1 00:00:00,080 --> 00:00:05,119 Speaker 1: Hello the Internet, and welcome to this episode of Wavos 2 00:00:05,280 --> 00:00:11,000 Speaker 1: trend Cheros. Was that yes, yes, wos Trencheros. That was 3 00:00:11,080 --> 00:00:15,400 Speaker 1: courtesy of car Lobo on Discord. I'm Jack, that's Miles 4 00:00:16,840 --> 00:00:19,720 Speaker 1: and this is what is trending here at the end 5 00:00:20,560 --> 00:00:27,680 Speaker 1: of our final week of January. Um, John Cheney r 6 00:00:27,800 --> 00:00:32,080 Speaker 1: I P. Yeah, the great coach Temple. He was one 7 00:00:32,080 --> 00:00:37,120 Speaker 1: of those first coaches like I could remember because he 8 00:00:37,200 --> 00:00:40,800 Speaker 1: kind of looked like an owl um and was also 9 00:00:40,880 --> 00:00:42,960 Speaker 1: like one of those coaches who like, if there was 10 00:00:43,000 --> 00:00:45,879 Speaker 1: ever a movie that needed real life basketball people to 11 00:00:45,920 --> 00:00:48,239 Speaker 1: be in the movie, like John Cheney would be in 12 00:00:48,240 --> 00:00:52,160 Speaker 1: there at some point. Uh So I think I've I've yeah, 13 00:00:52,440 --> 00:00:55,160 Speaker 1: it's yeah, sad thing in my mind, I was like, damn, 14 00:00:55,200 --> 00:00:58,320 Speaker 1: he just passed away, right because for the longest time, 15 00:00:58,520 --> 00:01:00,480 Speaker 1: like I was like, I used sort of one of 16 00:01:00,480 --> 00:01:02,160 Speaker 1: those people you put in your mind that you had 17 00:01:02,160 --> 00:01:05,600 Speaker 1: assumed had maybe passed away. But now, ye, John Cheney, 18 00:01:05,640 --> 00:01:08,600 Speaker 1: I mean, yeah, he made it ninety three, but what 19 00:01:08,880 --> 00:01:12,000 Speaker 1: just a great coach who put Temple basketball on the 20 00:01:12,640 --> 00:01:15,720 Speaker 1: on the map. Temple is not, you know, a school 21 00:01:15,760 --> 00:01:19,280 Speaker 1: that was a powerhouse. I don't think prior to him 22 00:01:19,319 --> 00:01:21,919 Speaker 1: coming around, but one of the one of the great 23 00:01:22,840 --> 00:01:24,760 Speaker 1: um because he's I put like, it's also like how 24 00:01:24,840 --> 00:01:27,800 Speaker 1: I would think of like John Thompson at Georgetown. We 25 00:01:27,880 --> 00:01:30,399 Speaker 1: also lost in the last year. Yeah, in August he 26 00:01:30,480 --> 00:01:33,119 Speaker 1: passed away. So it's just like it's weird. They're these 27 00:01:33,120 --> 00:01:37,920 Speaker 1: guys who were like formulating my consciousness around basketball at 28 00:01:37,920 --> 00:01:41,160 Speaker 1: the time, and we're just getting old, you know. John 29 00:01:41,200 --> 00:01:45,520 Speaker 1: Thompson made Georgetown seem cool to me for when I 30 00:01:45,560 --> 00:01:50,240 Speaker 1: was a kid. They had dope uniforms. And it wasn't 31 00:01:50,240 --> 00:01:54,160 Speaker 1: that photo of Patrick Ewing and Ronald Reagan that was 32 00:01:54,200 --> 00:02:03,440 Speaker 1: the other thing. Anybody like this guy gets it. Have 33 00:02:03,520 --> 00:02:05,960 Speaker 1: you seen that photo though, of John Thompson, Patrick Ring 34 00:02:06,040 --> 00:02:09,200 Speaker 1: and Ronald Reagan. They're in the White House and it's 35 00:02:09,240 --> 00:02:12,760 Speaker 1: like this Norman Rockwell esque thing of like old white 36 00:02:12,760 --> 00:02:18,200 Speaker 1: guy being like surprised too tall black men. Uh. It's 37 