1 00:00:00,360 --> 00:00:04,640 Speaker 1: Warning today's episode, today's spoilers for episode two of The 2 00:00:04,640 --> 00:00:05,560 Speaker 1: Penguin on Max. 3 00:00:05,920 --> 00:00:23,280 Speaker 2: Yeah yeah, yeah, yeah yeah. 4 00:00:24,239 --> 00:00:25,239 Speaker 1: Oh. 5 00:00:25,280 --> 00:00:29,000 Speaker 3: My name is Jason Concepcion and I'm rosday Night, and welcome. 6 00:00:28,720 --> 00:00:30,440 Speaker 1: Back to Extra revision of the podcast where we dive 7 00:00:30,560 --> 00:00:34,520 Speaker 1: dee bit to your favorite shows, movies, comics and pop culture. 8 00:00:34,520 --> 00:00:37,239 Speaker 1: Coming you from my Heart podcast where we're bringing you 9 00:00:37,360 --> 00:00:40,159 Speaker 1: two episodes a week every Tuesday and Thursday, and. 10 00:00:40,200 --> 00:00:44,960 Speaker 3: Sometimes a secret episode two In today's not secret episode. 11 00:00:45,400 --> 00:00:48,879 Speaker 3: In the previously on, we have a very specific musical 12 00:00:48,960 --> 00:00:52,159 Speaker 3: Batman news to react to. A new companion album for 13 00:00:52,320 --> 00:00:57,840 Speaker 3: Joker Fully Adure titled Harlequin by Lady Gaga was released 14 00:00:57,840 --> 00:01:01,440 Speaker 3: on Friday last week, and look, we will be recapping 15 00:01:01,440 --> 00:01:03,560 Speaker 3: and breaking down episode one or two on the Penguin 16 00:01:03,600 --> 00:01:05,760 Speaker 3: and guess what, it's even better than the first one. 17 00:01:07,560 --> 00:01:15,560 Speaker 1: But first previously on, okay, first up, wow, here it is. 18 00:01:15,920 --> 00:01:21,319 Speaker 1: Lady Gaga has released a new album called Harlequin of 19 00:01:21,360 --> 00:01:24,839 Speaker 1: course on Friday. It is a thirteen track companion album 20 00:01:25,680 --> 00:01:28,720 Speaker 1: to the Joker movie, which comes out this Friday and 21 00:01:28,920 --> 00:01:32,320 Speaker 1: may or may not be a day bacle. I know, 22 00:01:33,360 --> 00:01:34,840 Speaker 1: wait to find out. 23 00:01:35,000 --> 00:01:37,400 Speaker 3: And you know what, I'm very proud of Lady Gaga 24 00:01:37,440 --> 00:01:40,399 Speaker 3: for this move, honestly, because I have been reading the reviews, 25 00:01:40,400 --> 00:01:42,679 Speaker 3: and the reviews are like, she's not necessarily in it 26 00:01:42,720 --> 00:01:46,560 Speaker 3: as much as we expected, you know, but I will say, 27 00:01:46,800 --> 00:01:49,000 Speaker 3: you know what, good for you, girl, make an album. 28 00:01:49,240 --> 00:01:51,680 Speaker 3: I'm guessing from this track list that this is the 29 00:01:51,720 --> 00:01:53,920 Speaker 3: track list of most of the songs that are in 30 00:01:53,960 --> 00:01:56,000 Speaker 3: the movie. There's some that we've heard in the trailer, 31 00:01:56,120 --> 00:02:01,040 Speaker 3: like smile that's life, Wow, can't wait to walkuing Phoenix 32 00:02:01,120 --> 00:02:04,120 Speaker 3: doing that perennial American karaoke favor. 33 00:02:04,960 --> 00:02:08,160 Speaker 4: That's not I know, dude. 34 00:02:08,200 --> 00:02:12,120 Speaker 3: Every song on this album is like and potentially the 35 00:02:12,200 --> 00:02:16,400 Speaker 3: movie trailer is like do can you believe that they 36 00:02:16,440 --> 00:02:18,640 Speaker 3: went this obvious? And then I see what Tom Phillips 37 00:02:18,720 --> 00:02:22,120 Speaker 3: is saying about the Batman and how Arthur Fleck would 38 00:02:22,160 --> 00:02:24,720 Speaker 3: love him because he's an alpha male, and I'm like, okay, 39 00:02:24,760 --> 00:02:27,200 Speaker 3: this makes sense. So, you know what, good good luck 40 00:02:27,600 --> 00:02:32,000 Speaker 3: to Lady, and I hope this album sells well and 41 00:02:32,000 --> 00:02:35,440 Speaker 3: that your little monsters love it, because, as Jason said. 42 00:02:35,240 --> 00:02:37,399 Speaker 5: The movie maybe a DEBACLELL. 43 00:02:37,200 --> 00:02:41,160 Speaker 1: I know, I who knows? So interested? I'm so interested? 44 00:02:43,240 --> 00:02:45,320 Speaker 1: All right, coming up, we're stepping out of their lot 45 00:02:45,360 --> 00:02:49,480 Speaker 1: to talk about episode one oh two of The Penguid. 46 00:02:49,480 --> 00:02:50,720 Speaker 5: The Penguin. 47 00:02:53,120 --> 00:02:58,480 Speaker 1: Penguin Season two, episode two Inside Man Reopen in Arkham. 48 00:02:59,200 --> 00:03:02,600 Speaker 1: It appears to be a flashback. At first, Blush Sophia 49 00:03:02,680 --> 00:03:05,600 Speaker 1: is there, Alberto is visiting. She's relieved to see him. 50 00:03:06,720 --> 00:03:10,080 Speaker 1: His pinky is missing, and then someone shoots him in 51 00:03:10,080 --> 00:03:16,760 Speaker 1: the head. It's a dream. Rage ignites behind Sophia's eyes. 52 00:03:16,840 --> 00:03:19,040 Speaker 1: We see red lights flashing, and then we come to 53 00:03:19,120 --> 00:03:24,200 Speaker 1: realize she's in some kind of experimental like deep memory 54 00:03:25,840 --> 00:03:30,160 Speaker 1: hypnosis kind of therapy that I have to say, Rosie 55 00:03:30,560 --> 00:03:34,960 Speaker 1: is a little too based on physical touch with her. 56 00:03:35,040 --> 00:03:35,880 Speaker 5: That's a little bit. 57 00:03:35,840 --> 00:03:39,680 Speaker 3: Touchy feely business against too much like no, off, they 58 00:03:39,840 --> 00:03:40,600 Speaker 3: don't like this. 59 00:03:40,760 --> 00:03:43,600 Speaker 1: No, I don't think this is appropriate at all for 60 00:03:43,720 --> 00:03:48,960 Speaker 1: a psychologist slash therapist relationship. He's like and he's hugging her. 61 00:03:51,120 --> 00:03:53,640 Speaker 5: It's yeah, unpleasant to me. 62 00:03:53,800 --> 00:03:56,400 Speaker 1: I don't like that he calms her down. He is 63 00:03:56,480 --> 00:03:58,200 Speaker 1: doctor Julian Rush. Is this Rush? 64 00:03:58,320 --> 00:04:03,960 Speaker 4: I trusted to see where this goes? 65 00:04:04,080 --> 00:04:06,480 Speaker 3: Yeah, Because also I was like, you know, obviously we 66 00:04:06,520 --> 00:04:08,840 Speaker 3: always think about this kind of stuff and we're like, oh. 67 00:04:08,720 --> 00:04:09,640 Speaker 5: It's is it Julia? 