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Speaker 1: Hi, guys. What you're trying to get into a day shoon?

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Speaker 1: What you're trying to do? That's a ring tone right there.

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Speaker 1: That's a fire song, by the way, and it song

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Speaker 1: I gotta tell you. Since I told them our listeners

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Speaker 1: about it and you remind you about it, I've been

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Speaker 1: singing it NonStop. It's like, you know how you usually

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Speaker 1: get like a summer hookie song in your head. My

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Speaker 1: summer hookie song in my head is what you're trying

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Speaker 1: to get in. Oh, I'm damn wrong. That's amazing because

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Speaker 1: twenty years ago your summer song was turned me inside out.

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Speaker 1: So I can't speak because you're everywhere to me. When

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Speaker 1: I when Michelle Branch knows how many shout outs she

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Speaker 1: gets on this podcast, Yeah, she should know because she's

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Speaker 1: not alone. Oh. I think Michelle Branch must be aware

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Speaker 1: of how many times over the years I've spoken about her.

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Speaker 1: Do you think Michelle Branch gives two shits about us?

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Speaker 1: Do you think so? Yes? I think Michelle Brand she

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Speaker 1: likes any people that are talking about a song she

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Speaker 1: wrote twenty years ago. I hear that, man. I do

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Speaker 1: know what happened to her? She joined so she she

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Speaker 1: I think she got married, had kids, joined a band.

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Speaker 1: Doesn't mean she gave up her musical she did. She was.

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Speaker 1: She's in a band right now. It's her and another

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Speaker 1: young lady and they do they do music together, would

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Speaker 1: they do? As long as they cover every do me?

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Speaker 1: They do very they do? Uh? That very good. Casey

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Speaker 1: put me onto them because you know how Casey works

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Speaker 1: in music sometimes. And she put me onto them and

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Speaker 1: was like, Yo, she's dope. She joined a band. I rocked.

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Speaker 1: I rock out to her in my trouble. You know,

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Speaker 1: I've been thinking about putting my my, my, my sort

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Speaker 1: of girl pop workout list on the on on on

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Speaker 1: the web so people can do that shit. Yeah, do

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Speaker 1: that shit, yeah, because iTunes needs that. Yeah, people listen.

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Speaker 1: I can never find a workout playlist that suits my needs. Right.

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Speaker 1: A lot of people clearly agree with you on on

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Speaker 1: rap and hip hop because if you go on like

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Speaker 1: the standard playlist US on iTunes or wherever, they're all

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Speaker 1: like ninety five percent of that and and like hits

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Speaker 1: one is all like stuff. I don't listen to wog

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Speaker 1: do you don't listen to the woutang. I don't listen

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Speaker 1: to No, I don't listen to Woo Tang. You know who?

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Speaker 1: But you know who method Man is. Yeah, of course

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Speaker 1: he was in Garden State. That's right, that's right. But

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Speaker 1: you know he's in You do know that he is

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Speaker 1: in a band with about twelve people. Can you name

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Speaker 1: bo other Wu Tang members? There's Woo, there's Tang, there's clan.

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Speaker 1: I'm gonna say some names, and you're gonna be like, oh, yeah,

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Speaker 1: I've heard of them. Of course, A dirty bastard, of

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Speaker 1: course I've heard of him. He was, he was, he

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Speaker 1: died right, Yes, he did the Rizza. Yeah, I've heard him.

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Speaker 1: I can picture him, dude, the Rizza. We hung out

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Speaker 1: with him one night. Yeah, and you spell it rza.

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Speaker 1: I know that. Yeah, we hung out at chateau. He

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Speaker 1: came through and kicked it with us that night we

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Speaker 1: were hanging. You're not supposed to talk about chateau on

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Speaker 1: this actually, so let me take that back. Well, you

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Speaker 1: know what happens at the chateau is supposed to stay

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Speaker 1: the chateau right now, you can't be dropping chateau things.

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Speaker 1: I hung out with Drake at the chateau once. Do

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Speaker 1: you see look at you spilling the beans? Okay, go ahead,

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Speaker 1: who else Rizza ODV method Man, method Man, ghost face Killer. Yeah,

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Speaker 1: I've heard of him. I can't picture his face. I

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Speaker 1: can't God, you God, I don't know you God. The Jisa,

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Speaker 1: I don't know the Jizza. That's the genius, uh inspector

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Speaker 1: deck there you go. Wow, there's a big band. A

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Speaker 1: lot of people in this band of people. Oh yeah,

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Speaker 1: it's a huge band. You really like their music a lot?

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Speaker 1: Are you kidding me? I smoke on the mic, like

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Speaker 1: smoking Joe Frazier, the Hell raizor raising hell with the flavor,

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Speaker 1: terrorizing jams, like troops in Pakistan, swinging through your town

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Speaker 1: like a neighborhood spot and man so um TikTok keep ticking.

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Speaker 1: Come on now, you don't know nothing about the boot

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Speaker 1: tang okay yo m met h o d man met

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Speaker 1: h o d man. Hey, you get off my cloud.

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Speaker 1: You don't know me, and you don't know my down.

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Speaker 1: You don't notice. No. I have a question though, when

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Speaker 1: you when you have a big like rap supergroup like that,

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Speaker 1: are there they all? Hey, dirty baby, I got your money,

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Speaker 1: don't you worry? I said, Hey, yeah, that's why, before

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Speaker 1: you go into another song, I have a question, do

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Speaker 1: they all take turns like I'm gonna rap now, all right,

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Speaker 1: now you're up. You rapped now that kind of thing

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Speaker 1: like like like they take turns. Well, some of them

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Speaker 1: have like a connection. So you remember run DMC growing

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Speaker 1: up right, Yes, yes, yes, the Adidas my Adidas, Right,

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Speaker 1: those two had a connection. So when they rapped, they could,

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Speaker 1: when they rom they could bounce off of each other.

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Speaker 1: Some people it's like you and I, how we have

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Speaker 1: a good uh how we have good chemistry. Same thing

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Speaker 1: with rappers, right, and you look for when you're a rapper,

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Speaker 1: you look for that person that you have chemistry. Drake

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Speaker 1: and Future have really good chemistry together. So they do

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Speaker 1: a lot of records together, right, um. And so it's

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Speaker 1: the same thing you know, uh in in the Wu

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Speaker 1: Tang because it was so big, the Woo is so big,

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Speaker 1: there are little tiny groups withinside the sub groups within

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Speaker 1: the Wu. Right. So ghost Face and uh ghost Face

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Speaker 1: and ray Kuana Chef. That's the one I forgot to mention.

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Speaker 1: I should have put Ray Kuana. He got the best one.

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Speaker 1: He got probably the best one. Bill for Cuban Links

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Speaker 1: is probably the best Wu Tang record in my opinion.

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Speaker 1: It's got so many good songs on it. Anyway, ghost

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Speaker 1: Face and Ray Kuan do very well together and on

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Speaker 1: record they bounce off of each other very well. So

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Speaker 1: they are Uh now, who's your favorite? If you had

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Speaker 1: to pick one member of the Wu Tang clan, that's

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Speaker 1: like your favorite rapper in the group, the Jisa, the Genius.

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Speaker 1: I like him a lot. I liked Odb a lot.

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Speaker 1: I like I like Meth Method man, I like I

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Speaker 1: like all of wo To be honest, they still they still,

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Speaker 1: like ghost Face got somebody life. When the world's normal,

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Speaker 1: do they still tour? I hope? So it's at the egos. Man,

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Speaker 1: it's a lot of them, man, how do you do that?

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Speaker 1: How do you That's like? Look, the Jackson five couldn't

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Speaker 1: stay together and they were brothers. How do you do

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Speaker 1: we go on the road eventually touring this show, I

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Speaker 1: feel like your ego is gonna sore like an eagle

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Speaker 1: out of control. It depends on if they you're gonna

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Speaker 1: have demands, you're gonna have in your rider. There's gonna

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Speaker 1: be all sorts of rules, no eye contact. It all

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Speaker 1: depends on how loud they applaud for me. If they

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Speaker 1: applaud for you, louder than they applaud for me. I

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Speaker 1: feel like I'll fall into a little you know, I'll

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Speaker 1: back into a going applaud for me more than they

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Speaker 1: applaud for you. You damn right, man, I want my

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Speaker 1: bus to be bigger. Yeah, we're gonna measure up. We're

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Speaker 1: gonna have the same bus. Listen when Dan, We're gonna

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Speaker 1: bring Dan and Joel and Dan's gonna bring his thunderous

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Speaker 1: applause button, so we'll be able to augment whatever the

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Speaker 1: crowd does. We'll be able to augment the audience. You ever,

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Speaker 1: We're look at an award show and you hear the

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Speaker 1: applause and an award show, and then you look around

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Speaker 1: and no one's clapping. Yeah, like like like no one

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Speaker 1: in an award show is paying attention, so that they'd

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Speaker 1: they'd be like a third of them clapping, so they

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Speaker 1: just augment all this thunderous applause. Well, that's gonna be

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Speaker 1: what Dan is doing for us when we're on tour

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Speaker 1: with this show. So before we before we start the show, yeah, Dan,

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Speaker 1: I'll be like, all right, so I need some thunderous

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Speaker 1: applause from you guys, Okay everybody, And now I need

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Speaker 1: some laughter, need some laughter? No, no, no, no, And

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Speaker 1: you're gonna bring it. No, bro, he's just gonna bring it.

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Speaker 1: It'll be, it'll be, it'll be a button. He well, hell, yeah,

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Speaker 1: he's gonna be. He's gonna bring it. Dan always brings it. Yeah,

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Speaker 1: Dan's gonna bring it, dude, He's gonna bring it. Of

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Speaker 1: course he brings it. We're gonna talk. I think we're

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Speaker 1: probably gonna play arenas and um, and we're gonna and

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Speaker 1: we're gonna need to do sound checks at these arenas.

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Speaker 1: If we play arenas, imagine that. Imagine we go to London. Yeah,

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Speaker 1: and what's the big area two? The two two, and

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Speaker 1: we play the O two. That would be the best

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Speaker 1: day of my life. I'm gonna tell you something right now, London,

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Speaker 1: make it happen. Let's put it out there, like I'm sure.

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Speaker 1: I'm sure we're gonna be playing like four hundred seat theaters.

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Speaker 1: But in reality, let's secret it that we sell out

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Speaker 1: the O two arena for fake doctor's real friends. That

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Speaker 1: would be the best. That would be the best night

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Speaker 1: of my life. Listen, you gotta put shit out there.

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Speaker 1: I gotta put outrageous shit out there and make it

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Speaker 1: come true. Remember I told you about the white board.

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Speaker 1: You'd get a whiteboard and you write the most outrageous

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Speaker 1: shit you want to have happened in your life, and

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Speaker 1: you look at it every single day. Who would you say,

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Speaker 1: did that? Um? Well, I have a lot of people

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Speaker 1: in my life and told me to this. But the

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Speaker 1: great the anecdote I referenced on the show was I'm

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Speaker 1: friends with John Legends manager and they her name is Tye,

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Speaker 1: and they went to a high school together. And she

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Speaker 1: said when he first started, they got a big whiteboard

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Speaker 1: and they were putting them out. They were like, let's

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Speaker 1: be outrageous, like I don't know, cover of Time magazine,

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Speaker 1: like this, many Grammys. They were like sitting there laughing

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Speaker 1: about the outrageous shit they were putting on this whiteboard.

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Speaker 1: And she turned to me and she said, every single

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Speaker 1: thing on that whiteboard happened. And uh and and she

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Speaker 1: said that now I do whiteboards with all my clients

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Speaker 1: and and like, you know, so anyway, it's about manifesting,

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Speaker 1: it's about making shit happen. I have a whiteboard in

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Speaker 1: my bedroom and I'll some some thing's on there, are

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Speaker 1: like goals I have, and some things on there. Are

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Speaker 1: like outrageous. I mean, obviously we're not gonna sell it

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Speaker 1: out arena, but I'm saying you can. You can no

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Speaker 1: put that shit on the board. It could happen. It

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Speaker 1: happened for John Legend. Man, the dude's got egot. He

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Speaker 1: got the egot. Let's make it happen. Dude. Well, maybe

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Speaker 1: we have to bring John Legend. If it was like

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Speaker 1: if we opened for John Legend, let's do it. Let's

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Speaker 1: call a Legend. Yeah, man, listen, the guy's got an egot. Okay,

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Speaker 1: so put your egot on your board. I believe in

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Speaker 1: it because you look at the board every day and

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Speaker 1: even in your subconscious brain, your mind is going, I'm

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Speaker 1: gonna find a way to work on that today. I'm

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Speaker 1: gonna make that call I I'm afraid to make. I'm gonna,

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Speaker 1: you know something, for some people, it's fitness. They're like,

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Speaker 1: you know what, I just looked at that white board,

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Speaker 1: and I gotta get on the trap bill today. I

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Speaker 1: promise myself. That's what's know. I like you, I'm gonna

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Speaker 1: I'm gonna put the white board in my in my bedroom,

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Speaker 1: get a white shirt with Casey. I'm gonna be like

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Speaker 1: baby let's put the most outrageous yes on this board.

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Speaker 1: I'm telling you, listeners, this is the you know, Brene Brown,

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Speaker 1: very popular. This is our Brene Brown moment. This is

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Speaker 1: our self help motivational moment on Fake Doctor's Real Friends.

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Speaker 1: You can make anything happen. Okay, dude, I love this.

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Speaker 1: I love this. I love you. I love that we

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Speaker 1: did this together, the four of us and our and

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Speaker 1: our listeners. What'd you make that shit happen? Let's do

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Speaker 1: I have a sweatshirt on today because my wife those

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Speaker 1: Bieber things. No, it's Mickey Mouse, you know, my my

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Speaker 1: my forty something crisis is U is being managed by

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Speaker 1: just getting lots of tattoos. Nice, good for you, man.

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Speaker 1: I was always afraid to get tattoos because my father

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Speaker 1: hated them. And when my sister died, I got her

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Speaker 1: name in Hebrew on my on my arm, and my

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Speaker 1: father kind of like was okay with that because it

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Speaker 1: was you know, meaningful and it was Hebrew. And then

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Speaker 1: when he passed away, like I realized that so much,

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Speaker 1: even though I was in my forties, I still was

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Speaker 1: so nervous about what my father would think. And then

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Speaker 1: I was like, all right, it's time to fucking tattoo

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Speaker 1: the shit out of myself right on. So you're gonna

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Speaker 1: have a sleeve soon. Well, I don't know about a sleep.

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Speaker 1: But where do you want your face? When I get it?

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Speaker 1: I was thinking my left aariola. I was thinking your

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Speaker 1: face for sure. I mean, what if I did you

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Speaker 1: on my pictoralis major and now listen and then your

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Speaker 1: mouth was open, but then in your mouth was my leftariola.

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Speaker 1: That's weird. That's weird. I prefer you just got my

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Speaker 1: face on your face, like you took my face and

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Speaker 1: tattooed it on your face. He just had a whole

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Speaker 1: episode about this though. No, I didn't say on his

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Speaker 1: whole face, like my face on his cheeks. Ye. I

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Speaker 1: don't know how I'm second. I don't know second Joel

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Speaker 1: black face? If I Joel, can you imagine you can

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Speaker 1: see all you can pick up his him painting my

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Speaker 1: face on his face? You wouldn't be face off tex

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Speaker 1: But like a tattoo for a right, No, it would

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Speaker 1: be an outline Joel, Joel, it would be an outline.

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Speaker 1: Joel's like now managing all of our black face issues.

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Speaker 1: She's like, guys, sounding like that might be black food Hey, guys,

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Speaker 1: I got to chime in here. That sounds like it

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Speaker 1: might be black Joellie would be an outline. It wouldn't

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Speaker 1: be like colored in, it would be it would be

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Speaker 1: an outline of Donald's face. Well, I would just want

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Speaker 1: it on your cheek or on your forehead, you know.

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Speaker 1: By the way, the guy tattoos me told me that

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Speaker 1: we were talking about all these young kids that are

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Speaker 1: getting tattoos on their face and how ridiculous it is,

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Speaker 1: and he said that he's really surprised that any of

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Speaker 1: these artists are doing it because there's sort of this

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Speaker 1: unwritten code amongst tattoo artists that you would never put

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Speaker 1: a tattoo on a on a young person's face, right

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Speaker 1: and because for obvious reasons, And he said, um, and

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Speaker 1: now that there's this fad of it happening, he thinks

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Speaker 1: that they're all just doing it for Instagram fame, because

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Speaker 1: these kids are often, you know, famous people, and they're

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Speaker 1: doing it saying, fuck it, I'm gonna get my fifteen

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Speaker 1: minutes of fame. But you know, I get these young

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Speaker 1: people that are all tattooing the shut of their faces. Dude,

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Speaker 1: you might not be able to get the money later.

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Speaker 1: You know what I mean, get the money now if

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Speaker 1: you can. That's that's the that's the Yolo man. You

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Speaker 1: only live once. You know you would tattoo a child's face. Donald,

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Speaker 1: I'm not. First of all, I am not a tattoo artist,

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Speaker 1: so I'll never have to put myself in this situation.

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Speaker 1: You just told these guys to yolo and tattoo someone's face.

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Speaker 1: I'm saying, the reasoning behind it is this, dude, do

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Speaker 1: you You don't listen. If scrubs didn't happen, you don't

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Speaker 1: know what you would have done to make them to

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Speaker 1: make ends meet. If you're acting, if you're acting and

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Speaker 1: directing stuff, you know what I mean, You could have

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Speaker 1: gone into a business that you might not be proud of.

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Speaker 1: You might be You might be Instagram model right now

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Speaker 1: in the air and a thong. I'm talking about you, followers.

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Speaker 1: I love how these girls the Instagram influence people. They

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Speaker 1: took like a little time off for COVID and the

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Speaker 1: Black Lives Matter movement, and now they're all back fucking

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Speaker 1: tushes in the air, selling tea on some yacht and abiza.

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Speaker 1: Oh my god, Yolo. Nobody says Yolo anymore? What do

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Speaker 1: they say these days, I don't know TikTok dancing. I've

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Speaker 1: been inside so long, I have no idea what the

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Speaker 1: kids are saying. Well, they're all on some old guy's

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Speaker 1: yacht doing a TikTok dance. But you know what, they

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Speaker 1: must have put that ship on a white board. Imagine

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Speaker 1: that was on the whiteboard. That's the white board. Did

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Speaker 1: you want to be that's their fucking whiteboard. I want

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Speaker 1: to be on a yacht having somebody paid for it,

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Speaker 1: making that Instagram money. That's what's up. That's what's right. Okay,

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Speaker 1: there it is. Go for yours, listen. That's what I

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Speaker 1: say to everybody and anybody out there who has dreams

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Speaker 1: and they want fame. As long as you don't disrespect

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Speaker 1: nobody or hurt nobody, go for yours. Man. Yeah, but

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Speaker 1: if you can try and go for something that's contributes

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Speaker 1: to society in some meaningful way, sure you can find

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Speaker 1: yourself later on. You got to everybody has something to say.

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Speaker 1: I miss you so much at her, I miss you

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Speaker 1: so much more, dude. So should we get into the show?

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Speaker 1: Tom cavanas here, I'm so excited to count us in

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Speaker 1: six seven eight stories about show we made about a

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Speaker 1: bunch of docs and nurses, and he's the stories. So

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Speaker 1: get around you, here, a yado around you here. What

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Speaker 1: a show? What a show we have today, Donald, it's

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Speaker 1: a really good episode. And the hilarious Tom Cavanaugh is here.

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Speaker 1: We have so much to say. Let's just get in, Dan,

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Speaker 1: allow him into the room. Here he comes. I haven't

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Speaker 1: seen him in years. I haven't seen him in years.

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Speaker 1: Tom call thunders. Applause, Dan thunder thunders, applause. Look at

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Speaker 1: how handsome he is. It's like, look at here, Row

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Speaker 1: and look at him, like look in the mirror. It's

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Speaker 1: that's that's pandemic. You've got the pandemic face going on.

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Speaker 1: How you did get more handsome with age? Tom Cavanaugh?

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Speaker 1: And I can say that because people think we look alike.

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Speaker 1: This is true. I can say, likewise, my friend, look

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Speaker 1: at you guys, my goodness, grass, I'm so good, so

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Speaker 1: good to see your face as holy hand. Are you

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Speaker 1: living in Canada or do you live in the US?

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Speaker 1: Still well, I live in New York, but I film

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Speaker 1: a show in Canada, and when the pandemic hit, I

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Speaker 1: stuck it up north. Hi, Joel, I'm Tom by the way, Yeah,

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Speaker 1: I'm nice to meet you in person. I listen. I

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Speaker 1: listened to you guys. So I've sort of been familiar

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Speaker 1: with the know how to watch your show? Right? You

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Speaker 1: know I watch your show. I don't know that, but

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Speaker 1: I know you have like twenty seven children, so I

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Speaker 1: figured maybe in there in that demo somewhere but to

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Speaker 1: but now's not watching it for his kids. He's watching

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Speaker 1: it for so for me. I love the Flash, Dude,

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Speaker 1: are you kidding me? Gotta dynamite cast great old story?

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Speaker 1: Donald is your target demo? Tommy, he watches all of

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Speaker 1: this stuff. Is a bunch of teams. How does how do? Listen? Man?

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Speaker 1: Are you fine? Is this the only wisten? Now? Listen? Man?

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Speaker 1: Is this the only wells? Now? Are you the only well?

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Speaker 1: Is this? Is this the final wells? Because the multi Verse,

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Speaker 1: the crisis happened, and everything happened, and you know, there's

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Speaker 1: only what like four earths five earths now in the

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00:17:23,760 --> 00:17:28,480
Speaker 1: whole arrow verse, and now Supergirl lives on Earth one

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Speaker 1: with you guys, and I don't know. My point is,

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Speaker 1: My point is, let the man fucking speak to no, no, no,

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Speaker 1: keep going? Are you really excited? I really do love

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Speaker 1: the show. I really do love the show. Now you

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Speaker 1: and Cisco Ramone together. I love Wells and Cisco Ramone.

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Speaker 1: I love the whole thing. So look, my question is,

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Speaker 1: are you the only Wells left? Now that you've gone

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Speaker 1: off and you've become pariah and everything like that, Is

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Speaker 1: this the only Wells there is? Here's what's ridiculous about

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Speaker 1: doing the show, a superhero comic show. I run into

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Speaker 1: people like like you, and I just I'm so inferior

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Speaker 1: with my knowledge. I'm like, you know more, you know

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Speaker 1: more than me. And I'm not exaggerating. I'm not trying

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Speaker 1: to play Donald. I'm like, I understand by listening to

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Speaker 1: you that you have a better grasp of the whole

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Speaker 1: thing than I do. I feel like, as you guys know,

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Speaker 1: when you do a long running television show, if there

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Speaker 1: needs to be another Wells, there can be another Wells.