00:02:18,240 --> 00:02:21,200 Speaker 1: but it's like just like the most contrived like eighties 38 00:02:21,240 --> 00:02:24,240 Speaker 1: sports illustrated photo here much in the chats you can 39 00:02:24,240 --> 00:02:30,240 Speaker 1: see it because it's oh my god, right, like he's 40 00:02:30,280 --> 00:02:34,160 Speaker 1: such a fucking ham and I mean that's all he was. 41 00:02:34,360 --> 00:02:38,560 Speaker 1: He was that was out front while the CIA was 42 00:02:38,639 --> 00:02:42,919 Speaker 1: doing doing dirt behind the scenes. Um, but the fact 43 00:02:42,960 --> 00:02:47,120 Speaker 1: that so they go to visit the White House and 44 00:02:47,520 --> 00:02:51,359 Speaker 1: you know, for winning the championship, and they make Patrick 45 00:02:51,919 --> 00:02:59,400 Speaker 1: where his uniform uniform, which is uh indecent if like 46 00:02:59,639 --> 00:03:03,800 Speaker 1: the the length of the shorts are eighties or different 47 00:03:03,800 --> 00:03:10,079 Speaker 1: times they were underwear that underwear Now, yeah underwear, You're 48 00:03:10,080 --> 00:03:12,880 Speaker 1: not going out like that. When I'm old enough that 49 00:03:12,960 --> 00:03:16,720 Speaker 1: when I was playing like basketball in middle school, the 50 00:03:16,760 --> 00:03:20,200 Speaker 1: shorts still looked like that and like like they were 51 00:03:20,600 --> 00:03:23,120 Speaker 1: you know, from five years before. They just had the 52 00:03:23,160 --> 00:03:26,880 Speaker 1: same uniforms that they've had for years. But I would 53 00:03:26,960 --> 00:03:29,720 Speaker 1: like try and sag them down so they didn't like 54 00:03:29,840 --> 00:03:32,760 Speaker 1: come up that high, but it just looked like my 55 00:03:32,800 --> 00:03:38,440 Speaker 1: pants were down. Um, not a great look. Harsh writing 56 00:03:38,440 --> 00:03:42,000 Speaker 1: advice is trending. Yeah, It's just like a thing on 57 00:03:42,040 --> 00:03:45,320 Speaker 1: Twitter where I think it started where someone first a 58 00:03:45,360 --> 00:03:49,160 Speaker 1: lot of people like writers were giving advice, uh, and 59 00:03:49,200 --> 00:03:51,440 Speaker 1: then like certain takes just kind of got more attention 60 00:03:51,480 --> 00:03:54,000 Speaker 1: than the others or someone and maybe flippantly or serious 61 00:03:54,040 --> 00:03:56,320 Speaker 1: it was like, no other writers are your competition, so 62 00:03:56,320 --> 00:03:57,800 Speaker 1: you have to like think of it like that to 63 00:03:57,880 --> 00:04:00,840 Speaker 1: like elevate your game. And then other there's like other 64 00:04:00,880 --> 00:04:03,640 Speaker 1: writers are absolutely not your competition. Like that kind of 65 00:04:03,680 --> 00:04:06,640 Speaker 1: thinking is so fucked up and is regressive, and you 66 00:04:06,680 --> 00:04:09,040 Speaker 1: actually have to honor whatever your voice is as a 67 00:04:09,040 --> 00:04:13,200 Speaker 1: writer to to excel. And so it's kind of interesting. 