WEBVTT - Janelle Monàe and Nate Wonder: World Happiness Day Bonus

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<v Speaker 1>Pushkin. Hey there, it's justin Richmond. We're revisiting an episode

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<v Speaker 1>we recently put out with Jenell Money to celebrate World

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<v Speaker 1>Happiness Day. We're part of the Pushkin network. In one

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<v Speaker 1>of my colleagues, Laurie Santos, who hosts the Happiness Lab podcast,

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<v Speaker 1>ask me to share an episode that makes me happy,

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<v Speaker 1>and to be honest, nothing made me happier than this

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<v Speaker 1>episode with Jenell mone and Nate Wonder. So to celebrate

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<v Speaker 1>World Happiness Day and the World Happiness Report that the

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<v Speaker 1>UE puts out every March, and in honor of my

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<v Speaker 1>colleague Laurie Santos from the Happiness Lab, have fun. Were

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<v Speaker 1>listening to this conversation I have with Janelle Monee and

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<v Speaker 1>Nate Wonder. Also, we'll be putting an episode of the

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<v Speaker 1>Happiness Lab in this broken record feed shortly, so stay

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<v Speaker 1>tuned for that. This is broken record liner notes for

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<v Speaker 1>the Digital Age just Mission. Here's my conversation with Nate

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<v Speaker 1>Wonder and Janelle Monae. Happy birthday, Thank you Rammy nomination. Yes,

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<v Speaker 1>Album of the Years. Yeah, it's like two in a row.

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<v Speaker 2>Now, I know that's a big deal.

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<v Speaker 3>I know it's a big deal.

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<v Speaker 1>I'm still just so humble, very big, not just progressive

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<v Speaker 1>R and B album, but like album of the year,

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<v Speaker 1>Like that's some crazy, that's wild.

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<v Speaker 3>Yeah. I watched a lot of my heroes get it

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<v Speaker 3>and be on that stage, and like it's it's really

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<v Speaker 3>a dream to be able to not just shine light

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<v Speaker 3>on the work that I do, but you know, Nate's

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<v Speaker 3>here as well. He worked heavily on the music and

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<v Speaker 3>production and writing with me and everybody else who you

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<v Speaker 3>know was a part of the album. They get recognized too.

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<v Speaker 3>So that's the beautiful thing about being in that category.

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<v Speaker 1>Yeah, no, absolutely, Yeah, I wanted to ask about the

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<v Speaker 1>collaborative since I have the pleasure of both of you guys,

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<v Speaker 1>which is it feels special to me, So I was

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<v Speaker 1>I was curious about how you guys collaborate on it.

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<v Speaker 1>I mean, you guys been working together alone time.

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<v Speaker 3>First of all, every project, every album since my EPs

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<v Speaker 3>where I was selling them out of the trunk of

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<v Speaker 3>my car in Atlanta. We've been able to have, you know,

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<v Speaker 3>a creative bond and just like evolution together and it's

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<v Speaker 3>just been really a fun ride. Lots of fun things

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<v Speaker 3>happen in the studio. It feels like family. It feels intentional.

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<v Speaker 3>It's magical.

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<v Speaker 1>Absolutely. Where were you both at when you guys first.

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<v Speaker 4>Met in Atlanta? We met at Morehouse Janelle was she

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<v Speaker 4>was living like in the.

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<v Speaker 3>Area Parsons Street. Yeah, boarding house next to Club Woody

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<v Speaker 3>in the AUC Club.

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<v Speaker 2>Woody is the name of the library.

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<v Speaker 4>Okay, you go there though, because it's in the middle

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<v Speaker 4>of all three campuses.

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<v Speaker 2>It's kind of like a club.

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<v Speaker 1>You never know in Atlanta what that could.

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<v Speaker 4>Bet It's actually actually the university library. And she would

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<v Speaker 4>throw shows on the steps. And I was just out

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<v Speaker 4>of college. I had lost my scholarship in my junior

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<v Speaker 4>year of college because I was writing music. And so

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<v Speaker 4>after I graduated, like I could really take the time

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<v Speaker 4>to focus on my music the way I wanted to.

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<v Speaker 1>So in college you knew that like music was where

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<v Speaker 1>you were focused, That's where your attention was.

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<v Speaker 3>But why did you lose? What happened? You need to

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<v Speaker 3>tell him exactly a moment that will let you know

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<v Speaker 3>how serious you were.

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<v Speaker 4>I mean I had I had two full scholarships to school,

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<v Speaker 4>and I lost both of them because I how do

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<v Speaker 4>you get too? NASA gave me a scholarship, and the

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<v Speaker 4>school gave me a scholarship separately, and I just had

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<v Speaker 4>both of them.

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<v Speaker 2>I had one like as a backup, I guess idea.

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<v Speaker 4>But I was in a math test and I was

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<v Speaker 4>doing well on the test except for like in the

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<v Speaker 4>middle of the test, I had this song come to

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<v Speaker 4>me and I just felt compelled to get up and

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<v Speaker 4>I went to my dorm room and I wrote the

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<v Speaker 4>song and I did not finish the test, and it

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<v Speaker 4>caused my GPA to crater.

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<v Speaker 2>And that's why I lost my scholarship.

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<v Speaker 3>Yay, was that and that's how we got to make music.

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<v Speaker 1>I mean, thank god he lost his NASSA And I

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<v Speaker 1>mean in any other scenario, that's a tragedy. Yeah, but

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<v Speaker 1>it seems to have been the right path.

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<v Speaker 4>It felt tragic at the time too, after I realized

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<v Speaker 4>that happened. In the moment, it felt like, this is

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<v Speaker 4>what you're supposed to be doing. You need to just

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<v Speaker 4>listen to this.

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<v Speaker 1>Was that common for you to just up and leave

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<v Speaker 1>whatever you were doing, wherever you were at, whoever you

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<v Speaker 1>were with, YO, get an idea.

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<v Speaker 4>Yeah, but not a test. It had not happened like

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<v Speaker 4>that was something that cost me so much.

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<v Speaker 2>Yeah.

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<v Speaker 1>In the movie of Your Life was a pretty high stake,

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<v Speaker 1>you know what I mean, it was.

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<v Speaker 4>And it felt like a big mistake afterwards. For a

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<v Speaker 4>little while, it felt like, wow, that was crazy.

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<v Speaker 1>Yeah. Yeah.

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<v Speaker 2>My dad was like, you're crazy. You absolutely lost your mind.

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<v Speaker 1>Were your parents academically folks, like, I mean, I don't know.

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<v Speaker 4>How scholarship My dad has a doctorate in music actually,

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<v Speaker 4>and he wasn't active in music in that kind of way.

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<v Speaker 2>He's a professor, so he's yes, he's yeah.

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<v Speaker 1>You grew up with a lot of theory and things,

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<v Speaker 1>and I grew.

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<v Speaker 4>Up watching him write music composed and like he was

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<v Speaker 4>writing operas and all that kind of stuff, and like,

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<v Speaker 4>so I saw that growing up, and I learned a

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<v Speaker 4>lot of instruments kind of. I got introduced to a

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<v Speaker 4>lot of instruments early on, and I got introduced to

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<v Speaker 4>the idea of composition very early.

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<v Speaker 2>But he was not. He was like that it is dumb.

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<v Speaker 2>Just so we can be clear, that's dumb.

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<v Speaker 1>Did you know him at the time.

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<v Speaker 3>I didn't know. You didn't know each other. That was

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<v Speaker 3>you know, I met him after he probably did some

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<v Speaker 3>healing from the traumatic experience of losing your scholarships.

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<v Speaker 2>I learned how to focus. That's what I learned from that.

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<v Speaker 4>I always hold that as like a lesson in focus,

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<v Speaker 4>like what it takes.

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<v Speaker 1>Focus on the thing at hand, or focus on the

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<v Speaker 1>creativity that's taking away.

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<v Speaker 4>Actually you know, you know it's interesting, like it's just

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<v Speaker 4>pick something and do that thing. So the idea of

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<v Speaker 4>the multitasking and all that kind of stuff, I understood

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<v Speaker 4>how detrimental that could be to whatever the dream that

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<v Speaker 4>I had was. So if it was music, like I

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<v Speaker 4>know that. Like the feeling I had when I was

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<v Speaker 4>in the class was, Hey, you're not pursuing the thing

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<v Speaker 4>that you're supposed to be pursuing right now, and you

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<v Speaker 4>are going to feel sick about that at some point

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<v Speaker 4>in time. Right now, you feel sick, so you need

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<v Speaker 4>to go write that song. Later on I felt like, okay,

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<v Speaker 4>I but I made a commitment, and so you know,

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<v Speaker 4>it's about just commitment focus not being distracted. And when

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<v Speaker 4>I finished college, I was like, Okay, now I'm going

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<v Speaker 4>to focus and I wanted to do that.

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<v Speaker 1>You did finish, yes, and you paid?

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<v Speaker 2>Yeah I had to pay.

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<v Speaker 4>Oh yeah, that's what I'm saying. Hey, last year I

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<v Speaker 4>got a scholarship for part of it. I got a

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<v Speaker 4>scholtship to go live in Spain. So they paid me

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<v Speaker 4>to go. I did get another scholarship.

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<v Speaker 1>Too, smart man, but I.

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<v Speaker 3>And tell them what you know?

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<v Speaker 4>What?

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<v Speaker 3>Tell them what you got that scholarship in Spanish, which

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<v Speaker 3>I sucked in. I failed Spanish high school year, but

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<v Speaker 3>Spanish major in Spanish.

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<v Speaker 1>Look at you? Yeah, did you did you study any

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<v Speaker 1>music Spanish music while you were in Spain?

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<v Speaker 2>No?

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<v Speaker 4>I studied Spanish art and architecture actually, And so when

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<v Speaker 4>I went to Spain, I was like, let me not

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<v Speaker 4>pursue music right now.

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<v Speaker 2>Let me focus.

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<v Speaker 4>I'm not going to bring any of my instruments, like

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<v Speaker 4>I would never not have a guitar in my hand.

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<v Speaker 4>And so I was like, I'm going to go to Spain.

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<v Speaker 4>I'm not going to have any instruments. I'm going to

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<v Speaker 4>focus and I'm going to just do what I'm here

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<v Speaker 4>to do. And I went there, and what's crazy is

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<v Speaker 4>that the place that I lived was directly next to

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<v Speaker 4>a music conservatory. So I would wake up in this

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<v Speaker 4>girl would play the flute every morning.

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<v Speaker 2>It would wake me up. Every morning.

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<v Speaker 4>I would hear musicians playing all day. And I was like, man,

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<v Speaker 4>I got And so I was there I bought a

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<v Speaker 4>flute and like taught myself to play the flute, but

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<v Speaker 4>that was it. I was like, let me just that's

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<v Speaker 4>small enough.

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<v Speaker 1>Yeah, so that's more of a hobby than a real

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<v Speaker 1>stick pursuit. Similarly, you early on were kind of like

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<v Speaker 1>possessed by creativity, right, mm hmmm.

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<v Speaker 3>I like that possessed. Yes, there was never a time

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<v Speaker 3>where I wasn't singing. I don't remember like singing, acting, partying,

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<v Speaker 3>doing exactly what it is that I'm doing. I was

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<v Speaker 3>talking to a friend and she reminded me. She was like,

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<v Speaker 3>remember in sixth grade when we used to throw these

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<v Speaker 3>parties and you would charge a dollar for people to

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<v Speaker 3>get in, and I got I skipped school to hand

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<v Speaker 3>out flyers. It was a whole thing. But at that

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<v Speaker 3>same time, I was on every talent show stage in

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<v Speaker 3>Kansas City, in every musical theater production. And you know,

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<v Speaker 3>it's morphed into conserts Now and the Age of Pleasure

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<v Speaker 3>album and being driven by by just the things that

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<v Speaker 3>I love. I'm so thankful that I still can can

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<v Speaker 3>do that. And for me, when I went to school

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<v Speaker 3>in New York after you know, after high school, went

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<v Speaker 3>to school in New York, and I thought, oh, I

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<v Speaker 3>want to do musical theater. As soon as I got

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<v Speaker 3>out there and started going to see plays and stuff,

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<v Speaker 3>I was like, man, ugh, I'm not excited about any

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<v Speaker 3>of the roles that they're offering. You know, people that

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<v Speaker 3>look like me.

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<v Speaker 1>What were you? What kind of roles were you getting?

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<v Speaker 3>Well, we couldn't really audition, but like there was no

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<v Speaker 3>there was maybe one strong black woman leading something there

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<v Speaker 3>was not right now, Broadway has changed, like it's it's

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<v Speaker 3>it's a lot more diverse, a lot more stories, a

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<v Speaker 3>lot more uniqueness. And the only thing, because I'm from Kansas,

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<v Speaker 3>the only thing I think people saw me doing was

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<v Speaker 3>The Wiz, and The Whiz wasn't on Broadway. And I'm

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<v Speaker 3>just like, I love the Wiz, but where is the

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<v Speaker 3>new energy, the new stories? And I had so much

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<v Speaker 3>bubble because I'm a writer as well, and I decided that,

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<v Speaker 3>you know, I was going to quit, So I quit

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<v Speaker 3>school in New York. Everybody thought I was crazy too.

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<v Speaker 3>That was my like you're crazy moment because coming from Kansas,

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<v Speaker 3>such a small town to get there, They're like, wow,

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<v Speaker 3>you're in New York. You're living the dream. And little

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<v Speaker 3>do they know, I was sleeping in the same bed

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<v Speaker 3>as my cousin because I could not afford housing there,

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<v Speaker 3>and so I was commuting from like one hundred and

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<v Speaker 3>forty ath An, Amsterdam to like seventy second and Broadway

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<v Speaker 3>every single day Monday through Friday. Wow, I mean I

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<v Speaker 3>learned a lot about surviving. And I was just like,

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<v Speaker 3>you know, poor, but excited about the arts and excited

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<v Speaker 3>about finally figuring out what did Janelle Robinson have to say?

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<v Speaker 3>Because I wasn't even going by Jane one. I had

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<v Speaker 3>not tapped into the center the core of what I

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<v Speaker 3>had to say because I was spending so much time

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<v Speaker 3>singing everybody else's songs.

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<v Speaker 1>Why the transition of jenem on a them from Janel Robinson?

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<v Speaker 1>What about that felt more like the authentic place to

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<v Speaker 1>create farm.

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<v Speaker 3>Well, I knew about the painter Monet, and I always

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<v Speaker 3>thought like, that's that's a great artist name, and it

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<v Speaker 3>just so happens to be my real name. My middle

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<v Speaker 3>name is done. My aunt actually she was like Janelle Monett,

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<v Speaker 3>Janelle Monet. She calls me that all the time, like

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<v Speaker 3>when she sees me, and it just it sucked.

0:11:30.196 --> 0:11:33.556
<v Speaker 1>Before it wasn't like a kid like your family and

0:11:33.596 --> 0:11:34.876
<v Speaker 1>where you come from, none of it.