68 00:04:09,800 --> 00:04:09,960 Speaker 2: Is it? 69 00:04:10,040 --> 00:04:10,320 Speaker 4: Rush? 70 00:04:10,640 --> 00:04:14,840 Speaker 3: I also wonder whether it's like, is this I feel 71 00:04:14,880 --> 00:04:17,880 Speaker 3: like what they're leading to with this season, if we 72 00:04:18,000 --> 00:04:20,960 Speaker 3: if they are leading to any other villains who would 73 00:04:20,960 --> 00:04:24,880 Speaker 3: come into this season, into The Batman Part two after 74 00:04:24,920 --> 00:04:28,359 Speaker 3: this season. I do feel like it's feeling very heavily 75 00:04:28,960 --> 00:04:33,080 Speaker 3: like Scarecrow coded And I also wonder, you know, we've 76 00:04:33,080 --> 00:04:36,240 Speaker 3: had Oz Cobb as he is known, like he has 77 00:04:36,279 --> 00:04:39,800 Speaker 3: been renamed, and I do wonder if there's a world 78 00:04:39,839 --> 00:04:46,400 Speaker 3: where this doctor ends up being a version of the Scarecrow, 79 00:04:47,040 --> 00:04:51,640 Speaker 3: you know, because he is definitely like very something. There's 80 00:04:51,640 --> 00:04:54,600 Speaker 3: something creepy, there's something weird, and we know that there's 81 00:04:54,640 --> 00:04:58,880 Speaker 3: this drug that people are. 82 00:04:58,800 --> 00:05:00,880 Speaker 5: This like new drug the Oz is. 83 00:05:00,920 --> 00:05:05,200 Speaker 3: Kind of trying arrived off, but there's rumors of it. 84 00:05:05,680 --> 00:05:09,040 Speaker 3: And then this is some kind of weird therapy that 85 00:05:09,120 --> 00:05:09,479 Speaker 3: she's in. 86 00:05:09,760 --> 00:05:11,520 Speaker 6: He could just be a creep and. 87 00:05:11,400 --> 00:05:12,880 Speaker 5: The Rush name could just be like a. 88 00:05:13,360 --> 00:05:17,440 Speaker 3: Nod to to Rush, kind of like we got with 89 00:05:17,520 --> 00:05:21,400 Speaker 3: a with Eve Caller. But yeah, I'm interesting and I 90 00:05:21,440 --> 00:05:24,159 Speaker 3: hate this character already, Like he definitely seems like a 91 00:05:24,200 --> 00:05:24,720 Speaker 3: creep to me. 92 00:05:25,040 --> 00:05:25,919 Speaker 5: I've already got I. 93 00:05:25,960 --> 00:05:27,680 Speaker 1: Do not like him. I hate him. 94 00:05:28,400 --> 00:05:29,440 Speaker 2: Uh. 95 00:05:29,600 --> 00:05:32,440 Speaker 1: She gets mad, She storms out of the therapy session. 96 00:05:33,480 --> 00:05:36,920 Speaker 1: Uh and because he said you're safe now, and she goes, 97 00:05:36,960 --> 00:05:40,400 Speaker 1: I'm home, basically saying I'm not a safe I'm home, 98 00:05:40,880 --> 00:05:44,080 Speaker 1: Oz Cod We go to Oz. Oz is sloping pepso 99 00:05:44,120 --> 00:05:47,720 Speaker 1: bismol in his car. He is going to visit maroneyan 100 00:05:47,760 --> 00:05:50,559 Speaker 1: black Gate. Sal is wearing a ring, but he also 101 00:05:50,640 --> 00:05:53,839 Speaker 1: knows that Oz is trying to He understands that Oz 102 00:05:53,920 --> 00:05:56,039 Speaker 1: is trying to get him to take responsibility for ye 103 00:05:57,279 --> 00:05:59,239 Speaker 1: is that like, is this like a meeting? 104 00:05:59,440 --> 00:06:01,479 Speaker 4: Like I feel like there's like a lot of people 105 00:06:02,480 --> 00:06:02,960 Speaker 4: in this. 106 00:06:04,480 --> 00:06:08,240 Speaker 1: It takes places in a wide open era family being 107 00:06:08,320 --> 00:06:11,839 Speaker 1: oh this is crude, like it does feel like he's 108 00:06:11,920 --> 00:06:14,000 Speaker 1: kind of like, well done, like you did it, you 109 00:06:14,040 --> 00:06:17,720 Speaker 1: got our attention, Like you're in trouble. 110 00:06:17,760 --> 00:06:18,919 Speaker 5: But let's see why this goes. 111 00:06:19,480 --> 00:06:25,240 Speaker 1: So, mister Maroney is trying to play a little hardball here, saying, yeah, 112 00:06:25,360 --> 00:06:26,760 Speaker 1: I know, I know what you're trying to do. I 113 00:06:26,760 --> 00:06:30,760 Speaker 1: don't think I don't know that I'm stupid. Oz is like, uh, well, 114 00:06:30,800 --> 00:06:32,200 Speaker 1: you're wear in the ring and you seem to be 115 00:06:32,560 --> 00:06:37,280 Speaker 1: enjoying the fact that the Falconies are going through it 116 00:06:37,400 --> 00:06:41,360 Speaker 1: right now. And he's like, listen, they're gonna blame you anyway. 117 00:06:41,360 --> 00:06:45,320 Speaker 1: You're wearing the ring. They're in chaos right now, lean 118 00:06:45,400 --> 00:06:50,000 Speaker 1: into it and you can come away the winner of this. 119 00:06:50,120 --> 00:06:53,640 Speaker 1: He says, if you strike now, everything is to gain. 120 00:06:54,120 --> 00:06:58,080 Speaker 1: Sal takes some advice from his wife Nadia, who says, yeah, 121 00:06:58,120 --> 00:06:59,720 Speaker 1: this guy, as he's a pushover. 122 00:06:59,360 --> 00:07:02,200 Speaker 3: We need him also again, like this is hitting to 123 00:07:02,320 --> 00:07:06,040 Speaker 3: us that Sal and the Maroney family are like running 124 00:07:06,440 --> 00:07:09,440 Speaker 3: black Gate, because she's just that chilling at that visit there, 125 00:07:09,600 --> 00:07:11,800 Speaker 3: just like hanging out, like giving him some tips. 126 00:07:12,840 --> 00:07:16,600 Speaker 1: So Sal says, okay, I will claim Alberto, you deliver 127 00:07:16,680 --> 00:07:19,440 Speaker 1: the drops as products, and that's the deal. Sal then 128 00:07:19,560 --> 00:07:23,600 Speaker 1: sends one of his coppos off with Oz to help 129 00:07:23,800 --> 00:07:27,000 Speaker 1: Oz with the whole deal and to basically be the 130 00:07:27,080 --> 00:07:28,960 Speaker 1: Morony point guy for the Falcone. 131 00:07:29,000 --> 00:07:31,080 Speaker 3: Higt Yeah, because if you don't remember from last week, 132 00:07:31,240 --> 00:07:34,160 Speaker 3: like there's gonna they want us to shut down the drops, 133 00:07:34,640 --> 00:07:37,600 Speaker 3: and so he is basically setting out so Marony can 134 00:07:37,640 --> 00:07:40,680 Speaker 3: steal the drops and make it look like a heist. 