WEBVTT - Larrance Dopson

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<v Speaker 1>Speaks to the planet.

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<v Speaker 2>I go by the name of Charlamagne of God and

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<v Speaker 2>guess what. I can't wait to see y'all at the

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<v Speaker 2>third annual Black Effect Podcast Festival. That's right, We're coming

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<v Speaker 2>back to Atlanta, Georgia, Saturday, April twenty six at Poeman

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<v Speaker 2>Yards and it's hosted by none other than Decisions, Decisions,

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<v Speaker 2>Mandy B and Weezy. Okay, we got the R and

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<v Speaker 2>Woman of All podcasts with Sarah Jake Roberts. We got

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<v Speaker 2>Good Mom's Bad Choices. Carrie Champion will be there with

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<v Speaker 2>her next sports podcast and the Trap Nerds podcast, with

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<v Speaker 2>more to be announced. And of course it's bigger than podcasts.

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<v Speaker 2>We're bringing the Black Effect marketplace with black owned businesses,

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<v Speaker 2>Black Effect dot Com Flash Podcast Festival.

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<v Speaker 1>R and B Money, we.

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<v Speaker 3>Second take balance out. We are the authority on.

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<v Speaker 2>R and.

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<v Speaker 3>Ladies and gentlemen, my name is Tank and this is

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<v Speaker 3>the R and B Money Podcast, the.

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<v Speaker 1>Authority on all things R and B better, nothing's happened.

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<v Speaker 4>I'm talking real gifts from the trenches, musicianship, songwriting education.

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<v Speaker 1>I love it. Facilities what you're doing to give.

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<v Speaker 3>Back from the mud, Hm, I'm talking about the world, Craig. Yes,

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<v Speaker 3>do this ship from the hood to the world one.

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<v Speaker 1>Of the coldest right now? Yes, right now? Brands fit. Yeah, Hey,

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<v Speaker 1>nigga time, Bro.

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<v Speaker 3>You know what it is like? You know, it's like

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<v Speaker 3>when you see like when you see like when you

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<v Speaker 3>see niggas is.

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<v Speaker 1>Like from where you're from.

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<v Speaker 3>Like that type of soil and you see them not

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<v Speaker 3>only take it to a level of being successful, but

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<v Speaker 3>then taking that success and figuring out a way to

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<v Speaker 3>be impactful.

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<v Speaker 1>That's different.

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<v Speaker 3>Like we can rest on a lot of people's success

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<v Speaker 3>that have come from where we come from, right, but

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<v Speaker 3>the ability and idea to say, okay, let's not just

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<v Speaker 3>stop here at us, let's give it back that right there,

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<v Speaker 3>My brother is commendable and absolutely impressive.

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<v Speaker 1>Thank you, bro.

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<v Speaker 3>And I haven't been down there to the teacher class yet,

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<v Speaker 3>but I would love to. Everything that's said on tape

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<v Speaker 3>is binding. We hold a nigga to that along. But

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<v Speaker 3>like seeing what you what you guys have built again

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<v Speaker 3>not only on the success, but on the on the

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<v Speaker 3>premise of giving the academy.

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<v Speaker 1>Academy.

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<v Speaker 3>Ye take before we do the deep dive, give me

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<v Speaker 3>the thought process of not just stopping at your success

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<v Speaker 3>but then saying, what can we do with this?

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<v Speaker 2>Man?

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<v Speaker 5>Bro Well, we lived crazy life being from l a

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<v Speaker 5>like really being from the trenches, from like the streets

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<v Speaker 5>to the church to educational world. So I've literally been

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<v Speaker 5>able to be around every single type of emotion to

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<v Speaker 5>know how to make to get everyone to their higher

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<v Speaker 5>self through whatever I can do, you know what I mean.

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<v Speaker 5>So even with the school man, I was literally me

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<v Speaker 5>and James built the curriculum off of all the bitch

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<v Speaker 5>azz niggas we've dealt with in the music business. So literally,

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<v Speaker 5>every time it was a problem where it was if

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<v Speaker 5>it was a studio session where I would say somebody

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<v Speaker 5>was playing the headphones too loud, why someone's trying to talk,

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<v Speaker 5>I'm like, oh, yeah, he's fucking up. He'll never come

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<v Speaker 5>back here. So what we'll do is go to the

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<v Speaker 5>curriculum and put that in the curriculum. So every everything

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<v Speaker 5>that we hate about everything in the music business, and

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<v Speaker 5>with the solution though, so you know what I mean.

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<v Speaker 5>And we literally worked on that for literally three four

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<v Speaker 5>years straight before we had a school. And that was

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<v Speaker 5>one of the parts of the manifestation because when people

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<v Speaker 5>was asking me, I would just say, yo, I got

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<v Speaker 5>to school. They say, yo, how are you been working

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<v Speaker 5>on your music. I was like, yeah, I'm working on

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<v Speaker 5>the school. So then I got one hundred people that

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<v Speaker 5>now is talking about our school that we haven't built yet.

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<v Speaker 5>So now I got one hundred more people that that's

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<v Speaker 5>bringing their resources from our school. So that was literally,

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<v Speaker 5>you know, the just word of mouth and just speaking

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<v Speaker 5>into an existence, speaking it to an existence. It really

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<v Speaker 5>was really the trick, but it really came off of

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<v Speaker 5>us dealing with you know, me and James, we've been

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<v Speaker 5>through literally the trenches in every type of way from

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<v Speaker 5>from the streets to the music business. So we just

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<v Speaker 5>wanted to be at a blueprint to really show the culture. Yo,

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<v Speaker 5>don't go this way, go this way. You know, they're

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<v Speaker 5>they're training us to be unemployed well employees. So our

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<v Speaker 5>school teaches you how to be an unemployable nigga to

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<v Speaker 5>where you can license our thoughts. Before you to get

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<v Speaker 5>to that point, you got to understand the behavior, the

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<v Speaker 5>brand laws, how to how to deal with assholes, how

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<v Speaker 5>not to react to people, how to get into the

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<v Speaker 5>minds of the hearts and the minds of the consumers

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<v Speaker 5>through words and through body language. And it's all these

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<v Speaker 5>secrets to make at the end of the day, to

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<v Speaker 5>be a service that makes people feel good and to

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<v Speaker 5>get them closer to God. That's the whole point. But

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<v Speaker 5>through with the school is you're just getting so much

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<v Speaker 5>swag because ninety percent of the teachers are famous. You know,

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<v Speaker 5>we had everybody from Nipsey rest in Peace one of

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<v Speaker 5>our first teachers, from Kendred to Justin the Bruno, the

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<v Speaker 5>you know, heads of fortune, five hundred companies from tech, fashion, field, music,

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<v Speaker 5>and sports. You know, I'm I'm on the board of

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<v Speaker 5>a company company called Boat that's evaluated fourteen billion dollars

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<v Speaker 5>right now. So the last two years I had to

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<v Speaker 5>learn everything about RSU, stock offs, four or nine a's vestings, quorums,

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<v Speaker 5>Delaware laws. So now it's like we're taking that and

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<v Speaker 5>showing the culture. It's just how it's hit words and

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<v Speaker 5>phrase that pays the music. There's phrase that pays us

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<v Speaker 5>to get becoming tax writeoffs for billionaires and how to

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<v Speaker 5>get in the hearts and minds of the consumer through words.

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<v Speaker 5>And that's that's really what I'm on now and content building,

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<v Speaker 5>our content Academy, because it's we're just in the future.

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<v Speaker 5>We have like the New Disney and Inglewood by the way,

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<v Speaker 5>you gotta come by. It's pretty New.

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<v Speaker 1>Disney in Inglewood, the Disney.

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<v Speaker 5>It ain't sound Academy.

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<v Speaker 3>I just wanted to say it a third time. Three

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<v Speaker 3>is powerful.

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<v Speaker 5>Serious, it's just unbelieva. You got to see it. We

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<v Speaker 5>partner with this company called we Play where their Ukrainian

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<v Speaker 5>company where they came out here. They do like American

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<v Speaker 5>they do all the biggest shows, but they came out

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<v Speaker 5>here and just believing they was either gonna go fight

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<v Speaker 5>the war or come here. They landed and playing Delray

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<v Speaker 5>met them guys. They do. They got the craziest screen

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<v Speaker 5>or where you can do the Mandalorian the Doom movie

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<v Speaker 5>motion capture vr AI. I mean ar to where like

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<v Speaker 5>you could do a podcast and I can be talking

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<v Speaker 5>to a cartoon next to me in motion capture. Like

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<v Speaker 5>that's the next R and B money for the future,

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<v Speaker 5>you know what I mean. So like it's unheard of

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<v Speaker 5>it's really Disney at the highest level where the business

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<v Speaker 5>model we're changing everything from modern day slavery. We're not

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<v Speaker 5>doing it. We're changing the models. People are going to

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<v Speaker 5>own the ship and you know, we're just we're just

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<v Speaker 5>creating the right models for people to really get to

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<v Speaker 5>their higher self.

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<v Speaker 1>Because it's too.

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<v Speaker 5>Many niggas signed w knis Man. We employees, we need

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<v Speaker 5>stock options, and you gotta know about that ship too.

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<v Speaker 3>You know, we gotta we gotta take this journey, bro,

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<v Speaker 3>We gotta take this journey from from the streets to

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<v Speaker 3>the future. Because everything you just said is the future,

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<v Speaker 3>well it's the future. And for a lot of people

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<v Speaker 3>it was French.

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<v Speaker 6>Yes, yes, yeah, you just you spoke. You just spoke

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<v Speaker 6>another language you're.

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<v Speaker 3>Talking and the fact that you're willing to take the

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<v Speaker 3>time to break that language down to teach people what

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<v Speaker 3>that is, and and the work that you're doing to

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<v Speaker 3>make sure you understand.

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<v Speaker 5>Oh yeah, if you can't teach, you you don't know it.

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<v Speaker 3>You gotta know the teacher like you're you're in it,

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<v Speaker 3>you're immersed in it. So we gotta we got to

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<v Speaker 3>figure out how we get from from the hood to

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<v Speaker 3>fourteen dollar. People take me, take me, take me to

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<v Speaker 3>the beginning rants like like little rants like what is

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<v Speaker 3>what is?

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<v Speaker 1>What is?

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<v Speaker 3>Little RNTs thinking what what? What part is?

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<v Speaker 1>Did you from?

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<v Speaker 5>I'm from Los Angeles, one of ras from LA. But

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<v Speaker 5>my family is from Chicago, whole family of Chicago. My

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<v Speaker 5>dad was in a group singing group that was signed

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<v Speaker 5>to the Delphonics, So they came out here, you know,

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<v Speaker 5>wanting to be yeah the dream. I'm glad he did

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<v Speaker 5>because I was probably with a show for Vice Lord,

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<v Speaker 5>the GV with they came out here. My whole family,

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<v Speaker 5>with my sister and uh I was. I was raised

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<v Speaker 5>right on like Western Adams twenty fourth Street school, so

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<v Speaker 5>I did you know, the whole LA thing. And from

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<v Speaker 5>there we always was the first day in me, first

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<v Speaker 5>in me was our home church. So that's kind of

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<v Speaker 5>where I really start getting into like the church music too,

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<v Speaker 5>because you know, my dad played at piano. My whole

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<v Speaker 5>family is like the Black Manhattan Transfer. If y'all don't

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<v Speaker 5>know man Man Transfer is, look him up, you know,

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<v Speaker 5>you know. So it's like, so I had to learn

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<v Speaker 5>all the mold town. I had to learn everything about

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<v Speaker 5>music from my family. And then we were the family

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<v Speaker 5>in a complex. It was called the complex. It's in

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<v Speaker 5>a hood where everybody just lived. But we were like

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<v Speaker 5>the only family where I had a mom and a dad.

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<v Speaker 5>So everybody came in our house for food, for birthdays,

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<v Speaker 5>every day. We played the piano, sing and I'm talking,

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<v Speaker 5>but we did neverhood. Yeah, this is when babies as kids.

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<v Speaker 5>My sister, My sister was in a gospel group called

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<v Speaker 5>Repent and Shep Crawford and my brother all the group together.

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<v Speaker 5>Even mine to Jordan, I don't know if you know,

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<v Speaker 5>but he was in a group called Protege. He did

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<v Speaker 5>this is how we do it. They was all in

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<v Speaker 5>the group together. So like my I was raised off

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<v Speaker 5>of just church, you know, playing at church and being

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<v Speaker 5>in the hood. So it was it was either kind

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<v Speaker 5>of yeah yeah, but yeah, so I mean from that

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<v Speaker 5>from even me, you know, I had I joined a

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<v Speaker 5>church fraternity that changed my life too. It's called Juice

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<v Speaker 5>Fire Christ.

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<v Speaker 1>But we I'm in a Christian fraternity.

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<v Speaker 5>Really, you know your Greek alphabets of course, yeah, come on.

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<v Speaker 5>So we had to go through like I got pledged.

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<v Speaker 5>We had to learn everything about God and.

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<v Speaker 3>The full line. We were the first line. We were

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<v Speaker 3>the first line. I'm number two, I'm number five. Okay,

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<v Speaker 3>this is another like yeah, uh, Fraternity and Incorporated.

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<v Speaker 1>I'm trying to tell you what it really is crips.

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<v Speaker 5>Like that. I mean, honestly, we was pledged by wasps exactly.

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<v Speaker 3>I was in Maryland, so so it was it was Cappus,

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<v Speaker 3>it was it was uh, it was Omegas and it

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<v Speaker 3>was it was it was Cues and it was Alpha.

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<v Speaker 5>That's crazy.

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<v Speaker 3>So we our line incorporated. We used to go around

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<v Speaker 3>the city. We used to go around the city stumping at

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<v Speaker 3>all the church events.

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<v Speaker 7>Have to battle you know, wait, wait, wait, that's something

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<v Speaker 7>that nobody knows about, like you dogs like bro.

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<v Speaker 1>That I can't be doing that stuff because I'm not

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<v Speaker 1>part of it.

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<v Speaker 3>But like all of that was the shimmy that the

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<v Speaker 3>Caps got all of it because we had we were

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<v Speaker 3>we were a collection of all of those guys who

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<v Speaker 3>were who were you know, church guys whould save guys

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<v Speaker 3>and wanted to start something for the church. And that's

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<v Speaker 3>what we're product of.

0:12:56.040 --> 0:12:58.960
<v Speaker 5>That's crazy.

0:12:57.200 --> 0:13:02.720
<v Speaker 3>I still got friend that I go back home. We

0:13:02.800 --> 0:13:04.959
<v Speaker 3>still hit the shake and do the whole thing. I've

0:13:05.000 --> 0:13:07.120
<v Speaker 3>known you this whole time. I didn't know this. You

0:13:07.480 --> 0:13:08.160
<v Speaker 3>didn't believe me.

0:13:12.440 --> 0:13:17.680
<v Speaker 1>Yeah, I didn't dispect you. I just think.

0:13:22.400 --> 0:13:25.040
<v Speaker 5>I dispected you.

0:13:25.080 --> 0:13:25.880
<v Speaker 1>Oh my brother.

0:13:26.000 --> 0:13:32.280
<v Speaker 5>Okay, okay, I seen it. Yeah. So other than that, we.

0:13:32.080 --> 0:13:34.240
<v Speaker 1>Was am I too old to join? No?

0:13:36.400 --> 0:13:38.760
<v Speaker 5>But yeah, we were literally a church band. So we

0:13:38.920 --> 0:13:41.520
<v Speaker 5>was the band at church and your family, well, my

0:13:41.559 --> 0:13:44.120
<v Speaker 5>family was always singing in church, you know what I mean.

0:13:44.640 --> 0:13:46.760
<v Speaker 5>But my sister Sharen was and talking. My brother law

0:13:46.800 --> 0:13:48.800
<v Speaker 5>Tony was like the real ones that was had us

0:13:48.840 --> 0:13:52.800
<v Speaker 5>really in the church scene and Tony Tony yeah yeah,

0:13:53.240 --> 0:13:56.360
<v Speaker 5>but uh then from there, I always wanted to have

0:13:56.440 --> 0:13:58.960
<v Speaker 5>our own bed, you know what I mean. So do

0:13:59.000 --> 0:14:01.600
<v Speaker 5>you know we got our name? No, all right, I

0:14:01.600 --> 0:14:04.000
<v Speaker 5>get yah short story, then I'll tell you about James

0:14:04.000 --> 0:14:06.760
<v Speaker 5>because it's the whole Okay, okay, but we got our

0:14:06.840 --> 0:14:10.480
<v Speaker 5>name by them. We're a church band. We was playing for, uh,

0:14:10.600 --> 0:14:14.280
<v Speaker 5>Bobby Valentino. We did a church convention with Bobby Valentino

0:14:14.360 --> 0:14:17.079
<v Speaker 5>right when he did that slow down song. And at

0:14:17.080 --> 0:14:20.800
<v Speaker 5>that time, it was broke as fuck and we were

0:14:20.840 --> 0:14:23.000
<v Speaker 5>doing all these rehearsals for free, and then him and

0:14:23.160 --> 0:14:25.560
<v Speaker 5>it was man at Japun was like, yo, we were

0:14:25.560 --> 0:14:27.680
<v Speaker 5>doing this death jam show and we need you all

0:14:27.680 --> 0:14:30.280
<v Speaker 5>to help us get our deal. I'm like, look, nigga,

0:14:30.320 --> 0:14:32.920
<v Speaker 5>we broke like you gotta us fifteen hundred and nothing.

0:14:32.960 --> 0:14:35.400
<v Speaker 5>And he was like, all right, well, what's the name

0:14:35.400 --> 0:14:40.840
<v Speaker 5>of your band? We was like fift what he was?

0:14:40.920 --> 0:14:43.720
<v Speaker 5>You know, from there we started a musical game. Everybody

0:14:43.800 --> 0:14:46.320
<v Speaker 5>had to you know, we was we had to play

0:14:46.360 --> 0:14:49.880
<v Speaker 5>every instrument. Everybody was their own voltron. But you have

0:14:50.000 --> 0:14:51.800
<v Speaker 5>to be a cold nigga and you couldn't be a buster,

0:14:52.760 --> 0:14:56.800
<v Speaker 5>just like mob rules. Like it's real family rules, like

0:14:56.800 --> 0:15:00.880
<v Speaker 5>you can't do no and if you do it, God's

0:15:01.200 --> 0:15:04.960
<v Speaker 5>So you were just saying nigga fifteen hundred or nothing,

0:15:05.400 --> 0:15:07.680
<v Speaker 5>showing we ain't doing nothing family the family.

0:15:07.760 --> 0:15:10.120
<v Speaker 3>And then he was like all right, but then what's

0:15:10.120 --> 0:15:12.400
<v Speaker 3>going to be the name? You was really just standing

0:15:12.480 --> 0:15:16.119
<v Speaker 3>on fifteen. I don't want to get past this conversation.

0:15:16.280 --> 0:15:18.360
<v Speaker 3>Nigga fifteen hundred and nothing.

0:15:18.400 --> 0:15:19.000
<v Speaker 1>What you're doing?

0:15:19.280 --> 0:15:20.320
<v Speaker 5>We neat that bread.

0:15:21.200 --> 0:15:22.440
<v Speaker 1>It was part of the negotiation.

0:15:22.600 --> 0:15:24.480
<v Speaker 5>Yeah, And that was the first time and the only

0:15:24.520 --> 0:15:29.120
<v Speaker 5>time James foul Roy, it's a whole, it's a host.

0:15:29.000 --> 0:15:33.680
<v Speaker 3>Okay, okay, So is James in the band at this time?

0:15:33.840 --> 0:15:36.960
<v Speaker 5>So James, So, James was the fifteen hundred. I met

0:15:37.040 --> 0:15:40.440
<v Speaker 5>James battle rapping at West Angeles. He murdered somebody and

0:15:40.480 --> 0:15:43.880
<v Speaker 5>I was like, wow, who's this guy? Ok at the

0:15:43.960 --> 0:15:47.760
<v Speaker 5>church battle rapping like the church at church outside but

0:15:47.960 --> 0:15:49.000
<v Speaker 5>murdering somebody.

0:15:48.760 --> 0:15:55.760
<v Speaker 3>Church battle rapping or or no, no outside, It don't

0:15:55.800 --> 0:15:59.400
<v Speaker 3>matter where you're at in the church, in the basement.

0:15:59.600 --> 0:15:59.840
<v Speaker 1>He go.

0:16:00.280 --> 0:16:02.560
<v Speaker 5>But James on even have to That's like I've seen James.

0:16:02.600 --> 0:16:05.440
<v Speaker 5>We used to have stink caught the pit where James

0:16:05.480 --> 0:16:07.920
<v Speaker 5>battle rapp. I mean it was like disaster and all

0:16:07.920 --> 0:16:12.240
<v Speaker 5>these real battle rappers and James won. I was there,

0:16:13.160 --> 0:16:14.600
<v Speaker 5>no cap work it up.

0:16:14.680 --> 0:16:16.200
<v Speaker 1>I'm not going to fight.

0:16:17.280 --> 0:16:19.760
<v Speaker 5>Yeah, that's that's a cheatcough bro. He's literally one of

0:16:19.760 --> 0:16:21.720
<v Speaker 5>the craze out there alive. And then he just happened

0:16:21.760 --> 0:16:23.240
<v Speaker 5>to listen to Kim Barell.

0:16:23.840 --> 0:16:28.840
<v Speaker 3>And then everything come on now changes everything all the time.

0:16:30.040 --> 0:16:33.400
<v Speaker 6>So when you when you meet him at West Angeles,

0:16:33.720 --> 0:16:35.160
<v Speaker 6>what's the first move for you.

0:16:35.440 --> 0:16:37.200
<v Speaker 5>Met him a couple of times, but we had it

0:16:37.240 --> 0:16:39.760
<v Speaker 5>took a couple other times for us to get really cool.

0:16:39.800 --> 0:16:42.040
<v Speaker 5>So I met him at church. We uh, he was

0:16:42.080 --> 0:16:43.640
<v Speaker 5>battle rapping. I was like, yo, man, you got to

0:16:43.640 --> 0:16:45.240
<v Speaker 5>be a part of our bend fifteen hundred, you know,

0:16:45.320 --> 0:16:50.600
<v Speaker 5>come on rehearsal Cool came. But before that we met him. Uh,

0:16:51.200 --> 0:16:52.680
<v Speaker 5>it was it was a long story, but it end

0:16:52.760 --> 0:16:55.600
<v Speaker 5>up being a shootout in north Ridge with a bunch

0:16:55.640 --> 0:16:58.640
<v Speaker 5>of our friends and there was a bunch of crazy

0:16:58.640 --> 0:17:01.720
<v Speaker 5>stuff that happen. So we're literally on the street handcuffed

0:17:01.720 --> 0:17:03.800
<v Speaker 5>because our car is in the middle of the shootout,

0:17:04.160 --> 0:17:07.159
<v Speaker 5>and I'm just like, this is we gotta do some

0:17:07.400 --> 0:17:07.919
<v Speaker 5>we gotta do.

