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Speaker 1: H storyteller with legendary I am Jerry Clark a k A. D.

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Speaker 1: Legendary jerm here with my brother, new face and new face.

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Speaker 1: We got the champion the building today. He brought the bill,

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Speaker 1: the champs here by the champions. Here, we got the

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Speaker 1: one and only down South Georgia Boy, Pastor Troy a

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Speaker 1: k A.

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Speaker 2: Micah to preacher son Pastor.

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Speaker 3: Yeah, man, that's how you feel, man, Man, congrats.

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Speaker 2: Jam thank you man.

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Speaker 1: I know we've been talking about doing this for a minute,

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Speaker 1: so to finally have you here, I've watched you over

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Speaker 1: the years, man, I appreciate you coming in.

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Speaker 3: Blessed. Come on, man, man, think I'm gonna say yound.

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Speaker 1: Crews and don't make me crying. I don't even want

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Speaker 1: you to see me get emotional, real man. I was like,

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Speaker 1: when I tell you, I was so disappointed, man, because

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Speaker 1: for us to win one hundred, five hundred six games.

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Speaker 3: Three hundred some home runs for the season.

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Speaker 1: Hey, man, let me tell you how how how cocky

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Speaker 1: I was with I was like, I don't even want

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Speaker 1: to buy tickets to the n l D going to

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Speaker 1: the World sit here. I said, I'm gona buy tickets

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Speaker 1: to the nl C the National championshship. I was like,

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Speaker 1: we cool, hey, man, But let me say that I

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Speaker 1: was so happy to see the Phillies get eliminade.

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Speaker 3: Man felt good.

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Speaker 2: I hate them laying mass bad man.

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Speaker 3: Man, Come on, you know what, jail, I'm watching that joint.

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Speaker 1: Man.

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Speaker 3: They were relying on the home run.

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Speaker 2: Ball in the playoffs. You can't do that.

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Speaker 1: You got to, Yes, you gotta turn into some small

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Speaker 1: ball even when you relying, even.

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Speaker 2: When you got the big batch and hit three hundred homes.

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Speaker 1: You see it. Yeah, because and that's the perfect saidway.

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Speaker 1: Because me and this brother were big sports fans Atlanta,

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Speaker 1: in the state of Georgia. You know, we George bulldoz

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Speaker 1: our two time chances whenever this air, whenever this air,

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Speaker 1: whether it's it is the tip of twenty twenty four,

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Speaker 1: whenever we're gonna be.

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Speaker 2: Three time channing, we put claiming it.

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Speaker 1: Come on, man, So Troy to see you man over

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Speaker 1: the years. But first of all, let me just tell

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Speaker 1: you man, and I know you know this, and New

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Speaker 1: Phase you know this too. You have arguably the greatest

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Speaker 1: UH performance concert event happening that ever happened, definitely in

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Speaker 1: the South in hip hop history and that was at

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Speaker 1: High one O seven nine, Atlanta's birthday. Troy, let me

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Speaker 1: tell you something, Man, I get chilled. But I'm thinking

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Speaker 1: about that ship.

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Speaker 3: Man.

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Speaker 1: When you came out, I was on the stage. I

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Speaker 1: was backstage when you came out and did no more

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Speaker 1: playing GA. Man, I never experienced with a whole building.

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Speaker 2: The stage was shaken. I mean, man, it's that was

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Speaker 2: a joint.

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Speaker 3: Man, What was so crazy about it? Bro? They cut

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Speaker 3: the music. All I got was like a verse off

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Speaker 3: of that joint and it was still so crazy. Man,

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Speaker 3: it was virable, viral. Man. I wish we could find.

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Speaker 1: That, man. I was you know what it reminds me

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Speaker 1: of when I saw DMX the footage of him over

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Speaker 1: and yeah it was.

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Speaker 2: It was just like that.

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Speaker 1: And I was right there on the stage and I

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Speaker 1: got to witness it. And even more so, it just

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Speaker 1: showed you how Atlanta and and and and artists here

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Speaker 1: linked up because knucked up and linked up because with

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Speaker 1: master P was the hairline on that show. Yeah yeah,

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Speaker 1: And how one seven out of lake Wood amphitheater and

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Speaker 1: he said he won't going on if you was gonna

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Speaker 1: do your ship.

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Speaker 3: Yep, and took me off the show man it was man.

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Speaker 1: And now let you know, we we got Gip coming

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Speaker 1: up on the show. We had Selo on the show.

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Speaker 1: They let you know because the Goodie Mob said, nah,

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Speaker 1: you coming with.

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Speaker 3: Us, man, And that's so dope. Man. I pay so

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Speaker 3: much homage to them boys, man, because they didn't have

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Speaker 3: to do that. Man. That really set me off in

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Speaker 3: the city, man, And it showed the city what we

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Speaker 3: could be if we just stuck together and came together.

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Speaker 3: That was really the beginning of them seeing us somebody

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Speaker 3: I wasn't in done your family, you know, Man, it's

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Speaker 3: just a little brother from atl trying.

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Speaker 1: To get embraced and brought you out there and I remember, hey, man,

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Speaker 1: see what I'm saying. And you came out there and

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Speaker 1: that made hip hop history and definitely in the South.

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Speaker 1: It just like you say, it showed that what happened

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Speaker 1: if we stick together, man, bro.

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Speaker 3: And here I am twenty five years later, man, still

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Speaker 3: rocking from that joint right there. Man. That was so

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Speaker 3: big to me. Man. That was the first time ATL

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Speaker 3: saw me out thed that birthday bad man, that was

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Speaker 3: my first That was my first coming that with my

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Speaker 3: coming out party. What yep, That's why I was we was.