0:11:36.036 --> 0:11:39.556
<v Speaker 3>I just thought Monet felt like an artist name and

0:11:39.796 --> 0:11:42.076
<v Speaker 3>it was my name, and it was like, yeah, okay,

0:11:42.436 --> 0:11:45.676
<v Speaker 3>I get to reinvent, you know, who, what I can be,

0:11:45.836 --> 0:11:47.596
<v Speaker 3>how I can say it, how I see myself. And

0:11:48.196 --> 0:11:49.996
<v Speaker 3>it was so great. So that's when I moved to Atlanta,

0:11:50.036 --> 0:11:52.996
<v Speaker 3>and that's when I met Nate Rocket Wonder, I met

0:11:53.036 --> 0:11:55.436
<v Speaker 3>Chuck Lightning, I met Michael Moore, who were all still

0:11:55.436 --> 0:11:59.196
<v Speaker 3>working together. They were at Morehouse. They ran this arts

0:11:59.236 --> 0:12:02.236
<v Speaker 3>collective called the Dark Tower Project, and they would bring

0:12:02.316 --> 0:12:05.196
<v Speaker 3>musicians poets to Morehouse and I was one of the

0:12:05.676 --> 0:12:08.996
<v Speaker 3>people who performed that night. And I just saw like

0:12:09.196 --> 0:12:13.156
<v Speaker 3>this kind of black cosmopolitan in Atlanta, Like it was

0:12:13.236 --> 0:12:17.516
<v Speaker 3>just this melting pot of just excellence and creativity and

0:12:17.676 --> 0:12:20.236
<v Speaker 3>freedom of expression. I had never seen anything like it,

0:12:20.796 --> 0:12:22.636
<v Speaker 3>and I wanted to be around that, and I wanted

0:12:22.676 --> 0:12:25.156
<v Speaker 3>to make music for them. I wanted That's who I

0:12:25.236 --> 0:12:27.156
<v Speaker 3>wanted to make music for. And so when I started

0:12:27.156 --> 0:12:28.916
<v Speaker 3>to write, I would sit out, like Nate was saying,

0:12:28.916 --> 0:12:31.516
<v Speaker 3>I would sit on the library steps of Club Woody

0:12:31.516 --> 0:12:33.956
<v Speaker 3>and I would just play guitar, sing my songs. People

0:12:33.956 --> 0:12:36.476
<v Speaker 3>would walk by, some would stop and listen. Some would

0:12:36.556 --> 0:12:38.796
<v Speaker 3>keep moving. I would go to dorm lounge just sit

0:12:38.836 --> 0:12:41.396
<v Speaker 3>on the couch and get perform. Like to anybody that

0:12:41.436 --> 0:12:44.156
<v Speaker 3>would listen, I was. I was like, I don't give

0:12:44.196 --> 0:12:47.636
<v Speaker 3>a damn. I have to know is this for me? Like,

0:12:47.676 --> 0:12:49.556
<v Speaker 3>do you guys like what I have to say? Like

0:12:49.636 --> 0:12:55.596
<v Speaker 3>can I make my purpose and passion and also career aligne.

0:12:55.676 --> 0:12:58.116
<v Speaker 1>Yeah, that's a scary time because you don't you don't

0:12:58.156 --> 0:12:59.876
<v Speaker 1>really know that, and me have the confidence to not

0:12:59.916 --> 0:13:02.116
<v Speaker 1>necessarily care, but you don't. At the same time, I

0:13:02.196 --> 0:13:04.116
<v Speaker 1>don't really know. You don't know.

0:13:05.236 --> 0:13:07.876
<v Speaker 4>Like one of the reasons why we really connected was because,

0:13:07.956 --> 0:13:11.836
<v Speaker 4>like I know it sounds it's very basic, but we

0:13:11.996 --> 0:13:18.196
<v Speaker 4>love art, and I think that we were inspired by

0:13:18.716 --> 0:13:21.716
<v Speaker 4>meeting other people who loved art. Like really we're just

0:13:21.796 --> 0:13:23.916
<v Speaker 4>like fall in love with art, you know, just be

0:13:24.076 --> 0:13:27.436
<v Speaker 4>obsessed over it. Just sit up all day and think

0:13:27.476 --> 0:13:30.916
<v Speaker 4>about something that they read, or a.

0:13:30.916 --> 0:13:34.716
<v Speaker 2>Painting that they saw, or just a song. Just sit

0:13:34.796 --> 0:13:36.036
<v Speaker 2>there and cry to a song.

0:13:36.116 --> 0:13:36.756
<v Speaker 1>And just like.

0:13:38.236 --> 0:13:41.636
<v Speaker 4>I know that Janelle and I have a very spiritual

0:13:41.676 --> 0:13:47.796
<v Speaker 4>connection that music. It really it's like the catalyst for

0:13:47.836 --> 0:13:52.116
<v Speaker 4>that and it catalyzes it all the time. It's something

0:13:52.156 --> 0:13:57.116
<v Speaker 4>that I know that we can always tap into, like

0:13:57.196 --> 0:14:00.596
<v Speaker 4>besides being like good thought partners and like, you know,

0:14:00.916 --> 0:14:03.756
<v Speaker 4>there are wonderful myriad things about Janelle that make her

0:14:03.756 --> 0:14:07.196
<v Speaker 4>a great like human being. But on a musical level,

0:14:07.916 --> 0:14:12.836
<v Speaker 4>she is very past about music, Like if I play

0:14:12.956 --> 0:14:17.836
<v Speaker 4>certain chords, it can make her cry, and that is

0:14:17.836 --> 0:14:19.996
<v Speaker 4>something that also happens to me, Like I can hear

0:14:20.076 --> 0:14:22.356
<v Speaker 4>certain songs certain chords, and it doesn't have to do

0:14:22.396 --> 0:14:25.476
<v Speaker 4>it necessarily the lyrics. Always Sometimes the lyrics, yes, and

0:14:25.556 --> 0:14:28.156
<v Speaker 4>poetry is beautiful and that's another you know, but just

0:14:28.196 --> 0:14:33.956
<v Speaker 4>like music and just being really just emotionally brought to

0:14:34.356 --> 0:14:40.476
<v Speaker 4>your knees over how good music can be. And we've

0:14:40.516 --> 0:14:43.556
<v Speaker 4>shared so many of those moments, and that was like

0:14:43.636 --> 0:14:46.716
<v Speaker 4>the beginning of that time where we got to really

0:14:46.796 --> 0:14:52.876
<v Speaker 4>just pass music back and forth and be shocked and

0:14:53.956 --> 0:14:57.156
<v Speaker 4>just sit in awe with each other as we would

0:14:57.156 --> 0:14:58.636
<v Speaker 4>just listen to what could be done.

0:14:59.316 --> 0:15:01.956
<v Speaker 3>I think one of the things that I loved early on,

0:15:02.196 --> 0:15:04.636
<v Speaker 3>and the reason why I think we've worked so well

0:15:04.676 --> 0:15:08.996
<v Speaker 3>together musically is because Nate is a student of music,

0:15:09.196 --> 0:15:11.476
<v Speaker 3>and so when it comes to like anything that I

0:15:11.516 --> 0:15:14.956
<v Speaker 3>want to do, there's nothing we can't do from string

0:15:15.076 --> 0:15:21.156
<v Speaker 3>arrangements to you know, core progressions, horn arrangements, melodies, like

0:15:21.396 --> 0:15:25.836
<v Speaker 3>there's no genre. We've been genres with each album. You know,

0:15:25.876 --> 0:15:29.516
<v Speaker 3>it's all about how do we create our own musical language.

0:15:29.596 --> 0:15:31.716
<v Speaker 3>And I love that. I always have to feel pushed

0:15:31.756 --> 0:15:36.636
<v Speaker 3>and stretched, and I think that's what is the exciting thing,

0:15:36.636 --> 0:15:41.876
<v Speaker 3>because it's like we literally have the the mind and

0:15:41.956 --> 0:15:45.956
<v Speaker 3>the student heart, like we never stop being.

0:15:45.796 --> 0:15:47.836
<v Speaker 1>Student, always at the beginning.

0:15:47.956 --> 0:15:52.116
<v Speaker 3>Always it's always a new whiteboard, you know, the ideas

0:15:52.196 --> 0:15:53.236
<v Speaker 3>ready to be put down.

0:15:53.476 --> 0:15:55.156
<v Speaker 1>It sounds to me like you guys are just always

0:15:55.196 --> 0:15:59.956
<v Speaker 1>creating things, regardless of like there's an album doing or

0:16:00.236 --> 0:16:01.916
<v Speaker 1>you know, or it's been a minute or you know.

0:16:01.956 --> 0:16:04.796
<v Speaker 1>It's like it's just that's how you guys are inhabiting life.

0:16:04.836 --> 0:16:07.876
<v Speaker 1>It's just creating every day or you know, the days

0:16:07.876 --> 0:16:08.876
<v Speaker 1>that it feels right to do.

0:16:09.636 --> 0:16:12.716
<v Speaker 3>Yeah. I mean I didn't get into music because of

0:16:12.756 --> 0:16:17.076
<v Speaker 3>awards or because of you know, recognition or anything like that.

0:16:17.156 --> 0:16:20.836
<v Speaker 3>Music is truly healing. I need music like I need

0:16:20.876 --> 0:16:23.396
<v Speaker 3>a song in my darkest hours. I need a song

0:16:23.436 --> 0:16:26.876
<v Speaker 3>in my most celebratory stage. I need a song when

0:16:27.236 --> 0:16:29.716
<v Speaker 3>you know, I want to communicate something that my own

0:16:29.756 --> 0:16:32.476
<v Speaker 3>words can't say, and I need to be able to

0:16:32.516 --> 0:16:35.036
<v Speaker 3>write when I'm feeling frustrated or when I'm like it's

0:16:35.076 --> 0:16:38.796
<v Speaker 3>a way. It has helped my mental health so much, Yeah,

0:16:39.236 --> 0:16:39.756
<v Speaker 3>so much.

0:16:40.116 --> 0:16:42.876
<v Speaker 1>You know, when I was listening again for like the

0:16:42.956 --> 0:16:46.196
<v Speaker 1>umpteenth time this morning on my watt to the Age

0:16:46.196 --> 0:16:49.476
<v Speaker 1>of Pleasure, I was wondering listening to it, it might

0:16:49.516 --> 0:16:52.756
<v Speaker 1>be the possible question to answer, but whether these songs

0:16:52.756 --> 0:16:56.556
<v Speaker 1>were for you or for other people? Because I in

0:16:56.556 --> 0:16:57.916
<v Speaker 1>a way I've realized that as I've been listening to it,

0:16:57.916 --> 0:17:00.716
<v Speaker 1>I've been taking it as like you giving mantras to

0:17:00.836 --> 0:17:04.276
<v Speaker 1>me that, but it occurred to me to that I'm like,

0:17:04.316 --> 0:17:06.396
<v Speaker 1>maybe you needed to write this for you too, And

0:17:06.956 --> 0:17:08.996
<v Speaker 1>I don't know how you were approaching that, but.

0:17:09.436 --> 0:17:11.796
<v Speaker 3>It's for all of us. It's for us, and that

0:17:11.916 --> 0:17:14.396
<v Speaker 3>means a lot to hear you say that, because I

0:17:14.436 --> 0:17:16.836
<v Speaker 3>think one of the most important things as an artist

0:17:16.876 --> 0:17:21.316
<v Speaker 3>is your ability to communicate. And as much as I

0:17:21.356 --> 0:17:23.476
<v Speaker 3>can say like, oh, I just want to do an

0:17:23.516 --> 0:17:26.876
<v Speaker 3>album and I want this just for myself and I

0:17:26.956 --> 0:17:29.636
<v Speaker 3>me to listen to it, that's not my truth. I

0:17:29.676 --> 0:17:33.716
<v Speaker 3>actually want everybody to feel like this is their soundtrack

0:17:33.796 --> 0:17:37.156
<v Speaker 3>to their life. This is curating their thoughts and their feelings.

0:17:37.156 --> 0:17:38.956
<v Speaker 3>They are part of my community. We're a part of

0:17:38.956 --> 0:17:41.676
<v Speaker 3>each other's community, and all of us are growing and

0:17:41.756 --> 0:17:46.116
<v Speaker 3>healing and moving together and sharing something that they can

0:17:46.156 --> 0:17:50.676
<v Speaker 3>tap into anytime they want to. And it's funny because

0:17:50.716 --> 0:17:54.556
<v Speaker 3>you're here. This is exactly what inspired the album this space,

0:17:55.236 --> 0:17:59.836
<v Speaker 3>having this space filled with black and brown and you

0:18:00.036 --> 0:18:04.516
<v Speaker 3>just beautiful people across the diaspora here, seeing them smiling,

0:18:04.676 --> 0:18:07.196
<v Speaker 3>seeing the joy and their spirits and their hearts. During

0:18:07.236 --> 0:18:09.796
<v Speaker 3>the time where everybody thought the word world was ending,

0:18:10.836 --> 0:18:16.156
<v Speaker 3>I mean every day the pandemic. We created Wonderland West

0:18:16.236 --> 0:18:18.036
<v Speaker 3>during the pandemic. It was one of the most scary

0:18:18.076 --> 0:18:21.356
<v Speaker 3>things ever because I grew up my parents didn't own

0:18:21.356 --> 0:18:23.996
<v Speaker 3>a home. We were either in like a duplex or

0:18:24.036 --> 0:18:27.076
<v Speaker 3>you know, we live with my grandmother and they were

0:18:27.116 --> 0:18:30.916
<v Speaker 3>working class, like making ends meet, but live in check

0:18:30.956 --> 0:18:32.916
<v Speaker 3>to check. So when it was time for all of

0:18:32.996 --> 0:18:35.356
<v Speaker 3>us to contribute and figure out where we were going

0:18:35.436 --> 0:18:39.196
<v Speaker 3>to migrate with Wonderland, it was like, Okay, are we

0:18:39.316 --> 0:18:42.516
<v Speaker 3>ready to all? Am I ready to invest in our

0:18:42.556 --> 0:18:45.836
<v Speaker 3>next creative endeavor? Yes, I am, but we're in the

0:18:45.836 --> 0:18:50.276
<v Speaker 3>middle of a pandemic. What does that mean? And luckily

0:18:50.316 --> 0:18:55.396
<v Speaker 3>we knew the person who was trying to sell the space,

0:18:55.556 --> 0:18:58.916
<v Speaker 3>and they were just like, there's nobody else I want

0:18:58.956 --> 0:19:04.716
<v Speaker 3>to have this space. And it worked out and you, yeah,

0:19:04.916 --> 0:19:07.036
<v Speaker 3>but did. But it was also scary because a lot

0:19:07.036 --> 0:19:09.716
<v Speaker 3>of things were being canceled For me. My job is

0:19:09.756 --> 0:19:13.156
<v Speaker 3>to go out into the world and travel and you know,

0:19:13.236 --> 0:19:15.836
<v Speaker 3>try to heal people through music. But I couldn't do that.

0:19:16.276 --> 0:19:20.276
<v Speaker 1>So you come from growing up a certain amount of insecurity. Yeah,

0:19:20.316 --> 0:19:22.436
<v Speaker 1>and it's you know, the successful career you've had. It's

0:19:22.476 --> 0:19:24.436
<v Speaker 1>hard to imagine that. But you know, as soon as

0:19:24.436 --> 0:19:26.276
<v Speaker 1>you start to feel that a little bit insecurity again,

0:19:26.396 --> 0:19:30.876
<v Speaker 1>I know from my own life, like all of a sudden, Yeah,

0:19:31.276 --> 0:19:33.836
<v Speaker 1>I mean, where was your mind that With all of that.