0:17:08.119 --> 0:17:08.640
<v Speaker 1>We gotta.

0:17:10.840 --> 0:17:13.440
<v Speaker 3>Are y'all on the opposite side, on the same We're

0:17:13.480 --> 0:17:14.240
<v Speaker 3>on the same side.

0:17:14.320 --> 0:17:18.240
<v Speaker 5>We came together. But at that time I was, you know,

0:17:18.440 --> 0:17:20.719
<v Speaker 5>I'm from l A. So I was you know, I

0:17:20.760 --> 0:17:23.280
<v Speaker 5>was outside that was in the mix and I just

0:17:23.320 --> 0:17:25.760
<v Speaker 5>happened to bring him and bam, my German dish what

0:17:25.840 --> 0:17:29.600
<v Speaker 5>you got to something that was in the mix? But

0:17:29.720 --> 0:17:30.960
<v Speaker 5>James is a Jameson.

0:17:32.960 --> 0:17:35.639
<v Speaker 1>Yeah, but Scaredgas was just scared.

0:17:35.640 --> 0:17:40.240
<v Speaker 5>But I shouldn't have been there, and we was thinking

0:17:40.240 --> 0:17:43.359
<v Speaker 5>about that when we were sitting outside for four hours and

0:17:43.520 --> 0:17:45.639
<v Speaker 5>four hours, bro, I can't even get my car to

0:17:45.640 --> 0:17:46.120
<v Speaker 5>the next day.

0:17:46.160 --> 0:17:46.359
<v Speaker 1>It was.

0:17:46.400 --> 0:17:48.239
<v Speaker 5>It was a real shoot It was a shootout like

0:17:48.280 --> 0:17:51.960
<v Speaker 5>it was. This is a true story and after that,

0:17:52.280 --> 0:17:55.040
<v Speaker 5>we decided this was stupid and uh he came to

0:17:55.080 --> 0:17:58.280
<v Speaker 5>rehearsal for by Valentino, but he ended up being so

0:17:58.359 --> 0:18:02.680
<v Speaker 5>good at rehearsal. Can't cap guys like they in the

0:18:02.800 --> 0:18:05.679
<v Speaker 5>fire and James, James got They tried to fire James

0:18:05.680 --> 0:18:10.480
<v Speaker 5>because we was a rehearsal and you know, after our rehearsals,

0:18:10.720 --> 0:18:12.639
<v Speaker 5>we the band, we can't wait to just play our

0:18:14.440 --> 0:18:18.040
<v Speaker 5>you know, the attention got it was tricky. So that's

0:18:18.080 --> 0:18:20.040
<v Speaker 5>the only time I've seen James get fire. And after

0:18:20.119 --> 0:18:21.840
<v Speaker 5>that he has been the richest nigga I know.

0:18:25.040 --> 0:18:27.719
<v Speaker 1>Yeah, yeah, fire up.

0:18:28.119 --> 0:18:32.959
<v Speaker 5>Yeah. Unemployable what yeah, yeah.

0:18:32.400 --> 0:18:33.960
<v Speaker 3>I never knew that could be a thing.

0:18:34.960 --> 0:18:40.080
<v Speaker 6>And being too good on the male side, well no,

0:18:40.440 --> 0:18:42.840
<v Speaker 6>you know why that you you believe that though, or

0:18:42.840 --> 0:18:46.200
<v Speaker 6>why it's it's a reality for you because you came

0:18:46.240 --> 0:18:49.439
<v Speaker 6>in the game with someone like genuine genu Wine don't

0:18:49.480 --> 0:18:55.199
<v Speaker 6>have he don't he he loves to promote right like

0:18:56.240 --> 0:18:59.440
<v Speaker 6>frecking red now cold bloody like they sang it.

0:18:59.560 --> 0:19:07.600
<v Speaker 1>He won't he wanted. Everybody don't want to smoke on stage? Yeah, smoke,

0:19:08.680 --> 0:19:10.080
<v Speaker 1>That's the only way it works.

0:19:11.240 --> 0:19:13.520
<v Speaker 3>You gotta be you gotta you gotta look at the

0:19:13.560 --> 0:19:14.119
<v Speaker 3>side and behind.

0:19:14.640 --> 0:19:20.880
<v Speaker 6>That's what's niggas have. Luther Vandrois singing background, right, want.

0:19:20.880 --> 0:19:23.600
<v Speaker 3>Something gotta make something gott to push you, ye.

0:19:24.200 --> 0:19:26.080
<v Speaker 1>Mark, but Rih Carey sang background for people.

0:19:26.119 --> 0:19:28.920
<v Speaker 3>Something gotta make you want to chop Like that's the

0:19:28.960 --> 0:19:30.880
<v Speaker 3>only way, that's the only.

0:19:30.720 --> 0:19:31.720
<v Speaker 1>Way you get better.

0:19:31.920 --> 0:19:35.600
<v Speaker 3>Yeah, yeah, and have real moments is to have them

0:19:35.840 --> 0:19:37.919
<v Speaker 3>real motherfuckers on stage.

0:19:38.720 --> 0:19:42.680
<v Speaker 6>Me and you both had, uh you've had Lonnie singing background.

0:19:42.720 --> 0:19:47.840
<v Speaker 1>We both had Luke James singing background the Goat And when.

0:19:47.640 --> 0:19:49.480
<v Speaker 6>He sang background for Tank and when he sang back

0:19:49.480 --> 0:19:51.720
<v Speaker 6>from the background for me, we found a space like, hey, man,

0:19:51.800 --> 0:19:52.600
<v Speaker 6>go ahead, you.

0:19:52.720 --> 0:19:55.639
<v Speaker 1>Go crazy crazy.

0:19:55.680 --> 0:19:56.080
<v Speaker 5>That's what you.

0:20:00.960 --> 0:20:03.960
<v Speaker 3>Supposed to that, bro, because you got to think about

0:20:04.000 --> 0:20:05.920
<v Speaker 3>like like when I saw your Earth, I was like, man,

0:20:06.480 --> 0:20:08.520
<v Speaker 3>I loved I love to see.

0:20:08.280 --> 0:20:09.280
<v Speaker 1>My nigga shine.

0:20:09.440 --> 0:20:17.520
<v Speaker 3>Yeah, I love it, no matter how distant the communication. Nigga,

0:20:17.840 --> 0:20:18.639
<v Speaker 3>I see it.

0:20:18.880 --> 0:20:24.719
<v Speaker 1>Yeah, And I'm like, they cooking, they cooking.

0:20:25.240 --> 0:20:27.320
<v Speaker 3>When I'm on the road, I talk about it. Yeah,

0:20:27.320 --> 0:20:32.359
<v Speaker 3>but you don't know about fifty hundred Jim niggas, stim

0:20:32.440 --> 0:20:34.560
<v Speaker 3>niggas doing it. They got everything. They're doing everything.

0:20:34.720 --> 0:20:34.960
<v Speaker 5>Man.

0:20:35.160 --> 0:20:47.520
<v Speaker 3>You know what I'm saying, Okay, James goes crazy. He's

0:20:47.600 --> 0:20:50.360
<v Speaker 3>doing the thing now he's you know. But then finally

0:20:50.440 --> 0:20:52.440
<v Speaker 3>you guys are fifteen hundred and nothing right.

0:20:52.359 --> 0:20:54.399
<v Speaker 5>Yeah, we're fifteen hundred. And then the first person I

0:20:54.400 --> 0:20:58.280
<v Speaker 5>guess the opportunity was Snoop. He actually was Teddy Riley.

0:20:59.160 --> 0:21:03.360
<v Speaker 5>I guess Tedy Rally. So this time James was brother's

0:21:03.359 --> 0:21:06.320
<v Speaker 5>fuck and we had I had a session with Teddy Riley.

0:21:06.480 --> 0:21:10.040
<v Speaker 5>But James Carr something happened with was raining and he

0:21:10.200 --> 0:21:10.840
<v Speaker 5>liked the keys.

0:21:10.680 --> 0:21:11.000
<v Speaker 3>In the car.

0:21:11.119 --> 0:21:12.280
<v Speaker 5>So I was like, yo, it just come to me.

0:21:12.880 --> 0:21:16.359
<v Speaker 5>So he calls to me the record one of them

0:21:16.359 --> 0:21:19.040
<v Speaker 5>studio I leave studio that he got now that used

0:21:19.040 --> 0:21:21.840
<v Speaker 5>to be Teddy's and uh, I'm like, yeah, just say

0:21:21.840 --> 0:21:24.240
<v Speaker 5>you my cousin, Nigga, you my cousin. So I walk

0:21:24.280 --> 0:21:27.200
<v Speaker 5>in there and tell you my cousin. Line was actually

0:21:27.200 --> 0:21:29.840
<v Speaker 5>there and this was a song we did call I

0:21:29.880 --> 0:21:33.120
<v Speaker 5>Know You Remember Me that James wrote, and we were

0:21:33.160 --> 0:21:36.919
<v Speaker 5>in the studio Mars Mars there doing the beat and

0:21:38.440 --> 0:21:40.159
<v Speaker 5>he just was playing to beat. Teddy just walked in

0:21:40.200 --> 0:21:44.840
<v Speaker 5>and said, I know you remember me, and then James

0:21:45.240 --> 0:21:47.119
<v Speaker 5>James just finished the song. I don't know, got it?

0:21:47.200 --> 0:21:49.919
<v Speaker 5>Why don't you Chris Staali and see and they it was

0:21:50.080 --> 0:21:53.000
<v Speaker 5>it got crazy and then I was like the introduction

0:21:53.119 --> 0:21:56.840
<v Speaker 5>of like Teddy Riley realizing he's seeing James was gonna

0:21:56.840 --> 0:21:59.159
<v Speaker 5>be a genius in the beginning though, like all these

0:21:59.200 --> 0:22:03.119
<v Speaker 5>niggas had a contract us. It just couldn't do it. It

0:22:02.520 --> 0:22:04.560
<v Speaker 5>was crazy, crazy.

0:22:04.280 --> 0:22:09.280
<v Speaker 1>Because so how were y'all avoiding the contracts? We were

0:22:09.359 --> 0:22:11.120
<v Speaker 1>just because you're still getting work.

0:22:11.320 --> 0:22:14.200
<v Speaker 5>Yeah, the thing is we I think if we were

0:22:14.240 --> 0:22:18.000
<v Speaker 5>like only working with one person, that could have we

0:22:18.080 --> 0:22:20.560
<v Speaker 5>could have robably made a desperate decision, you know what

0:22:20.600 --> 0:22:23.440
<v Speaker 5>I mean. But the fact that like I'm working with Teddy,

0:22:23.480 --> 0:22:27.240
<v Speaker 5>I'm working with Snoop were teenagers. I'm seventeen. I got

0:22:27.280 --> 0:22:29.399
<v Speaker 5>my first hit like some out and I was like

0:22:29.440 --> 0:22:32.360
<v Speaker 5>seventeen eighteen, you know what I mean. So we was

0:22:32.400 --> 0:22:35.919
<v Speaker 5>always moving and the fact that we're everybody's band, that

0:22:36.040 --> 0:22:38.000
<v Speaker 5>was that was what she called too. So it's like

0:22:38.280 --> 0:22:40.600
<v Speaker 5>if the production slow, I'm on tour, and I'm only

0:22:40.640 --> 0:22:44.800
<v Speaker 5>going on tour to be close with the artists and

0:22:44.840 --> 0:22:46.880
<v Speaker 5>to meet the person that pays them after the show.

0:22:47.440 --> 0:22:50.080
<v Speaker 5>So now I'm just building on my relationships with all

0:22:50.119 --> 0:22:52.439
<v Speaker 5>the owners, all the promoters, all the club people, all

0:22:52.400 --> 0:22:54.920
<v Speaker 5>the people that got the weed, you know, like I'm

0:22:55.040 --> 0:22:56.800
<v Speaker 5>literally soft.

0:22:56.880 --> 0:22:58.360
<v Speaker 1>Who gave you that insight? Though?

0:22:58.359 --> 0:23:02.280
<v Speaker 6>With coming from a situation where your father had already

0:23:02.280 --> 0:23:04.520
<v Speaker 6>been in the music business and like you said, had

0:23:04.560 --> 0:23:06.320
<v Speaker 6>already they was rocking with the del Phonics back in

0:23:06.320 --> 0:23:10.399
<v Speaker 6>the day. Had he given you some of this information already?

0:23:10.480 --> 0:23:11.560
<v Speaker 6>Or were you just winging it?

0:23:11.640 --> 0:23:16.080
<v Speaker 3>I mean because you because it feels very well, No,

0:23:16.320 --> 0:23:18.840
<v Speaker 3>it's very I was because I was going to ask

0:23:18.880 --> 0:23:21.560
<v Speaker 3>you in this in the same spirit of that question.

0:23:22.080 --> 0:23:25.520
<v Speaker 3>It feels very nissan and rapture.

0:23:26.800 --> 0:23:27.040
<v Speaker 1>Yeah.

0:23:27.440 --> 0:23:29.960
<v Speaker 5>Yeah, Oh it was stuck, bro. They you gotta realized

0:23:30.000 --> 0:23:32.720
<v Speaker 5>that them niggas could have signed us at one point.

0:23:32.840 --> 0:23:35.440
<v Speaker 5>I wouldn't warn the signs that we was. We were

0:23:35.560 --> 0:23:41.280
<v Speaker 5>young and just looking at with money pulling up with

0:23:41.880 --> 0:23:44.240
<v Speaker 5>playing the church and having a song on the radio.

0:23:44.280 --> 0:23:44.840
<v Speaker 1>I had example.

0:23:44.880 --> 0:23:48.320
<v Speaker 5>That's we had example. So we so I was just like, Okay.

0:23:48.640 --> 0:23:51.480
<v Speaker 5>One thing I do realize is that musicians are They

0:23:51.480 --> 0:23:54.399
<v Speaker 5>don't treat musicians like they should because we're like some

0:23:54.440 --> 0:23:57.720
<v Speaker 5>of the smartest people on the show that brings the show,

0:23:57.760 --> 0:24:01.480
<v Speaker 5>from background singers to dancers that don't get respected the most.

0:24:01.480 --> 0:24:03.920
<v Speaker 5>So I always wanted to be the most expensive band

0:24:04.000 --> 0:24:07.320
<v Speaker 5>in the world. So I we're the most expensive band

0:24:07.320 --> 0:24:09.320
<v Speaker 5>in the world. So if it's no, it's okay, you

0:24:09.359 --> 0:24:11.280
<v Speaker 5>know what I mean, because we're not for everybody. We're

0:24:11.280 --> 0:24:14.640
<v Speaker 5>in a choir taste. It's not just regular musicians. It's

0:24:14.680 --> 0:24:17.879
<v Speaker 5>producers that understands space at the highest level, which is

0:24:17.880 --> 0:24:21.480
<v Speaker 5>a cheeko that only comes from God and practice. So

0:24:21.680 --> 0:24:22.719
<v Speaker 5>it just sounds different.

0:24:23.520 --> 0:24:27.760
<v Speaker 3>I mean, yeah, so you know, because that's like so

0:24:28.200 --> 0:24:37.760
<v Speaker 3>my first band was was Rapture. It's the empty Craig Nissan, Charlie,

0:24:38.000 --> 0:24:38.840
<v Speaker 3>what's my base?

0:24:39.800 --> 0:24:46.159
<v Speaker 5>Eric is not Dante? Come on, that's the game, bro

0:24:46.840 --> 0:24:47.200
<v Speaker 5>come on.

0:24:47.520 --> 0:24:51.000
<v Speaker 3>So their their take on it was different one because

0:24:51.160 --> 0:24:53.080
<v Speaker 3>they were doing some of my records. Producers some of

0:24:53.119 --> 0:24:56.920
<v Speaker 3>our records of course, but then they're all producers, right

0:24:57.640 --> 0:25:00.000
<v Speaker 3>and that's of course the Chico and so every band

0:25:00.080 --> 0:25:03.360
<v Speaker 3>and I've had, even to my band, I had all

0:25:03.520 --> 0:25:05.720
<v Speaker 3>producers and singers.

0:25:06.040 --> 0:25:06.840
<v Speaker 1>Yea, writers.

0:25:07.280 --> 0:25:10.080
<v Speaker 3>Writers understand it.

0:25:10.480 --> 0:25:15.520
<v Speaker 5>The less fingers you use, the more money you make. Okay,

0:25:15.800 --> 0:25:19.359
<v Speaker 5>depending on what genre they watch. The least words you

0:25:19.440 --> 0:25:23.399
<v Speaker 5>say is the more impactful you will be. If you

0:25:23.440 --> 0:25:26.879
<v Speaker 5>say the right four words with the right tone and

0:25:27.000 --> 0:25:30.240
<v Speaker 5>if you and if you can believe it. So that's

0:25:30.320 --> 0:25:33.280
<v Speaker 5>that's the secret, man, just but understanding all the rules

0:25:33.280 --> 0:25:33.680
<v Speaker 5>to break them.

0:25:33.680 --> 0:25:33.840
<v Speaker 1>Though.

0:25:33.840 --> 0:25:36.440
<v Speaker 5>Don't don't think niggas can't play all their fingers and

0:25:36.480 --> 0:25:38.800
<v Speaker 5>play jazz and do everything. But it's like when you

0:25:38.880 --> 0:25:42.119
<v Speaker 5>try to make human behavior songs where you're talking to

0:25:42.200 --> 0:25:44.880
<v Speaker 5>the subconscious mind. When we're just talking and we're hearing

0:25:44.920 --> 0:25:46.840
<v Speaker 5>a beat and we're doing this not even realizing it.

0:25:47.240 --> 0:25:49.320
<v Speaker 5>That's what we're doing music for it. We're talking to

0:25:49.400 --> 0:25:52.760
<v Speaker 5>the sub conscious. So it's like, you gotta stay in shape.

0:25:52.880 --> 0:26:00.960
<v Speaker 1>Are you really a teacher? Man? Teacher? You don't the

0:26:01.000 --> 0:26:02.199
<v Speaker 1>only person I know what an academy.

0:26:02.240 --> 0:26:03.679
<v Speaker 3>I don't know know know.

0:26:05.760 --> 0:26:07.240
<v Speaker 5>You know you got the academy.

0:26:07.840 --> 0:26:11.760
<v Speaker 1>I don't have an academy. No no, no no.

0:26:12.240 --> 0:26:17.240
<v Speaker 3>I ain't gonna respect it. Where your academy, nigga building.

0:26:17.560 --> 0:26:21.840
<v Speaker 3>Know your tone, that's the academy tone you don't have. First,

0:26:22.160 --> 0:26:26.640
<v Speaker 3>First of all, it's the sounding all the words you said,

0:26:26.640 --> 0:26:27.119
<v Speaker 3>I'm gonna take it.

0:26:27.160 --> 0:26:33.720
<v Speaker 1>This disrespect the greatest, the greatest thing.

0:26:37.240 --> 0:26:42.280
<v Speaker 3>So you saying you said your first hit record seventeen eighteen, Yeah, yeah,

0:26:42.400 --> 0:26:44.040
<v Speaker 3>I mean, what what record was that ship?

0:26:44.080 --> 0:26:47.000
<v Speaker 5>Well, we did. I think our first song. My first

0:26:47.000 --> 0:26:51.159
<v Speaker 5>placement ever was by Valentino album Gangster Love and I

0:26:51.320 --> 0:26:54.560
<v Speaker 5>was seventy swift from Mars. We were, Yeah, I was.

0:26:55.760 --> 0:26:58.639
<v Speaker 5>Actually my first album was my first place was Keith Murray.

0:26:59.600 --> 0:27:03.160
<v Speaker 5>Keith murdyrries out shout out to Terras Terre's a whole

0:27:03.200 --> 0:27:06.280
<v Speaker 5>nother story of how he changed my life too. That's

0:27:06.359 --> 0:27:10.320
<v Speaker 5>my nigga in real life where I was this driver

0:27:11.000 --> 0:27:14.320
<v Speaker 5>and I got on Snoop Dogg. Broa wait, wait, wait, Yeah,

0:27:14.440 --> 0:27:16.119
<v Speaker 5>I have a driver for the last thirteen years, but

0:27:16.160 --> 0:27:18.439
<v Speaker 5>I was tears driver. Let's be clear.

0:27:19.160 --> 0:27:20.280
<v Speaker 1>He was Terrrist driver.

0:27:20.640 --> 0:27:22.640
<v Speaker 5>Yeah, man, I was tears driver at the time. Man,

0:27:22.680 --> 0:27:29.800
<v Speaker 5>he had a low case and rive and he asked me.

0:27:29.800 --> 0:27:32.600
<v Speaker 5>He was like, yo, I gotta do this show. You know,

0:27:32.640 --> 0:27:34.600
<v Speaker 5>the keyboard player might not show up, but I need

0:27:34.600 --> 0:27:36.639
<v Speaker 5>a rise and landcaster. I was just like, all right.

0:27:36.760 --> 0:27:38.840
<v Speaker 5>For Snoop, He's like, you know, I might get you

0:27:38.880 --> 0:27:40.960
<v Speaker 5>on the gig, but I ain't guaranteed, so I'm like,

0:27:41.040 --> 0:27:43.480
<v Speaker 5>fuck it, I'm going. I listened to Snoop. You know,

0:27:43.760 --> 0:27:45.200
<v Speaker 5>I grew up off of this meet, so I knew

0:27:45.200 --> 0:27:49.240
<v Speaker 5>that shit anyway, So keyboard player, I'm waiting twenty minutes,

0:27:49.280 --> 0:27:52.119
<v Speaker 5>twenty minutes, the keyboard playing showing up. It's six keyboards

0:27:52.160 --> 0:27:55.879
<v Speaker 5>with thousands of people, right, and then terrors like, yo,

0:27:56.240 --> 0:27:59.720
<v Speaker 5>you're gonna play. I'm like, fuck it. Murder was a case.

0:27:59.720 --> 0:28:03.720
<v Speaker 5>Come on, I didn't know Snoop, nobody didn't even meet

0:28:03.760 --> 0:28:04.120
<v Speaker 5>him yet.

0:28:04.200 --> 0:28:04.440
<v Speaker 1>Nah.

0:28:04.640 --> 0:28:08.320
<v Speaker 5>No, literally, I'm playing the keys. I played murderly case.

