WEBVTT - The Penguin 102

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<v Speaker 1>Warning today's episode, today's spoilers for episode two of The

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<v Speaker 1>Penguin on Max.

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<v Speaker 2>Yeah yeah, yeah, yeah yeah.

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<v Speaker 1>Oh.

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<v Speaker 3>My name is Jason Concepcion and I'm rosday Night, and welcome.

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<v Speaker 1>Back to Extra revision of the podcast where we dive

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<v Speaker 1>dee bit to your favorite shows, movies, comics and pop culture.

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<v Speaker 1>Coming you from my Heart podcast where we're bringing you

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<v Speaker 1>two episodes a week every Tuesday and Thursday, and.

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<v Speaker 3>Sometimes a secret episode two In today's not secret episode.

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<v Speaker 3>In the previously on, we have a very specific musical

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<v Speaker 3>Batman news to react to. A new companion album for

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<v Speaker 3>Joker Fully Adure titled Harlequin by Lady Gaga was released

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<v Speaker 3>on Friday last week, and look, we will be recapping

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<v Speaker 3>and breaking down episode one or two on the Penguin

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<v Speaker 3>and guess what, it's even better than the first one.

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<v Speaker 1>But first previously on, okay, first up, wow, here it is.

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<v Speaker 1>Lady Gaga has released a new album called Harlequin of

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<v Speaker 1>course on Friday. It is a thirteen track companion album

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<v Speaker 1>to the Joker movie, which comes out this Friday and

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<v Speaker 1>may or may not be a day bacle. I know,

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<v Speaker 1>wait to find out.

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<v Speaker 3>And you know what, I'm very proud of Lady Gaga

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<v Speaker 3>for this move, honestly, because I have been reading the reviews,

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<v Speaker 3>and the reviews are like, she's not necessarily in it

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<v Speaker 3>as much as we expected, you know, but I will say,

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<v Speaker 3>you know what, good for you, girl, make an album.

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<v Speaker 3>I'm guessing from this track list that this is the

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<v Speaker 3>track list of most of the songs that are in

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<v Speaker 3>the movie. There's some that we've heard in the trailer,

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<v Speaker 3>like smile that's life, Wow, can't wait to walkuing Phoenix

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<v Speaker 3>doing that perennial American karaoke favor.

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<v Speaker 4>That's not I know, dude.

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<v Speaker 3>Every song on this album is like and potentially the

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<v Speaker 3>movie trailer is like do can you believe that they

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<v Speaker 3>went this obvious? And then I see what Tom Phillips

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<v Speaker 3>is saying about the Batman and how Arthur Fleck would

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<v Speaker 3>love him because he's an alpha male, and I'm like, okay,

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<v Speaker 3>this makes sense. So, you know what, good good luck

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<v Speaker 3>to Lady, and I hope this album sells well and

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<v Speaker 3>that your little monsters love it, because, as Jason said.

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<v Speaker 5>The movie maybe a DEBACLELL.

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<v Speaker 1>I know, I who knows? So interested? I'm so interested?

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<v Speaker 1>All right, coming up, we're stepping out of their lot

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<v Speaker 1>to talk about episode one oh two of The Penguid.

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<v Speaker 5>The Penguin.

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<v Speaker 1>Penguin Season two, episode two Inside Man Reopen in Arkham.

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<v Speaker 1>It appears to be a flashback. At first, Blush Sophia

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<v Speaker 1>is there, Alberto is visiting. She's relieved to see him.

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<v Speaker 1>His pinky is missing, and then someone shoots him in

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<v Speaker 1>the head. It's a dream. Rage ignites behind Sophia's eyes.

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<v Speaker 1>We see red lights flashing, and then we come to

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<v Speaker 1>realize she's in some kind of experimental like deep memory

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<v Speaker 1>hypnosis kind of therapy that I have to say, Rosie

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<v Speaker 1>is a little too based on physical touch with her.

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<v Speaker 5>That's a little bit.

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<v Speaker 3>Touchy feely business against too much like no, off, they

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<v Speaker 3>don't like this.

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<v Speaker 1>No, I don't think this is appropriate at all for

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<v Speaker 1>a psychologist slash therapist relationship. He's like and he's hugging her.

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<v Speaker 5>It's yeah, unpleasant to me.

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<v Speaker 1>I don't like that he calms her down. He is

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<v Speaker 1>doctor Julian Rush. Is this Rush?

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<v Speaker 4>I trusted to see where this goes?

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<v Speaker 3>Yeah, Because also I was like, you know, obviously we

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<v Speaker 3>always think about this kind of stuff and we're like, oh.

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<v Speaker 5>It's is it Julia?

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<v Speaker 2>Is it?

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<v Speaker 4>Rush?

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<v Speaker 3>I also wonder whether it's like, is this I feel

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<v Speaker 3>like what they're leading to with this season, if we

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<v Speaker 3>if they are leading to any other villains who would

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<v Speaker 3>come into this season, into The Batman Part two after

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<v Speaker 3>this season. I do feel like it's feeling very heavily

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<v Speaker 3>like Scarecrow coded And I also wonder, you know, we've

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<v Speaker 3>had Oz Cobb as he is known, like he has

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<v Speaker 3>been renamed, and I do wonder if there's a world

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<v Speaker 3>where this doctor ends up being a version of the Scarecrow,

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<v Speaker 3>you know, because he is definitely like very something. There's

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<v Speaker 3>something creepy, there's something weird, and we know that there's

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<v Speaker 3>this drug that people are.

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<v Speaker 5>This like new drug the Oz is.

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<v Speaker 3>Kind of trying arrived off, but there's rumors of it.

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<v Speaker 3>And then this is some kind of weird therapy that

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<v Speaker 3>she's in.

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<v Speaker 6>He could just be a creep and.

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<v Speaker 5>The Rush name could just be like a.

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<v Speaker 3>Nod to to Rush, kind of like we got with

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<v Speaker 3>a with Eve Caller. But yeah, I'm interesting and I

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<v Speaker 3>hate this character already, Like he definitely seems like a

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<v Speaker 3>creep to me.

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<v Speaker 5>I've already got I.

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<v Speaker 1>Do not like him. I hate him.

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<v Speaker 2>Uh.

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<v Speaker 1>She gets mad, She storms out of the therapy session.

