1 00:00:03,160 --> 00:00:08,440 Speaker 1: Looking Jebels second d. Everybody has their signature move when 2 00:00:08,440 --> 00:00:09,680 Speaker 1: you go out on a date and you want to 3 00:00:09,680 --> 00:00:13,600 Speaker 1: try to get a kiss. I know, for me, I 4 00:00:13,680 --> 00:00:16,200 Speaker 1: do the old yawn trick, you know when you put 5 00:00:16,239 --> 00:00:18,400 Speaker 1: your hands like kind of by your mouth, and the yawn. 6 00:00:18,560 --> 00:00:20,880 Speaker 1: You stretch him wide and you put your arm around 7 00:00:20,880 --> 00:00:24,000 Speaker 1: her and then your pants fall to the ground. Because 8 00:00:24,160 --> 00:00:27,000 Speaker 1: before I did the yawn trick, I unloosened my belt 9 00:00:27,320 --> 00:00:29,240 Speaker 1: and then the pants fall, and hey, you're right in 10 00:00:29,240 --> 00:00:31,200 Speaker 1: the middle of a crowded restaurant pants down. There's really 11 00:00:31,200 --> 00:00:33,720 Speaker 1: nothing she can do. Oh but kiss you. Yeah, that's 12 00:00:34,080 --> 00:00:37,760 Speaker 1: usually the option. My signature move. Well, the guy on 13 00:00:37,800 --> 00:00:39,440 Speaker 1: the phone today who wants to do a second date 14 00:00:39,479 --> 00:00:42,159 Speaker 1: update apparently used his signature move on the date he 15 00:00:42,240 --> 00:00:44,800 Speaker 1: got a kiss, and he's confused why he's not getting 16 00:00:44,840 --> 00:00:47,839 Speaker 1: a call back. His name is James. James, how are you? 17 00:00:48,440 --> 00:00:51,080 Speaker 1: What's going on? How much? Man? So tell us a 18 00:00:51,120 --> 00:00:52,760 Speaker 1: little bit about the girl that you want to call today. 19 00:00:52,760 --> 00:00:56,560 Speaker 1: Where'd you meet her? I met her on Tinder? All right, okay? 20 00:00:56,720 --> 00:00:58,800 Speaker 1: And you were actually looking to date someone and not 21 00:00:58,840 --> 00:01:01,520 Speaker 1: just hook up with him. I mean it depends on 22 00:01:01,560 --> 00:01:05,000 Speaker 1: the night. Yeah, you know, it can be used for 23 00:01:05,040 --> 00:01:07,679 Speaker 1: all sorts of things you put in your email that 24 00:01:07,680 --> 00:01:09,280 Speaker 1: you use your signature move. I want to find out 25 00:01:09,280 --> 00:01:11,600 Speaker 1: what your signature move is in a second, But first 26 00:01:11,800 --> 00:01:13,959 Speaker 1: tell us how the date went with her. You know, 27 00:01:14,280 --> 00:01:16,600 Speaker 1: overall I thought it went really well, but we got 28 00:01:16,600 --> 00:01:19,840 Speaker 1: off to a rough start for sure. Um. We went 29 00:01:19,840 --> 00:01:22,200 Speaker 1: out for dinner, and uh, I wouldn't say at the 30 00:01:22,240 --> 00:01:25,880 Speaker 1: restaurant early. I always get there early. You know. That's considerate, right, 31 00:01:26,000 --> 00:01:29,520 Speaker 1: very considerate. How early are you talking? Like an hour early? 32 00:01:29,600 --> 00:01:33,040 Speaker 1: And you're just pacing back? Okay, solid twenty minutes, because 33 00:01:33,040 --> 00:01:34,760 Speaker 1: it'd be good to show up like really early and 34 00:01:34,800 --> 00:01:36,640 Speaker 1: then get mad at her that she shows up like 35 00:01:36,680 --> 00:01:38,120 Speaker 1: five minutes later. I've been here for an hour and 36 00:01:38,160 --> 00:01:41,679 Speaker 1: a half already, so you showed up early. And to 37 00:01:41,760 --> 00:01:45,840 Speaker 1: continue my gentimanly ways, here we wave across the room. 38 00:01:45,880 --> 00:01:48,720 Speaker 1: She comes over and I pull up a chair. I'd 39 00:01:48,720 --> 00:01:51,840 Speaker 1: like to do that, um, And she's like, oh, thank you, 