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Speaker 1: That's what's upped. I thought that, Yeah, absolutely, here's the thing.

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Speaker 1: Can you not DoD First of all, catch your breath,

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Speaker 1: Come now, Okay, you're embarrassing us in front of our guests. Listen,

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Speaker 1: this is this is exactly what I did to George

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Speaker 1: lucas Man, exactly what I can get too. By the way,

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Speaker 1: when this show's over, He's gonna take a nap because

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Speaker 1: he's gonna get woozy. He gets very amped up and

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00:18:48,560 --> 00:18:51,359
Speaker 1: then he gets woozy. This is This is all the

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Speaker 1: fans out there who were wondering how I keeek out

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Speaker 1: when I when I meet or talk to people that

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Speaker 1: do something that I'm like holy shit about. This is

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Speaker 1: it right here? I can't breathe right now. I sweating.

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Speaker 1: I know I have a sweatshirt on, but I'm sweating

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Speaker 1: under here, all right, But calm down now. For those

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Speaker 1: of you who don't know, Tom is on the Flash.

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Speaker 1: And as I understand it, with the CW superhero shows,

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Speaker 1: you bounce around to the other shows in the same universe, right,

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Speaker 1: and that's all. They're all under the Greg Berlany umbrella.

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Speaker 1: I'm gues the golden boy of Hollywood that used to

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Speaker 1: be Bell Lawrence is now Greg Berlanty and Ry has

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Speaker 1: he has four hundred shows on the air. Yeah. By

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Speaker 1: the way, my very first job, Tom Cavin well first

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Speaker 1: lead in the movie was Broken Hearts Club, Greg Berlany's

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Speaker 1: first movie. That's tremendous and um and now and and

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Speaker 1: and he we went to Northwestern together and he now

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Speaker 1: He's like, has the most shows on television of anybody.

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Speaker 1: You and I when we were talking about doing your podcast. Uh,

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Speaker 1: the text that came up right next to that text

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Speaker 1: the last time we talked. I can, I can I

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Speaker 1: read a text that you as long as it's not

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Speaker 1: like you up, it's quite It's like four in the

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Speaker 1: morning and I'm hammered you up. No, it's solid comedy.

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Speaker 1: It's uh, you say, um tell Berlanti, I want to

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Speaker 1: do a cameos reverse Flash's brother. I say done. You say,

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Speaker 1: totally unbuild though a surprise, but I'll need special powers.

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Speaker 1: I say, make a list, power list, nothing with heavy hammers.

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Speaker 1: That shit is boring. You say, laser eyes please. I

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Speaker 1: would say those are free. That sounds great. I feel

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Speaker 1: like it's a miss. Why did that never fucking happen? Now?

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Speaker 1: I feel like, now that I've done this and I

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00:20:33,440 --> 00:20:35,320
Speaker 1: know that don't wants to be on board, I feel

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Speaker 1: like now it's now. Now you're forcing his hand because

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Speaker 1: you're putting it out to the public, and I's gonna

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Speaker 1: have to hire you. I was we were talking about

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Speaker 1: white boards and putting manifesting your destiny onto white boards.

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Speaker 1: This is on my white board. I'm putting it out

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Speaker 1: there right now. I'm want to call BERLANDI and I

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00:20:51,000 --> 00:20:52,920
Speaker 1: had to call him about something else. Um, but I'm

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00:20:52,920 --> 00:20:55,600
Speaker 1: gonna call BERLANDI and say, listen. Tom said I could

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Speaker 1: be on the show. Yeah, because I have that kind

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Speaker 1: of ball. Yes, I spoke to talk can He said,

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00:21:02,720 --> 00:21:06,400
Speaker 1: hang on a second, Tom, Yeah, he's got it. He's

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Speaker 1: got so many he's got so many shows. He's like

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Speaker 1: Tom Tom Tom Tom. He's like, no, I know who

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Speaker 1: he is. I know who he is. And then he called,

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Speaker 1: he calls to his secretary. Do we still do flash? Yeah?

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Speaker 1: But by the way, how funny would that be if

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Speaker 1: Donald and I came on? I mean I don't, to

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Speaker 1: be honest, I don't. I don't get breathless about the

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00:21:27,960 --> 00:21:30,960
Speaker 1: superhero stuff like Donald, but he really loves it. So sorry,

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Speaker 1: I digress the point. You should do it. I know

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Speaker 1: the other thing you should do, Donald, You should figure

418
00:21:35,359 --> 00:21:37,440
Speaker 1: out knowing it as you do. You should figure out

419
00:21:37,480 --> 00:21:39,880
Speaker 1: what the what the role is that you want? Because

420
00:21:40,040 --> 00:21:41,760
Speaker 1: I know what role I want. There's what do you want?

421
00:21:42,040 --> 00:21:46,000
Speaker 1: I want to listen, I'm gonna put it out there.

422
00:21:46,960 --> 00:21:48,960
Speaker 1: You want to hope you guys kind of opened it

423
00:21:49,119 --> 00:21:52,800
Speaker 1: up when Arrow ended, and I know, I'm not sure

424
00:21:53,040 --> 00:21:55,400
Speaker 1: if you guys are allowed to touch it. You kind

425
00:21:55,440 --> 00:21:58,080
Speaker 1: of touch on it in Star Girl. But I think

426
00:21:58,440 --> 00:22:01,200
Speaker 1: Green Lantern needs to be in this you know what

427
00:22:01,280 --> 00:22:05,240
Speaker 1: I mean? Jee Is Joel is a big fan of

428
00:22:05,359 --> 00:22:08,239
Speaker 1: this world too, and there's so many, uh, there are

429
00:22:08,359 --> 00:22:10,879
Speaker 1: so many that are in the Lantern Court and now

430
00:22:11,000 --> 00:22:13,640
Speaker 1: I know that, you know. And also size doesn't matter

431
00:22:13,720 --> 00:22:16,320
Speaker 1: when you're a Lantern. You could be tiny, you could

432
00:22:16,359 --> 00:22:20,240
Speaker 1: be why think you could be You're right? Come on, man? Anyway,

433
00:22:20,320 --> 00:22:23,040
Speaker 1: My point is, I think that's one character that would

434
00:22:23,040 --> 00:22:26,080
Speaker 1: be a lot of fun, uh to play. They you know,

435
00:22:26,320 --> 00:22:29,320
Speaker 1: they entered There's so many people in the DC universe.

436
00:22:29,640 --> 00:22:32,359
Speaker 1: But if I had a choice and they were willing

437
00:22:32,440 --> 00:22:35,960
Speaker 1: to do it, I would love to be Green Lantern,

438
00:22:36,240 --> 00:22:40,480
Speaker 1: all right, And I think that's really special endeared to Greg.

439
00:22:40,640 --> 00:22:43,040
Speaker 1: So I think that's great you're making this happen new

440
00:22:43,160 --> 00:22:46,680
Speaker 1: slash right, and the Green can the Green Lantern forty six.

441
00:22:48,040 --> 00:22:51,320
Speaker 1: He can be anything, he could be any Look, I'm

442
00:22:51,320 --> 00:22:53,680
Speaker 1: playing the reverse Flash. I'm a yellow. I'm wearing a

443
00:22:53,760 --> 00:22:58,639
Speaker 1: yellow super suit and sorry Tom for those of us

444
00:22:58,720 --> 00:23:00,639
Speaker 1: who don't know. And I'm sure some of our listeners

445
00:23:00,680 --> 00:23:03,959
Speaker 1: don't know. Can you just explain in in non superhero

446
00:23:04,680 --> 00:23:09,760
Speaker 1: terms what reverse Flash means? Is there a young guy flash? Yes,

447
00:23:09,920 --> 00:23:12,119
Speaker 1: there's a good looking It's kind of like when we

448
00:23:12,240 --> 00:23:15,000
Speaker 1: did Scrubs, Like a good looking, handsome guy is the lead,

449
00:23:15,040 --> 00:23:18,240
Speaker 1: and then they cast this guy as his brother guy.

450
00:23:18,720 --> 00:23:20,760
Speaker 1: Is he Bell Lawrence? A lost a bet somewhere, so

451
00:23:20,960 --> 00:23:23,680
Speaker 1: basically a young Tom. When you insult your looks, you

452
00:23:23,840 --> 00:23:27,359
Speaker 1: insult my looks because I aize. So you're a handsome

453
00:23:27,520 --> 00:23:30,000
Speaker 1: you look like real pit to me when you when

454
00:23:30,040 --> 00:23:31,920
Speaker 1: you when you came on, I thought we got I

455
00:23:32,000 --> 00:23:34,560
Speaker 1: thought we got Tom Kavanaugh. Why is Brad Pitt on

456
00:23:34,680 --> 00:23:39,480
Speaker 1: the podcast? That's what that's what you thought? Okay? Sorry?

457
00:23:39,520 --> 00:23:41,159
Speaker 1: What is the reverse Flash? For those of us? So,

458
00:23:41,720 --> 00:23:44,120
Speaker 1: he's the he's the Joker to the Batman, the Lex

459
00:23:44,240 --> 00:23:47,480
Speaker 1: Luthor to the He's he's the bad guys that we

460
00:23:47,560 --> 00:23:50,280
Speaker 1: have a young fellow. Grant Gustin plays the Flash and

461
00:23:50,520 --> 00:23:52,680
Speaker 1: the arch Enemy is the reverse Flash. He wears a

462
00:23:52,760 --> 00:23:54,760
Speaker 1: red suit, and I play the arch Enemy, the reverse

463
00:23:54,840 --> 00:23:56,720
Speaker 1: Flash of Barton. I wear a yellow suit. And that's

464
00:23:56,800 --> 00:23:59,960
Speaker 1: kind of it. Are you doing lots of stunts and fighting? Yeah, yeah,

465
00:24:00,160 --> 00:24:02,520
Speaker 1: can you imagine it's crazy. You know that bucket list

466
00:24:02,600 --> 00:24:05,480
Speaker 1: that you have an as an actor and you want

467
00:24:05,480 --> 00:24:07,560
Speaker 1: to do this theater, you want to do this show,

468
00:24:07,640 --> 00:24:10,840
Speaker 1: You want to do something like you want the white board. Yeah,

469
00:24:10,880 --> 00:24:12,840
Speaker 1: the white parson I started, We started the show time

470
00:24:12,840 --> 00:24:15,280
Speaker 1: before we came on, talking about just manifesting things by

471
00:24:15,359 --> 00:24:17,040
Speaker 1: putting on a white board and staring at it. And

472
00:24:17,280 --> 00:24:19,520
Speaker 1: it was weird to be in your green room and

473
00:24:19,720 --> 00:24:21,800
Speaker 1: not have the speakers going. I'm like, I wonder what

474
00:24:21,880 --> 00:24:24,439
Speaker 1: they're talking about. We were talking about you, we were

475
00:24:24,480 --> 00:24:27,640
Speaker 1: talking about manifesting, and then you well, that's exactly. That's

476
00:24:27,640 --> 00:24:29,399
Speaker 1: a great that's such a great call. This is one

477
00:24:29,440 --> 00:24:31,800
Speaker 1: of those things I never would have expected to do

478
00:24:31,880 --> 00:24:34,040
Speaker 1: a superhero show, and it's a you know, in terms

479
00:24:34,080 --> 00:24:36,960
Speaker 1: of a bucket list, it's it's so fun. Yeah, you

480
00:24:37,040 --> 00:24:38,480
Speaker 1: guys look like you have a lot of fun on it,

481
00:24:38,800 --> 00:24:40,520
Speaker 1: and it has no end in sight. On your show,

482
00:24:40,560 --> 00:24:42,119
Speaker 1: it has no end in sight. I mean, I just

483
00:24:42,320 --> 00:24:45,760
Speaker 1: feel like they Greg Berlin keeps adding more and more

484
00:24:45,920 --> 00:24:48,639
Speaker 1: to this, to this world, right, I don't know if

485
00:24:48,640 --> 00:24:50,679
Speaker 1: they're all they all must be successful because they all

486
00:24:50,760 --> 00:24:54,080
Speaker 1: keep going. I honestly, I honestly don't know. I never

487
00:24:54,160 --> 00:24:56,560
Speaker 1: would have thought. I think when they started a number

488
00:24:56,600 --> 00:25:00,560
Speaker 1: of years ago, they had and they've done super you

489
00:25:00,600 --> 00:25:04,320
Speaker 1: know what was the Superman show? Small and right, um,

490
00:25:04,400 --> 00:25:06,720
Speaker 1: and then they did Arrow and Arrow I think did well.

491
00:25:06,840 --> 00:25:10,280
Speaker 1: And then but when we started Flash, you guys, you

492
00:25:10,359 --> 00:25:12,879
Speaker 1: guys all know how it is. We started Flashing, I

493
00:25:12,920 --> 00:25:15,000
Speaker 1: said to my wife, well, this will be canceled in

494
00:25:15,080 --> 00:25:17,720
Speaker 1: seven so I'll go up to Vancouver from New York

495
00:25:17,760 --> 00:25:19,960
Speaker 1: and we'll shoot and then it'll get canceled. Because even

496
00:25:20,040 --> 00:25:22,560
Speaker 1: at that time, I had done two shows for Greg

497
00:25:22,720 --> 00:25:26,200
Speaker 1: and both of them had you know, been canceled relatively quickly,

498
00:25:26,200 --> 00:25:27,960
Speaker 1: because that's just how it goes. And so I didn't

499
00:25:28,119 --> 00:25:31,520
Speaker 1: foresee it, you know, I just I never expected to go,

500
00:25:31,680 --> 00:25:33,800
Speaker 1: and this thing seemed to go. And even when you

501
00:25:33,840 --> 00:25:37,080
Speaker 1: say there's no end in sight, I still expect that

502
00:25:37,200 --> 00:25:39,880
Speaker 1: you'll just get the call like, hey, so we're done.

503
00:25:40,119 --> 00:25:42,520
Speaker 1: You just never know. For those of you not in

504
00:25:42,600 --> 00:25:45,119
Speaker 1: the entertainment ustry, we just we just never know. You know.

505
00:25:45,200 --> 00:25:47,280
Speaker 1: You get you get a show like Scrubs and you're like, oh, yeah,

506
00:25:47,400 --> 00:25:49,840
Speaker 1: this could go six episodes and then it goes nine

507
00:25:49,920 --> 00:25:53,000
Speaker 1: years or you know, or or you know, Donald did

508
00:25:53,080 --> 00:25:55,159
Speaker 1: this show, um and it won a season, and I

509
00:25:55,240 --> 00:25:57,120
Speaker 1: did a show when a season you just have, it's

510
00:25:57,280 --> 00:25:59,360
Speaker 1: every single time, it's a roll the dice, no matter

511
00:26:00,240 --> 00:26:02,920
Speaker 1: no matter how many good ingredients there are, you just

512
00:26:03,040 --> 00:26:05,959
Speaker 1: never know. Yeah, and most of the time the numbers

513
00:26:05,960 --> 00:26:08,920
Speaker 1: are it's gonna get canceled. It's not going to go right,

514
00:26:09,119 --> 00:26:12,359
Speaker 1: especially now more than ever, because you know, it's there's

515
00:26:12,400 --> 00:26:15,760
Speaker 1: so much content. How the hell does something fine? Eyeballs?

516
00:26:16,160 --> 00:26:18,440
Speaker 1: You know, and you're on you're on the classic old

517
00:26:18,560 --> 00:26:23,800
Speaker 1: school true network. You know, you guys do twenty four

518
00:26:23,960 --> 00:26:26,960
Speaker 1: episodes a season. Do you know what it's like to

519
00:26:27,200 --> 00:26:30,600
Speaker 1: be able to do something? Most I remember? I remember

520
00:26:30,680 --> 00:26:34,400
Speaker 1: I did a show called The Xes right after Scrubs,

521
00:26:34,640 --> 00:26:38,040
Speaker 1: right of course. Yeah, we did ten episodes a season.

522
00:26:38,160 --> 00:26:41,400
Speaker 1: That was it for an actor. It's like, wait, well,

523
00:26:42,080 --> 00:26:44,840
Speaker 1: hold on, let's I want to be I want to

524
00:26:44,880 --> 00:26:47,600
Speaker 1: work all year round if I possibly can. It was

525
00:26:47,720 --> 00:26:51,240
Speaker 1: really weird to work ten episodes and then have all

526
00:26:51,320 --> 00:26:53,280
Speaker 1: of this time off until you came back and did

527
00:26:53,320 --> 00:26:55,960
Speaker 1: another ten. Or you would do what we would do

528
00:26:56,080 --> 00:26:58,480
Speaker 1: thirty and they would just chop it up into episodes.

529
00:26:58,560 --> 00:27:01,840
Speaker 1: It was like you never really find you never really

530
00:27:01,920 --> 00:27:04,760
Speaker 1: find a pace or a footing. It's like, well, how well,

531
00:27:04,880 --> 00:27:06,159
Speaker 1: how long have we going? We're only got to do

532
00:27:06,240 --> 00:27:08,600
Speaker 1: ten twenty two. You guys seem to you know, you

533
00:27:08,680 --> 00:27:14,960
Speaker 1: live in Canada right now? Yes? Yeah? Yeah? Is Vancouver, Vancouver,

534
00:27:15,080 --> 00:27:17,520
Speaker 1: Canada coniferous jewel of the city. Have you guys been?

535
00:27:17,880 --> 00:27:19,840
Speaker 1: I have? I love that town. I think it's a

536
00:27:19,920 --> 00:27:22,720
Speaker 1: beautiful city. I love it there. I was there when

537
00:27:22,720 --> 00:27:26,000
Speaker 1: the sun was out and it was magnificence. Yes, And

538
00:27:26,119 --> 00:27:28,000
Speaker 1: then I was told that it's not always like that,

539
00:27:28,119 --> 00:27:30,000
Speaker 1: and I don't know if I would if I would

540
00:27:30,040 --> 00:27:32,399
Speaker 1: like that rainy it's a yeah, it's a it's a

541
00:27:32,520 --> 00:27:34,520
Speaker 1: question of taste, Like when the sun shines. There's no

542
00:27:34,600 --> 00:27:36,520
Speaker 1: finer place. I don't mind the rain. But I think

543
00:27:36,520 --> 00:27:40,320
Speaker 1: if you were somebody that didn't like rain and preferred

544
00:27:40,359 --> 00:27:42,840
Speaker 1: like seasons and snow, then this city would not be

545
00:27:42,960 --> 00:27:44,639
Speaker 1: for you. But it really is. It really is a

546
00:27:44,760 --> 00:27:46,920
Speaker 1: coniferous jewel of the city. And are you mostly on

547
00:27:47,400 --> 00:27:49,399
Speaker 1: stages and such or do you go out and shoot

548
00:27:49,400 --> 00:27:52,720
Speaker 1: on locations and stuff. It's it's almost fall as a

549
00:27:53,040 --> 00:27:55,800
Speaker 1: pretty regular schedule where we do a lot of stage

550
00:27:55,800 --> 00:27:57,200
Speaker 1: work early in the week, and then we do all

551
00:27:57,240 --> 00:28:00,320
Speaker 1: this the stunt stuff. You know, it's always you know,

552
00:28:00,400 --> 00:28:02,520
Speaker 1: so Thursday, Friday nights, we're gonna be we're gonna start

553
00:28:02,680 --> 00:28:04,639
Speaker 1: you know, five pm, or we're gonna go all night

554
00:28:04,720 --> 00:28:06,159
Speaker 1: and we're gonna like, you know, have the guy run

555
00:28:06,240 --> 00:28:07,639
Speaker 1: up a building and fight a monster and then like

556
00:28:07,680 --> 00:28:09,840
Speaker 1: we're gonna come back and win. You know. So you

557
00:28:09,960 --> 00:28:11,680
Speaker 1: kind of you kind of you kind of have to

558
00:28:11,760 --> 00:28:14,040
Speaker 1: stay in shape for this thing, like you're you're asked

559
00:28:14,119 --> 00:28:16,720
Speaker 1: to do way more than you expected to do when

560
00:28:16,720 --> 00:28:19,040
Speaker 1: you started. Huh y. It's a blessing and a curse,

561
00:28:19,520 --> 00:28:21,280
Speaker 1: you know, because the other thing is too is as

562
00:28:21,320 --> 00:28:24,040
Speaker 1: you guys know too Like I mean, I'm older than

563
00:28:24,320 --> 00:28:27,080
Speaker 1: you guys, but there's a there's a thing where you

564
00:28:27,240 --> 00:28:30,760
Speaker 1: when you were a young actor, you could be vain,

565
00:28:30,840 --> 00:28:33,480
Speaker 1: but you wouldn't really matter because you're probably gonna look fine,

566
00:28:34,000 --> 00:28:36,160
Speaker 1: you know. And then you get a little bit older,

567
00:28:36,160 --> 00:28:38,479
Speaker 1: and then your coast the people you're acting with, your

568
00:28:38,520 --> 00:28:42,200
Speaker 1: co actors are twenty eight, twenty nine, you know, and

569
00:28:42,640 --> 00:28:46,200
Speaker 1: they're fantastic, and then there's you, you know, and he's

570
00:28:46,320 --> 00:28:48,040
Speaker 1: he looks great in the suit, and then you can't

571
00:28:48,120 --> 00:28:50,840
Speaker 1: really be on the donut diet while you're on the suit,

572
00:28:50,920 --> 00:28:54,600
Speaker 1: so you kind of have to keep keeping in shape,

573
00:28:54,720 --> 00:28:56,360
Speaker 1: you know. And so it's so you hang out with

574
00:28:56,440 --> 00:28:58,760
Speaker 1: Jesse al Martin a lot. Jesse is a legend, as

575
00:28:58,800 --> 00:29:02,000
Speaker 1: you guys know, coming from either He's just he's amazing.

576
00:29:02,200 --> 00:29:05,920
Speaker 1: He's got this thing sucks because he's the captain. You know,

577
00:29:06,120 --> 00:29:08,360
Speaker 1: he can he working with a hat and an overcoat.