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<v Speaker 1>Uh and because he said you're safe now, and she goes,

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<v Speaker 1>I'm home, basically saying I'm not a safe I'm home,

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<v Speaker 1>Oz Cod We go to Oz. Oz is sloping pepso

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<v Speaker 1>bismol in his car. He is going to visit maroneyan

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<v Speaker 1>black Gate. Sal is wearing a ring, but he also

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<v Speaker 1>knows that Oz is trying to He understands that Oz

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<v Speaker 1>is trying to get him to take responsibility for ye

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<v Speaker 1>is that like, is this like a meeting?

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<v Speaker 4>Like I feel like there's like a lot of people

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<v Speaker 4>in this.

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<v Speaker 1>It takes places in a wide open era family being

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<v Speaker 1>oh this is crude, like it does feel like he's

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<v Speaker 1>kind of like, well done, like you did it, you

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<v Speaker 1>got our attention, Like you're in trouble.

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<v Speaker 5>But let's see why this goes.

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<v Speaker 1>So, mister Maroney is trying to play a little hardball here, saying, yeah,

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<v Speaker 1>I know, I know what you're trying to do. I

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<v Speaker 1>don't think I don't know that I'm stupid. Oz is like, uh, well,

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<v Speaker 1>you're wear in the ring and you seem to be

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<v Speaker 1>enjoying the fact that the Falconies are going through it

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<v Speaker 1>right now. And he's like, listen, they're gonna blame you anyway.

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<v Speaker 1>You're wearing the ring. They're in chaos right now, lean

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<v Speaker 1>into it and you can come away the winner of this.

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<v Speaker 1>He says, if you strike now, everything is to gain.

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<v Speaker 1>Sal takes some advice from his wife Nadia, who says, yeah,

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<v Speaker 1>this guy, as he's a pushover.

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<v Speaker 3>We need him also again, like this is hitting to

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<v Speaker 3>us that Sal and the Maroney family are like running

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<v Speaker 3>black Gate, because she's just that chilling at that visit there,

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<v Speaker 3>just like hanging out, like giving him some tips.

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<v Speaker 1>So Sal says, okay, I will claim Alberto, you deliver

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<v Speaker 1>the drops as products, and that's the deal. Sal then

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<v Speaker 1>sends one of his coppos off with Oz to help

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<v Speaker 1>Oz with the whole deal and to basically be the

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<v Speaker 1>Morony point guy for the Falcone.

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<v Speaker 3>Higt Yeah, because if you don't remember from last week,

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<v Speaker 3>like there's gonna they want us to shut down the drops,

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<v Speaker 3>and so he is basically setting out so Marony can

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<v Speaker 3>steal the drops and make it look like a heist.

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<v Speaker 3>And that's where we're at with this plan.

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<v Speaker 1>Oz tells the uh the Moroni's, Hey, okay, here's what

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<v Speaker 1>we're gonna do. I'm gonna ride in a different car.

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<v Speaker 1>You guys shoot up every single car in the drug caravan,

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<v Speaker 1>in the Falcone caravan, okay, but you don't shoot that car. Okay.

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<v Speaker 1>Here's a problem. So when Oz goes to basically prep

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<v Speaker 1>for the caravan with the Falconies and they're they're moving

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<v Speaker 1>the drugs in a FEMA truck, Johnny Vid is there

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<v Speaker 1>and Johnny D's like, wait, you're not gonna ride with

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<v Speaker 1>the drugs.

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<v Speaker 4>I thought you really cared about.

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<v Speaker 1>Yeah, you gotta ride with the drugs. What the fuck?

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<v Speaker 1>So Oz is like, shit, there's no way out of this.

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<v Speaker 1>That doesn't look weird. I gotta ride with the drugs.

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<v Speaker 1>The caravan is moving through the streets, the Maronis are following.

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<v Speaker 1>Az sees them and so he goes to the back

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<v Speaker 1>of the truck to basically try to pin the bullets.

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<v Speaker 1>The gunfight takes place. Everybody gets gunned down. The Maroney

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<v Speaker 1>guy gets killed.

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<v Speaker 4>Oh Dia like sorry, rip to that man, and.

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<v Speaker 1>The one of the Falconis who is driving the truck

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<v Speaker 1>gets shot. But before he gets shot, he realizes that

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<v Speaker 1>Oz double crossed them and he doesn't know it. Oz

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<v Speaker 1>waddles away with the survivors of the hutst.

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<v Speaker 3>We're gonna take a quick break and we'll be right back. Ah.

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<v Speaker 1>We're back at Falcony mansion. The survivors of the caravan

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<v Speaker 1>are talking about Oz, like, Wow, what a hero. He

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<v Speaker 1>saved her.

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<v Speaker 3>He like he gave us the heads up, like he

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<v Speaker 3>was like, oh shit, something's happening.

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<v Speaker 1>Sophia enters and she's suspicious. Johnny Vedy is hot about

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<v Speaker 1>the product and we lost the product. And Sofia, meanwhile,

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<v Speaker 1>is upset about this ongoing accumiliation of the family, including

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<v Speaker 1>the murder of her brother by the fucking Maroni's. Who

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<v Speaker 1>do they think they are? Oz agrees, he says, I

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<v Speaker 1>think she's right. Sophia is like, we gotta kill him,

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<v Speaker 1>we gotta kill them all. There's a rat in the family.

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<v Speaker 1>We got to figure out who it is. Luca, uncle Luca,

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<v Speaker 1>who's basically the boss now because Alberta, Yeah, it's like

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<v Speaker 1>cool it and just cool it. I will deal with it.

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<v Speaker 3>It's very clear, Like it's very clear that like they

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<v Speaker 3>just have no like she is disrespected by every member

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<v Speaker 3>of the family. She's they aren't even scared of the

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<v Speaker 3>fact that she's allegedly this you know, charged with these

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<v Speaker 3>serial killings like they just think, Yeah.

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<v Speaker 1>I think she's not one. She doesn't have a business

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<v Speaker 1>mind us, she's a she's an insane psycho killer. But

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<v Speaker 1>she but Luca takes her side and was like, listen,

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<v Speaker 1>just stay out of the business. Okay, I'll make the calls.

