WEBVTT - Death

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<v Speaker 1>If we were at a party and everybody had two beers,

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<v Speaker 1>and then I asked, what do you do for a living? Like,

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<v Speaker 1>what do you actually say? In social setting? It depends

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<v Speaker 1>how quickly I need to leave. If I need to

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<v Speaker 1>leave soon, I'll usually say I teach sociology, which isn't

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<v Speaker 1>really true, but I know it's really boring sounding, so

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<v Speaker 1>then everyone's like, okay, bye. However, if it looks like

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<v Speaker 1>I've got some time and I know the person will

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<v Speaker 1>want to talk to me, I'll say I'm Director of

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<v Speaker 1>the Center for Death and Society and I do research

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<v Speaker 1>on death, dying, and the dead body, and interdisciplinary studies

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<v Speaker 1>around everything to do with death and dying. That is

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<v Speaker 1>Dr John Troyer, who lectures at the University of Bath

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<v Speaker 1>in England and is the m v P of Every party.

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<v Speaker 1>I am ess a host of Deeply Human and Deeply

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<v Speaker 1>Human is the podcast you're listening to, And a podcast

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<v Speaker 1>is like a balsamic reduction of pure knowledge drizzled in

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<v Speaker 1>through your ears to season your brain. Today's episode is

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<v Speaker 1>about dying and why you shouldn't put off talking about

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<v Speaker 1>it until you're dead. So part your hair down the

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<v Speaker 1>middle and your best Wednesday Adams and stretch out for

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<v Speaker 1>rigorous conversation about death, activism, the guillotine, and the ferocity

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<v Speaker 1>of human love. Love of mine, someday will die, but

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<v Speaker 1>I'll be close behind. I'll follow you into the dark.

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<v Speaker 1>You're blinding line. Okay, So back to the party scene.

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<v Speaker 1>How does John introduce himself when he's off the clock

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<v Speaker 1>in that scenario where you give him a long, interesting answer?

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<v Speaker 1>Do you know what they're going to say next? Yeah?

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<v Speaker 1>Usually this is actually almost always the way it happens.

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<v Speaker 1>They'll say, oh God, wow, Okay, I have to ask

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<v Speaker 1>you this question, and then it just goes into about

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<v Speaker 1>thirty minutes to an hour or a couple of hours

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<v Speaker 1>of just relentless questioning about everything and anyone's ever wanted

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<v Speaker 1>to know about death and dying, which is normal. I

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<v Speaker 1>expect that because people are genuinely interested in it, like

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<v Speaker 1>it is a constant and if you can say anything

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<v Speaker 1>about humans as a species, and this might strike some

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<v Speaker 1>listeners is a bit grim, but I think it's completely accurate.

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<v Speaker 1>Is that if there's anything we're good at, it's dying,

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<v Speaker 1>that eventually it's going to happen. I met John a

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<v Speaker 1>bunch of years ago before he'd moved to England and

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<v Speaker 1>before he was a death rock star. We met in

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<v Speaker 1>our twenties, both of us competing in the slam poetry

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<v Speaker 1>scene in Minneapolis. He seemed funny and weird and smart,

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<v Speaker 1>an assessment that still holds. And my delivery of a

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<v Speaker 1>rhyming poem about metaphysics at one of our competitions must

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<v Speaker 1>have passed mustard because he invited me to sit in

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<v Speaker 1>on the defense of a PhD dissertation, and that seemed

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<v Speaker 1>like a terribly adult way to spend an afternoon. So

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<v Speaker 1>I went, and I was mesmerized listening to John talk

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<v Speaker 1>about the science and culture of death. How the first

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<v Speaker 1>embomed bodies were carted around the US like sideshow attractions,

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<v Speaker 1>how people used to pose for pictures with their recently

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<v Speaker 1>deceased relatives, and unless you look really closely at the photos,

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<v Speaker 1>it's tough to tell who's warm and who's dead. Death,

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<v Speaker 1>as it turns out, runs in John's family. So my

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<v Speaker 1>dad was a funeral director for many years, owned a

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<v Speaker 1>couple of funeral homes, worked at other couple of funeral homes,

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<v Speaker 1>and you know, I just grew up watching him organized,