0:28:08.359 --> 0:28:10.600
<v Speaker 5>I felt like I was I felt like I helped

0:28:10.640 --> 0:28:13.119
<v Speaker 5>produce the song. I was so in it, bro and

0:28:13.359 --> 0:28:17.760
<v Speaker 5>I was dazzing. I was krip walking on stage. Nigga,

0:28:18.960 --> 0:28:21.040
<v Speaker 5>you know you can smoke on stage at that time,

0:28:21.119 --> 0:28:23.719
<v Speaker 5>I mean, I just felt too comfortable. Then right after that,

0:28:23.880 --> 0:28:27.000
<v Speaker 5>Snoop asked me to go on tour. And that's say

0:28:27.040 --> 0:28:29.040
<v Speaker 5>at any point during the show though, the Snoop looked back,

0:28:29.320 --> 0:28:33.480
<v Speaker 5>look back exactly because I was turned. You couldn't brow

0:28:34.520 --> 0:28:39.479
<v Speaker 5>eighteen Snoop Dogg. I left West l A. I went

0:28:39.560 --> 0:28:41.400
<v Speaker 5>to to go to college for too much. But I

0:28:41.480 --> 0:28:43.640
<v Speaker 5>was smart than my teacher. He did music and he

0:28:43.720 --> 0:28:46.600
<v Speaker 5>was asking me for the answers, so I knew that

0:28:46.680 --> 0:28:48.960
<v Speaker 5>wasn't it. The tears gave me that call to be

0:28:49.040 --> 0:28:51.600
<v Speaker 5>the driver man and that that had me lit. Did

0:28:51.680 --> 0:28:54.719
<v Speaker 5>three I got three field passports from touring. I just

0:28:54.920 --> 0:28:58.320
<v Speaker 5>starting office that night off that night just literally.

0:28:58.560 --> 0:29:01.520
<v Speaker 3>But you were wow, but you were ready though I

0:29:01.600 --> 0:29:02.080
<v Speaker 3>was ready.

0:29:02.240 --> 0:29:02.840
<v Speaker 1>Wow.

0:29:03.080 --> 0:29:04.080
<v Speaker 3>That's the part that I.

0:29:04.040 --> 0:29:06.360
<v Speaker 6>Don't want to skip over, right, you didn't get up

0:29:06.400 --> 0:29:08.240
<v Speaker 6>there and nah.

0:29:07.920 --> 0:29:10.320
<v Speaker 3>You you were ready.

0:29:10.640 --> 0:29:13.760
<v Speaker 5>But terrors put me in unto like, I mean to

0:29:13.800 --> 0:29:15.560
<v Speaker 5>the points of where it was nothing. But you know

0:29:15.840 --> 0:29:18.959
<v Speaker 5>gang bangers and OG's around Snoop that, don't you know

0:29:19.000 --> 0:29:21.520
<v Speaker 5>you have to know them niggas. So I'm over here

0:29:21.560 --> 0:29:24.040
<v Speaker 5>like just standing up with tears, like, no, this is

0:29:24.080 --> 0:29:26.840
<v Speaker 5>my nigga. He could you know, he looked out so

0:29:27.440 --> 0:29:31.040
<v Speaker 5>ever since then then he was my nigga error for then.

0:29:31.080 --> 0:29:33.120
<v Speaker 5>But then I want to be a producer. So I

0:29:33.200 --> 0:29:35.360
<v Speaker 5>was going over his house. I seen him make a

0:29:35.400 --> 0:29:38.440
<v Speaker 5>beat for Snoop in like fifteen minutes, him and my

0:29:38.440 --> 0:29:41.280
<v Speaker 5>homie Marlin mar Doogg. And then that next week I

0:29:41.320 --> 0:29:43.040
<v Speaker 5>was at first day in church with him and he

0:29:43.080 --> 0:29:46.360
<v Speaker 5>showed me a fifteen thousand dollars check from the same

0:29:46.480 --> 0:29:48.600
<v Speaker 5>beat I just seen him do. I was like, Okay,

0:29:48.720 --> 0:29:50.880
<v Speaker 5>I made my final decision of what the fuck I

0:29:50.920 --> 0:29:53.800
<v Speaker 5>want to do? Take me the guitar center. My dad

0:29:53.840 --> 0:29:57.960
<v Speaker 5>took me right this shit had him spot the keyboard

0:29:58.000 --> 0:29:59.600
<v Speaker 5>player comes, look, show you how to put it this

0:29:59.680 --> 0:30:01.600
<v Speaker 5>in p And after that I was out of here.

0:30:01.600 --> 0:30:04.120
<v Speaker 3>Bro Which which guitar centate did you go to? Now?

0:30:04.160 --> 0:30:08.040
<v Speaker 5>We went to sam Ash want to Guitar and Harthorpe?

0:30:08.120 --> 0:30:08.880
<v Speaker 1>Yeah, you know, yeah?

0:30:10.200 --> 0:30:11.600
<v Speaker 5>And it was over after that.

0:30:11.840 --> 0:30:14.280
<v Speaker 3>You can stop me at that? At what age is this?

0:30:15.160 --> 0:30:15.400
<v Speaker 1>I was?

0:30:15.720 --> 0:30:17.880
<v Speaker 5>That was the has been like seventy eighteen.

0:30:18.080 --> 0:30:22.360
<v Speaker 3>At that age, a trip to sam Ash or guitar

0:30:22.480 --> 0:30:28.480
<v Speaker 3>center is like it's like going to musical heaven, music lost,

0:30:28.680 --> 0:30:30.720
<v Speaker 3>and not just going in there because we would go.

0:30:31.280 --> 0:30:33.360
<v Speaker 3>We would We had this place out in Maryland called

0:30:33.440 --> 0:30:36.239
<v Speaker 3>Chuck Levin's and all these places where we would go

0:30:36.320 --> 0:30:42.000
<v Speaker 3>and just as musicians, we would shed in the store.

0:30:42.440 --> 0:30:44.200
<v Speaker 5>Yes though, oh I ain't gonna lie.

0:30:44.600 --> 0:30:45.960
<v Speaker 1>I was just you know, you know how I like

0:30:46.000 --> 0:30:46.840
<v Speaker 1>to shop anyway.

0:30:47.040 --> 0:30:51.800
<v Speaker 3>I just like to buy. We couldn't afford none, couldn't afford.

0:30:51.680 --> 0:30:53.400
<v Speaker 1>That ship I never went into. I could afford it.

0:30:53.520 --> 0:30:56.440
<v Speaker 3>Shed being a busting their drums and ship.

0:30:57.120 --> 0:31:00.840
<v Speaker 5>I don't think I ever bought none from there. I

0:31:01.200 --> 0:31:04.400
<v Speaker 5>shedding my whole life, literally, I used to have my cars,

0:31:04.400 --> 0:31:06.760
<v Speaker 5>put the keyboards in, make my samples, take it out.

0:31:06.800 --> 0:31:07.480
<v Speaker 1>It was hey.

0:31:07.680 --> 0:31:12.040
<v Speaker 3>And then when you finally get a bag enough to

0:31:12.160 --> 0:31:14.920
<v Speaker 3>go and hold, I gotta say this shout out to

0:31:14.920 --> 0:31:19.120
<v Speaker 3>my to to Cliff and Jerry. I'm not gonna I'm

0:31:19.120 --> 0:31:22.560
<v Speaker 3>not gonna say how these things were purchased.

0:31:25.800 --> 0:31:26.320
<v Speaker 1>The street.

0:31:27.960 --> 0:31:33.719
<v Speaker 3>I'm just gonna say they took me to get what

0:31:33.760 --> 0:31:37.240
<v Speaker 3>you need to sam ash it and got me the

0:31:37.280 --> 0:31:42.080
<v Speaker 3>pieces that I needed to be great. And that day,

0:31:42.680 --> 0:31:44.680
<v Speaker 3>my mom's got me the first keyboard, the PEV that

0:31:44.760 --> 0:31:46.720
<v Speaker 3>taught me everything on my little nine tracks because I

0:31:46.760 --> 0:31:49.000
<v Speaker 3>had to figure out how to do everything on just

0:31:49.200 --> 0:31:52.720
<v Speaker 3>nine tracks. That's where the creativity kicks in. But then

0:31:52.760 --> 0:31:57.600
<v Speaker 3>at NPC comes home and that x P eighty comes

0:31:57.600 --> 0:31:58.120
<v Speaker 3>home with it.

0:31:58.600 --> 0:31:59.640
<v Speaker 1>Your world opened up.

0:32:00.040 --> 0:32:02.960
<v Speaker 3>And that and then Mackie board thirty two channels comes

0:32:02.960 --> 0:32:08.280
<v Speaker 3>home with it. Oh, it's time to work. It's time

0:32:08.280 --> 0:32:12.480
<v Speaker 3>to work life changing. You couldn't get me out of

0:32:12.480 --> 0:32:17.800
<v Speaker 3>that unfinished basement, bro bro Like. Think about the hours

0:32:17.840 --> 0:32:21.680
<v Speaker 3>that you put in with that, with that first set

0:32:21.720 --> 0:32:22.880
<v Speaker 3>of equipment that you had.

0:32:23.560 --> 0:32:27.960
<v Speaker 5>No you forget to eat biggawaa.

0:32:28.240 --> 0:32:30.960
<v Speaker 1>This is nigga, nigga nigga.

0:32:31.400 --> 0:32:37.040
<v Speaker 3>I was one hundred and forty five pounds. I would

0:32:37.120 --> 0:32:39.920
<v Speaker 3>wake up, get here's something to get right on it.

0:32:40.280 --> 0:32:43.720
<v Speaker 3>I'm thinking, I'm working on this for a couple hours.

0:32:44.080 --> 0:32:48.280
<v Speaker 3>Nigga is nine at night now. Because you was in

0:32:48.320 --> 0:32:50.240
<v Speaker 3>your mama basement too, right, I was first. I was

0:32:50.280 --> 0:32:52.880
<v Speaker 3>in my mama's I was in my room upstairs, in

0:32:52.920 --> 0:32:53.400
<v Speaker 3>my room.

0:32:53.600 --> 0:32:53.920
<v Speaker 1>Man.

0:32:54.360 --> 0:32:56.080
<v Speaker 3>Then when we moved to the other house, I was

0:32:56.120 --> 0:33:03.200
<v Speaker 3>in the basement from for myself. Finished dust everywhere everywhere,

0:33:03.920 --> 0:33:05.520
<v Speaker 3>but I had to have it.

0:33:06.840 --> 0:33:11.000
<v Speaker 5>Yeah, it's people, people that don't understand music. You know,

0:33:11.120 --> 0:33:15.360
<v Speaker 5>it can fuck of families, relationship. It is like it's

0:33:15.400 --> 0:33:18.520
<v Speaker 5>like but you but you know, my big bodies always

0:33:18.520 --> 0:33:21.160
<v Speaker 5>say either the weather reporter or the weather changing, either

0:33:21.880 --> 0:33:24.520
<v Speaker 5>the person signing W nine or you're the person that's

0:33:25.160 --> 0:33:29.040
<v Speaker 5>controlling the culture somebody made where we're sitting on or

0:33:29.040 --> 0:33:29.480
<v Speaker 5>we're going to.

0:33:29.480 --> 0:33:30.000
<v Speaker 1>Sit on it.

0:33:30.240 --> 0:33:33.200
<v Speaker 5>So it's like, you know, and but it takes sacrifice.

0:33:33.200 --> 0:33:36.160
<v Speaker 5>It takes that lost time that you forget about.

0:33:37.080 --> 0:33:37.240
<v Speaker 1>Bro.

0:33:37.400 --> 0:33:43.080
<v Speaker 3>It's the it's the producer Michael Jackson, It's the Quincy

0:33:43.120 --> 0:33:43.719
<v Speaker 3>Jones effect.

0:33:44.240 --> 0:33:44.760
<v Speaker 1>Mm hmmm.

0:33:45.120 --> 0:33:48.000
<v Speaker 3>We talk about it all the time. Yea, where Quincy

0:33:49.080 --> 0:33:54.840
<v Speaker 3>was so dedicated to the craft, like the way his

0:33:55.120 --> 0:33:58.360
<v Speaker 3>his type of dedication. It costs you things on the

0:33:58.400 --> 0:34:03.240
<v Speaker 3>outside of Yeah, and when you said families and stuff

0:34:03.240 --> 0:34:09.520
<v Speaker 3>like that, anybody that's great in this, if that's connected

0:34:09.560 --> 0:34:10.640
<v Speaker 3>to your story.

0:34:10.680 --> 0:34:12.080
<v Speaker 1>But you also and this.

0:34:12.160 --> 0:34:16.839
<v Speaker 6>Is not even in the legal, uh you know, term

0:34:16.920 --> 0:34:21.200
<v Speaker 6>of it, but you have to marry understanding. Everybody that

0:34:21.480 --> 0:34:25.120
<v Speaker 6>is connected to you has to have understanding of what

0:34:25.200 --> 0:34:26.920
<v Speaker 6>you are and who you are as a creative.

0:34:27.640 --> 0:34:30.240
<v Speaker 1>They can't be around you because they will dim your life.

0:34:31.160 --> 0:34:34.400
<v Speaker 6>They will, they will, they will stifle, they will stifle

0:34:34.440 --> 0:34:35.840
<v Speaker 6>the create creativity.

0:34:36.239 --> 0:34:38.600
<v Speaker 1>They will take away from who you were put here

0:34:38.640 --> 0:34:38.840
<v Speaker 1>to be.

0:34:39.480 --> 0:34:39.879
<v Speaker 5>M hmm.

0:34:41.200 --> 0:34:45.160
<v Speaker 6>And some people don't understand that, and that's fine. Don't

0:34:45.440 --> 0:34:48.360
<v Speaker 6>come around us. Just leave me alone.

0:34:48.880 --> 0:34:50.959
<v Speaker 1>I know, I look like a shiny toy. It's cool.

0:34:51.000 --> 0:34:53.080
<v Speaker 6>You want hang out, you think it's gonna be fun,

0:34:53.520 --> 0:34:56.799
<v Speaker 6>and then you're gonna realize, like, oh, this guy has

0:34:56.840 --> 0:35:01.960
<v Speaker 6>a mission and a purpose and I'm going to need

0:35:02.040 --> 0:35:05.160
<v Speaker 6>to write some songs and then I'm gonna need to

0:35:05.239 --> 0:35:07.839
<v Speaker 6>write a book, and then I'm going to need to go.

0:35:08.000 --> 0:35:10.879
<v Speaker 1>Fill my podcast with my best friend, and then we're

0:35:10.920 --> 0:35:11.400
<v Speaker 1>gonna have to.

0:35:11.400 --> 0:35:14.600
<v Speaker 3>Go to go do some shows and then and then

0:35:15.000 --> 0:35:16.480
<v Speaker 3>it continues, it continues.

0:35:16.840 --> 0:35:18.600
<v Speaker 1>But he said in the movie and then then.

0:35:18.960 --> 0:35:21.440
<v Speaker 5>And then, hey, you're talking a ship, bro.

0:35:21.440 --> 0:35:22.839
<v Speaker 1>But the it's the real brother.

0:35:22.960 --> 0:35:25.200
<v Speaker 6>I think that people from the outside, especially if they

0:35:25.200 --> 0:35:28.759
<v Speaker 6>don't fully understand what this thing is and what it

0:35:28.800 --> 0:35:32.560
<v Speaker 6>takes to be truly successful in this thing, that maybe

0:35:32.600 --> 0:35:36.680
<v Speaker 6>one percent, maybe if we're gonna if we're gonna be generous,

0:35:36.680 --> 0:35:40.919
<v Speaker 6>we could say three percent actually get to really reach

0:35:40.920 --> 0:35:43.400
<v Speaker 6>an apex and get to and get to a pinnacle

0:35:43.600 --> 0:35:47.279
<v Speaker 6>in a space that is really successful for them and

0:35:47.320 --> 0:35:49.319
<v Speaker 6>they don't have to do anything else with their life

0:35:49.320 --> 0:35:50.399
<v Speaker 6>but what they love to do.

0:35:51.000 --> 0:35:54.400
<v Speaker 1>There are not many creatives that get to do that.

0:35:55.120 --> 0:35:57.600
<v Speaker 5>I've never said this. I don't really tell too many

0:35:57.600 --> 0:36:01.120
<v Speaker 5>people this, but I really feel like God has me

0:36:01.160 --> 0:36:03.440
<v Speaker 5>on earth to give of course, give people to their

0:36:03.480 --> 0:36:06.400
<v Speaker 5>higher self, and he gives people like us. That's a

0:36:06.480 --> 0:36:09.840
<v Speaker 5>light all this swag ship we don't care about, like

0:36:09.960 --> 0:36:12.520
<v Speaker 5>durry and dimes and all this type of ship to

0:36:12.680 --> 0:36:14.680
<v Speaker 5>attract the people that needs to hear what the fuck

0:36:14.719 --> 0:36:17.879
<v Speaker 5>we gotta say, and just just being examples of how

0:36:17.920 --> 0:36:21.319
<v Speaker 5>tight God is. So that's literally what we're here for.

0:36:21.640 --> 0:36:28.680
<v Speaker 3>But that that's fire because people don't. When I was

0:36:28.680 --> 0:36:35.920
<v Speaker 3>growing up in church, it was you want like one

0:36:35.920 --> 0:36:39.240
<v Speaker 3>thing we should try to preach my my pastor Tyrone Petty.

0:36:39.239 --> 0:36:42.160
<v Speaker 3>It is like now it's cool to do this, Like

0:36:42.680 --> 0:36:45.560
<v Speaker 3>now you're supposed to have a good time. Nah, you're

0:36:45.600 --> 0:36:47.640
<v Speaker 3>supposed to eat the finest food. You're supposed to want

0:36:47.680 --> 0:36:52.520
<v Speaker 3>a nice car. You're supposed to And that has always

0:36:52.680 --> 0:37:00.440
<v Speaker 3>been my mindset for representing the higher up. I mean,

0:37:00.520 --> 0:37:03.480
<v Speaker 3>if we talk a streaks of Golden I Mansions and

0:37:03.560 --> 0:37:06.200
<v Speaker 3>Karen On and he talking about he came so I

0:37:06.239 --> 0:37:08.080
<v Speaker 3>can live life and life more abundantly.

0:37:08.120 --> 0:37:08.279
<v Speaker 1>Man.

0:37:08.800 --> 0:37:13.520
<v Speaker 3>I need that abundance him. Yeah, I need to and

0:37:14.040 --> 0:37:17.120
<v Speaker 3>let people know that it is attainable this way too.

0:37:17.520 --> 0:37:19.840
<v Speaker 5>It really works.

0:37:19.040 --> 0:37:24.160
<v Speaker 3>It's attainable this way too. You can get it the

0:37:24.239 --> 0:37:24.759
<v Speaker 3>right way.

0:37:25.480 --> 0:37:29.279
<v Speaker 6>That's something he said earlier that I would love to

0:37:29.800 --> 0:37:33.400
<v Speaker 6>expound on. We can do this without being a bitch

0:37:33.480 --> 0:37:34.320
<v Speaker 6>ass nigga.

0:37:35.239 --> 0:37:35.800
<v Speaker 1>You're right.

0:37:36.680 --> 0:37:40.640
<v Speaker 5>A bitch azz nigga to me is someone who's selfish

0:37:42.600 --> 0:37:45.080
<v Speaker 5>that only things about their selves because you get what

0:37:45.120 --> 0:37:48.120
<v Speaker 5>you give. Bro. You gotta like my intention every day.

0:37:48.400 --> 0:37:50.080
<v Speaker 5>People don't know this, but like I wake up every

0:37:50.160 --> 0:37:52.960
<v Speaker 5>day thinking about how much money I can make everybody

0:37:53.000 --> 0:37:56.440
<v Speaker 5>around me. That's how it works. You spoke. Most people

0:37:56.760 --> 0:37:59.600
<v Speaker 5>think about their selves. But it's like, you know, you

0:37:59.640 --> 0:38:03.000
<v Speaker 5>can all make money doing this. You got to be outside.

0:38:03.000 --> 0:38:04.759
<v Speaker 5>You got to make one with people that don't look

0:38:04.800 --> 0:38:07.319
<v Speaker 5>like but what but what is your service? You got

0:38:07.320 --> 0:38:09.959
<v Speaker 5>to just be a service. The trick is just having

0:38:10.000 --> 0:38:12.880
<v Speaker 5>one up on everybody as far as being a service.

0:38:13.000 --> 0:38:15.200
<v Speaker 5>Either I gave you some advice, gave some we gave

0:38:15.239 --> 0:38:22.040
<v Speaker 5>your free beat, gave you a free drove you to yep.

0:38:22.120 --> 0:38:24.120
<v Speaker 5>But it just comes along with Brandon like because when

0:38:24.200 --> 0:38:26.080
<v Speaker 5>when you're when your brand, when you leave the room,

0:38:26.160 --> 0:38:30.000
<v Speaker 5>your brand stays. So it's like, what was the experience

0:38:30.040 --> 0:38:33.840
<v Speaker 5>I gave you? You know? And that's that's how it just

0:38:33.920 --> 0:38:34.439
<v Speaker 5>keeps going.

0:38:34.520 --> 0:38:40.120
<v Speaker 3>You're investing, You're constantly investing. My fresh relationship is nuts.

0:38:40.200 --> 0:38:42.399
<v Speaker 3>That is what you're giving is And I don't ask

0:38:42.440 --> 0:38:42.759
<v Speaker 3>for much.

0:38:42.880 --> 0:38:47.279
<v Speaker 5>I just do. I just asked once to hear other

0:38:47.360 --> 0:38:49.560
<v Speaker 5>than that, I'm a service. I'm on deck. I'll do.

0:38:49.640 --> 0:38:55.440
<v Speaker 3>But the return is organic because because the whether whether

0:38:55.520 --> 0:39:01.080
<v Speaker 3>the person or the universe one way or another, that's

0:39:01.120 --> 0:39:01.960
<v Speaker 3>going to come back to you.

0:39:02.400 --> 0:39:08.080
<v Speaker 1>Man, tell us, tell us about fifteen hundred because we

0:39:08.080 --> 0:39:10.080
<v Speaker 1>we try to make it every year. We al.