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<v Speaker 1>Don't worry about it. The funeral for Alberto is tomorrow,

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<v Speaker 1>and get some rest. Oz waits for Sophia and he says,

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<v Speaker 1>you know what, I think there's a rat too. I

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<v Speaker 1>think you should be the boss. I loved I loved

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<v Speaker 1>Alberto so much. And here's where I'm like, you're laying on.

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<v Speaker 5>On tooth thick, Like she's not dumb.

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<v Speaker 1>Yeah, because when she when he said that, Sophia like,

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<v Speaker 1>when did you Alberto never mentioned it?

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<v Speaker 5>Yeah, like who are you?

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<v Speaker 1>So she says, listen, you're just like Luca and the

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<v Speaker 1>rest of them back the fuck off. Later, Oz complains

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<v Speaker 1>to Vic. He says, so Sophia's paranoia is going to

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<v Speaker 1>start a mole hunt that's going to lead to people

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<v Speaker 1>getting killed, and that means maybe we're gonna get killed.

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<v Speaker 1>So we have to set up someone to take the fall.

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<v Speaker 1>We need a patsy. And also we learned that Oz

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<v Speaker 1>has that gene that he can't eat cilantro or he

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<v Speaker 1>it's like like it sad fan. On the ride home, Sophia,

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<v Speaker 1>here's the Gotham news radio start talking about her and

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<v Speaker 1>how terrible it is that she's been released and the

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<v Speaker 1>murders that she committed, and the guy her driver's about

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<v Speaker 1>to change it. But she's like, no, leave this on.

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<v Speaker 4>When to hear She's like, leaving on, baby, I want

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<v Speaker 4>to hear them.

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<v Speaker 1>Talk about me. At his apartment, Oz tells Vic about

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<v Speaker 1>another story about his come up and how he was

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<v Speaker 1>tapped to be the driver for this big shot but

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<v Speaker 1>he didn't know how to drive, so he stole a car.

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<v Speaker 1>He taught himself how to drive, basically saying to Vic, hey, fake,

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<v Speaker 1>it's you make don't say no, guy, sometimes like, don't

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<v Speaker 1>say no. You got it. You go to do it.

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<v Speaker 1>Figure it out. Yeah, you gotta figure something out on

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<v Speaker 1>your feet. Then Eve comes through with a bunch of

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<v Speaker 1>professional women of the evening. At a bar, Sophia recognizes

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<v Speaker 1>a Gotham police detective who has clearly got a drop problem.

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<v Speaker 2>Oh yeah.

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<v Speaker 1>He doesn't want any part of the conversation, but she says, listen,

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<v Speaker 1>I want you to look for a mole in my family,

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<v Speaker 1>and I got some drops for you if you do it,

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<v Speaker 1>and he's like, great, I'm in at Oz's. Oz is

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<v Speaker 1>celebrating with his crew, the survivors of this of the

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<v Speaker 1>of the fucking Falcony drug caravan that he said, I

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<v Speaker 1>just have.

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<v Speaker 3>To say, this show is like, you know, I was

0:12:45.160 --> 0:12:49.240
<v Speaker 3>watching this series and the first and the second episode, especially.

0:12:48.840 --> 0:12:53.839
<v Speaker 4>Like this episode, I was like, I understand what.

0:12:53.840 --> 0:12:55.800
<v Speaker 3>They're doing with this show, which is like you're just

0:12:55.880 --> 0:12:58.040
<v Speaker 3>constantly on edge, like how's he gonna get out of

0:12:58.040 --> 0:13:00.319
<v Speaker 3>a scrape this time? Like he's getting himself into a

0:13:00.400 --> 0:13:02.679
<v Speaker 3>crazy scrape. How's he gonna get out of it? And

0:13:02.679 --> 0:13:05.840
<v Speaker 3>this man is like crazy, like he's living on the edge.

0:13:05.880 --> 0:13:09.960
<v Speaker 3>Every plan he has is the most anxiety inducing plan

0:13:10.600 --> 0:13:13.720
<v Speaker 3>you could ever think oflled like he is playing everyone.

0:13:13.880 --> 0:13:15.120
<v Speaker 4>He's so untrustworthy.

0:13:15.120 --> 0:13:16.880
<v Speaker 3>But you are like, I want to see him out

0:13:16.880 --> 0:13:18.960
<v Speaker 3>of it, like I want to see all like see

0:13:18.960 --> 0:13:19.200
<v Speaker 3>if he.

0:13:19.200 --> 0:13:19.960
<v Speaker 5>Can get out of it.

0:13:20.360 --> 0:13:24.480
<v Speaker 1>We learned that Eve's camp performer, she's chatting it up

0:13:24.480 --> 0:13:27.240
<v Speaker 1>with vic Oscos to his bedroom behind the vault to

0:13:27.280 --> 0:13:32.600
<v Speaker 1>basically leave his guys and Eve's ladies to it. Vic

0:13:33.000 --> 0:13:37.280
<v Speaker 1>talking to the women his nervous stutter. Like basically in

0:13:37.320 --> 0:13:39.760
<v Speaker 1>his room, Oz is like looking through his envelope of

0:13:39.760 --> 0:13:46.240
<v Speaker 1>blackmail stuff, which includes picks of Vedie with Luca Falcone's.

0:13:45.559 --> 0:13:47.880
<v Speaker 4>Why oh, that's a big deal.

0:13:48.080 --> 0:13:50.680
<v Speaker 1>Eve comes in Eve Knox and wants to talk. She

0:13:50.880 --> 0:13:54.520
<v Speaker 1>knows that he is using her as his alibi because

0:13:54.559 --> 0:13:58.600
<v Speaker 1>he obviously killed Alberto. That's too risky for her and

0:13:58.640 --> 0:14:00.680
<v Speaker 1>her ladies that work for her. Just don't worry. I

0:14:00.679 --> 0:14:01.640
<v Speaker 1>got it all figured out.

0:14:02.480 --> 0:14:06.079
<v Speaker 3>This man's always planning. Also, I do think it's really interesting.