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<v Speaker 1>run and do funerals. But He also taught cosmetology, so

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<v Speaker 1>he taught the makeup classes. Apparently he was a very

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<v Speaker 1>good at matching skin tone. His students would tell me,

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<v Speaker 1>it's like Dan really good at the makeup, and I

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<v Speaker 1>was like, well, it's good to know. For the record,

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<v Speaker 1>John didn't want to follow in his dad's footsteps, and yes, dude,

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<v Speaker 1>he has seen the HBO series six ft Under. John's

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<v Speaker 1>interest was more intellectual. He wanted to investigate how technology

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<v Speaker 1>affects the way that society treats death and dead bodies.

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<v Speaker 1>For example, these days, we're living further apart from our families,

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<v Speaker 1>which means that we're dying further apart. Two and so

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<v Speaker 1>embalming services are in steady demand because by injecting a

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<v Speaker 1>body with preservatives, we get a shelf stable corpse that

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<v Speaker 1>allows the family time to gather. Because of this embalming technology,

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<v Speaker 1>the dead body in your imagination might look sort of

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<v Speaker 1>like a living person who's asleep, But before the Civil War,

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<v Speaker 1>dead bodies looked really different than living bodies. They start

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<v Speaker 1>to decompose, they turned black. Okay, quick extra credit fact.

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<v Speaker 1>Abraham Lincoln played a really big part in popularizing embombing

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<v Speaker 1>after his assassination. His body was taken across the country

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<v Speaker 1>in a special train car for public viewing, and it

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<v Speaker 1>was embombed more than once along the way. New technologies

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<v Speaker 1>can shape the way that we handle are dead, and

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<v Speaker 1>new political ideas can change the way that we die.

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<v Speaker 1>For example, California becomes a first state to pass in

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<v Speaker 1>what's called the Natural Death Act, and the Natural Death

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<v Speaker 1>Act states you have a right to refuse treatment and

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<v Speaker 1>to die naturally. And we think about that today is

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<v Speaker 1>almost being given, But it wasn't. It wasn't. There had

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<v Speaker 1>to be a law that was created and then passed

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<v Speaker 1>along you could tell people both medically and ethically, but

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<v Speaker 1>also philosophically and politically. And again I think the political

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<v Speaker 1>side of this is very important. You have a right

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<v Speaker 1>to die by refusing treatment if you no longer want it.

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<v Speaker 1>And why is that political? Well, because it was a

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<v Speaker 1>statement of autonomy. I will die as I choose. And

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<v Speaker 1>there's a longer history here of a break than from

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<v Speaker 1>religious tradition because of course, for many centuries you did

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<v Speaker 1>not die the way you chose. You died the way

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<v Speaker 1>God chose. Is well, if you say I die the

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<v Speaker 1>way I choose, that means then that the state or

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<v Speaker 1>whatever governing powers in place, no one will tell me

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<v Speaker 1>how I can die. In the nineteen seventies, universities in

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<v Speaker 1>the US and the UK taught sociology of death, courses

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<v Speaker 1>and activists fought to change our approach to death with

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<v Speaker 1>conversations about assisted suicide, end of life, rights and dignity

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<v Speaker 1>and death, and the living Will was invented, a document

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<v Speaker 1>that expresses a person's wishes for healthcare when they're no

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<v Speaker 1>longer able to make those decisions. I thought that all

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<v Speaker 1>these shifts in thinking and practice were designed to provide

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<v Speaker 1>people with a good death. John not so much. There's

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<v Speaker 1>been lots of conversations around this idea of a good death.

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<v Speaker 1>I've never been big on that terminology because then it

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<v Speaker 1>suggests there's a bad death. And I'm not saying you

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<v Speaker 1>can't create qualitative judgments around these things, because I think

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<v Speaker 1>we can talk about preferred ways of dying. But I

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<v Speaker 1>think ultimately what we're talking about in terms of death is,

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<v Speaker 1>you know, death is a phenomena you're, regardless of goodness

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<v Speaker 1>or badness, is going to happen. But I'm see I'm confused.