0:39:10.280 --> 0:39:13.520
<v Speaker 3>So, I was coming back from Atlanta and I was like,

0:39:13.880 --> 0:39:15.640
<v Speaker 3>and I was like, I don't want to commit to

0:39:15.680 --> 0:39:18.920
<v Speaker 3>it because I don't know how I'm gonna be after

0:39:19.200 --> 0:39:25.920
<v Speaker 3>Atlanta because I'm getting smoke. Smoke kills me, especially in

0:39:25.960 --> 0:39:32.080
<v Speaker 3>a low, a low a ceiling environment. And I knew

0:39:32.120 --> 0:39:34.160
<v Speaker 3>it as soon as I walked into club, as soon

0:39:34.160 --> 0:39:36.439
<v Speaker 3>as I'm still on the top rope, so that's still

0:39:38.880 --> 0:39:41.319
<v Speaker 3>everything started burning. And I got a commitment to sing

0:39:41.320 --> 0:39:44.040
<v Speaker 3>two or three songs. I mean, I can feel it

0:39:44.120 --> 0:39:46.319
<v Speaker 3>during those songs. By the time I get the song three,

0:39:46.360 --> 0:39:49.239
<v Speaker 3>I'm cooked. There's no way I would have been able

0:39:49.239 --> 0:39:50.480
<v Speaker 3>to do that show, not the way I wanted to

0:39:50.480 --> 0:39:51.920
<v Speaker 3>do it, especially my first time being there.

0:39:52.400 --> 0:39:54.320
<v Speaker 6>Yeah, tell us about it though, I mean, we listen,

0:39:55.080 --> 0:39:57.319
<v Speaker 6>this is this is something that you set up. This

0:39:57.400 --> 0:39:59.440
<v Speaker 6>is an institution. We know that you're gonna have it.

0:39:59.480 --> 0:40:02.719
<v Speaker 6>We're going to going to be there. Tell us about it, though, man,

0:40:02.760 --> 0:40:04.520
<v Speaker 6>and the people about it. About this thing that you

0:40:04.600 --> 0:40:07.960
<v Speaker 6>do once a year in honor of your company.

0:40:08.120 --> 0:40:12.360
<v Speaker 5>Yeah, well, we had our twenty year anniversary for fifteen hundred,

0:40:13.440 --> 0:40:15.640
<v Speaker 5>twenty years man, for all the service.

0:40:15.640 --> 0:40:16.879
<v Speaker 1>I've been together for twenty years.

0:40:16.960 --> 0:40:20.040
<v Speaker 5>Yeah, twenty years. Man. We know so many people we

0:40:20.080 --> 0:40:22.799
<v Speaker 5>lost to shout out to right, Uncle Chuck, Carlos, rest

0:40:22.840 --> 0:40:25.560
<v Speaker 5>In Peach, g I, nib Moms, like all these are

0:40:25.600 --> 0:40:29.839
<v Speaker 5>people in fifteen hundred hours A major part that even

0:40:29.840 --> 0:40:33.120
<v Speaker 5>when they left, gave me the superpowers to keep going,

0:40:33.280 --> 0:40:36.480
<v Speaker 5>you know what I mean. So that's it's it's a

0:40:36.480 --> 0:40:40.360
<v Speaker 5>special day, but it's really a celebration. Shout out to

0:40:41.440 --> 0:40:43.640
<v Speaker 5>the city of Los Angeles actually gave us on holiday

0:40:43.840 --> 0:40:47.960
<v Speaker 5>five years ago and sore and it was just for

0:40:48.000 --> 0:40:49.800
<v Speaker 5>all the hard work that we've done for the community

0:40:49.880 --> 0:40:53.319
<v Speaker 5>and just you know what we've done. And like last

0:40:53.360 --> 0:40:56.040
<v Speaker 5>year we had at the Sound Academy where you know,

0:40:56.239 --> 0:40:59.880
<v Speaker 5>Dave Chappelle got on the mic, Angela Baskett, Tasha Smith.

0:41:00.040 --> 0:41:03.800
<v Speaker 5>We had every year we have thirty or thirty artists performed,

0:41:03.880 --> 0:41:07.319
<v Speaker 5>so it's a baby festivals from twelve to twelve in

0:41:07.400 --> 0:41:09.839
<v Speaker 5>the beginning, it's like we had this year. We had

0:41:09.880 --> 0:41:12.280
<v Speaker 5>all of our students, twenty of our graduate students performing.

0:41:12.280 --> 0:41:15.160
<v Speaker 5>They did the melody of all of our hits. Got it. Yeah,

0:41:15.200 --> 0:41:17.240
<v Speaker 5>So y'all got to check that out and then after.

0:41:17.040 --> 0:41:19.080
<v Speaker 1>That, y'all put that up online and everything.

0:41:19.640 --> 0:41:22.040
<v Speaker 5>It will be checks, it will be yeah, it will

0:41:22.080 --> 0:41:24.640
<v Speaker 5>be Yeah, we're gonna put that out. But I'm using that.

0:41:25.040 --> 0:41:28.399
<v Speaker 5>I'm about to take over tiny desks and colors. I'm

0:41:28.440 --> 0:41:32.600
<v Speaker 5>just one of you'll. Now it's called the I'm telling

0:41:32.640 --> 0:41:35.200
<v Speaker 5>you what. It's going to be caught the big stage.

0:41:35.280 --> 0:41:37.200
<v Speaker 5>Everybody wants to get on the big stage. Our stage

0:41:37.200 --> 0:41:42.840
<v Speaker 5>is bigger than everybody's like, it just is. So everybody

0:41:42.840 --> 0:41:45.320
<v Speaker 5>wants to go to big stage for Ted talks, every everything.

0:41:45.400 --> 0:41:49.760
<v Speaker 5>So we're ain't no trafficking our lane. Yeah, I love.

0:41:51.239 --> 0:41:54.799
<v Speaker 1>The big stage. Lights and.

0:41:56.560 --> 0:42:01.160
<v Speaker 6>Exs exactly, graphics everything, Wait, you got you got some

0:42:01.320 --> 0:42:03.759
<v Speaker 6>you got some extra curricular ship.

0:42:03.520 --> 0:42:05.360
<v Speaker 5>There that henna love it.

0:42:05.400 --> 0:42:09.400
<v Speaker 1>And then I'm just gonna appear through.

0:42:09.160 --> 0:42:13.600
<v Speaker 3>The screen because I feel like if Michael Jackson do it,

0:42:13.680 --> 0:42:17.280
<v Speaker 3>I can do. I need a toaster, give me a toaster.

0:42:17.440 --> 0:42:25.640
<v Speaker 6>That's his favorite thing performing McDonald's.

0:42:23.160 --> 0:42:23.680
<v Speaker 1>Pop out of.

0:42:25.560 --> 0:42:27.600
<v Speaker 3>I have got to pop out of a toaster. It

0:42:27.680 --> 0:42:33.720
<v Speaker 3>is coming soon. Look at it show. I'm gonna flip

0:42:33.800 --> 0:42:36.400
<v Speaker 3>up out of the toaster and twist my ankle. Also,

0:42:36.480 --> 0:42:40.120
<v Speaker 3>I know it's gonna happen toaster it is.

0:42:48.840 --> 0:42:51.520
<v Speaker 8>Let's let's talk about these records, man, Let's talk about

0:42:51.520 --> 0:42:52.320
<v Speaker 8>some of these records.

0:42:52.360 --> 0:42:52.879
<v Speaker 3>Bro, like.

0:42:54.320 --> 0:42:58.480
<v Speaker 5>The box man shout out to Riley, shout out to

0:42:58.520 --> 0:43:03.120
<v Speaker 5>the homies. Man. We yeah, that's all.

0:43:03.400 --> 0:43:07.960
<v Speaker 1>And what is it? Eleven eleven million? Yeah, this is

0:43:07.960 --> 0:43:09.000
<v Speaker 1>a diamond record.

0:43:08.719 --> 0:43:14.880
<v Speaker 5>Though, right, yeap the box with diamond shout out to Maloma.

0:43:14.560 --> 0:43:17.280
<v Speaker 1>So how does how does that? How does that record

0:43:17.320 --> 0:43:19.280
<v Speaker 1>come about?

0:43:19.600 --> 0:43:23.000
<v Speaker 5>Roddy was working when I first met Roddy. This was

0:43:23.000 --> 0:43:25.600
<v Speaker 5>before he was famous. It was like three four months

0:43:25.600 --> 0:43:29.160
<v Speaker 5>before he started getting famous. And uh, I was hearing

0:43:29.200 --> 0:43:31.000
<v Speaker 5>about him a lot because he's from La and he's,

0:43:31.080 --> 0:43:33.520
<v Speaker 5>you know, from the culture, and you know, anybody from

0:43:33.680 --> 0:43:38.800
<v Speaker 5>La gotta gotta come home. Their album is sound expensive.

0:43:39.239 --> 0:43:43.799
<v Speaker 5>So he came and his engineer gave us all the

0:43:43.840 --> 0:43:48.759
<v Speaker 5>sessions and we literally went through each session from intros

0:43:48.800 --> 0:43:52.080
<v Speaker 5>and outros, putting them together and just off of us

0:43:52.080 --> 0:43:54.680
<v Speaker 5>doing the intro and outro that end up we end

0:43:54.760 --> 0:43:57.319
<v Speaker 5>up getting on the box because it's like a whole

0:43:57.320 --> 0:44:00.719
<v Speaker 5>twenty seconds of just our music, you know what I mean. So,

0:44:01.680 --> 0:44:03.880
<v Speaker 5>but we literally we do that for albums. Man. It

0:44:04.000 --> 0:44:05.480
<v Speaker 5>was such a success, man.

0:44:05.320 --> 0:44:09.000
<v Speaker 6>And no I remember sitting with Dallas with Dallas Martin

0:44:09.760 --> 0:44:13.400
<v Speaker 6>and he was like, I'm gonna play something. And just

0:44:13.520 --> 0:44:15.200
<v Speaker 6>before he got his new studio, I forgot that, he

0:44:15.239 --> 0:44:19.680
<v Speaker 6>said at the Atlantic Stay and he's like, man, I

0:44:19.719 --> 0:44:21.359
<v Speaker 6>got this artist named Riddy Rich.

0:44:21.719 --> 0:44:25.480
<v Speaker 1>And I'm like, I think I met him. We had

0:44:25.520 --> 0:44:28.320
<v Speaker 1>a Warner party at a Warner Music party and I

0:44:29.160 --> 0:44:32.400
<v Speaker 1>think he put up in like a Ferrari or a Lamborghindi.

0:44:32.200 --> 0:44:38.040
<v Speaker 6>And Tank was like, you know Tank notes, I'm like,

0:44:38.120 --> 0:44:39.600
<v Speaker 6>who's the nigga that just jumped out of.

0:44:41.440 --> 0:44:42.120
<v Speaker 1>That little nigga?

0:44:42.200 --> 0:44:46.680
<v Speaker 6>He gold no records yet though, and he pulled up

0:44:46.680 --> 0:44:50.240
<v Speaker 6>in the Lambo, so I'm like, okay, and he says

0:44:50.239 --> 0:44:53.000
<v Speaker 6>his name and obviously it just I remember his name.

0:44:53.040 --> 0:44:55.960
<v Speaker 6>So when I'm sitting in the studio with Dallas, Dallas like,

0:44:55.960 --> 0:44:58.720
<v Speaker 6>I'm gonna play my new artist named Roddy Rich, I'm.

0:44:58.600 --> 0:45:01.720
<v Speaker 1>Like, was he a Warner party with the lambod or whatever.

0:45:01.960 --> 0:45:02.839
<v Speaker 3>He's like yeah, yeah.

0:45:03.120 --> 0:45:05.000
<v Speaker 1>I said, oh, take new him and he was like

0:45:05.080 --> 0:45:08.560
<v Speaker 1>yeah he the one. Yeah. He plays me through like

0:45:08.600 --> 0:45:11.480
<v Speaker 1>three records, one of them was the Box. Yeah.

0:45:11.920 --> 0:45:13.799
<v Speaker 6>He was like, what you think about this? I said no, no,

0:45:13.880 --> 0:45:19.520
<v Speaker 6>it's something you play with that and that's the whichever

0:45:19.760 --> 0:45:23.680
<v Speaker 6>got the Yeah, yeah, cap playing it again.

0:45:24.040 --> 0:45:27.719
<v Speaker 1>Yeah, I'm like, niggas are smad. He was like fun

0:45:27.840 --> 0:45:29.680
<v Speaker 1>with that on that record, crazy right, I said, So

0:45:29.719 --> 0:45:31.440
<v Speaker 1>when did we come out? He was like, yeah, you know,

0:45:31.560 --> 0:45:33.680
<v Speaker 1>didn't get delayed with shit. Well, you know, we're gonna

0:45:33.680 --> 0:45:36.320
<v Speaker 1>put out this and then we go.

0:45:36.520 --> 0:45:39.920
<v Speaker 5>I was like, that's the one that's the one.

0:45:41.480 --> 0:45:43.600
<v Speaker 1>To eat her record, don't I don't know the name

0:45:43.680 --> 0:45:43.960
<v Speaker 1>of it.

0:45:44.040 --> 0:45:46.680
<v Speaker 5>Yeah, that body of work, that whole body of work.

0:45:46.719 --> 0:45:48.719
<v Speaker 6>But he had told me, he was like, I got

0:45:48.719 --> 0:45:52.200
<v Speaker 6>fifteen hundred. Theater was if you hear the transitions. He

0:45:52.320 --> 0:45:53.680
<v Speaker 6>was like because, and he said it to me, He's like,

0:45:53.719 --> 0:45:57.160
<v Speaker 6>Ride is a musician. I didn't know, right, you know

0:45:57.200 --> 0:45:58.600
<v Speaker 6>what I'm saying. I didn't know none of that.

0:45:58.600 --> 0:46:00.640
<v Speaker 1>At the time. And he's like, yoah, you know he

0:46:00.680 --> 0:46:02.439
<v Speaker 1>can play the whole He got the whole thing.

0:46:03.640 --> 0:46:07.360
<v Speaker 6>So we got fifteen hundred to come in and really

0:46:07.400 --> 0:46:10.080
<v Speaker 6>do like, you know, like I said, the transitions for

0:46:10.120 --> 0:46:12.839
<v Speaker 6>the album, and you know, to really bring the musicality

0:46:12.880 --> 0:46:13.200
<v Speaker 6>to it.

0:46:13.280 --> 0:46:15.719
<v Speaker 5>So it's really the human behavior aspect. It's to the

0:46:15.719 --> 0:46:17.960
<v Speaker 5>point to now where people are coming to us to

0:46:17.960 --> 0:46:20.800
<v Speaker 5>where it ain't just just the music. It's really a marriage.

0:46:20.880 --> 0:46:23.759
<v Speaker 5>Like people got to know when to stop. That's really

0:46:23.760 --> 0:46:27.360
<v Speaker 5>the secret to produce hiss. You know you just explained.

0:46:27.360 --> 0:46:31.480
<v Speaker 5>It's like, yeah, take that out. Yeah no, because at

0:46:31.480 --> 0:46:34.600
<v Speaker 5>the end of the day, the objective of a Cusmers

0:46:35.200 --> 0:46:37.000
<v Speaker 5>is you got to keep and create a customer. That's

0:46:37.000 --> 0:46:40.360
<v Speaker 5>the who objective of the business to keep them. So

0:46:40.400 --> 0:46:42.480
<v Speaker 5>it's like, if you're saying a thousand words, you're saying

0:46:42.520 --> 0:46:45.319
<v Speaker 5>all these things confuse me. It's like, how like I

0:46:45.440 --> 0:46:47.440
<v Speaker 5>tell artists all the time, let's write the songs. If

0:46:47.440 --> 0:46:50.479
<v Speaker 5>we're writing it with our audience, I got a partner. Yeah,

0:46:50.560 --> 0:46:52.520
<v Speaker 5>because if you give the hype that the hype man

0:46:52.560 --> 0:46:54.120
<v Speaker 5>got as many parts as you got, you got a

0:46:54.120 --> 0:46:56.239
<v Speaker 5>good song. Because if you can do this how you

0:46:56.280 --> 0:46:58.600
<v Speaker 5>do all the time and I do this is that's

0:46:58.760 --> 0:47:02.239
<v Speaker 5>that's gold. You know what I mean. There's so many

0:47:02.440 --> 0:47:06.160
<v Speaker 5>human behavior secrets people don't understand. That's why we got

0:47:06.200 --> 0:47:09.080
<v Speaker 5>to school because it's a lot of a lot of

0:47:09.080 --> 0:47:12.000
<v Speaker 5>secrets that I feel like that will help so many songwriters.

0:47:12.520 --> 0:47:17.240
<v Speaker 3>It well, and it's it's it helps it helps music

0:47:19.160 --> 0:47:23.640
<v Speaker 3>in general right too. You know, as we're talking with

0:47:23.680 --> 0:47:27.320
<v Speaker 3>Smokey Robinson and we're talking about, you know, the reps

0:47:27.440 --> 0:47:29.840
<v Speaker 3>and the things.

0:47:30.000 --> 0:47:33.600
<v Speaker 5>And I just walked past my that was crazy that.

0:47:36.600 --> 0:47:37.200
<v Speaker 1>I just called it.

0:47:37.239 --> 0:47:42.200
<v Speaker 3>Smoking, call him smokey Joe, you know, because I know

0:47:42.239 --> 0:47:44.520
<v Speaker 3>when he was little, you.

0:47:46.760 --> 0:47:48.640
<v Speaker 1>Know me niggas telling me that when I meet him,

0:47:48.880 --> 0:47:49.640
<v Speaker 1>when I meet him, you.

0:47:49.600 --> 0:47:51.000
<v Speaker 4>Don't use little.

0:47:53.440 --> 0:47:59.919
<v Speaker 3>Not but the the way they would give each other

0:48:00.400 --> 0:48:08.040
<v Speaker 3>critique and and and compete and conversation to elevate the

0:48:08.160 --> 0:48:15.440
<v Speaker 3>level of play was how they built a dynasty. Listen,

0:48:15.880 --> 0:48:19.560
<v Speaker 3>because here's what I just here's what I what I

0:48:19.640 --> 0:48:22.279
<v Speaker 3>what I what I try to tell people say, you

0:48:22.320 --> 0:48:25.840
<v Speaker 3>have to know the difference between a nigga hating and

0:48:26.360 --> 0:48:33.560
<v Speaker 3>constructive criticism, right, because there there's a difference, right, constructive criticism.

0:48:34.000 --> 0:48:40.160
<v Speaker 3>I welcome, I welcome it. Tell me how this should

0:48:40.200 --> 0:48:44.759
<v Speaker 3>be better. Tell me where I can make this more.

0:48:45.800 --> 0:48:49.200
<v Speaker 3>Tell me to dial that vocal back because it's given

0:48:49.960 --> 0:48:53.680
<v Speaker 3>a little too much in here because I can go there,

0:48:54.480 --> 0:48:59.879
<v Speaker 3>I can do that, And so we need more of that.

0:49:00.120 --> 0:49:05.600
<v Speaker 3>Where people understand how who their audience is first, first

0:49:05.920 --> 0:49:11.239
<v Speaker 3>the audience is, and and what they're able to do.

0:49:12.440 --> 0:49:12.800
<v Speaker 1>Mhmm.

0:49:16.760 --> 0:49:20.200
<v Speaker 5>Can they can they sing that? Can they yeah, exactly.

0:49:19.880 --> 0:49:21.880
<v Speaker 6>I know exactly what to say. When you say it

0:49:21.920 --> 0:49:23.440
<v Speaker 6>ain't worth I'll go telling a lie.

0:49:29.880 --> 0:49:33.160
<v Speaker 3>You cry, I'm from church, Call and response.

0:49:33.400 --> 0:49:39.520
<v Speaker 5>That's the cheek culture hits. Yes, Jesus is real, Jesus real.

0:49:40.080 --> 0:49:45.800
<v Speaker 5>It's literally the same you say, repeat yes, really three hooks,

0:49:46.640 --> 0:49:49.680
<v Speaker 5>act like you got to say more words. It should

0:49:49.760 --> 0:49:52.240
<v Speaker 5>just be three hooks and let everybody pick their favorite

0:49:52.239 --> 0:49:56.120
<v Speaker 5>hook and let you know. It's more simpler than for

0:49:56.360 --> 0:49:59.240
<v Speaker 5>words or less. Wasn't a while on the hook. Everybody

0:49:59.239 --> 0:50:03.040
<v Speaker 5>gets bored bars, So make sure there's a bold something

0:50:03.080 --> 0:50:05.279
<v Speaker 5>that's gonna make you turn your hair every eight bars.

0:50:06.000 --> 0:50:08.439
<v Speaker 5>It's like you can take the cadences of anything, any

0:50:08.480 --> 0:50:10.960
<v Speaker 5>song that you've ever heard, and use it for your

0:50:11.000 --> 0:50:13.560
<v Speaker 5>own cadence. For a melody, you could take a base

0:50:14.120 --> 0:50:17.160
<v Speaker 5>cadence and change the concept and change the melody. It's like,

0:50:17.200 --> 0:50:19.000
<v Speaker 5>you know your writer's black if you're lying, So just

0:50:19.160 --> 0:50:21.120
<v Speaker 5>tell somebody else truth where don't lie?

0:50:22.160 --> 0:50:24.719
<v Speaker 1>Yeah, give me another song, give me boot up?

0:50:25.480 --> 0:50:29.919
<v Speaker 5>Oh yeah, boot up these walls Nipsey's album.

0:50:30.200 --> 0:50:35.080
<v Speaker 3>Talk About, Talk About, talk about Uh, victory.

0:50:35.239 --> 0:50:38.760
<v Speaker 5>Yeah victory lap I took us about thirteen years. Yeah,

0:50:38.920 --> 0:50:43.400
<v Speaker 5>what it feels like we did that twenty eleven, and

0:50:43.480 --> 0:50:46.759
<v Speaker 5>I'm trying to get nip Nip never. He ain't gonna

0:50:46.760 --> 0:50:49.319
<v Speaker 5>ask nobody for no features. You know, that's just he's

0:50:49.400 --> 0:50:52.880
<v Speaker 5>just humble like that. But I will so I've been

0:50:52.920 --> 0:50:56.840
<v Speaker 5>sitting at this this song Saguru forever and trying to

0:50:56.840 --> 0:50:58.759
<v Speaker 5>get jail, trying to get jail, and it was the

0:50:58.800 --> 0:51:01.920
<v Speaker 5>perfect time and for what it feels like, so for

0:51:02.000 --> 0:51:05.440
<v Speaker 5>the movie and heor after he rapped on it, I

0:51:05.560 --> 0:51:08.360
<v Speaker 5>knew Nipsey was smiling because I you know, that was

0:51:08.400 --> 0:51:11.440
<v Speaker 5>something he always wanted, is a song with Jay and

0:51:11.560 --> 0:51:14.680
<v Speaker 5>especially with the music where the drums and like shots

0:51:14.719 --> 0:51:17.480
<v Speaker 5>with Mike and keys and bars, and this was I

0:51:17.480 --> 0:51:19.600
<v Speaker 5>don't know if y'all know what this song had. I

0:51:19.600 --> 0:51:22.960
<v Speaker 5>had like thirteen of superstar singers on it that know

0:51:23.120 --> 0:51:25.879
<v Speaker 5>that you didn't if you listen to the end. Dave Jake,

0:51:26.080 --> 0:51:28.439
<v Speaker 5>jay Z cut off half the He said he wanted

0:51:28.480 --> 0:51:30.680
<v Speaker 5>like a seven minute song, but I'll play it for you.