0:14:06.559 --> 0:14:10.160
<v Speaker 3>I feel like the sex worker part of this and

0:14:10.200 --> 0:14:12.520
<v Speaker 3>having Eva is such a major part. It really is

0:14:12.559 --> 0:14:16.480
<v Speaker 3>a kin to like Batman Yujuan, where you kind of

0:14:16.480 --> 0:14:19.080
<v Speaker 3>have this version of Selena who lives with sex workers,

0:14:19.080 --> 0:14:20.680
<v Speaker 3>who's implied to be a sex work. I think it's

0:14:20.680 --> 0:14:22.640
<v Speaker 3>a really nice way to build in a little bit

0:14:22.680 --> 0:14:24.280
<v Speaker 3>of the comic book Glaur and I think Eva is

0:14:24.280 --> 0:14:28.880
<v Speaker 3>a very interesting character, and I'm excited to kind of

0:14:28.920 --> 0:14:31.320
<v Speaker 3>see where they go with this, and I hope they

0:14:31.320 --> 0:14:34.760
<v Speaker 3>don't fall into some of the like you know, standard

0:14:34.760 --> 0:14:38.000
<v Speaker 3>tropes of like sex workers being killed, and I want

0:14:38.040 --> 0:14:41.520
<v Speaker 3>to see Eve and Oz go forward in this in

0:14:41.560 --> 0:14:44.480
<v Speaker 3>an interesting way, because I just think it's a really unique,

0:14:44.520 --> 0:14:48.120
<v Speaker 3>little extra layer that they've added to him.

0:14:48.480 --> 0:14:49.960
<v Speaker 1>We'll be right back after a quick break.

0:14:50.200 --> 0:15:00.480
<v Speaker 2>Yeah, and.

0:15:05.680 --> 0:15:09.120
<v Speaker 1>We're back. From what I've seen so far, I am.

0:15:10.240 --> 0:15:11.080
<v Speaker 1>I feel good.

0:15:11.200 --> 0:15:12.720
<v Speaker 5>Yeah, exactly exactly.

0:15:12.800 --> 0:15:14.720
<v Speaker 1>I think they've been. I think just in the scene

0:15:14.720 --> 0:15:17.280
<v Speaker 1>where they're hanging out at OZ, they handle it really well.

0:15:17.880 --> 0:15:21.920
<v Speaker 1>In the morning, Oz gives Eve like a huge like

0:15:22.000 --> 0:15:25.000
<v Speaker 1>way over whenever the agreed upon price was huge tipped,

0:15:25.000 --> 0:15:26.280
<v Speaker 1>like to the point where she's like, this is too

0:15:26.360 --> 0:15:29.640
<v Speaker 1>much money, and he's getting dressed to you know, go

0:15:29.680 --> 0:15:32.920
<v Speaker 1>to the balconies for the reception. After Alic's funeral, he

0:15:33.240 --> 0:15:37.520
<v Speaker 1>then goes to his mom's where he's apparently Oz has

0:15:37.560 --> 0:15:40.800
<v Speaker 1>been playing the landlord to like take care of his

0:15:40.840 --> 0:15:43.360
<v Speaker 1>mom rather than hire a home health aid. We'll learn

0:15:43.400 --> 0:15:46.960
<v Speaker 1>more about this in a second. Why the secrecy. The

0:15:47.040 --> 0:15:50.040
<v Speaker 1>landlord is like, listen, it's getting really bad. She has dementia.

0:15:50.200 --> 0:15:51.960
<v Speaker 1>Oz is like, just watch her, and he gives him

0:15:51.960 --> 0:15:54.760
<v Speaker 1>a lot of money. Oz and mom have a little dance.

0:15:54.960 --> 0:15:55.200
<v Speaker 3>Yeah.

0:15:55.240 --> 0:15:57.440
<v Speaker 1>He clearly loves his mom very very much. They have

0:15:57.520 --> 0:15:58.680
<v Speaker 1>a very close.

0:15:58.520 --> 0:16:02.000
<v Speaker 3>Relationship, maybe codependent relationship. It doesn't seem very healthy.

0:16:02.920 --> 0:16:06.200
<v Speaker 1>It's not healthy, but it's clearly full of luck. She

0:16:06.360 --> 0:16:12.760
<v Speaker 1>then tearfully, tearful, with tears in her eyes. Ozzie, I

0:16:12.840 --> 0:16:16.880
<v Speaker 1>need you to kill a lot of guys.

0:16:18.000 --> 0:16:20.840
<v Speaker 3>That's all I've ever wanted before I die is just

0:16:20.960 --> 0:16:24.920
<v Speaker 3>play before I die makes the biggest Smapfia moves.

0:16:25.280 --> 0:16:27.440
<v Speaker 1>Big mafia moves. I need to see you on top

0:16:27.480 --> 0:16:31.400
<v Speaker 1>of the of the organized crime families and before I die,

0:16:31.520 --> 0:16:34.760
<v Speaker 1>and he says, mom Ma, I'm not gonna let you down.

0:16:34.880 --> 0:16:37.760
<v Speaker 1>I'm not gonna do that. Oz arrives at the church.

0:16:37.920 --> 0:16:40.560
<v Speaker 1>Crazy scene out there, there's protesters angry about the mafia.

0:16:40.560 --> 0:16:43.800
<v Speaker 1>They're angry about the release of the Hangman. Oz right there,

0:16:43.960 --> 0:16:49.720
<v Speaker 1>tries to give Luca the VD pics. It's looking I

0:16:49.800 --> 0:16:51.360
<v Speaker 1>got some new you go on and see, but it

0:16:51.400 --> 0:16:55.600
<v Speaker 1>doesn't work. Oz that approaches Sophiace and he pretends like, yeah,

0:16:55.600 --> 0:16:57.440
<v Speaker 1>I was in the back of the funel. You see

0:16:57.480 --> 0:17:00.320
<v Speaker 1>me there, you're looking for me. I was in back,

0:17:00.520 --> 0:17:02.560
<v Speaker 1>you know, I dodn't want anybody to see me crying

0:17:02.680 --> 0:17:08.080
<v Speaker 1>over my close friend now Berta. He says, listen, when

0:17:08.080 --> 0:17:11.320
<v Speaker 1>my brothers died, there's nobody there for them, And then

0:17:11.320 --> 0:17:13.960
<v Speaker 1>he tells this story about yeah, you know, my mom

0:17:14.119 --> 0:17:16.840
<v Speaker 1>was the grief took her over. But then one day

0:17:16.920 --> 0:17:19.320
<v Speaker 1>she says, let's go out dancing with his jazz club

0:17:20.040 --> 0:17:23.840
<v Speaker 1>and uh so we dance real close, real slow, and

0:17:23.920 --> 0:17:25.960
<v Speaker 1>so feels like with your mom, it was weird.