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<v Speaker 1>I mean, in some ways it feels like, oh, I

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<v Speaker 1>don't know, like why shy from normative terms, because if

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<v Speaker 1>I were to compare two ways of shark attack versus

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<v Speaker 1>in the arms of my beloved, like one of those

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<v Speaker 1>deaths is clearly sort of lousy and one is like

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<v Speaker 1>why better? Right now, I understand that the concern you

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<v Speaker 1>can come up with, and this is something that it's

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<v Speaker 1>been discussed that because once you start to create expectations

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<v Speaker 1>around dying, people can start to feel like they're doing

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<v Speaker 1>it wrong. And that's always been one of my big

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<v Speaker 1>concerns with a lot of the discussions around death and

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<v Speaker 1>dying in all different kinds of facets society, which has

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<v Speaker 1>been going on out for like the last twenty years.

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<v Speaker 1>It's never not been a hot topic as it were.

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<v Speaker 1>But I think that what happened is families, and usually

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<v Speaker 1>families more than the dying, but sometimes the dying they

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<v Speaker 1>can feel like they're doing it wrong. That fear that

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<v Speaker 1>I'm somehow messing up at this basic biological function is

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<v Speaker 1>one you might have also heard. In relation to childbirth,

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<v Speaker 1>Moms can face a lot of pressures about how and

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<v Speaker 1>where to deliver at home, at the hospital, in a

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<v Speaker 1>birthing center, with or without pain meds in a tub

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<v Speaker 1>of water, preferably on a weekday. A lot of parents

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<v Speaker 1>hire birth doulas to help with their pregnancy and delivery.

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<v Speaker 1>Doulas aren't part of the medical team, but there are

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<v Speaker 1>a source of support and encouragement and they've got a

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<v Speaker 1>lot of experience helping tykes into the world. There are

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<v Speaker 1>also death doulas who help people to leave the world.

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<v Speaker 1>I die with people. I say die with them because

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<v Speaker 1>I feel like with every person I die with, I'm

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<v Speaker 1>a little closer to understanding what death is. And that's

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<v Speaker 1>just the last breath. There's nothing more magical about it.

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<v Speaker 1>Denise Love has worked as a death duela for twenty

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<v Speaker 1>eight years. She's also helped set up hospices and worked

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<v Speaker 1>as a registered nurse, and part of her motivation in

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<v Speaker 1>life is to help people talk about death, to be

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<v Speaker 1>less afraid of the whole conversation. I think the fear

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<v Speaker 1>is just too great. I could talk about it, you

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<v Speaker 1>might drop dead. It's just terrified to use the word.

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<v Speaker 1>Even most people don't ever use the word. In their eyes.

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<v Speaker 1>We pass away or somebody's ill, we avoid the language

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<v Speaker 1>of death. Denise has spent a lot of time working

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<v Speaker 1>in the developing world with people in Nepal, Myanmar, Cambodia,

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<v Speaker 1>and Thailand, which is where she was when I spoke

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<v Speaker 1>with her. The death's Denise has witnessed and the developing

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<v Speaker 1>world look really different than those she's been a part

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<v Speaker 1>of in Western societies. Whatever this thing we're telling everybody

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<v Speaker 1>is to fight, that's a lot of nonsense. There's nothing

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<v Speaker 1>to fight. Surrendering to death means a comfortable death. That's

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<v Speaker 1>my theory behind it. To die people often have to

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<v Speaker 1>fight with their loved ones to die, absolutely, So come on, dad,

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<v Speaker 1>you can do it. Fight it. You're going to be

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<v Speaker 1>seventy six tomorrow, or you know. A young pregnant woman

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<v Speaker 1>kept saying to her husband, could you just hold on

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<v Speaker 1>and do I have the baby? And he looked at

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<v Speaker 1>and he said, I can't. How do I tell her

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<v Speaker 1>I'm done? I don't want to do this anymore? So

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<v Speaker 1>I said, let's bring her in and tell her. And

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<v Speaker 1>he just had terror in his eyes. And we had

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<v Speaker 1>the most amazing hour of if you love me, you'll live,

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<v Speaker 1>and if you love me, you'll let me die. And

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<v Speaker 1>we had that beautiful, difficult conversation which was sort of

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<v Speaker 1>a bit heated at times, but really negotiations, so a

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<v Speaker 1>big death. Doller's job is getting a family talking in

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<v Speaker 1>an honest and open way. But again there's a lot

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<v Speaker 1>of disagreement, and one daughter wants this, and one daughter saying,

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<v Speaker 1>come on, you can help you live. Let's give him

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<v Speaker 1>vitamins and let's duce another twenty three thousand karat to

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<v Speaker 1>be giving kale, and it's making drink his own urine.