68 00:04:13,400 --> 00:04:16,080 Speaker 1: I like seeing these moments where like creative people are 69 00:04:16,160 --> 00:04:19,440 Speaker 1: kind of giving good advice because there are other ones 70 00:04:19,480 --> 00:04:21,640 Speaker 1: that are just sort of like, you have to just 71 00:04:21,680 --> 00:04:24,640 Speaker 1: get a first draft done, don't get don't don't like 72 00:04:24,680 --> 00:04:27,160 Speaker 1: psych yourself out that anything you write has to be 73 00:04:27,240 --> 00:04:29,800 Speaker 1: so good out there. Rip. It's like it's like forming clay, 74 00:04:29,920 --> 00:04:31,920 Speaker 1: like that's the first one, and then you refine and 75 00:04:31,960 --> 00:04:35,359 Speaker 1: refine and refine. Um. And so just yeah, it's just 76 00:04:35,600 --> 00:04:40,080 Speaker 1: a moment that Twitter is having at Chuck Wendigg tweeted, 77 00:04:40,120 --> 00:04:43,200 Speaker 1: harsh writing advice, Colon, you have to hunt and eat 78 00:04:43,279 --> 00:04:46,520 Speaker 1: your fellow writers. They will taste of cheetos, pink wine, 79 00:04:46,520 --> 00:04:50,760 Speaker 1: and despair. But this is how the publishing gods are fed. Sorry. 80 00:04:51,279 --> 00:04:54,960 Speaker 1: Um yeah. Somebody had a tweet earlier this week about 81 00:04:54,960 --> 00:04:58,920 Speaker 1: how every writer had a writing teacher who loved them 82 00:04:58,960 --> 00:05:02,200 Speaker 1: and a writing teacher who hated them. Uh, and that 83 00:05:02,400 --> 00:05:05,760 Speaker 1: is definitely true of me. I learned the most are 84 00:05:05,800 --> 00:05:08,600 Speaker 1: the ones that hated me, oh man, that there's one 85 00:05:08,640 --> 00:05:11,560 Speaker 1: who just did not like me. I don't think I 86 00:05:11,680 --> 00:05:14,920 Speaker 1: learned that much from her because her advice was not 87 00:05:14,960 --> 00:05:19,360 Speaker 1: that constructive. I read a piece uh in class and 88 00:05:19,480 --> 00:05:23,000 Speaker 1: she said, so the thing is like, it's okay to 89 00:05:23,080 --> 00:05:26,599 Speaker 1: be you know, try and be like funny, but you 90 00:05:26,600 --> 00:05:28,840 Speaker 1: don't want to be an asshole. And that was her 91 00:05:28,880 --> 00:05:31,720 Speaker 1: on my feedback on my on the theater, and I 92 00:05:31,760 --> 00:05:35,440 Speaker 1: was like, oh, okay, like everybody else in the class, 93 00:05:35,560 --> 00:05:39,720 Speaker 1: like what the fuck? WHOA there's other writer writes something similar. 94 00:05:39,800 --> 00:05:43,599 Speaker 1: He says, Uh, snark isn't wit, cynicism isn't wisdom, and 95 00:05:43,720 --> 00:05:45,720 Speaker 1: arrogance will open a lot of doors, but get you 96 00:05:45,760 --> 00:05:48,000 Speaker 1: nowhere in the room with anyone who actually knows what 97 00:05:48,040 --> 00:05:51,720 Speaker 1: they're talking about. Um boom, that's really I mean that, 98 00:05:52,240 --> 00:05:55,120 Speaker 1: don't even bring it here. I just feel like that 99 00:05:55,160 --> 00:05:58,680 Speaker 1: ship is I feel like I don't know. First of all, 100 00:05:58,720 --> 00:06:01,720 Speaker 1: I don't think writers are always good at talking about 101 00:06:01,800 --> 00:06:06,880 Speaker 1: writing like that right right, like they're especially their own writing. 102 00:06:07,279 --> 00:06:11,440 Speaker 1: And then I also feel like so much of writing 103 00:06:11,600 --> 00:06:15,640 Speaker 1: is not something that you I don't know, like things 104 00:06:15,720 --> 00:06:20,800 Speaker 1: like that, like don't use this vast like effect is 105 00:06:20,839 --> 00:06:24,240 Speaker 1: like like that's not helping anybody. I think it's for 106 00:06:24,360 --> 00:06:28,719 Speaker 1: people who like very like by the most basic version 107 00:06:28,720 --> 00:06:32,520 Speaker 1: of that, like advice, like