40 00:01:51,920 --> 00:01:55,040 Speaker 1: and she sits down and uh, you know, she she 41 00:01:55,200 --> 00:01:58,320 Speaker 1: stepped in front of it, and for some reason, I 42 00:01:58,360 --> 00:02:02,880 Speaker 1: don't know why, I shoved the chair at the table 43 00:02:03,440 --> 00:02:07,440 Speaker 1: and it and it knocked her legs out and she 44 00:02:07,640 --> 00:02:10,760 Speaker 1: just fell straight on her butt on the chair, and 45 00:02:11,000 --> 00:02:15,240 Speaker 1: I think it definitely hurts. So you aggressively shoved her 46 00:02:15,280 --> 00:02:18,360 Speaker 1: into the table. I didn't mean. I didn't mean to 47 00:02:18,400 --> 00:02:20,720 Speaker 1: do that, okay, kind of. I think I was nervous 48 00:02:20,760 --> 00:02:23,040 Speaker 1: or something. I was wondering if that was your signature move. 49 00:02:23,400 --> 00:02:26,679 Speaker 1: Sit down and you eat. It's better than pulling the 50 00:02:26,760 --> 00:02:29,720 Speaker 1: chair out from underneath her. Did you like comment about that, 51 00:02:29,760 --> 00:02:31,120 Speaker 1: because I feel like I would have been awkward at 52 00:02:31,160 --> 00:02:32,520 Speaker 1: that point, Like, I am sorry about that. That was 53 00:02:32,520 --> 00:02:34,920 Speaker 1: I pushed the chair in a little too hard. Yeah, yeah, no, 54 00:02:34,960 --> 00:02:37,320 Speaker 1: I made a joke of it. I said like, well, yeah, 55 00:02:37,360 --> 00:02:42,400 Speaker 1: that's why I work out. Yeah, I don't know my 56 00:02:42,440 --> 00:02:45,679 Speaker 1: own strength sometimes, so whenever I'm on on dates with like, 57 00:02:45,760 --> 00:02:47,519 Speaker 1: especially women who were smaller than I know him a 58 00:02:47,520 --> 00:02:49,839 Speaker 1: big dude anyway, I tended to just shove them into 59 00:02:49,880 --> 00:02:54,760 Speaker 1: the table. After that, did everything go okay? Yeah, I 60 00:02:54,760 --> 00:02:59,000 Speaker 1: mean we calm I calmed down, and we had good conversation. 61 00:02:59,200 --> 00:03:02,959 Speaker 1: I thought we had a connection, flirting pretty hard and 62 00:03:03,320 --> 00:03:06,680 Speaker 1: uh remember around dessert, I made the mental note that 63 00:03:06,919 --> 00:03:08,440 Speaker 1: I'm going to kiss this girl at night. I'm going 64 00:03:08,480 --> 00:03:11,440 Speaker 1: to use my signature move, right. I can't wait to 65 00:03:11,480 --> 00:03:15,640 Speaker 1: hear what this move is, sir? What is James's signature move? 66 00:03:15,919 --> 00:03:18,280 Speaker 1: You stud Like, I know you guys are going to 67 00:03:18,280 --> 00:03:23,359 Speaker 1: totally laugh at this, but honestly it works. Like the time. Okay, 68 00:03:23,480 --> 00:03:25,120 Speaker 1: you know the people are going to be stealing this 69 00:03:25,160 --> 00:03:27,920 Speaker 1: move after you tell us, Yeah, well I stole it, 70 00:03:28,040 --> 00:03:30,400 Speaker 1: so you know that's fair games. Where do you steal 71 00:03:30,400 --> 00:03:34,239 Speaker 1: it from from a movie? I don't remember which one. 72 00:03:34,360 --> 00:03:37,520 Speaker 1: I'd probably been done in many movies. Okay, you're you're 73 00:03:37,520 --> 00:03:39,040 Speaker 1: gonna have to go a long way convincing me that 74 00:03:39,080 --> 00:03:40,280 Speaker 1: this is a good move. Then if you stole it 75 00:03:40,320 --> 00:03:42,560 Speaker 1: from a movie. No, it works, I swear to guy, 76 00:03:43,680 --> 00:03:46,240 Speaker 1: what is it? So? H we grab our coats and 77 00:03:46,360 --> 00:03:48,560 Speaker 1: go outside in the restaurant, and then you know, there's 78 00:03:48,560 --> 00:03:50,680 Speaker 1: a moment where we're saying