135 00:07:41,280 --> 00:07:43,120 Speaker 3: And that's where we're at with this plan. 136 00:07:43,960 --> 00:07:47,080 Speaker 1: Oz tells the uh the Moroni's, Hey, okay, here's what 137 00:07:47,120 --> 00:07:51,320 Speaker 1: we're gonna do. I'm gonna ride in a different car. 138 00:07:52,080 --> 00:07:55,560 Speaker 1: You guys shoot up every single car in the drug caravan, 139 00:07:55,800 --> 00:07:59,080 Speaker 1: in the Falcone caravan, okay, but you don't shoot that car. Okay. 140 00:08:00,240 --> 00:08:04,520 Speaker 1: Here's a problem. So when Oz goes to basically prep 141 00:08:04,800 --> 00:08:08,720 Speaker 1: for the caravan with the Falconies and they're they're moving 142 00:08:08,760 --> 00:08:12,080 Speaker 1: the drugs in a FEMA truck, Johnny Vid is there 143 00:08:12,080 --> 00:08:13,560 Speaker 1: and Johnny D's like, wait, you're not gonna ride with 144 00:08:13,560 --> 00:08:13,920 Speaker 1: the drugs. 145 00:08:14,760 --> 00:08:17,080 Speaker 4: I thought you really cared about. 146 00:08:17,400 --> 00:08:19,280 Speaker 1: Yeah, you gotta ride with the drugs. What the fuck? 147 00:08:19,440 --> 00:08:21,200 Speaker 1: So Oz is like, shit, there's no way out of this. 148 00:08:21,240 --> 00:08:23,320 Speaker 1: That doesn't look weird. I gotta ride with the drugs. 149 00:08:24,040 --> 00:08:27,280 Speaker 1: The caravan is moving through the streets, the Maronis are following. 150 00:08:27,400 --> 00:08:29,920 Speaker 1: Az sees them and so he goes to the back 151 00:08:29,960 --> 00:08:31,880 Speaker 1: of the truck to basically try to pin the bullets. 152 00:08:32,440 --> 00:08:37,000 Speaker 1: The gunfight takes place. Everybody gets gunned down. The Maroney 153 00:08:37,120 --> 00:08:39,199 Speaker 1: guy gets killed. 154 00:08:39,280 --> 00:08:42,679 Speaker 4: Oh Dia like sorry, rip to that man, and. 155 00:08:43,440 --> 00:08:47,840 Speaker 1: The one of the Falconis who is driving the truck 156 00:08:48,160 --> 00:08:51,920 Speaker 1: gets shot. But before he gets shot, he realizes that 157 00:08:52,000 --> 00:08:55,080 Speaker 1: Oz double crossed them and he doesn't know it. Oz 158 00:08:55,120 --> 00:08:57,839 Speaker 1: waddles away with the survivors of the hutst. 159 00:08:57,800 --> 00:09:14,920 Speaker 3: We're gonna take a quick break and we'll be right back. Ah. 160 00:09:15,040 --> 00:09:19,280 Speaker 1: We're back at Falcony mansion. The survivors of the caravan 161 00:09:19,280 --> 00:09:21,160 Speaker 1: are talking about Oz, like, Wow, what a hero. He 162 00:09:21,200 --> 00:09:21,560 Speaker 1: saved her. 163 00:09:22,240 --> 00:09:24,800 Speaker 3: He like he gave us the heads up, like he 164 00:09:24,920 --> 00:09:26,600 Speaker 3: was like, oh shit, something's happening. 165 00:09:27,840 --> 00:09:32,400 Speaker 1: Sophia enters and she's suspicious. Johnny Vedy is hot about 166 00:09:32,400 --> 00:09:35,240 Speaker 1: the product and we lost the product. And Sofia, meanwhile, 167 00:09:35,320 --> 00:09:38,600 Speaker 1: is upset about this ongoing accumiliation of the family, including 168 00:09:38,600 --> 00:09:41,319 Speaker 1: the murder of her brother by the fucking Maroni's. Who 169 00:09:41,320 --> 00:09:43,439 Speaker 1: do they think they are? Oz agrees, he says, I 170 00:09:43,520 --> 00:09:45,960 Speaker 1: think she's right. Sophia is like, we gotta kill him, 171 00:09:45,960 --> 00:09:47,880 Speaker 1: we gotta kill them all. There's a rat in the family. 172 00:09:47,880 --> 00:09:49,960 Speaker 1: We got to figure out who it is. Luca, uncle Luca, 173 00:09:50,000 --> 00:09:52,880 Speaker 1: who's basically the boss now because Alberta, Yeah, it's like 174 00:09:53,440 --> 00:09:56,400 Speaker 1: cool it and just cool it. I will deal with it. 175 00:09:56,400 --> 00:09:59,240 Speaker 3: It's very clear, Like it's very clear that like they 176 00:09:59,320 --> 00:10:03,560 Speaker 3: just have no like she is disrespected by every member 177 00:10:03,600 --> 00:10:06,480 Speaker 3: of the family. She's they aren't even scared of the 178 00:10:06,520 --> 00:10:09,720 Speaker 3: fact that she's allegedly this you know, charged with these 179 00:10:09,760 --> 00:10:13,520 Speaker 3: serial killings like they just think, Yeah. 180 00:10:13,400 --> 00:10:17,280 Speaker 1: I think she's not one. She doesn't have a business 181 00:10:17,320 --> 00:10:23,960 Speaker 1: mind us, she's a she's an insane psycho killer. But 182 00:10:24,040 --> 00:10:25,840 Speaker 1: she but Luca takes her side and was like, listen, 183 00:10:25,880 --> 00:10:28,440 Speaker 1: just stay out of the business. Okay, I'll make the calls. 184 00:10:28,600 --> 00:10:31,760 Speaker 1: Don't worry about it. The funeral for Alberto is tomorrow, 185 00:10:31,840 --> 00:10:35,120 Speaker 1: and get some rest. Oz waits for Sophia and he says, 186 00:10:35,160 --> 00:10:37,720 Speaker 1: you know what, I think there's a rat too. I 187 00:10:37,760 --> 00:10:41,240 Speaker 1: think you should be the boss. I loved I loved 188 00:10:41,280 --> 00:10:43,520 Speaker 1: Alberto so much. And here's where I'm like, you're laying on. 189 00:10:44,280 --> 00:10:46,040 Speaker 5: On tooth thick, Like she's not dumb. 190 00:10:47,160 --> 00:10:50,280 Speaker 1: Yeah, because when she when he said that, Sophia like, 191 00:10:50,320 --> 00:10:52,959 Speaker 1: when did you Alberto never mentioned it? 192 00:10:53,040 --> 00:10:55,640 Speaker 5: Yeah, like who are you? 193 00:10:55,720 --> 00:10:58,240 Speaker 1: So she says, listen, you're just like Luca and the 194 00:10:58,280 --> 00:11:01,880 Speaker 1: rest of them back the fuck off. Later, Oz complains 195 00:11:01,880 --> 00:11:06,160 Speaker 1: to Vic. He says, so Sophia's paranoia is going to 196 00:11:06,240 --> 00:11:09,720 Speaker 1: start a mole hunt that's going to lead to people 197 00:11:09,760 --> 00:11:11,920 Speaker 1: getting killed, and that means maybe we're gonna get killed. 