0:19:34.556 --> 0:19:37.316
<v Speaker 3>I think the pandemic reminded me just how much music

0:19:37.556 --> 0:19:41.036
<v Speaker 3>means to me as a person, not as a career path,

0:19:41.156 --> 0:19:43.956
<v Speaker 3>not as you know, the artists that people know and

0:19:44.316 --> 0:19:46.316
<v Speaker 3>come to the concerts and see, but as a human

0:19:47.116 --> 0:19:50.876
<v Speaker 3>android having this Earth experience. I need music. I need

0:19:50.916 --> 0:19:53.636
<v Speaker 3>to create. During that time, not only were we working

0:19:53.636 --> 0:19:55.956
<v Speaker 3>on music, but I also wrote a book called The

0:19:55.956 --> 0:20:00.076
<v Speaker 3>Memory Librarian. I was just doing anything creative that would

0:20:00.396 --> 0:20:03.996
<v Speaker 3>would help me feel better, because to go from moving

0:20:04.036 --> 0:20:07.476
<v Speaker 3>around so much to just being still it was tough.

0:20:07.836 --> 0:20:09.036
<v Speaker 3>It was for be How was it for you?

0:20:10.276 --> 0:20:10.796
<v Speaker 1>Yeah?

0:20:11.356 --> 0:20:15.476
<v Speaker 4>You know, art has this weird responsibility of trying to

0:20:15.516 --> 0:20:19.636
<v Speaker 4>document and explain the human experience a little bit more

0:20:19.716 --> 0:20:23.076
<v Speaker 4>and kind of just like unearth a little bit more

0:20:23.116 --> 0:20:25.236
<v Speaker 4>about what it means to be human. And I think

0:20:25.236 --> 0:20:27.756
<v Speaker 4>that so many of us were finding out a lot

0:20:27.836 --> 0:20:30.236
<v Speaker 4>more about what it meant to be human, like a

0:20:30.276 --> 0:20:33.636
<v Speaker 4>lot about the mortality of it. Even though we weren't

0:20:33.676 --> 0:20:38.836
<v Speaker 4>necessarily in or didn't consider ourselves vulnerable in that kind

0:20:38.876 --> 0:20:40.556
<v Speaker 4>of way. I think a lot of us looked at

0:20:40.756 --> 0:20:46.956
<v Speaker 4>ourselves as more vulnerable to death. And I think that

0:20:46.956 --> 0:20:49.676
<v Speaker 4>that was a very real consideration that we all kind

0:20:49.676 --> 0:20:53.116
<v Speaker 4>of had to deal with it differently. And I think

0:20:53.196 --> 0:20:57.876
<v Speaker 4>that human experience is a very unique one that kind

0:20:57.876 --> 0:20:59.996
<v Speaker 4>of felt like, Okay, so what is the response to that,

0:21:00.716 --> 0:21:04.436
<v Speaker 4>and how do you talk about this in healthy ways?

0:21:04.836 --> 0:21:07.436
<v Speaker 4>And how do you explore and understand more about it?

0:21:07.476 --> 0:21:11.236
<v Speaker 4>So I think that like part of what we were

0:21:11.236 --> 0:21:15.756
<v Speaker 4>trying to do was just face that in an honest way.

0:21:16.236 --> 0:21:20.036
<v Speaker 4>When you talk about like the affirmations, I mean that

0:21:20.156 --> 0:21:26.476
<v Speaker 4>was very intentional, because part of just confronting death is

0:21:27.076 --> 0:21:28.916
<v Speaker 4>kind of like being able to turn your head and

0:21:28.956 --> 0:21:32.516
<v Speaker 4>be like not today, and then you kind of are

0:21:32.556 --> 0:21:34.196
<v Speaker 4>like okay, so then what does that mean? And it's

0:21:34.236 --> 0:21:36.516
<v Speaker 4>kind of like, okay, live and so then how do

0:21:36.556 --> 0:21:40.836
<v Speaker 4>you live in a way that honors the life experience?

0:21:40.916 --> 0:21:43.876
<v Speaker 2>And it's like, hey, okay, I'm here. I mean I'm

0:21:43.916 --> 0:21:45.316
<v Speaker 2>here now, you know.

0:21:45.396 --> 0:21:47.716
<v Speaker 4>And you hear these stories about the Roaring twenties when

0:21:47.716 --> 0:21:51.396
<v Speaker 4>people are kind of like getting through that depressions. It's

0:21:51.436 --> 0:21:54.556
<v Speaker 4>so much going on, and they're like, and they've made

0:21:54.596 --> 0:21:57.956
<v Speaker 4>it through a pandemic, right, and you have the ss

0:21:58.036 --> 0:22:01.556
<v Speaker 4>guilt and so much of that goes into just just

0:22:01.796 --> 0:22:06.716
<v Speaker 4>your human experience, and it's those affirmations were like just

0:22:06.796 --> 0:22:11.996
<v Speaker 4>the small attempts to just undergird just the everyday thing

0:22:12.116 --> 0:22:14.036
<v Speaker 4>that's kind of like pushing you down and kind of

0:22:14.036 --> 0:22:16.316
<v Speaker 4>be like, all right, I'm gonna get back up. You know,

0:22:16.356 --> 0:22:18.236
<v Speaker 4>when Janelle says like I used to walk into the

0:22:18.316 --> 0:22:21.596
<v Speaker 4>room head down, you know, it's just that feeling of

0:22:21.716 --> 0:22:24.476
<v Speaker 4>I used to walk into the room head down and

0:22:24.516 --> 0:22:28.476
<v Speaker 4>being like that's I'm leaving that and now I'm onto

0:22:28.516 --> 0:22:31.396
<v Speaker 4>this next stage of myself.

0:22:32.076 --> 0:22:35.036
<v Speaker 3>I think in the I think it was a privilege

0:22:35.076 --> 0:22:37.876
<v Speaker 3>to be still because during that time, I mean, as

0:22:37.956 --> 0:22:39.596
<v Speaker 3>we know, a lot of people were getting laid off

0:22:39.596 --> 0:22:41.956
<v Speaker 3>from work, a lot of people were losing their families

0:22:42.356 --> 0:22:46.516
<v Speaker 3>passing away. And as much as it was sad that

0:22:46.596 --> 0:22:49.276
<v Speaker 3>I couldn't go and be the artist that I wanted

0:22:49.276 --> 0:22:51.156
<v Speaker 3>to be out into the world, there were so many

0:22:51.156 --> 0:22:54.836
<v Speaker 3>other people who had it worse than us. In that stillness,

0:22:54.916 --> 0:22:57.676
<v Speaker 3>I said, well, what can I do. I know we

0:22:57.676 --> 0:23:00.516
<v Speaker 3>were in LA and we got the opportunity to feed

0:23:00.636 --> 0:23:04.116
<v Speaker 3>and give out over thirty five thousand meals throughout Won

0:23:04.156 --> 0:23:06.956
<v Speaker 3>to Lunch program, and so we did that for like

0:23:07.596 --> 0:23:11.956
<v Speaker 3>months and months and months. I think that connectivity back

0:23:11.996 --> 0:23:16.276
<v Speaker 3>to humanity really let us know what kind of affirmations

0:23:16.276 --> 0:23:19.796
<v Speaker 3>are people needed and what I needed as well. And

0:23:19.836 --> 0:23:22.556
<v Speaker 3>I think to answer your question, we were very intentional

0:23:22.596 --> 0:23:24.756
<v Speaker 3>about that, and I think Float really kicked it off.

0:23:25.156 --> 0:23:26.916
<v Speaker 3>Like I used to walk into the room head down

0:23:26.956 --> 0:23:29.356
<v Speaker 3>out on walk. Now if Float, I got an opportunity

0:23:29.356 --> 0:23:33.796
<v Speaker 3>in that stillness to deal with, you know, childhood trauma

0:23:33.796 --> 0:23:37.596
<v Speaker 3>that I had not dealt with because I was moving

0:23:37.596 --> 0:23:41.996
<v Speaker 3>around so much, I didn't It was like, Okay, you

0:23:42.036 --> 0:23:44.516
<v Speaker 3>know something's not right, but I don't have time to

0:23:44.556 --> 0:23:48.436
<v Speaker 3>deal with it. And in that discovering and peeling back

0:23:48.476 --> 0:23:54.636
<v Speaker 3>the layers of the rejection and abandonment that I felt

0:23:54.836 --> 0:23:58.596
<v Speaker 3>early on getting to the root of it, my spirit

0:23:58.636 --> 0:24:01.716
<v Speaker 3>started to get lighter because I knew. I was like, oh, okay,

0:24:02.236 --> 0:24:06.196
<v Speaker 3>so I can become better and more evolved as a

0:24:06.196 --> 0:24:09.236
<v Speaker 3>person now. And I feel so empowered now that I

0:24:09.036 --> 0:24:12.996
<v Speaker 3>know what was going on with me. And when you

0:24:13.076 --> 0:24:16.036
<v Speaker 3>heals as a person, all of that seeps into your

0:24:16.156 --> 0:24:18.436
<v Speaker 3>music and your art. My art is a reflection of

0:24:18.476 --> 0:24:22.756
<v Speaker 3>who I am, and I'm so thankful for that because

0:24:22.756 --> 0:24:26.436
<v Speaker 3>all I wanted to do was give more people affirmations,

0:24:26.476 --> 0:24:28.476
<v Speaker 3>because I know I wasn't only want. When I would

0:24:28.476 --> 0:24:31.156
<v Speaker 3>have conversations with people, they would say the same thing, like, man,

0:24:31.276 --> 0:24:34.836
<v Speaker 3>I have to let go of this. I have to

0:24:34.876 --> 0:24:37.276
<v Speaker 3>let go of that, you know, And so float was

0:24:37.276 --> 0:24:39.116
<v Speaker 3>that thing. It was like once you let go of

0:24:39.156 --> 0:24:42.596
<v Speaker 3>the heaviness that you've been carrying on your back that

0:24:42.636 --> 0:24:44.396
<v Speaker 3>you didn't have to carry, and you just find that

0:24:44.436 --> 0:24:46.676
<v Speaker 3>you're finding out like, oh, I have a way to

0:24:46.716 --> 0:24:49.436
<v Speaker 3>get all of this off of me now. It felt

0:24:49.436 --> 0:24:52.596
<v Speaker 3>like I wanted to celebrate as a new person, Like

0:24:52.636 --> 0:24:55.836
<v Speaker 3>I feel like I definitely, you know, shed a lot

0:24:55.876 --> 0:24:59.716
<v Speaker 3>of skin, turn a new leaf. And obviously it's a constant,

0:24:59.996 --> 0:25:03.836
<v Speaker 3>you know, journey. But once I tapped into it, I

0:25:03.836 --> 0:25:06.116
<v Speaker 3>got really inspired to write about it.

0:25:07.916 --> 0:25:09.716
<v Speaker 1>After a quick break, will come act with more of

0:25:09.756 --> 0:25:17.636
<v Speaker 1>my conversation with Jenne Monet and Nate Wonder. We're back

0:25:17.676 --> 0:25:21.716
<v Speaker 1>with Jane mone and Nate Wonder. Once you put the

0:25:21.716 --> 0:25:23.996
<v Speaker 1>album out, how did you guys feel about the response

0:25:24.076 --> 0:25:27.836
<v Speaker 1>to it? You know, obviously we're very vulnerable, and I

0:25:27.836 --> 0:25:32.076
<v Speaker 1>feel like that was like a big point of conversation

0:25:32.316 --> 0:25:35.556
<v Speaker 1>around that. But was it Sometimes you just do things

0:25:35.756 --> 0:25:37.316
<v Speaker 1>feeling like that's the right thing to do, and then

0:25:37.316 --> 0:25:38.956
<v Speaker 1>it's like, oh shit, I got to talk about this,

0:25:39.916 --> 0:25:43.436
<v Speaker 1>Like how was the process of going out and talking

0:25:43.476 --> 0:25:47.236
<v Speaker 1>about the album and getting people's responses to the project?

0:25:47.516 --> 0:25:50.476
<v Speaker 3>You know, I think it's a beautiful thing that when

0:25:50.516 --> 0:25:53.276
<v Speaker 3>people see themselves reflected, that was the most beautiful thing.

0:25:53.316 --> 0:25:54.836
<v Speaker 3>I think a lot of people coming up to me,

0:25:55.356 --> 0:25:57.996
<v Speaker 3>some of them whispering, some of them more vocal about it,

0:25:58.076 --> 0:26:02.876
<v Speaker 3>like thank you so much, you know, for sharing more

0:26:02.916 --> 0:26:05.556
<v Speaker 3>of who you are. There's this quote by Betha and

0:26:05.596 --> 0:26:07.836
<v Speaker 3>hardest and this As you know, people don't change, they

0:26:07.916 --> 0:26:10.596
<v Speaker 3>become more of who they are are. And what I

0:26:10.636 --> 0:26:14.076
<v Speaker 3>got an opportunity to do is become more of who

0:26:14.116 --> 0:26:17.036
<v Speaker 3>I am and write about it and write about it

0:26:17.076 --> 0:26:19.076
<v Speaker 3>with other people who were discovering more about who they

0:26:19.076 --> 0:26:22.676
<v Speaker 3>were and us having a safe space that was really important.

0:26:22.676 --> 0:26:25.836
<v Speaker 3>I think with an album called The Age of Pleasure,

0:26:25.876 --> 0:26:29.156
<v Speaker 3>there is no pleasure without safety. When we don't feel

0:26:29.156 --> 0:26:32.196
<v Speaker 3>safe and taken care of, you cannot be free in

0:26:32.236 --> 0:26:34.756
<v Speaker 3>the way that you move or express yourselves, at least for.

0:26:34.836 --> 0:26:37.156
<v Speaker 1>Me, to your point earlier about unpacking a lot of

0:26:37.196 --> 0:26:40.036
<v Speaker 1>the traumas and stuff, just feeling safe within yourself too exactly.

0:26:40.236 --> 0:26:44.676
<v Speaker 3>You know what I feel a lot more. How do

0:26:44.716 --> 0:26:48.956
<v Speaker 3>I put it? I did put it. I see it float.

0:26:49.116 --> 0:26:53.596
<v Speaker 3>I feel like I've floated, and anything that used to

0:26:53.956 --> 0:26:55.876
<v Speaker 3>bother me it doesn't touch me.

0:26:55.916 --> 0:26:56.556
<v Speaker 1>To say.

0:26:56.836 --> 0:26:59.836
<v Speaker 3>It's kind of scary and also really really awesome.

0:27:00.276 --> 0:27:03.396
<v Speaker 1>Yeah, how was it writing on this record with Janelle?

0:27:03.756 --> 0:27:06.556
<v Speaker 1>With given the just the way the songs were coming.

0:27:06.396 --> 0:27:08.396
<v Speaker 2>Out, it was a real blessing.

0:27:09.196 --> 0:27:12.556
<v Speaker 4>Before we started working on the album, I remember I

0:27:12.636 --> 0:27:16.396
<v Speaker 4>told my management team that I really wanted to focus

0:27:16.516 --> 0:27:20.436
<v Speaker 4>this time, that I have right now on making music

0:27:21.036 --> 0:27:27.356
<v Speaker 4>for black women and black uh non binary folks. I

0:27:27.396 --> 0:27:30.116
<v Speaker 4>want to make music that makes them smile, like I

0:27:30.116 --> 0:27:33.036
<v Speaker 4>want to make music for them specifically, like I really

0:27:33.156 --> 0:27:35.316
<v Speaker 4>just want to be of service.