578
00:29:08,480 --> 00:29:10,800
Speaker 1: He doesn't have to worry too much of it. He's

579
00:29:10,840 --> 00:29:13,680
Speaker 1: just like he's kind of like he runs. He basically

580
00:29:13,800 --> 00:29:15,920
Speaker 1: is the beating heart, you know, runs the show, the

581
00:29:16,520 --> 00:29:19,880
Speaker 1: center of you know, reason, and uh, you know he's

582
00:29:20,320 --> 00:29:23,920
Speaker 1: he's got a great job and appreciate it. So tom

583
00:29:24,120 --> 00:29:26,040
Speaker 1: Um when ed when the show ed, I want to

584
00:29:26,080 --> 00:29:28,000
Speaker 1: talk to about that. When it came out, I was

585
00:29:28,320 --> 00:29:32,520
Speaker 1: an unemployed actor and my mom called me a very

586
00:29:32,800 --> 00:29:35,560
Speaker 1: very concerned that I that I that I had gotten

587
00:29:35,680 --> 00:29:37,760
Speaker 1: a lead in the TV show and not told her

588
00:29:38,360 --> 00:29:42,280
Speaker 1: because she didn't understand why why I was on billboards

589
00:29:42,320 --> 00:29:47,880
Speaker 1: all over the country. And it is I mean no,

590
00:29:48,120 --> 00:29:50,520
Speaker 1: it is, I mean she she she obviously sucked that

591
00:29:50,600 --> 00:29:52,920
Speaker 1: it was not me, but she was like, there is

592
00:29:52,960 --> 00:29:56,760
Speaker 1: a young man. He was on every billboard in town

593
00:29:57,560 --> 00:30:01,000
Speaker 1: and he looks a lot like you, and I remember thinking, oh, yeah,

594
00:30:01,640 --> 00:30:04,480
Speaker 1: my mom, that's that's not me. Uh yeah, I'm still

595
00:30:04,600 --> 00:30:09,200
Speaker 1: still trying to get some auditions going and uh and

596
00:30:09,760 --> 00:30:12,480
Speaker 1: it was really humbling because I was like that fucking

597
00:30:12,560 --> 00:30:15,040
Speaker 1: guy who looks exactly like me as a as a

598
00:30:15,520 --> 00:30:18,920
Speaker 1: hit show leading role on NBC. Now, no one's ever

599
00:30:19,000 --> 00:30:21,120
Speaker 1: gonna hire me. By the way, Dak Shephard, who also

600
00:30:21,200 --> 00:30:23,640
Speaker 1: looks like us so, told me this. He was like

601
00:30:23,680 --> 00:30:25,960
Speaker 1: when I was, when I was, you know, became famous

602
00:30:26,040 --> 00:30:28,680
Speaker 1: and was all over the place. He was like, well,

603
00:30:28,760 --> 00:30:30,760
Speaker 1: how is this gonna fuck my career? Because I look

604
00:30:30,840 --> 00:30:36,160
Speaker 1: like that guy and that guy's already working. And so anyway,

605
00:30:36,160 --> 00:30:37,880
Speaker 1: I wanted to talk to you about ED and tell

606
00:30:37,960 --> 00:30:39,960
Speaker 1: us I imagine that was your big break, right, I

607
00:30:40,000 --> 00:30:41,440
Speaker 1: mean I know you worked a bunch, but that was

608
00:30:41,480 --> 00:30:44,720
Speaker 1: your first your own show, right for sure? I mean,

609
00:30:44,840 --> 00:30:48,920
Speaker 1: first off, Dak's and you have done quite well for

610
00:30:49,000 --> 00:30:51,800
Speaker 1: Yourse House. Yeah, I worked out So's right, Romano, guys,

611
00:30:51,920 --> 00:30:55,200
Speaker 1: So's Ray Romano. Yes, it worked out. It didn't work out,

612
00:30:55,560 --> 00:30:58,720
Speaker 1: but yeah, I had done. I'm Canadian and um I

613
00:30:58,880 --> 00:31:03,479
Speaker 1: had I moved to New York City and I think

614
00:31:03,560 --> 00:31:06,560
Speaker 1: eighty nine to do Broadway, I did like a decade

615
00:31:06,560 --> 00:31:10,480
Speaker 1: of theater um and UM. I absolutely loved it, absolutely,

616
00:31:10,480 --> 00:31:12,880
Speaker 1: one hundred percent loved it. And then I had done

617
00:31:13,240 --> 00:31:17,120
Speaker 1: a small guest spots for literally for ten years on ABCNBC.

618
00:31:17,240 --> 00:31:18,800
Speaker 1: Back then there was like just the four Right, and

619
00:31:19,680 --> 00:31:24,040
Speaker 1: I'd done a show called Providence and then. But I

620
00:31:24,160 --> 00:31:27,959
Speaker 1: had no idea of the profile that you guys enjoyed

621
00:31:28,160 --> 00:31:31,360
Speaker 1: on Scrubs because the shows a lot of the shows

622
00:31:31,400 --> 00:31:33,400
Speaker 1: that I'd done when they were television shows or series.

623
00:31:33,400 --> 00:31:35,719
Speaker 1: I've done a couple of series in Canada. They were

624
00:31:35,840 --> 00:31:39,360
Speaker 1: Canadian shows, um. And there's no cross border pollination between

625
00:31:39,360 --> 00:31:42,600
Speaker 1: the two countries. Um. In other words, you'll shoot a

626
00:31:42,640 --> 00:31:45,719
Speaker 1: show in Canada and you'll do ten episodes, but everybody

627
00:31:45,800 --> 00:31:50,959
Speaker 1: in Canada is watching friends. You know who's watching these

628
00:31:51,080 --> 00:31:54,720
Speaker 1: Canadian shows. Well, it's it's different in Canada. There's a

629
00:31:54,840 --> 00:31:58,560
Speaker 1: federal mandate for these television shows, so they do them, um.

630
00:31:58,920 --> 00:32:04,120
Speaker 1: And some of them are quite quite good. And there's

631
00:32:04,160 --> 00:32:07,040
Speaker 1: not a there's not a mill the way there is

632
00:32:07,120 --> 00:32:11,280
Speaker 1: behind the entertainment industry and the states up in Canada,

633
00:32:11,400 --> 00:32:13,760
Speaker 1: it doesn't you know, part of the ethos of the

634
00:32:13,840 --> 00:32:15,800
Speaker 1: country is like, well, let's not get too big for

635
00:32:15,880 --> 00:32:18,920
Speaker 1: ourselves then, you know, and so and in the States

636
00:32:19,000 --> 00:32:21,480
Speaker 1: it's very much the opposite, like let's see how we

637
00:32:21,560 --> 00:32:23,280
Speaker 1: can build up and how big we can get. And

638
00:32:24,280 --> 00:32:29,000
Speaker 1: why that why that ethos is good is that you know,

639
00:32:29,240 --> 00:32:31,920
Speaker 1: you you, if you're working as an actor, you're working

640
00:32:32,400 --> 00:32:35,440
Speaker 1: largely because you love it. Because a lot of the attention,

641
00:32:36,080 --> 00:32:38,520
Speaker 1: at least back then. Now it's different because everything can

642
00:32:38,600 --> 00:32:41,480
Speaker 1: be found. But back then, you know, you were you

643
00:32:41,520 --> 00:32:43,400
Speaker 1: were doing the same stuff we would do on scrubs

644
00:32:43,520 --> 00:32:45,920
Speaker 1: that you'd come to set and there's all the you know,

645
00:32:45,960 --> 00:32:47,840
Speaker 1: the crew and there's the people and it's and it's

646
00:32:47,920 --> 00:32:49,720
Speaker 1: great and you love it. And then you leave set

647
00:32:50,000 --> 00:32:52,640
Speaker 1: and it's still the exact same experience. It's just that

648
00:32:53,680 --> 00:32:56,080
Speaker 1: you're not going to radio city music hall and doing

649
00:32:56,120 --> 00:32:59,320
Speaker 1: the upfronts, right right, I mean, and so, but it's

650
00:32:59,440 --> 00:33:02,320
Speaker 1: nice and it's range way because you understand that, oh,

651
00:33:02,400 --> 00:33:04,000
Speaker 1: this is this is what I love to do. And

652
00:33:04,080 --> 00:33:06,880
Speaker 1: by the time I got ed, like you know, fifteen

653
00:33:06,960 --> 00:33:10,600
Speaker 1: years later, it was I was aware enough that it

654
00:33:10,800 --> 00:33:14,360
Speaker 1: was still the same experience. And so even though suddenly,

655
00:33:14,480 --> 00:33:17,800
Speaker 1: like you say, there was like billboards plashed out all

656
00:33:17,840 --> 00:33:20,840
Speaker 1: over the place. I was readily aware that you know

657
00:33:21,120 --> 00:33:24,040
Speaker 1: that that was all that that can get ripped away

658
00:33:24,080 --> 00:33:26,680
Speaker 1: and it's semi superficial, and so I think that was

659
00:33:26,760 --> 00:33:28,760
Speaker 1: a nice little I don't know what it would be

660
00:33:28,840 --> 00:33:31,920
Speaker 1: like to have your face plastered all over the place

661
00:33:32,320 --> 00:33:34,760
Speaker 1: when you're in your mid twenties. I think it would

662
00:33:34,760 --> 00:33:36,360
Speaker 1: be a I think it would be a tough fight.

663
00:33:36,560 --> 00:33:39,239
Speaker 1: We didn't We didn't get a big billboard. By right,

664
00:33:39,520 --> 00:33:42,280
Speaker 1: why the NBC didn't go They certainly went all in.

665
00:33:42,520 --> 00:33:45,040
Speaker 1: Whoever made the billboard decision for ED went all in,

666
00:33:45,280 --> 00:33:48,080
Speaker 1: And by the time Scrubs came on, they were like, dude,

667
00:33:48,080 --> 00:33:50,280
Speaker 1: remember a few years ago we shot our billboard budget

668
00:33:50,320 --> 00:33:54,360
Speaker 1: on ED. We have no billboard. Yeah, I'm so sorry

669
00:33:54,360 --> 00:33:57,600
Speaker 1: about that, because that's why that's why you guys didn't

670
00:33:57,680 --> 00:33:59,960
Speaker 1: get that big bill But what was funny is I

671
00:34:00,000 --> 00:34:03,360
Speaker 1: I remember when the when Scrubs started, how just how

672
00:34:03,440 --> 00:34:05,880
Speaker 1: much of a splash it made. I'm sure you can remember,

673
00:34:06,280 --> 00:34:08,759
Speaker 1: and it's not lost on you, how like big a

674
00:34:08,880 --> 00:34:12,880
Speaker 1: deal that that was, Like that show was so important

675
00:34:12,920 --> 00:34:15,160
Speaker 1: it seemed at the time it was bizarre for us

676
00:34:15,280 --> 00:34:18,400
Speaker 1: because also, you know, we compare it to Now, you know,

677
00:34:19,440 --> 00:34:22,000
Speaker 1: the amount of people watching a single TV show just

678
00:34:22,120 --> 00:34:26,600
Speaker 1: doesn't happen anymore, especially live, um we really even at all,

679
00:34:26,680 --> 00:34:29,279
Speaker 1: but let alone live when it's airing. So it was

680
00:34:29,320 --> 00:34:32,840
Speaker 1: a completely different eras that would watch at our worst

681
00:34:33,040 --> 00:34:36,160
Speaker 1: at our worst TV shows. Now if they got our

682
00:34:36,239 --> 00:34:40,360
Speaker 1: worst numbers, right, yes, they would be considered hit shows. Yeah,

683
00:34:40,400 --> 00:34:44,480
Speaker 1: I mean yeah, Now a Tom Um was was ed

684
00:34:44,560 --> 00:34:46,840
Speaker 1: written for you? Or did you audition? No? No, no,

685
00:34:46,960 --> 00:34:49,839
Speaker 1: no they didn't No no, that was again that was NBC.

686
00:34:50,120 --> 00:34:52,680
Speaker 1: They didn't want me um at all. Like we had to.

687
00:34:52,880 --> 00:34:55,520
Speaker 1: They went through I think a year of casting known

688
00:34:55,640 --> 00:35:00,800
Speaker 1: people and um, you know, better humans, you know, and

689
00:35:00,960 --> 00:35:03,520
Speaker 1: then well, you know, just just some people that who

690
00:35:03,520 --> 00:35:06,200
Speaker 1: aren't in the entertainment industry know they'll often try and

691
00:35:06,280 --> 00:35:10,120
Speaker 1: get a known star and that's right, and if that

692
00:35:10,360 --> 00:35:12,839
Speaker 1: doesn't always work out for the reasons, and then they go, okay,

693
00:35:12,880 --> 00:35:15,040
Speaker 1: well let's start to read people that aren't famous yet,

694
00:35:15,120 --> 00:35:17,560
Speaker 1: and which is when this is how people like the

695
00:35:17,680 --> 00:35:21,279
Speaker 1: two of you. Well yeah, I mean exactly exactly. It's

696
00:35:21,320 --> 00:35:24,560
Speaker 1: exactly how both Tom and I got our parts exactly.

697
00:35:24,640 --> 00:35:26,640
Speaker 1: I was like the third I think the third round

698
00:35:26,800 --> 00:35:28,600
Speaker 1: or so of doing it the only reason I have

699
00:35:28,719 --> 00:35:33,560
Speaker 1: that job. I remember how generous you were at Bill's

700
00:35:33,719 --> 00:35:37,480
Speaker 1: fortieth and um we had the party and he was

701
00:35:38,200 --> 00:35:40,480
Speaker 1: you know, you were like, you were just so gracious

702
00:35:40,719 --> 00:35:44,880
Speaker 1: about because you're clearly incredibly talented, and yet you had

703
00:35:44,920 --> 00:35:47,839
Speaker 1: to wherewithal to say, I owe so much to this guy.

704
00:35:48,200 --> 00:35:51,719
Speaker 1: And I had the same story. There's a Robernette and

705
00:35:52,000 --> 00:35:55,040
Speaker 1: John Beckaman who ran the Late show with Ledhaman were

706
00:35:55,200 --> 00:35:57,000
Speaker 1: those are the guys that are the reason I got

707
00:35:57,040 --> 00:35:59,160
Speaker 1: the jobs. Those guys said this is the guy, and

708
00:36:00,239 --> 00:36:03,719
Speaker 1: you know, they managed to have enough stock that people

709
00:36:03,760 --> 00:36:07,000
Speaker 1: would listen to them. And without without somebody standing up

710
00:36:07,400 --> 00:36:09,880
Speaker 1: for you, sometimes you just it just doesn't, you know,

711
00:36:09,960 --> 00:36:12,240
Speaker 1: doesn't go your way. Those people are the only reason

712
00:36:12,480 --> 00:36:15,399
Speaker 1: I got that job. Do you know how many times

713
00:36:15,440 --> 00:36:21,360
Speaker 1: you auditioned? I know I auditioned once in Los Angeles,

714
00:36:21,680 --> 00:36:24,400
Speaker 1: and you know how it is when you're like, oh,

715
00:36:24,480 --> 00:36:26,200
Speaker 1: that that went well, you feel good about it. But

716
00:36:26,280 --> 00:36:28,480
Speaker 1: I was also like, okay, it was pilot season and

717
00:36:28,560 --> 00:36:30,200
Speaker 1: it was like one read during the day, but it

718
00:36:30,239 --> 00:36:34,400
Speaker 1: felt good. And then then they called me to have

719
00:36:34,560 --> 00:36:36,600
Speaker 1: the the sessions that they do. They have a studio

720
00:36:36,640 --> 00:36:39,120
Speaker 1: session and a network session and um, it was very

721
00:36:39,320 --> 00:36:43,440
Speaker 1: It was like and this is I hope this isn't boring.

722
00:36:43,600 --> 00:36:47,120
Speaker 1: I don't mean to talk about but they we went

723
00:36:47,360 --> 00:36:49,000
Speaker 1: and we had to do it. It was at CBS

724
00:36:49,040 --> 00:36:50,239
Speaker 1: at the time. By the way, I don't know if

725
00:36:50,239 --> 00:36:52,319
Speaker 1: you guys know that show that was CBS not NBC,

726
00:36:52,800 --> 00:36:58,239
Speaker 1: and CBS ultimately didn't think so they got picked up

727
00:36:58,280 --> 00:37:00,920
Speaker 1: at CBS and then CBS never aired the show, and

728
00:37:01,000 --> 00:37:03,319
Speaker 1: then a year later NBC picked it up, which is weird.

729
00:37:03,360 --> 00:37:06,319
Speaker 1: So we said that never happens. It never happened. Every

730
00:37:06,360 --> 00:37:08,279
Speaker 1: time you make a pilot, it's always such a bizarre thing,

731
00:37:08,560 --> 00:37:10,640
Speaker 1: both when I've been in them or when I've directed them.

732
00:37:10,960 --> 00:37:13,200
Speaker 1: You put so they put so much money in, they

733
00:37:13,280 --> 00:37:15,880
Speaker 1: put so much work in, and then a network chooses

734
00:37:15,880 --> 00:37:18,960
Speaker 1: what they choose, and then the discards are like they

735
00:37:19,040 --> 00:37:20,680
Speaker 1: have like the smell of shit on them. No one

736
00:37:20,719 --> 00:37:23,239
Speaker 1: will touch them, and it's like, it's like, what someone

737
00:37:23,320 --> 00:37:26,560
Speaker 1: just spent six million dollars making this pilot. You could

738
00:37:26,880 --> 00:37:29,720
Speaker 1: look at it and maybe recast, maybe you could recast

739
00:37:29,800 --> 00:37:32,759
Speaker 1: some things, you could you could reshoot half of it, whatever, Well,

740
00:37:32,760 --> 00:37:34,920
Speaker 1: why are you throwing it all away? It's so it's

741
00:37:34,960 --> 00:37:37,760
Speaker 1: always as a bizarre waste of money to me, because

742
00:37:37,800 --> 00:37:40,560
Speaker 1: there's there's diamonds in the rough that no one is

743
00:37:40,840 --> 00:37:43,840
Speaker 1: so this situation is very rare. That then another network,

744
00:37:44,080 --> 00:37:45,800
Speaker 1: wade man, we'll take it. I don't know that it

745
00:37:46,160 --> 00:37:49,680
Speaker 1: ever happened before with CBS. I think from what the

746
00:37:49,760 --> 00:37:54,200
Speaker 1: only reason that that happened was again because Robert net

747
00:37:55,239 --> 00:37:59,160
Speaker 1: And ran the Leediman Show. It was because Lediman had

748
00:37:59,280 --> 00:38:02,600
Speaker 1: such a big he was such a big paycheck, He's

749
00:38:02,600 --> 00:38:04,800
Speaker 1: such a big entity at the time. That was the

750
00:38:04,920 --> 00:38:08,000
Speaker 1: only reason I think that that that card. If a

751
00:38:08,080 --> 00:38:11,720
Speaker 1: producer didn't have that card to say, that would probably

752
00:38:11,800 --> 00:38:14,920
Speaker 1: have never never happened. But when I went into to read,

753
00:38:15,320 --> 00:38:18,439
Speaker 1: you know, estensibly the thing was a comedy with heart,

754
00:38:18,600 --> 00:38:21,080
Speaker 1: and so you know, you know, you know how these

755
00:38:21,120 --> 00:38:23,680
Speaker 1: it's so funny how these things change. So I went

756
00:38:23,719 --> 00:38:26,640
Speaker 1: into read. I was solid and funny in the room

757
00:38:26,680 --> 00:38:29,600
Speaker 1: and made them laugh. And then normally, okay, the job

758
00:38:29,719 --> 00:38:31,719
Speaker 1: is yours, this is at the network read. But then

759
00:38:32,080 --> 00:38:34,239
Speaker 1: somebody there's you know, twenty five people in the room,

760
00:38:34,280 --> 00:38:36,759
Speaker 1: and somebody starts going, but but what about this this

761
00:38:36,920 --> 00:38:39,200
Speaker 1: I don't like this about him? And then that sort

762
00:38:39,239 --> 00:38:41,960
Speaker 1: of you know something the next thing, you know, you

763
00:38:42,080 --> 00:38:44,000
Speaker 1: had it and then you don't have it. And I

764
00:38:44,040 --> 00:38:47,120
Speaker 1: remember Rob and John came out and Rob was he

765
00:38:47,200 --> 00:38:50,160
Speaker 1: had this real serious face and he's like, look, so

766
00:38:50,840 --> 00:38:52,480
Speaker 1: they don't know if you can. They don't know if

767
00:38:52,520 --> 00:38:56,960
Speaker 1: you can do straight drama. So even though it was

768
00:38:57,000 --> 00:38:59,600
Speaker 1: a comedic scene about a guy finding out that his

769
00:38:59,680 --> 00:39:02,640
Speaker 1: wife is sleeping with a mailman and uh, they're like,

770
00:39:02,800 --> 00:39:05,120
Speaker 1: you just need to do that scene again and throw

771
00:39:05,200 --> 00:39:07,040
Speaker 1: out all the comedy and play it like, you know,

772
00:39:07,160 --> 00:39:10,120
Speaker 1: play it like a Shakespeare tragedy. I was like, okay,

773
00:39:10,719 --> 00:39:12,600
Speaker 1: you know, oh my god. And I went in and

774
00:39:13,360 --> 00:39:16,920
Speaker 1: did that and you know, just completely straight as possible,

775
00:39:17,080 --> 00:39:19,359
Speaker 1: and they were like, okay, can you can do that too.

776
00:39:19,480 --> 00:39:22,040
Speaker 1: It's so amazing. Got the exact same speech I got

777
00:39:22,120 --> 00:39:24,920
Speaker 1: pretty much really fucked up. Yeah, pretty much when they

778
00:39:24,920 --> 00:39:27,160
Speaker 1: weren't saying fucked out. Donald legit fucked out. He didn't

779
00:39:27,160 --> 00:39:28,840
Speaker 1: say he sucked up. No, I didn't. Fun. When I

780
00:39:28,880 --> 00:39:31,239
Speaker 1: were auditioned for Scrubs, I got real big in the

781
00:39:31,280 --> 00:39:33,480
Speaker 1: audition because it was a comedic scene, and I got

782
00:39:33,640 --> 00:39:36,680
Speaker 1: real big and animated and Bill had to come out

783
00:39:36,760 --> 00:39:42,600
Speaker 1: and be like, dude, tone that shit, Dawn. Yeah, because

784
00:39:42,640 --> 00:39:46,040
Speaker 1: it's funny, as you know, like I think sometimes an executive,

785
00:39:46,160 --> 00:39:48,680
Speaker 1: here's another executive speaking, goes, I better weigh in as well,

786
00:39:49,160 --> 00:39:51,160
Speaker 1: you know, So suddenly they're like, he's big. Yeah, he's

787
00:39:51,160 --> 00:39:53,600
Speaker 1: too big, Yeah, he's too bid. Suddenly becomes and you're like,

788
00:39:53,760 --> 00:39:56,080
Speaker 1: oh no, if actors only if actors who have yet

789
00:39:56,120 --> 00:39:58,200
Speaker 1: to be in one of these rooms only knew how,

790
00:39:58,239 --> 00:40:01,040
Speaker 1: oh my gosh, the tight rope you're walking to try

791
00:40:01,080 --> 00:40:03,759
Speaker 1: and get a fucking role. Yeah, oh dude, and how

792
00:40:03,840 --> 00:40:06,320
Speaker 1: it just it just falls on one person being like,

793
00:40:07,280 --> 00:40:10,320
Speaker 1: I don't know what if, and then all of a

794
00:40:10,360 --> 00:40:12,040
Speaker 1: sudden you didn't have the part anymore, and you went

795
00:40:12,120 --> 00:40:14,319
Speaker 1: in the part for a second. Yeah right, I've been

796
00:40:14,360 --> 00:40:18,320
Speaker 1: in the room and watch somebody destroy it, like kill it,

797
00:40:18,680 --> 00:40:21,480
Speaker 1: come in and destroy it, and then someone else come

798
00:40:21,560 --> 00:40:24,360
Speaker 1: in and do a really good job but not destroy it.