198 00:11:12,400 --> 00:11:15,120 Speaker 1: So we have to set up someone to take the fall. 199 00:11:15,160 --> 00:11:18,120 Speaker 1: We need a patsy. And also we learned that Oz 200 00:11:18,160 --> 00:11:20,600 Speaker 1: has that gene that he can't eat cilantro or he 201 00:11:20,720 --> 00:11:26,040 Speaker 1: it's like like it sad fan. On the ride home, Sophia, 202 00:11:26,520 --> 00:11:31,840 Speaker 1: here's the Gotham news radio start talking about her and 203 00:11:31,880 --> 00:11:34,400 Speaker 1: how terrible it is that she's been released and the 204 00:11:34,920 --> 00:11:37,920 Speaker 1: murders that she committed, and the guy her driver's about 205 00:11:37,960 --> 00:11:39,200 Speaker 1: to change it. But she's like, no, leave this on. 206 00:11:39,280 --> 00:11:41,760 Speaker 4: When to hear She's like, leaving on, baby, I want 207 00:11:41,800 --> 00:11:42,480 Speaker 4: to hear them. 208 00:11:42,360 --> 00:11:48,160 Speaker 1: Talk about me. At his apartment, Oz tells Vic about 209 00:11:48,440 --> 00:11:51,400 Speaker 1: another story about his come up and how he was 210 00:11:51,760 --> 00:11:54,560 Speaker 1: tapped to be the driver for this big shot but 211 00:11:54,600 --> 00:11:55,960 Speaker 1: he didn't know how to drive, so he stole a car. 212 00:11:56,000 --> 00:11:59,760 Speaker 1: He taught himself how to drive, basically saying to Vic, hey, fake, 213 00:11:59,800 --> 00:12:02,560 Speaker 1: it's you make don't say no, guy, sometimes like, don't 214 00:12:02,559 --> 00:12:04,079 Speaker 1: say no. You got it. You go to do it. 215 00:12:04,200 --> 00:12:06,320 Speaker 1: Figure it out. Yeah, you gotta figure something out on 216 00:12:06,360 --> 00:12:10,199 Speaker 1: your feet. Then Eve comes through with a bunch of 217 00:12:10,280 --> 00:12:15,319 Speaker 1: professional women of the evening. At a bar, Sophia recognizes 218 00:12:15,520 --> 00:12:18,680 Speaker 1: a Gotham police detective who has clearly got a drop problem. 219 00:12:18,679 --> 00:12:19,480 Speaker 2: Oh yeah. 220 00:12:19,840 --> 00:12:22,600 Speaker 1: He doesn't want any part of the conversation, but she says, listen, 221 00:12:23,120 --> 00:12:25,600 Speaker 1: I want you to look for a mole in my family, 222 00:12:26,440 --> 00:12:29,439 Speaker 1: and I got some drops for you if you do it, 223 00:12:29,480 --> 00:12:33,320 Speaker 1: and he's like, great, I'm in at Oz's. Oz is 224 00:12:33,360 --> 00:12:36,520 Speaker 1: celebrating with his crew, the survivors of this of the 225 00:12:36,800 --> 00:12:40,880 Speaker 1: of the fucking Falcony drug caravan that he said, I 226 00:12:40,960 --> 00:12:41,320 Speaker 1: just have. 227 00:12:41,240 --> 00:12:45,120 Speaker 3: To say, this show is like, you know, I was 228 00:12:45,160 --> 00:12:49,240 Speaker 3: watching this series and the first and the second episode, especially. 229 00:12:48,840 --> 00:12:53,839 Speaker 4: Like this episode, I was like, I understand what. 230 00:12:53,840 --> 00:12:55,800 Speaker 3: They're doing with this show, which is like you're just 231 00:12:55,880 --> 00:12:58,040 Speaker 3: constantly on edge, like how's he gonna get out of 232 00:12:58,040 --> 00:13:00,319 Speaker 3: a scrape this time? Like he's getting himself into a 233 00:13:00,400 --> 00:13:02,679 Speaker 3: crazy scrape. How's he gonna get out of it? And 234 00:13:02,679 --> 00:13:05,840 Speaker 3: this man is like crazy, like he's living on the edge. 235 00:13:05,880 --> 00:13:09,960 Speaker 3: Every plan he has is the most anxiety inducing plan 236 00:13:10,600 --> 00:13:13,720 Speaker 3: you could ever think oflled like he is playing everyone. 237 00:13:13,880 --> 00:13:15,120 Speaker 4: He's so untrustworthy. 238 00:13:15,120 --> 00:13:16,880 Speaker 3: But you are like, I want to see him out 239 00:13:16,880 --> 00:13:18,960 Speaker 3: of it, like I want to see all like see 240 00:13:18,960 --> 00:13:19,200 Speaker 3: if he. 241 00:13:19,200 --> 00:13:19,960 Speaker 5: Can get out of it. 242 00:13:20,360 --> 00:13:24,480 Speaker 1: We learned that Eve's camp performer, she's chatting it up 243 00:13:24,480 --> 00:13:27,240 Speaker 1: with vic Oscos to his bedroom behind the vault to 244 00:13:27,280 --> 00:13:32,600 Speaker 1: basically leave his guys and Eve's ladies to it. Vic 245 00:13:33,000 --> 00:13:37,280 Speaker 1: talking to the women his nervous stutter. Like basically in 246 00:13:37,320 --> 00:13:39,760 Speaker 1: his room, Oz is like looking through his envelope of 247 00:13:39,760 --> 00:13:46,240 Speaker 1: blackmail stuff, which includes picks of Vedie with Luca Falcone's. 248 00:13:45,559 --> 00:13:47,880 Speaker 4: Why oh, that's a big deal. 249 00:13:48,080 --> 00:13:50,680 Speaker 1: Eve comes in Eve Knox and wants to talk. She 250 00:13:50,880 --> 00:13:54,520 Speaker 1: knows that he is using her as his alibi because 251 00:13:54,559 --> 00:13:58,600 Speaker 1: he obviously killed Alberto. That's too risky for her and 252 00:13:58,640 --> 00:14:00,680 Speaker 1: her ladies that work for her. Just don't worry. I 253 00:14:00,679 --> 00:14:01,640 Speaker 1: got it all figured out. 254 00:14:02,480 --> 00:14:06,079 Speaker 3: This man's always planning. Also, I do think it's really interesting. 255 00:14:06,559 --> 00:14:10,160 Speaker 3: I feel like the sex worker part of this and 256 00:14:10,200 --> 00:14:12,520 Speaker 3: having Eva is such a major part. It really is 257 00:14:12,559 --> 00:14:16,480 Speaker 3: a kin to like Batman Yujuan, where you kind of 258 00:14:16,480 --> 00:14:19,080 Speaker 3: have this version of Selena who lives with sex workers, 259 00:14:19,080 --> 00:14:20,680 Speaker 3: who's implied to be a sex work. I think it's 260 00:14:20,680 --> 00:14:22,640 Speaker 3: a really nice way to build in a little bit 261 00:14:22,680 --> 00:14:24,280 Speaker 3: of the comic book Glaur and I think Eva is 262 00:14:24,280 --> 00:14:28,880 Speaker 3: a very interesting character, and I'm excited to kind of 263 00:14:28,920 --> 00:14:31,320 Speaker 3: see where they go with this, and I hope they 264 00:14:31,320 --> 00:14:34,760 Speaker 3: don't fall into some of the like you know, standard 265 00:14:34,760 --> 00:14:38,000 Speaker 3: tropes of like sex workers being killed, and I want 266 00:14:38,040 --> 00:14:41,520 Speaker 3: to see Eve and Oz go forward in this in 267 00:14:41,560 --> 00:14:44,480 Speaker 3: an interesting way, because I just think it's a really unique, 268 00:14:44,520 --> 00:14:48,120 Speaker 3: little extra layer that they've added to him. 269 00:14:48,480 --> 00:14:49,960 Speaker 1: We'll be right back after a quick break. 