0:27:35.476 --> 0:27:38.636
<v Speaker 2>To that community. And there's so many reasons why.

0:27:38.836 --> 0:27:43.396
<v Speaker 4>But one reason is because when I go to the

0:27:43.436 --> 0:27:45.476
<v Speaker 4>grocery store as like a little side.

0:27:47.196 --> 0:27:50.676
<v Speaker 1>I do it. I love it.

0:27:51.516 --> 0:27:53.436
<v Speaker 3>This is great. I love this because I do not

0:27:53.476 --> 0:27:53.916
<v Speaker 3>like going.

0:27:58.236 --> 0:27:58.396
<v Speaker 1>Long.

0:27:58.556 --> 0:28:00.316
<v Speaker 3>Used to have me in a grocery store way too long.

0:28:00.436 --> 0:28:01.396
<v Speaker 3>It was like I'm ready to.

0:28:01.316 --> 0:28:04.636
<v Speaker 4>Go home, so anyway, But when I would go and

0:28:04.716 --> 0:28:08.636
<v Speaker 4>I see like black women at the grocery store smiling,

0:28:09.596 --> 0:28:12.676
<v Speaker 4>it just makes me feel a certain way. And sometimes

0:28:12.716 --> 0:28:14.436
<v Speaker 4>it'd be like when a certain song would come on,

0:28:15.156 --> 0:28:17.276
<v Speaker 4>it would be like you see them singing their song

0:28:17.476 --> 0:28:21.236
<v Speaker 4>and it's like, man, so good. And Janelle, of course,

0:28:21.356 --> 0:28:26.236
<v Speaker 4>has done so much work as a leading voice in

0:28:26.316 --> 0:28:30.596
<v Speaker 4>terms of activism, in terms of being on the right

0:28:30.636 --> 0:28:34.396
<v Speaker 4>side of history, in terms of speaking up for marginalized

0:28:34.676 --> 0:28:37.036
<v Speaker 4>people early to.

0:28:37.996 --> 0:28:39.716
<v Speaker 2>Always it's been herself.

0:28:40.716 --> 0:28:44.076
<v Speaker 4>But I also was thinking about how much that can

0:28:44.116 --> 0:28:48.156
<v Speaker 4>weigh on a person, and I told Janelle, I said,

0:28:48.236 --> 0:28:51.516
<v Speaker 4>I really like for your next time I would really

0:28:51.556 --> 0:28:55.316
<v Speaker 4>love I would love to see you smile more like,

0:28:55.356 --> 0:28:57.276
<v Speaker 4>I would love to just see you smile, Like it

0:28:57.316 --> 0:29:00.356
<v Speaker 4>really would mean so much. I think that you smiling

0:29:00.836 --> 0:29:03.756
<v Speaker 4>is a really special thing. I love when I see

0:29:03.796 --> 0:29:07.516
<v Speaker 4>you smile, and I would love to see what that

0:29:07.756 --> 0:29:11.196
<v Speaker 4>energy is to like really put that into a space.

0:29:11.396 --> 0:29:13.396
<v Speaker 3>And I hadn't really considered that. And I looked at

0:29:13.436 --> 0:29:16.436
<v Speaker 3>all my album covers and I was like, I'm really

0:29:16.476 --> 0:29:17.436
<v Speaker 3>not smiling.

0:29:17.516 --> 0:29:18.556
<v Speaker 1>Kind with you for a second.

0:29:18.716 --> 0:29:21.156
<v Speaker 3>Yeah, I was like, what what is going on? Like

0:29:21.476 --> 0:29:27.396
<v Speaker 3>from the Arcandroid to Electric Lady to Dirty Computer And

0:29:27.436 --> 0:29:30.236
<v Speaker 3>if you look at the cover for the Age of Pleasure,

0:29:32.036 --> 0:29:37.876
<v Speaker 3>I am writing this pool swimming topless and smiling.

0:29:38.836 --> 0:29:42.756
<v Speaker 4>Yeah, you know, it's a layered idea, but I do

0:29:42.916 --> 0:29:47.836
<v Speaker 4>think that giving somebody something that makes them want to

0:29:47.876 --> 0:29:54.316
<v Speaker 4>smile is its own resistance. It's its own protest, it's

0:29:54.356 --> 0:29:58.476
<v Speaker 4>its own like giving people affirmations is its own version.

0:29:58.876 --> 0:30:02.076
<v Speaker 4>It's a certain form of work, it's a certain type

0:30:02.076 --> 0:30:02.596
<v Speaker 4>of healing.

0:30:03.476 --> 0:30:06.836
<v Speaker 1>And so it's pleasure like, yeah, it's like I want

0:30:06.876 --> 0:30:08.636
<v Speaker 1>you to smile. It's like to your point then too,

0:30:08.676 --> 0:30:11.356
<v Speaker 1>it's like only I smile, Like I want top in

0:30:11.436 --> 0:30:14.476
<v Speaker 1>this pool, right, and smiled. Yeah, and it's like both

0:30:14.516 --> 0:30:17.796
<v Speaker 1>of those things are can be subversive.

0:30:17.436 --> 0:30:20.236
<v Speaker 4>Can be absolutely you know what I mean absolutely it

0:30:20.276 --> 0:30:22.956
<v Speaker 4>is to make an album called The Age of Pleasure

0:30:22.956 --> 0:30:27.276
<v Speaker 4>in the middle of a pandemic is a subversive piece

0:30:27.316 --> 0:30:30.436
<v Speaker 4>of art because it is just kind of being like, no,

0:30:30.996 --> 0:30:33.196
<v Speaker 4>it's just like because there's been.

0:30:33.156 --> 0:30:35.276
<v Speaker 2>You know, when you're dealing with so much trauma.

0:30:35.356 --> 0:30:39.316
<v Speaker 4>From elections to it's just so much that happens, and

0:30:39.556 --> 0:30:42.956
<v Speaker 4>it feels like your energy when you wake up is

0:30:42.996 --> 0:30:44.116
<v Speaker 4>going to be stolen from you.

0:30:44.396 --> 0:30:44.796
<v Speaker 3>Yeah.

0:30:45.196 --> 0:30:49.396
<v Speaker 1>Yeah, it feels like, yeah, you're dolen. It's not yours,

0:30:49.436 --> 0:30:50.756
<v Speaker 1>not yours exactly.

0:30:50.956 --> 0:30:54.756
<v Speaker 4>And so it was like a big like, no, you

0:30:54.796 --> 0:30:56.836
<v Speaker 4>cannot have all of my day.

0:30:57.316 --> 0:30:59.116
<v Speaker 2>Yeah, you cannot have all of my time.

0:30:59.676 --> 0:31:03.356
<v Speaker 4>I'm going to take some time to enjoy life as

0:31:03.436 --> 0:31:06.116
<v Speaker 4>best as I can under whatever the circumstances that I

0:31:06.156 --> 0:31:09.716
<v Speaker 4>have are. I'm going to try my best to do

0:31:10.076 --> 0:31:14.196
<v Speaker 4>what I can to appreciate this moment, as simple as

0:31:14.196 --> 0:31:16.836
<v Speaker 4>it may be. And what I think that we were

0:31:16.956 --> 0:31:22.556
<v Speaker 4>finding in the writing process was that just having time

0:31:22.636 --> 0:31:26.076
<v Speaker 4>to hang out with your friends was the thing that

0:31:26.116 --> 0:31:31.116
<v Speaker 4>we needed the most. Just seeking time to appreciate each other,

0:31:31.916 --> 0:31:34.356
<v Speaker 4>to smile at each other, to laugh with each other,

0:31:34.956 --> 0:31:37.516
<v Speaker 4>to do like the simple stuff with each other. Felt like,

0:31:38.716 --> 0:31:42.276
<v Speaker 4>this is worth my time, way more than whatever that

0:31:42.316 --> 0:31:45.916
<v Speaker 4>other thing was that was driving me and decentering my joy.

0:31:46.396 --> 0:31:48.836
<v Speaker 3>Yeah. Yeah, I mean that's what that stuff does, right,

0:31:48.876 --> 0:31:51.316
<v Speaker 3>Like when you think about racism, when you think about sexism,

0:31:51.356 --> 0:31:55.356
<v Speaker 3>when you think about homophobia, all of it. It literally,

0:31:56.196 --> 0:31:59.636
<v Speaker 3>in addition to just being you know, pure evil work,

0:32:00.156 --> 0:32:03.556
<v Speaker 3>it distracts you from living your life because you spent

0:32:03.676 --> 0:32:06.836
<v Speaker 3>so much time fighting. And I definitely found myself and

0:32:06.876 --> 0:32:08.276
<v Speaker 3>I know I'm not the only one. There were so

0:32:08.316 --> 0:32:10.596
<v Speaker 3>many of my friends and people who were out marching.

0:32:10.996 --> 0:32:13.276
<v Speaker 3>You know, you have to understand George Floyd had been murdered.

0:32:13.676 --> 0:32:16.276
<v Speaker 3>It was so much. Breonna Taylor, it was so much.

0:32:16.316 --> 0:32:18.596
<v Speaker 3>And I was working with say her name and I

0:32:18.676 --> 0:32:23.116
<v Speaker 3>put out you know, protest music. It was so heavy, man,

0:32:23.236 --> 0:32:24.916
<v Speaker 3>And I was like, somebody has to do the work.

0:32:24.956 --> 0:32:27.956
<v Speaker 3>But I think balance is important, and what I was

0:32:27.956 --> 0:32:31.316
<v Speaker 3>realizing is I was not getting the balance that I needed.

0:32:31.876 --> 0:32:34.596
<v Speaker 3>And so once we made a decision to not center

0:32:35.236 --> 0:32:38.996
<v Speaker 3>white supremacy, to not center you know, all all of

0:32:39.036 --> 0:32:42.676
<v Speaker 3>the things that again come to distract and destroy and

0:32:42.716 --> 0:32:45.396
<v Speaker 3>stop us from just living our lives as humans having

0:32:45.396 --> 0:32:49.196
<v Speaker 3>this earth experience and be clear and stand on that.

0:32:49.196 --> 0:32:52.956
<v Speaker 3>That's when I feel like the songwriting got focused. And

0:32:53.036 --> 0:32:55.636
<v Speaker 3>with this project, I said, I want to make music

0:32:55.716 --> 0:32:58.756
<v Speaker 3>for that community, for that community of folks who suffer

0:32:58.836 --> 0:33:02.276
<v Speaker 3>time poverty, Like they don't have time. It's a great phrase,

0:33:02.636 --> 0:33:05.436
<v Speaker 3>it's a real thing in our community. People don't have

0:33:05.956 --> 0:33:09.996
<v Speaker 3>the time or the leisure time to just be you

0:33:10.036 --> 0:33:12.276
<v Speaker 3>know what I'm saying, to just be one with their

0:33:12.316 --> 0:33:14.756
<v Speaker 3>friends or their families, because you're spending so much time working,

0:33:14.756 --> 0:33:17.316
<v Speaker 3>you spending so much time fighting, and it's like when

0:33:17.316 --> 0:33:19.116
<v Speaker 3>do we say, Okay, well we're gonna carve out this

0:33:19.116 --> 0:33:22.196
<v Speaker 3>little space for us. And so I said, I want

0:33:22.276 --> 0:33:26.276
<v Speaker 3>to create music that we can all listen to take

0:33:26.316 --> 0:33:29.716
<v Speaker 3>with us whole with us. That is the balance and

0:33:30.036 --> 0:33:34.196
<v Speaker 3>everything that we're dealing with. And if the people that

0:33:34.236 --> 0:33:38.716
<v Speaker 3>I invite over are not dancing to these songs, if

0:33:38.756 --> 0:33:41.316
<v Speaker 3>they are not moving, if they're not trying to shazam,

0:33:41.436 --> 0:33:44.996
<v Speaker 3>if they're not asking who is that, then it's not working.

0:33:45.436 --> 0:33:48.076
<v Speaker 3>It's not like I want them to really really really

0:33:48.076 --> 0:33:50.916
<v Speaker 3>really love this music. Obviously we have to love it, right,

0:33:51.556 --> 0:33:54.036
<v Speaker 3>but it was so important that the community people we

0:33:54.036 --> 0:33:58.116
<v Speaker 3>were writing it for loved it. And that's how we

0:33:58.316 --> 0:34:01.756
<v Speaker 3>put together the Age of Pleasure. We had Nana Quabna

0:34:01.796 --> 0:34:04.476
<v Speaker 3>who worked on some of the music, who's also a DJ,

0:34:05.476 --> 0:34:07.316
<v Speaker 3>and our friends with everyday people. I don't know if

0:34:07.316 --> 0:34:11.436
<v Speaker 3>you know about everyday people parties not bet but like

0:34:11.476 --> 0:34:13.556
<v Speaker 3>I have to give a shout pleasure.

0:34:14.476 --> 0:34:16.156
<v Speaker 1>I've been working hard.

0:34:16.716 --> 0:34:18.756
<v Speaker 3>I have to give them a shout out because during

0:34:18.756 --> 0:34:21.316
<v Speaker 3>the pandemic, they couldn't find a place, you know, to

0:34:21.396 --> 0:34:23.636
<v Speaker 3>have their parties. And when I say parties, it's not

0:34:23.876 --> 0:34:27.916
<v Speaker 3>just like I mean, everybody's dancing and singing and having

0:34:27.916 --> 0:34:30.116
<v Speaker 3>a good time, but people are feeding each other at

0:34:30.156 --> 0:34:33.876
<v Speaker 3>the parties like their food vendors. It's the diaspora. It's

0:34:34.036 --> 0:34:39.196
<v Speaker 3>Pan Africanism from around the globe, from you know, Nigeria, Ghana,

0:34:39.596 --> 0:34:44.116
<v Speaker 3>the Caribbeans, Jamaica, Atlanta, New York, LA and Cape verd

0:34:44.436 --> 0:34:47.996
<v Speaker 3>like all in one place. It's just nothing like going

0:34:48.036 --> 0:34:49.796
<v Speaker 3>to their parties. And so when they asked they had

0:34:49.836 --> 0:34:52.116
<v Speaker 3>come by Wonderland, they were like, you know, they were

0:34:52.116 --> 0:34:54.236
<v Speaker 3>having a hard time getting the space, and we were like,

0:34:54.476 --> 0:34:59.356
<v Speaker 3>come here, shoot, let's figure it out. Because we're we're

0:34:59.356 --> 0:35:01.596
<v Speaker 3>going through it too, like not being able to see people,

0:35:02.276 --> 0:35:04.676
<v Speaker 3>like how can we do this? And and that was

0:35:04.676 --> 0:35:08.996
<v Speaker 3>a to know who was coming or for sure it

0:35:09.036 --> 0:35:11.436
<v Speaker 3>was very small because I would be a little Yeah

0:35:11.476 --> 0:35:11.756
<v Speaker 3>it was.

0:35:11.876 --> 0:35:14.556
<v Speaker 2>We needed to know it was small and it was safe.

0:35:14.436 --> 0:35:17.316
<v Speaker 3>Yeah, safe and small. And and that's where the music

0:35:17.396 --> 0:35:18.076
<v Speaker 3>was tested.