0:17:26.119 --> 0:17:28.600
<v Speaker 5>Yeah, yeah, it's a weird vibe. I'm not gonna lie.

0:17:28.600 --> 0:17:30.040
<v Speaker 4>I was like, I think she's right.

0:17:30.119 --> 0:17:31.720
<v Speaker 5>She's like, this seems strange.

0:17:32.640 --> 0:17:34.960
<v Speaker 1>And we learned from the rest of this conversation that

0:17:35.080 --> 0:17:41.600
<v Speaker 1>Oz very very wisely. He's like canny god strategist. Be

0:17:41.680 --> 0:17:45.160
<v Speaker 1>careful of him. Everyone thinks his mother is dead. That's

0:17:45.200 --> 0:17:48.199
<v Speaker 1>why all the secrecy, because he doesn't want her as

0:17:48.240 --> 0:17:49.400
<v Speaker 1>a target out there.

0:17:49.680 --> 0:17:51.879
<v Speaker 4>That's why he drives to a house in the Volvo.

0:17:52.560 --> 0:17:55.280
<v Speaker 5>That's why it's very smart.

0:17:55.480 --> 0:18:00.760
<v Speaker 3>Gods shows how much she trusts Vic, just like instantly,

0:18:01.000 --> 0:18:03.600
<v Speaker 3>and I know that's because you know, like he could

0:18:03.600 --> 0:18:04.800
<v Speaker 3>just kill Vic at any time.

0:18:04.920 --> 0:18:07.239
<v Speaker 7>He's ready to kill He's ready to kill Vic at

0:18:07.240 --> 0:18:11.600
<v Speaker 7>the like that's there is a level of like he

0:18:11.800 --> 0:18:14.800
<v Speaker 7>sees himself in Vic, and that is a level of

0:18:14.920 --> 0:18:17.880
<v Speaker 7>like openness that that he's had really since the first

0:18:17.880 --> 0:18:19.160
<v Speaker 7>time they met.

0:18:19.480 --> 0:18:23.160
<v Speaker 1>That's right. One of Sophia's guys, her main like bodyguard

0:18:23.200 --> 0:18:25.840
<v Speaker 1>guy comes to like pull her away, and as they're

0:18:25.840 --> 0:18:30.320
<v Speaker 1>doing that, Oz over, here is that something about a detective. Meanwhile,

0:18:30.320 --> 0:18:33.240
<v Speaker 1>Oz gets a text from the Maronis we need to meet.

0:18:33.920 --> 0:18:36.840
<v Speaker 1>The detective comes to Falconi mansion and he brings a

0:18:36.880 --> 0:18:41.520
<v Speaker 1>wounded Maroney soldier from the heist for Sophia to interrogate.

0:18:41.560 --> 0:18:44.560
<v Speaker 1>And of course this guy knows Oz is double dealing.

0:18:45.000 --> 0:18:48.080
<v Speaker 1>Naia Falcone gives Oz shit for the kidnapping of the guy.

0:18:48.400 --> 0:18:50.040
<v Speaker 1>She's like, you said, this is going to be easy,

0:18:50.080 --> 0:18:52.399
<v Speaker 1>that they just fall over that Luca doesn't know what

0:18:52.440 --> 0:18:55.600
<v Speaker 1>he's doing, that Johnny Vide's a moron, and now this

0:18:56.080 --> 0:18:59.320
<v Speaker 1>Oz is like, this is Sophia. Sophia is doing this

0:18:59.520 --> 0:19:01.760
<v Speaker 1>on her own because she's like active. The rest of

0:19:01.800 --> 0:19:05.080
<v Speaker 1>them are idiots, and Luca doesn't have the balls to

0:19:05.119 --> 0:19:07.920
<v Speaker 1>do this. So Nani is like, okay, well, your all

0:19:08.000 --> 0:19:10.000
<v Speaker 1>of your value to us is that you tell us

0:19:10.000 --> 0:19:15.479
<v Speaker 1>what the Falcones are gonna do, and you are failing

0:19:15.480 --> 0:19:17.920
<v Speaker 1>at that. Therefore we're gonna kill you. So to save

0:19:17.960 --> 0:19:22.680
<v Speaker 1>his own life, I was like, well, and he shows

0:19:22.800 --> 0:19:27.520
<v Speaker 1>them the blackmail material the Johnny Vedy fucking Luca's wife

0:19:27.560 --> 0:19:31.000
<v Speaker 1>blackmail material. And he says, you know, with this week

0:19:31.000 --> 0:19:33.080
<v Speaker 1>can tear down that whole family. And Naia says, Okay,

0:19:34.480 --> 0:19:37.040
<v Speaker 1>get that's nice and all that, but you better get

0:19:37.040 --> 0:19:39.479
<v Speaker 1>our guy back. Okay. Yeah, and you should want him

0:19:39.520 --> 0:19:41.560
<v Speaker 1>back too, because he can say everything about what you

0:19:41.560 --> 0:19:44.960
<v Speaker 1>were doing with us at the mansion. It's very clear

0:19:44.960 --> 0:19:47.840
<v Speaker 1>that nobody trusts Sophia because she's at the reception. She's

0:19:47.840 --> 0:19:49.000
<v Speaker 1>eating with her hands again.

0:19:49.560 --> 0:19:51.159
<v Speaker 4>Yeah, she's like acting up.

0:19:52.240 --> 0:19:55.360
<v Speaker 1>Yeah, everybody's watching her like they're very, very concerned about her.

0:19:56.200 --> 0:20:00.840
<v Speaker 1>VIC meanwhile, is very very concerned about this play of o's.