799
00:40:25,120 --> 00:40:28,920
Speaker 1: And I saw, well the first person obviously, and one

800
00:40:29,000 --> 00:40:31,040
Speaker 1: person in the room was like, well, you know what,

801
00:40:32,400 --> 00:40:35,040
Speaker 1: I'm not sure that they actually look like the part.

802
00:40:35,400 --> 00:40:37,560
Speaker 1: You know what, You're right, they don't necessarily look like

803
00:40:37,680 --> 00:40:40,040
Speaker 1: the part. And all of this doubt happened, and the

804
00:40:40,160 --> 00:40:43,400
Speaker 1: person that crushed it did not get the role, and

805
00:40:43,440 --> 00:40:46,040
Speaker 1: the person that just did good got the role because

806
00:40:46,080 --> 00:40:50,680
Speaker 1: the listening to this, it's crazy, dud. I was once

807
00:40:50,719 --> 00:40:53,840
Speaker 1: working on something and this girl came in and she

808
00:40:54,000 --> 00:40:55,920
Speaker 1: was young, you know, she was like a young Jennifer

809
00:40:56,000 --> 00:40:58,720
Speaker 1: Garner type. She was really pretty. She was early twenties

810
00:40:58,760 --> 00:41:02,040
Speaker 1: and super expressive and funny, and I thought that she

811
00:41:02,160 --> 00:41:06,080
Speaker 1: should get the part. Another girl came in, very very funny. Well,

812
00:41:06,120 --> 00:41:08,360
Speaker 1: you could have done it too, but but I preferred

813
00:41:08,400 --> 00:41:09,960
Speaker 1: the first girl. I thought she was better. One of

814
00:41:10,000 --> 00:41:13,160
Speaker 1: the executives goes regarding the first girl, the young Jennifer

815
00:41:13,200 --> 00:41:18,920
Speaker 1: Garner type, but she goes, she's very expressive. Should we

816
00:41:19,080 --> 00:41:25,560
Speaker 1: worry about her wrinkling early? Oh wow, Now, mind you,

817
00:41:25,840 --> 00:41:29,040
Speaker 1: this is like a twenty early twenty something, your own girl,

818
00:41:30,560 --> 00:41:34,719
Speaker 1: and she's very pretty, and um the not only is

819
00:41:34,719 --> 00:41:36,399
Speaker 1: that the most ludicrous thing you can ever imagine another

820
00:41:36,520 --> 00:41:38,759
Speaker 1: human being saying, but in your mind, the show is

821
00:41:38,800 --> 00:41:42,800
Speaker 1: going to go so many years that that her her

822
00:41:42,840 --> 00:41:45,440
Speaker 1: wrinkles that come from her being expressive, we're gonna be

823
00:41:45,480 --> 00:41:47,239
Speaker 1: a problem. I mean, it was the most ludicrous thing

824
00:41:47,239 --> 00:41:50,480
Speaker 1: I've ever heard in my whole life. It's appalling. It's appalling,

825
00:41:51,400 --> 00:41:53,800
Speaker 1: the other part of it is actors can act, you know,

826
00:41:53,960 --> 00:41:55,839
Speaker 1: and so so I don't have any times. So you've

827
00:41:55,880 --> 00:41:58,600
Speaker 1: done a thing and then like, yeah, the feedback is, yeah,

828
00:41:58,680 --> 00:42:03,120
Speaker 1: we wanted a little bigger say that shit, you know,

829
00:42:03,320 --> 00:42:05,279
Speaker 1: say that ship. Why don't you let me do the

830
00:42:05,320 --> 00:42:07,200
Speaker 1: whole audit? Listen? Man, why did you let me do

831
00:42:07,280 --> 00:42:10,319
Speaker 1: the whole the audition that big? Then if that's the case,

832
00:42:10,400 --> 00:42:12,080
Speaker 1: somebody in the room could have said, hey, you know what,

833
00:42:13,280 --> 00:42:15,400
Speaker 1: I love your choice. You could be diplomatic about it.

834
00:42:15,480 --> 00:42:17,799
Speaker 1: I loved your choice, listen, can you tone it down

835
00:42:17,840 --> 00:42:20,200
Speaker 1: a little bit this time? Right? You know what I mean?

836
00:42:20,840 --> 00:42:23,719
Speaker 1: That never happens anymore, dude. I do remember though, back

837
00:42:23,760 --> 00:42:25,759
Speaker 1: in the day when I was going out for auditions

838
00:42:26,000 --> 00:42:28,320
Speaker 1: and it would be like somebody who was from the

839
00:42:28,480 --> 00:42:30,719
Speaker 1: urban or from the streets and stuff like that, and

840
00:42:30,840 --> 00:42:33,120
Speaker 1: you'd get the can you can you spice it up

841
00:42:33,160 --> 00:42:35,919
Speaker 1: a little dog? And you can't add a little something something?

842
00:42:36,000 --> 00:42:38,600
Speaker 1: Can you can you can you put a little sauce

843
00:42:38,680 --> 00:42:41,120
Speaker 1: on that? No? How would they say it? Like what's

844
00:42:41,160 --> 00:42:43,320
Speaker 1: the worst face? Some one would say that can you

845
00:42:43,360 --> 00:42:45,600
Speaker 1: spice it up a little bit? Spice it up? And

846
00:42:45,719 --> 00:42:50,680
Speaker 1: you'd be like what I had a producer say to

847
00:42:50,760 --> 00:42:53,920
Speaker 1: me once about a script. She goes, you know, she

848
00:42:54,080 --> 00:42:55,879
Speaker 1: was like old lady. She goes, you know, you could

849
00:42:55,960 --> 00:42:59,600
Speaker 1: go black with it, and I go, okay, yeah, that's

850
00:42:59,680 --> 00:43:02,400
Speaker 1: that's there's no reason. She goes, you know, they're doing

851
00:43:02,480 --> 00:43:08,279
Speaker 1: their thing. She did that jest. You guys can't see

852
00:43:08,280 --> 00:43:10,239
Speaker 1: the jets drumming. She sort of rocks back and forth.

853
00:43:10,360 --> 00:43:17,480
Speaker 1: She goes, you know, they're they're doing their thing. I

854
00:43:17,640 --> 00:43:19,680
Speaker 1: was one of the most awkward things I've ever witnessed.

855
00:43:20,080 --> 00:43:22,319
Speaker 1: I go, okay, so you want them to do their thing?

856
00:43:22,400 --> 00:43:29,239
Speaker 1: I got it? Oh my god, should we get it?

857
00:43:29,280 --> 00:43:31,520
Speaker 1: We have to take a break probably, yeah, break, and

858
00:43:31,560 --> 00:43:33,160
Speaker 1: then we're gonna get into the episode. All right, we'll

859
00:43:33,160 --> 00:43:48,160
Speaker 1: be right back with the Tom cavanaughhy So we always

860
00:43:48,200 --> 00:43:51,399
Speaker 1: talk about how everybody met Bill and how you came

861
00:43:51,480 --> 00:43:53,680
Speaker 1: to this show. You round up doing the show for

862
00:43:53,760 --> 00:43:56,879
Speaker 1: several seasons, lots of episodes. You might say you must

863
00:43:56,920 --> 00:44:00,800
Speaker 1: have been one of our most recurring guest stars. I

864
00:44:01,440 --> 00:44:03,480
Speaker 1: don't know that, but I can tell you I was

865
00:44:03,840 --> 00:44:08,040
Speaker 1: always hugely grateful to get the call. I sort of

866
00:44:08,120 --> 00:44:10,480
Speaker 1: feel like, even being on this podcast, it's sort of

867
00:44:10,520 --> 00:44:13,360
Speaker 1: like I'm sort of like I was telling your producers.

868
00:44:13,400 --> 00:44:16,759
Speaker 1: I've sort of like glommed my way on by like

869
00:44:17,160 --> 00:44:19,880
Speaker 1: you know, that's somehow this got put out there. But

870
00:44:19,920 --> 00:44:21,719
Speaker 1: I also felt that same way about Scrubs, like I

871
00:44:21,840 --> 00:44:25,799
Speaker 1: don't really do Scrubs, but I sort of like piggybacked

872
00:44:25,840 --> 00:44:27,920
Speaker 1: on the back of their success. And I've been basically

873
00:44:27,960 --> 00:44:30,640
Speaker 1: a parasite this whole time, and I'm so so grateful

874
00:44:30,680 --> 00:44:33,080
Speaker 1: for it because people loved you on the show. Tom, Sorry,

875
00:44:33,120 --> 00:44:35,080
Speaker 1: it's funny, and how like, no, no, but it's funny.

876
00:44:35,120 --> 00:44:37,439
Speaker 1: How like when you like ed isn't anywhere, you can't

877
00:44:37,480 --> 00:44:40,440
Speaker 1: find it anywhere. Most of this a lot of stuff

878
00:44:40,480 --> 00:44:43,440
Speaker 1: that's harder, harder to find. And I would say Scrubs

879
00:44:43,560 --> 00:44:46,160
Speaker 1: is the thing even though you know, you guys were

880
00:44:46,719 --> 00:44:48,920
Speaker 1: you get all. You guys did such a great job

881
00:44:48,960 --> 00:44:52,880
Speaker 1: and I did nothing. I still get recognized all the

882
00:44:53,000 --> 00:44:55,120
Speaker 1: time from I hear people all the time. I want

883
00:44:55,160 --> 00:44:57,239
Speaker 1: to say, hey, little brother, or they remember this, they

884
00:44:57,280 --> 00:44:59,200
Speaker 1: remember the bathtub episode. I remember this kind of thing.

885
00:44:59,320 --> 00:45:00,759
Speaker 1: You know, I was like nine years ago and people

886
00:45:00,760 --> 00:45:03,080
Speaker 1: are still like it's still residant. So I'm comedy Santo.

887
00:45:03,080 --> 00:45:06,000
Speaker 1: It's just like it's it's lovely to be associated with

888
00:45:06,200 --> 00:45:08,759
Speaker 1: your success. Well, people really loved you on the show.

889
00:45:08,920 --> 00:45:11,680
Speaker 1: They really um. You know, when when when Donald and

890
00:45:11,760 --> 00:45:14,480
Speaker 1: I talked about having guests on UM, a lot of

891
00:45:14,520 --> 00:45:18,360
Speaker 1: people um asked for the Tom Kavanov but um, but

892
00:45:18,400 --> 00:45:20,080
Speaker 1: wait a second, sorry, go back to what Donald asked,

893
00:45:20,080 --> 00:45:21,480
Speaker 1: How did you come about? How did it come about?

894
00:45:21,520 --> 00:45:23,200
Speaker 1: Did you know Bill? Or was it the obvious that

895
00:45:23,280 --> 00:45:25,759
Speaker 1: people thought he's on NBC he looks like Zach that

896
00:45:25,880 --> 00:45:31,439
Speaker 1: kind of thing. No. I I think I had been

897
00:45:32,560 --> 00:45:37,200
Speaker 1: friendly with Bill, and we weren't. We weren't friends before

898
00:45:37,360 --> 00:45:40,160
Speaker 1: we sort of became friends throughout, but we had, you know,

899
00:45:40,320 --> 00:45:45,640
Speaker 1: had spoken and gotten along UM and he uh, he

900
00:45:45,800 --> 00:45:48,320
Speaker 1: and his wife had always been like quite a friendly

901
00:45:48,360 --> 00:45:50,520
Speaker 1: and generous and stuff. And so I think it must

902
00:45:50,560 --> 00:45:54,200
Speaker 1: have been him saying, oh, okay, I know Tom. I

903
00:45:55,120 --> 00:45:58,480
Speaker 1: I have a friendly relationship with him, and so this

904
00:45:58,640 --> 00:46:01,839
Speaker 1: seems like a natural fit because of how we look.

905
00:46:02,239 --> 00:46:03,880
Speaker 1: I think you run into people and you're like, I

906
00:46:03,920 --> 00:46:06,080
Speaker 1: would like to work with this person again, you know

907
00:46:06,120 --> 00:46:08,760
Speaker 1: what I mean? That happens occasionally, and it almost never happens.

908
00:46:09,120 --> 00:46:11,960
Speaker 1: I think all your intentions are always great, and yet

909
00:46:12,239 --> 00:46:14,840
Speaker 1: you're still trying to have a job and survive and

910
00:46:14,920 --> 00:46:18,960
Speaker 1: so sometimes it's quite quite difficult, given you know, it's

911
00:46:19,040 --> 00:46:22,879
Speaker 1: very difficult to repatriot again. So I think I think

912
00:46:22,920 --> 00:46:24,600
Speaker 1: maybe we got along and then he was like, oh

913
00:46:24,680 --> 00:46:26,600
Speaker 1: this is this could be a nice little one off,

914
00:46:26,719 --> 00:46:29,680
Speaker 1: but then it end up being more, which is tremendous

915
00:46:29,960 --> 00:46:32,520
Speaker 1: because you're really good on the show man. Also, you know,

916
00:46:33,680 --> 00:46:37,600
Speaker 1: I we talk about this all the time and remembering

917
00:46:37,680 --> 00:46:39,400
Speaker 1: the shows. This is one of we talk about it

918
00:46:39,480 --> 00:46:41,360
Speaker 1: so much that it's become a Bingo. It's one of

919
00:46:41,400 --> 00:46:45,000
Speaker 1: the Bengo questions, Like somebody made a Bengo sheet, and

920
00:46:45,440 --> 00:46:47,960
Speaker 1: on the Bengo sheet it says they'll talk about at

921
00:46:48,040 --> 00:46:51,360
Speaker 1: some point, you know, if they talk about not remembering

922
00:46:51,440 --> 00:46:54,800
Speaker 1: the show, you get a letter, right, And this is

923
00:46:54,840 --> 00:46:58,440
Speaker 1: one of those moments because I really didn't remember this

924
00:46:58,800 --> 00:47:02,280
Speaker 1: episode that much. I knew the first episode I'll remember

925
00:47:02,320 --> 00:47:05,520
Speaker 1: you want is when John Ritter passed away and then

926
00:47:05,600 --> 00:47:07,680
Speaker 1: you out of nowhere. It was like, yo, you know what,

927
00:47:07,800 --> 00:47:10,839
Speaker 1: I'll come in and now and is that this one?

928
00:47:11,520 --> 00:47:13,560
Speaker 1: That's not this one? That's not this one at all?

929
00:47:14,680 --> 00:47:17,160
Speaker 1: That was another significant one that was such a Again,

930
00:47:17,680 --> 00:47:19,000
Speaker 1: you know, I think I don't know if you had

931
00:47:19,080 --> 00:47:20,960
Speaker 1: because you're there and you have no basic of comparison

932
00:47:21,080 --> 00:47:24,040
Speaker 1: for for you people, you guys were like all your all,

933
00:47:24,120 --> 00:47:27,040
Speaker 1: your all, your group was such a welcoming you know.

934
00:47:27,120 --> 00:47:29,719
Speaker 1: It's it's it's interesting because when you go through, you know,

935
00:47:29,800 --> 00:47:32,200
Speaker 1: thirty years of this stuff, it's not always you know,

936
00:47:32,920 --> 00:47:35,360
Speaker 1: it's not always a group like that. You know, and

937
00:47:35,640 --> 00:47:38,680
Speaker 1: I obviously don't know all the inside stories and stuff

938
00:47:38,719 --> 00:47:41,080
Speaker 1: because I would just come in and out. But but

939
00:47:41,360 --> 00:47:45,120
Speaker 1: being in a place where you felt welcomed and um

940
00:47:46,080 --> 00:47:49,200
Speaker 1: encouraged and uh, the idea is that that you guys.

941
00:47:49,360 --> 00:47:51,400
Speaker 1: I can remember laughing so hard at the stuff you

942
00:47:51,480 --> 00:47:54,040
Speaker 1: guys would do that wasn't in the script, knowing that

943
00:47:54,160 --> 00:47:56,200
Speaker 1: you would do the stuff verbatim as it was in

944
00:47:56,280 --> 00:47:57,840
Speaker 1: the script, knowing that you would get your blows, your

945
00:47:57,920 --> 00:48:00,400
Speaker 1: chances later. And I thought, this is incredible, Like this

946
00:48:00,760 --> 00:48:03,680
Speaker 1: this environment. I remember you, Zach doing one of I've

947
00:48:03,719 --> 00:48:07,040
Speaker 1: seen like the actor who played Ross Skeeller David Swimmer

948
00:48:07,239 --> 00:48:11,160
Speaker 1: running too m He had an open laundry door and

949
00:48:11,280 --> 00:48:13,279
Speaker 1: he like hits his head on it and falls over there.

950
00:48:13,320 --> 00:48:15,960
Speaker 1: That's one of the most solid modern day platfalls. And

951
00:48:16,120 --> 00:48:17,800
Speaker 1: you did one into a glass door that was like,

952
00:48:18,320 --> 00:48:20,839
Speaker 1: we're just we're just watching, you know, we're sitting by

953
00:48:20,840 --> 00:48:22,920
Speaker 1: the monitors, and I was like, I remember thinking this,

954
00:48:23,160 --> 00:48:24,960
Speaker 1: and this is like years ago. I remember things. I

955
00:48:25,040 --> 00:48:28,600
Speaker 1: could watch him do this all day long. Every time

956
00:48:28,640 --> 00:48:30,320
Speaker 1: you didn't get tired of it. You can't do it.

957
00:48:30,400 --> 00:48:31,880
Speaker 1: Every time you did it, it was like seemed like

958
00:48:31,960 --> 00:48:33,640
Speaker 1: better than the last. I wanted to get it right,

959
00:48:33,719 --> 00:48:36,680
Speaker 1: you know. I so enjoyed doing the physical comedy, and

960
00:48:37,600 --> 00:48:41,080
Speaker 1: I would get competitive just with myself, wanting to be wanting,

961
00:48:41,239 --> 00:48:43,839
Speaker 1: wanting to make a really good one. And and uh,

962
00:48:44,200 --> 00:48:45,719
Speaker 1: you know that was a bit of my That was

963
00:48:45,760 --> 00:48:48,120
Speaker 1: my sport if you will try to try to be

964
00:48:48,200 --> 00:48:49,520
Speaker 1: good at it. I remember one time in one of

965
00:48:49,560 --> 00:48:56,680
Speaker 1: the episodes, you jumped out and I just impropped monster. Yeah.

966
00:48:57,200 --> 00:49:00,400
Speaker 1: And you know, the funding about the show, as you

967
00:49:00,480 --> 00:49:04,759
Speaker 1: were just saying, was there was such a vibe of

968
00:49:05,080 --> 00:49:09,560
Speaker 1: just safety, that is, this is a safe environment. Go nuts,

969
00:49:09,840 --> 00:49:12,960
Speaker 1: do be adventurous. You know, Bill will tell you, you know,

970
00:49:13,000 --> 00:49:15,400
Speaker 1: obviously do it as written, but he'll tell you if

971
00:49:15,440 --> 00:49:17,480
Speaker 1: he wants you to bring it down. But I was

972
00:49:17,520 --> 00:49:20,279
Speaker 1: just watching this, your first episode, and you were making

973
00:49:20,320 --> 00:49:24,239
Speaker 1: such bold choices and tricky which is tricky because you

974
00:49:24,280 --> 00:49:26,160
Speaker 1: know we'd bound the show. We're regulars, we're there all

975
00:49:26,160 --> 00:49:28,000
Speaker 1: the time. We had we had kind of built up

976
00:49:28,080 --> 00:49:31,040
Speaker 1: that comfortableness for a guest star to come on and

977
00:49:31,200 --> 00:49:33,279
Speaker 1: be like, all right, I'm gonna do a bold character.

978
00:49:33,320 --> 00:49:35,800
Speaker 1: I'm gonna make bold choices. I was really I was

979
00:49:35,880 --> 00:49:38,279
Speaker 1: really impressed with you just watching it back, because it's

980
00:49:38,320 --> 00:49:40,520
Speaker 1: one thing if you do it like on your fifth episode,

981
00:49:40,760 --> 00:49:42,560
Speaker 1: here you are is your first time on set, your

982
00:49:42,600 --> 00:49:45,280
Speaker 1: guest star of a of a show that's that's really popular,

983
00:49:45,760 --> 00:49:48,719
Speaker 1: and you you came up with this character which was

984
00:49:48,880 --> 00:49:52,040
Speaker 1: nothing like your character on ED and was just bold

985
00:49:52,120 --> 00:49:55,120
Speaker 1: and funny. But it was probably a lot to do with,

986
00:49:55,680 --> 00:49:59,520
Speaker 1: like I say, just being around a place where people

987
00:49:59,520 --> 00:50:03,440
Speaker 1: are like, hey, have fun, enjoy I think I think

988
00:50:03,520 --> 00:50:06,560
Speaker 1: it just bears repeating that your show was such a

989
00:50:07,640 --> 00:50:09,759
Speaker 1: such a place where you know, you welcome people to

990
00:50:10,080 --> 00:50:11,960
Speaker 1: do that very thing you were talking about. I remember

991
00:50:12,040 --> 00:50:15,759
Speaker 1: also being so impressed. I'm sort of talk on about it,

992
00:50:15,960 --> 00:50:18,920
Speaker 1: but it just it just seemed like I remember season

993
00:50:19,000 --> 00:50:21,080
Speaker 1: six coming in and doing something and I remember thinking,

994
00:50:21,480 --> 00:50:24,279
Speaker 1: I remember watching on different shows i'd done, how you

995
00:50:24,400 --> 00:50:28,480
Speaker 1: know people buy into like, well, how what's our place

996
00:50:28,560 --> 00:50:31,279
Speaker 1: in the universe of television, like are we popular? Are we?

997
00:50:31,600 --> 00:50:34,719
Speaker 1: You know, are we getting enough attention? And um and

998
00:50:34,800 --> 00:50:37,200
Speaker 1: I think you guys probably had you know, the NBA.

999
00:50:37,320 --> 00:50:39,320
Speaker 1: Why aren't they promoted us all that kind of stuff.

1000
00:50:39,320 --> 00:50:41,920
Speaker 1: But but I remember coming in on season six and

1001
00:50:42,040 --> 00:50:45,160
Speaker 1: watching you had settled into this thing like this is

1002
00:50:45,280 --> 00:50:48,359
Speaker 1: us and this is for us, and it was such

1003
00:50:48,400 --> 00:50:51,640
Speaker 1: a smart and intelligent way to understand that life is fleeting.