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<v Speaker 1>I mean, I've been through everything, and then I just say,

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<v Speaker 1>let's all go inside and talk to them, and I say,

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<v Speaker 1>do you want to live? What do you want to die?

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<v Speaker 1>I mean, nobody answer that question because it seems selfish,

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<v Speaker 1>and I've already told me they want to die usually,

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<v Speaker 1>So you know, I feel really comfortable bringing the family

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<v Speaker 1>and just saying can we let him go if you

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<v Speaker 1>love him? Just saying about I've always thought a lot

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<v Speaker 1>about death, even as a little kid, and you hope

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<v Speaker 1>that when the time comes, you can spare the people

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<v Speaker 1>you love pain or discomfort. But it hadn't occurred to

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<v Speaker 1>me that I might help my loved ones by releasing

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<v Speaker 1>them from any obligation they might feel to stick around

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<v Speaker 1>when someone's really sick and maybe dying. I already know

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<v Speaker 1>to ask, does it hurt? Okay, then let's talk to

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<v Speaker 1>the morphine nurse. Now. I also know to ask, hey,

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<v Speaker 1>do you just want to leave now? Because I don't

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<v Speaker 1>want to keep you. This is your show, so don't

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<v Speaker 1>stay late for me. That's a kindness, that question, and

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<v Speaker 1>I'm grateful to Denis for handing it to me. Our

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<v Speaker 1>next guest, Dr Sam Parnia deals in total totally different

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<v Speaker 1>sorts of questions. Do you think that there might be

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<v Speaker 1>a future where a good number of us died? Many times?

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<v Speaker 1>I think what you're going to see is when resuscitation advances,

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<v Speaker 1>then there'll be many people who can say, oh, I had,

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<v Speaker 1>like you know, full cardiac rest in my life and

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<v Speaker 1>nothing mattered. I was dead for twelve hours, sixteen hours

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<v Speaker 1>they brought me back. If our body is still in

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<v Speaker 1>good shape, we will be able to be revived and

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<v Speaker 1>allowed to live another ten or twenty or thirty years.

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<v Speaker 1>Dr Sam Parnia is the director of the Critical Care

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<v Speaker 1>and Resuscitation Research Program at New York University. He specializes

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<v Speaker 1>in bringing people back to life, and he thinks that

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<v Speaker 1>his technology advances will have a lot more lazaruses and

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<v Speaker 1>lazarettes amongst us, I asked him to start with a

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<v Speaker 1>working definition of death in practice, How would a physician

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<v Speaker 1>know if a patient is dead like dead dead dead.

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<v Speaker 1>It's interesting because I think most people listening will think

0:13:37.320 --> 0:13:39.640
<v Speaker 1>that they understand death and it's pretty simple. You're either

0:13:39.640 --> 0:13:42.480
<v Speaker 1>dead or you're alive. And the reality is that was

0:13:42.520 --> 0:13:47.240
<v Speaker 1>true because for thousands of years, whenever a person's heart stopped,

0:13:47.559 --> 0:13:51.360
<v Speaker 1>they would essentially reach a point where they were irreversibly dead. So,

0:13:51.440 --> 0:13:54.240
<v Speaker 1>to answer you a question, the way the physicians declass

0:13:54.240 --> 0:13:57.760
<v Speaker 1>somebody dead is that their heart stops. When the person's

0:13:57.800 --> 0:14:00.760
<v Speaker 1>heart stops, they also stop breathing, and because there's no

0:14:00.800 --> 0:14:03.200
<v Speaker 1>blood flowing around the body, there's no energy, and the

0:14:03.280 --> 0:14:07.480
<v Speaker 1>brain also shuts down almost immediately. So the three criteria

0:14:07.559 --> 0:14:11.240
<v Speaker 1>that they look for are no heartbeat, no breathing, and

0:14:11.440 --> 0:14:16.120
<v Speaker 1>absence of brain response. But as our tools and understanding

0:14:16.160 --> 0:14:20.160
<v Speaker 1>have evolved, the heart, breath, and brain don't always stop

0:14:20.200 --> 0:14:23.360
<v Speaker 1>on the same time. Ventilators can breathe for a body

0:14:23.440 --> 0:14:26.440
<v Speaker 1>that's unable to respire on its own, for example, So

0:14:27.000 --> 0:14:29.360
<v Speaker 1>what if machines performed the duties of the heart and

0:14:29.440 --> 0:14:33.560
<v Speaker 1>lungs but the brain has stopped working. Is that person dead.

