WEBVTT - Yellow Legal Notepad

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<v Speaker 1>Family Secrets is a production of I Heart Radio M

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<v Speaker 1>I always knew my mother had a secret. She guarded

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<v Speaker 1>it fiercely, keeping it under lock and key. That was

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<v Speaker 1>how I envisioned it, hidden chamber, tucked away in the

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<v Speaker 1>recesses of my mother's twisted mind. But her secret was

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<v Speaker 1>too big to be contained, and it would use out

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<v Speaker 1>like a thick slurry, poisoning her thoughts and covering our

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<v Speaker 1>family in darkness. That's Justine Cowen, attorney and writer, author

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<v Speaker 1>of the recent memoir The Secret Life of Dorothy Solmes.

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<v Speaker 1>Justine's is a story about the long reach of secrecy

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<v Speaker 1>and its power to shape our deepest relationships. I'm Danny Shapiro,

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<v Speaker 1>and this is family Secrets, the secrets that are kept

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<v Speaker 1>from us, the secrets we keep from others, and the

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<v Speaker 1>secrets we keep from ourselves. I began my life in

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<v Speaker 1>San Francisco, and when we were six, we moved to

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<v Speaker 1>a wealthy enclave of San Francisco called Hillsboro, UM, which

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<v Speaker 1>had wide, beautiful streets and estates throughout the town UM,

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<v Speaker 1>and it was so exclusive. There were actually no stores

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<v Speaker 1>in Hillsboro UM, just winding roads and that sort of thing.

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<v Speaker 1>And on the outside, our lives looked really perfect. We

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<v Speaker 1>had a beautiful Mediterranean house that my mother kept sparkling

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<v Speaker 1>clean and wonderfully decorated. And Um, every day I would

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<v Speaker 1>wake up and it would probably start with maybe a

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<v Speaker 1>violin lesson, and then I would go off to a

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<v Speaker 1>good school and my mother would pick me up after

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<v Speaker 1>school and we would go down to Woodside, California, which

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<v Speaker 1>was about twenty minutes away, where I would take riding lessons,

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<v Speaker 1>and um, we'd come home for a home cooked meal.

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<v Speaker 1>Following the meal, I might have some diction lessons with

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<v Speaker 1>my mother so that I could hopefully get the English

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<v Speaker 1>accent that she had, although that obviously did not work,

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<v Speaker 1>and then maybe some reading before bed. And so my

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<v Speaker 1>life was filled with tutors and lessons and nice things.

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<v Speaker 1>Tell me about your mother from that time. My mother

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<v Speaker 1>was beautiful. She had lovely, silky dark brown hair and

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<v Speaker 1>beautiful hazel eyes, and she carried herself with style and

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<v Speaker 1>always wore a perfectly put together outfit and just exuded class.

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<v Speaker 1>But that was the persona that she showed to the

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<v Speaker 1>outside world. Um, inside the house she was much more

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<v Speaker 1>her curial and some sometimes she could be volatile. I

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<v Speaker 1>remember some incidences where, for example, she threw my dullhouse

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<v Speaker 1>across the room and it smashed pieces. And another time

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<v Speaker 1>she slend the glass coffee table in the living room

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<v Speaker 1>and shattered it into pieces. So life inside her home

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<v Speaker 1>was not the same as what it appeared to those

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<v Speaker 1>that might be appearing in. What would set her off

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<v Speaker 1>when she would fly into these rages, I never really knew,

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<v Speaker 1>and I think that was part of what created some

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<v Speaker 1>fear in me not wanting to set her off, is

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<v Speaker 1>because you never really knew what the trigger was. I mean,

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<v Speaker 1>sometimes there were some things that you knew would upset her.

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<v Speaker 1>Sometimes she would retreat to her room and sit alone

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<v Speaker 1>in the dark, and I didn't know why. My earlier

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<v Speaker 1>memories were that I didn't want to upset her, and

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<v Speaker 1>I didn't want to do anything wrong, and that was

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<v Speaker 1>always very important that I don't do anything, And so

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<v Speaker 1>there was a fear. But then as I grew older,

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<v Speaker 1>that fear turned into anger, which turned into hatred, and

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<v Speaker 1>I harbored very deep resentful feelings towards my mother for

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<v Speaker 1>pretty much most of my life. And tell me about

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<v Speaker 1>your father. Oh, I loved my father. Um. He was

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<v Speaker 1>kind and very even I only remember him raising his

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<v Speaker 1>voice me once or twice in my entire life. He

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<v Speaker 1>was an attorney and he would come home after work

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<v Speaker 1>and I would run down the hall and see him,

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<v Speaker 1>and it was just the most exciting part of the day.

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<v Speaker 1>And on the weekends he would bring work home um

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<v Speaker 1>and he would sit in the library and read briefs

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<v Speaker 1>or whatever he may be doing, and I would lie

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<v Speaker 1>on the harbor floor beneath the table where he was

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<v Speaker 1>working and read books while he was there. And it

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<v Speaker 1>just felt comforting to be in his presence. And at

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<v Speaker 1>the same time, there were these moments, these incidents with

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<v Speaker 1>your mother. You write about your first memory of her

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<v Speaker 1>being awakened because she's screaming because she's having a nightmare. Yes,

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<v Speaker 1>And it was when we were in San Francisco, and

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<v Speaker 1>I just heard her screaming, and I ran into the

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<v Speaker 1>bedroom and I remember seeing my father holding my mother

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<v Speaker 1>and she continued to scream, and he told me to

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<v Speaker 1>go back to bed, and then she eventually stopped. And

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<v Speaker 1>you know, later I was told that it was because

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<v Speaker 1>the air raid sirens that are sprinkled around San Francisco

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<v Speaker 1>that had originally been put in in the event the

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<v Speaker 1>Japanese flew across the ocean in World War Two, but

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<v Speaker 1>we're now used for other purposes in San Francisco, such

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<v Speaker 1>as I suppose there was a tsunami or something like

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<v Speaker 1>that had gone off accidentally and it had triggered memories

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<v Speaker 1>of World War Two from my mother. And what were

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<v Speaker 1>some of the stories you were told about your mother,

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<v Speaker 1>or you know, told by your mother about herself while

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<v Speaker 1>you were growing up? You know, I think with with

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<v Speaker 1>family's secrets, so often there are clues um things that

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<v Speaker 1>we don't even register as clues until we have a

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<v Speaker 1>lot more information. But when you're a child, you accept

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<v Speaker 1>the stories that are told to you, you know, by

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<v Speaker 1>your parents, because they're your parents, and it's all you

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<v Speaker 1>really know. Well, I knew that my mother was from England,

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<v Speaker 1>and she had always told me that she came from

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<v Speaker 1>blue Blood, which I came to understand at an early

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<v Speaker 1>age meant some sort of aristocratic blood from England. I

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<v Speaker 1>also knew that she was illegitimate. My mother told me

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<v Speaker 1>that she was from blue Blood, but I have no

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<v Speaker 1>memory of anyone telling me that she was illegitimate, but

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<v Speaker 1>I always knew it. That's so interesting, and yet you

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<v Speaker 1>can't locate how you discovered it or whether you were

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<v Speaker 1>told it's just something that you knew. Yes, it was

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<v Speaker 1>something that I always knew. And I also I knew

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<v Speaker 1>that I should never ask about my mother's background. I

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<v Speaker 1>shouldn't ask who my grandmother was. I shouldn't ask anything

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<v Speaker 1>about my grandfather that would trigger an event with my mother.