0:51:30.719 --> 0:51:36.000
<v Speaker 5>But we got everybody from her BJ and Clemens uh,

0:51:37.239 --> 0:51:40.000
<v Speaker 5>like you wouldn't believe. I'm gonna let y'all listen and

0:51:40.040 --> 0:51:42.120
<v Speaker 5>see if y'all can catch these voices. But I literally

0:51:42.160 --> 0:51:45.120
<v Speaker 5>called everybody said, YO, sing something on this for eight

0:51:45.120 --> 0:51:48.640
<v Speaker 5>bars and send it to Marsha Ambrosius. Everybody, they just

0:51:48.880 --> 0:51:50.600
<v Speaker 5>give me eight bars. And I put all that shit

0:51:50.680 --> 0:51:53.160
<v Speaker 5>in and just and just made it at the end.

0:51:53.320 --> 0:51:55.239
<v Speaker 5>So it was tight. It was tight.

0:51:55.680 --> 0:51:56.600
<v Speaker 1>It's crazy.

0:51:56.920 --> 0:52:01.040
<v Speaker 6>Yeah, So y'all relationship, wasn't it right? Because that's how

0:52:01.880 --> 0:52:05.120
<v Speaker 6>ultimately I had a chance to really kick it with him.

0:52:05.120 --> 0:52:06.439
<v Speaker 1>One day was at.

0:52:08.080 --> 0:52:15.080
<v Speaker 6>When y'all were shooting the show Tenna Davis and.

0:52:13.680 --> 0:52:15.560
<v Speaker 1>Him and I just ended up in the green room.

0:52:15.600 --> 0:52:18.480
<v Speaker 6>When we came to makeshift green room and meaning vegan

0:52:18.520 --> 0:52:22.640
<v Speaker 6>food talking about like literally in there. It was me

0:52:23.600 --> 0:52:27.200
<v Speaker 6>because Tank was swilming at the time, but me, I

0:52:27.239 --> 0:52:28.520
<v Speaker 6>mean me Nipp and poop.

0:52:28.320 --> 0:52:31.920
<v Speaker 1>Beer in that room. And what's the white kid that

0:52:31.960 --> 0:52:32.760
<v Speaker 1>worked for Nip.

0:52:34.880 --> 0:52:37.839
<v Speaker 6>N Marython John And he was in the room with us,

0:52:37.880 --> 0:52:45.640
<v Speaker 6>and we just man, we start talking about touring agencies, books,

0:52:45.719 --> 0:52:46.480
<v Speaker 6>vegan foods.

0:52:46.680 --> 0:52:48.520
<v Speaker 1>We just and got her and I had it.

0:52:48.600 --> 0:52:51.799
<v Speaker 6>I had a chance to really like get some real

0:52:51.840 --> 0:52:55.439
<v Speaker 6>insights to his thought process and what he was on.

0:52:56.239 --> 0:52:58.880
<v Speaker 6>And I told her, and I'm glad I had that

0:52:59.040 --> 0:53:01.680
<v Speaker 6>chance to tell him how much I respected what he

0:53:01.760 --> 0:53:07.279
<v Speaker 6>was doing. And your facility gave that.

0:53:08.400 --> 0:53:09.239
<v Speaker 1>Yeah, we do that.

0:53:09.360 --> 0:53:13.040
<v Speaker 5>Yeah, it was always inspiring each other man, just you know,

0:53:13.200 --> 0:53:14.160
<v Speaker 5>just being from that area.

0:53:14.480 --> 0:53:14.719
<v Speaker 1>Yeah.

0:53:15.840 --> 0:53:19.200
<v Speaker 5>But one of the smartest niggas ever ever, bro, when

0:53:19.239 --> 0:53:21.640
<v Speaker 5>it comes to just understanding I mean shot out to

0:53:21.760 --> 0:53:23.480
<v Speaker 5>the homie Big Bob too. He was one of the

0:53:23.480 --> 0:53:27.840
<v Speaker 5>people that like coaching us on understanding the branding laws

0:53:27.840 --> 0:53:30.880
<v Speaker 5>and human behavior and that kind of when he got

0:53:30.560 --> 0:53:34.040
<v Speaker 5>a hold of that can change Nipsey's whole mind.

0:53:34.080 --> 0:53:34.279
<v Speaker 1>Bro.

0:53:34.520 --> 0:53:38.480
<v Speaker 5>Literally, when literally, I mean from just understanding the brand. Like,

0:53:38.960 --> 0:53:41.239
<v Speaker 5>I think every artist needs to know the brand laws.

0:53:41.280 --> 0:53:43.160
<v Speaker 5>I don't even work with artists unless they know like

0:53:43.200 --> 0:53:44.840
<v Speaker 5>ten things I know, and the brand and laws is

0:53:44.880 --> 0:53:47.399
<v Speaker 5>one of them. I can't even fuck with nobody because

0:53:47.400 --> 0:53:51.000
<v Speaker 5>you got to know who you are. It's like every

0:53:51.080 --> 0:53:53.960
<v Speaker 5>one of the laws is every uh, every new brand

0:53:54.040 --> 0:53:55.759
<v Speaker 5>must own one word and the hearts and the mind

0:53:55.840 --> 0:53:56.440
<v Speaker 5>the consumer.

0:53:56.760 --> 0:53:56.960
<v Speaker 1>Right.

0:53:57.160 --> 0:54:00.200
<v Speaker 5>So if you're an artist, that's your name, but then

0:54:00.320 --> 0:54:02.560
<v Speaker 5>under it there's called a brand promise. The brand promise

0:54:02.680 --> 0:54:04.560
<v Speaker 5>is why do we give a fucking what are you

0:54:04.560 --> 0:54:07.160
<v Speaker 5>gonna do for us? Right? So, if you say FedEx,

0:54:07.760 --> 0:54:11.040
<v Speaker 5>their brand promise is overnight. So what's yours? If you're

0:54:11.040 --> 0:54:14.440
<v Speaker 5>a business. If you're like labels, though they self promote,

0:54:14.440 --> 0:54:16.920
<v Speaker 5>you're not supposed to self promote and only promote when

0:54:16.920 --> 0:54:19.960
<v Speaker 5>the average when the when the brand is already healthy

0:54:20.000 --> 0:54:22.919
<v Speaker 5>after ten years, never supposed to sell advertised. It's called

0:54:22.960 --> 0:54:25.680
<v Speaker 5>favorable publicity. Publicity is how do you get other niggas

0:54:25.680 --> 0:54:27.600
<v Speaker 5>to talk about how tight you are? So I'll really

0:54:27.640 --> 0:54:30.080
<v Speaker 5>take one hundred thousand dollar marketing budget, give everybody a hundred,

0:54:30.200 --> 0:54:32.120
<v Speaker 5>Like to everybody, I'm tight. If you're just not that tight,

0:54:33.280 --> 0:54:38.440
<v Speaker 5>you know, like that's just no swag. But you know,

0:54:38.760 --> 0:54:40.120
<v Speaker 5>God gives everybody swag.

0:54:40.640 --> 0:54:42.120
<v Speaker 1>You just got to find everybody.

0:54:43.560 --> 0:54:45.920
<v Speaker 5>But that's like, you know, it's just a different ways

0:54:45.920 --> 0:54:48.160
<v Speaker 5>of just understanding humans how to get them to.

0:54:49.239 --> 0:54:56.080
<v Speaker 3>Well because because there are only there are only a

0:54:56.080 --> 0:55:02.080
<v Speaker 3>few leaders rest of followers, and not in a bad way,

0:55:02.120 --> 0:55:05.439
<v Speaker 3>because we all have a role to play in the ecosystem, right,

0:55:05.680 --> 0:55:09.160
<v Speaker 3>so we're in the circle. We all need each other, right.

0:55:10.719 --> 0:55:16.120
<v Speaker 3>But the way you're articulating it is that in order

0:55:16.200 --> 0:55:19.840
<v Speaker 3>to get the mass attention, there is a formula.

0:55:22.239 --> 0:55:24.640
<v Speaker 1>There's a formula for the mob that.

0:55:24.600 --> 0:55:29.040
<v Speaker 5>Works every time. For messaging for the world, there's the

0:55:29.080 --> 0:55:31.480
<v Speaker 5>message you have to put out through people through God,

0:55:32.160 --> 0:55:34.880
<v Speaker 5>we know the secrets, but you can't abuse it. You

0:55:34.920 --> 0:55:36.040
<v Speaker 5>can't abuse it though.

0:55:36.280 --> 0:55:38.239
<v Speaker 1>Like viral is the conversation.

0:55:38.800 --> 0:55:40.520
<v Speaker 3>Yeah, oh it's viral.

0:55:40.680 --> 0:55:45.360
<v Speaker 6>Yeah, that's why we we you know, we really wanted

0:55:45.400 --> 0:55:47.840
<v Speaker 6>you on the show though, to give his tanks to

0:55:47.920 --> 0:55:51.960
<v Speaker 6>this earlier you you were able to give the information

0:55:52.200 --> 0:55:53.800
<v Speaker 6>but break it down in the layman terms.

0:55:53.920 --> 0:55:55.160
<v Speaker 1>Yeah, you know what I mean.

0:55:55.320 --> 0:55:58.719
<v Speaker 6>Like, you know, you you make it digestible for everyone, right,

0:55:58.960 --> 0:55:59.960
<v Speaker 6>and that is a gift in it.

0:56:00.160 --> 0:56:03.760
<v Speaker 1>So I think that a lot of people, they.

0:56:03.640 --> 0:56:06.480
<v Speaker 6>Like you said, even if they can teach it, they

0:56:06.520 --> 0:56:10.440
<v Speaker 6>still teach it in a certain way that the average

0:56:10.480 --> 0:56:14.480
<v Speaker 6>person who really needs it, they don't really know how

0:56:14.480 --> 0:56:14.960
<v Speaker 6>to take it.

0:56:15.000 --> 0:56:19.239
<v Speaker 1>They're like, that's not weird, right, you know what I mean. Really,

0:56:19.239 --> 0:56:23.160
<v Speaker 1>they're just saying, could you explain it? But you know,

0:56:23.560 --> 0:56:26.440
<v Speaker 1>because especially where we all come from, we've all been.

0:56:26.280 --> 0:56:30.920
<v Speaker 6>Through those public schools and understanding are not understanding something

0:56:30.960 --> 0:56:32.759
<v Speaker 6>And the kid that's sitting right next to you, he

0:56:32.800 --> 0:56:35.840
<v Speaker 6>don't want to say nothing, but he not learning anything

0:56:36.280 --> 0:56:39.000
<v Speaker 6>because it's not being properly teached to him.

0:56:39.120 --> 0:56:39.719
<v Speaker 1>For him.

0:56:40.760 --> 0:56:44.160
<v Speaker 5>What our culture needs to know that it's the words

0:56:44.239 --> 0:56:46.799
<v Speaker 5>that you say that will change the trajectory of your

0:56:46.880 --> 0:56:50.120
<v Speaker 5>life and the conversation you have with people. Bro Like,

0:56:50.239 --> 0:56:53.839
<v Speaker 5>it's so important to understand certain words, Like you can

0:56:53.840 --> 0:56:57.640
<v Speaker 5>go up to somebody and be like, uh, yeah, so

0:56:57.760 --> 0:56:59.640
<v Speaker 5>they can be talking about their business. You say, Yo,

0:56:59.680 --> 0:57:02.319
<v Speaker 5>what's so? What's your four on nine A? By you

0:57:02.360 --> 0:57:04.799
<v Speaker 5>knowing what the fuck of four O nine age? Y'all

0:57:04.840 --> 0:57:07.920
<v Speaker 5>look it up? That's just what's your evaluation for your

0:57:07.920 --> 0:57:11.640
<v Speaker 5>company a working value? Other than saying how much your

0:57:11.640 --> 0:57:14.920
<v Speaker 5>company worth? Nigga, what's your four on nine A?

0:57:15.000 --> 0:57:15.200
<v Speaker 1>Right?

0:57:15.520 --> 0:57:18.959
<v Speaker 5>This is the literalest these two small things. Like people

0:57:19.320 --> 0:57:22.960
<v Speaker 5>different like that, go up and ask somebody what are you?

0:57:23.200 --> 0:57:25.200
<v Speaker 5>What do you what are you most excited about? What

0:57:25.240 --> 0:57:27.120
<v Speaker 5>are your superpower that you're going to give to the world?

0:57:27.160 --> 0:57:29.880
<v Speaker 5>Throw niggas off to make them know that you're different, Like,

0:57:29.960 --> 0:57:31.880
<v Speaker 5>don't just say what's what you've been up to? You

0:57:32.040 --> 0:57:34.880
<v Speaker 5>just working? That's the most low vibration, broke, nigga talk

0:57:34.960 --> 0:57:41.160
<v Speaker 5>about working on well, I hate that ship. Please don't

0:57:41.200 --> 0:57:43.320
<v Speaker 5>say you're just working around me giving your biggest intention.

0:57:43.360 --> 0:57:46.200
<v Speaker 5>Give me your biggest goal that ain't happening yet, so

0:57:46.240 --> 0:57:49.880
<v Speaker 5>I can try to help and I know what your

0:57:49.920 --> 0:57:58.000
<v Speaker 5>intention is yeah, looking unless you went to and it's

0:57:58.040 --> 0:57:58.480
<v Speaker 5>still early.

0:57:59.200 --> 0:58:04.520
<v Speaker 3>It's still the Snoop Gin the Doctor and Snoop the

0:58:04.560 --> 0:58:05.720
<v Speaker 3>Go courtesy of the.

0:58:05.720 --> 0:58:10.000
<v Speaker 5>Dog Father the dog that's big bro Man. Yeah, Snoop

0:58:10.040 --> 0:58:15.200
<v Speaker 5>dogg MANH I love Snoop. I don't nobody say he

0:58:15.320 --> 0:58:20.680
<v Speaker 5>has nobody Wrongop. He has changed my life. Thank you, Snoop.

0:58:21.560 --> 0:58:24.840
<v Speaker 5>There're the opportunities and the people he's had me around,

0:58:24.840 --> 0:58:28.840
<v Speaker 5>from just kings and queens, the presidents, to all type

0:58:28.880 --> 0:58:32.040
<v Speaker 5>of just the hood, different cultures all around the world,

0:58:32.120 --> 0:58:33.640
<v Speaker 5>just to be able to experience life.

0:58:33.840 --> 0:58:36.160
<v Speaker 1>How long did you tours I've been.

0:58:36.200 --> 0:58:41.600
<v Speaker 5>I've been on. I'm forty right now, birthdays February first too.

0:58:42.040 --> 0:58:46.560
<v Speaker 5>But it's maybe George Sloops maybe like twenty years, twenty two,

0:58:46.720 --> 0:58:49.320
<v Speaker 5>twenty two years, like on and off, you know, like

0:58:49.360 --> 0:58:50.680
<v Speaker 5>it had to come to a point where I was

0:58:51.240 --> 0:58:53.920
<v Speaker 5>on tour so much to where like I had the

0:58:53.960 --> 0:58:57.640
<v Speaker 5>opportunity to get our studio in Inglewood. Shout to Mahmie Cave.

0:58:57.840 --> 0:59:00.640
<v Speaker 5>He gave us, gave us us a studio in Inglewood

0:59:00.680 --> 0:59:03.800
<v Speaker 5>right on sentienta right in the middle of the hood

0:59:04.400 --> 0:59:06.800
<v Speaker 5>that was black.

0:59:07.880 --> 0:59:08.160
<v Speaker 1>About.

0:59:08.320 --> 0:59:11.880
<v Speaker 5>So he I seen him and Homie dre outside and

0:59:11.920 --> 0:59:15.520
<v Speaker 5>they moving out, ball and all blue. I'm like, hold on, y'all.

0:59:15.520 --> 0:59:20.800
<v Speaker 5>First of y'all Ingle would go inside, but what y'all done,

0:59:21.160 --> 0:59:23.000
<v Speaker 5>We're about to move out. I'm like, hold on. I

0:59:23.040 --> 0:59:25.000
<v Speaker 5>went to the house like Pops, give me some money.

0:59:25.240 --> 0:59:27.920
<v Speaker 5>I'm about I'm giving give it up out of here.

0:59:28.040 --> 0:59:30.920
<v Speaker 5>I need the studio. That's our family studio. Mom's sister

0:59:31.280 --> 0:59:34.720
<v Speaker 5>painted that. Literally, this came our family studio and we

0:59:34.800 --> 0:59:37.640
<v Speaker 5>call Lebrin Larry Brenda that's my mom and dad name.

0:59:38.120 --> 0:59:42.480
<v Speaker 5>And from there that's where that's I mean, YG had.

0:59:42.520 --> 0:59:44.840
<v Speaker 5>That's where Yg and Nipsey met bro. I tricked both

0:59:44.880 --> 0:59:48.440
<v Speaker 5>of them to literally to come to the studio because

0:59:48.760 --> 0:59:51.040
<v Speaker 5>you know, nifty knew about why, you know, but I

0:59:51.040 --> 0:59:53.080
<v Speaker 5>had to literally come to my studio and not tell

0:59:53.120 --> 0:59:54.640
<v Speaker 5>them that they were going to be there. And they

0:59:54.680 --> 0:59:57.160
<v Speaker 5>end up doing a song together that my nephew produced,

0:59:57.440 --> 1:00:00.840
<v Speaker 5>you know what I mean. So that Terrace had a

1:00:00.880 --> 1:00:03.919
<v Speaker 5>studio there that was literally like the hood spot where

1:00:03.920 --> 1:00:06.880
<v Speaker 5>we where we really got the culture. Sometimes if you

1:00:07.080 --> 1:00:09.800
<v Speaker 5>too far out in the mountains and the value and

1:00:09.960 --> 1:00:12.040
<v Speaker 5>you don't get to breathe culture and hear the words

1:00:12.080 --> 1:00:15.000
<v Speaker 5>that these you know everyone's saying, and you know we

1:00:15.080 --> 1:00:19.480
<v Speaker 5>get our hits from conversations from normal people. You know

1:00:19.520 --> 1:00:22.080
<v Speaker 5>what I mean? You just think a melody to it.

1:00:22.160 --> 1:00:22.560
<v Speaker 1>That's it.

1:00:23.280 --> 1:00:26.840
<v Speaker 3>What do you where do you get your most fulfillment?

1:00:26.920 --> 1:00:30.720
<v Speaker 3>Would it be? Would it be as a musician or

1:00:31.440 --> 1:00:33.640
<v Speaker 3>as a producer and a songwriter.

1:00:38.040 --> 1:00:49.080
<v Speaker 5>As a teacher now more, I'm more into songwriting now.

1:00:50.280 --> 1:00:56.520
<v Speaker 5>I mean that's autopilot, like like I don't that's just

1:00:57.600 --> 1:01:00.520
<v Speaker 5>that's just autopilot. But the thing is on think about

1:01:00.760 --> 1:01:03.440
<v Speaker 5>being a musician. You have to deal standing in lines,

1:01:03.520 --> 1:01:04.640
<v Speaker 5>you have to do with luggage, you have to deal

1:01:04.680 --> 1:01:05.440
<v Speaker 5>with travel.

1:01:06.040 --> 1:01:11.520
<v Speaker 3>Skip all that you can't no, Yeah, but what happens

1:01:11.680 --> 1:01:16.160
<v Speaker 3>is that, like all the things that you go through,

1:01:17.080 --> 1:01:19.400
<v Speaker 3>once you get to that stage, you do it okay

1:01:19.920 --> 1:01:23.560
<v Speaker 3>in front of ten thousand and fifteen thousand.

1:01:23.720 --> 1:01:25.520
<v Speaker 5>If I don't have to count all that other shit,

1:01:25.560 --> 1:01:29.200
<v Speaker 5>I don't want to do. Yes, and it will be

1:01:29.240 --> 1:01:32.800
<v Speaker 5>playing on stage because that's literally it's a certain feeling

1:01:32.840 --> 1:01:35.320
<v Speaker 5>you get. We're like, bro, we didn't been on stage

1:01:35.320 --> 1:01:37.840
<v Speaker 5>for like fifty thousand people, and I'll just play like

1:01:38.120 --> 1:01:42.200
<v Speaker 5>two notes just to fuck with them. So it's like understanding,

1:01:42.240 --> 1:01:45.919
<v Speaker 5>like what notes what sounds, what emotions make them feel

1:01:45.960 --> 1:01:47.960
<v Speaker 5>a certain way, and you can just fuck with them

1:01:48.000 --> 1:01:49.840
<v Speaker 5>and then take it right back to the studio because

1:01:49.840 --> 1:01:53.440
<v Speaker 5>you understand what already worked. It's like kind of reversing.

1:01:53.680 --> 1:01:57.400
<v Speaker 5>You're doing it reversed versus what works. So it's like

1:01:57.640 --> 1:02:00.160
<v Speaker 5>I'm telling you that it's too many words because the

1:02:00.200 --> 1:02:04.800
<v Speaker 5>crowd can't sing them anywords. They can only SINGO legato.

1:02:05.240 --> 1:02:10.560
<v Speaker 5>And if you don't UNDERSTANDO, you can't do D D D.

1:02:10.680 --> 1:02:13.520
<v Speaker 5>We're gonna wait for the who you know what I mean.

1:02:13.560 --> 1:02:16.720
<v Speaker 5>So it's like understanding that it takes you to a

1:02:16.720 --> 1:02:17.880
<v Speaker 5>whole another level in life.

1:02:18.120 --> 1:02:19.439
<v Speaker 1>Do you have a favorite show?

1:02:20.760 --> 1:02:23.360
<v Speaker 6>Because I know you've been on so many stage but

1:02:23.600 --> 1:02:26.520
<v Speaker 6>do you have like one show that stands out?

1:02:26.600 --> 1:02:29.280
<v Speaker 1>Like bro, we was in glassgowlf we.

1:02:29.840 --> 1:02:38.120
<v Speaker 5>Did Glasgow, I thought, I mean, I like Live eight

1:02:38.280 --> 1:02:39.960
<v Speaker 5>was like that was like the biggest show you could

1:02:39.960 --> 1:02:42.439
<v Speaker 5>ever do with that many So Live eight was fun

1:02:42.680 --> 1:02:43.120
<v Speaker 5>and like.