0:35:17.876 --> 0:35:21.996
<v Speaker 1>First, hearing all of the backstory. I'm just gonna say

0:35:22.036 --> 0:35:23.436
<v Speaker 1>it because I feel like it's even in the music,

0:35:23.716 --> 0:35:28.196
<v Speaker 1>like a more human album. It's funny because as we're

0:35:28.196 --> 0:35:30.476
<v Speaker 1>moving into an age now more the future looks a

0:35:30.516 --> 0:35:34.036
<v Speaker 1>little bleaker in terms of technology. I feel like you

0:35:34.116 --> 0:35:37.636
<v Speaker 1>might have called that a little early. And it feels

0:35:37.716 --> 0:35:41.556
<v Speaker 1>like the project is away from computer and an arch

0:35:41.676 --> 0:35:44.636
<v Speaker 1>android and metropolis and like this tomorrow it feels like

0:35:45.956 --> 0:35:49.476
<v Speaker 1>Janelle the person you know, or it feels like to

0:35:49.556 --> 0:35:51.916
<v Speaker 1>me listening to it, like I even just feel myself

0:35:51.916 --> 0:35:53.796
<v Speaker 1>coming a lot more, just feeling more me, you know

0:35:53.796 --> 0:35:56.196
<v Speaker 1>what I mean. I know a lot of people who've

0:35:56.196 --> 0:35:57.956
<v Speaker 1>listened to the record, a lot of friends, a lot

0:35:57.956 --> 0:36:00.836
<v Speaker 1>of people there saying that like it makes them feel

0:36:00.916 --> 0:36:04.156
<v Speaker 1>a particular way as a living creature, you know.

0:36:05.116 --> 0:36:08.836
<v Speaker 4>Yeah, you know, from the beginning, there was this conversation

0:36:08.876 --> 0:36:14.036
<v Speaker 4>around Android, writes, Yeah, and Cindy was always being was

0:36:14.076 --> 0:36:18.276
<v Speaker 4>always fighting to be perceived as a human and to

0:36:18.316 --> 0:36:21.156
<v Speaker 4>be respected as a human. So I guess there's a

0:36:21.156 --> 0:36:25.676
<v Speaker 4>certain truthfulness to being like, hey, you're human and kind

0:36:25.676 --> 0:36:26.156
<v Speaker 4>of being.

0:36:26.036 --> 0:36:29.996
<v Speaker 3>Like yeah, finally, I mean that the definition of an

0:36:30.036 --> 0:36:32.236
<v Speaker 3>android And if you're listening and you don't know any

0:36:32.276 --> 0:36:35.796
<v Speaker 3>of my work, it's rooted around Cindy Mayweather, who represents

0:36:35.796 --> 0:36:38.916
<v Speaker 3>the other, and the other is a parallel, you know,

0:36:38.956 --> 0:36:42.716
<v Speaker 3>the android is a parallel to black folks to marginalize

0:36:42.756 --> 0:36:46.676
<v Speaker 3>folks that I want to amplify, the voices I want

0:36:46.676 --> 0:36:49.916
<v Speaker 3>to amplify, and the music I want to write. The

0:36:49.956 --> 0:36:54.356
<v Speaker 3>definition of an android is a robot developing human characteristic.

0:36:55.076 --> 0:36:58.596
<v Speaker 3>So I really think it tells such a continuation of

0:36:58.636 --> 0:37:03.276
<v Speaker 3>beautiful continuation of the story, and it's not finished. It's

0:37:03.396 --> 0:37:06.716
<v Speaker 3>very trippy to see because when I put out Metropolis,

0:37:06.716 --> 0:37:09.116
<v Speaker 3>we were reading The Singularity is near by ray kerr

0:37:09.796 --> 0:37:12.196
<v Speaker 3>wo and if you haven't read that, please do. But

0:37:12.236 --> 0:37:14.316
<v Speaker 3>it talks about this moment that we're having with AI,

0:37:14.476 --> 0:37:16.796
<v Speaker 3>and it talks about the singularity of like not being

0:37:16.836 --> 0:37:22.276
<v Speaker 3>able to differentiate AI recording a song by Janelle mone

0:37:22.356 --> 0:37:26.756
<v Speaker 3>or Janelle Monet really mapping out that voice. And it's

0:37:26.796 --> 0:37:30.636
<v Speaker 3>so interesting that it's happening now. And when I think

0:37:30.676 --> 0:37:34.756
<v Speaker 3>about the album, how I hate to say, we knew

0:37:34.796 --> 0:37:41.036
<v Speaker 3>that when this moment of integration happens, humans were going

0:37:41.116 --> 0:37:43.476
<v Speaker 3>to be frantic about it, as you can see right now,

0:37:43.476 --> 0:37:46.356
<v Speaker 3>Like it's a lot going on in my business when

0:37:46.356 --> 0:37:50.396
<v Speaker 3>it comes to using the likeness of an actor's face

0:37:50.476 --> 0:37:54.916
<v Speaker 3>without paying them, like AI is in that conversation heavily,

0:37:54.996 --> 0:37:57.436
<v Speaker 3>and people are afraid and they're scared, and I totally

0:37:58.276 --> 0:38:00.716
<v Speaker 3>get that. And I also think that there needs to

0:38:00.756 --> 0:38:03.996
<v Speaker 3>be more conversation and more laws and things rules to

0:38:04.116 --> 0:38:06.916
<v Speaker 3>really be agreed upon, because not all humans are bad

0:38:07.076 --> 0:38:09.996
<v Speaker 3>and not all AI is bad. So I think there

0:38:09.996 --> 0:38:14.276
<v Speaker 3>needs to be a real conversation around who's programming AI.

0:38:15.156 --> 0:38:17.596
<v Speaker 3>But the thing that I realized in knowing that the

0:38:17.676 --> 0:38:21.116
<v Speaker 3>Singularity was going to happen was that it's nothing like

0:38:21.156 --> 0:38:24.476
<v Speaker 3>that human and human connection. It was so important for

0:38:24.596 --> 0:38:28.876
<v Speaker 3>us to gather and have experiences that cannot be created

0:38:29.156 --> 0:38:33.636
<v Speaker 3>by AI. We can only have these the barbecue experiences,

0:38:34.116 --> 0:38:39.036
<v Speaker 3>you know, sharing food together, wrapping our arms around each other,

0:38:39.116 --> 0:38:41.476
<v Speaker 3>being there for each other and these times, These are

0:38:41.516 --> 0:38:46.876
<v Speaker 3>moments that humans have such a deep connection to and

0:38:46.956 --> 0:38:50.956
<v Speaker 3>can talk about in ways that AI can. And that

0:38:51.076 --> 0:38:53.476
<v Speaker 3>was my hope too, is to encourage more community, to

0:38:53.596 --> 0:38:58.916
<v Speaker 3>encourage people to be with each other like our stories

0:38:58.916 --> 0:39:01.116
<v Speaker 3>are all we have. It is our stories that will

0:39:01.156 --> 0:39:04.636
<v Speaker 3>set us apart and continue to make us believe in

0:39:04.716 --> 0:39:05.476
<v Speaker 3>humanity again.

0:39:07.596 --> 0:39:10.316
<v Speaker 1>Have you guys, you know, playing guitar on the steps,

0:39:10.636 --> 0:39:12.716
<v Speaker 1>barely finishing college, having to shot out some money to

0:39:12.796 --> 0:39:16.916
<v Speaker 1>do it, you guys found each other. Over those years,

0:39:16.956 --> 0:39:19.476
<v Speaker 1>you guys have amassed a body of work, all very

0:39:19.516 --> 0:39:21.996
<v Speaker 1>different from each other, genre less. As you said from

0:39:21.996 --> 0:39:27.196
<v Speaker 1>the beginning, money comes success time, new people, new relationships,

0:39:27.236 --> 0:39:32.076
<v Speaker 1>new opportunities. It's incredible to me that you guys have

0:39:32.196 --> 0:39:34.436
<v Speaker 1>managed to stay close.

0:39:34.716 --> 0:39:37.116
<v Speaker 2>There you go, yeah, I don't think that happened.

0:39:40.996 --> 0:39:43.956
<v Speaker 1>Separate the legal entity of the Rolling Stones, you know,

0:39:44.356 --> 0:39:48.076
<v Speaker 1>it's like, yeah, I have no real responsibility to each other.

0:39:49.636 --> 0:39:50.596
<v Speaker 1>We do, but we do.

0:39:50.676 --> 0:39:53.876
<v Speaker 3>Yeah, but that's very I'm happy that you brought that up.

0:39:53.916 --> 0:39:56.596
<v Speaker 3>It's so true. And when I look at some of

0:39:56.636 --> 0:39:58.996
<v Speaker 3>the collectives, and you know, we don't have to dig

0:39:59.036 --> 0:40:02.716
<v Speaker 3>into names, but even even some of the most iconic

0:40:02.876 --> 0:40:06.676
<v Speaker 3>collectives ended up not working with each other anymore, and

0:40:06.756 --> 0:40:08.476
<v Speaker 3>I just remember the time when they were and how

0:40:08.516 --> 0:40:12.356
<v Speaker 3>that felt, and how I felt when it wasn't the

0:40:12.436 --> 0:40:15.876
<v Speaker 3>case anymore, and I just it always was important to

0:40:15.956 --> 0:40:19.356
<v Speaker 3>me to nurture my relationships, like I invest in people,

0:40:20.036 --> 0:40:23.996
<v Speaker 3>you know, not because they're of course, everybody is very talented,

0:40:24.996 --> 0:40:28.116
<v Speaker 3>but I think they're really really great people who happen

0:40:28.316 --> 0:40:31.436
<v Speaker 3>to be very talented. And when you come from a

0:40:31.436 --> 0:40:33.716
<v Speaker 3>big family like me, I have forty nine first cousins,

0:40:34.276 --> 0:40:38.116
<v Speaker 3>so I was brought into a community. You know, that

0:40:38.236 --> 0:40:41.796
<v Speaker 3>runs through my blood, and it's loyalty and it's growth

0:40:41.836 --> 0:40:46.436
<v Speaker 3>and transparency and communication and all those things and respect.

0:40:46.876 --> 0:40:50.476
<v Speaker 3>As somebody who has ideas, obviously, I'll always have the

0:40:50.516 --> 0:40:52.796
<v Speaker 3>final say if we're working on something with what I

0:40:52.836 --> 0:40:55.036
<v Speaker 3>want to do, you know, on my music. But I

0:40:55.156 --> 0:40:58.316
<v Speaker 3>love listening. I love being able to hear how Nate's

0:40:58.356 --> 0:41:00.676
<v Speaker 3>mind is working, to hear how Chuck's mind is working

0:41:00.756 --> 0:41:03.316
<v Speaker 3>with since a Bueno is thinking none of Like, I

0:41:03.996 --> 0:41:08.836
<v Speaker 3>love to see how they interpret certain things and how

0:41:08.876 --> 0:41:11.796
<v Speaker 3>they sharpen my sword, you know, when it is time

0:41:11.876 --> 0:41:16.076
<v Speaker 3>to creatively fight for an idea. So I love that.

0:41:16.196 --> 0:41:21.436
<v Speaker 3>I love what this community has done not just for

0:41:21.556 --> 0:41:22.876
<v Speaker 3>me before the rest of the world.

0:41:23.996 --> 0:41:29.116
<v Speaker 4>Questlove pulled us aside a few years ago and he

0:41:29.316 --> 0:41:32.996
<v Speaker 4>was like, listen, man, you guys have something really really special.

0:41:33.956 --> 0:41:35.316
<v Speaker 2>But just so.

0:41:35.396 --> 0:41:38.396
<v Speaker 4>You know, the most important thing you guys can do,

0:41:38.236 --> 0:41:41.876
<v Speaker 4>like just trust me on this. Just stay together. Just

0:41:41.956 --> 0:41:45.796
<v Speaker 4>stay together. And he went through his stories of like

0:41:45.876 --> 0:41:48.836
<v Speaker 4>what happened, Like all the things that happened to you

0:41:48.916 --> 0:41:52.756
<v Speaker 4>can change you. But just know that you guys have

0:41:52.836 --> 0:41:56.956
<v Speaker 4>something very special and it's worth protecting. Stay together. Don't

0:41:56.956 --> 0:42:02.756
<v Speaker 4>get distracted by whatever else comes. Just stay together. And

0:42:02.876 --> 0:42:05.796
<v Speaker 4>the other thing is that we have this credo, a

0:42:05.916 --> 0:42:10.556
<v Speaker 4>Wonderland credo that was written along time ago, like very

0:42:10.676 --> 0:42:16.636
<v Speaker 4>very early, and in there it discusses our responsibility to

0:42:16.756 --> 0:42:21.356
<v Speaker 4>each other and to our broader community, but specifically to

0:42:22.276 --> 0:42:25.276
<v Speaker 4>each other, how we need to take care of each other,

0:42:25.716 --> 0:42:29.076
<v Speaker 4>how we need to look after each other. Those basic

0:42:29.156 --> 0:42:32.636
<v Speaker 4>things are written into our creedle of how we understand

0:42:33.156 --> 0:42:38.716
<v Speaker 4>Wonderland at its foundation, it must at least be a

0:42:38.756 --> 0:42:43.876
<v Speaker 4>community or artists can be taken care of and of

0:42:43.916 --> 0:42:46.156
<v Speaker 4>course challenge each other around our ideas, but that we

0:42:46.196 --> 0:42:49.116
<v Speaker 4>feel at least safe to have our ideas.

0:42:49.356 --> 0:42:52.596
<v Speaker 3>Yeah, that's how you make your best music again when

0:42:52.596 --> 0:42:55.156
<v Speaker 3>you feel safe with the people that you're with, Like

0:42:55.196 --> 0:42:59.596
<v Speaker 3>when you feel like you can just go there and

0:43:00.596 --> 0:43:03.836
<v Speaker 3>try new shit out, like fall in love with music,

0:43:03.876 --> 0:43:05.236
<v Speaker 3>fall in love with art, and I think that's what

0:43:05.276 --> 0:43:06.636
<v Speaker 3>we love at our core.

0:43:07.116 --> 0:43:10.076
<v Speaker 1>First of all, you guys are living the I mean

0:43:10.116 --> 0:43:13.156
<v Speaker 1>that you guys found each other. It's hard individuals.

0:43:13.476 --> 0:43:17.116
<v Speaker 3>Let me say it is hard work. It is not easy.

0:43:18.756 --> 0:43:20.356
<v Speaker 1>Is hard hard?

0:43:20.476 --> 0:43:25.116
<v Speaker 3>Depending on what process you're in, it can be frustrating

0:43:25.276 --> 0:43:28.396
<v Speaker 3>and just like you can lose your confidence and second

0:43:28.396 --> 0:43:30.956
<v Speaker 3>guess yourself, or you could be having the best time

0:43:30.996 --> 0:43:32.556
<v Speaker 3>of your life. You wake back up and listen to

0:43:32.596 --> 0:43:36.116
<v Speaker 3>that demo or you wrote the night before, you're like, oh,

0:43:36.156 --> 0:43:39.076
<v Speaker 3>this ship is fire, like thank god, and you play

0:43:39.116 --> 0:43:41.156
<v Speaker 3>it for people outside you know, who were not a

0:43:41.156 --> 0:43:43.756
<v Speaker 3>part of the process, and you get that feedback. It

0:43:43.796 --> 0:43:47.556
<v Speaker 3>can be disappointing or it can be like, yes, when do.