0:14:37.240 --> 0:14:40.240
<v Speaker 1>To answer that question and others like it, a commission

0:14:40.280 --> 0:14:44.120
<v Speaker 1>appointed by US President Jimmy Carter published a report called

0:14:44.320 --> 0:14:49.400
<v Speaker 1>Defining Death. It said a person was dead if one

0:14:49.480 --> 0:14:55.520
<v Speaker 1>of two criteria were met, either irreversible cessation of circulatory

0:14:55.520 --> 0:14:59.200
<v Speaker 1>and respiratory functions, so like your heart stopped and you're

0:14:59.200 --> 0:15:03.920
<v Speaker 1>not breathing, or irreversible cessation of all functions of the

0:15:04.080 --> 0:15:08.440
<v Speaker 1>entire brain, including the brain stem. But not all the

0:15:08.520 --> 0:15:12.680
<v Speaker 1>states adopted this definition in exactly the same way. New Jersey,

0:15:12.760 --> 0:15:16.760
<v Speaker 1>for example, provides an exemption for patients whose religious views

0:15:16.800 --> 0:15:20.640
<v Speaker 1>might be compromised by declaring brain death, so their families

0:15:20.680 --> 0:15:24.240
<v Speaker 1>can ask that doctors use only the cardio pulmonary definition,

0:15:24.480 --> 0:15:26.960
<v Speaker 1>the heart and long one, which means that a person

0:15:26.960 --> 0:15:30.360
<v Speaker 1>would be considered dead in one state might not be

0:15:30.480 --> 0:15:40.880
<v Speaker 1>dead in another. As definitions get more clinical, even our

0:15:40.920 --> 0:15:44.720
<v Speaker 1>fundamental intuitions about death can start to give way. We

0:15:44.800 --> 0:15:49.040
<v Speaker 1>socially have defined death as this irreversible moment where a

0:15:49.120 --> 0:15:51.880
<v Speaker 1>person becomes lifeless, motionless, and they can never come back

0:15:51.920 --> 0:15:53.880
<v Speaker 1>to life again. But it's important to understand that's just

0:15:53.960 --> 0:15:57.760
<v Speaker 1>simple social and philosophical notions, and that as medicine and

0:15:57.800 --> 0:16:00.640
<v Speaker 1>science have evolved have understood that actually death this far

0:16:00.720 --> 0:16:03.880
<v Speaker 1>more complicated than we ever thought it could be. To

0:16:03.960 --> 0:16:06.720
<v Speaker 1>further complicate the question, not all of the cells in

0:16:06.760 --> 0:16:09.760
<v Speaker 1>your body die at the same time, So how long

0:16:09.760 --> 0:16:11.880
<v Speaker 1>does it take for the human brain to go offline?

0:16:12.280 --> 0:16:15.880
<v Speaker 1>If you were to be decapitated, would consciousness stop instantaneously?

0:16:22.240 --> 0:16:25.440
<v Speaker 1>That question was not at all hypothetical when the guillotine

0:16:25.480 --> 0:16:28.680
<v Speaker 1>was in vogue. The device was invented specifically to serve

0:16:28.720 --> 0:16:31.480
<v Speaker 1>as a humane method of execution, which would hardly be

0:16:31.520 --> 0:16:33.560
<v Speaker 1>true if a head severed from its body had the

0:16:33.640 --> 0:16:37.520
<v Speaker 1>chance to appreciate its circumstance. In nineteen o five, a

0:16:37.560 --> 0:16:42.880
<v Speaker 1>physician named Gabrielle Bourier conducted an experiment. He witnessed an