1:02:43.080 --> 1:02:44.160
<v Speaker 1>How many people out there?

1:02:44.360 --> 1:02:48.520
<v Speaker 5>Like it was like one hundred thousand people. They look

1:02:48.600 --> 1:02:51.720
<v Speaker 5>like ants, everybody we like ants. But it was so

1:02:51.800 --> 1:02:54.480
<v Speaker 5>much fun that and then I have fun doing our

1:02:54.520 --> 1:02:57.440
<v Speaker 5>Beyonce show in Dubai. That was like, oh, you do

1:02:57.640 --> 1:02:58.040
<v Speaker 5>that show.

1:02:58.880 --> 1:03:01.520
<v Speaker 1>Yeah, I didn't you did that show. I've only heard

1:03:01.520 --> 1:03:02.080
<v Speaker 1>of that show.

1:03:02.240 --> 1:03:05.680
<v Speaker 5>Oh yeah, our band is the band we know that.

1:03:05.920 --> 1:03:11.920
<v Speaker 1>The most expensive band. Who you are, the most expensive

1:03:12.000 --> 1:03:16.840
<v Speaker 1>in the world. That's called fifteen hundred. I got fifteen hundred.

1:03:18.920 --> 1:03:19.440
<v Speaker 5>You sadly?

1:03:21.440 --> 1:03:22.680
<v Speaker 1>Yeah, you gotta tell us about that.

1:03:23.320 --> 1:03:28.600
<v Speaker 5>Yeah, it was an amazing experts.

1:03:28.600 --> 1:03:31.320
<v Speaker 6>I'm sure it was set out amazingly for the whole

1:03:31.800 --> 1:03:33.960
<v Speaker 6>like just even where y'all stayed everything, I hope, I

1:03:34.000 --> 1:03:34.400
<v Speaker 6>know it was.

1:03:34.960 --> 1:03:35.080
<v Speaker 1>Well.

1:03:35.120 --> 1:03:38.800
<v Speaker 5>The cool the cool thing is with Beyonce. First of all,

1:03:38.840 --> 1:03:42.720
<v Speaker 5>she's just amazing everyone, her team is great and there's

1:03:42.840 --> 1:03:45.520
<v Speaker 5>just all love. When I got the call from Guru

1:03:45.840 --> 1:03:48.600
<v Speaker 5>and I put them on the phone, it was pretty

1:03:48.600 --> 1:03:51.400
<v Speaker 5>fucking crazy. She was just explaining to me that, you know,

1:03:51.960 --> 1:03:54.600
<v Speaker 5>going to Dubai and in a short amount of time,

1:03:54.680 --> 1:03:56.959
<v Speaker 5>but we need this and a string section of horn section,

1:03:57.080 --> 1:03:59.960
<v Speaker 5>all this type of stuff. So I feel like most

1:04:00.200 --> 1:04:03.480
<v Speaker 5>musical directors, it's just one person that just wants to

1:04:03.520 --> 1:04:05.520
<v Speaker 5>get to all the you know, it's just just one person.

1:04:05.560 --> 1:04:08.240
<v Speaker 5>But I felt like for Beyonce, she needs like three

1:04:08.280 --> 1:04:11.760
<v Speaker 5>musical directors. So what I did was at our first rehearsal,

1:04:12.240 --> 1:04:16.320
<v Speaker 5>I took Damo, Who's the coldest Nigga alive? And Kyrie

1:04:16.640 --> 1:04:18.480
<v Speaker 5>was also he actually worked on a box for me

1:04:18.520 --> 1:04:22.160
<v Speaker 5>too all the go around. And I said, hey, we're

1:04:22.160 --> 1:04:25.960
<v Speaker 5>your musical directors, and I'm telling you this because you

1:04:26.040 --> 1:04:28.959
<v Speaker 5>need if you have if you have a request, it'll

1:04:29.000 --> 1:04:31.880
<v Speaker 5>get done in two minutes. While literally two minutes. So

1:04:31.920 --> 1:04:34.160
<v Speaker 5>then somebody walking over there is telling us, like with

1:04:34.280 --> 1:04:36.680
<v Speaker 5>the way fifteen hundred is structured, we don't like to

1:04:36.720 --> 1:04:40.560
<v Speaker 5>rehearsal forever. So the way our structure is, we really

1:04:40.640 --> 1:04:42.640
<v Speaker 5>know how to get shit done if we need to

1:04:42.720 --> 1:04:45.439
<v Speaker 5>change something, pro to us, why we got somebody changing something?

1:04:45.560 --> 1:04:48.200
<v Speaker 5>As soon as she said, Kyrie's teaching a band, and

1:04:48.240 --> 1:04:50.560
<v Speaker 5>we learned like literally calling out the numbers and in

1:04:50.600 --> 1:04:52.120
<v Speaker 5>the parts. A by the time she ready rehearsed in

1:04:52.120 --> 1:04:55.000
<v Speaker 5>two minutes, we we got it, you know what I mean.

1:04:55.040 --> 1:04:58.320
<v Speaker 5>So that's that's that was something self selfish move that

1:04:58.360 --> 1:05:01.240
<v Speaker 5>I wanted to do to act to just give you know,

1:05:01.640 --> 1:05:03.440
<v Speaker 5>like Kyrie has been the one he just did the

1:05:03.480 --> 1:05:06.560
<v Speaker 5>halftime show. He got like our band is they did

1:05:06.600 --> 1:05:09.080
<v Speaker 5>the you know they're they're lit, you know, But I

1:05:09.680 --> 1:05:13.480
<v Speaker 5>just a blessing. I could be a vessel, you know,

1:05:13.600 --> 1:05:16.040
<v Speaker 5>company of Guru and the Rock and Jay and everybody

1:05:16.040 --> 1:05:18.640
<v Speaker 5>looking out because that came from j JA. We did

1:05:18.720 --> 1:05:20.680
<v Speaker 5>four four forward tour, right, you know what I mean.

1:05:20.800 --> 1:05:24.000
<v Speaker 5>So that was you know, if you do good work,

1:05:24.040 --> 1:05:27.720
<v Speaker 5>people talk and if you could close, you keep getting more.

1:05:27.800 --> 1:05:29.959
<v Speaker 5>You'll keep getting the opportunity. Yeah for real.

1:05:30.720 --> 1:05:32.680
<v Speaker 1>Yeah, that band, that that band is different.

1:05:32.840 --> 1:05:33.920
<v Speaker 5>Yeah, it's funny.

1:05:34.160 --> 1:05:35.640
<v Speaker 1>Been on some amazing stages, bro.

1:05:35.800 --> 1:05:36.640
<v Speaker 5>Yeah, it's a blessing.

1:05:36.760 --> 1:05:37.040
<v Speaker 1>I was.

1:05:37.360 --> 1:05:40.520
<v Speaker 3>I was on tour when I did the Genuine Overseas

1:05:40.560 --> 1:05:44.080
<v Speaker 3>Tour ninety eight. I was like, I'm playing keys and singing.

1:05:44.160 --> 1:05:46.960
<v Speaker 3>He the Consolidate. I was like, I was like, well,

1:05:47.000 --> 1:05:49.360
<v Speaker 3>I'll just put the keys for you. He's like he's like,

1:05:49.400 --> 1:05:50.000
<v Speaker 3>all right, cool.

1:05:50.400 --> 1:05:51.000
<v Speaker 5>See.

1:05:51.440 --> 1:05:53.480
<v Speaker 3>Brought my drummer from one of my drummer guys in

1:05:53.600 --> 1:05:58.440
<v Speaker 3>Bucky played for Backyard out of DC. My guy uh

1:05:58.320 --> 1:06:00.200
<v Speaker 3>uh stays to face. I think they stays. The bas

1:06:00.320 --> 1:06:03.200
<v Speaker 3>was on bass. I got Brandon Brodnax and Big Bob

1:06:03.280 --> 1:06:07.200
<v Speaker 3>Terry and guitar and and.

1:06:07.280 --> 1:06:13.920
<v Speaker 1>You talk about a time like it was. I was sad.

1:06:15.280 --> 1:06:19.000
<v Speaker 3>To go to stop being on the road being a musician, singer.

1:06:20.080 --> 1:06:21.840
<v Speaker 3>This nigga tank didn't want quick You talk about that

1:06:21.880 --> 1:06:24.080
<v Speaker 3>all the time. I was sad he didn't want to

1:06:24.120 --> 1:06:26.840
<v Speaker 3>become tank. I was having fun.

1:06:29.640 --> 1:06:31.480
<v Speaker 5>It's fun, bro, Like that stage.

1:06:31.560 --> 1:06:35.720
<v Speaker 3>That Lamin, it was doing so much work that all

1:06:35.840 --> 1:06:40.400
<v Speaker 3>access lambing. It was having so many conversations that I

1:06:40.440 --> 1:06:46.800
<v Speaker 3>didn't need to have in Germany, Man.

1:06:45.840 --> 1:06:54.040
<v Speaker 1>Lamb In, it was like he just starting got cities

1:06:54.040 --> 1:06:55.400
<v Speaker 1>over there. That's just show this spot.

1:06:55.640 --> 1:06:55.800
<v Speaker 2>Bro.

1:06:56.240 --> 1:06:58.360
<v Speaker 5>Yeah, Bro, respectfuly. Bro.

1:06:59.360 --> 1:07:00.640
<v Speaker 3>I didn't even have to I didn't even have to

1:07:00.800 --> 1:07:02.800
<v Speaker 3>hold It was just it was.

1:07:06.160 --> 1:07:13.480
<v Speaker 1>You as chain around your name me my god.

1:07:14.120 --> 1:07:17.439
<v Speaker 3>It's just the time of my life, bro, of being

1:07:17.520 --> 1:07:21.280
<v Speaker 3>in music. Like I really I really carried a double

1:07:21.320 --> 1:07:25.560
<v Speaker 3>tears stand, two keyboards, and a pvy amp like in

1:07:25.640 --> 1:07:29.200
<v Speaker 3>one take. That was That's that was my life. Like,

1:07:29.480 --> 1:07:33.680
<v Speaker 3>That's why my love and affinity for musicians is the

1:07:33.720 --> 1:07:36.600
<v Speaker 3>way it is. That's why I value musicians of value,

1:07:36.640 --> 1:07:40.280
<v Speaker 3>the dancers of value, the l d A value, my music,

1:07:41.040 --> 1:07:45.520
<v Speaker 3>my my my soundman. I value them so much because

1:07:45.560 --> 1:07:48.840
<v Speaker 3>I know what it takes to do that, and I

1:07:48.880 --> 1:07:52.880
<v Speaker 3>know if one of those things is not cared for properly,

1:07:53.160 --> 1:07:55.600
<v Speaker 3>if those everything.

1:07:57.120 --> 1:08:00.000
<v Speaker 6>He really lives by that because just like you said,

1:08:00.080 --> 1:08:03.720
<v Speaker 6>it earlier. A lot of times the band is disrespected

1:08:04.280 --> 1:08:07.480
<v Speaker 6>depending on who the artist is, right and depending on

1:08:07.520 --> 1:08:08.760
<v Speaker 6>who the artist team is.

1:08:08.840 --> 1:08:13.120
<v Speaker 1>Like for me, I always knew Tank takes care of

1:08:13.160 --> 1:08:14.680
<v Speaker 1>his band like he takes care of himself.

1:08:15.200 --> 1:08:17.040
<v Speaker 6>So when people will be trying to like, oh, you

1:08:17.120 --> 1:08:19.120
<v Speaker 6>got it, this is it, and I'll be like, well,

1:08:19.160 --> 1:08:21.639
<v Speaker 6>it's probably I'm telling I'm telling promoters, I'm telling different people,

1:08:21.640 --> 1:08:23.040
<v Speaker 6>I'm like, what's probably not gonna happen.

1:08:23.360 --> 1:08:24.800
<v Speaker 1>Well, yeah, you know, we got this.

1:08:24.880 --> 1:08:31.200
<v Speaker 6>I'm like, listen, my artist and partner is a musician himself,

1:08:31.920 --> 1:08:35.599
<v Speaker 6>so he is not going to just say.

1:08:35.760 --> 1:08:37.680
<v Speaker 1>We don't need that or we don't need this.

1:08:37.880 --> 1:08:40.320
<v Speaker 6>I'm going to just use what you got or the

1:08:40.400 --> 1:08:44.679
<v Speaker 6>local musician in your city. The worst thing you could

1:08:44.720 --> 1:08:49.120
<v Speaker 6>say when you called me about this man's house band.

1:08:50.840 --> 1:08:57.639
<v Speaker 1>Listen, bro listen. Promoters around the world an the oral Craig.

1:08:59.479 --> 1:09:06.080
<v Speaker 6>If you all me and say that word houseband, I

1:09:06.200 --> 1:09:09.880
<v Speaker 6>guarantee you, no matter how much you offer him, he's

1:09:10.120 --> 1:09:13.000
<v Speaker 6>not going to do the show.

1:09:13.920 --> 1:09:14.280
<v Speaker 1>He's not.

1:09:15.000 --> 1:09:17.679
<v Speaker 6>He's loyal to who he's loyal to, who rocks with him,

1:09:18.960 --> 1:09:21.160
<v Speaker 6>Like yes, and and you notice as a musician, some

1:09:21.240 --> 1:09:23.599
<v Speaker 6>things are track shows and some you know, some venues

1:09:23.640 --> 1:09:25.040
<v Speaker 6>and just for that and I got to get in

1:09:25.040 --> 1:09:28.759
<v Speaker 6>there and knock this little quick thing out. But house band,

1:09:29.960 --> 1:09:30.759
<v Speaker 6>he ain't rolling.

1:09:31.080 --> 1:09:32.639
<v Speaker 1>He is not rolling. Listen.

1:09:32.680 --> 1:09:36.800
<v Speaker 3>I don't do like and and everybody has their own

1:09:36.840 --> 1:09:39.280
<v Speaker 3>way of like traveling their crews. You know what I'm saying,

1:09:39.280 --> 1:09:41.880
<v Speaker 3>whether it be an A crew, B cruise crew or

1:09:42.280 --> 1:09:45.800
<v Speaker 3>you know, the a's are here and then the bees,

1:09:45.840 --> 1:09:48.120
<v Speaker 3>we're gonna rap them over here and see is what

1:09:48.200 --> 1:09:48.439
<v Speaker 3>we know.

1:09:48.720 --> 1:09:50.720
<v Speaker 1>You know they're gonna that's that's the days.

1:09:50.400 --> 1:09:54.519
<v Speaker 3>In right, My me and my band and my people.

1:09:55.880 --> 1:10:00.639
<v Speaker 3>We are in the same place, we eating the same food.

1:10:02.560 --> 1:10:04.680
<v Speaker 3>After the show is over, y'all want to hit y'all

1:10:04.760 --> 1:10:08.400
<v Speaker 3>want to go hit something, hit the spot, grasp some foods.

1:10:08.840 --> 1:10:10.960
<v Speaker 1>I got this, I got this hosting. Hey, I won't come.

1:10:11.360 --> 1:10:11.559
<v Speaker 1>We go.

1:10:11.680 --> 1:10:14.680
<v Speaker 3>Let's get enough vehicles because everybody can go man like

1:10:15.400 --> 1:10:20.840
<v Speaker 3>because as musicians, bro like need each other. Man, we

1:10:20.920 --> 1:10:23.559
<v Speaker 3>need each other. And you know, and you know how

1:10:23.640 --> 1:10:28.440
<v Speaker 3>much better I played and sang because I knew genuine

1:10:28.960 --> 1:10:29.719
<v Speaker 3>had my back.

1:10:32.000 --> 1:10:35.160
<v Speaker 1>Might take it in. You're gonna give me a silk

1:10:35.200 --> 1:10:39.760
<v Speaker 1>shirt too. He was gonna send a few letters my way.

1:10:40.000 --> 1:10:43.280
<v Speaker 6>Listen, as Terry said what he said in that same seat,

1:10:43.560 --> 1:10:44.720
<v Speaker 6>you can't forget about the cats.

1:10:44.800 --> 1:10:47.520
<v Speaker 3>Can't forget about the cats.

1:10:48.320 --> 1:10:49.320
<v Speaker 1>They can't forget about the cat.

1:10:49.439 --> 1:10:51.120
<v Speaker 3>You guys are the ultimate cats.

1:10:53.000 --> 1:10:56.200
<v Speaker 5>Look, I understand we learned. We was watching y'all bro

1:10:56.680 --> 1:10:59.120
<v Speaker 5>the Underdog days. We was at Tyree Studio.

1:10:59.600 --> 1:11:05.160
<v Speaker 3>That's what I wanted to get, Like, who is them niggas?

1:11:05.760 --> 1:11:09.040
<v Speaker 5>Bro Tyres At that time he had everybody he could

1:11:09.080 --> 1:11:10.000
<v Speaker 5>have signed us off for.

1:11:10.680 --> 1:11:16.000
<v Speaker 3>He had no idea, I mean don't. I don't think

1:11:16.080 --> 1:11:20.400
<v Speaker 3>anybody had. I don't think anybody had. I won't. I won't.

1:11:20.439 --> 1:11:22.800
<v Speaker 1>I won't blame him the Ivy ivy.

1:11:24.080 --> 1:11:31.759
<v Speaker 3>Because because to see what you guys have become, that's different.

1:11:32.200 --> 1:11:37.200
<v Speaker 3>No one could have forecasted that your talent absolutely undeniable, but.

1:11:37.240 --> 1:11:40.559
<v Speaker 1>Just the business business what you guys has built. Though.

1:11:42.280 --> 1:11:45.120
<v Speaker 3>I would have never thought that I would. I would

1:11:45.120 --> 1:11:47.360
<v Speaker 3>have never thought, not that you couldn't do it. I

1:11:47.439 --> 1:11:50.519
<v Speaker 3>just didn't. I didn't see that, you know what I'm saying.

1:11:50.560 --> 1:11:52.880
<v Speaker 3>I saw some niggas. It was like me, some hood

1:11:53.240 --> 1:11:57.880
<v Speaker 3>musicians wain't working around, but do this music on another left,

1:11:58.120 --> 1:12:00.120
<v Speaker 3>I saw that I was like man niggas cold man

1:12:00.280 --> 1:12:01.840
<v Speaker 3>I rock with you. I like them niggas, but now

1:12:01.880 --> 1:12:04.559
<v Speaker 3>you niggas some local type shop.

1:12:04.840 --> 1:12:07.920
<v Speaker 6>I feel like though, and I was I was gonna

1:12:07.920 --> 1:12:10.120
<v Speaker 6>say maybe in his defense, but not even in his defense.

1:12:10.560 --> 1:12:13.360
<v Speaker 6>I feel like a Tyresee is just always wanted to

1:12:13.360 --> 1:12:13.960
<v Speaker 6>be a vessel.

1:12:14.920 --> 1:12:16.760
<v Speaker 1>He I don't think he really, I don't think.

1:12:16.680 --> 1:12:18.120
<v Speaker 3>He wasn't looking too whole.

1:12:20.920 --> 1:12:22.360
<v Speaker 5>He was just opening his door.

1:12:24.240 --> 1:12:27.360
<v Speaker 6>I messed so many talented people through Tyree's you know

1:12:27.360 --> 1:12:27.800
<v Speaker 6>what I'm saying.

1:12:27.840 --> 1:12:30.200
<v Speaker 1>Like I said that the ivys broy had.

1:12:33.720 --> 1:12:39.200
<v Speaker 5>Everybody, all of them sell like people that you cause.

1:12:39.000 --> 1:12:41.439
<v Speaker 6>You you go to Tyree's house and just meet somebody.

1:12:41.520 --> 1:12:44.200
<v Speaker 6>Somebody's just there. That's very fucking talented.

1:12:44.280 --> 1:12:47.840
<v Speaker 5>James was Tyree's engineer. Do y'all that part I did?

1:12:48.040 --> 1:12:49.400
<v Speaker 1>I didn't know he was.

1:12:49.080 --> 1:12:53.519
<v Speaker 5>James engineer for Tyree nigga. That's why James so cold? Wow?

1:12:54.439 --> 1:12:56.920
<v Speaker 1>What I didn't know?

1:12:56.960 --> 1:12:59.360
<v Speaker 5>He was his engineer downstairs, he was engineering for Tyres.

1:12:59.479 --> 1:13:00.920
<v Speaker 1>James engine James different.

1:13:01.040 --> 1:13:02.759
<v Speaker 5>You just try to get that bread.

1:13:03.680 --> 1:13:04.280
<v Speaker 1>I remember.

1:13:04.479 --> 1:13:09.360
<v Speaker 3>I remember right when I left the Underdogs, it was

1:13:09.400 --> 1:13:14.840
<v Speaker 3>like I met James and it was like because a

1:13:14.880 --> 1:13:17.000
<v Speaker 3>few of us had had shook. So it's just like, Okay, well,

1:13:17.040 --> 1:13:18.720
<v Speaker 3>I mean, you know, I guess they'll figure it out there.

1:13:18.760 --> 1:13:22.680
<v Speaker 3>They always do. And we heard James is there. It

1:13:22.800 --> 1:13:25.320
<v Speaker 3>was like, I guess they're gonna be all right.

1:13:31.640 --> 1:13:35.519
<v Speaker 1>Stayed up there for about two weeks. He gave him enough.

1:13:35.840 --> 1:13:38.080
<v Speaker 5>Yeah, he gave He gave him a run.

1:13:38.760 --> 1:13:42.040
<v Speaker 3>He gave him enough. You're gonna be fine without him.

1:13:44.320 --> 1:13:49.080
<v Speaker 3>And it was like Damon was so excited about him.

1:13:49.880 --> 1:13:53.880
<v Speaker 3>I'm talking, he was bouncing off the walls like I

1:13:54.040 --> 1:13:55.920
<v Speaker 3>tell you when the next scene he got a pitch

1:13:55.960 --> 1:13:57.040
<v Speaker 3>bend in his throat.

1:13:57.800 --> 1:13:59.200
<v Speaker 1>This nigga don't even go note the note.

1:13:59.320 --> 1:14:00.519
<v Speaker 3>He bends the notes.

1:14:00.760 --> 1:14:07.479
<v Speaker 1>He's like my brother. I remember my brother came at

1:14:07.479 --> 1:14:07.800
<v Speaker 1>the time.

1:14:07.840 --> 1:14:13.439
<v Speaker 6>I had a at a studio house and my brother

1:14:13.560 --> 1:14:16.200
<v Speaker 6>came back to the studio house and he was like.

1:14:18.240 --> 1:14:20.120
<v Speaker 1>I met one of the coldest niggas ever in life.