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<v Speaker 1>I knew that was one of the things that would

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<v Speaker 1>and she would become angry, or she would get upset,

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<v Speaker 1>or she would retreat back to her room. And so

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<v Speaker 1>I just need better than to ask, and so I

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<v Speaker 1>just didn't. In the ninth grade, Justine leaves the manicured

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<v Speaker 1>streets of Hillsboro to attend a prestigious boarding school down

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<v Speaker 1>the coast of California in a town called Ojai. Always

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<v Speaker 1>wanted to put a premium on her daughter's education. Justine's

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<v Speaker 1>mother is the one who pushes her to attend. Justine

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<v Speaker 1>doesn't really want to go, but she goes anyway. Boarding

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<v Speaker 1>school is only one of the many ways Justine's mother

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<v Speaker 1>attempts to shape and groom her throughout her childhood. She

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<v Speaker 1>learns as many skills as humanly possible, musical instruments, languages, athletics,

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<v Speaker 1>even lessons in penmanship and diction. Years later, when she

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<v Speaker 1>asks her father, why did I have to go to

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<v Speaker 1>boarding school? Why did you support it, he says, to

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<v Speaker 1>get you away from your mother. After boarding school, Justine

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<v Speaker 1>goes to Berkeley, which is only forty five minutes from

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<v Speaker 1>where she was raised, but might as well be a

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<v Speaker 1>million miles away in terms of the culture of the

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<v Speaker 1>University of California Berkeley, where she's studying. There, she begins

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<v Speaker 1>to build a life on her own terms. She's finally

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<v Speaker 1>distancing herself from her mother's grip nineteen years old and

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<v Speaker 1>trying to create her own path. But one day the

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<v Speaker 1>phone rings. It's her father calling to tell Justine that

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<v Speaker 1>she needs to come home immediately. It's her mother. She's

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<v Speaker 1>in some sort of trouble. He had called me and

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<v Speaker 1>said that my mother had gotten into her car and

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<v Speaker 1>was driving um to the hospital, and that he'd have

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<v Speaker 1>to go after her and get her to pull over

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<v Speaker 1>her car and then bring her back home. And I

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<v Speaker 1>asked him if there was anything wrong, why was she

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<v Speaker 1>going to the hospital, And he just didn't really respond

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<v Speaker 1>to that, and just asked that I come home and

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<v Speaker 1>take care of her so that he could go to court.

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<v Speaker 1>And what did you discover when you got home? When

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<v Speaker 1>I went home, Um, I walked down the hall and

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<v Speaker 1>looking for my mother and knocked on the bedroom door,

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<v Speaker 1>and my mother was in bed in her nightgown and

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<v Speaker 1>had a notepad in her hand, and she was writing

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<v Speaker 1>something that I couldn't see, and she called me over

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<v Speaker 1>to her, and I looked down at this notepad and

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<v Speaker 1>I still remember what it looks like. It's just seared

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<v Speaker 1>in my memory. It was one of those yellow legal

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<v Speaker 1>notepads with the light green lines, and she had a

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<v Speaker 1>pencil in her hand, and she was just writing over

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<v Speaker 1>and over and over again. Name that I had never

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<v Speaker 1>heard before, Dorothy Sulms, Dorothy Sulms, Dorothy Sulms. And what

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<v Speaker 1>did you, as a college student, a young woman, make

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<v Speaker 1>of that at the time, or did you just want

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<v Speaker 1>to get back to your life and sort of tuck

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<v Speaker 1>that away. I was surprised by what she had said,

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<v Speaker 1>and didn't know who Dorothy Sulms was, But at the

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<v Speaker 1>time I didn't want to know, and so I did

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<v Speaker 1>whatever I could to get out of that room and

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<v Speaker 1>to just extract myself from the situation. Um. You know,

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<v Speaker 1>by that point, I just didn't want to get into

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<v Speaker 1>it with her and was really working on distancing myself

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<v Speaker 1>from her, because that's really when I was most happy.

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<v Speaker 1>We'll be back in a moment with more family secrets.

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<v Speaker 1>In the Ten Commandments, the fourth commandment states honor thy

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<v Speaker 1>father and thy mother. But sometimes, as in Justine's case,

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<v Speaker 1>it just isn't possible, And the only thing that is

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<v Speaker 1>possible for self preservation and survival is either to completely

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<v Speaker 1>break ties or create a very powerful set of boundaries.

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<v Speaker 1>The first boundaries that I thought up was just geographical.

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<v Speaker 1>I moved to Japan, and then I moved to Washington,

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<v Speaker 1>c And I always made sure to keep a physical

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<v Speaker 1>distance from my mother because I remember when I would

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<v Speaker 1>go home for the holidays, because that was expected, and

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<v Speaker 1>I mean I had to do that, I would start

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<v Speaker 1>to feel anxiety and depression. And two months before I

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<v Speaker 1>would go home, and when I would see my mother

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<v Speaker 1>and she wanted to touch me, and she wanted to

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<v Speaker 1>hug me, um, I would recoil, which you could see

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<v Speaker 1>it on her face that it broke her heart. But

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<v Speaker 1>I couldn't bring myself to hug her. So the best

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<v Speaker 1>thing for me to do was to just stay away

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<v Speaker 1>as much as I could. Staying away works for a while.