1004
00:50:51,719 --> 00:50:54,840
Speaker 1: This is fleeting, and so let's just all be for

1005
00:50:55,120 --> 00:50:57,080
Speaker 1: this show. And when you when you come from a

1006
00:50:57,160 --> 00:51:02,040
Speaker 1: different place and you come into that, it influenced me

1007
00:51:02,320 --> 00:51:03,840
Speaker 1: for the rest of my career to go, this is

1008
00:51:03,920 --> 00:51:06,480
Speaker 1: really what you want. People who are having each other's backs,

1009
00:51:06,480 --> 00:51:08,600
Speaker 1: who are for each other, who want to just do

1010
00:51:09,320 --> 00:51:12,360
Speaker 1: this scene right now as best as they can. And

1011
00:51:12,920 --> 00:51:16,400
Speaker 1: what more is that? Yeah? Speaking of doing a scene

1012
00:51:16,400 --> 00:51:19,319
Speaker 1: really well, how fucking funny are you stealing the lab

1013
00:51:19,440 --> 00:51:22,320
Speaker 1: coat and going in to attend to a patient? That

1014
00:51:22,440 --> 00:51:28,879
Speaker 1: ship was hilarious. Yeah, but before we do that, let's

1015
00:51:28,880 --> 00:51:33,480
Speaker 1: get into this uh recap. Oh yeah, sorry, So Tom,

1016
00:51:33,960 --> 00:51:36,960
Speaker 1: every episode, Donald will sum it up. He has thirty

1017
00:51:37,000 --> 00:51:41,520
Speaker 1: seconds I time, Yes, great, okay, so Donald, hold on

1018
00:51:41,640 --> 00:51:44,120
Speaker 1: getting my stop watch up he's been crushing it lately.

1019
00:51:44,320 --> 00:51:49,120
Speaker 1: He's gotten a little cocky. Uh and and and ending early,

1020
00:51:49,200 --> 00:51:50,719
Speaker 1: which I don't like. I like you to fill your

1021
00:51:50,800 --> 00:51:53,879
Speaker 1: time now, this might go over, okay on your mark,

1022
00:51:54,280 --> 00:51:58,640
Speaker 1: get set go. Jad's brother Dan comes to visit. He

1023
00:51:58,719 --> 00:52:01,600
Speaker 1: recks havoc on all of ja these relationships. J D

1024
00:52:01,719 --> 00:52:04,320
Speaker 1: wishes his brother would just grow up. Turke and Cocks

1025
00:52:04,320 --> 00:52:07,240
Speaker 1: are beefing again, this time because both have good arguments

1026
00:52:07,239 --> 00:52:09,799
Speaker 1: on why their departments are better at saving lives. By

1027
00:52:09,880 --> 00:52:12,520
Speaker 1: the act break j D and Turk our shame Turk

1028
00:52:12,600 --> 00:52:15,000
Speaker 1: of himself, JD of his brother. For Turke, it takes

1029
00:52:15,000 --> 00:52:17,800
Speaker 1: a lesson from an unexpected person for him to regain

1030
00:52:17,880 --> 00:52:20,479
Speaker 1: faith that he's doing his job the right way. For JD,

1031
00:52:20,960 --> 00:52:24,200
Speaker 1: it's him learning and understanding that not all people are

1032
00:52:24,280 --> 00:52:27,239
Speaker 1: built the same. Some people are content with who they are.

1033
00:52:27,480 --> 00:52:29,680
Speaker 1: How far did I go over? It's thirty six, But

1034
00:52:29,800 --> 00:52:31,840
Speaker 1: you had some fuck ups and I think the audiences

1035
00:52:31,840 --> 00:52:35,279
Speaker 1: will give you geez. I thought it was amazing. It's

1036
00:52:35,320 --> 00:52:37,279
Speaker 1: well done. It's well done. I think when you were hurt,

1037
00:52:37,320 --> 00:52:40,000
Speaker 1: I don't think you rehearsed this time. Sometimes No, it's

1038
00:52:40,080 --> 00:52:43,000
Speaker 1: freaking We're an hour into the damn show I expected

1039
00:52:43,120 --> 00:52:47,040
Speaker 1: to do. We didn't know that Tom Calvin I was

1040
00:52:47,080 --> 00:52:49,719
Speaker 1: going to be so interesting. Listen, I knew Tom was

1041
00:52:49,760 --> 00:52:51,440
Speaker 1: going to be this interesting. So you're saying we were

1042
00:52:51,440 --> 00:52:53,480
Speaker 1: going to get him to the show. You're saying is

1043
00:52:53,520 --> 00:52:55,440
Speaker 1: that you rehearsed right before he went on the air,

1044
00:52:55,480 --> 00:52:57,520
Speaker 1: and now you're rusty and I was rusty. If you

1045
00:52:57,600 --> 00:53:00,040
Speaker 1: give me another chance, I bet it's better. No, I

1046
00:53:00,040 --> 00:53:02,839
Speaker 1: don't want to hear again. See, good job. You know what, well,

1047
00:53:02,920 --> 00:53:04,880
Speaker 1: you know what we'll have Dan, I'm speeded up a

1048
00:53:04,880 --> 00:53:08,359
Speaker 1: little bit. Now we can't do no. Six thirty six.

1049
00:53:08,560 --> 00:53:12,879
Speaker 1: Well done though, Well that's that's the episode. To remind Tom.

1050
00:53:12,920 --> 00:53:14,520
Speaker 1: We did this as a service to people who want

1051
00:53:14,560 --> 00:53:18,160
Speaker 1: a brief reminder of what the episode was Tom. Tom

1052
00:53:18,320 --> 00:53:21,760
Speaker 1: comes to visit me. He's been driving a car across

1053
00:53:21,800 --> 00:53:24,560
Speaker 1: the country as a for for three hundred dollars and

1054
00:53:25,160 --> 00:53:27,719
Speaker 1: he has no fear of doctor Cox, which is just

1055
00:53:27,880 --> 00:53:31,640
Speaker 1: mind boggling me. And I'm squirming. I'm squirming as he

1056
00:53:31,760 --> 00:53:33,960
Speaker 1: meets Cox for the first time and is fucking with

1057
00:53:34,080 --> 00:53:36,600
Speaker 1: doctor Cox. Yeah, that would be the best day of

1058
00:53:36,719 --> 00:53:39,640
Speaker 1: my life. If I went to my brother's job and

1059
00:53:40,000 --> 00:53:43,520
Speaker 1: he had a boss that was bullying him, and I

1060
00:53:43,640 --> 00:53:46,399
Speaker 1: could freaking and I know that no matter what, he's

1061
00:53:46,400 --> 00:53:49,000
Speaker 1: gonna get bullied anyway, I'm gonna fuck some shit up.

1062
00:53:49,000 --> 00:53:51,040
Speaker 1: Then how about this, oh work, you gotta mess with

1063
00:53:51,120 --> 00:53:53,399
Speaker 1: my little brother. Now I'm gonna mess with you. Yeah,

1064
00:53:53,600 --> 00:53:55,560
Speaker 1: you know, I remember a good day. I think I

1065
00:53:55,640 --> 00:53:59,080
Speaker 1: remember on the day Tom even being nervous in real life,

1066
00:53:59,280 --> 00:54:03,200
Speaker 1: they because I was so you know, Johnny was Johnny

1067
00:54:03,320 --> 00:54:06,440
Speaker 1: and I we were versions of our characters and and

1068
00:54:06,520 --> 00:54:08,239
Speaker 1: we would just play that. Now you came in as

1069
00:54:08,280 --> 00:54:10,359
Speaker 1: an alpha fucking with him, and I think I think

1070
00:54:10,360 --> 00:54:12,799
Speaker 1: I recall even on the day being a little uncomfortable.

1071
00:54:12,920 --> 00:54:19,480
Speaker 1: But he didn't. I'm sure he didn't, because nobody in

1072
00:54:19,560 --> 00:54:22,239
Speaker 1: that hospital, in the real world or on or in

1073
00:54:22,320 --> 00:54:24,640
Speaker 1: the world of the show fucked with him, right, and

1074
00:54:24,920 --> 00:54:26,959
Speaker 1: he had gotten quite comfortable with that. And now here's

1075
00:54:27,040 --> 00:54:32,080
Speaker 1: someone who looks just like me walking with him. But

1076
00:54:32,280 --> 00:54:34,479
Speaker 1: that was great. And then so the let's talk about

1077
00:54:34,520 --> 00:54:36,600
Speaker 1: that Rickles moment. That was pretty fucking funny. That ship

1078
00:54:36,719 --> 00:54:39,239
Speaker 1: was hilarious. I love the fact that the reason why

1079
00:54:39,600 --> 00:54:42,719
Speaker 1: it's gonna happen is because he here's Bambi and you're

1080
00:54:42,760 --> 00:54:43,920
Speaker 1: like all right, I don't want to you to call

1081
00:54:43,960 --> 00:54:45,839
Speaker 1: me bam before the rest of my life, I've lab

1082
00:54:46,840 --> 00:54:48,480
Speaker 1: with a lab coat with a lab coat. And he

1083
00:54:48,640 --> 00:54:51,040
Speaker 1: walks in, and he goes and you know, and and

1084
00:54:51,200 --> 00:54:53,680
Speaker 1: and we find out just before he walks in that

1085
00:54:53,960 --> 00:54:55,880
Speaker 1: the guy's got to live and that the surgery was

1086
00:54:56,040 --> 00:54:59,400
Speaker 1: everything was a success. And the first thing Tom says,

1087
00:54:59,520 --> 00:55:04,279
Speaker 1: Dan said this, it was touch and go for ye

1088
00:55:04,760 --> 00:55:05,920
Speaker 1: And then he goes, you got out. We got to

1089
00:55:05,960 --> 00:55:09,279
Speaker 1: look out for those little rickles. And he goes, he's

1090
00:55:09,320 --> 00:55:14,000
Speaker 1: like the little rickles, the kids, their future. And then

1091
00:55:14,040 --> 00:55:16,400
Speaker 1: I go, okay, thank you. When you go, damn it, bammy,

1092
00:55:18,320 --> 00:55:24,000
Speaker 1: I'm busy to find a good nurse these days. And

1093
00:55:24,120 --> 00:55:27,120
Speaker 1: shot was really funny by Michael Spiller. When you when

1094
00:55:27,160 --> 00:55:29,920
Speaker 1: you turn around, Yeah, I'm always a sucker for the

1095
00:55:30,000 --> 00:55:33,520
Speaker 1: quick turnaround. Damn it, bammy, give me a second. Yeah,

1096
00:55:34,800 --> 00:55:40,640
Speaker 1: I'm busy. Hilarious. And now my nightmare would be my

1097
00:55:40,800 --> 00:55:43,760
Speaker 1: brother coming and flirting with someone that I had feelings

1098
00:55:43,840 --> 00:55:47,440
Speaker 1: for um and let alone also your friend. I mean,

1099
00:55:47,960 --> 00:55:50,720
Speaker 1: this is like always awkward when you have a friend

1100
00:55:51,000 --> 00:55:53,040
Speaker 1: that's like, I don't know if this guy's ever happened

1101
00:55:53,040 --> 00:55:54,920
Speaker 1: to you were like you broke up with someone and

1102
00:55:54,960 --> 00:55:58,200
Speaker 1: then you see your friends starting like and you're like,

1103
00:55:58,360 --> 00:56:01,520
Speaker 1: what the fuck? And and I just I felt for

1104
00:56:01,640 --> 00:56:03,640
Speaker 1: JD as you, as you and Sarah are walking down

1105
00:56:03,680 --> 00:56:06,680
Speaker 1: the hall and flirting and it's cool. It's awful. It's

1106
00:56:06,719 --> 00:56:09,960
Speaker 1: so fucking mean. It's awful. Yeah, it's mean, by the way,

1107
00:56:10,000 --> 00:56:12,719
Speaker 1: it's me on both parts. It's mean on. It's mean on.

1108
00:56:12,880 --> 00:56:15,520
Speaker 1: I mean, you guys have a brother. You guys those

1109
00:56:15,600 --> 00:56:19,440
Speaker 1: two characters had had a brother competition thing, obviously, but

1110
00:56:19,640 --> 00:56:21,960
Speaker 1: the fact that Elliot was so willing to just like

1111
00:56:22,200 --> 00:56:25,239
Speaker 1: dive in and be all like Gigney, that was so cruel. Yeah,

1112
00:56:25,280 --> 00:56:27,400
Speaker 1: it was mean. It was like, ah, he's so funny,

1113
00:56:27,440 --> 00:56:29,200
Speaker 1: and he's not really that funny, but he was just

1114
00:56:29,320 --> 00:56:32,040
Speaker 1: being kid. You're like, ah, yeah, no, that's okay. You

1115
00:56:32,280 --> 00:56:34,880
Speaker 1: just uh. And then the idea that wait, this is

1116
00:56:34,880 --> 00:56:37,880
Speaker 1: actually happened, This is happening, is happening. I love the

1117
00:56:38,000 --> 00:56:42,200
Speaker 1: I love the how he realizes it's happening out of nowhere.

1118
00:56:42,280 --> 00:56:46,320
Speaker 1: You turned day tonight. Yeah, but I'm flicking a switchtasy.

1119
00:56:48,160 --> 00:56:50,040
Speaker 1: That was great. And then they start totally making out

1120
00:56:50,360 --> 00:56:52,240
Speaker 1: right and then and then they pop back to reality.

1121
00:56:52,280 --> 00:56:55,640
Speaker 1: And then in reality, I yell, stop your stop your

1122
00:56:55,800 --> 00:56:59,000
Speaker 1: stupid laughing. It makes you look like a whore. Right

1123
00:57:00,000 --> 00:57:02,839
Speaker 1: then you're like kidding, just the worst thing you could say.

1124
00:57:03,080 --> 00:57:06,000
Speaker 1: And then the way I did it was like vomiting

1125
00:57:06,040 --> 00:57:08,879
Speaker 1: it up, like I couldn't. I couldn't hold in the rain.

1126
00:57:09,760 --> 00:57:13,960
Speaker 1: You've you've sewed it out. Yeah, stupid laughing. It makes

1127
00:57:14,000 --> 00:57:18,880
Speaker 1: you look like goodness gracious. Yeah, yeah, I must have

1128
00:57:18,920 --> 00:57:20,440
Speaker 1: been tricky to shoot up. We must have done the

1129
00:57:20,480 --> 00:57:22,400
Speaker 1: first part and then come back. We did. We did.

1130
00:57:22,440 --> 00:57:24,440
Speaker 1: Then we came back at night and Sarah had this

1131
00:57:24,560 --> 00:57:26,280
Speaker 1: idea we were both chewing gum to like spit the

1132
00:57:26,320 --> 00:57:29,680
Speaker 1: gum out, you know, and then like you know, have

1133
00:57:29,800 --> 00:57:32,840
Speaker 1: the all the one, two, three, four. Were you call

1134
00:57:32,920 --> 00:57:34,880
Speaker 1: that chewing gum like throughout the whole scene or would

1135
00:57:34,920 --> 00:57:36,560
Speaker 1: you you both? You know, sometimes when you're an actor,

1136
00:57:36,600 --> 00:57:38,120
Speaker 1: you know you're gonna make out with someone, you want

1137
00:57:38,120 --> 00:57:40,040
Speaker 1: to have fresh minty breath. Was it was it? I

1138
00:57:40,120 --> 00:57:42,880
Speaker 1: think she? I think she no. I think she added

1139
00:57:43,840 --> 00:57:47,479
Speaker 1: gum later on, because there was is one of two things.

1140
00:57:47,640 --> 00:57:49,160
Speaker 1: One is like you kissed the person, then they have

1141
00:57:49,200 --> 00:57:51,280
Speaker 1: the gum that you had in your mouth, not great

1142
00:57:51,600 --> 00:57:54,280
Speaker 1: or you know puw pew, and I think she. We

1143
00:57:54,440 --> 00:57:56,200
Speaker 1: realized we could have a we could double down on

1144
00:57:56,240 --> 00:57:58,240
Speaker 1: the comedy moment by spitting our gum out before the

1145
00:57:58,320 --> 00:58:01,520
Speaker 1: pooh used to happen. We used to have banaca on set,

1146
00:58:01,880 --> 00:58:04,880
Speaker 1: not not just for I remember you guys had you

1147
00:58:04,960 --> 00:58:09,440
Speaker 1: guys had them, You also had the bolt in your mouth. Yeah, yeah,

1148
00:58:09,600 --> 00:58:11,720
Speaker 1: does give you heartburn? No, I can't give me heartburn. Yeah,

1149
00:58:11,720 --> 00:58:13,760
Speaker 1: we both Donald and I would have too many and

1150
00:58:13,760 --> 00:58:16,200
Speaker 1: they would give us heartburn. But um, the uh, the

1151
00:58:16,480 --> 00:58:19,680
Speaker 1: the old school aerosol spray banoca, which is my favorite.

1152
00:58:20,040 --> 00:58:22,000
Speaker 1: We started having it just from we had kissing scenes

1153
00:58:22,000 --> 00:58:24,080
Speaker 1: and we didn't want to have bad breath for our

1154
00:58:24,120 --> 00:58:26,320
Speaker 1: scene partner. But then it became like, you know, we

1155
00:58:26,360 --> 00:58:28,160
Speaker 1: were all friends in all up in each other's faces

1156
00:58:28,160 --> 00:58:30,480
Speaker 1: all day long. We're like, let's make a rule everybody,

1157
00:58:30,600 --> 00:58:32,800
Speaker 1: we don't have bad breath, and so we would like

1158
00:58:32,920 --> 00:58:35,360
Speaker 1: just be spraying at NonStop. Dude. I remember, it became

1159
00:58:35,480 --> 00:58:38,200
Speaker 1: how many can you spray in your mouth? And I

1160
00:58:39,040 --> 00:58:42,680
Speaker 1: burn his mouth like tin under the tongue, just for

1161
00:58:43,120 --> 00:58:47,080
Speaker 1: ships and giggles. That's eventually our boom operator velcrowed one

1162
00:58:47,200 --> 00:58:50,360
Speaker 1: to the boom and uh, and we called it boom

1163
00:58:50,400 --> 00:58:53,960
Speaker 1: knocka and we'd be like Kevin boom knocka and he

1164
00:58:54,000 --> 00:58:56,760
Speaker 1: would just dip the boom down. We'd pull the parasol

1165
00:58:56,880 --> 00:58:59,760
Speaker 1: off off the mic I was on beltrow and then

1166
00:59:00,000 --> 00:59:03,520
Speaker 1: attach it back up. That's great a right there, that's yeah.

1167
00:59:03,560 --> 00:59:05,280
Speaker 1: That was thought. We thought he was gonna do it

1168
00:59:05,320 --> 00:59:06,640
Speaker 1: for like a day as a joke. It was up

1169
00:59:06,680 --> 00:59:13,560
Speaker 1: there for years, the same same canister, hopefully hopefully changed out. Um.

1170
00:59:13,800 --> 00:59:17,040
Speaker 1: I like win at five twenty four when when Cox goes, well,

1171
00:59:17,080 --> 00:59:20,880
Speaker 1: people please stop calling me, yes, and then goes hey, no,

1172
00:59:20,960 --> 00:59:27,160
Speaker 1: I'm not sorry, Hey, how's it going. I'm nuts. He

1173
00:59:27,960 --> 00:59:29,200
Speaker 1: had another one in there where it was like I

1174
00:59:29,240 --> 00:59:31,240
Speaker 1: don't have time for pity or something like that. We're

1175
00:59:32,520 --> 00:59:35,360
Speaker 1: right when he's talking to Johnny Castle. Oh yeah, I

1176
00:59:35,480 --> 00:59:38,240
Speaker 1: wrote that down too, and why does why does well?

1177
00:59:38,280 --> 00:59:40,920
Speaker 1: First of all, when you scare me in the shower, hilarious.

1178
00:59:41,000 --> 00:59:42,960
Speaker 1: That was the first of many scares we did, like ten,

1179
00:59:43,200 --> 00:59:45,400
Speaker 1: we did ten. Do you remember that? We remember? I

1180
00:59:45,440 --> 00:59:49,720
Speaker 1: remember waiting waiting in the thing behind the curtain and

1181
00:59:49,880 --> 00:59:51,680
Speaker 1: like thinking, oh this maybe this one will do this.

1182
00:59:52,040 --> 00:59:53,600
Speaker 1: Like there was we had been like five or six

1183
00:59:53,720 --> 00:59:56,200
Speaker 1: different ones, and I think the first one was really

1184
00:59:56,320 --> 00:59:59,800
Speaker 1: terrifying for you. I remember that. Uh it's funny. I

1185
00:59:59,880 --> 01:00:01,840
Speaker 1: just put two and two together that I guess we

1186
01:00:01,960 --> 01:00:04,480
Speaker 1: bought the clear shower curtain that's in the opening of

1187
01:00:04,600 --> 01:00:06,640
Speaker 1: the show, right, because wasn't there a clear shower curtain

1188
01:00:06,720 --> 01:00:08,920
Speaker 1: when you scare me? Yeah? No, no, that isn't the

1189
01:00:09,040 --> 01:00:11,560
Speaker 1: shower curtain. It's opaque when I come out because you

1190
01:00:11,600 --> 01:00:14,959
Speaker 1: don't see me. And then oh, right, and it looks

1191
01:00:15,000 --> 01:00:18,000
Speaker 1: like it's clear. I thought I have because you have

1192
01:00:18,160 --> 01:00:20,600
Speaker 1: you guys have that runner earlier on. Yeah, see, we're

1193
01:00:20,920 --> 01:00:23,800
Speaker 1: shopping for a clear shower curtain, and then, um, where

1194
01:00:23,920 --> 01:00:27,400
Speaker 1: is it? It is? Uh five thirty two. I'm just

1195
01:00:27,440 --> 01:00:30,120
Speaker 1: curious because they'd be funny if we uh we happen

1196
01:00:30,240 --> 01:00:34,480
Speaker 1: to keep the shower Yeah it's clear, goodness, how could it?

1197
01:00:34,880 --> 01:00:37,560
Speaker 1: How can you bought it? We actually bought it? There

1198
01:00:37,600 --> 01:00:41,760
Speaker 1: you go, Okay, look at that continuity. Um yeah, I

1199
01:00:41,800 --> 01:00:44,000
Speaker 1: mean I got air, dude, you scared the shit out

1200
01:00:44,040 --> 01:00:46,360
Speaker 1: of me, and um, I mean in real life, and

1201
01:00:46,480 --> 01:00:49,520
Speaker 1: I think the character but I obviously had a nice

1202
01:00:49,600 --> 01:00:53,080
Speaker 1: juicy map behind me because I like literally flew up. Yes, yes,

1203
01:00:53,600 --> 01:00:58,040
Speaker 1: it's solid and once again Zach Braff Solid Zach Braff Special.