1:14:20.640 --> 1:14:23.519
<v Speaker 6>Damns like in life like nigga, we didn't mess with

1:14:23.600 --> 1:14:31.479
<v Speaker 6>cold maybe yeah, And he was like, Jay, this nigga,

1:14:32.520 --> 1:14:36.960
<v Speaker 6>it's he's different, bro. He's like he is bascial bro.

1:14:37.200 --> 1:14:41.160
<v Speaker 6>He the records, he's writing the like it's just his vibe.

1:14:41.200 --> 1:14:43.120
<v Speaker 1>He's like, yay, he wanted him one.

1:14:44.479 --> 1:14:46.920
<v Speaker 5>You just got too much information. You're talking about a

1:14:47.000 --> 1:14:50.479
<v Speaker 5>nigga that watches every anime, that's read every book on

1:14:50.560 --> 1:14:57.120
<v Speaker 5>religious psychology and philosophy. That's a ghetto is like me,

1:14:58.040 --> 1:15:01.439
<v Speaker 5>every it's a cheek he stands. He has a full

1:15:01.479 --> 1:15:06.040
<v Speaker 5>understanding of the world, so ideology in one whole thing.

1:15:06.160 --> 1:15:09.080
<v Speaker 5>So yeah, and I also understand how to write songs.

1:15:09.160 --> 1:15:11.920
<v Speaker 3>He's got a frame or for any He's got a

1:15:12.000 --> 1:15:16.000
<v Speaker 3>scene or a frame for anything. Yeah, and all in

1:15:16.080 --> 1:15:19.640
<v Speaker 3>seeing that frame is is makes it so easy to

1:15:19.680 --> 1:15:22.439
<v Speaker 3>write from. Like I would always if I was writing,

1:15:22.479 --> 1:15:26.000
<v Speaker 3>I would say, I would say, I need I need

1:15:26.000 --> 1:15:28.080
<v Speaker 3>a scene. I need a scenario. And once I have,

1:15:28.240 --> 1:15:30.880
<v Speaker 3>once I lock in on the scene, oh, let me

1:15:30.960 --> 1:15:32.160
<v Speaker 3>just write it frame by frame.

1:15:32.320 --> 1:15:34.920
<v Speaker 1>Yeah, got it cool, We're good. Yeah.

1:15:35.000 --> 1:15:37.720
<v Speaker 3>And that was my cheek code too. That is my

1:15:37.840 --> 1:15:40.599
<v Speaker 3>cheek code to writing songs. It's like I envisioned the argument.

1:15:41.240 --> 1:15:45.720
<v Speaker 3>I envision the encounter and envision the meeting, the handshake,

1:15:45.760 --> 1:15:48.960
<v Speaker 3>the huh. I envision how it happens word for word,

1:15:49.000 --> 1:15:51.280
<v Speaker 3>and I don't just say what happens. I give you

1:15:51.360 --> 1:15:54.200
<v Speaker 3>adjectives to give you the feelings within the moment. I

1:15:54.240 --> 1:15:57.200
<v Speaker 3>give you the smell within the moment. I give you

1:15:57.320 --> 1:15:59.719
<v Speaker 3>the intent within the moment from both sides, like.

1:15:59.600 --> 1:16:03.720
<v Speaker 5>It's yeah, that's that's I don't miss that one. Did

1:16:03.720 --> 1:16:06.120
<v Speaker 5>you get that ship?

1:16:07.439 --> 1:16:12.160
<v Speaker 3>That's that's writing life, that's turning life into music. Yeah,

1:16:12.520 --> 1:16:15.280
<v Speaker 3>And as long as you can do that, because there

1:16:15.120 --> 1:16:17.479
<v Speaker 3>are at least I always say, there are at least

1:16:17.479 --> 1:16:19.560
<v Speaker 3>a million people that feel how you feel.

1:16:21.200 --> 1:16:21.240
<v Speaker 1>It.

1:16:21.240 --> 1:16:23.880
<v Speaker 3>That's really all you need. If you get ten percent

1:16:23.880 --> 1:16:28.599
<v Speaker 3>of that, say five, right, So that's real talk, damn.

1:16:28.760 --> 1:16:32.719
<v Speaker 3>And it's fine. It's finding your customer, it's finding your people.

1:16:32.720 --> 1:16:36.719
<v Speaker 1>It's fine. It's like the guy who has the specialty store.

1:16:37.200 --> 1:16:37.559
<v Speaker 1>Mm hmm.

1:16:38.000 --> 1:16:42.400
<v Speaker 6>Yeah that eventually other people tell other people about.

1:16:43.600 --> 1:16:44.920
<v Speaker 1>It's really that simple, bro.

1:16:45.040 --> 1:16:50.840
<v Speaker 6>Like every publicity just said these things, the branding laws, right,

1:16:50.920 --> 1:16:52.639
<v Speaker 6>it's all these things just come back to.

1:16:55.080 --> 1:16:59.360
<v Speaker 1>Keep it simple, keep it simple. Mm hmm. You know

1:16:59.360 --> 1:17:00.439
<v Speaker 1>what I mean, keep it simple.

1:17:00.600 --> 1:17:03.960
<v Speaker 6>And I was I'd say the one thing too that

1:17:03.960 --> 1:17:06.880
<v Speaker 6>that I've learned and tank can I talk about this

1:17:06.960 --> 1:17:11.920
<v Speaker 6>all the time as well? With consistency. We know why

1:17:11.960 --> 1:17:15.800
<v Speaker 6>our podcast works. We don't miss our. We don't miss

1:17:15.840 --> 1:17:17.519
<v Speaker 6>our time. We don't miss our. We like people.

1:17:18.479 --> 1:17:20.840
<v Speaker 1>They know what time that we do. The live. You

1:17:20.880 --> 1:17:22.800
<v Speaker 1>know what I mean, when the live podcast drops, they

1:17:22.840 --> 1:17:24.599
<v Speaker 1>know what time it drops on you know what I mean,

1:17:24.680 --> 1:17:29.960
<v Speaker 1>on the on the streaming services and if any hiccup, Man,

1:17:30.040 --> 1:17:32.440
<v Speaker 1>my dms are going crazy.

1:17:31.560 --> 1:17:37.200
<v Speaker 5>Yeah, you guys are programming at the highest.

1:17:36.880 --> 1:17:39.360
<v Speaker 1>Level, you know what I mean.

1:17:39.360 --> 1:17:42.280
<v Speaker 6>And I think that that's another thing with creatives, right,

1:17:42.320 --> 1:17:45.760
<v Speaker 6>because we have so many creatives that are just like.

1:17:47.400 --> 1:17:51.720
<v Speaker 1>Free flowing and they're you know, they're birds. They land

1:17:51.720 --> 1:17:52.599
<v Speaker 1>when they want to land.

1:17:53.880 --> 1:17:58.479
<v Speaker 6>But while the floodgates have been open to the world

1:17:58.479 --> 1:18:02.280
<v Speaker 6>of creatives, it's so many other creative people now that

1:18:02.320 --> 1:18:05.519
<v Speaker 6>they will go to. If you don't have consistency in

1:18:05.920 --> 1:18:08.519
<v Speaker 6>your brand and what you're doing right, you know what

1:18:08.560 --> 1:18:10.880
<v Speaker 6>I mean, if you don't have a landing spot for them,

1:18:11.040 --> 1:18:11.439
<v Speaker 6>you don't.

1:18:11.320 --> 1:18:12.800
<v Speaker 3>Have one or two times for them to go to

1:18:12.840 --> 1:18:14.000
<v Speaker 3>your channel and knowing.

1:18:13.880 --> 1:18:17.559
<v Speaker 1>It right, they're gonna stop going. They're gonna stop going,

1:18:18.200 --> 1:18:18.760
<v Speaker 1>you know what I mean.

1:18:19.280 --> 1:18:21.400
<v Speaker 6>That's so for you to come here and you're like, yeah,

1:18:21.439 --> 1:18:23.960
<v Speaker 6>so yeah, we got It's not just the Academy no more.

1:18:24.479 --> 1:18:25.360
<v Speaker 1>Oh yeah, Now I.

1:18:25.400 --> 1:18:27.639
<v Speaker 5>Gotta be the news bro. The news is every day.

1:18:28.240 --> 1:18:32.000
<v Speaker 5>So it's like just like Kanye, it's he's selling some

1:18:32.000 --> 1:18:37.120
<v Speaker 5>fucking shoes and he's selling some clothes and not an album,

1:18:37.120 --> 1:18:38.960
<v Speaker 5>and he's taking the album back and it's like, you

1:18:39.000 --> 1:18:41.240
<v Speaker 5>gotta be in tho minds every day. And that's that's

1:18:41.320 --> 1:18:44.000
<v Speaker 5>one of the things that we really got to make

1:18:44.040 --> 1:18:47.240
<v Speaker 5>sure you were doing enough in our life. It ain't

1:18:47.320 --> 1:18:49.720
<v Speaker 5>one thing. Music just ain't enough, no, you know what

1:18:49.760 --> 1:18:53.240
<v Speaker 5>I mean, it's the lifestyle, Like niggas need to understand.

1:18:54.520 --> 1:18:55.360
<v Speaker 1>Man, we got R and B.

1:18:55.479 --> 1:19:05.160
<v Speaker 5>Man. Man, we're doing water chairs in the daytime. Come on, man, man.

1:19:03.920 --> 1:19:07.320
<v Speaker 1>Yeah nothing, man, it's all money.

1:19:07.400 --> 1:19:15.360
<v Speaker 3>Come on, so as you as you I mean Disneyland

1:19:15.400 --> 1:19:16.040
<v Speaker 3>and Linglehood.

1:19:16.479 --> 1:19:18.040
<v Speaker 1>It just sounds just sounds crazy.

1:19:19.920 --> 1:19:24.320
<v Speaker 5>What else right now? I mean because you were consumed

1:19:24.439 --> 1:19:26.040
<v Speaker 5>with Yeah.

1:19:25.960 --> 1:19:27.240
<v Speaker 1>You got on your plate.

1:19:27.280 --> 1:19:29.479
<v Speaker 5>Brother, I'm still a producer, musician.

1:19:29.520 --> 1:19:31.920
<v Speaker 6>I still you put the Rose Orce into academy. Maybe

1:19:31.960 --> 1:19:32.760
<v Speaker 6>you're gonna put the Road.

1:19:33.240 --> 1:19:36.120
<v Speaker 1>You think I forgot about it, You're gonna put the

1:19:36.160 --> 1:19:39.360
<v Speaker 1>rose in there next like the S s L. I

1:19:39.439 --> 1:19:44.840
<v Speaker 1>was like, Okay, he's just.

1:19:43.760 --> 1:19:50.760
<v Speaker 5>I'm chilling now. But honestly, my goal, man, is just

1:19:50.760 --> 1:19:56.040
<v Speaker 5>trying to inspire and give access to nobody's ever the

1:19:56.120 --> 1:19:57.880
<v Speaker 5>dream that they can have, you know, what I mean.

1:19:57.880 --> 1:20:00.519
<v Speaker 5>It's to the points where like I'm a a TV

1:20:00.560 --> 1:20:04.000
<v Speaker 5>show where I got students and people and they'll come

1:20:04.160 --> 1:20:06.320
<v Speaker 5>and say what they need. Yeah, I want to be

1:20:06.320 --> 1:20:09.519
<v Speaker 5>in tech. I know so many people in Silicon Valley

1:20:09.520 --> 1:20:12.280
<v Speaker 5>and y Combinator at all these companies to where I

1:20:12.280 --> 1:20:14.320
<v Speaker 5>can make a phone call and be like, oh, here's

1:20:15.680 --> 1:20:17.680
<v Speaker 5>this is what you need. You need you know that.

1:20:17.920 --> 1:20:20.400
<v Speaker 5>I just want to be the access to people for

1:20:20.479 --> 1:20:22.720
<v Speaker 5>the culture to where they don't have to deal with

1:20:22.760 --> 1:20:26.599
<v Speaker 5>all the bitch ass nigga activity to where they can

1:20:26.680 --> 1:20:28.840
<v Speaker 5>I can just get straight to the to the money.

1:20:28.960 --> 1:20:31.400
<v Speaker 5>But but that's why we have our schools to make

1:20:31.439 --> 1:20:34.080
<v Speaker 5>sure you're qualified, you know what I.

1:20:34.000 --> 1:20:36.560
<v Speaker 1>Mean, Because you can't, you can't connect foolishness.

1:20:37.080 --> 1:20:42.200
<v Speaker 5>Then it's only then I'm exactly everybody.

1:20:42.920 --> 1:20:49.519
<v Speaker 1>That's the worst thing to hear A lot of my.

1:20:52.439 --> 1:20:55.880
<v Speaker 5>That's your boy man. Yeah, but no, we really just

1:20:55.960 --> 1:21:00.280
<v Speaker 5>at this point, I'm tired of modern day slavery and

1:21:00.320 --> 1:21:04.559
<v Speaker 5>how labels and all these companies are just minor their slaves,

1:21:04.560 --> 1:21:07.919
<v Speaker 5>and we're about to change that. We're changing the models.

1:21:08.160 --> 1:21:13.400
<v Speaker 5>The problem is there's creatives like two problems. The industry

1:21:13.439 --> 1:21:17.519
<v Speaker 5>needs to have CFO CEOs like a normal business. We're

1:21:17.520 --> 1:21:20.679
<v Speaker 5>getting tricked. All this shit is cat like with then

1:21:20.840 --> 1:21:23.080
<v Speaker 5>R and all that that shit is cap We really

1:21:23.160 --> 1:21:25.200
<v Speaker 5>need to it's a real business. So if you understand,

1:21:26.000 --> 1:21:29.120
<v Speaker 5>learn Delaware law and that that'll help you under explain

1:21:29.160 --> 1:21:32.480
<v Speaker 5>how corporations. That's Delaware law is the best for corporations.

1:21:32.800 --> 1:21:34.960
<v Speaker 5>We really want to teach people how to own their

1:21:35.000 --> 1:21:37.479
<v Speaker 5>own ship, how to build their ship. But we, of

1:21:37.520 --> 1:21:40.120
<v Speaker 5>course we need help. So that's why we got the

1:21:40.200 --> 1:21:42.719
<v Speaker 5>Disney Inglewood. We got the company we play. That's given

1:21:42.760 --> 1:21:45.599
<v Speaker 5>opportunities to where like you can come to me and say, yo, rins,

1:21:45.640 --> 1:21:47.519
<v Speaker 5>I want to do a new version of prices right

1:21:47.600 --> 1:21:50.320
<v Speaker 5>with the culture, they can do that shit in two

1:21:50.400 --> 1:21:53.439
<v Speaker 5>days and have the and have the set built, have

1:21:53.600 --> 1:21:55.960
<v Speaker 5>everything built. Like you lyrics say y'all want to do

1:21:56.320 --> 1:22:00.000
<v Speaker 5>a cartoon like or the Doo movie, the Mandalorian movie.

1:22:00.080 --> 1:22:02.439
<v Speaker 5>You could do that and the models that they're doing,

1:22:02.800 --> 1:22:04.960
<v Speaker 5>it's fair for us to where if you try to

1:22:05.000 --> 1:22:06.760
<v Speaker 5>do that with Soda or any other company, you're gonna

1:22:06.760 --> 1:22:08.920
<v Speaker 5>have to sign your whole life away and you want

1:22:08.920 --> 1:22:11.880
<v Speaker 5>own ship. This is like right, it ain't gonna be

1:22:11.880 --> 1:22:13.040
<v Speaker 5>like this by next year.

1:22:16.040 --> 1:22:17.320
<v Speaker 1>Do the other one.

1:22:18.720 --> 1:22:22.160
<v Speaker 5>Right now, we got the opportunity to really be able

1:22:22.200 --> 1:22:24.679
<v Speaker 5>to own ip and build shit that you that comes

1:22:24.680 --> 1:22:26.920
<v Speaker 5>from your brain, that can really come to real life

1:22:26.960 --> 1:22:29.120
<v Speaker 5>with this right company, with this right group that can

1:22:29.160 --> 1:22:32.599
<v Speaker 5>handle this ship. That's that's that's the trick. Of course.

1:22:32.680 --> 1:22:35.320
<v Speaker 5>Event Space is a venue. It's it's not a stadium,

1:22:35.360 --> 1:22:37.559
<v Speaker 5>but it ain't a club, so it's lit. We do

1:22:37.720 --> 1:22:40.759
<v Speaker 5>boxing stadiums and we can do boxing matches, faster shows.

1:22:40.760 --> 1:22:43.479
<v Speaker 5>It's that large, like it's like it's huge, but the

1:22:43.520 --> 1:22:48.400
<v Speaker 5>main focus is promotion, capture VR AR virtuality. One of

1:22:48.400 --> 1:22:50.519
<v Speaker 5>the owners created one of the owners that we play

1:22:50.600 --> 1:22:53.720
<v Speaker 5>creative virtual reality. So their screen is better than any

1:22:53.720 --> 1:22:56.880
<v Speaker 5>screen in Hollywood. So it's for movies. So like, I'll

1:22:56.880 --> 1:22:59.879
<v Speaker 5>look at y'all like Walt Disney, y'all niggas a songwriter,

1:23:00.120 --> 1:23:03.720
<v Speaker 5>bro your storytellers. But are we just gonna do it

1:23:03.720 --> 1:23:06.240
<v Speaker 5>in songs for three minutes? But we're gonna do it

1:23:06.280 --> 1:23:06.759
<v Speaker 5>in a movie.

1:23:06.840 --> 1:23:07.439
<v Speaker 1>But we're gonna do.

1:23:07.360 --> 1:23:09.720
<v Speaker 5>On cartoons or because we got eyes and ears, we

1:23:09.920 --> 1:23:12.559
<v Speaker 5>can't just hear it. Yeah, it's like, but but who's

1:23:12.600 --> 1:23:14.759
<v Speaker 5>going to be the first five niggas. That's my homies.

1:23:15.080 --> 1:23:17.800
<v Speaker 5>That's gonna really see this opportunity like Nick cann and

1:23:17.800 --> 1:23:20.240
<v Speaker 5>all these other niggas and take advantage of it and

1:23:20.280 --> 1:23:25.160
<v Speaker 5>really help the culture. So it's the time, guys.

1:23:27.120 --> 1:23:29.280
<v Speaker 6>Don't be like that's time I want to ask you

1:23:29.320 --> 1:23:32.840
<v Speaker 6>to It's something that you know, my father was very

1:23:33.200 --> 1:23:35.960
<v Speaker 6>instrumental in my career right and pushing me into you know,

1:23:36.000 --> 1:23:36.800
<v Speaker 6>what what.

1:23:36.520 --> 1:23:37.920
<v Speaker 1>Would I do and what we do.

1:23:39.479 --> 1:23:43.479
<v Speaker 6>That I didn't know that your father played such a

1:23:44.560 --> 1:23:47.400
<v Speaker 6>heavy role in what you're doing.

1:23:46.960 --> 1:23:51.120
<v Speaker 5>So I hired my dad ten years eight years ago

1:23:51.160 --> 1:23:54.880
<v Speaker 5>to work at the school teachers at the school he

1:23:55.439 --> 1:23:58.519
<v Speaker 5>I mean he does him and my sister teaches everybody vocals.

1:23:58.720 --> 1:24:01.120
<v Speaker 5>So they do all vocal to all the vocal training

1:24:01.720 --> 1:24:04.640
<v Speaker 5>for celebrities to students from the age of schools to

1:24:05.040 --> 1:24:07.280
<v Speaker 5>you know, all around the world. Like they know how

1:24:07.280 --> 1:24:12.280
<v Speaker 5>to really get you to understand your inside, understand the

1:24:12.320 --> 1:24:14.800
<v Speaker 5>power that you have inside and gives you the confidence.

1:24:14.800 --> 1:24:16.599
<v Speaker 5>And then my sister when it comes to the studio,

1:24:16.800 --> 1:24:19.240
<v Speaker 5>she's like female Kukrell, Like I don't even let no

1:24:19.640 --> 1:24:22.719
<v Speaker 5>nigga she has. I have to work with my sister

1:24:22.760 --> 1:24:25.800
<v Speaker 5>because she knows all the rules to break them. Like

1:24:25.920 --> 1:24:28.200
<v Speaker 5>literally she's been around her and we've all been in

1:24:28.280 --> 1:24:31.360
<v Speaker 5>the same school, so it's but it's a real family thing,

1:24:31.400 --> 1:24:34.120
<v Speaker 5>you know. But Pops has been I mean he's been

1:24:34.320 --> 1:24:37.800
<v Speaker 5>on deck. He was just his birthday yesterday. Yeah, so

1:24:37.880 --> 1:24:41.479
<v Speaker 5>happy birthday, Pops. But uh, that's that's where I get

1:24:41.479 --> 1:24:44.000
<v Speaker 5>my slack from man, and that's how I learned pool.

1:24:44.000 --> 1:24:46.679
<v Speaker 5>If anybody want to play pool and willing to invest

1:24:46.720 --> 1:24:49.679
<v Speaker 5>in yourselves, I'm taking cash up, crypto cash.

1:24:51.040 --> 1:24:57.360
<v Speaker 1>We got I know he did? I say, I see

1:24:57.400 --> 1:24:59.320
<v Speaker 1>what he's doing. Yeah, because he be posted to like

1:24:59.360 --> 1:25:00.240
<v Speaker 1>tricks doing.

1:25:00.600 --> 1:25:02.639
<v Speaker 5>I got a podcast, Did you get that? I'm gonna

1:25:02.640 --> 1:25:06.160
<v Speaker 5>need job. I'm gonna talk about how to how to

1:25:06.200 --> 1:25:08.720
<v Speaker 5>help the culture. And I'm whooping ass on pool and

1:25:08.760 --> 1:25:10.240
<v Speaker 5>saying did you get that? In your face?

1:25:14.479 --> 1:25:15.960
<v Speaker 1>I love that?

1:25:16.200 --> 1:25:20.799
<v Speaker 5>Double See that's the strike right there. I got.

1:25:20.880 --> 1:25:24.599
<v Speaker 3>I got love something at the house. Little a little table.

1:25:25.600 --> 1:25:29.160
<v Speaker 5>I gotta watch out take one of the like, okay, yeah,

1:25:30.880 --> 1:25:38.680
<v Speaker 5>a little work, brother, rats your top five R and

1:25:38.760 --> 1:25:49.679
<v Speaker 5>D singers, singers? Oh people, Sam Cook?

1:25:49.720 --> 1:25:52.320
<v Speaker 3>What you know about young Fellow?

1:25:52.680 --> 1:25:54.759
<v Speaker 5>You know about that Brandy?