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<v Speaker 1>Justine has a lovely early adulthood. She surrounds herself with

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<v Speaker 1>good friends. She becomes an attorney working in environmental law,

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<v Speaker 1>following her beloved of father's footsteps. But even though she's

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<v Speaker 1>moving on, her relationship with her mother continues to weigh

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<v Speaker 1>her down, as does the secret at the core of

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<v Speaker 1>her mother's history and identity. To Justine's knowledge, her mother's

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<v Speaker 1>name is Eileen Thompson. So who in the world is

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<v Speaker 1>Dorothy Solmes and why does she loom so large in

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<v Speaker 1>her mother's past. The first hint that I had about

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<v Speaker 1>her past, what more than a hint when she started

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<v Speaker 1>to try to tell me about it, was and when

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<v Speaker 1>I was in my late twenties, and she sent me

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<v Speaker 1>a letter. It was a short letter, just a page

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<v Speaker 1>or two, but in it she mentioned that she was

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<v Speaker 1>a foundling, and I had never heard the term foundling before,

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<v Speaker 1>and it was clear that she wanted me to pick

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<v Speaker 1>up the phone and call her and talked to her

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<v Speaker 1>about it, but I decided I didn't want to, so

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<v Speaker 1>we didn't speak of it. Several years later, when I

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<v Speaker 1>was probably in my early to mid thirties, an envelope

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<v Speaker 1>showed up from my mother, and I always knew it

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<v Speaker 1>was from her because she had this wonderful handwriting. And

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<v Speaker 1>I opened it up and there was a six stack

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<v Speaker 1>of pages, and I looked at the front and it

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<v Speaker 1>was clear that it was a memoir, a memoir that

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<v Speaker 1>my mother had written about her life. Did it have

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<v Speaker 1>a title it did? It said Coreum Girl, And I

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<v Speaker 1>didn't know what that meant. I had no idea what

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<v Speaker 1>a Korum girl was, and I didn't want to know um.

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<v Speaker 1>At that point in my life, I was finally creating

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<v Speaker 1>happiness for myself. I was keeping distant from my mother,

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<v Speaker 1>and quite honestly, it felt manipulative. UM. I had wanted

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<v Speaker 1>to know the history of our family for years and years,

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<v Speaker 1>and it wasn't until I had really kind of broken

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<v Speaker 1>free and created my own life that suddenly my mother

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<v Speaker 1>wanted to tell all. And it felt to me like

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<v Speaker 1>she was trying to reel me back in. So I

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<v Speaker 1>put it in an envelope and put it in the

0:16:03.120 --> 0:16:05.400
<v Speaker 1>back of a file cabinet. I mean, I must have

0:16:05.480 --> 0:16:08.720
<v Speaker 1>known that it was important and that I shouldn't just

0:16:08.840 --> 0:16:13.080
<v Speaker 1>toss it away. I saved it as I did the

0:16:13.200 --> 0:16:16.920
<v Speaker 1>letter that she sent years before, but I didn't want

0:16:16.920 --> 0:16:20.200
<v Speaker 1>to read it. When it comes to family's secrets, um,

0:16:20.480 --> 0:16:26.480
<v Speaker 1>there has to be a certain kind of readiness involved,

0:16:26.760 --> 0:16:31.320
<v Speaker 1>Otherwise finding something out at the wrong moment can actually

0:16:31.400 --> 0:16:34.880
<v Speaker 1>end up being destructive, and that we do have some

0:16:34.960 --> 0:16:40.320
<v Speaker 1>kind of internal radar for that. You had a hard

0:16:40.400 --> 0:16:44.680
<v Speaker 1>one life at that point, and you had overcome a

0:16:44.760 --> 0:16:52.160
<v Speaker 1>lot of psychological obstacles and instability that it really could

0:16:52.200 --> 0:16:56.120
<v Speaker 1>be drawn pretty much directly right back to the way

0:16:56.160 --> 0:16:58.080
<v Speaker 1>that your mother had raised you and the way that

0:16:58.120 --> 0:17:01.640
<v Speaker 1>she had been And so that is not a point

0:17:01.640 --> 0:17:05.400
<v Speaker 1>where you wanted to go there. But as you say,

0:17:05.760 --> 0:17:08.359
<v Speaker 1>you tucked it away, it's not like you burned it.

0:17:09.119 --> 0:17:13.160
<v Speaker 1>I must have known that one day I would revisit it.

0:17:13.880 --> 0:17:16.800
<v Speaker 1>I just knew that that wasn't the day. I didn't

0:17:16.840 --> 0:17:21.720
<v Speaker 1>realize that it would be twenty years. What is the day?

0:17:21.880 --> 0:17:25.280
<v Speaker 1>How did that come about? Was it a slow build?

0:17:25.920 --> 0:17:27.760
<v Speaker 1>Was it sort of haunting you in some way? Or

0:17:27.880 --> 0:17:31.040
<v Speaker 1>was there just this eureka moment of now it's a

0:17:31.080 --> 0:17:33.640
<v Speaker 1>time and I need to know. Well, it was after

0:17:33.720 --> 0:17:40.160
<v Speaker 1>another's death, and my mother's death really took me by

0:17:40.200 --> 0:17:45.480
<v Speaker 1>surprise in terms of how it impacted me emotionally. I

0:17:45.600 --> 0:17:48.280
<v Speaker 1>worked so hard to keep an emotional distance from her,

0:17:48.960 --> 0:17:52.440
<v Speaker 1>and when she died, I was at her deathbed and

0:17:52.960 --> 0:17:59.960
<v Speaker 1>I was overwrought. I ran from the room. I saw

0:18:00.000 --> 0:18:07.120
<v Speaker 1>obed like I had never sobbed before. Justine's mother had

0:18:07.160 --> 0:18:11.120
<v Speaker 1>died of Alzheimer's, so Justina is surprised by her reaction

0:18:11.200 --> 0:18:14.760
<v Speaker 1>to her mother's death because the death itself was not sudden.

0:18:15.680 --> 0:18:18.720
<v Speaker 1>Her mother's decline had been gradual, as it so often

0:18:18.840 --> 0:18:21.800
<v Speaker 1>is with Alzheimer's disease. She had been losing her memory

0:18:21.840 --> 0:18:25.840
<v Speaker 1>for years plus. You'd think the history between Justine and

0:18:25.880 --> 0:18:29.240
<v Speaker 1>her mother and the distance between them wouldn't provoke such

0:18:29.240 --> 0:18:34.719
<v Speaker 1>a tidal wave of grief. When I went back home

0:18:35.400 --> 0:18:37.320
<v Speaker 1>to the home that I had with my husband Patrick,

0:18:37.720 --> 0:18:41.760
<v Speaker 1>I was exhausted. I could barely get off the couch

0:18:41.840 --> 0:18:47.840
<v Speaker 1>for days. And even after that, I was just fatigued,

0:18:48.040 --> 0:18:50.760
<v Speaker 1>and I would go out and I would cry for

0:18:50.800 --> 0:18:55.560
<v Speaker 1>no reason. And I was stunned at my reaction. And

0:18:55.600 --> 0:18:58.040
<v Speaker 1>then I just put it away. Um, you know, it

0:18:58.160 --> 0:19:01.680
<v Speaker 1>faded over time, and I just tucked it into the

0:19:01.720 --> 0:19:04.240
<v Speaker 1>back of my mind and went on and life was