actually think like I'm so snarky, 108 00:06:32,640 --> 00:06:35,400 Speaker 1: like that's my edge, or like I'm so cynical, like 109 00:06:35,480 --> 00:06:38,320 Speaker 1: it makes everything because it's like with comedy, like you 110 00:06:38,360 --> 00:06:40,800 Speaker 1: see people who write comedy like that where it's like, oh, 111 00:06:40,839 --> 00:06:44,560 Speaker 1: you think just being an asshole is right, Like we're 112 00:06:44,600 --> 00:06:47,479 Speaker 1: past that, Like we're actually And that's why there's a 113 00:06:47,480 --> 00:06:49,600 Speaker 1: lot of comedians now who are like, I don't get this, 114 00:06:49,680 --> 00:06:51,600 Speaker 1: like cancel culture. So I was like, well, because your 115 00:06:51,600 --> 00:06:53,320 Speaker 1: whole thing was just that you were like the most 116 00:06:53,400 --> 00:06:57,120 Speaker 1: creatively cruel and that got people to laugh at like 117 00:06:57,400 --> 00:07:00,320 Speaker 1: fucked up other kinds of jokes. But we're we're trying 118 00:07:00,320 --> 00:07:05,760 Speaker 1: to trying to move past that. Yeah, I think right, Um, 119 00:07:06,440 --> 00:07:08,080 Speaker 1: let's talk about I want to see that thing that 120 00:07:08,160 --> 00:07:11,520 Speaker 1: was you're writing, That was that provoked that uh that 121 00:07:11,600 --> 00:07:13,880 Speaker 1: note back from a teacher. It was like a memoir 122 00:07:13,960 --> 00:07:18,080 Speaker 1: of when I was a kid. It was like real, 123 00:07:18,800 --> 00:07:22,120 Speaker 1: she just did not like my, oh wow, that's okay 124 00:07:22,200 --> 00:07:23,600 Speaker 1: because the way you said it, I was like I 125 00:07:23,600 --> 00:07:25,119 Speaker 1: didn't mean like I didn't know it was like hate, 126 00:07:25,160 --> 00:07:27,560 Speaker 1: like in irrational hatred and you're like, what is this 127 00:07:27,640 --> 00:07:29,480 Speaker 1: You're just like taking it out on me versus like 128 00:07:29,720 --> 00:07:31,320 Speaker 1: so I would say, hey, it is like people who 129 00:07:31,320 --> 00:07:33,840 Speaker 1: are very hard on me and at times felt cruel, 130 00:07:34,120 --> 00:07:36,080 Speaker 1: but it was just so cutting and to the point 131 00:07:36,160 --> 00:07:37,880 Speaker 1: that I realized I'm like, oh, they just didn't have 132 00:07:37,880 --> 00:07:40,120 Speaker 1: time to sugarcoat any other notes, Like they just cut 133 00:07:40,160 --> 00:07:44,080 Speaker 1: me open. There's a famous like writer at writing teacher 134 00:07:44,120 --> 00:07:47,320 Speaker 1: at Georgetown who's like real mean to everybody but liked me, 135 00:07:47,840 --> 00:07:52,680 Speaker 1: but he uh flunked Jonah Nolan, the guy right who 136 00:07:52,720 --> 00:07:56,760 Speaker 1: wrote Memento and like, uh, Mike Rabiglia and all these 137 00:07:57,000 --> 00:08:02,480 Speaker 1: people like all had him and had a complicated I 138 00:08:02,520 --> 00:08:05,480 Speaker 1: had a very complicated relationship with him, but he was 139 00:08:05,680 --> 00:08:08,960 Speaker 1: He's like, I want to treat you like a you know, animal, 140 00:08:09,040 --> 00:08:16,080 Speaker 1: like your professionals. And oh yeah, his name is a professor, 141 00:08:16,200 --> 00:08:21,320 Speaker 1: John Glavin. And the reason the evil character in a 142 00:08:21,360 --> 00:08:25,400 Speaker 1: Memento's name John G is because of him, John G. 143 00:08:26,400 --> 00:08:33,559 Speaker 1: Was it raped and murdered your wife the tattoo? Oh 144 00:08:33,600 --> 00:08:37,920 Speaker 1: my god, yeah, it was. It was deep because like 145 00:08:38,000 --> 00:08:43,960 Speaker 1: he would he would tie criticism to like like stuff 146 00:08:44,000 --> 00:08:46,440 Speaker 1: that I don't know, like when when you read that 147 00:08:46,480 --> 00:08:50,840 Speaker 1: book impro about like how to teach creative people like improv. 