1:25:56.000 --> 1:25:57.080
<v Speaker 1>Yeah?

1:25:58.439 --> 1:26:06.040
<v Speaker 5>Five R and B singer Uh damn uh, Michael Jackson,

1:26:07.720 --> 1:26:13.599
<v Speaker 5>Prince uh mm hmmm, Joe.

1:26:14.200 --> 1:26:19.120
<v Speaker 3>I like, I like good ballance ball, great great textures,

1:26:20.080 --> 1:26:21.000
<v Speaker 3>great textures.

1:26:21.760 --> 1:26:23.519
<v Speaker 1>It's a really tough list.

1:26:23.800 --> 1:26:27.479
<v Speaker 3>Tough list that Sam Cook was really it was really

1:26:28.720 --> 1:26:30.879
<v Speaker 3>you got you started with a monster.

1:26:31.439 --> 1:26:32.400
<v Speaker 1>I started.

1:26:34.720 --> 1:26:36.160
<v Speaker 3>Top five R and B songs.

1:26:37.360 --> 1:26:45.040
<v Speaker 5>Oh, all I do is think about You, Stevie Wonder

1:26:45.520 --> 1:26:48.400
<v Speaker 5>and fun Fact. That's Michael Jackson and Jeryl LeVert sing

1:26:48.400 --> 1:26:48.920
<v Speaker 5>in the background.

1:26:49.960 --> 1:26:51.080
<v Speaker 1>I know Michael Jackson was.

1:26:53.160 --> 1:26:57.120
<v Speaker 5>Look up the Yeah, yeah, listen to the high parts.

1:26:57.200 --> 1:26:57.400
<v Speaker 1>Mike.

1:26:57.880 --> 1:27:04.160
<v Speaker 5>Uh, pretty young thing. That's one of my favorite songs. Yeah,

1:27:04.720 --> 1:27:06.120
<v Speaker 5>half crazy music child.

1:27:08.960 --> 1:27:09.479
<v Speaker 1>Yes, yes.

1:27:09.520 --> 1:27:12.120
<v Speaker 3>I asked him about that song when he went to

1:27:12.240 --> 1:27:17.120
<v Speaker 3>ad lib at the end against against the scale of

1:27:17.160 --> 1:27:17.639
<v Speaker 3>the music.

1:27:17.680 --> 1:27:19.040
<v Speaker 1>He said, yeah, I was just being an.

1:27:23.320 --> 1:27:26.240
<v Speaker 5>You're it still feels right.

1:27:26.280 --> 1:27:30.000
<v Speaker 3>It's on of scale's like I just had to You're

1:27:30.040 --> 1:27:30.479
<v Speaker 3>a demon.

1:27:32.160 --> 1:27:33.760
<v Speaker 5>Oh my gosh.

1:27:35.200 --> 1:27:40.799
<v Speaker 6>Tweet come to my place, We love Love twet tweet

1:27:40.800 --> 1:27:44.080
<v Speaker 6>we waiting waiting come time.

1:27:47.600 --> 1:27:47.760
<v Speaker 4>Uh.

1:27:49.160 --> 1:27:52.320
<v Speaker 5>The Black Street album like anything from like anything?

1:27:52.720 --> 1:27:55.320
<v Speaker 1>That album was, Yeah, that was Teddy Teddy.

1:27:56.080 --> 1:27:59.599
<v Speaker 5>It's different. He's as a little for starting our whole career.

1:27:59.640 --> 1:28:03.679
<v Speaker 5>Thank you, Teddy Riley. We listened to that Black Street

1:28:03.720 --> 1:28:07.599
<v Speaker 5>album as a unit. I was signed a production company

1:28:07.640 --> 1:28:10.280
<v Speaker 5>Clifton Journal. All of us we set and listening to

1:28:10.600 --> 1:28:11.800
<v Speaker 5>listen to as a unit.

1:28:12.000 --> 1:28:14.559
<v Speaker 6>Yeah, it was like it was a proving ground for

1:28:14.640 --> 1:28:16.280
<v Speaker 6>him at that point because he had already done such

1:28:16.320 --> 1:28:18.280
<v Speaker 6>great things. But it had been a little bit a

1:28:18.320 --> 1:28:20.599
<v Speaker 6>little minute, and then he came back with Black Street.

1:28:20.640 --> 1:28:24.080
<v Speaker 1>It was like, this ship is incredible different.

1:28:24.200 --> 1:28:28.040
<v Speaker 3>You re reference that for everything exactly.

1:28:30.200 --> 1:28:30.439
<v Speaker 1>Nigga?

1:28:30.479 --> 1:28:32.720
<v Speaker 3>What did where did they they mixed this ship and

1:28:32.720 --> 1:28:33.360
<v Speaker 3>out of space?

1:28:33.520 --> 1:28:33.800
<v Speaker 1>Nigga?

1:28:33.840 --> 1:28:37.759
<v Speaker 3>What is this? Okay? All right, Okay, see your rants?

1:28:39.240 --> 1:28:43.599
<v Speaker 3>Do you have to more? Okay, here we go. Let's

1:28:43.600 --> 1:28:46.720
<v Speaker 3>make a Vulturon rants your Vultron, your super r and

1:28:46.760 --> 1:28:49.080
<v Speaker 3>b artists who you're going to get the vocal from,

1:28:49.560 --> 1:28:52.960
<v Speaker 3>the performance style, the styling, the passion of the artist,

1:28:53.160 --> 1:28:54.920
<v Speaker 3>and who's going to produce for this motherfucker?

1:28:55.479 --> 1:28:56.000
<v Speaker 5>What's the first one?

1:28:56.080 --> 1:28:57.880
<v Speaker 3>We start with the first one where you're gonna get

1:28:57.880 --> 1:29:00.839
<v Speaker 3>the vocal from one vocal for your super and the artists.

1:29:01.560 --> 1:29:06.240
<v Speaker 6>Jazmine selling, Yes, sir, the world knows how I feel

1:29:06.240 --> 1:29:07.799
<v Speaker 6>about Jazzon Selimon as a singer.

1:29:09.479 --> 1:29:10.920
<v Speaker 5>Love you jazzon seven.

1:29:10.880 --> 1:29:11.960
<v Speaker 1>She's nasty.

1:29:14.120 --> 1:29:17.400
<v Speaker 3>Were walking around with Jazmine Sulliman songs in our laptop

1:29:17.439 --> 1:29:18.760
<v Speaker 3>before she was even a thing.

1:29:20.320 --> 1:29:23.639
<v Speaker 1>See just like, do you hear this ship's different?

1:29:24.640 --> 1:29:28.880
<v Speaker 3>Young lady performance style stage.

1:29:31.120 --> 1:29:35.440
<v Speaker 5>Former style on stage Mike, mm hmmm.

1:29:35.800 --> 1:29:43.000
<v Speaker 3>Makes sense, makes sense. Styling the drip of the artist uniform.

1:29:42.479 --> 1:29:46.840
<v Speaker 1>For real, Yeah, niggas for real fly.

1:29:48.160 --> 1:29:55.519
<v Speaker 3>He's fly in in so many five year stretches where

1:29:56.120 --> 1:29:58.360
<v Speaker 3>to where he'll shift it advertary.

1:29:58.400 --> 1:29:59.840
<v Speaker 6>The first time I ever seen for real in person,

1:30:00.160 --> 1:30:02.920
<v Speaker 6>I didn't know who he was because they wasn't they

1:30:02.960 --> 1:30:04.679
<v Speaker 6>were at this time. I think they had just got

1:30:04.720 --> 1:30:07.960
<v Speaker 6>like a a song deal, an lecture and our label

1:30:08.080 --> 1:30:09.800
<v Speaker 6>whatever they were at a lectures when I was signed

1:30:09.800 --> 1:30:10.840
<v Speaker 6>to a Lecture Records.

1:30:11.120 --> 1:30:15.759
<v Speaker 1>And remember I was in New York. It's my first time.

1:30:15.600 --> 1:30:18.559
<v Speaker 6>As like an adult by myself in New York going

1:30:18.600 --> 1:30:23.920
<v Speaker 6>to take my little label meeting that nigga have a

1:30:24.000 --> 1:30:28.960
<v Speaker 6>furrow with no shirt early coming out of a record label.

1:30:30.400 --> 1:30:34.200
<v Speaker 6>I'm like, who the fuck is that? What is Asian partner?

1:30:35.800 --> 1:30:39.680
<v Speaker 6>It's different, first time I ever seen him. Yeah me

1:30:39.840 --> 1:30:45.439
<v Speaker 6>gone no shirt? That said oh yeah, And I remember,

1:30:45.760 --> 1:30:47.360
<v Speaker 6>you know that's one of those things and the musics

1:30:47.439 --> 1:30:51.799
<v Speaker 6>we know that like if somebody you gotta make people

1:30:52.040 --> 1:30:54.840
<v Speaker 6>ask who was that? It's The first thing I did

1:30:54.840 --> 1:30:56.160
<v Speaker 6>when I got stairs, I was like, yo, it was

1:30:56.160 --> 1:30:58.679
<v Speaker 6>something dude with like a fur coat on, and they.

1:30:58.680 --> 1:31:03.000
<v Speaker 1>Was like, yo, that nigga beats that nigga songwright. He crazy.

1:31:04.160 --> 1:31:06.080
<v Speaker 3>His name is like for Real or something like that.

1:31:07.320 --> 1:31:10.200
<v Speaker 3>The nigga keep it on. I never forgot it. I

1:31:10.240 --> 1:31:10.840
<v Speaker 3>never forgot it.

1:31:10.960 --> 1:31:13.200
<v Speaker 1>He shifts it.

1:31:13.360 --> 1:31:16.360
<v Speaker 6>But it's futuristic and relevant at the same time. That's

1:31:16.520 --> 1:31:18.880
<v Speaker 6>very tough tough to do, very very tough to do

1:31:19.000 --> 1:31:20.880
<v Speaker 6>because you look crazy trying to be futuristic.

1:31:22.040 --> 1:31:24.960
<v Speaker 3>The passion of your artists. Who's who mean it?

1:31:26.360 --> 1:31:37.479
<v Speaker 9>Mm hmm the passion Oh nipsey M absolutely meaning absolutely.

1:31:38.040 --> 1:31:41.840
<v Speaker 1>I heard the record one mm hmm. Come on, man,

1:31:41.960 --> 1:31:46.080
<v Speaker 1>he mean that ship? Ship? You mean that? I said

1:31:46.080 --> 1:31:47.280
<v Speaker 1>I'm in on just that alone.

1:31:48.120 --> 1:31:49.919
<v Speaker 3>You believe the man, I believe.

1:31:50.520 --> 1:31:51.280
<v Speaker 5>I can believe what.

1:31:53.640 --> 1:31:58.719
<v Speaker 3>We watch as much.

1:31:59.360 --> 1:32:04.160
<v Speaker 1>Who produceing for this artist? Ship?

1:32:04.240 --> 1:32:07.639
<v Speaker 5>If I did it, it'd really be crazy.

1:32:07.920 --> 1:32:11.680
<v Speaker 1>You'll be directed, Tom.

1:32:12.240 --> 1:32:15.120
<v Speaker 5>We're man, I got friends. We're gonna collect all the

1:32:15.120 --> 1:32:16.840
<v Speaker 5>money to not.

1:32:19.479 --> 1:32:25.719
<v Speaker 1>Let's know, but have it no other way, not this ship.

1:32:27.560 --> 1:32:31.679
<v Speaker 8>Yeah, that by very important part of the show. Will

1:32:31.720 --> 1:32:35.439
<v Speaker 8>you tell us the story funny of Funked up, funny

1:32:35.520 --> 1:32:36.400
<v Speaker 8>and fucked up.

1:32:37.240 --> 1:32:40.479
<v Speaker 1>The only rude to the game. You can't say no name.

1:32:41.000 --> 1:32:44.160
<v Speaker 5>I can't say no name, no names, and I can't

1:32:44.200 --> 1:32:50.840
<v Speaker 5>say no name the one case, Well, well I got

1:32:50.240 --> 1:32:52.920
<v Speaker 5>a listen, you wanna tell us a couple of stories.

1:32:54.360 --> 1:32:57.920
<v Speaker 5>I'll start off with it's a super producer that inspired

1:32:57.960 --> 1:33:04.120
<v Speaker 5>me because he didn't want to teach me Ableton and

1:33:04.800 --> 1:33:07.160
<v Speaker 5>to the point to where like I was like, damn,

1:33:07.240 --> 1:33:10.479
<v Speaker 5>how do you get your drums to go? Like keep

1:33:10.520 --> 1:33:13.400
<v Speaker 5>going like and you're not doing nothing. I walked over

1:33:13.439 --> 1:33:20.839
<v Speaker 5>there and niggas lid its computer too. I'm like, oh, ship,

1:33:21.400 --> 1:33:23.880
<v Speaker 5>I've never experienced a real life hater in my life.

1:33:24.520 --> 1:33:27.160
<v Speaker 5>This is really happening. So I couldn't do nothing but

1:33:27.240 --> 1:33:30.679
<v Speaker 5>respect it. From there, I want to learn. I learned

1:33:30.680 --> 1:33:34.040
<v Speaker 5>able To. Then me and James started school to teach

1:33:34.040 --> 1:33:38.920
<v Speaker 5>Ableton and we've made so much people money from Ableton.

1:33:40.160 --> 1:33:43.519
<v Speaker 5>In respect to that bitch Asz nigga, but I'll never

1:33:43.600 --> 1:33:45.880
<v Speaker 5>say his name. Respect you.

1:33:46.040 --> 1:33:48.559
<v Speaker 1>My God made you made.

1:33:48.360 --> 1:33:54.240
<v Speaker 5>You inspired me that nigga did. I leave with him

1:33:54.240 --> 1:33:56.840
<v Speaker 5>and then he just I'm like, oh, this is sick,

1:33:57.400 --> 1:34:01.519
<v Speaker 5>but thank thank you. Yeah, you knew we was after

1:34:01.560 --> 1:34:03.599
<v Speaker 5>we figured that out. It's over because able to at

1:34:03.600 --> 1:34:07.200
<v Speaker 5>that time able. It was just DJ isn't able to,

1:34:07.760 --> 1:34:10.200
<v Speaker 5>Like the culture of black people didn't figure out that

1:34:10.280 --> 1:34:12.320
<v Speaker 5>you could. That could change the trajectory of your life

1:34:12.360 --> 1:34:13.919
<v Speaker 5>if you really understand this program.

1:34:14.000 --> 1:34:17.280
<v Speaker 3>Yeah he knew that. Is that what you'all now?

1:34:17.479 --> 1:34:18.800
<v Speaker 5>Motherfucking right? Yeah?

1:34:18.880 --> 1:34:19.760
<v Speaker 1>Yeah, it's like that.

1:34:19.840 --> 1:34:23.800
<v Speaker 5>It's life changing. I dare you. It's like, I dare you.

1:34:23.920 --> 1:34:25.720
<v Speaker 5>It's a dare. I ain't dare to grow man in

1:34:25.720 --> 1:34:30.160
<v Speaker 5>a long time. Trust me, Yeah, trust me, bro. It

1:34:30.200 --> 1:34:32.840
<v Speaker 5>does things that you can do for sure. It does

1:34:32.880 --> 1:34:35.000
<v Speaker 5>things that you can't do, that you possibly can't even

1:34:35.040 --> 1:34:37.920
<v Speaker 5>think about. Like it's and it's fast. I spend more

1:34:38.000 --> 1:34:41.040
<v Speaker 5>time with the family. I'm just faster.

1:34:41.320 --> 1:34:42.320
<v Speaker 1>I need to come to school.

1:34:42.360 --> 1:34:45.600
<v Speaker 5>I dare you, bro, we got to Our school is

1:34:45.640 --> 1:34:48.160
<v Speaker 5>a school that che colds. Our two teachers at the

1:34:48.200 --> 1:34:50.240
<v Speaker 5>school are the able to master, is the only able

1:34:50.280 --> 1:34:54.800
<v Speaker 5>to certify masters. And out here what like it's everybody's

1:34:55.600 --> 1:34:57.200
<v Speaker 5>just come hang out. We're gonna have some fun. We

1:34:57.200 --> 1:35:02.560
<v Speaker 5>got certified as Yeah, it's serious, it's serious.

1:35:02.840 --> 1:35:04.840
<v Speaker 1>I'm coming. That's who you should learn from.

1:35:05.439 --> 1:35:08.320
<v Speaker 3>I'm coming to take the class on my mama.

1:35:09.560 --> 1:35:11.240
<v Speaker 1>That's great. That is great.

1:35:12.240 --> 1:35:13.400
<v Speaker 3>Nigga leaned his computer.

1:35:14.479 --> 1:35:15.400
<v Speaker 1>One nigga.

1:35:17.880 --> 1:35:21.000
<v Speaker 5>Changed our whole ship. I remember the time. It was

1:35:21.040 --> 1:35:26.040
<v Speaker 5>an an R. He's another weird nigga. But uh me

1:35:26.080 --> 1:35:29.680
<v Speaker 5>and James, well, actually I was playing some music and

1:35:29.720 --> 1:35:33.479
<v Speaker 5>he was like, it's too West Coast, he'll never make it.

1:35:33.479 --> 1:35:36.840
<v Speaker 5>Say the same thing that the homie told us that

1:35:36.840 --> 1:35:39.800
<v Speaker 5>our songs are just wasn't good enough, not knowing that

1:35:39.840 --> 1:35:43.599
<v Speaker 5>this nigga already had hits. That was the funny part.

1:35:45.120 --> 1:35:49.400
<v Speaker 5>But he told me that. Three years later. I seen

1:35:49.479 --> 1:35:52.080
<v Speaker 5>him again and I charged him so much money. He

1:35:52.200 --> 1:35:55.320
<v Speaker 5>had to tell me, No, I did it on purpose

1:35:56.320 --> 1:35:58.200
<v Speaker 5>because once a bit jazz nigga has a bitch ass

1:35:58.280 --> 1:36:01.040
<v Speaker 5>nigg you always let him live, even for publishing. Some

1:36:01.080 --> 1:36:03.640
<v Speaker 5>of y'all niggas know y'all don't deserve the publisher that

1:36:03.720 --> 1:36:07.800
<v Speaker 5>y'all get, But y'all want that back. You can have it,

1:36:08.320 --> 1:36:11.400
<v Speaker 5>and you know, I just no more.

1:36:13.400 --> 1:36:14.880
<v Speaker 1>You realize what your value is.

1:36:15.160 --> 1:36:18.280
<v Speaker 5>Yeah, it's like nothing that serious to do some weird

1:36:18.320 --> 1:36:21.799
<v Speaker 5>ship to fuck up your future with the next situation

1:36:22.120 --> 1:36:26.000
<v Speaker 5>with the human nothing that you know, So never make

1:36:26.080 --> 1:36:28.360
<v Speaker 5>desperate decisions. I always make decisions like I got it

1:36:29.120 --> 1:36:31.759
<v Speaker 5>a lot of money in my pocket even if I didn't.

1:36:33.880 --> 1:36:37.120
<v Speaker 1>We brother, we're proud of you, Sha nigga, thank you,

1:36:38.000 --> 1:36:40.240
<v Speaker 1>thank you. Hey.

1:36:41.000 --> 1:36:45.680
<v Speaker 3>We started off teaching you, now you're teaching us. Now

1:36:45.680 --> 1:36:48.880
<v Speaker 3>we got to come back to your school that's was

1:36:48.920 --> 1:36:52.840
<v Speaker 3>supposed to be. We're humble enough to say that.

1:36:53.080 --> 1:36:54.000
<v Speaker 5>Man, I appreciate you.

1:36:54.200 --> 1:36:57.400
<v Speaker 3>Bro. We salute y'all and you and you all and

1:36:57.439 --> 1:37:00.640
<v Speaker 3>everything that you guys are doing and saluteed. We supported,

1:37:00.680 --> 1:37:04.240
<v Speaker 3>and we celebrate it more importantly even when you're not around.

1:37:04.760 --> 1:37:07.439
<v Speaker 3>Celebrate for real broad conversations that we have tank to

1:37:07.520 --> 1:37:07.880
<v Speaker 3>tell you.

1:37:08.120 --> 1:37:11.360
<v Speaker 1>He said it earlier. We can't wait to talk about

1:37:11.560 --> 1:37:16.640
<v Speaker 1>us homies got this or that? Then my niggas and

1:37:16.920 --> 1:37:18.360
<v Speaker 1>the like.

1:37:18.760 --> 1:37:22.760
<v Speaker 6>That is what we're supposed to be doing, all of us.

1:37:22.760 --> 1:37:25.840
<v Speaker 6>We're supposed to be celebrating each other even when we're

1:37:25.880 --> 1:37:29.560
<v Speaker 6>not in the room. Right Somebody tell me, man, I

1:37:29.680 --> 1:37:31.519
<v Speaker 6>ran the rinks. He was telling me how he was

1:37:31.560 --> 1:37:32.920
<v Speaker 6>excited to do your podcast.

1:37:32.960 --> 1:37:33.519
<v Speaker 1>That means.

1:37:35.280 --> 1:37:38.720
<v Speaker 3>People, that's what I call it. This thing forget. I

1:37:38.760 --> 1:37:41.120
<v Speaker 3>say that all the time. I said evil has an army.

1:37:41.800 --> 1:37:45.120
<v Speaker 3>Love needs one. To come on, sir, come on, we

1:37:45.120 --> 1:37:51.400
<v Speaker 3>wouldn't kill for ours too. That's it, ship man. My

1:37:51.479 --> 1:37:54.040
<v Speaker 3>name is Tank Valentine and this is the R and

1:37:54.080 --> 1:37:58.280
<v Speaker 3>B Money Podcast, The authority on all things R and B,

1:37:58.920 --> 1:38:11.400
<v Speaker 3>all things singers, songwriter, musician, producer, performer, publishing, what br a.

1:38:13.560 --> 1:38:13.960
<v Speaker 1>Brand?

1:38:14.080 --> 1:38:23.440
<v Speaker 3>Laws for the Education Masters, Delaware Law.

1:38:24.280 --> 1:38:28.040
<v Speaker 1>Listen, man, rhythm, business, Rhythm in business. You don't got

1:38:28.080 --> 1:38:29.800
<v Speaker 1>to be blues no more. We don't got to be

1:38:29.880 --> 1:38:33.200
<v Speaker 1>living in more. Rhythm rhythm in business.

1:38:33.320 --> 1:38:36.519
<v Speaker 3>Sitting right here in the hot seat, our brother France fifteen.

1:38:37.200 --> 1:38:40.240
<v Speaker 1>Yeah, we say time, man,