0:19:04.400 --> 0:19:07.520
<v Speaker 1>really happy. I had this wonderful man that I had met,

0:19:08.119 --> 0:19:12.040
<v Speaker 1>so loving and kind. His entire family brought me in

0:19:12.880 --> 0:19:18.119
<v Speaker 1>and life was just wonderful. And we went on a

0:19:18.240 --> 0:19:23.040
<v Speaker 1>month long trip to Europe and my husband said, let's

0:19:23.040 --> 0:19:27.640
<v Speaker 1>go to London. Well, I had never been to England,

0:19:28.240 --> 0:19:31.320
<v Speaker 1>and I've traveled quite a bit, but I intentionally never

0:19:31.359 --> 0:19:36.720
<v Speaker 1>went to England because it felt too emotionally powerful, because

0:19:36.720 --> 0:19:39.520
<v Speaker 1>I knew that's where my mother was from. But I said, oh,

0:19:39.600 --> 0:19:41.480
<v Speaker 1>it's gonna be fine. There's not going to be a

0:19:41.520 --> 0:19:44.840
<v Speaker 1>problem here, and I'm gonna be with my husband and

0:19:44.880 --> 0:19:48.159
<v Speaker 1>my mother's you know, two died years ago. It's going

0:19:48.200 --> 0:19:51.840
<v Speaker 1>to be fine. And I went to London and we

0:19:51.920 --> 0:19:55.280
<v Speaker 1>walked around the streets and I could not stop thinking

0:19:56.040 --> 0:20:00.600
<v Speaker 1>about my mother and I didn't know why. And when

0:20:00.600 --> 0:20:05.040
<v Speaker 1>we came back from Europe, when we landed, I again

0:20:05.119 --> 0:20:07.639
<v Speaker 1>became emotional, and it was because I knew that my

0:20:07.640 --> 0:20:10.679
<v Speaker 1>mother wasn't going to call me, even though I never

0:20:10.920 --> 0:20:15.360
<v Speaker 1>wanted my mother to call me. So I sat at

0:20:15.400 --> 0:20:18.560
<v Speaker 1>my computer and I typed in the words that I

0:20:18.600 --> 0:20:23.880
<v Speaker 1>had heard only once before, thirty years before, Dorothy Sums.

0:20:24.880 --> 0:20:29.280
<v Speaker 1>And that didn't get me very far. But then I

0:20:29.359 --> 0:20:32.760
<v Speaker 1>remembered the other word that I had learned when my

0:20:32.840 --> 0:20:35.720
<v Speaker 1>mother had reached out when I was in my late twenties.

0:20:35.720 --> 0:20:38.960
<v Speaker 1>In that letter the word Foundling, and I put in

0:20:39.040 --> 0:20:44.160
<v Speaker 1>Foundling and London, and then there it was the Foundling Hospital.

0:20:45.160 --> 0:20:49.280
<v Speaker 1>And that was the first step. And I emailed someone

0:20:49.440 --> 0:20:54.280
<v Speaker 1>at the Foundling Hospital which is now called Quorum and said,

0:20:54.520 --> 0:20:59.919
<v Speaker 1>I think my mother might have been Dorothy Sums. Now,

0:21:00.000 --> 0:21:03.960
<v Speaker 1>how you've put something together here and you think maybe

0:21:04.080 --> 0:21:07.359
<v Speaker 1>your mother was known as Darthy Solmes when she was

0:21:07.400 --> 0:21:12.640
<v Speaker 1>a child, when she was a foundling at the Foundling Hospital. Yes, yeah,

0:21:20.520 --> 0:21:37.720
<v Speaker 1>we'll be right back. Justine dives into research. She digs

0:21:37.720 --> 0:21:40.760
<v Speaker 1>into the history of the Foundling Hospital, both during the

0:21:40.800 --> 0:21:44.320
<v Speaker 1>time her mother was there and the institution's history dating

0:21:44.359 --> 0:21:48.159
<v Speaker 1>back to seventeen thirty nine. She also returns to her

0:21:48.200 --> 0:21:52.040
<v Speaker 1>mother's manuscript, which is so painful to read that she

0:21:52.119 --> 0:21:54.080
<v Speaker 1>can only read it a few pages at a time.

0:21:56.200 --> 0:21:58.520
<v Speaker 1>It's interesting, looking back on it, that the first thing

0:21:58.600 --> 0:22:01.840
<v Speaker 1>that I did was reach out to a complete stranger

0:22:02.400 --> 0:22:05.680
<v Speaker 1>in London to start my research instead of just going

0:22:05.720 --> 0:22:08.520
<v Speaker 1>into my foul cabinet and picking up my mother's manuscript

0:22:08.560 --> 0:22:10.760
<v Speaker 1>to get me started. Why do you think that was?

0:22:11.440 --> 0:22:13.720
<v Speaker 1>Because I think it was going to be too painful,

0:22:14.760 --> 0:22:17.200
<v Speaker 1>and I was afraid what I was going to learn.

0:22:17.800 --> 0:22:23.040
<v Speaker 1>And I think that as an attorney, I'm very accustomed

0:22:23.080 --> 0:22:27.720
<v Speaker 1>to research, and that being able to do the research

0:22:28.040 --> 0:22:30.359
<v Speaker 1>in the way that I would handle any sort of

0:22:30.440 --> 0:22:33.800
<v Speaker 1>case that I was working on allowed me to do

0:22:33.960 --> 0:22:37.320
<v Speaker 1>it in a way that didn't feel frightening and it

0:22:37.400 --> 0:22:41.840
<v Speaker 1>felt comforting. And that makes a lot of sense. To

0:22:41.960 --> 0:22:45.040
<v Speaker 1>understand what my mother went through, you really have to

0:22:45.080 --> 0:22:50.000
<v Speaker 1>go back to the beginning of the Family Hospital. It

0:22:50.240 --> 0:22:54.920
<v Speaker 1>started in the mid seventeen hundreds, and it was created

0:22:55.560 --> 0:23:01.719
<v Speaker 1>two raise illegitimate children to pay degree changed chamber pots

0:23:01.760 --> 0:23:05.240
<v Speaker 1>for Britain's elite, and to serve them. It served a

0:23:05.320 --> 0:23:09.240
<v Speaker 1>second purpose, and the second purpose was to take a

0:23:09.280 --> 0:23:16.920
<v Speaker 1>woman who had had an unfortunate pregnancy and two restore

0:23:16.960 --> 0:23:20.320
<v Speaker 1>her back to her prior position. The only way that

0:23:20.320 --> 0:23:24.600
<v Speaker 1>that could be done is to take the child and

0:23:24.680 --> 0:23:30.520
<v Speaker 1>to keep the child a secret, and that secret that

0:23:30.640 --> 0:23:35.520
<v Speaker 1>the child itself was a secret and was shameful. That's

0:23:35.560 --> 0:23:39.840
<v Speaker 1>really what shaped the founding hospital for the next two

0:23:39.880 --> 0:23:45.840
<v Speaker 1>centuries and what also shaped my mother. In the early

0:23:45.920 --> 0:23:50.199
<v Speaker 1>nineteen thirties, my grandmother and her name was Lena Weston

0:23:51.200 --> 0:23:55.119
<v Speaker 1>m a name that I had never heard before until

0:23:55.240 --> 0:23:58.960
<v Speaker 1>I had gone to London and dug through the files.