1204
01:00:58,240 --> 01:01:00,800
Speaker 1: It's good stuff. I laughed. When Verne makes her own

1205
01:01:00,840 --> 01:01:07,960
Speaker 1: Halloween candy, she says she's dressed the first of all,

1206
01:01:08,040 --> 01:01:11,720
Speaker 1: she's dressed like Raggedy Ann and uh. And there's like

1207
01:01:11,800 --> 01:01:15,120
Speaker 1: this bowl of popcorn and homemade lollipops and she says

1208
01:01:15,160 --> 01:01:17,880
Speaker 1: something like if you want name brand stuff, this fist

1209
01:01:18,040 --> 01:01:23,760
Speaker 1: is packed with nuts or something. This episode, uh, was

1210
01:01:23,800 --> 01:01:26,760
Speaker 1: actually written by Tim Hobert. Yes, I believe was he

1211
01:01:26,880 --> 01:01:28,920
Speaker 1: with us the first season or he came in on

1212
01:01:29,000 --> 01:01:31,320
Speaker 1: seconds him? Was not their first season, No, but he's

1213
01:01:31,360 --> 01:01:34,040
Speaker 1: a very funny writer. So this is his first big episode.

1214
01:01:34,480 --> 01:01:37,240
Speaker 1: This is first episode of the season then, and also

1215
01:01:37,280 --> 01:01:40,800
Speaker 1: Mike Spiller's back as our director a lot. This is

1216
01:01:40,840 --> 01:01:43,360
Speaker 1: the first episode in which I read on scrubs WICKI. Uh,

1217
01:01:43,480 --> 01:01:45,760
Speaker 1: this is the first episode that you're ever called Gandhi

1218
01:01:45,840 --> 01:01:49,680
Speaker 1: by doctor Cox. That's interesting. Sarah's sisters actually one of

1219
01:01:49,720 --> 01:01:53,200
Speaker 1: the interns in this episode. Also when coxes, I mean

1220
01:01:53,240 --> 01:01:55,880
Speaker 1: when Kelso's doing rounds in the beginning, Sarah John when

1221
01:01:55,920 --> 01:01:59,040
Speaker 1: when when Kelso pulls he hates the costumes and he

1222
01:01:59,160 --> 01:02:02,920
Speaker 1: pulls some cat ears off and that's Sarah's sister, not

1223
01:02:03,120 --> 01:02:05,800
Speaker 1: not her younger sister obviously that's your Yeah, it's her

1224
01:02:05,840 --> 01:02:10,600
Speaker 1: older sister. And then I noticed that Johnny Castle playing Doug.

1225
01:02:10,880 --> 01:02:13,960
Speaker 1: He takes off the clown nose and kisses it. And

1226
01:02:14,040 --> 01:02:16,080
Speaker 1: I remember on the day thinking that was so random

1227
01:02:16,120 --> 01:02:17,840
Speaker 1: and funny. But I have no idea why he does it.

1228
01:02:17,920 --> 01:02:21,320
Speaker 1: It's very weird. Do you know what I'm doing about? Yeah, no,

1229
01:02:21,400 --> 01:02:23,520
Speaker 1: I know exactly takes the clown that Kelstle says, take

1230
01:02:23,560 --> 01:02:25,560
Speaker 1: that fucking costume on, and he takes the nose off

1231
01:02:25,600 --> 01:02:27,400
Speaker 1: and he looks at it and he gives a little

1232
01:02:27,480 --> 01:02:31,320
Speaker 1: kiss before he fucking which is just so weird and amazing.

1233
01:02:32,600 --> 01:02:34,760
Speaker 1: I don't also why he did it, but yeah, the

1234
01:02:34,920 --> 01:02:38,240
Speaker 1: scene between you and Johnny Ce when you win the

1235
01:02:38,320 --> 01:02:41,680
Speaker 1: bet is like, to me, that was just such classic

1236
01:02:41,840 --> 01:02:45,080
Speaker 1: Scrubs because it's it's good in the in and of

1237
01:02:45,120 --> 01:02:47,680
Speaker 1: itself with the comedy's just hilarious, Jessie, when you're celebrating

1238
01:02:47,840 --> 01:02:49,320
Speaker 1: and it kind of goes on, then it goes on,

1239
01:02:49,560 --> 01:02:53,000
Speaker 1: then it keeps going on, which I personally it's funny.

1240
01:02:53,160 --> 01:02:54,880
Speaker 1: Then it's sort of maybe not funny, then it's really

1241
01:02:54,880 --> 01:02:56,640
Speaker 1: funny because you just keep doing it, You do the

1242
01:02:56,720 --> 01:02:59,200
Speaker 1: backward why, and it's just all the different beats of

1243
01:02:59,280 --> 01:03:01,440
Speaker 1: your comedy there just like I had me laughing and

1244
01:03:01,560 --> 01:03:04,280
Speaker 1: I've forgotten the scene. And then and then there's then

1245
01:03:04,440 --> 01:03:08,919
Speaker 1: there's that other level where he's like, very yes, which

1246
01:03:09,000 --> 01:03:11,320
Speaker 1: is what that's what your show did so well, where

1247
01:03:11,360 --> 01:03:13,200
Speaker 1: it's like you have the great comedy and that could

1248
01:03:13,200 --> 01:03:15,000
Speaker 1: just on another show that would just be enough. And

1249
01:03:15,120 --> 01:03:18,080
Speaker 1: then it's like there's a hammer a gravitas that still works.

1250
01:03:18,120 --> 01:03:20,480
Speaker 1: It's beautiful, you know, it ends with ends with you,

1251
01:03:20,640 --> 01:03:25,080
Speaker 1: like with a legit serious moment considering this information. It's great,

1252
01:03:25,360 --> 01:03:27,160
Speaker 1: Yes matter, Joel, And you just look like you freaked

1253
01:03:27,160 --> 01:03:30,640
Speaker 1: out about something. Oh, Gina Price Pryflet heard a thing

1254
01:03:30,720 --> 01:03:35,320
Speaker 1: I did and I love her. Sorry, okay, wait what happened? Sorry?

1255
01:03:35,640 --> 01:03:38,120
Speaker 1: Wait what happened? I think you're since you distracted the show,

1256
01:03:38,160 --> 01:03:40,840
Speaker 1: you're gonna have to share what happened? Sorry, Gina Price

1257
01:03:40,960 --> 01:03:44,400
Speaker 1: blithlot It is an amazing director. She director love basketball

1258
01:03:44,800 --> 01:03:47,120
Speaker 1: um and she just has any movie out on Netflix

1259
01:03:47,320 --> 01:03:51,240
Speaker 1: called oh my Gosh, the Old Guard. Yes, black lady

1260
01:03:51,240 --> 01:03:52,880
Speaker 1: who's been working for a very long time and I

1261
01:03:52,960 --> 01:03:56,160
Speaker 1: love her. She used to write on Felicity, like season

1262
01:03:56,240 --> 01:03:58,320
Speaker 1: one of Felicity, she wrote, and then she went on

1263
01:03:58,480 --> 01:04:00,800
Speaker 1: to do all right, but what up? And that made

1264
01:04:00,840 --> 01:04:02,560
Speaker 1: your face light up because I thought it was Tom's

1265
01:04:02,600 --> 01:04:09,200
Speaker 1: use of the word gravitasse just acknowledged my existence. I

1266
01:04:09,280 --> 01:04:12,000
Speaker 1: get so excited, Oh well, congratulations. What did she say?

1267
01:04:12,120 --> 01:04:13,880
Speaker 1: What she like, you're one of the articles you've written

1268
01:04:14,000 --> 01:04:16,880
Speaker 1: or something. Yeah. I did a pod talking about the

1269
01:04:17,000 --> 01:04:18,919
Speaker 1: new movie and she was like, this was so great.

1270
01:04:18,960 --> 01:04:23,040
Speaker 1: I was like, oh my god, that's okay. That's always

1271
01:04:23,080 --> 01:04:27,720
Speaker 1: good to be. Don't apologetic, don't. I just want the

1272
01:04:27,800 --> 01:04:30,800
Speaker 1: listeners to know from my point of view. Tom said

1273
01:04:31,080 --> 01:04:34,040
Speaker 1: the word gravitasse, and Joel's face lit up and she

1274
01:04:34,160 --> 01:04:36,320
Speaker 1: started like doing the hand thing where you might cry,

1275
01:04:36,840 --> 01:04:39,840
Speaker 1: And I'm like, wow, Joel really loves the word gravitasse.

1276
01:04:41,880 --> 01:04:45,280
Speaker 1: She had better reasons to celebrate, Joe, better reasons to celebrate.

1277
01:04:45,560 --> 01:04:48,400
Speaker 1: I'm glad to hear it wasn't gravitas either, the old

1278
01:04:48,480 --> 01:04:50,200
Speaker 1: guard plug. That's great, that would be that would be

1279
01:04:50,280 --> 01:04:53,400
Speaker 1: the funniest shit ever. But she just loves the word

1280
01:04:54,600 --> 01:04:57,440
Speaker 1: whenever she whenever she hears it, she has to fan

1281
01:04:57,600 --> 01:05:03,240
Speaker 1: her eyes. Gl I love how Donald you're bragging about

1282
01:05:03,600 --> 01:05:06,040
Speaker 1: having two singles in your wallet. You say hello miss

1283
01:05:06,160 --> 01:05:10,920
Speaker 1: when he gives you the funny Jackson to the Washington Brothers.

1284
01:05:11,360 --> 01:05:16,120
Speaker 1: Right now, you guys get nice and acquainted and in

1285
01:05:16,360 --> 01:05:21,120
Speaker 1: Mamallet you're dancing. There was so funny. Man, Yes, I

1286
01:05:21,200 --> 01:05:23,200
Speaker 1: had a lot of I had a lot of fun

1287
01:05:23,280 --> 01:05:25,400
Speaker 1: doing that. I'm sure I did. It's it's really weird,

1288
01:05:25,520 --> 01:05:28,880
Speaker 1: you know how things change, Because everybody did a Michael

1289
01:05:28,920 --> 01:05:32,520
Speaker 1: Jackson impersonation back in the day. Everybody did it. I

1290
01:05:32,640 --> 01:05:35,600
Speaker 1: can't recall the last time I've seen Michael Jackson impersonation.

1291
01:05:35,960 --> 01:05:38,600
Speaker 1: It's been a very very long time now. Probably if

1292
01:05:38,640 --> 01:05:40,320
Speaker 1: we were doing the show now, you probably wouldn't be

1293
01:05:40,400 --> 01:05:43,120
Speaker 1: doing so many Michael Jackson's Now. I love a Growing

1294
01:05:43,160 --> 01:05:45,160
Speaker 1: Pain shout out for those of you who were two

1295
01:05:45,160 --> 01:05:47,520
Speaker 1: youngs to know Growing Pains was a very popular sitcom

1296
01:05:48,120 --> 01:05:52,880
Speaker 1: and starring Kirk Cameron and uh when when when when

1297
01:05:52,960 --> 01:05:55,760
Speaker 1: we all go to lunch, I say, oh no, I'm

1298
01:05:55,760 --> 01:05:58,400
Speaker 1: trying to defend Dan. Oh no, he he he lives

1299
01:05:58,440 --> 01:06:00,360
Speaker 1: with my mom, but he's got his own area. He's

1300
01:06:00,360 --> 01:06:02,840
Speaker 1: like Kirk Cameron when he loved the Garage with Boner

1301
01:06:04,120 --> 01:06:06,360
Speaker 1: and Kurt Cameron had a friend in the show named

1302
01:06:06,400 --> 01:06:08,960
Speaker 1: named Boner, which made no sense. Why was his friend

1303
01:06:09,080 --> 01:06:11,720
Speaker 1: named Boner? Everyone knows what his name. His last name

1304
01:06:11,840 --> 01:06:16,720
Speaker 1: was Bone and his dad's name was Sylvester. But then

1305
01:06:16,800 --> 01:06:21,480
Speaker 1: you rut you yell out to the room Boner. Come on, everyone,

1306
01:06:22,800 --> 01:06:28,040
Speaker 1: it's two low hanging fruit ber. You guys didn't hear

1307
01:06:28,080 --> 01:06:31,480
Speaker 1: what I said. His dad's name will was Sylvester and

1308
01:06:31,600 --> 01:06:35,880
Speaker 1: his last name stabone Sylvester stabone. Yeah. Do you know

1309
01:06:35,960 --> 01:06:39,120
Speaker 1: the Growing Pain's theme instead of Sylvester stallone Sylvester stabone.

1310
01:06:39,480 --> 01:06:42,560
Speaker 1: Do you know? I get it? Okay, it just wasn't

1311
01:06:42,600 --> 01:06:46,400
Speaker 1: that funny, I guess. I'm sorry. I thought it was

1312
01:06:46,480 --> 01:06:50,120
Speaker 1: hilarious when I first hearted the show. Kids, Wait a second, Boner,

1313
01:06:50,360 --> 01:06:53,320
Speaker 1: your dad's name is Sylvester stabone. And then he turns

1314
01:06:53,360 --> 01:07:01,080
Speaker 1: back and looks like Mike and goes, who know what joke?

1315
01:07:01,640 --> 01:07:03,600
Speaker 1: Please sing the theme song for it? Donald? Do you

1316
01:07:03,640 --> 01:07:06,200
Speaker 1: know the same song? Tom? Tommy? You might not know this,

1317
01:07:06,320 --> 01:07:09,040
Speaker 1: but Donald can sing theme song. If you tell me

1318
01:07:09,080 --> 01:07:13,400
Speaker 1: how it starts, I could sing it. Show me that's

1319
01:07:13,480 --> 01:07:17,240
Speaker 1: my again. Okay, Zach, I got it. Don't waste the

1320
01:07:17,440 --> 01:07:21,920
Speaker 1: nun it on your crying and we're nowhere near the

1321
01:07:22,560 --> 01:07:30,280
Speaker 1: end her best edit to be again. Oh okay, we

1322
01:07:30,440 --> 01:07:35,840
Speaker 1: started too high. As long as we get each other, yeah,

1323
01:07:35,960 --> 01:07:40,040
Speaker 1: we got the world hanging right in our heads, Baby

1324
01:07:40,200 --> 01:07:44,840
Speaker 1: rain or shine Foot all the time. Okay, we've got

1325
01:07:44,920 --> 01:07:51,680
Speaker 1: each other, sharing the left of love, sharing the laft.

1326
01:07:56,480 --> 01:07:59,040
Speaker 1: I'm gonna release an album tom of Donald has to

1327
01:07:59,080 --> 01:08:02,240
Speaker 1: show that Digitis the show that did every season they

1328
01:08:02,280 --> 01:08:04,920
Speaker 1: did a different version of that song. Oh really. They

1329
01:08:05,000 --> 01:08:07,240
Speaker 1: also at some point they had a baby and then

1330
01:08:07,280 --> 01:08:09,640
Speaker 1: they were like, the baby's boring in next season, she's

1331
01:08:09,640 --> 01:08:12,960
Speaker 1: gonna be five. And they also they also had nobody

1332
01:08:13,000 --> 01:08:15,280
Speaker 1: else aged, but the baby was all of a sudden five.

1333
01:08:15,640 --> 01:08:17,840
Speaker 1: They also like fostered a kid for a little bit.

1334
01:08:18,200 --> 01:08:24,200
Speaker 1: Who was young Leonardo DiCaprio. Oh that's right, young young

1335
01:08:24,360 --> 01:08:27,000
Speaker 1: Leo's first show, I believe. Well, I don't know if

1336
01:08:27,040 --> 01:08:29,479
Speaker 1: it was his first, but there's really cute. I've seen,

1337
01:08:29,560 --> 01:08:32,720
Speaker 1: like you know when they do like you know, you know, well,

1338
01:08:32,800 --> 01:08:34,800
Speaker 1: remember who this little boy was. I've seen like his

1339
01:08:34,920 --> 01:08:37,800
Speaker 1: first interviews. I just love being an actor and I'm

1340
01:08:37,840 --> 01:08:40,040
Speaker 1: just happy to be with these guys. It was really cute,

1341
01:08:40,360 --> 01:08:43,639
Speaker 1: and now look at him. Donald has a little Leo crushed.

1342
01:08:43,680 --> 01:08:46,879
Speaker 1: Tommy comes up almost every episode. I love Leonardo DiCaprio.

1343
01:08:47,120 --> 01:08:50,760
Speaker 1: Yeah so um last one of my favorite actors of

1344
01:08:50,800 --> 01:08:54,080
Speaker 1: all time. One of our last episodes ended with Donald

1345
01:08:54,200 --> 01:08:58,160
Speaker 1: talking about trying to dock with No no no no

1346
01:08:58,280 --> 01:09:01,439
Speaker 1: no no no no no no plane later to bring guess.

1347
01:09:02,880 --> 01:09:05,519
Speaker 1: We gotta go to break. We gotta guess, guys, what

1348
01:09:05,600 --> 01:09:09,479
Speaker 1: about that? Wait, we should go to break, guys, I'm

1349
01:09:09,479 --> 01:09:12,160
Speaker 1: just saying to break. We'll be right back after Donald

1350
01:09:12,240 --> 01:09:16,400
Speaker 1: docs Leo. No, no, no, no, what did he say?

1351
01:09:16,520 --> 01:09:18,679
Speaker 1: What was that? Now? I did not say I wanted

1352
01:09:18,720 --> 01:09:20,360
Speaker 1: to dock with Leo. I just said it thought he

1353
01:09:20,479 --> 01:09:22,519
Speaker 1: was a great actor. We went to break, we went.

1354
01:09:23,240 --> 01:09:25,960
Speaker 1: We haven't go yet. All right, now we gotta I

1355
01:09:26,040 --> 01:09:28,080
Speaker 1: think we need to clarify this because I don't want

1356
01:09:28,120 --> 01:09:31,040
Speaker 1: it out there in the ethos that somebody that I'm

1357
01:09:31,200 --> 01:09:33,320
Speaker 1: walking around telling people I want to dock with Leo,

1358
01:09:33,360 --> 01:09:35,920
Speaker 1: because that ain't was happening here. Okay, okay, that ain't was.

1359
01:09:36,000 --> 01:09:38,320
Speaker 1: Donald does not want to dock Leo. Everybody, Yes he does.

1360
01:09:38,360 --> 01:09:48,960
Speaker 1: We're gonna break. Wait what all right? Now we're back

1361
01:09:49,080 --> 01:09:51,360
Speaker 1: tom We take a caller here on this show and

1362
01:09:51,840 --> 01:09:55,200
Speaker 1: Joel curates them. There are zillions of people that email

1363
01:09:55,240 --> 01:09:57,920
Speaker 1: her and try and send her payola. Uh, and she

1364
01:09:58,760 --> 01:10:01,400
Speaker 1: it's all accepts all the money. She accepts all the money.

1365
01:10:01,479 --> 01:10:04,280
Speaker 1: Let us all the money. Send you sending money to Joel,

1366
01:10:05,439 --> 01:10:08,040
Speaker 1: do it the right way, don't send like send sending

1367
01:10:08,080 --> 01:10:10,400
Speaker 1: the real deal. Hope. We feel her thought, if you

1368
01:10:10,479 --> 01:10:13,240
Speaker 1: don't get picked, but money does help. But you know,

1369
01:10:13,360 --> 01:10:16,439
Speaker 1: cash is a little crass. What you can sell sending baskets?

1370
01:10:17,760 --> 01:10:19,320
Speaker 1: Cash's crist I don't know if it has ever said

1371
01:10:19,360 --> 01:10:22,639
Speaker 1: that before, but I'm a good Cash's crass. Cash's crass.

1372
01:10:22,720 --> 01:10:25,640
Speaker 1: Send a woman a wine basket or or some of

1373
01:10:25,720 --> 01:10:29,479
Speaker 1: God's lettuce. Uh, she'll take either one. O. G. Cush

1374
01:10:29,720 --> 01:10:33,799
Speaker 1: is preferred. Who do we have today for the Tom Cavanaugh?

1375
01:10:35,040 --> 01:10:42,160
Speaker 1: Who Who's America's favorite older brother? We had O nurse Christina? Christina?

1376
01:10:43,439 --> 01:10:50,560
Speaker 1: Christ Hello? Where are you calling from? Christina? Koston and

1377
01:10:50,720 --> 01:10:54,960
Speaker 1: the house? Christina? Um, you're an ear nurse, we heard,

1378
01:10:55,080 --> 01:10:57,400
Speaker 1: so that means you're gonna get even more respect than

1379
01:10:57,439 --> 01:10:59,719
Speaker 1: the average caller. We give our callers a lot of respect,

1380
01:10:59,800 --> 01:11:03,120
Speaker 1: but an ear nurse gets top respect from well, thank you.

1381
01:11:04,080 --> 01:11:07,080
Speaker 1: What's it like right now? You guys are in Houston's

1382
01:11:07,840 --> 01:11:11,960
Speaker 1: it sucks. Yeah, yeah, what's the status. I think I

1383
01:11:12,040 --> 01:11:16,519
Speaker 1: had heard that Texas was legitimately running out of ICU beds. Yeah,

1384
01:11:16,640 --> 01:11:19,280
Speaker 1: I mean, we tried to ship out a critical patient

1385
01:11:19,360 --> 01:11:21,439
Speaker 1: the other night and couldn't get a hospital that could

1386
01:11:21,479 --> 01:11:23,439
Speaker 1: take him in Houston. We tried to lie fight him

1387
01:11:23,439 --> 01:11:25,040
Speaker 1: out because we didn't have a specialist for it and

1388
01:11:25,160 --> 01:11:29,639
Speaker 1: could not find a hospital. It's tragic. It's tragic, Oh

1389
01:11:29,680 --> 01:11:31,519
Speaker 1: my god. And people need to hear from people like

1390
01:11:31,640 --> 01:11:33,639
Speaker 1: you on the front lines, because I think a lot

1391
01:11:33,680 --> 01:11:35,800
Speaker 1: of people, you know, as we've talked about on the show,

1392
01:11:35,840 --> 01:11:39,000
Speaker 1: Donald and I lost a friend and uh, and I

1393
01:11:39,120 --> 01:11:41,519
Speaker 1: think people like you who were on the front lines,

1394
01:11:41,600 --> 01:11:44,120
Speaker 1: people like us who've lost a loved one, we are

1395
01:11:44,200 --> 01:11:47,840
Speaker 1: seeing him. And Dan was was explaining something on the show.