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Speaker 3: It was so fun that they took me off the show.

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Speaker 3: You feel me? Man? That was my coming out part.

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Speaker 3: They had already started advertising. Man, I had already faxed

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Speaker 3: my contract man.

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Speaker 2: And he said, nah, now if I ain't, and you know,

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Speaker 2: he had the juice then to do that.

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Speaker 3: The only thing about it, the streets and the radio

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Speaker 3: be two different worlds on his man, the streets to

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Speaker 3: be already gone to the next night.

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Speaker 1: Mom said, all that ship, come on, man, come on man.

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Speaker 1: And that's still And I talk about that all the time.

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Speaker 1: I've done several interviews just like talking about just important

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Speaker 1: times in the culture, and I talk about that one instance, man,

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Speaker 1: because hey man, it ain't been nothing like.

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Speaker 3: That, bro. But with them doing that for me, I

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Speaker 3: had the poor looler. I had to work with Luder. Yeah,

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Speaker 3: I had to work with whoever was coming next. I

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Speaker 3: had to work with Tip. I had to do everything

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Speaker 3: because of what gunny Mom pay forward me. Yeah, you

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Speaker 3: know what I mean? Man, here, come on, man, what

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Speaker 3: you need to first need me on this? Let's do it.

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Speaker 3: You know what I mean? Because I saw the big

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Speaker 3: picture with all us boys, what.

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Speaker 1: Happened with that in the in this city? Do we

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Speaker 1: still have that, not not just in the industry when

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Speaker 1: I'm talking about in the a man, you know, we

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Speaker 1: still have that camaraderie with like like new Face said

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Speaker 1: the pay a forward where we grabbed the next young cat.

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Speaker 1: I mean, maybe I'm disconnected. I don't know, Maybe I

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Speaker 1: just don't see it. And you know, I'm I'm quote

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Speaker 1: unquote outside of the demo. Yeah, but I'm still in

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Speaker 1: this industry.

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Speaker 3: I hope that we do. I hope that we do.

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Speaker 3: But things got so much more clique, you know what

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Speaker 3: i mean. Man, Like if you ain't with this crew,

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Speaker 3: you ain't a part of that, you know what I mean? Man,

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Speaker 3: But them days building it, it's almost like when you're

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Speaker 3: cooking that joint, when you when you're putting it together,

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Speaker 3: everybody down. But then that's you get full and eat

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Speaker 3: out there. It's a whole another Let's open another restaurant.

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Speaker 1: Everybody want to eat the steak, but you choke on

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Speaker 1: the bone or nobody want to be there.

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Speaker 3: Yeah, yeah, yeah, it's like that, man. So I'm probably

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Speaker 3: the city man where everybody accomplished. Man, we really twenty

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Speaker 3: five years up.

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Speaker 4: And as you said, you were twenty five and I

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Speaker 4: never heard this side of it. But before you got

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Speaker 4: the call from c Low and after you heard the

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Speaker 4: masterp call, what were you thinking mentally?

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Speaker 3: Like?

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Speaker 2: Were you mad?

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Speaker 3: Or were you like I'm about to check Pete? Like

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Speaker 3: what was that emotion? Like? You know what? Goodie mob call?

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Speaker 3: So quick?

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Speaker 2: Oh you know what I mean to process?

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Speaker 3: Yeah, man, you know what I mean. I probably had

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Speaker 3: a day of it, man, just trying to figure out

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Speaker 3: what was what was going on. But I already saw

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Speaker 3: the potential of the record, man, because the streets was

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Speaker 3: already vibing, you know what I mean, It was already

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Speaker 3: it was going crazy. So I got it when I

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Speaker 3: knew what I was getting into, messing with pet them

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Speaker 3: like that, man, all of that, you know what I mean? Man?

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Speaker 3: But we made it?

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Speaker 2: Nigga? What made you look?

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Speaker 1: And I know you have done plenty of interviews talk

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Speaker 1: about this, and we got so much other stuff to

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Speaker 1: talk about.

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Speaker 2: But what made you man? Just wake up and say?

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Speaker 3: Man?

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Speaker 2: You know what?

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Speaker 3: All right?

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Speaker 1: These niggas hot right now, meeting no limit. They get everything,

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Speaker 1: they put us all you go to record stores, they

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Speaker 1: held you say, Man, you know what, you know.

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Speaker 3: What I'm going at this? Man, I'll never forget it.

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Speaker 1: Man.

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Speaker 3: We were up here, freaknick man. These dudes were a

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Speaker 3: Hummer truck and they were playing No Limit Soldiers man

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Speaker 3: at the right there as at the gas station right

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Speaker 3: there next to Taco Bell. Okay, yeah, man, them boys

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Speaker 3: was hanging out that. They were hanging out this Hummer Man.

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Speaker 3: They were parking like hell. I'm like, we're pulling past them.

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Speaker 3: I'm like, uh, where y'all from? I hear them listening

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Speaker 3: to the No Limit I was like, my boy, was

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Speaker 3: like what they listened to? They were like, man, they

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Speaker 3: listened to that master p uh that No Limit Soldiers.

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Speaker 3: I said, where y'all from? Like yeah, I was just like,

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Speaker 3: we need some we need broh. Yeah. I was like, damn,

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Speaker 3: we're putting on like this. I'm talking about hanging out

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Speaker 3: the Hummer bottles SA shirt. Yeah. Man, they kicking it.

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Speaker 3: I'm like, where y'all from? They were like, right from Atlanta.

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Speaker 3: I was like, man, we need we need Atlanta people

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Speaker 3: ripping for an artist from here like that?