goodbye. But I was just 79 00:03:51,200 --> 00:03:56,680 Speaker 1: focused on her and on executing my signature move, and 80 00:03:57,640 --> 00:04:01,119 Speaker 1: so like we're locking eyes and I like to hold 81 00:04:01,160 --> 00:04:04,240 Speaker 1: the moment, you know, for a little just a little 82 00:04:04,280 --> 00:04:08,160 Speaker 1: bit of uncomfortableness. You've really practiced this, haven't you. Oh yeah, 83 00:04:08,200 --> 00:04:10,160 Speaker 1: I've done this. I've done this at least a solid 84 00:04:10,160 --> 00:04:13,240 Speaker 1: ten times. Okay, okay, And then what happens after the 85 00:04:13,280 --> 00:04:16,000 Speaker 1: eye lock. And so after that moment, you know she's 86 00:04:16,040 --> 00:04:18,160 Speaker 1: about to say something. As I see she's about to 87 00:04:18,200 --> 00:04:21,039 Speaker 1: say something, I moved my index finger to her list 88 00:04:21,120 --> 00:04:25,279 Speaker 1: and go, oh god, and then I kissed her. Are 89 00:04:25,320 --> 00:04:29,800 Speaker 1: you serious? I rolled my eyes Gerard Butler and p 90 00:04:30,040 --> 00:04:32,400 Speaker 1: s I love you or something. Maybe that was the 91 00:04:32,440 --> 00:04:36,479 Speaker 1: movie and this actually works for you. It works like 92 00:04:36,720 --> 00:04:38,560 Speaker 1: I know, you guys are like lapping it up and 93 00:04:38,600 --> 00:04:41,000 Speaker 1: I think it's ridiculous, but I swear you got it work. 94 00:04:41,400 --> 00:04:43,760 Speaker 1: Did she actually kiss you back or was she just 95 00:04:43,880 --> 00:04:47,479 Speaker 1: in shock standing still like you know, there's the there's 96 00:04:47,480 --> 00:04:49,919 Speaker 1: the initial shock, but then she like you know, she 97 00:04:50,080 --> 00:04:52,200 Speaker 1: lets go and then we have a good time. That, 98 00:04:52,839 --> 00:04:56,600 Speaker 1: my friends, is how the signature move works. All right? 99 00:04:56,640 --> 00:05:00,440 Speaker 1: So you guys kissed after you did that? And how 100 00:05:00,440 --> 00:05:03,680 Speaker 1: did everything end with you? I walked her back to 101 00:05:03,680 --> 00:05:06,360 Speaker 1: her car and UH said I'll call you and she 102 00:05:06,440 --> 00:05:09,760 Speaker 1: said cool, all right, And so I thought E went great. 103 00:05:09,800 --> 00:05:13,760 Speaker 1: But next few days I'm texting Aaron just getting absolutely nothing. 104 00:05:14,200 --> 00:05:17,440 Speaker 1: And a week goes by and I'm talking to you 105 00:05:17,440 --> 00:05:20,400 Speaker 1: guys now, So you haven't heard anything from her at all. No, 106 00:05:21,120 --> 00:05:24,040 Speaker 1: maybe she's still in a daze from how romantic you are. 107 00:05:24,080 --> 00:05:26,160 Speaker 1: She's probably still writing in her diary about it as 108 00:05:26,200 --> 00:05:30,400 Speaker 1: we speak. I wouldn't doubt it. Oh my god, I 109 00:05:30,560 --> 00:05:31,920 Speaker 1: thought her. She's laid up in the hospital with a 110 00:05:31,960 --> 00:05:36,080 Speaker 1: fractured rib when you shoved her into the table. That 111 00:05:36,200 --> 00:05:38,560 Speaker 1: could be it too. All right, Well, we're gonna play 112 00:05:38,560 --> 00:05:40,839 Speaker 1: a song, come back, call her and get your second 113 00:05:40,880 --> 00:05:44,520 Speaker 1: date update. All right, cool, All right, hang on then, 114 00:05:46,839 --> 00:05:50,960 Speaker 1: Brook and Jubil in the Morning date. James, are you 115 00:05:51,000 --> 00:05:54,880 Speaker 1: a good kisser? Yeah, it's Brooking Jubil in the Morning. 