0:23:59.640 --> 0:24:04.720
<v Speaker 1>She had become pregnant and her brother had kicked her out,

0:24:04.880 --> 0:24:08.040
<v Speaker 1>and she had nowhere to go, so she reached out

0:24:08.080 --> 0:24:11.359
<v Speaker 1>to the founding hospital and asked that they take her child.

0:24:11.720 --> 0:24:17.119
<v Speaker 1>It was my mother. They didn't just take the child. Instead,

0:24:17.640 --> 0:24:22.720
<v Speaker 1>my grandmother had to go through a very rigorous process

0:24:22.760 --> 0:24:25.840
<v Speaker 1>in which she had to prove that she was a

0:24:25.920 --> 0:24:31.040
<v Speaker 1>respectable woman and that if they took this child away

0:24:31.040 --> 0:24:34.439
<v Speaker 1>from her, that she would be able to return to

0:24:34.800 --> 0:24:39.679
<v Speaker 1>a virtuous life. The process included reaching out to, of

0:24:39.720 --> 0:24:42.639
<v Speaker 1>course the men in her life, her doctor, her pastor,

0:24:42.720 --> 0:24:46.840
<v Speaker 1>and her brother, and they all had to attest that

0:24:47.080 --> 0:24:50.880
<v Speaker 1>she was a virtuous woman. And then she actually had

0:24:50.880 --> 0:24:55.280
<v Speaker 1>to have an in person interview with the governors of

0:24:55.320 --> 0:24:57.960
<v Speaker 1>the hospital, who were all very well to do men

0:24:58.960 --> 0:25:04.879
<v Speaker 1>who um presumably quizzed her on how it was that

0:25:05.000 --> 0:25:08.040
<v Speaker 1>she came to be in this situation and how she

0:25:08.080 --> 0:25:11.560
<v Speaker 1>would conduct her life if they granted her the favor

0:25:11.560 --> 0:25:15.440
<v Speaker 1>of taking her child from her. Apparently she was virtuous enough,

0:25:15.720 --> 0:25:18.960
<v Speaker 1>and she had to go and on a particular day

0:25:19.240 --> 0:25:22.560
<v Speaker 1>turned my mother over to the Fothering Hospital when my

0:25:22.640 --> 0:25:25.560
<v Speaker 1>mother was two months old. And what year was this,

0:25:26.400 --> 0:25:33.800
<v Speaker 1>That was nineteen two. Justine's mother spends twelve years in

0:25:33.840 --> 0:25:37.600
<v Speaker 1>the Foundling Hospital's care. The first five years she lives

0:25:37.600 --> 0:25:40.360
<v Speaker 1>with a foster mother, which was a practice dating back

0:25:40.400 --> 0:25:43.719
<v Speaker 1>to the Foundling Hospital's early history. When the children who

0:25:43.760 --> 0:25:46.320
<v Speaker 1>were in the hospital were discovered not to be doing

0:25:46.400 --> 0:25:48.800
<v Speaker 1>very well, they'd be shipped off to the country to

0:25:48.840 --> 0:25:54.480
<v Speaker 1>be wet nursed at the age of five. No matter

0:25:54.560 --> 0:25:59.200
<v Speaker 1>whether the foster mother um and sometimes a foster father

0:25:59.480 --> 0:26:03.200
<v Speaker 1>loved their foster child or not, the child would be

0:26:03.440 --> 0:26:10.680
<v Speaker 1>taken away and sent to the institutional facility, which when

0:26:10.680 --> 0:26:13.600
<v Speaker 1>my mother as a child was in Brokemstaed just outside

0:26:13.640 --> 0:26:18.920
<v Speaker 1>of London, and they would be dropped off unceremoniously. Most

0:26:18.960 --> 0:26:21.959
<v Speaker 1>of them were not told that they were even leaving.

0:26:22.480 --> 0:26:28.119
<v Speaker 1>Their countless stories of children just being placed on a

0:26:28.200 --> 0:26:31.320
<v Speaker 1>bus or a coach as they called it, and they

0:26:31.320 --> 0:26:33.480
<v Speaker 1>thought they were coming back home at the end of

0:26:33.520 --> 0:26:36.080
<v Speaker 1>the day, but instead they were dropped off at the

0:26:36.080 --> 0:26:40.000
<v Speaker 1>family hospital. They were taken in, their clothes were removed,

0:26:40.160 --> 0:26:42.760
<v Speaker 1>they were put in bathtubs, you know, two or three

0:26:42.800 --> 0:26:44.960
<v Speaker 1>at a time. They would never see those clothes again.

0:26:45.720 --> 0:26:49.480
<v Speaker 1>They would share their heads and they would sit there

0:26:49.520 --> 0:26:53.359
<v Speaker 1>shivering and then sobbing, not knowing what was going on.

0:26:53.560 --> 0:26:58.800
<v Speaker 1>Really just treated like prisoners and put in these uniforms,

0:26:59.320 --> 0:27:02.960
<v Speaker 1>uniforms that had not changed since they were first designed

0:27:02.960 --> 0:27:07.280
<v Speaker 1>in the mid sev hundreds, and then that would start

0:27:07.440 --> 0:27:12.920
<v Speaker 1>their life at the family hospital. As Justine learns more

0:27:13.080 --> 0:27:16.439
<v Speaker 1>about the way the foundlings were treated, living their lives

0:27:16.440 --> 0:27:20.639
<v Speaker 1>in shapeless uniforms with sheared heads, she can't help but

0:27:20.720 --> 0:27:23.000
<v Speaker 1>sink back to some of the strange aspects of our

0:27:23.040 --> 0:27:27.120
<v Speaker 1>own childhood too. The clothes her mother bought her were

0:27:27.160 --> 0:27:33.000
<v Speaker 1>always too big, extremely unfashionable, baggy sack like garments that

0:27:33.160 --> 0:27:38.159
<v Speaker 1>must have resembled, perhaps subconsciously, to Eileen, the clothes she

0:27:38.160 --> 0:27:41.119
<v Speaker 1>had been forced to wear as a child. And once,

0:27:41.200 --> 0:27:43.760
<v Speaker 1>when Justine tried to cut her own hair in the

0:27:43.800 --> 0:27:47.159
<v Speaker 1>style of her favorite Charlie's Angel, she botched it, of course,

0:27:47.640 --> 0:27:50.879
<v Speaker 1>and this sent her mother into a panic. Promptly, Eileen

0:27:51.040 --> 0:27:53.600
<v Speaker 1>arranged to have Justine's hair fixed by a fancy San

0:27:53.600 --> 0:27:58.360
<v Speaker 1>Francisco stylist. What must have crossed her mother's mind when

0:27:58.359 --> 0:28:00.800
<v Speaker 1>she saw her child with her hair all chopped off.