0:16:42.880 --> 0:16:46.880
<v Speaker 1>execution of a criminal, approached the decapitated head and shouted

0:16:46.920 --> 0:16:50.320
<v Speaker 1>the man's name. The doctor said that the man's eyelids

0:16:50.440 --> 0:16:53.720
<v Speaker 1>lifted normally as they would in life, the pupils focused,

0:16:54.040 --> 0:16:57.760
<v Speaker 1>and the eyes fixed on his own. Okay, trying to

0:16:57.760 --> 0:17:00.320
<v Speaker 1>play the cool former goth kid over here holding steady

0:17:00.360 --> 0:17:03.480
<v Speaker 1>in her combat boots, But I cannot fathom more chilling

0:17:03.560 --> 0:17:06.240
<v Speaker 1>experience on all of the earth than commuting with a

0:17:06.320 --> 0:17:13.000
<v Speaker 1>severed head. It may be difficult to demarcate the exact

0:17:13.119 --> 0:17:16.280
<v Speaker 1>threshold where life ends, but of course all of us

0:17:16.320 --> 0:17:19.560
<v Speaker 1>will die eventually, and we'll lose people we love too.

0:17:20.400 --> 0:17:23.120
<v Speaker 1>The human animal is fully aware of our own impermanence

0:17:23.240 --> 0:17:25.600
<v Speaker 1>and the fragility of our family and friends, but we

0:17:25.640 --> 0:17:31.560
<v Speaker 1>go ahead and love them anyway. John Troyer, the expert

0:17:31.640 --> 0:17:33.520
<v Speaker 1>and poet who we met at the beginning of the show,

0:17:33.840 --> 0:17:37.520
<v Speaker 1>devoted his career to contemplating death and dying. But all

0:17:37.560 --> 0:17:40.600
<v Speaker 1>those years of professional expertise didn't prepare him for a

0:17:40.600 --> 0:17:48.640
<v Speaker 1>big personal loss. So on July, my younger sister, Julie,

0:17:48.960 --> 0:17:53.679
<v Speaker 1>died from brain cancer at age a couple of young kids,

0:17:53.920 --> 0:17:57.320
<v Speaker 1>husband lived in Italy, so she died in Italy. I

0:17:57.480 --> 0:18:01.199
<v Speaker 1>was diagnosed in flight July, and then, you know, had

0:18:01.240 --> 0:18:05.119
<v Speaker 1>a year of life and it was shocking, and I

0:18:05.280 --> 0:18:08.960
<v Speaker 1>discovered a couple of blind spots that I had in

0:18:09.000 --> 0:18:12.520
<v Speaker 1>the context of my sister's dying process, which is one

0:18:12.760 --> 0:18:15.600
<v Speaker 1>it was clear at the end of April that she

0:18:15.760 --> 0:18:17.720
<v Speaker 1>was dying, like there was no coming back from where

0:18:17.760 --> 0:18:22.000
<v Speaker 1>she was the cancer of progress. And I knew it,

0:18:22.080 --> 0:18:24.840
<v Speaker 1>My dad knew what, my mom knew it, and no

0:18:24.880 --> 0:18:29.440
<v Speaker 1>one was saying anything about dying. Fast forward, I will

0:18:29.520 --> 0:18:32.000
<v Speaker 1>then actually be the person who tells my sister she's dying.

0:18:32.160 --> 0:18:38.160
<v Speaker 1>Used the word dying in July of twenty eighteen, so

0:18:38.480 --> 0:18:41.760
<v Speaker 1>sixteen days before she dies, and she was already in

0:18:41.800 --> 0:18:45.439
<v Speaker 1>the summer receiving outpatient hospice care from a wonderful hospice

0:18:45.440 --> 0:18:47.600
<v Speaker 1>in Italy. So as to why I was actually talking

0:18:47.600 --> 0:18:49.960
<v Speaker 1>about that, I don't know. Partly that's a cultural practice

0:18:50.080 --> 0:18:52.159
<v Speaker 1>in Italy, but too because I think, you know, some

0:18:52.280 --> 0:18:55.040
<v Speaker 1>of her friends just were they were unsure what to say,

0:18:55.080 --> 0:18:56.960
<v Speaker 1>and my brother in law was being told by the

