is still very uncertain.

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<v Speaker 1>This is not a this is not They're not really

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<v Speaker 1>hitting it out of the park with this one. I

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<v Speaker 1>think you can fairly say, yes, it sounds possible that

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<v Speaker 1>this particular skull could have belonged to Plenty of the

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<v Speaker 1>elder But narrowing it down to just a you know,

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<v Speaker 1>a man who could trace some of his lineage to

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<v Speaker 1>Italy and who likely died in his forties or fifties,

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<v Speaker 1>I mean, obviously they're going to be other individuals in

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<v Speaker 1>that category that died with the eruption of Vesuvius. Yeah,

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<v Speaker 1>this is interesting, but yeah, I'm I'm far from convinced.

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<v Speaker 1>So again to go over to the evidence, he would

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<v Speaker 1>have been in the right age bracket, but a lot

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<v Speaker 1>of people would have been. He would have been an

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<v Speaker 1>Italian man, but a lot of people there would have been,

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<v Speaker 1>and he had some he had some possessions indicating that

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<v Speaker 1>he was rich, like an ornamented sword and jewels. But again,

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<v Speaker 1>so the argument is like, well, this was the kind

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<v Speaker 1>of stuff that you might expect to find upon a

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<v Speaker 1>naval officer, to to find upon you know, somebody like

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<v Speaker 1>Plenty of the Elder. But that's about as far as

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<v Speaker 1>we can really go with it. Yeah, uh yeah. This

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<v Speaker 1>reminds me of other cases where we've talked about on

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<v Speaker 1>the show before where people kind of like, you're so

0:12:33.640 --> 0:12:37.240
<v Speaker 1>eager to take one fact or character or place from

0:12:37.280 --> 0:12:40.640
<v Speaker 1>a historical narrative and try to connect it with physical

0:12:40.720 --> 0:12:44.160
<v Speaker 1>artifacts on on often a very tenuous basis. Like I

0:12:44.160 --> 0:12:47.760
<v Speaker 1>remember in our episode about Lot's Wife where we discussed

0:12:47.760 --> 0:12:50.480
<v Speaker 1>the Dead Sea region and the tendency to take a

0:12:50.600 --> 0:12:53.480
<v Speaker 1>rock or salt formation, and people would say, that's a

0:12:53.480 --> 0:12:57.320
<v Speaker 1>Lot's wife, um, and like even so, even if you

0:12:57.360 --> 0:13:00.320
<v Speaker 1>were someone who believed the you know, destruction of Ottoman

0:13:00.320 --> 0:13:03.520
<v Speaker 1>Gomora story as as history, and believe the whole Lot's

0:13:03.520 --> 0:13:06.160
<v Speaker 1>of Wife thing, why would you expect an individual rock

0:13:06.240 --> 0:13:08.960
<v Speaker 1>you come across to actually be her? Right? Yeah, The

0:13:09.000 --> 0:13:11.800
<v Speaker 1>idea is of course endlessly attractive to be able to

0:13:12.160 --> 0:13:14.439
<v Speaker 1>have this physical proof of Plenty of the Elder and

0:13:14.480 --> 0:13:18.600
<v Speaker 1>individual who factors so heavily into this particular historical narrative.

0:13:18.880 --> 0:13:21.480
<v Speaker 1>But also it is just such an uh an important

0:13:21.520 --> 0:13:25.160
<v Speaker 1>figure in the you know, the historical writings. Yeah, I

0:13:25.440 --> 0:13:27.760
<v Speaker 1>think it speaks to a kind of human tendency of

0:13:27.840 --> 0:13:31.160
<v Speaker 1>like the characters we know from literary sources, whether it's

0:13:31.200 --> 0:13:34.480
<v Speaker 1>history or mythology. They're like friends and you know, the

0:13:34.520 --> 0:13:36.200
<v Speaker 1>same way that you walk through a crowd and you

0:13:36.280 --> 0:13:39.400
<v Speaker 1>yearn to recognize people. You know, you see somebody and like, oh,

0:13:39.520 --> 0:13:42.320
<v Speaker 1>is that Jeff, No it's not him, but your your

0:13:42.360 --> 0:13:44.760
<v Speaker 1>brain went there for a second, is that plenty Skull? Oh?

0:13:44.800 --> 0:13:47.840
<v Speaker 1>Wait what it might be somebody else, But still it

0:13:47.840 --> 0:13:50.840
<v Speaker 1>feels it feels special for a second there, Yeah, it does.

0:13:51.120 --> 0:13:53.440
<v Speaker 1>So I guess i'd say the evidence here not even

0:13:53.480 --> 0:13:56.120
<v Speaker 1>close to decisive, But if you want to imagine maybe

0:13:56.160 --> 0:13:58.120
<v Speaker 1>it's plenty Skull, I guess there's no harm in that,

0:13:58.360 --> 0:14:00.000
<v Speaker 1>right and now. And on the same hand, I don't

0:14:00.000 --> 0:14:03.080
<v Speaker 1>to criticize this more recent research because because clearly they

0:14:03.120 --> 0:14:06.079
<v Speaker 1>were they were following up on this much earlier speculation

0:14:06.840 --> 0:14:08.800
<v Speaker 1>where this goes like I think it's plenty and they said, well,

0:14:08.920 --> 0:14:12.880
<v Speaker 1>let's let's apply some science to this. Let's what we

0:14:12.920 --> 0:14:16.520
<v Speaker 1>can we can discern from the bone of the skull itself,

0:14:16.559 --> 0:14:18.760
<v Speaker 1>and yeah, this is what they figured out. Yeah, you

0:14:18.760 --> 0:14:22.240
<v Speaker 1>can find out more that's either consistent or not consistent

0:14:22.280 --> 0:14:25.200
<v Speaker 1>with what somebody has already claimed. Yeah, and if they

0:14:25.200 --> 0:14:27.080
<v Speaker 1>had found that it was, you know, the skull of

0:14:27.120 --> 0:14:29.480
<v Speaker 1>a of a woman in her eighties, then it probably

0:14:29.480 --> 0:14:31.600
<v Speaker 1>wouldn't have been Plenty, right, Or if the the the

0:14:31.760 --> 0:14:34.200
<v Speaker 1>entire like the skull and the job bone had both

0:14:34.800 --> 0:14:37.080
<v Speaker 1>turned out to have North African origin, that would have

0:14:37.120 --> 0:14:40.880
<v Speaker 1>also been a firmer. No, So instead we just have

0:14:41.760 --> 0:14:44.440
<v Speaker 1>a lingering maybe. All right, on that note, we're going

0:14:44.480 --> 0:14:46.720
<v Speaker 1>to take the possible skull of Plenty of the elder

0:14:46.760 --> 0:14:48.240
<v Speaker 1>and we're gonna place it up on the shelf, and

0:14:48.280 --> 0:14:52.040
<v Speaker 1>we're going to drink coffee from it. Yes, and we're

0:14:52.040 --> 0:14:53.760
<v Speaker 1>going to take a quick break, but we will be

0:14:53.840 --> 0:14:56.400
<v Speaker 1>right back and we will continue to discuss the lessons

0:14:56.440 --> 0:15:03.120
<v Speaker 1>of Vesuvius. Alright, we're back. So there are all these

0:15:03.160 --> 0:15:06.880
<v Speaker 1>genres of things that archaeologists have uncovered at at the

0:15:07.840 --> 0:15:10.800
<v Speaker 1>settlements that were ruined by the eruption of Vesuvius, especially

0:15:10.840 --> 0:15:14.600
<v Speaker 1>like Pompeii and Herculaneum, and there's no way for us

0:15:14.640 --> 0:15:16.400
<v Speaker 1>to talk about all of the discoveries. A lot of

0:15:16.400 --> 0:15:19.080
<v Speaker 1>them are just things about, like, you know, everyday Roman life,

0:15:19.160 --> 0:15:22.040
<v Speaker 1>you know, the way the houses are preserved, things about

0:15:22.080 --> 0:15:24.880
<v Speaker 1>how the kitchens would have run, and stuff like that,

0:15:24.920 --> 0:15:27.800
<v Speaker 1>because you have all the stuff still in there. Yeah.

0:15:28.160 --> 0:15:31.080
<v Speaker 1>One of the things about the past that and then

0:15:31.120 --> 0:15:33.160
<v Speaker 1>we've touched on this plenty of times before, is you know,

0:15:33.240 --> 0:15:36.880
<v Speaker 1>it's the everyday stuff that is not always preserved in

0:15:37.000 --> 0:15:40.320
<v Speaker 1>say the history books or and you know, religious art

0:15:40.480 --> 0:15:42.920
<v Speaker 1>or what have you. And and that's often the most

0:15:42.960 --> 0:15:46.200
<v Speaker 1>interesting thing, like how did the common people live? How

0:15:46.240 --> 0:15:48.800
<v Speaker 1>what did people eat? What did they drink? Well, how

0:15:48.840 --> 0:15:51.960
<v Speaker 1>healthy were they? But like the common information like that

0:15:52.080 --> 0:15:55.320
<v Speaker 1>is not the kind of stuff that is usually thought

0:15:55.360 --> 0:15:58.120
<v Speaker 1>notable to be recorded by historians of the time because

0:15:58.200 --> 0:16:01.080
<v Speaker 1>common life is not interesting to them at least because

0:16:01.080 --> 0:16:03.680
<v Speaker 1>it's common, might be interesting to us for which it

0:16:04.000 --> 0:16:07.360
<v Speaker 1>is unusual and unknown. Instead, the things that historians are

0:16:07.360 --> 0:16:10.160
<v Speaker 1>likely to record are the unusual events, you know, the

0:16:10.200 --> 0:16:13.160
<v Speaker 1>wars and everything like that. Yeah, yeah, the the the

0:16:13.160 --> 0:16:18.200
<v Speaker 1>the dramatic moments, etcetera. So or and indeed, with the

0:16:18.360 --> 0:16:21.800
<v Speaker 1>with Vesuvius and its eruption, like you know, that's we

0:16:21.880 --> 0:16:24.640
<v Speaker 1>have this wonderful account that survived and provides all these

0:16:24.760 --> 0:16:28.360
<v Speaker 1>these details about the this, the unnatural horror that fall,

0:16:28.480 --> 0:16:32.080
<v Speaker 1>the falls, the cities that exist in the area surrounding

0:16:32.160 --> 0:16:35.600
<v Speaker 1>the Volcanic mountain. But you know, Plenty is not taking

0:16:35.640 --> 0:16:37.120
<v Speaker 1>a lot of time to talk about what he ate

0:16:37.160 --> 0:16:39.640
<v Speaker 1>for breakfast that morning, right, so I think he does

0:16:39.680 --> 0:16:43.080
<v Speaker 1>say his uncle had a light luncheon. You don't say

0:16:43.120 --> 0:16:46.600
<v Speaker 1>what it was. But one of the amazing genres of

0:16:46.640 --> 0:16:50.280
<v Speaker 1>things that archaeologists have uncovered at Pompeii that is definitely

0:16:50.360 --> 0:16:52.920
<v Speaker 1>worth looking up if you haven't seen it, is this

0:16:53.160 --> 0:16:56.360
<v Speaker 1>some of the surviving original artwork, which in some cases

0:16:56.440 --> 0:17:01.520
<v Speaker 1>is preserved in a strikingly vivid and colorful way. Oh yes, yeah,

0:17:01.520 --> 0:17:05.400
<v Speaker 1>these are definitely worth looking up. And some of them

0:17:05.400 --> 0:17:07.639
<v Speaker 1>are you know, it's it's one of these things where

0:17:07.960 --> 0:17:10.960
<v Speaker 1>it makes you really think about trying and put yourself

0:17:11.000 --> 0:17:13.040
<v Speaker 1>in the shoes of the of these people who lived

0:17:13.359 --> 0:17:16.840
<v Speaker 1>in and so there are things that make perfect sense, like, yeah,

0:17:16.880 --> 0:17:19.800
<v Speaker 1>of course you'd want to live in a uh in

0:17:19.520 --> 0:17:22.000
<v Speaker 1>a in a space that is uh you know, has

0:17:22.200 --> 0:17:26.159
<v Speaker 1>rich decoration. But then you ask, well, why this painting,

0:17:26.440 --> 0:17:28.919
<v Speaker 1>why this particular fresco et cetera. Well, I'm thinking if

0:17:28.920 --> 0:17:31.680
<v Speaker 1>it happened to my house and future archaeologists were digging

0:17:31.680 --> 0:17:33.480
<v Speaker 1>it up, they'd be like, what does it mean that

0:17:33.560 --> 0:17:36.040
<v Speaker 1>he had a poster for the film Attack of the

0:17:36.080 --> 0:17:38.800
<v Speaker 1>Crab Monsters on his wall. Clearly he thought it was

0:17:38.800 --> 0:17:43.160
<v Speaker 1>a great film, or he he realized that giant psychic

0:17:43.200 --> 0:17:46.199
<v Speaker 1>crabs were holy creatures and were to be venerated in

0:17:46.200 --> 0:17:48.479
<v Speaker 1>the home as a kind of a household god. They

0:17:48.520 --> 0:17:52.159
<v Speaker 1>might think this is a religious artifact. But so one

0:17:52.200 --> 0:17:54.280
<v Speaker 1>of the fresco is that I wanted to talk about

0:17:54.320 --> 0:17:56.800
<v Speaker 1>was something I was just reading about from a site

0:17:56.800 --> 0:18:00.880
<v Speaker 1>called Reggio five Reggio v. Uh assume that means five

0:18:00.920 --> 0:18:05.080
<v Speaker 1>and not just the letter V, which is still under excavation.