1396
01:11:47,880 --> 01:11:50,320
Speaker 1: I thought that was really that really land with me,

1397
01:11:50,479 --> 01:11:52,920
Speaker 1: that unless you're on the front lines and then seeing it,

1398
01:11:53,200 --> 01:11:55,080
Speaker 1: you can kind of live in this sort of dream

1399
01:11:55,120 --> 01:11:57,880
Speaker 1: world where you you know, you're just you know, obviously,

1400
01:11:57,920 --> 01:11:59,519
Speaker 1: I know people are suffering, they're not working, and the

1401
01:11:59,600 --> 01:12:02,040
Speaker 1: kids are in school, but it cannot it's a little

1402
01:12:02,040 --> 01:12:04,000
Speaker 1: bit out of sight, out of mind, whereas someone like

1403
01:12:04,200 --> 01:12:07,720
Speaker 1: you who's seeing this every single day. Um, it must

1404
01:12:07,760 --> 01:12:10,120
Speaker 1: be just very very traumatic for you that we also

1405
01:12:10,160 --> 01:12:12,960
Speaker 1: see what COVID does to people too, right, what and

1406
01:12:13,200 --> 01:12:15,560
Speaker 1: and and and a lot of people that's something that

1407
01:12:17,200 --> 01:12:21,880
Speaker 1: Americans don't see. We don't see the uh, what's what's

1408
01:12:22,160 --> 01:12:26,040
Speaker 1: left up people after COVID has ravaged their bodies and

1409
01:12:26,520 --> 01:12:30,320
Speaker 1: uh and and you know, rect habit rect haboc on

1410
01:12:30,479 --> 01:12:35,280
Speaker 1: their organs and stuff. So, uh, it's just a it's

1411
01:12:35,320 --> 01:12:37,679
Speaker 1: a slave in the face when we're risking our lives

1412
01:12:37,720 --> 01:12:39,360
Speaker 1: and then people are on here saying it's a hoax

1413
01:12:39,520 --> 01:12:43,640
Speaker 1: or that it's a Yeah, it's just frustrating because we

1414
01:12:43,640 --> 01:12:45,600
Speaker 1: don't have any reason to lie about it, right, I know,

1415
01:12:45,920 --> 01:12:47,120
Speaker 1: I know by the way we see that, by the

1416
01:12:47,120 --> 01:12:49,200
Speaker 1: way we see that. I see even in our comments

1417
01:12:49,280 --> 01:12:51,280
Speaker 1: on Instagram, I don't know you saw this. Donald People

1418
01:12:51,320 --> 01:12:54,360
Speaker 1: were like, uh, enough of the mask talk. You're becoming

1419
01:12:54,439 --> 01:12:57,360
Speaker 1: like every other show. And I wanted to like throw

1420
01:12:57,520 --> 01:13:00,400
Speaker 1: my fucking phone at the wall because I was like,

1421
01:13:00,479 --> 01:13:02,920
Speaker 1: our friend just died, So there's gonna be some COVID

1422
01:13:03,000 --> 01:13:07,680
Speaker 1: talk where I fucking ask, right, But um, anyway, I

1423
01:13:07,960 --> 01:13:11,200
Speaker 1: I we thank you for for I just think there's

1424
01:13:11,240 --> 01:13:14,840
Speaker 1: nothing more noble than than being a nurse. And there's

1425
01:13:14,960 --> 01:13:17,320
Speaker 1: extra cherry on top for doing it in the er

1426
01:13:17,520 --> 01:13:20,680
Speaker 1: because the things you must see. And I want to

1427
01:13:20,720 --> 01:13:22,599
Speaker 1: thank y'all real quick for the video that y'all did

1428
01:13:22,680 --> 01:13:25,679
Speaker 1: with you know, Patrick Harris thanking all the healthcare workers.

1429
01:13:25,720 --> 01:13:28,320
Speaker 1: It did not get enough props, but it really meant something.

1430
01:13:28,400 --> 01:13:31,599
Speaker 1: I thank you, thank you, thank you. Um So let's

1431
01:13:31,640 --> 01:13:35,400
Speaker 1: switch to something more like our main mission is to

1432
01:13:35,479 --> 01:13:37,400
Speaker 1: make people giggle a bit. Do you have any questions

1433
01:13:37,479 --> 01:13:40,040
Speaker 1: for for us about scrubs or anything could be about

1434
01:13:40,080 --> 01:13:43,320
Speaker 1: the flash? I don't know. My first question is what's

1435
01:13:43,320 --> 01:13:46,160
Speaker 1: the craziest thing A fan has asked, Joe, Oh my gosh,

1436
01:13:46,680 --> 01:13:48,960
Speaker 1: have you ever signed anyone? And then they saw them

1437
01:13:48,960 --> 01:13:50,880
Speaker 1: again and they were like, I turned your signature into

1438
01:13:50,920 --> 01:13:54,720
Speaker 1: a tattoo. Yes, I've had that. Yeah, and people get

1439
01:13:54,760 --> 01:13:57,599
Speaker 1: tattoos to you? Is that weird? Yeah? I was talking

1440
01:13:57,640 --> 01:14:00,880
Speaker 1: about this yesterday. There's some really we tattoos of me

1441
01:14:01,080 --> 01:14:04,040
Speaker 1: out there. And also I actually like the ones some

1442
01:14:04,120 --> 01:14:08,120
Speaker 1: people have tattooed lines from Garden State that were meaningful

1443
01:14:08,240 --> 01:14:10,800
Speaker 1: to them. A film I wrote so I that I

1444
01:14:10,880 --> 01:14:13,200
Speaker 1: think is really cool because something I came up with

1445
01:14:13,439 --> 01:14:16,760
Speaker 1: was meant enough to them to put on their body

1446
01:14:16,800 --> 01:14:20,559
Speaker 1: as a as a as whatever a mantra if you will.

1447
01:14:20,840 --> 01:14:24,240
Speaker 1: But what I've seen, like like the weirdest faces I've

1448
01:14:24,280 --> 01:14:27,160
Speaker 1: made on Scrubs where I'm like, you know, like screaming

1449
01:14:27,280 --> 01:14:29,479
Speaker 1: out of fear, like actually in this episode with Tom

1450
01:14:29,520 --> 01:14:31,720
Speaker 1: where I'm like screaming out of fear, and I've seen

1451
01:14:31,800 --> 01:14:35,560
Speaker 1: that on like someone's thigh. Um, Donald, I saw a

1452
01:14:35,600 --> 01:14:39,400
Speaker 1: tattoo of you that as Church that it looked nothing

1453
01:14:39,439 --> 01:14:44,880
Speaker 1: like me. It looked like Charles Barkley. You're on my

1454
01:14:45,000 --> 01:14:48,519
Speaker 1: back and it looked like Charles literally. Now you know,

1455
01:14:48,760 --> 01:14:51,360
Speaker 1: as a kid, I was a big fan of Charles Barkley.

1456
01:14:51,520 --> 01:14:54,040
Speaker 1: But it didn't look anything like me. It looked literally

1457
01:14:54,200 --> 01:14:57,240
Speaker 1: like Charles Barkley. Right. The weirdest thing that's ever happened

1458
01:14:57,240 --> 01:14:58,880
Speaker 1: to me. I get a lot of people asking for

1459
01:14:59,000 --> 01:15:02,240
Speaker 1: it to eat. Yes, that happens to you a lot

1460
01:15:02,280 --> 01:15:04,080
Speaker 1: because they think you're very strong and they don't know

1461
01:15:04,600 --> 01:15:06,920
Speaker 1: I can hold a lot of people up there. Yeah,

1462
01:15:07,200 --> 01:15:10,200
Speaker 1: but it's it's it, Donald. You do let a lot

1463
01:15:10,280 --> 01:15:15,800
Speaker 1: more people mount you than I would ever listen. If

1464
01:15:15,880 --> 01:15:20,679
Speaker 1: you are brave enough to ask me, I will most

1465
01:15:20,760 --> 01:15:27,439
Speaker 1: likely oblige now that you should most likely, he said,

1466
01:15:27,479 --> 01:15:30,519
Speaker 1: most likely. Fine print That being said that, the fine print,

1467
01:15:30,600 --> 01:15:32,599
Speaker 1: Tom is like you must be under a certain amount

1468
01:15:32,600 --> 01:15:34,880
Speaker 1: of weight before trying to please got all permission. Don't

1469
01:15:34,880 --> 01:15:36,000
Speaker 1: do it in front of his children or his wife.

1470
01:15:36,000 --> 01:15:43,240
Speaker 1: We'll bitch shop you. Well. The fine print is the

1471
01:15:43,360 --> 01:15:45,479
Speaker 1: fine print, truly is like it has to be a

1472
01:15:45,560 --> 01:15:47,560
Speaker 1: special occasion. You can't just be out of nowhere, like

1473
01:15:47,640 --> 01:15:50,240
Speaker 1: you walk down the street and like, lady, let's eagle

1474
01:15:50,320 --> 01:15:52,800
Speaker 1: and that's not gonna happen. It has to be you know,

1475
01:15:53,439 --> 01:15:56,640
Speaker 1: it has to be something like if I'm at a

1476
01:15:56,800 --> 01:15:59,080
Speaker 1: conference and it's yes, you know what I mean, and

1477
01:15:59,320 --> 01:16:01,639
Speaker 1: they got to catch you when you're not woozy. Yeah.

1478
01:16:03,000 --> 01:16:04,960
Speaker 1: So that's the one thing that that's the one thing

1479
01:16:05,040 --> 01:16:08,040
Speaker 1: that that's pretty weird is that being asked to eagle.

1480
01:16:08,080 --> 01:16:09,880
Speaker 1: It's like, really want to jump on my back? You

1481
01:16:10,000 --> 01:16:12,000
Speaker 1: feel that comfortable right now to walk up to me

1482
01:16:12,680 --> 01:16:15,040
Speaker 1: asked me to give you an ask and ask me

1483
01:16:15,120 --> 01:16:18,120
Speaker 1: to give you a piggyback ride? Tom, have you ever

1484
01:16:18,200 --> 01:16:20,400
Speaker 1: had a weird fan moments? I bet some of your

1485
01:16:20,439 --> 01:16:23,400
Speaker 1: young flash fans have asked for something odd. I think

1486
01:16:23,640 --> 01:16:25,599
Speaker 1: just what you were saying earlier. I think it really

1487
01:16:25,680 --> 01:16:31,120
Speaker 1: tests your metal as an actor when somebody suddenly unveils

1488
01:16:31,160 --> 01:16:35,760
Speaker 1: a tattoo of you on them, because you know, I

1489
01:16:35,840 --> 01:16:37,360
Speaker 1: think the reaction they're looking for it is like, oh

1490
01:16:37,439 --> 01:16:41,800
Speaker 1: that's great, wow, you know, but really your reaction is right, yeah,

1491
01:16:44,280 --> 01:16:45,840
Speaker 1: you know, and you really got to you got to

1492
01:16:45,880 --> 01:16:48,400
Speaker 1: try and cover that as best you can because they've got,

1493
01:16:48,760 --> 01:16:54,240
Speaker 1: you know, I permanent ink on their body. Of course,

1494
01:16:55,479 --> 01:16:58,800
Speaker 1: you naturally, you're naturally assumed they're going to regret it.

1495
01:16:58,960 --> 01:17:00,680
Speaker 1: You think the next day. You don't think you're going

1496
01:17:00,720 --> 01:17:03,240
Speaker 1: to end up seeing it ever, But yeah, of course

1497
01:17:03,280 --> 01:17:05,280
Speaker 1: it's going to be a massive regret. Well, we talked

1498
01:17:05,360 --> 01:17:07,360
Speaker 1: before you came on, Tonnel about how I'm gonna get

1499
01:17:07,600 --> 01:17:13,600
Speaker 1: Donald on my face. Joel Joel Joelle reminded us that

1500
01:17:13,720 --> 01:17:17,240
Speaker 1: I should not attempt to shade it in at all,

1501
01:17:17,360 --> 01:17:20,920
Speaker 1: because huh, I listened. I listened to your episode. Yeah listen,

1502
01:17:21,840 --> 01:17:24,759
Speaker 1: of course, Yeah, Joelle, you guys were very well. Joel

1503
01:17:24,840 --> 01:17:28,120
Speaker 1: just came on in a moment of nervousness, being like, guys,

1504
01:17:28,320 --> 01:17:32,439
Speaker 1: guys talk about here's the voice, here's the voice of reason.

1505
01:17:32,960 --> 01:17:35,519
Speaker 1: Please listen to the voice of I assured Joelle that

1506
01:17:35,560 --> 01:17:38,960
Speaker 1: would be solely an outline of his beautiful face. How

1507
01:17:39,000 --> 01:17:41,519
Speaker 1: many people have sent you in appletini in the bar?

1508
01:17:42,320 --> 01:17:45,120
Speaker 1: Oh oh, that's a very good question. Um, that's happened

1509
01:17:45,160 --> 01:17:47,960
Speaker 1: to bunch. I gotten sent a lot of apple tinis.

1510
01:17:48,200 --> 01:17:51,320
Speaker 1: They don't, Um, I don't don't like appleto just be honest,

1511
01:17:51,400 --> 01:17:54,160
Speaker 1: it's very sweet. It's sugar, I don't. I mean, I

1512
01:17:54,280 --> 01:17:56,439
Speaker 1: understand it if you're if you're young, or if you're

1513
01:17:56,720 --> 01:17:58,560
Speaker 1: if you're out for a night, you want to have

1514
01:17:58,640 --> 01:18:01,240
Speaker 1: a funny cocktail. But I think that if you shouldn't

1515
01:18:01,240 --> 01:18:03,120
Speaker 1: get a trunk on them because they are so filled

1516
01:18:03,160 --> 01:18:07,080
Speaker 1: with sugar head. The next day. I'm one of the

1517
01:18:07,120 --> 01:18:09,400
Speaker 1: owners of a restaurant in New York that I'll give

1518
01:18:09,439 --> 01:18:12,439
Speaker 1: a plug too now called the Mermaid Oyster Bar, and

1519
01:18:14,520 --> 01:18:16,760
Speaker 1: it's seventy nine McDougall if you'd like to check it

1520
01:18:16,800 --> 01:18:20,120
Speaker 1: out when the world reopens. But do they serve oysters

1521
01:18:20,200 --> 01:18:23,240
Speaker 1: at oyster Yes, they have the sixteen different types of oysters.

1522
01:18:24,479 --> 01:18:26,040
Speaker 1: I love that you just said, do they serve oysters

1523
01:18:26,080 --> 01:18:30,160
Speaker 1: at this oyster bar? He was trying to starting to

1524
01:18:30,160 --> 01:18:34,519
Speaker 1: see if it was good. He'd be a good friend

1525
01:18:34,560 --> 01:18:36,920
Speaker 1: and trying to be like, tell us more about this. Oh,

1526
01:18:36,960 --> 01:18:39,200
Speaker 1: you probably want to know about our lobster roll. Donald,

1527
01:18:39,520 --> 01:18:41,880
Speaker 1: do you have a lobster roll? Oh? We have lobster

1528
01:18:42,000 --> 01:18:45,639
Speaker 1: roll in Manhattan. I'll tell you that right now. Really yeah, yeah,

1529
01:18:45,720 --> 01:18:48,840
Speaker 1: seventy nine. My point was that the owner told me that,

1530
01:18:49,080 --> 01:18:50,559
Speaker 1: He's like, do you have an idea why people keep

1531
01:18:50,640 --> 01:18:54,080
Speaker 1: coming in and ordering apple tinis? That's fine, and he's like,

1532
01:18:54,160 --> 01:18:55,800
Speaker 1: I don't know, but can you make them? He's like, no,

1533
01:18:55,920 --> 01:18:58,840
Speaker 1: we're not making appletinis. Just people tell your fans to

1534
01:18:58,880 --> 01:19:06,000
Speaker 1: stop ordering us when we were young and they were tasty, though,

1535
01:19:06,840 --> 01:19:09,320
Speaker 1: I don't know. Do you like them? Christina? A little

1536
01:19:09,360 --> 01:19:13,200
Speaker 1: sweet for me? All right? You have another question for us, Christina. Um,

1537
01:19:13,520 --> 01:19:15,880
Speaker 1: so scrubs one, what is your most memorable scene that

1538
01:19:15,920 --> 01:19:21,760
Speaker 1: you filmed? Oh? Heavy question, good question? Wow? Um well

1539
01:19:21,840 --> 01:19:24,599
Speaker 1: Tom can go first because he's the guest. He's got

1540
01:19:24,680 --> 01:19:30,200
Speaker 1: less did It's easy? It was just you know, I

1541
01:19:30,520 --> 01:19:34,040
Speaker 1: loved almost every scene we did for comedy. There was

1542
01:19:34,080 --> 01:19:36,719
Speaker 1: one where the three of us were um part buddies

1543
01:19:36,800 --> 01:19:38,880
Speaker 1: where we did the fart stuff. Yeah, we were goofing

1544
01:19:38,880 --> 01:19:40,680
Speaker 1: around the thing and then we had to we were

1545
01:19:40,680 --> 01:19:42,599
Speaker 1: eating breakfast and then we had to go I had

1546
01:19:42,600 --> 01:19:44,439
Speaker 1: to go to the bathroom, and it just became this

1547
01:19:44,560 --> 01:19:47,479
Speaker 1: long running I'll be in there for one minute, two minutes,

1548
01:19:47,560 --> 01:19:50,560
Speaker 1: five minutes, ten minutes, one minute, um. And then the

1549
01:19:50,680 --> 01:19:53,800
Speaker 1: other one was just the John Ritter uh stuff to

1550
01:19:53,880 --> 01:19:56,240
Speaker 1: have been like a part of that with with you guys,

1551
01:19:56,360 --> 01:19:59,479
Speaker 1: was you know it was? It was meaningful, certainly. The

1552
01:19:59,560 --> 01:20:03,280
Speaker 1: bats scene, the bad type scene was a little less

1553
01:20:03,320 --> 01:20:07,160
Speaker 1: fun than you might expect. At one point John c

1554
01:20:07,400 --> 01:20:10,519
Speaker 1: Riley is like, by no, you're sitting in abouts too,

1555
01:20:10,640 --> 01:20:13,840
Speaker 1: probably of your own urine, and I think that was

1556
01:20:13,920 --> 01:20:16,479
Speaker 1: probably closer to the truth. So less fun. But at

1557
01:20:16,520 --> 01:20:19,160
Speaker 1: the same time, you know, it's one thing that I

1558
01:20:19,280 --> 01:20:22,559
Speaker 1: hear a lot, you know about the Captain bubble Beerver

1559
01:20:22,640 --> 01:20:25,720
Speaker 1: or whatever the heck it was called. Anyway, So you guys,

1560
01:20:25,760 --> 01:20:28,040
Speaker 1: that's enough. Now you've had enough time. I've stalled well enough,

1561
01:20:28,120 --> 01:20:30,559
Speaker 1: I feel, and now you guys have the tarmac ready.

1562
01:20:32,040 --> 01:20:35,720
Speaker 1: We answered something similar to this recently, but I wonder

1563
01:20:35,760 --> 01:20:37,559
Speaker 1: if it's the same answer for you. Donald go ahead,

1564
01:20:37,600 --> 01:20:42,960
Speaker 1: well the Star Wars, Oh yeah, you're right. Uh. Also, uh,

1565
01:20:43,720 --> 01:20:47,000
Speaker 1: getting the opportunity to do an Indiana Jones situation in

1566
01:20:47,640 --> 01:20:50,599
Speaker 1: Someone's colon was a lot of fun doing the whole

1567
01:20:50,880 --> 01:20:53,479
Speaker 1: opening to Raiders of the Lost Dark and side of

1568
01:20:53,560 --> 01:20:58,680
Speaker 1: Someone's colon um and then uh, to be honest with you,

1569
01:21:00,200 --> 01:21:04,599
Speaker 1: one of my favorite scenes. It's a song, but Zach

1570
01:21:04,640 --> 01:21:07,920
Speaker 1: and I singing everything comes down to Pooh. Still to

1571
01:21:08,080 --> 01:21:10,680
Speaker 1: this day is one of my like, I watched that

1572
01:21:11,640 --> 01:21:13,400
Speaker 1: with a smile, and I can't watch a lot of

1573
01:21:13,439 --> 01:21:15,880
Speaker 1: the things that I do, but that's one thing that

1574
01:21:16,000 --> 01:21:18,840
Speaker 1: I've done where I'm like that was. That was fucking

1575
01:21:19,360 --> 01:21:22,160
Speaker 1: a great time shooting that. Yeah, one of my favorite

1576
01:21:22,200 --> 01:21:25,840
Speaker 1: times was repelling across the fake city street on the

1577
01:21:25,960 --> 01:21:28,920
Speaker 1: Universal backlot on the episode where Donald and I go

1578
01:21:29,000 --> 01:21:33,000
Speaker 1: on a quest to find Molly, Heather Graham's character, and

1579
01:21:33,640 --> 01:21:36,320
Speaker 1: we repel across the street and then nail the wall

1580
01:21:36,840 --> 01:21:39,280
Speaker 1: and I fall into a bunch of garbage and then

1581
01:21:39,320 --> 01:21:41,040
Speaker 1: I get up and she looks at me, and I

1582
01:21:41,080 --> 01:21:43,799
Speaker 1: act like I'm surprised to see her, and I go, Molly,

1583
01:21:45,080 --> 01:21:47,800
Speaker 1: you're doing here? That was just the most fun because

1584
01:21:47,840 --> 01:21:50,160
Speaker 1: you know, do you remember how you got the to

1585
01:21:50,680 --> 01:21:53,080
Speaker 1: repel across the rope which I pulled your shirt off

1586
01:21:53,160 --> 01:21:55,280
Speaker 1: of you. No, you've pulled my gown off of me.

1587
01:21:55,560 --> 01:21:57,320
Speaker 1: I've been out a gown on it or it wasn't

1588
01:21:57,360 --> 01:22:00,040
Speaker 1: a shirt, it was a hospital gun. Yeah yeah, And

1589
01:22:00,680 --> 01:22:03,479
Speaker 1: I go and I go, yeah, I pull it off

1590
01:22:03,560 --> 01:22:06,360
Speaker 1: and you gasp and then you're shirtless. And then I

1591
01:22:06,560 --> 01:22:10,120
Speaker 1: turned it turn, I turned into a thing to repel

1592
01:22:10,160 --> 01:22:13,360
Speaker 1: across the street. And then and then I go Molly,

1593
01:22:13,439 --> 01:22:15,160
Speaker 1: and she goes, what are you doing here? And then

1594
01:22:15,200 --> 01:22:17,400
Speaker 1: all of a sudden, you just see Donald in the background,

1595
01:22:17,600 --> 01:22:24,080
Speaker 1: dropped down into frame naked. So that was just so

1596
01:22:24,240 --> 01:22:27,280
Speaker 1: fun because you know, we didn't always Yeah, as I've

1597
01:22:27,280 --> 01:22:29,639
Speaker 1: said before on the podcast, that episode was like so epic.