0:43:47.476 --> 0:43:49.636
<v Speaker 1>You start playing stuff? Is it usually like earlier in

0:43:49.676 --> 0:43:52.116
<v Speaker 1>the process, or is it like I try to.

0:43:52.036 --> 0:43:54.716
<v Speaker 2>Play as early as possible. People see in the studio

0:43:54.756 --> 0:43:55.596
<v Speaker 2>when I'm working on music.

0:43:55.676 --> 0:43:59.076
<v Speaker 3>I gotta feel yeah, he's different. I don't know, but

0:43:59.076 --> 0:44:01.516
<v Speaker 3>but with age of Pleasure, I was more open, but

0:44:01.596 --> 0:44:04.036
<v Speaker 3>with all my other albums, I would be in there

0:44:04.076 --> 0:44:06.836
<v Speaker 3>engineering myself. I engineered myself a lot on this project too.

0:44:07.276 --> 0:44:08.716
<v Speaker 1>Yeah, just because you wanted to be.

0:44:08.716 --> 0:44:13.476
<v Speaker 4>Because when she goes in yes, like close it and

0:44:13.596 --> 0:44:16.756
<v Speaker 4>Janelle go in there and will engineer, and.

0:44:16.716 --> 0:44:18.636
<v Speaker 3>Then I'll call them back in like once I have

0:44:18.756 --> 0:44:22.076
<v Speaker 3>all my takes that I feel like are highlighted and good,

0:44:22.196 --> 0:44:24.276
<v Speaker 3>or I'll ask them to highlight in green, like which

0:44:24.316 --> 0:44:26.996
<v Speaker 3>ones you think are the best. But I'm always searching

0:44:27.036 --> 0:44:29.596
<v Speaker 3>for that feeling and sometimes I need to be alone

0:44:29.596 --> 0:44:30.396
<v Speaker 3>to get that feeling.

0:44:30.836 --> 0:44:34.036
<v Speaker 1>Yeah, we're gonna pause for another quick break and then

0:44:34.116 --> 0:44:37.436
<v Speaker 1>come back with more from Nate Wonder and Janelle Monee.

0:44:41.756 --> 0:44:44.236
<v Speaker 1>We're back with the rest of my conversation with Nate

0:44:44.276 --> 0:44:48.156
<v Speaker 1>Wonder and Janelle Monae. We were talking about the diaspora

0:44:48.156 --> 0:44:53.396
<v Speaker 1>earlier Beautiful that on the album DASPA was like really

0:44:53.436 --> 0:44:58.716
<v Speaker 1>represented from Sam Coudie Yes to uh to Sister Nancy.

0:44:58.596 --> 0:45:01.116
<v Speaker 2>Nancy Grace Jones, uh.

0:45:04.716 --> 0:45:12.756
<v Speaker 3>K Unlimited, from Atlanta to Ghana to Nigeria to Jamaica

0:45:12.836 --> 0:45:13.316
<v Speaker 3>and so on.

0:45:13.396 --> 0:45:16.076
<v Speaker 2>I mean, it's just we're so friends there.

0:45:16.276 --> 0:45:17.996
<v Speaker 3>Yeah, some of the musicians talking.

0:45:18.436 --> 0:45:20.796
<v Speaker 1>Yeah, what did those come.

0:45:20.636 --> 0:45:24.556
<v Speaker 3>From from US, so French. The French seventy five is

0:45:25.516 --> 0:45:29.436
<v Speaker 3>us in New Orleans during Essence Fest, not this year,

0:45:29.476 --> 0:45:32.236
<v Speaker 3>but last year, and we were we had we had

0:45:32.276 --> 0:45:34.636
<v Speaker 3>woke up and we start talking about the night that

0:45:34.716 --> 0:45:37.556
<v Speaker 3>we had and it was my first It was like

0:45:37.636 --> 0:45:40.596
<v Speaker 3>my first time getting beads. And so if you've been

0:45:40.636 --> 0:45:43.396
<v Speaker 3>to New Orleans, you know what getting your beads means.

0:45:43.436 --> 0:45:45.836
<v Speaker 3>Like it's so fun and I was. It was so

0:45:45.956 --> 0:45:52.316
<v Speaker 3>liberating and just really maybe I know right. It involves

0:45:52.756 --> 0:45:56.476
<v Speaker 3>you going down on in the French quarters and if

0:45:56.516 --> 0:45:58.196
<v Speaker 3>you lift your shirt up, they would throw you some

0:45:58.236 --> 0:46:00.636
<v Speaker 3>beads and it's a part of the New Orleans culture.

0:46:01.116 --> 0:46:03.516
<v Speaker 3>Fun and it was friend because as somebody who's like,

0:46:03.716 --> 0:46:06.116
<v Speaker 3>oh my god, I'm famous, they can't do these things.

0:46:06.116 --> 0:46:09.556
<v Speaker 3>I'll end up. And nobody even really posted it until

0:46:09.676 --> 0:46:13.716
<v Speaker 3>like years later. No, no, no, nobody found it. Actually

0:46:13.716 --> 0:46:16.916
<v Speaker 3>nobody found that video. Maybe one person. No no, no, no,

0:46:17.156 --> 0:46:21.076
<v Speaker 3>not my beads. Oh I've done that on several occasions. No,

0:46:21.196 --> 0:46:23.756
<v Speaker 3>it's really the beads want too.

0:46:23.916 --> 0:46:24.116
<v Speaker 1>Yeah.

0:46:24.756 --> 0:46:28.036
<v Speaker 3>I thought, okay, well that's awesome. It made me smile.

0:46:28.076 --> 0:46:31.956
<v Speaker 3>Remember I said this album, we are smiling this season

0:46:32.276 --> 0:46:36.196
<v Speaker 3>we are smiling. And with that being said, I wanted

0:46:36.236 --> 0:46:39.196
<v Speaker 3>to just have authentic conversations with my friends, and I

0:46:39.236 --> 0:46:41.196
<v Speaker 3>just asked them it was okay if I press record,

0:46:41.636 --> 0:46:45.316
<v Speaker 3>and it's just it was authentic because the people who

0:46:45.356 --> 0:46:48.356
<v Speaker 3>were there, they're really my friends. And so to have

0:46:48.436 --> 0:46:51.996
<v Speaker 3>these conversations with the people who are directly involved in

0:46:53.036 --> 0:46:55.516
<v Speaker 3>inspiring the songs and the songwritings. They were all in

0:46:55.556 --> 0:46:57.436
<v Speaker 3>the studio when we were writing them. They were the

0:46:57.436 --> 0:46:59.836
<v Speaker 3>first people that I think everybody in the interview, they

0:46:59.836 --> 0:47:01.396
<v Speaker 3>were some of the first people that heard the songs.

0:47:01.716 --> 0:47:05.116
<v Speaker 3>So when we did Float to Champagne, Shit, those were

0:47:05.156 --> 0:47:08.436
<v Speaker 3>the elliptic lover Like when we were writing those songs,

0:47:08.756 --> 0:47:11.436
<v Speaker 3>I always looked at how they moved. I always looked

0:47:11.436 --> 0:47:14.036
<v Speaker 3>at the body language. I always looked at like when

0:47:14.036 --> 0:47:16.236
<v Speaker 3>they would go play other artist songs, would they asked

0:47:16.236 --> 0:47:19.436
<v Speaker 3>to play this song again? Because I liked their taste

0:47:19.476 --> 0:47:23.956
<v Speaker 3>and I knew that they were like key in helping

0:47:24.036 --> 0:47:26.036
<v Speaker 3>us nurture the audience that we wanted.

0:47:26.276 --> 0:47:28.516
<v Speaker 1>Like what we would example, something you might have tweaked it,

0:47:28.596 --> 0:47:31.676
<v Speaker 1>or so you're looking at your friends playing on they

0:47:31.756 --> 0:47:36.396
<v Speaker 1>might not quite groove the way you're expecting or so

0:47:36.436 --> 0:47:36.876
<v Speaker 1>what do you do?

0:47:36.916 --> 0:47:39.076
<v Speaker 3>You just go back in and you know what, I

0:47:39.116 --> 0:47:40.876
<v Speaker 3>don't feel like we had a lot of those moments

0:47:40.916 --> 0:47:41.116
<v Speaker 3>with it.

0:47:41.436 --> 0:47:43.836
<v Speaker 4>Only I know one song that that happened with and

0:47:43.876 --> 0:47:46.476
<v Speaker 4>we changed. It didn't come We were in the middle

0:47:46.476 --> 0:47:47.676
<v Speaker 4>of trying to figure the song out.

0:47:48.036 --> 0:47:53.636
<v Speaker 1>It was hot, Okay, changed that one. Yeah a lot. Yeah.

0:47:53.676 --> 0:47:57.476
<v Speaker 3>There's actually a David Bowie vocal that was supposed to

0:47:57.476 --> 0:47:57.916
<v Speaker 3>go on that.

0:47:58.396 --> 0:48:00.236
<v Speaker 4>It was a quote from an interview that he had

0:48:00.276 --> 0:48:04.236
<v Speaker 4>done that right after right after Janelle says, uh, they

0:48:04.316 --> 0:48:07.076
<v Speaker 4>say I look better than David Bowie in the moon

0:48:07.156 --> 0:48:09.036
<v Speaker 4>Age Dream, there's.

0:48:08.836 --> 0:48:09.756
<v Speaker 2>This quote line.

0:48:09.796 --> 0:48:14.076
<v Speaker 4>I love that line because I think Edward had taken

0:48:14.156 --> 0:48:18.756
<v Speaker 4>us to the movies to see Mooney's Daydream because he

0:48:18.796 --> 0:48:20.116
<v Speaker 4>knew Janelle was a huge fan.

0:48:20.356 --> 0:48:23.556
<v Speaker 3>I oh, you took everybody.

0:48:23.596 --> 0:48:26.836
<v Speaker 4>I'm sorry, you took everybody to see the David boy

0:48:26.876 --> 0:48:27.996
<v Speaker 4>film Mooney's day Dream.

0:48:28.236 --> 0:48:31.796
<v Speaker 3>You said, yeah, because we had just so when I

0:48:31.996 --> 0:48:34.716
<v Speaker 3>when we wrote the Age of Pleasure. Right before that,

0:48:34.836 --> 0:48:39.636
<v Speaker 3>I just filmed The Glass Onion and we were in

0:48:39.676 --> 0:48:42.796
<v Speaker 3>Greece and Serbia, and I was having Nate send me

0:48:42.876 --> 0:48:46.356
<v Speaker 3>music there because I was like, when I get back,

0:48:46.636 --> 0:48:50.036
<v Speaker 3>I'm writing this album. Yeah, I'm writing this album. I'm

0:48:50.076 --> 0:48:53.756
<v Speaker 3>so inspired. I know I'm clear on where I am,

0:48:53.876 --> 0:48:55.676
<v Speaker 3>who I am, and what I.

0:48:55.636 --> 0:48:56.116
<v Speaker 1>Need to do.

0:48:56.596 --> 0:48:58.356
<v Speaker 3>And so he sent me all the music of some

0:48:58.396 --> 0:49:00.436
<v Speaker 3>of the musical beds and I picked what I loved

0:49:00.436 --> 0:49:02.996
<v Speaker 3>and liked. As soon as I got back, I was

0:49:02.996 --> 0:49:03.516
<v Speaker 3>in the studio.

0:49:03.636 --> 0:49:05.956
<v Speaker 1>It's poetic that you're working on the glass onion and

0:49:05.996 --> 0:49:10.036
<v Speaker 1>you're clear about.

0:49:08.756 --> 0:49:16.436
<v Speaker 3>Clear to it's like pull back the layer. Yeah, so

0:49:16.756 --> 0:49:20.156
<v Speaker 3>David boy quote it says, I think it's terribly dangerous

0:49:20.156 --> 0:49:23.516
<v Speaker 3>for an artist to fulfill other people's expectations. If you

0:49:23.596 --> 0:49:26.596
<v Speaker 3>feel safe in the area you're working in, you're not

0:49:26.756 --> 0:49:30.116
<v Speaker 3>working in the right area. Always go a little further

0:49:30.516 --> 0:49:33.996
<v Speaker 3>into the water. Then you feel you're capable of being in.

0:49:34.556 --> 0:49:38.836
<v Speaker 3>Go a little bit out of your own depth, and

0:49:38.876 --> 0:49:40.876
<v Speaker 3>when you don't feel that your feet are quite touching

0:49:40.916 --> 0:49:44.156
<v Speaker 3>the bottom, you're just about in the right place to

0:49:44.196 --> 0:49:45.436
<v Speaker 3>do something exciting.

0:49:45.996 --> 0:49:46.516
<v Speaker 1>Yeah.

0:49:46.556 --> 0:49:48.796
<v Speaker 2>So that was the end of that was the quote

0:49:48.836 --> 0:49:50.596
<v Speaker 2>that was on the in the record.

0:49:50.596 --> 0:49:51.716
<v Speaker 3>We should put that back in time.

0:49:53.156 --> 0:49:55.876
<v Speaker 4>But of course, like when you're at a party, you

0:49:55.916 --> 0:49:57.796
<v Speaker 4>may not want to go into the like.

0:49:57.916 --> 0:49:58.876
<v Speaker 3>Yeah, it was just like.

0:50:00.796 --> 0:50:02.676
<v Speaker 1>Appreciate I.

0:50:05.636 --> 0:50:08.036
<v Speaker 3>Don't know if you've seen it, but it's really incredible.

0:50:08.396 --> 0:50:11.956
<v Speaker 3>It was amazing because this is somebody who, like myself,

0:50:12.516 --> 0:50:17.596
<v Speaker 3>you know, is a world builder, and somebody who believed

0:50:17.596 --> 0:50:20.676
<v Speaker 3>like ZIGGI starred Us and the Spiders from Mars gave

0:50:20.756 --> 0:50:24.196
<v Speaker 3>me the courage to do Cindy Mayweather in Metropolis and

0:50:24.236 --> 0:50:28.436
<v Speaker 3>the Arc Android and to create these versions of ourselves,

0:50:29.196 --> 0:50:34.396
<v Speaker 3>you know, these thousand versions of myself and we're all fine.

0:50:35.356 --> 0:50:37.556
<v Speaker 3>That's if you don't know. That's from Phenomenal on the

0:50:37.596 --> 0:50:38.236
<v Speaker 3>Age of Pleasure.

0:50:38.316 --> 0:50:38.636
<v Speaker 2>Sorry.

0:50:39.276 --> 0:50:42.156
<v Speaker 3>So so to be able to watch him say, I

0:50:42.236 --> 0:50:44.036
<v Speaker 3>know that I could be Ziggy Starters for the rest

0:50:44.076 --> 0:50:47.516
<v Speaker 3>of my life or I can become more of who

0:50:47.556 --> 0:50:49.996
<v Speaker 3>I am and give you that and not be afraid,

0:50:50.196 --> 0:50:53.756
<v Speaker 3>you know, to break it down and rebuild and reimagine

0:50:53.756 --> 0:50:56.676
<v Speaker 3>who I can be. So that really also helped inspire

0:50:56.756 --> 0:50:57.436
<v Speaker 3>me as well.