116 00:05:54,880 --> 00:05:56,400 Speaker 1: If you're just tuning in for the second part of 117 00:05:56,400 --> 00:05:59,640 Speaker 1: today's second date update, that's James and James isn't getting 118 00:05:59,640 --> 00:06:01,960 Speaker 1: a call back from a girl named Brittany, He says 119 00:06:02,000 --> 00:06:04,360 Speaker 1: at the end of the date, he did his signature move, 120 00:06:04,480 --> 00:06:07,280 Speaker 1: as he calls it, while they were walking after dinner. 121 00:06:07,520 --> 00:06:09,880 Speaker 1: They were talking about whatever, and he shished her and 122 00:06:09,920 --> 00:06:11,800 Speaker 1: then went in for the kiss and she kissed him. 123 00:06:11,839 --> 00:06:15,040 Speaker 1: But James, I didn't get enough details on the kiss, 124 00:06:15,400 --> 00:06:16,920 Speaker 1: Like you said that you kissed her, but I didn't. 125 00:06:16,920 --> 00:06:18,719 Speaker 1: I need more. I need more detail on it to 126 00:06:18,800 --> 00:06:20,720 Speaker 1: see if like she should be calling you back. So here, 127 00:06:20,720 --> 00:06:22,400 Speaker 1: we're gonna role play a little bit. All right, James, 128 00:06:22,800 --> 00:06:26,240 Speaker 1: I'm her and you're me, or you're her and I'm 129 00:06:26,240 --> 00:06:28,480 Speaker 1: meet whatever however you want to do it. But I'm 130 00:06:28,480 --> 00:06:30,400 Speaker 1: just gonna start kissing you and then you tell me 131 00:06:30,400 --> 00:06:40,640 Speaker 1: when you've had enough. Okay, here we go. Is that it? Yeah, 132 00:06:40,640 --> 00:06:43,320 Speaker 1: you're a terrible kisser. That's why. That is why you're 133 00:06:43,320 --> 00:06:45,920 Speaker 1: not getting a call back. Okay, I can tell you're 134 00:06:45,960 --> 00:06:49,880 Speaker 1: a bad kisser. All right. We're about to get her 135 00:06:49,920 --> 00:06:51,360 Speaker 1: on the phone and find out why she's not calling 136 00:06:51,360 --> 00:06:53,520 Speaker 1: you back after it's what seems like a successful date. 137 00:06:53,560 --> 00:06:54,640 Speaker 1: I mean, you got a kiss at the end of 138 00:06:54,640 --> 00:06:56,360 Speaker 1: the night, and it's strange that she hasn't answered any 139 00:06:56,400 --> 00:06:59,560 Speaker 1: of your texts. Can I ask, are you like a 140 00:06:59,640 --> 00:07:01,920 Speaker 1: move type of guy or were you able to actually 141 00:07:01,920 --> 00:07:05,240 Speaker 1: show her like your real personality? First of all, the 142 00:07:05,279 --> 00:07:09,320 Speaker 1: move is a part of my personality. I'm just saying, 143 00:07:09,320 --> 00:07:12,160 Speaker 1: when you come at a date with like some rehearsed plan, 144 00:07:13,040 --> 00:07:15,640 Speaker 1: a lot of times you may get lost in that look. 145 00:07:15,680 --> 00:07:17,400 Speaker 1: I may not have invented, but it works for me 146 00:07:17,520 --> 00:07:20,200 Speaker 1: every time. And there's a reason it's in the movies. Okay, 147 00:07:21,080 --> 00:07:22,960 Speaker 1: that's true. There probably is a reason it's in the movies, 148 00:07:22,960 --> 00:07:24,640 Speaker 1: all right. Man, I'm gonna dollar phone him right now, 149 00:07:24,720 --> 00:07:26,120 Speaker 1: get her on the phone and find out why she's 150 00:07:26,120 --> 00:07:36,880 Speaker 1: not calling you back. Okay, okay, all right, here we go. Hello. Hi, 151 00:07:36,960 --> 00:07:40,800 Speaker 1: can I speak to Brittany please? This is she. Hey, Brittany, 152 00:07:40,840 --> 00:07:42,600 Speaker 1: how are you? This is Jewil from brook and Jewil 153 00:07:42,640 --> 00:07:46,760 Speaker 1: in the Morning. So a radio show. I'm sorry, I 154 00:07:46,760 --> 00:07:48,920 Speaker 1: don't know who this is. Oh. That surprises me with 155 00:07:48,960 --> 00:07:50,800 Speaker 1: the how quickly you answered. I