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Speaker 2: Man, What's what's so crazy?

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Speaker 3: Troy is?

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Speaker 1: With me being in the industry for years, I remember,

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Speaker 1: and this is crazy. I was working with Bone Thugs

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Speaker 1: when I was working for Relativity ruthless and when they

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Speaker 1: went out on tour outcasts was to open and act. Yeah,

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Speaker 1: I never forget here in Atlanta when our cast came out,

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Speaker 1: Niggas was throwing their snipping tape. Oh the country as nigga, Man,

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Speaker 1: what's this wax ship? And not look at it? You

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Speaker 1: face four circle And keep in mind, I said, our

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Speaker 1: cast was opening up bone thugh and even here, and

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Speaker 1: it was all the time we was here. When when

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Speaker 1: the show was heading out, Oh man, Niggas was throwing

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Speaker 1: snipping tail.

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Speaker 2: The country didn't. But now I bet them saying Niggas.

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Speaker 3: Wish their head. But I got that ship.

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Speaker 1: But just to show you, man that you know, as

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Speaker 1: much as you know, the day we stick together and

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Speaker 1: we support our own, you know.

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Speaker 3: There's a whole process to it. Man, you know what

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Speaker 3: I mean. Now I look at it, man, everybody at

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Speaker 3: but I'm sitting next to him.

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Speaker 4: Man.

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Speaker 3: Of the days it wasn't like that, you know what

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Speaker 3: I mean? Man, going to New York looking at you

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Speaker 3: like you the country's mother.

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Speaker 1: Because when I radio here, think about it, when Hot,

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Speaker 1: when Hot, when Hot first came on the air, there

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Speaker 1: was old.

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Speaker 3: New York all day.

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Speaker 1: I'm playing down South and it took for shout out

222
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Speaker 1: the big oop. It took for a big op, the

223
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Speaker 1: kind of you know, all let them and like, you know,

224
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Speaker 1: like loosing this up.

225
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Speaker 3: Man, that was the big thing when started dropping them

226
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Speaker 3: albums as he was. Man, when all this boy, especially

227
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Speaker 3: after about my Pool, when baby d and uh Bro,

228
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Speaker 3: that's the stuff that really solidified me. Man, jumping on

229
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Speaker 3: them albums, jumping on them mixtapes. Hell, DJ Jillen was

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Speaker 3: spinning MC assault. They had mixtapes all the Southeast. Man,

231
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Speaker 3: So being on them joints, Man, it just prope Oh yeah, Man,

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Speaker 3: when I'm going back and forth with the majors, I'm

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Speaker 3: telling universe all.

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Speaker 2: That's what I was glad. When did they start calling? When? When?

235
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Speaker 2: At what point where no more plan? Ga?

236
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Speaker 1: When it I mean, because it was I'm talking about

237
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Speaker 1: own five West down South University. They couldn't have came

238
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Speaker 1: with the best offer. Man would not want to say

239
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Speaker 1: offer because I know it had to be a big ward.

240
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Speaker 3: It was the beginning. It was the beginning of this

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Speaker 3: sound coming out of Atlanta. So they really were just

242
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Speaker 3: taking a chance on it, like ship, We'll see what

243
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Speaker 3: it do. It wasn't that that they were just committed

244
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Speaker 3: to you know what I mean. They was like, all right,

245
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Speaker 3: if it work, it worked, let you grab it against you?

246
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Speaker 3: Did you did?

247
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Speaker 2: They make you feel like a priority at the label.

248
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Speaker 3: I knew I wasn't, man, because at.

249
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Speaker 2: That point you had Nelly, you had Yeah.

250
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Speaker 3: Yeah, man, just getting over that. Man. But here I

251
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Speaker 3: am from Atlanta and this sound ain't hit yet. It

252
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Speaker 3: wasn't nobody with me a lula a couple of years

253
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Speaker 3: after ye after. So that's why I was so excited

254
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Speaker 3: when other solo artists started coming into the game, man,

255
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Speaker 3: because it was solidified this thing. Man. You know what

256
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Speaker 3: I mean. We need to allies at the time. You

257
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Speaker 3: know what I mean, we need to allies that sound. Man,

258
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Speaker 3: we made it look so easy with the Krump music

259
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Speaker 3: and everything it turned up. Now everybody came with Krump.

260
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Speaker 3: Now I look up at Universal, I'm one of fifteen. Yeah,

261
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Speaker 3: I got got it. Now I gotta swim to the

262
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Speaker 3: top of the Yeah, and I started this ship for real, bro,

263
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Speaker 3: So got to shake off all those Pastor Troy clones

264
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Speaker 3: and stuff and raise up to the top again.

265
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Speaker 1: So I know I've been around you for years. You

266
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Speaker 1: you was a realized nigga you used to stand up

267
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Speaker 1: ass nigga. It ain't nothing punk about you. But was

268
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Speaker 1: you ever with that with that ship with Pete?

269
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Speaker 3: Was you?

270
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Speaker 2: Was you like really at one point like man ship,

271
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Speaker 2: this ship.

272
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Speaker 3: You know you gotta be a man dog. The first

273
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Speaker 3: the first encounter we liked this ship, man, the first

274
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Speaker 3: encounter we had man up in Nashville at Impact. I

275
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Speaker 3: was there, man, hotel, Man, I know what, no fucking

276
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Speaker 3: Impact was I'm up there with Allen Henderson them.

277
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Speaker 2: Oh yes, all right, coach coach K I'm up without

278
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Speaker 2: out the coach K.