0:18:05.720 --> 0:18:08.520
<v Speaker 1>And this is a well preserved fresco that appears to

0:18:08.520 --> 0:18:11.400
<v Speaker 1>have been in the basement of a large building, underneath

0:18:11.400 --> 0:18:14.200
<v Speaker 1>the stairwell. I don't know if that contributed to how

0:18:14.240 --> 0:18:17.119
<v Speaker 1>well it was preserved. It might have, might have, But

0:18:17.240 --> 0:18:22.000
<v Speaker 1>it depicts the end of a fight between two gladiators

0:18:22.040 --> 0:18:25.280
<v Speaker 1>of fighter types that we can actually identify based on

0:18:25.400 --> 0:18:28.080
<v Speaker 1>their weapons in their armor in the painting. So one

0:18:28.160 --> 0:18:31.280
<v Speaker 1>is of a type known as the Murmillo, and the

0:18:31.320 --> 0:18:33.680
<v Speaker 1>other is a of a type known as the three

0:18:33.960 --> 0:18:36.320
<v Speaker 1>X or the Thracian. So I was looking these up

0:18:36.600 --> 0:18:40.280
<v Speaker 1>in a book called Gladiators at Pompeii by Luciana Jacobelli

0:18:40.359 --> 0:18:43.640
<v Speaker 1>from two thousand three, and she writes of the mrmalo

0:18:43.880 --> 0:18:46.800
<v Speaker 1>that had so the name of the mrmalo type fighter

0:18:46.800 --> 0:18:50.560
<v Speaker 1>originally comes from a marine fish, the murma, which had

0:18:51.240 --> 0:18:53.520
<v Speaker 1>an image of this fish was drawn on this type

0:18:53.520 --> 0:18:56.600
<v Speaker 1>of fighter's helmet. So this fighter would have a very

0:18:56.640 --> 0:18:59.560
<v Speaker 1>scary looking helmet actually. So it's got a visor that

0:18:59.640 --> 0:19:02.240
<v Speaker 1>closed is over the face, and it's got kind of

0:19:02.640 --> 0:19:06.960
<v Speaker 1>a chain pattern, like chain link pattern across the visor um.

0:19:07.000 --> 0:19:09.120
<v Speaker 1>And then of course it depicts this fish. And then

0:19:09.560 --> 0:19:12.920
<v Speaker 1>the gladiator to fight bare chested or sometimes we're something

0:19:12.960 --> 0:19:16.600
<v Speaker 1>known as the subla gaculum uh. And then he'd have

0:19:16.640 --> 0:19:20.560
<v Speaker 1>his right arm protected by something called a manica, which

0:19:20.640 --> 0:19:23.280
<v Speaker 1>I've seen depicted as like a kind of a sleeve

0:19:23.400 --> 0:19:26.280
<v Speaker 1>of padding laced up around the right arm, which was

0:19:26.320 --> 0:19:29.440
<v Speaker 1>the sword arm. So you'd hold your short sword called

0:19:29.440 --> 0:19:31.840
<v Speaker 1>a gladius in the right arm with that laced up

0:19:31.880 --> 0:19:34.480
<v Speaker 1>with this padding. And then in the other hand you

0:19:34.520 --> 0:19:37.640
<v Speaker 1>would have a rectangular shield called a screwed them that's

0:19:37.640 --> 0:19:40.439
<v Speaker 1>about one meter high. And as we've discussed in the

0:19:40.440 --> 0:19:44.360
<v Speaker 1>past talking about gladiators on the show Roaming Gladiatorial Combat.

0:19:44.520 --> 0:19:47.400
<v Speaker 1>You know, it's not unfair to compare it to the

0:19:47.440 --> 0:19:50.640
<v Speaker 1>film adaptation of The Running Man. You know, it's there's

0:19:50.720 --> 0:19:56.400
<v Speaker 1>theatrics here, there's mythic symbology involved here. Uh so it's

0:19:56.440 --> 0:19:58.720
<v Speaker 1>a it's it's not merely there's there's a mix of

0:19:58.960 --> 0:20:03.920
<v Speaker 1>a function but also just mythic form and entertainment. Yes,

0:20:03.960 --> 0:20:06.520
<v Speaker 1>and there's another element of it that comes in, which

0:20:06.560 --> 0:20:11.479
<v Speaker 1>is just like ethnic representations, like the Romans would have

0:20:11.600 --> 0:20:14.879
<v Speaker 1>some fighter types that were supposed to represent sort of

0:20:14.920 --> 0:20:19.560
<v Speaker 1>like exotic foreign types of warriors who the fighters might

0:20:19.560 --> 0:20:22.359
<v Speaker 1>not necessarily actually be from those regions. But say the

0:20:22.359 --> 0:20:24.840
<v Speaker 1>other fighter in this not the Mrmala, but the Thracian,

0:20:25.040 --> 0:20:27.280
<v Speaker 1>you know, so that's like a type of person. And

0:20:27.359 --> 0:20:29.560
<v Speaker 1>so this is supposed to be modeled after the idea

0:20:29.600 --> 0:20:31.439
<v Speaker 1>of a Thracian warrior. I'm well, I'm not sure if

0:20:31.440 --> 0:20:33.919
<v Speaker 1>it would actually in any accurate way represent what the

0:20:33.960 --> 0:20:37.040
<v Speaker 1>Thracians were Like. Yeah, I mean this is actually something

0:20:37.080 --> 0:20:41.320
<v Speaker 1>you see reflected even in some I think contemporary examples,

0:20:41.320 --> 0:20:44.879
<v Speaker 1>but definitely in twentieth century examples of professional wrestling, yes,

0:20:45.040 --> 0:20:47.520
<v Speaker 1>where various. And this is something you would see in

0:20:47.640 --> 0:20:51.439
<v Speaker 1>different parts in pretty much everywhere that pro wrestling was

0:20:51.520 --> 0:20:56.520
<v Speaker 1>slash is popular. So talking about Mexico, Japan, the United States, uh,

0:20:57.000 --> 0:21:00.440
<v Speaker 1>those three anyway, you would often see depictions of other

0:21:00.520 --> 0:21:05.520
<v Speaker 1>nationalities UH in different enemy roles. And of course you

0:21:05.720 --> 0:21:09.760
<v Speaker 1>see all manner of you know, xenophobia and UH and

0:21:10.240 --> 0:21:14.640
<v Speaker 1>racial stereotypes, the cultural stereotypes embodied in those forms. Yes,

0:21:14.800 --> 0:21:16.760
<v Speaker 1>and you know a funny thing that I was reading

0:21:16.760 --> 0:21:20.399
<v Speaker 1>about with the Roman gladiators that like sometimes gladiator types

0:21:20.440 --> 0:21:25.000
<v Speaker 1>would go out of style as as certain ethnic groups

0:21:25.040 --> 0:21:29.680
<v Speaker 1>were more comprehensively incorporated into the empire. So like earlier

0:21:29.720 --> 0:21:31.720
<v Speaker 1>on you would have a type of fighter that was

0:21:31.760 --> 0:21:34.640
<v Speaker 1>basically the gallic fighter, you know, like this is our

0:21:34.760 --> 0:21:37.399
<v Speaker 1>this is our parody of the UH, I don't know

0:21:37.440 --> 0:21:38.960
<v Speaker 1>what you want to call it, you know, their parody

0:21:39.040 --> 0:21:42.680
<v Speaker 1>or their understanding of like the the ethnic Gaul as

0:21:42.680 --> 0:21:46.400
<v Speaker 1>a warrior as Gaul. Then goal today modern like France

0:21:46.440 --> 0:21:50.160
<v Speaker 1>basically became a more fully incorporated part of the Roman Empire.

0:21:50.720 --> 0:21:53.399
<v Speaker 1>That type of fighter fell out of fashion and was

0:21:53.520 --> 0:21:58.119
<v Speaker 1>replaced by representations of ethnic groups that were still more

0:21:58.200 --> 0:22:02.680
<v Speaker 1>considered outsiders or there's Yeah, it's a it's an interesting

0:22:02.680 --> 0:22:06.399
<v Speaker 1>way to think about the you know, that space where

0:22:06.400 --> 0:22:10.000
<v Speaker 1>where sport and war meet, and and they meet more

0:22:10.040 --> 0:22:14.240
<v Speaker 1>directly in gladiatorial combat obviously, but you see this in

0:22:14.240 --> 0:22:18.320
<v Speaker 1>other types of sporting entertainment out there, even like full

0:22:18.359 --> 0:22:22.080
<v Speaker 1>on team sports. Uh. You know, there's this idea that uh,

0:22:22.160 --> 0:22:25.480
<v Speaker 1>instead of two nations going to war, they go to game. Uh.

0:22:25.480 --> 0:22:28.280
<v Speaker 1>And that you know, that's ultimately part of the spirit

0:22:28.320 --> 0:22:30.919
<v Speaker 1>of even the Olympics, which are again often uh you know,

0:22:30.960 --> 0:22:33.280
<v Speaker 1>held up as an example of nations coming together in

0:22:33.359 --> 0:22:38.679
<v Speaker 1>peace and uh. And I think certainly certainly fulfills that

0:22:38.680 --> 0:22:42.080
<v Speaker 1>that need for the international community. And yet at the

0:22:42.119 --> 0:22:45.000
<v Speaker 1>same time, it is about my country and your country

0:22:45.040 --> 0:22:47.080
<v Speaker 1>going head to head and we're going to see which

0:22:47.119 --> 0:22:50.240
<v Speaker 1>one has the has the right stuff to to emerge

0:22:50.320 --> 0:22:52.280
<v Speaker 1>victorious at the end. Yeah. But at least in the

0:22:52.320 --> 0:22:54.760
<v Speaker 1>case of the Olympics, it's like people actually from the

0:22:54.800 --> 0:22:57.639
<v Speaker 1>original countries coming together to compete. It would be a

0:22:57.640 --> 0:23:00.400
<v Speaker 1>different thing if you were just like wherever somebody actually

0:23:00.400 --> 0:23:03.080
<v Speaker 1>came from, you had them depicting a person from a

0:23:03.119 --> 0:23:06.000
<v Speaker 1>certain country, and then in that you would see more

0:23:06.040 --> 0:23:12.160
<v Speaker 1>of a parallel in say twentieth century American professional wrestling. Yeah.

0:23:12.200 --> 0:23:14.800
<v Speaker 1>So jacob Elli writes about this other type, that the

0:23:14.840 --> 0:23:18.240
<v Speaker 1>second type in the Fresco, the Thracian quote. The Thracians

0:23:18.320 --> 0:23:22.400
<v Speaker 1>armor included a small, strongly convex squarish shield known as

0:23:22.400 --> 0:23:25.680
<v Speaker 1>a parmula a manica. Again this is an arm bands

0:23:25.800 --> 0:23:28.400
<v Speaker 1>like this like padding laced up around the sword arm

0:23:29.040 --> 0:23:32.560
<v Speaker 1>uh and two high leggings, often decorated up to the knee.