148 00:08:51,160 --> 00:08:56,720 Speaker 1: It's like never tie your criticism too uh them personally, 149 00:08:57,559 --> 00:09:00,679 Speaker 1: and he would do exactly that, be like I think 150 00:09:00,720 --> 00:09:04,720 Speaker 1: you write like this because of this thing from your childhood. Okay, 151 00:09:04,920 --> 00:09:08,679 Speaker 1: so psychoanalysis along with just notes on my story. No, 152 00:09:08,840 --> 00:09:12,560 Speaker 1: thank you. Yeah. The Little Things is trending because that 153 00:09:12,720 --> 00:09:17,199 Speaker 1: is the latest HBO Max big you know movie release 154 00:09:17,280 --> 00:09:20,040 Speaker 1: that would have been a big deal and advertised everywhere 155 00:09:20,080 --> 00:09:24,880 Speaker 1: that they're dropping on HBO Max. Uh. And it is Denzel, 156 00:09:25,760 --> 00:09:31,320 Speaker 1: Rammy Malick and uh in the serial killer role we 157 00:09:31,400 --> 00:09:37,120 Speaker 1: have one Jared Leto uh. And I think they were 158 00:09:37,160 --> 00:09:39,040 Speaker 1: trying to hype it up as like this is the 159 00:09:39,080 --> 00:09:42,360 Speaker 1: next seven, this is the next Sounds of the Lambs. 160 00:09:43,240 --> 00:09:47,000 Speaker 1: Early reviews aren't promising, but I will always watch a 161 00:09:47,000 --> 00:09:50,439 Speaker 1: movie in which Denzel Washington is, you know, teaching teaching 162 00:09:50,440 --> 00:09:55,040 Speaker 1: a young and well it has The reviews seemed to 163 00:09:55,080 --> 00:09:58,040 Speaker 1: feel like it was written in the nineties and they're 164 00:09:58,040 --> 00:10:00,800 Speaker 1: treating it as a period piece and the writing is 165 00:10:00,880 --> 00:10:05,200 Speaker 1: just as like offensive or like the tropes in it. Uh. 166 00:10:05,240 --> 00:10:07,320 Speaker 1: There's just one line when it said The Little Things 167 00:10:07,400 --> 00:10:10,719 Speaker 1: is authentic down to its treatment of women. Wives come 168 00:10:10,760 --> 00:10:13,640 Speaker 1: in two flavors X and adoring, and the film's other 169 00:10:13,679 --> 00:10:18,280 Speaker 1: female characters are cops or corpses with no in between. Like, huh, right, 170 00:10:20,040 --> 00:10:24,680 Speaker 1: Justice League is trending too, because so this Zack Snyder, 171 00:10:25,320 --> 00:10:28,680 Speaker 1: the Snyder Cut released the Snyder Cut. I hadn't fully 172 00:10:28,800 --> 00:10:31,640 Speaker 1: gotten the background on that. I'm still not fully read 173 00:10:31,720 --> 00:10:34,000 Speaker 1: up on it, but so I didn't realize he left 174 00:10:35,080 --> 00:10:38,800 Speaker 1: Justice League like after shooting it, but before editing it, 175 00:10:39,240 --> 00:10:43,600 Speaker 1: and Josh Weeden came in and like basically edited his movie, 176 00:10:43,920 --> 00:10:47,000 Speaker 1: and Zack Snyder has like been real salty about it, 177 00:10:47,040 --> 00:10:50,280 Speaker 1: and so now he's releasing a four hour