270 00:14:50,200 --> 00:15:00,480 Speaker 2: Yeah, and. 271 00:15:05,680 --> 00:15:09,120 Speaker 1: We're back. From what I've seen so far, I am. 272 00:15:10,240 --> 00:15:11,080 Speaker 1: I feel good. 273 00:15:11,200 --> 00:15:12,720 Speaker 5: Yeah, exactly exactly. 274 00:15:12,800 --> 00:15:14,720 Speaker 1: I think they've been. I think just in the scene 275 00:15:14,720 --> 00:15:17,280 Speaker 1: where they're hanging out at OZ, they handle it really well. 276 00:15:17,880 --> 00:15:21,920 Speaker 1: In the morning, Oz gives Eve like a huge like 277 00:15:22,000 --> 00:15:25,000 Speaker 1: way over whenever the agreed upon price was huge tipped, 278 00:15:25,000 --> 00:15:26,280 Speaker 1: like to the point where she's like, this is too 279 00:15:26,360 --> 00:15:29,640 Speaker 1: much money, and he's getting dressed to you know, go 280 00:15:29,680 --> 00:15:32,920 Speaker 1: to the balconies for the reception. After Alic's funeral, he 281 00:15:33,240 --> 00:15:37,520 Speaker 1: then goes to his mom's where he's apparently Oz has 282 00:15:37,560 --> 00:15:40,800 Speaker 1: been playing the landlord to like take care of his 283 00:15:40,840 --> 00:15:43,360 Speaker 1: mom rather than hire a home health aid. We'll learn 284 00:15:43,400 --> 00:15:46,960 Speaker 1: more about this in a second. Why the secrecy. The 285 00:15:47,040 --> 00:15:50,040 Speaker 1: landlord is like, listen, it's getting really bad. She has dementia. 286 00:15:50,200 --> 00:15:51,960 Speaker 1: Oz is like, just watch her, and he gives him 287 00:15:51,960 --> 00:15:54,760 Speaker 1: a lot of money. Oz and mom have a little dance. 288 00:15:54,960 --> 00:15:55,200 Speaker 3: Yeah. 289 00:15:55,240 --> 00:15:57,440 Speaker 1: He clearly loves his mom very very much. They have 290 00:15:57,520 --> 00:15:58,680 Speaker 1: a very close. 291 00:15:58,520 --> 00:16:02,000 Speaker 3: Relationship, maybe codependent relationship. It doesn't seem very healthy. 292 00:16:02,920 --> 00:16:06,200 Speaker 1: It's not healthy, but it's clearly full of luck. She 293 00:16:06,360 --> 00:16:12,760 Speaker 1: then tearfully, tearful, with tears in her eyes. Ozzie, I 294 00:16:12,840 --> 00:16:16,880 Speaker 1: need you to kill a lot of guys. 295 00:16:18,000 --> 00:16:20,840 Speaker 3: That's all I've ever wanted before I die is just 296 00:16:20,960 --> 00:16:24,920 Speaker 3: play before I die makes the biggest Smapfia moves. 297 00:16:25,280 --> 00:16:27,440 Speaker 1: Big mafia moves. I need to see you on top 298 00:16:27,480 --> 00:16:31,400 Speaker 1: of the of the organized crime families and before I die, 299 00:16:31,520 --> 00:16:34,760 Speaker 1: and he says, mom Ma, I'm not gonna let you down. 300 00:16:34,880 --> 00:16:37,760 Speaker 1: I'm not gonna do that. Oz arrives at the church. 301 00:16:37,920 --> 00:16:40,560 Speaker 1: Crazy scene out there, there's protesters angry about the mafia. 302 00:16:40,560 --> 00:16:43,800 Speaker 1: They're angry about the release of the Hangman. Oz right there, 303 00:16:43,960 --> 00:16:49,720 Speaker 1: tries to give Luca the VD pics. It's looking I 304 00:16:49,800 --> 00:16:51,360 Speaker 1: got some new you go on and see, but it 305 00:16:51,400 --> 00:16:55,600 Speaker 1: doesn't work. Oz that approaches Sophiace and he pretends like, yeah, 306 00:16:55,600 --> 00:16:57,440 Speaker 1: I was in the back of the funel. You see 307 00:16:57,480 --> 00:17:00,320 Speaker 1: me there, you're looking for me. I was in back, 308 00:17:00,520 --> 00:17:02,560 Speaker 1: you know, I dodn't want anybody to see me crying 309 00:17:02,680 --> 00:17:08,080 Speaker 1: over my close friend now Berta. He says, listen, when 310 00:17:08,080 --> 00:17:11,320 Speaker 1: my brothers died, there's nobody there for them, And then 311 00:17:11,320 --> 00:17:13,960 Speaker 1: he tells this story about yeah, you know, my mom 312 00:17:14,119 --> 00:17:16,840 Speaker 1: was the grief took her over. But then one day 313 00:17:16,920 --> 00:17:19,320 Speaker 1: she says, let's go out dancing with his jazz club 314 00:17:20,040 --> 00:17:23,840 Speaker 1: and uh so we dance real close, real slow, and 315 00:17:23,920 --> 00:17:25,960 Speaker 1: so feels like with your mom, it was weird. 316 00:17:26,119 --> 00:17:28,600 Speaker 5: Yeah, yeah, it's a weird vibe. I'm not gonna lie. 317 00:17:28,600 --> 00:17:30,040 Speaker 4: I was like, I think she's right. 318 00:17:30,119 --> 00:17:31,720 Speaker 5: She's like, this seems strange. 319 00:17:32,640 --> 00:17:34,960 Speaker 1: And we learned from the rest of this conversation that 320 00:17:35,080 --> 00:17:41,600 Speaker 1: Oz very very wisely. He's like canny god strategist. Be 321 00:17:41,680 --> 00:17:45,160 Speaker 1: careful of him. Everyone thinks his mother is dead. That's 322 00:17:45,200 --> 00:17:48,199 Speaker 1: why all the secrecy, because he doesn't want her as 323 00:17:48,240 --> 00:17:49,400 Speaker 1: a target out there. 324 00:17:49,680 --> 00:17:51,879 Speaker 4: That's why he drives to a house in the Volvo. 325 00:17:52,560 --> 00:17:55,280 Speaker 5: That's why it's very smart. 326 00:17:55,480 --> 00:18:00,760 Speaker 3: Gods shows how much she trusts Vic, just like instantly, 327 00:18:01,000 --> 00:18:03,600 Speaker 3: and I know that's because you know, like he could 328 00:18:03,600 --> 00:18:04,800 Speaker 3: just kill Vic at any time. 329 00:18:04,920 --> 00:18:07,239 Speaker 7: He's ready to kill He's ready to kill Vic at 330 00:18:07,240 --> 00:18:11,600 Speaker 7: the like that's there is a level of like he 331 00:18:11,800 --> 00:18:14,800 Speaker 7: sees himself in Vic, and that is a level of 332 00:18:14,920 --> 00:18:17,880 Speaker 7: like openness that that he's had really since the first 333 00:18:17,880 --> 00:18:19,160 Speaker 7: time they met. 334 00:18:19,480 --> 00:18:23,160 Speaker 1: That's right. One of Sophia's guys, her main like bodyguard 335 00:18:23,200 --> 00:18:25,840 Speaker 1: guy comes to like pull her away, and as they're 336 00:18:25,840 --> 00:18:30,320 Speaker 1: doing that, Oz over, here is that something about a detective. Meanwhile, 337 00:18:30,320 --> 00:18:33,240 Speaker 1: Oz gets a text from the Maronis we need to meet. 338 00:18:33,920 --> 00:18:36,840 Speaker 1: The detective comes to Falconi mansion and he brings a 339 00:18:36,880 --> 00:18:41,520 Speaker 1: wounded Maroney soldier from the heist for Sophia to interrogate. 