0:50:58.156 --> 0:50:59.916
<v Speaker 1>Did you ever get a chance to meet him?

0:51:00.556 --> 0:51:03.516
<v Speaker 3>I feel like I did. I feel like our spirits

0:51:03.556 --> 0:51:06.196
<v Speaker 3>absolutely met each other. I know that he knew who

0:51:06.236 --> 0:51:08.876
<v Speaker 3>I was because I did a cover of heroes and

0:51:08.916 --> 0:51:11.476
<v Speaker 3>his wife Emon told me and he had to clear

0:51:11.516 --> 0:51:13.876
<v Speaker 3>it and his wife told me that he really he

0:51:13.916 --> 0:51:16.436
<v Speaker 3>really loved me, And I was like Oh, I wish

0:51:16.476 --> 0:51:18.516
<v Speaker 3>I could have told him how much I really loved him,

0:51:18.516 --> 0:51:20.716
<v Speaker 3>but I think he knows it. They aren'tware.

0:51:21.156 --> 0:51:25.636
<v Speaker 1>Yeah, did you putty naturally fall into I mean, twenty nineteen,

0:51:25.636 --> 0:51:28.716
<v Speaker 1>you're feeling like you want to start writing for women,

0:51:29.676 --> 0:51:33.996
<v Speaker 1>people coloring non binary folk. Was it easy to slide

0:51:34.036 --> 0:51:35.916
<v Speaker 1>into that mentality? Was it easy to like?

0:51:37.116 --> 0:51:40.876
<v Speaker 4>I felt compelled and again, and when I feel compelled,

0:51:40.956 --> 0:51:42.556
<v Speaker 4>I'm like, man, I'm doing it.

0:51:42.596 --> 0:51:44.956
<v Speaker 1>Was it a messy start? Did it feel always right

0:51:45.076 --> 0:51:45.636
<v Speaker 1>or natural?

0:51:46.156 --> 0:51:47.236
<v Speaker 3>Fill Myself playlist?

0:51:47.316 --> 0:51:47.516
<v Speaker 1>Yeah?

0:51:47.516 --> 0:51:50.756
<v Speaker 2>Oh yeah, that really encouraged. Yeah, definitely mean both of us.

0:51:50.636 --> 0:51:53.596
<v Speaker 3>Had the same thought. So we were listening to Spotify.

0:51:53.636 --> 0:51:55.436
<v Speaker 3>We had an opportunity to listen to a lot of music.

0:51:55.476 --> 0:51:58.596
<v Speaker 3>I start back working out, and there were a lot

0:51:58.636 --> 0:52:01.476
<v Speaker 3>of black women on this playlist that were just like

0:52:02.356 --> 0:52:07.716
<v Speaker 3>sounding extra liberated and super tapped into their will of

0:52:09.116 --> 0:52:13.196
<v Speaker 3>honesty and truth and sensuality and sexuality and grit and

0:52:13.276 --> 0:52:18.036
<v Speaker 3>softness and hardness. Like I loved hearing that all on

0:52:18.036 --> 0:52:22.076
<v Speaker 3>one playlist, and it encouraged me to tap into my

0:52:22.156 --> 0:52:24.956
<v Speaker 3>many different sides. And I think Nate would see me

0:52:25.076 --> 0:52:29.356
<v Speaker 3>listening to Filling Myself playlists around the studio and as

0:52:29.396 --> 0:52:32.396
<v Speaker 3>I was working out, and it was like, I've never remembered.

0:52:32.476 --> 0:52:35.276
<v Speaker 3>And that's the beautiful thing with playlists. You can really

0:52:35.636 --> 0:52:38.996
<v Speaker 3>curate your own world on your own soundtrack. And when

0:52:39.036 --> 0:52:40.996
<v Speaker 3>I felt that vibe, I was like, I want more

0:52:41.036 --> 0:52:42.996
<v Speaker 3>of this, and I want the people that are listening

0:52:42.996 --> 0:52:47.396
<v Speaker 3>to this who are feeling like they have not been

0:52:47.436 --> 0:52:51.876
<v Speaker 3>able to walk in their greatness as black women, as

0:52:51.876 --> 0:52:55.316
<v Speaker 3>non binary folks, as marginalized people. They haven't been able

0:52:55.356 --> 0:52:58.676
<v Speaker 3>to really own all of them. I want to lead

0:52:58.716 --> 0:53:01.436
<v Speaker 3>by example and I want I want to highlight them.

0:53:01.476 --> 0:53:04.636
<v Speaker 3>I want and highlight them by creating music that speaks

0:53:04.636 --> 0:53:05.276
<v Speaker 3>to their hearts.

0:53:05.396 --> 0:53:10.116
<v Speaker 1>Yeah. Yeah, I got two daughters and I don't want

0:53:10.196 --> 0:53:13.676
<v Speaker 1>them to feel ashamed of pleasure or whatever, right, like

0:53:13.796 --> 0:53:16.276
<v Speaker 1>as they get older or not. And it's like, yeah,

0:53:16.516 --> 0:53:18.196
<v Speaker 1>but society for so you know what I mean.

0:53:18.276 --> 0:53:21.596
<v Speaker 4>Yeah, And it's still that it's still a lot of

0:53:21.596 --> 0:53:23.636
<v Speaker 4>work to be done in that area. But you know,

0:53:23.716 --> 0:53:28.516
<v Speaker 4>one of the things I noted was that playlist. Like

0:53:29.196 --> 0:53:32.676
<v Speaker 4>when you go to like a rap Caviar or the

0:53:32.796 --> 0:53:35.716
<v Speaker 4>other like Big hip Hop, the biggest hip hop playlist.

0:53:35.996 --> 0:53:38.596
<v Speaker 4>Sometimes they'll even have like a woman on the cover,

0:53:39.156 --> 0:53:43.556
<v Speaker 4>But then you go through the actual playlist. It literally,

0:53:43.596 --> 0:53:45.596
<v Speaker 4>out of one hundred songs, it might be like three

0:53:46.556 --> 0:53:49.876
<v Speaker 4>songs by women, and it really I just took so

0:53:49.996 --> 0:53:50.996
<v Speaker 4>much issue with it.

0:53:51.236 --> 0:53:54.116
<v Speaker 2>Yeah, I was just like this is wild.

0:53:54.636 --> 0:53:56.916
<v Speaker 4>Yeah, like literally they'll put Megan thee Stallion on the

0:53:56.956 --> 0:53:59.916
<v Speaker 4>cover of it and not to go like down thirty

0:53:59.996 --> 0:54:01.236
<v Speaker 4>songs to get to her song.

0:54:01.356 --> 0:54:03.596
<v Speaker 2>It's like, this is crazy, this is wold.

0:54:03.756 --> 0:54:05.556
<v Speaker 3>And that was another reason why we wanted to make

0:54:05.596 --> 0:54:09.476
<v Speaker 3>sure that, you know, black women were repers ended on

0:54:09.516 --> 0:54:15.116
<v Speaker 3>this project generationally, from Dochi to you know, the King

0:54:15.836 --> 0:54:17.916
<v Speaker 3>of Jamaica, Grace Jones.

0:54:18.076 --> 0:54:21.836
<v Speaker 1>Grace's albums really come on, yes, let me.

0:54:21.756 --> 0:54:24.836
<v Speaker 3>Tell you she. I spent seventy two hours with Grace Jones.

0:54:24.836 --> 0:54:25.876
<v Speaker 3>That's how we got her on the album.

0:54:25.996 --> 0:54:30.556
<v Speaker 1>I was going to get it, don't I'm still.

0:54:30.316 --> 0:54:35.196
<v Speaker 3>Like just bowing down to her. Seventy two hours with

0:54:35.316 --> 0:54:36.876
<v Speaker 3>her hour is where I was like, oh.

0:54:36.836 --> 0:54:39.116
<v Speaker 1>My god, come together. What So I went.

0:54:39.556 --> 0:54:43.836
<v Speaker 3>I went to her at the Hollywood Bowl and I

0:54:43.916 --> 0:54:46.156
<v Speaker 3>ended up she was somehow it's like her light, one

0:54:46.196 --> 0:54:48.716
<v Speaker 3>of her last songs, and they were calling people on stage,

0:54:48.716 --> 0:54:51.436
<v Speaker 3>and of course I'm gonna jump on stage. And if

0:54:51.476 --> 0:54:54.716
<v Speaker 3>you look online if you look online, you will see

0:54:54.876 --> 0:54:57.996
<v Speaker 3>there's a video of me running through Grace Jones' legs,

0:54:58.316 --> 0:55:02.356
<v Speaker 3>her smacking my ass us, dancing like just being the

0:55:03.476 --> 0:55:06.476
<v Speaker 3>free spirits that we are. And I had met her

0:55:06.556 --> 0:55:09.716
<v Speaker 3>years back, but we didn't really get to connect. And

0:55:09.796 --> 0:55:11.916
<v Speaker 3>she did call me. She called me years back, and

0:55:11.996 --> 0:55:13.636
<v Speaker 3>I was so shocked. I was like, how does she

0:55:13.636 --> 0:55:15.876
<v Speaker 3>even get my number? And she just called me and

0:55:15.916 --> 0:55:17.916
<v Speaker 3>she told me she loved me, and I was just like,

0:55:18.076 --> 0:55:21.356
<v Speaker 3>I love you. But we never got to connect again

0:55:21.396 --> 0:55:23.876
<v Speaker 3>after that. I think maybe she changed her number, you know,

0:55:24.076 --> 0:55:26.796
<v Speaker 3>maybe she just went to another planet for the springtime.

0:55:26.836 --> 0:55:30.796
<v Speaker 3>Who knows, it's Grace Jones. And so when she came

0:55:30.836 --> 0:55:33.356
<v Speaker 3>this time though, we went backstage and we really connected

0:55:33.556 --> 0:55:36.596
<v Speaker 3>and she she was just like hugging me. I was

0:55:36.636 --> 0:55:39.196
<v Speaker 3>hugging her, and she was just saying, you know, I'm

0:55:39.236 --> 0:55:42.516
<v Speaker 3>in town for a few days. She invited me to

0:55:42.636 --> 0:55:44.596
<v Speaker 3>her hotel where they had like a small little gathering

0:55:44.596 --> 0:55:48.316
<v Speaker 3>to celebrate her incredible performance live. If you ever get

0:55:48.316 --> 0:55:52.236
<v Speaker 3>a chance, go see her. She nobody, nobody touches her.

0:55:52.316 --> 0:55:54.596
<v Speaker 1>I regret not going. I was going to go to that.

0:55:55.116 --> 0:55:59.196
<v Speaker 3>Always, you just always say yes. And so that night

0:55:59.236 --> 0:56:00.956
<v Speaker 3>When we went back to her hotel, I was like,

0:56:01.116 --> 0:56:02.996
<v Speaker 3>you know, I you know, I had to leave, and

0:56:03.476 --> 0:56:06.036
<v Speaker 3>I just said, I'm just gonna invite her to want

0:56:06.116 --> 0:56:08.756
<v Speaker 3>to land what she can just say no, and if

0:56:08.756 --> 0:56:10.876
<v Speaker 3>she says no, I'll be like yes. Grace Jones told

0:56:10.876 --> 0:56:15.676
<v Speaker 3>me no, Yes, so great, and so I said, listen,

0:56:16.436 --> 0:56:18.276
<v Speaker 3>I have to leave, but I don't know you know

0:56:18.316 --> 0:56:20.036
<v Speaker 3>what your schedule is tomorrow, but I would love to

0:56:20.076 --> 0:56:23.236
<v Speaker 3>have you for lunch at Wonderland at our studio. And

0:56:23.276 --> 0:56:25.596
<v Speaker 3>she was like, is there a pool there? And I

0:56:25.676 --> 0:56:29.116
<v Speaker 3>was like, indeed, there is a pool. And then she

0:56:29.236 --> 0:56:32.276
<v Speaker 3>was like, okay, I will call you. I'm gonna come,

0:56:32.676 --> 0:56:34.556
<v Speaker 3>and I just I was like okay, and I was like,

0:56:34.716 --> 0:56:36.996
<v Speaker 3>she says this to everybody, I'm sure because she doesn't

0:56:36.996 --> 0:56:41.796
<v Speaker 3>want to hurt anybody's feelings. And she called. She had

0:56:41.876 --> 0:56:44.996
<v Speaker 3>she had her assistant text and asked if it was

0:56:45.036 --> 0:56:47.756
<v Speaker 3>a heated pool if they because she swims every day

0:56:47.836 --> 0:56:51.116
<v Speaker 3>is her exercise? And I asked them, well, what does

0:56:51.156 --> 0:56:53.316
<v Speaker 3>she drink? What does she Like like, I'm scrambling, I'm like,

0:56:53.396 --> 0:56:56.836
<v Speaker 3>how am I going to host Grace Jones? Everybody? We

0:56:56.836 --> 0:56:58.996
<v Speaker 3>need to have a meeting, right go to the grocery store.

0:56:59.036 --> 0:57:01.756
<v Speaker 3>What are we doing? And he sends me this list,

0:57:01.876 --> 0:57:05.636
<v Speaker 3>Like her wine list is immaculate, her champagne list is immaculate.

0:57:05.956 --> 0:57:09.516
<v Speaker 3>And so she came over and we really had lunch

0:57:09.556 --> 0:57:13.116
<v Speaker 3>and we really got in this pool. She took her

0:57:13.156 --> 0:57:15.516
<v Speaker 3>top off just I mean, I know, we're talking a

0:57:15.596 --> 0:57:19.836
<v Speaker 3>lot about all of the toplessness, which is really great because,

0:57:19.836 --> 0:57:21.476
<v Speaker 3>as we know, we live in a world where there's

0:57:21.476 --> 0:57:24.836
<v Speaker 3>a double standard. Yeah, you know where the liberation that

0:57:24.956 --> 0:57:28.676
<v Speaker 3>Grace has been able to do did not come with

0:57:29.316 --> 0:57:32.316
<v Speaker 3>open arms, you know, it came with a lot of scrutiny.

0:57:32.356 --> 0:57:35.516
<v Speaker 3>This is somebody who was raised under a pastor, you know,

0:57:35.596 --> 0:57:38.636
<v Speaker 3>who was a bishop and in a very conservative community.

0:57:38.636 --> 0:57:40.756
<v Speaker 3>And for her to say I'm gonna live my motherfucking

0:57:40.836 --> 0:57:45.116
<v Speaker 3>life and to show us that, like that was all

0:57:45.116 --> 0:57:49.316
<v Speaker 3>I needed to see and hear, and she really by

0:57:49.396 --> 0:57:51.356
<v Speaker 3>being her and by hanging out with her and her

0:57:51.436 --> 0:57:53.956
<v Speaker 3>encouraging me to be me, and sitting in the studio

0:57:53.996 --> 0:57:57.396
<v Speaker 3>listening to the songs, like her getting up dancing and

0:57:57.436 --> 0:57:59.996
<v Speaker 3>moving and telling us which one she loved and what,

0:58:00.636 --> 0:58:03.836
<v Speaker 3>like her hearing the instruments and talking about that like

0:58:03.876 --> 0:58:07.156
<v Speaker 3>she is a musical genius. It was all the affirmation

0:58:07.276 --> 0:58:07.716
<v Speaker 3>I needed.