figured you'd be a 156 00:07:50,920 --> 00:07:54,720 Speaker 1: huge fan. It's a morning radio show, and somebody recently 157 00:07:54,760 --> 00:07:57,000 Speaker 1: sent us an email about you, and that's why I'm 158 00:07:57,000 --> 00:08:01,600 Speaker 1: calling today. I don't understand how it's happened. Well, it's 159 00:08:01,600 --> 00:08:03,120 Speaker 1: a segment we do on our show called the second 160 00:08:03,160 --> 00:08:05,040 Speaker 1: Date Update. Basically, if you go out with somebody on 161 00:08:05,080 --> 00:08:07,120 Speaker 1: a date and then don't call them back after, they 162 00:08:07,160 --> 00:08:08,480 Speaker 1: email us to see if we can get you on 163 00:08:08,480 --> 00:08:10,800 Speaker 1: the phone and find out what went wrong. So, you 164 00:08:10,840 --> 00:08:12,960 Speaker 1: recently went out on a date with one of our listeners. 165 00:08:13,360 --> 00:08:15,520 Speaker 1: His name is James. Do you remember going out with James? 166 00:08:16,520 --> 00:08:20,240 Speaker 1: Oh my god? Yeah? Is that a good oh my 167 00:08:20,280 --> 00:08:24,480 Speaker 1: god or a bad? Oh my god? Oh my god. 168 00:08:25,160 --> 00:08:26,800 Speaker 1: You have a few minutes to tell us about your 169 00:08:26,840 --> 00:08:30,640 Speaker 1: date with James. Not really. I kind of want to 170 00:08:30,640 --> 00:08:33,440 Speaker 1: move on from it. Not bad. Well, if I if 171 00:08:33,440 --> 00:08:35,160 Speaker 1: I could just get you for like a second to 172 00:08:35,160 --> 00:08:37,400 Speaker 1: talk about it, it would help out a lot. He's 173 00:08:37,480 --> 00:08:39,959 Speaker 1: he actually liked you a lot, and he's wondering why 174 00:08:39,960 --> 00:08:44,839 Speaker 1: you're not calling him back. Um, it'll just I promise, 175 00:08:44,920 --> 00:08:47,280 Speaker 1: it'll just take a second. We just want to know 176 00:08:47,800 --> 00:08:51,240 Speaker 1: if he did anything wrong on your date. I don't know. 177 00:08:51,320 --> 00:08:54,080 Speaker 1: He just seems like a self center type of dude, 178 00:08:54,160 --> 00:08:57,440 Speaker 1: and I just was turned off by it self centered, 179 00:08:57,520 --> 00:08:59,680 Speaker 1: Like he talked about himself the whole time and didn't 180 00:08:59,679 --> 00:09:03,120 Speaker 1: pay anything you were saying or something. He didn't pay 181 00:09:03,120 --> 00:09:06,679 Speaker 1: attention to anything that I was saying. Really nothing, like 182 00:09:06,720 --> 00:09:08,760 Speaker 1: he wasn't having a conversation with you. He's just telling 183 00:09:08,800 --> 00:09:11,160 Speaker 1: you about stuff. Well, it's like when I was trying 184 00:09:11,160 --> 00:09:13,680 Speaker 1: to open up to him, you can tell he just 185 00:09:13,880 --> 00:09:17,360 Speaker 1: was not listening, like at all. Really Well, for the 186 00:09:17,400 --> 00:09:20,440 Speaker 1: way he tells it, everything went amazing and you guys 187 00:09:20,440 --> 00:09:22,280 Speaker 1: had a wonderful time and you kissed at the end 188 00:09:22,280 --> 00:09:24,240 Speaker 1: of the evening and you even were like, hey, we'll 189 00:09:24,240 --> 00:09:28,320 Speaker 1: go out again. So what part is let me hear 190 00:09:28,360 --> 00:09:30,000 Speaker 1: your side of the story, because what part is self 191 00:09:30,040 --> 00:09:33,080 Speaker 1: centered according to you, because he didn't sound like anything 192 00:09:33,160 --> 00:09:34,839 Speaker 1: was like that at all. I love that it's making 193 00:09:34,840 --> 00:09:38,120 Speaker 1: you laugh. Well, I don't believe that's what he told 194 00:09:38,320 --> 00:09:41,760 Speaker 1: you because he completely missed