340 00:18:41,560 --> 00:18:44,560 Speaker 1: And of course this guy knows Oz is double dealing. 341 00:18:45,000 --> 00:18:48,080 Speaker 1: Naia Falcone gives Oz shit for the kidnapping of the guy. 342 00:18:48,400 --> 00:18:50,040 Speaker 1: She's like, you said, this is going to be easy, 343 00:18:50,080 --> 00:18:52,399 Speaker 1: that they just fall over that Luca doesn't know what 344 00:18:52,440 --> 00:18:55,600 Speaker 1: he's doing, that Johnny Vide's a moron, and now this 345 00:18:56,080 --> 00:18:59,320 Speaker 1: Oz is like, this is Sophia. Sophia is doing this 346 00:18:59,520 --> 00:19:01,760 Speaker 1: on her own because she's like active. The rest of 347 00:19:01,800 --> 00:19:05,080 Speaker 1: them are idiots, and Luca doesn't have the balls to 348 00:19:05,119 --> 00:19:07,920 Speaker 1: do this. So Nani is like, okay, well, your all 349 00:19:08,000 --> 00:19:10,000 Speaker 1: of your value to us is that you tell us 350 00:19:10,000 --> 00:19:15,479 Speaker 1: what the Falcones are gonna do, and you are failing 351 00:19:15,480 --> 00:19:17,920 Speaker 1: at that. Therefore we're gonna kill you. So to save 352 00:19:17,960 --> 00:19:22,680 Speaker 1: his own life, I was like, well, and he shows 353 00:19:22,800 --> 00:19:27,520 Speaker 1: them the blackmail material the Johnny Vedy fucking Luca's wife 354 00:19:27,560 --> 00:19:31,000 Speaker 1: blackmail material. And he says, you know, with this week 355 00:19:31,000 --> 00:19:33,080 Speaker 1: can tear down that whole family. And Naia says, Okay, 356 00:19:34,480 --> 00:19:37,040 Speaker 1: get that's nice and all that, but you better get 357 00:19:37,040 --> 00:19:39,479 Speaker 1: our guy back. Okay. Yeah, and you should want him 358 00:19:39,520 --> 00:19:41,560 Speaker 1: back too, because he can say everything about what you 359 00:19:41,560 --> 00:19:44,960 Speaker 1: were doing with us at the mansion. It's very clear 360 00:19:44,960 --> 00:19:47,840 Speaker 1: that nobody trusts Sophia because she's at the reception. She's 361 00:19:47,840 --> 00:19:49,000 Speaker 1: eating with her hands again. 362 00:19:49,560 --> 00:19:51,159 Speaker 4: Yeah, she's like acting up. 363 00:19:52,240 --> 00:19:55,360 Speaker 1: Yeah, everybody's watching her like they're very, very concerned about her. 364 00:19:56,200 --> 00:20:00,840 Speaker 1: VIC meanwhile, is very very concerned about this play of o's. 365 00:20:00,920 --> 00:20:05,400 Speaker 1: Oz's says, here's the plan. You will plant the blackmail 366 00:20:05,480 --> 00:20:08,960 Speaker 1: jewels in Johnny vtd's car. I will find this guy, 367 00:20:09,520 --> 00:20:12,359 Speaker 1: and then the two things together will allow us to 368 00:20:12,680 --> 00:20:14,479 Speaker 1: set up Johnny VD to take the fall for all 369 00:20:14,520 --> 00:20:18,080 Speaker 1: of the shit that's been going on. Meanwhile, Sophia is 370 00:20:18,119 --> 00:20:20,800 Speaker 1: like on the phone with her interrogators down in the 371 00:20:20,800 --> 00:20:22,800 Speaker 1: basement all the time. Is this guy talking? Is this 372 00:20:22,840 --> 00:20:25,520 Speaker 1: guy talking? Is this guy talking? OZ goes to VDI, 373 00:20:25,600 --> 00:20:28,440 Speaker 1: this is very smart. He's a smart guy. He goes 374 00:20:28,480 --> 00:20:31,080 Speaker 1: to VD in the reception, he goes, hey, well, you 375 00:20:31,080 --> 00:20:33,399 Speaker 1: don't trust me after everything? You don't tell me you 376 00:20:33,480 --> 00:20:35,440 Speaker 1: got a marony guy in the basement, you know, the 377 00:20:35,520 --> 00:20:38,080 Speaker 1: morony's they kill a lot of my men. My bad, 378 00:20:38,200 --> 00:20:40,560 Speaker 1: they almost kill me my guys. 379 00:20:40,760 --> 00:20:41,720 Speaker 6: I love my guys. 380 00:20:41,800 --> 00:20:45,320 Speaker 1: How dare you you don't trust me to know there's 381 00:20:45,359 --> 00:20:49,240 Speaker 1: a marony, a dirty rack, maroni idea And then and 382 00:20:49,280 --> 00:20:52,720 Speaker 1: then he storms off and and Vini's like, what is like? 383 00:20:55,119 --> 00:20:58,600 Speaker 1: So they go to check the basin. Meanwhile, Sophia uh 384 00:20:59,400 --> 00:21:01,960 Speaker 1: goes and watches some home movies of Alberto in the 385 00:21:01,960 --> 00:21:04,520 Speaker 1: next room, and she starts throwing back martiniz and she's 386 00:21:04,520 --> 00:21:07,920 Speaker 1: starting to get really really like hangman level mad. A 387 00:21:08,040 --> 00:21:10,440 Speaker 1: cousin comes up who she hasn't seen in a while. 388 00:21:10,560 --> 00:21:13,600 Speaker 1: She's like, oh, we should take a girl's trip. Yeah, 389 00:21:13,800 --> 00:21:15,440 Speaker 1: we'll go, We'll go back to Lake Coach. 390 00:21:16,680 --> 00:21:17,480 Speaker 6: Is this real? 391 00:21:17,960 --> 00:21:18,040 Speaker 2: Like? 392 00:21:18,240 --> 00:21:19,480 Speaker 4: Are you being nice to me? 393 00:21:19,560 --> 00:21:22,679 Speaker 3: And just this she kind of like starts to think 394 00:21:22,840 --> 00:21:26,520 Speaker 3: maybe there's someone who doesn't like hate her or fear her. 395 00:21:27,200 --> 00:21:28,960 Speaker 5: A cousin's door comes. 396 00:21:28,680 --> 00:21:34,400 Speaker 1: By, and the cousin reacts like like a wolf has 397 00:21:34,440 --> 00:21:39,000 Speaker 1: her baby in its jaws, and Sophia. 398 00:21:38,720 --> 00:21:42,120 Speaker 5: Clocks now, yeah, and she's like, well, fuck you, then starts. 399 00:21:41,840 --> 00:21:44,359 Speaker 1: Being very nice but in a menacing way to the girl, 400 00:21:44,359 --> 00:21:48,520 Speaker 1: and the cousin leaves shaking. Luca is like, Sophia, I 401 00:21:48,600 --> 00:21:52,040 Speaker 1: want to talk to you. Uh. Meanwhile, Vick is outside. 