0:20:00.920 --> 0:20:05.400
<v Speaker 1>Oz's says, here's the plan. You will plant the blackmail

0:20:05.480 --> 0:20:08.960
<v Speaker 1>jewels in Johnny vtd's car. I will find this guy,

0:20:09.520 --> 0:20:12.359
<v Speaker 1>and then the two things together will allow us to

0:20:12.680 --> 0:20:14.479
<v Speaker 1>set up Johnny VD to take the fall for all

0:20:14.520 --> 0:20:18.080
<v Speaker 1>of the shit that's been going on. Meanwhile, Sophia is

0:20:18.119 --> 0:20:20.800
<v Speaker 1>like on the phone with her interrogators down in the

0:20:20.800 --> 0:20:22.800
<v Speaker 1>basement all the time. Is this guy talking? Is this

0:20:22.840 --> 0:20:25.520
<v Speaker 1>guy talking? Is this guy talking? OZ goes to VDI,

0:20:25.600 --> 0:20:28.440
<v Speaker 1>this is very smart. He's a smart guy. He goes

0:20:28.480 --> 0:20:31.080
<v Speaker 1>to VD in the reception, he goes, hey, well, you

0:20:31.080 --> 0:20:33.399
<v Speaker 1>don't trust me after everything? You don't tell me you

0:20:33.480 --> 0:20:35.440
<v Speaker 1>got a marony guy in the basement, you know, the

0:20:35.520 --> 0:20:38.080
<v Speaker 1>morony's they kill a lot of my men. My bad,

0:20:38.200 --> 0:20:40.560
<v Speaker 1>they almost kill me my guys.

0:20:40.760 --> 0:20:41.720
<v Speaker 6>I love my guys.

0:20:41.800 --> 0:20:45.320
<v Speaker 1>How dare you you don't trust me to know there's

0:20:45.359 --> 0:20:49.240
<v Speaker 1>a marony, a dirty rack, maroni idea And then and

0:20:49.280 --> 0:20:52.720
<v Speaker 1>then he storms off and and Vini's like, what is like?

0:20:55.119 --> 0:20:58.600
<v Speaker 1>So they go to check the basin. Meanwhile, Sophia uh

0:20:59.400 --> 0:21:01.960
<v Speaker 1>goes and watches some home movies of Alberto in the

0:21:01.960 --> 0:21:04.520
<v Speaker 1>next room, and she starts throwing back martiniz and she's

0:21:04.520 --> 0:21:07.920
<v Speaker 1>starting to get really really like hangman level mad. A

0:21:08.040 --> 0:21:10.440
<v Speaker 1>cousin comes up who she hasn't seen in a while.

0:21:10.560 --> 0:21:13.600
<v Speaker 1>She's like, oh, we should take a girl's trip. Yeah,

0:21:13.800 --> 0:21:15.440
<v Speaker 1>we'll go, We'll go back to Lake Coach.

0:21:16.680 --> 0:21:17.480
<v Speaker 6>Is this real?

0:21:17.960 --> 0:21:18.040
<v Speaker 2>Like?

0:21:18.240 --> 0:21:19.480
<v Speaker 4>Are you being nice to me?

0:21:19.560 --> 0:21:22.679
<v Speaker 3>And just this she kind of like starts to think

0:21:22.840 --> 0:21:26.520
<v Speaker 3>maybe there's someone who doesn't like hate her or fear her.

0:21:27.200 --> 0:21:28.960
<v Speaker 5>A cousin's door comes.

0:21:28.680 --> 0:21:34.400
<v Speaker 1>By, and the cousin reacts like like a wolf has

0:21:34.440 --> 0:21:39.000
<v Speaker 1>her baby in its jaws, and Sophia.

0:21:38.720 --> 0:21:42.120
<v Speaker 5>Clocks now, yeah, and she's like, well, fuck you, then starts.

0:21:41.840 --> 0:21:44.359
<v Speaker 1>Being very nice but in a menacing way to the girl,

0:21:44.359 --> 0:21:48.520
<v Speaker 1>and the cousin leaves shaking. Luca is like, Sophia, I

0:21:48.600 --> 0:21:52.040
<v Speaker 1>want to talk to you. Uh. Meanwhile, Vick is outside.

0:21:52.119 --> 0:21:54.080
<v Speaker 1>He gets caught breaking David's car and he has to

0:21:54.080 --> 0:21:57.760
<v Speaker 1>fucking run away. Oz gets to the Maroni guy. He

0:21:57.920 --> 0:22:02.479
<v Speaker 1>tells the Maroni guy, listen, you say Johnny Vedy say

0:22:02.520 --> 0:22:05.720
<v Speaker 1>Johnny VD okay, and he's like, I'll do this man,

0:22:05.840 --> 0:22:08.800
<v Speaker 1>I'll say Johnny, I got it. The guy is dying

0:22:08.800 --> 0:22:09.680
<v Speaker 1>like he could die.

0:22:09.680 --> 0:22:12.960
<v Speaker 4>I've been fucking this guy up like he's he's now.

0:22:14.520 --> 0:22:17.480
<v Speaker 1>So he calls VIC and learns that VIC failed and

0:22:17.520 --> 0:22:19.439
<v Speaker 1>so it's time to improvise because the VD plan's not

0:22:19.480 --> 0:22:21.920
<v Speaker 1>gonna work. So he looks at this guy and he says, hey, man,

0:22:22.480 --> 0:22:23.879
<v Speaker 1>sorry about it, and then he stabs him.

0:22:24.200 --> 0:22:25.200
<v Speaker 5>He's like, you done.

0:22:26.520 --> 0:22:29.600
<v Speaker 1>Luca reads Sophia the Riot Act for going out on

0:22:29.640 --> 0:22:31.280
<v Speaker 1>our own, and then he's like, I want to see

0:22:31.280 --> 0:22:33.359
<v Speaker 1>this guy. He goes to the basement and the guy's dead.

0:22:33.600 --> 0:22:33.800
<v Speaker 2>Uh.

0:22:33.840 --> 0:22:42.240
<v Speaker 1>Oh, there is somebody and he says, nobody leaves lock

0:22:42.320 --> 0:22:45.160
<v Speaker 1>everybody in the living room and it's murder mission.

0:22:45.200 --> 0:22:49.359
<v Speaker 4>Yeah, this is a time baby. He's going baby and

0:22:49.440 --> 0:22:51.359
<v Speaker 4>he's fighting out.

0:22:51.520 --> 0:22:54.399
<v Speaker 1>So everybody gets thrown in there. Oz gets thrown in

0:22:54.480 --> 0:22:57.280
<v Speaker 1>and they're man handling everybody, even Johnny. Vetny is getting

0:22:57.359 --> 0:23:01.239
<v Speaker 1>like rustly thrown in the living room and figures out, oh,

0:23:01.280 --> 0:23:02.960
<v Speaker 1>they're looking for a knife. So he takes a knife.