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Speaker 3: Something baby So man nineteen twenty years old, Troy. I

280
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Speaker 3: was having difficult with universals, so I did a project

281
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Speaker 3: with Ellen Henderson. Ellen Henderson gave me like seven five

282
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Speaker 3: gram for six songs. Some ship like that.

283
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Speaker 2: Man.

284
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Speaker 3: Yeah, Man, So we go to Impact. I get up there, man,

285
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Speaker 3: they like they just tell me, Troy, man, we got

286
00:14:10,000 --> 00:14:11,800
Speaker 3: your ten thousand to come up this thing for the weekend.

287
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Speaker 3: I'm like, all right, cool, I ain't with my crew.

288
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Speaker 3: I'm with them, you feel me?

289
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Speaker 2: And they from not from Indianapolis.

290
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Speaker 3: A professional back I got them were up here at

291
00:14:25,840 --> 00:14:29,720
Speaker 3: this joint. Man the party. Jermaine Duprie the brat uh

292
00:14:30,200 --> 00:14:36,040
Speaker 3: bust a rund missy. Yeah, and we performing and weind them. Bro.

293
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Speaker 2: It was at the Hopperyland Hotel.

294
00:14:38,160 --> 00:14:41,000
Speaker 3: Yeah. Bro, I'm sitting up in there, man, looking at

295
00:14:41,040 --> 00:14:43,960
Speaker 3: all the stars but hindering them about to perform before me.

296
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Speaker 3: They gonna open it up, do their couple songs. I'm

297
00:14:46,200 --> 00:14:48,680
Speaker 3: gonna do one with them, and then I'm gonna perform. Yeah. Bro.

298
00:14:48,760 --> 00:14:51,320
Speaker 3: While they on stage performing, Man, I'm just kind of

299
00:14:51,360 --> 00:14:53,160
Speaker 3: in the back that just kind of playing the playing

300
00:14:53,200 --> 00:14:55,480
Speaker 3: the role. The stage was in the middle of the club,

301
00:14:55,760 --> 00:15:00,080
Speaker 3: so all the people surrounded. Bro. I turn around, I

302
00:15:00,120 --> 00:15:02,160
Speaker 3: see the people behind me. Man, I just see them

303
00:15:02,200 --> 00:15:07,440
Speaker 3: get a man when I turned back around. Man, no bro,

304
00:15:07,840 --> 00:15:11,520
Speaker 3: no limit had the whole club surrounded. See murder of

305
00:15:11,560 --> 00:15:14,600
Speaker 3: the first person I see and all his guns. These

306
00:15:14,640 --> 00:15:17,000
Speaker 3: nigga got on hoodies and they got their hands in

307
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Speaker 3: the good So I'm gonna stage. I'm like, oh, but

308
00:15:21,720 --> 00:15:24,600
Speaker 3: this is the crazy part. Bro. When we were coming in,

309
00:15:26,000 --> 00:15:29,320
Speaker 3: my dog little Peat with me. He had my forty

310
00:15:29,320 --> 00:15:31,960
Speaker 3: five trying to come in the club or whatever. We know.

311
00:15:32,040 --> 00:15:33,520
Speaker 3: The dude at the door, we know the security. It

312
00:15:33,560 --> 00:15:36,920
Speaker 3: was Atlanta security. Dude, like oh, nor Troy. We can't

313
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Speaker 3: do that, man, Do you gotta take that back to

314
00:15:39,480 --> 00:15:42,080
Speaker 3: the car. All right, man, we take our joint back

315
00:15:42,080 --> 00:15:43,640
Speaker 3: to the car. Man. Don't let nobody else come over

316
00:15:43,640 --> 00:15:46,080
Speaker 3: with no guns. Oh hell no, ain't nobody coming to

317
00:15:46,080 --> 00:15:48,440
Speaker 3: my in the door. No guns on me? Them no

318
00:15:48,520 --> 00:15:50,720
Speaker 3: limit tastes cut that got them do them? Nigga parted

319
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Speaker 3: like the Red Sea. Man. Let them boys walk straight

320
00:15:53,560 --> 00:15:57,800
Speaker 3: up on me like that still man, dog. So I'm

321
00:15:57,800 --> 00:16:00,880
Speaker 3: sitting up there. I'm so early in my game. They

322
00:16:00,920 --> 00:16:04,520
Speaker 3: don't i don't have no posters. They don't know what

323
00:16:04,600 --> 00:16:07,640
Speaker 3: loud of damn look like. They just no pastor Toy

324
00:16:08,080 --> 00:16:10,720
Speaker 3: is performing in there and we are going in there.

325
00:16:11,320 --> 00:16:13,960
Speaker 2: Look, brod record is huge, but you ain't had no

326
00:16:14,000 --> 00:16:15,160
Speaker 2: p O P no nothing.

327
00:16:15,240 --> 00:16:18,160
Speaker 3: But before that, we ain't got no posters yet. Looking, bro,

328
00:16:18,920 --> 00:16:21,560
Speaker 3: my little homeboy man s m K. Man, he up

329
00:16:21,600 --> 00:16:24,080
Speaker 3: there rapping one of the dudes with himdoo. He up

330
00:16:24,080 --> 00:16:26,880
Speaker 3: there rapping. He's breaking that ship down. That nigga looked

331
00:16:26,880 --> 00:16:35,120
Speaker 3: over there, talk like y'all talk like nigga. Hey, they

332
00:16:35,280 --> 00:16:41,920
Speaker 3: chased my boy. That told the folk I ain't past

333
00:16:44,480 --> 00:16:46,720
Speaker 3: and where was you there? Hit?

334
00:16:47,320 --> 00:16:48,120
Speaker 2: That went back to.