402 00:21:52,119 --> 00:21:54,080 Speaker 1: He gets caught breaking David's car and he has to 403 00:21:54,080 --> 00:21:57,760 Speaker 1: fucking run away. Oz gets to the Maroni guy. He 404 00:21:57,920 --> 00:22:02,479 Speaker 1: tells the Maroni guy, listen, you say Johnny Vedy say 405 00:22:02,520 --> 00:22:05,720 Speaker 1: Johnny VD okay, and he's like, I'll do this man, 406 00:22:05,840 --> 00:22:08,800 Speaker 1: I'll say Johnny, I got it. The guy is dying 407 00:22:08,800 --> 00:22:09,680 Speaker 1: like he could die. 408 00:22:09,680 --> 00:22:12,960 Speaker 4: I've been fucking this guy up like he's he's now. 409 00:22:14,520 --> 00:22:17,480 Speaker 1: So he calls VIC and learns that VIC failed and 410 00:22:17,520 --> 00:22:19,439 Speaker 1: so it's time to improvise because the VD plan's not 411 00:22:19,480 --> 00:22:21,920 Speaker 1: gonna work. So he looks at this guy and he says, hey, man, 412 00:22:22,480 --> 00:22:23,879 Speaker 1: sorry about it, and then he stabs him. 413 00:22:24,200 --> 00:22:25,200 Speaker 5: He's like, you done. 414 00:22:26,520 --> 00:22:29,600 Speaker 1: Luca reads Sophia the Riot Act for going out on 415 00:22:29,640 --> 00:22:31,280 Speaker 1: our own, and then he's like, I want to see 416 00:22:31,280 --> 00:22:33,359 Speaker 1: this guy. He goes to the basement and the guy's dead. 417 00:22:33,600 --> 00:22:33,800 Speaker 2: Uh. 418 00:22:33,840 --> 00:22:42,240 Speaker 1: Oh, there is somebody and he says, nobody leaves lock 419 00:22:42,320 --> 00:22:45,160 Speaker 1: everybody in the living room and it's murder mission. 420 00:22:45,200 --> 00:22:49,359 Speaker 4: Yeah, this is a time baby. He's going baby and 421 00:22:49,440 --> 00:22:51,359 Speaker 4: he's fighting out. 422 00:22:51,520 --> 00:22:54,399 Speaker 1: So everybody gets thrown in there. Oz gets thrown in 423 00:22:54,480 --> 00:22:57,280 Speaker 1: and they're man handling everybody, even Johnny. Vetny is getting 424 00:22:57,359 --> 00:23:01,239 Speaker 1: like rustly thrown in the living room and figures out, oh, 425 00:23:01,280 --> 00:23:02,960 Speaker 1: they're looking for a knife. So he takes a knife. 426 00:23:02,960 --> 00:23:05,000 Speaker 1: He puts it up his sleeve and then he starts 427 00:23:05,080 --> 00:23:07,040 Speaker 1: something with V and he's like, there's this because the 428 00:23:07,200 --> 00:23:11,119 Speaker 1: u VD your fucking incompetence. You got my guys killed, 429 00:23:11,440 --> 00:23:14,400 Speaker 1: and now all this shoot is fucking going on. What 430 00:23:14,440 --> 00:23:17,080 Speaker 1: the fuck you the fucking moron you want with the drugs? 431 00:23:17,119 --> 00:23:19,640 Speaker 1: It's all your fucking fault. And they like kind of scuffle, 432 00:23:20,080 --> 00:23:26,800 Speaker 1: and in the scuffle, Oz plants the knife on Sophia's bodyguards. 433 00:23:28,200 --> 00:23:31,600 Speaker 1: That's right, And so when when they search everybody, they 434 00:23:31,640 --> 00:23:35,680 Speaker 1: find the knife in Sofia's bodyguard's pocket and he's like, Sophia. 435 00:23:35,320 --> 00:23:38,000 Speaker 4: What I would do it? I would never ye, I. 436 00:23:38,000 --> 00:23:43,000 Speaker 1: Would never betray you. And Sophia's like, let me shoot him. 437 00:23:43,000 --> 00:23:45,280 Speaker 1: Somebody give me a gun, and everybody's like, nobody give 438 00:23:45,320 --> 00:23:46,040 Speaker 1: the hangman of gun. 439 00:23:46,160 --> 00:23:48,200 Speaker 4: Don't give the hang man of gun. She's not allowed 440 00:23:48,200 --> 00:23:48,520 Speaker 4: a gun. 441 00:23:48,560 --> 00:23:48,840 Speaker 5: Guys. 442 00:23:49,720 --> 00:23:52,520 Speaker 1: So Lucas shoots the guy in case closed and that's it. 443 00:23:53,160 --> 00:23:57,080 Speaker 1: Sophia's really mad that Luca didn't let her kill the guy, 444 00:23:57,160 --> 00:23:59,919 Speaker 1: and he says, listen, it's getting too hot with you. 445 00:24:00,119 --> 00:24:03,280 Speaker 1: Hear all the hangman stuff. The whole city's up in 446 00:24:03,400 --> 00:24:06,399 Speaker 1: arms about it. Not to mention, you just wanted to 447 00:24:06,480 --> 00:24:09,879 Speaker 1: kill a guy right now, you know, like it scares 448 00:24:09,880 --> 00:24:13,440 Speaker 1: every ready when you start killing it, why don't you 449 00:24:13,440 --> 00:24:21,000 Speaker 1: get a town on you? And that's what Sophia realizes 450 00:24:21,040 --> 00:24:23,560 Speaker 1: that there's a they're plotting to get her out of, 451 00:24:24,200 --> 00:24:27,280 Speaker 1: so she pretends to go along with it. Later, Oz 452 00:24:27,359 --> 00:24:30,600 Speaker 1: is in the woods with Vic burying the dead maroney 453 00:24:30,640 --> 00:24:35,200 Speaker 1: Hood and Sophia's body. Oz then says, Vic lay down 454 00:24:35,200 --> 00:24:36,920 Speaker 1: in the hole. He makes Vick lay down in the hole. 455 00:24:37,119 --> 00:24:40,280 Speaker 1: Look at these guys, Little Vic, poor little Vic. He's like, 456 00:24:40,320 --> 00:24:42,720 Speaker 1: look at these guys. Look at these dead guys. Look them. 457 00:24:43,000 --> 00:24:46,200 Speaker 1: This is what happens when you choke. Okay, you don't 458 00:24:46,240 --> 00:24:49,840 Speaker 1: come through, and this is what happens. We have to improvise, 459 00:24:49,960 --> 00:24:51,520 Speaker 1: and we had to kill all these guys and we 460 00:24:51,560 --> 00:24:54,080 Speaker 1: almost got killed. And he lets Vic out and he says, well, Vic, 461 00:24:54,400 --> 00:24:56,000 Speaker 1: I don't know, maybe you don't got it in you. 462 00:24:56,119 --> 00:24:58,040 Speaker 1: Maybe you don't have it in you to compete at 463 00:24:58,040 --> 00:25:02,639 Speaker 1: this level. Sophia calls Oz, he goes to see her 464 00:25:02,680 --> 00:25:06,440 Speaker 1: in the family crypt and guess what now she's all 465 00:25:06,520 --> 00:25:08,120 Speaker 1: about it. She's like, you know, I've been thinking about 466 00:25:08,160 --> 00:25:10,240 Speaker 1: what you said, and maybe we do team up. Yeah, 467 00:25:10,240 --> 00:25:13,199 Speaker 1: peak control of the family. I'll be boss. What do 468 00:25:13,240 --> 00:25:16,800 Speaker 1: you say? And Oz is like, let's dance, let's do it. 469 00:25:16,960 --> 00:25:21,880 Speaker 1: Maybe just like I used the slowanans with Mama, I'm 470 00:25:21,880 --> 00:25:22,920 Speaker 1: doing it with you now. 471 00:25:23,440 --> 00:25:26,679 Speaker 3: Ending is like so good because these are two like 472 00:25:27,040 --> 00:25:31,920 Speaker 3: objectly awful people, but you're just like, yes, yes, yes, I. 473 00:25:31,840 --> 00:25:33,040 Speaker 5: Want to see I want to. 474 00:25:33,000 --> 00:25:36,840 Speaker 3: See these two awful people team up and like see 475 00:25:36,840 --> 00:25:39,879 Speaker 3: what shenanigans they get into next, and it's gonna be breaking. 