0:23:32.760 --> 0:23:35.760
<v Speaker 1>The weapon most typical of this gladiator was a short sword,

0:23:35.840 --> 0:23:38.919
<v Speaker 1>either curved or angled, called a ska, so like you

0:23:39.119 --> 0:23:42.879
<v Speaker 1>have a little kind of curved scimitar thing. And she

0:23:42.920 --> 0:23:46.000
<v Speaker 1>writes that even the helmet was unusual, usually be decorated

0:23:46.040 --> 0:23:50.440
<v Speaker 1>with this tall decorated crest. So in the Fresco, it's

0:23:50.440 --> 0:23:52.719
<v Speaker 1>a battle scene, and it's at the end of the battle,

0:23:52.760 --> 0:23:56.600
<v Speaker 1>and the Mermalo fighter stands victorious, holding his sword in

0:23:56.640 --> 0:23:59.560
<v Speaker 1>his right hand and holding his shield high in his left,

0:24:00.040 --> 0:24:03.840
<v Speaker 1>and the Thracian is bent over badly wounded, bleeding from

0:24:03.920 --> 0:24:07.439
<v Speaker 1>wounds on his wrist, in his chest. He's disarmed, his

0:24:07.520 --> 0:24:09.919
<v Speaker 1>shield is lying on the ground. Next to him, and

0:24:09.960 --> 0:24:13.200
<v Speaker 1>he's making a sign with his left hand, and it's

0:24:13.240 --> 0:24:16.200
<v Speaker 1>not clear exactly what that is, but some historians and

0:24:16.320 --> 0:24:20.159
<v Speaker 1>archaeologists think that he's possibly appealing to the audience for

0:24:20.240 --> 0:24:23.080
<v Speaker 1>mercy with this sign, and we don't know if the

0:24:23.119 --> 0:24:26.400
<v Speaker 1>fight would have ended with mercy or execution. That's interesting

0:24:26.400 --> 0:24:28.840
<v Speaker 1>because then it then also not not only you're wondering

0:24:28.840 --> 0:24:30.880
<v Speaker 1>about what he's depicted in the art, but then why

0:24:30.920 --> 0:24:33.919
<v Speaker 1>is it depicted, Like why is this image celebrated? Are

0:24:33.960 --> 0:24:40.120
<v Speaker 1>we celebrating the presumably the valiant warrior that has fallen

0:24:40.200 --> 0:24:42.919
<v Speaker 1>and is is appealing for for mercy, like saying, Hey,

0:24:42.960 --> 0:24:44.520
<v Speaker 1>I put up a good fight, didn't you? And and

0:24:44.640 --> 0:24:46.560
<v Speaker 1>maybe the people looking at the art can be like, yeah,

0:24:46.840 --> 0:24:48.720
<v Speaker 1>even if you lose, if you put up a good fight,

0:24:48.760 --> 0:24:52.000
<v Speaker 1>there's there's grace and honor in that. Or is it

0:24:52.040 --> 0:24:55.320
<v Speaker 1>about the other guy, like yeah, defeat the other of

0:24:55.320 --> 0:24:58.119
<v Speaker 1>combating at all costs, and maybe they'll beg for mercy,

0:24:58.160 --> 0:25:00.320
<v Speaker 1>but you still want right is the purpose us of

0:25:00.359 --> 0:25:04.240
<v Speaker 1>the artwork to be like look at this thration loser? Uh? Yeah?

0:25:04.320 --> 0:25:07.199
<v Speaker 1>And according it gets even more interesting because, according to

0:25:07.240 --> 0:25:12.200
<v Speaker 1>Massimo Osana, director general of Pompei's Archaeological Park. This building

0:25:12.359 --> 0:25:15.439
<v Speaker 1>was probably both a tavern and a brothel that was

0:25:15.520 --> 0:25:20.320
<v Speaker 1>frequented by local gladiators. So Reggio five is very near

0:25:20.320 --> 0:25:22.480
<v Speaker 1>to another side that's believed to have been a barracks

0:25:22.560 --> 0:25:24.560
<v Speaker 1>for the fighters, So the gladiators would have had their

0:25:24.560 --> 0:25:27.960
<v Speaker 1>barracks nearby. They would go for I guess recreation at

0:25:27.960 --> 0:25:31.560
<v Speaker 1>this tavern and brothel. And inside the tavern and brothel

0:25:31.560 --> 0:25:34.520
<v Speaker 1>where the gladiators go, there are scenes on the walls

0:25:34.560 --> 0:25:37.760
<v Speaker 1>of gladiators killing each other, And it's like, is that

0:25:37.760 --> 0:25:39.919
<v Speaker 1>what they would have wanted to see? Is that what

0:25:40.040 --> 0:25:42.640
<v Speaker 1>they just had to put up with? Yeah? Like who

0:25:42.720 --> 0:25:45.480
<v Speaker 1>who decorated this space? I don't. It's so interesting trying

0:25:45.520 --> 0:25:49.760
<v Speaker 1>to understand what would motivate people to to decorate buildings

0:25:49.760 --> 0:25:52.040
<v Speaker 1>in certain ways in the ancient world. You like, you

0:25:52.080 --> 0:25:55.199
<v Speaker 1>can't again the same thing we were talking about, like, like,

0:25:55.280 --> 0:25:58.960
<v Speaker 1>how would a future civilization understand the spirit with which

0:25:59.000 --> 0:26:01.520
<v Speaker 1>I hang up a Poe stir for a trashy nineteen

0:26:01.560 --> 0:26:05.320
<v Speaker 1>fifties sci fi movie, Like do they like do they

0:26:05.359 --> 0:26:09.679
<v Speaker 1>have the level of complexity and imagining? My mind that says, okay,

0:26:09.680 --> 0:26:12.719
<v Speaker 1>this had something to do with like love of horror movies,

0:26:12.760 --> 0:26:15.239
<v Speaker 1>but also a sense of irony and you know, like

0:26:15.640 --> 0:26:17.639
<v Speaker 1>or would they just have to assume I guess this

0:26:17.720 --> 0:26:20.600
<v Speaker 1>is just like a religious artifact or something. Yeah, yeah,

0:26:20.600 --> 0:26:24.040
<v Speaker 1>there's some of there's Yeah, there's so many generalities to

0:26:24.160 --> 0:26:27.080
<v Speaker 1>potentially apply to that situation. And then and then it's

0:26:27.080 --> 0:26:29.360
<v Speaker 1>going to get you know, very specific about the individual

0:26:29.400 --> 0:26:31.480
<v Speaker 1>whose house it is. Of course, in this case, it

0:26:31.560 --> 0:26:33.639
<v Speaker 1>is a you know, again more of a less a

0:26:33.640 --> 0:26:36.879
<v Speaker 1>public space for the gladiators that are assembled there. But

0:26:36.920 --> 0:26:40.119
<v Speaker 1>then you have to again question who decided that this

0:26:40.200 --> 0:26:42.040
<v Speaker 1>is what should be on the wall, and then what

0:26:42.160 --> 0:26:44.280
<v Speaker 1>is the intended meaning of that? Like what are they

0:26:44.280 --> 0:26:47.879
<v Speaker 1>trying to enforce or celebrate? Right? Is it valiant? Is

0:26:47.920 --> 0:26:51.440
<v Speaker 1>it funny? Is it honoring them? Is it scaring them?

0:26:51.480 --> 0:26:53.399
<v Speaker 1>Like what if they put that that image up at

0:26:53.400 --> 0:26:56.280
<v Speaker 1>work here, like would we take away from that? Or

0:26:56.320 --> 0:26:58.600
<v Speaker 1>it's like, oh, I don't know. Are they both podcasters?

0:26:58.600 --> 0:27:00.880
<v Speaker 1>So I don't I don't know what's happening. So again,

0:27:00.880 --> 0:27:02.840
<v Speaker 1>we're not gonna be able to get into anywhere close

0:27:02.840 --> 0:27:06.119
<v Speaker 1>to all the studies that discuss what daily life was

0:27:06.240 --> 0:27:10.159
<v Speaker 1>like in Pompeii or Herculaneum prior to the eruption of

0:27:10.400 --> 0:27:14.240
<v Speaker 1>Vesuvius and seventy nine CE. But but I do want

0:27:14.240 --> 0:27:16.280
<v Speaker 1>to discuss just a few quick ones, and these are

0:27:16.320 --> 0:27:20.120
<v Speaker 1>all relatively recent that shed some interesting light on everything.

0:27:20.760 --> 0:27:22.439
<v Speaker 1>So the first one I want to talk about is

0:27:22.480 --> 0:27:26.320
<v Speaker 1>a two thousand seventeen University of Southern Denmark study that

0:27:26.480 --> 0:27:29.320
<v Speaker 1>looked at the drinking water situation for the Romans of

0:27:29.359 --> 0:27:33.400
<v Speaker 1>Pompeii and they found that while yes, lead pipes which

0:27:33.400 --> 0:27:36.680
<v Speaker 1>they used would sometimes poison the water, of the issue

0:27:36.720 --> 0:27:39.480
<v Speaker 1>here is they would quickly calcify, so you would only

0:27:39.520 --> 0:27:44.600
<v Speaker 1>be dealing with high toxicity levels after they've been initially

0:27:44.600 --> 0:27:50.000
<v Speaker 1>installed or when you've had to make some repairs. H So,

0:27:50.000 --> 0:27:52.919
<v Speaker 1>so the lad would from time to time poison you,

0:27:54.040 --> 0:27:58.480
<v Speaker 1>but that the toxic chemical element antimony would have been

0:27:58.520 --> 0:28:01.320
<v Speaker 1>more of a factor it was with the lead, and

0:28:01.400 --> 0:28:03.920
<v Speaker 1>it was a more It was also more common in

0:28:03.960 --> 0:28:08.160
<v Speaker 1>the groundwater, as is typical of areas of volcanic activity.

0:28:09.280 --> 0:28:12.440
<v Speaker 1>So this would have, according to the researchers quote, lead

0:28:12.440 --> 0:28:15.959
<v Speaker 1>to daily problems with vomiting, diarrhea, and liver and kidney

0:28:16.000 --> 0:28:20.600
<v Speaker 1>dan So um, I mean, it's yeah, it's it's it's

0:28:20.880 --> 0:28:24.920
<v Speaker 1>it's terrific to imagine. But but but it does shed

0:28:24.960 --> 0:28:26.800
<v Speaker 1>a little a little more light, like, what does it

0:28:26.920 --> 0:28:29.879
<v Speaker 1>what does it mean to have amazing and really advanced

0:28:30.040 --> 0:28:34.320
<v Speaker 1>plumbing in uh in seventy nine CE? While it probably

0:28:34.359 --> 0:28:37.239
<v Speaker 1>meant being poisoned part of the time, especially in this area, Well,

0:28:37.240 --> 0:28:40.160
<v Speaker 1>it makes me think. So Pompei is basically a rich town.

0:28:40.200 --> 0:28:42.959
<v Speaker 1>It's kind of a resort region. A lot of successful

0:28:43.000 --> 0:28:46.800
<v Speaker 1>elites lived there poisoning themselves with diarrhea pipes. And it

0:28:46.880 --> 0:28:49.560
<v Speaker 1>reminds me of the raw water trend from a couple

0:28:49.640 --> 0:28:52.880
<v Speaker 1>of years. I remember that a lot of like rich

0:28:52.960 --> 0:28:55.040
<v Speaker 1>tech world kind of people decided they were going to

0:28:55.080 --> 0:28:58.320
<v Speaker 1>pay fifteen dollars a gallon for untreated drinking water full

0:28:58.320 --> 0:29:01.240
<v Speaker 1>of giardia. I haven't looked it up. Is that like,

0:29:01.400 --> 0:29:03.280
<v Speaker 1>is that still a thing or did that go away?

0:29:04.160 --> 0:29:06.480
<v Speaker 1>I hope it went away, but but I don't know.

0:29:06.520 --> 0:29:08.440
<v Speaker 1>We'll have to say, maybe we'll do an episode on that.