0:23:02.960 --> 0:23:05.000
<v Speaker 1>He puts it up his sleeve and then he starts

0:23:05.080 --> 0:23:07.040
<v Speaker 1>something with V and he's like, there's this because the

0:23:07.200 --> 0:23:11.119
<v Speaker 1>u VD your fucking incompetence. You got my guys killed,

0:23:11.440 --> 0:23:14.400
<v Speaker 1>and now all this shoot is fucking going on. What

0:23:14.440 --> 0:23:17.080
<v Speaker 1>the fuck you the fucking moron you want with the drugs?

0:23:17.119 --> 0:23:19.640
<v Speaker 1>It's all your fucking fault. And they like kind of scuffle,

0:23:20.080 --> 0:23:26.800
<v Speaker 1>and in the scuffle, Oz plants the knife on Sophia's bodyguards.

0:23:28.200 --> 0:23:31.600
<v Speaker 1>That's right, And so when when they search everybody, they

0:23:31.640 --> 0:23:35.680
<v Speaker 1>find the knife in Sofia's bodyguard's pocket and he's like, Sophia.

0:23:35.320 --> 0:23:38.000
<v Speaker 4>What I would do it? I would never ye, I.

0:23:38.000 --> 0:23:43.000
<v Speaker 1>Would never betray you. And Sophia's like, let me shoot him.

0:23:43.000 --> 0:23:45.280
<v Speaker 1>Somebody give me a gun, and everybody's like, nobody give

0:23:45.320 --> 0:23:46.040
<v Speaker 1>the hangman of gun.

0:23:46.160 --> 0:23:48.200
<v Speaker 4>Don't give the hang man of gun. She's not allowed

0:23:48.200 --> 0:23:48.520
<v Speaker 4>a gun.

0:23:48.560 --> 0:23:48.840
<v Speaker 5>Guys.

0:23:49.720 --> 0:23:52.520
<v Speaker 1>So Lucas shoots the guy in case closed and that's it.

0:23:53.160 --> 0:23:57.080
<v Speaker 1>Sophia's really mad that Luca didn't let her kill the guy,

0:23:57.160 --> 0:23:59.919
<v Speaker 1>and he says, listen, it's getting too hot with you.

0:24:00.119 --> 0:24:03.280
<v Speaker 1>Hear all the hangman stuff. The whole city's up in

0:24:03.400 --> 0:24:06.399
<v Speaker 1>arms about it. Not to mention, you just wanted to

0:24:06.480 --> 0:24:09.879
<v Speaker 1>kill a guy right now, you know, like it scares

0:24:09.880 --> 0:24:13.440
<v Speaker 1>every ready when you start killing it, why don't you

0:24:13.440 --> 0:24:21.000
<v Speaker 1>get a town on you? And that's what Sophia realizes

0:24:21.040 --> 0:24:23.560
<v Speaker 1>that there's a they're plotting to get her out of,

0:24:24.200 --> 0:24:27.280
<v Speaker 1>so she pretends to go along with it. Later, Oz

0:24:27.359 --> 0:24:30.600
<v Speaker 1>is in the woods with Vic burying the dead maroney

0:24:30.640 --> 0:24:35.200
<v Speaker 1>Hood and Sophia's body. Oz then says, Vic lay down

0:24:35.200 --> 0:24:36.920
<v Speaker 1>in the hole. He makes Vick lay down in the hole.

0:24:37.119 --> 0:24:40.280
<v Speaker 1>Look at these guys, Little Vic, poor little Vic. He's like,

0:24:40.320 --> 0:24:42.720
<v Speaker 1>look at these guys. Look at these dead guys. Look them.

0:24:43.000 --> 0:24:46.200
<v Speaker 1>This is what happens when you choke. Okay, you don't

0:24:46.240 --> 0:24:49.840
<v Speaker 1>come through, and this is what happens. We have to improvise,

0:24:49.960 --> 0:24:51.520
<v Speaker 1>and we had to kill all these guys and we

0:24:51.560 --> 0:24:54.080
<v Speaker 1>almost got killed. And he lets Vic out and he says, well, Vic,

0:24:54.400 --> 0:24:56.000
<v Speaker 1>I don't know, maybe you don't got it in you.

0:24:56.119 --> 0:24:58.040
<v Speaker 1>Maybe you don't have it in you to compete at

0:24:58.040 --> 0:25:02.639
<v Speaker 1>this level. Sophia calls Oz, he goes to see her

0:25:02.680 --> 0:25:06.440
<v Speaker 1>in the family crypt and guess what now she's all

0:25:06.520 --> 0:25:08.120
<v Speaker 1>about it. She's like, you know, I've been thinking about

0:25:08.160 --> 0:25:10.240
<v Speaker 1>what you said, and maybe we do team up. Yeah,

0:25:10.240 --> 0:25:13.199
<v Speaker 1>peak control of the family. I'll be boss. What do

0:25:13.240 --> 0:25:16.800
<v Speaker 1>you say? And Oz is like, let's dance, let's do it.

0:25:16.960 --> 0:25:21.880
<v Speaker 1>Maybe just like I used the slowanans with Mama, I'm

0:25:21.880 --> 0:25:22.920
<v Speaker 1>doing it with you now.

0:25:23.440 --> 0:25:26.679
<v Speaker 3>Ending is like so good because these are two like

0:25:27.040 --> 0:25:31.920
<v Speaker 3>objectly awful people, but you're just like, yes, yes, yes, I.

0:25:31.840 --> 0:25:33.040
<v Speaker 5>Want to see I want to.

0:25:33.000 --> 0:25:36.840
<v Speaker 3>See these two awful people team up and like see

0:25:36.840 --> 0:25:39.879
<v Speaker 3>what shenanigans they get into next, and it's gonna be breaking.

0:25:40.080 --> 0:25:41.000
<v Speaker 5>Wait, I can't wait.