0:28:02.040 --> 0:28:06.520
<v Speaker 1>Justine also soon discovers there are striking physical similarities between

0:28:06.520 --> 0:28:12.800
<v Speaker 1>the Foundling Hospital and her own childhood home. I still

0:28:12.840 --> 0:28:18.280
<v Speaker 1>remember being in the Founding Museum and walking into the room,

0:28:18.400 --> 0:28:22.360
<v Speaker 1>and it was a very earnate room, and it contained

0:28:22.400 --> 0:28:25.439
<v Speaker 1>a lot of the furniture that the governors used, and

0:28:25.920 --> 0:28:30.720
<v Speaker 1>there across the room were these two chairs that were

0:28:30.800 --> 0:28:33.200
<v Speaker 1>so familiar to me because they were the two They

0:28:33.320 --> 0:28:36.800
<v Speaker 1>looked almost exactly like the two chairs that sat in

0:28:37.080 --> 0:28:42.239
<v Speaker 1>our living room as a child. And I looked at

0:28:42.280 --> 0:28:48.520
<v Speaker 1>those chairs and began to cry and just was very emotional.

0:28:49.360 --> 0:28:52.480
<v Speaker 1>And at the time, I don't think I understood why,

0:28:53.080 --> 0:28:57.959
<v Speaker 1>And later I understood that when I was at the

0:28:57.960 --> 0:29:02.160
<v Speaker 1>Founding Museum for the first time, I was making the

0:29:02.200 --> 0:29:07.920
<v Speaker 1>connection between what had happened in the past two years ago,

0:29:08.480 --> 0:29:14.160
<v Speaker 1>this institution that brutalized thousands of children, um and how

0:29:14.240 --> 0:29:18.520
<v Speaker 1>that connected to our family, and it put a pin

0:29:19.200 --> 0:29:21.920
<v Speaker 1>in a sense of telling me, this is what happened

0:29:21.920 --> 0:29:25.480
<v Speaker 1>to my family. Because the relationship between my mother and

0:29:25.520 --> 0:29:27.840
<v Speaker 1>I was always so fraught that I could never ever

0:29:29.000 --> 0:29:35.520
<v Speaker 1>completely understand why, and that time, when I saw those chairs,

0:29:37.040 --> 0:29:40.200
<v Speaker 1>it was symbolic to me that what had happened to

0:29:40.200 --> 0:29:44.200
<v Speaker 1>our family was bigger than me and my mother, and

0:29:44.240 --> 0:29:49.640
<v Speaker 1>that we had been swept up in this institution that

0:29:49.800 --> 0:29:54.560
<v Speaker 1>had served Britain's ruling class for over two hundred years.

0:29:55.240 --> 0:29:58.400
<v Speaker 1>And in a way, through this journey, I've actually felt

0:29:59.080 --> 0:30:02.600
<v Speaker 1>lucky that I have been able to uncover everything that

0:30:02.720 --> 0:30:08.760
<v Speaker 1>happened to my family. Having this troubled relationship with someone

0:30:08.800 --> 0:30:12.840
<v Speaker 1>that you're supposed to love is more common than I'd

0:30:12.880 --> 0:30:15.880
<v Speaker 1>ever thought. Of course, learns that that is far from

0:30:15.920 --> 0:30:21.360
<v Speaker 1>the case. But I'm fortunate and that I can put something.

0:30:21.760 --> 0:30:25.280
<v Speaker 1>I can put it in this tangible box of this

0:30:25.360 --> 0:30:28.880
<v Speaker 1>is what happened to our family. I can trace it

0:30:28.960 --> 0:30:32.840
<v Speaker 1>all the way back to the seventeen hundreds and move

0:30:32.960 --> 0:30:35.200
<v Speaker 1>all the way forward. The shame that was put on

0:30:35.240 --> 0:30:39.680
<v Speaker 1>those women in the seventeen hundreds existed in my childhood home.

0:30:41.080 --> 0:30:44.600
<v Speaker 1>You know, you spoke earlier about the recoiling from your mother,

0:30:45.280 --> 0:30:48.880
<v Speaker 1>literally the sort of inability to bear her touch or

0:30:49.040 --> 0:30:53.000
<v Speaker 1>to touch her, and you liken it too, or you

0:30:53.440 --> 0:30:57.760
<v Speaker 1>draw a line in a way through time to how

0:30:57.840 --> 0:31:03.440
<v Speaker 1>she must have been treated in the very very formative

0:31:03.520 --> 0:31:07.200
<v Speaker 1>early you know, weeks and months of of her infancy

0:31:07.360 --> 0:31:11.680
<v Speaker 1>and not being held and not being touched, and that's

0:31:11.720 --> 0:31:14.400
<v Speaker 1>the stuff that you don't get to redo, and it

0:31:14.400 --> 0:31:17.920
<v Speaker 1>it lingers in a kind of traumatic way. And the

0:31:17.960 --> 0:31:22.840
<v Speaker 1>whole idea of inherited trauma or epo genetic trauma, that

0:31:23.120 --> 0:31:30.520
<v Speaker 1>perhaps your feeling of recoiling was part of that same pattern,

0:31:30.920 --> 0:31:35.000
<v Speaker 1>which is very painful, but I think also healing because

0:31:35.560 --> 0:31:38.320
<v Speaker 1>there's at last the possibility of an explanation for it.