0:29:08.480 --> 0:29:12.200
<v Speaker 1>Maybe we'll get as a sponsor. Who knows. Um, Now,

0:29:12.240 --> 0:29:14.000
<v Speaker 1>a couple of other study. Both of these other studies,

0:29:14.000 --> 0:29:17.680
<v Speaker 1>I'm going to talk about our University of Cincinnati studies. UM, Okay,

0:29:17.720 --> 0:29:21.320
<v Speaker 1>there's a teams there that have have been working uh

0:29:21.360 --> 0:29:23.800
<v Speaker 1>in POMPEII, and both of them have really concerned, like

0:29:24.160 --> 0:29:27.160
<v Speaker 1>refuse what we can learn, not so much from the

0:29:27.160 --> 0:29:30.440
<v Speaker 1>the artistry that has survived or the human remains that

0:29:30.520 --> 0:29:33.160
<v Speaker 1>we can look at, but digging around in the trash,

0:29:33.360 --> 0:29:36.720
<v Speaker 1>looking in the sewer pipes and trying to solve the

0:29:36.760 --> 0:29:39.560
<v Speaker 1>riddle of you know what they ate, what they how

0:29:39.600 --> 0:29:42.440
<v Speaker 1>they lived and uh and you know how they disposed

0:29:42.480 --> 0:29:45.600
<v Speaker 1>of their trash. So there's two thousand and twelve University

0:29:45.600 --> 0:29:48.360
<v Speaker 1>of Cincinnati study looked at a question that has come

0:29:48.440 --> 0:29:53.000
<v Speaker 1>up in archaeology concerning trash uh in POMPEII. Why was

0:29:53.040 --> 0:29:57.360
<v Speaker 1>there so much garbage littered among the tombs? So one

0:29:57.440 --> 0:30:00.800
<v Speaker 1>theory was that we saw garbage dumb in tombs and

0:30:00.840 --> 0:30:04.440
<v Speaker 1>a grave sites that had been damaged by previous earthquakes

0:30:04.640 --> 0:30:08.280
<v Speaker 1>in the vicinity and therefore they had been abandoned. And

0:30:08.320 --> 0:30:11.680
<v Speaker 1>since this was an abandoned you know, grave area that

0:30:11.720 --> 0:30:14.040
<v Speaker 1>wasn't used anymore, people decided, what would just dump our

0:30:14.040 --> 0:30:17.440
<v Speaker 1>trash here? Right? Yester year's graveyard is today's dump. Yeah,

0:30:17.520 --> 0:30:20.000
<v Speaker 1>And we see shades of this in today's society. Right.

0:30:20.040 --> 0:30:23.120
<v Speaker 1>You have you have, say a house that's under repair

0:30:24.040 --> 0:30:27.000
<v Speaker 1>or it's you know, it's there's something there's nobody's living there.

0:30:27.240 --> 0:30:29.880
<v Speaker 1>One person dumped some garbage there, and then suddenly other

0:30:29.880 --> 0:30:33.280
<v Speaker 1>people were dumping old couches and what have you. And

0:30:33.320 --> 0:30:35.200
<v Speaker 1>there may be signs to try and prevent people from

0:30:35.240 --> 0:30:39.120
<v Speaker 1>doing it. But now this is a place where garbage accumulates. Yeah,

0:30:39.160 --> 0:30:42.720
<v Speaker 1>it's the RLO go three principle. You know, the Thanksgiving

0:30:42.800 --> 0:30:47.480
<v Speaker 1>day masaker. Okay, is this from Alice's restaurant? Yeah? Yeah, yeah,

0:30:47.640 --> 0:30:49.960
<v Speaker 1>Or they find where you find garbage somewhere you figure

0:30:49.960 --> 0:30:52.200
<v Speaker 1>that's where you put the other garbage on top. That's

0:30:52.800 --> 0:30:56.080
<v Speaker 1>that's that's part of the human experience. However, in this

0:30:56.160 --> 0:31:00.200
<v Speaker 1>particular study, Allison Emerson argued that the Romans of the

0:31:00.240 --> 0:31:04.160
<v Speaker 1>time they simply had a more casual approach to trash.

0:31:04.280 --> 0:31:07.360
<v Speaker 1>So she points out that there's no evidence for any

0:31:07.400 --> 0:31:11.520
<v Speaker 1>kind of a centrally managed system for garbage disposal, and

0:31:12.160 --> 0:31:15.320
<v Speaker 1>so life was probably just lived in close proximity to

0:31:15.440 --> 0:31:21.960
<v Speaker 1>the refuse that created, especially in the alleys, the streets, roads, cemeteries,

0:31:21.960 --> 0:31:25.120
<v Speaker 1>and tombs as well. Plus one thing that she drives

0:31:25.120 --> 0:31:27.480
<v Speaker 1>home is that tombs at the time, like these were

0:31:27.480 --> 0:31:30.800
<v Speaker 1>places you didn't want your tomb just today we think of, oh,

0:31:30.840 --> 0:31:32.600
<v Speaker 1>where do I want to be buried? Where do want

0:31:32.600 --> 0:31:34.840
<v Speaker 1>my remains to go? I wanted to be a nice,

0:31:34.960 --> 0:31:39.360
<v Speaker 1>quiet place that occasionally be visited by children or families,

0:31:39.400 --> 0:31:40.880
<v Speaker 1>but for the most part is just left to the

0:31:40.880 --> 0:31:43.960
<v Speaker 1>squirrels and the birds. Uh So, Emmerson argues that this

0:31:44.040 --> 0:31:47.080
<v Speaker 1>was not the Roman way you wanted to be remembered.

0:31:47.520 --> 0:31:50.280
<v Speaker 1>Uh So, your tomb needed to be seen. Your tomb

0:31:50.280 --> 0:31:52.320
<v Speaker 1>needed to be in a place that was going to

0:31:52.400 --> 0:31:56.080
<v Speaker 1>be highly trafficked. Uh And so these tombs would have

0:31:56.080 --> 0:31:59.040
<v Speaker 1>been high traffic spaces, which meant people would probably be

0:31:59.120 --> 0:32:02.840
<v Speaker 1>littering everywhere, that they would be leaving graffiti, etcetera. And

0:32:02.880 --> 0:32:04.440
<v Speaker 1>that was I mean, that was just part of it.

0:32:04.520 --> 0:32:06.720
<v Speaker 1>Like this is, you want to be seen, you want

0:32:06.720 --> 0:32:08.920
<v Speaker 1>to be remembered, you need to be in a living space.

0:32:09.040 --> 0:32:12.520
<v Speaker 1>Living space means graffiti and garbage. Oh yeah, this is

0:32:12.560 --> 0:32:14.280
<v Speaker 1>common in the ancient world. It makes me think of

0:32:14.320 --> 0:32:18.280
<v Speaker 1>the Chattelhoya situation, where people would literally bury the remains

0:32:18.320 --> 0:32:21.240
<v Speaker 1>of their ancestors in the floor of the house where

0:32:21.240 --> 0:32:24.520
<v Speaker 1>they lived. Yeah, you want to be near the living

0:32:25.440 --> 0:32:28.240
<v Speaker 1>That's that's part of the whole equation here. And they

0:32:28.280 --> 0:32:31.000
<v Speaker 1>would often keep body parts of that, like maybe keep

0:32:31.040 --> 0:32:35.360
<v Speaker 1>their head covered in plaster just on the shelf. Now,

0:32:35.400 --> 0:32:39.560
<v Speaker 1>another University of Cincinnati study came from and this one

0:32:39.600 --> 0:32:42.719
<v Speaker 1>looked specifically at the drains, cisterns, and the trains of

0:32:42.760 --> 0:32:47.240
<v Speaker 1>Pompeii to learn what people ate. And it's interesting we've

0:32:47.240 --> 0:32:49.800
<v Speaker 1>we've talked about how yes, there were definitely some very wealthy,

0:32:50.160 --> 0:32:53.040
<v Speaker 1>uh members of Roman society in the area. This was

0:32:53.080 --> 0:32:56.320
<v Speaker 1>a very rich part of the Roman Empire. At the

0:32:56.360 --> 0:32:59.520
<v Speaker 1>same time, there were, of course commoners, there were people

0:32:59.600 --> 0:33:02.760
<v Speaker 1>lower down all on the socioeconomic spectrum. And so in

0:33:02.880 --> 0:33:08.080
<v Speaker 1>looking at the the these remains, these vestiges of of

0:33:08.120 --> 0:33:10.440
<v Speaker 1>the of these diets you were, they were able to

0:33:10.520 --> 0:33:14.920
<v Speaker 1>find these clear socio economic divisions. So for instance, they

0:33:14.920 --> 0:33:17.760
<v Speaker 1>looked at one area and they found grains, or they

0:33:17.800 --> 0:33:22.320
<v Speaker 1>found the remnants of grains, fruits, nuts, olives, lintels, local

0:33:22.360 --> 0:33:25.680
<v Speaker 1>fish and chicken eggs, as well as minimal cuts of

0:33:25.800 --> 0:33:29.000
<v Speaker 1>more expensive meat and salted fish that had been imported

0:33:29.040 --> 0:33:32.160
<v Speaker 1>from Spain. And so this would have been you know, um,

0:33:33.320 --> 0:33:36.440
<v Speaker 1>this would have been the the the food of of

0:33:36.560 --> 0:33:41.040
<v Speaker 1>people lower down on the socioeconomic spectrum, the workers throughout

0:33:41.040 --> 0:33:44.120
<v Speaker 1>the regular people, yeah, eating you know, the staples, but

0:33:44.120 --> 0:33:47.560
<v Speaker 1>then occasionally having something a little more fancy. But then,

0:33:47.560 --> 0:33:49.960
<v Speaker 1>of course there were the richer areas. UH. And here

0:33:50.000 --> 0:33:54.880
<v Speaker 1>they found more imports from outside Italy, such as various shellfish,

0:33:54.960 --> 0:33:59.320
<v Speaker 1>sea urchins, and I love this detail, even delicacies that

0:33:59.400 --> 0:34:04.520
<v Speaker 1>included the butchered leg joint of a giraffe. And UH

0:34:04.640 --> 0:34:08.640
<v Speaker 1>Professor Steven Ellis points out that the bone quote represents

0:34:08.680 --> 0:34:11.360
<v Speaker 1>the height of exotic food and is underscored by the

0:34:11.440 --> 0:34:14.560
<v Speaker 1>fact that this is thought to be the only giraffe

0:34:14.560 --> 0:34:19.000
<v Speaker 1>bone ever recorded from an archaeological excavation in Roman Italy. So,

0:34:19.040 --> 0:34:21.600
<v Speaker 1>as far as we know, the only bone from a

0:34:21.640 --> 0:34:26.120
<v Speaker 1>giraffe ever found in Italy at the time, and it's

0:34:26.120 --> 0:34:31.160
<v Speaker 1>in it's underneath the restaurant. Now, some of you might

0:34:31.160 --> 0:34:34.160
<v Speaker 1>be wondering, Well, you might think to yourself, well, it

0:34:34.160 --> 0:34:36.080
<v Speaker 1>wouldn't even occur to me to eat a giraffe, which

0:34:36.120 --> 0:34:39.000
<v Speaker 1>is a giraffe taste like? Well, there's a wonderful article

0:34:39.080 --> 0:34:41.120
<v Speaker 1>you should read on this. This was published in New

0:34:41.160 --> 0:34:45.640
<v Speaker 1>York Magazine in februaryeen titled what does Giraffe Meat Taste Like?

0:34:46.680 --> 0:34:51.799
<v Speaker 1>By Adam Martin and basically, UH, Martin says that, you know,

0:34:51.840 --> 0:34:55.200
<v Speaker 1>descriptions are gonna vary, but on one hand, you'll see

0:34:55.200 --> 0:34:58.080
<v Speaker 1>it described as a very tender meat that is served

0:34:58.120 --> 0:35:00.000
<v Speaker 1>extra rare and it kind of melts in the mouth.