335
00:16:50,080 --> 00:16:56,200
Speaker 3: Many said, they look they looking for I saw you

336
00:16:56,240 --> 00:16:59,880
Speaker 3: coming on Flavor boating picture the other day he was

337
00:17:00,120 --> 00:17:04,159
Speaker 3: up there. Who was Flavor? Jared Bolton, one of the olders,

338
00:17:04,200 --> 00:17:06,479
Speaker 3: did whole club scene down here. Me and him graduated

339
00:17:06,560 --> 00:17:08,959
Speaker 3: high school together. But he was at this show. He

340
00:17:09,080 --> 00:17:13,200
Speaker 3: was holding my coat while I was about to perform. Bro,

341
00:17:13,320 --> 00:17:16,280
Speaker 3: when everything broke out. When I came out the stage,

342
00:17:16,359 --> 00:17:18,359
Speaker 3: I went down to exit. The club was up on

343
00:17:18,359 --> 00:17:20,880
Speaker 3: the third level. Bro, I'm coming out the exit. Man.

344
00:17:20,920 --> 00:17:22,880
Speaker 3: He right there and tossed me my coat. Man, put

345
00:17:22,880 --> 00:17:26,560
Speaker 3: my coat on. Get downstairs. Them boys looking for me

346
00:17:27,200 --> 00:17:34,199
Speaker 3: Quovo gold many a.

347
00:17:34,320 --> 00:17:36,200
Speaker 2: Year because I forgot they was signed. He was signed

348
00:17:36,200 --> 00:17:36,880
Speaker 2: a universal too.

349
00:17:36,920 --> 00:17:37,080
Speaker 3: Man.

350
00:17:37,160 --> 00:17:41,560
Speaker 1: Yeah, man, all that man, you know quait when the heat.

351
00:17:41,720 --> 00:17:44,520
Speaker 3: I'm just so thankful that it had everything went down

352
00:17:44,600 --> 00:17:48,560
Speaker 3: how it did. For one, it made me dead serious.

353
00:17:48,600 --> 00:17:51,320
Speaker 3: Twenty five years later, I'm still alive. It taught me

354
00:17:51,320 --> 00:17:54,520
Speaker 3: how to move instance. You feel me, man, So I'm

355
00:17:54,520 --> 00:17:58,240
Speaker 3: so thankful man, and grateful that I tasted it then

356
00:17:58,680 --> 00:18:01,400
Speaker 3: because it made me take that ship years now till

357
00:18:01,520 --> 00:18:05,000
Speaker 3: to this day. P on my we only we on alert,

358
00:18:05,040 --> 00:18:06,840
Speaker 3: we on guard. You feel me, man, This ship like

359
00:18:06,920 --> 00:18:09,560
Speaker 3: goddamn gods ain't goddamn.

360
00:18:12,600 --> 00:18:16,000
Speaker 1: Israel and Palasini pee walking in here right now and

361
00:18:16,000 --> 00:18:17,480
Speaker 1: sat down. What would that conversation be?

362
00:18:17,560 --> 00:18:19,560
Speaker 3: Like? I hope we can have one man because hell

363
00:18:19,640 --> 00:18:23,879
Speaker 3: man ship. You know what? What what I don't like

364
00:18:23,920 --> 00:18:28,560
Speaker 3: about this ship is that everybody else has done it.

365
00:18:28,960 --> 00:18:29,520
Speaker 3: You know what I mean.

366
00:18:29,600 --> 00:18:32,439
Speaker 2: I'm talking about Jez until.

367
00:18:32,560 --> 00:18:36,520
Speaker 3: I mean, yeah, Man Nods and jay Z.

368
00:18:37,000 --> 00:18:41,320
Speaker 1: You know, so, why don't we do a lot time

369
00:18:41,359 --> 00:18:44,320
Speaker 1: of legendary jay wrongn't we put together conversation man with

370
00:18:44,440 --> 00:18:47,320
Speaker 1: you and just come on and pe.

371
00:18:47,600 --> 00:18:52,360
Speaker 3: You know, nobody hurt, nobody lost as much money as

372
00:18:54,160 --> 00:18:57,040
Speaker 3: you feel me. Man, So I understand the whole situation. Man.

373
00:18:57,080 --> 00:18:59,360
Speaker 3: If you don't never want to sit down, I understand. Yeah,

374
00:18:59,560 --> 00:19:01,080
Speaker 3: I still got But.

375
00:19:01,400 --> 00:19:03,679
Speaker 1: From what the interviews I saw with p Man and

376
00:19:03,680 --> 00:19:05,440
Speaker 1: from when I first met him back in the priority

377
00:19:05,520 --> 00:19:09,320
Speaker 1: days to now, the growth man as a as a

378
00:19:09,320 --> 00:19:12,399
Speaker 1: as a father, as a businessman, his brother Man, he's

379
00:19:12,440 --> 00:19:14,760
Speaker 1: still fighting for his brother in jail.

380
00:19:14,840 --> 00:19:17,360
Speaker 2: I think, Man, I think at this point, I.

381
00:19:17,320 --> 00:19:19,480
Speaker 1: Think I think it's just do new face. I think

382
00:19:19,520 --> 00:19:22,280
Speaker 1: we should put that together, man, nice sitting down, grown

383
00:19:22,320 --> 00:19:23,080
Speaker 1: man conversation.

384
00:19:23,400 --> 00:19:25,800
Speaker 3: You know, I appreciate everything Man, you know what I mean.