the most important part of 195 00:09:41,800 --> 00:09:46,120 Speaker 1: that actual story. Okay, what's the most important part. Well, 196 00:09:46,320 --> 00:09:49,200 Speaker 1: dinner was fine, and we were leaving the restaurant. We were, 197 00:09:49,960 --> 00:09:52,719 Speaker 1: you know, just casually walking, and I was telling him 198 00:09:52,840 --> 00:09:58,240 Speaker 1: a very personal story about my parents and unfortunate parents 199 00:09:58,280 --> 00:10:04,000 Speaker 1: got a divorce and my dad recently um passed away, 200 00:10:05,240 --> 00:10:09,080 Speaker 1: and so I'm it's like a real, you know, raw 201 00:10:09,200 --> 00:10:12,600 Speaker 1: moment for me, and I'm telling him this and then 202 00:10:13,120 --> 00:10:19,000 Speaker 1: he had the audacity to shush me. Are you serious? 203 00:10:19,000 --> 00:10:22,280 Speaker 1: When it happened? Are you serious? I'm dead serious and 204 00:10:22,360 --> 00:10:28,480 Speaker 1: not over that. After he shushed me, he kissed me. So, 205 00:10:29,600 --> 00:10:32,400 Speaker 1: if I'm getting this, if I'm getting this right, he 206 00:10:32,440 --> 00:10:34,240 Speaker 1: wasn't paying attention to a word you were saying. You 207 00:10:34,280 --> 00:10:36,240 Speaker 1: were telling him something very intimate, and then he told 208 00:10:36,240 --> 00:10:42,280 Speaker 1: you to shut up and exactly tell him what was 209 00:10:42,320 --> 00:10:47,079 Speaker 1: going on. I was telling him. I just literally told him. 210 00:10:47,320 --> 00:10:53,880 Speaker 1: He wasn't listening. Okay, So, God, did you kiss him 211 00:10:53,920 --> 00:10:56,480 Speaker 1: back or no? I was in shock. My lips were 212 00:10:56,520 --> 00:11:01,280 Speaker 1: just there, and his lips were just all online talk 213 00:11:01,320 --> 00:11:03,680 Speaker 1: about Brittany. I'm sorry. I can understand why you wouldn't 214 00:11:03,679 --> 00:11:06,880 Speaker 1: want to call him back. Oh man, that was the 215 00:11:06,920 --> 00:11:09,679 Speaker 1: most awkward thing that ever happened to me on a day. 216 00:11:09,800 --> 00:11:11,520 Speaker 1: If somebody did that to me, I wouldn't want to 217 00:11:11,520 --> 00:11:13,240 Speaker 1: ever talk to them again. Do you ever want to 218 00:11:13,280 --> 00:11:16,600 Speaker 1: talk to him again? No? Oh, well, that's too bad, 219 00:11:16,640 --> 00:11:18,079 Speaker 1: because I have to let you know that he's actually 220 00:11:18,120 --> 00:11:22,600 Speaker 1: on the other line listening right. What the hell is this, James? 221 00:11:22,640 --> 00:11:27,080 Speaker 1: Are you there? Yeah? I am so sorry. I'm I'm 222 00:11:27,080 --> 00:11:33,120 Speaker 1: completely mortified. Yeah. Would this be a bad time to 223 00:11:34,960 --> 00:11:39,720 Speaker 1: offer my condolence this for your family? It would be 224 00:11:39,720 --> 00:11:45,480 Speaker 1: a bit late. I would think this is a bad time. James. Well, yeah, 225 00:11:45,520 --> 00:11:48,560 Speaker 1: I mean I screwed up. I screwed up. I was 226 00:11:48,640 --> 00:11:50,920 Speaker 1: just honestly, I was so focused on trying to kiss 227 00:11:50,920 --> 00:11:55,280 Speaker 1: you that I mean, this is definitely definitely gonna make 228 00:11:55,320 --> 00:11:59,440 Speaker 1: me rethink ever using that move again. Yeah, your move 229 00:11:59,559 --> 00:12:02,480 Speaker 1: kind of back fired, James, Brittany. If you don't know 230 00:12:02,679 --> 00:12:04,920 Speaker 1: what James was doing, apparently this is what he told 231 00:12:04,960 --> 00:12:07,240 Speaker 1: us earlier. That's his signature move. At the end of 232 00:12:07,240 --> 00:12:09,480 Speaker 1: the date. Don't