0:35:00.000 --> 0:35:03.680
<v Speaker 1>Health Other accounts have said that it's an intensely flavored,

0:35:03.760 --> 0:35:07.040
<v Speaker 1>lean meat like that of a tender horse, so like

0:35:07.120 --> 0:35:10.319
<v Speaker 1>horse meat, except not as tough. And another source said

0:35:10.320 --> 0:35:13.040
<v Speaker 1>that what that giraffe meat was tough and chewy but

0:35:13.120 --> 0:35:19.080
<v Speaker 1>also flavorful. Now I would have guessed like tough and gamey. Yeah,

0:35:19.200 --> 0:35:21.440
<v Speaker 1>I mean it's a wild animal. Yeah, this is not

0:35:21.600 --> 0:35:24.000
<v Speaker 1>like the kind of the breeds of cattle that are

0:35:24.000 --> 0:35:27.880
<v Speaker 1>bred for meat. Yeah. Yeah, I felt the same. And

0:35:27.920 --> 0:35:29.520
<v Speaker 1>of course a big part of this too is like

0:35:29.600 --> 0:35:32.479
<v Speaker 1>it's exotic, right, people, And this is the reason why

0:35:32.840 --> 0:35:35.359
<v Speaker 1>rich Romans would have potentially ordered this in a menu.

0:35:35.440 --> 0:35:37.200
<v Speaker 1>It's like, what do you have? What are your specials today? Well,

0:35:37.400 --> 0:35:40.080
<v Speaker 1>we have the leg of a giraffe, you know, exciting.

0:35:40.080 --> 0:35:42.080
<v Speaker 1>I've never had that before. I will try it and

0:35:42.120 --> 0:35:45.680
<v Speaker 1>then I'll have some cost on how I respond to

0:35:45.800 --> 0:35:50.319
<v Speaker 1>the taste exactly. Now, Martin does our drive home though

0:35:50.360 --> 0:35:53.959
<v Speaker 1>that okay, Yes, there are examples of modern giraffe meat

0:35:54.080 --> 0:35:57.040
<v Speaker 1>that have been obtained legally, uh, certain like from calling

0:35:57.080 --> 0:36:01.640
<v Speaker 1>efforts in certain places. But if you but don't use

0:36:01.680 --> 0:36:04.200
<v Speaker 1>this as license to go and try and obtain giraffe

0:36:04.200 --> 0:36:07.080
<v Speaker 1>meat because it's also giraffe meed is gonna bring with

0:36:07.080 --> 0:36:11.240
<v Speaker 1>it a high risk of being harvested unethically. So ultimately

0:36:11.280 --> 0:36:13.520
<v Speaker 1>it's not worth it because it's not it doesn't sound

0:36:13.560 --> 0:36:16.720
<v Speaker 1>like it's gonna taste great, and you don't want to

0:36:16.760 --> 0:36:19.279
<v Speaker 1>go around trying to order yourself up a leg of

0:36:19.320 --> 0:36:22.399
<v Speaker 1>giraffe for the barbecue. Uh, if you're gonna have to

0:36:22.440 --> 0:36:25.840
<v Speaker 1>contend with the fact that it might be obtained unethically.

0:36:26.000 --> 0:36:28.319
<v Speaker 1>I wonder how many pounds of meat you get out

0:36:28.320 --> 0:36:30.719
<v Speaker 1>of side of giraffe. I mean, it's it's quite a bit.

0:36:30.800 --> 0:36:33.120
<v Speaker 1>This Uh, this article by Martin goes into that a bit.

0:36:33.200 --> 0:36:36.319
<v Speaker 1>How sometimes they're poaching. There's there you'll see poaching of

0:36:36.400 --> 0:36:39.600
<v Speaker 1>giraffes because if you land a giraffe, it's worth like

0:36:40.160 --> 0:36:41.839
<v Speaker 1>it's as much meat as you would get from say,

0:36:41.880 --> 0:36:45.880
<v Speaker 1>sell several say in Paula or gazelles or something. Um.

0:36:46.000 --> 0:36:49.239
<v Speaker 1>That being said, it's going to be probably tough and weird. Yeah,

0:36:49.640 --> 0:36:52.000
<v Speaker 1>Now if you were one of those people thinking like

0:36:52.320 --> 0:36:54.360
<v Speaker 1>it would never occur to you to eat a giraffe.

0:36:54.400 --> 0:36:57.680
<v Speaker 1>I was thinking like that, this, this really indicates that

0:36:57.719 --> 0:37:01.839
<v Speaker 1>you do not have a Roman elitement tality. Because we've

0:37:01.880 --> 0:37:05.680
<v Speaker 1>discussed on the show several times. Uh, the Romans ate everything,

0:37:05.920 --> 0:37:08.640
<v Speaker 1>you know, like, oh, look at this interesting exotic animal.

0:37:08.719 --> 0:37:12.440
<v Speaker 1>Get the butcher knife. Uh. They were they were really like,

0:37:12.600 --> 0:37:16.320
<v Speaker 1>let's try to eat that culture. Uh. And apparently another

0:37:16.360 --> 0:37:18.440
<v Speaker 1>thing I was reading about is that they loved the

0:37:18.560 --> 0:37:22.880
<v Speaker 1>rare delicacy of flamingo tongue. I was reading about this

0:37:23.000 --> 0:37:26.200
<v Speaker 1>in Food of the Ancient World by Joan p Alcock,

0:37:26.440 --> 0:37:29.759
<v Speaker 1>where she writes, quote, flamingo's tongue was a great delicacy.

0:37:30.160 --> 0:37:34.800
<v Speaker 1>Emperor Vitellius in a d. Sixty nine presented the goddess

0:37:34.840 --> 0:37:40.320
<v Speaker 1>Minerva with a dish containing peacock brains, pike livers, pheasant brains,

0:37:40.640 --> 0:37:44.120
<v Speaker 1>and flamingo tongues, which he afterward ate, Which is great.

0:37:44.160 --> 0:37:45.960
<v Speaker 1>You know, you got to present it to Minerva and

0:37:46.000 --> 0:37:48.400
<v Speaker 1>then you know, chow down yourself because Minerva is not

0:37:48.400 --> 0:37:51.600
<v Speaker 1>going to eat it. Now. I feel I love two

0:37:51.680 --> 0:37:53.719
<v Speaker 1>minds on all of this, because on one hand, yes,

0:37:53.719 --> 0:37:56.719
<v Speaker 1>they're all these wonderfully really exotic sounding things with the

0:37:56.840 --> 0:38:01.040
<v Speaker 1>Romans eight. And yet if you had to decipher, like

0:38:01.080 --> 0:38:06.839
<v Speaker 1>which which menu of possibilities is more exotic and uh,

0:38:06.920 --> 0:38:10.920
<v Speaker 1>you know, it depends on on wider you know, geographic sourcing.

0:38:11.360 --> 0:38:14.799
<v Speaker 1>Is it this restaurant in Pompeii where the giraffe leg

0:38:14.880 --> 0:38:18.520
<v Speaker 1>was was served? Is it even the the available menu,

0:38:18.760 --> 0:38:22.960
<v Speaker 1>say it even any given time in Rome itself? Or

0:38:23.120 --> 0:38:25.080
<v Speaker 1>is it what you might get at the large whole

0:38:25.160 --> 0:38:29.320
<v Speaker 1>foods or armies or what's the restaurant with the colossal

0:38:29.360 --> 0:38:32.799
<v Speaker 1>menu cheesecake factory? You know, like like if you like

0:38:32.840 --> 0:38:36.040
<v Speaker 1>trace the origins of all those things and see it

0:38:36.080 --> 0:38:41.279
<v Speaker 1>as see cheesecake Factory as a restaurant of empire, is

0:38:41.280 --> 0:38:44.120
<v Speaker 1>it ultimately a larger empire by far than that of

0:38:44.200 --> 0:38:48.120
<v Speaker 1>the the even like the richest table setting in the

0:38:48.200 --> 0:38:51.120
<v Speaker 1>Roman Empire? Well, I mean you clearly drive home that

0:38:51.200 --> 0:38:53.319
<v Speaker 1>like some of our judgments about these kinds of things

0:38:53.360 --> 0:38:56.319
<v Speaker 1>are completely arbitrary, you know, about like what is an

0:38:56.360 --> 0:38:59.520
<v Speaker 1>exotic extravagant food and what is just normal food? And

0:39:01.239 --> 0:39:05.280
<v Speaker 1>the Roman poet Marshall was actually he lamented the idea

0:39:05.320 --> 0:39:08.680
<v Speaker 1>of eating flamingo tongues. I don't know why exactly. It's

0:39:08.719 --> 0:39:11.160
<v Speaker 1>it's what's so bad about flamingo tongues compared to the

0:39:11.160 --> 0:39:14.399
<v Speaker 1>other stuff. But he was generally attacking, you know, like, uh,

0:39:14.520 --> 0:39:18.720
<v Speaker 1>certain Roman elites as decadent, you know, decadent epicureans or whatever.

0:39:19.160 --> 0:39:21.600
<v Speaker 1>But there's this couplet that Marshall wrote that I found

0:39:21.600 --> 0:39:24.720
<v Speaker 1>translated in a book called The Flamingo Smile by Stephen

0:39:24.760 --> 0:39:28.480
<v Speaker 1>Jay Gould, And so Marshall wrote, my red wing gives

0:39:28.560 --> 0:39:31.960
<v Speaker 1>me my name, but epicures regard my tongue is tasty,

0:39:32.360 --> 0:39:36.560
<v Speaker 1>but what if my tongue could sing? Well? I think

0:39:36.840 --> 0:39:38.719
<v Speaker 1>it sounds like what he's getting at is is a

0:39:38.800 --> 0:39:41.680
<v Speaker 1>basic truth. The flamingo is a beautiful animal that we

0:39:41.800 --> 0:39:44.160
<v Speaker 1>love to look at. It is it is different from

0:39:44.200 --> 0:39:47.719
<v Speaker 1>other varieties of bird that we might behold. And and

0:39:47.760 --> 0:39:49.600
<v Speaker 1>that's why generally you go to a zoo, what's the

0:39:49.640 --> 0:39:52.240
<v Speaker 1>first thing you see? Flamingos there? Like this the standard

0:39:52.239 --> 0:39:57.080
<v Speaker 1>greeters at. It's so many different zoological parks. I mean,

0:39:57.320 --> 0:40:00.799
<v Speaker 1>flamingos are weird. They are beautiful, like I the way

0:40:00.480 --> 0:40:03.520
<v Speaker 1>they eat with their heads upside down, you know. In

0:40:03.600 --> 0:40:07.040
<v Speaker 1>this book, Gould goes on to write about the about

0:40:07.040 --> 0:40:11.280
<v Speaker 1>how the flamingos tongue has special texture and taste because

0:40:11.320 --> 0:40:15.680
<v Speaker 1>of its unique evolutionary function that unlike most birds, flamingos

0:40:15.719 --> 0:40:19.520
<v Speaker 1>are actually filter feeders. They're more like billen whales, and

0:40:19.600 --> 0:40:22.359
<v Speaker 1>they dip their heads into the water turned down too,

0:40:22.440 --> 0:40:25.080
<v Speaker 1>and they open up their mouths and they've got these little, uh,

0:40:25.160 --> 0:40:29.120
<v Speaker 1>these hair like things called lamlay. And then the tongue here,

0:40:29.200 --> 0:40:31.600
<v Speaker 1>the part that the emperor would eat. It serves as

0:40:31.600 --> 0:40:34.799
<v Speaker 1>a kind of pump to like rapidly suck water in

0:40:34.880 --> 0:40:37.520
<v Speaker 1>and out of the mouth through the filters. And this

0:40:37.600 --> 0:40:40.160
<v Speaker 1>pulls in all the you know, weird little bits and

0:40:40.239 --> 0:40:43.920
<v Speaker 1>life forms that the flamingos ultimately survived based on. But

0:40:43.960 --> 0:40:47.239
<v Speaker 1>that it's this strange morphology that apparently made it so

0:40:47.320 --> 0:40:52.200
<v Speaker 1>delicious to uh, to Roman epicures like Vitelius. Well, you

0:40:52.200 --> 0:40:54.720
<v Speaker 1>know it's I guess it's possible it had a special

0:40:54.760 --> 0:40:58.640
<v Speaker 1>taste or special texture, uh that that made people want

0:40:58.640 --> 0:41:00.839
<v Speaker 1>to eat it. But I you at the impression, it's

0:41:00.840 --> 0:41:03.840
<v Speaker 1>mostly like here is a unique animal. Uh, serve it

0:41:03.920 --> 0:41:08.320
<v Speaker 1>to me. Well, I just want to say, as an addendum,

0:41:08.360 --> 0:41:11.520
<v Speaker 1>Vitelius did not last long. He he was only emperor

0:41:11.560 --> 0:41:14.440
<v Speaker 1>for less than a year. Uh. He lost a power

0:41:14.480 --> 0:41:17.200
<v Speaker 1>struggle to Vespasian, was dragged out of hiding by a

0:41:17.239 --> 0:41:19.719
<v Speaker 1>mob of his enemies and beheaded in the streets of Rome.