1598
01:22:29,720 --> 01:22:32,200
Speaker 1: We didn't always do episodes that were that big. And

1599
01:22:32,280 --> 01:22:35,439
Speaker 1: there we were like taking over the Universal backlot to

1600
01:22:35,560 --> 01:22:38,640
Speaker 1: do that scene and I was directing, and it was

1601
01:22:38,680 --> 01:22:40,560
Speaker 1: just funny. I remember just laughing my ass off that.

1602
01:22:49,840 --> 01:22:51,840
Speaker 1: All right, Well, we gotta go because our show's going

1603
01:22:51,880 --> 01:22:56,080
Speaker 1: so incredibly long with Christina. Thank you from and all sincerity.

1604
01:22:56,160 --> 01:22:58,160
Speaker 1: Thank you so much for for what you're doing, for

1605
01:22:58,240 --> 01:23:00,360
Speaker 1: for everything, for being on the front line for us.

1606
01:23:00,600 --> 01:23:02,280
Speaker 1: Can I just sat y'all to give a quick shout

1607
01:23:02,320 --> 01:23:03,559
Speaker 1: out to two of my best friends that are super

1608
01:23:03,640 --> 01:23:08,920
Speaker 1: jealous right now. Of course, sure, Preston and Nikki, Yo, Preston, Nikki,

1609
01:23:09,400 --> 01:23:13,439
Speaker 1: it's down a phase on and oh I'm Zach Braff

1610
01:23:16,920 --> 01:23:26,280
Speaker 1: and Zach Braff. Sorry, what's happening, y'all? What's happening y'all?

1611
01:23:26,360 --> 01:23:30,000
Speaker 1: What's happening? By Preston and Nikki and by Christina. Thank

1612
01:23:30,000 --> 01:23:33,240
Speaker 1: you so much, thank you, thank you, Christina. Now listen,

1613
01:23:33,280 --> 01:23:35,280
Speaker 1: it's not beneath us. It scrubs to do a fart

1614
01:23:35,360 --> 01:23:38,200
Speaker 1: joke every now and then. And uh, and your family

1615
01:23:38,320 --> 01:23:42,200
Speaker 1: loves to fart. Dorian's love to fart. True. Oh, by

1616
01:23:42,240 --> 01:23:43,800
Speaker 1: the way, we were, we were, we were. We were

1617
01:23:43,960 --> 01:23:46,160
Speaker 1: lucky enough to have the late John Riddard do a

1618
01:23:46,240 --> 01:23:49,600
Speaker 1: fart joke on the show before he passed away. And

1619
01:23:49,720 --> 01:23:52,240
Speaker 1: now we have the great Tom Kavanaugh honoring us with

1620
01:23:52,360 --> 01:23:57,920
Speaker 1: a fart joke. We sprinkled him around. That was sprinkled

1621
01:23:57,960 --> 01:24:01,920
Speaker 1: him around us. Good analogy. Your reaction is tremendous. It's

1622
01:24:01,920 --> 01:24:05,920
Speaker 1: like it's everywhere. It's a man who can't escape it.

1623
01:24:06,600 --> 01:24:09,600
Speaker 1: It is so horrible though, when when someone um is

1624
01:24:09,680 --> 01:24:12,000
Speaker 1: flatulent in a car and you don't have control of

1625
01:24:12,040 --> 01:24:14,679
Speaker 1: the window, isn't it just a horrible, horrible moment of life?

1626
01:24:15,280 --> 01:24:19,760
Speaker 1: I think an airplane is worse, but yes, airplane, you

1627
01:24:19,800 --> 01:24:26,560
Speaker 1: don't know who everybody's staring straight ahead, and moment on

1628
01:24:26,600 --> 01:24:28,519
Speaker 1: a plane where you like, you don't want anyone to

1629
01:24:28,560 --> 01:24:31,840
Speaker 1: think it's you react, you have to go, oh, geez.

1630
01:24:31,920 --> 01:24:33,960
Speaker 1: I always put my t shirt over my nose so

1631
01:24:34,200 --> 01:24:37,880
Speaker 1: people know, like, oh, he's reacting. It's clearly not him, right.

1632
01:24:38,600 --> 01:24:41,080
Speaker 1: It's just like when you go into the bathroom after

1633
01:24:41,200 --> 01:24:44,320
Speaker 1: somebody took a ship and on the airplane, yeah, and

1634
01:24:44,400 --> 01:24:46,439
Speaker 1: then you got to come out and face all the people.

1635
01:24:46,479 --> 01:24:48,519
Speaker 1: I'm sure we've talked about. Yeah, we talked about that

1636
01:24:48,640 --> 01:24:50,639
Speaker 1: horrible thing. And especially when you're in the public eye,

1637
01:24:50,720 --> 01:24:52,760
Speaker 1: you don't want someone to be like, dude, I was

1638
01:24:52,800 --> 01:24:56,920
Speaker 1: on a plane and Tom Cavanaugh crushed the bathroom and

1639
01:24:57,080 --> 01:24:59,840
Speaker 1: meanwhile you're thinking, like, no, mother effort. That was the

1640
01:25:00,000 --> 01:25:03,040
Speaker 1: I before me. I don't know. I don't know if

1641
01:25:03,040 --> 01:25:06,000
Speaker 1: I'd be that upset, but okay, yeah, I have an

1642
01:25:06,000 --> 01:25:08,800
Speaker 1: anxiety about when I go into a bathroom and it's

1643
01:25:08,840 --> 01:25:11,600
Speaker 1: been just rocked and then I come out and I'm like,

1644
01:25:11,840 --> 01:25:15,080
Speaker 1: I didn't do that. That was someone before me. I

1645
01:25:15,600 --> 01:25:19,000
Speaker 1: think we should do something anxiety about public restrooms period. Dude, Yeah,

1646
01:25:19,120 --> 01:25:21,439
Speaker 1: you paper, You put toilet paper down on the seat. Listen, man,

1647
01:25:21,479 --> 01:25:24,439
Speaker 1: we could go to the movies the whole family. Back

1648
01:25:24,479 --> 01:25:26,400
Speaker 1: when going to the movies was a thing. We'd be

1649
01:25:26,479 --> 01:25:28,920
Speaker 1: at the movie theater if I and the movie could

1650
01:25:28,920 --> 01:25:31,559
Speaker 1: be five minutes away from starting. If I feel even

1651
01:25:31,640 --> 01:25:35,360
Speaker 1: the slightest bit of a bubble in my guts, We're

1652
01:25:35,360 --> 01:25:39,080
Speaker 1: going home. Oh really, I'm not shitting at a movie there.

1653
01:25:39,080 --> 01:25:42,280
Speaker 1: You're poor kids. What do they do? They could cry

1654
01:25:42,360 --> 01:25:45,920
Speaker 1: on the way home, your kids home because you had

1655
01:25:45,960 --> 01:25:49,200
Speaker 1: to poop. Listen. I remember I remember one time going

1656
01:25:49,320 --> 01:25:52,040
Speaker 1: to a club and getting to the club and being

1657
01:25:52,240 --> 01:25:55,799
Speaker 1: at the club and uh, you know, about to dance

1658
01:25:56,160 --> 01:25:58,960
Speaker 1: and it was lit that night, and feeling a bubble

1659
01:25:59,000 --> 01:26:00,840
Speaker 1: in my guts and being like, know what, I'm going home?

1660
01:26:01,360 --> 01:26:06,000
Speaker 1: Oh at restaurants, so you never you never pull in public.

1661
01:26:06,240 --> 01:26:08,360
Speaker 1: I try my hardest not to poo in public. I

1662
01:26:08,479 --> 01:26:12,559
Speaker 1: have a phobia of it. It's uh, I don't know, man.

1663
01:26:13,040 --> 01:26:15,320
Speaker 1: Do you keep your outings to a concentric circle where

1664
01:26:15,320 --> 01:26:17,400
Speaker 1: you can make the getaway if you have to? No,

1665
01:26:17,640 --> 01:26:19,600
Speaker 1: There's been times where I was like, yeah, you I

1666
01:26:19,720 --> 01:26:21,920
Speaker 1: gotta do something. We gotta do something. Do you have friends?

1667
01:26:22,240 --> 01:26:25,840
Speaker 1: It's just something about the public. A public restroom is

1668
01:26:26,280 --> 01:26:28,000
Speaker 1: I used to have that for some reason. I was

1669
01:26:28,040 --> 01:26:29,600
Speaker 1: a kid do it. When I was a kid, I

1670
01:26:29,680 --> 01:26:31,519
Speaker 1: had it. I got over it. But one thing I

1671
01:26:31,640 --> 01:26:33,360
Speaker 1: can't do is if if it were in the men's

1672
01:26:33,439 --> 01:26:36,200
Speaker 1: room and there's and there's a line of stalls, I

1673
01:26:36,360 --> 01:26:39,960
Speaker 1: cannot poo if someone else is in the stall, I

1674
01:26:40,080 --> 01:26:43,000
Speaker 1: have to wait until the stalls are empty. You I

1675
01:26:43,080 --> 01:26:45,880
Speaker 1: can't hear the next mem I just can't sit next

1676
01:26:45,920 --> 01:26:48,360
Speaker 1: here that. But also I can't sit next to the

1677
01:26:48,400 --> 01:26:51,360
Speaker 1: person and they're like farting and you hear them Like

1678
01:26:53,840 --> 01:27:06,760
Speaker 1: I can't. It's too uncomfortable for me. What do you

1679
01:27:06,840 --> 01:27:09,280
Speaker 1: gotta hand it to them for their effort? You really

1680
01:27:09,439 --> 01:27:11,240
Speaker 1: didn't really have to go, you know, I don't want

1681
01:27:11,240 --> 01:27:13,080
Speaker 1: to be that guy. Man, I've been. I've been in

1682
01:27:13,200 --> 01:27:16,360
Speaker 1: the bathroom where another man did that. And I was

1683
01:27:16,439 --> 01:27:18,120
Speaker 1: a kid. I was very young, and it was me

1684
01:27:18,760 --> 01:27:21,400
Speaker 1: and we were doing a commercial. It was a basketball commercial.

1685
01:27:22,040 --> 01:27:25,080
Speaker 1: What yeah, it was a basketball commercial. Already jealous, I

1686
01:27:25,200 --> 01:27:27,280
Speaker 1: know we should talk about basketball. You have to come

1687
01:27:27,280 --> 01:27:29,360
Speaker 1: back on because we need to talk about our NBA

1688
01:27:29,479 --> 01:27:32,800
Speaker 1: Entertainment League days and all that stuff. Tom, Tom, were

1689
01:27:32,840 --> 01:27:38,040
Speaker 1: you already since we since you're you Joel, you heard

1690
01:27:38,080 --> 01:27:40,400
Speaker 1: this Dan, you heard this right? So I was invited.

1691
01:27:40,800 --> 01:27:44,599
Speaker 1: So that's what that's going to be now, and now

1692
01:27:44,640 --> 01:27:48,559
Speaker 1: you'll be bad. But we were filming a basketball commercial

1693
01:27:48,640 --> 01:27:51,320
Speaker 1: and I was very young and one, but I wasn't

1694
01:27:51,400 --> 01:27:53,000
Speaker 1: young enough where my parents had to be there. But

1695
01:27:53,080 --> 01:27:55,240
Speaker 1: there was one kid who was very young and his

1696
01:27:55,439 --> 01:27:58,200
Speaker 1: dad had to be there, and his dad would play basket.

1697
01:27:58,240 --> 01:28:00,360
Speaker 1: We were playing like we were all doing this, you know,

1698
01:28:00,760 --> 01:28:03,599
Speaker 1: uh the commercial. So we were all playing like full

1699
01:28:03,680 --> 01:28:07,960
Speaker 1: courts on other basketball courts and we would play with

1700
01:28:08,040 --> 01:28:10,799
Speaker 1: his dad too. And I remember going to the bathroom,

1701
01:28:10,840 --> 01:28:12,120
Speaker 1: me and a bunch of other dudes. We were going

1702
01:28:12,200 --> 01:28:14,400
Speaker 1: to take a leak and the dad was in the

1703
01:28:14,520 --> 01:28:21,320
Speaker 1: bathroom and was having a real hard time pooping, like

1704
01:28:21,439 --> 01:28:23,240
Speaker 1: the type of shit, like the like the type of

1705
01:28:23,240 --> 01:28:28,519
Speaker 1: stuff where it's like, oh god, damn, oh oh shit,

1706
01:28:28,880 --> 01:28:33,840
Speaker 1: why why that's always bad? When someone yells why it

1707
01:28:34,040 --> 01:28:42,639
Speaker 1: was taptick. That's the corn. That's the corn. That's the corn. Okay,

1708
01:28:42,640 --> 01:28:44,760
Speaker 1: you don't corn people are might be eating when they

1709
01:28:44,840 --> 01:28:46,439
Speaker 1: listen to this. Okay, we'll cut that out. We'll cut

1710
01:28:46,439 --> 01:28:48,240
Speaker 1: out the corner. No, I want to leave it. I like, okay,

1711
01:28:48,240 --> 01:28:51,720
Speaker 1: all right. Anyway, My point is I remember when he

1712
01:28:51,800 --> 01:28:55,200
Speaker 1: came out of the bathroom the shame on his poor

1713
01:28:55,320 --> 01:28:56,960
Speaker 1: son's face, because we were like, you know, your dad's

1714
01:28:57,320 --> 01:29:01,320
Speaker 1: blowing it up. And I think that's where my phobia

1715
01:29:01,400 --> 01:29:03,840
Speaker 1: comes from. I don't want to be that guy. But

1716
01:29:03,960 --> 01:29:05,760
Speaker 1: when I was a kid, my mom took me into

1717
01:29:05,840 --> 01:29:07,600
Speaker 1: the stall with her. You know, I was the of

1718
01:29:07,680 --> 01:29:10,240
Speaker 1: an age where she was obviously not leaving me alone,

1719
01:29:10,640 --> 01:29:13,680
Speaker 1: and a woman was really farting a lot as she

1720
01:29:13,880 --> 01:29:16,840
Speaker 1: was going pooh. And then we came out to the

1721
01:29:16,960 --> 01:29:20,479
Speaker 1: sinks and I apparently turned to the woman and pointed

1722
01:29:20,479 --> 01:29:23,800
Speaker 1: to my mom, that's the lady who was farting. No,

1723
01:29:31,439 --> 01:29:33,720
Speaker 1: my mom says, like to this day, that's the most

1724
01:29:33,760 --> 01:29:40,960
Speaker 1: embarrassing moment of her life. Goods all right? Um. The gorilla,

1725
01:29:41,040 --> 01:29:43,920
Speaker 1: by the way, Donald, I literally looked for I looked

1726
01:29:43,920 --> 01:29:45,640
Speaker 1: down in my notes and saw I thought that was

1727
01:29:45,720 --> 01:29:48,240
Speaker 1: really funny reveal. Yeah, I thought that was very I

1728
01:29:48,280 --> 01:29:50,680
Speaker 1: think Ken was ever in the suit. Oh, I don't know.

1729
01:29:50,760 --> 01:29:54,439
Speaker 1: That's a great question. A question. Let's ask Bill that one.

1730
01:29:55,800 --> 01:29:57,840
Speaker 1: Let's ask Bill, because Bill, I'm sure you want to

1731
01:29:57,840 --> 01:30:00,840
Speaker 1: say hi to the Tom Kavanaugh and um, you know,

1732
01:30:00,960 --> 01:30:03,920
Speaker 1: I did notice some of the fans were missing you

1733
01:30:04,439 --> 01:30:08,320
Speaker 1: and you're sabotaging our show by yelling the secret numbers?

1734
01:30:08,640 --> 01:30:13,080
Speaker 1: So billum, was Ken Jenkins ever in the guerrilla suit?

1735
01:30:13,240 --> 01:30:17,639
Speaker 1: And also say hi to Tom Kavanaugh? Bill, Hey, guys,

1736
01:30:17,800 --> 01:30:22,400
Speaker 1: how are you doing? Um? Question number? Ken Jenkins in

1737
01:30:22,560 --> 01:30:25,160
Speaker 1: that guerrilla suit? I seem to recall is what I

1738
01:30:25,240 --> 01:30:28,240
Speaker 1: love about Ken, you know, trying to be respectful of

1739
01:30:28,280 --> 01:30:31,280
Speaker 1: actors as like, of course, Ken, if you want to

1740
01:30:31,320 --> 01:30:33,479
Speaker 1: be the guy in this suit, you know we And

1741
01:30:33,680 --> 01:30:37,080
Speaker 1: I think he cut me off and said, Bill, it

1742
01:30:37,320 --> 01:30:39,920
Speaker 1: is not gonna You're not gonna see me. I don't

1743
01:30:40,160 --> 01:30:43,240
Speaker 1: care if I'm ever in that grills. So I do

1744
01:30:43,360 --> 01:30:46,120
Speaker 1: not think Ken Jenkins was ever in that thing? Um?

1745
01:30:46,560 --> 01:30:50,400
Speaker 1: Pretty sure? Uh? And uh I respect him more for it.

1746
01:30:50,520 --> 01:30:53,920
Speaker 1: Also got to say, man, not only one of my

1747
01:30:53,960 --> 01:30:56,280
Speaker 1: favorite guest stars on the show, but an all time

1748
01:30:56,400 --> 01:30:59,680
Speaker 1: good buddy Tom Kavanaugh. Hello, sir, oh hi Tom? Hey?

1749
01:31:00,040 --> 01:31:03,960
Speaker 1: How you doing? Man? I don't mean to steal this podcast,

1750
01:31:04,040 --> 01:31:06,320
Speaker 1: but it has been way too long since we've seen

1751
01:31:06,360 --> 01:31:08,640
Speaker 1: each other. It's been a has got to be at

1752
01:31:08,720 --> 01:31:10,880
Speaker 1: least like for like five or six or seven or

1753
01:31:10,880 --> 01:31:19,720
Speaker 1: eight months. No, thank you, of course, Guy turn season two,

1754
01:31:20,160 --> 01:31:24,120
Speaker 1: Dan get a new you need a new trick, trying

1755
01:31:24,120 --> 01:31:28,519
Speaker 1: to hijack our show. You know, speaking of tricks, the

1756
01:31:28,600 --> 01:31:31,400
Speaker 1: janitor never does his trick. I was I was asking.

1757
01:31:31,439 --> 01:31:33,479
Speaker 1: I was about to ask that it's a writing it's

1758
01:31:33,520 --> 01:31:36,880
Speaker 1: a writing flow of Bill. Sorry, what was that about?

1759
01:31:36,960 --> 01:31:39,479
Speaker 1: Since you just tried to hijack our show by saying

1760
01:31:39,520 --> 01:31:41,560
Speaker 1: the numbers, I will tell you, even though now you

1761
01:31:41,640 --> 01:31:45,840
Speaker 1: can't reply that, Uh yeah, you're fighting up or Tim Hober,

1762
01:31:46,439 --> 01:31:49,760
Speaker 1: Tim sucked up, some sucked up. Why do you lay

1763
01:31:49,800 --> 01:31:51,360
Speaker 1: in that the janitor's gonna do a trick and he

1764
01:31:51,439 --> 01:31:55,439
Speaker 1: never does. I think it's a mislead for him being

1765
01:31:55,479 --> 01:31:58,679
Speaker 1: in the gorilla suit. But but he's he's like twice

1766
01:31:58,760 --> 01:32:02,840
Speaker 1: Ken's height, so that doesn't really work. Just saying, um,

1767
01:32:02,920 --> 01:32:04,120
Speaker 1: do you want to talk about how great it was

1768
01:32:04,160 --> 01:32:06,080
Speaker 1: to have Tom Kavanaugh on the podcast? Dude, you have

1769
01:32:06,160 --> 01:32:09,479
Speaker 1: to come back. You've already said you will. I'm gonna

1770
01:32:09,520 --> 01:32:12,479
Speaker 1: force your hand. That was a classic misplay on your

1771
01:32:12,520 --> 01:32:14,400
Speaker 1: two guys parts. Here you guys, you guys like, hey, Tom,

1772
01:32:14,439 --> 01:32:17,000
Speaker 1: come back. It's like he's obsessive. Joel's gonna be like

1773
01:32:17,120 --> 01:32:20,160
Speaker 1: he all. He doesn't even me. He's like this episode,

1774
01:32:20,280 --> 01:32:24,519
Speaker 1: he's just come back, come back, Okay, can I come back? Dude? Love,

1775
01:32:25,520 --> 01:32:28,240
Speaker 1: we have some stories. You and I we've played a

1776
01:32:28,280 --> 01:32:30,360
Speaker 1: lot of basketball together. And so the next time you're

1777
01:32:30,400 --> 01:32:33,000
Speaker 1: on next episode, you guys will talk sports ball. Yeah,

1778
01:32:33,040 --> 01:32:35,000
Speaker 1: you can go grab a t and we'll like, we'll

1779
01:32:35,000 --> 01:32:36,840
Speaker 1: talk hoops and then you can come back then minutes later,

1780
01:32:36,880 --> 01:32:39,599
Speaker 1: come back. I will just put on Dear Evan Hanson

1781
01:32:39,840 --> 01:32:42,960
Speaker 1: and listen a whole time, and you guys will wave

1782
01:32:43,040 --> 01:32:46,720
Speaker 1: on the zoom call when it's old perfect. No, seriously, man,

1783
01:32:46,800 --> 01:32:48,760
Speaker 1: we love you. You're great. I'm so happy to be

1784
01:32:49,400 --> 01:32:51,160
Speaker 1: part of this. Thank you guys for having me on.

1785
01:32:52,040 --> 01:32:54,040
Speaker 1: Thank you, thank you, and thank you to Daniel and

1786
01:32:54,240 --> 01:32:57,240
Speaker 1: Joelle and uh and Donald do you want to lead

1787
01:32:57,320 --> 01:32:59,600
Speaker 1: us in this song? I love you Donald, Phazon, I

1788
01:32:59,760 --> 01:33:02,160
Speaker 1: love you Zach Brath and we love you listeners. Thank

1789
01:33:02,240 --> 01:33:05,960
Speaker 1: you for listening and for being amazing, and subscribe to

1790
01:33:06,080 --> 01:33:10,760
Speaker 1: this and and what else. Email Joel Scrubs iHeart at

1791
01:33:10,800 --> 01:33:16,759
Speaker 1: gmail dot com. And that is absolutely to the five six, seven,

1792
01:33:16,880 --> 01:33:22,160
Speaker 1: eight stories about sure we made about a bunch of

1793
01:33:22,360 --> 01:33:26,280
Speaker 1: doctor nurses and a janitor who I said he's the

1794
01:33:26,479 --> 01:33:32,760
Speaker 1: stories never should know. So Gata around you, Here are

1795
01:33:33,400 --> 01:33:39,639
Speaker 1: Yato around you, Here are respect for you. J mm

1796
01:33:39,760 --> 01:33:40,120
Speaker 1: hmmm