385
00:19:25,800 --> 00:19:28,679
Speaker 3: I appreciate us not having the goddamn but sticks and

386
00:19:28,680 --> 00:19:30,600
Speaker 3: stuff for each other. Man, you know what I mean. Man,

387
00:19:31,000 --> 00:19:33,000
Speaker 3: let you be the successed story that they really can.

388
00:19:33,160 --> 00:19:33,320
Speaker 2: Man.

389
00:19:33,440 --> 00:19:35,840
Speaker 1: And like you said, you still And we talked about

390
00:19:35,880 --> 00:19:37,480
Speaker 1: this the other night when we was at the one

391
00:19:37,520 --> 00:19:39,960
Speaker 1: event the Fox like just.

392
00:19:39,920 --> 00:19:41,800
Speaker 2: To still be here, be relevant.

393
00:19:41,840 --> 00:19:42,000
Speaker 3: Man.

394
00:19:42,359 --> 00:19:45,560
Speaker 1: Man, whether it's do you know that that song? I mean,

395
00:19:45,640 --> 00:19:47,560
Speaker 1: you're you're not just that song. I want to limit

396
00:19:47,640 --> 00:19:47,919
Speaker 1: you to that.

397
00:19:48,040 --> 00:19:50,200
Speaker 2: Yeah, but your music it ain't.

398
00:19:49,960 --> 00:19:53,639
Speaker 1: Going over at Troy folks go always want my kids

399
00:19:53,720 --> 00:19:54,840
Speaker 1: is in college not they.

400
00:19:57,359 --> 00:20:00,399
Speaker 3: Man from the bands that took that man the HBCUs Man,

401
00:20:00,640 --> 00:20:03,040
Speaker 3: it's just so dope. Man, I'm talking about bro. I

402
00:20:03,040 --> 00:20:06,199
Speaker 3: get d M from all the colleges, from high school,

403
00:20:06,480 --> 00:20:09,760
Speaker 3: the middle school. Man, these kids playing this song. Man,

404
00:20:09,840 --> 00:20:14,160
Speaker 3: it's older than them. That man, it's beautiful man sheep

405
00:20:14,280 --> 00:20:18,760
Speaker 3: music Man nor More playing Ga vice versa. Man, God

406
00:20:18,800 --> 00:20:20,680
Speaker 3: bless my boy called to my home. Man, they got

407
00:20:20,680 --> 00:20:23,160
Speaker 3: our names on this sheet music at University of Georgia. Man,

408
00:20:23,160 --> 00:20:25,920
Speaker 3: it's in the red coats. It's in their music book.

409
00:20:26,560 --> 00:20:28,679
Speaker 3: I said, Man, we got in sheet music, man, like

410
00:20:28,720 --> 00:20:32,720
Speaker 3: Beait told me, Like I'm adad like, that's what you know, Man,

411
00:20:32,840 --> 00:20:33,359
Speaker 3: it's real.

412
00:20:33,560 --> 00:20:36,080
Speaker 1: Because we celebrated fifty years of hip hop in the South,

413
00:20:36,640 --> 00:20:38,520
Speaker 1: we didn't And I said this on previous shows, and

414
00:20:38,520 --> 00:20:41,280
Speaker 1: I'm gonna keep saying. Yeah, we've been controlled the narrative

415
00:20:41,280 --> 00:20:42,280
Speaker 1: for over half.

416
00:20:42,119 --> 00:20:46,040
Speaker 3: Man dog, You know what. That h b c U

417
00:20:46,440 --> 00:20:50,760
Speaker 3: man is so pivotal to us from what we do.

418
00:20:51,240 --> 00:20:53,119
Speaker 3: I don't think they have that. They definitely don't have

419
00:20:53,160 --> 00:20:57,120
Speaker 3: that in New York. I don't everybody no HBCUs. They

420
00:20:57,160 --> 00:20:58,400
Speaker 3: go about Hampton Howard.

421
00:20:58,760 --> 00:21:01,480
Speaker 1: It's I think it's a couple that's considered HBCUs up

422
00:21:01,480 --> 00:21:03,560
Speaker 1: on the east coast one of Pennsylvania, but nothing like

423
00:21:03,600 --> 00:21:07,600
Speaker 1: the South between Georgia, South Carolina, Texas. Come on, that's

424
00:21:07,720 --> 00:21:10,920
Speaker 1: thirty something school. Yeah, man, that band is very pivotal

425
00:21:11,400 --> 00:21:14,160
Speaker 1: because people don't realize as with the strip clubs here

426
00:21:14,160 --> 00:21:18,760
Speaker 1: in Atlanta, the HBCU bands, the music they plays similar.

427
00:21:18,440 --> 00:21:19,320
Speaker 2: And breaking records.

428
00:21:19,320 --> 00:21:21,680
Speaker 3: They're breaking it, bro, they keeping they keep it going.

429
00:21:21,800 --> 00:21:24,200
Speaker 3: Keep that joint lot, man, I'm talking about I'm looking

430
00:21:24,200 --> 00:21:26,800
Speaker 3: at these kids, man, These kids didn't even know who

431
00:21:26,840 --> 00:21:29,920
Speaker 3: I was talking to him at a school out of Decatur.

432
00:21:30,280 --> 00:21:33,480
Speaker 3: I'm talking to him talking to him, and the teacher

433
00:21:33,520 --> 00:21:34,920
Speaker 3: was like, I'm gonna play some of the music. The

434
00:21:34,920 --> 00:21:36,480
Speaker 3: teacher started playing vicebol.