cut of 178 00:10:50,320 --> 00:10:53,280 Speaker 1: the movie that he shot that is like supposedly totally different, 179 00:10:53,360 --> 00:10:57,880 Speaker 1: totally from what Josh Weeden released. I didn't I didn't 180 00:10:58,040 --> 00:11:02,720 Speaker 1: know all like all of that texture. Um, but they 181 00:11:02,840 --> 00:11:06,400 Speaker 1: just released the poster for it, and it is the 182 00:11:06,440 --> 00:11:10,360 Speaker 1: most Zack Snyder as movie poster you've ever seen. It's 183 00:11:10,400 --> 00:11:17,080 Speaker 1: just like gray and black concrete of broken. Um. Remember 184 00:11:17,160 --> 00:11:23,760 Speaker 1: my other movies that were super saturated visually yea, um 185 00:11:23,920 --> 00:11:27,000 Speaker 1: WandaVision episode is trending because they just dropped the fourth 186 00:11:27,080 --> 00:11:30,240 Speaker 1: one of that. I super producer around. Jose Nie was 187 00:11:31,360 --> 00:11:35,439 Speaker 1: explaining this show to us that it's probably taking place 188 00:11:35,440 --> 00:11:37,640 Speaker 1: in one of the character's minds and that's why it's 189 00:11:37,679 --> 00:11:42,480 Speaker 1: like a sitcom um and it takes place after the 190 00:11:42,480 --> 00:11:45,240 Speaker 1: events of End Game, and neither of us have seen 191 00:11:45,400 --> 00:11:51,120 Speaker 1: End Game, so I've seen half of it. Was a 192 00:11:51,200 --> 00:11:54,840 Speaker 1: throwback to that Jamie Fox character from a Living color Man, Wanda, 193 00:11:55,600 --> 00:12:01,240 Speaker 1: I'll rock your world, Rock your world. Uh, silhouette challenge? 194 00:12:01,240 --> 00:12:03,760 Speaker 1: Have you done it yet? Know? What is that? Is 195 00:12:03,800 --> 00:12:07,320 Speaker 1: that TikTok? It's TikTok thing where you just I mean 196 00:12:07,440 --> 00:12:11,560 Speaker 1: after the ghost one. You know, I haven't been doing 197 00:12:11,559 --> 00:12:14,440 Speaker 1: too hot on the challenges was the ghost one. There's 198 00:12:14,480 --> 00:12:17,520 Speaker 1: this other one that people were doing where like this, Uh, 199 00:12:17,760 --> 00:12:19,400 Speaker 1: it would look like a ghost jumped out of your 200 00:12:19,400 --> 00:12:21,120 Speaker 1: body in the middle of a dance number and people 201 00:12:21,120 --> 00:12:24,679 Speaker 1: are doing it to like this Michael Jackson remix, m Yeah, 202 00:12:25,280 --> 00:12:29,440 Speaker 1: it's just enough, like I'm finally understanding Like when like 203 00:12:29,600 --> 00:12:32,640 Speaker 1: older relatives would be like, ah, that just exhausts me 204 00:12:32,720 --> 00:12:35,400 Speaker 1: to look at what are you talking about? Full? It 205 00:12:35,520 --> 00:12:38,280 Speaker 1: makes you tired? And now I'm there like I'm I'm 206 00:12:38,400 --> 00:12:41,120 Speaker 1: entering is this is tiring me? To look at age 207 00:12:41,760 --> 00:12:44,679 Speaker 1: and sometimes I'm like, yo, the because I also, you know, 208 00:12:44,960 --> 00:12:46,760 Speaker 1: we're out here in l A. You see people in 209 00:12:46,800 --> 00:12:50,600 Speaker 1: the wild shooting TikTok videos and influencers in the wild 210 00:12:50,720 --> 00:12:53,760 Speaker 1: is one of the great Instagram accounts. The energy that 211 00:12:53,800 --> 00:12:58,200 Speaker 1: goes into that. Again, this is making me tired to watch, um, 212 00:12:58,200 --> 00:13:00,280 Speaker 1: but you know