worry. He wants. If he wants to 233 00:12:09,520 --> 00:12:12,240 Speaker 1: kiss a girl, he waits until they're talking about something 234 00:12:12,280 --> 00:12:16,120 Speaker 1: and then he goes and then kisses her. I think 235 00:12:16,880 --> 00:12:20,960 Speaker 1: this time it was very bad for him. It was 236 00:12:21,160 --> 00:12:26,840 Speaker 1: very bad. Yeah, again, that was dumb, pretty weird. We 237 00:12:26,920 --> 00:12:28,680 Speaker 1: all rolled our eyes when he told us about it. 238 00:12:28,679 --> 00:12:31,040 Speaker 1: But the thing is, and I get wire upset, but 239 00:12:31,200 --> 00:12:33,520 Speaker 1: he said such nice things about you when we talked 240 00:12:33,520 --> 00:12:37,080 Speaker 1: to him earlier. Okay, that's nice at all, but it 241 00:12:37,120 --> 00:12:39,839 Speaker 1: doesn't break the fact of what he did. I mean, 242 00:12:39,840 --> 00:12:42,320 Speaker 1: can I just can interject real quick? I mean, technically 243 00:12:42,400 --> 00:12:48,200 Speaker 1: the move still worked. Oh, you're right, she did kiss me. 244 00:12:49,880 --> 00:12:53,439 Speaker 1: I didn't kiss you. I was stunned. I was standing 245 00:12:53,520 --> 00:12:55,079 Speaker 1: there like just telling you that a deaf in the 246 00:12:55,120 --> 00:13:01,240 Speaker 1: family shouldn't. Yeah. I know it's bad. It's bad, and 247 00:13:01,960 --> 00:13:03,760 Speaker 1: you know, I hope you can forgive me in that 248 00:13:04,120 --> 00:13:06,080 Speaker 1: like we can. We can move on from me. You 249 00:13:06,120 --> 00:13:08,960 Speaker 1: try again. This is a perfect time to ask, Brittany, 250 00:13:08,960 --> 00:13:10,360 Speaker 1: would you like to go out with James on a 251 00:13:10,360 --> 00:13:15,320 Speaker 1: second date? We will pay for its. Britany, are you 252 00:13:15,360 --> 00:13:18,040 Speaker 1: sure James a great time before that moment? Yeah, and 253 00:13:18,120 --> 00:13:20,160 Speaker 1: James likes you a lot there's no chance on a 254 00:13:20,200 --> 00:13:22,720 Speaker 1: second date. He's screwed up. He knows it. No, he 255 00:13:22,720 --> 00:13:26,800 Speaker 1: can try that move on somebody else. Look, I promise 256 00:13:26,840 --> 00:13:30,160 Speaker 1: I will never shush you again. I'll just I'll just 257 00:13:30,160 --> 00:13:34,839 Speaker 1: do the kissing part. No, that doesn't make it any better. 258 00:13:34,960 --> 00:13:38,280 Speaker 1: Clearly you don't get it. Yeah, James, I think next 259 00:13:38,280 --> 00:13:40,800 Speaker 1: time you try to do your patented move where you 260 00:13:40,840 --> 00:13:43,360 Speaker 1: shish a woman and then kiss her, pay attention to 261 00:13:43,360 --> 00:13:47,760 Speaker 1: what she's talking about before you do it. Okay, so 262 00:13:47,840 --> 00:13:53,920 Speaker 1: I'll modify the move. Modify your move is modification. Brittany, 263 00:13:53,960 --> 00:13:55,680 Speaker 1: thank you very much for your time. I know you 264 00:13:55,720 --> 00:13:57,720 Speaker 1: weren't expecting this phone call, but thank you for sharing 265 00:13:57,720 --> 00:14:00,640 Speaker 1: with us. Okay, No, thank you as he have anything 266 00:14:00,640 --> 00:14:02,960 Speaker 1: else to say before we let you go. Yeah, I 267 00:14:03,040 --> 00:14:09,240 Speaker 1: think what I got out of her broken Jewel in 268 00:14:09,280 --> 00:14:12,760 Speaker 1: the Morning text in at seven eight, five to nine 269 00:14:12,800 --> 00:14:16,000 Speaker 1: two that says, if that guy's signature move works every time, 270 00:14:16,600 --> 00:14:19,600 Speaker 1: then why is he still single? Amen, Broken Jewel in 271 00:14:19,600 --> 00:14:21,680 Speaker 