435
00:21:36,359 --> 00:21:44,480
Speaker 4: Thing y'all talk about HBCUs and strip clubs and the

436
00:21:44,520 --> 00:21:46,520
Speaker 4: one thing that I remember as a kid because you

437
00:21:46,680 --> 00:21:48,560
Speaker 4: was getting it crunked up. But when you made the

438
00:21:48,600 --> 00:21:50,760
Speaker 4: song and I'm in goosebumps and that, and you had

439
00:21:50,920 --> 00:21:54,760
Speaker 4: dropped that pussy baby show me yeah, yeah, yeah, I'm like, oh,

440
00:21:54,800 --> 00:21:56,280
Speaker 4: this nigga got one for the.

441
00:21:56,280 --> 00:22:01,200
Speaker 3: Club man that was that anthem to let me tell

442
00:22:01,240 --> 00:22:04,119
Speaker 3: you something, man, that joint man my boy Dramma boy out.

443
00:22:03,960 --> 00:22:06,720
Speaker 2: Of Memphis, shout out, Drummer, that's my dog Man.

444
00:22:06,800 --> 00:22:09,080
Speaker 3: Drummer had made that beat Man. When I bought it,

445
00:22:09,160 --> 00:22:12,040
Speaker 3: I was like, man, I got something for this. Come

446
00:22:12,119 --> 00:22:15,119
Speaker 3: up with the biggest strip club anthem. Drumma couldn't even

447
00:22:15,160 --> 00:22:16,639
Speaker 3: come see what the song was doing because he was

448
00:22:16,760 --> 00:22:20,119
Speaker 3: number seventeen years old when Drummer did that first. I

449
00:22:20,119 --> 00:22:22,840
Speaker 3: think that was the first record I brought Drama to Atlanta.

450
00:22:22,960 --> 00:22:24,680
Speaker 2: Man, Damn, I didn't know that.

451
00:22:24,760 --> 00:22:26,840
Speaker 3: Oh yeah, bro, that was your first record. He's seventeen.

452
00:22:26,880 --> 00:22:29,320
Speaker 3: We got a strip club bangle and he can't even go.

453
00:22:29,359 --> 00:22:31,680
Speaker 3: I got to meet him ou side and let him

454
00:22:31,680 --> 00:22:34,760
Speaker 3: know how toy, how the girls fun. I'm telling good

455
00:22:34,760 --> 00:22:36,160
Speaker 3: to see you, man, I'm going to make his side

456
00:22:37,000 --> 00:22:37,400
Speaker 3: new face.

457
00:22:37,480 --> 00:22:39,560
Speaker 2: That was an anthems in the Booty Club.

458
00:22:39,640 --> 00:22:42,320
Speaker 3: Hey man, that joint had got so bad. Man, I'm

459
00:22:42,320 --> 00:22:45,879
Speaker 3: talking about bro, that joint probably twenty years old. I

460
00:22:45,920 --> 00:22:47,920
Speaker 3: was just telling my girl earlier today. I was like, man,

461
00:22:48,920 --> 00:22:52,080
Speaker 3: picture twenty five years of every time you got to

462
00:22:52,119 --> 00:22:53,560
Speaker 3: go in the strip club, you got to get a

463
00:22:53,640 --> 00:22:55,160
Speaker 3: hundred two hundred dollars because.

464
00:22:54,960 --> 00:22:59,119
Speaker 1: They they playing, because you got it. You can't just

465
00:22:59,160 --> 00:22:59,960
Speaker 1: got to play your record.

466
00:23:02,440 --> 00:23:05,719
Speaker 4: That when his soul came out, I do remember it

467
00:23:05,760 --> 00:23:07,680
Speaker 4: was the point. It wasn't making rain yet meet you

468
00:23:07,760 --> 00:23:17,359
Speaker 4: and guy, it was you know remember when that song

469
00:23:17,480 --> 00:23:20,120
Speaker 4: I said, no, you got one this way and I

470
00:23:20,160 --> 00:23:21,200
Speaker 4: was like, yo you and.

471
00:23:21,080 --> 00:23:24,440
Speaker 1: I was still in the days all the table dad, man, man,

472
00:23:24,480 --> 00:23:26,560
Speaker 1: how did you know what I always wanted to ask you.

473
00:23:26,640 --> 00:23:28,520
Speaker 1: I'm glad we sitting down. This is story time with

474
00:23:28,640 --> 00:23:33,280
Speaker 1: legendary Jay. I'm Jerry Clark, do face the legend pastor Troy,

475
00:23:33,800 --> 00:23:35,280
Speaker 1: How did you are you?

476
00:23:35,520 --> 00:23:37,760
Speaker 2: You? And timbling? Man? How did how did how did

477
00:23:37,760 --> 00:23:38,399
Speaker 2: that come together?

478
00:23:38,440 --> 00:23:38,600
Speaker 3: Man?

479
00:23:38,880 --> 00:23:41,320
Speaker 2: At that point because Timbling. I was like, this is

480
00:23:41,359 --> 00:23:42,679
Speaker 2: an interesting marriage.

481
00:23:43,240 --> 00:23:47,000
Speaker 3: So what it was was the labels were trying to

482
00:23:47,040 --> 00:23:51,320
Speaker 3: push me over to commercial commercial side and trying to

483
00:23:51,320 --> 00:23:53,520
Speaker 3: get someone trying to have you align with something with

484
00:23:53,560 --> 00:23:55,240
Speaker 3: the Nelly and the other stuff that they had going

485
00:23:55,320 --> 00:23:57,960
Speaker 3: on up there. So they brought that situation to me,

486
00:23:58,000 --> 00:24:02,120
Speaker 3: Man to do that single for Triple X soundtrack, Man, Troy,

487
00:24:02,119 --> 00:24:04,560
Speaker 3: that's right. Whatever, We're gonna get Timbland to pick it

488
00:24:04,640 --> 00:24:07,200
Speaker 3: up up to do the track. I was like, y'all

489
00:24:07,200 --> 00:24:12,400
Speaker 3: paying for it. Two hundred and fifty, let's do it, man.