0:31:39.440 --> 0:31:42.320
<v Speaker 1>I used to make lists of things that my mother

0:31:42.600 --> 0:31:46.440
<v Speaker 1>had done and go over them in my head in

0:31:46.440 --> 0:31:51.400
<v Speaker 1>a sense to justify how I felt about her. And

0:31:51.640 --> 0:31:55.640
<v Speaker 1>the list was never good enough. And I always knew

0:31:55.680 --> 0:31:58.040
<v Speaker 1>that the fact that you know, she turned my doll

0:31:58.080 --> 0:32:02.240
<v Speaker 1>house across the room or in a table, that those

0:32:02.320 --> 0:32:04.160
<v Speaker 1>really weren't the reasons why I felt the way I

0:32:04.200 --> 0:32:10.120
<v Speaker 1>did about my mother, but I never could understand why,

0:32:10.320 --> 0:32:13.920
<v Speaker 1>and I frequently thought that meant there was something wrong

0:32:13.960 --> 0:32:17.360
<v Speaker 1>with me, um that I was a bad daughter, or

0:32:17.680 --> 0:32:21.320
<v Speaker 1>you know, all sorts of feelings would swirl around in

0:32:21.400 --> 0:32:24.920
<v Speaker 1>my head, some that I wasn't even aware of, and

0:32:25.160 --> 0:32:27.840
<v Speaker 1>you know, it wasn't until I undercovered the story that

0:32:27.960 --> 0:32:32.440
<v Speaker 1>I realized that I wasn't to blame, but also my

0:32:32.480 --> 0:32:35.040
<v Speaker 1>mother wasn't to blame, but that we'd really been caught

0:32:35.080 --> 0:32:42.920
<v Speaker 1>up in this tragic story. Ultimately, Justine is able to

0:32:42.960 --> 0:32:46.040
<v Speaker 1>access a lot of her mother's files, files her mother

0:32:46.080 --> 0:32:48.640
<v Speaker 1>had never been able to see because of our cane

0:32:48.680 --> 0:32:52.160
<v Speaker 1>laws designed to continue the secret and protect it until

0:32:52.200 --> 0:32:56.840
<v Speaker 1>all parties are no longer living. Justine discovers that her grandmother, Lena,

0:32:57.200 --> 0:33:01.400
<v Speaker 1>had been trying for years, heartbreaking Lisa to send things

0:33:01.400 --> 0:33:07.080
<v Speaker 1>to Eileen slash Dorothy, money, letters, asking after her, and then, finally,

0:33:07.120 --> 0:33:09.840
<v Speaker 1>when the war comes to England and there are air raids,

0:33:10.360 --> 0:33:14.040
<v Speaker 1>Lena begs the governors of the Foundling hospital to allow

0:33:14.080 --> 0:33:16.640
<v Speaker 1>her to take her daughter away where she'll be safer.

0:33:17.800 --> 0:33:21.720
<v Speaker 1>The governors are not inclined to bend or break the rules,

0:33:21.760 --> 0:33:26.200
<v Speaker 1>but how else to say this? Because Eileen slash Dorothy

0:33:26.320 --> 0:33:30.760
<v Speaker 1>has been such a difficult foundling, rebelling, breaking the rules,

0:33:30.800 --> 0:33:34.520
<v Speaker 1>even running away, they decide that it's perfectly fine for

0:33:34.520 --> 0:33:37.960
<v Speaker 1>her to be taken off their hands. So mother and

0:33:38.040 --> 0:33:44.480
<v Speaker 1>daughter actually are reunited. Que the violins right, not so much,

0:33:45.280 --> 0:33:49.240
<v Speaker 1>After twelve years, a lot of damage has already been done.

0:33:50.920 --> 0:33:55.360
<v Speaker 1>It was heartbreaking when I discovered the letters that my

0:33:55.440 --> 0:34:01.240
<v Speaker 1>grandmother had written. In the archives in London, and it

0:34:01.360 --> 0:34:07.320
<v Speaker 1>was very emotional to see not just a few letters,

0:34:07.360 --> 0:34:11.960
<v Speaker 1>but letter after letter after letter that she had written

0:34:12.120 --> 0:34:15.319
<v Speaker 1>by hand and on any scrap of paper that she

0:34:15.360 --> 0:34:17.560
<v Speaker 1>could find. I mean, some of it was during wartime

0:34:17.680 --> 0:34:20.400
<v Speaker 1>and she would write and write and asking about her

0:34:20.440 --> 0:34:28.640
<v Speaker 1>little girl, and you could feel the love. And then

0:34:28.840 --> 0:34:32.400
<v Speaker 1>you think about my mother um as a little girl

0:34:32.719 --> 0:34:37.040
<v Speaker 1>who had never been touched in a loving way, which

0:34:37.160 --> 0:34:40.840
<v Speaker 1>was by design. They were being raised to be servants

0:34:41.080 --> 0:34:44.960
<v Speaker 1>and love and comfort and affection had no place in

0:34:45.320 --> 0:34:50.160
<v Speaker 1>that kind of training. And when they were reunited, I

0:34:50.200 --> 0:34:54.640
<v Speaker 1>had this hope myself that somehow there would be this

0:34:55.760 --> 0:35:01.640
<v Speaker 1>loving bond created. You know, years later it it didn't happen,

0:35:02.400 --> 0:35:05.959
<v Speaker 1>and it's clear they became estranged at some point in time.

0:35:07.200 --> 0:35:11.279
<v Speaker 1>And I think that once the bond is broken or

0:35:11.640 --> 0:35:15.279
<v Speaker 1>not allowed to form, sometimes there's not a lot that

0:35:15.320 --> 0:35:18.279
<v Speaker 1>can be done. And I think a lot about the

0:35:18.280 --> 0:35:22.320
<v Speaker 1>bond between my mother and myself, and I think, well,

0:35:22.520 --> 0:35:28.200
<v Speaker 1>the founding hospital in the social maories that forced my

0:35:28.280 --> 0:35:31.280
<v Speaker 1>grandmother to give up her child broke the bonds between

0:35:31.280 --> 0:35:35.319
<v Speaker 1>her and her daughter, and that carried down into the

0:35:35.400 --> 0:35:41.000
<v Speaker 1>next generation. All these broken bonds between mothers and daughters

0:35:41.320 --> 0:35:45.680
<v Speaker 1>complicate Justine's feelings about the possibility of becoming a mother herself.

0:35:47.360 --> 0:35:53.120
<v Speaker 1>I definitely was afraid that I would be a good mother,

0:35:54.560 --> 0:35:57.640
<v Speaker 1>and that I would repeat the mistakes that my mother

0:35:57.680 --> 0:36:03.120
<v Speaker 1>had made. But actually my greatest fear was that I

0:36:03.120 --> 0:36:07.399
<v Speaker 1>would have a daughter that felt about me the way

0:36:07.400 --> 0:36:11.000
<v Speaker 1>that I thought about my mother, and that terrified me.

0:36:11.840 --> 0:36:15.960
<v Speaker 1>And since I've gotten married, I have nieces, and some

0:36:16.080 --> 0:36:19.920
<v Speaker 1>of them I have developed just an extraordinary bond with.