0:41:20.440 --> 0:41:22.799
<v Speaker 1>And uh, I attached a picture for you to look at.

0:41:22.840 --> 0:41:24.640
<v Speaker 1>I don't know if you've seen this artwork, but it's

0:41:24.640 --> 0:41:26.920
<v Speaker 1>called Vitelius dragged through the streets of Rome by the

0:41:26.960 --> 0:41:30.000
<v Speaker 1>Populace by George Rosia Gross. He looks like he's having

0:41:30.000 --> 0:41:33.080
<v Speaker 1>a bad day. Yeah, yeah, that is a yeah, that's that.

0:41:33.080 --> 0:41:34.799
<v Speaker 1>That is a bad day for sure. But maybe he

0:41:34.800 --> 0:41:37.920
<v Speaker 1>should have served giraffe to Minerva instead and his luck

0:41:37.960 --> 0:41:40.439
<v Speaker 1>could have changed. Well, I think even today it would

0:41:40.480 --> 0:41:44.440
<v Speaker 1>probably be just political death for most politicians to to

0:41:44.640 --> 0:41:47.640
<v Speaker 1>suddenly publicly eat the tongue of a of a flamingo,

0:41:47.800 --> 0:41:50.400
<v Speaker 1>or or eat a big chunk of giraffes at the

0:41:50.440 --> 0:41:54.959
<v Speaker 1>Iowa State Fair eating fried flamingo tongue on a stick. Yeah,

0:41:55.160 --> 0:41:58.160
<v Speaker 1>I don't know. Well, okay, and now I'm second guessing myself.

0:41:58.239 --> 0:42:01.839
<v Speaker 1>But all right, on that lovely note, we will take

0:42:01.880 --> 0:42:03.480
<v Speaker 1>one more break, but when we come back, we will

0:42:03.520 --> 0:42:11.239
<v Speaker 1>return more specifically two volcanoes. Alright, we're back, So we

0:42:11.320 --> 0:42:14.280
<v Speaker 1>mentioned earlier. How the slopes of Vesuvius, you know, once

0:42:14.320 --> 0:42:18.680
<v Speaker 1>more are home to vineyards and and uh in human populations.

0:42:18.719 --> 0:42:23.600
<v Speaker 1>The area around Vesuvius is highly urbanized today, but authorities

0:42:23.600 --> 0:42:27.360
<v Speaker 1>have established a red zone a Zona Rosa, to be

0:42:27.480 --> 0:42:32.200
<v Speaker 1>evacuated if signs indicate that an eruption is likely Sona rosa.

0:42:32.280 --> 0:42:34.480
<v Speaker 1>That sounds so nice, yeah, I mean, or or it

0:42:34.520 --> 0:42:39.360
<v Speaker 1>sounds like like a horror movie, doesn't it like Origento

0:42:39.480 --> 0:42:43.399
<v Speaker 1>kind of cold, be a jello like Lazona Rosa. Yeah. Now,

0:42:43.440 --> 0:42:46.520
<v Speaker 1>the general consensus is that if the signs were to

0:42:46.560 --> 0:42:51.080
<v Speaker 1>prevent themselves, we'd have about two weeks notice on an eruption.

0:42:52.120 --> 0:42:54.480
<v Speaker 1>But there are a lot has been written about, like

0:42:54.560 --> 0:42:59.560
<v Speaker 1>the the actual preparedness in place for an event like this.

0:43:00.160 --> 0:43:03.840
<v Speaker 1>So Lee Marshall wrote about this topic in a September

0:43:04.320 --> 0:43:08.359
<v Speaker 1>seen article for The Telegraph, pointing out that again at

0:43:08.360 --> 0:43:12.000
<v Speaker 1>the time, seven hundred thousand people lived in this red

0:43:12.080 --> 0:43:16.319
<v Speaker 1>zone of Vesuvius, and while there there was a finalized

0:43:16.360 --> 0:43:19.480
<v Speaker 1>evacuation plan and it was still in the process of

0:43:19.520 --> 0:43:25.600
<v Speaker 1>coming online in six uh. But according to to one

0:43:25.840 --> 0:43:31.360
<v Speaker 1>Francisco Emilio Barelli Regional Council for the Green Party, quoted

0:43:31.400 --> 0:43:34.680
<v Speaker 1>in a November two thousand nineteen euronews dot com article

0:43:35.120 --> 0:43:39.600
<v Speaker 1>exercises regarding evacuation, we're no longer being carried out. And

0:43:39.680 --> 0:43:43.840
<v Speaker 1>in that article, Filipo Pultronieri pointed out that other urban

0:43:43.840 --> 0:43:48.880
<v Speaker 1>areas near volcanic areas are also highlighted for insufficient planning,

0:43:49.320 --> 0:43:53.920
<v Speaker 1>namely the island vacation destination of Iscia and UH and

0:43:54.000 --> 0:43:58.120
<v Speaker 1>also of Flagrian Fields, which is another another area in

0:43:58.120 --> 0:44:02.080
<v Speaker 1>that region that is known for its volcanic activity. Lee Marshall,

0:44:02.200 --> 0:44:05.160
<v Speaker 1>writing at the time, pointed out quote the notorious ss

0:44:05.239 --> 0:44:08.719
<v Speaker 1>TO six S eight dual carriageway between Naples and the

0:44:08.760 --> 0:44:12.240
<v Speaker 1>Sarentine Peninsula, design not only to relieve congestion but also

0:44:12.360 --> 0:44:15.880
<v Speaker 1>provide an escape route from the volcano, is still not complete.

0:44:15.960 --> 0:44:20.160
<v Speaker 1>Construction of the road started incredibly in the eighties. So

0:44:20.440 --> 0:44:23.400
<v Speaker 1>in that article, Marshall contended that the locals were more

0:44:23.440 --> 0:44:27.919
<v Speaker 1>inclined to take solace in religious faith than in emergency planning. Now,

0:44:28.120 --> 0:44:30.120
<v Speaker 1>this was obviously written a few years ago, and I

0:44:30.160 --> 0:44:33.919
<v Speaker 1>was looking around trying to find any confirmation that ss

0:44:33.960 --> 0:44:38.080
<v Speaker 1>TO has actually been completed and is, you know, in operation.

0:44:38.440 --> 0:44:40.759
<v Speaker 1>I couldn't find any articles about it. Uh some of

0:44:40.800 --> 0:44:44.400
<v Speaker 1>them were, you know, in Italian somewhere translated into English.

0:44:44.600 --> 0:44:47.360
<v Speaker 1>So if we have any Italian or Italian speaking Italian

0:44:47.400 --> 0:44:51.480
<v Speaker 1>reading listeners out there who want to set the record straight, uh,

0:44:51.600 --> 0:44:53.279
<v Speaker 1>we would love to hear from you. But based on

0:44:53.640 --> 0:44:55.680
<v Speaker 1>I was looking around, like Google Maps. If you look

0:44:55.680 --> 0:44:58.759
<v Speaker 1>a Google Map inquiry for a route between Naples and

0:44:58.760 --> 0:45:02.279
<v Speaker 1>the Sarentine Peninsula, it initially only provides a route via

0:45:03.080 --> 0:45:06.759
<v Speaker 1>SS three, sixty six and forty five which travels right

0:45:06.800 --> 0:45:09.960
<v Speaker 1>between the ocean and the slopes of Mount Vesuvius. So like,

0:45:10.080 --> 0:45:12.520
<v Speaker 1>not a good place to be. So that sounds like

0:45:12.560 --> 0:45:15.879
<v Speaker 1>a roughly herculaneum zone. Yeah yeah, like and like, yeah,

0:45:15.920 --> 0:45:18.239
<v Speaker 1>you don't want to be between Vesuvius and the ocean. Yeah,

0:45:18.239 --> 0:45:21.560
<v Speaker 1>this is this is definitely in the red zone. Um.

0:45:21.600 --> 0:45:24.239
<v Speaker 1>But the more I, when I look closely, it looked

0:45:24.280 --> 0:45:26.800
<v Speaker 1>like you could actually it would route you on s

0:45:26.920 --> 0:45:29.799
<v Speaker 1>S two if you dragged the route around with your

0:45:29.840 --> 0:45:33.800
<v Speaker 1>mouse cursor. So I personally cannot tell to what degree

0:45:34.000 --> 0:45:36.120
<v Speaker 1>like that is now a valid option to deal with

0:45:36.200 --> 0:45:39.200
<v Speaker 1>the evacuation. Okay, we have had an official Google Maps

0:45:39.200 --> 0:45:45.319
<v Speaker 1>fail getting out, but but to whatever degree you know,

0:45:45.640 --> 0:45:48.719
<v Speaker 1>this is finally in place etcetera. Like what I'm trying

0:45:48.760 --> 0:45:51.640
<v Speaker 1>to to drive home from those articles that I that

0:45:51.680 --> 0:45:54.839
<v Speaker 1>I cited there is that you know, we still live,

0:45:55.239 --> 0:45:58.080
<v Speaker 1>We still have people living in high concentration in areas

0:45:58.120 --> 0:46:02.080
<v Speaker 1>near active volcanoes. And yes, even with modern science, we

0:46:02.120 --> 0:46:06.800
<v Speaker 1>may have again two weeks notice on a pending eruption,

0:46:06.880 --> 0:46:10.760
<v Speaker 1>but that's two weeks to sometimes move a very large

0:46:10.840 --> 0:46:14.440
<v Speaker 1>number of people out of the danger zone. It, I mean,

0:46:14.480 --> 0:46:17.120
<v Speaker 1>it makes you start to wonder more broadly about like

0:46:17.239 --> 0:46:21.080
<v Speaker 1>what are the kinds of risks that human settlements should

0:46:21.080 --> 0:46:24.319
<v Speaker 1>be tolerant of, because it's clear, you know, they're all

0:46:24.400 --> 0:46:27.240
<v Speaker 1>kinds of places where there are there are different risks

0:46:27.280 --> 0:46:30.680
<v Speaker 1>of natural disasters that are going to come with different severity,

0:46:30.719 --> 0:46:33.400
<v Speaker 1>different frequency. I mean, I don't know how exactly you

0:46:33.440 --> 0:46:38.040
<v Speaker 1>compare say like densely populated areas around a volcano that

0:46:38.360 --> 0:46:42.040
<v Speaker 1>you know that sometimes will erupt, hasn't had a majorly

0:46:42.120 --> 0:46:45.520
<v Speaker 1>destructive eruption, and while but you know probably is at

0:46:45.560 --> 0:46:49.239
<v Speaker 1>some point in the indeterminate future going to erupt again. Uh,

0:46:49.280 --> 0:46:51.920
<v Speaker 1>and you know that would be massively destructive versus I

0:46:51.960 --> 0:46:55.000
<v Speaker 1>don't know, like having civilizations in like a tornado zone

0:46:55.120 --> 0:46:59.000
<v Speaker 1>where each you know each tornado is that tornadoes are

0:46:59.000 --> 0:47:01.359
<v Speaker 1>going to be more regular, They're gonna happen every year.