490
00:24:12,440 --> 00:24:16,360
Speaker 3: Timber was getting two hundred and fifty minimum two Yeah

491
00:24:16,400 --> 00:24:20,680
Speaker 3: that was a minimum. Yeah, minimum to five hundred. Boy,

492
00:24:21,640 --> 00:24:23,520
Speaker 3: the greatest ever do it? Man? You know what, but

493
00:24:24,359 --> 00:24:27,760
Speaker 3: it didn't really fit with my show or my crowd,

494
00:24:27,960 --> 00:24:29,680
Speaker 3: you know what I mean from me going from throwing

495
00:24:29,800 --> 00:24:32,240
Speaker 3: up the normal playing ja the pot that pussy are

496
00:24:32,280 --> 00:24:34,440
Speaker 3: we coming? And really I couldn't really find a way.

497
00:24:34,440 --> 00:24:37,000
Speaker 1: That's that's strong gas record though I always fuck with

498
00:24:37,000 --> 00:24:37,399
Speaker 1: that record.

499
00:24:37,480 --> 00:24:43,199
Speaker 3: But when I go to the d c s and

500
00:24:43,240 --> 00:24:46,679
Speaker 3: ship like that. But yeah, man, so it just be

501
00:24:46,720 --> 00:24:50,320
Speaker 3: different records for different places. The be different records for

502
00:24:50,359 --> 00:24:52,760
Speaker 3: different places up in that whole East coastman, that d

503
00:24:52,920 --> 00:24:55,600
Speaker 3: m V ship. I got one for you, Jack, and

504
00:24:55,640 --> 00:24:56,280
Speaker 3: I had.

505
00:24:56,280 --> 00:24:57,880
Speaker 4: To be a labeled things because I seen it too.

506
00:24:57,880 --> 00:24:59,159
Speaker 4: I'm like featuring Timberland.

507
00:24:59,359 --> 00:25:01,520
Speaker 1: Yeah, man, Outside of that one song, y'all ain't like

508
00:25:01,560 --> 00:25:03,760
Speaker 1: be like, hey, man, let's let's let's let's try, let's

509
00:25:03,760 --> 00:25:05,320
Speaker 1: go ahead and you know, maybe do a whole ep.

510
00:25:05,520 --> 00:25:06,760
Speaker 2: None, man like that.

511
00:25:07,080 --> 00:25:09,040
Speaker 3: It never really matured, man, you know what I mean?

512
00:25:09,560 --> 00:25:12,119
Speaker 3: It was cool, you know, yeah, yah, yeah, we did

513
00:25:12,160 --> 00:25:12,760
Speaker 3: the song together.

514
00:25:13,119 --> 00:25:15,600
Speaker 2: Didn't actually give him the truck.

515
00:25:15,680 --> 00:25:19,119
Speaker 3: What was so crazy? He was so impressed by me

516
00:25:20,440 --> 00:25:22,960
Speaker 3: that he was working on my record and doing Justin

517
00:25:23,000 --> 00:25:25,280
Speaker 3: Timberlate Crime a River at the same time.

518
00:25:26,160 --> 00:25:26,360
Speaker 2: Bro.

519
00:25:27,000 --> 00:25:29,960
Speaker 3: Whenever you listen to crime a River, Man, I'm all

520
00:25:30,000 --> 00:25:32,720
Speaker 3: through them lis on this some man get the man?

521
00:25:33,040 --> 00:25:39,280
Speaker 3: Is that what crime Man?

522
00:25:39,359 --> 00:25:41,560
Speaker 2: Crime a River got Pastor Troy.

523
00:25:41,800 --> 00:25:46,440
Speaker 3: Lives crime a River. That's a story right there.

524
00:25:46,880 --> 00:25:50,120
Speaker 1: Bro. He did past De Troy and Justin Timberlate. Yeah, man,

525
00:25:50,600 --> 00:25:53,320
Speaker 1: you would have gave me a verse on but you ain't.

526
00:25:53,320 --> 00:25:54,000
Speaker 1: That really would have.

527
00:25:54,920 --> 00:25:56,920
Speaker 3: Man. Timberland had the session, man, and he was just

528
00:25:56,960 --> 00:25:58,560
Speaker 3: so impressed by the libs man.

529
00:25:58,640 --> 00:26:06,760
Speaker 1: He was like, hey, oh yeah, bro, Storytime with the

530
00:26:06,840 --> 00:26:11,960
Speaker 1: Legendary Jerry's hosted by me, the one and only Jerry Clark.

531
00:26:12,800 --> 00:26:17,320
Speaker 1: Music has been provided by July, the producer. If you

532
00:26:17,480 --> 00:26:21,679
Speaker 1: haven't already, please please make sure you subscribe to Storytime

533
00:26:21,720 --> 00:26:25,200
Speaker 1: with the Legendary Jerry on YouTube and wherever you listen

534
00:26:25,280 --> 00:26:28,320
Speaker 1: to podcasts, and make sure you follow us on all

535
00:26:28,400 --> 00:26:33,200
Speaker 1: social media platforms at the Legendary Jerry podcast. For more

536
00:26:33,200 --> 00:26:36,600
Speaker 1: podcasts from my Heart Media, visit the iHeartRadio app, Apple Podcasts,

537
00:26:36,640 --> 00:26:38,400
Speaker 1: or wherever you listen to your favorite shows.