0:58:08.396 --> 0:58:10.636
<v Speaker 1>First of all, taking off for top in your pool

0:58:10.756 --> 0:58:12.876
<v Speaker 1>is a real legendary what an honor, you know what

0:58:12.876 --> 0:58:14.396
<v Speaker 1>I mean, you curated this.

0:58:14.436 --> 0:58:15.796
<v Speaker 3>It's just a typical Tuesday for her.

0:58:15.876 --> 0:58:18.756
<v Speaker 1>Yeah. But then so then you pull in the studio

0:58:18.756 --> 0:58:19.356
<v Speaker 1>when she's listening.

0:58:19.516 --> 0:58:22.316
<v Speaker 3>You asked her to Yeah. I was like, I told her,

0:58:22.316 --> 0:58:23.756
<v Speaker 3>I said, I would love to get you, you know,

0:58:23.756 --> 0:58:26.156
<v Speaker 3>on our project. She was like, okay, well where is it?

0:58:26.676 --> 0:58:28.636
<v Speaker 3>And I was like, well, since you asked, there's a

0:58:28.676 --> 0:58:31.316
<v Speaker 3>studio right in here, and so we went in there.

0:58:31.516 --> 0:58:34.956
<v Speaker 3>And but I will say recording Grace Jones because I

0:58:35.036 --> 0:58:39.276
<v Speaker 3>had to wrangle her in it is like having the

0:58:39.276 --> 0:58:43.796
<v Speaker 3>most beautiful panther in the studio that then turns into

0:58:43.796 --> 0:58:48.196
<v Speaker 3>a tiger that then turns into like a bird with

0:58:48.276 --> 0:58:51.196
<v Speaker 3>the biggest wings that will flap around and you just

0:58:51.316 --> 0:58:54.836
<v Speaker 3>you cannot contain that energy. You just have to have

0:58:54.956 --> 0:58:58.076
<v Speaker 3>everything on record and get what you can. Wow, you

0:58:58.076 --> 0:59:00.196
<v Speaker 3>know what I'm saying. You can't really tell her what

0:59:00.236 --> 0:59:02.156
<v Speaker 3>to do. But even in the moments where I was like, Okay,

0:59:02.236 --> 0:59:03.996
<v Speaker 3>can you do more of this or do more of that,

0:59:04.116 --> 0:59:06.716
<v Speaker 3>or no, say it like this or talk French, because

0:59:06.756 --> 0:59:09.436
<v Speaker 3>she speaks French fluently, and that's what we and that

0:59:09.556 --> 0:59:11.596
<v Speaker 3>was the thing that made it. I said, Oh, that's

0:59:11.636 --> 0:59:14.156
<v Speaker 3>the sexy ship that I want on this project, because

0:59:14.156 --> 0:59:15.716
<v Speaker 3>I don't think we've really gotten a chance to hear

0:59:15.756 --> 0:59:18.516
<v Speaker 3>her in that way. And we've actually recorded more, like

0:59:18.556 --> 0:59:20.516
<v Speaker 3>I have at least two hours.

0:59:20.276 --> 0:59:22.756
<v Speaker 2>Of recording with Grace job definitely.

0:59:22.676 --> 0:59:22.756
<v Speaker 4>And.

0:59:24.756 --> 0:59:27.356
<v Speaker 3>I really, I really really want to. She's working on

0:59:27.396 --> 0:59:29.356
<v Speaker 3>her album, which is going to also be incredible. She

0:59:29.396 --> 0:59:32.156
<v Speaker 3>played us her album like I got to hear Grace

0:59:32.236 --> 0:59:34.676
<v Speaker 3>Jones's album. We did. It's really beautiful.

0:59:34.716 --> 0:59:39.436
<v Speaker 1>Wow, that's incredible. Well man, you got I mean, the

0:59:39.476 --> 0:59:43.596
<v Speaker 1>fact that you went as far as to pull Grace

0:59:43.676 --> 0:59:46.636
<v Speaker 1>Jones in the studio for your album. Nothing we can

0:59:46.676 --> 0:59:49.516
<v Speaker 1>say but thank you. There's nothing we could say but

0:59:49.596 --> 0:59:53.956
<v Speaker 1>thank you and congratulations on not just the Grammy, but

0:59:53.996 --> 0:59:55.916
<v Speaker 1>congratulations for that, but just what I've seen it do

0:59:55.996 --> 0:59:58.396
<v Speaker 1>to people's spirits over the last eight months.

0:59:58.476 --> 1:00:02.436
<v Speaker 3>You know, that's all we want. It's incredible, that's all

1:00:02.436 --> 1:00:03.756
<v Speaker 3>we want. Thank you so much.

1:00:04.636 --> 1:00:06.236
<v Speaker 1>Can I ask her not to put you on the

1:00:06.236 --> 1:00:09.396
<v Speaker 1>spot now? I love We're far enough from heaven.

1:00:09.956 --> 1:00:13.636
<v Speaker 3>Oh my god, you are a deep Cotton fan.

1:00:13.756 --> 1:00:17.276
<v Speaker 1>I love Deep Cotton. Oh, I don't know where the

1:00:17.916 --> 1:00:18.796
<v Speaker 1>love my copy of.

1:00:19.036 --> 1:00:21.396
<v Speaker 3>I love this you are. I knew I liked you,

1:00:21.436 --> 1:00:23.396
<v Speaker 3>but now I love you. That's what I love this.

1:00:23.396 --> 1:00:26.356
<v Speaker 1>This is my ship, this song is I feel like

1:00:26.356 --> 1:00:28.156
<v Speaker 1>I don't even I don't know how to explain my

1:00:28.236 --> 1:00:28.676
<v Speaker 1>love of this.

1:00:29.116 --> 1:00:35.956
<v Speaker 3>So good, it's really good. From heaving. Now we can

1:00:35.996 --> 1:00:41.116
<v Speaker 3>freak out. So well done it. It's the lorndessakout. You

1:00:41.156 --> 1:00:43.316
<v Speaker 3>can join it.

1:00:43.596 --> 1:00:44.436
<v Speaker 4>Bang bang.

1:00:52.476 --> 1:00:53.396
<v Speaker 1>Wants breaking out.

1:00:53.796 --> 1:00:57.516
<v Speaker 4>There's a killer and that is marching and all bang

1:00:57.676 --> 1:01:01.516
<v Speaker 4>bang this does and you can see it.

1:01:04.316 --> 1:01:04.716
<v Speaker 2>As well.

1:01:04.916 --> 1:01:08.196
<v Speaker 3>Kissed the most laughing to your dash.

1:01:08.356 --> 1:01:12.436
<v Speaker 4>Yeah, my god, take up friend, that's man.

1:01:12.436 --> 1:01:13.956
<v Speaker 2>Didn't tell some stories in here?

1:01:14.156 --> 1:01:15.076
<v Speaker 1>And bo can cook?

1:01:15.476 --> 1:01:15.956
<v Speaker 2>Can clean?

1:01:16.076 --> 1:01:17.476
<v Speaker 1>Who will pay the fence?

1:01:17.796 --> 1:01:19.396
<v Speaker 2>Who can cook and clean?

1:01:19.556 --> 1:01:21.956
<v Speaker 1>Who will pay the fence? Who can cook?

1:01:22.036 --> 1:01:24.356
<v Speaker 3>Who clean the fence?

1:01:28.516 --> 1:01:31.676
<v Speaker 1>Fire nothing man, But now we can break out. Yeah

1:01:31.676 --> 1:01:33.116
<v Speaker 1>we fire nothing happening.

1:01:33.236 --> 1:01:34.596
<v Speaker 3>Now we can break out.

1:01:34.876 --> 1:01:36.636
<v Speaker 2>Yeah we fire nothing man.

1:01:36.636 --> 1:01:37.956
<v Speaker 1>Now we're gonna freak out.

1:01:38.276 --> 1:01:40.596
<v Speaker 2>Yeah we're fire nothing having Now we.

1:01:40.596 --> 1:01:45.836
<v Speaker 3>Can break out, freak out.

1:01:47.436 --> 1:01:48.236
<v Speaker 2>That's so crazy.

1:01:48.356 --> 1:01:49.516
<v Speaker 3>You have excellent tastes.

1:01:49.636 --> 1:01:51.476
<v Speaker 1>I love that.

1:01:53.396 --> 1:01:56.196
<v Speaker 3>Like when I heard their song, Actually, when Nate was

1:01:56.236 --> 1:02:00.196
<v Speaker 3>saying like he met me performing on the library steps

1:02:00.196 --> 1:02:03.076
<v Speaker 3>with the guitar. I was heavily just like on some

1:02:03.196 --> 1:02:08.676
<v Speaker 3>acoustic big afro I guess you would say, neo soul vibes.

1:02:09.276 --> 1:02:12.236
<v Speaker 3>And when I heard their music, it changed my whole life.

1:02:12.276 --> 1:02:14.956
<v Speaker 3>It changed the way I saw us because I hadn't

1:02:14.956 --> 1:02:17.756
<v Speaker 3>seen I mean with the exception of like Andre, because NARLS.

1:02:17.756 --> 1:02:20.956
<v Speaker 3>Barkley wasn't even around at that time, but with the

1:02:20.956 --> 1:02:23.356
<v Speaker 3>exception of like the Love Below and what Andre was

1:02:23.356 --> 1:02:26.756
<v Speaker 3>doing and you know, some some some indie artists in Atlanta,

1:02:27.036 --> 1:02:30.716
<v Speaker 3>nobody was stretching and it's sounding good like it was

1:02:30.756 --> 1:02:34.196
<v Speaker 3>either too alternative for me to get to, you know,

1:02:34.476 --> 1:02:37.276
<v Speaker 3>to get into, and there was no melody, there was

1:02:37.316 --> 1:02:40.596
<v Speaker 3>no soul. But when I heard their stuff, I was

1:02:40.636 --> 1:02:43.076
<v Speaker 3>like it was up temp. There were there were like

1:02:43.196 --> 1:02:47.756
<v Speaker 3>up tempo records that sounded like Japanese funk. I don't know,

1:02:47.796 --> 1:02:49.956
<v Speaker 3>that's the best way to describe it. And all I

1:02:49.996 --> 1:02:51.876
<v Speaker 3>knew was like, I want to make music like that,

1:02:51.956 --> 1:02:54.236
<v Speaker 3>and so that I really have to credit deep Cott

1:02:54.436 --> 1:02:57.756
<v Speaker 3>for why I like up tempo songs and why I

1:02:57.836 --> 1:02:59.476
<v Speaker 3>make up tempo music and stretch.

1:02:59.716 --> 1:03:02.396
<v Speaker 1>When it comes to genre textas are incredible. No one really,

1:03:02.636 --> 1:03:05.356
<v Speaker 1>no one really plays like acoustic like that, like a

1:03:05.476 --> 1:03:09.356
<v Speaker 1>up loud. It sounds like some Frank Black like the

1:03:09.556 --> 1:03:11.596
<v Speaker 1>weird bizarre phrase.

1:03:12.836 --> 1:03:16.556
<v Speaker 3>Is an incredible writer imminator, Like there.

1:03:16.636 --> 1:03:19.716
<v Speaker 2>Their partnership we actually had. It's crazy.

1:03:19.836 --> 1:03:22.956
<v Speaker 4>We actually are finishing our album right now. We actually

1:03:23.636 --> 1:03:25.836
<v Speaker 4>just got the album cover done for it and everything.

1:03:26.956 --> 1:03:31.756
<v Speaker 3>Yeah coming out what dream is coming true?

1:03:32.756 --> 1:03:33.396
<v Speaker 1>Yeah?

1:03:33.516 --> 1:03:35.476
<v Speaker 4>Yeah, I love that song because I love the line

1:03:35.516 --> 1:03:36.556
<v Speaker 4>who can cook, who can clean?

1:03:36.596 --> 1:03:37.476
<v Speaker 2>Who will paint the fence?

1:03:38.436 --> 1:03:39.996
<v Speaker 4>I mean, there's so many other things about the song

1:03:40.036 --> 1:03:41.956
<v Speaker 4>that are great, but also who can cook, who can clean?

1:03:41.956 --> 1:03:42.716
<v Speaker 2>Who will paint the fence?

1:03:42.956 --> 1:03:45.396
<v Speaker 4>Because it takes like this idea of like taking over

1:03:45.476 --> 1:03:47.516
<v Speaker 4>the mansion and tell some stories and there and all

1:03:47.516 --> 1:03:49.876
<v Speaker 4>that kind of stuff, which is cool idea, right, but

1:03:49.996 --> 1:03:53.396
<v Speaker 4>then like it's the responsibilities that you have to each.

1:03:53.196 --> 1:03:55.836
<v Speaker 2>Other, like who's who can cook, who can clean? Who

1:03:55.836 --> 1:03:56.156
<v Speaker 2>will paint?

1:03:56.556 --> 1:03:59.596
<v Speaker 4>Like who's doing the real work that it takes to

1:03:59.676 --> 1:04:02.756
<v Speaker 4>like stay alive. So we can, you know, take over

1:04:02.796 --> 1:04:04.076
<v Speaker 4>this match and tell some stories.

1:04:04.156 --> 1:04:07.116
<v Speaker 1>I love it. Thanks so much, guys, Thank you so much.

1:04:08.356 --> 1:04:11.716
<v Speaker 3>Creative Thanks likewise, this is beautiful, incredible.

1:04:14.396 --> 1:04:16.796
<v Speaker 1>Thanks to Jennell Monee and Nate wonder for the invite

1:04:16.796 --> 1:04:19.836
<v Speaker 1>to Wonderland to chat about her latest album, The Age

1:04:19.876 --> 1:04:22.756
<v Speaker 1>of Pleasure. You can hear it, along with our other

1:04:22.796 --> 1:04:26.116
<v Speaker 1>favorite songs of Jennemne's and Nate Wonders on a playlist

1:04:26.116 --> 1:04:30.236
<v Speaker 1>at broken record podcast dot com. Subscribe to our YouTube

1:04:30.276 --> 1:04:33.436
<v Speaker 1>channel at YouTube dot com slash Broken Record Podcast, where

1:04:33.476 --> 1:04:36.516
<v Speaker 1>you can find all of our new episodes. You can

1:04:36.556 --> 1:04:39.876
<v Speaker 1>follow us on Twitter at broken Record. Broken Record is

1:04:39.916 --> 1:04:42.996
<v Speaker 1>produced and edited by Leah Rose, with marketing help from

1:04:43.076 --> 1:04:46.676
<v Speaker 1>Eric Sandler and Jordan McMillan. Our engineer is Ben Tollinay.

1:04:47.276 --> 1:04:50.796
<v Speaker 1>Broken Record is a production of Pushkin Industries. If you

1:04:50.836 --> 1:04:54.156
<v Speaker 1>love this show and others from Pushkin, consider subscribing to

1:04:54.276 --> 1:04:58.236
<v Speaker 1>Pushkin Plus. Pushkin Plus is a podcast subscription that offers

1:04:58.276 --> 1:05:01.356
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1:05:01.436 --> 1:05:05.396
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1:05:06.156 --> 1:05:08.756
<v Speaker 1>And if you like this show, please remember to share, rate,

1:05:08.796 --> 1:05:11.676
<v Speaker 1>and review us on your podcast. That are the Musics

1:05:11.676 --> 1:05:18.796
<v Speaker 1>Back in the Beats? I'm justin Richmond, h