that's the art right now is to do. 213 00:13:01,000 --> 00:13:05,160 Speaker 1: And then Cecily Tyson is trending r I p uh 214 00:13:05,360 --> 00:13:09,760 Speaker 1: to icon Yeah. Icon. I mean she was like the 215 00:13:09,800 --> 00:13:15,440 Speaker 1: face of Harriet Tubman, Jane Pittman, fucking Miles Davis's muse. 216 00:13:16,120 --> 00:13:19,800 Speaker 1: She like had the highest ever rated at that time, 217 00:13:20,000 --> 00:13:23,719 Speaker 1: highest ever rated SNL episode when she came on too host. 218 00:13:23,760 --> 00:13:26,160 Speaker 1: She was the first black woman to host SNL and 219 00:13:26,200 --> 00:13:30,079 Speaker 1: at the time, the highest ever ratings came along with that. 220 00:13:30,760 --> 00:13:33,760 Speaker 1: And she's just like, yeah, she was like opened the 221 00:13:33,800 --> 00:13:36,240 Speaker 1: door for for so many people. But yeah, it's a 222 00:13:36,920 --> 00:13:40,560 Speaker 1: another iconic class. Yeah. And her book I think just 223 00:13:40,760 --> 00:13:43,040 Speaker 1: came out to like she had just done promotion for 224 00:13:43,040 --> 00:13:46,840 Speaker 1: her new book, yum and yeah, and then people say 225 00:13:46,880 --> 00:13:51,440 Speaker 1: it's incredible. I mean, her life is unbelievable, even in 226 00:13:51,480 --> 00:13:54,800 Speaker 1: the parts I've just like for me my obviously knowing 227 00:13:54,840 --> 00:13:56,760 Speaker 1: who she is, but like I was really interested in 228 00:13:56,800 --> 00:14:00,160 Speaker 1: Miles Davis because that's my namesake, and reading about at 229 00:14:00,240 --> 00:14:02,400 Speaker 1: him and when they were together, I'm like, oh my god, 230 00:14:02,440 --> 00:14:05,319 Speaker 1: this woman's whole energy is like a whole other thing. 231 00:14:05,320 --> 00:14:08,880 Speaker 1: I'm like, why am I reading about this reading about him? Yeah, 232 00:14:08,960 --> 00:14:12,400 Speaker 1: like files who he just had a brief brush with 233 00:14:12,440 --> 00:14:16,120 Speaker 1: her genius and that's where all all the music came from. Yeah, 234 00:14:16,160 --> 00:14:18,600 Speaker 1: it's uh, but I mean it's and you can just 235 00:14:18,640 --> 00:14:22,160 Speaker 1: see from the the like sort of eulogies or how 236 00:14:22,200 --> 00:14:25,240 Speaker 1: she's being eulogized by people in the entertainments, Like there's 237 00:14:25,280 --> 00:14:28,080 Speaker 1: not a single person who has interacted with her and 238 00:14:28,200 --> 00:14:31,240 Speaker 1: isn't like beside themselves right now, being like I can't 239 00:14:31,240 --> 00:14:33,080 Speaker 1: even believe I was in the presence of like this 240 00:14:33,800 --> 00:14:38,400 Speaker 1: like life forms. Yeah, alright, Uh, we'll end there on 241 00:14:38,440 --> 00:14:42,000 Speaker 1: a somber note, but um, that kind of a that 242 00:14:42,080 --> 00:14:45,920 Speaker 1: kind of a world, that kind of that's gonna do 243 00:14:46,000 --> 00:14:49,000 Speaker 1: it for this week. We are back on Monday with 244 00:14:49,040 --> 00:14:52,680 Speaker 1: a whole last episode of the show. Until then, be 245 00:14:52,840 --> 00:14:55,240 Speaker 1: kind to each other, be kind to yourselves, wear a mask, 246 00:14:55,400 --> 00:14:58,920 Speaker 1: wash your hands, staying side, don't do nothing about white supremacy, 247 00:14:59,000 --> 00:15:05,680 Speaker 1: and we'll talk to him Monday. Bye BYEM.