0:18:57.040 --> 0:18:59.320
<v Speaker 1>counselor is like, well, you know, let her ask, And

0:18:59.359 --> 0:19:01.280
<v Speaker 1>I mean, they're a whole lot of things going on involved,

0:19:01.320 --> 0:19:03.359
<v Speaker 1>and it all in a way it makes sense. But

0:19:03.400 --> 0:19:06.000
<v Speaker 1>I think it was also very important to tell Julie

0:19:06.000 --> 0:19:08.440
<v Speaker 1>she was dying, because one I did, and she said, well, yeah,

0:19:08.520 --> 0:19:10.520
<v Speaker 1>I mean I guess I knew, but thank you for

0:19:10.600 --> 0:19:14.640
<v Speaker 1>saying this. And it changed then her end of life

0:19:14.640 --> 0:19:18.159
<v Speaker 1>trajectory and care because suddenly then everyone was saying dying

0:19:18.640 --> 0:19:22.200
<v Speaker 1>and it no longer meant that we had to pretend, right,

0:19:24.440 --> 0:19:26.919
<v Speaker 1>how does it change it using that word? You know?

0:19:26.960 --> 0:19:30.159
<v Speaker 1>How does that change care well, I think. And what

0:19:30.240 --> 0:19:32.200
<v Speaker 1>I told my sister was, Julie, I can tell you

0:19:32.040 --> 0:19:34.879
<v Speaker 1>you're dying. You're hearing me say dying. You have to

0:19:34.960 --> 0:19:37.640
<v Speaker 1>be the one who says I'm dying because everyone needs

0:19:37.680 --> 0:19:41.360
<v Speaker 1>to hear you saying it, because you saying it will

0:19:41.400 --> 0:19:44.560
<v Speaker 1>make people take it more seriously. And she said, okay,

0:19:44.640 --> 0:19:49.600
<v Speaker 1>I understand. Um, That'sai. Well I got choked up, but

0:19:51.480 --> 0:19:55.600
<v Speaker 1>that's okay, Um, I'm happy to talk about because it's

0:19:55.200 --> 0:19:58.359
<v Speaker 1>it's it's interesting to me that I've gone for so

0:19:58.400 --> 0:20:00.520
<v Speaker 1>long without getting choked up about t story about the

0:20:00.520 --> 0:20:04.280
<v Speaker 1>one thing she said to me that I has always

0:20:04.280 --> 0:20:06.720
<v Speaker 1>stuck with me. You know, she says, I would do

0:20:06.760 --> 0:20:10.159
<v Speaker 1>the same for you, and and she would and she

0:20:10.200 --> 0:20:11.840
<v Speaker 1>would have done the same exact thing for me, and

0:20:11.880 --> 0:20:15.159
<v Speaker 1>I the thing that I think this is why I

0:20:15.160 --> 0:20:18.440
<v Speaker 1>always think about it, Like for everything I know about

0:20:18.560 --> 0:20:22.280
<v Speaker 1>death and dying, which is perhaps a lot more could

0:20:22.320 --> 0:20:24.280
<v Speaker 1>be learned than on the first to admit that for

0:20:24.320 --> 0:20:28.560
<v Speaker 1>everything I know, when presented in this moment, I will

0:20:28.600 --> 0:20:32.320
<v Speaker 1>always wonder why I didn't say what was clearly obvious.

0:20:32.560 --> 0:20:35.119
<v Speaker 1>And and again it's not a moment of regret. I

0:20:35.200 --> 0:20:51.320
<v Speaker 1>just won't I don't understand why, fellow immortals. Now would

0:20:51.320 --> 0:20:54.120
<v Speaker 1>be a great time to pause this podcast and send

0:20:54.160 --> 0:21:04.960
<v Speaker 1>a text to someone you love. I'm gonna h While

0:21:05.040 --> 0:21:08.359
<v Speaker 1>Julie was dying, John was working on a book called

0:21:08.480 --> 0:21:12.200
<v Speaker 1>Technologies of the Human Corpse. He included some poems about

0:21:12.200 --> 0:21:14.520
<v Speaker 1>his sister, and at the end of the book he

0:21:14.640 --> 0:21:17.359
<v Speaker 1>lists a bunch of questions that you can answer now