476 00:25:40,080 --> 00:25:41,000 Speaker 5: Wait, I can't wait. 477 00:25:41,040 --> 00:25:43,639 Speaker 3: Something else I'd love about this episode is it reminded 478 00:25:43,680 --> 00:25:46,359 Speaker 3: even though it's like this very you know, dark like 479 00:25:46,440 --> 00:25:49,320 Speaker 3: funeral episode, it kind of reminded me of those funny 480 00:25:49,920 --> 00:25:54,240 Speaker 3: like every American teen comedy show like Saved by the 481 00:25:54,240 --> 00:25:57,639 Speaker 3: Bell or Sister Sister. You know, they would Usa Hi, 482 00:25:57,720 --> 00:26:01,200 Speaker 3: they would have these episodes where like you have to. 483 00:26:01,359 --> 00:26:03,879 Speaker 5: Tear into marror one of them. They have to pretend 484 00:26:03,920 --> 00:26:05,960 Speaker 5: to be two different people so they. 485 00:26:05,880 --> 00:26:08,439 Speaker 3: Can go around or like or Zach he's on a 486 00:26:08,520 --> 00:26:09,919 Speaker 3: date with two girls and he has. 487 00:26:09,800 --> 00:26:12,840 Speaker 1: To keep sleeping out of the room running round for this. 488 00:26:12,800 --> 00:26:15,520 Speaker 3: Has that energy like where Oz is like he's thinking 489 00:26:15,560 --> 00:26:17,080 Speaker 3: on his feet and he's stuck in this. 490 00:26:17,000 --> 00:26:19,320 Speaker 4: Space that he has to be at the funeral. 491 00:26:19,760 --> 00:26:22,280 Speaker 3: And it was like there is a level of humor 492 00:26:22,320 --> 00:26:24,800 Speaker 3: to it even though it is like so bleak, and 493 00:26:24,840 --> 00:26:27,280 Speaker 3: I think something they're doing really well. Is it balancing 494 00:26:28,280 --> 00:26:31,360 Speaker 3: that like rooting for Oz, but also like just how 495 00:26:31,440 --> 00:26:33,560 Speaker 3: horribly violent he is, Like he will just kill you 496 00:26:33,600 --> 00:26:34,760 Speaker 3: to get what he wants. 497 00:26:35,000 --> 00:26:38,000 Speaker 1: I mean when he makes vic Lye down in the grate, 498 00:26:38,160 --> 00:26:42,400 Speaker 1: that was so brutal. They're very they're really smart about 499 00:26:42,400 --> 00:26:44,879 Speaker 1: the way they portray him, because they always give you 500 00:26:44,960 --> 00:26:47,760 Speaker 1: one or two moments per episode where you're like, hey, 501 00:26:47,760 --> 00:26:50,400 Speaker 1: we're all having fun here, but this guy's a piece 502 00:26:50,440 --> 00:26:50,760 Speaker 1: of shit. 503 00:26:50,920 --> 00:26:54,720 Speaker 5: Yeah, exactly, and it's it's it's great. 504 00:26:54,760 --> 00:26:56,720 Speaker 1: I love this show. This show is really good. 505 00:26:58,000 --> 00:26:59,600 Speaker 5: It's so good. I can't wait to see where it goes. 506 00:27:00,000 --> 00:27:01,719 Speaker 3: And I kind of love like I wrote a review, 507 00:27:02,359 --> 00:27:04,040 Speaker 3: a kind of like a review that was also an 508 00:27:04,160 --> 00:27:07,199 Speaker 3: essay at Polygon about the show, where like the fact 509 00:27:07,440 --> 00:27:12,919 Speaker 3: it's in this really weird space where. 510 00:27:12,680 --> 00:27:16,080 Speaker 5: Like Aquaman came out at Christmas. 511 00:27:15,800 --> 00:27:18,320 Speaker 3: Last year, and the next DC movie isn't till twenty 512 00:27:18,359 --> 00:27:20,120 Speaker 3: twenty five, and The Batman isn't. 513 00:27:19,920 --> 00:27:20,880 Speaker 5: Till twenty twenty six. 514 00:27:21,320 --> 00:27:23,240 Speaker 3: It gives it a lot of freedom to kind of 515 00:27:23,280 --> 00:27:26,359 Speaker 3: exist on its own. And I think that's why a 516 00:27:26,440 --> 00:27:29,480 Speaker 3: lot of reviewers from places that are maybe a tired 517 00:27:29,560 --> 00:27:32,359 Speaker 3: of other superhero stuff have really found the love for it. 518 00:27:32,480 --> 00:27:34,800 Speaker 3: And I, yeah, I just think it's a really really 519 00:27:34,800 --> 00:27:38,680 Speaker 3: cool show, and I'm very excited to see where it goes, 520 00:27:38,720 --> 00:27:41,439 Speaker 3: and also like terrified because I know that my faves 521 00:27:41,440 --> 00:27:43,400 Speaker 3: are going to die and it's all going to be horrible, 522 00:27:43,560 --> 00:27:45,320 Speaker 3: and yeah, but I just I can't wait. 523 00:27:45,400 --> 00:27:47,440 Speaker 5: It's going to be so good. This is a blessing, 524 00:27:47,560 --> 00:27:49,760 Speaker 5: this show. It's so so good and so weird. 525 00:27:51,680 --> 00:27:53,760 Speaker 1: On the next couple episodes of Extra Vision, We're getting 526 00:27:53,760 --> 00:27:58,560 Speaker 1: ready for oooo season by diving into the new Uzamaki 527 00:27:58,640 --> 00:28:04,200 Speaker 1: adult swim anime, and on Fryday covering the Big Destruction film. 528 00:28:04,440 --> 00:28:15,040 Speaker 6: Finally calib Callabri, to the Wall, to the to the Window. 529 00:28:18,240 --> 00:28:29,399 Speaker 1: Bye x Ray Vision is hosted by Jason Kisupsion and 530 00:28:29,600 --> 00:28:33,679 Speaker 1: Rosie Knight and is a production of iHeart Podcasts. Our 531 00:28:33,760 --> 00:28:37,960 Speaker 1: executive producers are Joelle Smith and Aaron Kaufman. Our supervising 532 00:28:38,000 --> 00:28:42,719 Speaker 1: producer is a Boo Zafar. Our producers are Carmen Laurent 533 00:28:43,520 --> 00:28:47,080 Speaker 1: and Mia Taylor. Our theme song is by Brian Basquez. 534 00:28:47,640 --> 00:28:51,880 Speaker 3: Special thanks to Soul Rubin and Chris Lord, Kenny Goodman 535 00:28:52,280 --> 00:28:54,320 Speaker 3: and Heidi our discoord moderator.