1: the Morning. I think we actually found out why he's 272 00:14:21,680 --> 00:14:24,600 Speaker 1: still single. I'm talking, of course, about the second date update. Skuy, 273 00:14:24,760 --> 00:14:26,960 Speaker 1: James wanted us to call a girl Brittany for him. 274 00:14:26,960 --> 00:14:29,360 Speaker 1: She wasn't calling back after their date. They even kissed 275 00:14:29,360 --> 00:14:31,040 Speaker 1: at the end of the date when he used his 276 00:14:31,120 --> 00:14:36,440 Speaker 1: signature move that he got from the movies. It's ridiculous. Basically, 277 00:14:36,680 --> 00:14:38,400 Speaker 1: what he does when he goes out on a date 278 00:14:38,560 --> 00:14:41,320 Speaker 1: is he waits until the right moment when she's talking, 279 00:14:41,600 --> 00:14:44,400 Speaker 1: and then he shishes her and then kisses her. Yeah, 280 00:14:44,480 --> 00:14:47,520 Speaker 1: it's supposed to be passionate and romantic. Except what he 281 00:14:47,560 --> 00:14:49,960 Speaker 1: didn't realize was the girl that he went out with, Brittany, 282 00:14:50,040 --> 00:14:51,880 Speaker 1: was in the middle of talking about how one of 283 00:14:51,880 --> 00:14:54,560 Speaker 1: her family members had passed away, but he wasn't paying 284 00:14:54,560 --> 00:14:57,080 Speaker 1: attention because he was so focused on doing his signature 285 00:14:57,120 --> 00:14:58,960 Speaker 1: move that right in the mill that he just would 286 00:14:59,120 --> 00:15:02,320 Speaker 1: sh kissed her. And what's shocking to me is that 287 00:15:02,600 --> 00:15:05,120 Speaker 1: the lesson he learned wasn't that he should maybe just 288 00:15:05,200 --> 00:15:07,840 Speaker 1: be himself and stop with the moves. It's that he 289 00:15:07,960 --> 00:15:13,920 Speaker 1: needs to modify, quite right, change my move a little bit, 290 00:15:14,080 --> 00:15:16,160 Speaker 1: or maybe you should just pay attention to what your 291 00:15:16,200 --> 00:15:18,800 Speaker 1: date is saying, Oh my gosh, so that you realize, 292 00:15:18,800 --> 00:15:20,880 Speaker 1: like maybe if she's just talking about what sort of 293 00:15:20,960 --> 00:15:23,600 Speaker 1: drinks she likes, or she likes going hiking or something 294 00:15:23,760 --> 00:15:25,640 Speaker 1: that's an Okay, time to maybe shish and go in 295 00:15:25,680 --> 00:15:27,600 Speaker 1: for your move. But when she's talking about the death 296 00:15:27,640 --> 00:15:30,040 Speaker 1: of a family member usually isn't the best time to 297 00:15:30,040 --> 00:15:32,040 Speaker 1: be like, hey, shut up, shut shut stop, shut up, 298 00:15:32,040 --> 00:15:34,480 Speaker 1: I want to kiss you and shish ain't any woman? 299 00:15:34,720 --> 00:15:38,520 Speaker 1: Is not a good moves. How many people have actually 300 00:15:38,520 --> 00:15:40,440 Speaker 1: had this happen to them, though, We're getting text messages 301 00:15:40,440 --> 00:15:42,000 Speaker 1: in at seven, eight, five, nine two from people that 302 00:15:42,000 --> 00:15:44,320 Speaker 1: are like, my husband did this to me well, and 303 00:15:44,360 --> 00:15:46,040 Speaker 1: then that also follows up with I told him never 304 00:15:46,080 --> 00:15:47,560 Speaker 1: to do that to me again, or I'd kick his ass. 305 00:15:47,560 --> 00:15:52,640 Speaker 1: So the shish move is definitely something that you should 306 00:15:52,680 --> 00:15:54,720 Speaker 1: not do if you want to get a second date. Remember, 307 00:15:54,800 --> 00:15:56,360 Speaker 1: all you have to do is email the show and 308 00:15:56,400 --> 00:15:58,600 Speaker 1: we will call the person who didn't call you back 309 00:15:58,640 --> 00:16:00,040 Speaker 1: to