0:21:17.760 --> 0:21:20.040
<v Speaker 1>to make choices about the way you'd like to die

0:21:20.119 --> 0:21:23.720
<v Speaker 1>and be memorialized. I'm going to paraphrase a few of

0:21:23.720 --> 0:21:27.200
<v Speaker 1>them here. Think about drotting down your responses and sharing

0:21:27.200 --> 0:21:29.919
<v Speaker 1>them with someone you love, or maybe listen together and

0:21:29.960 --> 0:21:35.560
<v Speaker 1>swap answer sheets. Number one, the price range I would

0:21:35.600 --> 0:21:41.720
<v Speaker 1>like spent on my funeral is Number two? Does someone

0:21:41.800 --> 0:21:45.440
<v Speaker 1>have all your passwords and log ins? If so, who?

0:21:47.520 --> 0:21:51.359
<v Speaker 1>Number three are there's certain songs you'd like included on

0:21:51.440 --> 0:21:57.400
<v Speaker 1>your funeral playlist? Number four? Do you want life support?

0:21:58.240 --> 0:22:00.800
<v Speaker 1>Under what conditions would you like to be removed from it?

0:22:02.840 --> 0:22:06.159
<v Speaker 1>Number five? Do you have an outfit you'd like to

0:22:06.200 --> 0:22:15.560
<v Speaker 1>be dressed in? I really like that last one. There's

0:22:15.600 --> 0:22:18.879
<v Speaker 1>this almost universal protocol that dead people should be dressed

0:22:18.880 --> 0:22:21.719
<v Speaker 1>in their Sunday best, But I suck in high heels.

0:22:22.080 --> 0:22:24.800
<v Speaker 1>I want to go out in my combat boots. I've

0:22:24.800 --> 0:22:27.480
<v Speaker 1>walked the world in those, I've done my best work

0:22:27.480 --> 0:22:31.159
<v Speaker 1>in them. I've fallen in and out of love in them.

0:22:31.160 --> 0:22:35.280
<v Speaker 1>So lace them tight and double not them, please, I'm clumsy.

0:22:37.320 --> 0:22:39.919
<v Speaker 1>Special thanks to Dr Troyer for his time and his

0:22:40.040 --> 0:22:48.439
<v Speaker 1>candor John you aren't class act. And thank you, esteemed

0:22:48.480 --> 0:22:51.920
<v Speaker 1>listener for hanging out. Our time is finite and ever fleeting,

0:22:52.240 --> 0:22:54.240
<v Speaker 1>and so I'm very grateful you've spent some of yours

0:22:54.320 --> 0:22:57.960
<v Speaker 1>with me. Deeply Human is a BBC World Service, an

0:22:58.000 --> 0:23:07.040
<v Speaker 1>American public media co production with I Heart Media. Many

0:23:07.119 --> 0:23:09.359
<v Speaker 1>humans of great depth have been involved in the making

0:23:09.359 --> 0:23:12.480
<v Speaker 1>of Deeply Human, so credit where it's due to Senior

0:23:12.480 --> 0:23:16.760
<v Speaker 1>commissioning editor Steve Titherington, editors Rich Knight and Hugh Levinson,

0:23:17.520 --> 0:23:22.119
<v Speaker 1>series producers Ben Crighton, Sandra Canthal and Simon Mabn, producers

0:23:22.119 --> 0:23:25.840
<v Speaker 1>Monica Whitlock, Jemma Nuby and Hannah Moore, researcher Beth and

0:23:25.920 --> 0:23:31.240
<v Speaker 1>head production coordinators Janet Staples and Blaze Hesselgren, and for

0:23:31.320 --> 0:23:34.879
<v Speaker 1>making it all sound beautiful. Our studio managers James Beard

0:23:35.000 --> 0:23:38.399
<v Speaker 1>and Tom Bricknell, and the composer of the deeply human

0:23:38.440 --> 0:23:41.200
<v Speaker 1>theme that is in your ears right now is Nick Thorburn.

0:23:47.920 --> 0:23:50.000
<v Speaker 1>I think I said this already, but I'm Dessa. Thanks,

0:23:51.119 --> 0:23:51.840
<v Speaker 1>see you next time.