0:36:20.880 --> 0:36:23.840
<v Speaker 1>And just the other day I was talking with my

0:36:23.920 --> 0:36:26.120
<v Speaker 1>husband and I said, you know, I think I would

0:36:26.120 --> 0:36:30.560
<v Speaker 1>have been a good mother. You end up being able

0:36:30.600 --> 0:36:33.839
<v Speaker 1>to meet with two different women who had known your

0:36:33.840 --> 0:36:37.440
<v Speaker 1>mother back before your mother came to the United States,

0:36:37.680 --> 0:36:42.320
<v Speaker 1>Bernice and Lydia, who had been in the Foundling hospital

0:36:42.880 --> 0:36:47.360
<v Speaker 1>with your mother. As you're speaking with Lydia, you're worried

0:36:47.360 --> 0:36:50.520
<v Speaker 1>that she's kind of getting this sense that this journey

0:36:50.680 --> 0:36:54.880
<v Speaker 1>of yours to learn as much as you possibly can

0:36:55.000 --> 0:37:01.760
<v Speaker 1>about your mother's history had been motivated by your great

0:37:01.800 --> 0:37:04.719
<v Speaker 1>love for your mother, and you don't want to sort

0:37:04.719 --> 0:37:07.879
<v Speaker 1>of falsely let that stand. And you say to Lydia

0:37:07.960 --> 0:37:12.200
<v Speaker 1>that your relationship with your mother was troubled, and Lydia

0:37:12.280 --> 0:37:18.399
<v Speaker 1>responds in this beautiful way. She says to you, of

0:37:18.440 --> 0:37:22.080
<v Speaker 1>course it was how would she have known how to

0:37:22.120 --> 0:37:25.400
<v Speaker 1>be a mother? And it felt to me like that

0:37:25.480 --> 0:37:28.239
<v Speaker 1>was some kind of turning point for you, or in

0:37:28.280 --> 0:37:32.279
<v Speaker 1>all the layers, sort of sluffing away of permission to

0:37:32.440 --> 0:37:36.480
<v Speaker 1>have this be the story that it is and have

0:37:36.560 --> 0:37:39.080
<v Speaker 1>it not be your fault and not be your doing.

0:37:39.880 --> 0:37:42.000
<v Speaker 1>That felt like the last piece of it sort of

0:37:42.000 --> 0:37:45.440
<v Speaker 1>falling into place. Did it feel that way to you, Well,

0:37:45.480 --> 0:37:49.000
<v Speaker 1>it was a very powerful moment for me, and it

0:37:49.080 --> 0:37:52.600
<v Speaker 1>did give me some permission to at least start exploring

0:37:53.160 --> 0:37:57.040
<v Speaker 1>for giving myself, and that was part of the journey.

0:37:57.080 --> 0:38:02.680
<v Speaker 1>I didn't even realize that I was going to undertake here.

0:38:02.719 --> 0:38:06.879
<v Speaker 1>To close out this remarkable story, is Justine reading from

0:38:06.920 --> 0:38:15.080
<v Speaker 1>the deeply moving ending of her memoir. My mother and

0:38:15.120 --> 0:38:17.480
<v Speaker 1>I were about the same age when we each felt

0:38:17.560 --> 0:38:21.279
<v Speaker 1>an irresistible pull to understand the past and how it

0:38:21.320 --> 0:38:24.960
<v Speaker 1>had shaped who we had become. I can't claim to

0:38:25.000 --> 0:38:29.040
<v Speaker 1>fully understand what finally compelled me to uncover my mother's secrets,

0:38:29.440 --> 0:38:33.040
<v Speaker 1>an obsession that spanned the course of two years. I

0:38:33.120 --> 0:38:35.399
<v Speaker 1>do know that the anger I had shouldered for much

0:38:35.400 --> 0:38:38.839
<v Speaker 1>of my life had taken its toll, the sheer intensity

0:38:38.920 --> 0:38:41.520
<v Speaker 1>of my feelings for my mother, the loathing that was

0:38:41.600 --> 0:38:45.239
<v Speaker 1>always simmering just under the surface, where burdens with a

0:38:45.280 --> 0:38:49.560
<v Speaker 1>palpable weight. Perhaps I had hoped that understanding my mother's

0:38:49.600 --> 0:38:53.040
<v Speaker 1>past might provide me with a sense of peace. But

0:38:53.120 --> 0:38:56.640
<v Speaker 1>my mother's journey was not about anger. It was about shame.

0:38:58.080 --> 0:39:01.600
<v Speaker 1>It is lonely to have no love for one's mother. Well,

0:39:01.640 --> 0:39:04.280
<v Speaker 1>I had hoped that my feelings would change. Love cannot

0:39:04.280 --> 0:39:07.560
<v Speaker 1>be forced or conjured up. Perhaps she was not the

0:39:07.600 --> 0:39:10.840
<v Speaker 1>only one with rounds too deep to heal. But in

0:39:10.880 --> 0:39:13.840
<v Speaker 1>my quest to learn about my mother's past, I realized

0:39:13.880 --> 0:39:16.880
<v Speaker 1>that I had come to know someone special, someone I

0:39:16.920 --> 0:39:21.200
<v Speaker 1>wanted to hold the comfort and protect. That person was

0:39:21.239 --> 0:39:24.640
<v Speaker 1>a little girl with a smattering of freckles and silky

0:39:24.680 --> 0:39:29.280
<v Speaker 1>brown hair, feisty and courageous, and probably full of dreams.

0:39:30.239 --> 0:39:33.200
<v Speaker 1>I had grown to love that little girl. Her name

0:39:33.600 --> 0:39:56.840
<v Speaker 1>was Dorothy Songs. M h Family Secrets is a production

0:39:56.880 --> 0:39:59.879
<v Speaker 1>of My Heart Radio. Molly's a Core is the story

0:40:00.080 --> 0:40:04.239
<v Speaker 1>editor and Dylan Fagan is the executive producer. If you

0:40:04.280 --> 0:40:06.799
<v Speaker 1>have a family secret you'd like to share, please leave

0:40:06.880 --> 0:40:09.000
<v Speaker 1>us a voicemail and your story could appear on an

0:40:09.080 --> 0:40:13.800
<v Speaker 1>upcoming episode. Our number is one eight eight secret zero.

0:40:14.200 --> 0:40:17.239
<v Speaker 1>That's the number zero. You can also find me on

0:40:17.320 --> 0:40:21.680
<v Speaker 1>Instagram at Danny writer, and if you'd like to know

0:40:21.719 --> 0:40:24.640
<v Speaker 1>more about the story that inspired this podcast, check out

0:40:24.640 --> 0:40:47.800
<v Speaker 1>my memoir Inheritance. For more podcasts from my Heart Radio,

0:40:48.000 --> 0:40:50.840
<v Speaker 1>visit the I heart Radio app, Apple podcast, or wherever

0:40:51.000 --> 0:40:52.440
<v Speaker 1>you listen to your favorite shows.