0:47:01.480 --> 0:47:05.360
<v Speaker 1>Each one is less destructive than a volcanic eruption. But

0:47:05.520 --> 0:47:08.200
<v Speaker 1>they're just coming in these constant waves, and you just

0:47:08.239 --> 0:47:10.960
<v Speaker 1>hope one doesn't come near your house. Yeah, and then

0:47:11.000 --> 0:47:13.640
<v Speaker 1>you have to what degree are you leaning on, um,

0:47:14.080 --> 0:47:17.560
<v Speaker 1>emergency preparation or even again religious faith to deal with

0:47:17.600 --> 0:47:20.080
<v Speaker 1>that probability? Yeah, I guess I just mean I don't

0:47:20.080 --> 0:47:22.319
<v Speaker 1>know how to do the math on you know, how

0:47:22.360 --> 0:47:26.000
<v Speaker 1>to compare those types of risks. Well, I mean, you know,

0:47:26.040 --> 0:47:29.440
<v Speaker 1>a big one, of course, is residing in coastal regions

0:47:29.440 --> 0:47:32.120
<v Speaker 1>that are gonna be affected by hurricanes, you know, and

0:47:32.160 --> 0:47:35.120
<v Speaker 1>in some cases the I've read that the best advice

0:47:35.239 --> 0:47:37.480
<v Speaker 1>is like, well, if your home is destroyed, like do

0:47:37.520 --> 0:47:41.160
<v Speaker 1>not rebuild it. You need to move further inland. Um.

0:47:41.239 --> 0:47:43.680
<v Speaker 1>So you know there there's a version of this for

0:47:43.680 --> 0:47:47.520
<v Speaker 1>for various different environments around the world. I mean, even

0:47:47.520 --> 0:47:53.319
<v Speaker 1>places where the risk is not as notably catastrophic. If

0:47:53.360 --> 0:47:56.239
<v Speaker 1>it's just say, and a region that is highly susceptible

0:47:56.320 --> 0:47:59.719
<v Speaker 1>to the ravages of drought, you know, uh, it doesn't

0:47:59.760 --> 0:48:04.080
<v Speaker 1>look is good on a painting the drought, uh, you know,

0:48:04.080 --> 0:48:06.760
<v Speaker 1>reaking habit compared to that of a volcano. But still

0:48:06.840 --> 0:48:09.560
<v Speaker 1>it can be extremely deadly, and it has proven deadly

0:48:10.000 --> 0:48:14.040
<v Speaker 1>many times in the past. So Vesuvius has been described

0:48:14.040 --> 0:48:17.319
<v Speaker 1>as the most densely populated area of active volcanism in

0:48:17.360 --> 0:48:20.680
<v Speaker 1>the world. But here are a few others of note. Um.

0:48:20.840 --> 0:48:25.160
<v Speaker 1>One is Cotapaxi, Ecuador, which is actually a volcano I

0:48:25.200 --> 0:48:28.360
<v Speaker 1>hope to see in the in the not too distant future.

0:48:28.960 --> 0:48:31.880
<v Speaker 1>Uh three hundred thousand people. I've also seen it listed

0:48:31.880 --> 0:48:36.400
<v Speaker 1>his three hundred twenty five thousand live relatively closely nearby.

0:48:36.840 --> 0:48:40.960
<v Speaker 1>A last eruption was and it was mostly steam. But

0:48:41.040 --> 0:48:44.759
<v Speaker 1>it is an area of a frequent discussion with these

0:48:44.800 --> 0:48:46.800
<v Speaker 1>and but on top of that, it is also supposed

0:48:46.800 --> 0:48:51.359
<v Speaker 1>to be just a very beautiful location and fun fact,

0:48:51.400 --> 0:48:55.640
<v Speaker 1>Alexander von Humboldt attempted to climbate in eighteen o two. Okay,

0:48:56.160 --> 0:48:58.439
<v Speaker 1>I must uh that must be described in that book

0:48:58.440 --> 0:49:00.400
<v Speaker 1>about him. I like what I recommend of this in

0:49:00.480 --> 0:49:03.520
<v Speaker 1>our summer reading many years ago, The Invention of Nature

0:49:03.600 --> 0:49:07.560
<v Speaker 1>by Andrea Wolf fantastic book about Alexander von Humboldt. If

0:49:07.600 --> 0:49:10.080
<v Speaker 1>if you haven't read it, you should all right, here's

0:49:10.080 --> 0:49:13.480
<v Speaker 1>another one, Katla, Iceland. This is near the town of

0:49:13.480 --> 0:49:17.040
<v Speaker 1>the Vic and it last erupted in nineteen eighteen. Katla

0:49:17.120 --> 0:49:22.840
<v Speaker 1>is even larger than e Figilogical, which disrupted European flights

0:49:22.840 --> 0:49:25.479
<v Speaker 1>when it erupted in So I've been to the town

0:49:25.480 --> 0:49:29.200
<v Speaker 1>of Vic. I stayed in a hotel near Vick one time,

0:49:29.840 --> 0:49:33.040
<v Speaker 1>and I remember having a conversation with the guy. The

0:49:33.120 --> 0:49:35.719
<v Speaker 1>hotel I think was basically this guy's house and it's

0:49:35.719 --> 0:49:38.959
<v Speaker 1>sort of been expanded out to have hotel rooms in it. Uh,

0:49:39.000 --> 0:49:42.240
<v Speaker 1>And I remember talking to this guy who ran the place,

0:49:42.360 --> 0:49:44.239
<v Speaker 1>and he was like showing us a map of the

0:49:44.320 --> 0:49:47.400
<v Speaker 1>area on the wall and just sort of talking about like,

0:49:47.480 --> 0:49:49.600
<v Speaker 1>you know how, yeah, here's what happened the last time

0:49:49.640 --> 0:49:52.800
<v Speaker 1>the volcano erupted, and it will erupt again at some point.

0:49:53.400 --> 0:49:55.239
<v Speaker 1>I don't know, it was strange. I mean, he he

0:49:55.360 --> 0:49:58.120
<v Speaker 1>must have just had a different attitude about this different

0:49:58.160 --> 0:50:01.680
<v Speaker 1>emotional relationship to the idea of his home being destroyed

0:50:01.680 --> 0:50:05.360
<v Speaker 1>by a volcano, because he didn't seem all that concerned

0:50:05.400 --> 0:50:07.360
<v Speaker 1>about it. He was just sort of matter of factly

0:50:07.440 --> 0:50:11.040
<v Speaker 1>explaining that at some point there will be a geological

0:50:11.040 --> 0:50:14.759
<v Speaker 1>event that will completely destroy his home. And uh, I

0:50:14.800 --> 0:50:17.160
<v Speaker 1>don't know if his matter of factness was just something

0:50:17.239 --> 0:50:19.719
<v Speaker 1>about this guy in particular, if more people would seem

0:50:19.760 --> 0:50:22.480
<v Speaker 1>more upset by the idea, or if like, living in

0:50:22.520 --> 0:50:24.719
<v Speaker 1>a place like that kind of forces you to make

0:50:24.760 --> 0:50:26.640
<v Speaker 1>peace with it in a way that I don't know,

0:50:26.719 --> 0:50:29.120
<v Speaker 1>you're just like, yeah, it will happen at some point, Yeah, yeah,

0:50:29.160 --> 0:50:32.600
<v Speaker 1>I mean probably a little bit of both, right. Yeah.

0:50:32.640 --> 0:50:36.760
<v Speaker 1>A few other places of note. There's uh uh Sakurajima, Japan,

0:50:37.040 --> 0:50:40.600
<v Speaker 1>near the city of Kegoshima. That's a six hundred thousand people.

0:50:41.120 --> 0:50:46.360
<v Speaker 1>There's Mount Etna that we mentioned earlier. Then there's also Papocotta, Petal, Mexico,

0:50:46.440 --> 0:50:48.600
<v Speaker 1>and this is near Mexico City itself. And of course

0:50:48.600 --> 0:50:50.120
<v Speaker 1>one of the big concerns with all these is not

0:50:50.640 --> 0:50:53.239
<v Speaker 1>you know, it's not necessarily it's not only who are

0:50:53.280 --> 0:50:55.719
<v Speaker 1>in the danger zone, but then having to deal with

0:50:55.840 --> 0:51:01.040
<v Speaker 1>people from the danger zone, refugee crisis, et cetera. Now

0:51:01.080 --> 0:51:03.919
<v Speaker 1>you might be wondering, you know, why do we find

0:51:03.960 --> 0:51:06.759
<v Speaker 1>so many people living near some of these volcanoes. So

0:51:06.880 --> 0:51:09.560
<v Speaker 1>we've already touched, you know, on the the advantages of

0:51:09.560 --> 0:51:15.040
<v Speaker 1>say the volcanic soil and all and the geological advantages

0:51:15.080 --> 0:51:17.200
<v Speaker 1>to some of these locations. And you know, again on

0:51:17.200 --> 0:51:18.960
<v Speaker 1>one levels, just part of the human experience, part of

0:51:19.000 --> 0:51:22.080
<v Speaker 1>living on a volatile planet where various regions offer threats

0:51:22.080 --> 0:51:26.759
<v Speaker 1>like hurricanes, tornadoes, earthquake drouts, blizzards and more. Um. According

0:51:26.840 --> 0:51:31.120
<v Speaker 1>to the U S Geological Survey, not counting ocean floor volcanoes,

0:51:31.400 --> 0:51:33.799
<v Speaker 1>which are is where we find most of them, UH,

0:51:33.840 --> 0:51:39.240
<v Speaker 1>there are fifteen hundred potentially active volcanoes worldwide, five hundred

0:51:39.280 --> 0:51:42.920
<v Speaker 1>of which have erupted during historical time. Some of these

0:51:42.920 --> 0:51:45.560
<v Speaker 1>are more remote and perhaps only threatened a limited number

0:51:45.600 --> 0:51:48.359
<v Speaker 1>of people, such as say the two hundred people who

0:51:48.400 --> 0:51:52.480
<v Speaker 1>live on the remote Japanese island of Agoshima in the

0:51:52.600 --> 0:51:56.360
<v Speaker 1>Philippine Sea. It would this particular volcano last erupted in

0:51:56.360 --> 0:52:00.720
<v Speaker 1>the eighteenth century, killing half the population, and today uh

0:52:00.880 --> 0:52:05.840
<v Speaker 1>people live inside the volcanic crater depending on its geothermal power.

0:52:06.600 --> 0:52:09.200
<v Speaker 1>And you can you should look up a picture of this.

0:52:09.280 --> 0:52:12.799
<v Speaker 1>It's spelled Ao g A s h I m A,

0:52:13.480 --> 0:52:15.600
<v Speaker 1>and they had some of these images. You can you

0:52:15.640 --> 0:52:19.360
<v Speaker 1>see the whole volcanic island, and you can pinpoint um.

0:52:19.400 --> 0:52:22.440
<v Speaker 1>You know, the signs of human habitation within the crater.

0:52:23.360 --> 0:52:25.040
<v Speaker 1>And again it's just kind of a reminder of what

0:52:25.080 --> 0:52:27.400
<v Speaker 1>it means to be a human in uh, you know,

0:52:27.440 --> 0:52:30.080
<v Speaker 1>on a planet that is subject to to to upheaval

0:52:30.160 --> 0:52:32.880
<v Speaker 1>like this. And then of course they're the Hawaiian islands,

0:52:32.920 --> 0:52:36.560
<v Speaker 1>which are of course products of volcanic activity. The islands

0:52:36.600 --> 0:52:40.120
<v Speaker 1>themselves were created by eruptions, and then ideal bays and

0:52:40.200 --> 0:52:42.920
<v Speaker 1>harbors or you know, often the remnants of the calderas

0:52:43.560 --> 0:52:47.040
<v Speaker 1>with Vesuvius. The region is beautiful and economically valuable because

0:52:47.040 --> 0:52:49.600
<v Speaker 1>of the volcanic formation of the surrounding region. And on

0:52:49.680 --> 0:52:51.719
<v Speaker 1>top of that, the volcanic soil, like we mentioned in

0:52:51.719 --> 0:52:55.080
<v Speaker 1>the first episode, rich ideal for orchards and vineyards, and

0:52:55.160 --> 0:52:58.040
<v Speaker 1>it's a vacation destination as well. But isn't like the

0:52:58.040 --> 0:53:01.399
<v Speaker 1>most active volcano in the world old in Hawaii. Yeah,

0:53:01.560 --> 0:53:05.440
<v Speaker 1>Kilauea on the Big Island is is quite active. Yeah,

0:53:05.520 --> 0:53:07.560
<v Speaker 1>and uh, and it's it's really it's worth looking at

0:53:07.600 --> 0:53:10.640
<v Speaker 1>because there's a there's a wonderful two eighteen New York

0:53:10.640 --> 0:53:15.560
<v Speaker 1>Times article by Simon Romero titled Hawaii's volcano country, where

0:53:15.680 --> 0:53:18.560
<v Speaker 1>land is cheap and the living is risky. And I

0:53:18.600 --> 0:53:20.680
<v Speaker 1>thought this, this is really telling to again getting that

0:53:20.760 --> 0:53:23.520
<v Speaker 1>question of why do people live in close proximity to

0:53:23.800 --> 0:53:29.440
<v Speaker 1>U volcanoes? Sometimes um so in this particular situation. Obviously,

0:53:30.160 --> 0:53:34.200
<v Speaker 1>Hawaii is beautiful. I love Hawaii. I have when I've visited.