0:25:41.040 --> 0:25:43.639
<v Speaker 3>Something else I'd love about this episode is it reminded

0:25:43.680 --> 0:25:46.359
<v Speaker 3>even though it's like this very you know, dark like

0:25:46.440 --> 0:25:49.320
<v Speaker 3>funeral episode, it kind of reminded me of those funny

0:25:49.920 --> 0:25:54.240
<v Speaker 3>like every American teen comedy show like Saved by the

0:25:54.240 --> 0:25:57.639
<v Speaker 3>Bell or Sister Sister. You know, they would Usa Hi,

0:25:57.720 --> 0:26:01.200
<v Speaker 3>they would have these episodes where like you have to.

0:26:01.359 --> 0:26:03.879
<v Speaker 5>Tear into marror one of them. They have to pretend

0:26:03.920 --> 0:26:05.960
<v Speaker 5>to be two different people so they.

0:26:05.880 --> 0:26:08.439
<v Speaker 3>Can go around or like or Zach he's on a

0:26:08.520 --> 0:26:09.919
<v Speaker 3>date with two girls and he has.

0:26:09.800 --> 0:26:12.840
<v Speaker 1>To keep sleeping out of the room running round for this.

0:26:12.800 --> 0:26:15.520
<v Speaker 3>Has that energy like where Oz is like he's thinking

0:26:15.560 --> 0:26:17.080
<v Speaker 3>on his feet and he's stuck in this.

0:26:17.000 --> 0:26:19.320
<v Speaker 4>Space that he has to be at the funeral.

0:26:19.760 --> 0:26:22.280
<v Speaker 3>And it was like there is a level of humor

0:26:22.320 --> 0:26:24.800
<v Speaker 3>to it even though it is like so bleak, and

0:26:24.840 --> 0:26:27.280
<v Speaker 3>I think something they're doing really well. Is it balancing

0:26:28.280 --> 0:26:31.360
<v Speaker 3>that like rooting for Oz, but also like just how

0:26:31.440 --> 0:26:33.560
<v Speaker 3>horribly violent he is, Like he will just kill you

0:26:33.600 --> 0:26:34.760
<v Speaker 3>to get what he wants.

0:26:35.000 --> 0:26:38.000
<v Speaker 1>I mean when he makes vic Lye down in the grate,

0:26:38.160 --> 0:26:42.400
<v Speaker 1>that was so brutal. They're very they're really smart about

0:26:42.400 --> 0:26:44.879
<v Speaker 1>the way they portray him, because they always give you

0:26:44.960 --> 0:26:47.760
<v Speaker 1>one or two moments per episode where you're like, hey,

0:26:47.760 --> 0:26:50.400
<v Speaker 1>we're all having fun here, but this guy's a piece

0:26:50.440 --> 0:26:50.760
<v Speaker 1>of shit.

0:26:50.920 --> 0:26:54.720
<v Speaker 5>Yeah, exactly, and it's it's it's great.

0:26:54.760 --> 0:26:56.720
<v Speaker 1>I love this show. This show is really good.

0:26:58.000 --> 0:26:59.600
<v Speaker 5>It's so good. I can't wait to see where it goes.

0:27:00.000 --> 0:27:01.719
<v Speaker 3>And I kind of love like I wrote a review,

0:27:02.359 --> 0:27:04.040
<v Speaker 3>a kind of like a review that was also an

0:27:04.160 --> 0:27:07.199
<v Speaker 3>essay at Polygon about the show, where like the fact

0:27:07.440 --> 0:27:12.919
<v Speaker 3>it's in this really weird space where.

0:27:12.680 --> 0:27:16.080
<v Speaker 5>Like Aquaman came out at Christmas.

0:27:15.800 --> 0:27:18.320
<v Speaker 3>Last year, and the next DC movie isn't till twenty

0:27:18.359 --> 0:27:20.120
<v Speaker 3>twenty five, and The Batman isn't.

0:27:19.920 --> 0:27:20.880
<v Speaker 5>Till twenty twenty six.

0:27:21.320 --> 0:27:23.240
<v Speaker 3>It gives it a lot of freedom to kind of

0:27:23.280 --> 0:27:26.359
<v Speaker 3>exist on its own. And I think that's why a

0:27:26.440 --> 0:27:29.480
<v Speaker 3>lot of reviewers from places that are maybe a tired

0:27:29.560 --> 0:27:32.359
<v Speaker 3>of other superhero stuff have really found the love for it.

0:27:32.480 --> 0:27:34.800
<v Speaker 3>And I, yeah, I just think it's a really really

0:27:34.800 --> 0:27:38.680
<v Speaker 3>cool show, and I'm very excited to see where it goes,

0:27:38.720 --> 0:27:41.439
<v Speaker 3>and also like terrified because I know that my faves

0:27:41.440 --> 0:27:43.400
<v Speaker 3>are going to die and it's all going to be horrible,

0:27:43.560 --> 0:27:45.320
<v Speaker 3>and yeah, but I just I can't wait.

0:27:45.400 --> 0:27:47.440
<v Speaker 5>It's going to be so good. This is a blessing,

0:27:47.560 --> 0:27:49.760
<v Speaker 5>this show. It's so so good and so weird.

0:27:51.680 --> 0:27:53.760
<v Speaker 1>On the next couple episodes of Extra Vision, We're getting

0:27:53.760 --> 0:27:58.560
<v Speaker 1>ready for oooo season by diving into the new Uzamaki

0:27:58.640 --> 0:28:04.200
<v Speaker 1>adult swim anime, and on Fryday covering the Big Destruction film.

0:28:04.440 --> 0:28:15.040
<v Speaker 6>Finally calib Callabri, to the Wall, to the to the Window.

0:28:18.240 --> 0:28:29.399
<v Speaker 1>Bye x Ray Vision is hosted by Jason Kisupsion and

0:28:29.600 --> 0:28:33.679
<v Speaker 1>Rosie Knight and is a production of iHeart Podcasts. Our

0:28:33.760 --> 0:28:37.960
<v Speaker 1>executive producers are Joelle Smith and Aaron Kaufman. Our supervising

0:28:38.000 --> 0:28:42.719
<v Speaker 1>producer is a Boo Zafar. Our producers are Carmen Laurent

0:28:43.520 --> 0:28:47.080
<v Speaker 1>and Mia Taylor. Our theme song is by Brian Basquez.

0:28:47.640 --> 0:28:51.880
<v Speaker 3>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:28:52.280 --> 0:28:54.320
<v Speaker 3>and Heidi our discoord moderator.