0:53:34.600 --> 0:53:37.200
<v Speaker 1>I've been fortunate to visit a few times, and uh

0:53:37.320 --> 0:53:39.359
<v Speaker 1>and I always love it. I never want to leave

0:53:39.400 --> 0:53:43.200
<v Speaker 1>when I am there. But here's the thing. There's limited

0:53:43.280 --> 0:53:45.920
<v Speaker 1>land there, and the way that land is used is

0:53:46.040 --> 0:53:49.720
<v Speaker 1>oftentimes controversial. On top of this, there's a severe housing

0:53:49.719 --> 0:53:53.640
<v Speaker 1>shortage and very little affordable property and uh, you know,

0:53:53.760 --> 0:53:57.040
<v Speaker 1>Ramero writes that the economic factors alone have led some

0:53:57.120 --> 0:53:59.560
<v Speaker 1>on the Big Island to live ever closer to the

0:53:59.600 --> 0:54:03.920
<v Speaker 1>wrath of this, this beautiful but active volcano. In this article,

0:54:04.000 --> 0:54:06.560
<v Speaker 1>which I do recommend reading in full, the author speaks

0:54:06.600 --> 0:54:09.080
<v Speaker 1>with one uh, an individual by the name of Jaris

0:54:09.239 --> 0:54:14.799
<v Speaker 1>dreaming um musician. So that's thus the colorful name uh.

0:54:14.840 --> 0:54:18.320
<v Speaker 1>And he's an individual who purchased some one hundred acres

0:54:18.360 --> 0:54:21.840
<v Speaker 1>of land for a hundred thousand dollars. And the reason

0:54:21.840 --> 0:54:24.880
<v Speaker 1>it was so cheap was because it's very close proximity

0:54:24.920 --> 0:54:28.920
<v Speaker 1>to active lava flows. So not just the possibility of

0:54:29.000 --> 0:54:33.120
<v Speaker 1>volcanic activity, but the the visual like the clear of

0:54:33.200 --> 0:54:38.480
<v Speaker 1>volcanic activity of moving lava um. Another example, I just sorry,

0:54:38.520 --> 0:54:42.400
<v Speaker 1>I just had a question. How does real estate law

0:54:42.600 --> 0:54:46.680
<v Speaker 1>deal with lava flows that like change the outlines of land?

0:54:47.480 --> 0:54:51.960
<v Speaker 1>That's that's a great question. Yeah. Yeah, So like if

0:54:52.000 --> 0:54:54.120
<v Speaker 1>you say, if you own land and then it gets

0:54:54.200 --> 0:54:57.640
<v Speaker 1>paved over by lava flows, I assume you still own

0:54:57.960 --> 0:55:00.440
<v Speaker 1>I don't know how you measure it, like afly the

0:55:00.480 --> 0:55:03.759
<v Speaker 1>same land with the same borders. What about if so

0:55:03.880 --> 0:55:07.080
<v Speaker 1>lava flows create new land going out into the ocean

0:55:07.280 --> 0:55:10.400
<v Speaker 1>where it was previously, Like who gets that land? I

0:55:10.400 --> 0:55:12.120
<v Speaker 1>don't know, that's a that's a good question. I'm thinking

0:55:12.160 --> 0:55:14.640
<v Speaker 1>I'm imagining that in most of the situations that we'd

0:55:14.640 --> 0:55:17.279
<v Speaker 1>be able to look at, it would not be like

0:55:17.320 --> 0:55:21.319
<v Speaker 1>an individual's land. I don't know that would it be

0:55:21.320 --> 0:55:24.920
<v Speaker 1>whoever owns the shoreline that it extends from. I guess.

0:55:25.200 --> 0:55:28.200
<v Speaker 1>But then also I'm I'm I'm pretty sure that would

0:55:28.200 --> 0:55:31.040
<v Speaker 1>be off limits anyway, Like you wouldn't be able to

0:55:31.400 --> 0:55:33.320
<v Speaker 1>They wouldn't let you even try to build an active

0:55:33.400 --> 0:55:37.600
<v Speaker 1>lava um for instance. An example that Romero brings up

0:55:37.880 --> 0:55:42.480
<v Speaker 1>in this particular article is that a nine eruption buried

0:55:42.480 --> 0:55:46.239
<v Speaker 1>a hundred homes in Kalapana in uh In, Hawaii on

0:55:46.280 --> 0:55:49.359
<v Speaker 1>the Big Island, and today you'll find dozens of not

0:55:49.520 --> 0:55:52.920
<v Speaker 1>to code homes that have been built atop the same

0:55:53.000 --> 0:55:55.680
<v Speaker 1>flow field. So it's I mean, you know, this is

0:55:56.080 --> 0:55:58.520
<v Speaker 1>the place was buried. Now there is new land there,

0:55:58.880 --> 0:56:02.480
<v Speaker 1>and you know, aparently nobody's supposed to officially be living there,

0:56:02.480 --> 0:56:05.560
<v Speaker 1>but there's available land there in a place where available

0:56:05.640 --> 0:56:07.759
<v Speaker 1>land is scarce, so of course people are going to

0:56:07.800 --> 0:56:10.480
<v Speaker 1>move there despite the risks. I mean, it's kind of

0:56:10.520 --> 0:56:13.920
<v Speaker 1>like I think about haunted houses a lot, especially when

0:56:14.320 --> 0:56:17.920
<v Speaker 1>when topics of like home values come up and and

0:56:17.960 --> 0:56:20.279
<v Speaker 1>so forth, in part because I find those topics of

0:56:20.360 --> 0:56:22.960
<v Speaker 1>dreary and depressing and I want to retreat into fantasy.

0:56:23.160 --> 0:56:25.040
<v Speaker 1>But also I'm like, I would put up with a

0:56:25.040 --> 0:56:27.719
<v Speaker 1>ghost if you know, if it meant uh, you know,

0:56:27.800 --> 0:56:31.399
<v Speaker 1>lower lower mortgage payment and whatnot. I maybe I would

0:56:31.400 --> 0:56:33.480
<v Speaker 1>even invent the idea of a ghost if it resulted

0:56:33.520 --> 0:56:37.040
<v Speaker 1>in that, you know, um, so oh yeah, can you

0:56:37.120 --> 0:56:39.680
<v Speaker 1>get a discount that way? Like call up your bank

0:56:39.719 --> 0:56:41.880
<v Speaker 1>and say, like, nobody told me this house was haunted.

0:56:41.920 --> 0:56:44.600
<v Speaker 1>I want to I want to reduce my mortgage. Yeah.

0:56:44.960 --> 0:56:47.000
<v Speaker 1>I mean, plus the other side, the other way of

0:56:47.040 --> 0:56:48.840
<v Speaker 1>looking at it is that you know, a ghost is

0:56:48.920 --> 0:56:51.680
<v Speaker 1>much safer than an act of lava flow in your backyard,

0:56:52.120 --> 0:56:54.040
<v Speaker 1>So I would be all for it. You know what

0:56:54.120 --> 0:56:56.239
<v Speaker 1>this makes me think is we could do a whole

0:56:56.239 --> 0:57:00.719
<v Speaker 1>other episode sometime on the theology of volcanic eruptions. Oh

0:57:00.760 --> 0:57:05.360
<v Speaker 1>for sure, Yeah, yeah, yeah, the various divine interpretations of

0:57:05.680 --> 0:57:09.840
<v Speaker 1>the eruptions, the mythological reasons given for the eruptions, that

0:57:09.880 --> 0:57:11.799
<v Speaker 1>would be cool to get into. Yeah. We didn't even

0:57:11.840 --> 0:57:13.600
<v Speaker 1>really touch that, didn't. I think the most we did

0:57:13.680 --> 0:57:16.920
<v Speaker 1>was discussing how there were stories of the rumblings of

0:57:16.960 --> 0:57:22.080
<v Speaker 1>Vesuvius being tied to tales or accules fighting monsters or

0:57:22.120 --> 0:57:24.480
<v Speaker 1>giants in the earth. Yeah. Probably. I think that has

0:57:24.520 --> 0:57:26.760
<v Speaker 1>something to do with the naming of Herculaneum. Yeah, like

0:57:26.840 --> 0:57:29.160
<v Speaker 1>the idea that it was founded by hercules. Yeah, and

0:57:29.240 --> 0:57:31.680
<v Speaker 1>of course in uh in the culture of Hawaii you

0:57:31.760 --> 0:57:37.720
<v Speaker 1>find the tales of of Pale the volcano deity. So yeah,

0:57:37.720 --> 0:57:39.440
<v Speaker 1>there there would be a lot of rich territory to

0:57:39.480 --> 0:57:43.280
<v Speaker 1>discuss there. So maybe we'll return. If everybody's into the

0:57:43.320 --> 0:57:45.760
<v Speaker 1>topic of volcanoes. There's a lot more to discuss. There's

0:57:45.760 --> 0:57:47.520
<v Speaker 1>a like. One area I'd like to come back to

0:57:47.600 --> 0:57:51.200
<v Speaker 1>potentially would be to discuss volcanic winter, discussed the year

0:57:51.280 --> 0:57:54.240
<v Speaker 1>without summer. Yes, that would be uh, I think a

0:57:54.280 --> 0:57:58.080
<v Speaker 1>good one to return to. We'll be back in the meantime,

0:57:58.440 --> 0:58:01.760
<v Speaker 1>just like the lava flow will be back. Yes, they will.

0:58:01.840 --> 0:58:04.880
<v Speaker 1>It's an active world. Uh. In the meantime, we would

0:58:04.880 --> 0:58:06.680
<v Speaker 1>love to hear from any of you, especially if you

0:58:06.880 --> 0:58:09.520
<v Speaker 1>out there have if you live or have lived in

0:58:09.560 --> 0:58:14.000
<v Speaker 1>an area of volcanic activity, Uh, definitely right in and

0:58:14.120 --> 0:58:16.480
<v Speaker 1>let us know what it's like. If you have, if

0:58:16.520 --> 0:58:20.800
<v Speaker 1>you can answer our questions about the highways surrounding vesuvious,

0:58:20.840 --> 0:58:22.280
<v Speaker 1>we'd like to hear from you as well. Have you

0:58:22.360 --> 0:58:25.680
<v Speaker 1>visited some of these places, We'd we'd love to hear

0:58:25.720 --> 0:58:28.440
<v Speaker 1>from you about that as well. Uh. In the meantime,

0:58:28.640 --> 0:58:31.640
<v Speaker 1>also check out our other episodes. You'll find them wherever

0:58:31.680 --> 0:58:34.200
<v Speaker 1>you get podcasts, wherever that happens to be. Just make

0:58:34.200 --> 0:58:38.200
<v Speaker 1>sure you rate and review, give us some stars, subscribe,

0:58:38.320 --> 0:58:41.040
<v Speaker 1>tell a few friends, and if you go to stuffable

0:58:41.080 --> 0:58:43.120
<v Speaker 1>your mind dot com that should redirect you to the

0:58:43.160 --> 0:58:46.160
<v Speaker 1>I heart listing for the show. Huge thanks as always

0:58:46.240 --> 0:58:49.240
<v Speaker 1>to our excellent audio producer, Seth Nicholas Johnson. If you

0:58:49.240 --> 0:58:51.120
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0:58:51.160 --> 0:58:53.440
<v Speaker 1>on this episode or any other, to suggest topic for

0:58:53.440 --> 0:58:56.120
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0:58:56.160 --> 0:59:06.680
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0:59:06.760 --> 0:59:08.600
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